WEBVTT - You Wear it Well… 

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know, are

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<v Speaker 1>you a Charlotte Mollie Mollie Rogers is here you guys? Yay.

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<v Speaker 1>I have been dying to have Molly on since we

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<v Speaker 1>began this podcast. Mollie is the most special person that

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<v Speaker 1>you guys will meet, Okay, and she's been with us

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<v Speaker 1>since the very very beginning. I mean, not the pilot.

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<v Speaker 1>Scratch that the almost very beginning.

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<v Speaker 2>Right, the pilot someone else who went on to do

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<v Speaker 2>the Sopranos.

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<v Speaker 1>No way, I didn't realize she went on to do

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<v Speaker 1>the Sopranos.

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<v Speaker 3>They were on the same floor with us, right, second floor, silver.

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<v Speaker 1>Cup, right right, right, that's interesting. Well she did such

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<v Speaker 1>a fantastic job on the Sopranos, and tell her opposite

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<v Speaker 1>from the right, Well, that was meant to be then,

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<v Speaker 1>that was meant to be for her, and she was lovely.

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<v Speaker 1>She was lovely. It just wasn't exactly the right fit. Now,

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<v Speaker 1>let's discuss. That's a good jumping off point to discuss.

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<v Speaker 1>First of all, how did you come to be working

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<v Speaker 1>with the illustrious Pat Field at the time? Tell us

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<v Speaker 1>the background.

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<v Speaker 2>Okay, it's a kind of I can do it in

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<v Speaker 2>a short way. Also, because I've told the story so

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<v Speaker 2>many times and Pat herself loves to.

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<v Speaker 3>Watch me and listen to me tell it.

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<v Speaker 2>I was living in London after I graduated from Carolina,

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<v Speaker 2>and I didn't know what I wanted to do. And

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<v Speaker 2>then I decided I needed to get out of England

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<v Speaker 2>because I wasn't really legal.

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<v Speaker 3>I can find York.

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<v Speaker 2>On Friday the thirteenth, nineteen eighty four, wow, and walked

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<v Speaker 2>into Pat's store, famous store on Meat Street, and she

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<v Speaker 2>was in there with a stylist, a French stylist named

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<v Speaker 2>Mary Paul, and they were choosing rubber bracelets eighty four.

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<v Speaker 1>Wow for Madonna, Oh my god, which of course we

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<v Speaker 1>all know Madonna's rubber blet bracelets exactly.

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<v Speaker 2>And I walked up to Pat and I was wearing

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<v Speaker 2>a paper dress.

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<v Speaker 3>Oh my boy, George dreadlocks. Wow. I asked her for a.

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<v Speaker 2>Job, and that old we began our trek in styling

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<v Speaker 2>and being friends and working in her store led to

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<v Speaker 2>you know, that was huge. Eighty four was big TV videos. Sure,

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<v Speaker 2>so we styled and that led to commercials and that

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<v Speaker 2>led to TV. You know, and just have known her

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<v Speaker 2>and been a friend of hers forever.

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<v Speaker 1>And did you work on the film that she did

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<v Speaker 1>with Sir Jessica in Miami.

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<v Speaker 3>No, I was.

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<v Speaker 2>Down here at the same time doing a television show

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<v Speaker 2>called Moon Over Miami, So I didn't get to work

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<v Speaker 2>on that. And I was so jealous because I remember

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<v Speaker 2>the day that they were shooting something on the beach

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<v Speaker 2>with Naom Campbell.

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<v Speaker 3>Oh. I was like, that's working with super model.

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<v Speaker 1>I love it. So then, how how did you hear

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<v Speaker 1>about the pilot? The show, not the pilot, I guess

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<v Speaker 1>because I don't even think that we asked Pat to

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<v Speaker 1>do the pilot. No, right, right?

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<v Speaker 2>I remember, uh, Pat throwing some script at me and saying,

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<v Speaker 2>read this, I think it's really interesting.

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<v Speaker 3>No, I think did Candice have a book out?

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<v Speaker 1>Yeah, definitely the book Sex and the City.

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<v Speaker 3>Yeah, I think.

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<v Speaker 2>I think if that was at that time, I feel

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<v Speaker 2>like Pat had read the paperback and was like, this

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<v Speaker 2>is gonna be outrageous.

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<v Speaker 1>Wow, smart Pat.

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<v Speaker 3>And the first time we met, well, Pat went and talked.

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<v Speaker 2>Pat took a Dominatrix book that I had to her

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<v Speaker 2>meeting with Darren Haa. I love show him pictures of

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<v Speaker 2>serious high heel and things.

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<v Speaker 1>Wow.

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<v Speaker 2>And it was very s and m I was like,

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<v Speaker 2>you're gonna scare him off.

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<v Speaker 1>But you didn't know Darren yet, right, So you didn't

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<v Speaker 1>really know Darren. Darren, I don't think he's that scarable.

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<v Speaker 1>But I mean, I also think that is such a

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<v Speaker 1>good indication of kind of the interesting kind of mismatch

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<v Speaker 1>of television and Pat, which actually really benefited the show obviously.

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<v Speaker 2>Absolutely, It's just so interesting because and when I often

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<v Speaker 2>think about the influences in those early years where you know,

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<v Speaker 2>we just had no money and we were working on Saturdays,

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<v Speaker 2>and it was so crazy. I realized how much we

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<v Speaker 2>drew from being out all the time we went out.

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<v Speaker 2>We were downtown people, right, and we saw those characters

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<v Speaker 2>and we were always big, high heeled, you know.

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<v Speaker 3>It just it was a natural inspiration from just being social.

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<v Speaker 1>Amazing, amazing. That's so interesting now, So to take me

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<v Speaker 1>back to coming to New York with Pat to do

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<v Speaker 1>the beginning of the series, when we got picked up

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<v Speaker 1>for the first season.

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<v Speaker 2>Well, I don't know, I know you'll understand this, but

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<v Speaker 2>the first time we met Sarah Jessica was at Pat's apartment,

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<v Speaker 2>which was above the store on Eighth Street. It had

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<v Speaker 2>rubber floors that after parties she would like kind of

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<v Speaker 2>hose and that was sticky liquor or whatever.

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<v Speaker 1>I'm sure don't want to know more.

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<v Speaker 3>Let's show SJ just a few little ideas.

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<v Speaker 2>So we had won Rebecca and Pat and I Rebecca

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<v Speaker 2>was Pat's girlfriend at the time, as you remember, Yes,

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<v Speaker 2>I went to Aina, who had a consignment store in sohoh, yeah,

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<v Speaker 2>and pulled a few things, which we.

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<v Speaker 3>Still do for you. We still go there, all of

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<v Speaker 3>it so much.

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<v Speaker 2>And we showed Sarah Jessica the fur coat.

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<v Speaker 4>Oh you had it right then, Yeah, the clutch purse

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<v Speaker 4>which I believe she paired on the show with the

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<v Speaker 4>fur coat, and some little mules uh huh that were plastic.

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<v Speaker 4>And I remember, uh, you know, I always I've kept

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<v Speaker 4>a diary all my life, and I remember writing in

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<v Speaker 4>my diary that Pat and Sarah Jessica were so excited

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<v Speaker 4>because they were going to not wear pantyhose.

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<v Speaker 1>Aha. That was a major major point.

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<v Speaker 3>I don't think people understand that.

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<v Speaker 1>No, I don't think people remember that. Number One, you

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<v Speaker 1>always had to wear them previous, like like for me

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<v Speaker 1>in melrose Land and just Los Angeles in general, like

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<v Speaker 1>that was a normal thing. And obviously in South Carolina

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<v Speaker 1>where I grew up. I mean, of course you wore pantyhose, right,

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<v Speaker 1>which is what we called them back then. And then

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<v Speaker 1>I remember Pat just like no, and she's being like,

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<v Speaker 1>oh my god. And in the beginning when I'm rewatching,

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<v Speaker 1>obviously I hadn't remembered a lot of this, but I've

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<v Speaker 1>got hoson a couple times, and I'm like, Pat must

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<v Speaker 1>have been so mad at me.

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<v Speaker 3>So funny.

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<v Speaker 2>I'm glad that you understand where that's coming from, because

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<v Speaker 2>it was kind of like not a requirement, but women

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<v Speaker 2>just wore it. And yeah, Pat, and so we just

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<v Speaker 2>we're talking about bear legs, bare legs, yep.

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<v Speaker 1>Even Oh, I know, I remember those days. I remember

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<v Speaker 1>those cold days, which actually this episode that we're watching,

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<v Speaker 1>which we don't have to talk about right now, but

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<v Speaker 1>it's one of those episodes where when you remember when

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<v Speaker 1>we would come back to work in February and it

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<v Speaker 1>would be like so cold, but we had to pretend

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<v Speaker 1>it was spring because that was when the show would

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<v Speaker 1>come on. And so we're in the Bare Legs and

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<v Speaker 1>we've got the either the fur episode episode that Pat

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<v Speaker 1>would try to get all of us in first, and

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<v Speaker 1>then the Light Code episode and then like the Lighter

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<v Speaker 1>Code episode, so you're watching it all unfold, and you

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<v Speaker 1>know how we cross board, right, So like when I

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<v Speaker 1>watched one oh five, there are leaves on the trees

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<v Speaker 1>and I'm thinking, oh, thank god, it's finally spring. Then

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<v Speaker 1>one o six there's no leaves on the trees, and

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<v Speaker 1>we look like we are freezing, like freezing, like I

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<v Speaker 1>feel like my teeth are chattering. Like one scene which

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<v Speaker 1>I very much remember, but it was always just a

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<v Speaker 1>tight rope walk and I remember pat like no nothing

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<v Speaker 1>on your legs and you.

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<v Speaker 2>Just be like, no nothing, because it I remember something

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<v Speaker 2>I remember when I watch those episodes as well. I

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<v Speaker 2>see scenes on Madison Avenue or somewhere, and it just

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<v Speaker 2>looks like such a bitter spring day, yes at seven

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<v Speaker 2>am or something.

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<v Speaker 1>Yes, yes, But also I feel like, you know, do

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<v Speaker 1>you remember the like was there? Did you all know

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<v Speaker 1>the extent to which you were changing how costume was

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<v Speaker 1>done on television? I mean we were on HBO, so

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<v Speaker 1>that was a little different, But did you know the

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<v Speaker 1>extent to which you were you know, paving new roads?

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<v Speaker 2>I mean, you know, I love telling that story. It's

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<v Speaker 2>a good example of what you're asking. I loved telling

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<v Speaker 2>there were little clues. I loved telling that story of

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<v Speaker 2>when an HBO executive came into the wardrobe room to

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<v Speaker 2>do a little rack review by themselves, Uh huh, looked

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<v Speaker 2>at these genes that were from Japan for Carrie and

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<v Speaker 2>she was like, no one is gonna understand these in Kansas.

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<v Speaker 3>Kicked her out.

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<v Speaker 1>Excellent, excellent. I mean also, like, were we making television

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<v Speaker 1>for Kansas and I didn't know it like that. I

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<v Speaker 1>don't know that we were trying to do that. But

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<v Speaker 1>then also, who would have they ever expected us to

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<v Speaker 1>have such wide success. We certainly did not expect that

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<v Speaker 1>in the beginning.

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<v Speaker 2>True, And it wasn't until I want to say, the

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<v Speaker 2>third season that people started warming to us in the

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<v Speaker 2>fashion industry, because when you went into a showroom and

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<v Speaker 2>said we're working on a show called Sex in the City,

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<v Speaker 2>they were like, what is it?

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<v Speaker 3>Porno? I know they didn't know.

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<v Speaker 2>Right once he started watching it, you know, things started

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<v Speaker 2>coming in right.

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<v Speaker 1>But for two whole seasons we didn't have that so much, right.

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<v Speaker 1>So that's also interesting when I look back, because my

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<v Speaker 1>clothes are just really just weird. Okay, the first season,

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<v Speaker 1>I'm just thinking what on earth? Which I know some

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<v Speaker 1>of it was that, you know, I didn't really understand

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<v Speaker 1>Pat right, and I was confused how I was going

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<v Speaker 1>to fit into Pat's vision. And I think Pat maybe

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<v Speaker 1>was figuring out her vision for Charlotte and it took

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<v Speaker 1>some time. But also you know that picture, it's one

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<v Speaker 1>of my favorite pictures of us. It's from first season,

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<v Speaker 1>which I didn't realize. We're on the street, I thought.

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<v Speaker 1>I think Craig Blankethorn, our amazing stephatographer, took it. We're

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<v Speaker 1>on the street. It's the middle of the night. We're

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<v Speaker 1>on like sixth Avenue, and I've got a leather coat on.

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<v Speaker 1>I think we've got like wool coats and turtlenecks, and

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<v Speaker 1>we're looking off in the distance. All four of us

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<v Speaker 1>look like we're in our own clothes in a way.

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<v Speaker 1>You know, it's interesting. Oh my gosh, it's really interesting.

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<v Speaker 2>I want to see that picture. Let's to blooming Dell's

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<v Speaker 2>because of our budget and Century twenty one amazing. I

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<v Speaker 2>want to ask you something I've always wondered. If you

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<v Speaker 2>remembered when all of you had your dressing rooms on

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<v Speaker 2>the stage.

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<v Speaker 1>Yes, of course I remember that you remember that, okay,

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<v Speaker 1>I always wondered if. Of course, that was for many

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<v Speaker 1>many years, many many years at Silver Cup. What I

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<v Speaker 1>also remember is when we were out in the city,

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<v Speaker 1>we were in I feel I could be wrong, but

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<v Speaker 1>I feel like we were in a triple banger, meaning Kim,

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<v Speaker 1>myself and Cynthia were in little sections. It was either

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<v Speaker 1>triple or double. And the reason I remember this is

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<v Speaker 1>because all of our clothes didn't fit because there's no

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<v Speaker 1>real proper closet and a double banger. So you know

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<v Speaker 1>how in the morning you would bring in all of

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<v Speaker 1>the outfits for the day and all the undergarments and everything,

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<v Speaker 1>which was many pieces, and they would be hanging on

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<v Speaker 1>my microwave and stuff. So you had this tiny little

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<v Speaker 1>sofa and you'd be under your clothes that were hanging

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<v Speaker 1>above you, like trying to, you know, peek out or whatever.

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<v Speaker 1>And they also had our names on the door. And

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<v Speaker 1>the reason that I remember that is because at one

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<v Speaker 1>point I was sitting there, you know, waiting as it is,

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<v Speaker 1>and some guy comes banging on my door and I

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<v Speaker 1>open the door. I think it's an ad or whatever.

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<v Speaker 1>It's just a person who wanted to know someone on

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<v Speaker 1>the crew was someone on the crew there and I

0:12:45.520 --> 0:12:47.640
<v Speaker 1>was like, I don't know what you're talking about, and

0:12:47.679 --> 0:12:51.080
<v Speaker 1>he was all mad at me, and I was like, dude,

0:12:51.080 --> 0:12:53.200
<v Speaker 1>this before we had security. Obviously, we had nothing. We

0:12:53.200 --> 0:12:55.559
<v Speaker 1>were just hanging out there with our names on the door,

0:12:55.640 --> 0:12:57.079
<v Speaker 1>you know, under our clothes.

0:12:57.840 --> 0:12:59.360
<v Speaker 3>What is on your door now?

0:13:02.880 --> 0:13:07.880
<v Speaker 1>I think our initials. Yeah, I think it's something slightly mysterious,

0:13:07.880 --> 0:13:10.199
<v Speaker 1>but we have our security, so it doesn't really matter.

0:13:10.480 --> 0:13:12.559
<v Speaker 3>Right, that's a little safe, I know.

0:13:12.720 --> 0:13:16.000
<v Speaker 1>It's it's it's funny to think of kind of the

0:13:16.120 --> 0:13:19.040
<v Speaker 1>naivete and the kind of innocence, you know, that we

0:13:19.200 --> 0:13:22.120
<v Speaker 1>had back then At different times.

0:13:22.320 --> 0:13:23.720
<v Speaker 3>We were really under the radar.

0:13:24.360 --> 0:13:27.720
<v Speaker 2>Look at the crowds that watch you all now. It's

0:13:27.800 --> 0:13:32.679
<v Speaker 2>really something. It's so special to have come along and

0:13:32.800 --> 0:13:34.720
<v Speaker 2>grown up with it.

0:13:35.240 --> 0:13:37.600
<v Speaker 1>Yeah, I know, it's crazy to think about. That's part

0:13:37.600 --> 0:13:39.200
<v Speaker 1>of the reason I wanted to do the podcast is

0:13:39.240 --> 0:13:44.480
<v Speaker 1>that the journey has been incredible, and you know, we

0:13:44.520 --> 0:13:46.680
<v Speaker 1>share it with the fans, right because that they're part.

0:13:46.720 --> 0:13:48.840
<v Speaker 1>They're part of the journey, and I wanted to bring

0:13:48.880 --> 0:13:51.440
<v Speaker 1>it all together and let them hear our experience of

0:13:51.480 --> 0:13:54.000
<v Speaker 1>it because it's so much fun to think back for

0:13:54.040 --> 0:13:55.720
<v Speaker 1>so long we've been together.

0:13:56.160 --> 0:13:58.480
<v Speaker 2>I feel like a lot in my I don't know,

0:13:58.559 --> 0:14:01.040
<v Speaker 2>maybe I'm I'm not sure sure, but I feel like

0:14:01.120 --> 0:14:03.959
<v Speaker 2>a lot of it is untold history. Like I saw

0:14:04.000 --> 0:14:09.440
<v Speaker 2>your clip on Instagram. You and Cynthia were talking about auditioning. Yep, bitch,

0:14:09.920 --> 0:14:11.200
<v Speaker 2>I found fascinating.

0:14:11.320 --> 0:14:12.560
<v Speaker 1>Thank you, thank you.

0:14:12.800 --> 0:14:15.920
<v Speaker 3>I don't know if you've shared those stories from that

0:14:16.200 --> 0:14:17.319
<v Speaker 3>early with people.

0:14:17.559 --> 0:14:19.880
<v Speaker 1>I don't think so, I mean, what's funny for us too,

0:14:19.920 --> 0:14:22.960
<v Speaker 1>because obviously every person I've had Michael Patrick and I've

0:14:22.960 --> 0:14:24.720
<v Speaker 1>had sin On. Now I'm having you on, which is great.

0:14:24.720 --> 0:14:27.080
<v Speaker 1>I'm gonna have a Sarah On. Everyone has told me

0:14:27.160 --> 0:14:29.560
<v Speaker 1>things that I haven't known, which you know, We've spent

0:14:29.640 --> 0:14:32.840
<v Speaker 1>a lot of time together and I still don't know everything.

0:14:33.000 --> 0:14:35.200
<v Speaker 1>So it's kind of fun and funny, you know. So

0:14:35.400 --> 0:14:37.240
<v Speaker 1>back to you. Let's get back to you. So you've

0:14:37.280 --> 0:14:39.840
<v Speaker 1>come to New York. You've walked into Pat store. How

0:14:39.880 --> 0:14:43.800
<v Speaker 1>incredibly smart of you. Number one? Number two? Now you

0:14:43.960 --> 0:14:45.800
<v Speaker 1>Pat said like, look at the script or look at

0:14:45.840 --> 0:14:47.520
<v Speaker 1>this book or whatever it is. And you're on the

0:14:47.640 --> 0:14:49.920
<v Speaker 1>show and no one knows the show. You guys are

0:14:49.960 --> 0:14:52.440
<v Speaker 1>asking to borrow clothes. People are like, what is it?

0:14:52.760 --> 0:14:55.280
<v Speaker 1>You're going to Bloomingdale's. You're going to Century twenty one,

0:14:55.320 --> 0:14:57.160
<v Speaker 1>which I remember. You guys kind of lived at Century

0:14:57.240 --> 0:14:57.720
<v Speaker 1>twenty one.

0:14:58.640 --> 0:15:02.120
<v Speaker 2>Oh my god, people I worked there, I was there,

0:15:02.200 --> 0:15:04.560
<v Speaker 2>so they would ask me where are the belts?

0:15:06.400 --> 0:15:08.560
<v Speaker 1>And I'm sure you knew where every single belt was?

0:15:09.320 --> 0:15:09.720
<v Speaker 3>I did.

0:15:09.880 --> 0:15:13.080
<v Speaker 2>I could have gone through that store blindfolded. I told Pat,

0:15:13.160 --> 0:15:16.120
<v Speaker 2>I've spent more time in Century twenty one that I

0:15:16.200 --> 0:15:19.080
<v Speaker 2>did in my entire life anywhere.

0:15:19.320 --> 0:15:22.880
<v Speaker 1>I bet, I bet, and thankfully so, because, oh my god,

0:15:23.240 --> 0:15:26.280
<v Speaker 1>how could you have ever done what you guys did

0:15:26.400 --> 0:15:28.000
<v Speaker 1>without having Century twenty one.

0:15:28.040 --> 0:15:32.120
<v Speaker 2>People do not realize what a treasure trove it was.

0:15:32.200 --> 0:15:35.520
<v Speaker 2>You know that little Vivian Westwood mini that had the

0:15:35.560 --> 0:15:37.840
<v Speaker 2>little white fluffle bottom behind.

0:15:38.080 --> 0:15:43.400
<v Speaker 1>Yes, some century incredible, incredible, How could it not be there?

0:15:43.760 --> 0:15:45.320
<v Speaker 3>We loved going, we do.

0:15:45.480 --> 0:15:47.960
<v Speaker 1>I know we did, and we in our minds we

0:15:48.000 --> 0:16:00.960
<v Speaker 1>still do. Let me ask you this. So I remember

0:16:01.120 --> 0:16:05.440
<v Speaker 1>just myself going to New York, you know, somewhat wide eyed,

0:16:05.880 --> 0:16:08.280
<v Speaker 1>thinking wow, I don't know how to dress like this.

0:16:08.440 --> 0:16:10.960
<v Speaker 1>And you know, these women that this is kind of

0:16:11.000 --> 0:16:13.840
<v Speaker 1>based on are so incredibly fashionable, and they're in the

0:16:13.880 --> 0:16:16.560
<v Speaker 1>magazines as the best dressed, and you know, thank goodness,

0:16:16.560 --> 0:16:19.200
<v Speaker 1>sir Jessica knows about this, right and think good Sir

0:16:19.360 --> 0:16:23.920
<v Speaker 1>Jessica had her relationships with designers that she had already

0:16:24.160 --> 0:16:28.080
<v Speaker 1>been you know, engaged in before the show, and I

0:16:28.120 --> 0:16:31.360
<v Speaker 1>remember just thinking, gosh, I've got to do what she does. So,

0:16:31.600 --> 0:16:35.080
<v Speaker 1>you know, like if someone eventually would invite us somewhere,

0:16:35.080 --> 0:16:36.960
<v Speaker 1>I would go and I would try to make relationships,

0:16:37.040 --> 0:16:39.440
<v Speaker 1>especially with the people that fit me right, which wasn't

0:16:39.440 --> 0:16:43.240
<v Speaker 1>everyone I mean now right, So like Michael Core's you know,

0:16:43.280 --> 0:16:45.960
<v Speaker 1>the Ralph Lauren Oscar de Laurento, which took years, and

0:16:46.200 --> 0:16:47.920
<v Speaker 1>I was always scared, like I don't want to be

0:16:47.920 --> 0:16:51.680
<v Speaker 1>on Sergiska's turf, but you know, maybe could I possibly

0:16:51.720 --> 0:16:55.240
<v Speaker 1>wear an Oscar? And I finally got to. But you know,

0:16:55.320 --> 0:16:58.880
<v Speaker 1>those things for me were very much just following her lead,

0:16:59.320 --> 0:17:02.000
<v Speaker 1>you know, in terms of how do you make a relationship.

0:17:02.000 --> 0:17:05.359
<v Speaker 1>Remember how we were so good about returning things, Like

0:17:05.400 --> 0:17:08.560
<v Speaker 1>we never asked, you know, not to return.

0:17:08.720 --> 0:17:11.200
<v Speaker 3>We were terrified to keep something.

0:17:10.880 --> 0:17:12.720
<v Speaker 1>Too long, right, we were terrified.

0:17:12.760 --> 0:17:16.240
<v Speaker 3>I mean that evolved into we were such hoarders.

0:17:15.720 --> 0:17:19.040
<v Speaker 2>In the end six it would I dare you to

0:17:19.080 --> 0:17:20.000
<v Speaker 2>come and pry this.

0:17:19.960 --> 0:17:20.440
<v Speaker 3>From our.

0:17:22.160 --> 0:17:24.240
<v Speaker 1>And do you remember? This just came to my mind.

0:17:24.280 --> 0:17:26.520
<v Speaker 1>Do you remember that time there was something? I mean,

0:17:26.520 --> 0:17:28.720
<v Speaker 1>this is back when we really felt like we had

0:17:28.760 --> 0:17:30.959
<v Speaker 1>to be like on the forefront. We had to get

0:17:31.000 --> 0:17:33.399
<v Speaker 1>things like right off the runway, mostly for Sarah. I

0:17:33.440 --> 0:17:35.840
<v Speaker 1>don't know if that was so true for Charlotte. But

0:17:36.160 --> 0:17:38.920
<v Speaker 1>remember there was something that came off was at McQueen.

0:17:39.080 --> 0:17:41.119
<v Speaker 1>I think something that came off the runway and you

0:17:41.160 --> 0:17:44.480
<v Speaker 1>had sent an assistant to the show in London or

0:17:44.480 --> 0:17:46.160
<v Speaker 1>Paris wherever it was, and they had to stand there

0:17:46.200 --> 0:17:48.800
<v Speaker 1>waiting for it and fly back with it. Do you

0:17:48.840 --> 0:17:52.680
<v Speaker 1>remember this? I do, I do, insane.

0:17:52.880 --> 0:17:54.520
<v Speaker 3>I don't remember what garment it was.

0:17:54.600 --> 0:17:56.840
<v Speaker 1>I feel like it was a butterfly looking kind of

0:17:58.440 --> 0:17:59.880
<v Speaker 1>you know, calf tanny thing.

0:18:00.640 --> 0:18:03.720
<v Speaker 2>Yeah, that was from one of the movies where I

0:18:03.960 --> 0:18:08.679
<v Speaker 2>accident sent something returned something to a Vogue shoot that

0:18:08.840 --> 0:18:11.800
<v Speaker 2>was happening in Tuloom. And then I looked on the

0:18:11.840 --> 0:18:14.680
<v Speaker 2>one liner and saw, oh my god, she's got to

0:18:14.720 --> 0:18:17.040
<v Speaker 2>come out of the bathroom in that dress tomorrow.

0:18:17.359 --> 0:18:18.119
<v Speaker 1>Wow.

0:18:18.720 --> 0:18:23.840
<v Speaker 2>And Melfie said, stick a pa on a plane.

0:18:23.920 --> 0:18:24.919
<v Speaker 3>It's very cheap.

0:18:25.320 --> 0:18:28.640
<v Speaker 2>Go down to Tulum and steal that dress back because

0:18:28.680 --> 0:18:31.400
<v Speaker 2>I don't want to change the schedule. So we sent

0:18:31.520 --> 0:18:33.879
<v Speaker 2>them one and that little pa thought it was the

0:18:33.920 --> 0:18:36.560
<v Speaker 2>most glamorous thing she had ever done in her life.

0:18:37.080 --> 0:18:39.639
<v Speaker 3>And she called me from the airport and said, I

0:18:39.760 --> 0:18:42.879
<v Speaker 3>have the dress, may I? Because it was turn around,

0:18:42.960 --> 0:18:45.080
<v Speaker 3>you know, like you went came back.

0:18:45.119 --> 0:18:47.000
<v Speaker 2>It was a rounding round, and she said, can I

0:18:47.080 --> 0:18:50.879
<v Speaker 2>please order of Margarita?

0:18:50.920 --> 0:18:51.920
<v Speaker 1>I hope you said yes.

0:18:52.040 --> 0:18:54.160
<v Speaker 3>I said, please do, but stay in the airport.

0:18:56.240 --> 0:18:58.680
<v Speaker 1>That's adorable. Okay, So let's go back in time, back

0:18:58.720 --> 0:19:01.439
<v Speaker 1>in time. What do you remember because when I'm so,

0:19:01.480 --> 0:19:04.679
<v Speaker 1>I'm rewatching, right, and as I'm rewatching, I'm just seeing

0:19:04.800 --> 0:19:09.800
<v Speaker 1>touches of what's coming fashion wise starting to enter the picture.

0:19:09.960 --> 0:19:10.560
<v Speaker 3>Right.

0:19:10.680 --> 0:19:14.040
<v Speaker 1>So, like Sarah in the episode before this one, she

0:19:14.200 --> 0:19:17.080
<v Speaker 1>goes she she is going out with that French guy

0:19:17.520 --> 0:19:20.120
<v Speaker 1>and he leaves her a thousand dollars after they've spent

0:19:20.160 --> 0:19:21.280
<v Speaker 1>the night together. Do you remember this?

0:19:21.440 --> 0:19:21.640
<v Speaker 3>Oh?

0:19:21.840 --> 0:19:26.920
<v Speaker 1>Yeah, right, And she's got some good dresses and I'm like, oh,

0:19:27.080 --> 0:19:29.480
<v Speaker 1>Pat and Molly are doing their magic, right, Like she

0:19:29.480 --> 0:19:32.160
<v Speaker 1>has this beautiful silver dress and she's walking down Madison

0:19:32.200 --> 0:19:34.960
<v Speaker 1>Avenue and she's talking about how she feels like she's

0:19:35.000 --> 0:19:38.199
<v Speaker 1>floating and she she lifts up off the sidewalk. Do

0:19:38.200 --> 0:19:41.639
<v Speaker 1>you remember this? No, literally, no one remembers this. I

0:19:41.680 --> 0:19:44.159
<v Speaker 1>texted her. She doesn't remember it either. I don't know

0:19:44.200 --> 0:19:47.360
<v Speaker 1>how we did it or why we did it exactly,

0:19:47.720 --> 0:19:51.000
<v Speaker 1>but it's a great dress. And Cynthia remembered something that

0:19:51.040 --> 0:19:52.920
<v Speaker 1>maybe you had to double that dress. Remember how it

0:19:53.000 --> 0:19:55.280
<v Speaker 1>was always a bit of a drama for us to

0:19:55.359 --> 0:19:57.639
<v Speaker 1>have to double something, which is very normal in film

0:19:57.640 --> 0:20:00.800
<v Speaker 1>and TV. They didn't have to double her triple something,

0:20:01.040 --> 0:20:03.919
<v Speaker 1>but for us because we had, you know, hopefully one

0:20:03.960 --> 0:20:06.960
<v Speaker 1>of a kind from vintage or one of a kind

0:20:07.000 --> 0:20:10.119
<v Speaker 1>fashion around. Like remember my product skirt. Pat told me

0:20:10.160 --> 0:20:11.919
<v Speaker 1>that I couldn't wear it to meet Trey because we

0:20:11.960 --> 0:20:13.800
<v Speaker 1>had to get five of them because I had to

0:20:13.840 --> 0:20:15.120
<v Speaker 1>fall in the street. And I was like, we will

0:20:15.160 --> 0:20:18.280
<v Speaker 1>wear it, we will wear it. She had to call,

0:20:18.880 --> 0:20:22.000
<v Speaker 1>you know, all of Europe to find enough product skirt,

0:20:22.080 --> 0:20:24.280
<v Speaker 1>lipstick skirts, you know, for me to wear it, and

0:20:24.320 --> 0:20:25.480
<v Speaker 1>she did. God bless her.

0:20:25.920 --> 0:20:29.840
<v Speaker 3>That is so relatable to like the no pantyhose.

0:20:29.920 --> 0:20:35.280
<v Speaker 2>Like in television, you were supposed to be able, no

0:20:35.520 --> 0:20:40.080
<v Speaker 2>problem stunts. You could triple, quadruple something, and that was

0:20:40.119 --> 0:20:43.520
<v Speaker 2>the first kind of department. I think that came along

0:20:43.600 --> 0:20:46.840
<v Speaker 2>and said, I'm sorry, Charlotte's in a vintage thing and

0:20:46.880 --> 0:20:48.960
<v Speaker 2>you're gonna have to take do it once.

0:20:49.119 --> 0:20:50.000
<v Speaker 1>Right, like right.

0:20:50.040 --> 0:20:50.960
<v Speaker 3>This was unheard of.

0:20:51.359 --> 0:20:54.440
<v Speaker 1>It was unheard of, and sometimes people were very unhappy

0:20:54.480 --> 0:20:56.359
<v Speaker 1>with us because of it. But we felt like it

0:20:56.400 --> 0:20:58.560
<v Speaker 1>was very very important and I think we were right

0:20:59.080 --> 0:21:02.399
<v Speaker 1>and you know right, And many people have asked me

0:21:02.440 --> 0:21:03.919
<v Speaker 1>this over the years, and I kind of feel embarrassed

0:21:03.920 --> 0:21:06.280
<v Speaker 1>that I'm going to ask you now, but I will

0:21:06.320 --> 0:21:10.280
<v Speaker 1>go for it. People have said that the fashion was

0:21:10.320 --> 0:21:13.440
<v Speaker 1>its own character. Do you feel that that's true?

0:21:13.720 --> 0:21:18.199
<v Speaker 2>You know, I always heard that coming along, there's a

0:21:18.359 --> 0:21:23.200
<v Speaker 2>fourth character the clothing, and then it started becoming there's

0:21:23.240 --> 0:21:27.320
<v Speaker 2>a fourth character the city, right, But I have to

0:21:27.400 --> 0:21:31.359
<v Speaker 2>agree on both of those. Yeah, you know, there was

0:21:31.760 --> 0:21:35.040
<v Speaker 2>a lot to dive into with the clothes. There was

0:21:35.119 --> 0:21:38.359
<v Speaker 2>a lot to dive into with each of you, and

0:21:38.440 --> 0:21:42.560
<v Speaker 2>there was a lot to experience in that setting, that location.

0:21:43.000 --> 0:21:45.040
<v Speaker 1>It's true, and that was I think part of the

0:21:45.080 --> 0:21:50.639
<v Speaker 1>magic was that we were trying to be of the moment.

0:21:50.720 --> 0:21:53.879
<v Speaker 1>We weren't trying to be all things for everyone at

0:21:53.920 --> 0:21:57.000
<v Speaker 1>all times. Like the Kansas comment, from the HBO executive

0:21:57.000 --> 0:22:01.359
<v Speaker 1>but we were trying to be specifically there, you know,

0:22:01.560 --> 0:22:05.280
<v Speaker 1>and open to the influence of being there on the streets,

0:22:05.640 --> 0:22:07.080
<v Speaker 1>which was so magical.

0:22:07.800 --> 0:22:14.479
<v Speaker 2>We did not ever shoot in a restaurant in Brooklyn, Okay,

0:22:14.720 --> 0:22:20.399
<v Speaker 2>we were strictly of the moment Manhattan. They will I

0:22:20.480 --> 0:22:23.560
<v Speaker 2>remember those locations. I was just like, Wow, this is

0:22:23.640 --> 0:22:26.760
<v Speaker 2>so current. Most people haven't even gotten a table here yet.

0:22:26.800 --> 0:22:28.720
<v Speaker 2>You know, it was a badge of honor to be

0:22:28.800 --> 0:22:29.560
<v Speaker 2>shooting there.

0:22:29.800 --> 0:22:30.359
<v Speaker 1>Definitely.

0:22:31.200 --> 0:22:37.600
<v Speaker 2>Darren is someone who gave our department so much information,

0:22:38.480 --> 0:22:42.800
<v Speaker 2>and I think that that helped set up the DNA

0:22:42.960 --> 0:22:47.160
<v Speaker 2>of the clothing because he was like, Charlotte works, Charlotte

0:22:47.240 --> 0:22:50.720
<v Speaker 2>doesn't work. Charlotte's addresses this, and that is just a

0:22:50.760 --> 0:22:54.120
<v Speaker 2>lot of information that oftentimes you don't you don't get

0:22:54.119 --> 0:22:55.119
<v Speaker 2>to go that deep.

0:22:55.600 --> 0:22:58.720
<v Speaker 1>That's true, That's so true. I mean this particular episode

0:22:58.720 --> 0:23:02.040
<v Speaker 1>that I'm on now see her Charlotte in the gallery

0:23:02.359 --> 0:23:04.159
<v Speaker 1>and I feel like it's the first time, and I'm like, oh,

0:23:04.240 --> 0:23:06.159
<v Speaker 1>thank god, we're in the gallery. Because in the beginning,

0:23:06.200 --> 0:23:08.359
<v Speaker 1>that was a big, big part of Charlotte. Like almost

0:23:08.359 --> 0:23:12.000
<v Speaker 1>every storyline is at least tangentially related to her. Art,

0:23:12.080 --> 0:23:14.959
<v Speaker 1>like you know very much that I pose for this

0:23:15.080 --> 0:23:18.320
<v Speaker 1>dude who paints the kind of Georgia O'Keefe type paintings.

0:23:18.520 --> 0:23:20.480
<v Speaker 2>I was going to bring that up, and I was

0:23:20.520 --> 0:23:23.720
<v Speaker 2>going to bring up you dressing like a man.

0:23:24.040 --> 0:23:26.160
<v Speaker 1>Oh I can't wait. I'm not there yet. But isn't

0:23:26.160 --> 0:23:29.159
<v Speaker 1>that great? Isn't that so great that we did that?

0:23:29.720 --> 0:23:30.200
<v Speaker 1>Back then?

0:23:30.880 --> 0:23:33.280
<v Speaker 3>I remember people stressing out about that.

0:23:34.040 --> 0:23:37.440
<v Speaker 1>Do you do you have? I did? I had a mustache.

0:23:37.480 --> 0:23:40.560
<v Speaker 1>Judy Chin did it. And Judy who was doing makeup

0:23:40.680 --> 0:23:43.000
<v Speaker 1>for Sir Jessica and I. She would flip back and forth.

0:23:43.040 --> 0:23:46.520
<v Speaker 1>Do you remember she and Nikki and she had just

0:23:46.640 --> 0:23:50.359
<v Speaker 1>done Freda. She had done salamahayak and Frieda and she

0:23:50.480 --> 0:23:53.760
<v Speaker 1>knew how to make like fake eyebrows, so she did

0:23:53.800 --> 0:23:57.480
<v Speaker 1>bigger eyebrows on me and the mustache so that it

0:23:57.520 --> 0:23:59.680
<v Speaker 1>looked really real and wasn't like you know if you

0:23:59.720 --> 0:24:02.840
<v Speaker 1>go to you know, costume the house and write a

0:24:03.720 --> 0:24:07.240
<v Speaker 1>paste on. Yeah. It was very special and also like

0:24:08.160 --> 0:24:12.040
<v Speaker 1>Charlotte was. So I did a lot of crazy stuff.

0:24:13.320 --> 0:24:17.119
<v Speaker 2>Oh boy, did you But what the Georgia O'Keefe that

0:24:17.440 --> 0:24:18.360
<v Speaker 2>are you naked?

0:24:18.800 --> 0:24:21.000
<v Speaker 1>They don't show it, thank god. In heaven. Okay, but

0:24:21.119 --> 0:24:25.000
<v Speaker 1>theoretically yes. And then and then I tell the girls

0:24:25.000 --> 0:24:26.520
<v Speaker 1>that I did it right, and then they come to

0:24:26.600 --> 0:24:30.280
<v Speaker 1>the gallery show and they're trying to guess which one

0:24:30.320 --> 0:24:33.600
<v Speaker 1>I am how modifying? Okay, oh my gosh. But you

0:24:33.680 --> 0:24:35.879
<v Speaker 1>know what, this is what I think when I watched

0:24:35.880 --> 0:24:37.960
<v Speaker 1>I think so many things when I watch our young selves,

0:24:37.960 --> 0:24:40.000
<v Speaker 1>but one thing I think is like we were all

0:24:40.119 --> 0:24:40.639
<v Speaker 1>very game.

0:24:41.240 --> 0:24:42.040
<v Speaker 3>Absolutely.

0:24:42.440 --> 0:24:46.520
<v Speaker 1>I mean I remember being very nervous, right and concerned

0:24:46.560 --> 0:24:49.760
<v Speaker 1>about like, what is this show and how are we

0:24:49.840 --> 0:24:53.959
<v Speaker 1>telling these stories? And you know, is it from you know,

0:24:54.160 --> 0:24:56.640
<v Speaker 1>the female perspective? Like I felt like it was very

0:24:56.640 --> 0:24:59.480
<v Speaker 1>important that it be from our perspective and not for

0:24:59.560 --> 0:25:02.639
<v Speaker 1>the male game or something you know, for men, but

0:25:02.880 --> 0:25:06.160
<v Speaker 1>something that would you know, be ringing true for women

0:25:06.240 --> 0:25:09.240
<v Speaker 1>watching or empowering women who were watching or something like that.

0:25:09.680 --> 0:25:12.280
<v Speaker 1>And I feel like we came there, but in the

0:25:12.280 --> 0:25:14.879
<v Speaker 1>beginning it wasn't clear, right, But I think in a

0:25:14.880 --> 0:25:18.760
<v Speaker 1>lot of ways that was also your guys's influence. You

0:25:18.800 --> 0:25:21.520
<v Speaker 1>know that Pat's already showing darren S and m you know,

0:25:21.600 --> 0:25:25.560
<v Speaker 1>domination stuff because she's had such a strong point of view,

0:25:25.560 --> 0:25:32.680
<v Speaker 1>and you guys were so incredibly integrated into the creative process.

0:25:34.040 --> 0:25:38.920
<v Speaker 2>And that is another thing about Darren so collaborative and

0:25:39.200 --> 0:25:44.600
<v Speaker 2>Michael Patrick Keane. Lots of information to departments at least ours, right,

0:25:44.720 --> 0:25:49.960
<v Speaker 2>and very open to hearing an alternative idea.

0:25:50.040 --> 0:25:52.080
<v Speaker 1>Right lot. That's important.

0:25:52.640 --> 0:25:56.200
<v Speaker 2>You work with are like no, I want this, which

0:25:56.240 --> 0:25:59.199
<v Speaker 2>is fine, it's your show, but shows God were like

0:26:00.160 --> 0:26:01.000
<v Speaker 2>open for me.

0:26:01.080 --> 0:26:03.920
<v Speaker 1>But I felt like we were just creating something that

0:26:03.960 --> 0:26:06.719
<v Speaker 1>we felt like didn't exist, and I guess it did.

0:26:07.440 --> 0:26:11.040
<v Speaker 1>I mean, it still doesn't. Right except for us, there's

0:26:11.080 --> 0:26:12.879
<v Speaker 1>really nothing to compare it to, which is also so

0:26:13.119 --> 0:26:14.040
<v Speaker 1>strange to me.

0:26:14.800 --> 0:26:19.679
<v Speaker 2>You know, it's really I mean, talk about the planets

0:26:19.720 --> 0:26:22.760
<v Speaker 2>aligning and being in the right place at the right time.

0:26:23.440 --> 0:26:25.840
<v Speaker 3>I mean, that was incredible.

0:26:26.119 --> 0:26:30.119
<v Speaker 2>I don't even know how Darren hooked up with you know, Canda,

0:26:30.240 --> 0:26:31.199
<v Speaker 2>I don't know any of that.

0:26:31.760 --> 0:26:33.760
<v Speaker 1>I don't know either. I think they just went out

0:26:33.920 --> 0:26:34.560
<v Speaker 1>in New York.

0:26:34.840 --> 0:26:37.560
<v Speaker 2>You know, you had a relationship with Darren longer than

0:26:37.720 --> 0:26:39.520
<v Speaker 2>any you know, I did.

0:26:39.320 --> 0:26:42.040
<v Speaker 1>But I didn't really know. You know, I was already sober, right,

0:26:42.119 --> 0:26:44.359
<v Speaker 1>so I wasn't going out, you know what I'm saying.

0:26:44.760 --> 0:26:47.359
<v Speaker 1>And Darren. I feel like Darren has said that he

0:26:47.440 --> 0:26:49.199
<v Speaker 1>just knew Candice from going out, and he thought that

0:26:49.240 --> 0:26:51.719
<v Speaker 1>she was smart and interesting and funny, and I think

0:26:51.800 --> 0:26:53.840
<v Speaker 1>he read her column and you know, they were They

0:26:53.880 --> 0:26:57.320
<v Speaker 1>were in that kind of very cool upper echelon of

0:26:57.359 --> 0:26:59.879
<v Speaker 1>New York. Not upper echelon like a lot a lot

0:26:59.920 --> 0:27:03.520
<v Speaker 1>of money, but more like super cool version of that. Yeah,

0:27:03.560 --> 0:27:05.800
<v Speaker 1>but this is okay, many specifics I want to ask

0:27:05.840 --> 0:27:07.639
<v Speaker 1>you about because I don't even know the answer to this,

0:27:07.800 --> 0:27:12.120
<v Speaker 1>but okay, So what I remember meeting Sarah Jessica and

0:27:12.160 --> 0:27:17.720
<v Speaker 1>her saying something about her Manolo's that she had collected already.

0:27:18.200 --> 0:27:20.879
<v Speaker 1>And this is in nineteen ninety seven, right pilot time,

0:27:21.400 --> 0:27:23.680
<v Speaker 1>and I was just so impressed. I was like, what

0:27:24.240 --> 0:27:27.040
<v Speaker 1>you have? Like wow? Many? And they were all like

0:27:27.200 --> 0:27:30.600
<v Speaker 1>so carefully, you know, in their dust bags in the boxes,

0:27:30.720 --> 0:27:35.760
<v Speaker 1>like you know, beautifully beautifully stored. How did you remember

0:27:35.880 --> 0:27:39.240
<v Speaker 1>the shoe trajectory of Carrie at least or the rest

0:27:39.280 --> 0:27:39.880
<v Speaker 1>of us.

0:27:40.600 --> 0:27:44.360
<v Speaker 2>I will tell you what I remember and then SJ

0:27:44.560 --> 0:27:52.560
<v Speaker 2>can correct me. I've romanticized it, but I remember Pat

0:27:52.960 --> 0:27:58.000
<v Speaker 2>and SJ feeling like that label was kind of under

0:27:58.080 --> 0:28:03.080
<v Speaker 2>the radar, so it was a good one to pluck,

0:28:03.560 --> 0:28:04.919
<v Speaker 2>you know, and really go.

0:28:04.920 --> 0:28:06.680
<v Speaker 1>For I think that's true.

0:28:07.320 --> 0:28:10.600
<v Speaker 3>Yeah, it was it. I mean I feel like it was.

0:28:10.760 --> 0:28:15.080
<v Speaker 2>I don't think people downtown knew what a Manola.

0:28:14.840 --> 0:28:16.520
<v Speaker 1>Was, right, I don't think I did.

0:28:17.200 --> 0:28:17.560
<v Speaker 3>I don't.

0:28:17.840 --> 0:28:22.000
<v Speaker 2>It's yeah, yeah, George, the guy who was Manola's partner,

0:28:22.080 --> 0:28:23.000
<v Speaker 2>I guess yep.

0:28:23.080 --> 0:28:25.320
<v Speaker 3>He was really also a.

0:28:25.240 --> 0:28:30.240
<v Speaker 2>Real collaborator and open for business and open for anything. Right,

0:28:30.400 --> 0:28:34.360
<v Speaker 2>So that was a good company to, you know, get

0:28:34.400 --> 0:28:35.160
<v Speaker 2>involved with.

0:28:35.680 --> 0:28:38.360
<v Speaker 1>Absolutely. Do you remember, I don't know if you will,

0:28:38.400 --> 0:28:42.360
<v Speaker 1>but in the beginning, I'm wearing some low tint kind

0:28:42.400 --> 0:28:46.600
<v Speaker 1>of heels, like very average, and I remember I am

0:28:46.680 --> 0:28:48.800
<v Speaker 1>it took it took you guys a while to get

0:28:48.800 --> 0:28:51.720
<v Speaker 1>me into high shoes. And I remember I had this

0:28:51.880 --> 0:28:56.040
<v Speaker 1>pair of Manola pumps, black pumps that probably I don't

0:28:56.040 --> 0:28:58.200
<v Speaker 1>think they were one hundred and five millimeter. I think

0:28:58.200 --> 0:29:01.520
<v Speaker 1>they were probably like whatever eighties seven or something, and

0:29:01.640 --> 0:29:03.360
<v Speaker 1>to me, they were really high and I had to

0:29:03.360 --> 0:29:06.000
<v Speaker 1>really practice walking in them and whatnot. And there's an

0:29:06.000 --> 0:29:08.920
<v Speaker 1>episode coming up. I had one pair, one pair, and

0:29:08.960 --> 0:29:12.280
<v Speaker 1>we just rewore them a lot, and I had that episode.

0:29:12.360 --> 0:29:15.880
<v Speaker 1>It hasn't happened yet, but when I'm with the Widow

0:29:16.160 --> 0:29:23.280
<v Speaker 1>in the Graveyard and it was pouring rain, bitter cold, okay,

0:29:23.400 --> 0:29:25.520
<v Speaker 1>bitter cold, and I'm wearing some kind of an almost

0:29:25.640 --> 0:29:27.800
<v Speaker 1>vintage type dress. It might not have been vintage, I'm

0:29:27.800 --> 0:29:30.800
<v Speaker 1>not sure. I think it was, was it? And I

0:29:30.920 --> 0:29:34.120
<v Speaker 1>want to have a shawl on? But then I wasn't

0:29:34.120 --> 0:29:39.080
<v Speaker 1>supposed to have a shawl on. I'm very cold, so

0:29:39.120 --> 0:29:41.840
<v Speaker 1>I'm just desperate for anything to keep me warm, and

0:29:41.880 --> 0:29:45.080
<v Speaker 1>I have to run up this hillside, this muddy hillside,

0:29:45.160 --> 0:29:48.000
<v Speaker 1>and I basically ruined my Manolo's and I was so

0:29:48.160 --> 0:29:50.719
<v Speaker 1>stressed about it. And they had to go to the

0:29:50.760 --> 0:29:54.080
<v Speaker 1>shop and get like redone because they were just soaked

0:29:54.160 --> 0:29:58.840
<v Speaker 1>through with mud from this graveyard, you know. And then

0:29:59.560 --> 0:30:02.720
<v Speaker 1>at some you guys did a story with a Vogue

0:30:02.760 --> 0:30:05.520
<v Speaker 1>I want to say about the fashion, which at that

0:30:05.560 --> 0:30:08.560
<v Speaker 1>point we were desperate for any coverage for the show

0:30:08.800 --> 0:30:11.600
<v Speaker 1>of fashion or anything in general. Do you remember we

0:30:11.680 --> 0:30:13.880
<v Speaker 1>never said no to press in the beginning.

0:30:14.120 --> 0:30:16.920
<v Speaker 4>Okay, you don't remember this, no.

0:30:16.560 --> 0:30:20.000
<v Speaker 1>No, So Pat gives them my Minola's for some reason,

0:30:20.360 --> 0:30:23.560
<v Speaker 1>and my little butterfly ruby necklace that I love so much.

0:30:23.600 --> 0:30:27.040
<v Speaker 1>Do you remember my butterfly ruby necklace? Yes, Vintage loved

0:30:27.080 --> 0:30:30.360
<v Speaker 1>that thing. She gave that to them. And it never

0:30:30.480 --> 0:30:33.720
<v Speaker 1>came back, and one of my Manola's never came back.

0:30:34.560 --> 0:30:36.240
<v Speaker 3>Oh my gosh.

0:30:36.360 --> 0:30:38.640
<v Speaker 1>I know. I was like, pat Field, don't give my

0:30:38.680 --> 0:30:39.240
<v Speaker 1>stuff away.

0:30:40.240 --> 0:30:44.200
<v Speaker 3>That's amazing that you only got one pair. That's really

0:30:44.240 --> 0:30:45.760
<v Speaker 3>a sad story.

0:30:46.000 --> 0:30:49.000
<v Speaker 2>And now the worst part of it, we beg you

0:30:49.040 --> 0:30:51.120
<v Speaker 2>to bring shoes from.

0:30:51.000 --> 0:30:54.480
<v Speaker 1>La to I know, I was just unpacking my box.

0:30:54.640 --> 0:30:56.920
<v Speaker 1>I was just in packing my box. But it's okay, Mollie,

0:30:56.960 --> 0:30:59.640
<v Speaker 1>It's okay. I don't mind because it gives more money

0:30:59.680 --> 0:31:01.080
<v Speaker 1>for you to buy new things.

0:31:01.480 --> 0:31:03.640
<v Speaker 3>Right. I was like, we still don't buy your shoes,

0:31:03.680 --> 0:31:04.440
<v Speaker 3>you still bring.

0:31:04.320 --> 0:31:06.960
<v Speaker 1>Them from No, no, No, It's all good because at

0:31:06.960 --> 0:31:09.760
<v Speaker 1>this point I think I have every color Manolo pump

0:31:09.800 --> 0:31:13.080
<v Speaker 1>that exists. I feel like I do. You don't need

0:31:13.160 --> 0:31:24.080
<v Speaker 1>to keep buying them.

0:31:24.760 --> 0:31:30.400
<v Speaker 3>Did you have a favorite early, you know, season one through?

0:31:30.560 --> 0:31:32.880
<v Speaker 3>Did you have a favorite outfit?

0:31:33.720 --> 0:31:36.360
<v Speaker 1>I mean in the beginning, right as I'm watching, I

0:31:36.400 --> 0:31:39.560
<v Speaker 1>am really amazed at how completely normal my clothes are

0:31:39.560 --> 0:31:42.280
<v Speaker 1>in first season, like so normal that it's shocking. Like

0:31:42.320 --> 0:31:46.440
<v Speaker 1>I'm wearing these little suits and they're so funny and

0:31:46.560 --> 0:31:50.400
<v Speaker 1>like young looking. I feel like, you know, not very structured.

0:31:51.960 --> 0:31:54.480
<v Speaker 1>I remember, and you tell me if you remember this.

0:31:54.600 --> 0:31:56.000
<v Speaker 1>I don't know who made it, but I had a

0:31:56.080 --> 0:31:59.560
<v Speaker 1>black long dress that I wear. It hasn't happened yet.

0:31:59.600 --> 0:32:04.200
<v Speaker 1>It's cut and pat Lent me her own Gucci shoes

0:32:04.240 --> 0:32:07.520
<v Speaker 1>that had the heel made of metal.

0:32:08.360 --> 0:32:08.600
<v Speaker 3>Yeah.

0:32:08.720 --> 0:32:11.040
<v Speaker 1>Do you remember this? Yeah, and they've come back. But

0:32:11.080 --> 0:32:13.840
<v Speaker 1>they are literally the most painful thing in the world.

0:32:14.240 --> 0:32:17.800
<v Speaker 1>But I was gonna wear those things because that point

0:32:17.880 --> 0:32:19.680
<v Speaker 1>I was like, I'm gonna do it. I'm going to

0:32:19.760 --> 0:32:22.520
<v Speaker 1>try to live up to this vision that they have

0:32:22.760 --> 0:32:26.000
<v Speaker 1>for the fashion and myself and everybody else. And yes,

0:32:26.040 --> 0:32:28.840
<v Speaker 1>it's painful, but who cares, you know, Like people still

0:32:28.880 --> 0:32:31.040
<v Speaker 1>talk to me like, you know, I don't know. I

0:32:31.040 --> 0:32:32.360
<v Speaker 1>want to wear the heels but I don't know, And

0:32:32.400 --> 0:32:35.680
<v Speaker 1>I'm like, yeah, I mean get ready, cause you will

0:32:35.720 --> 0:32:38.600
<v Speaker 1>lose feeling in your feet at some point.

0:32:38.880 --> 0:32:41.200
<v Speaker 3>Right right, There is numbness involved.

0:32:41.240 --> 0:32:43.800
<v Speaker 1>There is numbness involved. I mean for me, at all times,

0:32:43.840 --> 0:32:46.360
<v Speaker 1>my right foot is still numb. But you know what

0:32:46.560 --> 0:32:49.320
<v Speaker 1>it's worth it, you guys, It was worth It was

0:32:49.320 --> 0:32:50.440
<v Speaker 1>worth it. It was worth it.

0:32:50.520 --> 0:32:54.440
<v Speaker 2>I can watch an old older episode, a past episode

0:32:54.480 --> 0:32:58.040
<v Speaker 2>and always watch Cynthia Nixon doing a walk and talk

0:32:58.080 --> 0:33:00.440
<v Speaker 2>and I know if her feet are hurt.

0:32:59.880 --> 0:33:04.480
<v Speaker 1>It's true. It's true. I agree, And I could also

0:33:04.560 --> 0:33:07.960
<v Speaker 1>tell with myself now every once in a while, like

0:33:08.000 --> 0:33:09.760
<v Speaker 1>I had to do looping the other day and I

0:33:09.800 --> 0:33:12.600
<v Speaker 1>was like, oh man, I should have taken those soakkates off.

0:33:13.360 --> 0:33:15.360
<v Speaker 1>Why am I trying to wear the soakkate?

0:33:16.000 --> 0:33:17.120
<v Speaker 3>Oh? Ouch?

0:33:17.240 --> 0:33:21.040
<v Speaker 2>I know, okay, this is common knowledge. But when we

0:33:21.160 --> 0:33:26.280
<v Speaker 2>recently shot on Fifth Avenue outside the jewelry store, yeah,

0:33:26.560 --> 0:33:32.120
<v Speaker 2>I had that blue on. It's the blue Tarry Muglare

0:33:32.280 --> 0:33:36.720
<v Speaker 2>Halter dress that you and Trey. Yeah, ifanian is one

0:33:36.760 --> 0:33:40.600
<v Speaker 2>of my favorites. And when you recently are in blue

0:33:40.760 --> 0:33:45.440
<v Speaker 2>again with Carrie, so I was like, wow, what a

0:33:45.560 --> 0:33:47.680
<v Speaker 2>great side by side.

0:33:47.720 --> 0:33:49.000
<v Speaker 1>And I have both those dresses.

0:33:51.360 --> 0:33:51.560
<v Speaker 2>Yeah.

0:33:51.600 --> 0:33:54.520
<v Speaker 1>We tried to do kind of a modern breakfast at Tiffany's,

0:33:54.560 --> 0:33:56.320
<v Speaker 1>like not too done because it was the middle of

0:33:56.320 --> 0:33:58.880
<v Speaker 1>the day. But also do you remember, and I mean

0:33:58.920 --> 0:34:01.160
<v Speaker 1>we're you know, I could talk to mom all about

0:34:01.360 --> 0:34:04.080
<v Speaker 1>you know, twenty million things, you guys, but do you

0:34:04.120 --> 0:34:06.800
<v Speaker 1>remember when we used to shoot with with people on

0:34:06.840 --> 0:34:10.160
<v Speaker 1>the street, Like Charles McDougall directed that breakfast Attivany's the

0:34:10.200 --> 0:34:12.879
<v Speaker 1>first time with Kyle, and he would send us down

0:34:12.920 --> 0:34:14.200
<v Speaker 1>the street. You remember him?

0:34:14.640 --> 0:34:16.879
<v Speaker 3>Yeah? Oh, I definitely remember him.

0:34:17.000 --> 0:34:19.759
<v Speaker 1>Yeah. Can I tell you, guys, there's a director on

0:34:19.800 --> 0:34:22.480
<v Speaker 1>this current episode that I'm rewatching that I have no

0:34:22.920 --> 0:34:26.680
<v Speaker 1>memory of. What how could this be? His name is

0:34:26.719 --> 0:34:29.120
<v Speaker 1>Michael Fielder? Fielder?

0:34:29.680 --> 0:34:32.040
<v Speaker 2>Is that the guy that came to set one time

0:34:32.760 --> 0:34:35.360
<v Speaker 2>in a stretcher because he had back and he directed

0:34:35.400 --> 0:34:36.120
<v Speaker 2>from a stretcher?

0:34:36.160 --> 0:34:36.719
<v Speaker 3>Do you remember that?

0:34:36.800 --> 0:34:36.840
<v Speaker 1>What?

0:34:39.560 --> 0:34:43.279
<v Speaker 2>Yeah, on the stage in a stretcher had back problems.

0:34:43.400 --> 0:34:44.440
<v Speaker 3>We'll have to look it up.

0:34:44.600 --> 0:34:47.880
<v Speaker 1>Michael Fields. I'm so sorry, Michael Fields. If you're out there,

0:34:48.080 --> 0:34:50.680
<v Speaker 1>I don't remember you. And I don't know how it's possible,

0:34:50.960 --> 0:34:53.640
<v Speaker 1>but this is a long time ago, but it was

0:34:53.680 --> 0:34:55.600
<v Speaker 1>like random. When I look down at the episode, I

0:34:55.920 --> 0:34:57.920
<v Speaker 1>thought to myself, I can't remember this person.

0:34:57.880 --> 0:35:00.560
<v Speaker 3>No memory of him. What would Charles dougle with?

0:35:00.680 --> 0:35:04.800
<v Speaker 1>Charles McDougall was very ambitious and usually what would happen

0:35:04.840 --> 0:35:07.040
<v Speaker 1>is we would go over budget and Melfie would start

0:35:07.040 --> 0:35:09.719
<v Speaker 1>to look very stressed, and Michael Hill from HBO would

0:35:09.760 --> 0:35:12.200
<v Speaker 1>come and sit on the set and glare at us,

0:35:12.600 --> 0:35:14.480
<v Speaker 1>you know, like you guys are over, you guys are over.

0:35:14.680 --> 0:35:18.520
<v Speaker 1>And Charles McDougall did not care Okay, he was just

0:35:18.600 --> 0:35:23.040
<v Speaker 1>doing his artistry, and his artistry involved many interesting things.

0:35:23.320 --> 0:35:26.560
<v Speaker 1>And for the breakfast at Tiffany's, it involved having a

0:35:26.680 --> 0:35:30.720
<v Speaker 1>long lens camera blocks away from us, blocks and blocks

0:35:30.719 --> 0:35:33.239
<v Speaker 1>where Kyle and I couldn't even see the camera. And

0:35:33.239 --> 0:35:36.080
<v Speaker 1>then they'd give us a general like try to walk

0:35:36.120 --> 0:35:39.400
<v Speaker 1>by this scene in the sidewalk, and you know, we

0:35:39.400 --> 0:35:41.719
<v Speaker 1>were just walking and ad living talking, right, and with

0:35:41.880 --> 0:35:45.120
<v Speaker 1>regular people, Okay, regular New Yorkers walking down the street,

0:35:45.120 --> 0:35:48.000
<v Speaker 1>walking down Fifth Avenue, not knowing. I mean maybe we

0:35:48.080 --> 0:35:49.600
<v Speaker 1>had to get a release from them after the fact.

0:35:49.640 --> 0:35:51.759
<v Speaker 1>I have no idea how that worked, right, But they're

0:35:51.800 --> 0:35:54.360
<v Speaker 1>just doing their business and we're just trying to walk

0:35:54.440 --> 0:35:58.320
<v Speaker 1>and hoping that we are on camera and having no idea.

0:35:58.800 --> 0:36:02.520
<v Speaker 1>That's how amazingly ambitious he was. And it was so

0:36:02.640 --> 0:36:05.000
<v Speaker 1>much fun. And then by the time we would get closer,

0:36:05.000 --> 0:36:07.359
<v Speaker 1>we would be closer on camera, and then we would

0:36:07.360 --> 0:36:10.120
<v Speaker 1>probably cut and do that shot where you can see

0:36:10.200 --> 0:36:13.399
<v Speaker 1>us framed in the window. And then also my other

0:36:13.520 --> 0:36:17.840
<v Speaker 1>really really great Charles McDougall, was in burgdor flipping the

0:36:17.960 --> 0:36:20.360
<v Speaker 1>china over. You know, Kyle and I are flipping the

0:36:20.440 --> 0:36:23.120
<v Speaker 1>china over, and I think Bunny comes, but we had

0:36:23.239 --> 0:36:25.200
<v Speaker 1>I think we flipped the china like thirty six kind

0:36:25.200 --> 0:36:26.040
<v Speaker 1>of times.

0:36:26.400 --> 0:36:30.840
<v Speaker 2>Wow, yeah, that would send you over budget. They wouldn't

0:36:30.920 --> 0:36:33.160
<v Speaker 2>let you do that now, right, Oh.

0:36:33.040 --> 0:36:35.040
<v Speaker 1>I don't think so. Maybe they'd let Michael.

0:36:35.960 --> 0:36:38.920
<v Speaker 3>They wouldn't let They might not. You wouldn't do it,

0:36:39.280 --> 0:36:41.120
<v Speaker 3>I would What are you saying?

0:36:41.520 --> 0:36:44.440
<v Speaker 1>What are you saying? I never say no, I.

0:36:44.400 --> 0:36:46.960
<v Speaker 2>Wouldn't think you would cut them off at like twelve

0:36:47.080 --> 0:36:47.600
<v Speaker 2>or something.

0:36:47.840 --> 0:36:51.080
<v Speaker 1>I never have cut them off and ever ever, ever,

0:36:51.480 --> 0:36:53.279
<v Speaker 1>because you know why, you always feel like you can

0:36:53.320 --> 0:36:55.440
<v Speaker 1>do it more better. You know you can do a

0:36:55.480 --> 0:36:58.560
<v Speaker 1>better take. I mean it depends, it depends what's happening

0:36:58.560 --> 0:37:00.680
<v Speaker 1>that day. But I can't imagine saying like no, I

0:37:00.680 --> 0:37:01.600
<v Speaker 1>won't do another take.

0:37:01.640 --> 0:37:02.480
<v Speaker 3>I can't.

0:37:02.680 --> 0:37:05.080
<v Speaker 1>I mean, look, there's sometimes like, for instance, my very

0:37:05.160 --> 0:37:07.919
<v Speaker 1>very lengthy birthday party, which we won't go into any

0:37:08.000 --> 0:37:10.000
<v Speaker 1>more detail other than to say that I have a

0:37:10.000 --> 0:37:12.960
<v Speaker 1>birthday coming. Charlotte has a birthday coming. I should say

0:37:13.120 --> 0:37:17.680
<v Speaker 1>on the show it is an epic birthday party, Okay, epic.

0:37:18.040 --> 0:37:20.799
<v Speaker 1>And there were times where we would say to our

0:37:20.840 --> 0:37:22.640
<v Speaker 1>lovely director, I knew who we loved so much. We'd

0:37:22.640 --> 0:37:24.560
<v Speaker 1>be like, we think we got it, Like we just

0:37:24.640 --> 0:37:27.640
<v Speaker 1>gently be like, we think we got that one, because

0:37:27.640 --> 0:37:32.640
<v Speaker 1>they were just seen after seen, take after take, so

0:37:32.840 --> 0:37:34.920
<v Speaker 1>many characters, so many characters.

0:37:35.400 --> 0:37:40.680
<v Speaker 2>You guys were trapped now about but let me ask

0:37:40.719 --> 0:37:43.239
<v Speaker 2>you something and tell me if this is really none

0:37:43.280 --> 0:37:47.720
<v Speaker 2>of my business, oh baby, asking you over and over

0:37:47.800 --> 0:37:49.920
<v Speaker 2>again in a bedroom scene.

0:37:50.000 --> 0:37:54.160
<v Speaker 1>Well, I mean that's a different situation, for sure, for sure. Yeah,

0:37:54.200 --> 0:37:58.799
<v Speaker 1>And I do remember definitely stressy, stressy times way back

0:37:58.880 --> 0:38:02.880
<v Speaker 1>about about We had so many different directors, right, and

0:38:03.040 --> 0:38:06.560
<v Speaker 1>so many different points of view about what it was

0:38:06.560 --> 0:38:09.759
<v Speaker 1>we were supposed to be doing, and definitely I had

0:38:09.760 --> 0:38:12.200
<v Speaker 1>some stress. And as you remember, we were often filming

0:38:12.239 --> 0:38:14.759
<v Speaker 1>in the middle of the ever loved night right with

0:38:15.239 --> 0:38:17.560
<v Speaker 1>like no one around to help you. We didn't have

0:38:17.640 --> 0:38:21.799
<v Speaker 1>intimacyque coordinators back then, and if Michael Patrick wasn't there,

0:38:22.000 --> 0:38:25.080
<v Speaker 1>you kind of had no or Darren for that matter,

0:38:25.239 --> 0:38:26.960
<v Speaker 1>And often Darren might have gone back to La or

0:38:27.000 --> 0:38:28.879
<v Speaker 1>he might have been writing, or everyone might have gone

0:38:28.880 --> 0:38:32.400
<v Speaker 1>home because it was two am. It was two yeah, exactly,

0:38:32.640 --> 0:38:34.600
<v Speaker 1>so you might just be by yourself. And I do remember,

0:38:34.640 --> 0:38:36.440
<v Speaker 1>and we haven't gotten there yet, but there is a

0:38:36.480 --> 0:38:39.640
<v Speaker 1>scene where I ended up feeling so uncomfortable that I

0:38:39.640 --> 0:38:41.799
<v Speaker 1>went and locked myself in my dressing room and called

0:38:41.800 --> 0:38:44.200
<v Speaker 1>my manager back in LA to get some advice on

0:38:44.280 --> 0:38:47.640
<v Speaker 1>what to do, because I just didn't feel like the

0:38:47.800 --> 0:38:54.839
<v Speaker 1>man director had the right idea for this particular sex scene.

0:38:55.719 --> 0:38:57.960
<v Speaker 1>You know, I just remember there being a fair amount

0:38:58.000 --> 0:39:00.279
<v Speaker 1>of anxiety about it all. Like do you remember that

0:39:00.360 --> 0:39:04.320
<v Speaker 1>time where I have to try I'm trying to get

0:39:04.719 --> 0:39:06.759
<v Speaker 1>Kyle's character to have sex with me. You know, we

0:39:06.800 --> 0:39:08.960
<v Speaker 1>have this like troubled sex life in our marriage. Do

0:39:08.960 --> 0:39:11.560
<v Speaker 1>you remember? And I had to wear that sheer nightgown

0:39:12.000 --> 0:39:16.000
<v Speaker 1>and basically, you know, appeal to him to see me

0:39:16.040 --> 0:39:18.759
<v Speaker 1>as a sexual being. God help me out. It makes

0:39:18.800 --> 0:39:21.000
<v Speaker 1>me nervous just thinking about it. Okay, do you remember

0:39:21.000 --> 0:39:24.120
<v Speaker 1>the stress about that? Yeah? I mean I'm trying to

0:39:24.200 --> 0:39:28.279
<v Speaker 1>kind of emotionally and seductively appeal to him both, right,

0:39:28.400 --> 0:39:30.600
<v Speaker 1>So it's kind of a difficult scene and that you

0:39:30.680 --> 0:39:36.200
<v Speaker 1>have to be emotionally available as well as seductive, you know,

0:39:36.320 --> 0:39:40.680
<v Speaker 1>not like fake seductive, you know what I'm saying. And

0:39:40.760 --> 0:39:44.040
<v Speaker 1>I remember really stressing about whether I should wear underwear

0:39:44.160 --> 0:39:47.640
<v Speaker 1>under that because I think Pat wanted me not to.

0:39:50.000 --> 0:39:53.480
<v Speaker 1>I know, it's so embarrassing to think about, right, I know,

0:39:53.560 --> 0:39:56.600
<v Speaker 1>but I think that was another call to my manager Dave, Like, Dave,

0:39:57.719 --> 0:39:59.440
<v Speaker 1>Pat wants me not to wear any underwear and you

0:39:59.440 --> 0:40:01.120
<v Speaker 1>can see right through this thing, and I don't know

0:40:01.160 --> 0:40:02.520
<v Speaker 1>what to do. And he was like, you gotta wear

0:40:02.520 --> 0:40:05.080
<v Speaker 1>some underwear. And I'm like, I do, right, I think

0:40:05.320 --> 0:40:06.759
<v Speaker 1>I should wear some underwear. Right.

0:40:07.800 --> 0:40:13.080
<v Speaker 2>I'm remembering now why she right? Because you in real

0:40:13.120 --> 0:40:14.680
<v Speaker 2>life would not have.

0:40:14.760 --> 0:40:18.240
<v Speaker 1>It's true, It's true. She wasn't wrong. She wasn't wrong. Yeah,

0:40:18.280 --> 0:40:20.239
<v Speaker 1>she wasn't wrong, But I mean you were trying to

0:40:20.239 --> 0:40:23.480
<v Speaker 1>find the balance between like can I live with this

0:40:23.719 --> 0:40:27.640
<v Speaker 1>and you know, screenshots of this following me around or whatever? Right,

0:40:28.000 --> 0:40:30.040
<v Speaker 1>But do you remember the time to when Pat wanted

0:40:30.080 --> 0:40:34.880
<v Speaker 1>to direct. Oh yeah, she'd be like, you know, I

0:40:34.880 --> 0:40:37.520
<v Speaker 1>would just take an ice cube and run it down

0:40:37.560 --> 0:40:39.959
<v Speaker 1>your leg. She'd like some crazy ideas.

0:40:40.440 --> 0:40:43.560
<v Speaker 2>Yes she really, And I'll tell you that carried on through.

0:40:44.160 --> 0:40:49.759
<v Speaker 2>Pat wanted to direct an ugly Betty episode. Wow, she

0:40:50.320 --> 0:40:55.080
<v Speaker 2>wanted to you know, that visual mind of hers wanted

0:40:55.120 --> 0:40:58.640
<v Speaker 2>to get out of the square box of the clothes.

0:40:59.120 --> 0:41:02.840
<v Speaker 1>Right, Well, did I mean the clothes for us at least?

0:41:03.160 --> 0:41:06.799
<v Speaker 1>You know, really permeated everything, almost to the point in

0:41:06.880 --> 0:41:10.120
<v Speaker 1>the films where you know, we had to try to

0:41:10.600 --> 0:41:13.360
<v Speaker 1>get rid of the conversations about the clothes almost like

0:41:13.400 --> 0:41:16.560
<v Speaker 1>it took center stage so so so much. And I

0:41:16.640 --> 0:41:21.640
<v Speaker 1>feel like what people thought happened was that brands had

0:41:21.680 --> 0:41:25.080
<v Speaker 1>come in and like imposed themselves on us, which was not,

0:41:25.239 --> 0:41:27.520
<v Speaker 1>in fact the case. I didn't feel did you feel

0:41:27.520 --> 0:41:27.879
<v Speaker 1>that way?

0:41:28.360 --> 0:41:35.040
<v Speaker 2>I have never ever, you know, felt like that's an

0:41:35.120 --> 0:41:39.000
<v Speaker 2>inappropriate thing. Even though it's free, it doesn't suit the

0:41:39.120 --> 0:41:41.000
<v Speaker 2>character and we're going to put it there now right.

0:41:41.320 --> 0:41:45.200
<v Speaker 1>No, it was us wanting these things and having to

0:41:45.280 --> 0:41:47.400
<v Speaker 1>find a way to get them because we couldn't afford

0:41:47.400 --> 0:41:50.000
<v Speaker 1>them on our budget because at a certain point our

0:41:50.000 --> 0:41:52.359
<v Speaker 1>budget would have exceeded all budgets ever made if we'd

0:41:52.400 --> 0:41:54.320
<v Speaker 1>paid for everything, like it was crazy.

0:41:54.320 --> 0:41:55.880
<v Speaker 3>And bags are frightening.

0:41:55.920 --> 0:42:00.560
<v Speaker 2>The prices on handbags are like beyond I know this

0:42:00.719 --> 0:42:05.440
<v Speaker 2>is not popular, but the Abu Dhabi movie, yeah, the

0:42:05.480 --> 0:42:09.600
<v Speaker 2>costume department, those are our famous costumes ever.

0:42:10.239 --> 0:42:13.320
<v Speaker 3>I know he loved everything.

0:42:12.800 --> 0:42:16.880
<v Speaker 2>That you guys wore, that strapless blue thing that I

0:42:16.960 --> 0:42:20.360
<v Speaker 2>was sweating bullets to do this pin I was so

0:42:20.520 --> 0:42:23.360
<v Speaker 2>afraid to pick and that on you.

0:42:22.719 --> 0:42:28.719
<v Speaker 1>You mean the the the like are talking. Yeah, yeah, yeah, yeah, yeah, yeah.

0:42:28.760 --> 0:42:30.560
<v Speaker 3>We have seen it five in the morning.

0:42:30.880 --> 0:42:33.439
<v Speaker 1>Yeah, when we're so cold that we're we've turned blue. Yes,

0:42:34.719 --> 0:42:36.040
<v Speaker 1>I remember that. It was beautiful.

0:42:36.120 --> 0:42:38.879
<v Speaker 2>Those things that those little things that stress you out.

0:42:39.040 --> 0:42:41.640
<v Speaker 2>I had to call for the supervisor to come and

0:42:41.680 --> 0:42:45.440
<v Speaker 2>help me. I wanted it to be in the right place.

0:42:45.640 --> 0:42:48.440
<v Speaker 1>I mean, that's the thing. You guys, with your attention

0:42:48.600 --> 0:42:51.719
<v Speaker 1>to detail, you are unmatched.

0:42:52.160 --> 0:42:54.239
<v Speaker 3>Unmatched there as well.

0:42:54.440 --> 0:42:56.560
<v Speaker 1>Well thank you, but I mean, like if you think

0:42:56.560 --> 0:42:58.719
<v Speaker 1>about you know, you and Pat and now you and

0:42:58.840 --> 0:43:01.560
<v Speaker 1>Danny obviously on Ninjesla like that, and all of our

0:43:01.640 --> 0:43:04.520
<v Speaker 1>dressers that we've ever had, and all of the supervisors

0:43:04.520 --> 0:43:07.160
<v Speaker 1>and the attention to you know, how things are made

0:43:07.200 --> 0:43:08.719
<v Speaker 1>and how things are put together and how a bow

0:43:08.800 --> 0:43:10.520
<v Speaker 1>is tied. You guys don't even want to be around

0:43:10.560 --> 0:43:13.239
<v Speaker 1>when a bow needs to be tied, okay, I mean

0:43:13.320 --> 0:43:14.920
<v Speaker 1>the stress.

0:43:15.080 --> 0:43:17.000
<v Speaker 3>Careful, that's dangerous.

0:43:17.239 --> 0:43:19.320
<v Speaker 1>I know, I know. I won't go into any more detail,

0:43:19.560 --> 0:43:22.600
<v Speaker 1>but there's many people who have strong feelings on how

0:43:22.640 --> 0:43:25.640
<v Speaker 1>a bow must be tied, okay, And you don't even

0:43:25.680 --> 0:43:27.719
<v Speaker 1>want to get involved, right, You're just like, yeah, sure,

0:43:27.880 --> 0:43:30.800
<v Speaker 1>do whatever, you know you guys do whatever. But I

0:43:31.360 --> 0:43:34.520
<v Speaker 1>think like when some people are they say things like,

0:43:34.560 --> 0:43:37.680
<v Speaker 1>you know, I think maybe when people come to work

0:43:37.719 --> 0:43:41.319
<v Speaker 1>on our show after having seen it, they're kind of

0:43:41.480 --> 0:43:45.439
<v Speaker 1>amazed what all goes into just a scene or a

0:43:45.440 --> 0:43:48.719
<v Speaker 1>walk and talk or whatever, because you when you're watching it,

0:43:48.760 --> 0:43:51.560
<v Speaker 1>hopefully you're not thinking about that, right, but then we

0:43:51.680 --> 0:43:55.760
<v Speaker 1>know like the levels and levels of levels of attention

0:43:56.000 --> 0:43:58.800
<v Speaker 1>to detail that it takes to make it good.

0:43:59.640 --> 0:44:02.919
<v Speaker 2>Well, you know, you of all people, know what it's

0:44:03.040 --> 0:44:05.840
<v Speaker 2>like to come for your fitting and you always block

0:44:05.880 --> 0:44:09.279
<v Speaker 2>out an entire day of you lon, And what.

0:44:09.360 --> 0:44:12.200
<v Speaker 3>Is it like on other when you go to.

0:44:12.320 --> 0:44:18.799
<v Speaker 1>Us sad Molly, when you go to if you've been

0:44:18.880 --> 0:44:21.719
<v Speaker 1>with us, right, and then you get a job, you know,

0:44:21.760 --> 0:44:25.359
<v Speaker 1>when we're off, you're just like, oh god. I mean

0:44:25.400 --> 0:44:26.799
<v Speaker 1>for me, I'm like, can I go home and get

0:44:26.800 --> 0:44:29.560
<v Speaker 1>my clothes? I mean, because we're just spoiled rotten, okay.

0:44:29.800 --> 0:44:32.000
<v Speaker 1>But the other thing that I think about when I

0:44:32.040 --> 0:44:34.960
<v Speaker 1>think back, like we used to work, you know, as

0:44:35.000 --> 0:44:37.680
<v Speaker 1>you know, almost all night as the week went on

0:44:37.800 --> 0:44:40.880
<v Speaker 1>right till sun rose on Saturday morning, but also sometimes

0:44:40.920 --> 0:44:43.640
<v Speaker 1>because there was no time for a fitting because all

0:44:43.640 --> 0:44:45.120
<v Speaker 1>of us were working so much more. We didn't have

0:44:45.160 --> 0:44:47.399
<v Speaker 1>as many days to do an episode, So even if

0:44:47.680 --> 0:44:50.160
<v Speaker 1>it would seem like maybe one of us wasn't in

0:44:50.200 --> 0:44:52.239
<v Speaker 1>that episode as much, we were probably in the other

0:44:52.320 --> 0:44:56.040
<v Speaker 1>episode being filmed, right. And sometimes we had mobile units. Yeah,

0:44:56.040 --> 0:44:57.600
<v Speaker 1>so the only time to do a fitting was when

0:44:57.640 --> 0:44:59.719
<v Speaker 1>you wrapped at night. And I remember going to a

0:44:59.719 --> 0:45:03.040
<v Speaker 1>fitting at like two am. Oh, this is insane.

0:45:03.600 --> 0:45:04.719
<v Speaker 3>Can you believe that?

0:45:05.120 --> 0:45:06.160
<v Speaker 1>No, but we did.

0:45:06.160 --> 0:45:08.400
<v Speaker 3>It seems unfathomable to me.

0:45:09.160 --> 0:45:11.799
<v Speaker 2>I remember that time that somebody, I think it was

0:45:11.880 --> 0:45:16.120
<v Speaker 2>the supervisor Mark made up T shirts because we had

0:45:16.200 --> 0:45:20.520
<v Speaker 2>four units going a ac Indeed, that would be illegal,

0:45:20.600 --> 0:45:21.359
<v Speaker 2>now do.

0:45:21.360 --> 0:45:23.000
<v Speaker 1>You think it would be? I mean, it was the

0:45:23.040 --> 0:45:25.840
<v Speaker 1>only way we did finish right, and we but that

0:45:25.920 --> 0:45:27.560
<v Speaker 1>was when we were in Silver Cup and they had

0:45:27.640 --> 0:45:30.920
<v Speaker 1>all those stages, so we had sopranos. Must have wrapped right,

0:45:31.000 --> 0:45:32.560
<v Speaker 1>So we were just by ourselves and we would just

0:45:32.680 --> 0:45:36.080
<v Speaker 1>run from stage to stage to stage, and we'd be like,

0:45:36.120 --> 0:45:37.440
<v Speaker 1>what do we have to do now? Oh? Yeah, we

0:45:37.480 --> 0:45:39.120
<v Speaker 1>got to do a phone call, our half of a

0:45:39.120 --> 0:45:41.839
<v Speaker 1>phone call. So we'd run over to B unit and

0:45:41.880 --> 0:45:43.920
<v Speaker 1>do that, and then we'd run over to C unit

0:45:44.280 --> 0:45:47.000
<v Speaker 1>and do like an insert of our hand picking up

0:45:47.040 --> 0:45:49.680
<v Speaker 1>a glass or whatever. It was like, oh my god,

0:45:49.719 --> 0:45:51.680
<v Speaker 1>the insanity. But you know, we were young, we had

0:45:51.680 --> 0:45:52.760
<v Speaker 1>the energy, right.

0:45:52.840 --> 0:45:55.160
<v Speaker 3>We were in it to win it. It was exciting.

0:45:55.440 --> 0:45:57.200
<v Speaker 1>We were we were in it to win it, and

0:45:57.239 --> 0:45:59.839
<v Speaker 1>it was exciting and we loved it so much, as

0:45:59.880 --> 0:46:00.520
<v Speaker 1>we still do.

0:46:01.239 --> 0:46:05.839
<v Speaker 2>It's still exciting and it's still coming back too.

0:46:06.480 --> 0:46:09.480
<v Speaker 3>And just like that, it was like back to summer camp.

0:46:09.840 --> 0:46:13.000
<v Speaker 1>I know, right, Yeah, it still is so much fun

0:46:13.080 --> 0:46:16.000
<v Speaker 1>and so amazing that we even get to still play

0:46:16.000 --> 0:46:16.759
<v Speaker 1>in the sandbox.

0:46:17.360 --> 0:46:21.280
<v Speaker 2>Oh my gosh, absolutely so grateful, Molly.

0:46:21.640 --> 0:46:23.640
<v Speaker 1>I could talk to you forever, as you know. So

0:46:23.920 --> 0:46:25.960
<v Speaker 1>will you come back and do another episode? Can we

0:46:26.120 --> 0:46:27.000
<v Speaker 1>make this into two?

0:46:27.480 --> 0:46:27.760
<v Speaker 3>Yeah?

0:46:27.920 --> 0:46:28.439
<v Speaker 1>Okay, good