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Bonus bets expire one hundred 25 00:01:23,280 --> 00:01:27,080 Speaker 1: and sixty eight hours after issuance. See dkang dot com 26 00:01:27,120 --> 00:01:31,120 Speaker 1: slash b ball for eligibility and deposit restrictions, terms and 27 00:01:31,200 --> 00:01:44,240 Speaker 1: responsible gaming resources. All right, welcome to hoops tonight. You're 28 00:01:44,240 --> 00:01:46,280 Speaker 1: at the volume. Happy Thursday, everybody, hope all If you 29 00:01:46,280 --> 00:01:48,680 Speaker 1: guys are having an incredible week, we got another jam 30 00:01:48,720 --> 00:01:51,800 Speaker 1: pack show for you today. The Phoenix Suns continue doing 31 00:01:51,880 --> 00:01:54,400 Speaker 1: really well against the toughest part of their schedule here 32 00:01:54,440 --> 00:01:56,160 Speaker 1: at the end of the season. We're gonna break down 33 00:01:56,160 --> 00:01:59,080 Speaker 1: their big win over the Cleveland Cavaliers last night with 34 00:01:59,120 --> 00:02:01,480 Speaker 1: some more film. So we got like, I think ten 35 00:02:01,520 --> 00:02:04,800 Speaker 1: clips that were going through today. I had a blast 36 00:02:04,840 --> 00:02:07,200 Speaker 1: with the film breakdown yesterday. I was so thrilled with 37 00:02:07,240 --> 00:02:08,960 Speaker 1: how it turned out. It seemed like you guys liked 38 00:02:09,000 --> 00:02:11,040 Speaker 1: it too. I'm sorry it took so long for us 39 00:02:11,080 --> 00:02:13,000 Speaker 1: to get to this point, but I'm really really excited 40 00:02:13,200 --> 00:02:14,840 Speaker 1: about the future of the show and where we can 41 00:02:14,840 --> 00:02:17,919 Speaker 1: take it from there. With that, after that opening segment, 42 00:02:17,960 --> 00:02:20,440 Speaker 1: we had a mail bag question yesterday from a Spurs 43 00:02:20,480 --> 00:02:23,280 Speaker 1: fan asking what the Spurs should do moving forward, and 44 00:02:23,320 --> 00:02:24,480 Speaker 1: so I wanted to do a little bit of a 45 00:02:24,520 --> 00:02:27,840 Speaker 1: deep dive into the Spurs off season plans and the 46 00:02:27,880 --> 00:02:31,239 Speaker 1: realities of the time crunch that Victor weman Yama's rise 47 00:02:31,720 --> 00:02:33,360 Speaker 1: puts them in. And then, last, but not least, we 48 00:02:33,360 --> 00:02:36,960 Speaker 1: got to report this morning from Adrian Worzanowski that Julius 49 00:02:37,000 --> 00:02:39,240 Speaker 1: Randall is not going to return the season, is going 50 00:02:39,240 --> 00:02:41,280 Speaker 1: to have season ending shoulder surgery. So we're going to 51 00:02:41,320 --> 00:02:43,520 Speaker 1: talk a little bit about what that means for the 52 00:02:43,600 --> 00:02:46,160 Speaker 1: New York Nicks. All right, before we get started, you 53 00:02:46,200 --> 00:02:48,880 Speaker 1: guys know the drill. Subscribe to our brand new YouTube channel. 54 00:02:48,880 --> 00:02:49,959 Speaker 1: It mean a lot to me if you guys would 55 00:02:49,960 --> 00:02:52,000 Speaker 1: take a second to scroll down and hit that subscribe button. 56 00:02:52,040 --> 00:02:53,920 Speaker 1: Don't forget about our podcast feed wherever you get your 57 00:02:53,960 --> 00:02:56,720 Speaker 1: podcasts under Hoops tonight. It's also super helpful if you 58 00:02:56,800 --> 00:02:59,160 Speaker 1: leave a rating in a review on that front. Don't 59 00:02:59,160 --> 00:03:01,280 Speaker 1: forget about my Twitter fe to underscore json lt. So 60 00:03:01,280 --> 00:03:03,040 Speaker 1: you guys don't miss show announcements as well as the 61 00:03:03,040 --> 00:03:05,400 Speaker 1: occasional film threads that I do from time to time. 62 00:03:05,400 --> 00:03:07,480 Speaker 1: In the last mount least, keep dropping mail back questions 63 00:03:07,520 --> 00:03:09,839 Speaker 1: in those YouTube comments so we can keep hitting them 64 00:03:10,200 --> 00:03:13,000 Speaker 1: throughout the rest of the season. All right, let's talk 65 00:03:13,040 --> 00:03:15,519 Speaker 1: some basketball. So the Suns were going into a really, 66 00:03:15,520 --> 00:03:17,720 Speaker 1: really difficult part of their schedule here to end the season. 67 00:03:17,720 --> 00:03:20,399 Speaker 1: They had a couple of easier games about a week 68 00:03:20,400 --> 00:03:22,640 Speaker 1: and a half ago, and this last four game stretch 69 00:03:22,680 --> 00:03:25,080 Speaker 1: to start this end of the season, they went through 70 00:03:25,360 --> 00:03:29,680 Speaker 1: at Denver, at Oklahoma City, at New Orleans, and then 71 00:03:29,720 --> 00:03:31,840 Speaker 1: here at home. First game at home after a long 72 00:03:31,880 --> 00:03:34,600 Speaker 1: road trip, which is tough against the Cleveland Cavaliers, and 73 00:03:34,600 --> 00:03:36,800 Speaker 1: they're three and one so far. Went into Denver and one, 74 00:03:37,160 --> 00:03:40,120 Speaker 1: had a tough one in Oklahoma City that they lost. 75 00:03:40,400 --> 00:03:43,680 Speaker 1: Then they won dominant fashion in New Orleans, and then 76 00:03:43,720 --> 00:03:47,840 Speaker 1: one in dominant, dominant fashion at home against the Cleveland Cavaliers. Now, 77 00:03:47,880 --> 00:03:51,320 Speaker 1: what's particularly interesting to me about this is all four 78 00:03:51,360 --> 00:03:53,840 Speaker 1: of these teams are top ten defenses, and so these 79 00:03:53,880 --> 00:03:56,760 Speaker 1: are great examples of the stuff I've been talking about 80 00:03:56,760 --> 00:03:59,680 Speaker 1: with Phoenix's offense throughout this season and their ability to 81 00:03:59,720 --> 00:04:04,120 Speaker 1: get defenses into rotation and play advantage basketball. So I 82 00:04:04,120 --> 00:04:06,080 Speaker 1: have some numbers that I want to use to to 83 00:04:06,360 --> 00:04:08,640 Speaker 1: kind of demonstrate this concept, but to start in kind 84 00:04:08,680 --> 00:04:12,760 Speaker 1: of like the bigger picture thirty thousand feet way of 85 00:04:12,760 --> 00:04:15,040 Speaker 1: looking at it. When you look at like kind of 86 00:04:15,080 --> 00:04:18,680 Speaker 1: like the ball done stop bag culture type of ideology, 87 00:04:18,680 --> 00:04:21,920 Speaker 1: as it pertains to like tough shot making and high 88 00:04:22,000 --> 00:04:24,600 Speaker 1: level hooper isms or whatever you want to call it, 89 00:04:24,800 --> 00:04:28,640 Speaker 1: where guys are hitting multiple dribble combinations into really tough shots. 90 00:04:28,760 --> 00:04:31,159 Speaker 1: That's fun and that's a big part of the art 91 00:04:31,200 --> 00:04:33,880 Speaker 1: of basketball, and it's always been a part of the 92 00:04:33,960 --> 00:04:36,120 Speaker 1: art of basketball that I've been drawn to. I personally, 93 00:04:36,400 --> 00:04:38,680 Speaker 1: my archetype as a player was a scorer, and I 94 00:04:38,720 --> 00:04:41,400 Speaker 1: was obsessed with footwork and dribble combinations and all those 95 00:04:41,440 --> 00:04:43,160 Speaker 1: different kinds of things. So I'm not trying to pretend 96 00:04:43,200 --> 00:04:45,520 Speaker 1: like that stuff doesn't matter. It does. But it's only 97 00:04:45,600 --> 00:04:47,839 Speaker 1: half the battle. The other half of battle is the 98 00:04:47,960 --> 00:04:50,520 Speaker 1: art of basketball in the form of the art of 99 00:04:51,000 --> 00:04:54,920 Speaker 1: finding high quality shots. Right. Ideally, the tough shot making 100 00:04:55,520 --> 00:04:57,560 Speaker 1: is a ceiling raizer. It's a thing you use to 101 00:04:57,680 --> 00:05:00,880 Speaker 1: rescue possessions when things don't work. It's the thing you 102 00:05:00,960 --> 00:05:04,200 Speaker 1: use against top tier defenses when they do an outstanding 103 00:05:04,279 --> 00:05:07,880 Speaker 1: job is shutting down in your advantage creation situations. It 104 00:05:07,960 --> 00:05:11,359 Speaker 1: is a ceiling razor. Ideally, you want your meat and 105 00:05:11,400 --> 00:05:16,120 Speaker 1: potatoes to be easy shots, wide open catch and shoot threes, 106 00:05:16,720 --> 00:05:20,000 Speaker 1: easy close out attacks where you get you know, some 107 00:05:20,040 --> 00:05:22,240 Speaker 1: tougher shot making like pull up jumpers and floaters, but 108 00:05:22,279 --> 00:05:24,599 Speaker 1: they're uncontested in the mid range because that was the 109 00:05:24,640 --> 00:05:27,479 Speaker 1: opening you found in driving kick obviously getting all the 110 00:05:27,480 --> 00:05:30,080 Speaker 1: way to the rim, hitting vertical spacers under the rim 111 00:05:30,120 --> 00:05:32,640 Speaker 1: for dunks, when you find as much of that stuff 112 00:05:32,680 --> 00:05:35,880 Speaker 1: as possible, no matter how good you aren't making tough shots, 113 00:05:36,080 --> 00:05:38,279 Speaker 1: you will never be as good at making tough shots 114 00:05:38,320 --> 00:05:40,200 Speaker 1: as you will be at making the easy shots, as 115 00:05:40,240 --> 00:05:42,320 Speaker 1: long as you know how to generate them. But they 116 00:05:42,320 --> 00:05:44,919 Speaker 1: can be generated in many different ways, and one of 117 00:05:44,920 --> 00:05:47,359 Speaker 1: the core core ways has to do with your total 118 00:05:47,720 --> 00:05:51,240 Speaker 1: offensive skill. And there is a gigantic chasm this year 119 00:05:51,640 --> 00:05:54,000 Speaker 1: between the Suns and their offensive skill and what they 120 00:05:54,040 --> 00:05:57,240 Speaker 1: had last year. Even though they had Devin Booker and 121 00:05:57,360 --> 00:06:00,400 Speaker 1: Kevin Durant and DeAndre Ayton, they did not have yearly 122 00:06:00,440 --> 00:06:02,680 Speaker 1: the fire power from top to bottom on the roster 123 00:06:03,040 --> 00:06:04,560 Speaker 1: that they have this year, and that's made them so 124 00:06:04,600 --> 00:06:07,599 Speaker 1: much tougher to guard. So again, all four of those defenses, 125 00:06:07,640 --> 00:06:10,600 Speaker 1: the Pels, Thunder, the Nuggets, and the Cavs were all 126 00:06:10,640 --> 00:06:13,560 Speaker 1: top ten defenses so far this year. Yet the Suns 127 00:06:13,600 --> 00:06:17,360 Speaker 1: averaged a blister it one hundred and nineteen points per 128 00:06:17,360 --> 00:06:21,120 Speaker 1: one hundred possessions in the four games. Now, again, as 129 00:06:21,120 --> 00:06:24,800 Speaker 1: I've been talking about a key factor that will kind 130 00:06:24,800 --> 00:06:27,960 Speaker 1: of demonstrate the difference in the shot quality between what 131 00:06:28,040 --> 00:06:30,440 Speaker 1: the Suns get now and what they got last year 132 00:06:30,480 --> 00:06:33,680 Speaker 1: in the postseason, you can see that in assist percentage, 133 00:06:33,720 --> 00:06:35,520 Speaker 1: in the number of pull up jump shots they take. 134 00:06:35,640 --> 00:06:39,000 Speaker 1: So last year in the postseason, only fifty seven percent 135 00:06:39,440 --> 00:06:42,839 Speaker 1: of the Phoenix Suns made field goals or assisted, I 136 00:06:42,880 --> 00:06:46,919 Speaker 1: mean forty three percent of them or individual shot creation 137 00:06:47,360 --> 00:06:51,679 Speaker 1: on an island. Right then in this last four game stretch, 138 00:06:52,400 --> 00:06:57,080 Speaker 1: seventy point three percent of Phoenix's shots that they've made 139 00:06:57,160 --> 00:07:00,360 Speaker 1: have been assisted. So again, like they've gone from being 140 00:07:00,400 --> 00:07:03,320 Speaker 1: a team last year in the postseason that was primarily 141 00:07:03,360 --> 00:07:06,080 Speaker 1: like a solo on an island shot creation type of thing, 142 00:07:06,120 --> 00:07:08,479 Speaker 1: whether it was an ISO or shot making in pick 143 00:07:08,520 --> 00:07:11,280 Speaker 1: and roll to this year much more of a drive 144 00:07:11,320 --> 00:07:15,080 Speaker 1: in kick finding open looks type of offense. Another stat 145 00:07:15,120 --> 00:07:17,520 Speaker 1: there you'll see is in the pull up jump shooting. 146 00:07:17,680 --> 00:07:20,239 Speaker 1: They took thirty five pull up jump shots per game 147 00:07:20,640 --> 00:07:23,360 Speaker 1: last year in the postseason. During this four game stretch, 148 00:07:23,400 --> 00:07:26,360 Speaker 1: they're taking just twenty seven pull up jump shots per game. 149 00:07:26,400 --> 00:07:29,000 Speaker 1: That's a sizable difference. That's eight possessions a game that 150 00:07:29,120 --> 00:07:31,880 Speaker 1: instead of taking pull up jump shots, they're getting much 151 00:07:32,120 --> 00:07:35,120 Speaker 1: higher quality shots elsewhere on the floor. That's again the 152 00:07:35,200 --> 00:07:39,240 Speaker 1: difference between playing on an island isolation slash, pick and 153 00:07:39,280 --> 00:07:42,920 Speaker 1: roll shot making basketball versus playing advantage basketball, meaning you're 154 00:07:43,200 --> 00:07:46,360 Speaker 1: taking not on an island defenders that you're facing, but 155 00:07:46,440 --> 00:07:49,040 Speaker 1: rather guys closing out at you. You're playing with an 156 00:07:49,080 --> 00:07:52,280 Speaker 1: advantage versus not playing with an advantage. Basic example of 157 00:07:52,320 --> 00:07:53,960 Speaker 1: this is King of the Court. If you ever played 158 00:07:54,040 --> 00:07:56,240 Speaker 1: King of the Court with your buddies and you line 159 00:07:56,320 --> 00:07:58,480 Speaker 1: up and it's one on one and the dudes you 160 00:07:58,520 --> 00:08:00,440 Speaker 1: know up in your personal space and you're having to 161 00:08:00,480 --> 00:08:02,760 Speaker 1: use a jab step to clear and to create space 162 00:08:02,800 --> 00:08:04,920 Speaker 1: for you to go play one on one versus if 163 00:08:04,960 --> 00:08:07,600 Speaker 1: you've ever played close out King of the Court, which 164 00:08:07,640 --> 00:08:09,840 Speaker 1: is in my opinion, the most useful form of King 165 00:08:09,880 --> 00:08:11,440 Speaker 1: of the Court for young players, and it's what we 166 00:08:11,480 --> 00:08:13,280 Speaker 1: work on a lot when I work with my high 167 00:08:13,280 --> 00:08:16,000 Speaker 1: school guys. The point they're being I want them to 168 00:08:16,040 --> 00:08:17,760 Speaker 1: practice playing the one on one that they're going to 169 00:08:17,800 --> 00:08:20,000 Speaker 1: play in real basketball games, which is for the most part, 170 00:08:20,040 --> 00:08:22,560 Speaker 1: at the high school level, you're not gifted enough in 171 00:08:22,680 --> 00:08:24,560 Speaker 1: terms of your best players to just play one on 172 00:08:24,560 --> 00:08:27,600 Speaker 1: one all night. You need to generate advantages and then 173 00:08:27,600 --> 00:08:29,960 Speaker 1: have guys be able to capitalize on those advantages by 174 00:08:29,960 --> 00:08:32,320 Speaker 1: playing one on one with the defender closing out at 175 00:08:32,360 --> 00:08:35,079 Speaker 1: them right. And that's a big reason why I believe 176 00:08:35,080 --> 00:08:38,880 Speaker 1: in that, and it's just so much easier. It's crazy 177 00:08:38,920 --> 00:08:41,360 Speaker 1: when I watch those kids play King of the Court 178 00:08:41,440 --> 00:08:44,160 Speaker 1: and when they play with an advantage versus without an advantage, 179 00:08:44,280 --> 00:08:48,320 Speaker 1: the gigantic difference and how frequently they score that no 180 00:08:48,360 --> 00:08:51,040 Speaker 1: matter how good you are at the tough stuff, advantage, 181 00:08:51,080 --> 00:08:54,240 Speaker 1: basketball will always be easier. The second thing that I 182 00:08:54,240 --> 00:08:56,240 Speaker 1: wanted to highlight really quick before we get into the 183 00:08:56,280 --> 00:08:59,440 Speaker 1: film was Phoenix's pick and roll defense has been really 184 00:08:59,440 --> 00:09:02,400 Speaker 1: good during this stretch. They were outstanding last night in 185 00:09:02,440 --> 00:09:05,400 Speaker 1: the last two games against Cleveland and New Orleans, and 186 00:09:05,480 --> 00:09:09,520 Speaker 1: I want to say, like sixty eight possessions. They're allowing 187 00:09:09,640 --> 00:09:12,960 Speaker 1: just zero point eighty four points per possession in pick 188 00:09:13,000 --> 00:09:15,880 Speaker 1: and roll including passes, which is an outstanding number. And 189 00:09:15,880 --> 00:09:19,280 Speaker 1: it really comes down to communication and effort on the 190 00:09:19,320 --> 00:09:21,760 Speaker 1: back line of their defense. And so in our film 191 00:09:21,800 --> 00:09:23,680 Speaker 1: session today, we're going to be looking at a bunch 192 00:09:24,480 --> 00:09:27,320 Speaker 1: of examples of these two particular things. Just advantage creation 193 00:09:27,400 --> 00:09:29,439 Speaker 1: basketball for the Suns on the offensive end of the floor, 194 00:09:29,840 --> 00:09:33,040 Speaker 1: and then also the defensive effort that the Suns have 195 00:09:33,120 --> 00:09:36,000 Speaker 1: been having in pick and roll. Now, for those of 196 00:09:36,000 --> 00:09:37,800 Speaker 1: you guys who are listening on the podcast feed, I'm 197 00:09:37,800 --> 00:09:39,959 Speaker 1: gonna try to be as descriptive as possible, but if 198 00:09:39,960 --> 00:09:42,400 Speaker 1: you're having trouble picking up what I'm putting down, make 199 00:09:42,440 --> 00:09:44,160 Speaker 1: sure you head over to YouTube to check this out. 200 00:09:44,160 --> 00:09:46,760 Speaker 1: In our final two segments, the Julius Randall and the 201 00:09:48,600 --> 00:09:50,840 Speaker 1: and the Victor Wemben Yamas Spurs segment, those are both 202 00:09:50,880 --> 00:09:53,880 Speaker 1: going to be without film, so the podcast feed will 203 00:09:53,880 --> 00:09:55,600 Speaker 1: be fine for those. All right, let's head over to 204 00:09:55,720 --> 00:09:59,880 Speaker 1: our film session. So this is the first possession of 205 00:09:59,920 --> 00:10:05,640 Speaker 1: the game for Phoenix against Cleveland. We are we're going 206 00:10:05,679 --> 00:10:07,920 Speaker 1: to get what's called hammer action. This is actually named 207 00:10:07,960 --> 00:10:11,440 Speaker 1: after Darvin Ham. So what we have here is we 208 00:10:11,520 --> 00:10:13,640 Speaker 1: have Kevin Durant on the right side of the floor. 209 00:10:14,120 --> 00:10:16,040 Speaker 1: Devin Booker's pointing for Kevin Durant to go the other 210 00:10:16,040 --> 00:10:17,760 Speaker 1: way because they're getting ready to set up this action. 211 00:10:18,520 --> 00:10:21,280 Speaker 1: We have Roy O'Neil and use of Nurkicier are gonna 212 00:10:21,280 --> 00:10:24,280 Speaker 1: set basically a double flare screen for Devin Booker to 213 00:10:24,440 --> 00:10:28,760 Speaker 1: run to the corner while Kevin Durant and Bradley Beal 214 00:10:28,800 --> 00:10:31,720 Speaker 1: are essentially running a decoy action here on the right 215 00:10:31,760 --> 00:10:34,800 Speaker 1: side of the floor. So again, any a hammer action 216 00:10:35,120 --> 00:10:38,560 Speaker 1: is basically a double a flare screen for the shooter 217 00:10:38,679 --> 00:10:41,520 Speaker 1: in the weak side corner with a decoy action on 218 00:10:41,559 --> 00:10:43,560 Speaker 1: the strong side. So this is the strong side where 219 00:10:43,559 --> 00:10:46,680 Speaker 1: the ball is. They're gonna run a decoy action here 220 00:10:46,720 --> 00:10:48,520 Speaker 1: on the weak side, we're gonna get our double flare. 221 00:10:48,640 --> 00:10:50,600 Speaker 1: So as we get going the way they're gonna do this, 222 00:10:50,679 --> 00:10:53,120 Speaker 1: Kevin Durant's going down like he's gonna set a ball 223 00:10:53,160 --> 00:10:55,280 Speaker 1: screen for Bradley Bial. He's throwing the ball to him, 224 00:10:55,520 --> 00:10:58,000 Speaker 1: running like he's gonna set a screen. Bradley Beal is 225 00:10:58,040 --> 00:11:01,240 Speaker 1: basically going to reject that. In Rich through to the baseline. 226 00:11:01,320 --> 00:11:03,840 Speaker 1: So he rips through to the baseline. Royce O'Neil sets 227 00:11:03,840 --> 00:11:06,600 Speaker 1: the first pick, use of Nurkic sets the second pick, 228 00:11:07,800 --> 00:11:10,800 Speaker 1: and as you can see, Devin Booker's breaking open here 229 00:11:10,840 --> 00:11:13,160 Speaker 1: in that week side corners. That's our hammer action. But 230 00:11:13,440 --> 00:11:17,000 Speaker 1: we get a really nice defensive play here from Donovan 231 00:11:17,040 --> 00:11:19,360 Speaker 1: Mitchell chasing over the top and he's going to actually 232 00:11:19,400 --> 00:11:22,400 Speaker 1: take away this shot as an opportunity for Devin Booker. Okay, 233 00:11:23,360 --> 00:11:25,760 Speaker 1: he goes up, we get a pump fake. Now he 234 00:11:25,800 --> 00:11:29,120 Speaker 1: has another open three. But we get another layer of 235 00:11:29,160 --> 00:11:32,720 Speaker 1: defensive effort here from Max Struce. He sells out off 236 00:11:32,760 --> 00:11:35,960 Speaker 1: of Bradley Beal to close out and he forces Devin 237 00:11:36,000 --> 00:11:38,840 Speaker 1: Booker to pass off to Bradley Beal wide open here 238 00:11:38,920 --> 00:11:42,120 Speaker 1: under the basket. Bradley Bial catches Jared Allen steps up 239 00:11:42,400 --> 00:11:45,160 Speaker 1: and now we have Kevin Durant wide open on the 240 00:11:45,200 --> 00:11:48,280 Speaker 1: wing Darius Garland. If we go back a little bit here, 241 00:11:48,480 --> 00:11:52,280 Speaker 1: Darius Garland is guarding roy O'Neil up top right. But 242 00:11:52,360 --> 00:11:55,480 Speaker 1: once Bradley Beal makes this kickout pass to Kevin Durant, 243 00:11:55,600 --> 00:11:58,200 Speaker 1: Darius Garland has to rotate to Kevin Durant on the wing, 244 00:11:58,679 --> 00:12:01,160 Speaker 1: and now we get Royce O'Neil wide open at the 245 00:12:01,160 --> 00:12:04,400 Speaker 1: top of the key for three, and again an important 246 00:12:04,440 --> 00:12:08,840 Speaker 1: element there that's normally Grayson Allen too. This was mostly 247 00:12:09,040 --> 00:12:11,440 Speaker 1: a full strength matchup between the two teams. All five 248 00:12:11,480 --> 00:12:13,800 Speaker 1: Cavs starters were playing, but we didn't have Grayceon Allen 249 00:12:13,800 --> 00:12:16,160 Speaker 1: in this game. Grayson Allen is literally one of the 250 00:12:16,360 --> 00:12:18,480 Speaker 1: very best spot up players in the league this year. 251 00:12:18,480 --> 00:12:20,040 Speaker 1: I haven't checked the numbers in the last week or so, 252 00:12:20,160 --> 00:12:23,440 Speaker 1: but he's been basically the best spot up guy in 253 00:12:23,480 --> 00:12:26,000 Speaker 1: the league this year. Just absolutely deadly on catch and 254 00:12:26,000 --> 00:12:29,120 Speaker 1: shoot threes. And so that's the predicament and the theme 255 00:12:29,160 --> 00:12:30,600 Speaker 1: here that we're going to get into is we get 256 00:12:30,600 --> 00:12:33,319 Speaker 1: further into these clips. It's running an action to get 257 00:12:33,320 --> 00:12:37,600 Speaker 1: an advantage, star players operating with an advantage, and then 258 00:12:37,840 --> 00:12:40,960 Speaker 1: role players that are actually deadly spot up players that 259 00:12:41,000 --> 00:12:43,080 Speaker 1: can make you pay when you help on those stars. 260 00:12:43,160 --> 00:12:45,440 Speaker 1: And so we ran an action that got an advantage 261 00:12:45,440 --> 00:12:48,480 Speaker 1: for Devin Booker that he ended up bringing two defenders 262 00:12:48,520 --> 00:12:51,000 Speaker 1: in a close out from Donovan Mitchell and a close 263 00:12:51,000 --> 00:12:53,520 Speaker 1: out for Max Strus, which got Bradley be able to 264 00:12:53,600 --> 00:12:56,320 Speaker 1: catch under the rim, which forced a rotation to Kevin 265 00:12:56,400 --> 00:12:59,040 Speaker 1: Durant in a wide open look for roy O'Neal. That 266 00:12:59,200 --> 00:13:05,920 Speaker 1: is advantage basketball. All right. Here's our next clip. This 267 00:13:06,040 --> 00:13:08,400 Speaker 1: is a great example of the value of use of 268 00:13:08,480 --> 00:13:11,120 Speaker 1: Nurkic as a size advantage when they're running these types 269 00:13:11,120 --> 00:13:13,280 Speaker 1: of actions. So Devin Booker brings the ball up the 270 00:13:13,280 --> 00:13:16,480 Speaker 1: floor and basically what we're gonna get is a dribble 271 00:13:16,480 --> 00:13:19,679 Speaker 1: hand off between use of nurkics right here and Devin 272 00:13:19,720 --> 00:13:22,400 Speaker 1: Booker with Max Strus on the ball and Jared Allen 273 00:13:22,880 --> 00:13:24,880 Speaker 1: on Nurkic. Now, they don't want to switch this. Max 274 00:13:24,960 --> 00:13:27,199 Speaker 1: Drews wants to run over the top here, but your 275 00:13:27,320 --> 00:13:31,760 Speaker 1: Nurkic sets an outstanding screen. Just absolutely drills Max struce 276 00:13:31,800 --> 00:13:34,079 Speaker 1: with the shoulder there and again you can get away 277 00:13:34,200 --> 00:13:36,199 Speaker 1: with a little bit of contact here. This is technically, 278 00:13:36,200 --> 00:13:39,600 Speaker 1: by the book, an illegal screen, but basically usef nerkis 279 00:13:39,720 --> 00:13:42,360 Speaker 1: is just making sure to extend that contact long enough 280 00:13:42,559 --> 00:13:46,000 Speaker 1: to allow Devin Booker to get separation the longer. Now, 281 00:13:46,240 --> 00:13:48,160 Speaker 1: one of the things that Devin Booker does here that's 282 00:13:48,200 --> 00:13:50,679 Speaker 1: really smart is he's trying to get the switch. So 283 00:13:50,720 --> 00:13:52,760 Speaker 1: he snakes the pick and roll. What snaking the pick 284 00:13:52,800 --> 00:13:55,360 Speaker 1: and roll means is your work over to the other side. 285 00:13:55,600 --> 00:13:58,199 Speaker 1: So he snakes the pick and roll across. Now Jared 286 00:13:58,200 --> 00:14:00,720 Speaker 1: Allen has to follow him and then ends up turning 287 00:14:00,720 --> 00:14:03,840 Speaker 1: into a switch. So now Max Strus is switched onto 288 00:14:03,920 --> 00:14:06,640 Speaker 1: use of Nurkic. So again a really good screen from 289 00:14:06,720 --> 00:14:09,400 Speaker 1: Nurkic and then a snake of the pick and roll 290 00:14:09,400 --> 00:14:11,760 Speaker 1: by Devin Booker forces the switch. Now we make the 291 00:14:11,760 --> 00:14:14,680 Speaker 1: post entry to use of Nurkic. Now Evan Mobley has 292 00:14:14,720 --> 00:14:17,360 Speaker 1: no choice because of the size advantage, but to come 293 00:14:17,400 --> 00:14:22,160 Speaker 1: over and offer a help on that baseline side. That's 294 00:14:22,200 --> 00:14:25,760 Speaker 1: the guy that's guarding Kevin Durant. Kevin Durant identifies this 295 00:14:25,880 --> 00:14:29,920 Speaker 1: immediately and just makes a flash cut to the high post. 296 00:14:30,400 --> 00:14:35,000 Speaker 1: He's now wide open. He's now wide open because Nurkic 297 00:14:35,120 --> 00:14:37,360 Speaker 1: drew that second defender, and you get a wide open 298 00:14:37,400 --> 00:14:39,000 Speaker 1: ketch and shoot three for one of the best jump 299 00:14:39,000 --> 00:14:41,960 Speaker 1: shooters in the history of the game. So again simple 300 00:14:42,000 --> 00:14:44,920 Speaker 1: action with a really smart screen, a really solid screen 301 00:14:44,960 --> 00:14:47,320 Speaker 1: from use of Nurkic, a smart action from Devin Booker 302 00:14:47,360 --> 00:14:50,080 Speaker 1: to snake to pick and roll. Nurkic is sizing the post, 303 00:14:50,160 --> 00:14:54,200 Speaker 1: drawing that double team and Kevin Durant operating with an advantage. 304 00:14:54,240 --> 00:14:55,960 Speaker 1: You're giving one of the best players in the world 305 00:14:56,000 --> 00:14:58,200 Speaker 1: a wide open ketch and shoe jump shot at the 306 00:14:58,200 --> 00:15:01,320 Speaker 1: foul line because of your ability to create advantages. That's 307 00:15:01,360 --> 00:15:07,120 Speaker 1: not isoball. That is advantage creation Basketball clip number three. 308 00:15:07,200 --> 00:15:09,720 Speaker 1: All Right, so this is a textbook example of a 309 00:15:09,760 --> 00:15:13,280 Speaker 1: ghost screen to attack a hedge and recover. So here 310 00:15:13,280 --> 00:15:16,120 Speaker 1: we're gonna get Kevin Durant up at the top of 311 00:15:16,160 --> 00:15:19,200 Speaker 1: the key with Jared Allen on him. Royce O'Neil right 312 00:15:19,200 --> 00:15:20,880 Speaker 1: here is going to set what's called a ghost screen. 313 00:15:20,920 --> 00:15:22,640 Speaker 1: He's gonna run over like he's gonna set a screen, 314 00:15:22,640 --> 00:15:25,760 Speaker 1: and then he's gonna quick flare to this opposite wing. 315 00:15:25,880 --> 00:15:29,480 Speaker 1: Right here, Donovan Mitchell does not want to switch onto 316 00:15:29,560 --> 00:15:31,760 Speaker 1: Kevin Durant, and so what do we do. And we've 317 00:15:31,760 --> 00:15:33,320 Speaker 1: talked about this concept a lot on the show. What 318 00:15:33,320 --> 00:15:36,240 Speaker 1: do we do in a ghost screen situation when we 319 00:15:36,240 --> 00:15:39,320 Speaker 1: don't want to switch, We hedge and recover. Right, So, 320 00:15:39,440 --> 00:15:41,440 Speaker 1: as Roys O'Neil kind of sets the brush screen and 321 00:15:41,520 --> 00:15:45,400 Speaker 1: runs through, Donovan Mitchell steps up in hedges. But because 322 00:15:45,560 --> 00:15:47,800 Speaker 1: roy O'Neil slips it, he doesn't actually set the screen. 323 00:15:47,840 --> 00:15:49,360 Speaker 1: He just sprints out. That's why they call it a 324 00:15:49,400 --> 00:15:51,000 Speaker 1: ghost screen. They called it a ghostcreen because you're not 325 00:15:51,040 --> 00:15:54,360 Speaker 1: actually setting a screen. You're faking like you're setting a screen, 326 00:15:54,400 --> 00:15:57,120 Speaker 1: and you're sprinting out to the wing. So now Donovan 327 00:15:57,120 --> 00:16:00,760 Speaker 1: Mitchell has hedged and roy O'Neil's open. Because O'Neil's open, 328 00:16:00,840 --> 00:16:03,320 Speaker 1: Darius Garland has no choice but to rotate over to 329 00:16:03,440 --> 00:16:06,960 Speaker 1: Royce O'Neil, And now we're getting a wide open catch 330 00:16:06,960 --> 00:16:09,880 Speaker 1: and shoot three for Bradley Beal, who's been outstanding this 331 00:16:09,920 --> 00:16:12,440 Speaker 1: season in wide open catch and shoot situation. So again, 332 00:16:12,680 --> 00:16:16,680 Speaker 1: a star level player operating with an advantage because of 333 00:16:16,720 --> 00:16:20,000 Speaker 1: a basic action set at the top where you don't 334 00:16:20,040 --> 00:16:23,400 Speaker 1: want to switch one of your smaller defenders onto Kevin 335 00:16:23,440 --> 00:16:27,400 Speaker 1: freaking Durant. So again, that's using KD not to play 336 00:16:27,480 --> 00:16:31,920 Speaker 1: bag basketball, but rather to generate an advantage that a 337 00:16:32,040 --> 00:16:35,400 Speaker 1: star player can take advantage of on the on the backside. 338 00:16:36,560 --> 00:16:39,680 Speaker 1: Alrighty clip number four. This is a really fun example. 339 00:16:39,760 --> 00:16:42,120 Speaker 1: If those are you guys who remember the Cavs Suns 340 00:16:42,200 --> 00:16:45,080 Speaker 1: game earlier in the season. The Cavs were dealing with 341 00:16:45,120 --> 00:16:48,040 Speaker 1: some injuries and George's Kniang was in the starting lineup 342 00:16:48,080 --> 00:16:50,640 Speaker 1: in this particular game, and he drew the Kevin Durant 343 00:16:50,640 --> 00:16:53,040 Speaker 1: assignment for most of the night. And Kevin Durant is 344 00:16:53,080 --> 00:16:55,800 Speaker 1: absolutely flammbayede him all over the floor. You know who 345 00:16:55,840 --> 00:16:58,840 Speaker 1: remembers that use of Nurkic. So we drible up the floor. 346 00:16:59,360 --> 00:17:02,600 Speaker 1: Niang is check into the game. Nurkic immediately is pointing 347 00:17:02,640 --> 00:17:04,520 Speaker 1: over and he's like, look, look, look look at me. 348 00:17:04,600 --> 00:17:07,760 Speaker 1: Looks he sees Kevin Durana Niang. You could see a 349 00:17:07,840 --> 00:17:09,879 Speaker 1: Nurkish identifying it, and he's like, just give him the 350 00:17:09,960 --> 00:17:12,520 Speaker 1: damn ball. Just give him the ball. So Devin Booker 351 00:17:12,600 --> 00:17:14,960 Speaker 1: is going to make an absurd post entry pass here 352 00:17:15,000 --> 00:17:18,480 Speaker 1: across the court and a Katie does a nice job 353 00:17:18,480 --> 00:17:22,919 Speaker 1: of ceiling. Now once again we're gonna play advantage creation basketball. 354 00:17:23,080 --> 00:17:27,000 Speaker 1: So Kat's looking to post on Niang rip through and 355 00:17:27,000 --> 00:17:29,880 Speaker 1: we're going to get a hard double team from Evan 356 00:17:29,920 --> 00:17:33,000 Speaker 1: Mobley on the baseline side. Okay, Now this is where 357 00:17:33,359 --> 00:17:37,000 Speaker 1: the Cavs have basically set up. Struce is supposed to 358 00:17:37,040 --> 00:17:40,000 Speaker 1: be guarding Gordon, but Shruce is now sliding in because 359 00:17:40,040 --> 00:17:43,040 Speaker 1: Mobley doubled to keep use of Nurkic unavailable. So the 360 00:17:43,080 --> 00:17:46,639 Speaker 1: open read here is Eric Gordon. Karro Sliavert and Darius 361 00:17:46,640 --> 00:17:48,440 Speaker 1: Garland are still kind of matched up in there in 362 00:17:48,520 --> 00:17:50,640 Speaker 1: position to close out. So Katie makes the right read. 363 00:17:51,000 --> 00:17:52,399 Speaker 1: You can see him see it, but he has to 364 00:17:52,400 --> 00:17:54,480 Speaker 1: make a whip around pass. This is just an example 365 00:17:54,480 --> 00:17:57,520 Speaker 1: of Katie's physical tools. He can whip the ball around there. Now, 366 00:17:57,600 --> 00:18:00,600 Speaker 1: Darius Garland had to rotate off of Royce O'Neil to 367 00:18:00,680 --> 00:18:03,520 Speaker 1: get to Eric Gordon. So the obvious next step in 368 00:18:03,560 --> 00:18:06,359 Speaker 1: the tic tac toe is Royce O'Neil. Right here at 369 00:18:06,400 --> 00:18:08,040 Speaker 1: the top of the key, we get the kickout pass. 370 00:18:08,440 --> 00:18:11,000 Speaker 1: Now Max Struce is closing out. But again, now this 371 00:18:11,040 --> 00:18:13,280 Speaker 1: would typically be Grayson Allen, who's actually one of the 372 00:18:13,280 --> 00:18:16,159 Speaker 1: better close out attackers in the league. Royce O'Neil's not 373 00:18:16,240 --> 00:18:18,160 Speaker 1: as good as him, but he does a good job. Here, 374 00:18:18,400 --> 00:18:21,920 Speaker 1: Pumpakes gets Strus to take a hard step towards his 375 00:18:22,000 --> 00:18:23,720 Speaker 1: right shoulder so he can beat him off the dribble. 376 00:18:24,560 --> 00:18:26,840 Speaker 1: Now as he beats him off the dribble, Lavert is 377 00:18:26,880 --> 00:18:29,160 Speaker 1: looking at the help situation here. He knows mobile he's 378 00:18:29,160 --> 00:18:32,040 Speaker 1: gonna have to step up on Royce O'Neil, so Lavert's 379 00:18:32,080 --> 00:18:34,800 Speaker 1: trying to read the situation. It looks like Kneeang's gonna 380 00:18:34,800 --> 00:18:39,880 Speaker 1: help on Nurkic. So now LeVert is basically guarding two 381 00:18:40,000 --> 00:18:42,760 Speaker 1: on one here against Devin Booker and Kevin Durant. You 382 00:18:42,800 --> 00:18:45,040 Speaker 1: can actually see Lavert guessing. He's like, which way is 383 00:18:45,080 --> 00:18:48,000 Speaker 1: he gonna go? Which way's he gonna go? Kneang tags Nurkic, 384 00:18:48,200 --> 00:18:51,199 Speaker 1: Which way is he gonna go? He guesses Durant, so 385 00:18:51,280 --> 00:18:53,879 Speaker 1: he runs to Durant's side. So now Royce O'Neil is 386 00:18:53,880 --> 00:18:56,040 Speaker 1: able to make this kickout past to Devin Booker, and 387 00:18:56,080 --> 00:18:58,280 Speaker 1: now Kris Lavert is now closing out again. Look at 388 00:18:58,320 --> 00:19:00,679 Speaker 1: this balls in the air. Devin book one of the 389 00:19:00,720 --> 00:19:04,119 Speaker 1: best offensive players in the world, is now catching on 390 00:19:04,160 --> 00:19:07,719 Speaker 1: the perimeter, wide open with a defender closing out at him. 391 00:19:07,760 --> 00:19:11,760 Speaker 1: An advantage created for the star. He catches and quick 392 00:19:11,800 --> 00:19:14,400 Speaker 1: makes the extra swing pass to Kevin Durant in the corner, 393 00:19:14,600 --> 00:19:17,159 Speaker 1: who he actually misses this three. But this is a 394 00:19:17,160 --> 00:19:20,080 Speaker 1: great example of a super high quality shot that they 395 00:19:20,160 --> 00:19:23,159 Speaker 1: generate again through advantage creation basketball for one of the 396 00:19:23,160 --> 00:19:27,000 Speaker 1: best shooters in the league. All right, here we go 397 00:19:27,760 --> 00:19:30,320 Speaker 1: heading to clip number five. By the way, that blast 398 00:19:30,359 --> 00:19:33,120 Speaker 1: play ended with Nurkic getting an offensive rebound in the chaos, 399 00:19:33,240 --> 00:19:35,040 Speaker 1: throwing it back out to Devin Booker and he ended 400 00:19:35,080 --> 00:19:37,080 Speaker 1: up making a jab step three at the top of 401 00:19:37,119 --> 00:19:39,640 Speaker 1: the key. All Right, so here we're gonna get the 402 00:19:39,680 --> 00:19:42,720 Speaker 1: first sighting of Bull Bull, who was an absolute monster 403 00:19:42,800 --> 00:19:44,440 Speaker 1: in this game. We're gonna be talking about him quite 404 00:19:44,480 --> 00:19:47,000 Speaker 1: a bit here, but we're gonna get multiple screening actions. 405 00:19:48,400 --> 00:19:50,440 Speaker 1: That's gonna end with Beal and U Banks on the 406 00:19:50,480 --> 00:19:52,479 Speaker 1: right side of the floor. So we get this screening 407 00:19:52,480 --> 00:19:55,240 Speaker 1: action here. It's gonna be swung across the floor here 408 00:19:55,359 --> 00:19:59,439 Speaker 1: to U Banks. This play was actually designed, I believe, 409 00:20:00,720 --> 00:20:03,159 Speaker 1: for Bill on the strong side the whole time to 410 00:20:03,800 --> 00:20:05,879 Speaker 1: run a screening action for KD. So my guess is 411 00:20:05,880 --> 00:20:08,399 Speaker 1: the original design of this play was U Banks was 412 00:20:08,440 --> 00:20:11,200 Speaker 1: supposed to screen for Kevin Durant coming out Cleveland. Just 413 00:20:11,240 --> 00:20:13,320 Speaker 1: defends it really well, so you can see Beal's looking, 414 00:20:13,359 --> 00:20:15,960 Speaker 1: he's looking for KD. Strews just does a really nice 415 00:20:16,000 --> 00:20:18,679 Speaker 1: job navigating this and shutting that action off. So the 416 00:20:18,720 --> 00:20:22,440 Speaker 1: next step in this flow here is this screening action 417 00:20:22,520 --> 00:20:24,840 Speaker 1: didn't work. KD is gonna go space to the corner 418 00:20:25,040 --> 00:20:26,680 Speaker 1: and U Banks is going to set up a step 419 00:20:26,760 --> 00:20:28,520 Speaker 1: up and set a ball screen so you could see 420 00:20:28,520 --> 00:20:30,240 Speaker 1: you can actually see you. Bank's point like, all right, 421 00:20:30,280 --> 00:20:32,639 Speaker 1: I'm gonna go set it. You slide down. He's literally 422 00:20:32,640 --> 00:20:35,080 Speaker 1: pointing like, go down. So then he comes up and 423 00:20:35,080 --> 00:20:38,120 Speaker 1: he sets the screen. Evan Mobley is now up at 424 00:20:38,160 --> 00:20:41,000 Speaker 1: the level of the screen. Now, as we know, when 425 00:20:41,160 --> 00:20:44,359 Speaker 1: you get the screen defender up to the level, that's 426 00:20:44,400 --> 00:20:46,960 Speaker 1: gonna have to pull one of these guys in to 427 00:20:47,119 --> 00:20:51,359 Speaker 1: tag the roller, almost usually Carris Lavert in this particular situation, 428 00:20:51,480 --> 00:20:53,960 Speaker 1: so we have Mobile at the level. Beal comes over 429 00:20:54,000 --> 00:20:57,400 Speaker 1: the top. U Banks is rolling into the lane. Mitchell's 430 00:20:57,400 --> 00:21:00,359 Speaker 1: gonna kind of sort of stunt at him, but Bill 431 00:21:00,440 --> 00:21:03,320 Speaker 1: at this point has already identified that Lavert is coming 432 00:21:03,359 --> 00:21:05,320 Speaker 1: in to step in and guard you Banks, and Bial 433 00:21:05,400 --> 00:21:08,359 Speaker 1: makes a very nice skip pass to the week side corner. 434 00:21:08,359 --> 00:21:10,960 Speaker 1: Two Bowl Bull, who by the way, is shooting forty 435 00:21:11,000 --> 00:21:13,760 Speaker 1: eight percent field goal percentage on catch and shoot jump 436 00:21:13,800 --> 00:21:20,639 Speaker 1: shots this season, and he knocks down the corner three. Alrighty, 437 00:21:20,680 --> 00:21:23,639 Speaker 1: this is our last offensive play before we get into 438 00:21:23,680 --> 00:21:26,119 Speaker 1: our pick and roll coverages. This one actually starts with 439 00:21:26,160 --> 00:21:29,600 Speaker 1: Bull Bull on a switch against Donovan Mitchell picking him 440 00:21:29,640 --> 00:21:32,080 Speaker 1: clean doing more work on the defensive end. That's not 441 00:21:32,119 --> 00:21:33,480 Speaker 1: the last we're gonna hear of Bull Bull on the 442 00:21:33,480 --> 00:21:35,480 Speaker 1: defensive end. We'll get back there in a minute. We 443 00:21:35,600 --> 00:21:38,440 Speaker 1: run down to the other end of the floor. We're 444 00:21:38,480 --> 00:21:41,959 Speaker 1: gonna get what's called a RAMS screen for use of Nurkic. 445 00:21:42,240 --> 00:21:44,880 Speaker 1: So I'm so excited about this because I've talked about 446 00:21:44,880 --> 00:21:46,280 Speaker 1: so many of these concepts on the show, and I 447 00:21:46,280 --> 00:21:48,440 Speaker 1: haven't been able to actually give you guys visual examples, 448 00:21:48,480 --> 00:21:50,640 Speaker 1: and now we can so a RAM screen. As I've 449 00:21:50,640 --> 00:21:53,440 Speaker 1: talked about so many times over the years. The purpose 450 00:21:53,440 --> 00:21:56,960 Speaker 1: of the RAM screen is to get a gap between 451 00:21:57,040 --> 00:22:01,520 Speaker 1: these two guys, because if Jared Allen, who's an excellent 452 00:22:01,560 --> 00:22:04,000 Speaker 1: pick and roll defender, is able to just walk into 453 00:22:04,080 --> 00:22:07,520 Speaker 1: his defensive coverage, it's a lot easier for him to 454 00:22:07,560 --> 00:22:10,560 Speaker 1: do his job. But if you can create a separation 455 00:22:10,680 --> 00:22:13,960 Speaker 1: between these two guys, Yusuf Nurkicic can sprint up into 456 00:22:14,000 --> 00:22:16,560 Speaker 1: the screen and there's going to be a minute there 457 00:22:16,720 --> 00:22:18,720 Speaker 1: or a second there where it's a two on one 458 00:22:19,040 --> 00:22:22,000 Speaker 1: where the screen defenders trailing the play and you can 459 00:22:22,040 --> 00:22:25,760 Speaker 1: create an advantage. And this one doesn't actually amount to anything, 460 00:22:25,760 --> 00:22:27,680 Speaker 1: but I wanted to actually just kind of demonstrate to 461 00:22:27,680 --> 00:22:30,119 Speaker 1: you guys the concept. This does turn into a bucket 462 00:22:30,160 --> 00:22:32,639 Speaker 1: for Phoenix, but in a counter So here's our ram screen. 463 00:22:33,040 --> 00:22:36,280 Speaker 1: Eric Gordon is setting the pin down on Jared Allen 464 00:22:36,640 --> 00:22:39,000 Speaker 1: to try and Yusuf nurkicch is running up to set 465 00:22:39,000 --> 00:22:41,640 Speaker 1: the screen right. So Eric Gordon does a good job. 466 00:22:41,640 --> 00:22:44,080 Speaker 1: He makes contact. Now we get our separation. There's our 467 00:22:44,080 --> 00:22:50,119 Speaker 1: separation right. LeVert counters this by icing the ball screen. 468 00:22:50,760 --> 00:22:54,120 Speaker 1: So Nurkic is coming up to that right hand side. 469 00:22:53,720 --> 00:22:57,160 Speaker 1: If Devin Booker could get to his right hand here, 470 00:22:57,560 --> 00:23:00,560 Speaker 1: Allen would be compromised because he's fighting up around this way. 471 00:23:01,119 --> 00:23:03,359 Speaker 1: Devin Booker, in all likelihood would turn the corner and 472 00:23:03,400 --> 00:23:05,880 Speaker 1: get all the way to the basket. So Lavert counters 473 00:23:05,920 --> 00:23:08,360 Speaker 1: this by icing the screen, which means denying the use 474 00:23:08,359 --> 00:23:10,160 Speaker 1: of the screen. So look, he's sitting on the high 475 00:23:10,200 --> 00:23:13,320 Speaker 1: side and begging Devin Booker to drive back to this 476 00:23:13,440 --> 00:23:17,320 Speaker 1: left hand side. So again there's another hop to the 477 00:23:17,359 --> 00:23:20,560 Speaker 1: high side. His Nurkics tried to create even more angle 478 00:23:20,640 --> 00:23:23,760 Speaker 1: for Devin Booker to go right. Lavert is completely denying 479 00:23:23,800 --> 00:23:25,359 Speaker 1: the use of the screen, and the move to the 480 00:23:25,440 --> 00:23:28,439 Speaker 1: right but obviously that bakes in a driving lane to 481 00:23:28,480 --> 00:23:31,200 Speaker 1: the left, which is Jared Allen's job to catch right. 482 00:23:31,560 --> 00:23:34,679 Speaker 1: In any sort of ice coverage, this big guy is 483 00:23:34,720 --> 00:23:38,280 Speaker 1: typically going to drop back and catch that drive away 484 00:23:38,280 --> 00:23:41,679 Speaker 1: from the screen. So Devin Booker drives, He engages Allan, 485 00:23:42,160 --> 00:23:44,680 Speaker 1: and Devin Booker knows he's not just gonna drive by 486 00:23:44,760 --> 00:23:47,240 Speaker 1: him or shoot over the top. He is now waiting 487 00:23:47,320 --> 00:23:49,720 Speaker 1: for Nurkic to break open as he slips out of 488 00:23:49,720 --> 00:23:53,480 Speaker 1: the screen, patiently waiting, patiently waiting, makes the pass, puts 489 00:23:53,520 --> 00:23:55,679 Speaker 1: it in a perfect spot where LeVert can't get to it. 490 00:23:56,200 --> 00:23:58,480 Speaker 1: Nurkish does a good job of a low gather there. 491 00:23:58,480 --> 00:24:01,040 Speaker 1: You could see him actually take a low gather to 492 00:24:01,160 --> 00:24:05,399 Speaker 1: prevent to prevent Darius Garland from reaching down. And because 493 00:24:05,440 --> 00:24:08,760 Speaker 1: he's behind the roll man, because the roleman is behind 494 00:24:08,800 --> 00:24:12,239 Speaker 1: the screen defender, that forces Struss to step over from 495 00:24:12,320 --> 00:24:14,800 Speaker 1: bull Bull out of the corner, which creates a wide 496 00:24:14,840 --> 00:24:16,960 Speaker 1: open three for bow Bull in the corner, who again 497 00:24:17,160 --> 00:24:19,880 Speaker 1: is shooting forty eight percent on catch and shoot three. 498 00:24:19,960 --> 00:24:23,080 Speaker 1: So that's it for the offensive end of the floor. 499 00:24:23,960 --> 00:24:26,159 Speaker 1: And again I hope that that provides you guys a 500 00:24:26,200 --> 00:24:28,280 Speaker 1: good example. Again, we're talking about a difference here of 501 00:24:28,320 --> 00:24:31,399 Speaker 1: thirteen percent in the percentage of their field goals that 502 00:24:31,480 --> 00:24:34,879 Speaker 1: are assisted during this four game stretch compared to what 503 00:24:34,920 --> 00:24:36,719 Speaker 1: it was like last year in the postseason. They are 504 00:24:36,760 --> 00:24:40,560 Speaker 1: not playing hero ball. They are not playing we have 505 00:24:40,640 --> 00:24:42,879 Speaker 1: to take tough shots every time down the floor. They 506 00:24:42,880 --> 00:24:46,320 Speaker 1: are playing advantage creation basketball, and they're giving really high 507 00:24:46,400 --> 00:24:50,080 Speaker 1: level offensive players high quality opportunities to convert into points. 508 00:24:50,080 --> 00:24:52,160 Speaker 1: And that's how you light up a bunch of top 509 00:24:52,200 --> 00:24:55,679 Speaker 1: ten defenses consecutively. All right, let's get back to the 510 00:24:55,720 --> 00:24:58,640 Speaker 1: film and talk about the defensive end of the floor. 511 00:25:00,040 --> 00:25:05,840 Speaker 1: H our first pick and roll defensive clip. Now, on 512 00:25:05,880 --> 00:25:08,160 Speaker 1: this first action, we're gonna get a ball screen here 513 00:25:08,520 --> 00:25:13,160 Speaker 1: with Evan Mobley on Darius Garland. Okay, as he sets 514 00:25:13,160 --> 00:25:15,840 Speaker 1: the screen, Devin Booker identifies it immediately. If you look 515 00:25:15,880 --> 00:25:17,600 Speaker 1: at Booker, he's chilling here in the corner, but he 516 00:25:17,640 --> 00:25:20,480 Speaker 1: identifies the ball screen immediately and steps up into the 517 00:25:20,560 --> 00:25:23,760 Speaker 1: driving lane. So see steps up into this driving lane. 518 00:25:23,800 --> 00:25:26,320 Speaker 1: He's put himself in a position where if Darius Garland 519 00:25:26,320 --> 00:25:28,879 Speaker 1: turns the corner, he can offer help, but he also 520 00:25:28,920 --> 00:25:31,920 Speaker 1: feels comfortable closing out to the high side of Karris 521 00:25:31,960 --> 00:25:34,560 Speaker 1: Lavert and chasing him on that baseline side where Kevin 522 00:25:34,640 --> 00:25:37,360 Speaker 1: Durant can help. And in that case, if he were 523 00:25:37,359 --> 00:25:40,600 Speaker 1: to chase Lavert off, Kevin Durant would help, and knee 524 00:25:40,680 --> 00:25:43,359 Speaker 1: inks coming out. Booker could honestly just switch after he 525 00:25:43,400 --> 00:25:45,879 Speaker 1: gets beat. So this is really smart help from Devin Booker. 526 00:25:45,880 --> 00:25:47,879 Speaker 1: Typically you don't help out of the strong side corner, 527 00:25:48,080 --> 00:25:50,119 Speaker 1: but he just knows that he has the ability to 528 00:25:50,240 --> 00:25:53,960 Speaker 1: chase Lavert off there. So this forces a reversal. The 529 00:25:53,960 --> 00:25:56,040 Speaker 1: ball gets reversed around to the other end of the floor, 530 00:25:56,320 --> 00:25:58,520 Speaker 1: and we're gonna get Max Strus in a ball screen 531 00:25:58,560 --> 00:26:02,040 Speaker 1: with Evan Mobley. We have Roy O'Neil chasing over the top, 532 00:26:02,080 --> 00:26:04,800 Speaker 1: does a good job staying physical and staying attached. But 533 00:26:05,160 --> 00:26:08,440 Speaker 1: Max Truce nice little extra crossover dribbled to beat Royce 534 00:26:08,480 --> 00:26:11,440 Speaker 1: O'Neil and get into the lane. Watch Devin Booker here though, 535 00:26:11,960 --> 00:26:14,800 Speaker 1: Devin Booker this whole time, this action's happening over here. Look, 536 00:26:14,840 --> 00:26:19,000 Speaker 1: he's pointing. He's telling kd Hey, they're running a ball screen. 537 00:26:19,680 --> 00:26:21,720 Speaker 1: They might get beat. You're gonna have to be the 538 00:26:21,760 --> 00:26:25,040 Speaker 1: low man here, which means if Mobley sneaks behind or 539 00:26:25,040 --> 00:26:28,000 Speaker 1: if anybody gets downhill, Kevin Durant's cleaning that up. That 540 00:26:28,119 --> 00:26:30,720 Speaker 1: means the next step in the windshield wiper rotation is 541 00:26:30,760 --> 00:26:33,560 Speaker 1: Devin Booker has to rotate down here to Niang in 542 00:26:33,600 --> 00:26:36,359 Speaker 1: the corner, and Eric Gordon has to rotate here to 543 00:26:36,520 --> 00:26:39,000 Speaker 1: Karros Lavert on the wing. Devin Booker's ahead of the play. 544 00:26:39,000 --> 00:26:42,119 Speaker 1: This is that communication piece. The action hasn't even the 545 00:26:42,200 --> 00:26:44,639 Speaker 1: action is just now happening. Booker's been calling out the 546 00:26:44,680 --> 00:26:47,720 Speaker 1: coverage here for a few seconds, and that allows them 547 00:26:47,720 --> 00:26:49,920 Speaker 1: to be ahead of it. So when he gets beat, 548 00:26:50,320 --> 00:26:53,040 Speaker 1: KD steps up. As KD steps up, look at Booker. 549 00:26:53,440 --> 00:26:56,240 Speaker 1: Booker immediately takes a slide step. As soon as KD goes, 550 00:26:56,320 --> 00:26:59,280 Speaker 1: KDI goes, Booker slidestep and he forces the turnover. And 551 00:26:59,280 --> 00:27:01,880 Speaker 1: you can actually see if you watch Eric Gordon, Eric 552 00:27:01,920 --> 00:27:04,320 Speaker 1: Gordon is already ready right here to make the rotation 553 00:27:04,359 --> 00:27:06,880 Speaker 1: to Lavert. See he's not worried about Garland anymore. He's 554 00:27:07,000 --> 00:27:10,720 Speaker 1: rotating to Lavert. So again the communication on the back 555 00:27:10,760 --> 00:27:12,879 Speaker 1: line and the effort to get to the right place 556 00:27:12,920 --> 00:27:15,800 Speaker 1: in time, and you force a turnover. Another interesting example 557 00:27:15,840 --> 00:27:17,920 Speaker 1: here is Devin Booker is one of the best pick 558 00:27:17,960 --> 00:27:20,840 Speaker 1: and role players in the league. He understands these reads 559 00:27:20,920 --> 00:27:24,399 Speaker 1: better than everybody, and so he, as a defender, can 560 00:27:24,440 --> 00:27:27,760 Speaker 1: actually channel that offensive IQ to understand the reads and 561 00:27:27,760 --> 00:27:32,120 Speaker 1: actually get ahead of them as the defensive player. All right, 562 00:27:32,119 --> 00:27:36,800 Speaker 1: on to clip number eight. This is a textbook example 563 00:27:36,880 --> 00:27:38,679 Speaker 1: of what's called a peel off switch. So we have 564 00:27:38,720 --> 00:27:43,320 Speaker 1: a transition opportunity here for the suns. Lavert sees an opportunity. 565 00:27:43,359 --> 00:27:45,840 Speaker 1: He's like, I've got bull Bull on me. Bull Bull 566 00:27:46,200 --> 00:27:48,840 Speaker 1: is a forward. He's not going to be particularly good 567 00:27:48,840 --> 00:27:51,280 Speaker 1: at navigating screens. We talked about this all the time. 568 00:27:51,400 --> 00:27:53,760 Speaker 1: So what a great time to run a ball screen 569 00:27:53,920 --> 00:27:56,320 Speaker 1: because Bu Bull probably doesn't know how to guard it. Well, 570 00:27:56,359 --> 00:27:58,119 Speaker 1: it turns out bo Bul does know how to guard it. 571 00:27:58,160 --> 00:28:00,639 Speaker 1: So as the ball screen comes, Mobili to set it. 572 00:28:01,359 --> 00:28:04,680 Speaker 1: As he sets it, you can see bo Bull try 573 00:28:04,720 --> 00:28:06,639 Speaker 1: to fight over the top. He tries to fight over 574 00:28:06,680 --> 00:28:09,320 Speaker 1: the top of the screen, but then he sees right 575 00:28:09,359 --> 00:28:12,480 Speaker 1: here he identifies that Bradley Beal has effectively switched. So 576 00:28:12,560 --> 00:28:14,560 Speaker 1: this is what's called a peel off switch. When you're 577 00:28:14,600 --> 00:28:16,800 Speaker 1: in a ball screen and you're trying to fight over 578 00:28:16,840 --> 00:28:19,000 Speaker 1: the top and you end up getting caught a little 579 00:28:19,000 --> 00:28:22,520 Speaker 1: bit and your screen defender switches. Your read as the 580 00:28:22,520 --> 00:28:24,879 Speaker 1: on ball defender is to peel off of your man 581 00:28:25,240 --> 00:28:28,040 Speaker 1: and to take the role man and to in many cases, 582 00:28:28,119 --> 00:28:30,399 Speaker 1: if the guard is looking to shoot, in many cases 583 00:28:30,400 --> 00:28:32,080 Speaker 1: your job is just to keep him off the glass. 584 00:28:32,080 --> 00:28:34,280 Speaker 1: But in this case, Karris Slivert is gonna try to 585 00:28:34,320 --> 00:28:37,240 Speaker 1: throw it over the top pass to Evan Mobley. But 586 00:28:37,359 --> 00:28:40,000 Speaker 1: because bull Bull peeled off so quickly, and because he 587 00:28:40,040 --> 00:28:43,280 Speaker 1: has such outstanding physical tools, he's able to knock that away. 588 00:28:43,640 --> 00:28:47,160 Speaker 1: So he blows up the play guarding on the ball 589 00:28:47,240 --> 00:28:49,160 Speaker 1: in the ball screen by knowing what to do, which 590 00:28:49,200 --> 00:28:52,000 Speaker 1: is example, which is an example of him being an 591 00:28:52,000 --> 00:28:55,480 Speaker 1: extremely versatile defensive player. But again, Kri Slivert thought he 592 00:28:55,560 --> 00:28:57,520 Speaker 1: saw food there. He thought he thought he saw an 593 00:28:57,520 --> 00:29:00,640 Speaker 1: opportunity to take advantage of a defensive weakness and situation, 594 00:29:01,000 --> 00:29:05,840 Speaker 1: and it turned out to be a defensive strength. Alright, 595 00:29:05,960 --> 00:29:11,560 Speaker 1: here we go. This one is really high level pick 596 00:29:11,600 --> 00:29:16,400 Speaker 1: and roll defense against a complicated action. So what these 597 00:29:16,760 --> 00:29:19,080 Speaker 1: calves are doing here as they're running an action that 598 00:29:19,160 --> 00:29:22,160 Speaker 1: feeds into a ball screen. So Mobley's going to try 599 00:29:22,200 --> 00:29:25,160 Speaker 1: to screen Gordon first, and then Mitchell's going to set 600 00:29:25,160 --> 00:29:28,520 Speaker 1: the first pick and they're setting a staggered ball screen. Typically, 601 00:29:28,600 --> 00:29:31,640 Speaker 1: in a staggered ball screen, the one of the guys 602 00:29:31,760 --> 00:29:33,560 Speaker 1: is going to roll hard to the rim and the 603 00:29:33,600 --> 00:29:35,720 Speaker 1: other guy is going to pop. In this case, obviously 604 00:29:35,760 --> 00:29:38,000 Speaker 1: that's going to be Mitchell as the popper and Evan 605 00:29:38,040 --> 00:29:41,760 Speaker 1: Mobley as the roller. The idea here is to try 606 00:29:41,800 --> 00:29:44,400 Speaker 1: to confuse this coverage because it's a three man action 607 00:29:44,480 --> 00:29:46,800 Speaker 1: instead of a two man action. You can actually see 608 00:29:46,840 --> 00:29:50,719 Speaker 1: Donovan Mitchell. Watch Donovan Mitchell try to reach out and tap, 609 00:29:50,960 --> 00:29:54,080 Speaker 1: just tap Devin Booker on the hip. Watch this, see 610 00:29:54,080 --> 00:29:56,480 Speaker 1: that little tap. There's a very specific reason why he 611 00:29:56,520 --> 00:29:59,520 Speaker 1: does that. He's think a lot of teams will switch 612 00:29:59,600 --> 00:30:02,440 Speaker 1: the guard guard version of this screen. So a lot 613 00:30:02,440 --> 00:30:04,800 Speaker 1: of teams would be like, oh, Eric Gordon's gonna jump 614 00:30:04,800 --> 00:30:07,400 Speaker 1: off on Darius Garland here and Devin Booker is going 615 00:30:07,400 --> 00:30:09,880 Speaker 1: to now switch on to Donovan Mitchell. Donovan Mitchell is 616 00:30:09,920 --> 00:30:13,280 Speaker 1: trying to trigger that because he sees Eric Gordon with 617 00:30:13,320 --> 00:30:15,480 Speaker 1: his back turned to Garland and he knows if he 618 00:30:15,480 --> 00:30:17,800 Speaker 1: can force a switch, Garland will be able to come 619 00:30:17,840 --> 00:30:21,440 Speaker 1: over the top here easily into his spot. But instead 620 00:30:21,640 --> 00:30:25,040 Speaker 1: Mitchell's trying to tap the Devin Booker to fool him 621 00:30:25,040 --> 00:30:28,360 Speaker 1: into thinking that's a screen, trying to get Devin Booker 622 00:30:28,400 --> 00:30:31,400 Speaker 1: to trigger a switch so that he switches on to Mitchell. 623 00:30:31,520 --> 00:30:34,840 Speaker 1: Booker does not fall for it. Eric Gordon stays attached. 624 00:30:35,160 --> 00:30:38,760 Speaker 1: Booker fights over the top. Now, this is a textbook 625 00:30:38,760 --> 00:30:44,000 Speaker 1: example of no roller behind drop coverage. So watch a Nurkic. 626 00:30:44,080 --> 00:30:46,480 Speaker 1: He's staying in a position where he can help on 627 00:30:47,040 --> 00:30:49,920 Speaker 1: Mobiley and help on Garland. He's playing, he's playing the 628 00:30:49,960 --> 00:30:52,720 Speaker 1: low man here. Royce O'Neil is trying to read Nurkic 629 00:30:53,360 --> 00:30:56,280 Speaker 1: and he's in there just just in case he does 630 00:30:56,400 --> 00:30:59,520 Speaker 1: need to help. But he quickly identifies watching O'Neill right there, 631 00:30:59,520 --> 00:31:02,680 Speaker 1: he identif Nurkic has this. He's like, I'm in there, 632 00:31:02,680 --> 00:31:05,280 Speaker 1: I'm in there. I'm in there right now. He's like, 633 00:31:05,720 --> 00:31:08,920 Speaker 1: Nurkic has this. He hops back. Okay, Now Garland makes 634 00:31:08,960 --> 00:31:12,120 Speaker 1: the skip pass. Because of that hop, he's in position 635 00:31:12,160 --> 00:31:13,960 Speaker 1: to close out if he doesn't make that hop and 636 00:31:14,000 --> 00:31:15,680 Speaker 1: he's in the lane. This is a wide open three 637 00:31:15,680 --> 00:31:17,880 Speaker 1: for kars Lavert. We get a really good close out 638 00:31:17,880 --> 00:31:21,600 Speaker 1: from Roys. O'Neil traps him on that baseline side and 639 00:31:21,600 --> 00:31:23,720 Speaker 1: he ends up ripping him from behind on the dribble move, 640 00:31:24,400 --> 00:31:27,080 Speaker 1: enforcing the turnover. So it's really good pick and roll 641 00:31:27,120 --> 00:31:29,960 Speaker 1: defense because the guys out top at the initial action, 642 00:31:30,360 --> 00:31:33,080 Speaker 1: we're communicating and not falling for the disguise of that 643 00:31:33,240 --> 00:31:35,920 Speaker 1: of that specific action. And then Roys O'Neil in his 644 00:31:35,960 --> 00:31:38,520 Speaker 1: pick and roll coverage, identifying as the low man that 645 00:31:38,640 --> 00:31:41,720 Speaker 1: Nurkic was in good position and staying in a position 646 00:31:41,720 --> 00:31:43,200 Speaker 1: where he could close out on the weak side. That's 647 00:31:43,200 --> 00:31:48,080 Speaker 1: an example of not overhelping. All right, here's our last 648 00:31:48,080 --> 00:31:51,200 Speaker 1: clip of our film session. This one actually ends in 649 00:31:51,240 --> 00:31:53,680 Speaker 1: a basket, but I thought it was an interesting example 650 00:31:53,680 --> 00:31:56,720 Speaker 1: of pre switching to beat a rams screen. So let's 651 00:31:56,760 --> 00:32:01,760 Speaker 1: go over how this works out here. So Cleveland is 652 00:32:01,800 --> 00:32:03,600 Speaker 1: setting up in the same type of situation that we 653 00:32:03,640 --> 00:32:06,160 Speaker 1: saw Phoenix set up in earlier. Darius Garland wants to 654 00:32:06,160 --> 00:32:10,520 Speaker 1: create a gap between Jared Jared Allen and Drew you Banks, 655 00:32:10,720 --> 00:32:12,520 Speaker 1: and so they're gonna use Donna Mitchell to set a 656 00:32:12,600 --> 00:32:15,800 Speaker 1: ram screen down on you Banks to try to get 657 00:32:15,840 --> 00:32:20,240 Speaker 1: Allen a gap. Devin Booker, super smart offensive player, runs 658 00:32:20,280 --> 00:32:24,160 Speaker 1: this same action himself. He identifies it. Him and u 659 00:32:24,200 --> 00:32:26,680 Speaker 1: Banks are looking at each other right now and they're 660 00:32:26,680 --> 00:32:29,680 Speaker 1: communicating and they know here comes a RAM screen, so 661 00:32:29,720 --> 00:32:32,040 Speaker 1: they're gonna talk. Hey, let's pre switch it. See they 662 00:32:32,040 --> 00:32:33,960 Speaker 1: both signal to each other, we're going to pre switch 663 00:32:34,040 --> 00:32:37,360 Speaker 1: this action. So what they're doing is Devin Booker is 664 00:32:37,400 --> 00:32:39,960 Speaker 1: switching onto Jared Allen. So now that RAM screen is 665 00:32:39,960 --> 00:32:44,400 Speaker 1: completely neutralized, and now you can switch this ball screen 666 00:32:44,480 --> 00:32:47,280 Speaker 1: out top. Now here's where they make a mistake though. 667 00:32:48,920 --> 00:32:51,800 Speaker 1: Bradley Beal as soon as he identifies that Devin Booker 668 00:32:51,840 --> 00:32:53,720 Speaker 1: is up here and that Allen is actually trying to 669 00:32:53,800 --> 00:32:57,440 Speaker 1: screen on his outside side, Bradley Beal should just be 670 00:32:57,560 --> 00:33:00,360 Speaker 1: jumping up to this high side immediately because he knows 671 00:33:00,400 --> 00:33:02,640 Speaker 1: if he gets beat to the right hand side, Devin 672 00:33:02,680 --> 00:33:05,640 Speaker 1: Booker's there. So this is an example of them botching 673 00:33:05,680 --> 00:33:07,320 Speaker 1: this part of the coverage. But I did think that 674 00:33:07,360 --> 00:33:10,000 Speaker 1: the pre switch was a really interesting example of a 675 00:33:10,000 --> 00:33:12,960 Speaker 1: way to counter the RAM screen. So because they don't 676 00:33:12,960 --> 00:33:15,880 Speaker 1: do that, Darius Garland's able to turn the corner going left, 677 00:33:16,400 --> 00:33:20,320 Speaker 1: which pulls, which pulls Beal up high enough that they 678 00:33:20,360 --> 00:33:22,400 Speaker 1: can get the ball to Allen and he just catches 679 00:33:22,440 --> 00:33:24,400 Speaker 1: too deep and that's just too easy of a shot. 680 00:33:24,840 --> 00:33:26,880 Speaker 1: But again I thought that that was an interesting example. 681 00:33:28,160 --> 00:33:29,760 Speaker 1: As you can tell, even though they gave up a 682 00:33:29,800 --> 00:33:33,920 Speaker 1: basket in that specific case, the effort on the back 683 00:33:33,960 --> 00:33:36,520 Speaker 1: line of those guys, Like again, as the action is developing, 684 00:33:36,800 --> 00:33:39,160 Speaker 1: Devin Booker and Drew Eubanks are talking to each other, 685 00:33:39,320 --> 00:33:42,040 Speaker 1: They're pointing, they're communicating, they they're letting each other know 686 00:33:42,080 --> 00:33:43,760 Speaker 1: where they need to go. I thought that was a 687 00:33:43,800 --> 00:33:47,840 Speaker 1: consistent theme throughout this particular set of clips, just seeing 688 00:33:47,840 --> 00:33:50,480 Speaker 1: that level of communication and effort on the back line 689 00:33:50,520 --> 00:33:52,719 Speaker 1: defensively to guard and pick and roll. And again, they 690 00:33:52,720 --> 00:33:56,560 Speaker 1: were excellent in pick and roll throughout that particular game. 691 00:33:58,480 --> 00:34:02,240 Speaker 1: Final note on the Suns, like, I, you know, it's interesting. 692 00:34:02,240 --> 00:34:06,080 Speaker 1: I don't necessarily think Phoenix has a lot of physical 693 00:34:06,120 --> 00:34:09,520 Speaker 1: strength after Nurkic. That's definitely the weakness of their particular roster. 694 00:34:09,960 --> 00:34:12,400 Speaker 1: As you look around the league, every team has weaknesses, 695 00:34:12,400 --> 00:34:15,400 Speaker 1: that's not a shot. But after Nurkic, they have a 696 00:34:15,440 --> 00:34:18,640 Speaker 1: ton of speed, a ton of skill, and a ton 697 00:34:19,000 --> 00:34:22,000 Speaker 1: of basketball IQ and the Nurkic brings the unique element 698 00:34:22,040 --> 00:34:26,200 Speaker 1: of strength for that very specific Denver matchup in Nikolea Jokic. 699 00:34:26,320 --> 00:34:29,440 Speaker 1: And so because they're playing a better brand of basketball now, 700 00:34:29,520 --> 00:34:32,240 Speaker 1: because they're not playing hero ball. They're playing advantage creation 701 00:34:32,400 --> 00:34:35,960 Speaker 1: basketball again, like I mentioned earlier, assisting on seventy percent 702 00:34:36,000 --> 00:34:38,160 Speaker 1: of their midfield goals in this four game span versus 703 00:34:38,200 --> 00:34:41,800 Speaker 1: fifty seven percent in the playoffs last year. That's allowing 704 00:34:41,840 --> 00:34:44,359 Speaker 1: them to reach a higher level offensive ceiling. And then 705 00:34:44,360 --> 00:34:47,640 Speaker 1: they're competing defensively and communicating and defending pick and roll 706 00:34:47,680 --> 00:34:51,600 Speaker 1: really well. I personally think that Phoenix is probably at 707 00:34:51,600 --> 00:34:53,640 Speaker 1: this point, if I had to pick a team out 708 00:34:53,680 --> 00:34:55,719 Speaker 1: West that I think is the second best team in 709 00:34:55,760 --> 00:34:58,680 Speaker 1: the West behind Denver, right now, I lean towards Phoenix. 710 00:34:58,680 --> 00:35:03,000 Speaker 1: I think they have the best combination of personnel, playoff scalability, 711 00:35:03,239 --> 00:35:05,239 Speaker 1: and the ability to compete on both ends of the floor. 712 00:35:05,360 --> 00:35:08,680 Speaker 1: Not to mention the big white whale in the West, 713 00:35:08,840 --> 00:35:14,279 Speaker 1: meaning that's an unfortunate accidental metaphor for Jokic, but I 714 00:35:14,320 --> 00:35:16,840 Speaker 1: meant just like Denver as a unit, as an entity, 715 00:35:17,239 --> 00:35:22,240 Speaker 1: they are the terrifying world destroyer in the Western Conference. 716 00:35:22,440 --> 00:35:24,200 Speaker 1: Phoenix is the team that I think is most well 717 00:35:24,200 --> 00:35:26,040 Speaker 1: equipped to beat them. So as of right now, I 718 00:35:26,040 --> 00:35:27,560 Speaker 1: think they're the team that I view as the second 719 00:35:27,560 --> 00:35:31,520 Speaker 1: best team in the Western Conference. All right, let's move 720 00:35:31,560 --> 00:35:35,280 Speaker 1: on to our next segment in our mailbag. Hey Jason 721 00:35:35,400 --> 00:35:37,719 Speaker 1: Wemby question, I've been watching your show for a few 722 00:35:37,800 --> 00:35:40,720 Speaker 1: years now, top zero point one percent of Spotify listeners. 723 00:35:40,719 --> 00:35:42,520 Speaker 1: By the way, huge fan. Thanks for supporting the show. 724 00:35:42,520 --> 00:35:44,680 Speaker 1: I really appreciate it. And I've heard that you say 725 00:35:44,719 --> 00:35:47,040 Speaker 1: the primary goal of rebuilding a franchise is to go 726 00:35:47,080 --> 00:35:49,680 Speaker 1: get a superstar. By all metrics, it looks like Wemby 727 00:35:49,760 --> 00:35:52,120 Speaker 1: is that guy. If you were the GM of the Spurs, 728 00:35:52,520 --> 00:35:55,440 Speaker 1: what would you do next? Who are you keeping, who 729 00:35:55,480 --> 00:35:58,160 Speaker 1: are you letting go? What kinds of player archetypes are 730 00:35:58,160 --> 00:36:03,560 Speaker 1: you looking to bring in through trades slash drafts? And 731 00:36:03,560 --> 00:36:04,759 Speaker 1: then thank you so much for your work. It has 732 00:36:04,760 --> 00:36:07,240 Speaker 1: helped me understand and enjoy basketball so much more than before. Again, 733 00:36:07,640 --> 00:36:10,040 Speaker 1: I sincerely appreciate the kind words and for supporting. So 734 00:36:10,640 --> 00:36:12,680 Speaker 1: the initial structure is what I want to look at here. 735 00:36:13,320 --> 00:36:15,319 Speaker 1: So if we agree that Victor wem Minyama is our 736 00:36:15,360 --> 00:36:18,560 Speaker 1: superstar to kind of anchor everything with San Antonio, now 737 00:36:18,600 --> 00:36:20,759 Speaker 1: we look at like the ideal kind of five man 738 00:36:20,760 --> 00:36:24,439 Speaker 1: lineup right now for me, right next to Victor Wembnyama 739 00:36:24,480 --> 00:36:27,440 Speaker 1: at that forward spot I'm looking for a big, strong 740 00:36:27,520 --> 00:36:30,719 Speaker 1: forward that can help in defensive rebounding situations and in 741 00:36:30,800 --> 00:36:32,839 Speaker 1: low man situations, kind of like we were talking about 742 00:36:32,840 --> 00:36:35,440 Speaker 1: in the Suns earlier, that guy that steps over in 743 00:36:35,480 --> 00:36:38,399 Speaker 1: ball screen situations when Victor Wembinyama has to come up 744 00:36:38,680 --> 00:36:41,160 Speaker 1: to the level of the screen. Right at the three spot, 745 00:36:41,200 --> 00:36:43,040 Speaker 1: we're looking for a guy who can defend on the perimeter, 746 00:36:43,440 --> 00:36:46,440 Speaker 1: knock down threes, and attack closeouts really well. At the 747 00:36:46,440 --> 00:36:49,279 Speaker 1: two spot, I'm primarily looking for in the two to 748 00:36:49,360 --> 00:36:51,719 Speaker 1: one depending on who you end up building around. If 749 00:36:51,719 --> 00:36:54,000 Speaker 1: it ends up being Devin Vessel, Devin Vessel at the 750 00:36:54,000 --> 00:36:56,080 Speaker 1: two ends up being your skill guard, right Like he's 751 00:36:56,120 --> 00:36:57,640 Speaker 1: the guy that is going to have the ball in 752 00:36:57,640 --> 00:36:59,000 Speaker 1: his hands a lot, be running a lot of pick 753 00:36:59,000 --> 00:37:01,160 Speaker 1: and roll. I really need the point guard in that 754 00:37:01,239 --> 00:37:04,200 Speaker 1: case to be an outstanding perimeter defender, a guy who 755 00:37:04,239 --> 00:37:07,680 Speaker 1: can navigate screens well, guard the other team's best guard, 756 00:37:07,719 --> 00:37:11,160 Speaker 1: so on and so forth. Now, with Devin Vessel being 757 00:37:11,200 --> 00:37:15,840 Speaker 1: a skill guard, I do think that from the forward position, 758 00:37:16,360 --> 00:37:18,440 Speaker 1: one of those two forwards, whether it's the three or 759 00:37:18,520 --> 00:37:21,560 Speaker 1: the four, needs to be a really high level offensive player. 760 00:37:21,560 --> 00:37:23,640 Speaker 1: I do think that's something that they'll need in the 761 00:37:23,680 --> 00:37:26,400 Speaker 1: long run. What makes this complicated is you look the payroll. 762 00:37:27,000 --> 00:37:29,799 Speaker 1: Devin Vessel is locked up on a pretty affordable deal, 763 00:37:29,880 --> 00:37:32,399 Speaker 1: especially when you factor in how the salary cap could 764 00:37:32,480 --> 00:37:35,600 Speaker 1: change over the next TV deal. Keldon Johnson and Zach 765 00:37:35,640 --> 00:37:39,520 Speaker 1: Collins are your main larger contracts. They're in the high teens. Well, 766 00:37:39,520 --> 00:37:41,680 Speaker 1: most of the young guys are on rookie deals. So 767 00:37:41,840 --> 00:37:43,920 Speaker 1: like with those guys, you're not going to be dumping 768 00:37:43,960 --> 00:37:46,040 Speaker 1: them for salary. You might include them in a star 769 00:37:46,160 --> 00:37:48,359 Speaker 1: trade if you're looking to bring somebody back, but there's 770 00:37:48,360 --> 00:37:50,719 Speaker 1: no reason, like they don't really make up much of 771 00:37:50,800 --> 00:37:54,319 Speaker 1: a factor in your payroll situation. Right, But we also 772 00:37:54,360 --> 00:37:57,080 Speaker 1: have to acknowledge the reality of Wenby's development arc. He 773 00:37:57,200 --> 00:38:00,480 Speaker 1: is so good, so fast, there's like a better than 774 00:38:00,480 --> 00:38:02,480 Speaker 1: fifty percent chance in my opinion, that he's going to 775 00:38:02,520 --> 00:38:04,279 Speaker 1: be a top ten player in the league next year. 776 00:38:04,600 --> 00:38:06,160 Speaker 1: And it's on the table that he could be a 777 00:38:06,160 --> 00:38:08,239 Speaker 1: top five player in the league next year. That's how 778 00:38:08,280 --> 00:38:11,399 Speaker 1: freaking good Victor wen Binyama is. And we're talking about 779 00:38:11,400 --> 00:38:15,160 Speaker 1: another six seven months or longer of development before we 780 00:38:15,200 --> 00:38:18,560 Speaker 1: get to that point. So like that, you can't be 781 00:38:19,120 --> 00:38:21,640 Speaker 1: Oklahoma City and do a five year slow burn of 782 00:38:21,640 --> 00:38:24,440 Speaker 1: a rebuild, you can't take this slow. There's a certain 783 00:38:24,600 --> 00:38:27,759 Speaker 1: urgency element here based on the reality of Victor wen 784 00:38:27,800 --> 00:38:33,799 Speaker 1: Minyama's development. So from there I would look at as 785 00:38:33,800 --> 00:38:36,279 Speaker 1: far as the young guys go. None of them would 786 00:38:36,280 --> 00:38:39,480 Speaker 1: be safe for me except for Devin Vessel in Victor 787 00:38:39,480 --> 00:38:41,759 Speaker 1: wen Binyama, and I would trade Devin Vessel if it 788 00:38:41,800 --> 00:38:45,760 Speaker 1: brought back a superstar shot creator. But like the other guys, 789 00:38:46,040 --> 00:38:49,960 Speaker 1: like like I like Jeremy so chan a Sohan not 790 00:38:50,160 --> 00:38:54,400 Speaker 1: enough to view him as untouchable, like Trey Jones, not 791 00:38:54,560 --> 00:38:56,399 Speaker 1: enough to view hims untouchable. I've never been a big 792 00:38:56,440 --> 00:38:58,800 Speaker 1: Keldon Johnson fan. I think he's a little tunnel vision 793 00:38:58,840 --> 00:39:01,520 Speaker 1: and not a good enough shooter. So like, from there, 794 00:39:02,440 --> 00:39:05,279 Speaker 1: it really is about who you who becomes available in 795 00:39:05,320 --> 00:39:08,359 Speaker 1: the offseason. I really do think they need to make 796 00:39:08,400 --> 00:39:11,520 Speaker 1: some type of all in move for an all star 797 00:39:11,600 --> 00:39:13,879 Speaker 1: in their prime sooner than later, sometime in the next 798 00:39:13,880 --> 00:39:16,520 Speaker 1: two years. Trey Young is an interesting option, but he's 799 00:39:16,520 --> 00:39:18,640 Speaker 1: a very risky option. He's a guy that I think 800 00:39:18,719 --> 00:39:22,000 Speaker 1: unlocks a lot offensively right away, but he's gonna be 801 00:39:22,080 --> 00:39:25,319 Speaker 1: expensive to get. And then two, there's a question, there's 802 00:39:25,320 --> 00:39:28,080 Speaker 1: a there's a case to be made that it's that 803 00:39:28,160 --> 00:39:31,120 Speaker 1: it's cashing into early and for not a good enough player, 804 00:39:31,200 --> 00:39:33,359 Speaker 1: and so the Trey Young thing, I'm kind of more 805 00:39:33,440 --> 00:39:35,759 Speaker 1: leaning towards. I would hold back if I was san Antonio, 806 00:39:36,080 --> 00:39:37,880 Speaker 1: but that is an interesting option, and I do like 807 00:39:37,920 --> 00:39:40,839 Speaker 1: the offensive fit with Victor wembin Yama. From there, I'd 808 00:39:40,840 --> 00:39:44,120 Speaker 1: be looking for a forward, someone that can work in 809 00:39:44,120 --> 00:39:46,359 Speaker 1: that three to four spot, who is a much higher 810 00:39:46,440 --> 00:39:49,759 Speaker 1: level offensive player than what you've had in over the 811 00:39:49,760 --> 00:39:51,759 Speaker 1: course of this season. A guy like Lori Markinen is 812 00:39:51,840 --> 00:39:54,319 Speaker 1: guy look at guy like Brandon Ingram, Like what if 813 00:39:54,320 --> 00:39:56,960 Speaker 1: the Pels flame out and they decide that, you know, 814 00:39:57,160 --> 00:39:58,840 Speaker 1: Zion is the guy they want to build around and 815 00:39:58,840 --> 00:40:00,839 Speaker 1: they're and the guy that they need to cash in 816 00:40:00,880 --> 00:40:03,000 Speaker 1: as someone like a brandon Ingram, That's a guy that 817 00:40:03,000 --> 00:40:06,479 Speaker 1: I'd be looking at. McHale Bridges. I know Brooklyn loves 818 00:40:06,520 --> 00:40:09,000 Speaker 1: him and views him as a foundational piece, but that's 819 00:40:09,040 --> 00:40:12,120 Speaker 1: completely irrational given where they're at in terms of talent 820 00:40:12,160 --> 00:40:15,440 Speaker 1: on that roster and mckail bridge's age and where he's 821 00:40:15,480 --> 00:40:17,520 Speaker 1: at in his development and the fact that he's kind 822 00:40:17,560 --> 00:40:19,799 Speaker 1: of close to his ceiling. Mckel bridges is a guy 823 00:40:19,800 --> 00:40:23,120 Speaker 1: that I'd be looking at. But again, in terms of 824 00:40:23,160 --> 00:40:26,520 Speaker 1: the actual structure of the roster two forwards there, one 825 00:40:26,520 --> 00:40:29,120 Speaker 1: of them needs to be a score of some kind, 826 00:40:29,280 --> 00:40:31,680 Speaker 1: a high level offensive player. The three needs to be 827 00:40:31,680 --> 00:40:34,279 Speaker 1: able to navigate on the perimeter defensively, the four needs 828 00:40:34,320 --> 00:40:36,640 Speaker 1: to be bigger and stronger, especially since Victor is a 829 00:40:36,640 --> 00:40:39,280 Speaker 1: little bit on the skinny side. And then at those guards, 830 00:40:39,600 --> 00:40:41,319 Speaker 1: one of your guards needs to be a high level 831 00:40:41,360 --> 00:40:43,080 Speaker 1: skill guard, and then the other one needs to be 832 00:40:43,120 --> 00:40:46,200 Speaker 1: some kind of bulldog like point of attack defender that 833 00:40:46,239 --> 00:40:49,000 Speaker 1: can navigate screens. That would be the structure that I 834 00:40:49,080 --> 00:40:50,440 Speaker 1: go with from there. But I do think that they 835 00:40:50,480 --> 00:40:52,920 Speaker 1: need to make some sort of all in moves sooner 836 00:40:52,960 --> 00:40:56,560 Speaker 1: than later, just because of Victor women Yama's development. Before 837 00:40:56,600 --> 00:40:58,840 Speaker 1: we get out of here, the Julius Randall injury. So 838 00:40:59,239 --> 00:41:01,480 Speaker 1: it turns out that he tried to rehab the shoulder 839 00:41:01,520 --> 00:41:03,279 Speaker 1: and it just isn't gonna come around, and so he's 840 00:41:03,280 --> 00:41:04,799 Speaker 1: getting surgery and he's gonna be out for the rest 841 00:41:04,840 --> 00:41:06,320 Speaker 1: of the season. What does that mean for the Knicks. 842 00:41:07,480 --> 00:41:11,239 Speaker 1: Here's the thing. Theoretically, if Ojan Andobe can come back 843 00:41:11,320 --> 00:41:14,880 Speaker 1: and get the elbow inflammation under control, I do think 844 00:41:14,920 --> 00:41:18,360 Speaker 1: he can slide into that four spot. And Isaiah Hartenstein 845 00:41:18,480 --> 00:41:23,040 Speaker 1: is playing so incredibly well, and Mitchell Robinson is back 846 00:41:23,080 --> 00:41:25,160 Speaker 1: into the equation in a way that he wasn't earlier 847 00:41:25,160 --> 00:41:27,839 Speaker 1: in the season. Right, So, like, the Knicks are still formidable, 848 00:41:28,480 --> 00:41:30,960 Speaker 1: but the reality is they need a consistent shot creator 849 00:41:31,040 --> 00:41:34,719 Speaker 1: beyond beyond Jalen brunts And we saw last year when 850 00:41:34,760 --> 00:41:37,920 Speaker 1: Julius Randall was available and he just wasn't quite good 851 00:41:38,000 --> 00:41:39,600 Speaker 1: enough because he was out of rhythm and playing on 852 00:41:39,640 --> 00:41:43,680 Speaker 1: a bum ankle. We saw that that wasn't enough, and 853 00:41:43,719 --> 00:41:46,759 Speaker 1: so it's a lot of pressure on O Jannoby to 854 00:41:46,840 --> 00:41:49,440 Speaker 1: kind of be that matchup attacking forward to create shots. 855 00:41:49,440 --> 00:41:52,399 Speaker 1: And so I had really high aspirations for the Knicks, 856 00:41:52,400 --> 00:41:54,279 Speaker 1: and I still do in the long run, and I'm 857 00:41:54,320 --> 00:41:56,040 Speaker 1: really curious to see what they do this summer to 858 00:41:56,120 --> 00:41:59,120 Speaker 1: kind of bring in that legitimate secondary shot creator next 859 00:41:59,160 --> 00:42:02,600 Speaker 1: to Jalen Brunson. That's just Julius Randalld getting healthy, or 860 00:42:02,600 --> 00:42:05,480 Speaker 1: it's some sort of trade or free agent acquisition. But 861 00:42:06,000 --> 00:42:07,920 Speaker 1: I'm interested to see what they do in the long run. 862 00:42:08,040 --> 00:42:10,080 Speaker 1: But I just don't know that they can get through 863 00:42:10,080 --> 00:42:13,120 Speaker 1: that gauntlet at the top of the Eastern Conference without 864 00:42:13,120 --> 00:42:15,920 Speaker 1: having a bona fide secondary shot creator, and so I 865 00:42:16,040 --> 00:42:18,879 Speaker 1: kind of view that Julius Randall injury as a bit 866 00:42:18,920 --> 00:42:22,520 Speaker 1: of a death sentence. That said, again, I think the 867 00:42:22,560 --> 00:42:24,640 Speaker 1: way you kind of structure this in the short term 868 00:42:24,719 --> 00:42:26,920 Speaker 1: is when og and Obi comes back, you play him 869 00:42:26,960 --> 00:42:29,799 Speaker 1: at the four and essentially ask him to do a 870 00:42:29,800 --> 00:42:33,960 Speaker 1: lot of what Julius Randall does, targeting smaller guards and 871 00:42:34,000 --> 00:42:37,200 Speaker 1: screening actions to get switches into do that bully ball 872 00:42:37,239 --> 00:42:39,799 Speaker 1: post up attack. Just to have an option to spell 873 00:42:39,920 --> 00:42:43,440 Speaker 1: Jalen Brunson as much as you can. New York is 874 00:42:43,440 --> 00:42:45,239 Speaker 1: still going to be a pain in the ass. Again, 875 00:42:45,320 --> 00:42:47,600 Speaker 1: Julius Randall wasn't even very good last year, and they were, 876 00:42:47,960 --> 00:42:50,680 Speaker 1: you know, a few shots away from being in a 877 00:42:50,760 --> 00:42:52,960 Speaker 1: good position to make it to the conference finals. So 878 00:42:53,000 --> 00:42:55,719 Speaker 1: I still believe in the Knicks as a like a 879 00:42:55,840 --> 00:42:57,440 Speaker 1: kind of a pain in the ass type of threat. 880 00:42:57,719 --> 00:43:00,440 Speaker 1: But firepower is just going to eventually be an issue 881 00:43:00,440 --> 00:43:02,160 Speaker 1: for them. There's just too many teams around the league 882 00:43:02,200 --> 00:43:04,239 Speaker 1: that have more shot creation than the Knicks two, and 883 00:43:04,280 --> 00:43:07,080 Speaker 1: so the Julius Randall injury is more or less a 884 00:43:07,239 --> 00:43:10,319 Speaker 1: death sentence at this point. Unfortunately, it's been a fun 885 00:43:10,400 --> 00:43:12,680 Speaker 1: next season. They've competed through it all, and they have 886 00:43:12,840 --> 00:43:14,920 Speaker 1: such a bright future and they have so much talent 887 00:43:14,960 --> 00:43:19,520 Speaker 1: on the roster, but it's just their only hope relied 888 00:43:19,560 --> 00:43:21,440 Speaker 1: on Julius Randall coming back this year and being a 889 00:43:21,480 --> 00:43:24,600 Speaker 1: reliable secondary shot creator. All Right, guys, that is all 890 00:43:24,680 --> 00:43:26,759 Speaker 1: we have for this morning. As of right now, We're 891 00:43:26,760 --> 00:43:28,839 Speaker 1: planning on going live tonight on YouTube after the final 892 00:43:28,880 --> 00:43:32,839 Speaker 1: buzzer of Nuggets Clippers, unless a bunch of superstars end 893 00:43:32,920 --> 00:43:35,000 Speaker 1: up not playing. So we'll see how the injury report 894 00:43:35,040 --> 00:43:37,120 Speaker 1: comes out. But I hope you guys have been enjoying 895 00:43:37,120 --> 00:43:40,000 Speaker 1: these film sessions. I'm excited to keep building them out 896 00:43:40,040 --> 00:43:41,560 Speaker 1: in the long run. I appreciate you guys a support, 897 00:43:41,640 --> 00:44:15,880 Speaker 1: and I will see you next time. The volume