WEBVTT - SYSK Selects: How Human Cannonballs Work

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<v Speaker 1>Hi everyone, it's Saturday and it's Chuck with a little

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<v Speaker 1>Saturday Select episode for you. I dug deep in the archives.

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<v Speaker 1>Everyone to talk about human cannonballs. That's part of our

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<v Speaker 1>Circus Suite Circus Arts, sweet rather and uh it's good

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<v Speaker 1>stuff How human Cannonballs Work from July two thousand eleven,

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<v Speaker 1>an only bit of goody. Welcome to Stuff you should know,

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<v Speaker 1>a production of My Heart Radios How Stuff Works Kaboom

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<v Speaker 1>and welcome to the podcast. I'm Josh Clark, There's Charles W.

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<v Speaker 1>Chuck Bryant. What are you doing? How you doing the cheeks? Huh?

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<v Speaker 1>Have you ever captured that? Yeah? We did it once

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<v Speaker 1>and then people have asked occasionally like dude, the cheap

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<v Speaker 1>thing again? And I don't want to. I want to

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<v Speaker 1>do it like once every hundred and fifty shows. Literally

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<v Speaker 1>that's a good that's a good pace. I don't want

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<v Speaker 1>to overdo that. So that's that'll be the third time

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<v Speaker 1>soon coming up, I think so. Yeah. Sure for fifty

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<v Speaker 1>right around the corner had around a company. Um, chuckers,

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<v Speaker 1>have you ever had kaboom cereal? No, dude, it was

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<v Speaker 1>that was such a thing good. Um, No, it wasn't

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<v Speaker 1>good the marshmallows were good. They it was basically like

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<v Speaker 1>lucky Charms. I don't know who ripped off who, but

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<v Speaker 1>it was clown themed rather than you know, irish themed.

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<v Speaker 1>That's genius. Yeah. But there was a clown on front

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<v Speaker 1>and he had a cannon, and that's where the name

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<v Speaker 1>came from. Kaboom. It was a circus clown circus canon.

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<v Speaker 1>But then they realized clowns were scary as heck most people,

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<v Speaker 1>so it failed miserably. I wrote this blog post recently.

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<v Speaker 1>Did you read it about it? Yeah, that's the clown

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<v Speaker 1>giving clown therapy. People seem to like it too. Yeah,

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<v Speaker 1>I thought it was a nice one. Um, that wasn't

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<v Speaker 1>my intro. My intro was about Hunter te. Oh well,

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<v Speaker 1>let's hear it. Do you remember, well, sure you're probably

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<v Speaker 1>gonna reference his death wish. Yes, so he you know,

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<v Speaker 1>he comes down with the cancer and um shoots himself

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<v Speaker 1>in the head and we're ardless of how you feel

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<v Speaker 1>about suicide. What happened next was his um As you said,

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<v Speaker 1>I guess his death wish, which he made in life. Ironically. Yeah,

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<v Speaker 1>there's two kinds of death wishes. There's a wish that

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<v Speaker 1>you make upon your death that you would like for

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<v Speaker 1>things to happen after you die. And then there's the

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<v Speaker 1>jolly Brunson death. Wish nice good good Chuck Fron, Well,

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<v Speaker 1>that's a Simpsons character too, but it's the Simpson's character,

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<v Speaker 1>the mustachioed sales clerk. Yes, but he clearly references GERALDS Brunson. Yeah. Um. Anyway,

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<v Speaker 1>what happened to Hunter T was he Um, he he

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<v Speaker 1>was cremated and he had his remains shot out of

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<v Speaker 1>a cannon. Have you seen it? Yeah? Thanks to Johnny

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<v Speaker 1>Depp helped that dream come true because he has tons

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<v Speaker 1>and tons of money to make that happen. Yes, he does.

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<v Speaker 1>It was quite a cannon too. Um. And we've talked

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<v Speaker 1>before about how I want my dead body shot out

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<v Speaker 1>of a cannon. We have indeed, Um, I'm not so

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<v Speaker 1>sure anymore. Maybe who knows? It would be after reading

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<v Speaker 1>this article and the physical requirements. It would be kind

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<v Speaker 1>of gruesome. It wouldn't be like unless they stiffened you

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<v Speaker 1>up somehow, you would come out in a big like

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<v Speaker 1>a dead body wood. That's what I've always imagined though,

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<v Speaker 1>that's what I see flying through the air. I thought

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<v Speaker 1>you saw yourself like shooting through a rocket towards the storm. No,

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<v Speaker 1>like flopping like through the air and doing like half

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<v Speaker 1>somersaults and twists where you think it's gonna be naked too.

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<v Speaker 1>I was gonna land on the Kansas Prairie and let

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<v Speaker 1>the vultures finish me off. All right, we'll see an idea.

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<v Speaker 1>Bring it. I got a backyard for you. I think

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<v Speaker 1>that's how we met coop um he he offered. He

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<v Speaker 1>was like, hey, I I live in Kansas and I

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<v Speaker 1>can get this done. Yeah, alright, so we'll see. But

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<v Speaker 1>I think that that's an image that people can have

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<v Speaker 1>in their head while we talk about how human cannonballs work, right,

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<v Speaker 1>because like you said, there's a lot to it, but

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<v Speaker 1>one of the things that's not to it. And I

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<v Speaker 1>think it's funny that um people wonder how this how

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<v Speaker 1>you can shoot somebody out of a cannon and the

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<v Speaker 1>gunpowder doesn't blow them up. There's no gunpowder, of course,

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<v Speaker 1>there's not. I don't understand how someone cannot understand that intuitively, Yeah,

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<v Speaker 1>because I think people want to believe that they're being

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<v Speaker 1>fired out of a cannon instead of a a long

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<v Speaker 1>uh piston enclosed in a in a tube with a

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<v Speaker 1>fake boom in a flash, Yes, for effect. Okay, so

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<v Speaker 1>I guess it's the fake boom in the flash. They're

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<v Speaker 1>they're buying it. Yeah, well that's the idea from the beginning,

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<v Speaker 1>that was the idea. So yes, And it has long roots, indeed,

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<v Speaker 1>back to the nineteenth century, back to the UK, which,

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<v Speaker 1>by the way, I've noticed, did you notice from like

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<v Speaker 1>this article in doing any supplementary research, the UK is

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<v Speaker 1>big into human cannonballs. I think they're big on just

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<v Speaker 1>this whole circus experience. Okay, they were the original Showman. Yeah, sure,

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<v Speaker 1>they own the world. Yeah, it's you know, and they

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<v Speaker 1>sold it. And when you own the world, you have

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<v Speaker 1>an obligation to entertain the world, and they did so

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<v Speaker 1>by human cannonballs. Specifically, something called the projector. Is the

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<v Speaker 1>is the I guess grandfather of the human cannon ball cannon, right, yeah,

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<v Speaker 1>the Farini project or eight seventy one, George Farini. Basically

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<v Speaker 1>it was like a more like a catapult, like a

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<v Speaker 1>spatula that would just flip people and stop and people

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<v Speaker 1>would go flopping and flying through the air. Yeah, and

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<v Speaker 1>they oh god, I regret this. Yeah. Uh. Specifically Lulu

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<v Speaker 1>Um who was a man dressed as a woman, because

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<v Speaker 1>that always adds to the comic effect. Right, put a

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<v Speaker 1>dude in address and he was the first person in

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<v Speaker 1>America to get flapjacked with Farini's contraption. There. Yeah, and

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<v Speaker 1>not only did he do that, he was he sailed

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<v Speaker 1>thirty ft into the air. And um was caught by

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<v Speaker 1>someone on a trapeeze. So as we go through this,

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<v Speaker 1>I don't want any just think about my dead body

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<v Speaker 1>being shot onto the Kansas Prairie. Um, I want you

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<v Speaker 1>to think about how difficult it is to catch somebody

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<v Speaker 1>on a trapeez who's just been shot out of a cannon.

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<v Speaker 1>While you're on a trapeeze. You're swinging it just the

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<v Speaker 1>right point, hitting him just the right way, and then

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<v Speaker 1>taking their for momentum and yanking him another way on

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<v Speaker 1>the trapeeze. Yeah. Well this um, in fairness, Lulu wasn't

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<v Speaker 1>caught by someone. She he just actually grabbed hold of

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<v Speaker 1>the trapeeze. But there are people later on in this

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<v Speaker 1>article who were caught by people on the trampeze. I

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<v Speaker 1>just want to get that. So someone out there was like, no, no, Lulu.

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<v Speaker 1>I wonder there'd be one person who knew that. UM,

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<v Speaker 1>So the Ferini projector was invented in eight seventy one.

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<v Speaker 1>It was obsolete by eighteen eight. Because this is the

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<v Speaker 1>year that a fourteen year old girl named Rosa Marie

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<v Speaker 1>Richter whose stage name was zazzle a right, great great

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<v Speaker 1>grandmother to Andy Richter. No, I'm just kidding, okay, um,

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<v Speaker 1>great stage name though, right, she's fourteen. Um, and she,

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<v Speaker 1>at the behest of one P. T. Barnum climbed into

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<v Speaker 1>the first cannon, human cannonball cannon um that that is

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<v Speaker 1>designed like today's modern cannons. Well yea, and she was

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<v Speaker 1>shot out of it and um shortly after that, within

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<v Speaker 1>a few performances, she broke her back and was the

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<v Speaker 1>first casualty of the human cannonball in this first the

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<v Speaker 1>first cannon used the springs, and they employed the blast

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<v Speaker 1>the fire in the in the boom to make people

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<v Speaker 1>thinking back then they probably really bought it. Oh yeah,

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<v Speaker 1>how bad. You know people are so dumb back then. Uh.

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<v Speaker 1>And there's a very famous picture of her climbing into

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<v Speaker 1>the cannon. It's called like beautiful girl and huge gun

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<v Speaker 1>or something like that. I thought that our fore fathers

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<v Speaker 1>like invented everything and like built the world and we're like,

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<v Speaker 1>they're so dumb. What a bunch of stupid people. Yeah,

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<v Speaker 1>well it's harder and harder to build and discover new

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<v Speaker 1>things now because they're all that was all the easy stuff,

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<v Speaker 1>Like you and I could have discovered all this stuff

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<v Speaker 1>right now, it's just more and more difficult. You have

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<v Speaker 1>to really look for subtlety, right yea, so we say,

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<v Speaker 1>thanks to no one. Yeah, um, so the the late

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<v Speaker 1>nineteenth century, is this the human cannonball idea just takes

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<v Speaker 1>off right thanks to Dazzle, thanks to George Loyal. He

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<v Speaker 1>was the one who was shot out of a cannon

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<v Speaker 1>and would be caught by a woman on a trap

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<v Speaker 1>at the Yankee Robinson Circus. Right, yes, that's incredibly difficult,

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<v Speaker 1>it is. And you think about it, like, I think

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<v Speaker 1>I've even seen that before, like in person, at at

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<v Speaker 1>a circus when I was a kid. Um, But now

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<v Speaker 1>that I've researched and read the some like, I can't

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<v Speaker 1>imagine how difficult that has to be, how everything has

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<v Speaker 1>to be totally precise, and that these circus performers must

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<v Speaker 1>spend like all day practicing every day just to make sure. Yeah,

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<v Speaker 1>and not just to the timing. There's a lot of

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<v Speaker 1>other stuff that you have to take into account. Right,

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<v Speaker 1>It's right, it's not just get in this cannon. We're

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<v Speaker 1>gonna push you out, no josh, because the little sled

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<v Speaker 1>that you're basically in goes forward at a force of

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<v Speaker 1>three thousand and six thousand pounds per square inch of pressure. Right,

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<v Speaker 1>that we should say, compressed air is now the the

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<v Speaker 1>preferred means of shooting that little piston forward. Right, and

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<v Speaker 1>you're in a little capsule like imagine um Mark's egg,

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<v Speaker 1>but with the top cut off, so you're not you're

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<v Speaker 1>in the in the barrel in what amounts to a barrel,

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<v Speaker 1>a bullet in the barrel, a bullet with the top

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<v Speaker 1>cut off, and um that bullet is attached to the cannon.

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<v Speaker 1>So when the when the compressed air shot shots it out,

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<v Speaker 1>the cannon stops, but you keep going, that's right. But

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<v Speaker 1>it shoots you out at a what did you say,

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<v Speaker 1>like three thousand to six thousand pounds per square inch

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<v Speaker 1>of pressure? Yeah, yeah, that produces some some force. That's

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<v Speaker 1>a lot. And that's why you can't just be like

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<v Speaker 1>all limp. You know, that would crush you. You know,

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<v Speaker 1>you have to be extremely strong and rigid and your

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<v Speaker 1>legs have to be taught. Like. You can't just be

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<v Speaker 1>like all right, shoot shoot it off, or like your

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<v Speaker 1>dead body. That's why it would be so gruesome. Yeah,

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<v Speaker 1>I wonder if I just explode in blood at the

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<v Speaker 1>end of the cannon. I don't know. Maybe, But with

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<v Speaker 1>with the big daddy cannons these days, you can go

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<v Speaker 1>horizontally about two hundred feet or vertically, which they say

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<v Speaker 1>that's where the ooze and odds come from, as high

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<v Speaker 1>as two hundred feet uh and then speeds up to

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<v Speaker 1>sixty to seventy right, So you're hauling, you are hauling. Um,

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<v Speaker 1>you're also under some tremendous force, right oh yes, so yeah,

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<v Speaker 1>you've got about nine g s during launch and twelve

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<v Speaker 1>jeez an impact and we'll talk about that later. But

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<v Speaker 1>chuck the dodon paw right, it's a roller coaster in Japan.

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<v Speaker 1>It has the highest acceleration. Um, it's a two point

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<v Speaker 1>seven geesez yeah, so imagine nine right, Yeah, this is

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<v Speaker 1>a this is a this is you're putting this human

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<v Speaker 1>body under a lot of stress, right then, yes, and

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<v Speaker 1>you fly out a long way and that's why you

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<v Speaker 1>have to take into account the things we briefly mentioned

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<v Speaker 1>like wind speed, body weight, obstacles like the guy wires

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<v Speaker 1>and the tent for the net and the poles for

0:11:38.440 --> 0:11:41.360
<v Speaker 1>the for the tent, And we also we mentioned that

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<v Speaker 1>in Sniper. Remember we're talking about the bullet trajectory, and

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<v Speaker 1>they have to take into account like humidity. So do

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<v Speaker 1>people who set up human cannonball cannons. And usually I

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<v Speaker 1>get the impression the human cannonball is the manager in

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<v Speaker 1>charge of this whole act. They don't just come out

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<v Speaker 1>and they're like, all right, I'll get in it. Alreadys

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<v Speaker 1>did it? Yeah, And some carnie like puts out a cigarette.

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<v Speaker 1>It's like it looks good to me. Uh now that's

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<v Speaker 1>not the case. Um. A lot of planning goes in

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<v Speaker 1>because they make a point. It's pretty easy to get

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<v Speaker 1>into a cannon and get shot out, although like we said,

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<v Speaker 1>you gotta be really strong and stuff. But the landing

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<v Speaker 1>part is the crucial part, obviously, because of fifty byt

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<v Speaker 1>net might look pretty big when you're standing on it,

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<v Speaker 1>but when you're two hundred feet away and two hundred

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<v Speaker 1>feet up, it might look like a postage stamp to you.

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<v Speaker 1>And I mean, this is a big deal, and you

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<v Speaker 1>want to hit that net. You you want to hit

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<v Speaker 1>it in just the right place to sure um. Yeah,

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<v Speaker 1>so to make sure that the person hits the net,

0:12:39.600 --> 0:12:42.360
<v Speaker 1>um test dummies are used. A test dummy is a

0:12:42.440 --> 0:12:45.640
<v Speaker 1>human cannonball's best friend, because you can shoot a test

0:12:45.679 --> 0:12:47.720
<v Speaker 1>dummy out as much as you want until you figure

0:12:47.760 --> 0:12:50.559
<v Speaker 1>out whether or not you've got the barrel trajectory just right.

0:12:50.800 --> 0:12:55.600
<v Speaker 1>The temperature is a problem, what have you adjustments early? Right?

0:12:55.679 --> 0:12:57.960
<v Speaker 1>And so they just shoot a test dummy at the

0:12:58.000 --> 0:13:00.000
<v Speaker 1>net until they have it just right, and then they

0:13:00.080 --> 0:13:02.760
<v Speaker 1>they I guess they feel that they're confident they're going

0:13:02.840 --> 0:13:04.880
<v Speaker 1>to try their luck at it. Yeah, And like you said,

0:13:04.880 --> 0:13:06.800
<v Speaker 1>you got to hit the net at the proper place too,

0:13:06.880 --> 0:13:09.559
<v Speaker 1>which is generally the real third because when you hit

0:13:09.600 --> 0:13:11.920
<v Speaker 1>something going down in an angle like that, you're going

0:13:11.960 --> 0:13:15.760
<v Speaker 1>to bounce backwards, not like pop straight up or go forward, right,

0:13:15.840 --> 0:13:17.480
<v Speaker 1>So you don't want to hit it on the first

0:13:17.520 --> 0:13:20.520
<v Speaker 1>third because then you'll bounce backwards off the net. So yeah,

0:13:20.559 --> 0:13:53.199
<v Speaker 1>it's pretty specific. It is things like so, Chuck, who

0:13:53.240 --> 0:13:59.960
<v Speaker 1>does this crazy circus people? Circus families. It's always families. Yeah,

0:14:00.160 --> 0:14:03.360
<v Speaker 1>you know, like once you get into circus, then you've

0:14:03.400 --> 0:14:05.360
<v Speaker 1>almost guaranteed that your kid is going to do that.

0:14:07.040 --> 0:14:09.120
<v Speaker 1>So you want to talk about some of them, Well, yeah,

0:14:09.320 --> 0:14:11.600
<v Speaker 1>the one I think I've heard of these people even

0:14:11.640 --> 0:14:18.320
<v Speaker 1>before this, um, this article. But the Zucchini family Zacchini

0:14:18.600 --> 0:14:22.680
<v Speaker 1>zucchini zucchinis, Zacchinis have been doing uh while They've been

0:14:22.680 --> 0:14:25.920
<v Speaker 1>performing in circuses since the nineteen twenties and apparently they

0:14:25.920 --> 0:14:29.160
<v Speaker 1>stopped in the nineties. They're like, seventy years is enough

0:14:29.160 --> 0:14:32.640
<v Speaker 1>for us, the Zacchinis are hanging up our little fancy shoes,

0:14:32.840 --> 0:14:36.680
<v Speaker 1>right uh. And in that time, um, there were seven

0:14:36.720 --> 0:14:40.560
<v Speaker 1>brothers in the family. Five of them became human cannonballs.

0:14:41.080 --> 0:14:43.920
<v Speaker 1>And that's just the brothers. There was also a sister

0:14:44.240 --> 0:14:47.120
<v Speaker 1>to who did human cannonballing. Yeah. I'm just dying to

0:14:47.160 --> 0:14:51.160
<v Speaker 1>know what those other two dudes. It's like, yeah, Eli

0:14:51.280 --> 0:14:57.040
<v Speaker 1>and Peyton Manning's brother that most people go, there's another brother, right, like, well,

0:14:57.080 --> 0:14:59.920
<v Speaker 1>what does he do? He he's the oldest, whdn't he

0:15:00.160 --> 0:15:01.760
<v Speaker 1>and he used to like he was like a big

0:15:01.800 --> 0:15:04.080
<v Speaker 1>man on campus at Old Miss. But that was it,

0:15:04.560 --> 0:15:07.720
<v Speaker 1>he didn't he just parted then play football though, So

0:15:07.880 --> 0:15:14.840
<v Speaker 1>he's not beloved by his father Archie. Yeah, so not true.

0:15:14.880 --> 0:15:19.760
<v Speaker 1>Probably Uh, they worked with the Ringling brothers, the Zucchini's did,

0:15:20.160 --> 0:15:23.560
<v Speaker 1>who obviously a big name in circuses, and uh, they

0:15:23.560 --> 0:15:26.760
<v Speaker 1>sort of pushed the envelope Hugo and Victor. The brothers

0:15:26.880 --> 0:15:30.680
<v Speaker 1>did a little double barrel gag that went over pretty well.

0:15:31.040 --> 0:15:35.720
<v Speaker 1>And Mario, uh would get shot over Ferris wheels, like

0:15:35.720 --> 0:15:40.280
<v Speaker 1>two Ferris wheels, Mario Zucchini, two fairest wheels, not on

0:15:40.360 --> 0:15:44.320
<v Speaker 1>top of one another, no one after the other. It's

0:15:44.440 --> 0:15:51.120
<v Speaker 1>quite quite a feat. And then um, John Weiss human bullet. Yeah,

0:15:51.200 --> 0:15:54.040
<v Speaker 1>he started out as a clown apparently really he did

0:15:54.080 --> 0:15:57.840
<v Speaker 1>five years as a clown and then made the very

0:15:57.920 --> 0:16:01.480
<v Speaker 1>rare jump to human cannonball. From clown to cannonball this

0:16:01.560 --> 0:16:06.800
<v Speaker 1>year and apparently his first first shot sent him six

0:16:06.840 --> 0:16:11.960
<v Speaker 1>ft really yeah, yeah, that was his first one. Did

0:16:11.960 --> 0:16:13.840
<v Speaker 1>you do it as a clown? Do you know? I

0:16:14.720 --> 0:16:16.320
<v Speaker 1>think that that would have been a mockery to the

0:16:16.400 --> 0:16:21.240
<v Speaker 1>human cannonball um tradition. Okay, yeah, I don't want to

0:16:21.240 --> 0:16:24.280
<v Speaker 1>do that. And then there's the Smith family, also a

0:16:24.360 --> 0:16:28.200
<v Speaker 1>very popular circus cannonball family. Did you talk about John Weiss, Well,

0:16:28.240 --> 0:16:31.680
<v Speaker 1>he was he was one of the most prolific cannonballers yeah,

0:16:31.920 --> 0:16:34.520
<v Speaker 1>did he die doing it? No? Okay, did you mention

0:16:34.600 --> 0:16:37.480
<v Speaker 1>how many times he's done it? No? Five thousand. That

0:16:37.680 --> 0:16:40.000
<v Speaker 1>is a lot of time to be shot out of

0:16:40.040 --> 0:16:41.800
<v Speaker 1>a cannon. I did just kind of breeze over that

0:16:42.760 --> 0:16:47.000
<v Speaker 1>five thousand times and he started in seven. Yeah, so

0:16:47.040 --> 0:16:49.440
<v Speaker 1>he was doing it for a little while there. For years.

0:16:49.480 --> 0:16:52.000
<v Speaker 1>I guess he was doing it once a day, six

0:16:52.080 --> 0:16:55.000
<v Speaker 1>days a week, fifty weeks a year. Yeah, you're right,

0:16:55.000 --> 0:16:56.960
<v Speaker 1>that's a lot of blasts. It is a lot. That's

0:16:56.960 --> 0:16:59.440
<v Speaker 1>a lot of I mean, especially what we know about

0:16:59.480 --> 0:17:03.720
<v Speaker 1>what the pressure it exerts on a body. I mean,

0:17:03.760 --> 0:17:07.000
<v Speaker 1>that's that's rough work. Yeah, and it's uh, I mean

0:17:07.040 --> 0:17:09.920
<v Speaker 1>we've pointed out how it is safe. But more than

0:17:09.960 --> 0:17:12.760
<v Speaker 1>thirty people have died doing this over the years. Okay,

0:17:12.840 --> 0:17:15.760
<v Speaker 1>so the that that that pops up in this article

0:17:15.880 --> 0:17:19.960
<v Speaker 1>thirty people have died as human cannonballs. There's a British

0:17:20.000 --> 0:17:23.560
<v Speaker 1>historian who died a few years back. His name is A. H. Cox.

0:17:24.440 --> 0:17:28.479
<v Speaker 1>He Um says that there's been only about fifty people

0:17:28.640 --> 0:17:33.840
<v Speaker 1>to ever be human cannonballs. Thirty have died. Really, Yeah,

0:17:34.200 --> 0:17:36.439
<v Speaker 1>I thought that's kind of significant enough to be put

0:17:36.520 --> 0:17:40.280
<v Speaker 1>into this article. Ward me off of human cannonball and

0:17:40.359 --> 0:17:43.199
<v Speaker 1>so thirty out of fifty have died and that's just

0:17:43.280 --> 0:17:48.879
<v Speaker 1>who died others, you know, like broker Back Zazzle broker Back. Um, yeah,

0:17:49.040 --> 0:17:57.240
<v Speaker 1>we'll get into that gruesomeness soon or Zazzle Zazzle. Okay, alright,

0:17:57.280 --> 0:17:59.600
<v Speaker 1>So back to the Smith family. They are the modern

0:18:00.080 --> 0:18:04.080
<v Speaker 1>um cannonball family that are pretty awesome. Um, David Cannonball

0:18:04.119 --> 0:18:07.320
<v Speaker 1>Smith Jr. Has spent much of his life inside of

0:18:07.320 --> 0:18:11.399
<v Speaker 1>a cannon. Yes, have you been on their website? Funny

0:18:11.400 --> 0:18:16.040
<v Speaker 1>he just he's described as having a dynamic personality. I

0:18:16.119 --> 0:18:18.560
<v Speaker 1>like that. It's better than saying he has a dynamite

0:18:18.560 --> 0:18:24.080
<v Speaker 1>personality than be pretty bad. But David the Bullet Smith Jr.

0:18:24.160 --> 0:18:25.919
<v Speaker 1>Is his son, and I'm sorry he's the one with

0:18:25.960 --> 0:18:28.680
<v Speaker 1>the dynamics. Okay, his dad was a real snooze. I

0:18:29.040 --> 0:18:33.520
<v Speaker 1>don't know. Uh. He bested his dad's record of by

0:18:33.520 --> 0:18:37.960
<v Speaker 1>flying a hundred ft Yeah, but his dad still holds

0:18:38.000 --> 0:18:43.679
<v Speaker 1>the highest I think two hundred and three sixty one

0:18:43.960 --> 0:18:46.479
<v Speaker 1>two and that friends outside of America. Yeah, that's one

0:18:46.480 --> 0:18:50.600
<v Speaker 1>of those over two Ferris wheels. Yeah, that's crazy. Yep. Oh,

0:18:50.640 --> 0:18:52.439
<v Speaker 1>should you mention the DARPA thing? I thought that was

0:18:52.480 --> 0:18:56.399
<v Speaker 1>completely stupid and ridiculous. Did you think so? Yeah, I

0:18:56.480 --> 0:18:59.960
<v Speaker 1>think it's kind of cool. I think if DARPA could

0:19:00.119 --> 0:19:03.680
<v Speaker 1>perfect this, then it could take the human cannonball art

0:19:03.800 --> 0:19:06.440
<v Speaker 1>to a whole new level. Spill it. But basically DARPA

0:19:06.480 --> 0:19:10.920
<v Speaker 1>the Defense Research Project, Right, there's an a in there

0:19:10.960 --> 0:19:16.160
<v Speaker 1>somewhere advanced. Yes, thank you um they were looking at.

0:19:16.480 --> 0:19:20.359
<v Speaker 1>I think they file the patent for a basically human

0:19:20.400 --> 0:19:25.520
<v Speaker 1>cannonball cannon that has like a sled chair right, that

0:19:25.760 --> 0:19:28.920
<v Speaker 1>shoots you up. I think they said they can get

0:19:28.960 --> 0:19:33.399
<v Speaker 1>a first responder, special ops, a firefighter on top of

0:19:33.400 --> 0:19:36.840
<v Speaker 1>a five story building in two seconds. So basically their

0:19:36.840 --> 0:19:39.679
<v Speaker 1>idea is to take the human cannonball concept and just

0:19:39.720 --> 0:19:42.439
<v Speaker 1>shoot people on top of buildings to go fight fires

0:19:42.520 --> 0:19:45.120
<v Speaker 1>or to go snipe people or whatever. So I get that.

0:19:45.280 --> 0:19:47.399
<v Speaker 1>It's the landing thing that they say is the hardest

0:19:47.440 --> 0:19:49.920
<v Speaker 1>part in real cannonballing. So what what's going on? Well,

0:19:49.960 --> 0:19:51.800
<v Speaker 1>that's what I'm saying. I have no idea. I don't

0:19:51.800 --> 0:19:53.679
<v Speaker 1>know if they were like, well we've got this part, now,

0:19:53.800 --> 0:19:56.440
<v Speaker 1>let's go figure out the other part. But that's that's

0:19:56.560 --> 0:19:59.800
<v Speaker 1>kind of the big um joke or a big unders

0:20:00.119 --> 0:20:04.399
<v Speaker 1>or among human cannonballers. Is it's not a problem shooting

0:20:04.440 --> 0:20:07.119
<v Speaker 1>somebody out of a cannon. It's the landing that's the

0:20:07.160 --> 0:20:09.919
<v Speaker 1>important part. Yeah, right, Or in this case, if you're

0:20:09.960 --> 0:20:13.320
<v Speaker 1>shooting someone on a building, if you're off there, then

0:20:13.359 --> 0:20:15.960
<v Speaker 1>it's all of a sudden, you're a cartoon and you

0:20:16.240 --> 0:20:19.240
<v Speaker 1>smack into the building and then slide very slowly down,

0:20:19.560 --> 0:20:22.159
<v Speaker 1>except unlike a cartoon, you leave a trail of blood

0:20:22.440 --> 0:20:24.919
<v Speaker 1>when you slide down. Yeah, and you slide down fast,

0:20:25.320 --> 0:20:27.760
<v Speaker 1>and then there's more blood and body parts on the street. Yes,

0:20:28.560 --> 0:20:55.359
<v Speaker 1>which has happened, I'm sure it has. There's there's been

0:20:55.400 --> 0:20:57.920
<v Speaker 1>a lot of accidents, as we've said, out of fifty

0:20:58.760 --> 0:21:02.359
<v Speaker 1>uh thirty, he mean cannonballs have died, right, it's a

0:21:02.400 --> 0:21:07.080
<v Speaker 1>lot and um to to prevent this, you know, these

0:21:07.080 --> 0:21:11.080
<v Speaker 1>people stay in tiptop shape, right. Um. You have to

0:21:11.200 --> 0:21:13.320
<v Speaker 1>work out your core. You have to have a strong back,

0:21:13.400 --> 0:21:15.480
<v Speaker 1>You need to be able to brace yourself like you said,

0:21:15.960 --> 0:21:19.000
<v Speaker 1>and really just go totally rigid so when you're shot out,

0:21:19.080 --> 0:21:21.600
<v Speaker 1>you don't just you're not crushed. You need to become

0:21:21.600 --> 0:21:24.560
<v Speaker 1>a projectile, right, um, because all you're wearing a helmet,

0:21:24.560 --> 0:21:27.800
<v Speaker 1>maybe a little padding, Yeah, but helmet is not gonna

0:21:27.800 --> 0:21:30.359
<v Speaker 1>do much if you miss your net. No, um, and

0:21:30.920 --> 0:21:33.879
<v Speaker 1>the net is very important. A lot of people use

0:21:33.920 --> 0:21:36.960
<v Speaker 1>airbags as well, right, yes, um, there was a guy

0:21:37.880 --> 0:21:42.440
<v Speaker 1>who's named Elvin Bale. It's the human space Shuttle. Poor

0:21:42.440 --> 0:21:45.720
<v Speaker 1>Elvin Bale. He used air bags and he is a

0:21:45.800 --> 0:21:48.560
<v Speaker 1>victim of circumstance if there ever has been one. Right.

0:21:49.000 --> 0:21:51.879
<v Speaker 1>He was big in the seventies and eighties until I

0:21:51.920 --> 0:21:59.280
<v Speaker 1>believe seven, when he went through all the the tests,

0:21:59.320 --> 0:22:03.440
<v Speaker 1>shot is cry test dummy out. Um, it landed fine

0:22:03.480 --> 0:22:06.640
<v Speaker 1>in these air bags where he calculated they should be.

0:22:07.280 --> 0:22:09.840
<v Speaker 1>And um, what he didn't know is that his crash

0:22:09.880 --> 0:22:13.880
<v Speaker 1>test dummy had gotten wet, which made it much heavier,

0:22:14.200 --> 0:22:19.000
<v Speaker 1>which completely changed the dynamics of its test run. So

0:22:19.080 --> 0:22:23.280
<v Speaker 1>when he shot himself out, he missed the air bags. Right,

0:22:24.080 --> 0:22:26.480
<v Speaker 1>he did. He was he sailed right over him. This

0:22:26.520 --> 0:22:29.080
<v Speaker 1>is in Hong Kong. And he said that he knew

0:22:29.440 --> 0:22:31.440
<v Speaker 1>quote I could see where I was going and that

0:22:31.560 --> 0:22:34.320
<v Speaker 1>it was too far, too fast, So he knew in

0:22:34.400 --> 0:22:38.159
<v Speaker 1>mid air. He was conscious enough to be like, oh crap,

0:22:38.440 --> 0:22:41.960
<v Speaker 1>I'm not gonna hit the air bag and apparently the dummy,

0:22:41.960 --> 0:22:43.119
<v Speaker 1>because when I read that, I was like, well, how

0:22:43.160 --> 0:22:45.840
<v Speaker 1>does this happen when that's the only safety thing you

0:22:45.840 --> 0:22:48.280
<v Speaker 1>can do. How do you have a soaked dummy? Apparently

0:22:48.320 --> 0:22:50.879
<v Speaker 1>it was left in the rain and they're filled with sand,

0:22:51.480 --> 0:22:54.760
<v Speaker 1>and so the outside of it dried and but the

0:22:54.800 --> 0:22:56.760
<v Speaker 1>sand was still wet on the inside, so it didn't

0:22:56.760 --> 0:22:59.159
<v Speaker 1>like feel wet to the touch when they were testing it.

0:22:59.840 --> 0:23:02.320
<v Speaker 1>And he said he remembered it feeling like it was

0:23:02.440 --> 0:23:06.600
<v Speaker 1>in slow motion and that his brain actually thought he

0:23:06.640 --> 0:23:10.800
<v Speaker 1>could solve this problem in mid arrow aerodynamically, like do

0:23:10.960 --> 0:23:13.639
<v Speaker 1>something like I can do this and shorten the trip

0:23:14.240 --> 0:23:16.840
<v Speaker 1>and land upright, which might save me. But instead he

0:23:16.880 --> 0:23:20.560
<v Speaker 1>overshot it by just a few yards and slam feet

0:23:20.600 --> 0:23:24.280
<v Speaker 1>first into the floor, shattered his ankles, knee, a leg,

0:23:24.320 --> 0:23:27.560
<v Speaker 1>in his spine, and he's paralyzed from the moist down

0:23:28.840 --> 0:23:34.600
<v Speaker 1>and that is very sad. Uh. He mentions the aerodynamics right, like,

0:23:34.640 --> 0:23:37.400
<v Speaker 1>there is a specific way you want to land. Yeah,

0:23:37.440 --> 0:23:40.120
<v Speaker 1>you want to do that little easy somersault and land

0:23:40.160 --> 0:23:44.960
<v Speaker 1>on your back, which is that's the way to land.

0:23:46.359 --> 0:23:49.600
<v Speaker 1>You also said something um that brought to mind the

0:23:49.640 --> 0:23:52.760
<v Speaker 1>idea that this the g force that we talked about earlier.

0:23:53.560 --> 0:23:56.600
<v Speaker 1>It's been shown to produce a loss of consciousness and people.

0:23:57.240 --> 0:24:00.520
<v Speaker 1>So that's another danger that you you know, when you're sailing,

0:24:00.560 --> 0:24:03.960
<v Speaker 1>you want to like stay like a projectile, and if

0:24:04.000 --> 0:24:05.960
<v Speaker 1>you're blacked out, you're going to be like a dead

0:24:06.000 --> 0:24:12.119
<v Speaker 1>body like you. Yes, um, and Elvin Bell is not

0:24:12.160 --> 0:24:16.200
<v Speaker 1>the only person that something horrible has happened to obviously. Yeah,

0:24:16.240 --> 0:24:20.560
<v Speaker 1>Matt Cranch just this year. Yeah, a few months ago

0:24:20.600 --> 0:24:24.680
<v Speaker 1>in April. He and this is just a nightmare scenario.

0:24:24.760 --> 0:24:27.200
<v Speaker 1>He got blasted off and right after he blasted off,

0:24:27.359 --> 0:24:30.199
<v Speaker 1>the net collapsed. Yeah, so how does that happen? I

0:24:30.200 --> 0:24:33.560
<v Speaker 1>don't know, that's probably what he's asking. Well, he died.

0:24:33.800 --> 0:24:36.960
<v Speaker 1>He landed on his head and died. He did die,

0:24:37.040 --> 0:24:38.879
<v Speaker 1>so that is not what he's asking. That is what

0:24:39.040 --> 0:24:41.960
<v Speaker 1>his family is asking, probably via a lawsuit. It would

0:24:41.960 --> 0:24:44.480
<v Speaker 1>be my guess. That was in Great Britain too, very sad.

0:24:44.840 --> 0:24:49.359
<v Speaker 1>And remember I mentioned a Zichini's sister. Um. She the

0:24:49.440 --> 0:24:52.679
<v Speaker 1>Zichinis used to do these double barrels stunts where they

0:24:52.800 --> 0:24:55.000
<v Speaker 1>two would be shot out at the same time, usually

0:24:55.040 --> 0:24:58.560
<v Speaker 1>next to one another and a long parallel one another. Well,

0:24:58.680 --> 0:25:03.160
<v Speaker 1>she and another brother had a had an act where

0:25:03.160 --> 0:25:05.199
<v Speaker 1>they'd be shot in the same direction as when I

0:25:05.280 --> 0:25:08.040
<v Speaker 1>passed by and like high five. Yeah, well they collided

0:25:08.080 --> 0:25:10.639
<v Speaker 1>and she broke her back. That's just a bad idea.

0:25:11.440 --> 0:25:13.399
<v Speaker 1>That was a bad idea. But the sad thing is

0:25:13.400 --> 0:25:16.000
<v Speaker 1>that if you if you look at modern people, like

0:25:16.119 --> 0:25:21.520
<v Speaker 1>the modern cannonballers, they are safety conscious. Um they were

0:25:21.600 --> 0:25:25.800
<v Speaker 1>just like a net collapsed or the dummy was was wet,

0:25:26.680 --> 0:25:28.760
<v Speaker 1>which that that makes it even sadder to me. If

0:25:28.760 --> 0:25:32.080
<v Speaker 1>you get shot, you know, two ft into the air

0:25:32.280 --> 0:25:36.560
<v Speaker 1>at your brother sixty, I wonder how close break your

0:25:36.560 --> 0:25:39.400
<v Speaker 1>back then something? Yeah, that was part of the equation.

0:25:39.400 --> 0:25:42.040
<v Speaker 1>I wonder how close they intended to go to one another,

0:25:43.080 --> 0:25:46.679
<v Speaker 1>because obviously the closer the better, Like if they were apart,

0:25:46.760 --> 0:25:50.080
<v Speaker 1>it's it's not it's impressive. So they probably wanted to

0:25:50.520 --> 0:25:54.080
<v Speaker 1>get it tight for the effect. But can you imagine

0:25:54.119 --> 0:25:57.280
<v Speaker 1>all of a sudden, like when you see that coming

0:25:57.280 --> 0:26:00.359
<v Speaker 1>straight at you, you probably have the same realization like, crap,

0:26:00.440 --> 0:26:04.280
<v Speaker 1>that's I'm gonna die by hitting my brother, sister brother.

0:26:06.520 --> 0:26:10.240
<v Speaker 1>Very sad, Yeah, anything else, that's it. Man. I did

0:26:10.240 --> 0:26:13.679
<v Speaker 1>a do we ever did the thing on Daredevil's Uh No,

0:26:13.960 --> 0:26:16.119
<v Speaker 1>I wrote an article on Daredevil's and maybe we should

0:26:16.119 --> 0:26:17.960
<v Speaker 1>do that at some point or we've been talking about

0:26:18.000 --> 0:26:21.320
<v Speaker 1>our Evil Evil kin Evil podcast. Maybe because he's a

0:26:21.320 --> 0:26:23.280
<v Speaker 1>big part of that one, maybe we can just cover

0:26:23.320 --> 0:26:27.040
<v Speaker 1>it all songs. Human cannonball. Yeah, we've got that one

0:26:27.080 --> 0:26:29.840
<v Speaker 1>covered done. Okay, Well, if you want to learn more

0:26:29.840 --> 0:26:34.160
<v Speaker 1>about human cannonballs, including how long it takes to accelerate

0:26:34.280 --> 0:26:37.040
<v Speaker 1>a human cannonballer to their top speed, do you want

0:26:37.080 --> 0:26:40.439
<v Speaker 1>to know one fifth of a second? Really? Yeah? You

0:26:40.480 --> 0:26:45.520
<v Speaker 1>can find all that by typing human cannonball onto the

0:26:45.560 --> 0:26:48.000
<v Speaker 1>search bart how stuff works dot com And from what

0:26:48.080 --> 0:26:49.800
<v Speaker 1>you say, Chuck, it sounds like that will bring up

0:26:49.840 --> 0:26:53.280
<v Speaker 1>more than just one article. Yeah, my daredevil sing like

0:26:53.320 --> 0:26:56.640
<v Speaker 1>pop up um, I said, handy search bar at House

0:26:56.640 --> 0:26:59.720
<v Speaker 1>Divorced dot com. That means it's time for listener mail.

0:27:02.600 --> 0:27:06.560
<v Speaker 1>That's right, Josh, I'm gonna call this underground railroad. Uh,

0:27:06.640 --> 0:27:09.600
<v Speaker 1>I'm writing in about underground railroad. I wanted to share

0:27:09.600 --> 0:27:12.120
<v Speaker 1>a little bit of my childhood summers in upstate New York.

0:27:12.760 --> 0:27:17.119
<v Speaker 1>My great grandfather, Louis Loveland made a home in Johnsburg,

0:27:17.240 --> 0:27:22.720
<v Speaker 1>New York in the Adirondacks. What's so funny? Like you

0:27:22.800 --> 0:27:26.440
<v Speaker 1>know him? Yeah, Louie. The home itself is incredibly cool

0:27:26.560 --> 0:27:28.960
<v Speaker 1>and haunted. There's a very cluttered and dimly lit room

0:27:29.040 --> 0:27:32.040
<v Speaker 1>hidden away behind the kitchen, which has a small organ

0:27:32.119 --> 0:27:37.800
<v Speaker 1>buried beneath uh decades a stored and forgotten items. Family

0:27:37.880 --> 0:27:40.560
<v Speaker 1>legend has it that the organ would mysteriously start playing

0:27:40.560 --> 0:27:43.320
<v Speaker 1>it all hours of the night thanks to spirits. As

0:27:43.320 --> 0:27:45.800
<v Speaker 1>if that weren't enough, there's a very large barn behind

0:27:45.800 --> 0:27:48.520
<v Speaker 1>the home, which has seen its better days. My sister

0:27:48.520 --> 0:27:50.639
<v Speaker 1>and I were always warned to be careful when we

0:27:50.680 --> 0:27:53.680
<v Speaker 1>went near the barn. The reason because the earth beneath

0:27:53.720 --> 0:27:56.359
<v Speaker 1>our feet could give away at any moment. Well, this

0:27:56.440 --> 0:28:00.119
<v Speaker 1>sounds a good, terrifying summer house, but there is a

0:28:00.200 --> 0:28:02.760
<v Speaker 1>hidden tunnel beneath the barn. Because there's a hidden tunnel

0:28:02.800 --> 0:28:04.400
<v Speaker 1>beneath the barn, running from the back of the home,

0:28:04.440 --> 0:28:07.760
<v Speaker 1>below the barn and out into the mountains, right next

0:28:07.840 --> 0:28:10.560
<v Speaker 1>to a strawberry patch that my great grandfather planted a

0:28:10.640 --> 0:28:12.920
<v Speaker 1>hundred years ago. The tunnel was a part of the

0:28:13.000 --> 0:28:15.720
<v Speaker 1>underground railroad, and I've been told it's one of the

0:28:15.800 --> 0:28:17.760
<v Speaker 1>last stops in the adder on decks that is still

0:28:17.840 --> 0:28:20.960
<v Speaker 1>intact today, although it buries. The tunnel is roughly three

0:28:21.000 --> 0:28:23.560
<v Speaker 1>to four ft below the ground about five ft tall,

0:28:23.680 --> 0:28:27.639
<v Speaker 1>four ft wide and seventy five yards long, packed with

0:28:27.720 --> 0:28:31.880
<v Speaker 1>dirt and rocks and an absolute death trap to navigate

0:28:31.920 --> 0:28:35.399
<v Speaker 1>without a flashlight. The entrance from the home it's just

0:28:35.440 --> 0:28:37.760
<v Speaker 1>too dangerous to use anymore. But there is a way

0:28:37.760 --> 0:28:39.520
<v Speaker 1>to drop into the tunnel via a hidden door in

0:28:39.560 --> 0:28:41.560
<v Speaker 1>the barn, as long as you don't mind a many

0:28:41.640 --> 0:28:44.080
<v Speaker 1>landside of dirt and hay following you into the tunnel,

0:28:44.400 --> 0:28:47.640
<v Speaker 1>which I would um. That's it. Once you carefully make

0:28:47.640 --> 0:28:50.040
<v Speaker 1>your way through the tunnel, you emerge into sunlight and

0:28:50.080 --> 0:28:54.440
<v Speaker 1>a strawberry field. Nice, nice little treat if you're somebody

0:28:55.720 --> 0:28:59.600
<v Speaker 1>warm wet towel, moist towel, and that is from Alison

0:28:59.640 --> 0:29:03.400
<v Speaker 1>STI wow, thanks Alice. You could do that, couldn't you?

0:29:03.520 --> 0:29:07.479
<v Speaker 1>Chuck the You've gone caming before I could do that.

0:29:07.520 --> 0:29:10.120
<v Speaker 1>You should handle not me. As long as it's buttressed.

0:29:11.160 --> 0:29:14.479
<v Speaker 1>I wonder if it is buttressed, if Charles Bronson had

0:29:14.480 --> 0:29:17.880
<v Speaker 1>anything to do what it is. Yeah. Uh. If you

0:29:18.320 --> 0:29:21.840
<v Speaker 1>have a great recipe for fresh strawberries, we want to

0:29:21.840 --> 0:29:24.760
<v Speaker 1>hear it. You can wrap it up in an email,

0:29:25.080 --> 0:29:28.960
<v Speaker 1>spanking on the bottom, kiss it good night, and send

0:29:29.000 --> 0:29:35.480
<v Speaker 1>it to Stuff podcast at how Stuff Works dot com

0:29:35.560 --> 0:29:37.719
<v Speaker 1>Stuff You Should Know is a production of iHeart Radio's

0:29:37.720 --> 0:29:40.280
<v Speaker 1>How Stuff Works. For more podcasts for my heart Radio,

0:29:40.360 --> 0:29:43.000
<v Speaker 1>visit the iHeart Radio app, Apple podcasts, or wherever you

0:29:43.080 --> 0:29:44.240
<v Speaker 1>listen to your favorite shows.