WEBVTT - I Know... Let's Go (S1 E10, “Forgiveness and Stuff”)

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<v Speaker 1>I Am all In. I Am all In with Scott

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<v Speaker 1>Patterson and I Heart Radio podcast. Hey everybody, I'm Scott

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<v Speaker 1>Patterson and this is the I Am All In podcast

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<v Speaker 1>I Heart Radio. Hey everybody. Hey Amy, Danielle Riley, Hello, Hello, Hello,

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<v Speaker 1>what what do we just we're discussing forgiveness. Merry Christmas everybody,

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<v Speaker 1>by the way, Merry Christmas. Yes, it's uh, it's it's

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<v Speaker 1>it's Christmas in July and we're all you know, it's

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<v Speaker 1>all ninety degrees and just got out of the swimming pool,

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<v Speaker 1>but it's it's it's Christmas for God's sake, and I'm

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<v Speaker 1>in the spirit. I just actually booked my Christmas vacation.

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<v Speaker 1>I do it well ahead, planning ahead. Yes, well it's like,

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<v Speaker 1>you know, there's a feeding frenzy and you got you

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<v Speaker 1>gotta plan ahead. But so I'm really in the Christmas spirit.

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<v Speaker 1>And what an episode that might go two weeks before Christmas.

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<v Speaker 1>We should say, as you mentioned that a couple of times,

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<v Speaker 1>that it's not it is not quite, but it's it's

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<v Speaker 1>like in that anticipatory, joyful headspace everybody gets into. When

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<v Speaker 1>you said you got uninvited to your parents fake Christmas party,

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<v Speaker 1>I laughed out loud when Luke says that so good. Um,

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<v Speaker 1>what an episode, My god. And I think some of

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<v Speaker 1>the most difficult sledding emotionally speaking for for Lauren. Um,

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<v Speaker 1>I mean she's had some tough episodes to do so far.

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<v Speaker 1>I mean as far as you know, the type of

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<v Speaker 1>emotional gymnastics that she has to go through on a

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<v Speaker 1>weekly basis. But I thought this one was especially especially tough.

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<v Speaker 1>And I was just like, why, she's getting through it

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<v Speaker 1>beautifully and and there was, you know, a lot going on.

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<v Speaker 1>Oh my god, she's battling her mom, she's been on

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<v Speaker 1>roaring everybody's man at her. Um. You know, she's she's

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<v Speaker 1>getting a little attitude from me. Uh. You know, overall,

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<v Speaker 1>I thought it was Um, I don't. I don't know

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<v Speaker 1>if it was my favorite episode. I thought it was

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<v Speaker 1>a big episode. Do you think that's because you're too

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<v Speaker 1>hard on yourself? Because I love this episode really and

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<v Speaker 1>maybe you you don't because there is so much you

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<v Speaker 1>in it that maybe you're judging it. No, No, it's

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<v Speaker 1>not that. It just took us out of familiar environs

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<v Speaker 1>and here we are in a hospital. You know that's

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<v Speaker 1>not familiar. Set pieces that that we're used to or

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<v Speaker 1>want to get used to. It's just so. I think

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<v Speaker 1>they made a choice that Richard was going to have, um,

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<v Speaker 1>you know, a health issue, and he had to go

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<v Speaker 1>into the hospital. What I what I think it did

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<v Speaker 1>for me is kind of jarred me out of the

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<v Speaker 1>Gilmour world while keeping me in and at the same time,

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<v Speaker 1>with so outside of my familiar set pieces what I know,

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<v Speaker 1>the Dragonfly or Luke Steiner or Laurelized house or everything

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<v Speaker 1>that we're anchored in. It almost and I don't want

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<v Speaker 1>to say this word, I'm not. I don't want to

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<v Speaker 1>be negative. I really don't. It almost came off like,

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<v Speaker 1>I don't know, outside of it's familiar um um scenes,

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<v Speaker 1>set pieces and sets, it almost felt like melodrama at

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<v Speaker 1>at times. I'm not saying it's an interesting it's an

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<v Speaker 1>interesting thought. It didn't bother me. For me, the hospital

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<v Speaker 1>scenes were extraordinary. No, no, absolutely, absolutely, But I I

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<v Speaker 1>wish they just got him out of the hospital. I

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<v Speaker 1>wish they didn't spend so much time in the hospital.

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<v Speaker 1>I wish they got think that's true. The hospital was

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<v Speaker 1>probably twenty minutes of the episode. I thought your scenes

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<v Speaker 1>with Rory were amazing your scenes with lorea lie where

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<v Speaker 1>means amazing, You're scene with Emily amazing that scene. I

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<v Speaker 1>like that scene. She knows, she knows, she knows you too,

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<v Speaker 1>are a thing a hundred percent. She knew in the

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<v Speaker 1>episode when she met you previously. She knows in this one,

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<v Speaker 1>and I I loved it. It's it's not difficult for

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<v Speaker 1>people of a certain maturity, a certain vintage to know

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<v Speaker 1>what younger people are thinking and feeling. That's not difficult,

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<v Speaker 1>It's it's obvious. The older you get, the more obvious

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<v Speaker 1>that becomes. She knows Laura Lae, even though they have

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<v Speaker 1>so many issues and so much drama. She knows, and that,

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<v Speaker 1>to me, it just hits me, and I love it. Yeah,

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<v Speaker 1>she wrecked her life with Christopher, now she's gonna reck

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<v Speaker 1>her life with me. She's she's she's hell bent for

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<v Speaker 1>leather yet again. I think Emily likes you. I think

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<v Speaker 1>Emily likes Luke. I do too, And I think Luke

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<v Speaker 1>likes Emily. Yeah. I think Luke really likes Emily, I

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<v Speaker 1>really do. I think he's a little bit afraid of her. Um,

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<v Speaker 1>you're so kind to her. Yeah, Well, I mean she

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<v Speaker 1>didn't do anything to me. I mean, I don't know

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<v Speaker 1>how much I even I am privy to the trauma

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<v Speaker 1>going on between mother and daughter, you know, between between

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<v Speaker 1>Laurelie and Emily. I probably don't know a lot because

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<v Speaker 1>Laura la Are and I are not that close yet,

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<v Speaker 1>and I don't know that she shares any of that

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<v Speaker 1>stuff with me. I mean, I mean, I know she's

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<v Speaker 1>I know she's probably frustrated with her mother because she

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<v Speaker 1>comes to the diner at times is oh my mother.

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<v Speaker 1>But I mean, have I been really so heavily like

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<v Speaker 1>am I inner circle Luke with her such good friends

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<v Speaker 1>and we're tight and we we sort of talk about

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<v Speaker 1>her mother. I don't think we do love Where she's

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<v Speaker 1>explaining Richard to you, you know, she says, I don't

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<v Speaker 1>know what loweral lies told you, but he's a he's

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<v Speaker 1>a really good father. And you you say, that's exactly

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<v Speaker 1>what she told me, and whether that is a hunt

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<v Speaker 1>of her sent the truth, it was so what she

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<v Speaker 1>needed to hear. I mean. Kelly Bishop is an amazing

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<v Speaker 1>actress and I love her performance in this episode. Everything

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<v Speaker 1>is just so believable. Yeah, she's she's an old she's

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<v Speaker 1>a pro. I mean, she's really gifted on top of

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<v Speaker 1>being a super pro. I mean, she's just a natural.

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<v Speaker 1>You know, it's it's you know, I don't want to

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<v Speaker 1>I don't want to sound sexist, but women are just

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<v Speaker 1>such better actors than just are. I think we just

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<v Speaker 1>take that as a compliment. They just are. I mean,

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<v Speaker 1>you take you take a mediocre actress and they're is

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<v Speaker 1>good as the best actor. I mean it's like, you know,

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<v Speaker 1>there's women can do anything in front of a camera.

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<v Speaker 1>It's just it's not even fair. It's not a fair fight.

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<v Speaker 1>But I think and that's but but in that situation,

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<v Speaker 1>Luke is just being supportive to her. He's he's if

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<v Speaker 1>he doesn't know that Richard's a great guy, he's probably

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<v Speaker 1>just saying that to to be classy and to be

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<v Speaker 1>supportive in a very difficult time because nobody knows if

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<v Speaker 1>he's going to hang on he might die well. And

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<v Speaker 1>maybe it's also because you know, ultimately this relationship with

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<v Speaker 1>Morala is not going anywhere, and this woman is going

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<v Speaker 1>to be in your life, whether your friends or more.

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<v Speaker 1>I just saw it as the groundwork for Yeah, but

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<v Speaker 1>he I don't think he's he's not strategic, He's not

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<v Speaker 1>you know, thinking that way he's just in the moment

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<v Speaker 1>and being a solid guy, being a friend. He's being

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<v Speaker 1>a friend. He's doing exactly he was. He's saying what

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<v Speaker 1>a friend would say. I think he's more well, he

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<v Speaker 1>obviously feels a lot more. Yeah, but I think in

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<v Speaker 1>this time he's he's not letting that spill over. He

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<v Speaker 1>just wants to be a supportives as he possibly can.

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<v Speaker 1>He's more of a friend at this point. He feels

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<v Speaker 1>like he wants more, obviously, but at this point, you know,

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<v Speaker 1>he's not seeing this as a way to ingratiate himself.

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<v Speaker 1>He's just functioning as a friend. I don't think he

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<v Speaker 1>I have the benefit of hindsight being I don't know.

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<v Speaker 1>This episode was powerful and their relationship was like so

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<v Speaker 1>evident between Luke and LAURELOI. Yeah, yeah, they they flow

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<v Speaker 1>very well together, you know they are. They're not so opposite,

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<v Speaker 1>are they. I Mean, it would appear on the service

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<v Speaker 1>that opposites attract and they're just very different. But I

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<v Speaker 1>think they're very very similar. I think they're both tough

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<v Speaker 1>as nails. I think the thing that comes across for

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<v Speaker 1>her is she's really tough. She's tough like Emily, and

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<v Speaker 1>she when she digs her heel in, heal's in. I mean,

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<v Speaker 1>don't don't get in her way, and she's not backing down,

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<v Speaker 1>and I think he's the same way. So it's I

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<v Speaker 1>think that's where it is. They're both very, very similar totally.

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<v Speaker 1>But I thought she was so vulnerable in this episode

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<v Speaker 1>with you, so what I thought was interesting. And again

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<v Speaker 1>I don't want to see him sexist, but I felt

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<v Speaker 1>like when she got that message, she starts to fall

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<v Speaker 1>apart and Luke stepped up, almost like you want the

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<v Speaker 1>man to do, or you want your boyfriend to do.

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<v Speaker 1>I felt like Luke stepped up. He took control. He

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<v Speaker 1>got everybody out of the diner. He's like, Taylor, close up,

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<v Speaker 1>have your hot chocolate. Everything's on me, let's go. Luke

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<v Speaker 1>took over. You know. I think it took him too long.

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<v Speaker 1>I think it took I was waiting for him to

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<v Speaker 1>get to kick everybody out and take action. I said, like,

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<v Speaker 1>come on, guy, go go go. You're so hard on yourself.

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<v Speaker 1>I thought I was wondering what is taking him so long?

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<v Speaker 1>And then finally he It's like, why is it even

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<v Speaker 1>a decision? Why is he hesitating? I'm not gonna lie.

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<v Speaker 1>I was like that. That was hot of hot of Luke,

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<v Speaker 1>like go. And then this is what I was saying

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<v Speaker 1>to you off there before we started today when in

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<v Speaker 1>the diner, Luke is getting everybody out and she's starting

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<v Speaker 1>to really lose it and she says, Luke, I'm and

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<v Speaker 1>you say, I know, let's go, and I'm atrocious actor.

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<v Speaker 1>No, no no, no, that was very convincing. See even like

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<v Speaker 1>even you think you suck, you're better than me. I

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<v Speaker 1>have watched that scene three times just yesterday, and like

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<v Speaker 1>I said, I'm shook. Like it was so I got chills.

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<v Speaker 1>I was just like, oh my god, he's so dreamy

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<v Speaker 1>and awesome and he's just handling this and just gets

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<v Speaker 1>her up. He's but he's just doing anybody would do

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<v Speaker 1>that for He would have done that for Michelle, would

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<v Speaker 1>have done that for her if she had gotten that

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<v Speaker 1>phone call at the Dragonfly during the day, then they

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<v Speaker 1>all would have done that for her. And they would

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<v Speaker 1>have been there for her at the hospital. Nope, not

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<v Speaker 1>the way Luke did. Nope. Yes, they all would have

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<v Speaker 1>driven her. They would have been there for you, not

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<v Speaker 1>like the way you did where you understood why she

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<v Speaker 1>isn't going in that room and then drive twenty miles

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<v Speaker 1>an hour on the freeway. I guess it's icy. Do

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<v Speaker 1>you remember shooting that? How do you shoot those driving scenes?

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<v Speaker 1>Are you on like some weird contraption behind a car? Yeah,

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<v Speaker 1>we're behind a We're on a rig, behind a truck.

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<v Speaker 1>We're actually off the ground but driving. No we're no, no,

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<v Speaker 1>we're being driven. The car is on a dolly and

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<v Speaker 1>I mean it's actually moving. It's not like, yeah, we're

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<v Speaker 1>being pulled around. Yeah. The cameras are set up outside

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<v Speaker 1>the car at different angles and we just sit in

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<v Speaker 1>the car and I act like I'm driving. I do

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<v Speaker 1>this around the Warner Brothers set. Or do you go out? No? No, no, no, no, no, no, no,

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<v Speaker 1>we go we go out into the real world and

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<v Speaker 1>dude with a police escort. Oh yes, yes, all right,

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<v Speaker 1>everybody gonna take a little break. When we come back,

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<v Speaker 1>we're gonna talk about Jane Lynch. This is I Am

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<v Speaker 1>All In Podcast with Scott Patterson I Heart Radio. Hi everybody,

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<v Speaker 1>we're back. We're talking about Jane Lynch, forgiveness and stuff.

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<v Speaker 1>Jane Lynch played the hospital. I guess one of the

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<v Speaker 1>nurses check in who was preventing laure Ali from going

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<v Speaker 1>in and seeing her dad unless she filled out all

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<v Speaker 1>of those forms and that was not gonna or no, Emily,

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<v Speaker 1>I'm sorry, Emily and Emily, boy, what a great scene

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<v Speaker 1>that was. And you will see his he will see

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<v Speaker 1>his painting in the lobby. He is one of the

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<v Speaker 1>founders of this hospital. I immediately, WHOA, there's Jane Lynch,

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<v Speaker 1>but I don't remember it from twenty years ago, like

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<v Speaker 1>standing out. You know, you know why Jane lynn you know,

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<v Speaker 1>you know why Jane Lynch is a star because Jane Lynch.

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<v Speaker 1>I remember very distinctly that day filming with Jane Lynch,

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<v Speaker 1>and she was not Jane Lynch yet, and and she

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<v Speaker 1>really took that entire scene. She did those couple of scenes.

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<v Speaker 1>She did very very meticulous about it, very seriously. She

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<v Speaker 1>wanted to be as supportive and as good as she

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<v Speaker 1>could be and as real as she could be. Um

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<v Speaker 1>I was. I was very impressed. I mean most guest

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<v Speaker 1>stars do that, but not to the extent that that

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<v Speaker 1>she she took it. I mean, she pretty much took

0:13:29.320 --> 0:13:33.240
<v Speaker 1>over the set and it was appropriate because that was

0:13:33.280 --> 0:13:37.760
<v Speaker 1>her set. That was her space, her character space. That

0:13:37.880 --> 0:13:40.760
<v Speaker 1>is her space, not Emily space, not my space and

0:13:40.840 --> 0:13:44.319
<v Speaker 1>she behaved that way too, So I thought, how very

0:13:44.360 --> 0:13:47.920
<v Speaker 1>tom Brady of her. She's perfect in that. I mean,

0:13:47.960 --> 0:13:50.480
<v Speaker 1>and obviously they like her because she's she plays a

0:13:50.520 --> 0:13:53.600
<v Speaker 1>great character on Mrs mais all, Oh, yeah, she's she's done.

0:13:53.679 --> 0:13:57.560
<v Speaker 1>She's done beautiful work throughout her career. I mean over

0:13:57.600 --> 0:14:02.120
<v Speaker 1>the last she's so and Lynch. I mean, she was

0:14:02.200 --> 0:14:05.600
<v Speaker 1>Jane Lens back then. You could see the seats right there, like, wow,

0:14:05.640 --> 0:14:09.720
<v Speaker 1>that girl. She's super prepared. She knows what she's doing

0:14:09.760 --> 0:14:13.360
<v Speaker 1>on set. She wants to get it, not just get

0:14:13.400 --> 0:14:16.840
<v Speaker 1>it right, she wants to make it great. Um. And

0:14:17.000 --> 0:14:19.040
<v Speaker 1>so she was a great scene partner, right, I mean

0:14:19.080 --> 0:14:21.480
<v Speaker 1>I was there for all the rehearsals, and you know

0:14:21.520 --> 0:14:23.400
<v Speaker 1>I didn't I didn't really interact with her, but I

0:14:23.720 --> 0:14:26.600
<v Speaker 1>saw her in action. It was it was impressive. All right,

0:14:26.680 --> 0:14:28.360
<v Speaker 1>let's go, let's go back to the serious stuff and

0:14:28.360 --> 0:14:30.360
<v Speaker 1>then we'll get to the fun stuff. But like, what

0:14:30.480 --> 0:14:34.720
<v Speaker 1>else can you remember about those scenes? Because that's hard,

0:14:34.800 --> 0:14:39.680
<v Speaker 1>Like Laurea la Lauren has to cry in multiple scenes,

0:14:39.760 --> 0:14:42.360
<v Speaker 1>and then the part where she knows her dad's okay,

0:14:42.760 --> 0:14:45.040
<v Speaker 1>it just loses it and then you hug her. I'm

0:14:45.120 --> 0:14:48.880
<v Speaker 1>like these two people love each other, but it's you know,

0:14:48.920 --> 0:14:51.840
<v Speaker 1>even though Luke and Laurel I are just friends. And

0:14:51.880 --> 0:14:54.200
<v Speaker 1>I'm not denying the tremendous amount of feelings coming out

0:14:54.200 --> 0:14:58.640
<v Speaker 1>of Luke and maybe maybe a colonel of of something

0:14:58.720 --> 0:15:02.680
<v Speaker 1>happening on Laurels, but um, you know, circumstances have thrown

0:15:02.720 --> 0:15:04.800
<v Speaker 1>these two together. But I think he's really just acting

0:15:04.800 --> 0:15:08.320
<v Speaker 1>like any friend would act as supportive person. I again,

0:15:08.880 --> 0:15:12.960
<v Speaker 1>I'm not trying to diminish I'm not trying to diminish it.

0:15:13.160 --> 0:15:15.680
<v Speaker 1>He doesn't see it as an opportunity to to to

0:15:16.000 --> 0:15:19.080
<v Speaker 1>you know, to move the ball down the field as

0:15:19.120 --> 0:15:22.320
<v Speaker 1>it was on a relationship, and I I don't think

0:15:22.320 --> 0:15:24.440
<v Speaker 1>he sees it that way. And that's not how I

0:15:24.560 --> 0:15:28.080
<v Speaker 1>played it. That is I was there, I am the character.

0:15:28.840 --> 0:15:32.600
<v Speaker 1>Don't you argue with me. Okay, but here's the beauty.

0:15:33.560 --> 0:15:35.800
<v Speaker 1>We're going to bring in producer Riley and Danielle to

0:15:35.840 --> 0:15:38.800
<v Speaker 1>weigh in because I know you didn't play it that way,

0:15:38.840 --> 0:15:42.080
<v Speaker 1>because I think the chemistry between you and Lauren meaning

0:15:42.120 --> 0:15:45.480
<v Speaker 1>Scott and Lauren, Laura lyon Luke, whatever we want to say,

0:15:46.160 --> 0:15:49.480
<v Speaker 1>it is real. It's helpable. So as the viewer, you

0:15:49.520 --> 0:15:53.600
<v Speaker 1>don't even have to try, because it's just there. Therefore,

0:15:53.640 --> 0:15:56.240
<v Speaker 1>you don't have to play it. It's already there. You

0:15:56.360 --> 0:15:58.480
<v Speaker 1>just act like you just be the friend, be the

0:15:58.520 --> 0:16:02.880
<v Speaker 1>supportive person. That's it. That's the soul of any relationship anyway.

0:16:02.920 --> 0:16:06.440
<v Speaker 1>At the end of the day, your friends so be

0:16:06.560 --> 0:16:09.920
<v Speaker 1>a great friend. And that's all he was doing. That's

0:16:09.960 --> 0:16:13.560
<v Speaker 1>all he knows how to do with her. Okay, Riley, Danielle,

0:16:13.600 --> 0:16:16.040
<v Speaker 1>what do you guys think when I'm watching, I'm like,

0:16:16.160 --> 0:16:18.880
<v Speaker 1>he loves her so much. It wasn't even a second thought.

0:16:19.040 --> 0:16:22.840
<v Speaker 1>Boom done, dinner closed, everyone, get out, Get in my car,

0:16:23.160 --> 0:16:27.160
<v Speaker 1>we're going. And then at the hospital, laurelized, like drive

0:16:27.640 --> 0:16:30.800
<v Speaker 1>Rory home. He's like, yep, got it done. Like literally,

0:16:31.240 --> 0:16:35.320
<v Speaker 1>it was no hesitation whatsoever, which to me as a

0:16:35.400 --> 0:16:38.200
<v Speaker 1>viewer and a fan, I'm like, he loves her so much.

0:16:39.360 --> 0:16:41.680
<v Speaker 1>You could you could feel the raw emotions, you could

0:16:41.680 --> 0:16:44.760
<v Speaker 1>feel the intensity, you could feel it. And also even

0:16:44.880 --> 0:16:46.960
<v Speaker 1>the coffee at the end, like he went out of

0:16:47.000 --> 0:16:49.800
<v Speaker 1>his way to get her the coffee. I forgot about

0:16:49.800 --> 0:16:53.880
<v Speaker 1>the coffee. Yep, you're so right, Scott. I'm so interested.

0:16:53.960 --> 0:16:56.360
<v Speaker 1>Why you don't see it? And I don't know if

0:16:56.360 --> 0:17:00.800
<v Speaker 1>it's because your Luke or you know how you did it.

0:17:00.880 --> 0:17:03.440
<v Speaker 1>But these two people are in love, and I think

0:17:03.520 --> 0:17:05.720
<v Speaker 1>you're just so in it you didn't even have to

0:17:05.760 --> 0:17:15.840
<v Speaker 1>try have two words. Santa Burger sant the iconic Santa Burger.

0:17:17.440 --> 0:17:21.000
<v Speaker 1>Hey grouchy Luke who still says it's two weeks before Christmas.

0:17:21.119 --> 0:17:25.960
<v Speaker 1>Come on. He loves her. He's cool about it, he's

0:17:26.000 --> 0:17:31.399
<v Speaker 1>not creepy, but he just loves her and she loves him. Uh. Well,

0:17:31.440 --> 0:17:34.040
<v Speaker 1>you know, look, it's a small town. You gotta be careful.

0:17:34.320 --> 0:17:36.840
<v Speaker 1>You can't push things. You know, you want people to

0:17:36.880 --> 0:17:40.600
<v Speaker 1>continue to come to the diner, right and and and

0:17:40.680 --> 0:17:44.800
<v Speaker 1>enjoy your food. I mean, I just you know, he's

0:17:44.840 --> 0:17:50.280
<v Speaker 1>a very and whenever she says I'm not being flirty,

0:17:50.320 --> 0:17:55.280
<v Speaker 1>it's because she's being flirty. It's like he looked good, yeah,

0:17:55.680 --> 0:17:58.440
<v Speaker 1>and then he smiled. That's all I did. He just

0:17:58.480 --> 0:18:03.439
<v Speaker 1>looked at her and smiled. Yeah. It's it's a fun

0:18:03.480 --> 0:18:06.040
<v Speaker 1>relationship to play. It really is, because it's just like

0:18:06.080 --> 0:18:08.800
<v Speaker 1>a couple of I don't know, it's just like a

0:18:08.800 --> 0:18:11.840
<v Speaker 1>couple of really good friends who really like each other

0:18:11.920 --> 0:18:15.479
<v Speaker 1>and maybe something's going to happen, but nobody's pushing it.

0:18:15.520 --> 0:18:19.919
<v Speaker 1>I'm not pushing. They are a couple who just aren't

0:18:19.960 --> 0:18:25.119
<v Speaker 1>together yet exactly, and Luke is being patient. He really

0:18:25.200 --> 0:18:28.240
<v Speaker 1>because anybody else would. I mean, look what Max Medina

0:18:28.520 --> 0:18:31.840
<v Speaker 1>is has done. I mean he's pushing. He's pushing the

0:18:31.960 --> 0:18:34.800
<v Speaker 1>narrative like he's like a game show host for God's sake,

0:18:34.800 --> 0:18:37.639
<v Speaker 1>and like, you know, it's take take it, take the

0:18:37.760 --> 0:18:40.440
<v Speaker 1>deal now, or it's you know, it's like I want

0:18:40.440 --> 0:18:42.359
<v Speaker 1>to close this deal. And and you know, Luke's just

0:18:42.400 --> 0:18:46.800
<v Speaker 1>the opposite. It's like, yeah, I just think he's very

0:18:46.840 --> 0:18:49.919
<v Speaker 1>he's very, very careful with her because he wants to.

0:18:50.400 --> 0:18:54.320
<v Speaker 1>He respects that this is a small town. She has

0:18:54.320 --> 0:18:59.480
<v Speaker 1>a daughter. He doesn't want to upset her. He doesn't

0:18:59.520 --> 0:19:02.440
<v Speaker 1>want to loose who's a friendship with her, you know

0:19:02.480 --> 0:19:04.000
<v Speaker 1>what I mean. I think he I think he really

0:19:04.119 --> 0:19:08.080
<v Speaker 1>values that friendship. Right once they do this, there's no

0:19:08.160 --> 0:19:12.959
<v Speaker 1>going back, right, no, right exactly. Rory is so comfortable

0:19:13.000 --> 0:19:16.240
<v Speaker 1>with you. That's the other thing. It's like you're there

0:19:16.320 --> 0:19:23.160
<v Speaker 1>in this most personal scary moment for them, and there's

0:19:23.280 --> 0:19:28.200
<v Speaker 1>nothing random about you being there. It's absolutely perfectly normal

0:19:28.800 --> 0:19:32.600
<v Speaker 1>that you are there. My my favorite scene, I think

0:19:32.640 --> 0:19:36.719
<v Speaker 1>in the entire thing is when I'm bent down covering

0:19:36.760 --> 0:19:39.760
<v Speaker 1>my head because I was avoiding seeing anybody on the guarnee,

0:19:40.520 --> 0:19:43.080
<v Speaker 1>and and and and and Rory comes out and says,

0:19:43.119 --> 0:19:48.160
<v Speaker 1>how are you okay looking? Huh. She just keeps It's

0:19:48.200 --> 0:19:51.480
<v Speaker 1>so true. There's still laughs in there. But frankly, it

0:19:51.520 --> 0:19:54.600
<v Speaker 1>would have been weird if it was Max there. That

0:19:54.640 --> 0:19:59.160
<v Speaker 1>would have been uncomfortable for everybody, for Rory, for Lore life,

0:19:59.200 --> 0:20:01.840
<v Speaker 1>for Emily. But you being there is like, yeah, of

0:20:01.880 --> 0:20:06.280
<v Speaker 1>course Luke's there. He's he's handling this. But I think yes,

0:20:06.400 --> 0:20:11.359
<v Speaker 1>because he she Laurela trusts him. She trusts that he's

0:20:12.280 --> 0:20:14.280
<v Speaker 1>not going to take it too far. He's not going

0:20:14.359 --> 0:20:16.399
<v Speaker 1>to take it over the line. He's just gonna be

0:20:16.440 --> 0:20:19.840
<v Speaker 1>a rock solid friend to me and do everything I

0:20:19.880 --> 0:20:23.399
<v Speaker 1>asked and be there for me. He's anybody else I

0:20:23.400 --> 0:20:27.159
<v Speaker 1>think in that situation is is gonna you know, I

0:20:27.200 --> 0:20:29.080
<v Speaker 1>don't know, I mean, I mean, I don't know. I

0:20:29.119 --> 0:20:35.080
<v Speaker 1>just I just I just remember playing it like where

0:20:35.560 --> 0:20:39.560
<v Speaker 1>dear friends. I'm not thinking about the relationship at all.

0:20:39.720 --> 0:20:41.600
<v Speaker 1>I'm not trying to move the ball forward at all.

0:20:42.760 --> 0:20:46.240
<v Speaker 1>The balls moving itself. Nobody has to move it for us. No,

0:20:46.440 --> 0:20:49.600
<v Speaker 1>you know, it's just it's just it's just a question

0:20:49.600 --> 0:20:52.360
<v Speaker 1>of time. It's just a matter of time, and if

0:20:52.359 --> 0:20:55.439
<v Speaker 1>it's right, it's right, we'll know the moment. Yeah, And

0:20:55.480 --> 0:20:57.880
<v Speaker 1>I think that's why he's so comfortable. It's like he's

0:20:57.920 --> 0:21:00.280
<v Speaker 1>patient because I think he knows if this is real,

0:21:00.760 --> 0:21:03.199
<v Speaker 1>it'll all work out, So I don't I don't have

0:21:03.240 --> 0:21:07.120
<v Speaker 1>to push this. Yeah, I don't think he's walking away

0:21:07.160 --> 0:21:10.960
<v Speaker 1>from that, you know, the next morning waking up thinking, Yeah,

0:21:11.000 --> 0:21:14.720
<v Speaker 1>that's that's that's that's more coins in the bank. No,

0:21:15.320 --> 0:21:19.680
<v Speaker 1>I'm gonna be making big deposits, big withdrawals soon. That's right.

0:21:19.720 --> 0:21:24.119
<v Speaker 1>He doesn't have an agenda, doesn't any kind of agenda, Scott,

0:21:24.160 --> 0:21:27.680
<v Speaker 1>I have a question for Luke. Answer. He's right here

0:21:27.760 --> 0:21:31.920
<v Speaker 1>by the way to join us high Luke. So, how

0:21:31.960 --> 0:21:34.280
<v Speaker 1>did he feel at the end of the episode when

0:21:34.320 --> 0:21:39.160
<v Speaker 1>he got the new hat from water Lize. Yeah, because

0:21:39.160 --> 0:21:43.440
<v Speaker 1>she's reciprocating feelings and at that moment, don't well, you

0:21:43.480 --> 0:21:46.159
<v Speaker 1>don't seem smile a lot, do you? And he really

0:21:46.160 --> 0:21:49.479
<v Speaker 1>smiled on that one. I mean for him, that was

0:21:49.560 --> 0:21:57.840
<v Speaker 1>like consummating the relationship. I mean he he probably went

0:21:57.880 --> 0:22:01.320
<v Speaker 1>home and slept with a hat. Are slept with it on.

0:22:02.160 --> 0:22:04.320
<v Speaker 1>You know, that was a big deal. That was a

0:22:04.440 --> 0:22:06.679
<v Speaker 1>really big deal. And another thing that really shocked me

0:22:06.840 --> 0:22:08.640
<v Speaker 1>was is I used to have a lot of hair

0:22:09.520 --> 0:22:11.520
<v Speaker 1>and it was all over the place and it was

0:22:11.640 --> 0:22:14.960
<v Speaker 1>very long, and I just went, God, you know, things

0:22:15.040 --> 0:22:20.160
<v Speaker 1>change in twenty years, don't they. You look good, Actually,

0:22:20.200 --> 0:22:22.520
<v Speaker 1>you look good and I'm not being flirty. You look

0:22:22.600 --> 0:22:25.560
<v Speaker 1>really good today. I was noticing, like you seem like

0:22:25.560 --> 0:22:28.320
<v Speaker 1>you're like beIN and looking good and I'm like, Lorela,

0:22:28.400 --> 0:22:32.119
<v Speaker 1>I'm not flirting. I you know, I played some golf,

0:22:32.200 --> 0:22:33.879
<v Speaker 1>I went to the gym, I jumped in the pool,

0:22:33.920 --> 0:22:39.200
<v Speaker 1>and here I am, you know, tough life, okay, speaking

0:22:39.200 --> 0:22:43.000
<v Speaker 1>of two people in love like Luke and Lorely, Emily

0:22:43.080 --> 0:22:47.920
<v Speaker 1>and Richard. Wow, that scene where Richard wants to talk

0:22:47.960 --> 0:22:52.000
<v Speaker 1>about the money and the will and she says no,

0:22:52.760 --> 0:22:55.639
<v Speaker 1>and she says, I demand to go first. I mean,

0:22:55.640 --> 0:22:57.919
<v Speaker 1>I'm gonna like cry talking about it. But it's like

0:22:58.000 --> 0:23:02.119
<v Speaker 1>the the ease with which she she played that scene.

0:23:02.160 --> 0:23:06.280
<v Speaker 1>This is what I'm talking about. It's not fair. Women

0:23:06.320 --> 0:23:11.160
<v Speaker 1>are so much better actors than men. It's just remarkable.

0:23:11.240 --> 0:23:14.480
<v Speaker 1>She was remarking, I mean, you know, we've been getting

0:23:14.520 --> 0:23:16.399
<v Speaker 1>some emails about what you know, people want me to

0:23:16.400 --> 0:23:18.960
<v Speaker 1>shut up about talking about how we deserve Emmy's and

0:23:19.040 --> 0:23:20.600
<v Speaker 1>like move on and get over it, and said, no,

0:23:21.240 --> 0:23:24.240
<v Speaker 1>I'm not. I'm gonna point it out every single time

0:23:25.320 --> 0:23:28.800
<v Speaker 1>the bone heads at the at the Academy are not

0:23:29.000 --> 0:23:31.639
<v Speaker 1>watching this show because if they were and they saw

0:23:31.720 --> 0:23:37.160
<v Speaker 1>that scene. Uh, Kelly Bishops gets nominated every single year, right,

0:23:37.960 --> 0:23:42.639
<v Speaker 1>you know, it seems like Masal is getting the Emmy's

0:23:42.680 --> 0:23:45.360
<v Speaker 1>because of the mistakes. They didn't give them to Gilmore.

0:23:46.119 --> 0:23:48.760
<v Speaker 1>I mean because Mazel. I don't know about this recent Emmy's,

0:23:48.800 --> 0:23:51.040
<v Speaker 1>but in the past they've gotten so many nominations that

0:23:51.080 --> 0:23:55.000
<v Speaker 1>maybe they're making it up it right, I just think

0:23:55.000 --> 0:23:57.879
<v Speaker 1>it's because it's it's worthy of getting awards. It's not

0:23:58.000 --> 0:24:01.160
<v Speaker 1>like they feel like they're owed. But it's like maybe

0:24:01.160 --> 0:24:03.959
<v Speaker 1>just people didn't get it how how brilliant this was,

0:24:04.320 --> 0:24:06.520
<v Speaker 1>or maybe they didn't watch it enough when it was

0:24:06.600 --> 0:24:09.600
<v Speaker 1>on the first time. We have to remember that people

0:24:09.640 --> 0:24:14.000
<v Speaker 1>discovered it in the masses later they did. There was

0:24:14.080 --> 0:24:18.440
<v Speaker 1>no you know, this was the first brush with death,

0:24:18.520 --> 0:24:22.520
<v Speaker 1>and I think shows that are heavy with death, hospital shows,

0:24:22.600 --> 0:24:25.520
<v Speaker 1>cop shows, that kind of thing. You know, they'll get

0:24:25.560 --> 0:24:28.240
<v Speaker 1>the nominations because they're dealing with death. We we don't

0:24:28.240 --> 0:24:30.600
<v Speaker 1>deal with that stuff. This is we dealt with that

0:24:30.760 --> 0:24:32.879
<v Speaker 1>one time. M was sort of the first of the

0:24:32.960 --> 0:24:35.040
<v Speaker 1>drama tase too. I mean, I need to like check

0:24:35.080 --> 0:24:37.760
<v Speaker 1>my facts, so don't everyone cannot at me on that.

0:24:37.880 --> 0:24:42.760
<v Speaker 1>But it was a full comedy with drama. Yeah, no,

0:24:42.840 --> 0:24:44.520
<v Speaker 1>it was. It was a true drama ty but it

0:24:44.640 --> 0:24:46.760
<v Speaker 1>but it also you know, I've had I had this

0:24:46.800 --> 0:24:50.280
<v Speaker 1>discussion with my wife about the different facets of this

0:24:50.359 --> 0:24:53.080
<v Speaker 1>show and how many different types of comedy there are

0:24:53.160 --> 0:24:57.520
<v Speaker 1>in the show. There is, in my opinion, the funniest

0:24:57.520 --> 0:25:01.640
<v Speaker 1>moments come from the most dramatic um setups, and that's

0:25:01.640 --> 0:25:03.480
<v Speaker 1>where the real human that's when you come in with

0:25:03.520 --> 0:25:05.920
<v Speaker 1>a knockout punch with with a funny line or a

0:25:05.920 --> 0:25:09.400
<v Speaker 1>funny gesture or or or hesitate a pause or something

0:25:09.480 --> 0:25:11.680
<v Speaker 1>like that. It's in a dramatic situation. And there's also

0:25:11.840 --> 0:25:15.120
<v Speaker 1>kind of like sitcomy stuff in here too, so it's

0:25:15.119 --> 0:25:18.479
<v Speaker 1>sort of like there's you know, there's like there's like

0:25:18.840 --> 0:25:21.400
<v Speaker 1>bits that go on. So it's like they're they're they're,

0:25:21.440 --> 0:25:24.119
<v Speaker 1>they're they're crossing the streams and get she's crossing the

0:25:24.119 --> 0:25:27.159
<v Speaker 1>streams and getting away with it somehow totally. The opening

0:25:27.200 --> 0:25:31.359
<v Speaker 1>scene is a bit but I think that provided critics

0:25:31.520 --> 0:25:35.960
<v Speaker 1>or Academy members with you know, that maybe it put

0:25:36.000 --> 0:25:38.119
<v Speaker 1>a little doubt in their minds to the you know,

0:25:38.200 --> 0:25:41.800
<v Speaker 1>do the do the writers really know what the show is?

0:25:41.840 --> 0:25:43.480
<v Speaker 1>If they don't know what the show is, if it's

0:25:43.520 --> 0:25:47.280
<v Speaker 1>not you know, comedic moments coming out of dramatic situations,

0:25:47.320 --> 0:25:49.920
<v Speaker 1>and it's also this sort of you know, this almost

0:25:50.040 --> 0:25:54.080
<v Speaker 1>sticky kind of stuff. Um. You know, then if they

0:25:54.080 --> 0:25:55.440
<v Speaker 1>don't know what the show is, and if they don't

0:25:55.440 --> 0:25:58.399
<v Speaker 1>want to define the show narrowly enough for us, how

0:25:58.600 --> 0:25:59.920
<v Speaker 1>how are we supposed to vote for How are we

0:26:00.000 --> 0:26:02.320
<v Speaker 1>supposed to get on board with it? Because maybe they

0:26:02.320 --> 0:26:04.400
<v Speaker 1>felt that that the writing was a little bit out

0:26:04.400 --> 0:26:06.520
<v Speaker 1>of control and a little bit on disciplined. You know.

0:26:06.560 --> 0:26:08.159
<v Speaker 1>I don't know, I can't get in their heads. But

0:26:08.520 --> 0:26:11.560
<v Speaker 1>it was ahead of its time, Yes, I think it was.

0:26:11.800 --> 0:26:17.600
<v Speaker 1>It seamlessly um embraced all different forms of comedy. Um.

0:26:18.760 --> 0:26:21.600
<v Speaker 1>He's the opening scene where they're getting ready for the

0:26:21.960 --> 0:26:23.439
<v Speaker 1>I don't even really know what they're getting ready for.

0:26:23.520 --> 0:26:28.159
<v Speaker 1>The Christmas Story, the play, the in a Manger. I

0:26:28.160 --> 0:26:30.080
<v Speaker 1>don't know what they're doing what are they doing? They're

0:26:30.119 --> 0:26:33.720
<v Speaker 1>like getting ready to do the telling of Jesus Nativity,

0:26:35.560 --> 0:26:37.880
<v Speaker 1>and the baby's missing its arm and then the dog

0:26:37.920 --> 0:26:40.159
<v Speaker 1>has it in the arm. And the baby is a girl,

0:26:40.200 --> 0:26:44.840
<v Speaker 1>which Danielle noticed, and not a boy. Well Rory noticed.

0:26:44.880 --> 0:26:49.160
<v Speaker 1>It was like, you might want to get a doll

0:26:49.280 --> 0:26:52.760
<v Speaker 1>that's not a girl. Baby Jesus, you know. And so

0:26:52.840 --> 0:26:56.000
<v Speaker 1>much is happening because Kirk is back and he's being funny.

0:26:56.040 --> 0:27:00.440
<v Speaker 1>But then that scene also shows us that Rory and

0:27:00.920 --> 0:27:04.280
<v Speaker 1>Lorea Lie are not getting along still. There's all that tension,

0:27:04.560 --> 0:27:09.360
<v Speaker 1>but it's all with this crazy hoop blah and you're

0:27:09.359 --> 0:27:11.800
<v Speaker 1>seeing the town. I mean, there's so much happening in

0:27:11.840 --> 0:27:15.240
<v Speaker 1>that scene. Well that's why all those characters were created,

0:27:15.240 --> 0:27:17.920
<v Speaker 1>so you could do that kind of stuff. It's all

0:27:18.000 --> 0:27:21.800
<v Speaker 1>sort of background. You know. Let's now we can use

0:27:21.840 --> 0:27:25.960
<v Speaker 1>Miss Patty and Taylor and Sean and you know we can,

0:27:26.080 --> 0:27:30.440
<v Speaker 1>really we can. We can do this scene where there's

0:27:30.480 --> 0:27:33.440
<v Speaker 1>tension between mother and daughter and backdrop as the wacky town.

0:27:33.600 --> 0:27:35.960
<v Speaker 1>So it keeps it light, it keeps it all very

0:27:36.480 --> 0:27:40.680
<v Speaker 1>kind of light, and in that the delivery is very pleasant,

0:27:40.720 --> 0:27:44.800
<v Speaker 1>but then it's sort of resonates on a deeper level

0:27:45.640 --> 0:27:49.199
<v Speaker 1>because of the backdrop, because it's so contrasting. Well, and

0:27:49.200 --> 0:27:52.800
<v Speaker 1>then it's so funny because that sets us up because

0:27:53.480 --> 0:27:57.679
<v Speaker 1>Rory is telling Lane they're calling him our gilepsy boys.

0:27:57.720 --> 0:28:00.600
<v Speaker 1>So then later on when we get the joke when

0:28:00.680 --> 0:28:05.679
<v Speaker 1>Lauren makes the quick, you know, witty remark about an

0:28:05.760 --> 0:28:10.399
<v Speaker 1>arcolepsy boy, I mean, it's all just so hilarious. So

0:28:10.520 --> 0:28:13.960
<v Speaker 1>much time in that hospital was much time. I think

0:28:14.040 --> 0:28:17.160
<v Speaker 1>it's just because you have a harder time watching you

0:28:17.600 --> 0:28:21.800
<v Speaker 1>and you were in a straight twenty minutes of that show.

0:28:21.960 --> 0:28:24.480
<v Speaker 1>I think I was still figuring out the character. I

0:28:24.560 --> 0:28:27.120
<v Speaker 1>was still trying to find the character with the accent

0:28:27.359 --> 0:28:30.880
<v Speaker 1>and you know, his level of energy and that kind

0:28:30.880 --> 0:28:33.359
<v Speaker 1>of thing. And I liked I actually liked what I

0:28:33.400 --> 0:28:36.320
<v Speaker 1>did in this episode because I pulled pulled it back

0:28:36.480 --> 0:28:39.800
<v Speaker 1>way back. And I think that's where I'm best is

0:28:40.240 --> 0:28:43.640
<v Speaker 1>if I just don't lean on it so much, you know,

0:28:43.640 --> 0:28:46.000
<v Speaker 1>because I have a tendency to be a little intense.

0:28:46.760 --> 0:28:48.680
<v Speaker 1>And did you think you were leaning on it too

0:28:48.760 --> 0:28:51.320
<v Speaker 1>much in this I know I liked it because I

0:28:51.400 --> 0:28:54.600
<v Speaker 1>was laid back and just you know, just sort of supporting,

0:28:54.600 --> 0:28:58.600
<v Speaker 1>supporting supporting, supporting in this as a friend in this

0:28:58.720 --> 0:29:01.320
<v Speaker 1>horrible situation, you know, and just trying to be you

0:29:01.320 --> 0:29:05.000
<v Speaker 1>know and not be you know. I mean it's it's

0:29:05.000 --> 0:29:07.560
<v Speaker 1>in the writing and tells you what you do anyway.

0:29:07.640 --> 0:29:11.080
<v Speaker 1>So yeah, but I liked it. I liked I liked

0:29:11.440 --> 0:29:14.600
<v Speaker 1>the whole thing, and I the toughest parts about the

0:29:14.640 --> 0:29:18.200
<v Speaker 1>episode for me was reacting to the people that were

0:29:18.240 --> 0:29:22.160
<v Speaker 1>being wheeled by and grossing me out, you know, because

0:29:22.200 --> 0:29:25.960
<v Speaker 1>the whole episode, because there's just so much going on,

0:29:26.120 --> 0:29:28.880
<v Speaker 1>and I think that's why it's so entertaining, and I

0:29:28.880 --> 0:29:31.040
<v Speaker 1>I say, that's why we can watch it three times

0:29:31.040 --> 0:29:35.400
<v Speaker 1>in two days and you're like, it's still good. Yeah,

0:29:35.440 --> 0:29:39.880
<v Speaker 1>because it's a big tease for the audience because you know,

0:29:40.040 --> 0:29:42.480
<v Speaker 1>all of the unanswered question is rich You're gonna die?

0:29:43.160 --> 0:29:46.640
<v Speaker 1>Are Emily and Laurela are gonna reconcile our Luke and

0:29:46.720 --> 0:29:49.040
<v Speaker 1>Laurela I finally gonna you know, get I mean, there's

0:29:49.040 --> 0:29:54.320
<v Speaker 1>so many The tension that is that is created with

0:29:54.320 --> 0:29:57.080
<v Speaker 1>with the writing is marvelous because it's coming at you

0:29:57.120 --> 0:29:59.800
<v Speaker 1>from all angles all the time. Did anyone catch the

0:30:00.040 --> 0:30:07.920
<v Speaker 1>Moorla calls you honey? Yes? I did catch that you know,

0:30:08.200 --> 0:30:11.400
<v Speaker 1>I didn't know if it was intentional. I didn't know

0:30:11.440 --> 0:30:15.320
<v Speaker 1>if she's sort of She's not a honey baby hooky type,

0:30:16.280 --> 0:30:20.360
<v Speaker 1>so it was like, wow, oh, what do you make

0:30:20.400 --> 0:30:23.800
<v Speaker 1>of that. I just think that he's again, and I've

0:30:23.800 --> 0:30:25.600
<v Speaker 1>said it before. I just think he's afraid of her.

0:30:25.680 --> 0:30:28.400
<v Speaker 1>I'm he's afraid of getting rejected by somebody that he

0:30:28.480 --> 0:30:31.760
<v Speaker 1>desires so much and that he sees a future with.

0:30:32.000 --> 0:30:35.720
<v Speaker 1>He wants that's his forever woman. There's nobody else for him.

0:30:36.360 --> 0:30:38.960
<v Speaker 1>But he doesn't want to make the move yet. He

0:30:39.040 --> 0:30:43.200
<v Speaker 1>wants to make sure that it's solid that she feels

0:30:43.200 --> 0:30:45.480
<v Speaker 1>the same way. And he definitely doesn't want to screw

0:30:45.560 --> 0:30:48.760
<v Speaker 1>up Rory's life by coming in. And you know, if

0:30:48.800 --> 0:30:51.440
<v Speaker 1>the relationship doesn't work out, that drama for Rory, that's

0:30:51.480 --> 0:30:54.280
<v Speaker 1>tension for Rory. He doesn't want that. So he is

0:30:54.400 --> 0:30:56.360
<v Speaker 1>you know, he really is a throwback guy. He's a

0:30:56.360 --> 0:31:00.840
<v Speaker 1>really selfless guy. Um and he's very very careful with

0:31:00.880 --> 0:31:06.320
<v Speaker 1>her because he's going to survive without her, And I

0:31:06.360 --> 0:31:09.680
<v Speaker 1>think that's part of his appeal to her eventually, like

0:31:09.800 --> 0:31:12.440
<v Speaker 1>he's gonna be okay without me because he's Luke and

0:31:12.520 --> 0:31:15.120
<v Speaker 1>he's just gonna go and he's going to open the

0:31:15.160 --> 0:31:17.640
<v Speaker 1>dinner every morning, and he's gonna work hard and that's

0:31:17.640 --> 0:31:21.120
<v Speaker 1>what he does and that's who he is. And um,

0:31:21.480 --> 0:31:24.560
<v Speaker 1>but wouldn't life be so much sweeter with her? Right? Yeah,

0:31:24.720 --> 0:31:28.240
<v Speaker 1>he's in denial by about how much happier he could

0:31:28.320 --> 0:31:31.600
<v Speaker 1>be if he'd let her in. But he's so afraid

0:31:31.640 --> 0:31:33.640
<v Speaker 1>of all the things you're saying. But it's like that's

0:31:33.680 --> 0:31:37.840
<v Speaker 1>the unknown, you know. It's like he maybe he's not aware.

0:31:37.880 --> 0:31:40.800
<v Speaker 1>He probably well, he obviously feels in the moment that

0:31:41.080 --> 0:31:43.640
<v Speaker 1>it could be much sweeter, but on it consistently because

0:31:43.640 --> 0:31:46.160
<v Speaker 1>he's a guy who's like a day and day out guy.

0:31:46.200 --> 0:31:49.040
<v Speaker 1>What's it gonna be like every day? And he sees

0:31:49.080 --> 0:31:51.840
<v Speaker 1>what she goes through with her mother and all the

0:31:51.920 --> 0:31:54.600
<v Speaker 1>you know, the whacking is that the surrounding this woman

0:31:54.640 --> 0:31:57.680
<v Speaker 1>that comes into her diner, his dinner like a tornado

0:31:57.760 --> 0:32:01.880
<v Speaker 1>every day, you know, uh, with with the moods changing

0:32:01.880 --> 0:32:05.840
<v Speaker 1>all the time, and you he honestly doesn't know if

0:32:05.880 --> 0:32:08.040
<v Speaker 1>he can keep up with her. I think I think

0:32:08.080 --> 0:32:10.560
<v Speaker 1>that's one of the reasons. Here's what's coming into my mind,

0:32:10.840 --> 0:32:14.040
<v Speaker 1>and I can see it so vividly, the pain on

0:32:14.080 --> 0:32:17.000
<v Speaker 1>your face when you saw her when you were with

0:32:17.040 --> 0:32:20.479
<v Speaker 1>the reenactors and she's walking with Max through town, and

0:32:20.520 --> 0:32:25.640
<v Speaker 1>it's like that face, that pain, that emotion comes back

0:32:25.680 --> 0:32:27.520
<v Speaker 1>to my mind and it's like, I it's like I

0:32:27.560 --> 0:32:31.120
<v Speaker 1>saw that yesterday because we all know that feeling, and

0:32:31.520 --> 0:32:34.040
<v Speaker 1>Luke felt that, and it's like that's when I knew,

0:32:34.160 --> 0:32:38.320
<v Speaker 1>like this guy loves her. And then everything just completely

0:32:38.520 --> 0:32:42.760
<v Speaker 1>proves it. Everybody has been in that situation. That is

0:32:42.800 --> 0:32:46.680
<v Speaker 1>a universal feeling. That's why I was so powerful. I

0:32:46.720 --> 0:32:49.840
<v Speaker 1>don't know that it was anything I did or or

0:32:49.960 --> 0:32:53.160
<v Speaker 1>that in particular, it was just everybody can relate to that.

0:32:53.480 --> 0:32:56.040
<v Speaker 1>You know. Everybody has that person in their life or

0:32:56.080 --> 0:32:58.040
<v Speaker 1>had that person in their life where they're just like

0:32:58.080 --> 0:33:02.240
<v Speaker 1>they felt so powerless to do anything about it. Maybe

0:33:02.280 --> 0:33:04.240
<v Speaker 1>it was too late, oh the one that got away.

0:33:04.280 --> 0:33:08.840
<v Speaker 1>It's it's just it's just an incredibly smart way for

0:33:08.880 --> 0:33:12.600
<v Speaker 1>the writers to set those characters up because it's a

0:33:12.880 --> 0:33:18.400
<v Speaker 1>universal experience. Everybody has gone through that and multiple times. Yeah,

0:33:18.760 --> 0:33:20.880
<v Speaker 1>I think it's really weird, But what's happening to me

0:33:20.960 --> 0:33:22.560
<v Speaker 1>right now? And I want to see what everyone thinks.

0:33:22.920 --> 0:33:25.640
<v Speaker 1>Two scenes stand out to me so much of the

0:33:25.640 --> 0:33:29.760
<v Speaker 1>episodes we've seen so far, that moment when Luke sees

0:33:30.080 --> 0:33:33.280
<v Speaker 1>her walking and I can just feel the pain. And

0:33:33.320 --> 0:33:36.160
<v Speaker 1>then the other one is when Lane put her hands

0:33:36.200 --> 0:33:40.600
<v Speaker 1>through that guy's hair because it was so embarrassing. And

0:33:40.680 --> 0:33:44.160
<v Speaker 1>both of those scenes are like literally imprinted in my brain.

0:33:44.600 --> 0:33:46.360
<v Speaker 1>And I don't know why those two are the two,

0:33:46.400 --> 0:33:53.040
<v Speaker 1>but it's like, oh God, because they were non verbals.

0:33:53.440 --> 0:33:56.240
<v Speaker 1>And that's the power of TV and that's the power,

0:33:56.280 --> 0:34:00.480
<v Speaker 1>that's the true power of film. Oh, it's it's it's

0:34:00.520 --> 0:34:05.720
<v Speaker 1>it's moving pictures. It's not called moving words. It's called

0:34:05.800 --> 0:34:11.480
<v Speaker 1>moving pictures, motion pictures, pictures in motion. Yeah, man, yeah, yeah,

0:34:11.640 --> 0:34:17.719
<v Speaker 1>the non verbal devastation. Right, Yeah, those two are actions.

0:34:18.239 --> 0:34:21.439
<v Speaker 1>I can see them. I can see them in my head.

0:34:23.560 --> 0:34:26.120
<v Speaker 1>It's like Ham. All he does is talk and give speeches.

0:34:26.200 --> 0:34:30.240
<v Speaker 1>He doesn't do anything right. It's a triumph of thought

0:34:30.239 --> 0:34:35.799
<v Speaker 1>over action, character over plot. Alright, guys, let's take a

0:34:35.800 --> 0:34:38.520
<v Speaker 1>little break. I'm Scott Patterson. This is the I Am

0:34:38.560 --> 0:34:41.040
<v Speaker 1>All In podcast with My Heart Radio. We'll be back

0:34:41.080 --> 0:34:48.120
<v Speaker 1>after these works. Yeah, all right, everybody, we're back. We're

0:34:48.160 --> 0:34:51.040
<v Speaker 1>gonna we're talking funny stuff. What's the funny stuff. Well,

0:34:51.080 --> 0:34:54.040
<v Speaker 1>there is some funny stuff and there obviously narcilepsy boy

0:34:54.160 --> 0:34:58.680
<v Speaker 1>A little fun fact. Lauren calls for lore Lie says

0:34:58.760 --> 0:35:02.440
<v Speaker 1>that Dean is six but in real life, Jared is

0:35:02.640 --> 0:35:05.200
<v Speaker 1>how lucky is six four? And I don't know if

0:35:05.200 --> 0:35:06.799
<v Speaker 1>they did that on purpose or just they didn't want

0:35:06.840 --> 0:35:09.440
<v Speaker 1>him to seem so gigant or well, he was what

0:35:09.640 --> 0:35:12.480
<v Speaker 1>seventeen eighteen at the time. Maybe he was just six too.

0:35:13.200 --> 0:35:19.200
<v Speaker 1>Oh maybe still gross, a little Grossbert, What did you

0:35:19.200 --> 0:35:22.200
<v Speaker 1>think of the dinner party, the holiday fake Christmas party?

0:35:22.400 --> 0:35:25.600
<v Speaker 1>I gave Dean's I gave Jared some tips on nutrition

0:35:25.680 --> 0:35:28.800
<v Speaker 1>and weightlifting. Is that true? That's true. Yes, he was

0:35:28.920 --> 0:35:31.200
<v Speaker 1>very concerned about it because he thought he was too

0:35:31.360 --> 0:35:34.080
<v Speaker 1>lean or he wanted to know how he could bulk up.

0:35:35.080 --> 0:35:38.000
<v Speaker 1>What did you say. I said, there isn't a damn

0:35:38.040 --> 0:35:41.439
<v Speaker 1>thing you can do about it, That's true. I said,

0:35:41.680 --> 0:35:45.000
<v Speaker 1>you'd have to bulk up when you were playing baseball. Yeah, yeah,

0:35:45.040 --> 0:35:47.359
<v Speaker 1>I did, but I had, you know, and I'm like him,

0:35:47.400 --> 0:35:51.400
<v Speaker 1>I'm naturally thin. And I said, there is nothing you

0:35:51.400 --> 0:35:54.879
<v Speaker 1>can do about it without like completely like ruining your

0:35:54.920 --> 0:35:57.880
<v Speaker 1>body because you like eat too much or something. I

0:35:57.920 --> 0:36:03.480
<v Speaker 1>have no idea. I bulked up through Yeah, eating and weightlifting,

0:36:04.040 --> 0:36:07.399
<v Speaker 1>and it just wasn't a good idea for sports. For

0:36:07.400 --> 0:36:09.280
<v Speaker 1>for when I played baseball, it wasn't a good idea.

0:36:10.840 --> 0:36:15.040
<v Speaker 1>What happens. No, I gained, you know, I gained a

0:36:15.040 --> 0:36:17.120
<v Speaker 1>lot of muscle. I was, you know, I got up

0:36:17.120 --> 0:36:21.239
<v Speaker 1>to about two pounds. How tall are you? I'm a

0:36:21.400 --> 0:36:24.920
<v Speaker 1>shade under six one. So do you remember Jared being

0:36:25.000 --> 0:36:27.719
<v Speaker 1>tall or were you pretty Eyeline with him? Now he

0:36:27.800 --> 0:36:30.520
<v Speaker 1>was a little bit taller. Yeah, but he really he

0:36:30.560 --> 0:36:32.600
<v Speaker 1>wanted to beef up and he wanted to like, hey,

0:36:32.680 --> 0:36:35.080
<v Speaker 1>you know, what what can I do? Because I remember

0:36:35.080 --> 0:36:37.880
<v Speaker 1>at that time, I was beef I was. I was

0:36:37.920 --> 0:36:40.040
<v Speaker 1>working out on the gym a lot, you know, because

0:36:40.040 --> 0:36:42.439
<v Speaker 1>I was on this show and my free time, I'd

0:36:42.480 --> 0:36:44.840
<v Speaker 1>go work out just to you know, get my energy.

0:36:45.200 --> 0:36:46.640
<v Speaker 1>And that's how I did it. So I was, I was,

0:36:46.719 --> 0:36:49.160
<v Speaker 1>I was getting a little bit beefy, a little bit,

0:36:49.200 --> 0:36:50.600
<v Speaker 1>you know, when I was doing it for skiing too,

0:36:50.640 --> 0:36:52.040
<v Speaker 1>because I love this gate. So I wanted to be

0:36:52.080 --> 0:36:58.160
<v Speaker 1>strong and powerful for skiing, not for Laura Lae. What about. Yes,

0:36:58.239 --> 0:37:02.439
<v Speaker 1>that's the reason. That's what I can't talk about. That's

0:37:02.520 --> 0:37:06.640
<v Speaker 1>the only reason strong and powerful. But I didn't feel

0:37:06.680 --> 0:37:10.319
<v Speaker 1>like you were strong and powerful so so, but yeah,

0:37:10.360 --> 0:37:13.799
<v Speaker 1>he was, and I gave him some tips. But I

0:37:13.880 --> 0:37:15.760
<v Speaker 1>just said, listen, you're just gonna have to get older,

0:37:15.920 --> 0:37:18.959
<v Speaker 1>I said. He said, you're gonna be thin your whole life.

0:37:18.960 --> 0:37:21.920
<v Speaker 1>But if you start eating a lot of carbohydrates when

0:37:21.960 --> 0:37:24.120
<v Speaker 1>you when you hit fifty five, you're gonna you're gonna

0:37:24.160 --> 0:37:27.359
<v Speaker 1>put all up pounds. Just stop working out. I don't

0:37:27.360 --> 0:37:29.040
<v Speaker 1>think he's quite there yet. We'll have to see, as

0:37:29.080 --> 0:37:32.799
<v Speaker 1>I don't know he's as far as young. I think

0:37:32.800 --> 0:37:36.560
<v Speaker 1>he's like he's ripped. He's thirty nine and he's ripped.

0:37:37.200 --> 0:37:43.239
<v Speaker 1>Before we get into pop culture, Scott, it's Christmas. Can

0:37:43.280 --> 0:37:45.719
<v Speaker 1>you sing us a little Christmas song to get in

0:37:46.200 --> 0:37:51.760
<v Speaker 1>the mood for our pop culture moments? Sure? Yeah, yeah,

0:37:51.800 --> 0:37:55.560
<v Speaker 1>I think I happen to have a guitar right here.

0:37:57.040 --> 0:38:01.400
<v Speaker 1>Thank you in the Chris miss spirit because I'm assuming

0:38:01.440 --> 0:38:03.359
<v Speaker 1>next week is going to be Christmas, so we really

0:38:03.360 --> 0:38:09.040
<v Speaker 1>got to get ourselves sing along with me now. Jingle bells,

0:38:09.120 --> 0:38:14.719
<v Speaker 1>jingle bells, Jingle all the way? Now, what fun is?

0:38:16.080 --> 0:38:22.400
<v Speaker 1>One horse soup and sligh jingle bell jingle bell jingle

0:38:22.680 --> 0:38:27.680
<v Speaker 1>all the way? Oh, what fun is? And on one

0:38:27.760 --> 0:38:33.680
<v Speaker 1>hole Soap? And Sligh one hole soup and Sligh one

0:38:33.719 --> 0:38:43.960
<v Speaker 1>horse open. Well, it's beautiful. I'm Riley and this is

0:38:44.000 --> 0:38:46.800
<v Speaker 1>your pop culture. It's beginning to look a lot like Christmas.

0:38:47.320 --> 0:38:50.480
<v Speaker 1>This song was written by Meredith Wilson. Meredith Wilson incorporated

0:38:50.560 --> 0:38:53.439
<v Speaker 1>this song into his nineteen sixty three musical Here's Love.

0:38:54.040 --> 0:38:56.759
<v Speaker 1>This song has been recorded by numerous artists such as

0:38:56.760 --> 0:39:00.000
<v Speaker 1>Michael blue Way, Harry Connick Jr. And Megan Trainer, to

0:39:00.080 --> 0:39:05.080
<v Speaker 1>name a few. How about Jimmy Hoffa says Luke. Jimmy

0:39:05.120 --> 0:39:08.000
<v Speaker 1>Hoffa was an American labor union leader who served as

0:39:08.000 --> 0:39:11.080
<v Speaker 1>the president of the International Brotherhood of Teamsters from nineteen

0:39:11.080 --> 0:39:15.080
<v Speaker 1>fifty seven to nineteen seventy one. He disappeared in nineteen

0:39:15.120 --> 0:39:18.120
<v Speaker 1>seventy five and was declared dead in two because I

0:39:18.160 --> 0:39:22.200
<v Speaker 1>gotta do what I gotta do. Yeah, I gotta do it.

0:39:23.120 --> 0:39:26.480
<v Speaker 1>This is because he became involved with organized crime, which

0:39:26.560 --> 0:39:29.760
<v Speaker 1>potentially led to his death. He was convicted of jury tampering,

0:39:29.880 --> 0:39:33.719
<v Speaker 1>attempted bribery, and fraud. Do you remember the Jack Nicholson

0:39:33.800 --> 0:39:37.080
<v Speaker 1>film where he played half A? Did you do you

0:39:37.120 --> 0:39:41.160
<v Speaker 1>remember Halfa? Do you remember that film? Literally when he

0:39:41.200 --> 0:39:43.640
<v Speaker 1>goes up to what a performance. I mean when he

0:39:43.680 --> 0:39:46.879
<v Speaker 1>goes up to when he's like going toe to tell

0:39:46.920 --> 0:39:49.439
<v Speaker 1>with Bobby Kennedy, who was an Attorney general at the time.

0:39:49.480 --> 0:39:51.799
<v Speaker 1>He hated his guts. This is all blurry in real

0:39:51.840 --> 0:39:56.880
<v Speaker 1>life and in the movie it's blurry because I gotta

0:39:56.960 --> 0:40:00.719
<v Speaker 1>do what I gotta dope. Oh man, what a performance,

0:40:01.760 --> 0:40:04.839
<v Speaker 1>Laura Lie. I'll never be able to understand what Charro

0:40:04.960 --> 0:40:13.239
<v Speaker 1>was saying. Charo, you know, Charo was a guest on

0:40:13.360 --> 0:40:16.520
<v Speaker 1>Johnny Carson Johnny Tonight Show. I don't know. She was

0:40:16.560 --> 0:40:19.839
<v Speaker 1>on like almost every week, and she would come on

0:40:20.120 --> 0:40:24.040
<v Speaker 1>like I mean, dressed to the nines, you know, the

0:40:24.800 --> 0:40:27.560
<v Speaker 1>overflowing up top, if you know what I mean. And

0:40:27.719 --> 0:40:29.439
<v Speaker 1>she did that when she wasn't on the Love Boat.

0:40:30.160 --> 0:40:32.719
<v Speaker 1>But this was even before she was on I think

0:40:32.840 --> 0:40:34.640
<v Speaker 1>this was even before she was on the Love Boat.

0:40:34.719 --> 0:40:39.000
<v Speaker 1>She was on Carson, I mean almost weekly. He loved her.

0:40:39.480 --> 0:40:42.239
<v Speaker 1>He loved her. She would come out and crack everybody up.

0:40:42.280 --> 0:40:46.160
<v Speaker 1>And who doesn't love She was just so positive and

0:40:46.239 --> 0:40:49.840
<v Speaker 1>full of energy and and and funny and talented and

0:40:49.920 --> 0:40:54.400
<v Speaker 1>she played the flamenco guitar. Yeah, she's legit. She's legit,

0:40:54.719 --> 0:41:01.000
<v Speaker 1>like talented musician singer and players she put Gucci Coucci.

0:41:02.560 --> 0:41:06.440
<v Speaker 1>I got a lot of the Gucci Coucci. Charo's full

0:41:06.520 --> 0:41:13.360
<v Speaker 1>name is Maria del Rosario, Mercedes Pilar Martinez Molina Beza

0:41:13.840 --> 0:41:18.279
<v Speaker 1>and as we've mentioned, Charo made many appearances on the

0:41:18.320 --> 0:41:23.000
<v Speaker 1>Love Boat Between n I just I just remember from

0:41:23.040 --> 0:41:26.759
<v Speaker 1>the Johnny Carson Show. She was fantastic. She was a

0:41:26.760 --> 0:41:30.080
<v Speaker 1>great guest. She was almost she was you know that

0:41:30.280 --> 0:41:34.319
<v Speaker 1>he had some great guests, uh, Don Rickles and Dom

0:41:34.400 --> 0:41:37.520
<v Speaker 1>Deloise and all those people, hysterical people. She would come

0:41:37.560 --> 0:41:39.720
<v Speaker 1>out and like to stay. I mean, she wouldn't stop talking.

0:41:39.800 --> 0:41:45.640
<v Speaker 1>She was just like amazing, amazing personality. Agree, Riley and Danielle.

0:41:45.680 --> 0:41:50.000
<v Speaker 1>Do you know who Charo is? I know. I only

0:41:50.040 --> 0:41:53.600
<v Speaker 1>know Charo because she made an appearance on Jane the Virgin,

0:41:53.680 --> 0:41:55.120
<v Speaker 1>which is one of my favorite show. I thought you

0:41:55.160 --> 0:41:59.760
<v Speaker 1>were gonna say, wife swap go back YouTube her Charo,

0:42:00.040 --> 0:42:04.120
<v Speaker 1>Johnny Carson, just check her out. You're sitting there as

0:42:04.160 --> 0:42:08.399
<v Speaker 1>a kid watching this, going do people like this really exist? Like?

0:42:08.600 --> 0:42:12.200
<v Speaker 1>What is this? This is fantastic? I need one more

0:42:12.239 --> 0:42:20.279
<v Speaker 1>Kuchi COUCHI from Scott Hi, Johnny Cochichi. Laurliz says, where

0:42:20.360 --> 0:42:23.360
<v Speaker 1>is the Scarecrow when you need him. This reference is

0:42:23.440 --> 0:42:26.800
<v Speaker 1>this to the Scarecrow from The Wizard of Oz American

0:42:26.920 --> 0:42:31.000
<v Speaker 1>musical fantasy film produced by Metro Goldwyn Mayor. The Scarecrow

0:42:31.160 --> 0:42:33.319
<v Speaker 1>joins Dorothy and the hope that the Wizard will give

0:42:33.360 --> 0:42:36.080
<v Speaker 1>him a brain. The Scarecrow was played by Ray Bulger,

0:42:36.320 --> 0:42:38.600
<v Speaker 1>and the face prosthetics he wore ended up leaving Marx

0:42:38.640 --> 0:42:41.279
<v Speaker 1>on his face for more than a year. Yeah, they do.

0:42:42.360 --> 0:42:47.560
<v Speaker 1>I lost face. What did you wear? Prosthetics? They had

0:42:47.640 --> 0:42:50.319
<v Speaker 1>to put a head on a headpiece on me every

0:42:50.400 --> 0:42:54.440
<v Speaker 1>morning for six weeks. When I played this alien alien

0:42:54.560 --> 0:42:58.719
<v Speaker 1>nation did I played the tank Tanese commander coming to

0:42:58.840 --> 0:43:02.919
<v Speaker 1>Earth doing to enslave all of the escaped uh tank

0:43:03.000 --> 0:43:05.000
<v Speaker 1>Tannis and get him back on my plane for you.

0:43:05.080 --> 0:43:07.000
<v Speaker 1>On that show I remember, you know it was it

0:43:07.120 --> 0:43:09.080
<v Speaker 1>was It was a TV movie. It was I wasn't

0:43:09.120 --> 0:43:11.960
<v Speaker 1>in the series. It was a TV movie. I remember

0:43:12.000 --> 0:43:13.600
<v Speaker 1>a different show that I don't know what's called, but

0:43:13.640 --> 0:43:16.640
<v Speaker 1>there was like you were like in a plane and

0:43:16.760 --> 0:43:19.800
<v Speaker 1>like there was an explosion. That was that was the

0:43:19.880 --> 0:43:24.880
<v Speaker 1>event on Nbcito at the show actually ended up like

0:43:25.000 --> 0:43:28.400
<v Speaker 1>a plane crash. Um. That was pretty good. But you know,

0:43:28.520 --> 0:43:32.719
<v Speaker 1>they would glue that headpiece on you with medical adhesive

0:43:33.280 --> 0:43:35.680
<v Speaker 1>and it would take them an hour to get it

0:43:35.800 --> 0:43:39.799
<v Speaker 1>off you because they had to be very careful. Um.

0:43:40.280 --> 0:43:41.880
<v Speaker 1>I mean I was there. I was in the makeup

0:43:41.960 --> 0:43:45.120
<v Speaker 1>chair at three thirty in the morning for for seven

0:43:45.280 --> 0:43:48.359
<v Speaker 1>or eight o'clock. Called time. Makes you kind of love

0:43:48.440 --> 0:43:53.239
<v Speaker 1>Luke that much more right in there. Throw a hat on,

0:43:53.360 --> 0:43:55.279
<v Speaker 1>throw a little powder on me. I'm you know, I'm good.

0:43:55.360 --> 0:43:57.320
<v Speaker 1>I lived six miles away from the studio. I just

0:43:57.760 --> 0:44:00.160
<v Speaker 1>jam in their fifteen minutes form a call time, put

0:44:00.200 --> 0:44:02.080
<v Speaker 1>my hat on. They throw a little powder on me.

0:44:02.120 --> 0:44:03.680
<v Speaker 1>I'm gonna sit down on the chair. I said, just

0:44:03.719 --> 0:44:05.080
<v Speaker 1>throw it up in the air. I'll run through it.

0:44:05.080 --> 0:44:08.560
<v Speaker 1>I'm outta here. Oh my god. And those poor girls,

0:44:08.640 --> 0:44:10.560
<v Speaker 1>I mean Laura and Alexis and the poor girls are

0:44:10.600 --> 0:44:12.439
<v Speaker 1>sitting in the big up chair for hours and hours

0:44:12.440 --> 0:44:14.759
<v Speaker 1>getting the hair done, the megup perfect. It's like, hey,

0:44:14.960 --> 0:44:17.520
<v Speaker 1>you're telling everybody I'm gonna be a breakfast bye bye.

0:44:18.239 --> 0:44:21.719
<v Speaker 1>Oh my god. Oh yeah, oh yeah. But that was

0:44:21.760 --> 0:44:24.239
<v Speaker 1>a different experience. Yeah that so that rips your face

0:44:24.280 --> 0:44:27.319
<v Speaker 1>apart with you that medical adhesive for six weeks like that, man,

0:44:27.400 --> 0:44:30.600
<v Speaker 1>I my face was all jacked up for a year. Anyway,

0:44:30.600 --> 0:44:33.919
<v Speaker 1>go ahead. Our last pop culture references from Rory Roy says,

0:44:34.000 --> 0:44:36.080
<v Speaker 1>no things are still a miracle Worker at my house.

0:44:36.719 --> 0:44:39.880
<v Speaker 1>Miracle Worker is a nineteen sixty two film about An Sullivan,

0:44:40.000 --> 0:44:42.720
<v Speaker 1>a blind tutor to Helen Keller, directed by Arthur Pennon.

0:44:43.239 --> 0:44:46.680
<v Speaker 1>Helen Keller was great friends with Mark Twain, and although

0:44:46.760 --> 0:44:49.000
<v Speaker 1>Patty Duke had been playing helen Keller in the play

0:44:49.080 --> 0:44:51.040
<v Speaker 1>for more than a year, she almost didn't get the

0:44:51.080 --> 0:44:53.839
<v Speaker 1>part in the film adaptation. The studio felt that, being

0:44:53.880 --> 0:44:55.960
<v Speaker 1>a teenager, she looked too old to play a seven

0:44:56.040 --> 0:45:00.320
<v Speaker 1>year old. Also, Helen Keller wrote a total of twelve books.

0:45:00.920 --> 0:45:03.080
<v Speaker 1>I'm ready to give my line, but Scott, can you

0:45:03.160 --> 0:45:05.160
<v Speaker 1>do it with me? Because then it'll just be that

0:45:05.320 --> 0:45:09.839
<v Speaker 1>much better? What's your line? When I said before, I'm

0:45:09.840 --> 0:45:12.120
<v Speaker 1>gonna do my part and then your part is? I know?

0:45:12.680 --> 0:45:15.080
<v Speaker 1>Let's go all right? Right? Okay? You want to you

0:45:15.200 --> 0:45:17.359
<v Speaker 1>kind of want to do that reenacting thing. You want

0:45:17.400 --> 0:45:20.520
<v Speaker 1>to you want to reenact, you want to recta getting character.

0:45:20.680 --> 0:45:23.280
<v Speaker 1>I'm gonna just have to really do my best acting here. Okay, ready,

0:45:23.400 --> 0:45:25.000
<v Speaker 1>you don't know, you don't you're a woman. You can

0:45:25.040 --> 0:45:28.920
<v Speaker 1>do it in your sleep. I'm the one that has

0:45:28.960 --> 0:45:32.160
<v Speaker 1>to prepare. I have to be serious. This is very

0:45:32.200 --> 0:45:39.239
<v Speaker 1>emotional moment. Luke. I'm just cut stop right, stop it,

0:45:40.040 --> 0:45:48.719
<v Speaker 1>stop it. I'm you can't smile while you're doing it.

0:45:50.239 --> 0:45:54.600
<v Speaker 1>Give me some directions. I don't stop smiling. All right, listen,

0:45:55.040 --> 0:45:57.040
<v Speaker 1>all right, you want to do a sense memory exercise

0:45:57.160 --> 0:45:58.840
<v Speaker 1>right here? I'll get you in the movie. Yeah you

0:45:58.920 --> 0:46:01.120
<v Speaker 1>got time for that, all right? So what do you

0:46:01.360 --> 0:46:02.839
<v Speaker 1>what do you want? You want to be? You want

0:46:02.840 --> 0:46:04.920
<v Speaker 1>to cry a little bit, you freak out a little bit.

0:46:04.920 --> 0:46:06.320
<v Speaker 1>You're on the You're on the edge. You're on the

0:46:06.400 --> 0:46:08.719
<v Speaker 1>verge of tears. The energy is flying around because my

0:46:08.920 --> 0:46:11.400
<v Speaker 1>dad's in the hospital. I don't know what's going on.

0:46:11.640 --> 0:46:13.640
<v Speaker 1>I only know to go to the hospital. I don't

0:46:13.680 --> 0:46:15.320
<v Speaker 1>know where Roary is. I don't know where my mom is.

0:46:15.400 --> 0:46:17.160
<v Speaker 1>No one's answering the phone. I don't know what I go.

0:46:17.280 --> 0:46:21.120
<v Speaker 1>Talk to the dialect right now, go, Luke. I'm no

0:46:21.560 --> 0:46:25.480
<v Speaker 1>like you were doing it before. Luke, I'm I know.

0:46:28.800 --> 0:46:32.280
<v Speaker 1>Let's go. You have to say, oh, let's do it again? Okay,

0:46:32.440 --> 0:46:36.320
<v Speaker 1>Oh I nailed it back time. Now I have to

0:46:36.480 --> 0:46:39.239
<v Speaker 1>under yes, you do you right? Sit on and feel it,

0:46:39.320 --> 0:46:42.320
<v Speaker 1>but then sit on it. Go Luke, I'm do it

0:46:42.360 --> 0:46:46.239
<v Speaker 1>again again. That was good. That was good, getting better good.

0:46:46.360 --> 0:46:49.399
<v Speaker 1>That was good. But but don't lose the energy. You're

0:46:49.400 --> 0:46:51.920
<v Speaker 1>going limp. Now you're getting at where you need to be.

0:46:52.080 --> 0:46:57.239
<v Speaker 1>But don't lose that energy. Remember Stanislavsky said, inspiration quick

0:46:57.320 --> 0:47:02.560
<v Speaker 1>as flame, god acting as hard. It's not easy, Luke.

0:47:02.760 --> 0:47:06.840
<v Speaker 1>I know. Let's go all close at dinner and we

0:47:06.920 --> 0:47:09.719
<v Speaker 1>can drive twenty on the black ice all the way

0:47:09.800 --> 0:47:11.560
<v Speaker 1>up to Hartford and you can drive me crazy on

0:47:11.640 --> 0:47:14.680
<v Speaker 1>the way. You can piss and moan the whole way.

0:47:15.719 --> 0:47:19.680
<v Speaker 1>Well done, guys. Wow, I felt that that was That

0:47:19.880 --> 0:47:23.400
<v Speaker 1>was a pretty good performance. I thought, I thought, I

0:47:23.480 --> 0:47:25.120
<v Speaker 1>thought that was good. That was good. I think you

0:47:25.239 --> 0:47:27.520
<v Speaker 1>helped a lot. I mean, I'd like to try that

0:47:27.640 --> 0:47:29.719
<v Speaker 1>bit again and maybe by the end of the ten

0:47:29.800 --> 0:47:33.839
<v Speaker 1>years we do this podcast. Go ahead, let's do it again.

0:47:33.960 --> 0:47:35.879
<v Speaker 1>We can do full scene. Find a new I'll find

0:47:36.000 --> 0:47:38.040
<v Speaker 1>something new in the next episode. No, but you got

0:47:38.120 --> 0:47:40.200
<v Speaker 1>you got you know what. Let me tell you something, Amy,

0:47:40.239 --> 0:47:42.959
<v Speaker 1>You've got something there. There's something going on there, there's

0:47:42.960 --> 0:47:46.040
<v Speaker 1>something interesting. Thank you, thank you. I'll try and I'll

0:47:46.080 --> 0:47:48.200
<v Speaker 1>try and up my game. But there's some depth, there's

0:47:48.239 --> 0:47:53.560
<v Speaker 1>some mystery, there's there there are layers there, Amy, Sugarman,

0:47:57.360 --> 0:48:02.319
<v Speaker 1>I don't think so what's your blind you deliver girl? Okay,

0:48:02.400 --> 0:48:05.719
<v Speaker 1>Mine's mind's fun though, so no problem delivering it. Um.

0:48:05.840 --> 0:48:08.800
<v Speaker 1>This is from Laura Lae when Dean's tapping on the window,

0:48:09.040 --> 0:48:12.880
<v Speaker 1>like trying to see Rory on Christmas or when she

0:48:12.960 --> 0:48:16.600
<v Speaker 1>was at the Christmas party. Um, and she goes, you know,

0:48:16.680 --> 0:48:18.239
<v Speaker 1>we have a really nice friend door. You might want

0:48:18.239 --> 0:48:21.719
<v Speaker 1>to use it sometime. I just loved it. Mine is

0:48:21.800 --> 0:48:24.879
<v Speaker 1>from Emily and she's, you know, going back with Jane

0:48:24.920 --> 0:48:26.960
<v Speaker 1>Lynch and talking back with Laura Lae and then she

0:48:27.000 --> 0:48:29.840
<v Speaker 1>stops her to tracks and she goes, Brianna, date, you

0:48:29.920 --> 0:48:36.840
<v Speaker 1>have an escort st I know, I love that. You know.

0:48:36.920 --> 0:48:42.319
<v Speaker 1>We actually have a listener question about this episode. So um,

0:48:42.880 --> 0:48:45.799
<v Speaker 1>I'll go ahead and read it. It's from Grace. Grace Um,

0:48:45.960 --> 0:48:48.800
<v Speaker 1>she wrote in and she asked, when was it decided

0:48:48.840 --> 0:48:51.760
<v Speaker 1>for Luke to change the blue hat after Forgiveness and Stuff,

0:48:51.760 --> 0:48:53.800
<v Speaker 1>which is the title of this episode, or was that

0:48:54.000 --> 0:48:57.480
<v Speaker 1>something that Amy and Dan had planned all along to

0:48:57.640 --> 0:49:02.799
<v Speaker 1>advance the Laura Lae and Luke storyline. Well, I suggested

0:49:03.040 --> 0:49:06.640
<v Speaker 1>at a top secret dinner. I refer to it as

0:49:06.680 --> 0:49:10.040
<v Speaker 1>the Hat dinner with Amy and Dan, and I said, listen,

0:49:10.120 --> 0:49:11.520
<v Speaker 1>I have blue eyes, and I think I should have

0:49:11.560 --> 0:49:17.719
<v Speaker 1>a blue hat. Good story. That's where it came from.

0:49:18.440 --> 0:49:21.879
<v Speaker 1>So that's why Laura ly gives Luke the blue hat.

0:49:23.000 --> 0:49:26.840
<v Speaker 1>I give good, I give good dinner. Wow, do you

0:49:26.920 --> 0:49:30.600
<v Speaker 1>reme where the hat dinner was? They ordered lobster in

0:49:30.880 --> 0:49:34.840
<v Speaker 1>and you went to their home or at the set? No, no, no, no,

0:49:35.400 --> 0:49:38.000
<v Speaker 1>we went to a restaurant and oh oh they had

0:49:38.040 --> 0:49:41.560
<v Speaker 1>lobster at the restaurant you were at. What did you have?

0:49:42.960 --> 0:49:48.439
<v Speaker 1>I think if I go to a fancy schmancy place,

0:49:48.480 --> 0:49:51.160
<v Speaker 1>I always get the Phili Mignon or a Prime rip

0:49:51.239 --> 0:49:59.480
<v Speaker 1>or something. So it's hot, dear dinner dinner good. Yeah,

0:49:59.719 --> 0:50:01.680
<v Speaker 1>we're We were in the private room too. It was

0:50:01.719 --> 0:50:11.600
<v Speaker 1>a big deal. Security outside no season one, dude, no

0:50:11.680 --> 0:50:19.320
<v Speaker 1>one knew who you were. Okay, give us your favorite line,

0:50:19.719 --> 0:50:22.240
<v Speaker 1>take us out. What was your favorite line from this episode?

0:50:23.400 --> 0:50:27.680
<v Speaker 1>I gotta tell you, um, my favorite line in the

0:50:27.960 --> 0:50:32.200
<v Speaker 1>entire thing was yeah, when I just said to Rory, yeah,

0:50:32.360 --> 0:50:35.480
<v Speaker 1>when I has been over it was. It's the one

0:50:35.520 --> 0:50:38.640
<v Speaker 1>that made me chuckle. The most. And then because it's

0:50:38.640 --> 0:50:40.879
<v Speaker 1>made me chuckle and the other the other favorite line

0:50:41.120 --> 0:50:47.160
<v Speaker 1>that's not me um is Michelle. Uh what did he

0:50:47.200 --> 0:50:49.480
<v Speaker 1>say when he was he was so irritated at the

0:50:49.560 --> 0:50:53.120
<v Speaker 1>guy who didn't know what a um a wand was

0:50:54.640 --> 0:50:57.040
<v Speaker 1>remember on the Christmas ornament on the Christmas tree when

0:50:57.040 --> 0:51:02.320
<v Speaker 1>there he said, he goes, No, that's staff because he

0:51:02.600 --> 0:51:05.800
<v Speaker 1>went to the shepherd. He went, he said, that's not

0:51:06.160 --> 0:51:08.560
<v Speaker 1>that's not an angel with a wander. That's not a

0:51:08.640 --> 0:51:12.799
<v Speaker 1>fairy fairy princess or whatever the anyway, I don't even

0:51:12.800 --> 0:51:14.520
<v Speaker 1>know what the line was, but he said, he said,

0:51:14.600 --> 0:51:17.759
<v Speaker 1>he Michelle kills me. I mean, he just killed. His

0:51:17.920 --> 0:51:21.840
<v Speaker 1>timing is so good and he just gets so irritated

0:51:21.880 --> 0:51:23.680
<v Speaker 1>with that guy. And I just laughed out loud. I

0:51:23.719 --> 0:51:26.200
<v Speaker 1>mean I laughed right away. Or that was my whatever

0:51:26.239 --> 0:51:29.200
<v Speaker 1>the line was, that was my favorite line. It's still

0:51:29.239 --> 0:51:31.640
<v Speaker 1>like when you called it her parents fate Christmas party.

0:51:33.160 --> 0:51:37.400
<v Speaker 1>That's good stuff. What's next week? What's the next episode?

0:51:37.800 --> 0:51:46.640
<v Speaker 1>The next episode is Paris is burning? Oh gosh, scary.

0:51:47.600 --> 0:51:51.520
<v Speaker 1>Oh wait, before we go, nobody should miss uh. Soon

0:51:51.719 --> 0:51:55.719
<v Speaker 1>we're gonna put up our tutorial video of how to

0:51:55.840 --> 0:52:00.239
<v Speaker 1>make the Santa Burger. Be ready for that on the

0:52:00.280 --> 0:52:03.880
<v Speaker 1>Instagram and send us your own Santa Burgers. Oh my god,

0:52:04.480 --> 0:52:06.320
<v Speaker 1>so yeah, I get ready for that. It's going to

0:52:06.400 --> 0:52:12.200
<v Speaker 1>be fun Instagram. Listen, everybody, Happy holidays, Merry Christmas to everybody.

0:52:13.120 --> 0:52:17.840
<v Speaker 1>Um really, just I hope you have a wonderful holiday

0:52:18.760 --> 0:52:27.480
<v Speaker 1>in July. And uh anyway, so that's so that's gonna

0:52:27.520 --> 0:52:31.279
<v Speaker 1>wrap it up. Huh, good work, good episode, all right, bye.

0:53:00.080 --> 0:53:03.640
<v Speaker 1>Com Hey everybody, and don't forget follow us on Instagram

0:53:04.040 --> 0:53:07.719
<v Speaker 1>at I Am all In podcast and email us at

0:53:07.920 --> 0:53:12.000
<v Speaker 1>Gilmore at I heart radio dot com. Oh you gil

0:53:12.080 --> 0:53:13.600
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