WEBVTT - Khleo Thomas on Child Stardom, Hollywood Pressure, and What Comes Next

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<v Speaker 1>The majority of us. Our flex was like coming in

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<v Speaker 1>with McDonald's. You were working on McDonald's.

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<v Speaker 2>Yeah, yes, we bring.

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<v Speaker 1>A happy meal, we like. Hold on now he on

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<v Speaker 1>my TV?

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<v Speaker 2>Yeah one?

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<v Speaker 1>If y'all at your boy Kevin on stage, or we'll

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<v Speaker 1>welcome you to Not My Best Moment, a podcast where

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<v Speaker 1>I talk to my friends artists, athletes, and entertainers about

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<v Speaker 1>their failures and what they learned from them. My guest

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<v Speaker 1>today is a dear friend and a immensely talented gentleman.

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<v Speaker 1>You may know him from Disney's Holes, from a Roll

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<v Speaker 1>Balance or Friday After Next, any number of TV shows,

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<v Speaker 1>Scream Tour. More recently, you know him from gaming anime

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<v Speaker 1>Four Controllers. You may know him from a myriad of things,

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<v Speaker 1>Ladies and gentlemen.

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<v Speaker 2>Cleo, Thomas, what's up, Ken? How you feeling? Brother?

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<v Speaker 1>I feel good, Cleo. It's good to have you on here.

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<v Speaker 1>While I got you, I might as well tell you.

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<v Speaker 1>I've told you this in private, but I will tell

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<v Speaker 1>you this in public. I admire you tremendously. You are

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<v Speaker 1>a person who's taken not only their career into their

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<v Speaker 1>own hands, You've taken it personally into your own hands.

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<v Speaker 1>A lot of times. You know, celebrities people have been

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<v Speaker 1>on for a long time. They truly, truly, truly struggle

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<v Speaker 1>to transtransition into any other form of medium, and you

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<v Speaker 1>are so successful. People are finding out that you were

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<v Speaker 1>in movies after knowing you from gaming. Yeah, it's almost

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<v Speaker 1>come full circle now that Hey, you're the guy from homes.

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<v Speaker 1>Now it's wait, you're in homes So.

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<v Speaker 2>We've slightly eclipsed the resume just to bit.

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<v Speaker 1>One thousand percent. So welcome to the show. Cleio Thomas,

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<v Speaker 1>how are you?

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<v Speaker 2>I'm amazing man, Thanks for having me man. I appreciate

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<v Speaker 2>those kind words. Kevin Yees like you mentioned you have

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<v Speaker 2>told me that face with being able to you know,

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<v Speaker 2>for you to reiterate it to me, Man, it really

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<v Speaker 2>does mean a lot because in the same respect that

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<v Speaker 2>you have for me, I have the utmost respect for

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<v Speaker 2>you what you built, knowing that I met you just

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<v Speaker 2>years ago from all death right yeah, and knowing with

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<v Speaker 2>the system what the system was there and compared to

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<v Speaker 2>what you built today. Man, Just believing, keeping your faith

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<v Speaker 2>in God, keeping wife you by your side, making sure

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<v Speaker 2>you're a great stand up not only a husband but father.

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<v Speaker 2>Like all of that is inspiring man.

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<v Speaker 1>I appreciate that. So yeah, let's go back to All Death.

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<v Speaker 1>I met you. I want to say, excuse me, I'm

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<v Speaker 1>a little under the weather. Twenty sixteen or seventeen, maybe

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<v Speaker 1>maybe a little early, but it was around it was

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<v Speaker 1>around peak All Death times. I think we just moved

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<v Speaker 1>to the downtown office, and I remember you came. You

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<v Speaker 1>came and did great taste, and Pat was like over

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<v Speaker 1>the moon to have you. He was like, yo, y'all

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<v Speaker 1>got to meet this dude, Cleo. He's so funny. He

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<v Speaker 1>was in all these movies and stuff. So I was

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<v Speaker 1>expecting a pompous a hole. I did not get that.

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<v Speaker 1>Got somebody who was very nice. I mean, immediately disarmed.

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<v Speaker 1>And that's not say anything about you. It's just like

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<v Speaker 1>a lot of times the people that I met there

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<v Speaker 1>the stars, they looked down upon what we were doing

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<v Speaker 1>at All Death. They you know, it was kind of

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<v Speaker 1>like beneath them. So I was like, Okay, here'll come

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<v Speaker 1>this other curly headed guy, handsome, light skin. He's gonna

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<v Speaker 1>think he's better than us. And you, you didn't come

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<v Speaker 1>in like that. And then I remember I hit you

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<v Speaker 1>with a joke and you hit me with a joke

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<v Speaker 1>back so much harder that I was like, oh, yeah,

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<v Speaker 1>this okay, he's gonna he's gonna fit in just fine here. Yeah, man,

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<v Speaker 1>something about my hairline follicles. You could hear my hairline follicles,

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<v Speaker 1>if I'm not mistaken, was a joke. Yeah, but that

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<v Speaker 1>was part of your Well where where were you in

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<v Speaker 1>your journey at that time?

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<v Speaker 2>Great question, man, during the rebuilding phase. Really, during the

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<v Speaker 2>rebuilding phase I had, I was I was a really

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<v Speaker 2>early adopter to the Internet, right. I saw I saw

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<v Speaker 2>actors uh starting to waiver and not be able to

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<v Speaker 2>keep a level of consistency when it came to their job,

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<v Speaker 2>no matter if there were child actors or actors were

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<v Speaker 2>way older at me. Right. But then the Internet starts

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<v Speaker 2>taking off. We're seeing YouTube break, all these brand new

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<v Speaker 2>start like like like personalities, and I was like, interesting,

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<v Speaker 2>So do you remember you stream back in the day. Yeah, okay.

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<v Speaker 2>I was one of the first people to have a

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<v Speaker 2>U stream deal because I was like, wow, I can

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<v Speaker 2>just go live, I can just do a talk show

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<v Speaker 2>like right here. So I was just going for it, man.

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<v Speaker 2>So little things like that were kind of like the

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<v Speaker 2>building blocks to what I was able to build uh

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<v Speaker 2>in the online space. So when the opportunity came up

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<v Speaker 2>to come to All Death, I was immediately in. I

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<v Speaker 2>had met Pat at like nine thirty at night at

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<v Speaker 2>a at a store and I was buying a Nintendo

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<v Speaker 2>switch and he was buying a Nintental switch, and I

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<v Speaker 2>told him I would love to come in one day and.

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<v Speaker 3>At first switch yo, sh sh ship yo, you guys cute,

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<v Speaker 3>You're like past pass, not gonna let you get that

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<v Speaker 3>one off.

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<v Speaker 2>Bro, PA's gonna come come back to you for that

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<v Speaker 2>one man. So yeah, man. I had told him that

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<v Speaker 2>I'm a huge fan of him and all Deaf and

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<v Speaker 2>I would love to work one day. And about two

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<v Speaker 2>weeks later he reached out to me. He gave me

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<v Speaker 2>a call time, told me to come through, and I

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<v Speaker 2>knew I was walking into a very different arena. Because yes,

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<v Speaker 2>it's one thing for me to be the actor, it's

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<v Speaker 2>one thing for me to have been on set with comedians,

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<v Speaker 2>but All Death was different, and I wanted to I

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<v Speaker 2>wanted to be able to be a part of it.

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<v Speaker 2>I wanted to be able to keep up because I did.

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<v Speaker 2>I did feel if you come in there and you

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<v Speaker 2>and you can't swim you're gonna get destroyed.

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<v Speaker 1>And that that happened to a lot of people. I'm

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<v Speaker 1>so sorry. Not that we can do.

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<v Speaker 2>So. It was that, brother, it was at the it

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<v Speaker 2>was at the right time, man, and I got to

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<v Speaker 2>give you guys credit for this. keV, I have to

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<v Speaker 2>credit all of you for giving me a sense of humor.

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<v Speaker 2>Dog really, yes, sir, yes, sir, yes, sir.

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<v Speaker 1>At that you you didn't have a sense of humor

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<v Speaker 1>at that time.

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<v Speaker 2>I had a sense of humor.

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<v Speaker 1>Kevin weren't to use it.

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<v Speaker 2>Both both I had a sense of humor, but was

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<v Speaker 2>never able to use it because you know, my roles

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<v Speaker 2>and everything I was booking. I'm not a comedy guy.

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<v Speaker 2>I'm not the actor to have the comedic timing in

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<v Speaker 2>the moments. I have to credit you guys for giving

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<v Speaker 2>me a sense of humor. And at the same time,

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<v Speaker 2>it was at a space where I was maybe maybe

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<v Speaker 2>very jaded, you feel me, So I was taking myself

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<v Speaker 2>very I think I was taking myself too seriously, Like

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<v Speaker 2>I couldn't take a joke without immediately getting defensive because

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<v Speaker 2>I'm like, or you to throw a shot at me,

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<v Speaker 2>like I ain't did this, this, this, this, and this.

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<v Speaker 1>Right, Yeah, and then all of a sudden, those credits

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<v Speaker 1>don't matter right now during Great Taste, none of that matters.

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<v Speaker 2>Nope. And at that time, the squad was like on

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<v Speaker 2>that channel, the squad was the dream Team, the All Star.

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<v Speaker 3>Yeah.

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<v Speaker 1>It was like you could have had a legit celebrity

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<v Speaker 1>to be like, yeah, keep them out of here, bro,

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<v Speaker 1>they're messing up the vibes of the like people who

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<v Speaker 1>work there. So I could see how that could be intimidating.

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<v Speaker 2>Yeah, man, it was. It was you know, maybe a

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<v Speaker 2>year or two years before that where I started feeling

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<v Speaker 2>that about myself, like being like, why am I so

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<v Speaker 2>immediately like defensive when people get to talking to me

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<v Speaker 2>and you know, maybe it's just a joke. Is that

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<v Speaker 2>Are they being serious? Why am I taking it personally?

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<v Speaker 2>And then the moment I've got into the All Death

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<v Speaker 2>Arena immediately gave me a better understanding of like, it

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<v Speaker 2>ain't a personal thing, it's not at all, bro, Like,

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<v Speaker 2>this is this is all love.

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<v Speaker 1>We could go from laughing at lunch, go and roast

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<v Speaker 1>each other for for two hours and then come right

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<v Speaker 1>back to laughing. Yeah, and we don't remember half the

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<v Speaker 1>things we said at that time yeah, I want to understand. Okay,

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<v Speaker 1>you said you were rebuilding, right, so you know, I

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<v Speaker 1>know a lot of us know your story, but there's

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<v Speaker 1>listeners to this podcast who are learning about you for

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<v Speaker 1>the first time, and I want to be you know,

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<v Speaker 1>fair to them. Take us back prior to all death.

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<v Speaker 1>Take us back through your journey. I feel like every

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<v Speaker 1>time I talk to you, I learned something else that

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<v Speaker 1>you did. But take so people can understand how how

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<v Speaker 1>hard that rebuild was. Take us back through you know

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<v Speaker 1>you were, you were a child star, You're you're considered

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<v Speaker 1>a child star, so you know, give us kind of

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<v Speaker 1>a brief rundown of your history up until that point.

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<v Speaker 1>And how old were you when you came to Allay?

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<v Speaker 2>Yeah? Do you remember you said it was like twenty seventeen,

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<v Speaker 2>so we're yeah, ten years ago, so you know, twenty

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<v Speaker 2>twenty six, twenty seven.

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<v Speaker 1>Okay, yeah, okay, So take us back to your early

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<v Speaker 1>the early part of your Hollywood career.

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<v Speaker 2>Man, I told my mom I wanted to be an

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<v Speaker 2>actor when we were five years old. We were living

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<v Speaker 2>in Barstow, we had just got my dad, just got

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<v Speaker 2>out of the military, and she asked me something that

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<v Speaker 2>I still want to pursue. I said, yeah, and we

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<v Speaker 2>just figured it out. We were just running a race

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<v Speaker 2>trying to figure this out, going to auditions, doing commercial auditions.

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<v Speaker 2>The first thing ever booked was like a McDonald's commercial. Right,

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<v Speaker 2>we go and do that. And then after that I

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<v Speaker 2>ended up booking a show called Family Law. Then after that,

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<v Speaker 2>I ended up booking a CBS kid show. I hosted

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<v Speaker 2>the cartoons for CBS every Saturday.

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<v Speaker 1>Wow.

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<v Speaker 2>Right, it was really cool. So like second or third grade,

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<v Speaker 2>like I'm writing, like, you know, you see you asking

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<v Speaker 2>you what do you want to be? It's like I

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<v Speaker 2>want to be an actor. And as I'm doing these

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<v Speaker 2>things in school, like my classmates are watching me every

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<v Speaker 2>Saturday get turned into a cartoon and hosts their favorite shows.

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<v Speaker 2>Like that was like the early early stuff.

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<v Speaker 1>So the majority of us our flex was like coming

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<v Speaker 1>in with McDonald's and you were working on McDonald's.

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<v Speaker 2>Yeah, yeah, we bring.

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<v Speaker 1>A hoppy meal. We like hold on now he yeah

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<v Speaker 1>on my TV.

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<v Speaker 2>Yeah, man, I got a chance to be a part

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<v Speaker 2>of the you know, McDonald's would do the two commercials.

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<v Speaker 2>They would show the regular one and then like the

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<v Speaker 2>kids meal one every time. That used to be their

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<v Speaker 2>promo and I was a part of the Kid's meal

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<v Speaker 2>run for the Little Mermaid re release or something like that,

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<v Speaker 2>and it was it was sick man. So years later

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<v Speaker 2>we book a film called Holes, right, and I had

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<v Speaker 2>done no Disney work prior to that. I did Friday

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<v Speaker 2>After Next right before that. So I went from being

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<v Speaker 2>on a set with Mike Epp and Mike Epps and

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<v Speaker 2>Kat Williams and ice Cube to being on the set

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<v Speaker 2>of Holes, which was a Disney production. And now I'm

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<v Speaker 2>working with Sigourney Weaver, who I was a huge fan

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<v Speaker 2>of because I'm a sci fi guy love Aliens. Right. Yeah.

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<v Speaker 2>After that, then we get Walking Tall with the Rock,

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<v Speaker 2>then we get roll Bounce. Then we do to these

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<v Speaker 2>TV shows like like CSI, which I think I've told

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<v Speaker 2>you about this as far as the episode that I'm

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<v Speaker 2>met with CSI, it's called Popping Tags, cav I'll tell

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<v Speaker 2>you about this. Mmm mmm.

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<v Speaker 1>I knew I was gonna learn some more stuff about

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<v Speaker 1>you today, But go ahead.

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<v Speaker 2>I need to tell you who's the guest stars on

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<v Speaker 2>this episode because you you run production now, so you

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<v Speaker 2>tell me how much did this episode costs? You? Ready?

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<v Speaker 1>I'm ready?

0:10:14.360 --> 0:10:19.320
<v Speaker 2>Method man? Oh snap, We'll start with him Akon, Oh

0:10:19.400 --> 0:10:24.960
<v Speaker 2>my god, Obi Trice really, Travis Barker all in the

0:10:24.960 --> 0:10:28.480
<v Speaker 2>same episode, Rick Gonzalez who's from Roll Bounce as well,

0:10:29.160 --> 0:10:35.520
<v Speaker 2>and Biker Boys, myself, Michael B. Jordan, all of ya

0:10:35.480 --> 0:10:39.480
<v Speaker 2>are in one episode, in one episode. And there's a

0:10:39.480 --> 0:10:41.560
<v Speaker 2>few names I'm not that, I'm not that I'm blanking

0:10:41.559 --> 0:10:43.640
<v Speaker 2>out at the moment, but there's even more credible names.

0:10:43.679 --> 0:10:47.320
<v Speaker 2>Katerina Graham, Page Kennedy's in there as well. It's insane,

0:10:47.640 --> 0:10:50.120
<v Speaker 2>it's insane. So we go on to do that. Man,

0:10:50.160 --> 0:10:52.280
<v Speaker 2>So just just running the race, running the race, you know.

0:10:52.480 --> 0:10:54.920
<v Speaker 2>And I look back at that time, and the one

0:10:54.960 --> 0:10:56.480
<v Speaker 2>thing that I look back and I know that we

0:10:56.480 --> 0:10:58.840
<v Speaker 2>didn't do a great job at We didn't run the

0:10:58.960 --> 0:11:02.320
<v Speaker 2>pr game of Hollywood. That's the one thing I did

0:11:02.320 --> 0:11:05.160
<v Speaker 2>not do. My jobs came from if you asked me

0:11:05.280 --> 0:11:08.560
<v Speaker 2>for you know what was what was my ways of

0:11:08.720 --> 0:11:10.760
<v Speaker 2>landing roles? It was because I was going into these

0:11:10.800 --> 0:11:14.880
<v Speaker 2>auditions and doing my work. I came, I came prepared.

0:11:14.960 --> 0:11:16.640
<v Speaker 2>I was making the adjustments in the room if they

0:11:16.679 --> 0:11:18.520
<v Speaker 2>asked me to do them. But that's so, yeah, we

0:11:18.520 --> 0:11:20.440
<v Speaker 2>were able to work, work, work, but we didn't run

0:11:20.480 --> 0:11:23.800
<v Speaker 2>the pr game to elevate the brand of who Cleo

0:11:23.880 --> 0:11:27.560
<v Speaker 2>Thomas is for anyone to care. You throw in the

0:11:27.600 --> 0:11:29.400
<v Speaker 2>fact that during that era, you think of the young

0:11:29.480 --> 0:11:31.720
<v Speaker 2>child stars, everyone had to have the good girl, gone

0:11:31.800 --> 0:11:35.520
<v Speaker 2>bad or bad boy. I didn't run that race. So

0:11:35.559 --> 0:11:38.280
<v Speaker 2>once Cleo's name is out of headlines, who cares?

0:11:38.760 --> 0:11:42.160
<v Speaker 1>You don't have no black leather caught smoking, peeing and

0:11:42.400 --> 0:11:46.440
<v Speaker 1>drunk here, which does give you some life. A lot

0:11:46.480 --> 0:11:47.959
<v Speaker 1>of stars have that, and I'm not saying they do

0:11:48.000 --> 0:11:50.280
<v Speaker 1>it on purpose, but it does keep your name on

0:11:50.440 --> 0:11:51.280
<v Speaker 1>people's minds.

0:11:51.320 --> 0:11:55.160
<v Speaker 2>I mean, come on, yeah, it's it's a It is

0:11:55.200 --> 0:11:58.400
<v Speaker 2>a play. If we're playing sports, it is a play

0:11:58.520 --> 0:12:01.520
<v Speaker 2>to run, is all I can say about it. Yeah, man, Yeah,

0:12:01.559 --> 0:12:04.160
<v Speaker 2>So we go from that, man, and then you know,

0:12:04.320 --> 0:12:06.520
<v Speaker 2>as every child actor gets to a space, you know,

0:12:06.559 --> 0:12:08.520
<v Speaker 2>around I want to say around the eighteen or nineteen

0:12:08.559 --> 0:12:10.719
<v Speaker 2>era is where I saw things kind of shift for

0:12:10.800 --> 0:12:16.000
<v Speaker 2>me where there weren't a lot of black producers, directors,

0:12:16.080 --> 0:12:21.120
<v Speaker 2>writers in charge at that time. Yeah, it wasn't like that.

0:12:21.200 --> 0:12:22.680
<v Speaker 2>So if I'm walking into a room and I have

0:12:22.720 --> 0:12:24.480
<v Speaker 2>the resume and I've worked with already on this project,

0:12:24.520 --> 0:12:27.120
<v Speaker 2>in this project, they're like, hey, yeah, he's black. Yeah,

0:12:27.520 --> 0:12:29.080
<v Speaker 2>let's run it right.

0:12:29.520 --> 0:12:30.280
<v Speaker 1>Yeah that was that.

0:12:30.400 --> 0:12:32.559
<v Speaker 2>Now look at where we are when I say around

0:12:32.559 --> 0:12:35.120
<v Speaker 2>the you know, eighteen or nineteen era, there started being

0:12:35.120 --> 0:12:37.319
<v Speaker 2>a little like a lot more people in charge, and

0:12:37.360 --> 0:12:39.560
<v Speaker 2>they want to tell black stories. So when they say

0:12:39.760 --> 0:12:42.559
<v Speaker 2>black actors, you look at me. I am not what

0:12:42.640 --> 0:12:45.680
<v Speaker 2>is the depiction of what a black actor looks like?

0:12:46.080 --> 0:12:48.640
<v Speaker 2>Especially because you don't like traditional mac and cheese? You

0:12:48.679 --> 0:12:50.760
<v Speaker 2>bring this up? Have I not put this to rest

0:12:50.760 --> 0:12:52.920
<v Speaker 2>with you already? You will never put it to rest

0:12:52.960 --> 0:12:55.920
<v Speaker 2>with me, sir. Just this past Christmas shout out to

0:12:55.960 --> 0:12:58.320
<v Speaker 2>my good friend Tiffany followed the Yellow Brick road Girl,

0:12:58.640 --> 0:13:01.920
<v Speaker 2>huge Wizard of Oz fan. She heard about my craft

0:13:01.920 --> 0:13:04.040
<v Speaker 2>mac and cheese thing, and she said, I refuse to

0:13:04.080 --> 0:13:07.160
<v Speaker 2>be friends with you until you eat my mac and cheese.

0:13:09.640 --> 0:13:13.800
<v Speaker 2>She brought me her homemade mac and cheese, and keV

0:13:14.000 --> 0:13:16.760
<v Speaker 2>I can say, I have been converted, sir.

0:13:16.920 --> 0:13:17.800
<v Speaker 1>You've seen the light.

0:13:17.960 --> 0:13:21.000
<v Speaker 2>I'm here. I'm here, baby. Every year I want it,

0:13:21.280 --> 0:13:24.480
<v Speaker 2>I want it. I'm sorry. I'm sorry for all my years.

0:13:24.880 --> 0:13:26.080
<v Speaker 1>I can tell you this is why it took so

0:13:26.120 --> 0:13:27.520
<v Speaker 1>long to get you on this episode. And every time

0:13:27.559 --> 0:13:28.640
<v Speaker 1>they were like Kleaw was like.

0:13:28.559 --> 0:13:29.640
<v Speaker 2>Man, I don't know, y'all.

0:13:30.679 --> 0:13:32.600
<v Speaker 1>I don't know, man, that whole mac and cheese thing

0:13:32.760 --> 0:13:33.800
<v Speaker 1>just roughly the wrong way.

0:13:33.920 --> 0:13:36.720
<v Speaker 2>I'm sorry. I'm sorry. I could admit my faults and

0:13:36.760 --> 0:13:38.800
<v Speaker 2>I could tell you now give me the whole plate.

0:13:39.880 --> 0:13:42.360
<v Speaker 2>I'm on the sun, man, I'm on that time now, man.

0:13:42.880 --> 0:13:45.240
<v Speaker 2>So it's that as well. I look at that that era, man,

0:13:45.400 --> 0:13:48.280
<v Speaker 2>and we're seeing so many more when I when I

0:13:48.280 --> 0:13:50.480
<v Speaker 2>saw the ship, the transition of our industry be able

0:13:50.480 --> 0:13:53.840
<v Speaker 2>to let more black creators, writers, director's producers make that

0:13:53.880 --> 0:13:56.720
<v Speaker 2>decision of who's going to be in these roles. I

0:13:56.840 --> 0:13:59.800
<v Speaker 2>did see the pair of the whole pendulum shift to

0:13:59.800 --> 0:14:03.440
<v Speaker 2>where it's like, hey, we want to tell black stories

0:14:03.480 --> 0:14:06.959
<v Speaker 2>and the depiction of a light skinned black guy don't

0:14:07.000 --> 0:14:09.400
<v Speaker 2>really look like you. You know, my mom's Moroccan. You

0:14:09.400 --> 0:14:09.800
<v Speaker 2>feel me?

0:14:10.120 --> 0:14:11.800
<v Speaker 1>Oh, I didn't know that my mom's.

0:14:11.559 --> 0:14:15.120
<v Speaker 2>Moroccan, dad's black. So it's like, I want everyone who's

0:14:15.280 --> 0:14:17.040
<v Speaker 2>watching this episode right now, like I want I want

0:14:17.080 --> 0:14:19.760
<v Speaker 2>to give people listening, and I want to give people

0:14:19.760 --> 0:14:21.880
<v Speaker 2>an example. I want you all to go watch I

0:14:22.040 --> 0:14:24.760
<v Speaker 2>show speeds live stream in Morocco because he did a

0:14:24.760 --> 0:14:27.920
<v Speaker 2>whole eye show speed around African thing. I want you

0:14:28.000 --> 0:14:31.080
<v Speaker 2>to go see I show speed around a whole bunch

0:14:31.080 --> 0:14:35.239
<v Speaker 2>of Moroccans, and that will immediately give you the understanding of, like, visually,

0:14:36.080 --> 0:14:38.840
<v Speaker 2>why I see such a big I don't want to

0:14:38.880 --> 0:14:40.520
<v Speaker 2>call it a roadblock, but it's like when you think

0:14:40.560 --> 0:14:42.800
<v Speaker 2>of a black actor. If you go sit me right

0:14:42.840 --> 0:14:45.080
<v Speaker 2>next a Moroccan guy right next to is show speed,

0:14:45.360 --> 0:14:47.000
<v Speaker 2>They're not going to look at the Moroccan guy and

0:14:47.040 --> 0:14:48.320
<v Speaker 2>be like, that's a black guy.

0:14:48.800 --> 0:14:51.480
<v Speaker 1>For sure, Yeah, for sure, that makes a lot of sense.

0:14:51.560 --> 0:14:55.160
<v Speaker 1>I noticed you said you say we when you're referring

0:14:55.200 --> 0:14:58.560
<v Speaker 1>to the roles you booked. Why do you use the

0:14:58.640 --> 0:14:58.920
<v Speaker 1>term we?

0:14:59.640 --> 0:15:03.600
<v Speaker 2>Nay, that is a great question, Doug. You know why

0:15:03.600 --> 0:15:05.520
<v Speaker 2>I say that, man, and my mom gives me credit

0:15:05.520 --> 0:15:07.440
<v Speaker 2>for it because I say it in conversation with her

0:15:07.480 --> 0:15:12.520
<v Speaker 2>all the time. I say we because it's my mom

0:15:12.600 --> 0:15:15.440
<v Speaker 2>and dad believed in me at a very early age.

0:15:15.600 --> 0:15:19.160
<v Speaker 2>It took a risk. I'm their oldest son. There was

0:15:19.240 --> 0:15:22.560
<v Speaker 2>no way this was you know, supposed to work out,

0:15:22.640 --> 0:15:25.000
<v Speaker 2>and then it did. So when I say we, it's

0:15:25.040 --> 0:15:28.120
<v Speaker 2>literally everything that has come with me, my mom, my dad,

0:15:28.240 --> 0:15:31.280
<v Speaker 2>my brother's, my sister. I do consider it us as

0:15:31.320 --> 0:15:33.760
<v Speaker 2>a UNI. Right, So that's why I say we. No

0:15:33.760 --> 0:15:34.920
<v Speaker 2>one's ever asked me that. Man.

0:15:35.440 --> 0:15:37.720
<v Speaker 1>Yeah, people have been saying I'm a great interviewer. I've

0:15:37.720 --> 0:15:39.160
<v Speaker 1>been getting better and better, And I agree with them,

0:15:40.280 --> 0:15:43.800
<v Speaker 1>because if you're a child star, especially starting in Barstow,

0:15:44.880 --> 0:15:49.880
<v Speaker 1>it takes a tremendous amount of time to audition, even

0:15:49.880 --> 0:15:52.720
<v Speaker 1>if you lived in Hollywood. And because this is back

0:15:52.760 --> 0:15:57.480
<v Speaker 1>before zoom, so your audition, you know, you your audition

0:15:57.600 --> 0:15:59.920
<v Speaker 1>is maybe two o'clock, right, That means you have to

0:16:00.120 --> 0:16:04.240
<v Speaker 1>leaven enough time to be there by one thirty. Then

0:16:04.240 --> 0:16:07.240
<v Speaker 1>you're waiting. You know, two o'clock doesn't always mean right

0:16:07.320 --> 0:16:10.840
<v Speaker 1>at two. It could mean two, two thirty three, three

0:16:11.000 --> 0:16:13.960
<v Speaker 1>forty five. And then the audition is five minutes, and

0:16:14.000 --> 0:16:16.560
<v Speaker 1>then you drive all the way back. Somebody's got to

0:16:16.600 --> 0:16:20.240
<v Speaker 1>take you and pick you up all those times exactly.

0:16:20.240 --> 0:16:22.000
<v Speaker 1>And then when you book a movie, they are taking

0:16:22.040 --> 0:16:26.720
<v Speaker 1>time off fmla going without like it does take a village,

0:16:26.880 --> 0:16:29.400
<v Speaker 1>you know. And then your other siblings also have to

0:16:29.440 --> 0:16:34.120
<v Speaker 1>sacrifice because of what you are accomplishing. That takes your

0:16:34.160 --> 0:16:38.080
<v Speaker 1>parents away from from them. So I agree with you.

0:16:38.120 --> 0:16:40.840
<v Speaker 1>It is a wee thing more than just cleo did

0:16:40.840 --> 0:16:42.720
<v Speaker 1>it by himself, especially if you're under age. You know,

0:16:42.760 --> 0:16:44.400
<v Speaker 1>you can't drive yourself to those auditions.

0:16:44.600 --> 0:16:47.360
<v Speaker 2>Nah, man, And I heard a thousand no's before I

0:16:47.400 --> 0:16:50.360
<v Speaker 2>ever heard my first. Yes, you know, I remember my mark.

0:16:50.240 --> 0:16:54.400
<v Speaker 1>That really a thousand no's, like literally a thousand but

0:16:54.480 --> 0:16:56.440
<v Speaker 1>like you really didn't have success immediately.

0:16:56.520 --> 0:16:59.600
<v Speaker 2>Oh no, absolutely not, absolutely nothing. There was a there

0:16:59.680 --> 0:17:02.080
<v Speaker 2>was so many auditions, so as far as commercial auditions,

0:17:02.120 --> 0:17:04.800
<v Speaker 2>there were so many films and television shows like, uh,

0:17:05.119 --> 0:17:07.800
<v Speaker 2>I think the Little Rascals. I got that close. I

0:17:07.800 --> 0:17:10.040
<v Speaker 2>got to the very end and they were like nope.

0:17:10.080 --> 0:17:11.760
<v Speaker 2>And I remember crying on the right in the back

0:17:11.800 --> 0:17:14.359
<v Speaker 2>of my mom's camera on that one, the original Little Rascal,

0:17:14.480 --> 0:17:16.320
<v Speaker 2>the one that, of course not the black and white joint,

0:17:16.320 --> 0:17:17.240
<v Speaker 2>but yeah, the one that no.

0:17:17.119 --> 0:17:20.480
<v Speaker 1>No, the one with alfalfa, alfalfa and dark. So that

0:17:20.600 --> 0:17:21.800
<v Speaker 1>was with ninety four now.

0:17:21.640 --> 0:17:24.960
<v Speaker 2>Somewhere around that era. Yep. Wow, yeah, man, I remember

0:17:24.960 --> 0:17:27.320
<v Speaker 2>crying about that. But I remember my mom driving my

0:17:27.359 --> 0:17:29.639
<v Speaker 2>mom and dad driving me to these auditions, man, and

0:17:29.840 --> 0:17:32.600
<v Speaker 2>going into these rooms and it's full, it's just you know,

0:17:32.640 --> 0:17:35.840
<v Speaker 2>a cattle call. It's not just the parents, it's the kids.

0:17:35.840 --> 0:17:38.520
<v Speaker 2>And then around the corner. They're having a commercial audition

0:17:38.600 --> 0:17:41.920
<v Speaker 2>for something else. It's grown folks there. It's it was chaos,

0:17:42.119 --> 0:17:44.320
<v Speaker 2>you know. Yeah, so to have made it through it, man,

0:17:44.400 --> 0:17:46.800
<v Speaker 2>it's it's it's really you know, it's a testament to

0:17:46.800 --> 0:17:48.879
<v Speaker 2>where we are today in Hollywood and entertainment, which is

0:17:49.680 --> 0:17:51.320
<v Speaker 2>very different. Yeah.

0:17:51.359 --> 0:17:53.560
<v Speaker 1>So before we get to your current I want to

0:17:53.560 --> 0:17:57.080
<v Speaker 1>go to the screen tour. Hey, taking a quick break

0:17:57.160 --> 0:18:18.680
<v Speaker 1>here and support the show by supporting this concert. How

0:18:18.680 --> 0:18:19.800
<v Speaker 1>did you end up as bow?

0:18:20.359 --> 0:18:20.960
<v Speaker 2>Right? Man?

0:18:22.359 --> 0:18:25.120
<v Speaker 1>It might be my favorite fun fact about you man.

0:18:25.320 --> 0:18:28.879
<v Speaker 2>So here's how it goes down. Coming off of Holes.

0:18:28.920 --> 0:18:30.680
<v Speaker 2>I had wrote the theme song for the film right,

0:18:31.040 --> 0:18:32.880
<v Speaker 2>So music had always been something.

0:18:33.000 --> 0:18:37.360
<v Speaker 4>Wait, look theme song for Holes? Yeah you wrote that? Yes,

0:18:38.480 --> 0:18:42.560
<v Speaker 4>I didn't know that. Yeah, it's me. Dougie Fresh was

0:18:42.560 --> 0:18:45.240
<v Speaker 4>in the studio with us, and yeah the rest of

0:18:45.280 --> 0:18:45.600
<v Speaker 4>the cast.

0:18:45.720 --> 0:18:50.000
<v Speaker 1>Yeah wow yeah, bro Okay, continue, I told you I

0:18:50.000 --> 0:18:51.199
<v Speaker 1>was gonna learn some more stuff about you.

0:18:51.280 --> 0:18:53.240
<v Speaker 2>Yeah. Brother, So I wrote the theme song for the

0:18:53.280 --> 0:18:56.840
<v Speaker 2>film Holes, So music I was always drawn to, Uh,

0:18:56.920 --> 0:18:59.240
<v Speaker 2>we're getting ready to do roll Bounds. Bows geared enough

0:18:59.280 --> 0:19:01.960
<v Speaker 2>to do his next you know, album, drop and next tour,

0:19:02.480 --> 0:19:05.119
<v Speaker 2>and we just became friends playing video games. We played

0:19:05.200 --> 0:19:09.400
<v Speaker 2>Madden NBA Live every single day on set, and that's

0:19:09.400 --> 0:19:12.640
<v Speaker 2>how we became friends. And then he, Uh, one day

0:19:12.720 --> 0:19:15.160
<v Speaker 2>and I gotta tell this story, keV. Check this out.

0:19:15.680 --> 0:19:18.040
<v Speaker 2>You remember a couple of years ago, Bao got caught

0:19:18.119 --> 0:19:20.080
<v Speaker 2>like on the Instagram catfish and stuff like he was

0:19:20.119 --> 0:19:23.359
<v Speaker 2>on a private but wasn't. And it's a photo of him. keV.

0:19:23.520 --> 0:19:26.720
<v Speaker 2>The only time I personally have ever been on a

0:19:26.760 --> 0:19:31.560
<v Speaker 2>private jet was with Bow. It's it's the second month

0:19:31.600 --> 0:19:34.000
<v Speaker 2>of filming Roll Bounds. He's got a dip from set

0:19:34.040 --> 0:19:36.360
<v Speaker 2>to go do a show like in Florida. He's like, Yo,

0:19:36.400 --> 0:19:38.080
<v Speaker 2>you want to come? You off set? You want to come?

0:19:38.080 --> 0:19:40.879
<v Speaker 2>I was like sure, I'm thinking I didn't know what

0:19:40.960 --> 0:19:43.560
<v Speaker 2>was going to happen. We put up to a private airport.

0:19:43.800 --> 0:19:47.000
<v Speaker 2>Private jet flies us to Florida, flies us right back.

0:19:47.400 --> 0:19:50.480
<v Speaker 2>So like I I've been in that experience with him.

0:19:50.720 --> 0:19:52.760
<v Speaker 2>And then he go and do that dumb thing. I'm like,

0:19:52.920 --> 0:19:58.680
<v Speaker 2>damn it. So uh we have that moment and Bow

0:19:58.880 --> 0:20:01.000
<v Speaker 2>just asked me man. We had wrapped the set and

0:20:01.000 --> 0:20:02.240
<v Speaker 2>he's like, Yo, do you want to call on screen?

0:20:02.320 --> 0:20:04.400
<v Speaker 2>So you're gonna be my hype man. And I didn't

0:20:04.600 --> 0:20:07.000
<v Speaker 2>really know what he meant. I didn't know what he

0:20:07.200 --> 0:20:11.320
<v Speaker 2>needed me to do. The new album's coming out, it's rehearsals.

0:20:11.320 --> 0:20:13.440
<v Speaker 2>Maybe a week before tour, he sends me the CD,

0:20:13.720 --> 0:20:15.920
<v Speaker 2>and I know, looking back on it, there was some

0:20:16.040 --> 0:20:19.000
<v Speaker 2>doubt from his team because by this time, this is

0:20:19.040 --> 0:20:23.960
<v Speaker 2>bow Wow, three albums in three screen, tour level arenas. Yeah,

0:20:24.359 --> 0:20:26.760
<v Speaker 2>so anyone just brand new stepping into that space, and

0:20:26.960 --> 0:20:29.600
<v Speaker 2>like I know, they were distant. They were like, oh,

0:20:29.680 --> 0:20:32.680
<v Speaker 2>this ain't gonna be it, right, risky, yeah, a risk,

0:20:32.840 --> 0:20:35.600
<v Speaker 2>A risk for sure. I showed up to rehearsals with

0:20:35.880 --> 0:20:42.160
<v Speaker 2>every bow Wow lyric memorized, including the new stuff. Day one.

0:20:42.720 --> 0:20:44.919
<v Speaker 2>Day one of rehearsals, Bow's not even there. It's just

0:20:45.000 --> 0:20:49.760
<v Speaker 2>me and the DJ, and I wrapped every single song.

0:20:51.119 --> 0:20:51.840
<v Speaker 1>Front to bath.

0:20:52.040 --> 0:20:54.359
<v Speaker 2>I knew the records. All I needed to know is

0:20:54.359 --> 0:20:56.040
<v Speaker 2>how we were gonna do. Just tell me how we're

0:20:56.080 --> 0:20:56.879
<v Speaker 2>setting the records up.

0:20:57.240 --> 0:20:59.480
<v Speaker 1>So would you say that the actor part of you

0:20:59.680 --> 0:21:02.280
<v Speaker 1>was like, come prepared and then you can be directed

0:21:02.320 --> 0:21:03.400
<v Speaker 1>once you're prepared.

0:21:03.160 --> 0:21:06.399
<v Speaker 2>One hundred percent, one hundred percent. There was no way

0:21:06.440 --> 0:21:08.199
<v Speaker 2>I was showing up down there just thinking like oh,

0:21:08.240 --> 0:21:10.440
<v Speaker 2>I'm the guy, Like oh, like no, no, no, no, no, no,

0:21:10.960 --> 0:21:15.400
<v Speaker 2>I need to know what lyrics and which songs were dropping. Wow,

0:21:15.920 --> 0:21:16.600
<v Speaker 2>you probably.

0:21:16.359 --> 0:21:18.600
<v Speaker 1>Put so many people's minds at ease that first day.

0:21:18.720 --> 0:21:20.800
<v Speaker 1>Oh bro, I'm sure I didn't. I'm sure I did.

0:21:20.800 --> 0:21:22.719
<v Speaker 2>Shout out to his manasmin team shout out to his mom,

0:21:22.760 --> 0:21:24.520
<v Speaker 2>shout out to the label, like I get I do

0:21:24.640 --> 0:21:27.280
<v Speaker 2>understand it. I get it. Yeah, it's like, yo, he did.

0:21:27.080 --> 0:21:29.480
<v Speaker 2>You're bringing a kid. You did a movie with that

0:21:29.600 --> 0:21:32.320
<v Speaker 2>kid from holes like the Disney Kid, which I've always

0:21:32.320 --> 0:21:34.239
<v Speaker 2>thought was funny as far as the label is Disney Kid,

0:21:34.280 --> 0:21:36.040
<v Speaker 2>because it's like I was talking to a few of

0:21:36.040 --> 0:21:38.400
<v Speaker 2>the other people who come from that you know that machine,

0:21:38.800 --> 0:21:41.879
<v Speaker 2>and I'm like, I'm technically not a Disney.

0:21:41.560 --> 0:21:44.760
<v Speaker 1>Kid, right, not the way like Mighty Cyrus.

0:21:44.400 --> 0:21:47.360
<v Speaker 2>Is not even close. I didn't come through the machine.

0:21:47.440 --> 0:21:48.760
<v Speaker 2>I didn't come through that machine.

0:21:48.880 --> 0:21:54.440
<v Speaker 1>That machine is like you are the sidekick on one

0:21:54.440 --> 0:21:57.720
<v Speaker 1>show three seasons. You might be the side kid more

0:21:57.800 --> 0:22:01.879
<v Speaker 1>high Up three seasons. Then you get your show, you know,

0:22:02.440 --> 0:22:04.439
<v Speaker 1>present day it was on something that Kick It In

0:22:04.520 --> 0:22:07.639
<v Speaker 1>or something issues on Casey Undercover. Then they got the music,

0:22:07.840 --> 0:22:10.520
<v Speaker 1>Like it could be a ten year process if you're

0:22:10.720 --> 0:22:12.720
<v Speaker 1>really part of the machine.

0:22:12.760 --> 0:22:14.800
<v Speaker 2>But you just did a Disney movie. I did one

0:22:14.840 --> 0:22:17.960
<v Speaker 2>Disney film which was technically just Disney distributed, and it

0:22:18.080 --> 0:22:21.840
<v Speaker 2>just happens to live forever because it's an incredible story. Yeah,

0:22:21.960 --> 0:22:25.439
<v Speaker 2>incredible book, cult classic, great film. I'm the black Harry Potter.

0:22:25.560 --> 0:22:26.119
<v Speaker 2>I'll take it.

0:22:27.520 --> 0:22:28.560
<v Speaker 1>That's the thing I want to ask you, and then

0:22:28.600 --> 0:22:31.000
<v Speaker 1>we're gonna move to your career. A lot of people

0:22:31.200 --> 0:22:34.840
<v Speaker 1>who are known a lot for one thing tend to

0:22:34.880 --> 0:22:37.199
<v Speaker 1>be angry about that and they want to be so

0:22:37.280 --> 0:22:40.199
<v Speaker 1>much more. You are so much more. But you you

0:22:40.400 --> 0:22:43.920
<v Speaker 1>never seem to be frustrated that people know you from holes.

0:22:44.359 --> 0:22:45.879
<v Speaker 1>Whenever I've seen you in aront I remember when we

0:22:45.920 --> 0:22:47.920
<v Speaker 1>did the podcast, Mecca and Jamila were like, oh my god,

0:22:47.960 --> 0:22:52.120
<v Speaker 1>it's Kleil Thomas. You're always very open and speak positively

0:22:52.119 --> 0:22:54.000
<v Speaker 1>about that experience. Is it because you have so many

0:22:54.000 --> 0:22:56.200
<v Speaker 1>other things going on? Or have you always been like that?

0:22:56.280 --> 0:22:58.520
<v Speaker 1>Was there any moment where you were like, I'm so

0:22:58.600 --> 0:23:00.320
<v Speaker 1>much more than this one movie, you.

0:23:00.359 --> 0:23:04.600
<v Speaker 2>Know, kep great question, and I know from other people's

0:23:04.600 --> 0:23:07.720
<v Speaker 2>experiences that that does exist. It is hard for some folks.

0:23:07.800 --> 0:23:09.280
<v Speaker 2>It's hard. They don't want to be just known for

0:23:09.320 --> 0:23:11.359
<v Speaker 2>everything right, for sure, for sure, But then I have

0:23:11.400 --> 0:23:13.120
<v Speaker 2>to look at it from other perspective of how many

0:23:13.160 --> 0:23:16.440
<v Speaker 2>actors have been working for years and never had something

0:23:16.440 --> 0:23:19.440
<v Speaker 2>on that resume to stand the test of time. It's

0:23:19.480 --> 0:23:21.600
<v Speaker 2>one of those things from him my dream came true

0:23:21.640 --> 0:23:23.680
<v Speaker 2>at thirteen for me to be here years later, and

0:23:23.720 --> 0:23:27.800
<v Speaker 2>that role still gets talked about, it still resonates, if

0:23:27.800 --> 0:23:31.120
<v Speaker 2>I have to look at it, that's at any given moment, right,

0:23:31.200 --> 0:23:34.080
<v Speaker 2>that's that check can get cashed in from something in

0:23:34.119 --> 0:23:37.320
<v Speaker 2>the world. I'm grateful for that aspect of it, man.

0:23:37.720 --> 0:23:40.600
<v Speaker 2>And yeah, I've never ran from it because even if

0:23:40.720 --> 0:23:43.760
<v Speaker 2>that character was not portrayed by me, I would have

0:23:43.800 --> 0:23:46.000
<v Speaker 2>been a fan of that movie. I would have most

0:23:46.080 --> 0:23:47.280
<v Speaker 2>likely loved that character.

0:23:47.760 --> 0:23:50.360
<v Speaker 1>Yeah, yeah, yeah, yeah, that's true. I get that, all right.

0:23:50.400 --> 0:23:51.640
<v Speaker 1>So let's let's so catch.

0:23:51.520 --> 0:23:52.120
<v Speaker 2>Me up to now.

0:23:52.200 --> 0:23:57.480
<v Speaker 1>You you are active in gaming and anime, you're still acting.

0:23:58.080 --> 0:24:01.560
<v Speaker 1>When did you when would you say like, when would

0:24:01.600 --> 0:24:03.520
<v Speaker 1>you say it started turning around? Because I remember when

0:24:03.560 --> 0:24:05.280
<v Speaker 1>we first were talking, you were like like you like

0:24:05.280 --> 0:24:07.800
<v Speaker 1>you guys took your own your life into your heads,

0:24:07.800 --> 0:24:09.400
<v Speaker 1>You got your own channels. You work at this job,

0:24:09.400 --> 0:24:11.600
<v Speaker 1>but you all have your own channels like I see

0:24:11.640 --> 0:24:14.560
<v Speaker 1>the value in that and that as a traditional Hollywood actor,

0:24:14.640 --> 0:24:17.840
<v Speaker 1>especially from the time you came up early nineties, Like,

0:24:18.160 --> 0:24:20.560
<v Speaker 1>not only did that not exist in the way it

0:24:20.600 --> 0:24:23.560
<v Speaker 1>does now, it didn't exist at all, Like there was

0:24:23.760 --> 0:24:27.760
<v Speaker 1>no you have your career, your own personal career. You

0:24:27.840 --> 0:24:31.480
<v Speaker 1>only have what you book, your IMDb, what you've done,

0:24:31.760 --> 0:24:34.760
<v Speaker 1>what you're doing, and what's what's coming. So at what

0:24:34.800 --> 0:24:37.040
<v Speaker 1>point were you like, even though I'm gonna have to

0:24:37.080 --> 0:24:40.439
<v Speaker 1>start all over, I'm gonna have to do this, Like

0:24:40.440 --> 0:24:43.159
<v Speaker 1>what made you decide that I'm you have to begin again?

0:24:44.040 --> 0:24:47.359
<v Speaker 2>I got listen, man, I don't like sitting still, I

0:24:47.359 --> 0:24:51.560
<v Speaker 2>don't like being bored, and I was hungry. Period. I

0:24:52.119 --> 0:24:54.240
<v Speaker 2>had already lived a life up to that point and

0:24:54.280 --> 0:24:57.960
<v Speaker 2>accomplished so much in compared to my friends, my peers,

0:24:58.000 --> 0:25:00.240
<v Speaker 2>and other people in the industry. But the mo that

0:25:00.480 --> 0:25:04.720
<v Speaker 2>phone don't ring, you don't eat. I'm the oldest of

0:25:04.760 --> 0:25:08.240
<v Speaker 2>my siblings. My dream came true at thirteen years old

0:25:08.240 --> 0:25:10.160
<v Speaker 2>with this film that now the rest of the world knows.

0:25:10.359 --> 0:25:12.360
<v Speaker 2>But just because I'm famous does not mean that there's

0:25:12.400 --> 0:25:15.760
<v Speaker 2>a check coming in guaranteed. So me waiting on the

0:25:16.359 --> 0:25:18.800
<v Speaker 2>industry to do what it said it would do. When

0:25:18.800 --> 0:25:20.960
<v Speaker 2>it's like, hey, you're you're gonna go here, we're gonna

0:25:21.000 --> 0:25:23.480
<v Speaker 2>do this, We're gonna do this and this, and none

0:25:23.520 --> 0:25:26.920
<v Speaker 2>of those things go exactly according to plan. And now

0:25:26.960 --> 0:25:29.520
<v Speaker 2>I've watched eight months of my life go by with

0:25:30.080 --> 0:25:35.439
<v Speaker 2>no phone ringing nah nah, We're gonna absolutely not. So

0:25:35.480 --> 0:25:37.440
<v Speaker 2>the battery got put in my back just out of

0:25:37.480 --> 0:25:40.439
<v Speaker 2>a sense of like maybe maybe anger, maybe like a

0:25:40.440 --> 0:25:43.720
<v Speaker 2>lot of anger, being vindictive against the industry for not

0:25:43.880 --> 0:25:46.320
<v Speaker 2>just doing it. I'm not the only one with that story,

0:25:46.560 --> 0:25:48.399
<v Speaker 2>you feel me sure? I know that. I think of

0:25:48.440 --> 0:25:51.120
<v Speaker 2>the actors who were before me generationally, who were child

0:25:51.200 --> 0:25:54.639
<v Speaker 2>actors who didn't have an opportunity to monetize themselves at

0:25:54.680 --> 0:25:57.520
<v Speaker 2>all once they were offset, you know what I mean. Like,

0:25:57.560 --> 0:25:59.240
<v Speaker 2>that's the other aspect of it. When I think of

0:25:59.280 --> 0:26:01.760
<v Speaker 2>those late those are those nineties actors on this sitcom

0:26:01.840 --> 0:26:04.200
<v Speaker 2>or this show bro. Once it was done, it was done,

0:26:04.200 --> 0:26:05.920
<v Speaker 2>and that's when you saw the stuff wild out, That's

0:26:05.920 --> 0:26:07.560
<v Speaker 2>when you saw the headlines because they couldn't get a.

0:26:07.600 --> 0:26:11.960
<v Speaker 1>Job, right. Yeah, and you're also seen as this young thing.

0:26:12.000 --> 0:26:14.760
<v Speaker 1>You're just that guy from that thing. Yeah, you know,

0:26:15.320 --> 0:26:18.920
<v Speaker 1>So now you get nominated for an NAACP Image Award. Yeah,

0:26:19.800 --> 0:26:23.000
<v Speaker 1>much to my surprise. You make a video saying this

0:26:23.080 --> 0:26:26.439
<v Speaker 1>is your first time being nominated for anything. What was

0:26:26.480 --> 0:26:28.920
<v Speaker 1>it like to get nominated for something that you were

0:26:28.960 --> 0:26:32.200
<v Speaker 1>doing currently when your career has already been twenty plus

0:26:32.359 --> 0:26:33.240
<v Speaker 1>years in the game.

0:26:33.480 --> 0:26:35.960
<v Speaker 2>Validating for sure? And let me know that you know,

0:26:36.040 --> 0:26:38.560
<v Speaker 2>I'm I'm I guess I had always walked a different

0:26:38.600 --> 0:26:40.200
<v Speaker 2>path in this business. You know. I tell the story

0:26:40.240 --> 0:26:42.240
<v Speaker 2>about how I thought I had to book a role

0:26:42.840 --> 0:26:44.840
<v Speaker 2>in which that character that I play would become an

0:26:44.880 --> 0:26:47.119
<v Speaker 2>action figure. All I ever wanted was to be a

0:26:47.160 --> 0:26:49.360
<v Speaker 2>to I wanted to be able to hold myself as

0:26:49.400 --> 0:26:52.320
<v Speaker 2>an action figure. Yeah. And then the fact that I

0:26:52.359 --> 0:26:55.000
<v Speaker 2>sharpened my skills during the pandemic as a gamer and

0:26:55.000 --> 0:26:57.439
<v Speaker 2>a host when I launched my Twitch channel to the

0:26:57.440 --> 0:27:00.560
<v Speaker 2>point where Hasbro said, hey, we weren't cleared host Hasbro

0:27:00.640 --> 0:27:04.280
<v Speaker 2>Postcon and we're rolling out the selfie series and Hasbro

0:27:04.440 --> 0:27:11.800
<v Speaker 2>gives me all these action figures with my face on it. Wow. Yeah,

0:27:12.119 --> 0:27:12.639
<v Speaker 2>you know I.

0:27:12.520 --> 0:27:16.200
<v Speaker 1>Love that because I've talked, I've talked and linked about

0:27:16.840 --> 0:27:22.200
<v Speaker 1>your dream coming true in the different package than you thought, right,

0:27:22.240 --> 0:27:23.600
<v Speaker 1>Like I've been able to work with Will Smith and

0:27:23.600 --> 0:27:26.399
<v Speaker 1>Martin Lawrence and growing up watching them, the only way

0:27:26.400 --> 0:27:27.840
<v Speaker 1>you would have ever thought you could work with them

0:27:27.920 --> 0:27:29.879
<v Speaker 1>is you book a TV show that they're on or

0:27:29.920 --> 0:27:32.879
<v Speaker 1>a movie. Yep, that cause you're but being able to

0:27:32.880 --> 0:27:34.920
<v Speaker 1>do a sketch with them that I wrote and directed

0:27:35.800 --> 0:27:39.400
<v Speaker 1>to promote their movie was like, I'm working with Will

0:27:39.440 --> 0:27:42.159
<v Speaker 1>Smith and Martin Lawrence right now. Yeah, and I'm not

0:27:42.200 --> 0:27:44.720
<v Speaker 1>even an actor in this movie. What was it like

0:27:44.760 --> 0:27:47.120
<v Speaker 1>for you to achieve your dream even though it wasn't

0:27:47.119 --> 0:27:50.160
<v Speaker 1>in the exact package you thought as far as coming

0:27:50.160 --> 0:27:52.240
<v Speaker 1>directly from a movie, But it is the exact thing

0:27:52.280 --> 0:27:53.040
<v Speaker 1>you dreamt about.

0:27:53.680 --> 0:27:56.480
<v Speaker 2>Humbling, and just more proof to me. It's like, Yo,

0:27:57.040 --> 0:27:59.960
<v Speaker 2>you're doing this the right way, whatever it is is

0:28:00.080 --> 0:28:02.960
<v Speaker 2>and guiding you and leading you in that direction. Run

0:28:03.160 --> 0:28:06.800
<v Speaker 2>run that way, keep going in that direction. And it's hard, keV.

0:28:06.880 --> 0:28:09.120
<v Speaker 2>It's hard, man. It's hard to have experienced all these

0:28:09.119 --> 0:28:11.600
<v Speaker 2>things that I've experienced up to this point and not

0:28:12.160 --> 0:28:14.560
<v Speaker 2>get a little, as I mentioned earlier, jaded, or you

0:28:14.600 --> 0:28:16.600
<v Speaker 2>start second guessing because it's like, well, I did all this,

0:28:16.680 --> 0:28:19.399
<v Speaker 2>how come this doesn't cross over to here? And that

0:28:19.680 --> 0:28:22.199
<v Speaker 2>still happens. I'm telling you this story right now, as

0:28:22.240 --> 0:28:24.879
<v Speaker 2>far as as this this action figure and my face

0:28:24.920 --> 0:28:27.440
<v Speaker 2>on end has bro having me do it. And even

0:28:27.680 --> 0:28:31.359
<v Speaker 2>after that, there's moments where I'm like, am I Like,

0:28:31.440 --> 0:28:35.880
<v Speaker 2>am I should I just call it? Really? Just because keV,

0:28:36.000 --> 0:28:39.320
<v Speaker 2>I've been doing this since I was five. Yeah, you

0:28:39.360 --> 0:28:41.680
<v Speaker 2>feel me. I've been doing it since I was five.

0:28:41.720 --> 0:28:44.320
<v Speaker 2>I've seen and done a lot of things in my life.

0:28:44.360 --> 0:28:46.560
<v Speaker 2>But I but I know the journey's not over. But

0:28:46.640 --> 0:28:49.160
<v Speaker 2>I am. I will make sure to put that in

0:28:49.760 --> 0:28:52.200
<v Speaker 2>stamping in a stone. It's like, Yo, there are days

0:28:52.200 --> 0:28:54.920
<v Speaker 2>where I'm like, do I just called it? Because I'm like,

0:28:54.920 --> 0:28:57.400
<v Speaker 2>what else? I don't know if I'm doing this the

0:28:57.480 --> 0:28:59.960
<v Speaker 2>right way. We're not doing it, like I'm not elevating.

0:29:00.040 --> 0:29:01.800
<v Speaker 2>People are asking me when are you gonna be in

0:29:01.800 --> 0:29:03.960
<v Speaker 2>the next film? How come You're not? Like? People ask me,

0:29:04.080 --> 0:29:05.720
<v Speaker 2>how come I'm not doing that? And I'm like, I'm

0:29:05.720 --> 0:29:09.520
<v Speaker 2>literally doing everything else I've ever dreamed of. Right. I

0:29:09.560 --> 0:29:13.560
<v Speaker 2>don't have that answer, my gee, but I can take

0:29:13.640 --> 0:29:16.280
<v Speaker 2>inspiration from guys like Kevin on stage, who said, you

0:29:16.320 --> 0:29:19.720
<v Speaker 2>know what, I knew? This is all I ever wanted

0:29:19.760 --> 0:29:21.760
<v Speaker 2>to do. I'm gonna figure out how to get it done,

0:29:22.080 --> 0:29:25.920
<v Speaker 2>and I can. I you are my blueprint. Your my blueprint.

0:29:26.040 --> 0:29:28.760
<v Speaker 2>Come on, man, keV, I'm not joking, brother, you are

0:29:28.840 --> 0:29:34.240
<v Speaker 2>my blueprint. This industry changed overnight, it really did. And

0:29:34.360 --> 0:29:37.160
<v Speaker 2>my experience, I was a part of that last little

0:29:37.160 --> 0:29:39.959
<v Speaker 2>era of golden Hollywood where we played by old school rules.

0:29:40.200 --> 0:29:42.520
<v Speaker 2>You were only famous if you are in movies, you're

0:29:42.560 --> 0:29:45.040
<v Speaker 2>a singer, you were on TV. And there were some

0:29:45.120 --> 0:29:47.720
<v Speaker 2>of the little characters that just continue to pop in

0:29:47.720 --> 0:29:48.040
<v Speaker 2>and out.

0:29:48.720 --> 0:29:49.960
<v Speaker 1>Maybe you were the Snapple Lady.

0:29:50.000 --> 0:29:52.840
<v Speaker 4>Other than that, that's that you were the Verizon.

0:29:52.840 --> 0:29:54.400
<v Speaker 2>Can you hear me now, guy? You know what I mean.

0:29:54.560 --> 0:29:56.440
<v Speaker 1>That's what you add exactly.

0:29:56.480 --> 0:29:59.240
<v Speaker 2>And look at where we are today. It shifted. Everyone

0:29:59.280 --> 0:30:00.840
<v Speaker 2>has the power of themsel. You don't have to wait

0:30:00.880 --> 0:30:03.040
<v Speaker 2>on someone to record you. You can record yourself. You

0:30:03.080 --> 0:30:05.680
<v Speaker 2>can edit it. There was no device in my household

0:30:05.720 --> 0:30:06.920
<v Speaker 2>when I told my mom I wanted to be an

0:30:06.920 --> 0:30:09.280
<v Speaker 2>actor that I can record, edit, put the music to

0:30:09.280 --> 0:30:10.800
<v Speaker 2>it and put out there to the world. I can

0:30:10.920 --> 0:30:12.840
<v Speaker 2>do that every day. Every day I get a chance

0:30:12.840 --> 0:30:18.080
<v Speaker 2>to add another title to my resume. And kef you work, bro,

0:30:19.200 --> 0:30:22.040
<v Speaker 2>you work hard. And if you think I'm not sitting

0:30:22.080 --> 0:30:25.400
<v Speaker 2>on the sideline like yup, go, because that's the formula

0:30:25.440 --> 0:30:28.360
<v Speaker 2>to do it, and we do it ourselves. No, I

0:30:28.720 --> 0:30:29.360
<v Speaker 2>agree with you.

0:30:29.440 --> 0:30:34.240
<v Speaker 1>I think it's so interesting that in just the thirteen years,

0:30:34.440 --> 0:30:37.640
<v Speaker 1>thirteen years since I moved to LA, being an influencer

0:30:37.720 --> 0:30:39.960
<v Speaker 1>or having a channel was like it was, it was

0:30:40.000 --> 0:30:41.880
<v Speaker 1>a knock on you if you wanted to be seen

0:30:42.040 --> 0:30:44.320
<v Speaker 1>as an actor. You know, there's an actor that I know,

0:30:44.360 --> 0:30:46.440
<v Speaker 1>and I won't put this out his name out publicly,

0:30:46.680 --> 0:30:49.720
<v Speaker 1>but he's said he was a big time influencer and

0:30:49.760 --> 0:30:51.640
<v Speaker 1>in order to be considered a real actor, he had

0:30:51.640 --> 0:30:53.959
<v Speaker 1>to stop social media. His agent and team was like,

0:30:54.680 --> 0:30:57.800
<v Speaker 1>they won't take you seriously. So he did book, book, book,

0:30:57.800 --> 0:31:02.640
<v Speaker 1>book book, and now people are like when they book him,

0:31:02.640 --> 0:31:05.560
<v Speaker 1>they're like, well, what where's your followers at? And he

0:31:05.720 --> 0:31:08.520
<v Speaker 1>was like, I did y'all told me not to, and

0:31:08.600 --> 0:31:12.160
<v Speaker 1>the ground shifted underneath you. And then it's hard to

0:31:12.160 --> 0:31:14.320
<v Speaker 1>get that back, you know what I mean, It's not

0:31:14.360 --> 0:31:16.840
<v Speaker 1>so easy. And also I was thinking, you know, the

0:31:16.840 --> 0:31:19.000
<v Speaker 1>same way people probably grew up watching you on homes

0:31:19.320 --> 0:31:21.720
<v Speaker 1>and watching that movie over and over. If they're like

0:31:21.760 --> 0:31:23.800
<v Speaker 1>the way my kids are fans of people, they're much

0:31:24.640 --> 0:31:26.560
<v Speaker 1>more fans of people who are on the Internet and

0:31:26.560 --> 0:31:29.400
<v Speaker 1>they spend much more time with them, so that celebrity

0:31:29.440 --> 0:31:33.400
<v Speaker 1>feels infinitely stronger. Like when we would be on you know,

0:31:33.400 --> 0:31:35.400
<v Speaker 1>we've been like say the Spider Man premiere, and they'd

0:31:35.400 --> 0:31:38.840
<v Speaker 1>be like legit celebrities. But if ARTC World is there,

0:31:39.720 --> 0:31:43.320
<v Speaker 1>they're like, oh my god, oh my god. And it

0:31:43.320 --> 0:31:47.440
<v Speaker 1>could be an NBA player, you know, Marvel actor, but

0:31:47.560 --> 0:31:50.000
<v Speaker 1>ARTC World they're like, but that's ARTYC World, you know

0:31:50.040 --> 0:31:50.520
<v Speaker 1>what I mean.

0:31:50.440 --> 0:31:53.200
<v Speaker 2>That's Mark and Leland and Ben and yeah, that's a

0:31:53.200 --> 0:31:54.480
<v Speaker 2>whole different space. Man.

0:31:54.520 --> 0:31:56.640
<v Speaker 1>It's like and that's you now as well.

0:31:57.400 --> 0:31:59.360
<v Speaker 2>It feels great to be able to have adapted my

0:31:59.440 --> 0:32:02.080
<v Speaker 2>whole thing life like was adapter parish keV when you

0:32:02.160 --> 0:32:03.880
<v Speaker 2>ask me as far as like what you know what

0:32:04.320 --> 0:32:06.480
<v Speaker 2>when I said I was hungry, I had to adapter.

0:32:06.720 --> 0:32:09.240
<v Speaker 2>We were gonna perish keV. There was no other option here.

0:32:09.520 --> 0:32:12.640
<v Speaker 2>They weren't calling even with the resume. You just did this,

0:32:12.720 --> 0:32:14.880
<v Speaker 2>did this? Did this come up? And there's no six

0:32:14.960 --> 0:32:18.360
<v Speaker 2>seven months go by? Nah, brother, can't have this.

0:32:19.800 --> 0:32:21.400
<v Speaker 1>Hey guys, taking a quick commercial break.

0:32:21.440 --> 0:32:22.320
<v Speaker 2>We'll be right back.

0:32:39.440 --> 0:32:41.640
<v Speaker 1>So now, how does it feel to have so much

0:32:41.640 --> 0:32:45.320
<v Speaker 1>more control over your career? Is it, is it validating

0:32:45.600 --> 0:32:48.680
<v Speaker 1>or do you still long for that, you know, traditional

0:32:48.680 --> 0:32:50.400
<v Speaker 1>actor's life.

0:32:50.880 --> 0:32:53.280
<v Speaker 2>Oh crav that is a great question. You were asking

0:32:53.320 --> 0:32:56.280
<v Speaker 2>at an amazing time because it is Tomorrow was my

0:32:56.360 --> 0:32:59.880
<v Speaker 2>very first day on my own production. Oh go, Tomorrow's

0:32:59.880 --> 0:33:05.640
<v Speaker 2>the first day of my pilot episode that I'm shooting. Really, yes, sir, Yes, sir,

0:33:06.160 --> 0:33:10.320
<v Speaker 2>Tomorrow's my very your project, my project written and co

0:33:10.400 --> 0:33:13.840
<v Speaker 2>written by me, produced by me, happening tomorrow.

0:33:14.520 --> 0:33:15.560
<v Speaker 1>Oh my god.

0:33:15.800 --> 0:33:18.120
<v Speaker 2>So when I say that you are the blueprint and

0:33:18.160 --> 0:33:21.040
<v Speaker 2>you're the example, I am not blowing smoke up you.

0:33:21.080 --> 0:33:24.280
<v Speaker 2>But bro, I'm dead serious about that. I appreciate it.

0:33:24.320 --> 0:33:28.160
<v Speaker 2>I'm dead serious about it. Man. So there's but I

0:33:28.160 --> 0:33:31.160
<v Speaker 2>will answer this honestly. Right. This is the one thing

0:33:31.160 --> 0:33:33.400
<v Speaker 2>on my board in the last three months that I

0:33:33.440 --> 0:33:36.200
<v Speaker 2>am not taking a lot of time to think. I

0:33:36.240 --> 0:33:39.080
<v Speaker 2>am just going full speed ahead whatever it is. However

0:33:39.080 --> 0:33:41.120
<v Speaker 2>this is supposed to work out, I refuse to get

0:33:41.120 --> 0:33:43.080
<v Speaker 2>in my own head mentally and start doing the thing

0:33:43.120 --> 0:33:45.320
<v Speaker 2>where I'm like okay, and then I get ultra. I'm

0:33:45.320 --> 0:33:47.480
<v Speaker 2>an aquarius, you can throw that in there. I'm trying

0:33:47.520 --> 0:33:49.800
<v Speaker 2>to plot anything and everything to go wrong. I saw

0:33:49.800 --> 0:33:55.040
<v Speaker 2>a clipper. You saying production is chaos anyway, Okay, lot

0:33:55.080 --> 0:33:56.760
<v Speaker 2>of stuff, but I'll be listening.

0:33:57.280 --> 0:33:58.720
<v Speaker 1>It is chaos anyway.

0:33:59.240 --> 0:33:59.959
<v Speaker 2>I'll be listening.

0:34:00.400 --> 0:34:03.360
<v Speaker 1>Whether you have a million dollar one hundred million dollar budget,

0:34:03.520 --> 0:34:05.760
<v Speaker 1>it's chaos and there will be the best thing that

0:34:05.800 --> 0:34:08.600
<v Speaker 1>ever happened to me is seeing that Game of Thrones

0:34:08.640 --> 0:34:12.320
<v Speaker 1>episode where that Starbucks cup made it into the final edit. Yeah,

0:34:12.320 --> 0:34:15.640
<v Speaker 1>because there are you've been on set. You know how

0:34:15.760 --> 0:34:19.839
<v Speaker 1>many people's job it is, both on physical production and

0:34:19.840 --> 0:34:22.880
<v Speaker 1>in editing to make sure that doesn't happen. And the

0:34:22.920 --> 0:34:24.680
<v Speaker 1>fact that it got through on a show that the

0:34:24.760 --> 0:34:27.160
<v Speaker 1>episode probably costs fifteen million dollars to make, and they

0:34:27.160 --> 0:34:29.440
<v Speaker 1>had plenty of time. They might have shot a page

0:34:29.480 --> 0:34:32.720
<v Speaker 1>or two that day. Come on, okay, and that mistake happens,

0:34:32.719 --> 0:34:37.040
<v Speaker 1>and if they with all those people, all the graphics,

0:34:37.200 --> 0:34:39.719
<v Speaker 1>they could have keeped that out for whatever reason that

0:34:39.920 --> 0:34:42.520
<v Speaker 1>made it. How do you think I'm gonna not make it?

0:34:42.719 --> 0:34:44.759
<v Speaker 1>And I got seventeen thousand dollars? You think I'm not

0:34:44.760 --> 0:34:45.319
<v Speaker 1>gonna make them with?

0:34:45.480 --> 0:34:45.520
<v Speaker 2>You?

0:34:45.560 --> 0:34:47.279
<v Speaker 1>Ain't think there's not gonna be a boom shadow. It

0:34:47.400 --> 0:34:50.879
<v Speaker 1>was in a shot man. Watch every movie. I used

0:34:50.880 --> 0:34:53.120
<v Speaker 1>to spend so much time when I worked at Boeing

0:34:53.760 --> 0:34:55.920
<v Speaker 1>going through my favorite movies and going to the continuity

0:34:55.960 --> 0:35:00.400
<v Speaker 1>mistakes section of them just to be like, man, and

0:35:00.440 --> 0:35:02.760
<v Speaker 1>it doesn't impact what I think about the movie.

0:35:03.000 --> 0:35:04.640
<v Speaker 2>Yeah, they're still good.

0:35:04.680 --> 0:35:07.200
<v Speaker 1>And it stops people so many times from even trying,

0:35:07.760 --> 0:35:09.080
<v Speaker 1>Like what if I make a mistake.

0:35:09.120 --> 0:35:15.160
<v Speaker 2>You will embrace that. You will now what?

0:35:16.760 --> 0:35:19.719
<v Speaker 1>Okay, you're gonna make a mistake, now what? Yeah, I

0:35:19.760 --> 0:35:21.240
<v Speaker 1>was talking about that we just shot at the airport.

0:35:21.320 --> 0:35:24.759
<v Speaker 1>My producer head of TV and film, Rich was like,

0:35:24.960 --> 0:35:28.120
<v Speaker 1>I just feel like we're gonna make mistakes. Yes, Yeah,

0:35:29.760 --> 0:35:32.799
<v Speaker 1>somebody's gonna come late, something's gonna work, the camera's gonna fall,

0:35:33.280 --> 0:35:34.959
<v Speaker 1>We're not gonna get a shot.

0:35:35.200 --> 0:35:35.800
<v Speaker 2>It's fine.

0:35:35.880 --> 0:35:38.000
<v Speaker 1>The audience doesn't know what didn't make it. They only

0:35:38.040 --> 0:35:40.080
<v Speaker 1>know what made it, keV.

0:35:40.560 --> 0:35:44.920
<v Speaker 2>That curtain has been pulled back so far. The magic

0:35:45.080 --> 0:35:49.640
<v Speaker 2>of Hollywood that's gone. When you're seeing guys at south

0:35:49.680 --> 0:35:52.399
<v Speaker 2>By Southwest or any of the film festivals and they're

0:35:52.480 --> 0:35:54.600
<v Speaker 2>up there talking about their film, and then that's so

0:35:54.640 --> 0:35:56.360
<v Speaker 2>what inspired you? What made you do it? At the

0:35:56.360 --> 0:35:59.719
<v Speaker 2>moment I realized that absolutely no one knows everything, and

0:35:59.800 --> 0:36:02.239
<v Speaker 2>no one knows everything that I was supposed to go.

0:36:04.200 --> 0:36:08.279
<v Speaker 1>Watching. Ryan Coogler has been I've watched a lot of

0:36:08.360 --> 0:36:11.279
<v Speaker 1>him over the Centers thing, and he was talking so

0:36:11.360 --> 0:36:15.040
<v Speaker 1>much about his first his time shooting Black Panther. He

0:36:15.280 --> 0:36:17.279
<v Speaker 1>he was like, I did so poorly with that. I

0:36:17.320 --> 0:36:19.879
<v Speaker 1>was so in my head that I didn't appreciate the moment.

0:36:19.920 --> 0:36:21.440
<v Speaker 1>I just thought I was gonna get fired the whole time.

0:36:21.480 --> 0:36:24.239
<v Speaker 1>And I was like, man, I can see how that

0:36:25.160 --> 0:36:28.680
<v Speaker 1>level of job is both a blessing but also like

0:36:28.719 --> 0:36:31.799
<v Speaker 1>a tremendous burden. And he I'm thinking he's having the

0:36:31.800 --> 0:36:34.520
<v Speaker 1>time of his life. He was like, it was terrible, man,

0:36:34.719 --> 0:36:37.320
<v Speaker 1>it was absolutely terrible. And I think that's so key

0:36:37.600 --> 0:36:39.799
<v Speaker 1>to what you said. Let's get back to your new production. Yes, sir,

0:36:40.280 --> 0:36:44.680
<v Speaker 1>what made you decide that, all right, I got the experience,

0:36:44.960 --> 0:36:47.080
<v Speaker 1>I got the financing, or I can get the financing.

0:36:47.920 --> 0:36:50.839
<v Speaker 1>I'm now taking my traditional job in my own hand.

0:36:50.880 --> 0:36:54.160
<v Speaker 1>Because like this new job streaming YouTube gaming, this was

0:36:54.200 --> 0:36:56.919
<v Speaker 1>a new thing. But you're taking your old job into

0:36:56.920 --> 0:36:58.520
<v Speaker 1>your own hands. What was that thought process?

0:36:58.600 --> 0:37:01.440
<v Speaker 2>Like? There was a girl who I've known for the

0:37:01.480 --> 0:37:05.439
<v Speaker 2>last two years, and she kept saying, I'm gonna write

0:37:05.480 --> 0:37:08.040
<v Speaker 2>something for you. I'm gonna She would just drop it

0:37:08.480 --> 0:37:11.000
<v Speaker 2>over the last two years, and then I would always

0:37:11.040 --> 0:37:13.640
<v Speaker 2>say the same thing, if you write it, I will

0:37:13.640 --> 0:37:17.600
<v Speaker 2>make sure it's filmed. Hm. We go into the holiday

0:37:17.600 --> 0:37:20.120
<v Speaker 2>break at twenty twenty five. She comes back first week

0:37:20.120 --> 0:37:24.399
<v Speaker 2>of twenty twenty six. She's like, I wrote something. Can

0:37:24.440 --> 0:37:27.000
<v Speaker 2>I show it to you? I said, sure, I read it,

0:37:27.680 --> 0:37:30.720
<v Speaker 2>and keV, it is nothing I would have ever written

0:37:30.760 --> 0:37:34.319
<v Speaker 2>for myself. And that is why I did. That's why

0:37:34.360 --> 0:37:36.920
<v Speaker 2>I was like, Okay, let's go, because I would have

0:37:37.160 --> 0:37:39.640
<v Speaker 2>never written something like this. Let me just like, let

0:37:39.640 --> 0:37:41.680
<v Speaker 2>me give you at least the context of what people

0:37:42.040 --> 0:37:44.919
<v Speaker 2>would expect from someone like me for sure. For sure

0:37:45.239 --> 0:37:50.040
<v Speaker 2>the anime, the action, the fighting, like people people fan

0:37:50.239 --> 0:37:53.279
<v Speaker 2>cast me in comments every time they announce something new.

0:37:53.280 --> 0:37:55.359
<v Speaker 2>They're like, Clear needs to be in that movie. Clear

0:37:55.400 --> 0:37:57.040
<v Speaker 2>needs to be that superhero, he needs to be in

0:37:57.040 --> 0:37:59.440
<v Speaker 2>the X Men. Like people do all that already, right,

0:37:59.480 --> 0:38:01.279
<v Speaker 2>So yeah, that that lets me know that even for

0:38:01.520 --> 0:38:04.800
<v Speaker 2>consumer people want to see me there. Yeah, and I

0:38:04.800 --> 0:38:06.840
<v Speaker 2>would have written that myself. I have called gee, we

0:38:07.000 --> 0:38:09.959
<v Speaker 2>did u a La Part fifteen and just ran that race.

0:38:10.840 --> 0:38:16.120
<v Speaker 2>She brought me something, keV, that is I would It's weird.

0:38:16.200 --> 0:38:18.520
<v Speaker 2>It's the best way I can put it. It's weird.

0:38:19.080 --> 0:38:22.360
<v Speaker 2>It is a Cleo Thomas satire. I do play a

0:38:22.440 --> 0:38:24.799
<v Speaker 2>child star, a former child star.

0:38:25.120 --> 0:38:28.799
<v Speaker 1>Oh this is greatt oh, I can see it clear

0:38:28.840 --> 0:38:29.239
<v Speaker 1>as day.

0:38:29.360 --> 0:38:34.840
<v Speaker 2>Who is dealing with the changing landscape of entertainment and

0:38:35.120 --> 0:38:41.719
<v Speaker 2>here we go. Just shut up. I give it to her.

0:38:42.239 --> 0:38:44.800
<v Speaker 1>The best compliment I can give another writer or comedian

0:38:45.000 --> 0:38:47.239
<v Speaker 1>is I am jealous that I did not think of that.

0:38:47.480 --> 0:38:50.440
<v Speaker 2>Wow. I mean you were.

0:38:50.360 --> 0:38:52.600
<v Speaker 1>Right there in my life and I looked you in

0:38:52.600 --> 0:38:55.719
<v Speaker 1>the face, and that I did never popped into my head.

0:38:56.719 --> 0:39:00.400
<v Speaker 2>Oh you can kill that role, yeah man.

0:39:01.000 --> 0:39:05.080
<v Speaker 1>Because people might not have seen you in Vigilante. I

0:39:05.080 --> 0:39:07.440
<v Speaker 1>saw you in the short film with What's Good called Vigilante,

0:39:07.880 --> 0:39:11.480
<v Speaker 1>and you're acting. Chops are really there, thank you, They

0:39:11.520 --> 0:39:15.759
<v Speaker 1>are really there. And I could see you playing jaded.

0:39:17.360 --> 0:39:20.600
<v Speaker 1>Oh oh that's gonna be good.

0:39:21.080 --> 0:39:25.240
<v Speaker 2>Yeah man. She she came with something really different and

0:39:25.840 --> 0:39:30.279
<v Speaker 2>it won't be the How can I? How can I?

0:39:30.280 --> 0:39:32.160
<v Speaker 2>I could just say sattire. It's the best word I

0:39:32.160 --> 0:39:35.000
<v Speaker 2>could put on. It is a sat tire thing. And

0:39:35.040 --> 0:39:37.480
<v Speaker 2>there are some elements in here that I laughed at.

0:39:37.560 --> 0:39:41.000
<v Speaker 2>I said I would never write or say anything like this,

0:39:41.680 --> 0:39:44.240
<v Speaker 2>but I get how it can exist in the world

0:39:44.280 --> 0:39:47.480
<v Speaker 2>that she perceived me from. So let's go. Yeah, so

0:39:47.520 --> 0:39:50.080
<v Speaker 2>I'm just keeping my words. Oh that's so.

0:39:50.360 --> 0:39:57.120
<v Speaker 1>I mean that makes me so happy because one it's brilliant.

0:39:57.600 --> 0:40:01.400
<v Speaker 1>Two I think you can kill Three it doesn't exist,

0:40:02.680 --> 0:40:06.600
<v Speaker 1>and there's not much that doesn't exist today now.

0:40:06.719 --> 0:40:07.040
<v Speaker 3>M M.

0:40:07.640 --> 0:40:08.799
<v Speaker 1>I was that hasn't been done.

0:40:08.960 --> 0:40:11.600
<v Speaker 2>I was just having a conversation where you mentioned Wes

0:40:11.640 --> 0:40:16.160
<v Speaker 2>and Wes just got through filming his first directorial feature

0:40:16.239 --> 0:40:18.359
<v Speaker 2>length film, Man and to hear what was on it.

0:40:18.360 --> 0:40:21.040
<v Speaker 1>For three weeks, I watched all their content West, I

0:40:21.080 --> 0:40:23.880
<v Speaker 1>watched his rails about him prepping for the month ahead

0:40:23.880 --> 0:40:25.920
<v Speaker 1>of time. I mean, it might as well have been

0:40:25.960 --> 0:40:28.600
<v Speaker 1>me there. I was so happy, so happy. This is

0:40:28.640 --> 0:40:31.560
<v Speaker 1>what he wanted and he got it. He's been working

0:40:31.600 --> 0:40:34.200
<v Speaker 1>for this for a long time. Yes, I'm so glad

0:40:34.200 --> 0:40:34.600
<v Speaker 1>he got there.

0:40:34.719 --> 0:40:36.440
<v Speaker 2>We were he was here at my crib just not

0:40:36.480 --> 0:40:39.239
<v Speaker 2>too long ago, and we were talking about h He

0:40:39.280 --> 0:40:41.000
<v Speaker 2>had brought up some of the projects had worked on,

0:40:41.440 --> 0:40:43.600
<v Speaker 2>and then he mentioned this film a day called Going

0:40:43.640 --> 0:40:47.040
<v Speaker 2>to the Mat and it's about a blind collegiate wrestler

0:40:47.080 --> 0:40:49.279
<v Speaker 2>in high school and he was like wait, wait, wait,

0:40:49.320 --> 0:40:53.200
<v Speaker 2>wait wait. So the film is about a blind kid

0:40:53.480 --> 0:40:56.600
<v Speaker 2>who joins the wrestling team, and I'm like yeah, He's like,

0:40:56.640 --> 0:40:59.279
<v Speaker 2>how is that possible? I was like, it's a true story.

0:40:59.440 --> 0:41:02.400
<v Speaker 1>Right, See these I've seen people like this, wrestling, football,

0:41:02.480 --> 0:41:03.160
<v Speaker 1>all kind of stuff.

0:41:03.280 --> 0:41:05.640
<v Speaker 2>Yeah, So that was his thing as far as like

0:41:05.719 --> 0:41:09.080
<v Speaker 2>what what hasn't been made or what can't be done?

0:41:09.440 --> 0:41:12.680
<v Speaker 2>So that's why even this connection with the writer Laana,

0:41:12.880 --> 0:41:15.080
<v Speaker 2>like this is this is gonna be something. It's gonna

0:41:15.080 --> 0:41:17.040
<v Speaker 2>be fun days one tomorrow. And like I told you,

0:41:17.160 --> 0:41:18.440
<v Speaker 2>I'm just going full steam ahead.

0:41:19.080 --> 0:41:20.360
<v Speaker 1>So do you even have a plan on what you

0:41:20.360 --> 0:41:21.440
<v Speaker 1>want to do with it or you just want to

0:41:21.480 --> 0:41:22.160
<v Speaker 1>make it right now?

0:41:23.200 --> 0:41:26.959
<v Speaker 2>I would love I would love to talk with you

0:41:27.239 --> 0:41:30.319
<v Speaker 2>once it's made. I want to talk with you about

0:41:30.360 --> 0:41:32.480
<v Speaker 2>all right, I have it done. Here's one of my

0:41:32.520 --> 0:41:35.320
<v Speaker 2>next steps. And here's what I'm thinking. Very good?

0:41:35.560 --> 0:41:37.279
<v Speaker 1>All right, before we let you go, Kleio, is there

0:41:37.280 --> 0:41:40.360
<v Speaker 1>anything else that you are excited about, want to chat about,

0:41:40.600 --> 0:41:42.360
<v Speaker 1>or want to tell people about before you do the

0:41:42.440 --> 0:41:44.880
<v Speaker 1>end of things you do at the end of podcasts.

0:41:44.280 --> 0:41:47.279
<v Speaker 2>Man, just continue to look out for everything that's being built. Man,

0:41:47.400 --> 0:41:49.600
<v Speaker 2>I got it once again. Give my phrase to Kevin

0:41:49.600 --> 0:41:53.040
<v Speaker 2>on stage for being a blue friend. Boy. Man, I

0:41:53.120 --> 0:41:55.080
<v Speaker 2>see the lands. I saw the landscape shift, and I

0:41:55.080 --> 0:41:58.120
<v Speaker 2>saw the landscape shift again like even like very quickly.

0:41:58.280 --> 0:42:00.200
<v Speaker 2>When we think of streaming, right, we're all in the

0:42:00.280 --> 0:42:03.200
<v Speaker 2>pandemic gaming and that. But then what happened when the

0:42:03.320 --> 0:42:05.839
<v Speaker 2>when the world opened up, all the IRL streaming took off.

0:42:06.480 --> 0:42:09.239
<v Speaker 2>Now we're seeing every big streamer. They're all their own

0:42:09.320 --> 0:42:13.640
<v Speaker 2>walking episodes of jackass. You feel me. Their controduction value

0:42:13.760 --> 0:42:14.640
<v Speaker 2>is crazy.

0:42:14.840 --> 0:42:16.560
<v Speaker 1>They spend a lot of money to make you feel

0:42:16.560 --> 0:42:17.760
<v Speaker 1>like they're not spending a lot of money.

0:42:17.840 --> 0:42:18.600
<v Speaker 2>Oh bro.

0:42:18.800 --> 0:42:23.880
<v Speaker 1>I went to three Yeah, it's production. I met with

0:42:24.000 --> 0:42:26.680
<v Speaker 1>producers who produced that and who have produced TV and

0:42:26.719 --> 0:42:29.200
<v Speaker 1>movies and said, that's easily the hardest thing they've ever

0:42:29.239 --> 0:42:33.200
<v Speaker 1>produced because it works like live TV, yep, which is hard.

0:42:33.400 --> 0:42:36.279
<v Speaker 1>Live television is very hard. Everything is hard, but on

0:42:36.280 --> 0:42:40.000
<v Speaker 1>the scale of hard, live is harder. And you got

0:42:40.040 --> 0:42:45.520
<v Speaker 1>celebrity bookings twenty four hours a day, like it's insane.

0:42:45.560 --> 0:42:48.560
<v Speaker 1>These people are legit like paving a whole new path

0:42:48.800 --> 0:42:50.520
<v Speaker 1>for what entertainment is.

0:42:50.960 --> 0:42:52.920
<v Speaker 2>And are you asking all these questions? I have a

0:42:52.960 --> 0:42:55.200
<v Speaker 2>question to ask you. Then return if we're talking about

0:42:55.239 --> 0:42:57.879
<v Speaker 2>them specifically as far as these IRL streaming and it's

0:42:59.040 --> 0:43:02.120
<v Speaker 2>can it sustained? And is there a crossover because when

0:43:02.160 --> 0:43:03.799
<v Speaker 2>I look at some of the ones who were who

0:43:04.040 --> 0:43:06.799
<v Speaker 2>are the pillars of it? Yeah, I'm like, they're gonna

0:43:06.840 --> 0:43:11.640
<v Speaker 2>run out of gas eventually. Yeah, these antics are only

0:43:11.640 --> 0:43:14.279
<v Speaker 2>gonna go so far. You've got I show speed now.

0:43:14.280 --> 0:43:19.960
<v Speaker 2>In WrestleMania, he has a match with Logan Paul and

0:43:20.040 --> 0:43:23.200
<v Speaker 2>Austin Theory going up against the USOS in l a Night.

0:43:23.360 --> 0:43:27.280
<v Speaker 1>Yeah. I'm gonna be there too.

0:43:26.840 --> 0:43:28.759
<v Speaker 2>I was supposed to be there, but I gotta go

0:43:28.840 --> 0:43:29.480
<v Speaker 2>do my pilot.

0:43:29.960 --> 0:43:32.320
<v Speaker 1>You're making the right choice, trust me, you're making the

0:43:32.400 --> 0:43:36.040
<v Speaker 1>right choice. No, I think the path is always there.

0:43:36.680 --> 0:43:39.680
<v Speaker 1>The format can change, you know. I think about like

0:43:40.040 --> 0:43:43.400
<v Speaker 1>Peutie Pie, who was on top of YouTube for years

0:43:43.600 --> 0:43:47.359
<v Speaker 1>playing games. He totally changed his whole thing up, and

0:43:47.560 --> 0:43:53.840
<v Speaker 1>Logan Paul, for example, vine snapchat, YouTube, daily vlogs. He

0:43:54.280 --> 0:43:56.479
<v Speaker 1>was the first person that I remember, maybe not first,

0:43:56.480 --> 0:43:59.440
<v Speaker 1>but that I remember who hired an editor on the

0:43:59.480 --> 0:44:02.120
<v Speaker 1>other side of the world and sent him the footage

0:44:02.200 --> 0:44:03.400
<v Speaker 1>or him or hear the footage at the end of

0:44:03.400 --> 0:44:06.480
<v Speaker 1>the night LA time and when they were waking up.

0:44:08.080 --> 0:44:08.640
<v Speaker 2>In London.

0:44:08.800 --> 0:44:10.520
<v Speaker 1>They're editing while he sleeps, so it can be up

0:44:10.560 --> 0:44:12.759
<v Speaker 1>at eight am in the morning. But and then he

0:44:12.800 --> 0:44:17.080
<v Speaker 1>completely shifted and went to wrestling. KSI and Simon they

0:44:17.280 --> 0:44:21.000
<v Speaker 1>you know, they're on Netflix, mister Beast is doing his show.

0:44:21.160 --> 0:44:23.480
<v Speaker 1>Like if you have that sort of star power, I

0:44:23.480 --> 0:44:28.120
<v Speaker 1>think the medium can change. But you you are who

0:44:28.160 --> 0:44:29.560
<v Speaker 1>you are as long as you don't get you know,

0:44:29.560 --> 0:44:32.680
<v Speaker 1>addicted to drugs or in jail like you can you can.

0:44:33.000 --> 0:44:36.480
<v Speaker 1>Speed could take up reading and do a book club

0:44:37.400 --> 0:44:40.480
<v Speaker 1>and read books out loud, and he probably would have

0:44:40.480 --> 0:44:43.440
<v Speaker 1>a New York Times bestseller. Like some people just got it.

0:44:43.600 --> 0:44:46.759
<v Speaker 1>So I think that I don't think. I do think

0:44:46.760 --> 0:44:48.919
<v Speaker 1>there's a certain level that you know, once you've done everything,

0:44:48.960 --> 0:44:52.440
<v Speaker 1>you've done everything, but there's always new things to do.

0:44:53.000 --> 0:44:55.560
<v Speaker 2>Yeah, absolutely at the success and market Player is the

0:44:55.600 --> 0:44:56.600
<v Speaker 2>one that got me for sure.

0:44:56.640 --> 0:45:02.479
<v Speaker 1>Oh I can't know how many times I have used

0:45:02.480 --> 0:45:07.279
<v Speaker 1>that as an example. Yeah, that Iron Lung I believe

0:45:07.320 --> 0:45:10.680
<v Speaker 1>it's called and then Hollywood basically being like, actually that

0:45:10.719 --> 0:45:11.759
<v Speaker 1>movie ain't there no more?

0:45:11.840 --> 0:45:12.640
<v Speaker 2>What do you mean?

0:45:12.680 --> 0:45:16.040
<v Speaker 1>It was number two, him making I think seventeen or

0:45:16.120 --> 0:45:20.000
<v Speaker 1>nineteen million dollars opening weekend off of something he paid

0:45:20.000 --> 0:45:22.680
<v Speaker 1>for himself. That was all I needed to hear.

0:45:23.360 --> 0:45:23.680
<v Speaker 2>keV.

0:45:24.239 --> 0:45:27.080
<v Speaker 1>I said, hey, I've I've been doubted myself. I said,

0:45:27.080 --> 0:45:28.360
<v Speaker 1>I don't think I could go get people to go

0:45:28.440 --> 0:45:31.000
<v Speaker 1>in movies and buy a ticket to see me. And

0:45:31.000 --> 0:45:32.200
<v Speaker 1>I'm I was talking to a friend of mine. He

0:45:32.239 --> 0:45:34.600
<v Speaker 1>was like, people buy a ticket to see you every year.

0:45:36.080 --> 0:45:38.759
<v Speaker 1>Why wouldn't they go into a movie theater, cav you

0:45:38.800 --> 0:45:42.240
<v Speaker 1>sell tickets every year all over the United States, London.

0:45:42.760 --> 0:45:45.160
<v Speaker 1>You don't do that well in Paris, in Berlin, but you.

0:45:45.120 --> 0:45:50.160
<v Speaker 2>Know you speak of the bone speak. I don't.

0:45:50.239 --> 0:45:53.040
<v Speaker 1>I don't say this. You don't do the begin I

0:45:53.080 --> 0:45:55.279
<v Speaker 1>don't do I do the begett. I just say it

0:45:55.320 --> 0:45:59.440
<v Speaker 1>in English. But that Marketplier story was like, Okay, this

0:45:59.520 --> 0:46:01.359
<v Speaker 1>is a new thing. And I had not I hadn't

0:46:01.360 --> 0:46:04.480
<v Speaker 1>heard of him, and I didn't need to because his

0:46:04.520 --> 0:46:07.239
<v Speaker 1>people really showed up for him. So my hope for

0:46:07.280 --> 0:46:08.880
<v Speaker 1>you is that your people show up for you. And

0:46:08.920 --> 0:46:12.359
<v Speaker 1>I'm your people too, So congratulations on that. I love

0:46:12.520 --> 0:46:16.320
<v Speaker 1>I love that. I can't wait to support that. However,

0:46:16.360 --> 0:46:18.000
<v Speaker 1>you need me to tell people about it wherever it

0:46:18.000 --> 0:46:20.600
<v Speaker 1>comes out. I'm very excited, but before we let you go,

0:46:20.640 --> 0:46:22.080
<v Speaker 1>tell people where they can find you and all that

0:46:22.200 --> 0:46:22.560
<v Speaker 1>and all that.

0:46:22.640 --> 0:46:25.120
<v Speaker 2>Jazz Man. Make sure you guys follow at Cleo Thomas

0:46:25.160 --> 0:46:28.520
<v Speaker 2>across all social media platforms at Clio Thomas, look at

0:46:28.520 --> 0:46:30.400
<v Speaker 2>to the four controllers. That's four controllers, but a k

0:46:30.920 --> 0:46:33.239
<v Speaker 2>by the way, on all social media platforms as well,

0:46:33.280 --> 0:46:35.680
<v Speaker 2>and continue to see us build something special. Man. I

0:46:35.680 --> 0:46:37.640
<v Speaker 2>can't wait to continue to work with keV and raise

0:46:37.640 --> 0:46:38.960
<v Speaker 2>some amazing stuff to life.

0:46:39.200 --> 0:46:41.640
<v Speaker 1>My dog let John Cleo Thomas. Not my Best Moment,

0:46:41.680 --> 0:46:42.760
<v Speaker 1>God bless you guys, will.

0:46:42.600 --> 0:46:43.480
<v Speaker 2>See you again.

0:46:55.040 --> 0:46:57.600
<v Speaker 1>This has been a Unanimous Media original. Not My Best

0:46:57.640 --> 0:47:00.759
<v Speaker 1>Mama was produced by iHeart Podcast and Unanimate Media. It

0:47:00.800 --> 0:47:04.080
<v Speaker 1>was hosted by Me Kevin Fredericks. The executive produced by

0:47:04.120 --> 0:47:08.360
<v Speaker 1>Stephen Curry, Eric Payton and Charlotte Sumter Rigette Co executive

0:47:08.360 --> 0:47:12.120
<v Speaker 1>producer Klena Maria Cutney. The executive producers of the iHeart

0:47:12.200 --> 0:47:15.360
<v Speaker 1>Podcast are Sean ty Tone and Jason English. This series

0:47:15.400 --> 0:47:18.800
<v Speaker 1>was produced by Peter Calter and Jabari Davis, Co producer

0:47:18.880 --> 0:47:21.640
<v Speaker 1>Kurt Redmond. Special thanks to Stephen Curry and Will Pearson.

0:47:22.000 --> 0:47:24.040
<v Speaker 1>Not My Best Moment as a production of Unanimous Media

0:47:24.080 --> 0:47:26.879
<v Speaker 1>and iHeart Podcasts. For more podcasts from iHeart Radio, visit

0:47:26.960 --> 0:47:29.839
<v Speaker 1>the iHeart Radio app, Apple podcast, or wherever you get

0:47:29.880 --> 0:47:30.640
<v Speaker 1>your podcasts.