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Speaker 1: I Am all In. I Am all In with Scott

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Speaker 1: Patterson and I Heart Radio podcast. Hey everybody, I'm Scott

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Speaker 1: Patterson and this is the I Am All In podcast

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Speaker 1: I Heart Radio. Hey everybody. Hey Amy, Danielle Riley, Hello, Hello, Hello,

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Speaker 1: what what do we just we're discussing forgiveness. Merry Christmas everybody,

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Speaker 1: by the way, Merry Christmas. Yes, it's uh, it's it's

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Speaker 1: it's Christmas in July and we're all you know, it's

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Speaker 1: all ninety degrees and just got out of the swimming pool,

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Speaker 1: but it's it's it's Christmas for God's sake, and I'm

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Speaker 1: in the spirit. I just actually booked my Christmas vacation.

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Speaker 1: I do it well ahead, planning ahead. Yes, well it's like,

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Speaker 1: you know, there's a feeding frenzy and you got you

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Speaker 1: gotta plan ahead. But so I'm really in the Christmas spirit.

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Speaker 1: And what an episode that might go two weeks before Christmas.

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Speaker 1: We should say, as you mentioned that a couple of times,

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Speaker 1: that it's not it is not quite, but it's it's

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Speaker 1: like in that anticipatory, joyful headspace everybody gets into. When

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Speaker 1: you said you got uninvited to your parents fake Christmas party,

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Speaker 1: I laughed out loud when Luke says that so good. Um,

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Speaker 1: what an episode, My god. And I think some of

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Speaker 1: the most difficult sledding emotionally speaking for for Lauren. Um,

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Speaker 1: I mean she's had some tough episodes to do so far.

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Speaker 1: I mean as far as you know, the type of

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Speaker 1: emotional gymnastics that she has to go through on a

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Speaker 1: weekly basis. But I thought this one was especially especially tough.

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Speaker 1: And I was just like, why, she's getting through it

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Speaker 1: beautifully and and there was, you know, a lot going on.

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Speaker 1: Oh my god, she's battling her mom, she's been on

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Speaker 1: roaring everybody's man at her. Um. You know, she's she's

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Speaker 1: getting a little attitude from me. Uh. You know, overall,

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Speaker 1: I thought it was Um, I don't. I don't know

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Speaker 1: if it was my favorite episode. I thought it was

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Speaker 1: a big episode. Do you think that's because you're too

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Speaker 1: hard on yourself? Because I love this episode really and

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Speaker 1: maybe you you don't because there is so much you

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Speaker 1: in it that maybe you're judging it. No, No, it's

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Speaker 1: not that. It just took us out of familiar environs

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Speaker 1: and here we are in a hospital. You know that's

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Speaker 1: not familiar. Set pieces that that we're used to or

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Speaker 1: want to get used to. It's just so. I think

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Speaker 1: they made a choice that Richard was going to have, um,

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Speaker 1: you know, a health issue, and he had to go

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Speaker 1: into the hospital. What I what I think it did

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Speaker 1: for me is kind of jarred me out of the

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Speaker 1: Gilmour world while keeping me in and at the same time,

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Speaker 1: with so outside of my familiar set pieces what I know,

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Speaker 1: the Dragonfly or Luke Steiner or Laurelized house or everything

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Speaker 1: that we're anchored in. It almost and I don't want

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Speaker 1: to say this word, I'm not. I don't want to

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Speaker 1: be negative. I really don't. It almost came off like,

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Speaker 1: I don't know, outside of it's familiar um um scenes,

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Speaker 1: set pieces and sets, it almost felt like melodrama at

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Speaker 1: at times. I'm not saying it's an interesting it's an

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Speaker 1: interesting thought. It didn't bother me. For me, the hospital

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Speaker 1: scenes were extraordinary. No, no, absolutely, absolutely, But I I

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Speaker 1: wish they just got him out of the hospital. I

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Speaker 1: wish they didn't spend so much time in the hospital.

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Speaker 1: I wish they got think that's true. The hospital was

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Speaker 1: probably twenty minutes of the episode. I thought your scenes

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Speaker 1: with Rory were amazing your scenes with lorea lie where

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Speaker 1: means amazing, You're scene with Emily amazing that scene. I

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Speaker 1: like that scene. She knows, she knows, she knows you too,

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Speaker 1: are a thing a hundred percent. She knew in the

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Speaker 1: episode when she met you previously. She knows in this one,

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Speaker 1: and I I loved it. It's it's not difficult for

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Speaker 1: people of a certain maturity, a certain vintage to know

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Speaker 1: what younger people are thinking and feeling. That's not difficult,

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Speaker 1: It's it's obvious. The older you get, the more obvious

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Speaker 1: that becomes. She knows Laura Lae, even though they have

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Speaker 1: so many issues and so much drama. She knows, and that,

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Speaker 1: to me, it just hits me, and I love it. Yeah,

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Speaker 1: she wrecked her life with Christopher, now she's gonna reck

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Speaker 1: her life with me. She's she's she's hell bent for

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Speaker 1: leather yet again. I think Emily likes you. I think

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Speaker 1: Emily likes Luke. I do too, And I think Luke

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Speaker 1: likes Emily. Yeah. I think Luke really likes Emily, I

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Speaker 1: really do. I think he's a little bit afraid of her. Um,

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Speaker 1: you're so kind to her. Yeah, Well, I mean she

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Speaker 1: didn't do anything to me. I mean, I don't know

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Speaker 1: how much I even I am privy to the trauma

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Speaker 1: going on between mother and daughter, you know, between between

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Speaker 1: Laurelie and Emily. I probably don't know a lot because

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Speaker 1: Laura la Are and I are not that close yet,

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Speaker 1: and I don't know that she shares any of that

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Speaker 1: stuff with me. I mean, I mean, I know she's

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Speaker 1: I know she's probably frustrated with her mother because she

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Speaker 1: comes to the diner at times is oh my mother.

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Speaker 1: But I mean, have I been really so heavily like

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Speaker 1: am I inner circle Luke with her such good friends

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Speaker 1: and we're tight and we we sort of talk about

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Speaker 1: her mother. I don't think we do love Where she's

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Speaker 1: explaining Richard to you, you know, she says, I don't

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Speaker 1: know what loweral lies told you, but he's a he's

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Speaker 1: a really good father. And you you say, that's exactly

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Speaker 1: what she told me, and whether that is a hunt

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Speaker 1: of her sent the truth, it was so what she

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Speaker 1: needed to hear. I mean. Kelly Bishop is an amazing

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Speaker 1: actress and I love her performance in this episode. Everything

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Speaker 1: is just so believable. Yeah, she's she's an old she's

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Speaker 1: a pro. I mean, she's really gifted on top of

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Speaker 1: being a super pro. I mean, she's just a natural.

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Speaker 1: You know, it's it's you know, I don't want to

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Speaker 1: I don't want to sound sexist, but women are just

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Speaker 1: such better actors than just are. I think we just

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Speaker 1: take that as a compliment. They just are. I mean,

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Speaker 1: you take you take a mediocre actress and they're is

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Speaker 1: good as the best actor. I mean it's like, you know,

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Speaker 1: there's women can do anything in front of a camera.

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Speaker 1: It's just it's not even fair. It's not a fair fight.

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Speaker 1: But I think and that's but but in that situation,

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Speaker 1: Luke is just being supportive to her. He's he's if

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Speaker 1: he doesn't know that Richard's a great guy, he's probably

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Speaker 1: just saying that to to be classy and to be

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Speaker 1: supportive in a very difficult time because nobody knows if

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Speaker 1: he's going to hang on he might die well. And

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Speaker 1: maybe it's also because you know, ultimately this relationship with

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Speaker 1: Morala is not going anywhere, and this woman is going

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Speaker 1: to be in your life, whether your friends or more.

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Speaker 1: I just saw it as the groundwork for Yeah, but

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Speaker 1: he I don't think he's he's not strategic, He's not

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Speaker 1: you know, thinking that way he's just in the moment

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Speaker 1: and being a solid guy, being a friend. He's being

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Speaker 1: a friend. He's doing exactly he was. He's saying what

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Speaker 1: a friend would say. I think he's more well, he

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Speaker 1: obviously feels a lot more. Yeah, but I think in

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Speaker 1: this time he's he's not letting that spill over. He

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Speaker 1: just wants to be a supportives as he possibly can.

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Speaker 1: He's more of a friend at this point. He feels

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Speaker 1: like he wants more, obviously, but at this point, you know,

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Speaker 1: he's not seeing this as a way to ingratiate himself.

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Speaker 1: He's just functioning as a friend. I don't think he

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Speaker 1: I have the benefit of hindsight being I don't know.

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Speaker 1: This episode was powerful and their relationship was like so

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Speaker 1: evident between Luke and LAURELOI. Yeah, yeah, they they flow

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Speaker 1: very well together, you know they are. They're not so opposite,

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Speaker 1: are they. I Mean, it would appear on the service

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Speaker 1: that opposites attract and they're just very different. But I

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Speaker 1: think they're very very similar. I think they're both tough

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Speaker 1: as nails. I think the thing that comes across for

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Speaker 1: her is she's really tough. She's tough like Emily, and

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Speaker 1: she when she digs her heel in, heal's in. I mean,

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Speaker 1: don't don't get in her way, and she's not backing down,

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Speaker 1: and I think he's the same way. So it's I

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Speaker 1: think that's where it is. They're both very, very similar totally.

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Speaker 1: But I thought she was so vulnerable in this episode

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Speaker 1: with you, so what I thought was interesting. And again

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Speaker 1: I don't want to see him sexist, but I felt

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Speaker 1: like when she got that message, she starts to fall

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Speaker 1: apart and Luke stepped up, almost like you want the

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Speaker 1: man to do, or you want your boyfriend to do.

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Speaker 1: I felt like Luke stepped up. He took control. He

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Speaker 1: got everybody out of the diner. He's like, Taylor, close up,

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Speaker 1: have your hot chocolate. Everything's on me, let's go. Luke

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Speaker 1: took over. You know. I think it took him too long.

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Speaker 1: I think it took I was waiting for him to

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Speaker 1: get to kick everybody out and take action. I said, like,

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Speaker 1: come on, guy, go go go. You're so hard on yourself.

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Speaker 1: I thought I was wondering what is taking him so long?

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Speaker 1: And then finally he It's like, why is it even

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Speaker 1: a decision? Why is he hesitating? I'm not gonna lie.

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Speaker 1: I was like that. That was hot of hot of Luke,

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Speaker 1: like go. And then this is what I was saying

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Speaker 1: to you off there before we started today when in

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Speaker 1: the diner, Luke is getting everybody out and she's starting

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Speaker 1: to really lose it and she says, Luke, I'm and

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Speaker 1: you say, I know, let's go, and I'm atrocious actor.

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Speaker 1: No, no no, no, that was very convincing. See even like

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Speaker 1: even you think you suck, you're better than me. I

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Speaker 1: have watched that scene three times just yesterday, and like

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Speaker 1: I said, I'm shook. Like it was so I got chills.

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Speaker 1: I was just like, oh my god, he's so dreamy

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Speaker 1: and awesome and he's just handling this and just gets

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Speaker 1: her up. He's but he's just doing anybody would do

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Speaker 1: that for He would have done that for Michelle, would

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Speaker 1: have done that for her if she had gotten that

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Speaker 1: phone call at the Dragonfly during the day, then they

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Speaker 1: all would have done that for her. And they would

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Speaker 1: have been there for her at the hospital. Nope, not

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Speaker 1: the way Luke did. Nope. Yes, they all would have

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Speaker 1: driven her. They would have been there for you, not

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Speaker 1: like the way you did where you understood why she

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Speaker 1: isn't going in that room and then drive twenty miles

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Speaker 1: an hour on the freeway. I guess it's icy. Do

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Speaker 1: you remember shooting that? How do you shoot those driving scenes?

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Speaker 1: Are you on like some weird contraption behind a car? Yeah,

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Speaker 1: we're behind a We're on a rig, behind a truck.

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Speaker 1: We're actually off the ground but driving. No we're no, no,

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Speaker 1: we're being driven. The car is on a dolly and

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Speaker 1: I mean it's actually moving. It's not like, yeah, we're

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Speaker 1: being pulled around. Yeah. The cameras are set up outside

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Speaker 1: the car at different angles and we just sit in

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Speaker 1: the car and I act like I'm driving. I do

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Speaker 1: this around the Warner Brothers set. Or do you go out? No? No, no, no, no, no, no, no,

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Speaker 1: we go we go out into the real world and

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Speaker 1: dude with a police escort. Oh yes, yes, all right,

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Speaker 1: everybody gonna take a little break. When we come back,

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Speaker 1: we're gonna talk about Jane Lynch. This is I Am

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Speaker 1: All In Podcast with Scott Patterson I Heart Radio. Hi everybody,

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Speaker 1: we're back. We're talking about Jane Lynch, forgiveness and stuff.

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Speaker 1: Jane Lynch played the hospital. I guess one of the

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Speaker 1: nurses check in who was preventing laure Ali from going

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Speaker 1: in and seeing her dad unless she filled out all

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Speaker 1: of those forms and that was not gonna or no, Emily,

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Speaker 1: I'm sorry, Emily and Emily, boy, what a great scene

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Speaker 1: that was. And you will see his he will see

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Speaker 1: his painting in the lobby. He is one of the

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Speaker 1: founders of this hospital. I immediately, WHOA, there's Jane Lynch,

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Speaker 1: but I don't remember it from twenty years ago, like

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Speaker 1: standing out. You know, you know why Jane lynn you know,

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Speaker 1: you know why Jane Lynch is a star because Jane Lynch.

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Speaker 1: I remember very distinctly that day filming with Jane Lynch,

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Speaker 1: and she was not Jane Lynch yet, and and she

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Speaker 1: really took that entire scene. She did those couple of scenes.

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Speaker 1: She did very very meticulous about it, very seriously. She

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Speaker 1: wanted to be as supportive and as good as she

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Speaker 1: could be and as real as she could be. Um

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Speaker 1: I was. I was very impressed. I mean most guest

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Speaker 1: stars do that, but not to the extent that that

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Speaker 1: she she took it. I mean, she pretty much took

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Speaker 1: over the set and it was appropriate because that was

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Speaker 1: her set. That was her space, her character space. That

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Speaker 1: is her space, not Emily space, not my space and

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Speaker 1: she behaved that way too, So I thought, how very

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Speaker 1: tom Brady of her. She's perfect in that. I mean,

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Speaker 1: and obviously they like her because she's she plays a

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Speaker 1: great character on Mrs mais all, Oh, yeah, she's she's done.

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Speaker 1: She's done beautiful work throughout her career. I mean over

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Speaker 1: the last she's so and Lynch. I mean, she was

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Speaker 1: Jane Lens back then. You could see the seats right there, like, wow,

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Speaker 1: that girl. She's super prepared. She knows what she's doing

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Speaker 1: on set. She wants to get it, not just get

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Speaker 1: it right, she wants to make it great. Um. And

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Speaker 1: so she was a great scene partner, right, I mean

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Speaker 1: I was there for all the rehearsals, and you know

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Speaker 1: I didn't I didn't really interact with her, but I

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Speaker 1: saw her in action. It was it was impressive. All right,

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Speaker 1: let's go, let's go back to the serious stuff and

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Speaker 1: then we'll get to the fun stuff. But like, what

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Speaker 1: else can you remember about those scenes? Because that's hard,

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Speaker 1: Like Laurea la Lauren has to cry in multiple scenes,

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Speaker 1: and then the part where she knows her dad's okay,

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Speaker 1: it just loses it and then you hug her. I'm

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Speaker 1: like these two people love each other, but it's you know,

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Speaker 1: even though Luke and Laurel I are just friends. And

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Speaker 1: I'm not denying the tremendous amount of feelings coming out

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Speaker 1: of Luke and maybe maybe a colonel of of something

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Speaker 1: happening on Laurels, but um, you know, circumstances have thrown

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Speaker 1: these two together. But I think he's really just acting

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Speaker 1: like any friend would act as supportive person. I again,

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Speaker 1: I'm not trying to diminish I'm not trying to diminish it.

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Speaker 1: He doesn't see it as an opportunity to to to

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Speaker 1: you know, to move the ball down the field as

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Speaker 1: it was on a relationship, and I I don't think

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Speaker 1: he sees it that way. And that's not how I

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Speaker 1: played it. That is I was there, I am the character.

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Speaker 1: Don't you argue with me. Okay, but here's the beauty.

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Speaker 1: We're going to bring in producer Riley and Danielle to

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Speaker 1: weigh in because I know you didn't play it that way,

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Speaker 1: because I think the chemistry between you and Lauren meaning

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Speaker 1: Scott and Lauren, Laura lyon Luke, whatever we want to say,

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Speaker 1: it is real. It's helpable. So as the viewer, you

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Speaker 1: don't even have to try, because it's just there. Therefore,

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Speaker 1: you don't have to play it. It's already there. You

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Speaker 1: just act like you just be the friend, be the

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Speaker 1: supportive person. That's it. That's the soul of any relationship anyway.

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Speaker 1: At the end of the day, your friends so be

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Speaker 1: a great friend. And that's all he was doing. That's

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Speaker 1: all he knows how to do with her. Okay, Riley, Danielle,

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Speaker 1: what do you guys think when I'm watching, I'm like,

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Speaker 1: he loves her so much. It wasn't even a second thought.

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Speaker 1: Boom done, dinner closed, everyone, get out, Get in my car,

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Speaker 1: we're going. And then at the hospital, laurelized, like drive

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Speaker 1: Rory home. He's like, yep, got it done. Like literally,

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Speaker 1: it was no hesitation whatsoever, which to me as a

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Speaker 1: viewer and a fan, I'm like, he loves her so much.

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Speaker 1: You could you could feel the raw emotions, you could

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Speaker 1: feel the intensity, you could feel it. And also even

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Speaker 1: the coffee at the end, like he went out of

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Speaker 1: his way to get her the coffee. I forgot about

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Speaker 1: the coffee. Yep, you're so right, Scott. I'm so interested.

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Speaker 1: Why you don't see it? And I don't know if

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Speaker 1: it's because your Luke or you know how you did it.

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Speaker 1: But these two people are in love, and I think

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Speaker 1: you're just so in it you didn't even have to

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Speaker 1: try have two words. Santa Burger sant the iconic Santa Burger.

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Speaker 1: Hey grouchy Luke who still says it's two weeks before Christmas.

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Speaker 1: Come on. He loves her. He's cool about it, he's

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Speaker 1: not creepy, but he just loves her and she loves him. Uh. Well,

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Speaker 1: you know, look, it's a small town. You gotta be careful.

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Speaker 1: You can't push things. You know, you want people to

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Speaker 1: continue to come to the diner, right and and and

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Speaker 1: enjoy your food. I mean, I just you know, he's

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Speaker 1: a very and whenever she says I'm not being flirty,

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Speaker 1: it's because she's being flirty. It's like he looked good, yeah,

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Speaker 1: and then he smiled. That's all I did. He just

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Speaker 1: looked at her and smiled. Yeah. It's it's a fun

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Speaker 1: relationship to play. It really is, because it's just like

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Speaker 1: a couple of I don't know, it's just like a

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Speaker 1: couple of really good friends who really like each other

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Speaker 1: and maybe something's going to happen, but nobody's pushing it.

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Speaker 1: I'm not pushing. They are a couple who just aren't

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Speaker 1: together yet exactly, and Luke is being patient. He really

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Speaker 1: because anybody else would. I mean, look what Max Medina

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Speaker 1: is has done. I mean he's pushing. He's pushing the

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Speaker 1: narrative like he's like a game show host for God's sake,

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Speaker 1: and like, you know, it's take take it, take the

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Speaker 1: deal now, or it's you know, it's like I want

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Speaker 1: to close this deal. And and you know, Luke's just

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Speaker 1: the opposite. It's like, yeah, I just think he's very

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Speaker 1: he's very, very careful with her because he wants to.

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Speaker 1: He respects that this is a small town. She has

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Speaker 1: a daughter. He doesn't want to upset her. He doesn't

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Speaker 1: want to loose who's a friendship with her, you know

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Speaker 1: what I mean. I think he I think he really

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Speaker 1: values that friendship. Right once they do this, there's no

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Speaker 1: going back, right, no, right exactly. Rory is so comfortable

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Speaker 1: with you. That's the other thing. It's like you're there

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Speaker 1: in this most personal scary moment for them, and there's

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Speaker 1: nothing random about you being there. It's absolutely perfectly normal

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Speaker 1: that you are there. My my favorite scene, I think

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Speaker 1: in the entire thing is when I'm bent down covering

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Speaker 1: my head because I was avoiding seeing anybody on the guarnee,

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Speaker 1: and and and and and Rory comes out and says,

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Speaker 1: how are you okay looking? Huh. She just keeps It's

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Speaker 1: so true. There's still laughs in there. But frankly, it

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Speaker 1: would have been weird if it was Max there. That

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Speaker 1: would have been uncomfortable for everybody, for Rory, for Lore life,

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Speaker 1: for Emily. But you being there is like, yeah, of

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Speaker 1: course Luke's there. He's he's handling this. But I think yes,

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Speaker 1: because he she Laurela trusts him. She trusts that he's

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Speaker 1: not going to take it too far. He's not going

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Speaker 1: to take it over the line. He's just gonna be

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Speaker 1: a rock solid friend to me and do everything I

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Speaker 1: asked and be there for me. He's anybody else I

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Speaker 1: think in that situation is is gonna you know, I

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Speaker 1: don't know, I mean, I mean, I don't know. I

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Speaker 1: just I just I just remember playing it like where

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Speaker 1: dear friends. I'm not thinking about the relationship at all.

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Speaker 1: I'm not trying to move the ball forward at all.

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Speaker 1: The balls moving itself. Nobody has to move it for us. No,

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Speaker 1: you know, it's just it's just it's just a question

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Speaker 1: of time. It's just a matter of time, and if

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Speaker 1: it's right, it's right, we'll know the moment. Yeah, And

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Speaker 1: I think that's why he's so comfortable. It's like he's

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Speaker 1: patient because I think he knows if this is real,

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Speaker 1: it'll all work out, So I don't I don't have

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Speaker 1: to push this. Yeah, I don't think he's walking away

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Speaker 1: from that, you know, the next morning waking up thinking, Yeah,

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Speaker 1: that's that's that's that's more coins in the bank. No,

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Speaker 1: I'm gonna be making big deposits, big withdrawals soon. That's right.

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Speaker 1: He doesn't have an agenda, doesn't any kind of agenda, Scott,

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Speaker 1: I have a question for Luke. Answer. He's right here

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Speaker 1: by the way to join us high Luke. So, how

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Speaker 1: did he feel at the end of the episode when

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Speaker 1: he got the new hat from water Lize. Yeah, because

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Speaker 1: she's reciprocating feelings and at that moment, don't well, you

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Speaker 1: don't seem smile a lot, do you? And he really

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Speaker 1: smiled on that one. I mean for him, that was

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Speaker 1: like consummating the relationship. I mean he he probably went

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Speaker 1: home and slept with a hat. Are slept with it on.

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Speaker 1: You know, that was a big deal. That was a

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Speaker 1: really big deal. And another thing that really shocked me

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Speaker 1: was is I used to have a lot of hair

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Speaker 1: and it was all over the place and it was

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Speaker 1: very long, and I just went, God, you know, things

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Speaker 1: change in twenty years, don't they. You look good, Actually,

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Speaker 1: you look good and I'm not being flirty. You look

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Speaker 1: really good today. I was noticing, like you seem like

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Speaker 1: you're like beIN and looking good and I'm like, Lorela,

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Speaker 1: I'm not flirting. I you know, I played some golf,

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Speaker 1: I went to the gym, I jumped in the pool,

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Speaker 1: and here I am, you know, tough life, okay, speaking

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Speaker 1: of two people in love like Luke and Lorely, Emily

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Speaker 1: and Richard. Wow, that scene where Richard wants to talk

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Speaker 1: about the money and the will and she says no,

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Speaker 1: and she says, I demand to go first. I mean,

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Speaker 1: I'm gonna like cry talking about it. But it's like

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Speaker 1: the the ease with which she she played that scene.

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Speaker 1: This is what I'm talking about. It's not fair. Women

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Speaker 1: are so much better actors than men. It's just remarkable.

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Speaker 1: She was remarking, I mean, you know, we've been getting

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Speaker 1: some emails about what you know, people want me to

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Speaker 1: shut up about talking about how we deserve Emmy's and

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Speaker 1: like move on and get over it, and said, no,

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Speaker 1: I'm not. I'm gonna point it out every single time

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Speaker 1: the bone heads at the at the Academy are not

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Speaker 1: watching this show because if they were and they saw

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Speaker 1: that scene. Uh, Kelly Bishops gets nominated every single year, right,

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Speaker 1: you know, it seems like Masal is getting the Emmy's

390
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Speaker 1: because of the mistakes. They didn't give them to Gilmore.

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Speaker 1: I mean because Mazel. I don't know about this recent Emmy's,

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Speaker 1: but in the past they've gotten so many nominations that

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Speaker 1: maybe they're making it up it right, I just think

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Speaker 1: it's because it's it's worthy of getting awards. It's not

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Speaker 1: like they feel like they're owed. But it's like maybe

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Speaker 1: just people didn't get it how how brilliant this was,

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Speaker 1: or maybe they didn't watch it enough when it was

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Speaker 1: on the first time. We have to remember that people

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00:24:09,640 --> 00:24:14,000
Speaker 1: discovered it in the masses later they did. There was

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Speaker 1: no you know, this was the first brush with death,

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Speaker 1: and I think shows that are heavy with death, hospital shows,

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Speaker 1: cop shows, that kind of thing. You know, they'll get

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Speaker 1: the nominations because they're dealing with death. We we don't

404
00:24:28,240 --> 00:24:30,600
Speaker 1: deal with that stuff. This is we dealt with that

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Speaker 1: one time. M was sort of the first of the

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Speaker 1: drama tase too. I mean, I need to like check

407
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Speaker 1: my facts, so don't everyone cannot at me on that.

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Speaker 1: But it was a full comedy with drama. Yeah, no,

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Speaker 1: it was. It was a true drama ty but it

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Speaker 1: but it also you know, I've had I had this

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Speaker 1: discussion with my wife about the different facets of this

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Speaker 1: show and how many different types of comedy there are

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Speaker 1: in the show. There is, in my opinion, the funniest

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Speaker 1: moments come from the most dramatic um setups, and that's

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Speaker 1: where the real human that's when you come in with

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Speaker 1: a knockout punch with with a funny line or a

417
00:25:05,920 --> 00:25:09,400
Speaker 1: funny gesture or or or hesitate a pause or something

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Speaker 1: like that. It's in a dramatic situation. And there's also

419
00:25:11,840 --> 00:25:15,120
Speaker 1: kind of like sitcomy stuff in here too, so it's

420
00:25:15,119 --> 00:25:18,479
Speaker 1: sort of like there's you know, there's like there's like

421
00:25:18,840 --> 00:25:21,400
Speaker 1: bits that go on. So it's like they're they're they're,

422
00:25:21,440 --> 00:25:24,119
Speaker 1: they're they're crossing the streams and get she's crossing the

423
00:25:24,119 --> 00:25:27,159
Speaker 1: streams and getting away with it somehow totally. The opening

424
00:25:27,200 --> 00:25:31,359
Speaker 1: scene is a bit but I think that provided critics

425
00:25:31,520 --> 00:25:35,960
Speaker 1: or Academy members with you know, that maybe it put

426
00:25:36,000 --> 00:25:38,119
Speaker 1: a little doubt in their minds to the you know,

427
00:25:38,200 --> 00:25:41,800
Speaker 1: do the do the writers really know what the show is?

428
00:25:41,840 --> 00:25:43,480
Speaker 1: If they don't know what the show is, if it's

429
00:25:43,520 --> 00:25:47,280
Speaker 1: not you know, comedic moments coming out of dramatic situations,

430
00:25:47,320 --> 00:25:49,920
Speaker 1: and it's also this sort of you know, this almost

431
00:25:50,040 --> 00:25:54,080
Speaker 1: sticky kind of stuff. Um. You know, then if they

432
00:25:54,080 --> 00:25:55,440
Speaker 1: don't know what the show is, and if they don't

433
00:25:55,440 --> 00:25:58,399
Speaker 1: want to define the show narrowly enough for us, how

434
00:25:58,600 --> 00:25:59,920
Speaker 1: how are we supposed to vote for How are we

435
00:26:00,000 --> 00:26:02,320
Speaker 1: supposed to get on board with it? Because maybe they

436
00:26:02,320 --> 00:26:04,400
Speaker 1: felt that that the writing was a little bit out

437
00:26:04,400 --> 00:26:06,520
Speaker 1: of control and a little bit on disciplined. You know.

438
00:26:06,560 --> 00:26:08,159
Speaker 1: I don't know, I can't get in their heads. But

439
00:26:08,520 --> 00:26:11,560
Speaker 1: it was ahead of its time, Yes, I think it was.

440
00:26:11,800 --> 00:26:17,600
Speaker 1: It seamlessly um embraced all different forms of comedy. Um.

441
00:26:18,760 --> 00:26:21,600
Speaker 1: He's the opening scene where they're getting ready for the

442
00:26:21,960 --> 00:26:23,439
Speaker 1: I don't even really know what they're getting ready for.

443
00:26:23,520 --> 00:26:28,159
Speaker 1: The Christmas Story, the play, the in a Manger. I

444
00:26:28,160 --> 00:26:30,080
Speaker 1: don't know what they're doing what are they doing? They're

445
00:26:30,119 --> 00:26:33,720
Speaker 1: like getting ready to do the telling of Jesus Nativity,

446
00:26:35,560 --> 00:26:37,880
Speaker 1: and the baby's missing its arm and then the dog

447
00:26:37,920 --> 00:26:40,159
Speaker 1: has it in the arm. And the baby is a girl,

448
00:26:40,200 --> 00:26:44,840
Speaker 1: which Danielle noticed, and not a boy. Well Rory noticed.

449
00:26:44,880 --> 00:26:49,160
Speaker 1: It was like, you might want to get a doll

450
00:26:49,280 --> 00:26:52,760
Speaker 1: that's not a girl. Baby Jesus, you know. And so

451
00:26:52,840 --> 00:26:56,000
Speaker 1: much is happening because Kirk is back and he's being funny.

452
00:26:56,040 --> 00:27:00,440
Speaker 1: But then that scene also shows us that Rory and

453
00:27:00,920 --> 00:27:04,280
Speaker 1: Lorea Lie are not getting along still. There's all that tension,

454
00:27:04,560 --> 00:27:09,360
Speaker 1: but it's all with this crazy hoop blah and you're

455
00:27:09,359 --> 00:27:11,800
Speaker 1: seeing the town. I mean, there's so much happening in

456
00:27:11,840 --> 00:27:15,240
Speaker 1: that scene. Well that's why all those characters were created,

457
00:27:15,240 --> 00:27:17,920
Speaker 1: so you could do that kind of stuff. It's all

458
00:27:18,000 --> 00:27:21,800
Speaker 1: sort of background. You know. Let's now we can use

459
00:27:21,840 --> 00:27:25,960
Speaker 1: Miss Patty and Taylor and Sean and you know we can,

460
00:27:26,080 --> 00:27:30,440
Speaker 1: really we can. We can do this scene where there's

461
00:27:30,480 --> 00:27:33,440
Speaker 1: tension between mother and daughter and backdrop as the wacky town.

462
00:27:33,600 --> 00:27:35,960
Speaker 1: So it keeps it light, it keeps it all very

463
00:27:36,480 --> 00:27:40,680
Speaker 1: kind of light, and in that the delivery is very pleasant,

464
00:27:40,720 --> 00:27:44,800
Speaker 1: but then it's sort of resonates on a deeper level

465
00:27:45,640 --> 00:27:49,199
Speaker 1: because of the backdrop, because it's so contrasting. Well, and

466
00:27:49,200 --> 00:27:52,800
Speaker 1: then it's so funny because that sets us up because

467
00:27:53,480 --> 00:27:57,679
Speaker 1: Rory is telling Lane they're calling him our gilepsy boys.

468
00:27:57,720 --> 00:28:00,600
Speaker 1: So then later on when we get the joke when

469
00:28:00,680 --> 00:28:05,679
Speaker 1: Lauren makes the quick, you know, witty remark about an

470
00:28:05,760 --> 00:28:10,399
Speaker 1: arcolepsy boy, I mean, it's all just so hilarious. So

471
00:28:10,520 --> 00:28:13,960
Speaker 1: much time in that hospital was much time. I think

472
00:28:14,040 --> 00:28:17,160
Speaker 1: it's just because you have a harder time watching you

473
00:28:17,600 --> 00:28:21,800
Speaker 1: and you were in a straight twenty minutes of that show.

474
00:28:21,960 --> 00:28:24,480
Speaker 1: I think I was still figuring out the character. I

475
00:28:24,560 --> 00:28:27,120
Speaker 1: was still trying to find the character with the accent

476
00:28:27,359 --> 00:28:30,880
Speaker 1: and you know, his level of energy and that kind

477
00:28:30,880 --> 00:28:33,359
Speaker 1: of thing. And I liked I actually liked what I

478
00:28:33,400 --> 00:28:36,320
Speaker 1: did in this episode because I pulled pulled it back

479
00:28:36,480 --> 00:28:39,800
Speaker 1: way back. And I think that's where I'm best is

480
00:28:40,240 --> 00:28:43,640
Speaker 1: if I just don't lean on it so much, you know,

481
00:28:43,640 --> 00:28:46,000
Speaker 1: because I have a tendency to be a little intense.

482
00:28:46,760 --> 00:28:48,680
Speaker 1: And did you think you were leaning on it too

483
00:28:48,760 --> 00:28:51,320
Speaker 1: much in this I know I liked it because I

484
00:28:51,400 --> 00:28:54,600
Speaker 1: was laid back and just you know, just sort of supporting,

485
00:28:54,600 --> 00:28:58,600
Speaker 1: supporting supporting, supporting in this as a friend in this

486
00:28:58,720 --> 00:29:01,320
Speaker 1: horrible situation, you know, and just trying to be you

487
00:29:01,320 --> 00:29:05,000
Speaker 1: know and not be you know. I mean it's it's

488
00:29:05,000 --> 00:29:07,560
Speaker 1: in the writing and tells you what you do anyway.

489
00:29:07,640 --> 00:29:11,080
Speaker 1: So yeah, but I liked it. I liked I liked

490
00:29:11,440 --> 00:29:14,600
Speaker 1: the whole thing, and I the toughest parts about the

491
00:29:14,640 --> 00:29:18,200
Speaker 1: episode for me was reacting to the people that were

492
00:29:18,240 --> 00:29:22,160
Speaker 1: being wheeled by and grossing me out, you know, because

493
00:29:22,200 --> 00:29:25,960
Speaker 1: the whole episode, because there's just so much going on,

494
00:29:26,120 --> 00:29:28,880
Speaker 1: and I think that's why it's so entertaining, and I

495
00:29:28,880 --> 00:29:31,040
Speaker 1: I say, that's why we can watch it three times

496
00:29:31,040 --> 00:29:35,400
Speaker 1: in two days and you're like, it's still good. Yeah,

497
00:29:35,440 --> 00:29:39,880
Speaker 1: because it's a big tease for the audience because you know,

498
00:29:40,040 --> 00:29:42,480
Speaker 1: all of the unanswered question is rich You're gonna die?

499
00:29:43,160 --> 00:29:46,640
Speaker 1: Are Emily and Laurela are gonna reconcile our Luke and

500
00:29:46,720 --> 00:29:49,040
Speaker 1: Laurela I finally gonna you know, get I mean, there's

501
00:29:49,040 --> 00:29:54,320
Speaker 1: so many The tension that is that is created with

502
00:29:54,320 --> 00:29:57,080
Speaker 1: with the writing is marvelous because it's coming at you

503
00:29:57,120 --> 00:29:59,800
Speaker 1: from all angles all the time. Did anyone catch the

504
00:30:00,040 --> 00:30:07,920
Speaker 1: Moorla calls you honey? Yes? I did catch that you know,

505
00:30:08,200 --> 00:30:11,400
Speaker 1: I didn't know if it was intentional. I didn't know

506
00:30:11,440 --> 00:30:15,320
Speaker 1: if she's sort of She's not a honey baby hooky type,

507
00:30:16,280 --> 00:30:20,360
Speaker 1: so it was like, wow, oh, what do you make

508
00:30:20,400 --> 00:30:23,800
Speaker 1: of that. I just think that he's again, and I've

509
00:30:23,800 --> 00:30:25,600
Speaker 1: said it before. I just think he's afraid of her.

510
00:30:25,680 --> 00:30:28,400
Speaker 1: I'm he's afraid of getting rejected by somebody that he

511
00:30:28,480 --> 00:30:31,760
Speaker 1: desires so much and that he sees a future with.

512
00:30:32,000 --> 00:30:35,720
Speaker 1: He wants that's his forever woman. There's nobody else for him.

513
00:30:36,360 --> 00:30:38,960
Speaker 1: But he doesn't want to make the move yet. He

514
00:30:39,040 --> 00:30:43,200
Speaker 1: wants to make sure that it's solid that she feels

515
00:30:43,200 --> 00:30:45,480
Speaker 1: the same way. And he definitely doesn't want to screw

516
00:30:45,560 --> 00:30:48,760
Speaker 1: up Rory's life by coming in. And you know, if

517
00:30:48,800 --> 00:30:51,440
Speaker 1: the relationship doesn't work out, that drama for Rory, that's

518
00:30:51,480 --> 00:30:54,280
Speaker 1: tension for Rory. He doesn't want that. So he is

519
00:30:54,400 --> 00:30:56,360
Speaker 1: you know, he really is a throwback guy. He's a

520
00:30:56,360 --> 00:31:00,840
Speaker 1: really selfless guy. Um and he's very very careful with

521
00:31:00,880 --> 00:31:06,320
Speaker 1: her because he's going to survive without her, And I

522
00:31:06,360 --> 00:31:09,680
Speaker 1: think that's part of his appeal to her eventually, like

523
00:31:09,800 --> 00:31:12,440
Speaker 1: he's gonna be okay without me because he's Luke and

524
00:31:12,520 --> 00:31:15,120
Speaker 1: he's just gonna go and he's going to open the

525
00:31:15,160 --> 00:31:17,640
Speaker 1: dinner every morning, and he's gonna work hard and that's

526
00:31:17,640 --> 00:31:21,120
Speaker 1: what he does and that's who he is. And um,

527
00:31:21,480 --> 00:31:24,560
Speaker 1: but wouldn't life be so much sweeter with her? Right? Yeah,

528
00:31:24,720 --> 00:31:28,240
Speaker 1: he's in denial by about how much happier he could

529
00:31:28,320 --> 00:31:31,600
Speaker 1: be if he'd let her in. But he's so afraid

530
00:31:31,640 --> 00:31:33,640
Speaker 1: of all the things you're saying. But it's like that's

531
00:31:33,680 --> 00:31:37,840
Speaker 1: the unknown, you know. It's like he maybe he's not aware.

532
00:31:37,880 --> 00:31:40,800
Speaker 1: He probably well, he obviously feels in the moment that

533
00:31:41,080 --> 00:31:43,640
Speaker 1: it could be much sweeter, but on it consistently because

534
00:31:43,640 --> 00:31:46,160
Speaker 1: he's a guy who's like a day and day out guy.

535
00:31:46,200 --> 00:31:49,040
Speaker 1: What's it gonna be like every day? And he sees

536
00:31:49,080 --> 00:31:51,840
Speaker 1: what she goes through with her mother and all the

537
00:31:51,920 --> 00:31:54,600
Speaker 1: you know, the whacking is that the surrounding this woman

538
00:31:54,640 --> 00:31:57,680
Speaker 1: that comes into her diner, his dinner like a tornado

539
00:31:57,760 --> 00:32:01,880
Speaker 1: every day, you know, uh, with with the moods changing

540
00:32:01,880 --> 00:32:05,840
Speaker 1: all the time, and you he honestly doesn't know if

541
00:32:05,880 --> 00:32:08,040
Speaker 1: he can keep up with her. I think I think

542
00:32:08,080 --> 00:32:10,560
Speaker 1: that's one of the reasons. Here's what's coming into my mind,

543
00:32:10,840 --> 00:32:14,040
Speaker 1: and I can see it so vividly, the pain on

544
00:32:14,080 --> 00:32:17,000
Speaker 1: your face when you saw her when you were with

545
00:32:17,040 --> 00:32:20,479
Speaker 1: the reenactors and she's walking with Max through town, and

546
00:32:20,520 --> 00:32:25,640
Speaker 1: it's like that face, that pain, that emotion comes back

547
00:32:25,680 --> 00:32:27,520
Speaker 1: to my mind and it's like, I it's like I

548
00:32:27,560 --> 00:32:31,120
Speaker 1: saw that yesterday because we all know that feeling, and

549
00:32:31,520 --> 00:32:34,040
Speaker 1: Luke felt that, and it's like that's when I knew,

550
00:32:34,160 --> 00:32:38,320
Speaker 1: like this guy loves her. And then everything just completely

551
00:32:38,520 --> 00:32:42,760
Speaker 1: proves it. Everybody has been in that situation. That is

552
00:32:42,800 --> 00:32:46,680
Speaker 1: a universal feeling. That's why I was so powerful. I

553
00:32:46,720 --> 00:32:49,840
Speaker 1: don't know that it was anything I did or or

554
00:32:49,960 --> 00:32:53,160
Speaker 1: that in particular, it was just everybody can relate to that.

555
00:32:53,480 --> 00:32:56,040
Speaker 1: You know. Everybody has that person in their life or

556
00:32:56,080 --> 00:32:58,040
Speaker 1: had that person in their life where they're just like

557
00:32:58,080 --> 00:33:02,240
Speaker 1: they felt so powerless to do anything about it. Maybe

558
00:33:02,280 --> 00:33:04,240
Speaker 1: it was too late, oh the one that got away.

559
00:33:04,280 --> 00:33:08,840
Speaker 1: It's it's just it's just an incredibly smart way for

560
00:33:08,880 --> 00:33:12,600
Speaker 1: the writers to set those characters up because it's a

561
00:33:12,880 --> 00:33:18,400
Speaker 1: universal experience. Everybody has gone through that and multiple times. Yeah,

562
00:33:18,760 --> 00:33:20,880
Speaker 1: I think it's really weird, But what's happening to me

563
00:33:20,960 --> 00:33:22,560
Speaker 1: right now? And I want to see what everyone thinks.

564
00:33:22,920 --> 00:33:25,640
Speaker 1: Two scenes stand out to me so much of the

565
00:33:25,640 --> 00:33:29,760
Speaker 1: episodes we've seen so far, that moment when Luke sees

566
00:33:30,080 --> 00:33:33,280
Speaker 1: her walking and I can just feel the pain. And

567
00:33:33,320 --> 00:33:36,160
Speaker 1: then the other one is when Lane put her hands

568
00:33:36,200 --> 00:33:40,600
Speaker 1: through that guy's hair because it was so embarrassing. And

569
00:33:40,680 --> 00:33:44,160
Speaker 1: both of those scenes are like literally imprinted in my brain.

570
00:33:44,600 --> 00:33:46,360
Speaker 1: And I don't know why those two are the two,

571
00:33:46,400 --> 00:33:53,040
Speaker 1: but it's like, oh God, because they were non verbals.

572
00:33:53,440 --> 00:33:56,240
Speaker 1: And that's the power of TV and that's the power,

573
00:33:56,280 --> 00:34:00,480
Speaker 1: that's the true power of film. Oh, it's it's it's

574
00:34:00,520 --> 00:34:05,720
Speaker 1: it's moving pictures. It's not called moving words. It's called

575
00:34:05,800 --> 00:34:11,480
Speaker 1: moving pictures, motion pictures, pictures in motion. Yeah, man, yeah, yeah,

576
00:34:11,640 --> 00:34:17,719
Speaker 1: the non verbal devastation. Right, Yeah, those two are actions.

577
00:34:18,239 --> 00:34:21,439
Speaker 1: I can see them. I can see them in my head.

578
00:34:23,560 --> 00:34:26,120
Speaker 1: It's like Ham. All he does is talk and give speeches.

579
00:34:26,200 --> 00:34:30,240
Speaker 1: He doesn't do anything right. It's a triumph of thought

580
00:34:30,239 --> 00:34:35,799
Speaker 1: over action, character over plot. Alright, guys, let's take a

581
00:34:35,800 --> 00:34:38,520
Speaker 1: little break. I'm Scott Patterson. This is the I Am

582
00:34:38,560 --> 00:34:41,040
Speaker 1: All In podcast with My Heart Radio. We'll be back

583
00:34:41,080 --> 00:34:48,120
Speaker 1: after these works. Yeah, all right, everybody, we're back. We're

584
00:34:48,160 --> 00:34:51,040
Speaker 1: gonna we're talking funny stuff. What's the funny stuff. Well,

585
00:34:51,080 --> 00:34:54,040
Speaker 1: there is some funny stuff and there obviously narcilepsy boy

586
00:34:54,160 --> 00:34:58,680
Speaker 1: A little fun fact. Lauren calls for lore Lie says

587
00:34:58,760 --> 00:35:02,440
Speaker 1: that Dean is six but in real life, Jared is

588
00:35:02,640 --> 00:35:05,200
Speaker 1: how lucky is six four? And I don't know if

589
00:35:05,200 --> 00:35:06,799
Speaker 1: they did that on purpose or just they didn't want

590
00:35:06,840 --> 00:35:09,440
Speaker 1: him to seem so gigant or well, he was what

591
00:35:09,640 --> 00:35:12,480
Speaker 1: seventeen eighteen at the time. Maybe he was just six too.

592
00:35:13,200 --> 00:35:19,200
Speaker 1: Oh maybe still gross, a little Grossbert, What did you

593
00:35:19,200 --> 00:35:22,200
Speaker 1: think of the dinner party, the holiday fake Christmas party?

594
00:35:22,400 --> 00:35:25,600
Speaker 1: I gave Dean's I gave Jared some tips on nutrition

595
00:35:25,680 --> 00:35:28,800
Speaker 1: and weightlifting. Is that true? That's true. Yes, he was

596
00:35:28,920 --> 00:35:31,200
Speaker 1: very concerned about it because he thought he was too

597
00:35:31,360 --> 00:35:34,080
Speaker 1: lean or he wanted to know how he could bulk up.

598
00:35:35,080 --> 00:35:38,000
Speaker 1: What did you say. I said, there isn't a damn

599
00:35:38,040 --> 00:35:41,439
Speaker 1: thing you can do about it, That's true. I said,

600
00:35:41,680 --> 00:35:45,000
Speaker 1: you'd have to bulk up when you were playing baseball. Yeah, yeah,

601
00:35:45,040 --> 00:35:47,359
Speaker 1: I did, but I had, you know, and I'm like him,

602
00:35:47,400 --> 00:35:51,400
Speaker 1: I'm naturally thin. And I said, there is nothing you

603
00:35:51,400 --> 00:35:54,879
Speaker 1: can do about it without like completely like ruining your

604
00:35:54,920 --> 00:35:57,880
Speaker 1: body because you like eat too much or something. I

605
00:35:57,920 --> 00:36:03,480
Speaker 1: have no idea. I bulked up through Yeah, eating and weightlifting,

606
00:36:04,040 --> 00:36:07,399
Speaker 1: and it just wasn't a good idea for sports. For

607
00:36:07,400 --> 00:36:09,280
Speaker 1: for when I played baseball, it wasn't a good idea.

608
00:36:10,840 --> 00:36:15,040
Speaker 1: What happens. No, I gained, you know, I gained a

609
00:36:15,040 --> 00:36:17,120
Speaker 1: lot of muscle. I was, you know, I got up

610
00:36:17,120 --> 00:36:21,239
Speaker 1: to about two pounds. How tall are you? I'm a

611
00:36:21,400 --> 00:36:24,920
Speaker 1: shade under six one. So do you remember Jared being

612
00:36:25,000 --> 00:36:27,719
Speaker 1: tall or were you pretty Eyeline with him? Now he

613
00:36:27,800 --> 00:36:30,520
Speaker 1: was a little bit taller. Yeah, but he really he

614
00:36:30,560 --> 00:36:32,600
Speaker 1: wanted to beef up and he wanted to like, hey,

615
00:36:32,680 --> 00:36:35,080
Speaker 1: you know, what what can I do? Because I remember

616
00:36:35,080 --> 00:36:37,880
Speaker 1: at that time, I was beef I was. I was

617
00:36:37,920 --> 00:36:40,040
Speaker 1: working out on the gym a lot, you know, because

618
00:36:40,040 --> 00:36:42,439
Speaker 1: I was on this show and my free time, I'd

619
00:36:42,480 --> 00:36:44,840
Speaker 1: go work out just to you know, get my energy.

620
00:36:45,200 --> 00:36:46,640
Speaker 1: And that's how I did it. So I was, I was,

621
00:36:46,719 --> 00:36:49,160
Speaker 1: I was getting a little bit beefy, a little bit,

622
00:36:49,200 --> 00:36:50,600
Speaker 1: you know, when I was doing it for skiing too,

623
00:36:50,640 --> 00:36:52,040
Speaker 1: because I love this gate. So I wanted to be

624
00:36:52,080 --> 00:36:58,160
Speaker 1: strong and powerful for skiing, not for Laura Lae. What about. Yes,

625
00:36:58,239 --> 00:37:02,439
Speaker 1: that's the reason. That's what I can't talk about. That's

626
00:37:02,520 --> 00:37:06,640
Speaker 1: the only reason strong and powerful. But I didn't feel

627
00:37:06,680 --> 00:37:10,319
Speaker 1: like you were strong and powerful so so, but yeah,

628
00:37:10,360 --> 00:37:13,799
Speaker 1: he was, and I gave him some tips. But I

629
00:37:13,880 --> 00:37:15,760
Speaker 1: just said, listen, you're just gonna have to get older,

630
00:37:15,920 --> 00:37:18,959
Speaker 1: I said. He said, you're gonna be thin your whole life.

631
00:37:18,960 --> 00:37:21,920
Speaker 1: But if you start eating a lot of carbohydrates when

632
00:37:21,960 --> 00:37:24,120
Speaker 1: you when you hit fifty five, you're gonna you're gonna

633
00:37:24,160 --> 00:37:27,359
Speaker 1: put all up pounds. Just stop working out. I don't

634
00:37:27,360 --> 00:37:29,040
Speaker 1: think he's quite there yet. We'll have to see, as

635
00:37:29,080 --> 00:37:32,799
Speaker 1: I don't know he's as far as young. I think

636
00:37:32,800 --> 00:37:36,560
Speaker 1: he's like he's ripped. He's thirty nine and he's ripped.

637
00:37:37,200 --> 00:37:43,239
Speaker 1: Before we get into pop culture, Scott, it's Christmas. Can

638
00:37:43,280 --> 00:37:45,719
Speaker 1: you sing us a little Christmas song to get in

639
00:37:46,200 --> 00:37:51,760
Speaker 1: the mood for our pop culture moments? Sure? Yeah, yeah,

640
00:37:51,800 --> 00:37:55,560
Speaker 1: I think I happen to have a guitar right here.

641
00:37:57,040 --> 00:38:01,400
Speaker 1: Thank you in the Chris miss spirit because I'm assuming

642
00:38:01,440 --> 00:38:03,359
Speaker 1: next week is going to be Christmas, so we really

643
00:38:03,360 --> 00:38:09,040
Speaker 1: got to get ourselves sing along with me now. Jingle bells,

644
00:38:09,120 --> 00:38:14,719
Speaker 1: jingle bells, Jingle all the way? Now, what fun is?

645
00:38:16,080 --> 00:38:22,400
Speaker 1: One horse soup and sligh jingle bell jingle bell jingle

646
00:38:22,680 --> 00:38:27,680
Speaker 1: all the way? Oh, what fun is? And on one

647
00:38:27,760 --> 00:38:33,680
Speaker 1: hole Soap? And Sligh one hole soup and Sligh one

648
00:38:33,719 --> 00:38:43,960
Speaker 1: horse open. Well, it's beautiful. I'm Riley and this is

649
00:38:44,000 --> 00:38:46,800
Speaker 1: your pop culture. It's beginning to look a lot like Christmas.

650
00:38:47,320 --> 00:38:50,480
Speaker 1: This song was written by Meredith Wilson. Meredith Wilson incorporated

651
00:38:50,560 --> 00:38:53,439
Speaker 1: this song into his nineteen sixty three musical Here's Love.

652
00:38:54,040 --> 00:38:56,759
Speaker 1: This song has been recorded by numerous artists such as

653
00:38:56,760 --> 00:39:00,000
Speaker 1: Michael blue Way, Harry Connick Jr. And Megan Trainer, to

654
00:39:00,080 --> 00:39:05,080
Speaker 1: name a few. How about Jimmy Hoffa says Luke. Jimmy

655
00:39:05,120 --> 00:39:08,000
Speaker 1: Hoffa was an American labor union leader who served as

656
00:39:08,000 --> 00:39:11,080
Speaker 1: the president of the International Brotherhood of Teamsters from nineteen

657
00:39:11,080 --> 00:39:15,080
Speaker 1: fifty seven to nineteen seventy one. He disappeared in nineteen

658
00:39:15,120 --> 00:39:18,120
Speaker 1: seventy five and was declared dead in two because I

659
00:39:18,160 --> 00:39:22,200
Speaker 1: gotta do what I gotta do. Yeah, I gotta do it.

660
00:39:23,120 --> 00:39:26,480
Speaker 1: This is because he became involved with organized crime, which

661
00:39:26,560 --> 00:39:29,760
Speaker 1: potentially led to his death. He was convicted of jury tampering,

662
00:39:29,880 --> 00:39:33,719
Speaker 1: attempted bribery, and fraud. Do you remember the Jack Nicholson

663
00:39:33,800 --> 00:39:37,080
Speaker 1: film where he played half A? Did you do you

664
00:39:37,120 --> 00:39:41,160
Speaker 1: remember Halfa? Do you remember that film? Literally when he

665
00:39:41,200 --> 00:39:43,640
Speaker 1: goes up to what a performance. I mean when he

666
00:39:43,680 --> 00:39:46,879
Speaker 1: goes up to when he's like going toe to tell

667
00:39:46,920 --> 00:39:49,439
Speaker 1: with Bobby Kennedy, who was an Attorney general at the time.

668
00:39:49,480 --> 00:39:51,799
Speaker 1: He hated his guts. This is all blurry in real

669
00:39:51,840 --> 00:39:56,880
Speaker 1: life and in the movie it's blurry because I gotta

670
00:39:56,960 --> 00:40:00,719
Speaker 1: do what I gotta dope. Oh man, what a performance,

671
00:40:01,760 --> 00:40:04,839
Speaker 1: Laura Lie. I'll never be able to understand what Charro

672
00:40:04,960 --> 00:40:13,239
Speaker 1: was saying. Charo, you know, Charo was a guest on

673
00:40:13,360 --> 00:40:16,520
Speaker 1: Johnny Carson Johnny Tonight Show. I don't know. She was

674
00:40:16,560 --> 00:40:19,839
Speaker 1: on like almost every week, and she would come on

675
00:40:20,120 --> 00:40:24,040
Speaker 1: like I mean, dressed to the nines, you know, the

676
00:40:24,800 --> 00:40:27,560
Speaker 1: overflowing up top, if you know what I mean. And

677
00:40:27,719 --> 00:40:29,439
Speaker 1: she did that when she wasn't on the Love Boat.

678
00:40:30,160 --> 00:40:32,719
Speaker 1: But this was even before she was on I think

679
00:40:32,840 --> 00:40:34,640
Speaker 1: this was even before she was on the Love Boat.

680
00:40:34,719 --> 00:40:39,000
Speaker 1: She was on Carson, I mean almost weekly. He loved her.

681
00:40:39,480 --> 00:40:42,239
Speaker 1: He loved her. She would come out and crack everybody up.

682
00:40:42,280 --> 00:40:46,160
Speaker 1: And who doesn't love She was just so positive and

683
00:40:46,239 --> 00:40:49,840
Speaker 1: full of energy and and and funny and talented and

684
00:40:49,920 --> 00:40:54,400
Speaker 1: she played the flamenco guitar. Yeah, she's legit. She's legit,

685
00:40:54,719 --> 00:41:01,000
Speaker 1: like talented musician singer and players she put Gucci Coucci.

686
00:41:02,560 --> 00:41:06,440
Speaker 1: I got a lot of the Gucci Coucci. Charo's full

687
00:41:06,520 --> 00:41:13,360
Speaker 1: name is Maria del Rosario, Mercedes Pilar Martinez Molina Beza

688
00:41:13,840 --> 00:41:18,279
Speaker 1: and as we've mentioned, Charo made many appearances on the

689
00:41:18,320 --> 00:41:23,000
Speaker 1: Love Boat Between n I just I just remember from

690
00:41:23,040 --> 00:41:26,759
Speaker 1: the Johnny Carson Show. She was fantastic. She was a

691
00:41:26,760 --> 00:41:30,080
Speaker 1: great guest. She was almost she was you know that

692
00:41:30,280 --> 00:41:34,319
Speaker 1: he had some great guests, uh, Don Rickles and Dom

693
00:41:34,400 --> 00:41:37,520
Speaker 1: Deloise and all those people, hysterical people. She would come

694
00:41:37,560 --> 00:41:39,720
Speaker 1: out and like to stay. I mean, she wouldn't stop talking.

695
00:41:39,800 --> 00:41:45,640
Speaker 1: She was just like amazing, amazing personality. Agree, Riley and Danielle.

696
00:41:45,680 --> 00:41:50,000
Speaker 1: Do you know who Charo is? I know. I only

697
00:41:50,040 --> 00:41:53,600
Speaker 1: know Charo because she made an appearance on Jane the Virgin,

698
00:41:53,680 --> 00:41:55,120
Speaker 1: which is one of my favorite show. I thought you

699
00:41:55,160 --> 00:41:59,760
Speaker 1: were gonna say, wife swap go back YouTube her Charo,

700
00:42:00,040 --> 00:42:04,120
Speaker 1: Johnny Carson, just check her out. You're sitting there as

701
00:42:04,160 --> 00:42:08,399
Speaker 1: a kid watching this, going do people like this really exist? Like?

702
00:42:08,600 --> 00:42:12,200
Speaker 1: What is this? This is fantastic? I need one more

703
00:42:12,239 --> 00:42:20,279
Speaker 1: Kuchi COUCHI from Scott Hi, Johnny Cochichi. Laurliz says, where

704
00:42:20,360 --> 00:42:23,360
Speaker 1: is the Scarecrow when you need him. This reference is

705
00:42:23,440 --> 00:42:26,800
Speaker 1: this to the Scarecrow from The Wizard of Oz American

706
00:42:26,920 --> 00:42:31,000
Speaker 1: musical fantasy film produced by Metro Goldwyn Mayor. The Scarecrow

707
00:42:31,160 --> 00:42:33,319
Speaker 1: joins Dorothy and the hope that the Wizard will give

708
00:42:33,360 --> 00:42:36,080
Speaker 1: him a brain. The Scarecrow was played by Ray Bulger,

709
00:42:36,320 --> 00:42:38,600
Speaker 1: and the face prosthetics he wore ended up leaving Marx

710
00:42:38,640 --> 00:42:41,279
Speaker 1: on his face for more than a year. Yeah, they do.

711
00:42:42,360 --> 00:42:47,560
Speaker 1: I lost face. What did you wear? Prosthetics? They had

712
00:42:47,640 --> 00:42:50,319
Speaker 1: to put a head on a headpiece on me every

713
00:42:50,400 --> 00:42:54,440
Speaker 1: morning for six weeks. When I played this alien alien

714
00:42:54,560 --> 00:42:58,719
Speaker 1: nation did I played the tank Tanese commander coming to

715
00:42:58,840 --> 00:43:02,919
Speaker 1: Earth doing to enslave all of the escaped uh tank

716
00:43:03,000 --> 00:43:05,000
Speaker 1: Tannis and get him back on my plane for you.

717
00:43:05,080 --> 00:43:07,000
Speaker 1: On that show I remember, you know it was it

718
00:43:07,120 --> 00:43:09,080
Speaker 1: was It was a TV movie. It was I wasn't

719
00:43:09,120 --> 00:43:11,960
Speaker 1: in the series. It was a TV movie. I remember

720
00:43:12,000 --> 00:43:13,600
Speaker 1: a different show that I don't know what's called, but

721
00:43:13,640 --> 00:43:16,640
Speaker 1: there was like you were like in a plane and

722
00:43:16,760 --> 00:43:19,800
Speaker 1: like there was an explosion. That was that was the

723
00:43:19,880 --> 00:43:24,880
Speaker 1: event on Nbcito at the show actually ended up like

724
00:43:25,000 --> 00:43:28,400
Speaker 1: a plane crash. Um. That was pretty good. But you know,

725
00:43:28,520 --> 00:43:32,719
Speaker 1: they would glue that headpiece on you with medical adhesive

726
00:43:33,280 --> 00:43:35,680
Speaker 1: and it would take them an hour to get it

727
00:43:35,800 --> 00:43:39,799
Speaker 1: off you because they had to be very careful. Um.

728
00:43:40,280 --> 00:43:41,880
Speaker 1: I mean I was there. I was in the makeup

729
00:43:41,960 --> 00:43:45,120
Speaker 1: chair at three thirty in the morning for for seven

730
00:43:45,280 --> 00:43:48,359
Speaker 1: or eight o'clock. Called time. Makes you kind of love

731
00:43:48,440 --> 00:43:53,239
Speaker 1: Luke that much more right in there. Throw a hat on,

732
00:43:53,360 --> 00:43:55,279
Speaker 1: throw a little powder on me. I'm you know, I'm good.

733
00:43:55,360 --> 00:43:57,320
Speaker 1: I lived six miles away from the studio. I just

734
00:43:57,760 --> 00:44:00,160
Speaker 1: jam in their fifteen minutes form a call time, put

735
00:44:00,200 --> 00:44:02,080
Speaker 1: my hat on. They throw a little powder on me.

736
00:44:02,120 --> 00:44:03,680
Speaker 1: I'm gonna sit down on the chair. I said, just

737
00:44:03,719 --> 00:44:05,080
Speaker 1: throw it up in the air. I'll run through it.

738
00:44:05,080 --> 00:44:08,560
Speaker 1: I'm outta here. Oh my god. And those poor girls,

739
00:44:08,640 --> 00:44:10,560
Speaker 1: I mean Laura and Alexis and the poor girls are

740
00:44:10,600 --> 00:44:12,439
Speaker 1: sitting in the big up chair for hours and hours

741
00:44:12,440 --> 00:44:14,759
Speaker 1: getting the hair done, the megup perfect. It's like, hey,

742
00:44:14,960 --> 00:44:17,520
Speaker 1: you're telling everybody I'm gonna be a breakfast bye bye.

743
00:44:18,239 --> 00:44:21,719
Speaker 1: Oh my god. Oh yeah, oh yeah. But that was

744
00:44:21,760 --> 00:44:24,239
Speaker 1: a different experience. Yeah that so that rips your face

745
00:44:24,280 --> 00:44:27,319
Speaker 1: apart with you that medical adhesive for six weeks like that, man,

746
00:44:27,400 --> 00:44:30,600
Speaker 1: I my face was all jacked up for a year. Anyway,

747
00:44:30,600 --> 00:44:33,919
Speaker 1: go ahead. Our last pop culture references from Rory Roy says,

748
00:44:34,000 --> 00:44:36,080
Speaker 1: no things are still a miracle Worker at my house.

749
00:44:36,719 --> 00:44:39,880
Speaker 1: Miracle Worker is a nineteen sixty two film about An Sullivan,

750
00:44:40,000 --> 00:44:42,720
Speaker 1: a blind tutor to Helen Keller, directed by Arthur Pennon.

751
00:44:43,239 --> 00:44:46,680
Speaker 1: Helen Keller was great friends with Mark Twain, and although

752
00:44:46,760 --> 00:44:49,000
Speaker 1: Patty Duke had been playing helen Keller in the play

753
00:44:49,080 --> 00:44:51,040
Speaker 1: for more than a year, she almost didn't get the

754
00:44:51,080 --> 00:44:53,839
Speaker 1: part in the film adaptation. The studio felt that, being

755
00:44:53,880 --> 00:44:55,960
Speaker 1: a teenager, she looked too old to play a seven

756
00:44:56,040 --> 00:45:00,320
Speaker 1: year old. Also, Helen Keller wrote a total of twelve books.

757
00:45:00,920 --> 00:45:03,080
Speaker 1: I'm ready to give my line, but Scott, can you

758
00:45:03,160 --> 00:45:05,160
Speaker 1: do it with me? Because then it'll just be that

759
00:45:05,320 --> 00:45:09,839
Speaker 1: much better? What's your line? When I said before, I'm

760
00:45:09,840 --> 00:45:12,120
Speaker 1: gonna do my part and then your part is? I know?

761
00:45:12,680 --> 00:45:15,080
Speaker 1: Let's go all right? Right? Okay? You want to you

762
00:45:15,200 --> 00:45:17,359
Speaker 1: kind of want to do that reenacting thing. You want

763
00:45:17,400 --> 00:45:20,520
Speaker 1: to you want to reenact, you want to recta getting character.

764
00:45:20,680 --> 00:45:23,280
Speaker 1: I'm gonna just have to really do my best acting here. Okay, ready,

765
00:45:23,400 --> 00:45:25,000
Speaker 1: you don't know, you don't you're a woman. You can

766
00:45:25,040 --> 00:45:28,920
Speaker 1: do it in your sleep. I'm the one that has

767
00:45:28,960 --> 00:45:32,160
Speaker 1: to prepare. I have to be serious. This is very

768
00:45:32,200 --> 00:45:39,239
Speaker 1: emotional moment. Luke. I'm just cut stop right, stop it,

769
00:45:40,040 --> 00:45:48,719
Speaker 1: stop it. I'm you can't smile while you're doing it.

770
00:45:50,239 --> 00:45:54,600
Speaker 1: Give me some directions. I don't stop smiling. All right, listen,

771
00:45:55,040 --> 00:45:57,040
Speaker 1: all right, you want to do a sense memory exercise

772
00:45:57,160 --> 00:45:58,840
Speaker 1: right here? I'll get you in the movie. Yeah you

773
00:45:58,920 --> 00:46:01,120
Speaker 1: got time for that, all right? So what do you

774
00:46:01,360 --> 00:46:02,839
Speaker 1: what do you want? You want to be? You want

775
00:46:02,840 --> 00:46:04,920
Speaker 1: to cry a little bit, you freak out a little bit.

776
00:46:04,920 --> 00:46:06,320
Speaker 1: You're on the You're on the edge. You're on the

777
00:46:06,400 --> 00:46:08,719
Speaker 1: verge of tears. The energy is flying around because my

778
00:46:08,920 --> 00:46:11,400
Speaker 1: dad's in the hospital. I don't know what's going on.

779
00:46:11,640 --> 00:46:13,640
Speaker 1: I only know to go to the hospital. I don't

780
00:46:13,680 --> 00:46:15,320
Speaker 1: know where Roary is. I don't know where my mom is.

781
00:46:15,400 --> 00:46:17,160
Speaker 1: No one's answering the phone. I don't know what I go.

782
00:46:17,280 --> 00:46:21,120
Speaker 1: Talk to the dialect right now, go, Luke. I'm no

783
00:46:21,560 --> 00:46:25,480
Speaker 1: like you were doing it before. Luke, I'm I know.

784
00:46:28,800 --> 00:46:32,280
Speaker 1: Let's go. You have to say, oh, let's do it again? Okay,

785
00:46:32,440 --> 00:46:36,320
Speaker 1: Oh I nailed it back time. Now I have to

786
00:46:36,480 --> 00:46:39,239
Speaker 1: under yes, you do you right? Sit on and feel it,

787
00:46:39,320 --> 00:46:42,320
Speaker 1: but then sit on it. Go Luke, I'm do it

788
00:46:42,360 --> 00:46:46,239
Speaker 1: again again. That was good. That was good, getting better good.

789
00:46:46,360 --> 00:46:49,399
Speaker 1: That was good. But but don't lose the energy. You're

790
00:46:49,400 --> 00:46:51,920
Speaker 1: going limp. Now you're getting at where you need to be.

791
00:46:52,080 --> 00:46:57,239
Speaker 1: But don't lose that energy. Remember Stanislavsky said, inspiration quick

792
00:46:57,320 --> 00:47:02,560
Speaker 1: as flame, god acting as hard. It's not easy, Luke.

793
00:47:02,760 --> 00:47:06,840
Speaker 1: I know. Let's go all close at dinner and we

794
00:47:06,920 --> 00:47:09,719
Speaker 1: can drive twenty on the black ice all the way

795
00:47:09,800 --> 00:47:11,560
Speaker 1: up to Hartford and you can drive me crazy on

796
00:47:11,640 --> 00:47:14,680
Speaker 1: the way. You can piss and moan the whole way.

797
00:47:15,719 --> 00:47:19,680
Speaker 1: Well done, guys. Wow, I felt that that was That

798
00:47:19,880 --> 00:47:23,400
Speaker 1: was a pretty good performance. I thought, I thought, I

799
00:47:23,480 --> 00:47:25,120
Speaker 1: thought that was good. That was good. I think you

800
00:47:25,239 --> 00:47:27,520
Speaker 1: helped a lot. I mean, I'd like to try that

801
00:47:27,640 --> 00:47:29,719
Speaker 1: bit again and maybe by the end of the ten

802
00:47:29,800 --> 00:47:33,839
Speaker 1: years we do this podcast. Go ahead, let's do it again.

803
00:47:33,960 --> 00:47:35,879
Speaker 1: We can do full scene. Find a new I'll find

804
00:47:36,000 --> 00:47:38,040
Speaker 1: something new in the next episode. No, but you got

805
00:47:38,120 --> 00:47:40,200
Speaker 1: you got you know what. Let me tell you something, Amy,

806
00:47:40,239 --> 00:47:42,959
Speaker 1: You've got something there. There's something going on there, there's

807
00:47:42,960 --> 00:47:46,040
Speaker 1: something interesting. Thank you, thank you. I'll try and I'll

808
00:47:46,080 --> 00:47:48,200
Speaker 1: try and up my game. But there's some depth, there's

809
00:47:48,239 --> 00:47:53,560
Speaker 1: some mystery, there's there there are layers there, Amy, Sugarman,

810
00:47:57,360 --> 00:48:02,319
Speaker 1: I don't think so what's your blind you deliver girl? Okay,

811
00:48:02,400 --> 00:48:05,719
Speaker 1: Mine's mind's fun though, so no problem delivering it. Um.

812
00:48:05,840 --> 00:48:08,800
Speaker 1: This is from Laura Lae when Dean's tapping on the window,

813
00:48:09,040 --> 00:48:12,880
Speaker 1: like trying to see Rory on Christmas or when she

814
00:48:12,960 --> 00:48:16,600
Speaker 1: was at the Christmas party. Um, and she goes, you know,

815
00:48:16,680 --> 00:48:18,239
Speaker 1: we have a really nice friend door. You might want

816
00:48:18,239 --> 00:48:21,719
Speaker 1: to use it sometime. I just loved it. Mine is

817
00:48:21,800 --> 00:48:24,879
Speaker 1: from Emily and she's, you know, going back with Jane

818
00:48:24,920 --> 00:48:26,960
Speaker 1: Lynch and talking back with Laura Lae and then she

819
00:48:27,000 --> 00:48:29,840
Speaker 1: stops her to tracks and she goes, Brianna, date, you

820
00:48:29,920 --> 00:48:36,840
Speaker 1: have an escort st I know, I love that. You know.

821
00:48:36,920 --> 00:48:42,319
Speaker 1: We actually have a listener question about this episode. So um,

822
00:48:42,880 --> 00:48:45,799
Speaker 1: I'll go ahead and read it. It's from Grace. Grace Um,

823
00:48:45,960 --> 00:48:48,800
Speaker 1: she wrote in and she asked, when was it decided

824
00:48:48,840 --> 00:48:51,760
Speaker 1: for Luke to change the blue hat after Forgiveness and Stuff,

825
00:48:51,760 --> 00:48:53,800
Speaker 1: which is the title of this episode, or was that

826
00:48:54,000 --> 00:48:57,480
Speaker 1: something that Amy and Dan had planned all along to

827
00:48:57,640 --> 00:49:02,799
Speaker 1: advance the Laura Lae and Luke storyline. Well, I suggested

828
00:49:03,040 --> 00:49:06,640
Speaker 1: at a top secret dinner. I refer to it as

829
00:49:06,680 --> 00:49:10,040
Speaker 1: the Hat dinner with Amy and Dan, and I said, listen,

830
00:49:10,120 --> 00:49:11,520
Speaker 1: I have blue eyes, and I think I should have

831
00:49:11,560 --> 00:49:17,719
Speaker 1: a blue hat. Good story. That's where it came from.

832
00:49:18,440 --> 00:49:21,879
Speaker 1: So that's why Laura ly gives Luke the blue hat.

833
00:49:23,000 --> 00:49:26,840
Speaker 1: I give good, I give good dinner. Wow, do you

834
00:49:26,920 --> 00:49:30,600
Speaker 1: reme where the hat dinner was? They ordered lobster in

835
00:49:30,880 --> 00:49:34,840
Speaker 1: and you went to their home or at the set? No, no, no, no,

836
00:49:35,400 --> 00:49:38,000
Speaker 1: we went to a restaurant and oh oh they had

837
00:49:38,040 --> 00:49:41,560
Speaker 1: lobster at the restaurant you were at. What did you have?

838
00:49:42,960 --> 00:49:48,439
Speaker 1: I think if I go to a fancy schmancy place,

839
00:49:48,480 --> 00:49:51,160
Speaker 1: I always get the Phili Mignon or a Prime rip

840
00:49:51,239 --> 00:49:59,480
Speaker 1: or something. So it's hot, dear dinner dinner good. Yeah,

841
00:49:59,719 --> 00:50:01,680
Speaker 1: we're We were in the private room too. It was

842
00:50:01,719 --> 00:50:11,600
Speaker 1: a big deal. Security outside no season one, dude, no

843
00:50:11,680 --> 00:50:19,320
Speaker 1: one knew who you were. Okay, give us your favorite line,

844
00:50:19,719 --> 00:50:22,240
Speaker 1: take us out. What was your favorite line from this episode?

845
00:50:23,400 --> 00:50:27,680
Speaker 1: I gotta tell you, um, my favorite line in the

846
00:50:27,960 --> 00:50:32,200
Speaker 1: entire thing was yeah, when I just said to Rory, yeah,

847
00:50:32,360 --> 00:50:35,480
Speaker 1: when I has been over it was. It's the one

848
00:50:35,520 --> 00:50:38,640
Speaker 1: that made me chuckle. The most. And then because it's

849
00:50:38,640 --> 00:50:40,879
Speaker 1: made me chuckle and the other the other favorite line

850
00:50:41,120 --> 00:50:47,160
Speaker 1: that's not me um is Michelle. Uh what did he

851
00:50:47,200 --> 00:50:49,480
Speaker 1: say when he was he was so irritated at the

852
00:50:49,560 --> 00:50:53,120
Speaker 1: guy who didn't know what a um a wand was

853
00:50:54,640 --> 00:50:57,040
Speaker 1: remember on the Christmas ornament on the Christmas tree when

854
00:50:57,040 --> 00:51:02,320
Speaker 1: there he said, he goes, No, that's staff because he

855
00:51:02,600 --> 00:51:05,800
Speaker 1: went to the shepherd. He went, he said, that's not

856
00:51:06,160 --> 00:51:08,560
Speaker 1: that's not an angel with a wander. That's not a

857
00:51:08,640 --> 00:51:12,799
Speaker 1: fairy fairy princess or whatever the anyway, I don't even

858
00:51:12,800 --> 00:51:14,520
Speaker 1: know what the line was, but he said, he said,

859
00:51:14,600 --> 00:51:17,759
Speaker 1: he Michelle kills me. I mean, he just killed. His

860
00:51:17,920 --> 00:51:21,840
Speaker 1: timing is so good and he just gets so irritated

861
00:51:21,880 --> 00:51:23,680
Speaker 1: with that guy. And I just laughed out loud. I

862
00:51:23,719 --> 00:51:26,200
Speaker 1: mean I laughed right away. Or that was my whatever

863
00:51:26,239 --> 00:51:29,200
Speaker 1: the line was, that was my favorite line. It's still

864
00:51:29,239 --> 00:51:31,640
Speaker 1: like when you called it her parents fate Christmas party.

865
00:51:33,160 --> 00:51:37,400
Speaker 1: That's good stuff. What's next week? What's the next episode?

866
00:51:37,800 --> 00:51:46,640
Speaker 1: The next episode is Paris is burning? Oh gosh, scary.

867
00:51:47,600 --> 00:51:51,520
Speaker 1: Oh wait, before we go, nobody should miss uh. Soon

868
00:51:51,719 --> 00:51:55,719
Speaker 1: we're gonna put up our tutorial video of how to

869
00:51:55,840 --> 00:52:00,239
Speaker 1: make the Santa Burger. Be ready for that on the

870
00:52:00,280 --> 00:52:03,880
Speaker 1: Instagram and send us your own Santa Burgers. Oh my god,

871
00:52:04,480 --> 00:52:06,320
Speaker 1: so yeah, I get ready for that. It's going to

872
00:52:06,400 --> 00:52:12,200
Speaker 1: be fun Instagram. Listen, everybody, Happy holidays, Merry Christmas to everybody.

873
00:52:13,120 --> 00:52:17,840
Speaker 1: Um really, just I hope you have a wonderful holiday

874
00:52:18,760 --> 00:52:27,480
Speaker 1: in July. And uh anyway, so that's so that's gonna

875
00:52:27,520 --> 00:52:31,279
Speaker 1: wrap it up. Huh, good work, good episode, all right, bye.

876
00:53:00,080 --> 00:53:03,640
Speaker 1: Com Hey everybody, and don't forget follow us on Instagram

877
00:53:04,040 --> 00:53:07,719
Speaker 1: at I Am all In podcast and email us at

878
00:53:07,920 --> 00:53:12,000
Speaker 1: Gilmore at I heart radio dot com. Oh you gil

879
00:53:12,080 --> 00:53:13,600
Speaker 1: More fans. If you're looking for the best cup of

880
00:53:13,680 --> 00:53:16,880
Speaker 1: coffee in the world, go to my website for my company,

881
00:53:17,239 --> 00:53:19,600
Speaker 1: scott EP dot com, s C O T. T y

882
00:53:19,719 --> 00:53:31,800
Speaker 1: P dot com, scott ep dot com Grade one Specialty Coffee. Yeah.