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Speaker 1: Look at this motherfucker coming in here with tank tops

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Speaker 1: on all greased up? Is that grease or is that

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Speaker 1: your sweat greased up?

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Speaker 2: Don't act like I put oil on.

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Speaker 1: It looks like you're greasy. Man.

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Speaker 2: That's just a shimmer of sunlight coming off my shoulder muscle.

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Speaker 1: You greased up shoulders.

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Speaker 2: I didn't put grease on. I didn't want you to

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Speaker 2: stop saying that I put.

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Speaker 1: Grease is the word, baby, don't be mad.

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Speaker 2: I don't want you to think that. Right before the podcast,

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Speaker 2: I apply oil to my body.

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Speaker 1: Well, I mean they can see us now, so well.

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Speaker 2: They can see us. Eventually they're going to be able

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Speaker 2: to see all of it.

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Speaker 1: Whoa, I'm so scared.

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Speaker 2: Daniel is the only one in Joel with a really

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Speaker 2: great looking camera. My camera it doesn't look good. Look

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Speaker 2: at Look at how good Daniel's camera is. This is

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Speaker 2: what I'm telling you that like, like, we're trying to

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Speaker 2: make this show highly produced, and you and I still

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Speaker 2: have the old fucking camera from the monitor camera great too.

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Speaker 1: Now, yeah, that's what he said. He said, Joel got

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Speaker 1: the good camera down go the way.

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Speaker 2: I saw a new thing you and I might like.

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Speaker 2: I bought it and I thought we could test it

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Speaker 2: because one thing I don't like about having an external,

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Speaker 2: nicer camera is that I'm not looking at you guys.

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Speaker 2: So this is a thing I saw online that it's

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Speaker 2: it's a four K camera, but it sort of drops

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Speaker 2: down like the cord kind of like hangs over the

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Speaker 2: screen a bit. We're still looking at the people, but

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Speaker 2: it's a higher quality camera that comes in the in

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Speaker 2: the computer.

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Speaker 3: Sounds nice.

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Speaker 2: Yeah, I thought i'd try it out, and that way

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Speaker 2: Donald might be more apt to upgrade as well, because.

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Speaker 1: Well, I am going to the pet store today.

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Speaker 2: Exactly, going to upgrade your pets.

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Speaker 1: Yeah, while out, perhaps I could stop buy a best Buy.

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Speaker 3: Or a Oh okay, okay, I see like that.

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Speaker 2: Now this thing's on the interweb. Donald, I don't think

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Speaker 2: it's that best Buy, but I don't know. I'll try

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Speaker 2: it out and see if it looks as good as

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Speaker 2: Dan does. Because, as the audience knows, we were given

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Speaker 2: cameras as good as Daniel's, but you started using yours

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Speaker 2: for animation and seem reluctant to reset it up in

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Speaker 2: the podcast setting.

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Speaker 1: It was a little bit of a tricky setup. If

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Speaker 1: you recall how we had to set it up. There

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Speaker 1: was an HDMI cable involved, there was a different type

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Speaker 1: of setting on the camera, and you know my mental capacity,

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Speaker 1: it's just that's bandwidth, if I'm correct. I didn't have

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Speaker 1: it at the time and might not have it right now,

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Speaker 1: but eventually, because I know how important this podcast is, well.

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Speaker 2: We have to be clear with each other now that

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Speaker 2: we're going to be putting these on YouTube. Do we

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Speaker 2: want it to look good or not?

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Speaker 1: Because I definitely wanted to look good.

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Speaker 2: But the podcasts of people who take it seriously and

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Speaker 2: they're so beautifully shot. Now, granted most of those people

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Speaker 2: are in studios and they and they're in person with

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Speaker 2: their guests, and ours is all over zoom, but still

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Speaker 2: look at people and they have a nice camera, they

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Speaker 2: have nice lighting, they have a backdrop. I don't know

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Speaker 2: if we're ever going to get to that.

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Speaker 1: I don't know if we're good like that. Okay, well,

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Speaker 1: I don't know if that's our thing, you know what

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Speaker 1: I mean? I think our thing is this is our thing.

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Speaker 1: I mean, I think this is way more raw earth

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Speaker 1: than a big difference.

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Speaker 2: Donald. It's just about changing your camera to a camera

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Speaker 2: that looks as good as Daniel's.

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Speaker 1: I don't like Daniel's camera and I don't like Joel's camera.

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Speaker 1: I'm just gonna be honest with you, guys. I like

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Speaker 1: you to looks.

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Speaker 2: I don't have the bandwidth for this conversation. How are you?

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Speaker 2: How are you, Joel? You look very pretty today.

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Speaker 3: Thank you so much, Sach. That's very kind of you.

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Speaker 1: Guys. Up to what have you been doing? I've been animating.

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Speaker 1: I don't know about you. What have you been doing?

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Speaker 2: You know you've been animating. You post a lot, You've

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Speaker 2: been posting up a storm. I see on the Instagram

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Speaker 2: lots of.

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Speaker 1: Stories trying to get nice with it. But you know what,

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Speaker 1: I haven't up with lots of stories. It's just I

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Speaker 1: got nostalgic. All of a sudden. I went through my

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Speaker 1: Instagram for the first time, and I saw all of

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Speaker 1: these things, and I was like how many? In my head,

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Speaker 1: I was like, how many golf? There was a golf phase. Obviously,

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Speaker 1: I didn't realize my golf phase was that fucking big.

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Speaker 2: You really went deep on golf.

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Speaker 1: I went deep into golf, and it was so big

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Speaker 1: that after a while I was like, all right, this

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Speaker 1: might be way too many golf story posts for I

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Speaker 1: didn't know.

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Speaker 2: What is happening, because you really you put as many

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Speaker 2: posts up as one possibly could.

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Speaker 1: Yeah, and I thought maybe.

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Speaker 2: He's high and nostalgic. Was I right?

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Speaker 1: Somebody absolutely, somebody asked me, have you been hacked? He's like, no, no,

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Speaker 1: I'm good.

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Speaker 2: I know you well enough to know that you were

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Speaker 2: probably stoned.

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Speaker 1: And this out of my mind, out of my mind.

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Speaker 2: By the way, I ran into Seth Green and Breck

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Speaker 2: and Meyer, your buddies. Where'd you run into the Matson Nabel?

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Speaker 1: Would you? Motherfucker? You went to Austin Abel.

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Speaker 2: Yea Asinebo for those of you who don't live in

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Speaker 2: the Los Angeles area, is a really really good sushi restaurant.

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Speaker 2: And I went there and I saw them on a

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Speaker 2: double date together.

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Speaker 1: They were there with their wives.

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Speaker 2: Yeah, and they were. They didn't ask you, they didn't

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Speaker 2: invite you.

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Speaker 1: They know better. They know I don't go out.

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Speaker 2: They know that you don't leave your house to go

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Speaker 2: to restaurants.

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Speaker 1: I know. They were like, he's probably at home animated.

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Speaker 2: But I haven't seen Seth in a while, so it

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Speaker 2: was nice to see him and say.

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Speaker 1: Hello, Yeah, how's Housenebo? I haven't been Amazi if you.

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Speaker 2: Guys ever go there at Jowel or Daniel never been,

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Speaker 2: but no regretting it.

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Speaker 3: I haven't been there yet.

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Speaker 2: It's in the valley, it's the CBS Radford and it's

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Speaker 2: in a strip mom. And you wouldn't think that it

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Speaker 2: doesn't from the outside look like it's going to be

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Speaker 2: an amazing sushi restaurant, but it really is. It's one

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Speaker 2: of my favorites.

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Speaker 4: And I.

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Speaker 1: Used to go there all the time and I would

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Speaker 1: stand and wait because I would never have a reservation.

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Speaker 1: That used to be my jam.

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Speaker 2: Bill Lawrence introduced it to me.

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Speaker 1: Actually he introduced it to all of us. Actually, yeah,

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Speaker 1: early on in Scrubs too, really early on in Scrubs.

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Speaker 2: Yeah, well it's it was one of Bill's favorites too.

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Speaker 2: Were you gonna ask Standel, what was your bite of

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Speaker 2: the night? Oh, it's hard to say. They just do

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Speaker 2: they do. They do this blackened miso cod.

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Speaker 1: That was the first place I ever had that too.

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Speaker 1: I think, what is that crab roll? What is that

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Speaker 1: crab roll that comes with the tiny little crabs on

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Speaker 1: the plate and you can eat them like fried and

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Speaker 1: you can eat the whole crab itself like it's like

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Speaker 1: a little No, that shit is not. It's like a

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Speaker 1: little tiny baby crab and they fry that ship and

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Speaker 1: then you put that ship in your mouth and you're

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Speaker 1: eating a whole crab. Is delicious, I don't know.

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Speaker 2: But they also do these like lettuce cups of Chilean

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Speaker 2: sea bass. It's really really good if.

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Speaker 1: You're into if you're into raw fish or cooked fish.

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Speaker 2: They have everything.

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Speaker 1: From what I remember, Austin was amazing. I've been catched soup.

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Speaker 2: He used to have a Michelin star. Actually really, I

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Speaker 2: guess Michelin stars come out every year because they have

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Speaker 2: some plaques. They have plaques on the wall from having

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Speaker 2: Michelin Stars, but they're not the current year. But they

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Speaker 2: had one.

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Speaker 1: Interesting. I wonder there must be such a bummers.

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Speaker 2: You get a Michelin Star and you're so geeked and

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Speaker 2: then someone takes it away, Like what if we didn't

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Speaker 2: change anything?

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Speaker 1: Rest yearly? Is it a year?

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Speaker 3: It's a year the annual list that Michelin. Yes, the

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Speaker 3: tire company drops of their global favorite restaurants and stars

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Speaker 3: rank from one to three. And A joy of living

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Speaker 3: in the LA Area is we have so many. It's

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Speaker 3: one of my favorite pastime.

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Speaker 2: I think I read that the reasons. I always wondering

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Speaker 2: why is the tire company have this like mega list

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Speaker 2: of restaurants? And I think it began to inspire people

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Speaker 2: to travel and thus wear out their tires and try

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Speaker 2: new restaurants.

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Speaker 3: It's brilliant.

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Speaker 1: Yeah, I'm all for a Michelin star restaurant.

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Speaker 2: I'll tell yeah. Now, ones ones are rare, but like

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Speaker 2: they get more rare as you go up right, Like

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Speaker 2: a three is super rare.

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Speaker 1: Yes, yes, I want to eat at a three? Have

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Speaker 1: you ever eaten at a three?

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Speaker 2: I don't think I have ever eaten at a three?

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Speaker 2: Maybe I have? What's that? What's that? Super fancy restaurants like.

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Speaker 1: Uh mouthing and Noma. We're not even talking about the food.

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Speaker 2: What's her Name's famous female chef Joelle. Are you looking

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Speaker 2: it up?

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Speaker 3: I'm trying. Yeah, not Renee REEPI.

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Speaker 2: No, it's in like it's in like the Bay area,

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Speaker 2: And if you say the name, I'll know it. She's

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Speaker 2: a very famous female chef. I'm going to talk tomorrow

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Speaker 2: for Amanda's birthday.

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Speaker 3: No, that's exciting. Are you surprising? Amanda? Does she know

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Speaker 3: you're going to be there?

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Speaker 2: Amanda knows I'm going to be it's her birthday show

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Speaker 2: on the Talk they always make a big deal out

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Speaker 2: of that. And I'm going to go talk to Amanda

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Speaker 2: and give her love. And I'm going to plug the

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Speaker 2: French girl.

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Speaker 1: There's no time facts, real friends.

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Speaker 2: I'm gonna plug fake doctors, real friends.

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Speaker 1: Because we're rebranding people.

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Speaker 2: We're rebranding well, no, it's the same show. We're just

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Speaker 2: gonna run.

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Speaker 1: Out of the Scrubs episodes.

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Speaker 2: By the way, speaking of that, I have to say

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Speaker 2: that I'm shocked to say I laughed a lot watching

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Speaker 2: this episode.

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Speaker 1: Of course you did. Of course it's a funny one.

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Speaker 1: Of course I want to.

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Speaker 2: I just want to. I feel like I should eat

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Speaker 2: crow because I gotta tell the audience. I laughed a

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Speaker 2: lot watching this episode. And Joel wrote no notes that

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Speaker 2: Donald was very funny in this episode. I didn't know

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Speaker 2: why she didn't say I was really I'm.

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Speaker 3: Sorry, Zach, you were also very fun I highlight it's

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Speaker 3: a very funny.

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Speaker 2: Moment, Joelle. The note specifically said, and you know Donald's

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Speaker 2: means these I do. The note specifically said Donald is

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Speaker 2: very funny in this episode.

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Speaker 3: I was it was funny because usually you don't see

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Speaker 3: Donald as like a secondary character. It's a room just

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Speaker 3: constantly popping up and just landing joke after I was like,

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Speaker 3: this is so a new space for him and it's

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Speaker 3: very funny and I could have watched you just be

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Speaker 3: a teacher in the background for forever. Hilarious.

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Speaker 1: Thank you, Joel. I want to say something. I did

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Speaker 1: not think the show was funny at all. Controversy. I

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Speaker 1: like the fact, I like the fact that we're in

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Speaker 1: the show and stuff like that, but it just didn't.

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Speaker 1: It was like it just didn't connect. What the fuck

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Speaker 1: is Kelso doing at the bar? What the like? There's

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Speaker 1: just so many moments at the bar. What No, But

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Speaker 1: it just didn't It didn't make any I don't know, man,

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Speaker 1: it was also an alcoholic and he yeah, I know,

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Speaker 1: I'm sure you can piece it together logically and stuff

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Speaker 1: like that. It just seemed like everything was really convenient

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Speaker 1: in this episode. And I've seen this episode before with

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Speaker 1: you know, Sandy Chapman doing this character. It just seemed

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Speaker 1: like the same shit over again.

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Speaker 4: Uh.

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Speaker 1: And it's not like we got new people watching Scrubs,

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Speaker 1: So when rewid I've seen this episode maybe four times

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Speaker 1: now in the whole entirety and so in that and

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Speaker 1: saying that no disrespect to anybody in it and everybody.

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Speaker 1: It just seemed like the same show all right.

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Speaker 2: Well, much like the people that Joelle has debate at

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Speaker 2: the end of the show whether it's season nine is

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Speaker 2: good or not. We will get into it.

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Speaker 1: Stories that show we made about a bunch of dogs, said,

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Speaker 1: he's a stories new.

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Speaker 3: So YadA, YadA, all right.

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Speaker 2: One thing I noticed is that the show this is

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Speaker 2: for you film geeks out there, The show has moved

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Speaker 2: to video and to compensate, they've added this grain effect

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Speaker 2: to make it look like film. But it's way too much.

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Speaker 2: And for those of you who noticed that kind of thing,

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Speaker 2: this is like this was in the early stages of

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Speaker 2: HD video and they've really added a fake grain effect

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Speaker 2: to the whole show to make it seem like as

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Speaker 2: sixteen million film. Anyway, I noticed that for the first

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Speaker 2: time today. This is Season nine, Episode.

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Speaker 1: Two, directed by Mike McDonald.

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Speaker 2: Directed by Mike McDonald, who's a very funny man. So

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Speaker 2: Drew is forced to wear a number one at all

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Speaker 2: times on his chest because doctor Cox is obsessed with

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Speaker 2: embarrassing him, but also he decided to go all in

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Speaker 2: on Drew being his favorite intern.

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Speaker 1: Did it feel weird that doctor Cox still called JD.

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Speaker 1: Newby in the beginning.

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Speaker 2: No, I think that's a brand forever. He's been branded

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Speaker 2: that way forever. Okay, you didn't laugh when I say

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Speaker 2: you're dangerous? Aided you. But you listened to rap music.

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Speaker 1: I didn't.

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Speaker 2: Well, you did because he wrote it in your notes.

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Speaker 4: I liked it.

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Speaker 3: I did.

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Speaker 2: Yeah, Drew is dangerous. He listens to rap music. And

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Speaker 2: I noticed that the college is called Winston University after

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Speaker 2: Randall Winston. Did you notice that.

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Speaker 1: I was wondering what kind of college is this and

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Speaker 1: how and if there is? Like this is the thing

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Speaker 1: Scrubs went from totally believable to this ultimate fantasy world.

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Speaker 1: It seems like out of nowhere, and then all of

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Speaker 1: a sudden we're thrown into it. There is no college

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Speaker 1: like this in the history of colleges where you freaking

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Speaker 1: are in the classroom in the quad, and then you're

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Speaker 1: in the freaking and then you're in the hospital, a

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Speaker 1: working hospital. There's all on the same campus.

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Speaker 2: I don't know that that's accurate, Donald, I do think

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Speaker 2: that there are university.

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Speaker 1: Hospitals not like this, not like this rush.

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Speaker 3: Medical is like this. I will say, it all looks

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Speaker 3: like it's happening, if not in the same building. Very closed,

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Speaker 3: and I do think medical campus is going to be

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Speaker 3: more spread out.

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Speaker 2: UCLA is our closest example. THECLA hospital is within one

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Speaker 2: hundred yards of dorms and quads and classrooms.

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Speaker 1: It feels like a fantasy world. It doesn't feel like

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Speaker 1: medical school. It feels like even even inside the oar

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Speaker 1: like scrubs had this feeling of realistic and everything like that.

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Speaker 1: This feels glossed. This feels no nicer.

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Speaker 2: I mean, you're definitely switching from I think you're right,

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Speaker 2: and it's a lesson in in sets versus the real locations.

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Speaker 2: I mean, we were shooting in a real Rundown hospital

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Speaker 2: and now these are glossy sets and it feels modern

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Speaker 2: and new. It doesn't even feel like an old university.

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Speaker 2: It feels like a brand new university. Cole pushes a

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Speaker 2: guy's a patient's Legacide to sit on the bed and

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Speaker 2: hit on Joe because Cole has moved on from Lucy

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Speaker 2: and now he wants to get some of some of Denise.

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Speaker 1: Yeah, but Cole is sexually harassing. Yeah, absolutely on a

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Speaker 1: level that is like this dude could go to jail,

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Speaker 1: can you go? Can you go to can you get

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Speaker 1: locked up? For talking to people?

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Speaker 3: He could certainly be fired from or like go from

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Speaker 3: this program for especially harassing all these women, Like.

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Speaker 1: This is like next level harassing.

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Speaker 3: Is the picture alone last episode that could have been

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Speaker 3: a legal situation for sure?

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Speaker 2: And well he says to Denise the only way to

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Speaker 2: get rid of old King Cole is to sleep with

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Speaker 2: him until he gets bored with you.

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Speaker 1: What a dude show? Like even Joel is sitting there

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Speaker 1: like Joelle is sitting there like I want to kill him.

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Speaker 3: I hate Cole, which is a shame because I love

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Speaker 3: Dave Franco.

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Speaker 2: Like Dan such a good actor that you really you

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Speaker 2: really believe that he's this horrible person.

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Speaker 1: Yeah, he really does crush on this show.

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Speaker 4: Man.

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Speaker 1: He does a good job.

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Speaker 2: Man, he's so handsome, for God's sakes, he's a handsome man.

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Speaker 3: Definitely.

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Speaker 2: He really plays a jerk so well. He's like an

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Speaker 2: old school eighties movie villain.

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Speaker 1: Mm hmmm, who would that be like back in the

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Speaker 1: days the dude's name front that played Ultron Spader Spade.

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Speaker 2: I was thinking of, like in high school, movies like

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Speaker 2: you know, like.

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Speaker 1: Yeah, that's what I'm talking about. James Spader, Yes, Spader,

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Speaker 1: that's him. He was the ultimate dick in those movies

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Speaker 1: back in the day.

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Speaker 2: I look in and I see Turk teaching a class,

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Speaker 2: and Jad says, in this light, you look like Denzel looking.

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Speaker 1: At the Great Debaters.

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Speaker 2: I don't even know what the Great Debater's reference is.

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Speaker 1: It's a movie with I believe Kiky Palmer's in it is. Yeah,

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Speaker 1: it's a Denzel movie where he's a teacher and he's

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Speaker 1: teaching these kids how to debate. And I think it

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Speaker 1: might even be based on real events. Yes, real events.

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Speaker 3: Yes, this is classic black cinema. Every black person saw this.

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Speaker 1: Movie came out, This came out. I have to remember

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Speaker 1: the Titans too, like it was. This is when he

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Speaker 1: was in on his I'm gonna make history movies pretty

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Speaker 1: much like he was doing his thing and he and

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Speaker 1: it was all and he is going through it finding

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Speaker 1: young talent. I remember Denzel's tour of let's make historical

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Speaker 1: movies and bring out like there was the one where

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Speaker 1: he was the boxer and he goes to jail and

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Speaker 1: the young man is the one that fights to get

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Speaker 1: him out. And then there's the one Antoine Fisher's story.

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Speaker 1: There's this one of the great debaters, Remember the Titans.

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Speaker 1: I remember this moment in time where Denzel was doing

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Speaker 1: This is a nice ten year span and.

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Speaker 2: I never saw the movie. Does it? Does it hold up?

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Speaker 2: Is it a good movie?

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Speaker 1: It's a great fabulous and Kiky's fire in it too.

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Speaker 3: Man, Journey's Molette, isn't it? Who's alo fabulous?

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Speaker 1: Yeah?

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Speaker 3: Glenn Powell randomly has a roll in here really early

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Speaker 3: for him.

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Speaker 2: Oh, I'm gonna I'm gonna put that on my list.

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Speaker 2: The great debater. I didn't know. You know, I usually

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Speaker 2: know a Denzel reference. I didn't know this one.

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Speaker 1: Let's take a break.

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Speaker 2: We'll be right back after these fine words.

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Speaker 1: Joe's losing wood in the in the closet, I mean, and.

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Speaker 2: Denise says that she's losing wood because Drew isn't hooking

380
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Speaker 2: up with her fast enough. That's not a term I've

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Speaker 2: ever heard a woman say.

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Speaker 3: A woman say this.

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Speaker 1: Can a woman gain what?

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Speaker 3: Like?

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Speaker 1: This is a question ken? The like Ken does the clitoris?

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Speaker 1: Doesn't that get hard? Hard? When when the money and stimulated?

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Speaker 1: I think she was saying that her clitorius was dropping.

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Speaker 1: She who's to say Joe doesn't have a big clit clitoris.

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Speaker 3: She's probably just talking about her libido. I don't want

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Speaker 3: to talk.

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Speaker 1: But you don't think she was talking about the clitorius

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Speaker 1: going She was about her She was like, oh, my

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Speaker 1: clataorus is going down.

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Speaker 2: I think that meant that her libido was.

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Speaker 1: I think, why can't that be what it is? How

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Speaker 1: come that can't be what it is?

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Speaker 2: So a year freaks out during Donald's class and grabs

398
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Speaker 2: a kidney and runs out. And that's not even a fantasy.

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Speaker 2: I don't think.

400
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Speaker 1: No, that really happens. I guess, and Turk says, you

401
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Speaker 1: can't be running out of here with.

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Speaker 2: With kidneys kidneys. So the class hates that Cox has

403
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Speaker 2: a favorite student. That is true, and uh wow, Cox's

404
00:19:24,560 --> 00:19:29,000
Speaker 2: teaching is pretty wild. He's again talking about sexual harassment.

405
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Speaker 2: He's really really burning this u Nikki Wheelan, who plays

406
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Speaker 2: the very attractive Australian student. He's really really crushing her

407
00:19:37,440 --> 00:19:41,520
Speaker 2: in the in the class, saying that he lists the

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Speaker 2: things that he hates about her.

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Speaker 3: She was wild. He's a little out like he made.

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Speaker 3: He called Elliott Barbie a lot.

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Speaker 1: Well, he called JD girl's names too.

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Speaker 3: He did, he did. He did be like, you're too

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Speaker 3: attractive to ever be taken seriously as a doctor. What

414
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Speaker 3: is she supposed to do about that? That's just her face?

415
00:20:00,800 --> 00:20:03,280
Speaker 2: I know. It definitely felt like something that would not

416
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Speaker 2: be on television today. Him saying the things he says

417
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Speaker 2: to her.

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Speaker 1: Yeah, this is not that long ago too, That's the

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Speaker 1: crazy thing.

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Speaker 2: It's like, this is yeah, but we've had a very

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Speaker 2: big evolution since it was a big it was a buddy.

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Speaker 3: Years this, Joelle, I don't have twenty ten now.

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Speaker 2: Yeah, so we've had a big evolution in twelve sorry,

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Speaker 2: fourteen years. Fourteen years.

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Speaker 1: It feels like it's been twelve years, doesn't it. When

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Speaker 1: somebody says twenty years ago, don't you automatically go nineteen eighty?

427
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Speaker 2: Yeah, it's crazy. Yes, twenty years ago is two thousand

428
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Speaker 2: and four.

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Speaker 1: That's insane.

430
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Speaker 2: That's very insane, getting old Donald, Yeah, man, teach entertainment

431
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Speaker 2: made me laugh. I'm stuck up here.

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Speaker 1: I mean, listen, I did laugh at that.

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Speaker 2: Listen this whole sequence where JD's trying to teach from

434
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Speaker 2: the tree and he calls it teach entertainment and he

435
00:20:54,880 --> 00:20:58,000
Speaker 2: says tell Chirk, I'm stuck in the tree again, but

436
00:20:58,119 --> 00:21:01,919
Speaker 2: this time there appear to be many.

437
00:21:00,840 --> 00:21:05,479
Speaker 1: Yes, until the hospital campus security shows up, and then

438
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Speaker 1: I'm like, what fucking show is this? What are we doing?

439
00:21:08,840 --> 00:21:13,600
Speaker 2: They're trying to replace the janitor, obviously with.

440
00:21:13,640 --> 00:21:19,240
Speaker 1: A freaking dark, a tranquilized dart shooting security guard.

441
00:21:19,800 --> 00:21:25,240
Speaker 2: I didn't get this, Fox, Come on, come on, Fox.

442
00:21:25,280 --> 00:21:28,919
Speaker 2: And he says that he cuts the trunk with diet soda,

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Speaker 2: so it's not too strong.

444
00:21:31,760 --> 00:21:38,280
Speaker 1: Ridiculous, Arry, what the fuck happened? Dude? Like, come on yo.

445
00:21:38,600 --> 00:21:41,199
Speaker 1: In the words, in the words of Chris Rock and

446
00:21:41,240 --> 00:21:45,080
Speaker 1: Beverly Hills Cop two, what the fuck is this?

447
00:21:45,960 --> 00:21:52,000
Speaker 2: I think it's a broader it's a broader, cleaner digital

448
00:21:52,080 --> 00:21:56,280
Speaker 2: with added grain version, and this is meant to be

449
00:21:56,400 --> 00:22:03,760
Speaker 2: the janitor's replacement. Character characters, characters, and they're definitely they

450
00:22:03,760 --> 00:22:05,960
Speaker 2: have a trank gun. I mean, they're gonna shoot JD

451
00:22:06,080 --> 00:22:06,640
Speaker 2: out of the tree.

452
00:22:08,320 --> 00:22:11,560
Speaker 1: And we've never we haven't been introduced to these characters before.

453
00:22:11,600 --> 00:22:15,639
Speaker 1: They just automatically show up. Yeah, in the second episode

454
00:22:16,200 --> 00:22:17,440
Speaker 1: of season nine.

455
00:22:17,320 --> 00:22:18,679
Speaker 2: I think it was a bit of a hat on

456
00:22:18,720 --> 00:22:21,159
Speaker 2: a hat if you will. The one guy would have

457
00:22:21,200 --> 00:22:25,200
Speaker 2: been plenty. Wendell Middlebrooks plays the security guard. He has

458
00:22:25,280 --> 00:22:27,840
Speaker 2: passed away. He was a very funny man. I think

459
00:22:28,000 --> 00:22:30,359
Speaker 2: he was doing a huge campaign at the time, right.

460
00:22:30,280 --> 00:22:31,639
Speaker 1: Donald, Yeah, Miller high Life.

461
00:22:31,680 --> 00:22:34,120
Speaker 2: I'm sorry, Miller High Life. That's how we probably found

462
00:22:34,200 --> 00:22:34,800
Speaker 2: him now.

463
00:22:34,880 --> 00:22:36,840
Speaker 1: I think that came out after he was on Scrubs.

464
00:22:36,840 --> 00:22:39,000
Speaker 1: It was going at the same time. I remember we

465
00:22:39,119 --> 00:22:42,920
Speaker 1: aired and that aired at the same time, right around

466
00:22:42,960 --> 00:22:44,360
Speaker 1: the same time, which was.

467
00:22:44,359 --> 00:22:46,040
Speaker 2: Really a stand up or something you want will you

468
00:22:46,040 --> 00:22:48,639
Speaker 2: look that up? I wonder what his background was, but

469
00:22:48,800 --> 00:22:49,800
Speaker 2: he was very funny.

470
00:22:50,080 --> 00:22:53,800
Speaker 3: He's an actor and singer. Our younger viewers might remember

471
00:22:53,840 --> 00:22:58,000
Speaker 3: him from The Sweet Life on Deck h Yeah, he

472
00:22:58,040 --> 00:22:59,359
Speaker 3: was only thirty six when he passed.

473
00:22:59,400 --> 00:23:02,920
Speaker 1: That's greaty, he was very young. Yeah, he might have

474
00:23:02,960 --> 00:23:04,640
Speaker 1: been younger than us. That's the crazy thing.

475
00:23:05,280 --> 00:23:07,520
Speaker 2: I did laugh out loud when he said, come on,

476
00:23:07,680 --> 00:23:10,879
Speaker 2: little white baby, jump into my arms.

477
00:23:10,160 --> 00:23:13,040
Speaker 1: And then you jump into his arms and you're like,

478
00:23:13,119 --> 00:23:17,520
Speaker 1: it's like I'm being held by a big karml but

479
00:23:17,680 --> 00:23:19,320
Speaker 1: in the big caramel.

480
00:23:19,240 --> 00:23:22,440
Speaker 2: A giant piece of caramel or something. Yes, that sequence

481
00:23:22,520 --> 00:23:25,680
Speaker 2: was very broad but funny, and I like the idea

482
00:23:25,680 --> 00:23:27,760
Speaker 2: that when Chuk runs over He's like again.

483
00:23:28,119 --> 00:23:33,560
Speaker 1: Yeah, and then the new opening, new opening again. I'm sorry,

484
00:23:33,600 --> 00:23:37,200
Speaker 1: I just have upset. And at this moment in the show,

485
00:23:37,320 --> 00:23:42,280
Speaker 1: as I'm watching it, I was asking myself, what is this?

486
00:23:42,280 --> 00:23:46,240
Speaker 1: This is not what we did before. Obviously the tone

487
00:23:46,280 --> 00:23:49,159
Speaker 1: is off, but it doesn't necessarily have to be off,

488
00:23:49,440 --> 00:23:51,960
Speaker 1: But what is the tone? What are we trying to

489
00:23:52,080 --> 00:23:52,760
Speaker 1: establish here?

490
00:23:52,840 --> 00:23:55,720
Speaker 2: Definitely brought her. I mean even Carrie besha is playing

491
00:23:55,800 --> 00:24:02,440
Speaker 2: the straight moments constantly broad, you know. With JD obviously

492
00:24:02,480 --> 00:24:04,640
Speaker 2: I was could be super broad, but like I would

493
00:24:04,720 --> 00:24:07,160
Speaker 2: drop in and play real moments real I think carry's

494
00:24:07,240 --> 00:24:10,560
Speaker 2: playing and it's not her fault. It's just what was created.

495
00:24:10,600 --> 00:24:12,760
Speaker 2: She's playing a heightened reality at all times.

496
00:24:12,840 --> 00:24:15,879
Speaker 1: I think, right, well, because well the reality now is

497
00:24:16,040 --> 00:24:17,320
Speaker 1: very heightened also.

498
00:24:17,520 --> 00:24:19,720
Speaker 2: But yeah, she's just playing with the world that was

499
00:24:19,760 --> 00:24:21,920
Speaker 2: created for her. It's not it's not She's a wonderful

500
00:24:21,920 --> 00:24:24,199
Speaker 2: actress and I believe in Northwestern guys, which makes me

501
00:24:24,280 --> 00:24:28,240
Speaker 2: like her even more. But it's a heightened reality all times.

502
00:24:28,960 --> 00:24:31,320
Speaker 2: But Okay, I know I saw all the blackberries. Did

503
00:24:31,320 --> 00:24:33,600
Speaker 2: you see everyone's gett a BlackBerry? It's before iPhones.

504
00:24:34,400 --> 00:24:36,400
Speaker 1: I didn't reckon, I didn't I wasn't paying. I didn't

505
00:24:36,400 --> 00:24:36,840
Speaker 1: see that.

506
00:24:36,960 --> 00:24:39,679
Speaker 2: Well, whenever a Cox holds up his pictures of number

507
00:24:39,720 --> 00:24:44,760
Speaker 2: one that he's forced to on a BlackBerry. Yeah, so

508
00:24:44,840 --> 00:24:47,920
Speaker 2: Cole is at the ribbon cutting of the hospital. There's

509
00:24:47,960 --> 00:24:51,600
Speaker 2: a picture on the wall, and so he says, you know,

510
00:24:51,760 --> 00:24:55,359
Speaker 2: you can't do anything to me, Denise, my mom is

511
00:24:55,800 --> 00:25:02,240
Speaker 2: lactose in tali me laugh and he says that she's

512
00:25:02,280 --> 00:25:04,639
Speaker 2: my wing mom. Now, yeah, I had this really. I

513
00:25:04,640 --> 00:25:08,240
Speaker 2: thought that fucking wing mom fantasy was crazy and so funny.

514
00:25:08,280 --> 00:25:10,560
Speaker 2: I had this moment just laughing because I was like,

515
00:25:11,640 --> 00:25:14,600
Speaker 2: I don't remember that fantasy at all, shitting and it's

516
00:25:14,640 --> 00:25:18,240
Speaker 2: a very surreal experience to watch a fully produced, bizarre

517
00:25:18,359 --> 00:25:20,520
Speaker 2: fantasy of yourself that you have no memory of doing.

518
00:25:20,800 --> 00:25:23,200
Speaker 2: But Jad and Bed waiting for the wing the wing

519
00:25:23,320 --> 00:25:24,240
Speaker 2: mom to come in.

520
00:25:25,400 --> 00:25:26,200
Speaker 1: That made you laugh.

521
00:25:26,680 --> 00:25:29,640
Speaker 2: I giggled, Yeah, my hair, My hair was like slicked down.

522
00:25:30,440 --> 00:25:32,520
Speaker 1: Do you know what I giggled? I giggled at this.

523
00:25:33,560 --> 00:25:36,960
Speaker 2: I say, sing to me, wing mom, sing me to

524
00:25:37,040 --> 00:25:40,439
Speaker 2: my dreams.

525
00:25:41,720 --> 00:25:44,439
Speaker 3: It's so weird. It's like American Angels almost. I was

526
00:25:44,440 --> 00:25:46,560
Speaker 3: trying to catch if there was like a reference happening

527
00:25:46,600 --> 00:25:48,000
Speaker 3: get here. It was so strange.

528
00:25:48,119 --> 00:25:49,240
Speaker 2: You mean Angels in America.

529
00:25:49,359 --> 00:25:50,119
Speaker 3: Angels in America.

530
00:25:50,200 --> 00:25:54,960
Speaker 2: Yes, yes, yes, it wasn't. It wasn't that, but it was.

531
00:25:55,520 --> 00:25:57,960
Speaker 3: But just the scene where dudes in the bed and

532
00:25:58,000 --> 00:26:00,600
Speaker 3: the angel comes down is like hovering over him, especially

533
00:26:00,680 --> 00:26:01,399
Speaker 3: from that moment.

534
00:26:03,119 --> 00:26:05,840
Speaker 1: I'll say this to other. Fantasy made me laugh way

535
00:26:05,920 --> 00:26:08,919
Speaker 1: more than that fantasy made me laugh. The fantasy with

536
00:26:09,000 --> 00:26:10,840
Speaker 1: the Antonio Sobato.

537
00:26:10,960 --> 00:26:12,960
Speaker 2: Jumping the head. But that was very funny.

538
00:26:13,080 --> 00:26:15,760
Speaker 1: That was that was the highlight of the show for

539
00:26:15,880 --> 00:26:18,120
Speaker 1: me where I laughed my ass off. I was like, Wow,

540
00:26:18,160 --> 00:26:23,640
Speaker 1: that's that's fucking They found the level of cheese and

541
00:26:23,680 --> 00:26:27,760
Speaker 1: the level of of like it felt like a novel

542
00:26:27,920 --> 00:26:29,840
Speaker 1: right anyway, It was.

543
00:26:29,840 --> 00:26:32,560
Speaker 2: Supposed to be like a lifetime movie or meets a

544
00:26:32,720 --> 00:26:36,240
Speaker 2: romance novel novel. Yeah, yeah, And Antonio Spotto Junior was

545
00:26:36,320 --> 00:26:39,760
Speaker 2: very funny. He nailed it. Yeah, all right, we'll get

546
00:26:39,760 --> 00:26:42,639
Speaker 2: to that. We'll take a break, okay, so listen to

547
00:26:42,680 --> 00:26:46,119
Speaker 2: these commercials and we'll be right back with something funny.

548
00:26:46,600 --> 00:27:02,080
Speaker 4: We'll be back or there is no try.

549
00:27:03,320 --> 00:27:07,480
Speaker 2: Agreed, sounds exactly like him, I do. You're really good like.

550
00:27:07,440 --> 00:27:12,480
Speaker 1: That force is strong with that voice over anyway, So

551
00:27:13,000 --> 00:27:17,119
Speaker 1: let's get back to the show that everybody calls what

552
00:27:17,240 --> 00:27:18,399
Speaker 1: is this show called again?

553
00:27:19,000 --> 00:27:20,119
Speaker 2: Scrubs?

554
00:27:20,880 --> 00:27:22,960
Speaker 1: Yeah, let's get back to Scrubs at school.

555
00:27:26,119 --> 00:27:29,280
Speaker 2: He makes this really weird mouth noise when.

556
00:27:29,119 --> 00:27:33,080
Speaker 3: He's horrifying, a top hateful sound.

557
00:27:33,720 --> 00:27:37,679
Speaker 1: Could he not be inside like this? How does this

558
00:27:37,880 --> 00:27:44,320
Speaker 1: get like? Can get punched in the face? Like what

559
00:27:44,359 --> 00:27:45,080
Speaker 1: the fuck?

560
00:27:45,359 --> 00:27:48,440
Speaker 2: Yeah, well, this is a different era. This is before

561
00:27:48,600 --> 00:27:52,800
Speaker 2: all of all of the world had a giant change.

562
00:27:52,880 --> 00:27:57,840
Speaker 1: Regardless, regardless, this is still douchebag material.

563
00:27:57,440 --> 00:28:01,320
Speaker 2: Man like him, obviously, But now we watch it and go, well,

564
00:28:01,359 --> 00:28:04,440
Speaker 2: he'd be fired, he'd be kicked out of the school, regardless.

565
00:28:04,880 --> 00:28:05,639
Speaker 1: That's fucked up.

566
00:28:05,680 --> 00:28:13,840
Speaker 3: Bro, Was this the same place where he said this is.

567
00:28:13,760 --> 00:28:16,760
Speaker 2: What he makes like a weird noise with his mouth.

568
00:28:16,880 --> 00:28:24,960
Speaker 1: He goes that dude is dead, dead, his family dead.

569
00:28:25,119 --> 00:28:29,320
Speaker 1: I want him put in the ground dead, good fellas.

570
00:28:30,920 --> 00:28:34,639
Speaker 2: We learned that Lucy has never seen herself nude. She

571
00:28:34,720 --> 00:28:38,680
Speaker 2: says she's been nude, but she never looked down. The

572
00:28:38,760 --> 00:28:42,080
Speaker 2: logistics of that are so tough. It's very tricky.

573
00:28:42,320 --> 00:28:43,880
Speaker 3: It sounds like something Elliot would say.

574
00:28:44,000 --> 00:28:48,120
Speaker 2: And JD's like, wow, that's weird for a doctor, but okay,

575
00:28:48,680 --> 00:28:51,320
Speaker 2: And then Todd is able to sense when a couple

576
00:28:51,400 --> 00:28:53,480
Speaker 2: is doing it. Not only is he able to sense

577
00:28:53,480 --> 00:28:55,760
Speaker 2: that they're doing it, but he's able to sense which

578
00:28:55,840 --> 00:28:58,959
Speaker 2: clothing they have on. I mean, there's not even noises

579
00:28:58,960 --> 00:29:00,960
Speaker 2: in the hallway, but he's like, he closes his eyes

580
00:29:01,000 --> 00:29:05,160
Speaker 2: and he's like, socks off, pants on. He knows, he knew,

581
00:29:05,800 --> 00:29:10,600
Speaker 2: he's got like a The ability to sense is a force,

582
00:29:10,160 --> 00:29:12,000
Speaker 2: the sexual force.

583
00:29:15,240 --> 00:29:21,760
Speaker 1: I send someone having sex right now, sucks off pants on.

584
00:29:30,480 --> 00:29:32,040
Speaker 2: It's the sexual force.

585
00:29:32,400 --> 00:29:33,680
Speaker 1: The sexual force.

586
00:29:35,400 --> 00:29:39,200
Speaker 2: Snoop dogg Residents makes an appearance, and he's not down

587
00:29:39,280 --> 00:29:42,200
Speaker 2: to help Carrie Boschet with her mission. She's trying to

588
00:29:42,240 --> 00:29:44,440
Speaker 2: help an alcoholic patient. We should just get back to

589
00:29:44,440 --> 00:29:48,080
Speaker 2: a little bit of the storyline. Uh, Lucy's trying to

590
00:29:48,080 --> 00:29:51,160
Speaker 2: help a patient, but she's too naive to know that

591
00:29:51,200 --> 00:29:55,120
Speaker 2: the guy is a really horrible alcoholic. And Cox is saying, oh,

592
00:29:55,160 --> 00:29:57,080
Speaker 2: there's no hope. He's going to be right back here,

593
00:29:57,120 --> 00:29:59,680
Speaker 2: just you wait. Donald's right. It's a little bit like

594
00:29:59,720 --> 00:30:04,600
Speaker 2: the same Andy storyline in Old Scrubs where he's always

595
00:30:04,640 --> 00:30:05,960
Speaker 2: trying to steal pills.

596
00:30:07,680 --> 00:30:12,200
Speaker 1: Right, Donald, that's the exact storyline.

597
00:30:11,200 --> 00:30:13,720
Speaker 2: But this time JD's a part of it because JD

598
00:30:13,880 --> 00:30:16,440
Speaker 2: also thinks that she needs to learn the hard lesson.

599
00:30:17,240 --> 00:30:19,640
Speaker 1: I did like that and I saw that. I mean,

600
00:30:20,240 --> 00:30:24,000
Speaker 1: I didn't necessarily see that part coming where JD's actually

601
00:30:24,000 --> 00:30:26,200
Speaker 1: in on it, but I knew the outcome of the story,

602
00:30:26,240 --> 00:30:27,760
Speaker 1: and I was like, if they change the outcome of

603
00:30:27,800 --> 00:30:30,960
Speaker 1: the story, this isn't then they're really fucking up the

604
00:30:31,000 --> 00:30:35,720
Speaker 1: way Scrubs is supposed to be made. But when JD

605
00:30:35,880 --> 00:30:38,560
Speaker 1: came in at the end and was talking about how

606
00:30:38,600 --> 00:30:41,959
Speaker 1: he likes his money, how he likes his winnings, and

607
00:30:42,000 --> 00:30:43,800
Speaker 1: he does it in her face too.

608
00:30:44,280 --> 00:30:46,840
Speaker 2: That was an interesting character change for JD that you

609
00:30:46,880 --> 00:30:51,080
Speaker 2: haven't seen before. That he's he's become as cynical as

610
00:30:51,120 --> 00:30:53,880
Speaker 2: cocks in that regard, and he's doing it in her face,

611
00:30:53,960 --> 00:30:56,280
Speaker 2: like you said, and it's a bet that she was

612
00:30:56,320 --> 00:30:57,440
Speaker 2: wrong for helping him.

613
00:30:58,000 --> 00:31:00,560
Speaker 1: He was partly, Yeah, he's I'm going to let's set

614
00:31:00,560 --> 00:31:04,000
Speaker 1: this girl up. She is, let's get her like literally,

615
00:31:04,040 --> 00:31:06,400
Speaker 1: they had a pow wow, and cox's all.

616
00:31:07,080 --> 00:31:10,200
Speaker 2: JD does give her the chance to try, but he

617
00:31:10,240 --> 00:31:12,080
Speaker 2: feels that she needs to learn the lesson that he

618
00:31:12,160 --> 00:31:14,920
Speaker 2: learned that odds are that you can, of course, you

619
00:31:14,960 --> 00:31:18,520
Speaker 2: can root for people, but you can't invest in thinking

620
00:31:18,560 --> 00:31:20,720
Speaker 2: they're going to turn their lives around every single time.

621
00:31:20,760 --> 00:31:23,080
Speaker 2: You just you won't be able to continue. It's too

622
00:31:23,120 --> 00:31:25,000
Speaker 2: hard as a doctor to think people are going to

623
00:31:25,040 --> 00:31:27,320
Speaker 2: make the right choices right.

624
00:31:27,480 --> 00:31:31,280
Speaker 1: My wife always says to me when something happens, and

625
00:31:31,400 --> 00:31:34,440
Speaker 1: statistically it always happens. She always says to me when

626
00:31:34,480 --> 00:31:37,200
Speaker 1: I'm acting all surprised, I can't believe you're so surprised

627
00:31:37,240 --> 00:31:41,320
Speaker 1: by all of this. To be emotionally invested in people

628
00:31:41,440 --> 00:31:44,680
Speaker 1: the way she is invested in people at this early

629
00:31:44,760 --> 00:31:49,440
Speaker 1: stage is very dangerous, and I think the fact that

630
00:31:49,520 --> 00:31:53,200
Speaker 1: Cox and JD do this to her is in a

631
00:31:53,200 --> 00:31:56,760
Speaker 1: lot of ways a great lesson, but it's very unrealistic.

632
00:31:57,000 --> 00:31:59,479
Speaker 1: I don't think anybody would ever It's television, I know,

633
00:31:59,520 --> 00:32:01,560
Speaker 1: but I don't think think anybody would ever go through

634
00:32:02,280 --> 00:32:05,280
Speaker 1: this much to where she has a car wash and

635
00:32:05,320 --> 00:32:08,520
Speaker 1: she had you know what I mean. And you know

636
00:32:08,880 --> 00:32:09,160
Speaker 1: that was.

637
00:32:09,160 --> 00:32:11,160
Speaker 2: A bit heightened too, like let's put on a car

638
00:32:11,200 --> 00:32:13,120
Speaker 2: wash and then the car wash turns into like an

639
00:32:13,280 --> 00:32:14,440
Speaker 2: R rated eighties movie.

640
00:32:14,680 --> 00:32:17,800
Speaker 1: Yeah, and it's like, all right, I don't know, man.

641
00:32:17,840 --> 00:32:21,080
Speaker 1: At storytelling, I get I get, I get the premise

642
00:32:21,120 --> 00:32:23,920
Speaker 1: because we've seen the story before. It's just and it

643
00:32:24,840 --> 00:32:28,440
Speaker 1: for me, as a fan now of watching Scrubs, to

644
00:32:28,560 --> 00:32:31,800
Speaker 1: see this, I can see and I'm not dissing any

645
00:32:31,840 --> 00:32:34,480
Speaker 1: of the actors. I'm not dissing any of the writers.

646
00:32:34,480 --> 00:32:37,160
Speaker 1: It was a swing at something, but I could see

647
00:32:37,200 --> 00:32:41,560
Speaker 1: why you would get upset watching this after knowing everything

648
00:32:41,600 --> 00:32:42,440
Speaker 1: that came before.

649
00:32:42,800 --> 00:32:46,280
Speaker 2: You're empathizing with the fans who went, wait this, you've

650
00:32:46,280 --> 00:32:49,800
Speaker 2: missed the tone You've It's a very hard tone to nail,

651
00:32:50,000 --> 00:32:54,320
Speaker 2: and I think when you don't have Bill doing it,

652
00:32:54,320 --> 00:32:55,920
Speaker 2: it can go off the rails.

653
00:32:56,360 --> 00:32:58,640
Speaker 1: It's a it's a big swing and it's a big ask.

654
00:32:59,040 --> 00:33:01,880
Speaker 2: Tone is it's so tricky to nail, and it's a

655
00:33:02,600 --> 00:33:05,160
Speaker 2: you can find with the width of a hair you

656
00:33:05,160 --> 00:33:07,840
Speaker 2: can fall one way wrong or one way right. And

657
00:33:07,920 --> 00:33:10,640
Speaker 2: I think that all the things you're sensing are there's

658
00:33:10,680 --> 00:33:12,920
Speaker 2: funny things in this. I definitely laughed out loud a

659
00:33:12,960 --> 00:33:16,560
Speaker 2: few times. But what you're sensing is like, oh, but

660
00:33:16,760 --> 00:33:21,400
Speaker 2: it's it's shifted, it's there's something off of it. Car

661
00:33:21,600 --> 00:33:23,720
Speaker 2: Wash was another thing that wouldn't be in a TV

662
00:33:23,760 --> 00:33:26,960
Speaker 2: show today, Like let's get Nikki wheeling in a bikini

663
00:33:27,080 --> 00:33:28,520
Speaker 2: and shower her with a hose.

664
00:33:30,080 --> 00:33:33,600
Speaker 1: But it's a dangerous lesson that's getting back to it.

665
00:33:33,600 --> 00:33:36,560
Speaker 1: It's a dangerous lesson that she has to learn. And

666
00:33:36,680 --> 00:33:41,120
Speaker 1: the way they go about it, although the lesson lands

667
00:33:41,160 --> 00:33:44,800
Speaker 1: at the end, is really cavalier. And as for these

668
00:33:45,080 --> 00:33:47,400
Speaker 1: older professionals.

669
00:33:46,520 --> 00:33:50,120
Speaker 3: To I don't know, can I ask you, so, do

670
00:33:50,200 --> 00:33:53,440
Speaker 3: you feel like this is an appropriate evolution for JD,

671
00:33:53,560 --> 00:33:57,120
Speaker 3: who we've seen struggle under doctor hawks for so many years,

672
00:33:57,160 --> 00:33:58,480
Speaker 3: to just be like, I just want to hug. I

673
00:33:58,520 --> 00:34:01,600
Speaker 3: just want you to acknowledge that we do have like

674
00:34:01,760 --> 00:34:04,680
Speaker 3: this positive relationship that I mean something to you. Then

675
00:34:04,720 --> 00:34:06,800
Speaker 3: the first student who sort of takes him seriously and

676
00:34:06,840 --> 00:34:11,600
Speaker 3: confides in him to pull a joke on her. I personally,

677
00:34:11,600 --> 00:34:15,759
Speaker 3: I understand from a experienced veteran at this point to

678
00:34:15,800 --> 00:34:18,759
Speaker 3: be like, Hey, you have to experience pain because it's

679
00:34:18,760 --> 00:34:20,640
Speaker 3: coming at you no matter what, and you have to

680
00:34:20,640 --> 00:34:23,000
Speaker 3: tough en up, like you can't be this vulnerable all

681
00:34:23,040 --> 00:34:25,040
Speaker 3: the time. But I also was like, man, I'm not

682
00:34:25,080 --> 00:34:27,600
Speaker 3: sure if this is how I feel the JD I've

683
00:34:27,680 --> 00:34:32,040
Speaker 3: known for eight seasons would handle teaching this lesson, But

684
00:34:32,120 --> 00:34:34,239
Speaker 3: I don't even think Cox would handle it this way.

685
00:34:34,880 --> 00:34:37,960
Speaker 2: Oh, it is very toxican and no, well.

686
00:34:37,840 --> 00:34:38,239
Speaker 4: I don't know.

687
00:34:38,320 --> 00:34:40,000
Speaker 1: I don't know. I think I did the same thing with.

688
00:34:40,000 --> 00:34:40,720
Speaker 3: The guy with the pills.

689
00:34:40,800 --> 00:34:43,040
Speaker 1: Right with JD. He was all he didn't know. All

690
00:34:43,080 --> 00:34:45,359
Speaker 1: he did was let him go, go do your thing,

691
00:34:45,760 --> 00:34:48,000
Speaker 1: you know what I mean. He never was like he

692
00:34:48,120 --> 00:34:51,200
Speaker 1: never was like, you know, do a car wash, do

693
00:34:51,280 --> 00:34:53,319
Speaker 1: a such, and you know what I mean, it just

694
00:34:53,400 --> 00:34:59,080
Speaker 1: got really it got bigger than the hospital is what happened.

695
00:34:59,080 --> 00:35:02,239
Speaker 1: And that's when it kind of gonna follow, you know

696
00:35:02,280 --> 00:35:05,319
Speaker 1: what I mean. It's like, all right, you know, she's

697
00:35:05,400 --> 00:35:09,600
Speaker 1: now on her college campus. The security guards from the

698
00:35:09,640 --> 00:35:16,320
Speaker 1: college campus is helping out, like all for a patient.

699
00:35:17,280 --> 00:35:20,560
Speaker 1: It just I don't know, man, it just it got

700
00:35:20,600 --> 00:35:25,160
Speaker 1: real big in a story that has been told before.

701
00:35:25,840 --> 00:35:28,279
Speaker 1: And this didn't need to be the A storyline. This

702
00:35:28,320 --> 00:35:30,600
Speaker 1: could have been the B storyline, and the A storyline

703
00:35:30,600 --> 00:35:33,400
Speaker 1: could have been Joe and fucking Phonsie. I thought that

704
00:35:33,480 --> 00:35:36,879
Speaker 1: shit was fucking hilarious. The fucking you know, if Joe

705
00:35:36,920 --> 00:35:40,360
Speaker 1: and Phonsie had a television show together, how much, you

706
00:35:40,400 --> 00:35:41,919
Speaker 1: know what I mean? I like that. I would watch

707
00:35:41,920 --> 00:35:44,520
Speaker 1: a show with Phonsie and a gremlin. That was funny

708
00:35:44,560 --> 00:35:45,200
Speaker 1: to me, you know.

709
00:35:46,400 --> 00:35:47,160
Speaker 3: Was brilliant.

710
00:35:47,440 --> 00:35:52,000
Speaker 1: Yeah, let's do it high. That shit was fucking hilarious. Bark,

711
00:35:53,160 --> 00:35:54,880
Speaker 1: this is just for me. If we're gonna explore new

712
00:35:54,960 --> 00:35:57,960
Speaker 1: characters and we're gonna explore new things, we can't do

713
00:35:58,080 --> 00:36:01,560
Speaker 1: old storylines with the same new characters and stuff like that.

714
00:36:01,600 --> 00:36:02,719
Speaker 1: And I feel like that's what we're doing.

715
00:36:02,880 --> 00:36:05,240
Speaker 2: I think we've d all done this enough. French Laundry

716
00:36:05,280 --> 00:36:06,560
Speaker 2: was the restaurant I was trying to think of.

717
00:36:07,000 --> 00:36:10,040
Speaker 3: Oh that's the obviously, Yeah, okay, all right, yeah.

718
00:36:10,719 --> 00:36:14,120
Speaker 2: Gotcha, gotcha. Jad and Turk didn't meet over a bloomin onion.

719
00:36:14,160 --> 00:36:16,680
Speaker 2: Everyone who knows Scrubs knows they meant in the dorm room.

720
00:36:17,280 --> 00:36:20,520
Speaker 2: When when Jad had a mullet and Turk had a

721
00:36:20,560 --> 00:36:24,240
Speaker 2: flat top what do you call it? Faith? High top faith.

722
00:36:25,440 --> 00:36:28,480
Speaker 2: There was a wizard hat involved, I believe. So this

723
00:36:28,560 --> 00:36:31,360
Speaker 2: really breaks lure saying that we met over a bloomin onion.

724
00:36:31,400 --> 00:36:34,319
Speaker 2: And I don't like that. It was said someone needs

725
00:36:34,320 --> 00:36:38,800
Speaker 2: someone whoever wrote that should have done a rewatch of

726
00:36:38,840 --> 00:36:44,080
Speaker 2: all eight seasons of Scrubs. The lor master on hand, Okay,

727
00:36:44,239 --> 00:36:47,879
Speaker 2: so Kelso's, as Donald said, is at the bar, and

728
00:36:47,920 --> 00:36:51,279
Speaker 2: he gives a little bit of advice to Drew, saying,

729
00:36:51,280 --> 00:36:54,439
Speaker 2: you can't wall yourself in. You you got to look

730
00:36:54,480 --> 00:36:57,560
Speaker 2: for a partner. You shouldn't isolate yourself. He says that

731
00:36:57,600 --> 00:37:01,719
Speaker 2: while trying to bring a coup uger home, he's on

732
00:37:01,760 --> 00:37:04,040
Speaker 2: a hunt to find some some ladies.

733
00:37:04,920 --> 00:37:08,239
Speaker 1: I did. I did laugh at Edith, mister Nickerson and

734
00:37:08,719 --> 00:37:13,080
Speaker 1: r I p I did laugh at that.

735
00:37:13,280 --> 00:37:16,680
Speaker 2: And we have the very elaborate fantasy Donald mentioned with

736
00:37:16,760 --> 00:37:20,480
Speaker 2: Antonio Sobado Junior. And it's a lifetime movie. And uh,

737
00:37:20,520 --> 00:37:23,040
Speaker 2: you were looking pretty ripped in that. By the way,

738
00:37:23,120 --> 00:37:26,799
Speaker 2: when I like my I mean, I'm what's it called,

739
00:37:26,840 --> 00:37:29,879
Speaker 2: I'm being Fabio. I've got long flowing hair on.

740
00:37:30,560 --> 00:37:33,200
Speaker 1: The nacho bros. That was funny.

741
00:37:33,640 --> 00:37:36,720
Speaker 2: Yeah, you like him, but they gave you nachos.

742
00:37:37,040 --> 00:37:39,240
Speaker 1: That's why we like, right, That's why we liked That's.

743
00:37:39,080 --> 00:37:45,080
Speaker 2: Why your friends. He gave me leftover bar. And the

744
00:37:45,160 --> 00:37:48,000
Speaker 2: episode ends with Kelso is about to hook up with

745
00:37:48,080 --> 00:37:48,760
Speaker 2: Cole's mom.

746
00:37:50,280 --> 00:37:51,160
Speaker 3: Perfect revenge.

747
00:37:51,719 --> 00:37:54,160
Speaker 2: Yeah, that's nice revenge. I hope that.

748
00:37:56,160 --> 00:38:01,080
Speaker 1: No, it's not. He needed that in his life. The

749
00:38:01,239 --> 00:38:08,520
Speaker 1: perfect revenge is cold getting kicked out of that fucking school. Yeah,

750
00:38:08,560 --> 00:38:11,440
Speaker 1: but he has to evolve and by the end of it.

751
00:38:11,480 --> 00:38:14,319
Speaker 1: I'm sure Cole is going to be a loved character. Yeah, well,

752
00:38:14,400 --> 00:38:16,960
Speaker 1: right now, he's the most hated person in the history

753
00:38:16,960 --> 00:38:19,560
Speaker 1: of school. He's more hated than it's like a baguette.

754
00:38:21,000 --> 00:38:23,160
Speaker 2: Yeah, well, that guy was just an as kisser. He

755
00:38:23,200 --> 00:38:26,600
Speaker 2: wasn't sexually harassing anybody. All right, let's go to break

756
00:38:26,600 --> 00:38:29,200
Speaker 2: and when we come back, Joelle, do we have some

757
00:38:29,280 --> 00:38:30,239
Speaker 2: callers to listen to.

758
00:38:30,440 --> 00:38:32,799
Speaker 3: We have a voicemail to listen to today. That's pretty great.

759
00:38:33,320 --> 00:38:43,520
Speaker 2: Great, we'll be right back after this commercial break. Everybody,

760
00:38:45,120 --> 00:38:45,960
Speaker 2: all RIGHTO, well, go.

761
00:38:45,960 --> 00:38:48,160
Speaker 3: Ahead, Daniel's queuing us up. Thanks Danel.

762
00:38:48,400 --> 00:38:54,600
Speaker 5: Here we go, Hi, fake doctors and Joel. I watched

763
00:38:54,920 --> 00:38:57,480
Speaker 5: episode two of season nine for the first time, and

764
00:38:57,560 --> 00:39:00,319
Speaker 5: I am pleased and surprised to say I did not

765
00:39:00,640 --> 00:39:03,359
Speaker 5: totally hate it. I am wanting to try to get

766
00:39:03,360 --> 00:39:06,040
Speaker 5: this into two minutes or less. I've got highlights and

767
00:39:06,080 --> 00:39:10,000
Speaker 5: the lights for you. First highlight was Kelso's cameo, perfectly crass,

768
00:39:10,320 --> 00:39:12,480
Speaker 5: definitely would have got him canceled in twenty twenty four,

769
00:39:12,520 --> 00:39:15,280
Speaker 5: but I still loved it. Cox's back to being himself

770
00:39:15,280 --> 00:39:18,160
Speaker 5: in a way that wasn't egregious. I'm aware that Cox

771
00:39:18,280 --> 00:39:20,960
Speaker 5: is an egregious human being, but in episode one it

772
00:39:21,000 --> 00:39:24,120
Speaker 5: felt like he was doing Cox, like shouting, you know,

773
00:39:24,800 --> 00:39:28,120
Speaker 5: this is my character, and in episode two he was

774
00:39:28,160 --> 00:39:31,080
Speaker 5: back to being Cox. All of the interactions with JD

775
00:39:31,160 --> 00:39:34,920
Speaker 5: and Turk are always great. JD is back to calling

776
00:39:34,960 --> 00:39:37,359
Speaker 5: doctor Cox either doctor Cox or Perry Cox. He's not

777
00:39:37,360 --> 00:39:39,760
Speaker 5: calling him Perry, which I did not like in episode one.

778
00:39:40,200 --> 00:39:44,680
Speaker 5: And the last highlight, surprisingly is Drew, very surprisingly, because

779
00:39:44,680 --> 00:39:48,360
Speaker 5: I don't like these interns, but Drew still feels like

780
00:39:48,400 --> 00:39:53,960
Speaker 5: a developing character. He's also a conventionally handsome, confusing white male,

781
00:39:54,360 --> 00:39:56,240
Speaker 5: and the twenty two year old in me will always

782
00:39:56,280 --> 00:39:59,520
Speaker 5: find that attractive and appealing. But because he's still developing,

783
00:39:59,560 --> 00:40:02,200
Speaker 5: he's still interesting to watch. So those are my highlights

784
00:40:02,200 --> 00:40:07,160
Speaker 5: low lights Essentially. The other interns Cole I like Dave

785
00:40:07,160 --> 00:40:10,280
Speaker 5: Franco as an actor, so it's not him, it's this character,

786
00:40:11,040 --> 00:40:13,520
Speaker 5: a sad face Girl whose name I just can't remember,

787
00:40:13,880 --> 00:40:17,439
Speaker 5: and Denise sad Face Girl. I've decided that all three

788
00:40:17,480 --> 00:40:21,000
Speaker 5: of them are not characters. They're caricatures of the missing

789
00:40:21,080 --> 00:40:24,640
Speaker 5: cast members. Sad Face Girl is Elliott. She's the people

790
00:40:24,680 --> 00:40:27,319
Speaker 5: pleaser in Elliott without the snark or the humor. She

791
00:40:27,520 --> 00:40:31,279
Speaker 5: literally said what the French when scared, and Elliott would

792
00:40:31,280 --> 00:40:33,800
Speaker 5: say what the frick? But that was way funnier, and

793
00:40:33,880 --> 00:40:38,280
Speaker 5: Elliott's delivery was always better. Cole is obviously the overtly

794
00:40:38,880 --> 00:40:42,920
Speaker 5: sexual bonehead part of Todd, but Todd was dense and

795
00:40:42,960 --> 00:40:45,640
Speaker 5: self absorbed in a way that was clueless and not mean.

796
00:40:45,920 --> 00:40:51,280
Speaker 5: Cole is mean, and Denise is. She's like the wall

797
00:40:51,719 --> 00:40:55,560
Speaker 5: that Carla puts up, but she's missing the friendship that

798
00:40:55,640 --> 00:40:59,080
Speaker 5: Carla is able to extend. Denise is the girl who's like,

799
00:40:59,400 --> 00:41:01,680
Speaker 5: I can't be with girls because girls are super catty,

800
00:41:01,719 --> 00:41:03,600
Speaker 5: and then proceeds to be caddy to every girl she

801
00:41:03,680 --> 00:41:05,040
Speaker 5: meets and shotgun beers.

802
00:41:04,800 --> 00:41:06,520
Speaker 3: At a party to prove that she's cool with boys.

803
00:41:06,800 --> 00:41:09,319
Speaker 5: They feel like caricatures that are being shoved down our

804
00:41:09,360 --> 00:41:12,560
Speaker 5: throats to make up for the cast members that we're missing.

805
00:41:13,040 --> 00:41:15,200
Speaker 5: So that's why I think I don't That's why I

806
00:41:15,200 --> 00:41:18,080
Speaker 5: think I don't like them, and why I still think

807
00:41:18,120 --> 00:41:20,240
Speaker 5: I'm not going to enjoy the rest of the season,

808
00:41:20,400 --> 00:41:22,279
Speaker 5: even though now I am going to finish watching it.

809
00:41:22,920 --> 00:41:25,360
Speaker 5: I'm over my two minute time limit. I do apologize.

810
00:41:25,400 --> 00:41:26,840
Speaker 5: I hope you guys are having fun. I love the

811
00:41:26,880 --> 00:41:29,680
Speaker 5: podcast and Joel, you and I are officially besties.

812
00:41:29,760 --> 00:41:33,239
Speaker 3: Bye obviously I love that was so.

813
00:41:34,800 --> 00:41:35,000
Speaker 1: Yeah.

814
00:41:35,080 --> 00:41:38,319
Speaker 3: Trika's a teacher and she had only ever watched episode one.

815
00:41:38,520 --> 00:41:41,200
Speaker 3: I missed her initial voicemail for episode one, so I

816
00:41:41,200 --> 00:41:43,120
Speaker 3: wrote her. I was like, please watch episode two. Your

817
00:41:43,120 --> 00:41:46,600
Speaker 3: first voicemail is so like. She's such a great analyst,

818
00:41:46,719 --> 00:41:48,200
Speaker 3: and I was like, could you do that for episode two?

819
00:41:48,360 --> 00:41:49,960
Speaker 3: She was like, I have to show. I think it's

820
00:41:49,960 --> 00:41:52,839
Speaker 3: her Spanish class the episode and Spanish so she could

821
00:41:52,880 --> 00:41:54,279
Speaker 3: watch it in enough time for she had to.

822
00:41:54,200 --> 00:41:54,760
Speaker 1: Go on a drip.

823
00:41:55,040 --> 00:41:57,959
Speaker 2: Hilarious, So she did that. She got such a good job.

824
00:41:58,040 --> 00:41:59,800
Speaker 2: She should do it. We should have that now to me,

825
00:42:00,239 --> 00:42:03,120
Speaker 2: and we have to be good. We have to analyze

826
00:42:03,120 --> 00:42:07,080
Speaker 2: each episode of season nine. I like everything she said.

827
00:42:07,120 --> 00:42:11,000
Speaker 2: I agree that the characters are a bit extreme caricatures

828
00:42:11,320 --> 00:42:17,640
Speaker 2: and not as as lovable as the original squad. That's true,

829
00:42:18,160 --> 00:42:19,400
Speaker 2: well said.

830
00:42:19,239 --> 00:42:20,640
Speaker 3: Thanks Tamika, you're great.

831
00:42:21,280 --> 00:42:23,879
Speaker 1: Well I really enjoyed. I really enjoyed what she said

832
00:42:23,880 --> 00:42:26,120
Speaker 1: because she said what I was thinking.

833
00:42:26,120 --> 00:42:31,040
Speaker 2: Yeah, in a really articulate smart way. So thank you, Joelle.

834
00:42:31,080 --> 00:42:32,920
Speaker 2: Remind we need your submissions, guys.

835
00:42:33,040 --> 00:42:35,560
Speaker 1: Well there's another submission isn't there just.

836
00:42:35,560 --> 00:42:37,919
Speaker 3: One this week? Just want sor Tamika is so great.

837
00:42:37,920 --> 00:42:39,960
Speaker 3: She gave She gave us positives and negatives, and I

838
00:42:40,000 --> 00:42:42,920
Speaker 3: thought I wanted to highlight an example of what a

839
00:42:42,960 --> 00:42:46,160
Speaker 3: pristine epic voicemail sounds like. She did it in two

840
00:42:46,200 --> 00:42:48,000
Speaker 3: and a half minutes technically supposed to under three, so

841
00:42:48,080 --> 00:42:49,680
Speaker 3: she hit it. No need to apologize to Mika, you

842
00:42:49,719 --> 00:42:52,680
Speaker 3: did great. You can send your voicemails to us at

843
00:42:52,760 --> 00:42:57,319
Speaker 3: scrubs iHeart at gmail dot com. If you can put

844
00:42:57,360 --> 00:43:00,359
Speaker 3: the episode number in the subject line that that's really

845
00:43:00,360 --> 00:43:02,520
Speaker 3: helpful for me. It'll help us spot you. We are

846
00:43:02,560 --> 00:43:04,640
Speaker 3: listening to everything that comes through, but just so can

847
00:43:04,680 --> 00:43:07,040
Speaker 3: get you guys organized in a neat and orderly way,

848
00:43:07,080 --> 00:43:09,239
Speaker 3: that'll be helpful. Yeah, hit us up and scrubs. I

849
00:43:09,280 --> 00:43:12,399
Speaker 3: heard why you love or hate an episode of season nine,

850
00:43:12,440 --> 00:43:14,680
Speaker 3: preferably one that's not already aired, because I can't do

851
00:43:14,719 --> 00:43:15,239
Speaker 3: anything with that.

852
00:43:15,760 --> 00:43:21,720
Speaker 2: Yeah. Amen, Well, thank you, Joelle. This was a great experience. Donald,

853
00:43:21,880 --> 00:43:23,520
Speaker 2: we know how you feel, right.

854
00:43:23,520 --> 00:43:25,840
Speaker 1: And no way, but I don't want to listen. I

855
00:43:25,880 --> 00:43:27,520
Speaker 1: know a lot of you out there. In fact, Donald,

856
00:43:27,520 --> 00:43:30,080
Speaker 1: all you did was hate on this show today. I

857
00:43:30,120 --> 00:43:32,160
Speaker 1: want you to understand. I enjoyed the time with the

858
00:43:32,200 --> 00:43:35,120
Speaker 1: four of you. I'm sorry.

859
00:43:35,160 --> 00:43:37,400
Speaker 2: With the three of you, audience will be happy. I

860
00:43:37,440 --> 00:43:40,320
Speaker 2: know that Donald is in his classic Mickey Mouse hoodie.

861
00:43:40,520 --> 00:43:43,200
Speaker 1: You will see it, I'm sure. Listen and I get

862
00:43:43,200 --> 00:43:45,600
Speaker 1: to see your faces. Zach, you look like an R

863
00:43:45,640 --> 00:43:47,839
Speaker 1: and B singer like John B. Right now with your

864
00:43:47,840 --> 00:43:53,840
Speaker 1: shoulders out, I'm waiting for you to sing a freaking

865
00:43:54,480 --> 00:43:58,520
Speaker 1: a song or two. B. Who's John B? Yeah, I

866
00:43:58,760 --> 00:44:02,320
Speaker 1: know John Bay. He was an R and B singer,

867
00:44:02,480 --> 00:44:05,480
Speaker 1: white arm B singer who would sing songs like don't

868
00:44:05,520 --> 00:44:12,960
Speaker 1: say that You'll never do it. You know you'd be

869
00:44:13,120 --> 00:44:16,719
Speaker 1: the first one he's saging that one, and then your

870
00:44:16,920 --> 00:44:21,760
Speaker 1: my ainel. He was a he was a Babyface artist,

871
00:44:21,880 --> 00:44:25,400
Speaker 1: actually somebody who Babyface would write music for, and he

872
00:44:25,440 --> 00:44:28,040
Speaker 1: had a lot of He had a few hit songs

873
00:44:28,080 --> 00:44:31,440
Speaker 1: back in the early two thousands. And that's what you

874
00:44:31,480 --> 00:44:33,440
Speaker 1: look like. You look like you're about to dance with

875
00:44:34,160 --> 00:44:35,120
Speaker 1: in sync. Baby.

876
00:44:35,239 --> 00:44:37,280
Speaker 2: It's a beautiful day outside, so I'm gonna go enjoy

877
00:44:37,320 --> 00:44:40,520
Speaker 2: some sunlight. Donald, to tell the audience when to watch

878
00:44:40,560 --> 00:44:41,640
Speaker 2: your hit TV show.

879
00:44:42,040 --> 00:44:43,920
Speaker 1: You can watch it every Tuesday, same day that you

880
00:44:44,120 --> 00:44:50,360
Speaker 1: that our podcast comes out Extended Family airs on NBC

881
00:44:50,600 --> 00:44:55,799
Speaker 1: at a thirty seven thirty Central. Amen, and then you

882
00:44:55,840 --> 00:44:58,000
Speaker 1: can you can stream it the next day on Peacock.

883
00:44:58,239 --> 00:45:00,920
Speaker 2: And please check out my new film French Girl, everybody.

884
00:45:01,600 --> 00:45:04,440
Speaker 2: It's out. You can get it wherever you get on

885
00:45:04,480 --> 00:45:10,120
Speaker 2: demand movies like Apple, Amazon, whatever service you like, it's available.

886
00:45:10,200 --> 00:45:13,600
Speaker 2: It's very cute and funny and romantic. And I know

887
00:45:13,680 --> 00:45:14,160
Speaker 2: you'll love it.

888
00:45:14,520 --> 00:45:20,480
Speaker 1: Guys. If we get online right now and each watch

889
00:45:20,600 --> 00:45:23,400
Speaker 1: The French Girl, we can put that shit to number

890
00:45:23,440 --> 00:45:28,560
Speaker 1: one on iTunes on Apple TV. Let's freaking band together

891
00:45:29,280 --> 00:45:35,360
Speaker 1: as a group of freaking listeners. And we've been together

892
00:45:35,400 --> 00:45:38,040
Speaker 1: for how many years now? People? How many years have

893
00:45:38,080 --> 00:45:43,640
Speaker 1: we been together for? Four years? Four years? Now? Is

894
00:45:43,840 --> 00:45:47,720
Speaker 1: time to freaking show up and let's make this movie.

895
00:45:47,880 --> 00:45:49,920
Speaker 2: Listen, Donald, I know you don't watch things, but you

896
00:45:49,960 --> 00:45:52,399
Speaker 2: will actually really love this movie. You'll laugh out loud

897
00:45:52,760 --> 00:45:53,040
Speaker 2: right on.

898
00:45:53,160 --> 00:45:55,680
Speaker 1: But let's get let's get it going. Let's get everybody

899
00:45:56,120 --> 00:45:59,799
Speaker 1: on board to freaking watch the French Girls. Zax.

900
00:46:02,120 --> 00:46:04,440
Speaker 2: There's no doubt, believe it or not. French Girl's all right,

901
00:46:04,840 --> 00:46:07,480
Speaker 2: Vanessa Hu Facebook, Zach Bras, you'll love it.

902
00:46:08,160 --> 00:46:11,160
Speaker 3: Sounds great. Oh, I have one more announcement. I'll insert

903
00:46:11,200 --> 00:46:14,719
Speaker 3: the website later, but we have a sweepstakes for the

904
00:46:14,880 --> 00:46:17,120
Speaker 3: backpack giveaway. That's how I Heart says.

905
00:46:16,920 --> 00:46:17,400
Speaker 1: We should do it.

906
00:46:17,400 --> 00:46:19,160
Speaker 3: We should do a sleep stakes. So there will be

907
00:46:19,200 --> 00:46:23,799
Speaker 3: a website. iHeartRadio dot com slash f d r F.

908
00:46:24,200 --> 00:46:27,160
Speaker 3: So the initials of this show fake doctor's real friends

909
00:46:27,320 --> 00:46:30,920
Speaker 3: f as in Frank dias and doctor rs and Richard

910
00:46:31,120 --> 00:46:35,640
Speaker 3: f isn't Frank again. iHeart dot Com slash f d

911
00:46:36,080 --> 00:46:41,520
Speaker 3: r F. You must enter before the last day of April,

912
00:46:42,000 --> 00:46:44,800
Speaker 3: I believe. So just go to iHeart dot com slash

913
00:46:45,000 --> 00:46:47,920
Speaker 3: f as in Frank das and doctor ours and Richard

914
00:46:48,160 --> 00:46:51,120
Speaker 3: f as in Frank to win the sleep stakes. Get

915
00:46:51,160 --> 00:46:53,719
Speaker 3: yourself a Scrubs backpack today.

916
00:46:54,160 --> 00:46:54,640
Speaker 1: Go to that.

917
00:46:54,640 --> 00:46:58,359
Speaker 3: Website and you can enter for a chance to win

918
00:46:58,719 --> 00:47:00,840
Speaker 3: the backpack. It looks amazing thing. It's got Zach and

919
00:47:00,880 --> 00:47:03,600
Speaker 3: Donald's face in front of it. It's beautiful, it's sturdy.

920
00:47:04,000 --> 00:47:05,800
Speaker 1: I love well made.

921
00:47:06,200 --> 00:47:09,319
Speaker 2: It's sturdy. I actually want one of these, but but

922
00:47:09,360 --> 00:47:11,960
Speaker 2: I'm gonna give this one away to the fans. Yes,

923
00:47:12,320 --> 00:47:15,000
Speaker 2: I'll funny. If I wore this around town, very funny.

924
00:47:15,040 --> 00:47:16,160
Speaker 1: That'd be the weirdest thing ever.

925
00:47:16,200 --> 00:47:18,840
Speaker 3: From you guys, gotta go back to Disney and we're

926
00:47:18,840 --> 00:47:21,080
Speaker 3: matching back facts with your faces on it, all.

927
00:47:21,040 --> 00:47:26,759
Speaker 2: Right, Love you guys. Count about Shure.

928
00:47:27,040 --> 00:47:30,600
Speaker 4: We made about a bunch of talks.

929
00:47:30,360 --> 00:47:31,239
Speaker 2: And nurses and.

930
00:47:33,120 --> 00:47:40,120
Speaker 4: He said he's the story net. No so YadA round here,

931
00:47:41,120 --> 00:47:43,520
Speaker 4: yeada round here, but me