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Speaker 1: Let's play a game with Elvis Duran in the Morning show.

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Speaker 2: No way, it's kind of funny. The saxophone is very polarizing. Yeah,

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Speaker 2: Danielle was just talking about, you know, you know people

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Speaker 2: who are the bands. Actually you can rent for your reception,

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Speaker 2: your wedding reception.

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Speaker 3: Yeah.

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Speaker 2: A lot of times the brian and groom will say no, no,

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Speaker 2: we don't want a saxophone at our wedding because it's irritating. Yeah,

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Speaker 2: a lot of people say it's like nails on a

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Speaker 2: chalkboard for people. I'm like, what, I love a good sacks.

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Speaker 2: How about you, sexy?

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Speaker 3: Anytime there's a sax solo in any song, the air

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Speaker 3: sax is bust out.

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Speaker 2: In here and people seem to have a really good

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Speaker 2: time with them. Where would we be without the sacks? Scary?

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Speaker 2: Do you have any music for this? I sure do.

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Speaker 2: It's national This cheesy music. It's a saxophone? Is that

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Speaker 2: an alto sax? I don't know. It's National Saxophone Day.

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Speaker 2: So in the words of Gandhi, let's celebrate the sax solo. Yes,

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Speaker 2: we'll play you the solo. You name the song. I

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Speaker 2: like that. You're your National Saxophone Day. I loved it.

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Speaker 3: This was one of those games where when I was

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Speaker 3: making it, when you isolate just the sacks, it sounds

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Speaker 3: like a completely different song. And then when you hear it,

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Speaker 3: you're like, oh.

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Speaker 2: Yeah's talk to Sarah. Sarah has never played the sax.

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Speaker 2: But you were in band in high school, just like me.

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Speaker 2: What did you play in band?

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Speaker 4: I played the xylophone.

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Speaker 2: You were percussion.

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Speaker 4: I am yeah.

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Speaker 2: The sacks would be your woodwind. I guess right, yeah, yes,

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Speaker 2: it's part of the woodwind. Yes, yeah, and you need

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Speaker 2: to read. I never could play it with a read.

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Speaker 2: You're right, and you go. Don't get me started on

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Speaker 2: the obo with the double read. Those people had weird.

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Speaker 4: You know what's crazy. I wanted to put the saxon,

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Speaker 4: but oddly enough I couldn't blow correctly.

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Speaker 5: Yeah.

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Speaker 2: Well, yeah, I'm sorry. What was that name? Nothing? Okay,

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Speaker 2: thank you? All right, Sarah, let's do it. So, Sarah,

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Speaker 2: obviously you play. You played in band, so you love

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Speaker 2: music and a lot of these solos. I'm looking at

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Speaker 2: the list because I have the cheat list that Gandhi

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Speaker 2: gave me. These sax solos. These are from big songs

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Speaker 2: you forget. Oh my god, there was a sex in

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Speaker 2: that song. Okay, let's see how you do. Gandhi, great game,

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Speaker 2: let's see how we do. Here is sax What is that?

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Speaker 2: What's that? What's going on? What's that that? Your car? Door?

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Speaker 2: Is that your car?

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Speaker 1: Oh? It was stopped? I'm sorry.

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Speaker 2: Okay, so I want to make sure it sounded like

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Speaker 2: the fries are ready or something. All right, here we

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Speaker 2: go sax solo number one. What song is this? God?

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Speaker 2: That song would not exist that. What's the name of

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Speaker 2: the song that?

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Speaker 6: Michel?

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Speaker 2: Yeah, oh yeah, I wonder if anyone knows the name

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Speaker 2: of the song.

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Speaker 3: I know this one's a weird one because the name

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Speaker 3: of the song is not the chorus of the song.

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Speaker 2: But he does sing, he sings the name.

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Speaker 4: Okay.

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Speaker 2: The name of the song You're Gonna Kill Yourself is

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Speaker 2: called Careless Whisper, Yes, my guilty feet rhythm. All right,

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Speaker 2: here we go. Okay, you're gonna get this though. Now

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Speaker 2: you know how it works. Here is Saxy Saxophone Days

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Speaker 2: solo number two.

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Speaker 1: Mm mm hmmm is that doms.

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Speaker 2: No, that's Dancing in the Dark by dev Do people

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Speaker 2: know that? Yeah? Great song, It is a great song.

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Speaker 2: Well hold on, you'll get this. Oh my God, you'll

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Speaker 2: get this. This is a huge, massive hit with a

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Speaker 2: great sax solo number three. We should play that. I

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Speaker 2: love that. What song is that?

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Speaker 1: Is that? Lady Gaga?

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Speaker 2: Yes, and the name of the song is She even

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Speaker 2: sang the word here It played against Cary real loud

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Speaker 2: that said fine, okay, what song was that? Ooh? Sorry,

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Speaker 2: Edge of Glory? I think we lost her? Oh hello,

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Speaker 2: she might hung up on us. The Sacks drove her away?

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Speaker 2: Did you hang up on us? Sarah?

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Speaker 3: She gave up?

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Speaker 2: Maybe she gave up.

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Speaker 3: I don't believe she gave up. I have more faith

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Speaker 3: in her. Something happened.

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Speaker 2: It could be our crappy equipment, right, all right, well

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Speaker 2: we're looking. What do we do now? We could play

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Speaker 2: a sax song? All right, there you go, mister sax obee,

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Speaker 2: that's a song with the sax. Well, here's another sacks

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Speaker 2: looks the crappy sax song we called. We call this

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Speaker 2: sexy sas. Do we get someone else to play? Yes,

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Speaker 2: we got Dana in Steatenland. Oh Dana, Thank god, Dana's

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Speaker 2: here to save the day. Dana, You're here to save

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Speaker 2: the day. Do you know your sax music? I hope,

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Speaker 2: I mean to me too, because I feel like we

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Speaker 2: just we got.

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Speaker 1: We had like are you all those ones before? I?

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Speaker 2: Oh, that's good? And we had to we had to

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Speaker 2: stop in the middle. It was like kuitus interrupt us.

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Speaker 2: I didn't like that at all. All right, well, these

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Speaker 2: are big sax solos on National Saxophone Day. Gandhi was

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Speaker 2: working all night on this, so we gotta we gotta

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Speaker 2: do it, all right. We owe it to Gandhi to

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Speaker 2: keep on going. All right, all right, we're gonna start

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Speaker 2: at number four. You see that scary here we are

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Speaker 2: sex solo number four, another song from the sax era.

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Speaker 2: Do you know?

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Speaker 4: Can you play it?

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Speaker 1: Can you play it again?

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Speaker 2: I'm sorry, yeah, but you gotta get it. You gotta

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Speaker 2: get it. I'm trusting you. Danna you gotta.

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Speaker 4: Get I too, like seeing like a sitcom or something.

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Speaker 2: I don't know why, i gotta flip out. Okay, that

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Speaker 2: is called I've Had the Time of my Life from

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Speaker 2: that movie. It did sound a little like the full

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Speaker 2: House theme. I'll be honest, you know. And actually Nate

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Speaker 2: pointed out a lot of sax solos in the nineteen

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Speaker 2: eighties ever big thing. Okay you all.

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Speaker 4: I was born in the eighties. So I don't know

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Speaker 4: if that helps me that much.

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Speaker 2: This will help you. Okay, this is a huge, huge

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Speaker 2: sax solo as well. What song is this from? You'll

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Speaker 2: get it?

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Speaker 4: Whoa Wait?

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Speaker 2: Played against? Scary? Played again? She says the words right there?

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Speaker 2: Some Whitney Houston. How will I know? All right, all right,

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Speaker 2: it's okay, come on, maybe.

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Speaker 4: I didn't that.

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Speaker 2: This is why we have to have a National Saxophone

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Speaker 2: Day to remind people the sax is a very important instrument.

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Speaker 4: We have to Yes, we have to acknowledge yactly.

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Speaker 2: You know when we're gonna we're gonna go to the

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Speaker 2: end with you. You're not going anywhere. Data. Here we go.

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Speaker 2: Here's another song from I think the eighties. Is it

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Speaker 2: from the eighties or nineties? Oh no, hold on, hold on, okay,

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Speaker 2: listen closely here it is okay, yes, yes, I swear,

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Speaker 2: I y ah that sex.

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Speaker 4: You know we forget to Saturday nineties.

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Speaker 2: Okay, okay, all right, all right, you'll get to Well

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Speaker 2: I keep saying you don't get toe. I'm not guarantee you.

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Speaker 4: I know I'm not doing that. Good.

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Speaker 2: Listen to this one, Danny, You'll get it. This is

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Speaker 2: another beautiful sax solo.

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Speaker 4: I was beautiful, but I have no idea.

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Speaker 2: Oh no, Last Friday Night by Katy Perry.

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Speaker 1: And in that video, Oh my god, I don't even

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Speaker 1: remember about from that song.

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Speaker 4: That's that's terrible.

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Speaker 3: The saxophone player is Kenny g Oh my god, how

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Speaker 3: do we not?

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Speaker 4: I feel like I'm this is this?

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Speaker 2: You know what? Gandhi did this to remind us how

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Speaker 2: important the sax is. And this is a great example

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Speaker 2: of why we should pay more attention to saxes. Here

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Speaker 2: we go. You skipped number eight because that was mister

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Speaker 2: sax ob Okay, okay, you'll get this.

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Speaker 4: I would have gotten that one one hundred.

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Speaker 2: You will get this one. Okay, played number nine? Oh yeah,

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Speaker 2: what's that from hold On? You could also also.

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Speaker 4: You Die and Happiness that's whetty Hasten.

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Speaker 1: And then and I will always talk you.

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Speaker 2: Okay. Well, I don't know about number ten here, but

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Speaker 2: you closely you may get this, okay, is yea?

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Speaker 4: Yeah?

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Speaker 1: Oh my god, I can't think it's it's Zilia and

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Speaker 1: and and and that wrapper.

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Speaker 2: No, no, no.

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Speaker 4: It's not the rapper. Wait, play it again, play it again?

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Speaker 5: Okay, okay, okay.

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Speaker 2: The booty that is. That's are you on a what

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Speaker 2: say it? Are you on a grand Grande? It's called problem.

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Speaker 6: Play that one another beautiful sax solo in there, Dana,

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Speaker 6: you know what mission accomplished?

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Speaker 2: We actually accomplished a lot today to remind people here

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Speaker 2: on Nationals.

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Speaker 1: Great and this is my second time getting through to you.

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Speaker 1: I was your first caller of the day a little

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Speaker 1: while ago, and Elvis we were buddies. You came to

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Speaker 1: Staten Island and you came to all the bar I

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Speaker 1: used to work.

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Speaker 2: At, which, oh my god, absolutely.

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Speaker 4: Yeah, it's again.

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Speaker 2: Dana's back. The good news about the last time you

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Speaker 2: were on as first caller of the day. There's no

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Speaker 2: way to lose that, I know, but I didn't.

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Speaker 4: I wore your sweatshirt all the time.

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Speaker 2: I know. You know what. Take care of Dana, take

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Speaker 2: care of her. So did we give you something last time?

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Speaker 3: Dana?

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Speaker 1: You gave me a sweatshirt?

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Speaker 2: Good because you're not getting anything she get instead of

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Speaker 2: a hotel. I'm sorry, we gotta some standards on his show.

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Speaker 4: She served.

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Speaker 2: I believe she would have gotten mister Sachelby. She's from

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Speaker 2: Staten Island, she likes. Would she get it?

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Speaker 5: Sure?

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Speaker 4: I would have done all. I didn't gut.

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Speaker 2: I'm going to I'm going to veto Nate's decision, and

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Speaker 2: we're gonna we're gonna send you some swag. We're gonna

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Speaker 2: send you something from the Scotty. Send her a swag bag. Okay,

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Speaker 2: I'll send a swag bag. We don't know what's in that.

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Speaker 4: I love the swag bag. I'm all about the swag.

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Speaker 2: Look, she served me a cocktail or two.

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Speaker 1: I came off of work too. Okay, if everyone that's

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Speaker 1: going into work, I came off of midnight ship.

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Speaker 4: I did pretty good.

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Speaker 2: We love you, Dana. Thank you. I don't know why

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Speaker 2: Nate's such a bitch, but we love you. Hold on, Dana,

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Speaker 2: hold on data. It's not even like that. That's not

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Speaker 2: even a third of the ones she was given, barely

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Speaker 2: a third.

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Speaker 3: Whenever something like this happens, I will always go look

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Speaker 3: at the text messages just to see how many people

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Speaker 3: are screaming with exclamation points, And there were a lots,

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Speaker 3: So I feel like, Okay, this is good, this is okay,

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Speaker 3: it's good.

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Speaker 2: People are It was a great time we had with Dana.

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Speaker 2: She's a bartender alone.

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Speaker 1: Don't you think we should have like a consolation prize,

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Speaker 1: like something not as cool as what you would get,

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Speaker 1: but something It's called the swag Yeah,