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Speaker 1: He is drinks chants, motherfucking podcast man.

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Speaker 2: He's a legendary queens rapper.

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Speaker 3: He ain't a greed as your boy in O r E.

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Speaker 3: He's a Miami hip hop mayoneer. What up his dj

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Speaker 3: e f N?

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Speaker 2: Together they drink it up with some of the biggest

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Speaker 2: players you me and the most professional unprofessional podcast and

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Speaker 2: your number one source for drunk drinks chans mother Fu

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Speaker 2: postcay Ds New Year.

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Speaker 3: C That's it's time for drink Champions. Drink up, mother?

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Speaker 3: Would it good? Be hoping to your boy n A

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Speaker 3: O at a A What up is d j e

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Speaker 3: f N?

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Speaker 1: It's a mini typic crazy war ya ya drink Champs man.

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Speaker 1: When I tell you we started this show, we wanted

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Speaker 1: to say to people. We wanted to give it to legends,

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Speaker 1: people who deserve it, people who deserve their flowers.

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Speaker 3: This man has been down. He has gave hip hop

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Speaker 3: so much.

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Speaker 1: Hits after his has been a part of legendary group's

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Speaker 1: been a part of solo acts by myself.

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Speaker 3: I feel like I've met.

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Speaker 1: Him on tour and I feel like he's still on

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Speaker 1: tour right now because he's god damn tall, like Motherfuckeraine

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Speaker 1: on him tour like a wrestler. Every time I see him,

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Speaker 1: he smiling, and that lets you know that a man

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Speaker 1: been through a lot. Because any man that can smile

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Speaker 1: had been through what you've been through.

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Speaker 3: That's a real man. Man.

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Speaker 1: He makes hits after hits after his He's a legend.

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Speaker 1: He's an icon. Like I said, he can be. He

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Speaker 1: can arrive at your ball mitzvah. He get everywhere and

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Speaker 1: kill it. He has a song that literally tell your

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Speaker 1: speak in the dmis in a good way. You artie,

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Speaker 1: what happened to you when this song come on? Not

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Speaker 1: saying you're like community to have a conversation in case

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Speaker 1: you don't know what we're talking about. It's a wonder

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Speaker 1: what oh before we get into everything else. Before we

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Speaker 1: get into everything else, I want to give your flowers

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Speaker 1: on this one subject. Because of your video. Huh, everyone

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Speaker 1: wat and tried to recreate like you had the most

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Speaker 1: creative quote unquote hoot video. Yeah, yes, dear, what was

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Speaker 1: so that's whatout like? Speaking about the budget? Do you

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Speaker 1: do you know that?

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Speaker 3: Because I know we've said it behind your back.

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Speaker 4: I didn't know until I really start seeing it on TV.

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Speaker 4: Everyone was gonna come out like that, but Mark shout

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Speaker 4: out to Mark class fail bro.

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Speaker 3: That's where Mark was coming up, right, that was the Mark.

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Speaker 4: That was really a Mark step out statement him my

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Speaker 4: video on Nelly video Okay, uh the country ground and

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Speaker 4: that was really ok wow big joints.

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Speaker 3: Yeah yeah, now now I heard that.

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Speaker 1: And when y'all was doing the videos, it was the

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Speaker 1: cameras was a little bit unsafe, like they were trying

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Speaker 1: to steal the cameras.

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Speaker 3: Was that true?

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Speaker 5: Man, we was in the project. They camped out.

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Speaker 4: And it was kind of weird because no, you know,

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Speaker 4: they'd get hotel rooms and stuff.

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Speaker 3: The production crew.

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Speaker 4: They camped out in the project, so it was risky.

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Speaker 4: And then they stayed for three days. So I was like,

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Speaker 4: but they were showing so much love. But you know,

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Speaker 4: nobody ain't nobody, nobody didn't actually steal nothing, thank God

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Speaker 4: and everybody that's safe. But yeah, it was kind of

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Speaker 4: I was telling them, man, y'all taking the chance for real,

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Speaker 4: like now it's all good. Every time we cooked, we're

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Speaker 4: gonna feed everybody around, and that's what they was doing

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Speaker 4: and they were showing them love.

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Speaker 1: So so all right, at this time, we had only

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Speaker 1: her first off congratulations on the coming of the i'ma

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Speaker 1: have a drinking. I see you order the water, but

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Speaker 1: I'm gonna have a drinking. I haven't been dren I just.

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Speaker 4: Had one for I came in here. I'm having another

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Speaker 4: one now, Okay. And what do you drink when you drink?

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Speaker 4: I got That's what was talking about earlier about being entrepreneurs.

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Speaker 5: I got.

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Speaker 4: I really drink my own cone. No, I got a

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Speaker 4: yact too. It's called yak.

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Speaker 3: Okay, it's called yak.

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Speaker 5: It's called yack. And I'm sorry.

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Speaker 4: That's why I want to see all care package, man,

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Speaker 4: because I came from Vegas to to here.

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Speaker 5: I can't get a chance to man. Yeah, so I wouldn't.

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Speaker 4: I naturally would have brought you all a bunch of gifts.

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Speaker 3: He was performing on on the boat too.

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Speaker 5: Yeah, I did that yesterday.

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Speaker 3: You take all the bags.

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Speaker 5: I'm taking, all.

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Speaker 1: Right, and be honest, Like, there's rappers who can tour

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Speaker 1: for the rest of their life and that's a blessing,

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Speaker 1: Yeah it is. And then certain rappers who can tour.

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Speaker 1: There's some rappers whose songs could.

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Speaker 3: Tour for the rest of their life too.

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Speaker 1: Write like if you if you look at like certain

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Speaker 1: groups that song is bigger than them, right, Like I

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Speaker 1: don't want to name.

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Speaker 5: No because it's a few groups. You know the song,

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Speaker 5: you know the song.

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Speaker 1: You don't know them so that they can walk right

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Speaker 1: by you in the casino. You don't know, right, You're

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Speaker 1: one of those people that it matched both like your

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Speaker 1: start and your songs. Like like like, I don't know

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Speaker 1: if we got some white people here. I don't know

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Speaker 1: if my boy missiship, but I want first it would

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Speaker 1: be like as soon as say that, like you got

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Speaker 1: a white audience that you didn't even try to get.

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Speaker 4: I can't forget about my Latinos either. I did a

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Speaker 4: song that one of my songs will following me now,

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Speaker 4: don't forget that. So that really got me across. That

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Speaker 4: really to everybody.

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Speaker 5: Man.

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Speaker 4: So it's always been love with all the racists. Man

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Speaker 4: is love and it is loved back.

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Speaker 3: Yeah.

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Speaker 1: But here's this funny ship. I told you the story.

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Speaker 1: I told this story many of times. I went when

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Speaker 1: you say Latino audience is funny because a lot of

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Speaker 1: people don't know this, Puerto Ricans in fucking New Orleans, man, everybody.

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Speaker 3: This is put on to y'all.

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Speaker 1: I swear to God, don't limit more with nobody right,

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Speaker 1: and I tried to fuck with no limit. I went

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Speaker 1: to New Orleans. I couldn't get a meet. I can't

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Speaker 1: eat him. And it was a Puerto Weecan girl. She

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Speaker 1: had fronts, she had gold thing with mouths at the

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Speaker 1: w hotel. I'll never forget this. And because I've never

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Speaker 1: seen a girl like a full flashed like he's a

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Speaker 1: permanent bro. So I'm looking like, oh, ship, this is

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Speaker 1: the this is the South Ship.

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Speaker 4: This is not the Eddie gold Capstan stuff.

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Speaker 1: This is the permanent shit. We got the caps. So

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Speaker 1: and I said to to the girl at the ball,

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Speaker 1: I'm like, She's like, what you're doing out here? And

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Speaker 1: I'm like, I'm here to see no limits. She was like, oh,

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Speaker 1: that's where you're fucked up from the beginning. I'm like,

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Speaker 1: she said, you supposed to be cash money hand and

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Speaker 1: Julie and and I'm like, what a girl put me?

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Speaker 1: I told you this before, right, No girl, she was

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Speaker 1: Puerto Rican, but but she sounded like she sounded like

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Speaker 1: a new though.

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Speaker 3: But she looked poor. But I was like she liked

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Speaker 3: them though.

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Speaker 1: I was like, sop. And then that's when I got

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Speaker 1: caught on. So now let me break this down. Well,

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Speaker 1: y'all independent prior to her. Yeah, so was that beneficial?

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Speaker 3: How? How was that?

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Speaker 1: Because like when I went to New Orleans, like I said,

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Speaker 1: y'all had that ship on lock, right, Yeah, I believe

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Speaker 1: Texas and I forget whatever.

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Speaker 4: The area Mississippi came Georgia, but it had not got.

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Speaker 1: To the East coast and had not really gotten Yeah,

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Speaker 1: it was just in our area. Okay, So how was that?

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Speaker 1: How was that was that beneficial?

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Speaker 4: Well, cash Money, I got to give them credit. Before

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Speaker 4: I got on cash Money, they already had a loose

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Speaker 4: They had success with groups before me, so they had

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Speaker 4: built up a fan base already. But when I came in,

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Speaker 4: me and BG, you know what we did together, and

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Speaker 4: you know and Wayne, we we created this huge fan base.

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Speaker 4: And this before this, before the group, before we became

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Speaker 4: the Homeboys group, this was just we was just all

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Speaker 4: really rapping on Beg's ALBUMG was THEG was the first

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Speaker 4: one when I came in. He was the guy right

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Speaker 4: friend out the gate. He was the first one out

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Speaker 4: the gate, like a couple of albums before I even

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Speaker 4: got one end. So and he had already had this

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Speaker 4: big fan base, So it was kind of like easy

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Speaker 4: to walk into with them, but when they put us together,

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Speaker 4: we just blew up a little bit and it got bigger,

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Speaker 4: you know what I'm saying. So what would have been

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Speaker 4: one state winded up then five six stakes.

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Speaker 3: But your record was the one that ultimately helped get

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Speaker 3: the deal.

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Speaker 4: Once I got Once I got Once I did my

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Speaker 4: first album called Soldier Rag. The Soldier of the song

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Speaker 4: Soldier Rag itself blew up.

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Speaker 3: So it wasn't it wasn't It wasn't hum.

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Speaker 4: But it wasn't how it was really a remake kind

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Speaker 4: of like the remake of Soldier Rags. It was Soldier

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Speaker 4: Rags that got us there? Who got us that deal?

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Speaker 5: Yeah?

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Speaker 1: Got That's makes no noise for that got that. So

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Speaker 1: I'm gonna just tell you. At one point it was like.

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Speaker 4: Well, let me correct that. Play the part didn't getting

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Speaker 4: us that deal. Okay, I'm gonna correct that because not

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Speaker 4: just that album, it was the big timers that dropped

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Speaker 4: two albums they had. They had a lot to do

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Speaker 4: with that too, So it wasn't just me and I'm

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Speaker 4: gonna stay this. When we recorded those songs, when we

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Speaker 4: were in the studio, we didn't know what songs were

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Speaker 4: going to what album? It's that I was next up,

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Speaker 4: So they took the best songs.

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Speaker 3: And put on my album was recording and just whatever exactly.

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Speaker 4: So we didn't know. We didn't know what was going

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Speaker 4: and which. I liked it. I really liked it. I

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Speaker 4: kind of liked that.

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Speaker 3: I liked the crazy times.

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Speaker 5: Yeah, yeah, way I get all the hits.

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Speaker 3: I ain't gonna lie to you.

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Speaker 1: Listen at one point you had the Death Row run,

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Speaker 1: you had the Rough Riders run, you had the Rockefeller Run,

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Speaker 1: but nothing seemed like the Cash Money run. How was

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Speaker 1: that and how old were you?

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Speaker 4: I think the fact that we were listening to them,

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Speaker 4: because we were really like listening to all the listening

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Speaker 4: when they when they had they run, We was big

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Speaker 4: fans them, okay. And I think the fact that the

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Speaker 4: South was kind of like an untapped We had other

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Speaker 4: people doing anything, but it was just like it was

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Speaker 4: so much We had so much more to offer that

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Speaker 4: people hadn't yet heard yet, and I think that made

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Speaker 4: it easier for us to also. He kicked down the

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Speaker 4: doors for everybody on our.

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Speaker 1: Yeah, why are you the only one from Cash Money

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Speaker 1: that gave all of no limited pop?

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Speaker 3: You're the only.

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Speaker 4: One we were talking long before that, so I think

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Speaker 4: that's what they caught.

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Speaker 5: You want to alcohol kicked in, you know the song

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Speaker 5: was going to play.

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Speaker 3: Yeah, yeah, I see you smile the whole time.

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Speaker 4: A lot of them, so a lot of them cast man,

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Speaker 4: you know, you know, off off camera and you know,

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Speaker 4: without the music playing. In my partners, we grew up

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Speaker 4: the of it, you know. Yeah, And I see them

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Speaker 4: all the time, so it ain't like that. I still

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Speaker 4: live in New Orleans, so I see everybody all the time.

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Speaker 3: That look. That was such a great look for the

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Speaker 3: city as a whole.

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Speaker 5: Yeah, man, my city loving it.

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Speaker 3: Do you think that it should have been in New Orleans?

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Speaker 5: I said that.

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Speaker 4: I didn't say that because then we probably would have

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Speaker 4: got a better fan.

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Speaker 5: Reaction because I think all of those fans.

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Speaker 4: That was there in the conference, the complex our age backing,

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Speaker 4: like I want the age bagging to be, you know,

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Speaker 4: thirty five fifty five now. And that's why I still

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Speaker 4: feel like we should do it again. I really feel

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Speaker 4: like we should do it again a rematch.

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Speaker 6: Yeah yeah, I mean we understand because we did. That's

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Speaker 6: when we were the opposite. Last year we did the

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Speaker 6: snoop and dre here I'm saying all the people, the.

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Speaker 4: People in New Orleans feel like they got cheated because

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Speaker 4: they couldn't afford to go, you know, to Vegas, especially

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Speaker 4: during that event, because everything was sky and the hotels

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Speaker 4: that went up, everything was you know, it was a

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Speaker 4: little more complicated, but I think we were two hour city.

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Speaker 5: We need to do it at home.

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Speaker 3: Facilitate that. Yeah, how about Jee, how about Juvie? Who

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Speaker 3: would you battle on?

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Speaker 5: Versus? Would I battle on?

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Speaker 1: Versus?

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Speaker 4: Fans to do Tuesday? I never been one to stand

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Speaker 4: there and say I want to battle this person because

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Speaker 4: I'm I like rap so much. I got I gotta hip.

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Speaker 4: Pop has done so much for me and my family

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Speaker 4: and my life. I don't like the whole beefing with me.

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Speaker 4: I'm I've never been that ain't my thing, right, and

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Speaker 4: I've made my mistakes in the past like some of

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Speaker 4: all of us have. But of course, you know what

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Speaker 4: I mean right now in life, I just like.

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Speaker 5: To rap about the things. I'm well, I'm at life right,

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Speaker 5: so I'm not all beached out like that. I'm not

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Speaker 5: you know.

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Speaker 1: Versuses like sometimes Yah, Mic, Now.

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Speaker 3: You know what's crazy about y'all?

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Speaker 5: About y'all?

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Speaker 1: All?

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Speaker 3: No bird Man, right, So like I mean, I know

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Speaker 3: bird Man, but I don't know.

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Speaker 1: I'm like y'all obviously all of your face had the

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Speaker 1: same exact all of them, Like.

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Speaker 3: Oh ship, you smile, you smile, but the whole time

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Speaker 3: you smiling the whole time. I'm gonna tell that check.

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Speaker 5: When you want to hear it. It's like when battle man,

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Speaker 5: it's like basketball and everything.

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Speaker 3: We could be cool and all that, but.

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Speaker 5: When that might camera come on, clear, ain't having.

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Speaker 4: This walk time, Then let's let's go to walk And

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Speaker 4: I ain't marry that for that.

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Speaker 5: That's one thing I love about him.

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Speaker 4: Gonna be who he is no matter what it is,

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Speaker 4: no matter what the situation is.

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Speaker 5: My dude gonna be we is and I'm with him.

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Speaker 3: Yea, How do y'all coem pay that that?

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Speaker 5: You know?

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Speaker 1: Like this versus did you did you think that y'all

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Speaker 1: had it has put together as money or do you

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Speaker 1: what do you think?

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Speaker 5: I mean, man, you.

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Speaker 4: As far as preparation, I'm always say this, man, we

294
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Speaker 4: had no Neither one of the teams had all their

295
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Speaker 4: guns with him, So I don't care. Neither one of

296
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Speaker 4: us was really preparaated like we could. I mean but

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Speaker 4: who wants to who wants to get up there and

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Speaker 4: saying ten songs a piece? You know, Think about the

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Speaker 4: songs I didn't sing, Think about the song they didn't sing.

300
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Speaker 4: So it's a lot of you know, it's I think

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Speaker 4: we missed a lot.

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Speaker 7: You know.

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Speaker 4: It hurt me a lot not to see mister Core

304
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Speaker 4: and God bless the day. And my dog sold the

305
00:14:27,160 --> 00:14:29,600
Speaker 4: Slim on that staatement because it would have been weird

306
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Speaker 4: for soldier Slim have to play both.

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Speaker 3: He yeah, see murdered.

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Speaker 4: You know what I'm saying, Like, it's like you're missing

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Speaker 4: a whole lot of people. You know, Wayne wasn't there,

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Speaker 4: you know what I'm saying, even though they're saying he

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Speaker 4: was in town, but I don't think he was even

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Speaker 4: in town.

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Speaker 5: You know.

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Speaker 4: But without everybody being there, I feel like it still.

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Speaker 5: Wasn't the same. It ain't the same. Missing something, It's

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Speaker 5: definitely missing something.

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Speaker 3: Do you think that them bringing out Snoop helped or

318
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Speaker 3: help anyway?

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Speaker 5: You bring Snoop?

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Speaker 4: I don't know when the boss stupid said I gotta

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Speaker 4: get this nigga, I.

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Speaker 5: Gotta get to you.

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Speaker 4: But you know, me and Snip, Me and Souper been

324
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Speaker 4: talking ship to each other for the last month or.

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Speaker 3: So back Solk the Shaka.

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Speaker 5: Yeah, we've been at each other through quiet as kept

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Speaker 5: you know what I'm saying, Like some cool.

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Speaker 4: We're in the studio, were cool with you, but you

329
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Speaker 4: know when were getting about that. You know, there's a

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Speaker 4: whole over with Nigga. I'm telling you the same thing.

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Speaker 4: I really know what what it's hitting for. I'm coming

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Speaker 4: out shooting. I ain't playing that.

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Speaker 5: You knew it was.

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Speaker 1: I kind of knew when the crowd was like a

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Speaker 1: little young. When Romeo came out and the crowd knew

336
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Speaker 1: Romeo record, I was like.

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Speaker 3: This is some young motherfucker.

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Speaker 1: I was like, holy Ship, you know what I'm trying

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Speaker 1: to say, Like you know what I mean, Like, regardless

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Speaker 1: of what, that's a younger generation, right, and all of

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Speaker 1: these records from nine nine to the two thousand. God

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Speaker 1: damn Jesus. You know what I'm saying, Holy Jesus, waits.

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Speaker 5: Part about today? Man?

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Speaker 4: I wake up and I hear the bad news. Man

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Speaker 4: my due Young Bleed. You know what I'm saying. I

346
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Speaker 4: don't know if it's true, if it's facts not for

347
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Speaker 4: Young Bleed performed.

348
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Speaker 5: At the Verse.

349
00:16:01,240 --> 00:16:05,840
Speaker 4: Oh wow, he had a situation where brand anaism. I

350
00:16:05,880 --> 00:16:07,360
Speaker 4: don't know if it's I don't know if it's true,

351
00:16:07,360 --> 00:16:09,280
Speaker 4: if if his facts or not. But you know they

352
00:16:09,280 --> 00:16:11,400
Speaker 4: say it ain't. Ain't looking too great for my brother,

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Speaker 4: God bless. Yeah. And he was, he was. He was

354
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Speaker 4: up there representing. That's what I'm saying. I wanted to

355
00:16:17,440 --> 00:16:20,920
Speaker 4: hire do that there. Oh yeah, he was doing this thing. Yeah,

356
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Speaker 4: kind of crazy.

357
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Speaker 3: Do you think the City of New Orleans props man?

358
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Speaker 5: Hell no, really, hell no.

359
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Speaker 4: I feel like a lot of things that have been taken

360
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Speaker 4: from us and we don't.

361
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Speaker 5: They don't give us credit. You know, if you hear

362
00:16:34,520 --> 00:16:38,800
Speaker 5: clad that's New Orleans out the gate, we don't.

363
00:16:38,840 --> 00:16:40,240
Speaker 4: We don't get no credit for it. And it's a

364
00:16:40,240 --> 00:16:42,760
Speaker 4: lot of artists that's taken from there on. Don't say

365
00:16:42,800 --> 00:16:45,320
Speaker 4: New Orleans and nothing in the you know, you don't.

366
00:16:45,360 --> 00:16:47,320
Speaker 4: They don't give us the props. I feel like we deserve.

367
00:16:47,960 --> 00:16:50,480
Speaker 4: But I'm not mad at him either though, because I

368
00:16:50,520 --> 00:16:52,800
Speaker 4: mean a lot of a lot of places, a lot

369
00:16:52,840 --> 00:16:56,520
Speaker 4: of artists and stars have had things taken from him

370
00:16:56,600 --> 00:16:58,920
Speaker 4: also back in the days, and I mean so it's

371
00:16:58,920 --> 00:17:01,720
Speaker 4: the same thing. It's kind of like reoccurring thing. But

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00:17:01,840 --> 00:17:05,000
Speaker 4: I'm telling you, man, it ain't nothing like more us.

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Speaker 4: Our culture, the way we live, we eat the music,

374
00:17:08,080 --> 00:17:11,080
Speaker 4: the way we think, we drink liquor, we drink the

375
00:17:11,119 --> 00:17:12,879
Speaker 4: oxygen is different down there.

376
00:17:12,880 --> 00:17:14,600
Speaker 5: I'm telling you it's different, different vibe.

377
00:17:15,000 --> 00:17:17,120
Speaker 3: The best of should the Spike Lee documentary.

378
00:17:17,920 --> 00:17:19,560
Speaker 4: I saw parts of it. I saw parts of it.

379
00:17:19,600 --> 00:17:23,439
Speaker 4: I didn't watch the whole things raight the Coatrina run it.

380
00:17:23,560 --> 00:17:25,280
Speaker 1: Let me know, like the heart of the city, Like

381
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Speaker 1: as many times have I been there, how many times

382
00:17:27,560 --> 00:17:29,720
Speaker 1: the city embraced me, I didn't actually know that that's

383
00:17:29,720 --> 00:17:32,359
Speaker 1: a part of like, like you know, that's how y'all are,

384
00:17:32,400 --> 00:17:34,800
Speaker 1: Like you know what I'm saying, Like like like nothing

385
00:17:34,840 --> 00:17:36,800
Speaker 1: can really bring down that city, like you know what

386
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Speaker 1: I mean.

387
00:17:37,480 --> 00:17:41,000
Speaker 4: Our our I think we're the true meaning of southern,

388
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Speaker 4: Southern hospitality. Right, you know, you come down there, it's

389
00:17:45,640 --> 00:17:48,200
Speaker 4: it's a rare. It's rare to walk class a person

390
00:17:48,200 --> 00:17:52,160
Speaker 4: and they'll say nothing so right, that might turn into

391
00:17:52,160 --> 00:17:55,760
Speaker 4: something else from you not saying something. So down there,

392
00:17:55,600 --> 00:17:57,800
Speaker 4: we like to show respect by saying what's up, how

393
00:17:57,800 --> 00:17:59,560
Speaker 4: you doing, how you people doing, and stuff like that,

394
00:17:59,600 --> 00:18:01,679
Speaker 4: because it don't hurt you, It don't hurt. You to

395
00:18:01,920 --> 00:18:04,000
Speaker 4: be nice to a person for five minutes, you don't

396
00:18:04,000 --> 00:18:06,320
Speaker 4: have to spend the night with them. Feel So that's

397
00:18:06,359 --> 00:18:07,359
Speaker 4: how we live down there.

398
00:18:07,720 --> 00:18:14,159
Speaker 1: So what's the difference between the Calio and a Magnolia projects.

399
00:18:12,520 --> 00:18:14,040
Speaker 5: A couple of blocks through streets.

400
00:18:15,600 --> 00:18:19,920
Speaker 3: Calio is pe and them Pee Pete.

401
00:18:20,240 --> 00:18:22,160
Speaker 4: We all will like if you ask Pee, Pee, gonna

402
00:18:22,160 --> 00:18:24,520
Speaker 4: say I'm from the Calio and I'm from the third World,

403
00:18:25,240 --> 00:18:26,800
Speaker 4: and We're gonna all say the same thing.

404
00:18:27,240 --> 00:18:27,320
Speaker 8: Me.

405
00:18:27,440 --> 00:18:29,720
Speaker 4: I'm a little different because my brothers I had, my

406
00:18:29,720 --> 00:18:33,119
Speaker 4: stepbrothers stayed in the Calio, my grandmother stayed in the Mouth,

407
00:18:33,440 --> 00:18:36,760
Speaker 4: and I lived in a Magnoia in Pops Mom living

408
00:18:36,760 --> 00:18:39,080
Speaker 4: in a Magnolia. So I'm really third wall all the

409
00:18:39,080 --> 00:18:42,720
Speaker 4: way around it. But I come from the Tankwark, feel me.

410
00:18:42,800 --> 00:18:44,000
Speaker 4: So you never hear me.

411
00:18:44,520 --> 00:18:45,359
Speaker 5: I don't get too.

412
00:18:45,240 --> 00:18:47,800
Speaker 4: Locked into that type of stuff because we always you know,

413
00:18:48,119 --> 00:18:50,600
Speaker 4: when I got an event Calio Magnoy, people from all

414
00:18:50,640 --> 00:18:52,720
Speaker 4: over the city come through. And it's the same thing

415
00:18:52,760 --> 00:18:55,720
Speaker 4: for Pee. But back in the days when we came

416
00:18:55,760 --> 00:18:57,399
Speaker 4: out with our music, they was trying to make this

417
00:18:57,400 --> 00:18:59,399
Speaker 4: big separation. But if you come there, man, and you

418
00:18:59,400 --> 00:19:01,639
Speaker 4: see how close it is, it's kind of impossible to

419
00:19:01,640 --> 00:19:02,880
Speaker 4: have something ye like.

420
00:19:03,160 --> 00:19:05,160
Speaker 3: Not know family members in each side.

421
00:19:05,680 --> 00:19:07,880
Speaker 5: You know what I'm saying, It's kind of impossible. Bro.

422
00:19:08,760 --> 00:19:11,160
Speaker 1: Well, we wanted to let you know we got the

423
00:19:11,400 --> 00:19:12,480
Speaker 1: well our show is about.

424
00:19:13,359 --> 00:19:15,240
Speaker 3: I mean, he got he got it at the Revolt,

425
00:19:15,280 --> 00:19:17,320
Speaker 3: but we got something. We got got to give him

426
00:19:17,359 --> 00:19:17,920
Speaker 3: his own man.

427
00:19:17,960 --> 00:19:19,560
Speaker 1: You know what I mean, face to face man and man,

428
00:19:19,640 --> 00:19:21,840
Speaker 1: let you know how important you are to hip hop,

429
00:19:21,840 --> 00:19:22,440
Speaker 1: our culture.

430
00:19:22,840 --> 00:19:23,520
Speaker 3: You know what I'm saying.

431
00:19:24,240 --> 00:19:26,679
Speaker 1: Everything you do, everything you're doing, we want to give

432
00:19:26,720 --> 00:19:35,200
Speaker 1: you your flowers. You got one before, we want to

433
00:19:35,200 --> 00:19:35,920
Speaker 1: give you another one.

434
00:19:37,240 --> 00:19:41,680
Speaker 5: Yeah, yeah, man, I appreciate that.

435
00:19:41,760 --> 00:19:47,240
Speaker 1: Hell yeah, hell yeah, hell yeah. So we're gonna do

436
00:19:47,520 --> 00:19:52,520
Speaker 1: quick time, slim quick time, Okay, okay, cool. I want

437
00:19:52,520 --> 00:19:55,520
Speaker 1: to play him the rules or no. Yeah, we didn't play.

438
00:19:55,560 --> 00:19:58,280
Speaker 1: This is the last time I got here. I was

439
00:19:58,280 --> 00:19:59,960
Speaker 1: listening to y'all playing crazy.

440
00:20:00,040 --> 00:20:01,560
Speaker 3: We was almost drop.

441
00:20:08,280 --> 00:20:10,320
Speaker 5: Wet room. We got room for us, man. We just

442
00:20:10,560 --> 00:20:14,200
Speaker 5: we just came with him being on the show the

443
00:20:14,240 --> 00:20:14,840
Speaker 5: other day.

444
00:20:15,000 --> 00:20:16,520
Speaker 4: On stage, we didn't be a young boy, and I

445
00:20:16,600 --> 00:20:19,879
Speaker 4: realized his audience is different.

446
00:20:20,040 --> 00:20:21,000
Speaker 3: Wow, they was calling you.

447
00:20:21,720 --> 00:20:22,000
Speaker 5: It was.

448
00:20:29,440 --> 00:20:30,800
Speaker 3: You know apparently.

449
00:20:32,480 --> 00:20:35,960
Speaker 4: I love now with the boy young boy fan based listen.

450
00:20:36,080 --> 00:20:38,600
Speaker 5: Bro, god, yeah, did you see him?

451
00:20:38,680 --> 00:20:40,439
Speaker 1: I've never seen it live, but I've seen it through

452
00:20:40,440 --> 00:20:40,960
Speaker 1: the internet and.

453
00:20:41,440 --> 00:20:42,200
Speaker 5: You have to do it.

454
00:20:42,800 --> 00:20:42,960
Speaker 3: Bro.

455
00:20:43,080 --> 00:20:46,160
Speaker 5: It's I've never seen no ship like that. I never

456
00:20:46,160 --> 00:20:49,440
Speaker 5: seen like not even in my time when the Hot Boys.

457
00:20:49,200 --> 00:20:52,080
Speaker 3: Was really not even like cash money.

458
00:20:52,520 --> 00:20:53,560
Speaker 5: We was doing our things.

459
00:20:53,600 --> 00:20:56,560
Speaker 4: Maybe maybe because we didn't have social media and ship

460
00:20:56,720 --> 00:20:57,480
Speaker 4: like that to see it.

461
00:20:57,520 --> 00:20:59,080
Speaker 5: Because we couldn't see it, you know what I'm saying.

462
00:20:59,560 --> 00:21:01,800
Speaker 3: That's what it is. We saw it though, but.

463
00:21:01,920 --> 00:21:05,560
Speaker 5: Man, that ship every word. Yeah, so said, I don't

464
00:21:05,600 --> 00:21:07,960
Speaker 5: even half of them. I don't even know on the radio.

465
00:21:08,040 --> 00:21:09,800
Speaker 3: Neither on the radio.

466
00:21:09,840 --> 00:21:10,520
Speaker 5: That's no difference.

467
00:21:10,520 --> 00:21:14,400
Speaker 1: So yeah, that's the difference New NBA.

468
00:21:14,720 --> 00:21:16,760
Speaker 5: That's why I put him on the hell yeah yeah.

469
00:21:20,040 --> 00:21:22,960
Speaker 6: Right, yeah, all right, we're gonna play Quick Time of Slid.

470
00:21:23,960 --> 00:21:27,640
Speaker 6: This is our drinking game. We're gonna give you two choices.

471
00:21:28,240 --> 00:21:28,560
Speaker 5: Let's go.

472
00:21:28,880 --> 00:21:31,679
Speaker 3: If you pick one, we're not drinking, all right. But

473
00:21:31,720 --> 00:21:34,000
Speaker 3: if you don't pick like you either say both or

474
00:21:34,119 --> 00:21:35,760
Speaker 3: you don't want to pick. We drinking, all of us

475
00:21:35,800 --> 00:21:36,240
Speaker 3: are drinking.

476
00:21:36,840 --> 00:21:37,360
Speaker 5: Let's do it.

477
00:21:37,560 --> 00:21:39,480
Speaker 3: Well, Well, this is for stories, is not you know,

478
00:21:39,520 --> 00:21:41,080
Speaker 3: we just want you to come money can you put

479
00:21:41,080 --> 00:21:42,880
Speaker 3: a little bit of the watermelon and there too?

480
00:21:43,359 --> 00:21:43,600
Speaker 5: Yeah?

481
00:21:43,960 --> 00:21:51,640
Speaker 3: All right, Tupac or Soldier Slim? Oh me, you gotta drink.

482
00:21:51,920 --> 00:21:53,080
Speaker 3: Get my mama on radio.

483
00:21:53,119 --> 00:21:55,600
Speaker 4: Man. I used to call Soldier Slim. I like to

484
00:21:55,640 --> 00:21:58,480
Speaker 4: say he was the Tupaca. That's why I got to

485
00:21:58,480 --> 00:21:59,200
Speaker 4: say both.

486
00:21:59,080 --> 00:22:07,119
Speaker 3: Cheers, cheers. Okay, I met sojio one. Any parks you

487
00:22:07,119 --> 00:22:09,280
Speaker 3: have me park? Did you have a me park?

488
00:22:09,359 --> 00:22:09,560
Speaker 5: No?

489
00:22:09,600 --> 00:22:11,480
Speaker 4: But I'm ted with his all these people, bro, I

490
00:22:11,520 --> 00:22:15,000
Speaker 4: mean every last one of everybody. He used to call

491
00:22:15,840 --> 00:22:19,600
Speaker 4: New Orleans. Yeah, come kick it with me. Yeah, b

492
00:22:19,760 --> 00:22:22,120
Speaker 4: g a little wam man.

493
00:22:22,200 --> 00:22:28,280
Speaker 3: Come on, let's shot hold I'm doing the shots. Something

494
00:22:28,359 --> 00:22:35,120
Speaker 3: he sets up Domdican will be pulled all around.

495
00:22:41,119 --> 00:22:41,960
Speaker 5: I'm not even man for.

496
00:22:44,240 --> 00:22:48,440
Speaker 3: Me, neither rough Riders or Rockefeller.

497
00:22:49,640 --> 00:22:50,400
Speaker 5: Rough Riders.

498
00:22:50,560 --> 00:22:53,040
Speaker 3: Okay, all right, cool, you ain't got to drink. How

499
00:22:53,119 --> 00:22:54,760
Speaker 3: was that tour? I mean, I know you've talked about it,

500
00:22:54,760 --> 00:22:55,840
Speaker 3: we've talked about it before, but.

501
00:22:56,080 --> 00:22:58,800
Speaker 1: As the most leadinary hip hop to like, I'll give

502
00:22:58,800 --> 00:23:00,760
Speaker 1: it to you're from that tour.

503
00:23:01,080 --> 00:23:03,760
Speaker 5: Dem Max is a beast. That's all I had to see. Brother.

504
00:23:04,040 --> 00:23:07,120
Speaker 3: Any crazy story that sticks out with DMX, dem.

505
00:23:06,880 --> 00:23:10,720
Speaker 4: Max, send me a bottle of Hennis every night the

506
00:23:10,840 --> 00:23:14,920
Speaker 4: night to my room. And I had one moment where

507
00:23:14,960 --> 00:23:17,119
Speaker 4: we got on them. We got on the elevator. We

508
00:23:17,160 --> 00:23:21,600
Speaker 4: had like four dogs. Yeah, and one of them had

509
00:23:21,640 --> 00:23:24,119
Speaker 4: a bad thing going over the stomach and he dumped.

510
00:23:25,359 --> 00:23:26,479
Speaker 5: We had to go over out there.

511
00:23:29,200 --> 00:23:30,359
Speaker 3: The dog a little bit.

512
00:23:30,520 --> 00:23:32,400
Speaker 4: He picked, Yeah, but he was smool and he picked

513
00:23:32,400 --> 00:23:34,800
Speaker 4: the ship up quick as a ship like that talking

514
00:23:34,800 --> 00:23:35,040
Speaker 4: to me.

515
00:23:41,520 --> 00:23:50,320
Speaker 5: Yeah, man, tell me I'm the bad already. That's my

516
00:23:50,440 --> 00:23:50,920
Speaker 5: dog man.

517
00:23:51,000 --> 00:23:53,920
Speaker 1: Yeah, man, I got a little dog like this deal

518
00:23:54,400 --> 00:23:57,280
Speaker 1: game deal makes turned my little dog to a pit bull.

519
00:23:57,560 --> 00:24:00,199
Speaker 1: Look talking about a yoke. He was in the him

520
00:24:00,200 --> 00:24:03,440
Speaker 1: as what my dogs are? I said, what how he

521
00:24:03,520 --> 00:24:04,000
Speaker 1: even make that?

522
00:24:05,680 --> 00:24:06,200
Speaker 5: Yeah?

523
00:24:06,240 --> 00:24:08,560
Speaker 3: Yeah, he's Yeah, he was a dog. He was a dog.

524
00:24:09,040 --> 00:24:11,840
Speaker 4: Y'all need to understand some of the things I see. Hell,

525
00:24:12,119 --> 00:24:16,000
Speaker 4: you gotta tell relationship. Yeah alright, mister course murder.

526
00:24:17,560 --> 00:24:18,840
Speaker 5: Oh man, damn damn.

527
00:24:19,080 --> 00:24:20,520
Speaker 3: Can we take the shots? Take the shots?

528
00:24:20,720 --> 00:24:23,760
Speaker 1: Were celebrated juve now tonight, God damn it. What you

529
00:24:23,840 --> 00:24:28,119
Speaker 1: got drinking brown drink? You ain't never change mo.

530
00:24:29,040 --> 00:24:33,959
Speaker 4: Yeah, and I'm not doing these full cups, you know,

531
00:24:34,160 --> 00:24:36,240
Speaker 4: dream whatever, thrik what you want.

532
00:24:37,600 --> 00:24:40,080
Speaker 3: We celebrated you early. We've been waiting.

533
00:24:41,800 --> 00:24:43,440
Speaker 5: That's all our time.

534
00:24:43,480 --> 00:24:50,560
Speaker 6: After that currency or styles p.

535
00:24:52,160 --> 00:24:57,199
Speaker 4: Who Currison, okay, Magnoli styles people playing in the position.

536
00:24:57,359 --> 00:25:00,159
Speaker 3: Yeah, I new owner ship. We expect that. And he

537
00:25:00,280 --> 00:25:01,600
Speaker 3: was cash money too, Yeah.

538
00:25:01,680 --> 00:25:05,840
Speaker 1: Yeah, Magnolia or the Calio Magnoia.

539
00:25:06,760 --> 00:25:07,760
Speaker 3: Like how you said that fast?

540
00:25:08,080 --> 00:25:10,600
Speaker 5: Yeah? He was like, I don't hit the bullshit. You

541
00:25:10,640 --> 00:25:18,280
Speaker 5: don't know what I trust me, I know.

542
00:25:20,680 --> 00:25:21,800
Speaker 3: Fiend or Mac.

543
00:25:23,560 --> 00:25:23,800
Speaker 5: Mac.

544
00:25:24,240 --> 00:25:28,560
Speaker 3: Okay, these these guys will make this ship.

545
00:25:29,280 --> 00:25:29,600
Speaker 5: You know why?

546
00:25:29,880 --> 00:25:32,320
Speaker 4: You know why I say Mac right because Mac was

547
00:25:32,320 --> 00:25:35,400
Speaker 4: cash money getting that for him.

548
00:25:35,400 --> 00:25:40,160
Speaker 1: Okay, man, he's fresh o koc man. He of course

549
00:25:40,160 --> 00:25:41,600
Speaker 1: he's gonna say when I started.

550
00:25:41,240 --> 00:25:44,399
Speaker 4: With ko Yeah, I was with three nine positives before

551
00:25:44,400 --> 00:25:44,840
Speaker 4: I got to.

552
00:25:49,440 --> 00:25:54,840
Speaker 5: Uh asked kill okay, kills.

553
00:25:56,400 --> 00:26:09,400
Speaker 6: Damn ug care ghetto boys, Oh okay, cheers who tang

554
00:26:09,480 --> 00:26:10,520
Speaker 6: or n w A.

555
00:26:11,359 --> 00:26:18,000
Speaker 4: N w A analog or digital analog.

556
00:26:19,560 --> 00:26:20,840
Speaker 5: I'm old school, bro, Come on.

557
00:26:20,840 --> 00:26:30,720
Speaker 6: Now, Kevin Gates and Boosy it's Boosy SHAWNA.

558
00:26:30,840 --> 00:26:32,560
Speaker 4: Can't you can't ask me nothing about boost. I just

559
00:26:32,560 --> 00:26:35,160
Speaker 4: did it like a five songs.

560
00:26:36,440 --> 00:26:38,399
Speaker 5: Yeah, I just need like five songs A boost.

561
00:26:40,119 --> 00:26:54,440
Speaker 9: X Shauna x X killed it Shine.

562
00:26:54,440 --> 00:26:55,600
Speaker 5: They told us she was killing it.

563
00:26:57,280 --> 00:27:00,560
Speaker 6: Nah, she killed him, man, and we all she she's

564
00:27:00,600 --> 00:27:01,200
Speaker 6: always been though.

565
00:27:01,240 --> 00:27:02,560
Speaker 3: But I'm glad that the showcased.

566
00:27:04,800 --> 00:27:05,440
Speaker 5: She deserves it.

567
00:27:05,520 --> 00:27:08,960
Speaker 3: She deserves absolutely. Man nads are kissed.

568
00:27:10,359 --> 00:27:10,679
Speaker 5: Both.

569
00:27:11,040 --> 00:27:15,080
Speaker 3: Okay, it was.

570
00:27:15,080 --> 00:27:17,200
Speaker 5: A trick question. I got a Master Piel shirt.

571
00:27:17,000 --> 00:27:23,119
Speaker 3: On, and we see you. You see you at the

572
00:27:23,960 --> 00:27:27,560
Speaker 3: Massive Pill place. That's a dope master bigger master Pill.

573
00:27:27,640 --> 00:27:31,560
Speaker 3: That's how people jay Z or Big Daddy came.

574
00:27:36,119 --> 00:27:43,000
Speaker 5: Yeah, that's so that's so hard for me. Damn both, I.

575
00:27:43,080 --> 00:27:48,919
Speaker 3: Man, big guy, there's too much think.

576
00:27:49,600 --> 00:27:53,600
Speaker 5: I used to think I was uh my Cane when

577
00:27:53,640 --> 00:27:54,040
Speaker 5: I was young.

578
00:27:54,320 --> 00:27:59,600
Speaker 3: Cut you cut your eye two errors.

579
00:28:02,680 --> 00:28:03,359
Speaker 5: They tricked me with.

580
00:28:04,880 --> 00:28:06,200
Speaker 3: I think jay Z would say big Dad.

581
00:28:07,040 --> 00:28:09,119
Speaker 5: That's what I'm saying. I love Kane. I think j.

582
00:28:14,440 --> 00:28:16,159
Speaker 3: I think jay Z was jay Z. He was like

583
00:28:16,840 --> 00:28:19,359
Speaker 3: everybody big Daddy. Kane is the predecessor of that.

584
00:28:19,560 --> 00:28:23,000
Speaker 1: Of course we know that, but like you know, this generation,

585
00:28:23,200 --> 00:28:24,200
Speaker 1: this is this day and time.

586
00:28:24,600 --> 00:28:26,280
Speaker 3: We're not worried about generation we're talking.

587
00:28:26,080 --> 00:28:29,679
Speaker 4: About had the style like King King with everything like

588
00:28:29,760 --> 00:28:30,640
Speaker 4: he's just coming.

589
00:28:30,480 --> 00:28:35,440
Speaker 1: And came, had this feeling on Madonna, had the speedos

590
00:28:35,440 --> 00:28:37,760
Speaker 1: on with Madonna just not forgetting No, was it Madonna,

591
00:28:37,880 --> 00:28:39,680
Speaker 1: who wasn't what Dona Madonna?

592
00:28:39,880 --> 00:28:42,480
Speaker 3: And yeah he was in her book.

593
00:28:43,000 --> 00:28:43,920
Speaker 5: I know that part.

594
00:28:44,160 --> 00:28:46,360
Speaker 4: I swear to god, I can't participating in the speedo.

595
00:28:46,480 --> 00:28:47,040
Speaker 3: I know. I thought.

596
00:28:47,080 --> 00:28:48,560
Speaker 1: I thought about the other day because I had on

597
00:28:48,720 --> 00:28:51,520
Speaker 1: just my bike is shot about part.

598
00:28:51,600 --> 00:28:52,080
Speaker 5: I don't know how.

599
00:28:52,080 --> 00:28:55,600
Speaker 3: I just know, what are you talking about?

600
00:28:55,600 --> 00:28:55,640
Speaker 5: This?

601
00:28:55,800 --> 00:28:58,640
Speaker 3: That's the world ride Google.

602
00:28:59,480 --> 00:28:59,880
Speaker 5: Anymore.

603
00:28:59,880 --> 00:29:02,360
Speaker 3: I was taking show we get it. He was going

604
00:29:02,400 --> 00:29:09,440
Speaker 3: to show he was speeds though. Bro, he's left brother. Yeah,

605
00:29:09,440 --> 00:29:15,840
Speaker 3: he looked like he's wanted to give a public Yeah. Yeah, yeah,

606
00:29:17,560 --> 00:29:21,360
Speaker 3: we did it to him. We show himber. Yeah.

607
00:29:21,400 --> 00:29:22,800
Speaker 1: But the other day I was, I was, I was

608
00:29:22,800 --> 00:29:24,600
Speaker 1: because I was about to go outside.

609
00:29:24,440 --> 00:29:26,080
Speaker 3: And I thought about. I said, they gonna BG. Daddy

610
00:29:26,080 --> 00:29:28,360
Speaker 3: came in. I was like, yo, I gotta put on

611
00:29:28,400 --> 00:29:30,880
Speaker 3: shorts over these joints. You know what I'm saying. And

612
00:29:30,920 --> 00:29:34,240
Speaker 3: I said, I said, shoot up, shooler might let the footage.

613
00:29:33,840 --> 00:29:36,920
Speaker 4: Go out, Okay, Jam, I'm gonna tell shoot and filed

614
00:29:36,920 --> 00:29:38,760
Speaker 4: me from up here up.

615
00:29:40,040 --> 00:29:42,240
Speaker 3: Yeah, so I gotta chill out. I got to tell.

616
00:29:45,040 --> 00:29:48,560
Speaker 1: How kind of glossy you huh, Well, you gonna sit

617
00:29:48,640 --> 00:29:52,440
Speaker 1: it to me show showing you. I don't don't speedo ship.

618
00:29:52,560 --> 00:29:58,280
Speaker 1: I was crazy in my phone. Now do not even

619
00:29:58,320 --> 00:30:01,440
Speaker 1: know what that?

620
00:30:00,080 --> 00:30:04,400
Speaker 5: Oh, I don't won't see it.

621
00:30:04,560 --> 00:30:05,360
Speaker 3: I don't want to see.

622
00:30:07,720 --> 00:30:08,120
Speaker 4: I'm good.

623
00:30:09,160 --> 00:30:13,080
Speaker 3: I'm cutting out. That's what I did.

624
00:30:13,120 --> 00:30:16,840
Speaker 7: That's what that's He's the man anyway, He's the man

625
00:30:16,400 --> 00:30:30,440
Speaker 7: that came talking about smooth operated Snooper Master p mm hmm.

626
00:30:31,920 --> 00:30:34,200
Speaker 5: Both they go together.

627
00:30:35,280 --> 00:30:38,640
Speaker 3: Yeah, I think it's dope house new came out for

628
00:30:38,680 --> 00:30:41,200
Speaker 3: No Limit. Yeah, with that history that they got.

629
00:30:41,200 --> 00:30:44,080
Speaker 4: You could tell that he give him his flowers and

630
00:30:44,160 --> 00:30:46,640
Speaker 4: he say that, you know, Pete taught me. Nah, I

631
00:30:46,720 --> 00:30:48,960
Speaker 4: respect that. I respect that a lot.

632
00:30:49,200 --> 00:30:51,560
Speaker 1: It says a lot man, you know, for for for

633
00:30:51,560 --> 00:30:54,000
Speaker 1: for me, I'm sorry like interjecting, like make it a

634
00:30:54,040 --> 00:30:56,040
Speaker 1: little bit about me. But for me, when I was

635
00:30:56,040 --> 00:30:58,640
Speaker 1: a Queen's dude, like a lot of people from queens

636
00:30:58,680 --> 00:31:02,360
Speaker 1: at the time where I was around, were like, I

637
00:31:02,360 --> 00:31:04,480
Speaker 1: don't want to say selfish, people with people were to theyself.

638
00:31:05,080 --> 00:31:07,480
Speaker 1: When I started hanging out in the Bronx, they started

639
00:31:07,520 --> 00:31:10,360
Speaker 1: to show me like family orientated type of things, and

640
00:31:10,400 --> 00:31:11,840
Speaker 1: I feel like that's what it was with Snoop.

641
00:31:11,880 --> 00:31:15,080
Speaker 3: I feel like Snoop was a certain way in California.

642
00:31:15,280 --> 00:31:17,800
Speaker 3: But you know, when you went to Walling and we

643
00:31:17,880 --> 00:31:18,560
Speaker 3: got to learn.

644
00:31:19,040 --> 00:31:20,640
Speaker 1: And you can tell, like you can tell like he

645
00:31:20,760 --> 00:31:22,480
Speaker 1: was like he was happy to be. You can tell

646
00:31:22,480 --> 00:31:25,080
Speaker 1: like he paid for his own flight there, like you

647
00:31:25,120 --> 00:31:27,240
Speaker 1: know what I'm saying, Like he wanted to be, He

648
00:31:27,320 --> 00:31:28,040
Speaker 1: wanted to meet.

649
00:31:27,920 --> 00:31:30,560
Speaker 4: It, posting it, posting it. I saw that one I

650
00:31:30,560 --> 00:31:35,440
Speaker 4: saw Snoop coach that ship. I said, I was about

651
00:31:35,440 --> 00:31:40,040
Speaker 4: to talk, man, flight, don't need to make it.

652
00:31:40,560 --> 00:31:43,480
Speaker 5: You got ship to do, stoopid, shouldn't you be sooning move?

653
00:31:46,840 --> 00:31:47,680
Speaker 5: You got the Olympics.

654
00:31:50,960 --> 00:31:56,040
Speaker 4: I was, man, I love Snoop, but not on stage

655
00:31:56,080 --> 00:31:56,520
Speaker 4: against me.

656
00:31:57,360 --> 00:32:00,480
Speaker 1: Now here's the million dollar question. I know he's still

657
00:32:00,520 --> 00:32:05,040
Speaker 1: on quick time. Did you know Wayne wasn't coming? And

658
00:32:05,440 --> 00:32:08,240
Speaker 1: what you disappointed when you found out that he wasn't coming.

659
00:32:08,360 --> 00:32:10,800
Speaker 4: I knew he wasn't coming, and I was very disappointed.

660
00:32:10,800 --> 00:32:11,160
Speaker 3: You knew, I.

661
00:32:13,040 --> 00:32:13,240
Speaker 5: Knew.

662
00:32:13,280 --> 00:32:16,640
Speaker 4: But the fans. I can't do that to the all right.

663
00:32:16,760 --> 00:32:19,040
Speaker 4: My deal was if Way ain't gonna come, I'm not coming.

664
00:32:19,640 --> 00:32:20,360
Speaker 3: That was your deal.

665
00:32:20,520 --> 00:32:24,120
Speaker 4: That was my deal paperworking on wow. But I said,

666
00:32:24,200 --> 00:32:26,280
Speaker 4: like it was to you know, like the fans don't

667
00:32:26,280 --> 00:32:28,400
Speaker 4: deserve that. And then my man shout out to Swiss

668
00:32:28,440 --> 00:32:31,200
Speaker 4: Beasts and timblins Man. But my man Swiss Beasts called

669
00:32:31,240 --> 00:32:33,880
Speaker 4: me man and gave me a speech that I'll never forget.

670
00:32:33,880 --> 00:32:35,680
Speaker 5: That's gonna stick in my head for prior the rest

671
00:32:35,680 --> 00:32:37,160
Speaker 5: of my life, you know what I'm saying.

672
00:32:37,200 --> 00:32:40,360
Speaker 4: And shout out to my dude for for for putting,

673
00:32:40,440 --> 00:32:43,840
Speaker 4: you know, making me away everything. And hey, I did

674
00:32:43,880 --> 00:32:46,280
Speaker 4: it for the fans. I definitely did it for the family.

675
00:32:50,520 --> 00:32:52,520
Speaker 1: You can tell those stage every time they show you,

676
00:32:52,560 --> 00:32:54,800
Speaker 1: every time that camera flashes on you, you would tell you

677
00:32:54,800 --> 00:32:55,600
Speaker 1: you did.

678
00:32:56,280 --> 00:32:58,360
Speaker 5: It was it was, it was.

679
00:32:58,480 --> 00:33:00,480
Speaker 4: It was a love affair for people don't know what

680
00:33:00,560 --> 00:33:03,040
Speaker 4: I went through to just get my my people together

681
00:33:03,120 --> 00:33:05,640
Speaker 4: before the left, you know, you know, just ex no

682
00:33:05,760 --> 00:33:08,920
Speaker 4: limit out, just to get my people together, you know,

683
00:33:09,000 --> 00:33:09,880
Speaker 4: and just to see.

684
00:33:09,640 --> 00:33:11,280
Speaker 3: Them doing as money as your people.

685
00:33:11,400 --> 00:33:13,280
Speaker 4: Yeah, not saying that, I'm not saying that I ushered

686
00:33:13,280 --> 00:33:15,760
Speaker 4: at all because by Man really curated this whole thing

687
00:33:16,040 --> 00:33:18,560
Speaker 4: to do, to do that. He really it was on

688
00:33:18,680 --> 00:33:20,480
Speaker 4: him to do that. It was it was his call.

689
00:33:20,640 --> 00:33:22,600
Speaker 4: I didn't even show a bird, got no money for that.

690
00:33:22,800 --> 00:33:24,840
Speaker 4: He really just wanted to do that. And people don't

691
00:33:24,840 --> 00:33:26,520
Speaker 4: know that. They always throwing him under the bus, right,

692
00:33:26,920 --> 00:33:28,360
Speaker 4: He really wanted to do this ship, you know what

693
00:33:28,360 --> 00:33:30,360
Speaker 4: I'm saying. Him and Pep and they really wanted to

694
00:33:30,360 --> 00:33:32,440
Speaker 4: do it. So they made the ship happen because I

695
00:33:32,480 --> 00:33:40,640
Speaker 4: was on that kick, so P and Bird he didn't happened, please,

696
00:33:40,960 --> 00:33:43,680
Speaker 4: And my thing was, man, it ain't gonna be right

697
00:33:43,720 --> 00:33:46,040
Speaker 4: with our Wayne. And I know we got an advantage.

698
00:33:46,120 --> 00:33:48,160
Speaker 4: We have Nicki Minaj and Break and all them there.

699
00:33:48,240 --> 00:33:50,640
Speaker 4: And I felt like, you know, no mystical in that

700
00:33:50,640 --> 00:33:51,400
Speaker 4: that's an advantage.

701
00:33:51,520 --> 00:33:53,280
Speaker 1: But I'll tell you that she gotta have Wayne and

702
00:33:55,360 --> 00:33:58,120
Speaker 1: Drake will all due respect to them. They looked at

703
00:33:58,200 --> 00:34:01,200
Speaker 1: us like the later young money.

704
00:34:01,000 --> 00:34:02,280
Speaker 5: Almost cash money.

705
00:34:02,480 --> 00:34:05,160
Speaker 1: Still that's what I said, you you're fighting a battle

706
00:34:05,160 --> 00:34:06,920
Speaker 1: that I was like, whatever earlier.

707
00:34:07,160 --> 00:34:07,960
Speaker 3: That's on the side.

708
00:34:08,000 --> 00:34:08,239
Speaker 9: I'm on.

709
00:34:08,320 --> 00:34:12,040
Speaker 3: I'm on your side. They told me, They told me,

710
00:34:14,120 --> 00:34:15,440
Speaker 3: They told me over and told me.

711
00:34:15,680 --> 00:34:19,280
Speaker 1: The cash money against no limit at that only Increase

712
00:34:19,400 --> 00:34:20,400
Speaker 1: was on stage with us.

713
00:34:20,400 --> 00:34:22,080
Speaker 5: They had a lot of they got a lot of people.

714
00:34:22,239 --> 00:34:25,000
Speaker 3: I mean, just get Injurested, I'm into the ship, deeple,

715
00:34:25,239 --> 00:34:25,880
Speaker 3: let's go, let's go.

716
00:34:25,920 --> 00:34:30,160
Speaker 4: It wasn't Cali on cash money mm hmm, DJ Cally

717
00:34:30,200 --> 00:34:30,920
Speaker 4: DJ College.

718
00:34:30,920 --> 00:34:31,719
Speaker 3: That's yeah.

719
00:34:31,719 --> 00:34:32,040
Speaker 5: He was.

720
00:34:32,840 --> 00:34:34,480
Speaker 3: He should have been there let me go even.

721
00:34:34,239 --> 00:34:39,560
Speaker 5: For don't make me just talk about them. It could

722
00:34:39,560 --> 00:34:41,080
Speaker 5: have it could have went.

723
00:34:41,440 --> 00:34:43,239
Speaker 4: Hey, why hey why, It could have went a whole

724
00:34:43,280 --> 00:34:46,799
Speaker 4: another way, you know, like and I feel like if

725
00:34:47,080 --> 00:34:51,680
Speaker 4: if all the cash money, all this present, and you

726
00:34:51,680 --> 00:34:54,440
Speaker 4: know what I mean, like, yeah, I think, I think so,

727
00:34:54,520 --> 00:34:55,000
Speaker 4: I think so.

728
00:34:55,080 --> 00:34:56,719
Speaker 3: That might have been cheating at a point. Though no

729
00:34:56,760 --> 00:34:58,680
Speaker 3: it's not.

730
00:34:57,360 --> 00:35:00,799
Speaker 10: That's that's a crazy you.

731
00:35:00,840 --> 00:35:01,160
Speaker 5: Snoop.

732
00:35:01,360 --> 00:35:12,280
Speaker 11: Snoop came later the original sense.

733
00:35:12,120 --> 00:35:13,160
Speaker 5: He's coming, bro.

734
00:35:14,200 --> 00:35:16,480
Speaker 4: Now what I can say a disadvantage to.

735
00:35:16,440 --> 00:35:21,000
Speaker 5: Them was, you know, no mystical, no murder.

736
00:35:21,200 --> 00:35:23,120
Speaker 3: That's a man.

737
00:35:23,680 --> 00:35:25,560
Speaker 4: I ain't taking those shots to see murder because that's

738
00:35:25,560 --> 00:35:28,680
Speaker 4: a big, a big al but or mystical. But y'all

739
00:35:28,680 --> 00:35:31,200
Speaker 4: do y'all know how misical is ho State before you

740
00:35:31,640 --> 00:35:34,600
Speaker 4: he was on tour with me, like, bro, Michigal is

741
00:35:34,640 --> 00:35:37,960
Speaker 4: a monster, Like yeah, but think about the songs he

742
00:35:37,960 --> 00:35:38,440
Speaker 4: could have sung.

743
00:35:38,480 --> 00:35:40,040
Speaker 5: He could have brought Ludacris.

744
00:35:39,560 --> 00:35:44,759
Speaker 4: Out with him. Damn yeah, they could have win. They

745
00:35:44,760 --> 00:35:46,400
Speaker 4: could have been That's why I want to do it again.

746
00:35:46,480 --> 00:35:51,239
Speaker 4: Did y'all rehearse no, no, no, many many many and

747
00:35:51,400 --> 00:35:54,200
Speaker 4: uh KLC curated the whole show.

748
00:35:54,440 --> 00:35:55,239
Speaker 3: That's why it wasn't.

749
00:35:57,480 --> 00:35:59,440
Speaker 5: Truthfully, I don't know if they were surprised, but I

750
00:35:59,520 --> 00:36:02,040
Speaker 5: was surprised. I don't even know if you if you,

751
00:36:02,200 --> 00:36:02,720
Speaker 5: if you look.

752
00:36:02,560 --> 00:36:03,840
Speaker 4: At it, I didn't know I was going first, and

753
00:36:03,840 --> 00:36:05,000
Speaker 4: I ain't know how I was what I.

754
00:36:04,920 --> 00:36:05,560
Speaker 5: Was saying.

755
00:36:08,680 --> 00:36:09,680
Speaker 3: That first, who went first?

756
00:36:09,719 --> 00:36:12,360
Speaker 5: I didn't even care, truthfully, I care, and they had you.

757
00:36:12,760 --> 00:36:15,480
Speaker 3: They cut the time short. It seemed like they started

758
00:36:15,480 --> 00:36:17,200
Speaker 3: telling y'all to do the one verse thing.

759
00:36:17,960 --> 00:36:20,960
Speaker 6: They did the whole the whole drummer snoop, and then

760
00:36:21,040 --> 00:36:21,800
Speaker 6: yeah we did.

761
00:36:21,600 --> 00:36:23,360
Speaker 4: We did the I mean when I got when I

762
00:36:23,360 --> 00:36:25,640
Speaker 4: did Project check, I extended it out too, so they

763
00:36:26,080 --> 00:36:28,960
Speaker 4: had to get they one back right, So it's.

764
00:36:28,760 --> 00:36:29,799
Speaker 5: Like people don't look at it.

765
00:36:30,520 --> 00:36:33,120
Speaker 4: They did have one song extended, but we did have

766
00:36:33,200 --> 00:36:36,160
Speaker 4: one too that was extended, so we did the same thing.

767
00:36:36,520 --> 00:36:37,080
Speaker 5: Basically.

768
00:36:37,320 --> 00:36:39,360
Speaker 3: It sounds like the next time y'all do this is

769
00:36:39,400 --> 00:36:41,440
Speaker 3: gonna be like a festival. It's gonna be a whole day.

770
00:36:42,040 --> 00:36:43,920
Speaker 5: New Orleans really wanted, man, I'm.

771
00:36:43,719 --> 00:36:45,520
Speaker 6: Telling you, because if you bring it all the extra

772
00:36:45,560 --> 00:36:47,360
Speaker 6: people in, that's gonna be a crazy show.

773
00:36:47,560 --> 00:36:52,040
Speaker 4: If everybody could push the egos aside and don't make

774
00:36:52,080 --> 00:36:54,799
Speaker 4: it about us and make it about the fans.

775
00:36:55,200 --> 00:36:58,719
Speaker 5: I feel like New Orleans would be a prime Yeah, you.

776
00:36:58,640 --> 00:37:00,799
Speaker 1: Always feel like queens to do something like that. The

777
00:37:00,840 --> 00:37:03,160
Speaker 1: fact is you already got the advantage of us. You

778
00:37:03,239 --> 00:37:06,160
Speaker 1: already did diverses that is, and Queens is just thought.

779
00:37:06,640 --> 00:37:09,839
Speaker 3: No, yall got keep talking, keep talking, keep talking.

780
00:37:10,960 --> 00:37:19,680
Speaker 5: Yeah, this guy nothing about that.

781
00:37:20,080 --> 00:37:22,440
Speaker 1: But you remember you remember me, me and you in

782
00:37:22,520 --> 00:37:24,600
Speaker 1: the city, you on the tour bus.

783
00:37:25,440 --> 00:37:26,680
Speaker 3: I believe Sea long.

784
00:37:26,680 --> 00:37:27,239
Speaker 5: You're talking about.

785
00:37:27,239 --> 00:37:31,799
Speaker 1: I went to Yeah, but not only that, there's another time,

786
00:37:31,880 --> 00:37:33,160
Speaker 1: but you I went back.

787
00:37:33,360 --> 00:37:35,239
Speaker 5: He was like, man, you can't.

788
00:37:35,719 --> 00:37:43,000
Speaker 3: That's what my man. Come on, okay, you want.

789
00:37:44,480 --> 00:37:47,000
Speaker 1: But that was the first time. Now, okay, hold on,

790
00:37:47,080 --> 00:37:48,359
Speaker 1: you know what. I'm gonna get back to that story.

791
00:37:49,600 --> 00:37:51,640
Speaker 1: Get back to that story. Yes, come on, I'm getting hip.

792
00:37:51,640 --> 00:37:52,160
Speaker 1: I'm getting hip.

793
00:37:53,120 --> 00:37:54,200
Speaker 3: H d M makes a.

794
00:37:54,200 --> 00:37:56,680
Speaker 5: Biggie both man.

795
00:37:57,000 --> 00:38:00,680
Speaker 6: Yeah, I'm a biggie fan like mm hmm.

796
00:38:02,320 --> 00:38:07,440
Speaker 3: Rick Roster trick Daddy, trick daddy. All right, Tu Live.

797
00:38:07,320 --> 00:38:12,719
Speaker 6: Crew E p M D two Live Crew Rock Him

798
00:38:12,760 --> 00:38:18,680
Speaker 6: or Karis one, Rock Hem, Doctor Dre or DJ Premieer.

799
00:38:22,480 --> 00:38:23,000
Speaker 5: Doctor Dre.

800
00:38:24,080 --> 00:38:25,560
Speaker 3: You had to think about that for a second.

801
00:38:26,040 --> 00:38:31,320
Speaker 4: Premier, My dude, it's not sometimes in the personal part.

802
00:38:31,760 --> 00:38:38,800
Speaker 6: Yeah, all right, Big Punter, big L, big L shounds

803
00:38:38,800 --> 00:38:41,680
Speaker 6: of massive doing this Big L project coming yeah, man, yeah,

804
00:38:41,800 --> 00:38:43,640
Speaker 6: and rest in peace of both Big Punter, big L.

805
00:38:44,160 --> 00:38:50,040
Speaker 4: I love was one of the man to too soon,

806
00:38:50,680 --> 00:38:51,799
Speaker 4: too soon, and then he.

807
00:38:51,760 --> 00:38:53,680
Speaker 3: Was supposed to sign a rock and Feller would have big.

808
00:38:53,920 --> 00:38:56,919
Speaker 4: Big punt to man like monster to you know, shout

809
00:38:56,960 --> 00:39:01,160
Speaker 4: out to my body cross that's right, that's right, sweet Yeah,

810
00:39:02,120 --> 00:39:03,919
Speaker 4: who's so man too great?

811
00:39:04,320 --> 00:39:05,720
Speaker 3: Slick Ricord coolie rap.

812
00:39:06,840 --> 00:39:09,120
Speaker 5: Well cool. You're gonna kill me about for saying this,

813
00:39:09,440 --> 00:39:12,440
Speaker 5: slick Rick, I can see you.

814
00:39:12,520 --> 00:39:14,319
Speaker 6: I don't know why you said, right, you would cool

815
00:39:14,400 --> 00:39:15,760
Speaker 6: you wrap on the track would be crazy.

816
00:39:16,719 --> 00:39:20,680
Speaker 5: Oh but I love flick Rick before.

817
00:39:20,840 --> 00:39:23,319
Speaker 4: See it's the verage when you do that flick Rick

818
00:39:23,400 --> 00:39:26,320
Speaker 4: when I'm thinking about child Story and at the first album.

819
00:39:28,120 --> 00:39:30,000
Speaker 4: I'm thinking about that first album that first night.

820
00:39:29,960 --> 00:39:32,080
Speaker 3: And his old swag is crazy.

821
00:39:32,400 --> 00:39:35,120
Speaker 5: He kilty, bro. This was the moment I fear. So

822
00:39:35,160 --> 00:39:36,799
Speaker 5: I listened to the whole album so I might say

823
00:39:36,840 --> 00:39:40,360
Speaker 5: some ship you never heard. Yeah, I was a whole.

824
00:39:46,040 --> 00:39:57,160
Speaker 3: I don't really trying to meet slick Rick.

825
00:39:57,280 --> 00:40:07,040
Speaker 4: So I'm like, you know what I'm saying that symphony, Yeah, yeah.

826
00:40:06,640 --> 00:40:09,560
Speaker 3: All right, last one, the last one, the last one.

827
00:40:09,560 --> 00:40:10,520
Speaker 3: Then we get back to the interview.

828
00:40:10,719 --> 00:40:15,399
Speaker 1: Loyalty or respect both, that's that's that's what I'm talking.

829
00:40:21,000 --> 00:40:23,719
Speaker 4: You can't separate them, so that's kind of I think

830
00:40:23,760 --> 00:40:25,759
Speaker 4: you should get the same answer every time.

831
00:40:25,840 --> 00:40:30,320
Speaker 3: What people get, they get stupid ship, they have reasons.

832
00:40:31,080 --> 00:40:35,880
Speaker 5: Well both, that's what we wouldn't want both, they go together.

833
00:40:36,560 --> 00:40:38,000
Speaker 3: So let me let me let me ask you.

834
00:40:38,080 --> 00:40:43,320
Speaker 5: Right, you like y'all.

835
00:40:44,800 --> 00:40:47,640
Speaker 1: Because as an artist, right, I know that you could

836
00:40:47,640 --> 00:40:54,600
Speaker 1: put me anywhere. At least I got one record anywhere. Right,

837
00:40:56,400 --> 00:41:02,080
Speaker 1: it's going to work. You have a here that not

838
00:41:02,120 --> 00:41:08,040
Speaker 1: only it works every man, you turn people into different people.

839
00:41:09,080 --> 00:41:13,600
Speaker 3: You're you're talking about you know I'm talking.

840
00:41:15,760 --> 00:41:17,040
Speaker 5: You're talking about family members.

841
00:41:17,040 --> 00:41:25,919
Speaker 1: And listen, man, I've been the barbecues, been embarrassed minute. Yeah, yeah, man,

842
00:41:27,520 --> 00:41:28,719
Speaker 1: at this point in people's lives.

843
00:41:29,080 --> 00:41:33,200
Speaker 3: Ye, well, man, I love.

844
00:41:36,440 --> 00:41:39,160
Speaker 4: I see it, but I see family members look at

845
00:41:39,200 --> 00:41:41,880
Speaker 4: the ain't season and Grandma say, man, nobody ain't think.

846
00:41:43,880 --> 00:41:47,040
Speaker 5: This is a picture. Doog, he's a picture.

847
00:41:50,440 --> 00:41:54,200
Speaker 3: Put you pull the record up back. Then you ain't

848
00:41:54,200 --> 00:41:56,120
Speaker 3: got excuse for your equipment. You wasn't on point.

849
00:41:56,520 --> 00:41:57,400
Speaker 5: Don't let him do you that?

850
00:41:57,520 --> 00:42:01,839
Speaker 12: No, God watching that's the person a joke.

851
00:42:02,560 --> 00:42:04,920
Speaker 3: You can't play it to do it a loud.

852
00:42:04,840 --> 00:42:06,280
Speaker 1: You can't play it to your phone on your phone

853
00:42:07,000 --> 00:42:08,560
Speaker 1: kree kareem, wake up?

854
00:42:08,719 --> 00:42:12,560
Speaker 3: I do hey, get you round. I'm doing you know,

855
00:42:12,560 --> 00:42:14,360
Speaker 3: our challenge who saying boat? I'll just let you know.

856
00:42:14,440 --> 00:42:15,880
Speaker 3: I mean, I think by the time you guys play this,

857
00:42:15,920 --> 00:42:16,360
Speaker 3: we're gonna be.

858
00:42:16,360 --> 00:42:19,279
Speaker 1: Doing with the challenge whose same boat? Because you know,

859
00:42:19,600 --> 00:42:21,799
Speaker 1: just just say you know and we got footage and low.

860
00:42:21,880 --> 00:42:22,799
Speaker 1: This is not my first time.

861
00:42:23,320 --> 00:42:25,960
Speaker 5: I'm saying. If you think that you that fast, not

862
00:42:26,040 --> 00:42:26,319
Speaker 5: at all.

863
00:42:26,520 --> 00:42:27,400
Speaker 3: I don't think that at all.

864
00:42:27,440 --> 00:42:28,880
Speaker 5: I'm talking seven miles.

865
00:42:28,960 --> 00:42:32,480
Speaker 1: I will smunk whose Oh okay, seven miles right now,

866
00:42:33,600 --> 00:42:34,800
Speaker 1: right now, he got.

867
00:42:34,640 --> 00:42:37,560
Speaker 3: Me the first third. He's asked you, but you're this year.

868
00:42:37,600 --> 00:42:39,319
Speaker 3: I'm gonna keep going, okay, I'm gonna get that.

869
00:42:39,440 --> 00:42:43,600
Speaker 4: I'm gonna wait with you saying you're still my nigga.

870
00:42:46,200 --> 00:42:48,239
Speaker 5: Don't know what you're saying that you still my nig

871
00:42:48,840 --> 00:42:49,799
Speaker 5: I don't want to take this ship.

872
00:42:50,280 --> 00:42:54,719
Speaker 1: Nothing that I'm I'm taking you saying yeah, yeah, what

873
00:42:54,239 --> 00:42:55,440
Speaker 1: we did.

874
00:42:55,320 --> 00:42:56,799
Speaker 5: You know that I was family Day in the park

875
00:42:56,840 --> 00:42:58,480
Speaker 5: whom we did back did the videos.

876
00:42:58,520 --> 00:43:00,719
Speaker 3: It feels like family. Then in the.

877
00:43:02,520 --> 00:43:04,120
Speaker 5: We picked the best day of the year to shoot

878
00:43:04,120 --> 00:43:06,160
Speaker 5: that video. Honestly we did.

879
00:43:06,880 --> 00:43:07,399
Speaker 3: There we go.

880
00:43:14,400 --> 00:43:16,520
Speaker 1: We had defference to the making of the song like

881
00:43:16,560 --> 00:43:18,680
Speaker 1: Walkway was crazy though, because I heard this is.

882
00:43:18,640 --> 00:43:20,000
Speaker 3: The third time you recorded it?

883
00:43:20,520 --> 00:43:26,040
Speaker 5: What yeah yeah, yeah, yeah yeah song Yeah.

884
00:43:26,080 --> 00:43:28,600
Speaker 4: So me and Maney, me and many had recorded this

885
00:43:28,640 --> 00:43:31,520
Speaker 4: song twice. So what Manny kept doing was every time

886
00:43:31,600 --> 00:43:33,279
Speaker 4: I changed the lyrics, he.

887
00:43:33,280 --> 00:43:35,200
Speaker 5: Would change the beat. I changed something.

888
00:43:36,120 --> 00:43:38,840
Speaker 4: I'm like, damn that ship don't song like I'm rapping

889
00:43:39,320 --> 00:43:39,640
Speaker 4: to that?

890
00:43:40,480 --> 00:43:41,840
Speaker 5: You know what? You know what I'm talking about. You,

891
00:43:42,000 --> 00:43:43,080
Speaker 5: I know you get that post.

892
00:43:43,400 --> 00:43:45,600
Speaker 4: So I'm like, bro, So we get the Nashville and

893
00:43:45,840 --> 00:43:47,840
Speaker 4: Universal said that I'm gott to be turned in Monday.

894
00:43:48,160 --> 00:43:51,840
Speaker 4: It's Friday night. That's how our last shot at this motherfucker.

895
00:43:52,120 --> 00:43:54,440
Speaker 4: He said, Man, I'm I'm gonna pay you back and

896
00:43:54,520 --> 00:43:57,359
Speaker 4: ass up, I know you're gonna make some changes. Now,

897
00:43:58,000 --> 00:44:01,719
Speaker 4: Now he got the.

898
00:44:00,880 --> 00:44:02,680
Speaker 3: That was in the original versions that went on.

899
00:44:02,760 --> 00:44:07,680
Speaker 7: None of the second version you heard on the third

900
00:44:07,800 --> 00:44:08,759
Speaker 7: versus the third verse.

901
00:44:10,520 --> 00:44:12,359
Speaker 5: So now you got music.

902
00:44:12,080 --> 00:44:12,319
Speaker 6: On the.

903
00:44:14,080 --> 00:44:14,640
Speaker 3: Have no news.

904
00:44:14,800 --> 00:44:15,279
Speaker 5: It was just.

905
00:44:17,160 --> 00:44:19,720
Speaker 4: The whole while, and it wasn't it wasn't so fast.

906
00:44:20,200 --> 00:44:20,800
Speaker 4: It was slow.

907
00:44:21,280 --> 00:44:23,759
Speaker 5: He was like, nah, it wasn't. It wasn't. He said,

908
00:44:23,760 --> 00:44:24,480
Speaker 5: I had to speed it up.

909
00:44:24,480 --> 00:44:29,480
Speaker 4: It wasn't a song right at that tempo. So he changed, man,

910
00:44:30,640 --> 00:44:33,880
Speaker 4: because he knew I was gonna change it once. He

911
00:44:33,960 --> 00:44:35,960
Speaker 4: was like, I knew you're gonna change it, so I'm

912
00:44:36,000 --> 00:44:38,279
Speaker 4: in the bitch. The only thing I kept was back

913
00:44:38,320 --> 00:44:39,520
Speaker 4: that ass up. That was the same.

914
00:44:41,080 --> 00:44:43,319
Speaker 5: That was always like that. We didn't have to change that.

915
00:44:43,680 --> 00:44:45,680
Speaker 4: But the verses by me running out of the time.

916
00:44:45,719 --> 00:44:47,799
Speaker 4: You say, look, we got to do this song, and

917
00:44:47,840 --> 00:44:49,520
Speaker 4: like two more songs and we gotta turn them in.

918
00:44:49,840 --> 00:44:52,799
Speaker 4: I'm like, how much studio time got tonight? You said, man,

919
00:44:52,840 --> 00:44:55,359
Speaker 4: you got like our Yeah?

920
00:44:55,920 --> 00:44:57,000
Speaker 5: Alright, damn.

921
00:44:57,440 --> 00:44:59,560
Speaker 4: So now I got it through three new verses to

922
00:44:59,640 --> 00:45:03,320
Speaker 4: this beat because the ship that I got on there don't.

923
00:45:03,160 --> 00:45:05,959
Speaker 5: Match it at all. I picked one word.

924
00:45:06,000 --> 00:45:08,640
Speaker 4: That's how the yes shit came about, because I'm like,

925
00:45:08,840 --> 00:45:11,480
Speaker 4: fucking I'm just gonna just pick one fucking word, and

926
00:45:11,520 --> 00:45:14,880
Speaker 4: I'm running with this bitch. That's how yeah it came in.

927
00:45:15,360 --> 00:45:17,120
Speaker 4: Everything going in with yeah. No matter what I say,

928
00:45:17,160 --> 00:45:20,680
Speaker 4: everything gonna in with that word. And man it came

929
00:45:20,680 --> 00:45:22,360
Speaker 4: in and she said sounded like a poem, bron but

930
00:45:22,400 --> 00:45:25,960
Speaker 4: they bitch sound goods. When I did it, man, it

931
00:45:26,080 --> 00:45:28,439
Speaker 4: came down, I said, Man, I don't know, he said,

932
00:45:28,480 --> 00:45:31,080
Speaker 4: But he said, Juel ain't gonna lie. The ship sound good.

933
00:45:31,120 --> 00:45:33,520
Speaker 4: Just keep that yeah, ship going. Don't do nothing else

934
00:45:33,520 --> 00:45:34,560
Speaker 4: because I was gonna change it.

935
00:45:34,680 --> 00:45:35,840
Speaker 5: He said, keep that ship.

936
00:45:35,760 --> 00:45:38,120
Speaker 4: Going, bro, and I kept going through the whole song.

937
00:45:38,160 --> 00:45:39,000
Speaker 4: That's how it came about.

938
00:45:39,520 --> 00:45:44,759
Speaker 6: Wow, did you feel when you finally finished it?

939
00:45:44,800 --> 00:45:45,839
Speaker 3: Did you feel this was a hit?

940
00:45:46,239 --> 00:45:46,640
Speaker 5: I did?

941
00:45:47,160 --> 00:45:48,600
Speaker 4: I did, but I didn't know it was gonna be

942
00:45:48,600 --> 00:45:49,000
Speaker 4: a single.

943
00:45:49,080 --> 00:45:49,640
Speaker 3: Did you say?

944
00:45:49,680 --> 00:45:49,919
Speaker 1: Man?

945
00:45:49,920 --> 00:45:52,120
Speaker 3: He said, it feels like a porn you.

946
00:45:52,080 --> 00:45:58,680
Speaker 4: Know, he say, a poem, a poem, no fun, except

947
00:45:58,960 --> 00:45:59,880
Speaker 4: I'm from New Orleans.

948
00:46:00,719 --> 00:46:01,320
Speaker 5: We say.

949
00:46:03,840 --> 00:46:05,680
Speaker 3: Here like, wait a minute, Nigga just said, he said,

950
00:46:05,680 --> 00:46:07,520
Speaker 3: it's like a but you're like, it makes sense.

951
00:46:14,280 --> 00:46:14,880
Speaker 5: Help me. I don't know.

952
00:46:17,680 --> 00:46:20,879
Speaker 1: There's no help, but let me ask you something because

953
00:46:20,880 --> 00:46:23,000
Speaker 1: this is this is something that's that's that's real. Like

954
00:46:23,080 --> 00:46:25,560
Speaker 1: New Orleans and New York we have something very similar.

955
00:46:26,320 --> 00:46:29,760
Speaker 1: Our accents is just for our people, right, that's it.

956
00:46:30,000 --> 00:46:32,279
Speaker 1: Like if you see it to someone else, put to

957
00:46:32,320 --> 00:46:35,040
Speaker 1: a New Orleans accent, they'll be like, I know, You're

958
00:46:35,040 --> 00:46:39,200
Speaker 1: from New Orleans, a New Yorker. It's very annoying to

959
00:46:39,239 --> 00:46:42,600
Speaker 1: anybody else's not from New Yorker. How do you navigate

960
00:46:45,680 --> 00:46:46,600
Speaker 1: in the whole America?

961
00:46:47,400 --> 00:46:52,200
Speaker 5: I don't. I can't. I can't.

962
00:46:52,640 --> 00:46:54,919
Speaker 4: It's one of them things what is impossible to do?

963
00:46:55,760 --> 00:46:56,240
Speaker 5: I can't.

964
00:46:56,280 --> 00:46:56,440
Speaker 3: Bro.

965
00:46:57,560 --> 00:47:00,080
Speaker 4: People always miss me, like, man, what you saying? It

966
00:47:01,239 --> 00:47:02,280
Speaker 4: like you just start to say.

967
00:47:02,120 --> 00:47:02,880
Speaker 5: It, pawn, but.

968
00:47:05,680 --> 00:47:07,080
Speaker 3: You didn't understand.

969
00:47:07,640 --> 00:47:09,839
Speaker 4: But I'm not mad at you because I know where

970
00:47:09,880 --> 00:47:12,080
Speaker 4: I'm from, and I know how was it so with

971
00:47:12,200 --> 00:47:14,480
Speaker 4: somebody from the waters? Would he would have caught every

972
00:47:14,520 --> 00:47:17,680
Speaker 4: last say you see you used to be correct.

973
00:47:17,360 --> 00:47:19,120
Speaker 5: Englishman, professor.

974
00:47:20,080 --> 00:47:21,759
Speaker 3: Yeah, I didn't appreciate how you did.

975
00:47:25,800 --> 00:47:31,240
Speaker 1: Take action.

976
00:47:31,239 --> 00:47:33,399
Speaker 4: Now, but real talk, man, we we we we love

977
00:47:33,480 --> 00:47:35,640
Speaker 4: our culture and we accept the fact that we are

978
00:47:35,719 --> 00:47:38,400
Speaker 4: different and we talk different, and I think that's what

979
00:47:38,520 --> 00:47:40,880
Speaker 4: makes us who we are. People love New Ones because

980
00:47:41,160 --> 00:47:42,960
Speaker 4: you can. It's the big easy baby. You can come

981
00:47:42,960 --> 00:47:43,719
Speaker 4: to this motherfucker.

982
00:47:44,280 --> 00:47:44,919
Speaker 5: You know what I'm saying.

983
00:47:46,280 --> 00:47:47,000
Speaker 3: It's not a history.

984
00:47:47,320 --> 00:47:50,600
Speaker 4: You're the only real twenty four hour city in America.

985
00:47:50,640 --> 00:47:52,600
Speaker 4: Don't let nobody lie to me and tell you no different.

986
00:47:53,440 --> 00:47:55,400
Speaker 4: And it's a bunch of reasons why I need to

987
00:47:55,440 --> 00:47:56,120
Speaker 4: hear this all right.

988
00:47:56,320 --> 00:47:57,799
Speaker 5: The main reason is o.

989
00:47:57,800 --> 00:48:00,720
Speaker 4: Our liquor stores don't close our gap. We sell alcohol

990
00:48:00,760 --> 00:48:01,760
Speaker 4: at our gas stations.

991
00:48:01,960 --> 00:48:02,280
Speaker 3: Damn.

992
00:48:02,360 --> 00:48:04,840
Speaker 5: You can walk out the club and walk out on

993
00:48:04,880 --> 00:48:07,200
Speaker 5: the street with it with your drink and going in

994
00:48:07,239 --> 00:48:09,399
Speaker 5: another clubs coming in there.

995
00:48:10,040 --> 00:48:11,600
Speaker 3: Miami stopped doing that a long time ago.

996
00:48:11,920 --> 00:48:16,400
Speaker 5: And we sell alcohol on Sunday. We don't have a time.

997
00:48:16,880 --> 00:48:18,480
Speaker 5: Who said who's alcohol.

998
00:48:18,000 --> 00:48:19,560
Speaker 3: Twenty four hours a day?

999
00:48:19,800 --> 00:48:21,680
Speaker 5: Nobody said alcohol twenty four hours a day.

1000
00:48:21,719 --> 00:48:22,560
Speaker 3: Who's making these laws?

1001
00:48:23,640 --> 00:48:25,239
Speaker 5: We have what you're calling Napoleon laws.

1002
00:48:25,239 --> 00:48:27,719
Speaker 3: If you want to learn, yeh, go look at it.

1003
00:48:28,000 --> 00:48:28,640
Speaker 5: Go look it up.

1004
00:48:28,760 --> 00:48:32,000
Speaker 4: But we're the only real twenty four I'd be ready

1005
00:48:32,000 --> 00:48:33,839
Speaker 4: to argue with these motherfuckers. I'd be like, ain't say

1006
00:48:33,840 --> 00:48:36,160
Speaker 4: twenty We are the only twenty four hours city.

1007
00:48:36,280 --> 00:48:38,560
Speaker 6: This is one of the first cities that's really multicultural

1008
00:48:38,560 --> 00:48:41,240
Speaker 6: in the United States besides New York maybe, but really

1009
00:48:41,239 --> 00:48:42,840
Speaker 6: like with the French back of the day and the

1010
00:48:42,840 --> 00:48:43,719
Speaker 6: Spaniards took it over.

1011
00:48:43,960 --> 00:48:45,799
Speaker 4: Man, you don't want me to go into Jingler feed

1012
00:48:45,800 --> 00:48:48,080
Speaker 4: in the real history religion I teach you about America.

1013
00:48:48,160 --> 00:48:50,480
Speaker 4: Were one of the first cities in America. Yes, so

1014
00:48:50,760 --> 00:48:51,200
Speaker 4: there's a.

1015
00:48:51,120 --> 00:48:54,080
Speaker 1: Lot of a lot of history the Fresh Quarters because

1016
00:48:54,719 --> 00:48:55,399
Speaker 1: Christians out there.

1017
00:48:55,400 --> 00:48:56,960
Speaker 4: Fucking it's a lot I could teach you by the

1018
00:48:57,120 --> 00:48:59,560
Speaker 4: I mean there's a lot more than that. Yeah, I mean,

1019
00:49:00,000 --> 00:49:01,759
Speaker 4: French Father was built by the Italians.

1020
00:49:02,600 --> 00:49:09,320
Speaker 10: And I'm telling you, multi coach man, that's why.

1021
00:49:09,560 --> 00:49:11,640
Speaker 3: Move did we take a shot to that or.

1022
00:49:13,320 --> 00:49:13,960
Speaker 5: Take a shot to that?

1023
00:49:14,000 --> 00:49:19,719
Speaker 1: Because God damn goddamn Julie knew his coaching. Oh man,

1024
00:49:23,719 --> 00:49:28,560
Speaker 1: so my soldier slips man, my mom tupac m hmm.

1025
00:49:29,400 --> 00:49:36,440
Speaker 4: My brother, uh, like we we when we started, you know,

1026
00:49:36,440 --> 00:49:38,279
Speaker 4: when he did his first album and stuff. You know,

1027
00:49:38,320 --> 00:49:42,839
Speaker 4: I'll never forget me asking Miss Lindn to let him

1028
00:49:42,840 --> 00:49:45,080
Speaker 4: go with me to the studio to buy my dog

1029
00:49:45,160 --> 00:49:45,680
Speaker 4: tea house.

1030
00:49:46,000 --> 00:49:47,960
Speaker 5: I said, Man, he really rapped me. She said, he

1031
00:49:48,000 --> 00:49:49,799
Speaker 5: really rapped me. I said she. You know, I was

1032
00:49:49,840 --> 00:49:51,200
Speaker 5: already like a little celebrity.

1033
00:49:51,680 --> 00:49:56,120
Speaker 4: But you know, he different with her, right because she

1034
00:49:56,440 --> 00:49:58,600
Speaker 4: knew who I was and stuff like that already, right,

1035
00:49:58,760 --> 00:50:01,520
Speaker 4: And I'm a little from the hood that she come from,

1036
00:50:01,760 --> 00:50:03,960
Speaker 4: you know what I'm saying. And I'm telling that her

1037
00:50:04,040 --> 00:50:08,560
Speaker 4: son got it, like nah, he got it.

1038
00:50:08,760 --> 00:50:09,719
Speaker 5: Yeah, But he got to.

1039
00:50:09,600 --> 00:50:11,640
Speaker 4: The point to where I knew he could make it

1040
00:50:11,719 --> 00:50:14,239
Speaker 4: now I had I had like got my start him

1041
00:50:14,280 --> 00:50:16,040
Speaker 4: because I was writing songs for his cat named d

1042
00:50:16,120 --> 00:50:16,640
Speaker 4: J Jimmy.

1043
00:50:16,880 --> 00:50:18,520
Speaker 5: They had the whole way, they had thing going on

1044
00:50:18,600 --> 00:50:19,000
Speaker 5: down there.

1045
00:50:19,360 --> 00:50:21,839
Speaker 4: So I got him like Bounce music cut. I had

1046
00:50:21,840 --> 00:50:23,680
Speaker 4: a song called Bounce for the Juvenile. That was my

1047
00:50:23,719 --> 00:50:26,600
Speaker 4: first record. It was on his album that put me

1048
00:50:26,640 --> 00:50:30,600
Speaker 4: in the game a little bit right, well, Slim Slim

1049
00:50:30,600 --> 00:50:33,520
Speaker 4: first couple of songs was the whole camoufloges things him.

1050
00:50:33,800 --> 00:50:37,120
Speaker 4: That's where it came from him.

1051
00:50:38,000 --> 00:50:39,200
Speaker 5: I'm bad with the years, man.

1052
00:50:39,200 --> 00:50:41,640
Speaker 4: I want to say early nineties, so like ninety three,

1053
00:50:42,120 --> 00:50:45,919
Speaker 4: ninety four, like early nineties, you know what I'm saying.

1054
00:50:45,920 --> 00:50:49,040
Speaker 4: He had a song called Magnolia Soldier. He said my

1055
00:50:49,160 --> 00:50:50,680
Speaker 4: name on it, I'm a soldier.

1056
00:50:50,840 --> 00:50:52,080
Speaker 3: I was slim.

1057
00:50:52,920 --> 00:50:55,080
Speaker 4: His name was a Magnolia Slim, telling me, God, what pete.

1058
00:50:55,080 --> 00:50:57,600
Speaker 4: Then he changed his name of soldier Slim. I'm saying,

1059
00:50:57,600 --> 00:50:59,200
Speaker 4: but he was a maximum slims So.

1060
00:50:59,160 --> 00:51:00,880
Speaker 6: He's the one that brought all that camouflage stuff to

1061
00:51:00,920 --> 00:51:01,759
Speaker 6: the no Limit.

1062
00:51:01,520 --> 00:51:01,960
Speaker 3: And all that.

1063
00:51:02,920 --> 00:51:05,040
Speaker 5: See, that's the part I get. I get.

1064
00:51:06,360 --> 00:51:07,800
Speaker 3: The whole military this long.

1065
00:51:07,640 --> 00:51:08,200
Speaker 5: Before the tank.

1066
00:51:08,239 --> 00:51:10,320
Speaker 4: The stuff I'm talking about is long before the tank

1067
00:51:10,400 --> 00:51:13,880
Speaker 4: like Slim Ben Magnolia Slim, don't don't, don't get it confused.

1068
00:51:14,120 --> 00:51:18,239
Speaker 4: This whole camouflage ship started from him and no direspect

1069
00:51:18,239 --> 00:51:19,040
Speaker 4: to pe and everything.

1070
00:51:19,120 --> 00:51:20,840
Speaker 5: But p good tell you it, gonna tell you the

1071
00:51:20,920 --> 00:51:22,319
Speaker 5: same exact you know what I'm saying.

1072
00:51:22,680 --> 00:51:26,440
Speaker 4: Magnolia Slim started this whole camouflage ship the first song.

1073
00:51:27,280 --> 00:51:27,799
Speaker 5: I'm on it.

1074
00:51:27,880 --> 00:51:29,879
Speaker 4: He shot me out on it and I'm the one

1075
00:51:29,960 --> 00:51:32,239
Speaker 4: paid for him to get the demo done. I did it,

1076
00:51:32,280 --> 00:51:34,839
Speaker 4: you know what I'm saying. So yeah, so that's why

1077
00:51:34,840 --> 00:51:40,479
Speaker 4: you see me rocking camouflags. I'm faithfully and this our color. Yeah,

1078
00:51:41,480 --> 00:51:44,279
Speaker 4: this this our color right here, fam is what we will.

1079
00:51:44,280 --> 00:51:47,680
Speaker 4: We will soldiery box to bowls and camouflage rags and

1080
00:51:47,719 --> 00:51:48,800
Speaker 4: T shirts.

1081
00:51:48,840 --> 00:51:51,520
Speaker 5: Long befo, I'm saying.

1082
00:51:51,640 --> 00:51:57,960
Speaker 3: I knew that's what we got, but continue that's that's interesting.

1083
00:51:58,120 --> 00:52:01,480
Speaker 4: No disrespect to nobody else, But this is my hood ship, man,

1084
00:52:01,560 --> 00:52:04,200
Speaker 4: this this this this ship me And then in my heart,

1085
00:52:04,239 --> 00:52:06,120
Speaker 4: I don't like when people get this ship miscro screw

1086
00:52:06,600 --> 00:52:09,479
Speaker 4: Like when you know anything else, I take on the shin,

1087
00:52:09,560 --> 00:52:11,919
Speaker 4: but that one in particular because of my little boy

1088
00:52:11,920 --> 00:52:14,120
Speaker 4: ain't here to talk to talking ship. I'm gonna talk

1089
00:52:14,120 --> 00:52:16,280
Speaker 4: about I'm gonna talking ship for him. Ain't no nigga

1090
00:52:16,280 --> 00:52:18,960
Speaker 4: take that from him. He started that ship. No niggas

1091
00:52:18,960 --> 00:52:22,560
Speaker 4: gonna take that from him ever. Yeah, that's why, that's why.

1092
00:52:23,680 --> 00:52:26,440
Speaker 6: What do you think about you being respected as a

1093
00:52:27,440 --> 00:52:29,319
Speaker 6: as a true MC? Do you feel like you get

1094
00:52:29,360 --> 00:52:32,840
Speaker 6: the due respect? Because I think you one of the lyrics.

1095
00:52:32,960 --> 00:52:33,760
Speaker 3: He gets the respect.

1096
00:52:34,160 --> 00:52:37,319
Speaker 5: I'm gonna say now, I do really did you feel

1097
00:52:37,360 --> 00:52:38,680
Speaker 5: you got it back then? I didn't.

1098
00:52:39,120 --> 00:52:40,880
Speaker 4: I had to fight for it, But who didn't in

1099
00:52:41,000 --> 00:52:44,759
Speaker 4: this southber I remember a key word my dog Man

1100
00:52:45,160 --> 00:52:47,200
Speaker 4: Andre three thousand, when I think one of the greatest

1101
00:52:47,280 --> 00:52:47,759
Speaker 4: raps ever.

1102
00:52:49,320 --> 00:52:50,640
Speaker 3: Your niggas can't get over that ship.

1103
00:52:56,640 --> 00:52:57,279
Speaker 5: Let us have that.

1104
00:53:03,880 --> 00:53:05,239
Speaker 3: We want to say something.

1105
00:53:06,520 --> 00:53:06,959
Speaker 5: Back then.

1106
00:53:09,719 --> 00:53:11,560
Speaker 3: When somebody else comes to you like you see you.

1107
00:53:16,440 --> 00:53:16,879
Speaker 5: Get killing.

1108
00:53:17,360 --> 00:53:21,680
Speaker 1: I talked on this nigga album, Nigga First Call. Don't

1109
00:53:22,040 --> 00:53:24,080
Speaker 1: let me get your flowers. Let me get your flower,

1110
00:53:24,239 --> 00:53:26,360
Speaker 1: let me tell you something, all right. That's that was

1111
00:53:26,360 --> 00:53:28,560
Speaker 1: the part of the meeting that I didn't keep going.

1112
00:53:29,080 --> 00:53:31,480
Speaker 1: When the port Rican girl told me, she was like, Yo,

1113
00:53:31,800 --> 00:53:34,200
Speaker 1: you you're wilding out pour cash money?

1114
00:53:35,120 --> 00:53:38,200
Speaker 3: Je be that nigga. I'm looking I'm listening. It wasn't

1115
00:53:38,200 --> 00:53:40,520
Speaker 3: even hard. What do you remember the year it was

1116
00:53:42,719 --> 00:53:44,960
Speaker 3: so had to be ninety seven.

1117
00:53:45,560 --> 00:53:48,920
Speaker 1: The actual that was saying the soldier wragur he' right

1118
00:53:49,120 --> 00:53:52,080
Speaker 1: and and I'm like and they played me Julie and

1119
00:53:52,160 --> 00:53:55,840
Speaker 1: I'm like, oh, that dude right there, whatever, and I

1120
00:53:55,960 --> 00:53:59,960
Speaker 1: want to big up bird Man. This bird Man test

1121
00:54:00,040 --> 00:54:03,680
Speaker 1: to me immediately it was like, you know, whatever number

1122
00:54:03,760 --> 00:54:05,320
Speaker 1: it was, it was like, I want this number.

1123
00:54:06,080 --> 00:54:10,080
Speaker 3: I was like, oh, ship, yeah, let's get it. Went

1124
00:54:10,160 --> 00:54:11,160
Speaker 3: to people.

1125
00:54:11,360 --> 00:54:13,759
Speaker 1: They did it, and then he looked at me and

1126
00:54:13,840 --> 00:54:18,200
Speaker 1: then you you me and you worked but then and

1127
00:54:19,320 --> 00:54:22,200
Speaker 1: we connected a me like like like I was like,

1128
00:54:22,320 --> 00:54:23,880
Speaker 1: damn yo. I was like, this is this is the

1129
00:54:23,960 --> 00:54:27,520
Speaker 1: same as why I was like, I haven't drinking in weeks,

1130
00:54:27,560 --> 00:54:29,560
Speaker 1: by the way, just so you know, I'm drinking because

1131
00:54:29,560 --> 00:54:32,080
Speaker 1: of you, because I'm like, this is this. This is

1132
00:54:32,200 --> 00:54:34,880
Speaker 1: actually a person that I consider a real friend, a

1133
00:54:35,000 --> 00:54:37,680
Speaker 1: real person in the industry. Never fronted on me, always

1134
00:54:38,080 --> 00:54:40,120
Speaker 1: kept it real with me, but let me break it down.

1135
00:54:40,160 --> 00:54:41,400
Speaker 3: So so we did it.

1136
00:54:41,440 --> 00:54:43,560
Speaker 1: It was just me and you, and then on Melburn

1137
00:54:43,600 --> 00:54:45,200
Speaker 1: Flint album, I was like, you know what, I don't

1138
00:54:45,239 --> 00:54:48,880
Speaker 1: want to use I want to use the remix, right.

1139
00:54:50,040 --> 00:54:51,640
Speaker 1: So it was just me and you at first, and

1140
00:54:51,760 --> 00:54:54,439
Speaker 1: then Bird came to me and he asked me, he said,

1141
00:54:54,760 --> 00:54:55,880
Speaker 1: can you put my son.

1142
00:54:55,800 --> 00:54:56,400
Speaker 5: On the record?

1143
00:54:57,760 --> 00:55:00,960
Speaker 3: And I did not know it was a little Wayne.

1144
00:55:01,040 --> 00:55:04,759
Speaker 4: We always said we was just the crazy part about

1145
00:55:04,800 --> 00:55:07,200
Speaker 4: the Wayne part. Every time I got asked the question,

1146
00:55:07,640 --> 00:55:09,160
Speaker 4: it was like, how you think a rap gonna be

1147
00:55:09,480 --> 00:55:11,759
Speaker 4: in the future, And we used to always say, this

1148
00:55:11,920 --> 00:55:12,480
Speaker 4: is the future.

1149
00:55:13,120 --> 00:55:16,080
Speaker 3: Y'all always said that. They used to look at us

1150
00:55:16,200 --> 00:55:17,359
Speaker 3: like the little kid.

1151
00:55:17,640 --> 00:55:20,400
Speaker 4: I said, listen, bro, y'all don't even know what we're

1152
00:55:20,440 --> 00:55:22,879
Speaker 4: stopping him from doing. Y'all don't even know what we're

1153
00:55:22,920 --> 00:55:25,920
Speaker 4: stopping brou If you can hear the ship that he

1154
00:55:26,040 --> 00:55:28,680
Speaker 4: really want to say that we're saying. You can't say that, Bro,

1155
00:55:29,400 --> 00:55:32,320
Speaker 4: I can't say that. Bro, you got these kids following me.

1156
00:55:32,600 --> 00:55:34,640
Speaker 4: You say that ship right there? We ruined, you know

1157
00:55:34,680 --> 00:55:39,120
Speaker 4: what I'm saying. So Wayne with Wayne Ben monstrous Ben.

1158
00:55:39,360 --> 00:55:42,200
Speaker 4: We both was practicing the art of not writing.

1159
00:55:45,280 --> 00:55:45,880
Speaker 5: Yeah, we was.

1160
00:55:46,320 --> 00:55:50,440
Speaker 4: We was like, was all on that same kick. I'm

1161
00:55:50,480 --> 00:55:52,520
Speaker 4: on that kick now we was. We've been on that kick.

1162
00:55:52,719 --> 00:55:54,959
Speaker 4: But I'm telling you he was on the mastering and ship.

1163
00:55:55,719 --> 00:55:57,920
Speaker 4: He just wanted to be better than everybody who did it.

1164
00:55:58,440 --> 00:55:59,000
Speaker 13: And he did.

1165
00:55:59,239 --> 00:55:59,919
Speaker 5: I was like, listen.

1166
00:56:00,000 --> 00:56:03,239
Speaker 1: I was like, Studio Julie and bird Man told me, listen,

1167
00:56:03,400 --> 00:56:06,879
Speaker 1: put this kid on the record, Little Wind.

1168
00:56:06,920 --> 00:56:08,920
Speaker 3: And he didn't know who Little Wing was the time. No,

1169
00:56:09,160 --> 00:56:12,160
Speaker 3: I don't know who he was. You don't know who

1170
00:56:12,440 --> 00:56:12,759
Speaker 3: he was not.

1171
00:56:12,880 --> 00:56:13,960
Speaker 5: I only knew who he was.

1172
00:56:14,040 --> 00:56:19,640
Speaker 3: I said, only I was because he was like the lead. Well,

1173
00:56:19,680 --> 00:56:21,360
Speaker 3: I mean, I remember. The thing is is that you

1174
00:56:21,480 --> 00:56:23,759
Speaker 3: came to Miami were dealing with each other already. He

1175
00:56:23,800 --> 00:56:26,960
Speaker 3: came excited. He's like, yo, I'm the only one the

1176
00:56:27,080 --> 00:56:28,480
Speaker 3: guy tracks money on the record.

1177
00:56:32,719 --> 00:56:34,920
Speaker 1: He used the prop because you know why he dropped

1178
00:56:34,960 --> 00:56:35,359
Speaker 1: it first.

1179
00:56:35,880 --> 00:56:38,759
Speaker 5: I worked with your first one was the first one.

1180
00:56:39,480 --> 00:56:40,319
Speaker 3: You were the first one.

1181
00:56:43,120 --> 00:56:46,560
Speaker 5: First of all. Shout out to James. We didn't even

1182
00:56:46,600 --> 00:56:47,560
Speaker 5: ask him to get on the red.

1183
00:56:48,239 --> 00:56:54,880
Speaker 3: He was like a jumped on the relationships I was

1184
00:56:54,960 --> 00:57:00,000
Speaker 3: doing it. I was like I was with them. Nigga

1185
00:57:00,120 --> 00:57:04,120
Speaker 3: was like your watch from your niggas again like a Martinez.

1186
00:57:04,280 --> 00:57:05,640
Speaker 1: I was like, what do you want toiggas want to

1187
00:57:05,680 --> 00:57:09,440
Speaker 1: be hull and they're like they're like, what are you

1188
00:57:09,680 --> 00:57:10,360
Speaker 1: talking about?

1189
00:57:12,200 --> 00:57:14,759
Speaker 3: Listen and y'all were killing so when he came down here,

1190
00:57:14,960 --> 00:57:17,600
Speaker 3: he was like, ya, this is my homegirl just did

1191
00:57:17,640 --> 00:57:21,000
Speaker 3: an interview. Was that my folks too? I kept going

1192
00:57:21,040 --> 00:57:22,880
Speaker 3: on the radio and I kept saying ham and she

1193
00:57:23,000 --> 00:57:25,080
Speaker 3: kept saying. She was like, you know, are you have

1194
00:57:25,200 --> 00:57:26,960
Speaker 3: to rets like, because I was like, what do you

1195
00:57:27,000 --> 00:57:27,760
Speaker 3: want to phuh?

1196
00:57:30,160 --> 00:57:33,800
Speaker 1: Because I can't understand how much I was blown away.

1197
00:57:34,360 --> 00:57:40,080
Speaker 1: I'm like, you can actually look this up somewhere.

1198
00:57:40,320 --> 00:57:42,680
Speaker 5: She said yeah, I believe so.

1199
00:57:42,960 --> 00:57:47,240
Speaker 1: Yeah, and then they don't look it crazy. I looked

1200
00:57:47,240 --> 00:57:51,240
Speaker 1: it crazy. Then two weeks later, Hall drops and it's

1201
00:57:51,360 --> 00:57:54,720
Speaker 1: number one in New York. Hole is already on point.

1202
00:57:54,760 --> 00:57:55,080
Speaker 3: I don't know.

1203
00:57:55,120 --> 00:57:57,240
Speaker 1: I don't I don't want to claim no ship. I

1204
00:57:57,320 --> 00:57:59,160
Speaker 1: don't want to I don't want no beef.

1205
00:58:00,240 --> 00:58:02,880
Speaker 5: invY bro it gave it the whole end.

1206
00:58:02,960 --> 00:58:05,880
Speaker 4: I think he was one broke the record to me,

1207
00:58:06,120 --> 00:58:13,600
Speaker 4: Envy like nobody. Were the two young niggas and we

1208
00:58:13,720 --> 00:58:16,000
Speaker 4: bumped heads and Amy was already and he knew what

1209
00:58:16,080 --> 00:58:19,360
Speaker 4: he was. The young cats was on it, young Go,

1210
00:58:19,440 --> 00:58:20,880
Speaker 4: the younger cat he was.

1211
00:58:21,000 --> 00:58:23,640
Speaker 5: That was like his his ship. That was his trigger

1212
00:58:23,720 --> 00:58:26,080
Speaker 5: song for his partisan ship. You know what I'm saying.

1213
00:58:26,440 --> 00:58:28,200
Speaker 4: Amy was on it and he was like telling. He

1214
00:58:28,360 --> 00:58:31,520
Speaker 4: was telling Flex like, listen, bro, this is the hottest record.

1215
00:58:31,520 --> 00:58:35,240
Speaker 4: I'm telling him, play this Ship telling you. And that's

1216
00:58:35,280 --> 00:58:36,960
Speaker 4: how Flex got on the flex A was saying, I

1217
00:58:37,040 --> 00:58:37,920
Speaker 4: see you cast when.

1218
00:58:37,800 --> 00:58:40,360
Speaker 5: I see your niggas, I see our niggas called us

1219
00:58:40,440 --> 00:58:42,160
Speaker 5: down there and ship you know what I'm saying. But

1220
00:58:42,280 --> 00:58:44,960
Speaker 5: we was already like we told him like, hey, but

1221
00:58:45,080 --> 00:58:47,480
Speaker 5: you don't even understand who we are, right, like, just

1222
00:58:47,560 --> 00:58:48,240
Speaker 5: go look us up.

1223
00:58:48,440 --> 00:58:51,120
Speaker 4: That was social media was popping in those days like

1224
00:58:51,200 --> 00:58:54,200
Speaker 4: it is now because because then you would see the

1225
00:58:54,320 --> 00:58:55,160
Speaker 4: craze that we had.

1226
00:58:55,240 --> 00:58:59,040
Speaker 5: But we couldn't do nothing. We couldn't go noh live

1227
00:58:59,200 --> 00:58:59,480
Speaker 5: you will.

1228
00:59:00,720 --> 00:59:02,880
Speaker 1: So all right, So one time I come, I come

1229
00:59:02,920 --> 00:59:10,520
Speaker 1: to your your tour bus. Believe fifty tony Yeah I'm leaving.

1230
00:59:10,880 --> 00:59:14,960
Speaker 1: Yeah yeah yeah, fifty tony years is coming on in

1231
00:59:15,040 --> 00:59:16,880
Speaker 1: to a bus. I'll say, what's up to them? I

1232
00:59:17,040 --> 00:59:20,880
Speaker 1: just did a record with fifty Yeah, but you I

1233
00:59:21,000 --> 00:59:23,000
Speaker 1: was like, how the fuck do you know about fifty?

1234
00:59:23,120 --> 00:59:28,440
Speaker 5: Okay? Ah? Crazy? Right? So shot money Excel and my

1235
00:59:28,560 --> 00:59:31,880
Speaker 5: guy who kid? Who kid was my DJ hm.

1236
00:59:33,720 --> 00:59:42,280
Speaker 3: Ship yo Yeah, Queen's chain man, Yeah, a lot of queens.

1237
00:59:42,280 --> 00:59:45,480
Speaker 5: Ship Man who kids My dude, what's my guy? He

1238
00:59:45,600 --> 00:59:47,600
Speaker 5: was doing the mixtapes and Ship and he was sucking with.

1239
00:59:47,680 --> 00:59:50,600
Speaker 4: Him real hard, and he was like, man, I fuck

1240
00:59:50,640 --> 00:59:53,320
Speaker 4: with fifty niggas out of the nigga out of that

1241
00:59:53,720 --> 00:59:54,360
Speaker 4: he said. Man.

1242
00:59:54,560 --> 00:59:55,960
Speaker 5: I was like, you're talking about the nigga made this

1243
00:59:56,040 --> 01:00:00,600
Speaker 5: record by robbing me? And Ship said, now you gotta

1244
01:00:00,640 --> 01:00:00,960
Speaker 5: meet him.

1245
01:00:00,960 --> 01:00:02,680
Speaker 4: But it it wasn't on that kick. It was was

1246
01:00:02,720 --> 01:00:04,920
Speaker 4: on some comedy ship. But niggas took the ship away.

1247
01:00:05,440 --> 01:00:08,600
Speaker 4: I was like, meets fifty. You know what I'm saying

1248
01:00:08,680 --> 01:00:11,360
Speaker 4: through Shaman the x L and I started listening to

1249
01:00:11,440 --> 01:00:14,240
Speaker 4: fifty music and this is when the heat is going on.

1250
01:00:14,360 --> 01:00:16,680
Speaker 4: Nobody ain't really fucking with him that I got the

1251
01:00:16,800 --> 01:00:18,920
Speaker 4: tour bus with the studio on him. You remember that

1252
01:00:19,640 --> 01:00:21,320
Speaker 4: I'm not one of the first motherfuckers in the game.

1253
01:00:21,400 --> 01:00:23,000
Speaker 4: I need I need my problems for that too, because

1254
01:00:23,000 --> 01:00:29,720
Speaker 4: I'm on the first. So a lot of yeah, so

1255
01:00:29,800 --> 01:00:33,640
Speaker 4: a lot of niggas was was was like damning juve

1256
01:00:33,720 --> 01:00:34,480
Speaker 4: got a studio bus.

1257
01:00:35,440 --> 01:00:37,520
Speaker 5: So I told the nigga shot, I said, bring him

1258
01:00:37,520 --> 01:00:37,840
Speaker 5: over here.

1259
01:00:37,920 --> 01:00:38,000
Speaker 6: Bro.

1260
01:00:38,440 --> 01:00:41,600
Speaker 5: They showed up with with with Lloyd.

1261
01:00:41,440 --> 01:00:46,320
Speaker 4: Banks and uh Tony and we in that it's just

1262
01:00:46,440 --> 01:00:50,240
Speaker 4: instantly we click clack. So we started doing mixtaptions together,

1263
01:00:50,320 --> 01:00:53,960
Speaker 4: doing music together. And I tell I tell Sean, like, bro,

1264
01:00:54,000 --> 01:00:59,480
Speaker 4: I got a good relationship with Eminem. I'm like, man,

1265
01:01:00,080 --> 01:01:02,920
Speaker 4: this nigga doing. Yeah, I'm like, nigga, this Ship, this

1266
01:01:03,040 --> 01:01:06,600
Speaker 4: nigga doing works great with the Eminem doing. Eminem got

1267
01:01:06,640 --> 01:01:09,600
Speaker 4: his own thing popping now, but he's labeling Ship. I'm like,

1268
01:01:10,880 --> 01:01:12,520
Speaker 4: let's go to the video shoot cause I was up

1269
01:01:12,560 --> 01:01:13,160
Speaker 4: there in New York.

1270
01:01:13,200 --> 01:01:13,440
Speaker 5: Have to go.

1271
01:01:13,640 --> 01:01:15,760
Speaker 4: He invited me into the video shoot for the water

1272
01:01:15,840 --> 01:01:18,280
Speaker 4: Worlds with D twelve. So I get up there and Ship.

1273
01:01:19,600 --> 01:01:21,240
Speaker 4: I say, I'm gonna bang you over there, but you

1274
01:01:21,320 --> 01:01:28,400
Speaker 4: got to talk for yourself. And wait a minute, shot

1275
01:01:28,480 --> 01:01:29,000
Speaker 4: money Excel.

1276
01:01:29,040 --> 01:01:31,200
Speaker 1: Okay, okay, so you said you said to show money

1277
01:01:31,280 --> 01:01:32,440
Speaker 1: sl he has to talk for hisself.

1278
01:01:32,480 --> 01:01:34,640
Speaker 5: I say, you gotta talk for yourself. I'm gonna bring you,

1279
01:01:34,680 --> 01:01:35,240
Speaker 5: I'm gonna.

1280
01:01:35,080 --> 01:01:36,800
Speaker 4: Get you in front of him, but you gotta talk

1281
01:01:36,840 --> 01:01:38,760
Speaker 4: for yourself because I don't want the ship to get weird,

1282
01:01:39,080 --> 01:01:41,680
Speaker 4: you know what I'm saying. But him already was on fifty.

1283
01:01:41,960 --> 01:01:43,800
Speaker 4: As soon as he said he was like, he was

1284
01:01:43,880 --> 01:01:45,280
Speaker 4: on him, and I was like, damn.

1285
01:01:45,360 --> 01:01:49,840
Speaker 5: So it went out another way, and he was like, yeah,

1286
01:01:49,920 --> 01:01:52,400
Speaker 5: give him them swap numbers and ship and after that

1287
01:01:52,560 --> 01:01:53,240
Speaker 5: the ship happened.

1288
01:01:54,040 --> 01:01:55,480
Speaker 4: That's why I was fifty road of his book. He

1289
01:01:55,600 --> 01:01:58,760
Speaker 4: give me my promise, you know what I'm saying, But oh,

1290
01:01:58,920 --> 01:02:02,240
Speaker 4: get your brother give me. I always tell people about

1291
01:02:02,280 --> 01:02:04,440
Speaker 4: that par like you give me props with fifty when

1292
01:02:04,480 --> 01:02:06,880
Speaker 4: fifty see me always showed me love, bro, I ain't

1293
01:02:06,880 --> 01:02:07,280
Speaker 4: gonna lie.

1294
01:02:07,320 --> 01:02:11,600
Speaker 3: We gotta be that. Yeah, yeah she almost wasn't you

1295
01:02:11,680 --> 01:02:13,480
Speaker 3: almost doing a nothing from it?

1296
01:02:13,600 --> 01:02:15,480
Speaker 4: I wanted to see dude to get on. I feel

1297
01:02:15,520 --> 01:02:17,400
Speaker 4: like he he was you know what I'm saying, doing

1298
01:02:17,480 --> 01:02:20,040
Speaker 4: his music thing. He was showing me and my people love.

1299
01:02:20,160 --> 01:02:22,920
Speaker 5: You know what I'm saying, bringing us all around York

1300
01:02:22,960 --> 01:02:25,320
Speaker 5: and ship, showing us love. I want to show love back.

1301
01:02:25,440 --> 01:02:27,040
Speaker 6: But wasn't there a situation where you were gonna do

1302
01:02:27,080 --> 01:02:28,080
Speaker 6: a gun a deal as well?

1303
01:02:28,240 --> 01:02:28,360
Speaker 4: Or no?

1304
01:02:28,680 --> 01:02:29,600
Speaker 5: No, I was never there.

1305
01:02:30,920 --> 01:02:32,600
Speaker 3: It was just showing how close you guys were, just

1306
01:02:32,640 --> 01:02:33,800
Speaker 3: because y'all were working a lot.

1307
01:02:33,760 --> 01:02:35,480
Speaker 4: With fifty went on his first two I was out

1308
01:02:35,480 --> 01:02:37,360
Speaker 4: there with him. I was going like showing him the ropes,

1309
01:02:37,440 --> 01:02:40,240
Speaker 4: like showing introducing him to my people across country and ship.

1310
01:02:40,360 --> 01:02:42,720
Speaker 4: I ain't go everywhere with him, but we started on

1311
01:02:43,040 --> 01:02:45,880
Speaker 4: the East coast, going down to the South and ship

1312
01:02:46,320 --> 01:02:47,680
Speaker 4: I introduced him to a lot of people.

1313
01:02:47,880 --> 01:02:49,840
Speaker 3: So how did you connect me? And one of them

1314
01:02:50,440 --> 01:02:52,520
Speaker 3: about because I wanted to ask that, but I want

1315
01:02:52,560 --> 01:02:54,200
Speaker 3: to go back with them, like how did you and

1316
01:02:54,320 --> 01:02:55,880
Speaker 3: m connect him?

1317
01:02:56,000 --> 01:02:59,040
Speaker 4: Since when when when cash money popped off? When we

1318
01:02:59,120 --> 01:03:02,000
Speaker 4: first popped off him, man like always showed me loved

1319
01:03:02,040 --> 01:03:04,600
Speaker 4: by hum you always like tell me like that, Bro,

1320
01:03:04,680 --> 01:03:06,280
Speaker 4: That's like always.

1321
01:03:06,120 --> 01:03:08,360
Speaker 5: Every time something when he was he showed me love.

1322
01:03:08,480 --> 01:03:10,440
Speaker 4: Because you remember they was the they was the big

1323
01:03:10,560 --> 01:03:12,800
Speaker 4: dogs when we came in, and they was like they

1324
01:03:12,840 --> 01:03:15,960
Speaker 4: were cats. So when we came in the game, you know,

1325
01:03:16,080 --> 01:03:18,400
Speaker 4: you you would think somebody like that would act weird

1326
01:03:18,440 --> 01:03:19,560
Speaker 4: towards somebody knew.

1327
01:03:19,360 --> 01:03:19,840
Speaker 5: But he didn't.

1328
01:03:19,840 --> 01:03:22,600
Speaker 4: He really like put his on round my neck and

1329
01:03:22,760 --> 01:03:25,400
Speaker 4: was like telling me like, nah, man, what you're doing

1330
01:03:25,560 --> 01:03:27,360
Speaker 4: is good, encouraged me on what I was doing.

1331
01:03:28,000 --> 01:03:30,680
Speaker 3: Was always and Detroit regionally they like everything.

1332
01:03:30,880 --> 01:03:33,200
Speaker 5: Yeah, but him was always a good dude to me.

1333
01:03:33,320 --> 01:03:36,080
Speaker 4: But I ain't never really honestly, Bro and the music

1334
01:03:36,120 --> 01:03:39,400
Speaker 4: in the strain, I don't have too many bad rooms

1335
01:03:39,480 --> 01:03:43,000
Speaker 4: with other artists. Nobody ain't never because I be real

1336
01:03:43,080 --> 01:03:45,480
Speaker 4: with it and catch on like you were. Like, you know, man,

1337
01:03:46,080 --> 01:03:47,760
Speaker 4: when you meet me and you see how I'm rocking

1338
01:03:47,800 --> 01:03:49,200
Speaker 4: and I'm rolling, it's gonna be hard for you.

1339
01:03:49,400 --> 01:03:52,640
Speaker 5: Now, fucking you know what I'm saying. You're gonna unless

1340
01:03:52,680 --> 01:03:55,800
Speaker 5: you take nigga and I understand it.

1341
01:03:55,880 --> 01:03:58,680
Speaker 4: But if you straight down and there or man, you

1342
01:03:58,720 --> 01:03:59,800
Speaker 4: fuck me, you don't understand you.

1343
01:04:00,000 --> 01:04:02,680
Speaker 3: I'm trying what leads me to question, right.

1344
01:04:03,760 --> 01:04:05,920
Speaker 1: I believe I see you on Blad TV and Bla

1345
01:04:06,120 --> 01:04:08,360
Speaker 1: ask you because that's one of the people that I did.

1346
01:04:08,320 --> 01:04:11,760
Speaker 3: Meet on the bus with you. Yeah, yeah, and I

1347
01:04:11,840 --> 01:04:13,439
Speaker 3: believe he was like he was flat.

1348
01:04:13,480 --> 01:04:15,200
Speaker 1: I don't ask me no ship like that. Yeah, And

1349
01:04:15,560 --> 01:04:18,280
Speaker 1: so I don't understand what happened with you.

1350
01:04:18,360 --> 01:04:20,240
Speaker 4: And when you do something, when you do the ship

1351
01:04:20,320 --> 01:04:23,680
Speaker 4: he did some big ship and somebody say some fake

1352
01:04:23,720 --> 01:04:26,600
Speaker 4: as ship about somebody that you really love and you

1353
01:04:26,800 --> 01:04:29,360
Speaker 4: know it's fake and you don't come up all right,

1354
01:04:29,640 --> 01:04:31,920
Speaker 4: if somebody you got love for, it's your friend.

1355
01:04:33,280 --> 01:04:35,600
Speaker 5: And this this is your nigga. He comes back and

1356
01:04:35,640 --> 01:04:37,280
Speaker 5: tell you, man, this nigga said all this fake as

1357
01:04:37,560 --> 01:04:39,800
Speaker 5: about you. How you're gonna feel about him?

1358
01:04:40,240 --> 01:04:43,320
Speaker 3: So what you did while you were saying that to you. Yeah,

1359
01:04:43,480 --> 01:04:44,520
Speaker 3: why you ain't coming to my.

1360
01:04:44,600 --> 01:04:47,680
Speaker 5: Defense, nigg that's what that is. Okay. You know what

1361
01:04:47,680 --> 01:04:49,479
Speaker 5: I'm saying, Nigga, some sake something.

1362
01:04:49,400 --> 01:04:53,240
Speaker 3: My because you're cool, right you brother in New York about.

1363
01:04:53,040 --> 01:04:55,760
Speaker 4: My wife, and you don't come out in my defense

1364
01:04:55,840 --> 01:04:57,920
Speaker 4: and say, because you know this shit fucked up and

1365
01:04:57,960 --> 01:04:59,960
Speaker 4: you know some fake ship, you don't come out of

1366
01:05:00,040 --> 01:05:02,200
Speaker 4: knock it down. Nigga, you're a fake ass nigger there. Wow,

1367
01:05:02,400 --> 01:05:03,600
Speaker 4: that ain't nothing you ever say to me.

1368
01:05:03,720 --> 01:05:06,520
Speaker 5: Niggas. I don't play that game. I don't play that game.

1369
01:05:08,160 --> 01:05:11,960
Speaker 3: I don't because that's that's that's why I first met him.

1370
01:05:12,560 --> 01:05:14,800
Speaker 4: Then when you get with fifty, the first opportunity you

1371
01:05:14,920 --> 01:05:17,880
Speaker 4: get with them, man, have a first in conversation with him.

1372
01:05:18,240 --> 01:05:21,880
Speaker 4: You say, Julie tried trying to take your artists from me.

1373
01:05:22,800 --> 01:05:24,360
Speaker 4: I'm trying to take Lord Banks from me.

1374
01:05:25,600 --> 01:05:25,840
Speaker 5: That's what.

1375
01:05:26,040 --> 01:05:31,200
Speaker 4: That's a picture he painted, damn. So you know that's

1376
01:05:31,240 --> 01:05:34,120
Speaker 4: some snake shipped to me like man for what nigga

1377
01:05:34,160 --> 01:05:37,520
Speaker 4: ain't even a position to take a nigga. That's how

1378
01:05:37,520 --> 01:05:39,360
Speaker 4: I fike that look like, I ain't even in a

1379
01:05:39,440 --> 01:05:40,920
Speaker 4: position to take this.

1380
01:05:41,000 --> 01:05:43,920
Speaker 5: Nigga artist book. You want to you want to do the.

1381
01:05:44,000 --> 01:05:44,680
Speaker 3: Very very beginning.

1382
01:05:44,720 --> 01:05:47,240
Speaker 5: That's what happened. That's what really happened, you know what

1383
01:05:47,240 --> 01:05:47,680
Speaker 5: I'm saying.

1384
01:05:48,200 --> 01:05:50,680
Speaker 4: And do learn the truth about that ship and came

1385
01:05:50,800 --> 01:05:53,120
Speaker 4: back and like, man, my bad, bro, I ain't this

1386
01:05:53,200 --> 01:05:55,800
Speaker 4: nigga was I found out who this nigga really is.

1387
01:05:56,520 --> 01:06:00,600
Speaker 5: You know, I don't come my tongue on ship the facts.

1388
01:06:01,120 --> 01:06:01,760
Speaker 5: You know what I'm saying.

1389
01:06:02,320 --> 01:06:03,640
Speaker 3: Let's talk about the hat real quick.

1390
01:06:06,040 --> 01:06:08,280
Speaker 5: What is that? The three? That's the third wards where

1391
01:06:08,280 --> 01:06:08,600
Speaker 5: I'm from?

1392
01:06:08,720 --> 01:06:16,720
Speaker 3: Goddamn right, this look.

1393
01:06:16,560 --> 01:06:17,960
Speaker 5: Like New Orleans? My dog?

1394
01:06:19,840 --> 01:06:22,000
Speaker 3: Who made that? Do you want to challenge this?

1395
01:06:22,440 --> 01:06:25,800
Speaker 4: Shout out to my guy man hatremony handing down, bro,

1396
01:06:25,880 --> 01:06:26,280
Speaker 4: because they.

1397
01:06:26,280 --> 01:06:37,680
Speaker 5: Be charging them. Put you on it. Yeah, shout shout

1398
01:06:37,720 --> 01:06:39,840
Speaker 5: out to my wife because my wife young. But this

1399
01:06:39,920 --> 01:06:43,000
Speaker 5: is somebody from New Orleans, right, somebody from New Orleans.

1400
01:06:43,040 --> 01:06:44,600
Speaker 5: You live in Atland and got his own company.

1401
01:06:44,760 --> 01:06:46,640
Speaker 4: Shout out to hair some money, make all these crazy

1402
01:06:46,680 --> 01:06:47,720
Speaker 4: hairds something shot.

1403
01:06:49,160 --> 01:06:50,200
Speaker 5: He's trying to get me sucked up.

1404
01:06:50,440 --> 01:06:51,120
Speaker 3: He's trying.

1405
01:06:53,280 --> 01:06:57,360
Speaker 1: I'm celebrating Jubie because you know why the world is

1406
01:06:57,440 --> 01:07:05,080
Speaker 1: better when juveniles. It is though it is though I

1407
01:07:05,080 --> 01:07:08,960
Speaker 1: ain't gonna lie. Looking at you on versus and seeing

1408
01:07:09,040 --> 01:07:11,960
Speaker 1: that smile and seeing you walking through the stage, you

1409
01:07:12,040 --> 01:07:13,000
Speaker 1: felt so comfortable.

1410
01:07:13,720 --> 01:07:15,919
Speaker 3: It made me comfortable. Yeah, I would cut.

1411
01:07:16,520 --> 01:07:17,760
Speaker 1: I was looking and I was like, damn, I know

1412
01:07:17,840 --> 01:07:20,360
Speaker 1: this nigga isn't and that's that's that nigga behind him

1413
01:07:20,440 --> 01:07:21,400
Speaker 1: is is a murderer.

1414
01:07:24,040 --> 01:07:27,640
Speaker 3: I mean, it's kind of I looked at the stage, nigga,

1415
01:07:27,680 --> 01:07:29,720
Speaker 3: it was a kind of a lot of foul niggas

1416
01:07:29,880 --> 01:07:35,720
Speaker 3: the ypothetically, I know everybody, I relaxed, but I know,

1417
01:07:36,000 --> 01:07:38,480
Speaker 3: I know that's a that I was like, I know

1418
01:07:38,560 --> 01:07:41,520
Speaker 3: who he is. Yeah, he don't belong. They're gonna show up.

1419
01:07:41,520 --> 01:07:42,959
Speaker 5: You know you can't. You can't deny.

1420
01:07:43,920 --> 01:07:46,200
Speaker 4: I mean, who's the city they didn't play play a

1421
01:07:46,240 --> 01:07:47,800
Speaker 4: big part in us being that's right.

1422
01:07:47,920 --> 01:07:51,120
Speaker 3: Yeah, so what's my man name? From No Limit? When

1423
01:07:51,200 --> 01:07:52,920
Speaker 3: when he took his shirt off, I was like, she

1424
01:07:53,160 --> 01:07:57,240
Speaker 3: got but he is a real deal man.

1425
01:07:57,440 --> 01:08:01,280
Speaker 1: Yeah, I know any nigga over fifty taking his shirt

1426
01:08:01,320 --> 01:08:03,080
Speaker 1: off with that confidence.

1427
01:08:03,600 --> 01:08:07,720
Speaker 3: Part of that movement though about it, about about.

1428
01:08:07,520 --> 01:08:12,120
Speaker 4: It, by the show, movies, the movies and everything. I'll

1429
01:08:12,160 --> 01:08:14,200
Speaker 4: be sure at one point that's how you know that

1430
01:08:14,280 --> 01:08:16,880
Speaker 4: he didn't know what was going on. He didn't know

1431
01:08:16,960 --> 01:08:19,960
Speaker 4: what was going on. He knew what was going on.

1432
01:08:20,800 --> 01:08:23,880
Speaker 3: He was like, yeah, look at the tank, look at

1433
01:08:23,920 --> 01:08:25,000
Speaker 3: it like that was real.

1434
01:08:25,280 --> 01:08:25,760
Speaker 5: That was real.

1435
01:08:26,520 --> 01:08:28,559
Speaker 3: New Orleans niggas. Youiggas is crazy man.

1436
01:08:30,640 --> 01:08:30,920
Speaker 9: Trying to.

1437
01:08:34,439 --> 01:08:36,559
Speaker 3: You making sit on the back, cutting it up.

1438
01:08:36,600 --> 01:08:40,040
Speaker 5: Now I'm caught on you. You're making up ship the break.

1439
01:08:41,439 --> 01:08:45,080
Speaker 3: Hey, let's drinking that lady.

1440
01:08:45,160 --> 01:08:47,360
Speaker 1: But he wants to have you know know not because

1441
01:08:47,479 --> 01:08:50,920
Speaker 1: nobody New Orleans has helped me down and I never

1442
01:08:51,120 --> 01:08:52,040
Speaker 1: had the footage.

1443
01:08:52,920 --> 01:08:58,120
Speaker 3: I never had. God no, because we don't need that.

1444
01:08:59,280 --> 01:08:59,680
Speaker 5: You're right.

1445
01:09:03,680 --> 01:09:06,479
Speaker 1: They show me so much love and like it's not

1446
01:09:06,840 --> 01:09:10,120
Speaker 1: that much documented, you know what I'm saying that sol.

1447
01:09:10,680 --> 01:09:13,479
Speaker 3: He did pray. I'm telling y'all. He praised y'all when

1448
01:09:13,600 --> 01:09:14,080
Speaker 3: y'all did the.

1449
01:09:14,080 --> 01:09:15,960
Speaker 6: Record and he came to Miamie you make some of

1450
01:09:16,000 --> 01:09:16,680
Speaker 6: the records out here.

1451
01:09:17,000 --> 01:09:20,040
Speaker 3: We connected and he was like, y'all, I got with

1452
01:09:20,160 --> 01:09:20,639
Speaker 3: cash money.

1453
01:09:20,640 --> 01:09:23,120
Speaker 1: He was so excited about it. Let me tell you something,

1454
01:09:23,560 --> 01:09:25,640
Speaker 1: God bless me one more time. I'm gonna say it

1455
01:09:25,640 --> 01:09:29,280
Speaker 1: one time because whole might text me and it's uncomfortable.

1456
01:09:31,920 --> 01:09:35,679
Speaker 1: I was the one raising cash money first, me one

1457
01:09:35,760 --> 01:09:38,759
Speaker 1: man percent. That's why to this day bird Man say, hey, Nigga,

1458
01:09:40,600 --> 01:09:42,320
Speaker 1: you don't got no charge for me, just get the

1459
01:09:42,439 --> 01:09:45,920
Speaker 1: artist yourself. So if I get Nigga, I'm good.

1460
01:09:47,400 --> 01:09:55,200
Speaker 3: Fun Drake, I'm good. I just gotta find myself, just

1461
01:09:55,320 --> 01:09:55,600
Speaker 3: like that.

1462
01:10:00,439 --> 01:10:06,439
Speaker 5: I did. You got himself? What then I could do

1463
01:10:06,560 --> 01:10:06,760
Speaker 5: for that?

1464
01:10:07,000 --> 01:10:10,160
Speaker 3: So let me tell you how like cash money? What's

1465
01:10:10,200 --> 01:10:10,800
Speaker 3: that ship called?

1466
01:10:10,920 --> 01:10:10,960
Speaker 8: Like?

1467
01:10:11,040 --> 01:10:13,960
Speaker 3: I'm like honorary cash all right?

1468
01:10:14,040 --> 01:10:14,200
Speaker 6: Yes?

1469
01:10:14,240 --> 01:10:15,280
Speaker 3: So I was the person that I.

1470
01:10:15,400 --> 01:10:18,080
Speaker 1: Worked with Julie Boom and I was like, you know what,

1471
01:10:18,760 --> 01:10:20,560
Speaker 1: I kept going to New Orleans. I was like, I

1472
01:10:20,680 --> 01:10:23,120
Speaker 1: want the whole crew. So let's put the whole crew.

1473
01:10:23,360 --> 01:10:23,840
Speaker 5: Let's do it.

1474
01:10:24,240 --> 01:10:26,240
Speaker 3: And that's when he presented me with the Wayne. He

1475
01:10:26,360 --> 01:10:31,360
Speaker 3: was like, yo, I knew b G was now Wayne,

1476
01:10:32,000 --> 01:10:32,599
Speaker 3: get the Wayne.

1477
01:10:32,720 --> 01:10:33,000
Speaker 5: Crazy.

1478
01:10:33,000 --> 01:10:39,160
Speaker 3: I didn't get the wing. I didn't my way. He's

1479
01:10:39,200 --> 01:10:41,040
Speaker 3: not he's not telling the truth.

1480
01:10:41,120 --> 01:10:48,920
Speaker 1: I'm telling you that he really was only interested in me.

1481
01:10:49,520 --> 01:10:51,040
Speaker 5: He didn't want to nobody else.

1482
01:10:51,400 --> 01:10:59,599
Speaker 1: He's like, man, Man came to me and said said,

1483
01:10:59,640 --> 01:11:01,120
Speaker 1: I said, I want to fuck with the crew after

1484
01:11:01,240 --> 01:11:03,400
Speaker 1: and he said, but with him first.

1485
01:11:04,000 --> 01:11:06,400
Speaker 3: And he looked at Wayne and I said the fuck

1486
01:11:08,320 --> 01:11:10,240
Speaker 3: you know, little very big.

1487
01:11:11,080 --> 01:11:14,360
Speaker 10: What I'm saying, I'm telling you, man, that's that nigga

1488
01:11:14,439 --> 01:11:19,719
Speaker 10: dogs the way you said the story that he ahead

1489
01:11:20,439 --> 01:11:21,640
Speaker 10: holding him back, I'm telling him.

1490
01:11:21,800 --> 01:11:23,439
Speaker 5: I'm telling you.

1491
01:11:23,439 --> 01:11:24,760
Speaker 4: I say, Bro, you're trying to look out for you,

1492
01:11:24,960 --> 01:11:29,160
Speaker 4: telling you facts we created. No, not just that, but

1493
01:11:29,360 --> 01:11:33,600
Speaker 4: in the studio and the studio, me and Wayne, we

1494
01:11:34,000 --> 01:11:35,719
Speaker 4: was doing a lot of ship at the time because

1495
01:11:36,600 --> 01:11:38,400
Speaker 4: and Turk was in a little trouble.

1496
01:11:38,800 --> 01:11:39,360
Speaker 5: You know what I'm saying.

1497
01:11:39,400 --> 01:11:41,240
Speaker 4: It was in and out, so they couldn't they couldn't

1498
01:11:41,280 --> 01:11:42,599
Speaker 4: do as much as we could do in the studio.

1499
01:11:42,800 --> 01:11:46,160
Speaker 4: Not saying that they weren't great in the studio that time.

1500
01:11:46,880 --> 01:11:49,280
Speaker 4: It was in and out, that motherfucker. So they weren't available.

1501
01:11:49,400 --> 01:11:51,640
Speaker 5: So we was the two. And that's what Berryman was

1502
01:11:51,680 --> 01:11:54,080
Speaker 5: trying to tell him. I was like, bro, listen to.

1503
01:11:56,040 --> 01:11:59,960
Speaker 3: But I listened, and I said fuck it, and was

1504
01:12:00,080 --> 01:12:00,800
Speaker 3: waiting around that time.

1505
01:12:00,880 --> 01:12:04,960
Speaker 1: You think how old was he seventeen seventeen, Yeah, about

1506
01:12:05,000 --> 01:12:05,719
Speaker 1: seventy seventeen.

1507
01:12:06,200 --> 01:12:07,760
Speaker 3: So you just sound like as a jit like this,

1508
01:12:09,160 --> 01:12:10,760
Speaker 3: you know what, But I was just like, you know what,

1509
01:12:11,280 --> 01:12:13,840
Speaker 3: I just listened. I felt like God was bringing me

1510
01:12:13,880 --> 01:12:14,200
Speaker 3: to New.

1511
01:12:14,160 --> 01:12:16,120
Speaker 5: All that studio.

1512
01:12:16,479 --> 01:12:21,320
Speaker 4: You realize his mouth distance from the microphone been greatlet yes,

1513
01:12:22,960 --> 01:12:26,000
Speaker 4: I can remember him. I can literally remember him, meaning

1514
01:12:26,080 --> 01:12:30,000
Speaker 4: either too closed or too far away. Then he started realizing,

1515
01:12:30,280 --> 01:12:31,920
Speaker 4: for this kind of song, I'm gonna be right here

1516
01:12:32,200 --> 01:12:32,960
Speaker 4: for this type of song.

1517
01:12:34,520 --> 01:12:36,880
Speaker 5: And then it became natural. And then he started like

1518
01:12:37,479 --> 01:12:40,479
Speaker 5: clowning because he started realizing, if.

1519
01:12:40,400 --> 01:12:41,920
Speaker 4: I saying, if I get right here in his bitch,

1520
01:12:41,960 --> 01:12:44,679
Speaker 4: I'm sound like this. If I'm right here, almost sounding

1521
01:12:44,760 --> 01:12:47,960
Speaker 4: like that, I don't even care what the engineer doing.

1522
01:12:48,040 --> 01:12:51,120
Speaker 5: Nothing, I'm gonna make my shit so different. That's what

1523
01:12:51,240 --> 01:12:51,600
Speaker 5: I was on.

1524
01:12:52,080 --> 01:12:54,840
Speaker 4: I was on, I don't kill the engineer. Is the

1525
01:12:54,960 --> 01:12:56,840
Speaker 4: way I'm say it and the way I'm gonna sound

1526
01:12:57,880 --> 01:13:00,760
Speaker 4: don't matter what they do. They can't change it. I mean,

1527
01:13:00,920 --> 01:13:03,280
Speaker 4: they can't change it, bro, And I'm gonna wrap on up.

1528
01:13:03,320 --> 01:13:05,800
Speaker 5: The dots never gonna be on the beat. So you

1529
01:13:05,880 --> 01:13:06,639
Speaker 5: can't be chopping.

1530
01:13:07,240 --> 01:13:10,559
Speaker 4: Somebody can't me you know right now how they can

1531
01:13:10,680 --> 01:13:13,160
Speaker 4: chop a hook out and ship I wrapped. You couldn't

1532
01:13:13,240 --> 01:13:17,719
Speaker 4: chop that way because I'm gonna be behind the purpose.

1533
01:13:18,640 --> 01:13:19,880
Speaker 3: They can't pup with his brun.

1534
01:13:20,200 --> 01:13:21,720
Speaker 5: You can't touch it up. I love that.

1535
01:13:21,880 --> 01:13:24,200
Speaker 3: I knew that I knew that I could hear it.

1536
01:13:26,760 --> 01:13:28,960
Speaker 5: I got that off.

1537
01:13:29,600 --> 01:13:31,600
Speaker 3: You can't duplicate that ship at all. Never, that's my

1538
01:13:31,720 --> 01:13:34,080
Speaker 3: what what? You can't do that at all?

1539
01:13:34,560 --> 01:13:36,680
Speaker 5: Never that at all?

1540
01:13:37,080 --> 01:13:39,040
Speaker 3: You could? You could, you could remake it. You can't

1541
01:13:39,080 --> 01:13:43,840
Speaker 3: do blat That makes some sense a lot of take

1542
01:13:43,880 --> 01:13:46,400
Speaker 3: a shot, shot, take it up.

1543
01:13:48,080 --> 01:13:50,439
Speaker 5: He can't hold his water shop.

1544
01:13:51,800 --> 01:13:52,120
Speaker 3: I got.

1545
01:13:52,320 --> 01:13:59,240
Speaker 5: I killed one of the drink champion. Now y'all got

1546
01:13:59,320 --> 01:13:59,720
Speaker 5: to give it up.

1547
01:14:06,160 --> 01:14:10,400
Speaker 1: But I want to I notice the cliche type of question,

1548
01:14:11,760 --> 01:14:14,719
Speaker 1: but I would like to ask you, do y'all realize

1549
01:14:14,760 --> 01:14:16,040
Speaker 1: how much change hip hop?

1550
01:14:17,560 --> 01:14:19,960
Speaker 4: That's one of the hardest questions to answer because I've

1551
01:14:20,000 --> 01:14:22,519
Speaker 4: got something a fan, only a fan can answer.

1552
01:14:22,840 --> 01:14:23,880
Speaker 5: But I'm gonna say this.

1553
01:14:25,360 --> 01:14:29,759
Speaker 4: And right now, in this time and day, I realized

1554
01:14:29,800 --> 01:14:32,040
Speaker 4: a little bit because when I see cats like take

1555
01:14:32,080 --> 01:14:35,040
Speaker 4: the little things on my lyrics and put them in their.

1556
01:14:34,960 --> 01:14:35,920
Speaker 5: Songs and stuff like that.

1557
01:14:36,600 --> 01:14:40,040
Speaker 3: Everybody makes your records little baby future.

1558
01:14:40,360 --> 01:14:42,720
Speaker 5: I mean, but they don't remix the whole songs, but.

1559
01:14:42,880 --> 01:14:45,640
Speaker 3: It'd be something in the in the cases you know

1560
01:14:45,680 --> 01:14:46,360
Speaker 3: they got it from you.

1561
01:14:47,200 --> 01:14:51,439
Speaker 4: I be like, damn, when he said, uh, don't be

1562
01:14:51,520 --> 01:14:54,080
Speaker 4: running from me. I got very hunt whatever you say

1563
01:14:54,120 --> 01:14:58,360
Speaker 4: on that that flu that's my ship. That's back an answer,

1564
01:14:59,439 --> 01:15:03,679
Speaker 4: that's like the it's some of these things these cats

1565
01:15:03,800 --> 01:15:04,240
Speaker 4: be doing.

1566
01:15:04,600 --> 01:15:06,439
Speaker 5: It sound like my shit, and I love it. Keep

1567
01:15:06,520 --> 01:15:07,920
Speaker 5: on doing it. I ain't gonna be mad at it.

1568
01:15:08,360 --> 01:15:12,760
Speaker 5: I ain't putting God.

1569
01:15:17,840 --> 01:15:21,000
Speaker 3: Is it whether you regret from music?

1570
01:15:21,280 --> 01:15:24,280
Speaker 5: Yeah? Yeah, not knowing the business in the beginning, not

1571
01:15:24,479 --> 01:15:25,200
Speaker 5: knowing that part.

1572
01:15:25,479 --> 01:15:27,719
Speaker 4: I think that's what every last one of us regret,

1573
01:15:27,840 --> 01:15:31,120
Speaker 4: right Like, I think that's that's being honest, as honest

1574
01:15:31,160 --> 01:15:31,600
Speaker 4: as I could be.

1575
01:15:31,840 --> 01:15:32,960
Speaker 5: Just not understanding the.

1576
01:15:32,960 --> 01:15:35,760
Speaker 4: Business side, knowing who to talk to or what people

1577
01:15:35,800 --> 01:15:37,719
Speaker 4: that I need to put in those places to understand,

1578
01:15:38,160 --> 01:15:40,400
Speaker 4: you know what I mean, like what I'm getting or

1579
01:15:40,479 --> 01:15:43,040
Speaker 4: what I'm working, knowing what my work is. I ain't

1580
01:15:43,120 --> 01:15:43,960
Speaker 4: learned that ship till later.

1581
01:15:44,040 --> 01:15:44,160
Speaker 5: Bro.

1582
01:15:44,439 --> 01:15:46,720
Speaker 4: A lot of artists still have yet to know what

1583
01:15:46,800 --> 01:15:50,960
Speaker 4: that is, right, Yeah, So that's that was my biggest

1584
01:15:50,960 --> 01:15:53,160
Speaker 4: I was the animal in the room for me, man.

1585
01:15:53,120 --> 01:15:53,720
Speaker 5: It really was.

1586
01:15:54,360 --> 01:16:00,519
Speaker 3: Okay, so let's know your clap? Where's whack and Skip?

1587
01:16:00,920 --> 01:16:03,920
Speaker 4: And I talked to Skip yesterday? Me and why on

1588
01:16:04,280 --> 01:16:07,120
Speaker 4: me and Whack or he over there? I ain't gonna

1589
01:16:07,120 --> 01:16:09,040
Speaker 4: speak on him. I want to say no, negative stuff.

1590
01:16:09,680 --> 01:16:10,960
Speaker 3: It was the name of the crew you t P

1591
01:16:11,360 --> 01:16:11,600
Speaker 3: T T.

1592
01:16:12,360 --> 01:16:16,519
Speaker 4: Yeah, I'm gonna say rest in peace to uh skips

1593
01:16:16,600 --> 01:16:17,479
Speaker 4: mom missus John.

1594
01:16:17,600 --> 01:16:20,240
Speaker 5: She passed day before Yesterdair oh Man.

1595
01:16:21,360 --> 01:16:23,479
Speaker 4: So you know what I'm saying, spoke to him this

1596
01:16:23,600 --> 01:16:25,519
Speaker 4: Morning's still my brother and we're still close.

1597
01:16:25,560 --> 01:16:27,599
Speaker 5: We're still real tight, you know what I'm saying.

1598
01:16:28,560 --> 01:16:35,080
Speaker 1: That's a big thing about New Orleans, like, right, not

1599
01:16:35,200 --> 01:16:37,760
Speaker 1: only it being the murder capitol, right, but like even

1600
01:16:37,840 --> 01:16:39,799
Speaker 1: your masoleums is the ball.

1601
01:16:40,240 --> 01:16:42,600
Speaker 3: Well they can't put him because of the water underground.

1602
01:16:42,280 --> 01:16:46,200
Speaker 5: Because of the water, because we've been a low sea level. Yeah. Yeah,

1603
01:16:47,400 --> 01:16:48,640
Speaker 5: that's some more weird ship, ain't it.

1604
01:16:50,200 --> 01:16:54,640
Speaker 4: At the same time, you know, I think everybody in

1605
01:16:54,720 --> 01:16:56,320
Speaker 4: the coastal area is across country.

1606
01:16:56,439 --> 01:17:00,080
Speaker 3: Yeah here too, yeah yeah, what same thing here the

1607
01:17:00,439 --> 01:17:01,040
Speaker 3: basements here?

1608
01:17:01,200 --> 01:17:07,120
Speaker 4: Oh ship, Yeah, we can't do it awkward first under Yeah, Futo,

1609
01:17:07,160 --> 01:17:07,439
Speaker 4: the water.

1610
01:17:09,600 --> 01:17:11,200
Speaker 3: That's what you shot for that, right, not I mean

1611
01:17:11,320 --> 01:17:14,479
Speaker 3: not not shotworthy, shot shot.

1612
01:17:16,640 --> 01:17:21,839
Speaker 5: He's trying to watch it, this ship.

1613
01:17:23,640 --> 01:17:27,120
Speaker 3: Shot worthy ship when you okay, now you was a kid, right,

1614
01:17:28,240 --> 01:17:29,720
Speaker 3: what's the first rap record you hear?

1615
01:17:30,160 --> 01:17:35,200
Speaker 4: The first wrap record I heard? Uh, I'm gonna say furious.

1616
01:17:35,200 --> 01:17:38,000
Speaker 4: Start Melly Mail. It's like a junk of some time

1617
01:17:38,080 --> 01:17:38,960
Speaker 4: and make them wander high.

1618
01:17:39,000 --> 01:17:43,920
Speaker 3: And when you where you hooked like a motherfucker, like.

1619
01:17:45,720 --> 01:17:47,439
Speaker 5: Who come up? You got out?

1620
01:17:47,520 --> 01:17:47,680
Speaker 6: Yeah?

1621
01:17:48,160 --> 01:17:49,040
Speaker 5: Now you know you know.

1622
01:17:51,360 --> 01:17:55,719
Speaker 3: That's hard. That's hard. And then after you hear that record, right.

1623
01:17:55,960 --> 01:17:58,439
Speaker 5: I like Melly Mail so much. I didn't like Curtis

1624
01:17:58,479 --> 01:18:04,200
Speaker 5: Blue because see when the fun he's still in it.

1625
01:18:06,560 --> 01:18:06,600
Speaker 8: Was.

1626
01:18:07,479 --> 01:18:10,400
Speaker 4: I liked basketball, but I come into basket.

1627
01:18:11,920 --> 01:18:16,360
Speaker 3: That's the wrong, that's right, that's right, we're playing.

1628
01:18:19,600 --> 01:18:20,360
Speaker 5: That's in the beginning.

1629
01:18:22,280 --> 01:18:24,760
Speaker 6: So then after you hear that in your hooks, who

1630
01:18:24,800 --> 01:18:26,479
Speaker 6: do you think are the MC's influenced you?

1631
01:18:26,880 --> 01:18:34,520
Speaker 5: And after that mother fucking cool j Ladies love Cool James.

1632
01:18:36,160 --> 01:18:39,240
Speaker 4: Because Lesend and Lesard that mother came out and changed

1633
01:18:39,240 --> 01:18:40,440
Speaker 4: everything running.

1634
01:18:40,160 --> 01:18:43,519
Speaker 5: Them CEE did they thing. But l LL was more

1635
01:18:43,600 --> 01:18:45,240
Speaker 5: like my era. L LL know what I'm saying. And

1636
01:18:45,320 --> 01:18:48,599
Speaker 5: after LLL it was rock campon n W A Scott Fish.

1637
01:18:48,680 --> 01:18:51,160
Speaker 5: I was on the same trail. I played it much everybody.

1638
01:18:50,840 --> 01:18:53,200
Speaker 3: Else right right, the whole hip hop world? Yeah right,

1639
01:18:54,080 --> 01:18:54,639
Speaker 3: what are you calling?

1640
01:18:58,680 --> 01:19:02,320
Speaker 4: You got the same list my fun? He got the

1641
01:19:02,400 --> 01:19:05,240
Speaker 4: same list. What what you what your listeners? Who your

1642
01:19:05,360 --> 01:19:08,120
Speaker 4: rap list is from the beginning. My rap list is

1643
01:19:08,479 --> 01:19:13,360
Speaker 4: who you like from the beginning, Go Whitler, Glory, Glory,

1644
01:19:14,280 --> 01:19:16,840
Speaker 4: talking about right now my bad I say it from

1645
01:19:16,880 --> 01:19:17,920
Speaker 4: the beginning.

1646
01:19:17,800 --> 01:19:19,640
Speaker 3: From the beginning, l L That's what I'm trying to

1647
01:19:21,360 --> 01:19:23,400
Speaker 3: trying to He's on the cruise ship.

1648
01:19:24,320 --> 01:19:28,720
Speaker 5: Just said them all, how you know all that ship

1649
01:19:28,760 --> 01:19:30,599
Speaker 5: forgot that part. Nay, phones ain't working.

1650
01:19:30,680 --> 01:19:33,240
Speaker 13: No, we on that my bad bruise ship. I fly

1651
01:19:33,439 --> 01:19:38,800
Speaker 13: into the ship, I will send you off. Want drive over,

1652
01:19:39,439 --> 01:19:41,080
Speaker 13: I fun. I'm not flopping with you bad.

1653
01:19:51,160 --> 01:19:55,080
Speaker 5: They gave me five, so they gave me five more.

1654
01:19:55,880 --> 01:19:59,680
Speaker 3: It's not he said, I ain't flowing with you. Let

1655
01:19:59,760 --> 01:20:04,800
Speaker 3: me tell you that's that's good enough.

1656
01:20:06,360 --> 01:20:07,920
Speaker 5: She good, She's good. She tried.

1657
01:20:13,920 --> 01:20:21,760
Speaker 3: So uh oh, ship bounce back my ship. So about that.

1658
01:20:22,720 --> 01:20:24,960
Speaker 4: See when we did bounce back, that was at a

1659
01:20:25,040 --> 01:20:27,160
Speaker 4: time where I was kind of like separated from cash money,

1660
01:20:27,880 --> 01:20:28,120
Speaker 4: so I.

1661
01:20:28,160 --> 01:20:29,200
Speaker 5: Wanted to do my own thing.

1662
01:20:29,320 --> 01:20:32,640
Speaker 3: But after a little bit, huh, it was kind of

1663
01:20:32,680 --> 01:20:33,679
Speaker 3: like you didn't fuck with them.

1664
01:20:33,600 --> 01:20:36,080
Speaker 4: A little bit because it was it was after it

1665
01:20:36,200 --> 01:20:38,400
Speaker 4: was the beef over the contract ship. I was trying

1666
01:20:38,400 --> 01:20:40,560
Speaker 4: to I mean, I was, I wanted that money, but

1667
01:20:40,920 --> 01:20:44,880
Speaker 4: at the same time. The song kind of like personified

1668
01:20:45,000 --> 01:20:46,799
Speaker 4: what I was going through in my life because everything

1669
01:20:46,880 --> 01:20:47,960
Speaker 4: had just started back over.

1670
01:20:48,000 --> 01:20:50,599
Speaker 5: I went had we said it all over on everything.

1671
01:20:50,960 --> 01:20:52,839
Speaker 5: You know what I'm saying. It was just a perfect

1672
01:20:52,840 --> 01:20:53,599
Speaker 5: timing for that song.

1673
01:20:53,760 --> 01:20:56,439
Speaker 4: That's what I like about that song, the moves, the

1674
01:20:56,560 --> 01:20:58,400
Speaker 4: timing was this perfect tim.

1675
01:20:59,800 --> 01:21:05,720
Speaker 1: But let's let's let's talk about that, right. I want

1676
01:21:05,760 --> 01:21:12,720
Speaker 1: to say, uh, particular cash money like I had. I

1677
01:21:12,800 --> 01:21:17,320
Speaker 1: had a time where BG left Julie last dark sign

1678
01:21:18,600 --> 01:21:22,439
Speaker 1: right Uh then everyone left, even Wayne left at one

1679
01:21:22,479 --> 01:21:24,439
Speaker 1: point and everyone came back.

1680
01:21:25,520 --> 01:21:27,439
Speaker 3: What was your type of point for you to leave?

1681
01:21:29,400 --> 01:21:30,040
Speaker 4: Just that? Man?

1682
01:21:30,120 --> 01:21:30,719
Speaker 5: I found out.

1683
01:21:30,600 --> 01:21:35,040
Speaker 4: About the finances. It wasn't nothing else, wasn't no personal.

1684
01:21:35,720 --> 01:21:36,679
Speaker 5: I don't like this guy.

1685
01:21:36,840 --> 01:21:40,000
Speaker 4: Just can't say nothing to me. That's what my lawyer said.

1686
01:21:41,160 --> 01:21:44,200
Speaker 4: And that shit changed everything. Well right now, you know

1687
01:21:44,320 --> 01:21:48,400
Speaker 4: as up right now today? Uh, you want to receive

1688
01:21:48,560 --> 01:21:51,519
Speaker 4: rawsy checks for like the next week. This like what.

1689
01:21:54,080 --> 01:21:56,400
Speaker 3: How we say worth checks worth checks?

1690
01:21:56,479 --> 01:21:58,760
Speaker 4: Once people are cool with because when I did my deal,

1691
01:21:58,880 --> 01:22:01,800
Speaker 4: I signed everything us a catch. Don't understand when you

1692
01:22:01,920 --> 01:22:04,200
Speaker 4: sign them deals, you know you think you're taking a

1693
01:22:04,360 --> 01:22:06,880
Speaker 4: check and you signed all these different PaperWorks. You think

1694
01:22:06,920 --> 01:22:08,400
Speaker 4: you know what I mean? You think you get this work.

1695
01:22:09,280 --> 01:22:12,160
Speaker 4: I sign on this paper, I'm getting this check. Nah,

1696
01:22:12,280 --> 01:22:18,160
Speaker 4: you signed over everything. I signed over everything. But I

1697
01:22:18,280 --> 01:22:19,760
Speaker 4: came back, but they gave it all back to me.

1698
01:22:20,120 --> 01:22:22,479
Speaker 4: I'm not about to lie, and so like I didn't

1699
01:22:22,520 --> 01:22:25,559
Speaker 4: get none of it. I came back and when because

1700
01:22:25,600 --> 01:22:28,920
Speaker 4: they the truth is, they ain't know what.

1701
01:22:30,760 --> 01:22:33,160
Speaker 5: Ye the lawyer, we really didn't know. The lawyer they

1702
01:22:33,160 --> 01:22:37,360
Speaker 5: had wasn't entertainment like in the beginning, so he didn't

1703
01:22:37,400 --> 01:22:38,200
Speaker 5: know what he was doing.

1704
01:22:38,720 --> 01:22:43,000
Speaker 4: Criminal lawyer tell me a criminal lawyer probably was. I

1705
01:22:43,040 --> 01:22:44,879
Speaker 4: don't even I don't want to you know what I meant.

1706
01:22:45,360 --> 01:22:47,680
Speaker 4: But I'm just being honest with And when you, when

1707
01:22:47,680 --> 01:22:49,560
Speaker 4: you go back and you and you and you go

1708
01:22:49,680 --> 01:22:53,680
Speaker 4: to look back at everything, you realize like, okay, they

1709
01:22:53,760 --> 01:22:57,280
Speaker 4: didn't try to be they adn't even understand what was

1710
01:22:57,360 --> 01:23:01,439
Speaker 4: going on. So that's when everything hangs for me towards him,

1711
01:23:02,040 --> 01:23:04,800
Speaker 4: and they're like, okay, I'm chipping.

1712
01:23:05,280 --> 01:23:06,639
Speaker 3: We see then we talk about cast money.

1713
01:23:06,680 --> 01:23:09,160
Speaker 5: I was cast money in the whole like bird Man

1714
01:23:09,280 --> 01:23:10,080
Speaker 5: and Slamp.

1715
01:23:10,600 --> 01:23:14,360
Speaker 4: When I found out that, you know, my lawyer was

1716
01:23:14,439 --> 01:23:16,840
Speaker 4: killing in fact, like hey man, hey even they they

1717
01:23:16,960 --> 01:23:21,439
Speaker 4: missed it too. They got beating and they didn't file

1718
01:23:21,560 --> 01:23:24,000
Speaker 4: for this and them not doing this and doing it

1719
01:23:24,120 --> 01:23:27,680
Speaker 4: was a whole lot of things that happened. My motherfuckers

1720
01:23:27,720 --> 01:23:29,800
Speaker 4: was claiming shit that had nothing to do with us.

1721
01:23:30,920 --> 01:23:36,080
Speaker 4: It was long story, but they they they got beat too.

1722
01:23:36,960 --> 01:23:41,920
Speaker 4: M feel me, and that that led to us getting

1723
01:23:41,960 --> 01:23:45,120
Speaker 4: back in the yard doing Bennis together. What I mean,

1724
01:23:45,200 --> 01:23:46,880
Speaker 4: But it was a lot of things we didn't know.

1725
01:23:46,960 --> 01:23:49,360
Speaker 4: If we didn't know this ship. The first gotten this ship,

1726
01:23:49,520 --> 01:23:53,839
Speaker 4: so we understand. We knew we could sell as many records.

1727
01:23:54,240 --> 01:23:57,960
Speaker 4: We was doing real good independent and we got the

1728
01:23:58,040 --> 01:23:59,920
Speaker 4: big deal. We didn't know you you know what I mean.

1729
01:24:00,920 --> 01:24:02,559
Speaker 4: Wrong people, wrong place, a.

1730
01:24:02,600 --> 01:24:08,560
Speaker 3: Lot of money, young men. Windy Day was part of that.

1731
01:24:09,320 --> 01:24:11,720
Speaker 5: I don't know. I wouldn't say contractually.

1732
01:24:12,080 --> 01:24:15,400
Speaker 3: I think she just helped connect to make the relationship

1733
01:24:15,439 --> 01:24:17,000
Speaker 3: for the deal, but.

1734
01:24:17,080 --> 01:24:20,240
Speaker 5: I know I don't un necessarily it's a bird man

1735
01:24:20,320 --> 01:24:26,040
Speaker 5: slim question. Yeah, yeah, I don't know straight, but I

1736
01:24:26,080 --> 01:24:28,559
Speaker 5: would me personally, I wouldn't know that one.

1737
01:24:29,280 --> 01:24:31,479
Speaker 3: And I think they're good. They haven't good terms right.

1738
01:24:33,000 --> 01:24:37,160
Speaker 4: Good terms for everybody. I an't know because it's on nobody.

1739
01:24:37,240 --> 01:24:39,519
Speaker 4: Whatever happened this ship is back then. I'm I'm an

1740
01:24:39,640 --> 01:24:41,719
Speaker 4: right now like and I'm still getting money.

1741
01:24:41,840 --> 01:24:42,120
Speaker 3: Does it?

1742
01:24:46,280 --> 01:24:48,960
Speaker 4: Why I keep crying about that ship where.

1743
01:24:48,840 --> 01:24:52,559
Speaker 3: You know you're asked for champagne. You didn't pop no champagne,

1744
01:24:52,880 --> 01:24:54,519
Speaker 3: So Papa, would you like a champagne?

1745
01:24:54,640 --> 01:24:56,280
Speaker 5: I would drink shampum champagne.

1746
01:24:56,640 --> 01:24:56,960
Speaker 3: This is.

1747
01:24:58,640 --> 01:24:59,320
Speaker 5: I know what that is.

1748
01:25:02,000 --> 01:25:08,160
Speaker 3: What happened is stopped there. I didn't want EXCaliber even

1749
01:25:08,200 --> 01:25:10,880
Speaker 3: take you can take it with you because you know why.

1750
01:25:13,479 --> 01:25:17,080
Speaker 3: M h, thank you brother. Let me tell you something.

1751
01:25:18,320 --> 01:25:24,160
Speaker 1: When I did that record with you, I already had

1752
01:25:24,360 --> 01:25:26,920
Speaker 1: the South, but I felt like I had the cool South.

1753
01:25:27,360 --> 01:25:28,160
Speaker 5: You had the sound.

1754
01:25:28,800 --> 01:25:31,880
Speaker 3: Listen no, no, no, give your props. You gave me

1755
01:25:31,960 --> 01:25:35,879
Speaker 3: the other part of the South. Gave me the biggest

1756
01:25:37,520 --> 01:25:42,960
Speaker 3: guess what. I loved that. When they're like because they

1757
01:25:43,360 --> 01:25:45,400
Speaker 3: know what I'm saying, like they didn't really. I mean,

1758
01:25:45,439 --> 01:25:48,040
Speaker 3: you were working with David Bannon them already with Project

1759
01:25:48,080 --> 01:25:53,200
Speaker 3: Pat Crooked Letters. I mean, but that's David David Banner.

1760
01:25:53,320 --> 01:25:55,320
Speaker 5: But he was cricket.

1761
01:25:59,080 --> 01:26:02,719
Speaker 1: Because you know, the first New York person to work

1762
01:26:03,000 --> 01:26:08,960
Speaker 1: with the South, hardist he was and openly open.

1763
01:26:09,520 --> 01:26:10,040
Speaker 5: They said it.

1764
01:26:10,040 --> 01:26:13,120
Speaker 4: Distance the difference, like you're saying they had other people

1765
01:26:13,160 --> 01:26:15,479
Speaker 4: working with Southern artists, but she is yeah, they.

1766
01:26:15,439 --> 01:26:18,920
Speaker 3: Were secretly you know what you know? Yeah, I went today,

1767
01:26:19,800 --> 01:26:20,799
Speaker 3: going today studio.

1768
01:26:20,880 --> 01:26:21,320
Speaker 5: I did.

1769
01:26:21,880 --> 01:26:22,599
Speaker 3: Yeah, I'm sorry.

1770
01:26:22,600 --> 01:26:24,599
Speaker 8: I was like me, look like I was looking at

1771
01:26:24,680 --> 01:26:30,200
Speaker 8: my partner and we left. You know, when you came

1772
01:26:30,280 --> 01:26:37,840
Speaker 8: out show, I mean telling the truth about the South.

1773
01:26:38,280 --> 01:26:39,160
Speaker 4: It was the bag.

1774
01:26:40,680 --> 01:26:43,200
Speaker 5: When he came out, they was playing this ship you

1775
01:26:43,280 --> 01:26:43,640
Speaker 5: feel me?

1776
01:26:43,840 --> 01:26:46,960
Speaker 4: It was only Yeah, he's the first motherfucker rocking the

1777
01:26:47,080 --> 01:26:47,720
Speaker 4: Neptune beat.

1778
01:26:47,920 --> 01:26:52,160
Speaker 3: That's goddamn god, damn you, he said, nobody.

1779
01:26:54,360 --> 01:26:59,680
Speaker 4: Juko to j jealous monk of relationship.

1780
01:26:59,880 --> 01:27:04,280
Speaker 5: But how you keep getting fucking Neptune on every single.

1781
01:27:05,320 --> 01:27:06,000
Speaker 3: They knew what to do.

1782
01:27:06,160 --> 01:27:06,759
Speaker 5: He was cheating.

1783
01:27:09,400 --> 01:27:12,160
Speaker 3: But but but you got another shot because I'm take

1784
01:27:12,160 --> 01:27:14,719
Speaker 3: a shot. Alrady, I'm ready, I'm ready, shout.

1785
01:27:14,520 --> 01:27:18,160
Speaker 12: After my dog nept tunes first, Yes, this is right, Okay,

1786
01:27:19,880 --> 01:27:22,360
Speaker 12: I think you're not gonna kill me with the alohol.

1787
01:27:23,000 --> 01:27:27,280
Speaker 12: You're good, You're good, all right? So what's next for

1788
01:27:27,400 --> 01:27:28,240
Speaker 12: Julie right now?

1789
01:27:29,439 --> 01:27:31,840
Speaker 5: Of course, always marriage. I've been married twenty one years,

1790
01:27:32,120 --> 01:27:35,360
Speaker 5: with the wife married twenty one years, makes them know, yeah,

1791
01:27:36,960 --> 01:27:41,599
Speaker 5: that's fresh. Twenty one year that's right. So always marriage first,

1792
01:27:41,720 --> 01:27:44,640
Speaker 5: family first. I got a new album coming out, My

1793
01:27:44,760 --> 01:27:47,880
Speaker 5: new album it's called They're Gonna Love This.

1794
01:27:48,040 --> 01:27:51,760
Speaker 1: The balling point, the boiling point. That's the balling point,

1795
01:27:52,240 --> 01:27:57,320
Speaker 1: that's flushing queen ship. Why boiling room? Sorry, the balling

1796
01:27:57,600 --> 01:27:59,760
Speaker 1: the reason why the room that's the boarding room.

1797
01:28:00,040 --> 01:28:00,519
Speaker 5: Reviews it.

1798
01:28:01,280 --> 01:28:04,040
Speaker 3: I mean, bullying point is a term, the bolling room.

1799
01:28:04,040 --> 01:28:06,000
Speaker 3: You don't remember the boarding the room. I'm not from Queens,

1800
01:28:06,040 --> 01:28:07,720
Speaker 3: I don't know. It's not from greens Point.

1801
01:28:08,080 --> 01:28:12,080
Speaker 4: It's called a boiling point. And I'm gonna say it

1802
01:28:12,120 --> 01:28:14,559
Speaker 4: on your show. I was driving in November fourteen.

1803
01:28:15,840 --> 01:28:16,599
Speaker 5: We're moving to day.

1804
01:28:17,479 --> 01:28:20,479
Speaker 4: I don't want to fight with the holidays, with Christmas,

1805
01:28:20,600 --> 01:28:23,640
Speaker 4: Thanksgiving and stuff like that. I've seen you know what

1806
01:28:23,720 --> 01:28:27,400
Speaker 4: I'm talking about. We've seen albums come out. Yeah, I

1807
01:28:27,479 --> 01:28:29,200
Speaker 4: don't want I don't wanta bang with that. So y'all,

1808
01:28:29,280 --> 01:28:31,439
Speaker 4: y'all be looking for me in the first quarter, first quarter.

1809
01:28:31,479 --> 01:28:33,400
Speaker 4: It's coming out in the first quarter January.

1810
01:28:33,960 --> 01:28:36,560
Speaker 5: The first place. I said it, So you got it.

1811
01:28:37,360 --> 01:28:38,719
Speaker 5: If you don't watch this show.

1812
01:28:38,560 --> 01:28:47,760
Speaker 4: You don't know coming out first quarter, first quarter. And

1813
01:28:47,920 --> 01:28:50,320
Speaker 4: I got some real interesting songs.

1814
01:28:50,560 --> 01:28:53,160
Speaker 3: You said you got NBA young Boy on that remix.

1815
01:28:53,800 --> 01:28:56,640
Speaker 4: Okay, the album in is in this general is a

1816
01:28:56,720 --> 01:29:03,479
Speaker 4: lot of me, but a lot of uh older cats,

1817
01:29:03,640 --> 01:29:06,599
Speaker 4: you know. But my my really, my cash money brothers,

1818
01:29:07,080 --> 01:29:08,120
Speaker 4: all of them is on there.

1819
01:29:08,760 --> 01:29:09,960
Speaker 3: And who want to hear?

1820
01:29:10,720 --> 01:29:13,599
Speaker 5: Who the ones? You want to hear? Who you want

1821
01:29:13,600 --> 01:29:13,800
Speaker 5: to hear?

1822
01:29:13,840 --> 01:29:14,519
Speaker 3: That's what we want to hear.

1823
01:29:14,760 --> 01:29:17,080
Speaker 5: Yeah, is baby together?

1824
01:29:17,479 --> 01:29:17,519
Speaker 4: No?

1825
01:29:20,600 --> 01:29:22,800
Speaker 5: There was. I'm gonna keep it one o it with you?

1826
01:29:23,200 --> 01:29:24,360
Speaker 5: There was? I took them off.

1827
01:29:24,920 --> 01:29:26,439
Speaker 3: Oh they were on the album together.

1828
01:29:26,600 --> 01:29:29,040
Speaker 5: No no, no, no no no. I separated it.

1829
01:29:30,720 --> 01:29:35,200
Speaker 4: Because it was funny the way it was like they

1830
01:29:35,280 --> 01:29:38,519
Speaker 4: they just don't want for me, for me, just to

1831
01:29:38,640 --> 01:29:41,000
Speaker 4: keep it all family and all love. I try to

1832
01:29:41,080 --> 01:29:44,080
Speaker 4: keep the fiction now. I don't want to have a

1833
01:29:44,200 --> 01:29:48,040
Speaker 4: demographic that creates a problem, right, And that's what that

1834
01:29:48,400 --> 01:29:49,200
Speaker 4: That's what that does.

1835
01:29:49,760 --> 01:29:50,639
Speaker 3: So I don't.

1836
01:29:50,640 --> 01:29:53,080
Speaker 4: I don't like negativity, bro, I really don't. So that's

1837
01:29:53,080 --> 01:29:56,040
Speaker 4: why I don't get on platforms to say negative about people.

1838
01:29:56,560 --> 01:29:59,000
Speaker 5: I mean, I try not, but if somebody wrong me,

1839
01:29:59,760 --> 01:30:00,679
Speaker 5: then I say something.

1840
01:30:01,720 --> 01:30:06,720
Speaker 3: I feel like, let's make some I love you, man,

1841
01:30:07,320 --> 01:30:13,240
Speaker 3: I'm being honest. Man, you're one of the realist rappers.

1842
01:30:13,280 --> 01:30:15,920
Speaker 1: I've met me and you have always been, always been,

1843
01:30:16,360 --> 01:30:20,160
Speaker 1: always been the greatest, the greatest. But where I see you,

1844
01:30:20,680 --> 01:30:24,479
Speaker 1: where we be at, we always the same exact people.

1845
01:30:24,920 --> 01:30:27,400
Speaker 1: I love you, man, I respect you. I want to

1846
01:30:27,439 --> 01:30:35,120
Speaker 1: give you flowers. I'm mostly take a shop with you solo. Well,

1847
01:30:35,160 --> 01:30:36,600
Speaker 1: we got your back. I just want you to know

1848
01:30:36,720 --> 01:30:39,200
Speaker 1: this is your podcast over, this is your land. If

1849
01:30:39,640 --> 01:30:41,840
Speaker 1: you want to talk about whatever you want to talk about,

1850
01:30:41,840 --> 01:30:44,759
Speaker 1: if you want to hear somebody in the head well.

1851
01:30:44,640 --> 01:30:47,320
Speaker 3: As Spade, we don't want to do none of that negative.

1852
01:30:47,920 --> 01:30:52,040
Speaker 3: I mean no, no, drink what you.

1853
01:30:52,080 --> 01:30:57,240
Speaker 4: Want to do that I appreciate you, mancid.

1854
01:30:58,200 --> 01:31:01,600
Speaker 6: Drink Champs is a Drink Champs LC production hosts and

1855
01:31:01,720 --> 01:31:05,160
Speaker 6: executive producers n O r E and dj e FN.

1856
01:31:06,320 --> 01:31:07,120
Speaker 3: Listen to Drink.

1857
01:31:07,000 --> 01:31:11,280
Speaker 6: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1858
01:31:11,439 --> 01:31:15,200
Speaker 6: get your podcasts. Thanks for joining us for another episode

1859
01:31:15,240 --> 01:31:18,080
Speaker 6: of Drink Champs hosted by Yours truly, DJ e FN

1860
01:31:18,320 --> 01:31:20,439
Speaker 6: and n O r E. Please make sure to follow

1861
01:31:20,520 --> 01:31:22,960
Speaker 6: us on all our socials That's at drink Champs across

1862
01:31:23,080 --> 01:31:27,360
Speaker 6: all platforms at the Real Norrie Goon, ig at noriag

1863
01:31:27,479 --> 01:31:31,479
Speaker 6: on Twitter, mineus at Who's Crazy on ig at dj

1864
01:31:31,640 --> 01:31:34,160
Speaker 6: e f N on Twitter, and most importantly, stay up

1865
01:31:34,200 --> 01:31:37,360
Speaker 6: to date with the latest releases, news and merch by

1866
01:31:37,439 --> 01:31:39,120
Speaker 6: going to drink Champs dot com