1 00:00:01,000 --> 00:00:03,640 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:10,600 Speaker 1: new and final season, on Max. You can also watch 4 00:00:10,640 --> 00:00:14,200 Speaker 1: the video version of the History of Curby Enthusiasm podcast 5 00:00:14,280 --> 00:00:16,000 Speaker 1: on Max and YouTube, as well. 6 00:00:16,320 --> 00:00:28,760 Speaker 2: Links available in the episode description. Alrighty, I'm Jeff Garlin. 7 00:00:28,840 --> 00:00:30,480 Speaker 2: You're Jeff Or am I Jeff Garlands? 8 00:00:30,680 --> 00:00:34,240 Speaker 3: Yeah, I'm Jeff Garland. You may know me for other things. 9 00:00:34,320 --> 00:00:37,920 Speaker 1: Yes, but we are doing the history of Curby Enthusiasm 10 00:00:37,920 --> 00:00:41,320 Speaker 1: and for our purpose is here That's how they know you. Right, 11 00:00:41,640 --> 00:00:44,919 Speaker 1: And this is season two, episode nine, the Baptism right, 12 00:00:45,320 --> 00:00:50,520 Speaker 1: and you know we talk about these classic Larry Domino effects. 13 00:00:50,560 --> 00:00:52,680 Speaker 1: Something shows up and you know it's going to come 14 00:00:52,680 --> 00:00:56,040 Speaker 1: back later. This to me is a classical that we 15 00:00:56,120 --> 00:01:01,720 Speaker 1: start out with Larry wearing a rather unattractive burgundy jacket 16 00:01:01,760 --> 00:01:05,240 Speaker 1: and Sheryl is just no, good morning. 17 00:01:06,959 --> 00:01:12,240 Speaker 3: No very, no, no, what what are you talking about? 18 00:01:12,520 --> 00:01:14,280 Speaker 2: Didn't you just wear that jacket yesterday? 19 00:01:15,200 --> 00:01:15,440 Speaker 3: Yeah? 20 00:01:15,480 --> 00:01:18,800 Speaker 4: I more than wearing the exact same outfit. I don't 21 00:01:18,800 --> 00:01:22,039 Speaker 4: feel like going through that whole decision process of picking 22 00:01:22,040 --> 00:01:25,039 Speaker 4: out an outfit. Well, it's awful, you know what I 23 00:01:25,040 --> 00:01:26,320 Speaker 4: think it's time to get rid of it. 24 00:01:27,120 --> 00:01:28,000 Speaker 3: What are you talking about? 25 00:01:28,040 --> 00:01:28,800 Speaker 4: What's the matter with it? 26 00:01:29,480 --> 00:01:29,960 Speaker 1: Everything? 27 00:01:30,720 --> 00:01:32,959 Speaker 3: But you know, it was amazing when we filmed that. 28 00:01:33,040 --> 00:01:35,040 Speaker 3: And she wants him to get a new jacket and 29 00:01:35,080 --> 00:01:37,080 Speaker 3: he doesn't want to because it. 30 00:01:37,000 --> 00:01:39,240 Speaker 1: Was a show next it was a showjacket, which we'll 31 00:01:39,240 --> 00:01:42,040 Speaker 1: explain was the jacket he wore for the show taping 32 00:01:42,120 --> 00:01:42,759 Speaker 1: of Seinfeld. 33 00:01:43,000 --> 00:01:45,240 Speaker 2: So it's kind of a lucky jacket for him. 34 00:01:45,319 --> 00:01:51,120 Speaker 3: Yes, Now this was filmed in the very early two thousands. Okay, 35 00:01:51,560 --> 00:01:55,640 Speaker 3: so it wasn't such an odd jacket. Now you look 36 00:01:55,680 --> 00:01:57,880 Speaker 3: at it with the big shoulder pads, the whole thing, 37 00:01:58,160 --> 00:02:01,640 Speaker 3: it's ridiculous. Yeah, But then we had sort of just 38 00:02:01,720 --> 00:02:04,760 Speaker 3: come out of that look in the nineties and here 39 00:02:04,800 --> 00:02:07,800 Speaker 3: we are boom diggity and I. So when we were 40 00:02:07,840 --> 00:02:10,440 Speaker 3: filming it, I didn't think like, oh, that's horrible, but Cheryl. 41 00:02:10,560 --> 00:02:12,680 Speaker 1: But Cheryl did and she didn't like the color. Larry 42 00:02:12,720 --> 00:02:15,440 Speaker 1: thought the color looked good. And then she's like, didn't 43 00:02:15,440 --> 00:02:18,000 Speaker 1: you wear that yesterday? Time to get rid of it. 44 00:02:18,280 --> 00:02:20,760 Speaker 1: And she's going to be giving Larry's clothing very soon 45 00:02:20,800 --> 00:02:23,920 Speaker 1: to a homeless guy, So get rid of the jacket. 46 00:02:24,280 --> 00:02:28,800 Speaker 3: Yeah, this moment is the first domino yes to fall 47 00:02:28,880 --> 00:02:31,679 Speaker 3: over you know, all along, This is the first one 48 00:02:32,000 --> 00:02:33,959 Speaker 3: that helped set up all of it. 49 00:02:34,000 --> 00:02:36,600 Speaker 1: All of it, Yes, yeah, And for those of you 50 00:02:36,720 --> 00:02:40,119 Speaker 1: aspiring comedy writers out there, this is a good episode 51 00:02:40,160 --> 00:02:41,840 Speaker 1: to take a part in that sense. 52 00:02:41,840 --> 00:02:44,079 Speaker 3: Very much so, very much so. 53 00:02:44,080 --> 00:02:44,200 Speaker 5: So. 54 00:02:44,520 --> 00:02:47,160 Speaker 1: Larry is going to his office and he's punching the 55 00:02:47,200 --> 00:02:49,800 Speaker 1: security code in to get the buzz to open the 56 00:02:49,840 --> 00:02:52,000 Speaker 1: office door, and there's a guy standing. 57 00:02:51,680 --> 00:02:52,320 Speaker 2: Right behind him. 58 00:02:52,320 --> 00:02:56,760 Speaker 1: It's very close, really, you know, in his personal space, 59 00:02:56,800 --> 00:02:59,480 Speaker 1: and you know that it's creepy, and you know, something 60 00:02:59,480 --> 00:03:01,880 Speaker 1: weird as to happen with that guy too. He gets 61 00:03:01,880 --> 00:03:05,240 Speaker 1: buzzed into the office and his assistant tells him that 62 00:03:05,320 --> 00:03:07,639 Speaker 1: Lewis is there, Richard Lewis is there waiting for him. 63 00:03:07,840 --> 00:03:12,440 Speaker 1: And Larry tells his assistant Antoinette, that he's going to Monterey. 64 00:03:12,000 --> 00:03:14,119 Speaker 2: For the Spoler Spoler. 65 00:03:14,360 --> 00:03:17,640 Speaker 1: He's going to Monterey for the weekend that Becky, Cheryl's 66 00:03:17,639 --> 00:03:21,840 Speaker 1: sister is marrying a Jewish guy who's converting, which is 67 00:03:21,880 --> 00:03:24,239 Speaker 1: already you know. And Larry says, I'll leave you the 68 00:03:24,320 --> 00:03:26,920 Speaker 1: number where we're going to be, et cetera, and he 69 00:03:27,040 --> 00:03:27,959 Speaker 1: enters his office. 70 00:03:28,000 --> 00:03:30,120 Speaker 3: Hold on hold on a couple of things back. Yeah, 71 00:03:30,200 --> 00:03:32,920 Speaker 3: he had already asked Cheryl at this point, and he 72 00:03:33,000 --> 00:03:36,280 Speaker 3: already asked a net what a baptism is, and he's 73 00:03:36,320 --> 00:03:39,960 Speaker 3: not really getting a straight answer. They're both like, don't 74 00:03:40,000 --> 00:03:43,000 Speaker 3: want to. It's like you and I explaining Perham, even 75 00:03:43,040 --> 00:03:46,400 Speaker 3: though a baptism is taken more seriously, but it's like, 76 00:03:46,440 --> 00:03:48,600 Speaker 3: how do you explain I, say, a Jewish Halloween with 77 00:03:48,600 --> 00:03:51,160 Speaker 3: three characters? You know, that's the ease, So they don't 78 00:03:51,200 --> 00:03:52,320 Speaker 3: really want to explain it. 79 00:03:52,440 --> 00:03:55,440 Speaker 1: Yeah, we actually he hass Cheryl later on, but he 80 00:03:55,520 --> 00:03:59,040 Speaker 1: asks his secretary here, assistant here, Yes, so he doesn't 81 00:03:59,080 --> 00:03:59,960 Speaker 1: know what a baptism. 82 00:04:00,080 --> 00:04:04,080 Speaker 3: But as you know, I nitpicked technical things on the show. 83 00:04:03,960 --> 00:04:08,360 Speaker 3: There was two establishing shots. In other words, they show 84 00:04:08,440 --> 00:04:11,120 Speaker 3: the outside of the building, Larry goes to the door, 85 00:04:11,360 --> 00:04:14,640 Speaker 3: he talks to his assistant. Then there's music and the 86 00:04:14,680 --> 00:04:17,720 Speaker 3: shot of the exterior of his office again, and then 87 00:04:17,760 --> 00:04:21,839 Speaker 3: they're Richard Lewis sing to me, it's jarring. I don't 88 00:04:21,839 --> 00:04:24,760 Speaker 3: even know, because I'm all about with television with movies. 89 00:04:25,080 --> 00:04:28,000 Speaker 3: How much do you respect the audience? And did we 90 00:04:28,240 --> 00:04:31,400 Speaker 3: think that ounge's were so dumb that we had wouldn't. 91 00:04:32,680 --> 00:04:35,320 Speaker 3: By the way, establishing shots don't even work for the 92 00:04:35,400 --> 00:04:38,080 Speaker 3: second time later in a movie or a TV show. 93 00:04:38,279 --> 00:04:41,279 Speaker 3: You don't know, Yeah, we recognize the interior. So the 94 00:04:41,360 --> 00:04:43,839 Speaker 3: fact that we use that within you know, I'm going 95 00:04:43,920 --> 00:04:45,920 Speaker 3: to say a minute of when we last saw it, 96 00:04:46,000 --> 00:04:48,679 Speaker 3: is insane. All right, how do you get that out? Okay? 97 00:04:48,960 --> 00:04:51,360 Speaker 1: So he's in the office and Lewis is there waiting 98 00:04:51,400 --> 00:04:53,880 Speaker 1: for him, and Lewis is like, I have something to 99 00:04:53,920 --> 00:04:55,240 Speaker 1: tell you. I know you're going to take this the 100 00:04:55,279 --> 00:04:58,120 Speaker 1: wrong way. You always take things the wrong way. And 101 00:04:58,160 --> 00:05:02,320 Speaker 1: then the ridiculous statement that what makes is God, I 102 00:05:02,360 --> 00:05:04,320 Speaker 1: hate doing this because you know you always you always 103 00:05:04,360 --> 00:05:05,240 Speaker 1: take it the wrong way. 104 00:05:05,360 --> 00:05:08,239 Speaker 2: You've taken everything the wrong way ever since I've known you. 105 00:05:08,279 --> 00:05:09,960 Speaker 1: Seven years ago, I was in. 106 00:05:09,960 --> 00:05:11,800 Speaker 2: Paris and I remember it. 107 00:05:12,200 --> 00:05:13,200 Speaker 3: You go to Paris. 108 00:05:13,600 --> 00:05:17,159 Speaker 1: All right, you stole my outgoing message on my answering machine. 109 00:05:17,200 --> 00:05:17,839 Speaker 3: What do you crazy? 110 00:05:17,880 --> 00:05:18,520 Speaker 4: How long? I mean? 111 00:05:18,640 --> 00:05:21,279 Speaker 3: This is a nuts I know you're ethical, I'm ethical. 112 00:05:21,320 --> 00:05:23,200 Speaker 2: We don't you know, when people steal jokes, we fucking 113 00:05:23,200 --> 00:05:25,200 Speaker 2: hate that. But I hate when people fucking steal my 114 00:05:25,240 --> 00:05:26,000 Speaker 2: outgoing messages. 115 00:05:26,120 --> 00:05:27,200 Speaker 3: I remember calling. 116 00:05:26,920 --> 00:05:28,880 Speaker 4: You don't even know what you're talking about you. 117 00:05:28,920 --> 00:05:32,240 Speaker 2: Are you who the same answering machine outgoing message? 118 00:05:32,240 --> 00:05:34,720 Speaker 3: And that's my message. I didn't get that message. 119 00:05:35,080 --> 00:05:35,960 Speaker 2: You wrote it in Paris. 120 00:05:36,080 --> 00:05:37,840 Speaker 3: I haven't got message seven years. 121 00:05:37,640 --> 00:05:39,360 Speaker 2: Ago, years and years ago. 122 00:05:39,520 --> 00:05:42,200 Speaker 1: So this has been bothering Lewis for what six seven 123 00:05:42,279 --> 00:05:47,440 Speaker 1: years already that he believes Larry stole his outgoing message. 124 00:05:47,880 --> 00:05:49,560 Speaker 2: And Lewis goes into a whole thing. 125 00:05:49,640 --> 00:05:51,440 Speaker 1: He wrote it in Paris and he knows it was 126 00:05:51,520 --> 00:05:54,479 Speaker 1: hid and Larry says it's bullshit. 127 00:05:54,560 --> 00:05:56,160 Speaker 2: Larry did not steal the message. 128 00:05:56,240 --> 00:05:59,159 Speaker 1: And who are you gonna trust an ex alcoholic or 129 00:05:59,200 --> 00:06:01,360 Speaker 1: somebody who's been who said twenty four hours. 130 00:06:01,240 --> 00:06:05,480 Speaker 3: Is really funny and being in recovery, that is completely true. 131 00:06:05,520 --> 00:06:07,880 Speaker 3: Who do you trust the person who was blinded by 132 00:06:07,920 --> 00:06:11,920 Speaker 3: their addiction or the person who was clear and clear headed. 133 00:06:12,000 --> 00:06:15,360 Speaker 2: And Larry has never been an addictive personality. And then 134 00:06:15,440 --> 00:06:15,760 Speaker 2: looks you. 135 00:06:15,720 --> 00:06:17,960 Speaker 3: Can't get enough of the New York Rangers though he's 136 00:06:17,960 --> 00:06:21,799 Speaker 3: addicted to sports on the New York Rangers specifically. 137 00:06:21,200 --> 00:06:23,880 Speaker 2: And now Lewis starts with the sobs story. I mean, 138 00:06:24,240 --> 00:06:26,280 Speaker 2: I don't have a wife, I don't have you know, 139 00:06:26,520 --> 00:06:27,480 Speaker 2: my parents are dead. 140 00:06:27,560 --> 00:06:31,880 Speaker 3: You have a family, Come on cha can't you come on? 141 00:06:32,040 --> 00:06:34,640 Speaker 4: Oh, he doesn't have a wife and his parents are dead. 142 00:06:34,680 --> 00:06:37,080 Speaker 3: That's right, I need I hold on to the stage. 143 00:06:37,120 --> 00:06:38,960 Speaker 3: Man dead. 144 00:06:40,800 --> 00:06:42,760 Speaker 2: And Larry's just like, I didn't sell your message. But 145 00:06:42,880 --> 00:06:43,880 Speaker 2: I'll be the man. 146 00:06:44,520 --> 00:06:46,920 Speaker 1: And I know for a fact this is something Larry's 147 00:06:46,920 --> 00:06:49,320 Speaker 1: mother used to say to him. She used to say him, 148 00:06:49,360 --> 00:06:52,320 Speaker 1: you be the big man, Larry, you be the big man. 149 00:06:52,760 --> 00:06:55,120 Speaker 1: You go take the high road. His mother used to 150 00:06:55,160 --> 00:06:56,239 Speaker 1: say that, by the way. 151 00:06:56,040 --> 00:06:58,640 Speaker 3: That's what I was taught to So she was fighting 152 00:06:58,640 --> 00:07:00,600 Speaker 3: with my brother be the big man. 153 00:07:00,920 --> 00:07:02,159 Speaker 2: Is your brother older or younger? 154 00:07:02,279 --> 00:07:02,599 Speaker 3: Younger? 155 00:07:02,680 --> 00:07:03,840 Speaker 2: Oh, okay, that's younger. 156 00:07:03,880 --> 00:07:08,000 Speaker 3: But also we're leaving out Larry mocking Richard. Oh it's 157 00:07:08,040 --> 00:07:13,440 Speaker 3: so sad. I don't wire I'm not married. Oh, dear god, 158 00:07:13,480 --> 00:07:14,080 Speaker 3: it's so funny. 159 00:07:14,080 --> 00:07:16,040 Speaker 2: That's so funny. My mother, by the way, used to 160 00:07:16,120 --> 00:07:16,840 Speaker 2: do the opposite. 161 00:07:16,960 --> 00:07:19,160 Speaker 1: My older brother, who's five years older than he, used 162 00:07:19,160 --> 00:07:20,520 Speaker 1: to beat the crap out of me, and then she. 163 00:07:20,520 --> 00:07:23,080 Speaker 2: Would say, what did you do to instigate? What did 164 00:07:23,120 --> 00:07:23,440 Speaker 2: you do? 165 00:07:23,880 --> 00:07:24,400 Speaker 3: Poor thing? 166 00:07:26,000 --> 00:07:28,360 Speaker 1: And Larry's Larry goes through that you be the big man, 167 00:07:28,920 --> 00:07:30,400 Speaker 1: and he doesn't want to do that because it's an 168 00:07:30,400 --> 00:07:33,080 Speaker 1: admission of guilt. And he feels very strongly that he 169 00:07:33,120 --> 00:07:36,160 Speaker 1: didn't do anything. But he's the man. I'm the man, 170 00:07:36,800 --> 00:07:39,040 Speaker 1: and I'm a big expansive man, and you're. 171 00:07:38,880 --> 00:07:39,960 Speaker 2: A small, petty man. 172 00:07:40,600 --> 00:07:43,480 Speaker 1: And is this when he changes the message? 173 00:07:43,560 --> 00:07:47,000 Speaker 3: He changes the message right there on his phone, remotely 174 00:07:47,040 --> 00:07:47,920 Speaker 3: on his phone. 175 00:07:48,320 --> 00:07:50,760 Speaker 1: What I did not realize until later is that it's 176 00:07:50,840 --> 00:07:54,400 Speaker 1: outgoing message on his home phone, not his work phone. 177 00:07:54,520 --> 00:07:54,800 Speaker 3: Right. 178 00:07:55,000 --> 00:07:57,800 Speaker 1: So that's an important distinction that I think wasn't really clarifyed. 179 00:07:57,800 --> 00:08:00,080 Speaker 3: Oh, Cheryl asked him later on. 180 00:08:00,200 --> 00:08:00,360 Speaker 5: Yeah. 181 00:08:00,400 --> 00:08:01,960 Speaker 3: Yeah, yeah, but not in that moment, you know, But 182 00:08:02,080 --> 00:08:04,080 Speaker 3: it doesn't need to be. It doesn't. By the way, 183 00:08:04,120 --> 00:08:07,400 Speaker 3: that's cool being introduced later because it leads to something. 184 00:08:07,800 --> 00:08:08,520 Speaker 2: It certainly does. 185 00:08:08,760 --> 00:08:11,200 Speaker 3: Yeah, so when we get there, I'll tell you so 186 00:08:11,520 --> 00:08:14,800 Speaker 3: planting the actual seed of what just happened. If you 187 00:08:14,960 --> 00:08:18,200 Speaker 3: trust that you know the show you're watching, treat you 188 00:08:18,240 --> 00:08:21,000 Speaker 3: with respect, they wait a little while before. You don't 189 00:08:21,040 --> 00:08:23,200 Speaker 3: have to know everything right away laid out, and you 190 00:08:23,320 --> 00:08:28,720 Speaker 3: really don't need to establishing shots within a minute. Okay, No, 191 00:08:28,840 --> 00:08:31,120 Speaker 3: I cannot let it go when someone brings up the 192 00:08:31,160 --> 00:08:33,840 Speaker 3: show if you think that that's not going to bother me. 193 00:08:33,880 --> 00:08:36,079 Speaker 3: But there's some other stuff I want to talk about. 194 00:08:36,280 --> 00:08:39,720 Speaker 1: This is what I love about my particular marriage to Jimmy. 195 00:08:40,000 --> 00:08:43,000 Speaker 1: We see different things, and I think in my television 196 00:08:43,000 --> 00:08:46,200 Speaker 1: marriage we see different things as well. The important things 197 00:08:46,240 --> 00:08:48,600 Speaker 1: is that is that you both see things. 198 00:08:48,360 --> 00:08:51,400 Speaker 3: Yes, but also on the flip side, you're a lot 199 00:08:51,520 --> 00:08:55,280 Speaker 3: kinder to Jimmy than you are to my care night 200 00:08:55,360 --> 00:08:57,280 Speaker 3: and day, night and day. 201 00:08:57,800 --> 00:09:01,559 Speaker 1: Also, Jimmy, my real husband, isn't cheating on me, isn't 202 00:09:01,600 --> 00:09:03,160 Speaker 1: sneaking behind to do it. 203 00:09:03,679 --> 00:09:06,840 Speaker 3: It's a circular hell with us that I'm cheating on 204 00:09:06,880 --> 00:09:08,240 Speaker 3: you because you treat me like shit. 205 00:09:08,360 --> 00:09:11,599 Speaker 2: It's like we are still married, you know, which. 206 00:09:11,400 --> 00:09:15,280 Speaker 3: Is maybe the only unrealistic thing about the show. No, 207 00:09:15,360 --> 00:09:17,280 Speaker 3: it works for me. But I'm just saying. 208 00:09:17,480 --> 00:09:20,719 Speaker 1: My parents had a horrible man my grand my grandparents 209 00:09:21,000 --> 00:09:23,520 Speaker 1: had a horrible marriage, and they were married until they 210 00:09:23,520 --> 00:09:26,240 Speaker 1: died in the nineties. And my grand my grandfather had 211 00:09:26,640 --> 00:09:30,240 Speaker 1: a twin that died in infancy, and my grandmother used 212 00:09:30,240 --> 00:09:32,920 Speaker 1: to always scream at him the wrong twin died, is 213 00:09:32,960 --> 00:09:34,680 Speaker 1: he that's how bad the marriage? 214 00:09:34,720 --> 00:09:38,360 Speaker 3: Oh my god. But they would never name for that voice, 215 00:09:38,400 --> 00:09:39,840 Speaker 3: of course, but they. 216 00:09:39,760 --> 00:09:41,640 Speaker 1: Never would have left each other. So I kind of 217 00:09:41,640 --> 00:09:43,440 Speaker 1: see Jeff and Susie in that same. 218 00:09:43,800 --> 00:09:45,880 Speaker 3: I think it is too and I don't see him 219 00:09:45,920 --> 00:09:47,600 Speaker 3: stopping cheating at any point. 220 00:09:47,360 --> 00:09:49,720 Speaker 2: And we need each other in a certain way. 221 00:09:50,160 --> 00:09:53,160 Speaker 3: Yeah, well, from bottom line for comedy purposes exactly. 222 00:09:53,600 --> 00:09:56,760 Speaker 1: The bottom line for Larry's purposes is really what it is. 223 00:09:57,800 --> 00:10:12,559 Speaker 1: We'll be right back, stay tuned, and we're back. So 224 00:10:12,720 --> 00:10:16,000 Speaker 1: Larry changes messages. Then he's home, he's packing, and he's 225 00:10:16,040 --> 00:10:18,600 Speaker 1: telling Cheryl that he changed the outgoing message. 226 00:10:18,679 --> 00:10:20,960 Speaker 3: Wait, wait, hold on, I want to skip this. He 227 00:10:21,080 --> 00:10:24,080 Speaker 3: is overwhelmed with the idea packed. She tells him the 228 00:10:24,120 --> 00:10:26,240 Speaker 3: list of what he needs. He goes, why can't it 229 00:10:26,280 --> 00:10:28,840 Speaker 3: all be the same? And I thought of Steve Jobs immediately, 230 00:10:29,800 --> 00:10:34,080 Speaker 3: the gentleman's mock turtleneck and new balanced shoes. I don't 231 00:10:34,120 --> 00:10:36,600 Speaker 3: have great anxiety in my closet, but there is a 232 00:10:36,679 --> 00:10:40,600 Speaker 3: level of anxiety that I spend an extra five minutes. 233 00:10:41,200 --> 00:10:44,120 Speaker 3: You know it could be important. I don't know that 234 00:10:44,160 --> 00:10:46,839 Speaker 3: I could be doing something else if I just went turtleneck. 235 00:10:47,000 --> 00:10:50,120 Speaker 1: Well, every woman knows this of your bed strewn with 236 00:10:50,200 --> 00:10:52,720 Speaker 1: the different outfits that you've thrown off and putting over. 237 00:10:52,960 --> 00:10:55,400 Speaker 3: A nightmare that no man will ever understand. 238 00:10:55,679 --> 00:10:58,520 Speaker 1: Well, he needs a traveling outfit, he needs something for 239 00:10:58,559 --> 00:11:01,640 Speaker 1: the baptism, he needs something for the wedding, and what 240 00:11:01,679 --> 00:11:03,400 Speaker 1: are you aware to a baptism? And this is where 241 00:11:03,400 --> 00:11:05,920 Speaker 1: he says he doesn't know what a baptism is, right 242 00:11:06,000 --> 00:11:06,280 Speaker 1: to her? 243 00:11:06,520 --> 00:11:08,360 Speaker 2: Yes to Cheryl, But let me just. 244 00:11:08,440 --> 00:11:11,160 Speaker 1: Reiterate that he has told her that he changed the 245 00:11:11,160 --> 00:11:14,040 Speaker 1: outgoing message to the phone, and she said, you did 246 00:11:14,040 --> 00:11:16,600 Speaker 1: it remotely, and she's not trusting that it was actually 247 00:11:17,040 --> 00:11:17,480 Speaker 1: I thought. 248 00:11:17,400 --> 00:11:19,760 Speaker 3: That happened in the airport. Now my mistake. 249 00:11:19,880 --> 00:11:21,839 Speaker 2: Okay, keep going, and he's what are you aware to 250 00:11:21,920 --> 00:11:23,480 Speaker 2: a baptism? Then a wedding outfit? 251 00:11:23,960 --> 00:11:26,440 Speaker 1: And then he starts to discuss the baptism with her, 252 00:11:26,480 --> 00:11:28,880 Speaker 1: and Cheryl says, if he didn't convert, Becky would not 253 00:11:28,960 --> 00:11:31,480 Speaker 1: marry him, and Larry goes into a thing that has 254 00:11:31,520 --> 00:11:35,440 Speaker 1: always puzzled me. Why do Christians always try to convert 255 00:11:35,960 --> 00:11:38,360 Speaker 1: Jews do not proselytize and try to converse. 256 00:11:38,440 --> 00:11:41,280 Speaker 3: There are the premise of Jews for Jesus, which is 257 00:11:41,400 --> 00:11:42,000 Speaker 3: kind of like. 258 00:11:42,000 --> 00:11:45,440 Speaker 1: That, because that's there's a reason, and somebody could correct 259 00:11:45,440 --> 00:11:48,520 Speaker 1: me if I'm wrong. My understanding of why Christians go 260 00:11:48,800 --> 00:11:52,640 Speaker 1: missionaries to Africa. The reason why they try to convert 261 00:11:52,640 --> 00:11:56,320 Speaker 1: people is because they believe that if you are not baptized, 262 00:11:56,800 --> 00:11:57,760 Speaker 1: you're going to hell. 263 00:11:58,120 --> 00:12:01,359 Speaker 3: Well no, no, that's a strong belief, and most religions 264 00:12:01,520 --> 00:12:02,559 Speaker 3: like that, and I guess it. 265 00:12:02,679 --> 00:12:05,000 Speaker 1: So therefore they believe that if you and I don't 266 00:12:05,000 --> 00:12:08,920 Speaker 1: convert to Christianity, they're saving our souls by having us. 267 00:12:09,040 --> 00:12:11,480 Speaker 3: By the way, very kind of them, very kind. 268 00:12:12,120 --> 00:12:14,120 Speaker 2: You got to look at the right through the years. 269 00:12:14,120 --> 00:12:16,920 Speaker 3: But he says Jews don't convert, and then he does 270 00:12:16,960 --> 00:12:18,880 Speaker 3: the comparison Christians. 271 00:12:18,600 --> 00:12:22,480 Speaker 4: Take everything so personally with Christ. You know, it's like 272 00:12:22,520 --> 00:12:24,560 Speaker 4: it's not not only do you have to worship him, 273 00:12:24,559 --> 00:12:27,679 Speaker 4: you want everybody to. It's like I like lobster. Do 274 00:12:27,760 --> 00:12:29,680 Speaker 4: I go around pushing lobster on people? 275 00:12:30,040 --> 00:12:30,120 Speaker 5: Do? 276 00:12:30,200 --> 00:12:32,439 Speaker 4: I say you must like lobsters, to eat lobster. 277 00:12:32,520 --> 00:12:35,440 Speaker 3: It's good, it's good. You know, it's not only where 278 00:12:35,480 --> 00:12:35,760 Speaker 3: you live. 279 00:12:35,800 --> 00:12:37,880 Speaker 4: You go to you go to Africa, you travel all 280 00:12:37,920 --> 00:12:40,920 Speaker 4: over the world. Get eat lobster, have some more lobster. 281 00:12:41,000 --> 00:12:43,360 Speaker 3: It's good. I don't really think we want you to 282 00:12:43,440 --> 00:12:44,160 Speaker 3: have lobster. 283 00:12:44,520 --> 00:12:47,840 Speaker 1: Yeah, I mean I like lobster. Do I force lobster 284 00:12:47,960 --> 00:12:48,360 Speaker 1: on you? 285 00:12:48,440 --> 00:12:51,400 Speaker 3: Do? I travel around and tell people here, here's some lobster. 286 00:12:51,679 --> 00:12:53,400 Speaker 3: It'll do you good, like the whole thing. 287 00:12:53,559 --> 00:12:55,160 Speaker 2: Yeah, which is a very funny run. 288 00:12:55,440 --> 00:12:57,840 Speaker 1: Then Larry tells Cheryl he's going to drive to the airport, 289 00:12:57,840 --> 00:13:00,719 Speaker 1: which she's skeptical of. She doesn't want to drive. Take 290 00:13:00,720 --> 00:13:03,480 Speaker 1: a car service. The car service have a columns and 291 00:13:03,520 --> 00:13:08,080 Speaker 1: they'll they'll leave very early. Cut to next morning, Larry 292 00:13:08,080 --> 00:13:08,679 Speaker 1: can't find the. 293 00:13:08,840 --> 00:13:12,199 Speaker 3: And by the way, watching you feel that stress, yes, 294 00:13:12,280 --> 00:13:13,240 Speaker 3: because everyone. 295 00:13:13,000 --> 00:13:15,280 Speaker 1: Everything knows that's to get into the airport on time, 296 00:13:15,320 --> 00:13:16,280 Speaker 1: and having it's on. 297 00:13:16,240 --> 00:13:18,920 Speaker 3: Your phone, so you'd have to say I lost my phone. 298 00:13:19,360 --> 00:13:21,440 Speaker 1: A lot of things have changed, yes, But we used 299 00:13:21,440 --> 00:13:24,360 Speaker 1: to have those physical tickets. Yes, And the truth was 300 00:13:24,360 --> 00:13:27,080 Speaker 1: about those physical tickets is that anybody could have taken 301 00:13:27,120 --> 00:13:27,600 Speaker 1: that ticket. 302 00:13:27,720 --> 00:13:29,559 Speaker 2: They didn't check ID well, not. 303 00:13:29,559 --> 00:13:31,559 Speaker 3: For the most part of them using them. I think 304 00:13:31,640 --> 00:13:34,800 Speaker 3: they were still using them after nine to eleven, but 305 00:13:34,880 --> 00:13:38,080 Speaker 3: they checked thoroughly. Yes, And by way, they still have 306 00:13:38,200 --> 00:13:40,240 Speaker 3: them because when you go to the counter, they hand 307 00:13:40,280 --> 00:13:43,440 Speaker 3: you that boarding pass. Yeah, the boarding pass. That's it 308 00:13:43,520 --> 00:13:46,240 Speaker 3: used to be just harder and better paper, that's all. 309 00:13:46,360 --> 00:13:48,800 Speaker 1: And I actually always like to have a physical boarding 310 00:13:48,840 --> 00:13:50,280 Speaker 1: pass and not on my phone. 311 00:13:50,040 --> 00:13:53,360 Speaker 3: Because we're analog sister. We we I just like a 312 00:13:53,440 --> 00:13:58,400 Speaker 3: physical thing on my modern world, except technology, enjoyed. 313 00:13:58,000 --> 00:14:03,960 Speaker 1: Technology, technophobiaiccept. I like the physical thing in my hand. 314 00:14:04,160 --> 00:14:06,000 Speaker 3: I just by the way. It's better, but it's also 315 00:14:06,040 --> 00:14:08,320 Speaker 3: easier to lose and easier to you know. 316 00:14:08,880 --> 00:14:11,200 Speaker 2: So Larry came. He thinks he left them in the office. 317 00:14:11,200 --> 00:14:12,040 Speaker 2: So do we have time? 318 00:14:12,320 --> 00:14:14,960 Speaker 1: Cheryl's face, she's just like, oh, here we go now 319 00:14:15,000 --> 00:14:18,319 Speaker 1: with his mischie gus. She doesn't say that because she's Guyam, 320 00:14:18,320 --> 00:14:19,240 Speaker 1: it's what I say. 321 00:14:19,520 --> 00:14:21,440 Speaker 2: And they go to the office. They're not there. 322 00:14:21,840 --> 00:14:26,200 Speaker 1: And then you see Larry thinking and he realizes he 323 00:14:26,320 --> 00:14:30,320 Speaker 1: knows why they're not there. That creepy guy who looked 324 00:14:30,320 --> 00:14:34,200 Speaker 1: at the thing before the code to get into the office, 325 00:14:34,520 --> 00:14:38,080 Speaker 1: saw the code, went into the office, stole the tickets. 326 00:14:38,280 --> 00:14:41,400 Speaker 1: I knew it, Larry says, I knew it. And Cheryl's like, 327 00:14:41,560 --> 00:14:42,680 Speaker 1: was anything else stolen? 328 00:14:43,200 --> 00:14:46,160 Speaker 3: No, He's wearing blinders at that point to protect himself. 329 00:14:46,840 --> 00:14:49,400 Speaker 3: Larry's character, I believe he always wants to show that 330 00:14:49,440 --> 00:14:50,920 Speaker 3: he's a victim of circumstance. 331 00:14:51,280 --> 00:14:51,720 Speaker 2: Correct. 332 00:14:51,920 --> 00:14:54,000 Speaker 3: Yeah, And so this is another one, and this. 333 00:14:54,040 --> 00:14:55,920 Speaker 1: Was he wanted to prove that he was right, and 334 00:14:55,960 --> 00:14:59,360 Speaker 1: he believes that he was right, and Cheryl's calling the airline. 335 00:14:59,360 --> 00:15:02,080 Speaker 1: It's one of these customer service nightmare. She's on hold, 336 00:15:02,120 --> 00:15:04,720 Speaker 1: she's on hold, she's on hold. And they're driving to 337 00:15:04,800 --> 00:15:08,880 Speaker 1: the airport and Larry's like, it's trafficing. Should I take Lincoln, 338 00:15:08,920 --> 00:15:11,760 Speaker 1: which is only people in LA knows what that means. 339 00:15:12,040 --> 00:15:15,000 Speaker 1: I need Lincoln approval. And they get to the lot 340 00:15:15,080 --> 00:15:15,840 Speaker 1: and there's no. 341 00:15:16,560 --> 00:15:22,520 Speaker 3: Here's something again, technology something that okay, now quite often, 342 00:15:22,840 --> 00:15:26,600 Speaker 3: not always, but most of the time, there's green. Green 343 00:15:26,640 --> 00:15:31,000 Speaker 3: screen has improved so much when you're driving, but we 344 00:15:31,040 --> 00:15:33,240 Speaker 3: didn't do green screen with this because back then it 345 00:15:33,320 --> 00:15:37,560 Speaker 3: was shit. But you're on the uh, there's a truck 346 00:15:37,640 --> 00:15:38,480 Speaker 3: driving your car. 347 00:15:38,520 --> 00:15:40,920 Speaker 2: You're up on a truck yeah yeah, yea and the rig. 348 00:15:41,360 --> 00:15:45,840 Speaker 3: And while you're doing that, there's a level of crew 349 00:15:45,840 --> 00:15:50,320 Speaker 3: members rocking the car gently. You would have thought they 350 00:15:50,320 --> 00:15:54,000 Speaker 3: were driving up the rocky mountains and driving by the 351 00:15:54,040 --> 00:15:57,680 Speaker 3: way through smooth LA. Not that LA doesn't have poddoles. 352 00:15:57,440 --> 00:15:58,800 Speaker 2: But rocking. 353 00:15:58,960 --> 00:16:02,840 Speaker 3: But even in the in the parking lot, they're the rocking. 354 00:16:03,000 --> 00:16:06,040 Speaker 3: I go, where are they driving? Where are they driving? 355 00:16:06,120 --> 00:16:08,080 Speaker 3: This is insane? Bug the shit on it. 356 00:16:08,120 --> 00:16:08,840 Speaker 2: I didn't notice it. 357 00:16:09,000 --> 00:16:12,480 Speaker 3: I know, I'm not worried about continuity. The show's already 358 00:16:12,760 --> 00:16:16,080 Speaker 3: kind of absurd. You don't need to establishing shots and 359 00:16:16,120 --> 00:16:18,040 Speaker 3: you don't need to be on smooth. It was almost 360 00:16:18,040 --> 00:16:21,160 Speaker 3: like something out of the Naked Gun, that they're making 361 00:16:21,200 --> 00:16:23,160 Speaker 3: the car rock while they're in smart. 362 00:16:23,240 --> 00:16:24,960 Speaker 2: I don't think so because I didn't notice it. 363 00:16:25,120 --> 00:16:27,120 Speaker 3: Well, that's okay, whatever. 364 00:16:26,880 --> 00:16:30,600 Speaker 1: Although I will say this when I'm rewatching the episodes 365 00:16:30,600 --> 00:16:33,240 Speaker 1: for the purpose of the podcast, I am frequently looking 366 00:16:33,240 --> 00:16:36,000 Speaker 1: down taking notes, so I don't see it as you're missing. 367 00:16:36,040 --> 00:16:39,800 Speaker 3: Clearly you're missing the gold or in this case, the shit. 368 00:16:40,440 --> 00:16:43,960 Speaker 1: Okay, So there's no spaces in the lot. It's full, 369 00:16:44,040 --> 00:16:45,800 Speaker 1: and we all know that feeling. And then maybe in 370 00:16:45,840 --> 00:16:48,280 Speaker 1: retrospect we should have taken a car service. Finally, he 371 00:16:48,320 --> 00:16:50,640 Speaker 1: finds a guy leaving. This is a pet peeve of mine, 372 00:16:50,680 --> 00:16:51,960 Speaker 1: by the way, and I live in New York City, 373 00:16:51,960 --> 00:16:54,160 Speaker 1: So I go through this a lot, pull up. A 374 00:16:54,240 --> 00:16:57,120 Speaker 1: guy's leaving, but they're taking there on the phone they 375 00:16:57,160 --> 00:16:59,840 Speaker 1: take can't they just leave the spot? Let you pull 376 00:16:59,880 --> 00:17:01,960 Speaker 1: in and then just sit there and do what they 377 00:17:01,960 --> 00:17:02,880 Speaker 1: have to do on the street. 378 00:17:03,000 --> 00:17:06,800 Speaker 3: I have two feelings on that. Sometimes people are overwhelmed 379 00:17:06,840 --> 00:17:10,080 Speaker 3: something's going on. That's what I think. When someone's driving 380 00:17:10,560 --> 00:17:14,760 Speaker 3: erradically outside of being drunk or high, are slow, I'm 381 00:17:14,760 --> 00:17:19,200 Speaker 3: thinking there's something going on. I'm being empathetic. So, having 382 00:17:19,320 --> 00:17:22,880 Speaker 3: been that guy in the car in the space and 383 00:17:22,880 --> 00:17:25,280 Speaker 3: people getting mad at me, there was a reason I 384 00:17:25,359 --> 00:17:27,760 Speaker 3: wasn't taking a nap, I wasn't reading the paper. I 385 00:17:27,800 --> 00:17:30,399 Speaker 3: wasn't going Jim, how are you? 386 00:17:30,680 --> 00:17:31,040 Speaker 2: Yeah? 387 00:17:31,080 --> 00:17:33,639 Speaker 3: But by the way, yes, that's less. It would be 388 00:17:33,760 --> 00:17:38,240 Speaker 3: considerate correct that someone do that. Outside of that, I 389 00:17:38,240 --> 00:17:40,160 Speaker 3: don't think it's a rule. To me, it's an act 390 00:17:40,200 --> 00:17:41,800 Speaker 3: of being respectful to others. 391 00:17:41,880 --> 00:17:45,199 Speaker 1: Being respectful and considerate, and I would always do that 392 00:17:45,240 --> 00:17:47,600 Speaker 1: if I could. If somebody's waiting, I've done it many times. 393 00:17:48,000 --> 00:17:50,679 Speaker 1: Somebody's waiting for a parking spot, I leave my spot 394 00:17:50,760 --> 00:17:52,840 Speaker 1: and pull up on the side of the road and 395 00:17:52,960 --> 00:17:54,240 Speaker 1: let them take the parking spot. 396 00:17:54,280 --> 00:17:55,800 Speaker 3: Right. Well, you're better than everyone. 397 00:17:56,040 --> 00:17:58,960 Speaker 2: I'm not better than everyone. I no, No, Larry Jacobs. 398 00:17:59,480 --> 00:18:00,720 Speaker 3: Susie, you are better. 399 00:18:02,280 --> 00:18:04,920 Speaker 1: It is insinuating that he would do the same thing, 400 00:18:04,960 --> 00:18:05,840 Speaker 1: and I believe he would. 401 00:18:06,040 --> 00:18:09,440 Speaker 3: You're not listening to me. You are really a big 402 00:18:09,480 --> 00:18:09,920 Speaker 3: bowl of. 403 00:18:09,920 --> 00:18:13,399 Speaker 1: Wonderful I'm the big man. You are Okay, so the 404 00:18:13,440 --> 00:18:15,800 Speaker 1: guy's not moving. It just is one of my pet 405 00:18:15,840 --> 00:18:18,359 Speaker 1: peeves that people do things like that. It's like, just 406 00:18:18,440 --> 00:18:20,760 Speaker 1: be kind and considerate to other people. And I think 407 00:18:20,760 --> 00:18:23,520 Speaker 1: that's a Larry David thing as well. Finally, you know, 408 00:18:23,560 --> 00:18:25,720 Speaker 1: the car is leaving. Somebody pulls in really quick. It's 409 00:18:25,840 --> 00:18:26,760 Speaker 1: one of these nightmares. 410 00:18:27,000 --> 00:18:27,680 Speaker 2: The lots fills. 411 00:18:27,720 --> 00:18:30,960 Speaker 1: They shouldn't even ever let you in. They finally obviously 412 00:18:30,960 --> 00:18:32,879 Speaker 1: find his working spot to cut to. There at the 413 00:18:33,040 --> 00:18:36,160 Speaker 1: long line. 414 00:18:35,040 --> 00:18:38,920 Speaker 3: We cut away from the parking He's done milking that situation. 415 00:18:39,080 --> 00:18:41,640 Speaker 3: Correct If there were two or three more good jokes 416 00:18:42,000 --> 00:18:45,480 Speaker 3: were in the parking lot, but the parking lot is over, 417 00:18:45,720 --> 00:18:47,159 Speaker 3: and I don't even know if there were two or 418 00:18:47,200 --> 00:18:50,040 Speaker 3: three more jokes that didn't work, But boom, you moved. 419 00:18:50,080 --> 00:18:52,880 Speaker 3: This is what comedy to keep it moving. Nothing here, 420 00:18:53,000 --> 00:18:53,600 Speaker 3: let's move on. 421 00:18:53,920 --> 00:18:55,400 Speaker 2: So we moved to the long line. 422 00:18:55,400 --> 00:18:58,600 Speaker 1: At the ticket counter, they get to the back, they 423 00:18:58,720 --> 00:19:03,160 Speaker 1: try to cut Wendy Camaner was that her name? 424 00:19:03,760 --> 00:19:04,359 Speaker 3: Kmanoff? 425 00:19:04,640 --> 00:19:09,280 Speaker 2: Camanoff. Wendy Kamanoff to me play the ticket counter woman. 426 00:19:09,800 --> 00:19:10,640 Speaker 3: She was really good. 427 00:19:10,840 --> 00:19:11,960 Speaker 2: Yes, she was excellent. 428 00:19:12,040 --> 00:19:14,119 Speaker 3: She was laid, she was every one of those people 429 00:19:14,160 --> 00:19:17,359 Speaker 3: you've ever met who put on a smiley faces. Well, 430 00:19:17,560 --> 00:19:20,760 Speaker 3: put on smiley face. Wha, they're pinging on your leg exactly. 431 00:19:21,080 --> 00:19:21,760 Speaker 2: And uh. 432 00:19:21,800 --> 00:19:24,360 Speaker 1: While they're just standing on the counter, you see Larry 433 00:19:24,400 --> 00:19:27,880 Speaker 1: looking around looking for the guy who stole the tickets. 434 00:19:28,240 --> 00:19:30,680 Speaker 1: So he sees a guy and he approaches the guy. 435 00:19:30,720 --> 00:19:32,439 Speaker 1: He thinks it's the guy who stole the ticket. 436 00:19:36,359 --> 00:19:38,960 Speaker 4: Okay, you can, you can give me the ticket. Okay, 437 00:19:39,640 --> 00:19:40,359 Speaker 4: I want the ticket. 438 00:19:42,280 --> 00:19:43,040 Speaker 3: You're talking about what. 439 00:19:42,960 --> 00:19:45,080 Speaker 4: I'm talking about. I'm talking about the ticket that you 440 00:19:45,080 --> 00:19:47,680 Speaker 4: took from my office. Okay, yeah, you memorize the building 441 00:19:47,680 --> 00:19:48,680 Speaker 4: code you got into the office. 442 00:19:48,680 --> 00:19:49,280 Speaker 3: I want the ticket. 443 00:19:49,280 --> 00:19:50,800 Speaker 4: I gotta get on the plane. I got a wedding thing. 444 00:19:50,880 --> 00:19:52,520 Speaker 3: You got to make confused with somebody else. No, I 445 00:19:52,560 --> 00:19:55,840 Speaker 3: don't think I do. I don't have your ticket, yeah okay, yeah, 446 00:19:55,880 --> 00:19:58,040 Speaker 3: I have my own tickets. Of course you do. It's 447 00:19:58,040 --> 00:19:59,920 Speaker 3: a bereatment there. My mother's dead. 448 00:20:00,080 --> 00:20:03,160 Speaker 4: Yeah right, okay, yeah, I'd like to take a look 449 00:20:03,160 --> 00:20:06,360 Speaker 4: at it. Okay, yeah, it's your ticket. 450 00:20:06,720 --> 00:20:08,199 Speaker 3: Right, yeah I do. 451 00:20:08,440 --> 00:20:11,320 Speaker 4: Yeah, okay, you want to say, let's take a lot. 452 00:20:11,800 --> 00:20:15,320 Speaker 3: Yeah, what's the name right here? Is it your name? No, 453 00:20:15,480 --> 00:20:17,320 Speaker 3: it's mine, Chris Darga. 454 00:20:17,760 --> 00:20:24,560 Speaker 5: See if this were yours, it would say, fucking douchebag. 455 00:20:25,160 --> 00:20:26,920 Speaker 4: Sorry, that's your mother. 456 00:20:28,520 --> 00:20:29,480 Speaker 2: His mother's dead. 457 00:20:30,600 --> 00:20:32,720 Speaker 1: This guy was good, uh, you know, and Larry I 458 00:20:32,760 --> 00:20:34,800 Speaker 1: want to take a look, you know, And he calls Larry, 459 00:20:34,840 --> 00:20:37,960 Speaker 1: I call you a fucking douchebag. He approaches another guy, 460 00:20:38,400 --> 00:20:40,359 Speaker 1: I know what you did. Then the guy gets up, 461 00:20:40,440 --> 00:20:42,240 Speaker 1: big guy towers over him. 462 00:20:42,280 --> 00:20:43,240 Speaker 2: Go fuck yourself. 463 00:20:43,640 --> 00:20:46,520 Speaker 1: Then they finally get to Wendy kamanoff the ticket agent. 464 00:20:47,080 --> 00:20:50,280 Speaker 1: The flight is completely sold out and the door is closed. 465 00:20:50,359 --> 00:20:52,240 Speaker 1: You know, once the door is closed, that's it. No 466 00:20:52,560 --> 00:20:55,479 Speaker 1: reopening of the door. She figures out another route. They 467 00:20:55,480 --> 00:20:58,080 Speaker 1: could fly to San Francisco. Then it's one hundred mile drive. 468 00:20:58,680 --> 00:21:02,840 Speaker 1: They're in the car. Larry calls Lewis about the outgoing message. 469 00:21:02,960 --> 00:21:06,960 Speaker 1: He wants Cheryl to verify the outgoing message controversy. Cheryl 470 00:21:07,119 --> 00:21:09,800 Speaker 1: is done at this point. She's going to miss her 471 00:21:09,840 --> 00:21:12,879 Speaker 1: sister's wedding. She's going to miss that baptism which is 472 00:21:12,920 --> 00:21:15,800 Speaker 1: important to her, and she is just fucking pissed, and 473 00:21:15,840 --> 00:21:16,840 Speaker 1: she refuses. 474 00:21:18,359 --> 00:21:31,800 Speaker 2: We'll be right back, stay tuned. Okay, we're back. 475 00:21:32,240 --> 00:21:34,679 Speaker 3: By the way in the script, because my favorite, one 476 00:21:34,720 --> 00:21:37,640 Speaker 3: of my favorite things that Larry does is whimsy where 477 00:21:37,640 --> 00:21:40,480 Speaker 3: he just starts yammering in his head. I don't think 478 00:21:40,600 --> 00:21:42,560 Speaker 3: any of that was in the script what he was 479 00:21:42,640 --> 00:21:45,520 Speaker 3: singing about. What he was talking about in the whole 480 00:21:45,560 --> 00:21:48,840 Speaker 3: story on the drive there, yeah, and you know, and. 481 00:21:48,800 --> 00:21:55,159 Speaker 1: He's singing nonsense totally before that, before that important point, 482 00:21:55,640 --> 00:21:58,760 Speaker 1: he calls his phone, checks the machine. There's no outgoing 483 00:21:58,800 --> 00:22:02,800 Speaker 1: message important story and also there's no navigation. 484 00:22:02,760 --> 00:22:05,280 Speaker 3: He touch on later on in the show, and he's. 485 00:22:05,080 --> 00:22:09,639 Speaker 1: Being completely annoying in the car. Nice country, let's settle down. 486 00:22:09,960 --> 00:22:14,200 Speaker 1: Why is there no grape pie? Did we need Alaska? 487 00:22:14,240 --> 00:22:16,520 Speaker 3: And hahhi way the best one? I thought, have you 488 00:22:16,560 --> 00:22:19,480 Speaker 3: ever had a fresh grape? A fresh grape? I've had 489 00:22:19,640 --> 00:22:22,600 Speaker 3: a fresh apple? Was it? I never had a fresh grape? 490 00:22:22,720 --> 00:22:24,720 Speaker 3: And he of course means picking off the vine, but 491 00:22:25,160 --> 00:22:27,160 Speaker 3: the idea they's never had a fresh grape? 492 00:22:27,640 --> 00:22:29,280 Speaker 2: Did we need Alaska? In Hawaii? 493 00:22:29,359 --> 00:22:33,200 Speaker 1: They ruined the continental United States? What is Puerto Rico? 494 00:22:33,480 --> 00:22:36,560 Speaker 1: Just on and on annoying this and Cheryl can't take it, 495 00:22:36,640 --> 00:22:40,040 Speaker 1: and they're lost and they just like pull over. They 496 00:22:40,040 --> 00:22:44,240 Speaker 1: get out and Larry sees a guy being dunked in 497 00:22:44,280 --> 00:22:46,719 Speaker 1: the water in the distance, doesn't know what it is. 498 00:22:47,160 --> 00:22:49,880 Speaker 1: Just sees a guy's head going down and he. 499 00:22:50,000 --> 00:22:51,359 Speaker 2: Screams to stop. 500 00:22:51,400 --> 00:22:55,520 Speaker 1: He thinks is a drowning, and he screams, and everyone 501 00:22:55,600 --> 00:22:56,960 Speaker 1: all of a sudden is in the water. 502 00:22:57,720 --> 00:22:59,520 Speaker 3: It's a complete chaos. 503 00:22:59,680 --> 00:23:02,240 Speaker 2: Mayhem, Mayhem. 504 00:23:02,760 --> 00:23:06,760 Speaker 1: And the minister afterwards is handing out towels, and Becky, 505 00:23:07,119 --> 00:23:09,600 Speaker 1: in her inimitable way, the. 506 00:23:09,560 --> 00:23:10,760 Speaker 5: Hell is the matter with you? 507 00:23:11,119 --> 00:23:13,040 Speaker 4: I thought that he was drowning him. 508 00:23:13,080 --> 00:23:14,080 Speaker 3: Okay, I'm sorry. 509 00:23:14,359 --> 00:23:16,080 Speaker 5: She didn't think he was drowning, and he just didn't 510 00:23:16,080 --> 00:23:18,240 Speaker 5: want him to convert, so he came screaming down to 511 00:23:18,320 --> 00:23:18,960 Speaker 5: hell to stop it. 512 00:23:19,040 --> 00:23:20,840 Speaker 3: What do I care? I don't care if he converts, Well, 513 00:23:20,920 --> 00:23:21,440 Speaker 3: what do I care? 514 00:23:21,560 --> 00:23:23,760 Speaker 5: That is ridiculous. You didn't want to lose a Jew. 515 00:23:23,600 --> 00:23:24,159 Speaker 2: And you know it. 516 00:23:24,359 --> 00:23:25,560 Speaker 3: I don't care if I lose Jews. 517 00:23:25,600 --> 00:23:26,080 Speaker 4: Take them all. 518 00:23:26,119 --> 00:23:26,760 Speaker 3: I don't need them. 519 00:23:26,800 --> 00:23:28,399 Speaker 2: I don't want them. That was the whole point of 520 00:23:28,440 --> 00:23:31,440 Speaker 2: the baptism. But you can't posed to me. 521 00:23:31,800 --> 00:23:32,400 Speaker 3: I want you. 522 00:23:32,520 --> 00:23:33,280 Speaker 2: I don't want you to be. 523 00:23:37,000 --> 00:23:40,479 Speaker 1: The Becky Larry relationship is a lovely thing. Becky, you 524 00:23:40,480 --> 00:23:43,080 Speaker 1: didn't want him to convert and start screaming at Larry. 525 00:23:43,080 --> 00:23:45,720 Speaker 1: You didn't want him to convert, And then we see 526 00:23:46,080 --> 00:23:50,040 Speaker 1: and I love this. We see the fiance's Jewish relatives 527 00:23:50,359 --> 00:23:54,120 Speaker 1: off to the side, and it's Hiram Casten and it's 528 00:23:54,200 --> 00:23:55,119 Speaker 1: David Feldman. 529 00:23:55,520 --> 00:23:57,359 Speaker 2: And I don't know the woman's name, do you. 530 00:23:58,000 --> 00:24:00,520 Speaker 3: I don't Maybe you might be a I don't know. 531 00:24:00,880 --> 00:24:04,720 Speaker 1: And they are approaching Larry and telling him and why 532 00:24:04,760 --> 00:24:05,760 Speaker 1: was Hiram on crutches? 533 00:24:05,840 --> 00:24:07,840 Speaker 2: Just must have hurt himself for something. 534 00:24:07,920 --> 00:24:09,640 Speaker 3: I remember being on crutches all day. 535 00:24:09,800 --> 00:24:12,920 Speaker 2: Yeah, no, so something. And Hiram Casten is a comedian. 536 00:24:13,640 --> 00:24:16,399 Speaker 1: When I started in the mid eighties, was already, you know, 537 00:24:16,560 --> 00:24:18,080 Speaker 1: like the king of the comic strip. 538 00:24:18,400 --> 00:24:22,400 Speaker 3: He was an old man before he became He was always. 539 00:24:22,160 --> 00:24:25,480 Speaker 1: An old man, but he was an old fashioned tumbler 540 00:24:25,800 --> 00:24:28,040 Speaker 1: in the way that the cat's skill. 541 00:24:27,920 --> 00:24:28,639 Speaker 3: Comedians he was. 542 00:24:29,080 --> 00:24:32,240 Speaker 1: Hirom was always a throwback, very very funny, but a 543 00:24:32,280 --> 00:24:34,800 Speaker 1: throwback like he was born in the wrong time period, 544 00:24:34,880 --> 00:24:38,040 Speaker 1: you know. And David Felden, one of the funniest people 545 00:24:38,160 --> 00:24:39,760 Speaker 1: on this earth, great writer. 546 00:24:39,880 --> 00:24:43,040 Speaker 3: Won Emmys for writing both Bell Maher and The Dennis 547 00:24:43,080 --> 00:24:46,480 Speaker 3: Miller Show on HBO. The thing that David did that 548 00:24:46,600 --> 00:24:51,280 Speaker 3: nobody knows he did the Stephen Colbert from the Colbert 549 00:24:51,359 --> 00:24:54,480 Speaker 3: Report before Stephen Colbert, meaning you would go up on 550 00:24:54,600 --> 00:24:57,600 Speaker 3: stage and say how he hates the Dutch, like all 551 00:24:57,680 --> 00:25:01,840 Speaker 3: this stuff that people would get mad. And it was 552 00:25:01,960 --> 00:25:05,520 Speaker 3: so clear that he's joking and he's got it. But 553 00:25:05,600 --> 00:25:07,720 Speaker 3: he has a funny twist and a funny angle on 554 00:25:07,760 --> 00:25:10,720 Speaker 3: all that, and. 555 00:25:09,840 --> 00:25:11,359 Speaker 2: It just he makes me laugh. 556 00:25:11,960 --> 00:25:14,040 Speaker 3: Always sit in the back on that. 557 00:25:14,320 --> 00:25:18,120 Speaker 1: He's another one, a comics comic, very funny, and hire him. 558 00:25:18,920 --> 00:25:22,080 Speaker 1: I I'm Dave Levin and they start to extol the 559 00:25:22,200 --> 00:25:23,600 Speaker 1: virtues of what Larry did. 560 00:25:24,720 --> 00:25:27,760 Speaker 3: You don't know me, Dave Levin. I'm just smocks brought along. 561 00:25:27,840 --> 00:25:31,840 Speaker 4: Listen, what you did is a very gutsy thing. 562 00:25:29,640 --> 00:25:33,280 Speaker 3: Okay, please, you don't take a bound for it. 563 00:25:33,320 --> 00:25:35,639 Speaker 5: I'm just telling you now, I just do one or another. 564 00:25:35,840 --> 00:25:37,320 Speaker 3: It's a gutsy thing to come in and step in 565 00:25:37,359 --> 00:25:38,240 Speaker 3: on something I. 566 00:25:38,160 --> 00:25:43,760 Speaker 2: Didn't even amidst of my family. Thank you, you did good. 567 00:25:43,800 --> 00:25:44,880 Speaker 3: Excuse me, you did good. 568 00:25:45,119 --> 00:25:48,919 Speaker 4: I didn't even with us. 569 00:25:49,520 --> 00:25:51,240 Speaker 3: You're with us now, all right. 570 00:25:52,040 --> 00:25:56,760 Speaker 1: Feldn says you did good, and Paul Dooley then chimes in, 571 00:25:56,840 --> 00:25:59,320 Speaker 1: when do we go back in because he needs two 572 00:25:59,359 --> 00:26:02,639 Speaker 1: more dunks to make it official, and the fiance says, 573 00:26:03,680 --> 00:26:06,160 Speaker 1: no more I'm done. I don't want to do it anymore. 574 00:26:06,280 --> 00:26:09,680 Speaker 3: And this is played by Mitchell Whitfield. Mitchell Whitfield, who 575 00:26:09,720 --> 00:26:12,239 Speaker 3: was in My Cousin Vinnie with Ralph Macchio. He was, 576 00:26:12,359 --> 00:26:15,040 Speaker 3: you know, the other guy. I did a TV series 577 00:26:15,080 --> 00:26:18,120 Speaker 3: with him. For this part. I can't imagine anyone else 578 00:26:18,160 --> 00:26:22,520 Speaker 3: doing this part the way he plays frustrated, like he 579 00:26:22,560 --> 00:26:24,600 Speaker 3: has to run, you know, so go ahead. 580 00:26:24,760 --> 00:26:27,320 Speaker 1: And then I think I think it was Feldman that said. 581 00:26:27,560 --> 00:26:32,040 Speaker 1: Rabbi Akiva says, it takes one man, it takes one man. 582 00:26:32,560 --> 00:26:34,879 Speaker 1: That's that's a Feldman kind of a line, you know 583 00:26:34,920 --> 00:26:37,520 Speaker 1: what I mean. And the fiance what was his name 584 00:26:37,520 --> 00:26:38,120 Speaker 1: in the show. 585 00:26:38,160 --> 00:26:39,560 Speaker 3: The fiance, Oh, I couldn't tell you. 586 00:26:39,680 --> 00:26:45,119 Speaker 1: I forgot, But Mitchell'sfield is very very hesitant about going 587 00:26:45,160 --> 00:26:47,800 Speaker 1: back in and the ministers we could do it in 588 00:26:47,840 --> 00:26:50,080 Speaker 1: the tub, we could use a cup of water. But 589 00:26:50,160 --> 00:26:53,760 Speaker 1: he's the fiance is doubting the message from God. He 590 00:26:53,840 --> 00:26:56,639 Speaker 1: feels as though he got a message from God in 591 00:26:56,720 --> 00:27:00,280 Speaker 1: that moment that no, he should not be converting. And 592 00:27:00,359 --> 00:27:02,960 Speaker 1: Larry is off with the Jewish relatives. I feel good 593 00:27:03,480 --> 00:27:04,400 Speaker 1: and taking credit for. 594 00:27:04,359 --> 00:27:07,400 Speaker 3: Something at this moment when they start yelling at him. 595 00:27:07,920 --> 00:27:08,760 Speaker 3: That comes next, That. 596 00:27:08,680 --> 00:27:12,200 Speaker 1: Comes next, but Larry's and we've seen this since then. 597 00:27:12,440 --> 00:27:14,880 Speaker 1: I don't think we've seen a prior but since then, 598 00:27:14,920 --> 00:27:18,240 Speaker 1: we've seen many instances where Larry is taking credit for 599 00:27:18,320 --> 00:27:21,720 Speaker 1: doing good that was completely inadvert and he didn't mean 600 00:27:21,800 --> 00:27:22,440 Speaker 1: to do good. 601 00:27:22,880 --> 00:27:25,640 Speaker 3: But but no, he takes complete credit. You see him 602 00:27:26,040 --> 00:27:29,359 Speaker 3: by the way that that that grows as he's gotten. Now. 603 00:27:29,440 --> 00:27:33,199 Speaker 3: It did say that before when Mitchell Whitfield, his character 604 00:27:33,320 --> 00:27:36,640 Speaker 3: says I don't want to convert. Paul Douley or someone 605 00:27:37,080 --> 00:27:41,200 Speaker 3: says to Larry, you know what's wrong with him converting? 606 00:27:41,200 --> 00:27:43,960 Speaker 3: And Larry goes take them all, talk about Jews, take 607 00:27:44,000 --> 00:27:48,679 Speaker 3: them all, I don't need them, which I thought was hilarious. Okay, 608 00:27:48,720 --> 00:27:49,640 Speaker 3: so back to it. 609 00:27:49,600 --> 00:27:52,160 Speaker 2: And then oh, then Larry's back with the Jewish relatives. 610 00:27:52,160 --> 00:27:52,600 Speaker 2: I feel good. 611 00:27:52,600 --> 00:27:54,879 Speaker 1: And David Pelvin says, I'd like you to talk at 612 00:27:54,880 --> 00:27:57,359 Speaker 1: my daughter's buttments, which equivocally funny. 613 00:27:59,000 --> 00:28:01,760 Speaker 3: I thought the same. And also, by the way, I've 614 00:28:01,800 --> 00:28:06,080 Speaker 3: never given Larry an idea. For sure, David Feldman had one, 615 00:28:06,200 --> 00:28:08,880 Speaker 3: and I went, oh, fuck, I have to tell Larry this. 616 00:28:09,200 --> 00:28:11,360 Speaker 3: And it wasn't even something that happened to the idea 617 00:28:11,520 --> 00:28:16,119 Speaker 3: of thinking someone's a Holocaust survivor, but the numbers on 618 00:28:16,160 --> 00:28:20,440 Speaker 3: their arms are actually for the lottery. David Feldman thought that, Yeah, 619 00:28:20,720 --> 00:28:21,560 Speaker 3: approached Larry. 620 00:28:22,160 --> 00:28:25,200 Speaker 1: Yeah, but I thought, you know, hilarious, and that premise 621 00:28:25,320 --> 00:28:26,720 Speaker 1: is just so David that I. 622 00:28:26,680 --> 00:28:28,200 Speaker 2: Thought that was the funniest line. It's funny. 623 00:28:28,200 --> 00:28:30,160 Speaker 1: We both thought that was the funniest line of the episode. 624 00:28:30,320 --> 00:28:32,480 Speaker 1: I'd like you to talk at my daughter's butt, mensa. 625 00:28:33,000 --> 00:28:35,359 Speaker 2: And then Becky's like, fine, we're not getting married. 626 00:28:35,680 --> 00:28:37,960 Speaker 4: I'm looking well, I'm not getting married. 627 00:28:38,520 --> 00:28:44,080 Speaker 2: Okay, Larry, you do that. We're not getting married. 628 00:28:44,240 --> 00:28:44,920 Speaker 4: You happy now? 629 00:28:45,000 --> 00:28:48,800 Speaker 3: You call a So this is not a son of 630 00:28:48,840 --> 00:28:49,120 Speaker 3: a bitch. 631 00:28:49,120 --> 00:28:51,040 Speaker 5: It's not having to do a wonderful thing today. 632 00:28:52,000 --> 00:28:54,400 Speaker 3: What are you saying that being a Christian isn't a 633 00:28:54,400 --> 00:28:57,680 Speaker 3: wonderful thing. What are you insinuating wonderful for you? 634 00:28:57,760 --> 00:29:12,160 Speaker 5: We resent the recruitment, We don't need you. 635 00:29:14,120 --> 00:29:16,960 Speaker 1: And you know, the two sides just start in that way, 636 00:29:17,160 --> 00:29:22,120 Speaker 1: just going at each other, and it's Mayhem again, Melee 637 00:29:22,240 --> 00:29:23,080 Speaker 1: and Mayhem. 638 00:29:23,120 --> 00:29:26,680 Speaker 3: So that scene fucked me up when I saw it. 639 00:29:26,840 --> 00:29:28,720 Speaker 3: Why because my parents were in it. 640 00:29:29,160 --> 00:29:31,360 Speaker 2: Oh, I didn't realize. I didn't recognize them, and I 641 00:29:31,400 --> 00:29:31,880 Speaker 2: knew them. 642 00:29:32,120 --> 00:29:34,400 Speaker 3: It's really hard even to talk about it right now. 643 00:29:34,480 --> 00:29:41,160 Speaker 3: To see my parents, who both passed away there as 644 00:29:41,320 --> 00:29:44,120 Speaker 3: Jews pointing fingers, you know, and. 645 00:29:44,760 --> 00:29:46,479 Speaker 2: Whether you're visiting. Was that what it was? 646 00:29:46,960 --> 00:29:48,720 Speaker 3: I think it was worked out that that's when they 647 00:29:48,720 --> 00:29:51,560 Speaker 3: would come visit me. And all I did after that 648 00:29:51,640 --> 00:29:54,920 Speaker 3: episode aired was make fun of my parents their acting 649 00:29:55,120 --> 00:29:57,200 Speaker 3: in it. And my mother was much better than my 650 00:29:57,200 --> 00:30:01,640 Speaker 3: father because my mother garb Marylyn Jean Garland, she gave 651 00:30:01,720 --> 00:30:04,239 Speaker 3: up her career, which was she was going to be. 652 00:30:04,520 --> 00:30:06,760 Speaker 3: She got a scholarship to like the Goodman Theater, like 653 00:30:06,800 --> 00:30:09,280 Speaker 3: this whole thing. Yeah, but she she didn't want to 654 00:30:09,320 --> 00:30:12,760 Speaker 3: do was stage craft, which, by the way, that took 655 00:30:12,760 --> 00:30:15,360 Speaker 3: me out of acting too. I'm like, fuck stage craft people. 656 00:30:15,520 --> 00:30:16,600 Speaker 2: Stagecraft. 657 00:30:16,640 --> 00:30:19,560 Speaker 3: There's the building of the sets, keeping it all together, 658 00:30:19,880 --> 00:30:23,400 Speaker 3: and it's a lot of handyman work, of which I 659 00:30:23,440 --> 00:30:25,480 Speaker 3: don't do that. And by the way, I didn't do 660 00:30:25,560 --> 00:30:28,160 Speaker 3: that when I was whatever. My dad forced me to 661 00:30:28,160 --> 00:30:31,440 Speaker 3: cut the lawn. Other than that, no, there's no building. 662 00:30:31,440 --> 00:30:32,880 Speaker 2: Carol was good, but Jean was not. 663 00:30:33,320 --> 00:30:37,560 Speaker 3: Carol was fine. My dad yelling and pointing. So now 664 00:30:37,600 --> 00:30:40,200 Speaker 3: I look at it and I got hysterical crying. Last night, 665 00:30:40,200 --> 00:30:42,800 Speaker 3: did you. Oh yeah, I mean when you. I mean 666 00:30:42,960 --> 00:30:45,920 Speaker 3: they've been in my head since they died. I've not 667 00:30:46,120 --> 00:30:49,920 Speaker 3: really seen them, seen them until that scene. And it 668 00:30:50,080 --> 00:30:52,120 Speaker 3: just knocked me over and I began weeping. 669 00:30:52,240 --> 00:30:53,960 Speaker 2: Well that you have that scene. 670 00:30:54,200 --> 00:30:58,160 Speaker 3: Yeah, but it's hard not to cry now even thinking 671 00:30:58,160 --> 00:31:00,000 Speaker 3: about it because it's so overwhelm. 672 00:31:00,720 --> 00:31:02,120 Speaker 2: I have to go back and look. 673 00:31:02,160 --> 00:31:04,840 Speaker 1: I didn't notice them because I had my head down 674 00:31:04,880 --> 00:31:05,600 Speaker 1: taking notes. 675 00:31:05,840 --> 00:31:08,600 Speaker 3: It's okay. I don't think you know a lot of 676 00:31:08,600 --> 00:31:13,960 Speaker 3: times with a background person, extra background, whenever you want 677 00:31:13,960 --> 00:31:17,240 Speaker 3: to call it, you only notice them if they're bad. 678 00:31:17,320 --> 00:31:21,800 Speaker 3: Well there's two reasons they're bad, and extraordinarily look like 679 00:31:21,880 --> 00:31:24,680 Speaker 3: aliens like something will make you what the fuck's going 680 00:31:24,680 --> 00:31:28,160 Speaker 3: on there? But mostly if they're bad, if someone's a 681 00:31:28,200 --> 00:31:29,800 Speaker 3: good background, you don't even notice that. 682 00:31:30,000 --> 00:31:32,640 Speaker 1: I'll tell you this, Jimmy, my husband was background in 683 00:31:32,680 --> 00:31:37,640 Speaker 1: Palestinian Chicken season eight, and he was horrible. He was horrible, 684 00:31:37,920 --> 00:31:40,800 Speaker 1: so my dad God bless and it was important that 685 00:31:40,840 --> 00:31:44,040 Speaker 1: he did it because he didn't realize that every take 686 00:31:44,120 --> 00:31:45,840 Speaker 1: he's got to have the intense because it was a 687 00:31:45,920 --> 00:31:47,160 Speaker 1: very similar kind of scene. 688 00:31:47,200 --> 00:31:48,120 Speaker 2: It's the two sides. 689 00:31:48,120 --> 00:31:51,200 Speaker 1: The Palestinians just going at each other, screaming with Larry 690 00:31:51,200 --> 00:31:54,120 Speaker 1: in the middle, and he didn't realize that each take 691 00:31:54,200 --> 00:31:57,120 Speaker 1: he had to bring that same intensity. So Jeff Schaeffer 692 00:31:57,160 --> 00:31:59,120 Speaker 1: went over to him and he was telling it because 693 00:31:59,120 --> 00:32:01,360 Speaker 1: he was right next to me, so he was on camera. 694 00:32:01,600 --> 00:32:03,520 Speaker 1: It's like, you have to keep up the energy, and 695 00:32:03,560 --> 00:32:05,560 Speaker 1: it was important that he saw that that's what I 696 00:32:05,600 --> 00:32:06,120 Speaker 1: have to do. 697 00:32:06,480 --> 00:32:08,400 Speaker 2: So the job is not that easy. 698 00:32:08,600 --> 00:32:10,880 Speaker 3: Well, no it's not, but you know, fake yelling is 699 00:32:10,880 --> 00:32:11,440 Speaker 3: pretty easy. 700 00:32:11,960 --> 00:32:14,800 Speaker 1: And again Larry and Cheryl, they're in the car, Larry 701 00:32:14,840 --> 00:32:18,480 Speaker 1: and Cheryl in the car. Cheryl is clearly miserable because 702 00:32:18,560 --> 00:32:22,520 Speaker 1: Larry just destroyed her sister's wedding and it had previously 703 00:32:22,560 --> 00:32:26,280 Speaker 1: destroyed a relationship with Craig Anton in season one. I 704 00:32:26,320 --> 00:32:30,120 Speaker 1: believe that was And so they see the homeless guy 705 00:32:30,240 --> 00:32:31,600 Speaker 1: in the maroon jacket. 706 00:32:31,320 --> 00:32:36,360 Speaker 3: Mark Boone Junior, the character act. He's really great. He's 707 00:32:36,400 --> 00:32:38,000 Speaker 3: really great and everything he does. 708 00:32:38,000 --> 00:32:40,640 Speaker 1: And he comes up to the car and he says, 709 00:32:40,720 --> 00:32:43,920 Speaker 1: I found the tickets. The tickets were in the maroon jacket, which, 710 00:32:44,040 --> 00:32:44,400 Speaker 1: by the. 711 00:32:44,360 --> 00:32:47,600 Speaker 3: Way, watching this, I guess because I knew it. But 712 00:32:47,680 --> 00:32:49,760 Speaker 3: from the thing, I'm like, why is there so much 713 00:32:49,800 --> 00:32:52,240 Speaker 3: on this jacket, Like, what is that? Because, like I 714 00:32:52,320 --> 00:32:56,000 Speaker 3: just said, there's an important reason for the jacket, because 715 00:32:56,040 --> 00:32:59,000 Speaker 3: it's now the funny wrap up for the. 716 00:32:58,960 --> 00:33:03,120 Speaker 1: Show and yet another button where the homeless guy Mark 717 00:33:03,200 --> 00:33:07,680 Speaker 1: Boone Junior says, I tried to call you that your 718 00:33:07,760 --> 00:33:08,880 Speaker 1: number was on the ticket. 719 00:33:09,120 --> 00:33:11,280 Speaker 2: You guys don't have a phone answering machine, but. 720 00:33:11,320 --> 00:33:14,800 Speaker 3: Hold on, you're missing a key thing here. When he 721 00:33:14,960 --> 00:33:18,360 Speaker 3: first shows that he found the tickets, he looks at 722 00:33:18,440 --> 00:33:23,080 Speaker 3: Cheryl like, you fucked up, not me. Yeah. So then 723 00:33:23,120 --> 00:33:25,920 Speaker 3: when he went to the answering machine, Cheryl had the 724 00:33:25,960 --> 00:33:29,400 Speaker 3: best maybe moment of acting in the episode, her slow 725 00:33:29,560 --> 00:33:33,640 Speaker 3: turn to Larry, Oh, it was fantastic, where Nope, not me, 726 00:33:34,240 --> 00:33:34,920 Speaker 3: you fucker. 727 00:33:35,160 --> 00:33:35,400 Speaker 2: Yeah. 728 00:33:35,720 --> 00:33:39,920 Speaker 1: Yeah, and there's the perfect domino effect, right, but the tip. 729 00:33:39,720 --> 00:33:41,960 Speaker 3: Of it, the jacket, the end of it. 730 00:33:42,240 --> 00:33:45,600 Speaker 1: The jacket and the answering machine. Yeah, both set up 731 00:33:45,800 --> 00:33:48,600 Speaker 1: in the first two scenes. Yeah, well we're done there 732 00:33:48,640 --> 00:33:50,120 Speaker 1: we go the baptism. 733 00:33:50,400 --> 00:33:52,520 Speaker 3: Yeah. And the next episode is the Pirates of the 734 00:33:52,600 --> 00:33:56,800 Speaker 3: Caribbean salute. Yes, oh, the curb Pirates of the Caribbean episode. 735 00:33:56,960 --> 00:33:58,640 Speaker 2: Uh huh, who do I play in that? 736 00:33:59,400 --> 00:34:02,200 Speaker 3: You play the Johnny deppro Okay? 737 00:34:02,200 --> 00:34:02,520 Speaker 2: Bye? 738 00:34:02,680 --> 00:34:03,280 Speaker 3: See you later. 739 00:34:10,880 --> 00:34:13,279 Speaker 1: The history of Curb Your Enthusiasm is a production of 740 00:34:13,360 --> 00:34:14,200 Speaker 1: iHeart Radio. 741 00:34:14,320 --> 00:34:16,480 Speaker 2: For more podcasts from iHeart Radio 742 00:34:16,760 --> 00:34:20,439 Speaker 1: Visit the iHeart Radio Apple Podcasts, or wherever you listen 743 00:34:20,480 --> 00:34:21,440 Speaker 1: to your favorite shows.