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Speaker 1: So we're walking around, Yeah so what and Alex Peakkeaton,

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Speaker 1: Alex Pee Keaton and fucking family ties and the king

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Speaker 1: and we are cleaning the land. Yeah, so what you

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Speaker 1: know how every few days the land just gets all

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Speaker 1: messed up. Horses out there, it's time to clean the land. Yea.

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Speaker 1: Out there there's trees and stuff is coming off the

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Speaker 1: tree and that needs to be picked up.

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Speaker 2: Pig.

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Speaker 3: It's not just the trees themselves, but what's in the trees, sticks, bucks, birds.

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Speaker 1: That's all falling out. Yeah, eventually, yes, And so a

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Speaker 1: couple of times a year lane gets messy. You just

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Speaker 1: go around and pick everything up. With the King, he's

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Speaker 1: watching or he's helping. He is there, he's on site,

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Speaker 1: sort of directing track boots on the ground. Yes, and

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Speaker 1: like he's not like necessarily picking up a bug, but

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Speaker 1: he'll pick up a stick right well.

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Speaker 3: And at the risk involved in picking a bug up

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Speaker 3: right for the king is could become so sick.

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Speaker 1: And now I was speaking to talking about he doesn't

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Speaker 1: recognee like he thinks that he says Ronald Reagan is

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Speaker 1: the king, which is what he used to say on

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Speaker 1: the show.

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Speaker 3: Yeah, no, I'm surprised you were able to work so

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Speaker 3: closely with Alex P. Keaton mm hmm as someone who

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Speaker 3: we can say this now tried to assassinate Ronald Reagan.

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Speaker 1: Hey, welcome to Hollywood. Have Tigers guy to kicking butt

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Speaker 1: and dropping the red carpet line back call is true,

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Speaker 1: we call show. But I just want to like give

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Speaker 1: a little behind the seats context, which is before the show,

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Speaker 1: we talk about our experiences with the guests, and we

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Speaker 1: get to know each other, and we talk about working

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Speaker 1: in entertainment business. Yeah, and this is important. This is

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Speaker 1: all of that is going into the show. You didn't

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Speaker 1: hear this, but it is all being used. It's establishing reports, familiarity. Yes,

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Speaker 1: and so like now doing the show, you are actually

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Speaker 1: benefiting from this conversation. But Kevin and Sam on the

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Speaker 1: other side of the glass, I'm getting these vibes from

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Speaker 1: them the whole time, trying to have a nice conversation.

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Speaker 1: They're like, can we just get this over with, Blase,

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Speaker 1: Can we just do the freaking show.

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Speaker 4: Yeah.

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Speaker 3: It's almost as if they don't want to silently witness

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Speaker 3: a fairly mundane conversation about minutia surrounding shows that they're

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Speaker 3: not involved with and that to me is proof positive

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Speaker 3: of why they're on that.

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Speaker 1: Side of the glass and my ass is in here. Period,

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Speaker 1: end of sentence. See you later, Kevin.

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Speaker 3: Yes, because the way I got in here was by

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Speaker 3: listening so hard that I accidentally bleed through the glass

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Speaker 3: and appear on this side.

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Speaker 1: Suddenly.

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Speaker 3: Now I'm in and it's because I cared about what

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Speaker 3: people were saying about a camera or a thing.

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Speaker 2: Think about that.

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Speaker 1: Can we talk to this guy who is here? This

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Speaker 1: fucking guy. This is Tim, It's Tim balt Is coming

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Speaker 1: to the show again.

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Speaker 2: Bolts. I've been on the show.

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Speaker 1: Now twice and so now we have bolts instead of balts,

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Speaker 1: So now it's bald I come Falts.

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Speaker 5: I see, okay, And your relation to Baltses aren't getty

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Speaker 5: m probably way back? Yeah, yeah, related to Baltzes are.

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Speaker 1: Maybe on the ship. And Tim was on the show

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Speaker 1: with me before and we did Shrink. We talked about Shrink. Tim,

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Speaker 1: I gotta say I listened to your episode with Hayes.

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Speaker 1: I hated it. And that fucking psychobabbel bullshit ain't gonna

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Speaker 1: work on me. Brother.

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Speaker 2: I'm not here to do that. And that's not part

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Speaker 2: of me trying to psycho babble, try to re inside

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Speaker 2: this head.

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Speaker 1: I've had to move on, just like gonna like what

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Speaker 1: you find.

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Speaker 2: Every other CSO subscriber has had to move on.

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Speaker 1: I've moved on to that.

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Speaker 2: Ain't my bag anymore?

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Speaker 3: Come on, man, HBO ain't nothing but ceso with a

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Speaker 3: fresh coat of paint. You got everybody else around here fooled.

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Speaker 1: But this psycho babbel smoking mirrors bullshit ain't gonna work

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Speaker 1: on me.

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Speaker 2: If you're implying that, I'm hoping HBO Max buys shrink

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Speaker 2: from NBC and commissions more seasons.

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Speaker 3: Now, this is something we can agree on. HBO Max

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Speaker 3: simply cannot get here soon enough.

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Speaker 1: Can we say this? Yeah, I'm refreshing every day. I'm refreshing.

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Speaker 1: I will be watching it in Safari. This thing broken.

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Speaker 1: I'm refreshing my Safari page every day. I'm calling Safari.

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Speaker 1: Think of this.

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Speaker 2: TBS's entire catalog at your disposal. New episodes of Search Party,

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Speaker 2: maybe a new season of My Boys.

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Speaker 3: Every day I'm checking Hello Safari, Hello, mister Firefox. That's

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Speaker 3: the avisual browser of Hollywood Handbook.

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Speaker 1: I've heard that they have been talking about doing My

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Speaker 1: Boys as Ela doing it as an anthology show.

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Speaker 2: Good. Yeah, different boys every episode, same girl whose boys

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Speaker 2: they are.

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Speaker 1: Sometimes it's the same girl. Sometimes the boys are the

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Speaker 1: same and the girl is different. Wow. And so but

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Speaker 1: it's stories. It's just like different like human stories about

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Speaker 1: my boys. It's just stories. And isn't that really what

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Speaker 1: we do? You're trying to move on from Cis and

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Speaker 1: he's trying to move on from that question and shrink

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Speaker 1: the whole experience.

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Speaker 2: Yes, yep, yep, just like Sill and Sopranos. They keep

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Speaker 2: bringing me back. Pretty good Sill impression.

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Speaker 1: That was interesting to me. I obviously I don't know you.

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Speaker 1: I listened to your episode with Hayes. Didn't like it

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Speaker 1: to see you disappear and become Sill in front of me.

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Speaker 1: It did win me over. Oh all right.

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Speaker 3: I was like, I don't like this Tim Balt's character,

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Speaker 3: but this Sill, who I have such an affinity for.

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Speaker 1: When he would say, Tonie, don't mean both too hot,

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Speaker 1: all the things, and then you're not the only one who.

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Speaker 2: Could do a still impression, that's pretty good.

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Speaker 1: I was sort of expecting it to take longer that

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Speaker 1: you would be one over and kind of hoping it

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Speaker 1: would just to have more stuff to do. Well, what

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Speaker 1: the thing that I know about myself? Uh huh. I

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Speaker 1: don't stay one over for long.

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Speaker 2: See, there's a trap set for me somewhere. I'm sure

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Speaker 2: I'll step into it, no doubt.

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Speaker 1: You keep knocking on the devil's door. Sooner or later

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Speaker 1: he might just answer, Tim. You love jazz? Is this true? Yeah?

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Speaker 2: Love jazz?

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Speaker 1: Chicago jazz. Talk about that scene.

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Speaker 2: There's clubs everywhere, Yes, every night of the week. I

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Speaker 2: mean horn clubs, horn clubs, guitar.

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Speaker 1: Clubs, horn, big stand up, stand up, tall guitar.

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Speaker 2: Yeah, the one that you put your mouth to and

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Speaker 2: then you pluck the strings, and the huge you're breathing

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Speaker 2: affects the sounds that come out of the big the

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Speaker 2: big horn, guitar.

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Speaker 1: Tuba, Yeah, tuba.

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Speaker 2: Yeah, I mean every kind of club that you could want.

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Speaker 2: You just get a huge thing of deep dish.

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Speaker 1: Sure or false. It's the notes they don't play that

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Speaker 1: make it jazz.

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Speaker 2: I'd say, if I hear a bad jazz song, all

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Speaker 2: you have to do is take notes out to make

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Speaker 2: it a good one.

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Speaker 1: Yeah.

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Speaker 3: Have you ever been to Chicago Chicago City? Yeah, famously

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Speaker 3: done a couple of live shows there.

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Speaker 1: In a row.

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Speaker 2: Everyone, everyone who's anyone in Chicago calls it shy town.

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Speaker 2: You want to be a local, you say.

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Speaker 3: Shy town, the shy and I was there. We were

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Speaker 3: calling it the Shy because of the show. Is there

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Speaker 3: a show, yeah, called the Shy. Hayes was calling himself

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Speaker 3: a real shy guy and he was dressed up like

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Speaker 3: Mario Brothers.

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Speaker 1: And we learned from the We Are Your Friends movie

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Speaker 1: that everything can be music wave for short and everything.

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Speaker 1: In a way. What we're doing on the show has

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Speaker 1: always been jazz. We always talk about like everything, Lease, yes,

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Speaker 1: this is jazz right now. Hayes is the band leader.

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Speaker 1: He's following. I'm I'm picking up. I'm going watching him

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Speaker 1: for the changes, and I go.

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Speaker 3: Oh, I can go over there, and he goes do

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Speaker 3: doo doo doo doo, and I go, oh, I could

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Speaker 3: I could match some of that.

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Speaker 1: Hang on and then I go, hey, hey's I got

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Speaker 1: an idea? Follow me over here. He goes, no, I

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Speaker 1: have to push him.

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Speaker 2: Well, that's I mean, that's the biggest difference between jazz

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Speaker 2: and improv. And then in jazz you're encouraged to say no, yeah,

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Speaker 2: absolutely not. We're sticking with the Yeah, and if you

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Speaker 2: try to take it someplace else, Hey, that idea.

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Speaker 1: Gives me an idea, a booby, he goes, stop fucking

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Speaker 1: stop it. We're gonna have to cut that part out now.

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Speaker 2: Mm hm. So you guys know Chicago, Yeah, not really.

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Speaker 1: Well you mentioned the pizza.

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Speaker 2: Yes, that was the other I mentioned the pizza.

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Speaker 1: Yes, I don't know.

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Speaker 2: Pizza is fucking huge, biggest pizza circumference.

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Speaker 5: Swimming pool yeahwimming pool pizza, right, yeah, it's an above

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Speaker 5: ground swimming pool pizza.

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Speaker 1: Do you think they would go for that there in Chicago?

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Speaker 1: Would they go for that?

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Speaker 2: I think they've already gone for it.

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Speaker 1: Kind of cold for swimming and well pizzas more. The

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Speaker 1: pizza's hut.

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Speaker 2: Yeah, the city's cold, nice cold.

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Speaker 3: Mm hmm.

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Speaker 1: What what kind of what part of uh jazz do

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Speaker 1: you think you could do with your mouth? The best?

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Speaker 1: What I think to simplify it, what that mouth? Do?

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Speaker 2: I think that mouth? Well, I mean that mouth would

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Speaker 2: please an audience with a high hat sound.

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Speaker 1: Oh holy ship? Can they was still a minute ago?

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Speaker 1: It now has become a side trump Damn. Can you

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Speaker 1: do like the like the double well, you know sometimes

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Speaker 1: they do it really fast with their foot. That's not

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Speaker 1: fast enough.

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Speaker 2: Oh you mean the high hat, the high hat, that's

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Speaker 2: pretty fast fast, Ye, not going as fast as I can.

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Speaker 1: What about you the high hat? No, what's the best

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Speaker 1: part that you that you think you could do? And

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Speaker 1: Tim's on the high hat? Yes, so there's no way.

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Speaker 1: I never I never have too high hats.

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Speaker 2: There are clubs that are only high hat.

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Speaker 1: Yeah. Hang on, let me see what I got in here.

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Speaker 1: Let me just reach into my back a little bit. Yeah,

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Speaker 1: dig around here.

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Speaker 3: So there was nothing in the bag that was how

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Speaker 3: you That's just what I'm looking. That's what I'm looking

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Speaker 3: in the bag. What comes out of me, almost involuntarily, is.

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Speaker 1: Yeah, empty bag.

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Speaker 6: Yeah, boom boom boom boom boom boom boom boom boom

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Speaker 6: boom boom boom boom st.

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Speaker 1: Look in the bag or around the bag and nothing.

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Speaker 3: So so I guess you know, if high hat's taken,

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Speaker 3: which I guess we all agree that it is.

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Speaker 1: Do you have an instrument you want to do? I

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Speaker 1: I didn't have any in mine. Necessarily, I could probably

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Speaker 1: take the low end. I mean, if you're gonna do

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Speaker 1: the low end, M I guess I would have to

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Speaker 1: scatman all over that boom boom boom, doom doom doom.

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Speaker 7: Squeeze that sweet do that dobki dodle dottle be up

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Speaker 7: be people.

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Speaker 8: Sep meets you A bag of two things that I

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Speaker 8: know about you. The one thing you know is you're.

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Speaker 3: On shrink, and the second thing I know is I

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Speaker 3: think you stink skipper dup these guys.

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Speaker 1: I try to stop. So I did try to stop

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Speaker 1: because I knew it was going to get very mean,

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Speaker 1: very soon. He the scat always gets nasty. That's not me.

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Speaker 1: Mm hmm.

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Speaker 2: Please be aware that's not me. Sure, yeah, I hear it.

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Speaker 3: But I'm something that I'm sort of a paranoid scatzophrenic.

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Speaker 3: I completely associate what i'd be goodness gat.

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Speaker 2: You don't want me to psychoanalyze that, buddy, Hey.

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Speaker 3: Buddy, I'd love to see you fucking try that psychobabbel bullshit.

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Speaker 1: It ain't gonna work on me.

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Speaker 2: We wear our characters like a thin veil, and you

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Speaker 2: your veil ain't that thin? Pretty thick and easy to

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Speaker 2: see from over here?

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Speaker 1: Wait, so I guess now I do want to I

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Speaker 1: do want to know what you mean by that thicker

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Speaker 1: is easier, and I guess it's easier to a psychological trick.

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Speaker 1: A thicker veil is easier to see like the actual

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Speaker 1: veil itself.

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Speaker 2: We all wear it like a thin veil, but huh,

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Speaker 2: if we don't pull it off, then it appears thick

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Speaker 2: to the outside of.

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Speaker 3: Bill Murray said, wear your character like an overcoat that

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Speaker 3: you can see it, but it could be easily thrown off.

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Speaker 2: So are you telling me that you think Bill Murray

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Speaker 2: has played different characters in his career.

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Speaker 5: Uh?

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Speaker 2: I would argue no, I'd argue he he's never played

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Speaker 2: a different character in his entire career.

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Speaker 1: Well, he got sad really.

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Speaker 2: Is good, and in Saint Vincent he got a weird accent,

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Speaker 2: but he's never really been different. It's just building.

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Speaker 1: What about when you would put his mouth down like

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Speaker 1: soe you're talking about the FDR one, when he would

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Speaker 1: put his mouth down like sue.

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Speaker 2: Build me around the Hudson.

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Speaker 3: Mm, So you think that's about when he was doing

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Speaker 3: that with his mouth, Think about that.

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Speaker 1: And check me, Kevin. I noticed that you did not

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Speaker 1: help and make any noise, and there was no horn,

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Speaker 1: and at the very least it would have been nice

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Speaker 1: to be saying honk.

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Speaker 3: Kevin, who's supposedly a musician, decides to lay way back

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Speaker 3: in the cut, too deep in the cut.

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Speaker 2: Hey, guys, chef Kevin here, I could honk.

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Speaker 1: I always think about being.

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Speaker 2: The ride symbol though, the ride symbol. Yeah, you want

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Speaker 2: to go for a ride?

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Speaker 1: What does that sound like? That sounds just like that.

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Speaker 2: It's high different, it's totally different. It's on a complete

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Speaker 2: other side of the kit. That's the Bill Murray of

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Speaker 2: what that mouth do. That's exactly what I did.

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Speaker 1: Yeah, I guess I can honk do one.

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Speaker 4: Hum.

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Speaker 2: That's jazzy jazz. Baby, that's jazz. That's Chicago jazz.

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Speaker 1: See, so, gang you ever get together have dinner? Yeah?

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Speaker 2: Sure, absolutely?

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Speaker 1: What's out? Like?

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Speaker 2: Find the hashtag?

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Speaker 1: Where is everyone? Who you sitting next to?

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Speaker 2: Sit next to? Well, it's a huge round table, so

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Speaker 2: you're technically sitting next to everybody. Technically you're not, well,

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Speaker 2: the tables outside us, we're inside the table, so you're

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Speaker 2: literally next to everybody, and then you're not really looking

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Speaker 2: at anybody. You're looking at the food on the outside

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Speaker 2: of you're on the inner ring the table.

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Speaker 1: There's still not that many people would have to be

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Speaker 1: a small round table. Some people are in front of

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Speaker 1: him behind you.

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Speaker 2: Agree to disagree. The point is that we're with heavy hitters.

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Speaker 1: I don't agree to that. Two people have to agree

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Speaker 1: to that.

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Speaker 2: No, I'm agreeing to disagree. You're disagreeing to Yeah.

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Speaker 3: I'm disagreeing. Yeah, I'm disagreeing to agree to disagree. Hey,

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Speaker 3: you think Coulotte really checked my avail for bajillion? Did

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Speaker 3: you say Coulotte coolop coolop? Yeah, I'm sure she did.

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Speaker 2: Oh yeah, you.

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Speaker 1: Think she checked my avail? Because I felt pretty avail

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Speaker 1: at the time.

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Speaker 2: Maybe it's something between you and yourver.

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Speaker 1: She's here and I ask, hey, you want to put

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Speaker 1: me on that bajillion? She goes, it's overall. We tried to,

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Speaker 1: and we inquired, checked your veil and you weren't able.

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Speaker 6: To do it.

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Speaker 1: And I go, but I've always been a veil.

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Speaker 2: Well, so do you guys have preexist beef like what

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Speaker 2: happened before bajillion that you couldn't get on bajillion because

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Speaker 2: almost everybody got on Agilla?

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Speaker 1: Do this psychobabble bullshit on me too?

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Speaker 2: I'm not I'm not trying to. Don't you break down

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Speaker 2: my walls saying you know there were there were ABC

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Speaker 2: storylines in that they used pretty much everybody for UCLA,

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Speaker 2: and they brought in uc B New York people because

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Speaker 2: we were running out in LA.

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Speaker 1: One time I ran into Ferny in a freaking Gelson's

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Speaker 1: parking lot and he said, we were just talking about

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Speaker 1: you in the bajillion room and how we should use

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Speaker 1: you for something because you're so funny.

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Speaker 2: I don't want to put you down, but they even

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Speaker 2: used it. They even used some Chicago people as guest stars.

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Speaker 2: That's a slap in the face.

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Speaker 1: No way should check my eye for any stays in

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Speaker 1: that glass parking lot. I don't know him personally, but

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Speaker 1: I see him up and down that block. He is

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Speaker 1: the prince, oh yeah, of that block. His wife gave

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Speaker 1: birth in the parking lot and I and I have

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Speaker 1: seen that that baby going around there too, and he's training.

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Speaker 1: He's like, all that you see will one day be yours.

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Speaker 1: One time I saw Keeper Sutherland in there buying wine

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Speaker 1: in that Gellison's and I thought, I wish I could

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Speaker 1: share this moment with someone, and sure enough I could.

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Speaker 1: Fernie was right behind me.

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Speaker 7: Who Hollywood Hamduck, Who Hollywood.

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Speaker 2: Hamdock, So no pre existing beef with Kulap or Scott.

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Speaker 3: She told me about Scott might be Scott Scott the

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Speaker 3: issue you might have kaibashed my ass Now. I can

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Speaker 3: never remember if I have told the story of the

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Speaker 3: first time I met Koulab on this show, and I

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Speaker 3: should really do it when she's here.

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Speaker 1: But there is pre existing beef, but I don't know

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Speaker 1: if she knows about it. Tell a story.

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Speaker 3: I was young, man, Tim, even younger than I am now,

345
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Speaker 3: seems incredible.

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Speaker 1: I know I was living in New York City. I

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Speaker 1: know you're a Chicago guy, but there's actually other big cities.

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Speaker 2: Yeah, I've been to New York. What's the point. Why

349
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Speaker 2: make it bigger? What you do?

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Speaker 1: What did you do when you went to New York?

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Speaker 3: Yeah?

352
00:20:20,760 --> 00:20:24,480
Speaker 1: Underground CBS, get into some punk scene.

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Speaker 2: I did do some underground shit, a little show nobody

354
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Speaker 2: watched called The Opposition. Do you have Comedy Central? You

355
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Speaker 2: try to stream it on their dogshit.

356
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Speaker 1: Player Comedy Central, Man, I run everything on the player.

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Speaker 3: I download shit and import it to the Comedy Central

358
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Speaker 3: player so that I can get all my ads.

359
00:20:42,160 --> 00:20:44,199
Speaker 1: Halfway through people's sentences.

360
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Speaker 2: That might actually be hurting their player if you're doing that,

361
00:20:48,400 --> 00:20:51,400
Speaker 2: it might be part of the problem. It has clear

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Speaker 2: structural problems.

363
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Speaker 1: I'm watching Succession through the Comedy Central player talk about

364
00:21:01,080 --> 00:21:04,520
Speaker 1: a New York show, The Opposition, The Opposition. Yeah right,

365
00:21:05,040 --> 00:21:08,320
Speaker 1: they were acting so crazy on that show. Where did

366
00:21:08,359 --> 00:21:09,040
Speaker 1: you approve of that?

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Speaker 5: Uh?

368
00:21:10,200 --> 00:21:10,240
Speaker 7: No?

369
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Speaker 2: I was always the voice of reason in the room.

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Speaker 1: Some of the stuff they're saying on that show I

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Speaker 1: just cannot get behind.

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Speaker 2: Yeah, it's nuts in your opinion? What was that show about?

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Speaker 1: Oh dude, it was about twenty two minutes long. Give

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Speaker 1: it up. Got to give it up? And I put

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Speaker 1: Hayes on my shoulder as I carry him around the room.

376
00:21:33,560 --> 00:21:37,680
Speaker 1: But seriously, like actually being serious, it was about this guy.

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Speaker 2: M Good who is He's a weird guy.

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Speaker 1: Not to interrupt, He's a weird guy, yes, and like

379
00:21:46,119 --> 00:21:50,679
Speaker 1: kind of crazy. Uh. And he's like messing up?

380
00:21:51,800 --> 00:21:51,919
Speaker 6: Uh?

381
00:21:52,240 --> 00:21:56,080
Speaker 1: And he I saw him on the show freak out.

382
00:21:57,040 --> 00:22:01,399
Speaker 1: And a lot of the time I'm thinking about it

383
00:22:01,600 --> 00:22:04,200
Speaker 1: and I'm like, is this supposed to be am I

384
00:22:04,280 --> 00:22:09,960
Speaker 1: supposed to be friends with this guy? Is he like, like,

385
00:22:10,080 --> 00:22:11,840
Speaker 1: am I supposed to like fight this guy? Is he

386
00:22:12,000 --> 00:22:15,840
Speaker 1: like pissed? And my part? Is he crazy? You know, yeah, yeah,

387
00:22:16,080 --> 00:22:18,760
Speaker 1: and it's all these things. Yeah, but really the flaw

388
00:22:18,920 --> 00:22:24,680
Speaker 1: with the show is you cannot satirize the duck build platypus,

389
00:22:25,960 --> 00:22:29,240
Speaker 1: can you, because it's strange? But I certainly would like

390
00:22:29,280 --> 00:22:32,919
Speaker 1: to see you try. I'll watch you try for how

391
00:22:33,000 --> 00:22:40,800
Speaker 1: long was the show? Yeah? Ten months? So okay, that's

392
00:22:40,840 --> 00:22:44,280
Speaker 1: how long I'll watch you try to satirize the duck

393
00:22:44,320 --> 00:22:46,000
Speaker 1: build platt You're always the strange.

394
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Speaker 2: You'll watch one hundred and fifty episodes of that effort.

395
00:22:49,320 --> 00:22:49,800
Speaker 1: But that's it.

396
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Speaker 3: And then I'll say exactly what I said at the beginning,

397
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Speaker 3: you cannot satirize the duck build platypuss because it is

398
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Speaker 3: already the strangest creature known to planet Earth.

399
00:23:02,440 --> 00:23:08,000
Speaker 1: Mm hmm, hm hmm. What's a parody? And people say, oh,

400
00:23:08,040 --> 00:23:11,440
Speaker 1: the opposition, like it didn't wasn't around that long. It

401
00:23:11,560 --> 00:23:15,640
Speaker 1: came and went and they did more episodes. As a soprano,

402
00:23:16,520 --> 00:23:19,680
Speaker 1: they do say that, yeah, so they do.

403
00:23:19,920 --> 00:23:25,520
Speaker 2: Yeah, that that's true. Well, knowing this and disliking New

404
00:23:25,600 --> 00:23:26,359
Speaker 2: York as much as.

405
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Speaker 1: I do, I wish I had not job. Not taking

406
00:23:29,800 --> 00:23:32,760
Speaker 1: the job. Yeah no, no, I I enjoyed it.

407
00:23:32,840 --> 00:23:35,399
Speaker 2: I got to slick back my hair on camera. I

408
00:23:35,480 --> 00:23:36,720
Speaker 2: got to work a studio show.

409
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Speaker 1: But ultimately they told you to stop position, didn't.

410
00:23:40,600 --> 00:23:45,199
Speaker 2: They Ultimately they did. Yeah, yeah, they gave us an

411
00:23:45,240 --> 00:23:49,720
Speaker 2: ultimatum continue doing the show or don't. We chose the latter.

412
00:23:50,400 --> 00:23:52,600
Speaker 3: I was living in New York a young man, and

413
00:23:52,760 --> 00:23:55,760
Speaker 3: I flew out to Los Angeles from my big trip.

414
00:23:57,960 --> 00:24:01,800
Speaker 1: Met with a sort of JR. Agent coordinator type at

415
00:24:01,880 --> 00:24:04,639
Speaker 1: CIA and the Death Star, their famous building.

416
00:24:06,080 --> 00:24:11,119
Speaker 3: He told me to keep at it, maybe send him

417
00:24:11,160 --> 00:24:13,920
Speaker 3: some other stuff. If I had, well, I have kept

418
00:24:13,960 --> 00:24:17,480
Speaker 3: at it. I don't know if he did, so I

419
00:24:18,600 --> 00:24:22,159
Speaker 3: was here. And what do you get asked when you

420
00:24:22,280 --> 00:24:25,160
Speaker 3: come back from from LA if you're in New York

421
00:24:25,200 --> 00:24:26,760
Speaker 3: and you're doing UCB, you get.

422
00:24:26,640 --> 00:24:28,520
Speaker 1: Asked, what was the theater there?

423
00:24:28,720 --> 00:24:28,760
Speaker 7: Like?

424
00:24:29,600 --> 00:24:29,960
Speaker 4: How is it?

425
00:24:30,119 --> 00:24:33,119
Speaker 1: Did you see the theater? Of course, I'm only here

426
00:24:33,200 --> 00:24:36,879
Speaker 1: for two nights, so I go to the theater, the

427
00:24:37,000 --> 00:24:37,720
Speaker 1: uc B theater.

428
00:24:38,080 --> 00:24:39,399
Speaker 2: Smart I would have done that.

429
00:24:39,480 --> 00:24:41,199
Speaker 1: And again, I wish Coolap was here. Should we call

430
00:24:41,280 --> 00:24:45,600
Speaker 1: her for this? Yes, let's call her. I enjoyed seeing

431
00:24:45,800 --> 00:24:48,480
Speaker 1: on opposition. You had just look your hair back, but

432
00:24:48,560 --> 00:24:54,639
Speaker 1: your part is so powerful that just in only like

433
00:24:54,720 --> 00:24:57,960
Speaker 1: the few minutes of your appearance. The part is do

434
00:24:58,040 --> 00:25:02,480
Speaker 1: you need a donggle or anything? Way back into like

435
00:25:03,040 --> 00:25:05,320
Speaker 1: separating your hair and you can sort of hear it

436
00:25:05,400 --> 00:25:10,200
Speaker 1: goingly working through the slick.

437
00:25:10,320 --> 00:25:12,760
Speaker 2: Yeah, that was something inside me telling me I hated

438
00:25:12,840 --> 00:25:14,119
Speaker 2: doing field pieces and I.

439
00:25:16,080 --> 00:25:19,120
Speaker 1: I wanted to go home and but shrink you got

440
00:25:19,160 --> 00:25:19,800
Speaker 1: to have the part.

441
00:25:20,240 --> 00:25:22,399
Speaker 2: Yeah, well, it's hard to get rid of it. I

442
00:25:23,080 --> 00:25:25,560
Speaker 2: devise even when I'm doing characters for a live show,

443
00:25:26,000 --> 00:25:28,680
Speaker 2: I always start when we start with the part. Yeah,

444
00:25:29,040 --> 00:25:30,000
Speaker 2: I work from there.

445
00:25:31,040 --> 00:25:33,480
Speaker 1: I wonder what Chef Kevin's doing. He just opened the

446
00:25:33,520 --> 00:25:37,360
Speaker 1: door and then closed it. Yeah, we don't need the dongle.

447
00:25:37,119 --> 00:25:37,359
Speaker 3: Do we?

448
00:25:37,760 --> 00:25:39,520
Speaker 1: No? I guess we can just call her on. I

449
00:25:39,760 --> 00:25:44,000
Speaker 1: just was asking, just throws it at you. But what

450
00:25:44,080 --> 00:25:46,440
Speaker 1: do I do it? Dongle truly is cheap in this town.

451
00:25:46,760 --> 00:25:49,440
Speaker 1: It is. Then what do I do with it? And

452
00:25:49,520 --> 00:25:52,359
Speaker 1: it's so short? I plug it into that? Okay, great,

453
00:25:53,400 --> 00:25:56,040
Speaker 1: Well we're happy we waited now and you guys were

454
00:25:56,040 --> 00:25:56,880
Speaker 1: having a nice talk.

455
00:25:57,040 --> 00:25:58,639
Speaker 2: I hope she picks I got a couple of you.

456
00:25:59,320 --> 00:26:02,520
Speaker 1: I hope she picked up too. She usually does.

457
00:26:02,920 --> 00:26:04,920
Speaker 2: Let's pop off a few more while he punches in

458
00:26:04,960 --> 00:26:05,280
Speaker 2: this note.

459
00:26:05,320 --> 00:26:08,400
Speaker 1: That is all I have right now if you would

460
00:26:08,440 --> 00:26:09,520
Speaker 1: like to pop off a couple.

461
00:26:09,680 --> 00:26:11,639
Speaker 2: I know, I think the duck build platypus thing is

462
00:26:12,200 --> 00:26:15,760
Speaker 2: pretty bang on. To borrow a Canadian term. I don't

463
00:26:15,760 --> 00:26:18,240
Speaker 2: know if you guys appreciate anything that comes from Canada.

464
00:26:18,359 --> 00:26:23,760
Speaker 2: I do, well, Like what letter Kenny I'm not hearing baroness.

465
00:26:23,480 --> 00:26:25,600
Speaker 1: Letter Kenny is the same as Kenny versus Penny. I'm

466
00:26:25,640 --> 00:26:29,160
Speaker 1: hearing it ringing? Is that the same is Kenny?

467
00:26:29,280 --> 00:26:32,480
Speaker 2: There's one character from Yeah, it's Kenny. It's Kenny.

468
00:26:33,800 --> 00:26:38,840
Speaker 1: Yes, cool? Op. Hey, Well, I'm in here in the

469
00:26:38,920 --> 00:26:44,520
Speaker 1: studio with Tim Boltz. You know him, you know really well,

470
00:26:45,320 --> 00:26:47,600
Speaker 1: and I'm here as well. Hayes is here too.

471
00:26:47,680 --> 00:26:49,680
Speaker 3: He wants to make sure you know that I tried

472
00:26:49,720 --> 00:26:52,160
Speaker 3: to do the dongle, but I just couldn't figure it out.

473
00:26:52,920 --> 00:26:55,639
Speaker 1: So I was asking Tim if.

474
00:26:55,560 --> 00:26:58,800
Speaker 3: He thought, like whether or not he thought you actually

475
00:26:58,960 --> 00:27:05,720
Speaker 3: checked my avail for Jillian, if he had heard anything.

476
00:27:06,440 --> 00:27:10,480
Speaker 4: I mean like this, feel like I can believe that

477
00:27:10,720 --> 00:27:11,280
Speaker 4: we're having a.

478
00:27:11,359 --> 00:27:16,200
Speaker 3: Conversation, Okay, So so anyway I asked him and he

479
00:27:16,400 --> 00:27:19,680
Speaker 3: basically said, like, there's no way because you had used

480
00:27:19,920 --> 00:27:22,800
Speaker 3: pretty much everyone under the sun on that show. And

481
00:27:22,880 --> 00:27:26,359
Speaker 3: we're even like flying flying people in from like Sioux

482
00:27:26,440 --> 00:27:30,000
Speaker 3: City or whatever to do little day player roles. So

483
00:27:30,480 --> 00:27:33,560
Speaker 3: I so he then asked me do you have any

484
00:27:33,600 --> 00:27:38,159
Speaker 3: pre existing beef with Kulap? And I decided that this

485
00:27:38,359 --> 00:27:40,440
Speaker 3: might be a time and I can't remember if we've

486
00:27:40,480 --> 00:27:42,520
Speaker 3: gone over this, but I would maybe tell the story

487
00:27:42,560 --> 00:27:43,800
Speaker 3: of the first time I ever met you.

488
00:27:44,119 --> 00:27:46,000
Speaker 1: But I don't know if we've ever talked about it

489
00:27:46,200 --> 00:27:48,960
Speaker 1: on the show, or even if we have, I don't

490
00:27:49,000 --> 00:27:49,520
Speaker 1: believe we have.

491
00:27:50,840 --> 00:27:55,000
Speaker 3: So so, when I was in New York as a

492
00:27:55,080 --> 00:27:57,960
Speaker 3: young improviser, I flew out to LA for like a

493
00:27:58,040 --> 00:28:01,920
Speaker 3: couple of days for me, and then I wanted to

494
00:28:02,160 --> 00:28:05,280
Speaker 3: see physically see the UCB Theater here because I knew

495
00:28:05,280 --> 00:28:06,879
Speaker 3: people would ask me what the theater is like when

496
00:28:06,920 --> 00:28:07,480
Speaker 3: I came back.

497
00:28:08,520 --> 00:28:15,240
Speaker 1: So so I went to the theater. It was a

498
00:28:15,359 --> 00:28:18,680
Speaker 1: cage match night and I walked in and who was

499
00:28:19,240 --> 00:28:19,840
Speaker 1: working there?

500
00:28:21,320 --> 00:28:27,320
Speaker 4: Coola was a great manager, maybe Emily.

501
00:28:27,800 --> 00:28:34,600
Speaker 3: Maybe in fact, it was kolap oh okay, and I said, hey,

502
00:28:35,240 --> 00:28:37,960
Speaker 3: so sorry, I said, can I I said, can I

503
00:28:38,120 --> 00:28:41,880
Speaker 3: run in and just actually look at the theater? Like

504
00:28:42,000 --> 00:28:44,480
Speaker 3: I just want to look like you were like and

505
00:28:44,600 --> 00:28:46,560
Speaker 3: you were like the show sold out. You know, there's

506
00:28:46,560 --> 00:28:48,960
Speaker 3: no seats, you can't go. And I was like, oh, yeah, well,

507
00:28:49,080 --> 00:28:50,800
Speaker 3: I know it's cage match. I know there's actually a

508
00:28:50,960 --> 00:28:53,400
Speaker 3: break in between the teams. I literally I know this

509
00:28:53,520 --> 00:28:55,440
Speaker 3: is maybe strange. I want to see the physical space

510
00:28:55,520 --> 00:28:56,960
Speaker 3: of the theater just so I can like say what

511
00:28:57,080 --> 00:28:59,440
Speaker 3: the theater is. Like, I'm from New York and I'm

512
00:28:59,480 --> 00:29:03,160
Speaker 3: going back. And you were like, uh, you were like, no,

513
00:29:03,480 --> 00:29:06,320
Speaker 3: you can't do that, and then you like ask someone else,

514
00:29:06,360 --> 00:29:07,440
Speaker 3: and then you were like you can't do that, and

515
00:29:07,520 --> 00:29:10,360
Speaker 3: I said okay, and then I sort of walked away,

516
00:29:11,640 --> 00:29:14,760
Speaker 3: and then I was like, hey, I don't know if

517
00:29:14,800 --> 00:29:17,800
Speaker 3: this matters. I just I'm you know, I'm I'm on

518
00:29:18,000 --> 00:29:19,880
Speaker 3: the UCB website like I'm a performer, I'm on a

519
00:29:19,920 --> 00:29:20,480
Speaker 3: Herald team.

520
00:29:20,920 --> 00:29:25,560
Speaker 1: I'm on a mod team website. I teach at them.

521
00:29:25,560 --> 00:29:27,320
Speaker 3: I'm not like a random person asked because I know

522
00:29:27,360 --> 00:29:29,040
Speaker 3: you don't know me because you're in LA I'm from

523
00:29:29,040 --> 00:29:31,520
Speaker 3: New York. But I am like, I've been doing shows

524
00:29:31,600 --> 00:29:35,800
Speaker 3: the shit for like five years, and you went, no,

525
00:29:35,960 --> 00:29:36,680
Speaker 3: it doesn't matter.

526
00:29:43,920 --> 00:29:50,160
Speaker 4: I'm proud of myself I forgotten and I'm.

527
00:29:49,400 --> 00:29:53,200
Speaker 3: Proud of who I was well, you have a job

528
00:29:53,280 --> 00:29:57,160
Speaker 3: that is a stressful job. I can respect that.

529
00:29:58,160 --> 00:30:07,160
Speaker 1: I left very mad because I was because I was like,

530
00:30:07,520 --> 00:30:09,840
Speaker 1: I know, it wouldn't have mattered to anyone.

531
00:30:11,560 --> 00:30:13,719
Speaker 3: It would have cost nothing, and there would have been

532
00:30:13,880 --> 00:30:17,440
Speaker 3: zero consequence to me walking in, and an arbitrary rule

533
00:30:17,600 --> 00:30:23,360
Speaker 3: was upheld purely so that the power of your position

534
00:30:23,520 --> 00:30:27,040
Speaker 3: behind the desk could be wielded as a weapon against me.

535
00:30:27,720 --> 00:30:31,640
Speaker 1: Now, I would say, you're probably one of my best friends.

536
00:30:31,760 --> 00:30:33,200
Speaker 1: Do you agree with that, Kula.

537
00:30:34,440 --> 00:30:35,080
Speaker 9: Wholeheartedly?

538
00:30:35,280 --> 00:30:37,880
Speaker 4: It's kind of created that you not brought them up,

539
00:30:38,080 --> 00:30:40,080
Speaker 4: and you're not bringing it up until this moment.

540
00:30:40,440 --> 00:30:41,440
Speaker 9: I feel it the betrayal.

541
00:30:42,080 --> 00:30:44,560
Speaker 1: I think early on I thought I don't want to

542
00:30:44,560 --> 00:30:47,160
Speaker 1: bring up this story because I don't want her to

543
00:30:47,280 --> 00:30:49,240
Speaker 1: be upset with me, because I didn't know you well

544
00:30:49,360 --> 00:30:51,360
Speaker 1: enough yet. And then so much time had passed that

545
00:30:51,360 --> 00:30:52,560
Speaker 1: I was like, well, I'm not going to bring up

546
00:30:52,560 --> 00:30:53,120
Speaker 1: the story now.

547
00:30:53,280 --> 00:30:56,680
Speaker 3: But when Tim asked if we had pre existing beef,

548
00:30:56,720 --> 00:30:59,520
Speaker 3: that would have maybe cause you to never check my

549
00:30:59,600 --> 00:31:00,440
Speaker 3: veil from chill.

550
00:31:00,320 --> 00:31:09,000
Speaker 1: You, there's probably there must be an email you and

551
00:31:09,120 --> 00:31:10,040
Speaker 1: hated Avail.

552
00:31:10,240 --> 00:31:14,280
Speaker 9: You were both Unaveil because you are high hard writers

553
00:31:14,440 --> 00:31:14,880
Speaker 9: and you're.

554
00:31:14,800 --> 00:31:18,120
Speaker 1: Not a vail my rep. Something about my reps. They

555
00:31:18,320 --> 00:31:24,120
Speaker 1: there's a phone call, phone call or email that is

556
00:31:24,160 --> 00:31:28,800
Speaker 1: not my job, right, But you're saying there's no someone

557
00:31:28,840 --> 00:31:32,920
Speaker 1: in casting who has an issue with you. Thank you? Now,

558
00:31:33,000 --> 00:31:34,680
Speaker 1: are you okay with that story? Cool up?

559
00:31:35,520 --> 00:31:37,280
Speaker 9: I am okay, and I stand by what I did.

560
00:31:37,840 --> 00:31:42,240
Speaker 1: Yeah, I agree, I agree. Shit, man, you put me

561
00:31:42,360 --> 00:31:46,120
Speaker 1: behind that desk. I would have done that with extreme prejudice.

562
00:31:46,280 --> 00:31:50,360
Speaker 4: Yes, if I were you, I would have been very

563
00:31:50,400 --> 00:31:51,000
Speaker 4: angry as well.

564
00:31:53,680 --> 00:31:54,960
Speaker 1: Yeah, everyone is right.

565
00:31:55,040 --> 00:31:57,680
Speaker 3: It's one of those things where everybody's wrong and everybody's right.

566
00:31:58,320 --> 00:32:02,640
Speaker 1: Tim's getting pissed, Tim getting kissed. Do you want to

567
00:32:02,720 --> 00:32:03,880
Speaker 1: just talk to Tim for a while?

568
00:32:04,720 --> 00:32:05,440
Speaker 9: Yeah, if I could?

569
00:32:06,080 --> 00:32:06,560
Speaker 1: Cool ap?

570
00:32:06,640 --> 00:32:09,040
Speaker 6: Hey, Hey Tim, how are you?

571
00:32:09,600 --> 00:32:12,280
Speaker 2: I'm good? I'm so sorry. I mean, not only is

572
00:32:12,320 --> 00:32:16,320
Speaker 2: this cutting into my time in the episode where I

573
00:32:16,480 --> 00:32:18,560
Speaker 2: was trying to get out some I don't know, great

574
00:32:18,600 --> 00:32:21,080
Speaker 2: juicy stories about my career, but it's cutting into your

575
00:32:21,120 --> 00:32:22,520
Speaker 2: Saturday morning. I'm sorry.

576
00:32:22,840 --> 00:32:25,440
Speaker 9: Yeah, yeah, I appreciate it.

577
00:32:26,320 --> 00:32:26,840
Speaker 1: How you doing.

578
00:32:27,760 --> 00:32:31,160
Speaker 9: I'm really good on my way to get my hair done,

579
00:32:31,360 --> 00:32:34,360
Speaker 9: so that's going to be exciting. So I'll definitely send

580
00:32:34,400 --> 00:32:38,120
Speaker 9: you a picture of my new hair.

581
00:32:38,560 --> 00:32:41,480
Speaker 1: That'd be great. I'm doing that after the show today.

582
00:32:41,520 --> 00:32:42,720
Speaker 1: I'm going to get a hair cut.

583
00:32:43,000 --> 00:32:45,760
Speaker 2: All right, Sean's trying to cut back in about his hair.

584
00:32:49,480 --> 00:32:49,800
Speaker 1: That's all.

585
00:32:51,080 --> 00:32:53,520
Speaker 9: Thank you for I guess including me in your time.

586
00:32:54,040 --> 00:32:59,000
Speaker 9: And it sounds like we squashed some beef. So hashtag

587
00:32:59,040 --> 00:32:59,600
Speaker 9: squashed beef.

588
00:33:00,000 --> 00:33:06,720
Speaker 2: Hashtag squash it. Yep, all right, we'll have a great

589
00:33:06,800 --> 00:33:07,760
Speaker 2: rest of your Saturday.

590
00:33:07,840 --> 00:33:08,240
Speaker 1: Cool op.

591
00:33:08,920 --> 00:33:11,680
Speaker 2: I thought that it was the reps thing. Casting is also,

592
00:33:12,120 --> 00:33:15,080
Speaker 2: uh probably a good idea. I think that Sean should

593
00:33:15,120 --> 00:33:19,480
Speaker 2: fallow up at those things and squash the beef inside them. Yeah,

594
00:33:19,560 --> 00:33:19,920
Speaker 2: I think so.

595
00:33:20,160 --> 00:33:23,160
Speaker 4: Also, you know, the show is available on Cleodo TV

596
00:33:23,800 --> 00:33:28,000
Speaker 4: for free. Certainly if you're into iTunes or Amazon, you

597
00:33:28,080 --> 00:33:32,000
Speaker 4: can watch the Jillian dellipropty seasons once orfore without Hayes

598
00:33:32,280 --> 00:33:32,920
Speaker 4: and Sean.

599
00:33:33,480 --> 00:33:36,280
Speaker 2: Wow, that is great information. This was unplanned, but it's

600
00:33:36,400 --> 00:33:39,480
Speaker 2: a fantastic promotion of the show. The guys are giving

601
00:33:39,520 --> 00:33:40,200
Speaker 2: me the thumbs up.

602
00:33:42,000 --> 00:33:46,840
Speaker 9: Check out shrink, check out check out all the shows

603
00:33:46,880 --> 00:33:47,360
Speaker 9: you've been on.

604
00:33:49,240 --> 00:33:51,200
Speaker 2: That I think. Also, Don and Hayes have not been

605
00:33:51,240 --> 00:33:54,880
Speaker 2: on the book Hid in America with Jonah Ray. Gentlemen, lobsters, you.

606
00:33:54,960 --> 00:33:55,760
Speaker 1: Did both of those.

607
00:33:57,240 --> 00:34:01,160
Speaker 2: Now you're not sure I was. I did most of

608
00:34:01,200 --> 00:34:01,880
Speaker 2: these those shows.

609
00:34:07,920 --> 00:34:08,160
Speaker 1: Yep.

610
00:34:08,320 --> 00:34:10,560
Speaker 2: I was the part of the rise and definitely part

611
00:34:10,600 --> 00:34:17,560
Speaker 2: of the downfall. Uh, I love you cool ap bye bye.

612
00:34:18,040 --> 00:34:20,040
Speaker 1: Who does Tim sit next to it? The bajillion dipers?

613
00:34:20,960 --> 00:34:22,759
Speaker 2: I'm willing to talk about that.

614
00:34:22,960 --> 00:34:23,480
Speaker 1: She's gone.

615
00:34:23,719 --> 00:34:26,799
Speaker 2: I sit, I sit back to back with everybody. Joan Array,

616
00:34:27,560 --> 00:34:34,800
Speaker 2: Cameron Esposito, Raa Butcher, Matt Miter, uh, Jay Oakinfeld.

617
00:34:35,360 --> 00:34:38,720
Speaker 1: The is that the guy? Yeah, he's roasting everybody.

618
00:34:38,800 --> 00:34:39,759
Speaker 2: Yeah, he roasts all of.

619
00:34:39,840 --> 00:34:43,880
Speaker 1: Us, Hollywood, Hollywood.

620
00:34:43,960 --> 00:34:44,200
Speaker 3: Hand.

621
00:34:45,400 --> 00:34:47,400
Speaker 1: Do you want to tell a famous story from you,

622
00:34:47,800 --> 00:34:53,600
Speaker 1: your Hollywood Hollywood? Please A true one, A real listen

623
00:34:53,640 --> 00:34:58,640
Speaker 1: to that shame story like that one. My first week

624
00:34:58,719 --> 00:35:01,160
Speaker 1: in l A. I come out twenty thirteen for pilot

625
00:35:01,200 --> 00:35:05,040
Speaker 1: season Boom. Going to Burbank for some kind of general meeting,

626
00:35:05,600 --> 00:35:08,400
Speaker 1: get destroyed at some pre read. Someone tells me that

627
00:35:08,480 --> 00:35:10,919
Speaker 1: I don't understand, just get busted wide open.

628
00:35:11,000 --> 00:35:16,040
Speaker 3: It just split open, yeah, split half absolutely laid just

629
00:35:16,160 --> 00:35:17,439
Speaker 3: hung out the window to dry.

630
00:35:17,640 --> 00:35:21,800
Speaker 2: They can tell my naive, young fresh Chicago bodies just

631
00:35:22,080 --> 00:35:26,840
Speaker 2: waiting to get blood drained from it. Parking on the

632
00:35:26,840 --> 00:35:30,200
Speaker 2: street that the slaughter houses and I see my first

633
00:35:30,239 --> 00:35:34,759
Speaker 2: celebrity sighting. I want to guess who it was.

634
00:35:36,440 --> 00:35:44,560
Speaker 1: Hmmm, Sharon Lawrence. Who's that actress Sharon Osborne?

635
00:35:45,440 --> 00:35:49,400
Speaker 2: Both close, probably right in the middle of the sweet

636
00:35:49,400 --> 00:35:51,680
Speaker 2: spot between those two people, Kevin Sorbo.

637
00:35:52,239 --> 00:35:55,319
Speaker 1: Mm hmmm. I go up to her. I say, Hey,

638
00:35:55,480 --> 00:35:56,960
Speaker 1: Hurt Glees, Hurt Gales.

639
00:35:57,239 --> 00:35:57,399
Speaker 4: Right.

640
00:35:58,000 --> 00:36:00,520
Speaker 2: I wish i'd said that instead. I said, hey, big

641
00:36:00,600 --> 00:36:01,400
Speaker 2: fan of Hercules.

642
00:36:03,680 --> 00:36:09,480
Speaker 1: Disappointed? Remember, Yeah, for him, it must have been like

643
00:36:09,480 --> 00:36:12,120
Speaker 1: when you said hey, big fan of and he's like,

644
00:36:12,239 --> 00:36:13,880
Speaker 1: what is he going to say? It could be so

645
00:36:14,080 --> 00:36:18,920
Speaker 1: many different things that he's gonna like me for like that,

646
00:36:19,080 --> 00:36:22,040
Speaker 1: that that moment for him of like not being sure

647
00:36:22,120 --> 00:36:25,400
Speaker 1: whether people are going to say Hercules or all the

648
00:36:25,480 --> 00:36:30,279
Speaker 1: other stuff that must be like professor Bible or whatever. Yea,

649
00:36:31,120 --> 00:36:31,879
Speaker 1: And what did he say?

650
00:36:32,000 --> 00:36:34,120
Speaker 2: He said, shut the fuck up. We're in the We're

651
00:36:34,120 --> 00:36:36,120
Speaker 2: in the waiting room, dude, we're all we're all prepping.

652
00:36:36,160 --> 00:36:38,000
Speaker 2: Then I realized I'm going out for the same role

653
00:36:38,040 --> 00:36:40,799
Speaker 2: as Kevin Sorbo. I look around the room. Who else

654
00:36:40,880 --> 00:36:43,640
Speaker 2: is sitting there? Breck and Meier, uh, two of the

655
00:36:43,719 --> 00:36:48,120
Speaker 2: guys from Detroit Rock City, And I'm like, oh my God,

656
00:36:48,640 --> 00:36:49,600
Speaker 2: like I'm so naive.

657
00:36:49,960 --> 00:36:53,440
Speaker 1: This is my furlough. No not no, no, no not

658
00:36:53,719 --> 00:36:55,520
Speaker 1: Is that one of those Patrick fe get in that

659
00:36:56,800 --> 00:36:57,760
Speaker 1: he would have cried.

660
00:36:59,680 --> 00:37:03,480
Speaker 2: I I got a Hercules story too, to off my man,

661
00:37:04,440 --> 00:37:07,000
Speaker 2: this tennis. If you're done, I mean pretty much I

662
00:37:07,160 --> 00:37:09,560
Speaker 2: was done. I mean you know, because you realize you're

663
00:37:09,560 --> 00:37:09,719
Speaker 2: in it.

664
00:37:09,840 --> 00:37:13,839
Speaker 3: You realize you had accidentally been someone who a producer's session. Yeah,

665
00:37:15,160 --> 00:37:17,480
Speaker 3: and that has happened to me too. So when you

666
00:37:17,600 --> 00:37:20,279
Speaker 3: go to and then they go you go to I

667
00:37:20,360 --> 00:37:22,319
Speaker 3: have to come back like a different time, and they

668
00:37:22,400 --> 00:37:23,759
Speaker 3: go like, no, just do it.

669
00:37:24,560 --> 00:37:26,000
Speaker 1: Then you're like, okay.

670
00:37:27,320 --> 00:37:27,840
Speaker 2: So I.

671
00:37:29,800 --> 00:37:34,760
Speaker 1: Worked on a show called Ash Versus Evil Dead on Stars.

672
00:37:35,360 --> 00:37:36,640
Speaker 1: Yeah that Stars.

673
00:37:36,719 --> 00:37:38,479
Speaker 2: Yeah, yeah, of course I read it all off, baby,

674
00:37:38,560 --> 00:37:39,200
Speaker 2: I got everything.

675
00:37:39,320 --> 00:37:42,120
Speaker 1: Yeah, I have it all. So I work on that show.

676
00:37:42,160 --> 00:37:45,799
Speaker 1: It's the closest network to your name Stars. Yeah yeah,

677
00:37:45,920 --> 00:37:47,520
Speaker 1: try to z at the end, the same number of

678
00:37:48,000 --> 00:37:53,000
Speaker 1: t in and a one producers man named Rob Tampert. Nice.

679
00:37:53,040 --> 00:37:55,280
Speaker 3: I've heard him sort of the king of New Zealand.

680
00:37:55,600 --> 00:37:59,880
Speaker 3: Everything gets filmed in New Zealand because of some like

681
00:38:00,080 --> 00:38:02,120
Speaker 3: leave money laundering system that he has worked.

682
00:38:01,960 --> 00:38:05,760
Speaker 1: Out over there. Root beer Tappert, It's root Beer Tamper.

683
00:38:06,000 --> 00:38:08,640
Speaker 3: He is married to Lucy Lawless, and he was the

684
00:38:08,800 --> 00:38:12,840
Speaker 3: producer and one of the main creative minds behind Hercules

685
00:38:13,000 --> 00:38:18,600
Speaker 3: Legendary Journeys and sena Warrior Princess, and we would he

686
00:38:18,800 --> 00:38:21,160
Speaker 3: was one of the gatekeepers as we would submit stories

687
00:38:21,239 --> 00:38:23,200
Speaker 3: for the show, and so we would send in something

688
00:38:23,200 --> 00:38:24,880
Speaker 3: where we go like, wow, we want to have like

689
00:38:25,040 --> 00:38:27,399
Speaker 3: this happened in the next episode, and he would start

690
00:38:27,440 --> 00:38:28,080
Speaker 3: most calls with.

691
00:38:29,200 --> 00:38:35,120
Speaker 1: We learned a lesson on Hercules years ago, and that

692
00:38:35,320 --> 00:38:37,719
Speaker 1: lesson was you just can't do this.

693
00:38:38,000 --> 00:38:43,560
Speaker 3: Boys. It's everything that is getting kai bosh by this man.

694
00:38:44,560 --> 00:38:48,000
Speaker 3: It's because it was because of the expertise that he

695
00:38:48,080 --> 00:38:51,759
Speaker 3: had garnered throughout Hercules. So, for instance, in a show

696
00:38:51,800 --> 00:38:56,840
Speaker 3: where it was a narrative story, you know, it was

697
00:38:56,960 --> 00:39:00,360
Speaker 3: not episodic, there was a thread running throughout the entire series.

698
00:39:00,680 --> 00:39:03,480
Speaker 3: You go, okay, well, in the big finale, we're gonna

699
00:39:03,719 --> 00:39:05,480
Speaker 3: kill one of the main characters and they die, and

700
00:39:05,520 --> 00:39:10,160
Speaker 3: he'd go, you know, we on Hercules would try to

701
00:39:10,280 --> 00:39:13,520
Speaker 3: do this where we'd establish some warlord and act one

702
00:39:13,960 --> 00:39:16,640
Speaker 3: and we'd kill him in Act three, and nobody gave

703
00:39:16,760 --> 00:39:19,040
Speaker 3: a damn, you just can't do it.

704
00:39:21,640 --> 00:39:24,839
Speaker 1: That was just that was everything.

705
00:39:26,160 --> 00:39:31,160
Speaker 3: So Hercules really affected both of our Los Angeles careers

706
00:39:31,239 --> 00:39:32,640
Speaker 3: in pretty substantial ways.

707
00:39:32,719 --> 00:39:34,399
Speaker 2: Yeah, it seems like that was well, it was early

708
00:39:34,480 --> 00:39:36,320
Speaker 2: on for me, but it seems pretty fresh and recent

709
00:39:36,400 --> 00:39:36,560
Speaker 2: for you.

710
00:39:37,640 --> 00:39:37,839
Speaker 3: Yeah.

711
00:39:38,080 --> 00:39:38,279
Speaker 1: Yeah.

712
00:39:38,360 --> 00:39:38,560
Speaker 2: Yeah.

713
00:39:38,680 --> 00:39:40,680
Speaker 3: He's also the one who called and told my writing partner,

714
00:39:40,760 --> 00:39:43,080
Speaker 3: Dominic Derek Is that there were too many jokes in

715
00:39:43,360 --> 00:39:46,360
Speaker 3: the script that he wrote. I mean, this thing reads

716
00:39:46,400 --> 00:39:48,640
Speaker 3: like a goddamn Simpson script.

717
00:39:51,160 --> 00:40:00,000
Speaker 1: I mean, first of all, thanks, Second, no it doesn't.

718
00:40:03,000 --> 00:40:05,239
Speaker 2: So this guy still alive or is he died from

719
00:40:05,520 --> 00:40:09,160
Speaker 2: how absurd he is. He's alive, and he.

720
00:40:09,160 --> 00:40:11,719
Speaker 3: Could probably sue Earwolf for me saying this on the show,

721
00:40:12,160 --> 00:40:15,160
Speaker 3: but he'd have been have to get extradited to the US.

722
00:40:15,640 --> 00:40:18,360
Speaker 2: Well, we could cut this out with maybe we just

723
00:40:18,480 --> 00:40:22,399
Speaker 2: try to sew in something from earlier. Uh my story

724
00:40:22,440 --> 00:40:25,320
Speaker 2: in this waiting room with Kevin Sorbo Breck and Meyer,

725
00:40:25,400 --> 00:40:28,880
Speaker 2: two of the guys from Detroit Rock City, and the

726
00:40:29,040 --> 00:40:30,680
Speaker 2: Sandlock kid who lives in Los Felas.

727
00:40:31,160 --> 00:40:34,960
Speaker 1: I see him around Yeah Cassella, Yeah is that his name?

728
00:40:35,160 --> 00:40:38,520
Speaker 1: The You're killing me small kid? Yes, that dude just

729
00:40:38,560 --> 00:40:43,279
Speaker 1: sitting on checks. H Yeah, I guess he Uh. Well,

730
00:40:43,320 --> 00:40:46,279
Speaker 1: I mean, like you said, he's he's seeking work. It

731
00:40:46,440 --> 00:40:50,239
Speaker 1: lastens every day. Is he seeking work? He was in

732
00:40:50,360 --> 00:40:53,399
Speaker 1: the producer session. You see him where mustard seed times

733
00:40:53,440 --> 00:40:53,759
Speaker 1: are tough.

734
00:40:53,880 --> 00:40:57,200
Speaker 2: Huh, why would you go there?

735
00:40:57,400 --> 00:40:58,160
Speaker 1: I haven't been there.

736
00:40:58,440 --> 00:40:59,839
Speaker 2: Haven't been there seven years.

737
00:40:59,880 --> 00:41:03,880
Speaker 1: You can see through. Come on, yeah, I always take

738
00:41:03,880 --> 00:41:06,799
Speaker 1: a little even there. I mean, I haven't eaten there

739
00:41:06,840 --> 00:41:10,040
Speaker 1: in six seven years, No kidding. I wonder why.

740
00:41:12,840 --> 00:41:13,960
Speaker 2: Because it's a B minus.

741
00:41:16,800 --> 00:41:19,799
Speaker 1: Now Sean has told two famous stories and you've only

742
00:41:19,880 --> 00:41:22,360
Speaker 1: told one, and so like this, for the rest of

743
00:41:22,360 --> 00:41:24,000
Speaker 1: the day, he's going to kind of be like strutting

744
00:41:24,040 --> 00:41:24,839
Speaker 1: around a little bit.

745
00:41:25,000 --> 00:41:26,800
Speaker 2: I pumped the story.

746
00:41:27,000 --> 00:41:30,480
Speaker 1: Is that remind you? I'm a I'm a spectator. I'm

747
00:41:30,560 --> 00:41:35,480
Speaker 1: the guy in the big lifeguard chair at the tenth y.

748
00:41:35,680 --> 00:41:37,320
Speaker 2: I gotta tell you. I gotta tell you. When you

749
00:41:37,440 --> 00:41:40,439
Speaker 2: expose that that's your plan, people hate you even more

750
00:41:40,480 --> 00:41:43,239
Speaker 2: than they hate villains because you're cherry picking. Right now,

751
00:41:43,280 --> 00:41:43,960
Speaker 2: you're saying.

752
00:41:43,760 --> 00:41:44,839
Speaker 1: They hate the spectator.

753
00:41:45,000 --> 00:41:47,440
Speaker 2: I'm just I'm just an innocent observer. I'm not I'm

754
00:41:47,480 --> 00:41:48,440
Speaker 2: not trying to jump in there.

755
00:41:48,520 --> 00:41:51,280
Speaker 1: You're you're a cherry picking. You fucking cherry picker.

756
00:41:51,440 --> 00:41:54,680
Speaker 2: You want to tell a story so bad, I don't

757
00:41:54,800 --> 00:41:55,400
Speaker 2: have a story.

758
00:41:55,480 --> 00:42:01,359
Speaker 1: I like, yeah, a million pressure his career. He would

759
00:42:01,400 --> 00:42:03,799
Speaker 1: never do what I did have the guts to call out.

760
00:42:03,840 --> 00:42:06,160
Speaker 1: There is a Warrior princess producer.

761
00:42:06,040 --> 00:42:08,760
Speaker 2: Also who knows who's invested in Mustard Seed. I probably

762
00:42:08,840 --> 00:42:11,240
Speaker 2: ruined my career. It's saying about how it's a B minus,

763
00:42:11,520 --> 00:42:14,719
Speaker 2: but it is. They're for Tata's like, I don't know, why.

764
00:42:14,640 --> 00:42:17,120
Speaker 1: Would you go there? And that's your neighborhood and they

765
00:42:17,400 --> 00:42:19,759
Speaker 1: like you, they see you, they see me every.

766
00:42:19,600 --> 00:42:20,120
Speaker 6: Day all day.

767
00:42:20,360 --> 00:42:20,800
Speaker 1: Lost it.

768
00:42:21,120 --> 00:42:23,680
Speaker 3: There was one Stars executive who knew way too much

769
00:42:23,719 --> 00:42:26,680
Speaker 3: about like artillery and firearms too. We get notes on

770
00:42:26,840 --> 00:42:27,800
Speaker 3: like little like actions.

771
00:42:28,239 --> 00:42:29,560
Speaker 1: There's like a thing in the Scriptrew is like and

772
00:42:29,600 --> 00:42:31,960
Speaker 1: then he you know, he tries to shoot the zombie

773
00:42:32,040 --> 00:42:34,160
Speaker 1: or whatever, and he'd be like, you would never be

774
00:42:34,239 --> 00:42:35,440
Speaker 1: able to do that without it.

775
00:42:36,040 --> 00:42:40,279
Speaker 2: He would just like list all these see now that's

776
00:42:40,360 --> 00:42:41,560
Speaker 2: three stories from Sean.

777
00:42:41,920 --> 00:42:44,080
Speaker 1: See, this is what I'm trying to help you with.

778
00:42:44,280 --> 00:42:45,880
Speaker 1: I'm getting he's going to be for the rest of

779
00:42:45,920 --> 00:42:49,080
Speaker 1: the day. He is going to be like insufferable.

780
00:42:49,160 --> 00:42:53,879
Speaker 2: I'm getting destroyed, Like just keep it, keep it a da.

781
00:42:54,160 --> 00:42:58,040
Speaker 1: Do what's com what's coming up? What's going on? Tim?

782
00:42:59,040 --> 00:43:01,480
Speaker 2: Tons of guest spots, fucking lousy with offers.

783
00:43:01,640 --> 00:43:04,920
Speaker 1: Sorry, yeah, I can't see him. They're just trying to

784
00:43:05,080 --> 00:43:06,800
Speaker 1: like they're trying to crackling off you.

785
00:43:07,120 --> 00:43:09,520
Speaker 2: Yeah, that's true. And most of the stuff's on Crackle too.

786
00:43:11,200 --> 00:43:18,040
Speaker 1: Is is that show? Is it called Grimes Crimes? Vice

787
00:43:18,080 --> 00:43:22,960
Speaker 1: President Grimes? Is that still Nalty's Grimes? That was I

788
00:43:23,040 --> 00:43:26,480
Speaker 1: think it was on EPICX. But it seems like something that,

789
00:43:27,560 --> 00:43:31,040
Speaker 1: uh that some people we know would have done.

790
00:43:31,640 --> 00:43:32,120
Speaker 2: I didn't do it.

791
00:43:32,239 --> 00:43:34,360
Speaker 1: People, you didn't do it? Did you do? Boss?

792
00:43:35,080 --> 00:43:37,840
Speaker 2: I didn't do Boss. No, but Boss filmed in my hometown.

793
00:43:38,040 --> 00:43:40,640
Speaker 2: You mean the Kelsey Grammar one. Yeah, film in my

794
00:43:40,719 --> 00:43:44,680
Speaker 2: hometown ship my dad's old diner. Well fuck Kelsey Grammar.

795
00:43:44,760 --> 00:43:48,680
Speaker 1: Baby, your dad has had multiple diner.

796
00:43:49,280 --> 00:43:53,080
Speaker 2: Yeah, we loved he loved diners. He loved him a lot.

797
00:43:54,560 --> 00:43:57,680
Speaker 1: Apparently, tell me more one time. This is what he's

798
00:43:57,719 --> 00:43:59,719
Speaker 1: doing with the mustards. He's trying to bring down.

799
00:44:00,320 --> 00:44:00,920
Speaker 3: He got big.

800
00:44:02,120 --> 00:44:04,000
Speaker 2: One time he was sitting at his dad comes in

801
00:44:04,360 --> 00:44:09,320
Speaker 2: and uh Chicago celebrity uh aka improv Jesus t J

802
00:44:09,440 --> 00:44:11,080
Speaker 2: jagged ASKI walked in with his wife.

803
00:44:11,840 --> 00:44:14,279
Speaker 1: MM. Just like that, Wow, we tried to get him

804
00:44:14,320 --> 00:44:15,359
Speaker 1: for our Chicago show.

805
00:44:16,000 --> 00:44:17,000
Speaker 2: Yeah, he's not going to do that.

806
00:44:17,640 --> 00:44:20,880
Speaker 1: No he's not, apparently not. Sorry, gang, who do we

807
00:44:20,960 --> 00:44:23,399
Speaker 1: go through? Arnie?

808
00:44:23,800 --> 00:44:24,040
Speaker 9: Yeah?

809
00:44:24,840 --> 00:44:25,080
Speaker 2: Arnie?

810
00:44:25,600 --> 00:44:25,799
Speaker 1: Yeah?

811
00:44:26,080 --> 00:44:27,759
Speaker 2: I love Arnie. But he's not gonna be able to

812
00:44:27,800 --> 00:44:28,279
Speaker 2: pull TJ.

813
00:44:29,360 --> 00:44:29,840
Speaker 1: No he's not.

814
00:44:30,920 --> 00:44:33,480
Speaker 2: No one is We're gonna go to t J is.

815
00:44:33,480 --> 00:44:35,880
Speaker 1: Not gonna go and put himself in that position.

816
00:44:36,160 --> 00:44:38,600
Speaker 2: He's sitting on a mountain of sign of cash and

817
00:44:38,680 --> 00:44:41,000
Speaker 2: an even bigger mountain of integrity. You're not going to

818
00:44:41,040 --> 00:44:43,040
Speaker 2: get him to do a random one off podcast.

819
00:44:44,640 --> 00:44:46,440
Speaker 1: I was hoping he'd be like, oh wow, I'm me,

820
00:44:46,560 --> 00:44:48,480
Speaker 1: I get the guest of a podcast.

821
00:44:48,640 --> 00:44:51,640
Speaker 2: Yeah, he's old, old school Chicago.

822
00:44:51,840 --> 00:44:55,880
Speaker 1: These l A podcasts are like coming through Chicago, where'd

823
00:44:55,880 --> 00:44:56,080
Speaker 1: you get?

824
00:44:56,160 --> 00:44:56,719
Speaker 2: Where'd you play?

825
00:44:56,920 --> 00:44:56,960
Speaker 3: What?

826
00:44:58,440 --> 00:45:00,160
Speaker 1: I forget? What's called Kevin? What was it called up?

827
00:45:01,040 --> 00:45:01,680
Speaker 1: It was called up?

828
00:45:01,760 --> 00:45:02,560
Speaker 2: Oh you did the up?

829
00:45:02,800 --> 00:45:03,000
Speaker 3: Yes?

830
00:45:03,360 --> 00:45:03,480
Speaker 4: Up?

831
00:45:03,560 --> 00:45:07,160
Speaker 1: We did the up? Baby nice up all night? I

832
00:45:07,239 --> 00:45:08,520
Speaker 1: mean in a row?

833
00:45:09,680 --> 00:45:12,359
Speaker 2: Do this two shows in a row, double.

834
00:45:12,920 --> 00:45:16,719
Speaker 1: Back the backer. Yeah you've done that. Yeah, I didn't

835
00:45:16,719 --> 00:45:17,759
Speaker 1: think I would have heard about that.

836
00:45:18,880 --> 00:45:22,240
Speaker 2: Hey, everyone, no one in LA cares about what happens

837
00:45:22,280 --> 00:45:22,800
Speaker 2: in Chicago.

838
00:45:22,840 --> 00:45:24,680
Speaker 1: I would think I would have heard about that if

839
00:45:24,719 --> 00:45:29,320
Speaker 1: that happened. But okay, what do you guess spot On

840
00:45:33,440 --> 00:45:33,719
Speaker 1: name it?

841
00:45:34,680 --> 00:45:35,360
Speaker 2: Pick a network?

842
00:45:35,480 --> 00:45:38,480
Speaker 1: Picking network, Yeah, sure, easy for me.

843
00:45:39,680 --> 00:45:40,279
Speaker 2: You got them all.

844
00:45:40,560 --> 00:45:45,000
Speaker 1: You write it off? Yeah, pick one Paramount channel. Uh

845
00:45:46,680 --> 00:45:49,040
Speaker 1: they didna say Spike, so that is the same thing.

846
00:45:49,680 --> 00:45:55,120
Speaker 2: Mm hmm. I was principal Belfry and Anna green Gables,

847
00:45:55,280 --> 00:45:55,920
Speaker 2: all growing.

848
00:45:55,760 --> 00:45:57,680
Speaker 1: Up, Anna green Gables. Yeah.

849
00:45:57,719 --> 00:45:58,680
Speaker 2: Paramount rebooted it.

850
00:45:59,160 --> 00:46:02,920
Speaker 1: Wow, present day, She's all grown green Gables, all growns up.

851
00:46:03,520 --> 00:46:10,520
Speaker 1: Oh damn, annim grown Gables ovation ovation.

852
00:46:11,480 --> 00:46:17,400
Speaker 2: Okay. I played assistant principal Dan Forth in their adaptation

853
00:46:17,880 --> 00:46:23,560
Speaker 2: of New York Times bestseller Outliers.

854
00:46:24,160 --> 00:46:24,520
Speaker 4: Mm hmm.

855
00:46:25,360 --> 00:46:29,479
Speaker 1: Glad wow, glad wow. Uh huh, and I am glad

856
00:46:29,560 --> 00:46:33,279
Speaker 1: he's doing so well. Welcome glad Well flew on the

857
00:46:33,360 --> 00:46:35,800
Speaker 1: Lolita Express. You want to talk about that bybe

858
00:46:38,400 --> 00:46:38,720
Speaker 3: Holy