WEBVTT - 'Muévelo Paca' Con Dionni6X

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<v Speaker 1>Gracias Come Again, a podcast by Honey German. All right,

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<v Speaker 1>let's get it Barona Na.

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<v Speaker 2>They were like, I want to go and Barona and

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<v Speaker 2>I could go to the capital and I get lost.

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<v Speaker 2>Really yeah, if you dropped me in the Capitol, I

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<v Speaker 2>get lost because I'm literally like the Campo camp I

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<v Speaker 2>didn't even know what a McDonald was until I came

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<v Speaker 2>over here.

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<v Speaker 1>Are you kidding me?

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<v Speaker 2>Yeah?

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<v Speaker 1>No, I'm.

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<v Speaker 2>It went on Campo like a state here you Yeah,

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<v Speaker 2>but it's like a berging place Basica and the solers

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<v Speaker 2>public na via tantim version. So everything is more natural.

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<v Speaker 2>The food that you get over there is gonna be

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<v Speaker 2>always like cooked by someone else, maybe Caza nego. The

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<v Speaker 2>view everywhere you go over there is beautiful because we're

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<v Speaker 2>in the coast, so.

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<v Speaker 1>Water all around water.

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<v Speaker 2>I literally got out of my house walk five minutes.

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<v Speaker 2>I'm in the beach already. Are you kidding? Yeah?

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<v Speaker 1>So whose house that grandma's house?

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<v Speaker 2>Yeah. I grew up with my grandma and my grandpa.

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<v Speaker 2>My whole life basically is mam and dad, Mom and dad,

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<v Speaker 2>mom my massa to ok Loominica and yeah migro binopakameo

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<v Speaker 2>Mama mamma. You know, yeah, beerro Mark and and that's

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<v Speaker 2>the reason why I actually end up coming over here

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<v Speaker 2>because they had a deal with my mom when he

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<v Speaker 2>passed away, I gotta come here. So that's how I

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<v Speaker 2>end up. I never wanted to be here, but amen,

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<v Speaker 2>I love it now.

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<v Speaker 1>And where where is your mom? Where's here for you?

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<v Speaker 2>She's living in Long Island? Now?

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<v Speaker 1>Okay, she's on Long Island?

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<v Speaker 2>Yes?

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<v Speaker 3>Is that the reason you graduated Brow High School? Yep?

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<v Speaker 2>Oh? What damn? This?

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<v Speaker 1>Was it Ross? Or was it Sunderling Ross?

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<v Speaker 2>Ross?

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<v Speaker 1>Right here too?

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<v Speaker 3>Hey, don't play with me. I graduated from Ross. My

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<v Speaker 3>Dominicans went to Burntwood too.

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<v Speaker 2>No, oh, that's so cool. Okay, Well, I get excited because,

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<v Speaker 2>you know, like I don't hear a lot of people

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<v Speaker 2>talking about Brainwood. I love Branwood because I feel like

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<v Speaker 2>I met so many people. And that's where I actually started,

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<v Speaker 2>like making the word I step in the first studio ever. Really,

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<v Speaker 2>it was in Brentwick.

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<v Speaker 1>Can you sell me with who?

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<v Speaker 2>Uh? His name? Damn? I don't know if I remember

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<v Speaker 2>alt name. But it was just like a normal friend,

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<v Speaker 2>you know, it was somebody you know. Yeah, it was

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<v Speaker 2>a studio in a room someone's house. So we was

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<v Speaker 2>just you know, RelA.

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<v Speaker 1>What happened? Do you still have that recording?

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<v Speaker 2>And no, actually, like we kind of lost contact a

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<v Speaker 2>couple of years ago. I feel like after I graduated,

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<v Speaker 2>you know, I move on in a lot of things.

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<v Speaker 2>It's not like I want to leave friends behind, you.

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<v Speaker 3>Know, organically you just attached from is your mom still

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<v Speaker 3>in burn with She's what's your mom named? Elizabeth said,

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<v Speaker 3>listen see so Deli Dennis super macao.

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<v Speaker 2>She she actually yeah lamer home health somehell get listen

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<v Speaker 2>Dominican he signed a republica yes a no you can

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<v Speaker 2>see you ago to go and hang out and stuff

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<v Speaker 2>like that. But ya, like we barely even talked to

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<v Speaker 2>her neighbors here, you know, so she will get bored

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<v Speaker 2>if she can't go to go she don't.

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<v Speaker 1>Go to work.

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<v Speaker 3>Man ya mayor you know, yesa gome to and the.

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<v Speaker 2>Yeah maso mano y pasion peroll me no and Nari

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<v Speaker 2>is just a college and like you know, and she

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<v Speaker 2>is a professor.

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<v Speaker 1>Also that the pero.

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<v Speaker 2>There, the yeguela is implemented primer and then I end

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<v Speaker 2>up going to college with.

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<v Speaker 3>Online college to the presdo classes class.

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<v Speaker 2>So so's yeah, C and d N themo look yeah

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<v Speaker 2>the processor, Yeah told me yeah, like a different And

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<v Speaker 2>she's checking everything like anything that I posted, hitting me

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<v Speaker 2>up on what's up. She's like, I saw that you

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<v Speaker 2>posted this. When I cut my hair to she went,

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<v Speaker 2>I had a super long, super long and that was

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<v Speaker 2>that was probably a little bit of a shock for her,

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<v Speaker 2>you know, because I look so much different without my hair.

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<v Speaker 2>But she ended up marivel pon.

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<v Speaker 3>My ben Thisela this and this is your mama, Yes, condo,

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<v Speaker 3>like this is the day that I became an artist.

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<v Speaker 2>Professional mentor not the celia and said profess during the pandemic.

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<v Speaker 2>Actually yeah, it was during the pandemic. We already we

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<v Speaker 2>couldn't go outside yet and none of that. So I

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<v Speaker 2>kind of like I started working with Mike sag and

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<v Speaker 2>we find a way to choose today to go to

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<v Speaker 2>the studio being personal. Yeah, he commendam Yeah, premier paso profession.

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<v Speaker 1>You had a book of rhymes.

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<v Speaker 2>Me look you crib Jos Cariba. Yeah. We are so

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<v Speaker 2>used to our phones. I mostly use my notes and

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<v Speaker 2>a goat told before that I shouldn't because the notes

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<v Speaker 2>delete themselves sometimes like.

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<v Speaker 1>They and you can lose some good stuff. But you

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<v Speaker 1>gotta go back to notebook.

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<v Speaker 2>No, I don't know if I want to write that

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<v Speaker 2>much because I'll be writing a lot. Really, yeah, I'll

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<v Speaker 2>be writing a lot. So I just maybe you could

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<v Speaker 2>use the voice. You could use your voice to just

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<v Speaker 2>dictate the notes. That might be a good things. That's true. Yeah,

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<v Speaker 2>but I feel like when I talk to my phone,

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<v Speaker 2>it doesn't understand me because of my accent, so that

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<v Speaker 2>that I don't know if that's really gonna work. Play. Yeah,

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<v Speaker 2>I cannot talk to city. I hate c Let me

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<v Speaker 2>mine yell with the city.

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<v Speaker 1>Yea, now I see that you be in Miami too.

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<v Speaker 1>Who's in Miami?

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<v Speaker 2>The whole team twelve hundred Entertainment, Danny and the whole

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<v Speaker 2>team also portionately Mike Swagger kV illuminated. We went to Miami,

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<v Speaker 2>uh this time because we was doing Como, We Paul Musica,

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<v Speaker 2>Empire and your entertainment. An opinion, there is a La

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<v Speaker 2>primeraque is And that was because of the you know,

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<v Speaker 2>opinions that we got when we went over there. Miami Canto, Miami,

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<v Speaker 2>the j.

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<v Speaker 1>Mafia.

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<v Speaker 2>See what happened the man Canto just work together? Yes,

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<v Speaker 2>Trava Mafio, um Fire, Bejima, Momento Perfecto, Real men No,

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<v Speaker 2>Momento perfect Perol, Momento mind Proje Empire in twelve hundred,

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<v Speaker 2>Mafield and Persona Begissima. He's supernalided. I love Mafield. He's

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<v Speaker 2>just a great person in general. Like, even if I

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<v Speaker 2>went over there and just sat in his studio, I

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<v Speaker 2>still would enjoy it.

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<v Speaker 3>Now he's super dope, and I already know that whatever

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<v Speaker 3>you and him together, I already know it's going to

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<v Speaker 3>be straight up five.

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<v Speaker 2>Thank you, Thank you so much. I appreciate that. And

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<v Speaker 2>also you saying that he's super talented. I literally step

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<v Speaker 2>in the studio and probably like three minutes in he

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<v Speaker 2>was already working on the beach and he sounds so

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<v Speaker 2>fire like. It was so crazy to me. This man

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<v Speaker 2>probably made the bee in five minutes. So it was

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<v Speaker 2>really a good experience.

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<v Speaker 1>Now you must have been blown away.

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<v Speaker 2>I was also three minutes already.

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<v Speaker 1>You know, people be like, oh, give me a couple of.

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<v Speaker 2>Weeks own it. Yeah. And also the fact that I

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<v Speaker 2>seen Matfiew's career before I was even in this country,

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<v Speaker 2>you know, and never though I was gonna end up

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<v Speaker 2>working with him, and then look at that. That is good.

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<v Speaker 2>That that was just amazing. Just that was amazing.

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<v Speaker 3>Who else's career did you follow, like from the start,

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<v Speaker 3>like who did you admire? Like you were like, Yo,

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<v Speaker 3>this person is dope. That person is dope. That you're like, oh, I.

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<v Speaker 2>I feel like whenever that question comes in an interview,

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<v Speaker 2>it could be any could.

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<v Speaker 1>Be producer, it could be a designer, could be anything.

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<v Speaker 2>Yo, Ken Nat. Not because I went and and look

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<v Speaker 2>for him or google him Nat. I've been listening and

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<v Speaker 2>I've been as seeing his career, how he grow his career,

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<v Speaker 2>and that's anyone should admire that. It's just there insane

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<v Speaker 2>amount of work and effort that he put into it

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<v Speaker 2>and be standing where he at right now.

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<v Speaker 1>He's a megastar. I respect Hi.

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<v Speaker 3>When people be like biggest Dominican star, I always got

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<v Speaker 3>to be like, I gotta give it to an alphab I.

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<v Speaker 2>Feel like it's in well they like that plastics. Yes,

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<v Speaker 2>it was different times, and now he's just reaching into

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<v Speaker 2>places that we never thought that we was going to

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<v Speaker 2>be able to reach, especially with that genre.

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<v Speaker 3>The artist that he works with, the stages he touches,

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<v Speaker 3>you know what I'm saying, The money he has and.

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<v Speaker 2>The money he invested. It's not like someone came in

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<v Speaker 2>to him before and gave him the money. I feel

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<v Speaker 2>like he was investing all his own and sometimes that's

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<v Speaker 2>hard for the artists because they're not willing to give

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<v Speaker 2>up what they're gaining to be able to make something better.

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<v Speaker 2>But he showed other artists over there, Yes, you should

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<v Speaker 2>do this because it's going to be to build your

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<v Speaker 2>career and put you in a better position. So he

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<v Speaker 2>showed them to not be scared at that.

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<v Speaker 3>How do you feel like when people feel like Alava

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<v Speaker 3>has to work with other Dominican artists, like if it's mandatory,

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<v Speaker 3>I was.

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<v Speaker 2>That's crazy that you just said that. Who's tamentode? So okay?

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<v Speaker 2>And then yeah, needs to get hero Is implemented Tennis

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<v Speaker 2>and Dido brisona parte artista, that he will not work

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<v Speaker 2>with you unless he see that you put it in

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<v Speaker 2>a crazy amount of work in like he has. He

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<v Speaker 2>has to see you hustling. It don't matter if you

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<v Speaker 2>only have two thousand followers. If you're doing the job,

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<v Speaker 2>he's probably gonna work with you. That's how I feel

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<v Speaker 2>about him, But I don't know. You never know, and

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<v Speaker 2>I feel like but he's not forced.

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<v Speaker 1>No, you have to give him an option.

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<v Speaker 3>He has to feel the connection and the creativity and

0:13:54.440 --> 0:13:56.720
<v Speaker 3>it's gotta just be organic. But I feel like he

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<v Speaker 3>gets a lot of pressure like Yo, and he does.

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<v Speaker 2>That's probably because the way that he made it out

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<v Speaker 2>of there, you know, and they look at him as

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<v Speaker 2>the biggest over there, so they feel like he should

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<v Speaker 2>be entitled to actually work with the other with the

0:14:13.120 --> 0:14:16.720
<v Speaker 2>younger generation. But probably even the music that they're making

0:14:16.880 --> 0:14:19.880
<v Speaker 2>is not the same, you know. He probably waiting for

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<v Speaker 2>them to grow a little bit more out of that

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<v Speaker 2>and move into sounds that probably everybody can understand. Because

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<v Speaker 2>that's another thing. Its Dominicans with the dembo that we're

0:14:30.720 --> 0:14:33.520
<v Speaker 2>doing right now. I love it. It makes you want

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<v Speaker 2>to dance. But a lot of them, you know that

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<v Speaker 2>they're not gonna be understood by other Hispanics or Latinos,

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<v Speaker 2>you know, exactly, like and with.

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<v Speaker 1>It's kind of like a niche.

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<v Speaker 3>You know, in some it is gonna stay in d

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<v Speaker 3>R and some of it is gonna go global. Yes,

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<v Speaker 3>but I understand what you're trying to say. It's like

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<v Speaker 3>he's global right now. It's like Alpha. It's just he's

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<v Speaker 3>working with all these top artists. So it's just I

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<v Speaker 3>see what you're saying as far as like you know

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<v Speaker 3>these artists. You might have a one off and then

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<v Speaker 3>you disappear.

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<v Speaker 2>So but it's all okay, you're getting a tranquil handle.

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<v Speaker 3>Then it's kind of like a form of abuse.

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<v Speaker 2>It's like you got to a point where he said,

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<v Speaker 2>I'm not gonna give my hand out to any new

0:15:46.480 --> 0:15:48.640
<v Speaker 2>artists at this point because you're saying that I do

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<v Speaker 2>this and I do that. Then you complain, I I

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<v Speaker 2>don't mean a per It is no my whole aunt

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<v Speaker 2>so and looks.

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<v Speaker 1>To grass good for him?

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<v Speaker 3>Yeah, I love him and I respect him so much

0:16:19.040 --> 0:16:20.720
<v Speaker 3>and I admire like what he's been able to do.

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<v Speaker 1>Of course, you know he's.

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<v Speaker 2>I grew up listening to all so did I?

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<v Speaker 3>I listened to him now, yes.

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<v Speaker 2>I still listen to him. I still listen to a

0:16:30.360 --> 0:16:37.080
<v Speaker 2>lot of still listen to a lot of them.

0:16:37.120 --> 0:16:38.680
<v Speaker 1>Who do you listen to? Talk to me? Who's your

0:16:38.680 --> 0:16:40.320
<v Speaker 1>mom's artists that you also know?

0:16:40.480 --> 0:16:41.160
<v Speaker 2>My mom start.

0:16:42.760 --> 0:16:43.240
<v Speaker 1>Through and through?

0:16:43.880 --> 0:16:51.560
<v Speaker 2>Yeah? Hello, you know you don't know, yes said.

0:16:56.360 --> 0:16:57.240
<v Speaker 1>Or is your mom?

0:16:57.560 --> 0:17:00.960
<v Speaker 2>I don't want to say that I'm a fan, but

0:17:01.320 --> 0:17:03.840
<v Speaker 2>if you put any Romeo song, I'm gonna know it

0:17:03.920 --> 0:17:07.480
<v Speaker 2>probably from I'm pretty sure until the end. Give any

0:17:07.640 --> 0:17:10.080
<v Speaker 2>if even if I ever didn't like one of the

0:17:10.119 --> 0:17:12.679
<v Speaker 2>songs because they fired, well, it's just that I like,

0:17:13.280 --> 0:17:17.200
<v Speaker 2>probably don't put it on my YouTube.

0:17:16.840 --> 0:17:19.040
<v Speaker 1>Fan and I have songs that I'm like, why did

0:17:19.040 --> 0:17:19.760
<v Speaker 1>he do this song?

0:17:20.200 --> 0:17:22.960
<v Speaker 2>But you still know them because you hear them so

0:17:23.080 --> 0:17:26.120
<v Speaker 2>much everywhere. Everybody loves him so much that you know.

0:17:26.160 --> 0:17:29.640
<v Speaker 3>When he did that, Remember when he did like Nicki Minaj,

0:17:29.760 --> 0:17:32.359
<v Speaker 3>he did Drake, he did Little Wayne, and I was

0:17:32.440 --> 0:17:34.679
<v Speaker 3>so thrown off. I was like, what am I listening?

0:17:34.760 --> 0:17:37.000
<v Speaker 2>Yes, I know, but you know what? But then I

0:17:37.119 --> 0:17:41.160
<v Speaker 2>loywhere I was in dr Actually I was in school

0:17:41.160 --> 0:17:45.080
<v Speaker 2>still and he I think he made that with Drake

0:17:45.320 --> 0:17:47.520
<v Speaker 2>and we was like, oh my god, Drake say a

0:17:47.680 --> 0:17:50.879
<v Speaker 2>word in Spanish. We were all so surprised and hype

0:17:50.880 --> 0:17:53.920
<v Speaker 2>about that. And that's also cool, like he's a good

0:17:54.400 --> 0:17:56.480
<v Speaker 2>representation of us, you know.

0:17:56.720 --> 0:17:59.280
<v Speaker 3>And the way he bridged, you know, like English and Spanish.

0:17:59.320 --> 0:18:02.000
<v Speaker 3>He's another man, a star, Like I give it, he's

0:18:02.080 --> 0:18:02.440
<v Speaker 3>out of.

0:18:02.400 --> 0:18:05.680
<v Speaker 2>This He's out of this planet at this point, like Romeo,

0:18:05.960 --> 0:18:09.080
<v Speaker 2>he got he's been doing this for way too long too.

0:18:10.080 --> 0:18:14.000
<v Speaker 1>Yo.

0:18:14.440 --> 0:18:15.359
<v Speaker 2>Know It'sedro.

0:18:16.160 --> 0:18:18.679
<v Speaker 3>What about everybody new, Like everybody that's in the scene

0:18:18.680 --> 0:18:21.080
<v Speaker 3>now in Dominican Republic, have you thought about like.

0:18:26.240 --> 0:18:42.359
<v Speaker 2>One Menasi, he's not doing the mob, but he's a

0:18:43.960 --> 0:18:52.680
<v Speaker 2>trap trap romanticomezo.

0:18:53.560 --> 0:18:58.800
<v Speaker 3>So that's good, you know, that's good to know because

0:19:02.359 --> 0:19:05.040
<v Speaker 3>I have the rise over there, like who's new? You know,

0:19:05.080 --> 0:19:07.960
<v Speaker 3>we see who's online and who's j one over there.

0:19:08.000 --> 0:19:09.480
<v Speaker 3>Everybody we all know who they are. But some of

0:19:09.480 --> 0:19:11.800
<v Speaker 3>the people that you mentioned, I don't necessarily know their music.

0:19:11.840 --> 0:19:12.840
<v Speaker 2>Well I try.

0:19:12.960 --> 0:19:15.680
<v Speaker 1>Thanks for putting me on no, of course, girl, I.

0:19:15.760 --> 0:19:18.960
<v Speaker 2>Sent them to you right now page to be bumping

0:19:19.000 --> 0:19:21.000
<v Speaker 2>on the way to your house. But I also feel

0:19:21.080 --> 0:19:24.320
<v Speaker 2>like being here, there's a lot of Dominicans that come

0:19:24.359 --> 0:19:27.040
<v Speaker 2>from over there, and they lose their touch, like they

0:19:27.160 --> 0:19:31.399
<v Speaker 2>lose their that well, a lot of things that make

0:19:31.480 --> 0:19:33.960
<v Speaker 2>you Dominican, you know, like we're always going to be

0:19:34.440 --> 0:19:37.639
<v Speaker 2>my blood. So I try to stay on top of

0:19:37.680 --> 0:19:39.760
<v Speaker 2>everything that is going on over there. I watch a

0:19:39.760 --> 0:19:43.240
<v Speaker 2>lot of interviews, I listen to the radio over there.

0:19:43.640 --> 0:19:46.800
<v Speaker 2>I any new artists that comes out, I go and

0:19:46.880 --> 0:19:48.720
<v Speaker 2>check it out. I go and see if I like it,

0:19:48.720 --> 0:19:51.000
<v Speaker 2>because you know, I like I like my country. I

0:19:51.040 --> 0:19:54.920
<v Speaker 2>love my country. So I try to stay with the

0:19:55.119 --> 0:19:58.600
<v Speaker 2>country inside my heart all the time and in me,

0:19:58.840 --> 0:20:01.240
<v Speaker 2>you know, so I keep it like that.

0:20:01.480 --> 0:20:03.760
<v Speaker 1>I didn't lose touch. I just wasn't born, I know.

0:20:04.600 --> 0:20:08.760
<v Speaker 2>But this is a thing, you know, don't scare me.

0:20:09.800 --> 0:20:14.080
<v Speaker 3>I mean lose touch, because I was like, I don't

0:20:14.119 --> 0:20:14.560
<v Speaker 3>know these.

0:20:15.040 --> 0:20:21.560
<v Speaker 2>Mean likes with that touch, but not me. Hey, we

0:20:21.720 --> 0:20:27.560
<v Speaker 2>didn't lose No Dominicans the no no, no, no, no, no,

0:20:28.680 --> 0:20:34.800
<v Speaker 2>masimno and Macomo. You know your like, yeah, center, look

0:20:34.800 --> 0:20:36.600
<v Speaker 2>at that pas okay, and I feel like you.

0:20:38.280 --> 0:20:46.440
<v Speaker 1>In the sand front and center yao, and you're just

0:20:46.720 --> 0:20:57.119
<v Speaker 1>chik you okay, but pull up. I don't know, but

0:20:57.920 --> 0:20:58.359
<v Speaker 1>what weout you?

0:20:58.600 --> 0:21:00.640
<v Speaker 2>I gotta go. Th girl, you already say you down?

0:21:00.920 --> 0:21:03.280
<v Speaker 1>I said, listen, I'm down. I got hand and feet.

0:21:03.720 --> 0:21:05.520
<v Speaker 1>But let's talk about.

0:21:07.320 --> 0:21:07.439
<v Speaker 2>Right.

0:21:07.640 --> 0:21:09.800
<v Speaker 1>Mm hm, who's block is that?

0:21:10.080 --> 0:21:12.679
<v Speaker 3>I'm like, is that Corona Queens where you're standing in.

0:21:12.680 --> 0:21:16.160
<v Speaker 2>Front of That's corona. That's actually my managers Mike Swagger.

0:21:16.720 --> 0:21:18.520
<v Speaker 1>I said, this is somebody's block.

0:21:18.680 --> 0:21:22.800
<v Speaker 2>This is this has forty first and he was like, yeah,

0:21:22.880 --> 0:21:25.320
<v Speaker 2>we're going into my black We're going into that. You

0:21:25.440 --> 0:21:27.639
<v Speaker 2>are there, Yeah, we was actually there. I thought it

0:21:27.720 --> 0:21:32.080
<v Speaker 2>was Ai, but it was a I rummy, Uh yes,

0:21:32.840 --> 0:21:36.479
<v Speaker 2>which helped me. You know. He's also my producer how

0:21:36.600 --> 0:21:38.800
<v Speaker 2>do they call it artists development too?

0:21:39.000 --> 0:21:41.600
<v Speaker 3>Okay, and he's doing a great job because one thing

0:21:41.680 --> 0:21:43.760
<v Speaker 3>I was saying on my way here, that man is

0:21:43.800 --> 0:21:46.720
<v Speaker 3>a genie. I said, she's already there, like it's already

0:21:46.760 --> 0:21:48.840
<v Speaker 3>an artist. Like the way you look, the way you move,

0:21:48.920 --> 0:21:50.080
<v Speaker 3>the way it's like, Oh, I.

0:21:50.160 --> 0:21:52.240
<v Speaker 2>Made my clothes that day. Is that what you do?

0:21:52.440 --> 0:21:52.640
<v Speaker 3>Yeah?

0:21:52.840 --> 0:21:57.720
<v Speaker 2>Painted my my shirt design? Yeah, that's probably I should

0:21:57.760 --> 0:22:03.000
<v Speaker 2>have bot paint for for the clothes, but I did

0:22:03.040 --> 0:22:05.960
<v Speaker 2>it with normal pain. Hopefully. I haven't even washed that shirt.

0:22:06.040 --> 0:22:07.720
<v Speaker 2>I think I'm gonna put it on some You gotta

0:22:07.720 --> 0:22:08.760
<v Speaker 2>frame it. I'm scared.

0:22:08.920 --> 0:22:10.560
<v Speaker 1>You gotta keep it up because you know, twenty years

0:22:10.600 --> 0:22:13.400
<v Speaker 1>down the line, we'll talk about that shirt. I will,

0:22:13.920 --> 0:22:15.760
<v Speaker 1>but Paka.

0:22:15.960 --> 0:22:19.280
<v Speaker 2>I feel like the process of creating it also was

0:22:19.400 --> 0:22:23.159
<v Speaker 2>something really like new to me. We was recording that

0:22:23.359 --> 0:22:28.680
<v Speaker 2>on Empire Studios, so which is a total different vibe.

0:22:28.840 --> 0:22:33.560
<v Speaker 2>You know, then going to other studios and working with

0:22:33.720 --> 0:22:39.440
<v Speaker 2>Rami and twelve hundred is just amazing. And Ramy is genius,

0:22:39.560 --> 0:22:41.480
<v Speaker 2>like he came up with that. He's like, yeah, we

0:22:41.560 --> 0:22:44.040
<v Speaker 2>can do this over here, but we're gonna put a AI,

0:22:44.160 --> 0:22:46.600
<v Speaker 2>We're gonna put you in a whole bunch of different places.

0:22:47.400 --> 0:22:50.119
<v Speaker 2>They look like nice places. I thought that he was

0:22:50.160 --> 0:22:53.720
<v Speaker 2>gonna put me like on normal places. But he came

0:22:53.840 --> 0:22:58.400
<v Speaker 2>up with this floating thing, the floating city, an island,

0:22:58.800 --> 0:23:01.440
<v Speaker 2>you know, and I like what he did. He also

0:23:02.640 --> 0:23:06.000
<v Speaker 2>produced the whole song too. He came up with the bee.

0:23:06.600 --> 0:23:09.200
<v Speaker 2>He helps me sometimes, you know, like he throws little

0:23:09.280 --> 0:23:11.359
<v Speaker 2>ideas in there. So that's what I was saying. The

0:23:11.440 --> 0:23:14.159
<v Speaker 2>process of creating it, it was. It was amazing. I

0:23:14.280 --> 0:23:14.960
<v Speaker 2>truly enjoyed it.

0:23:15.000 --> 0:23:16.359
<v Speaker 1>It was dope. And you know, it's crazy.

0:23:16.359 --> 0:23:18.600
<v Speaker 3>When I look at visuals, I look for symbolisms, and

0:23:18.640 --> 0:23:20.920
<v Speaker 3>I saw the mushrooms and I said, oh, maybe she

0:23:20.960 --> 0:23:22.600
<v Speaker 3>don't smoke, Maybe she's just a shroom.

0:23:22.760 --> 0:23:25.440
<v Speaker 2>No, actually, I want to try them. I want to

0:23:25.520 --> 0:23:26.680
<v Speaker 2>try them. That's different.

0:23:27.119 --> 0:23:30.639
<v Speaker 3>Yes, No, I look for symbolisms everywhere.

0:23:30.640 --> 0:23:35.960
<v Speaker 2>I said, have you done that? Never? God, damn, I

0:23:35.960 --> 0:23:37.880
<v Speaker 2>don't know. It was gonna tell me you a whole sper.

0:23:38.520 --> 0:23:41.840
<v Speaker 3>I'm so afraid of anything like edible or like, I

0:23:42.000 --> 0:23:43.000
<v Speaker 3>just don't know if I'm going to go on a

0:23:43.000 --> 0:23:44.280
<v Speaker 3>bad trait, you never come back.

0:23:44.880 --> 0:23:45.160
<v Speaker 2>Weird.

0:23:45.320 --> 0:23:48.760
<v Speaker 3>Yes, Okay, you know, I know what's going to happen. Eventually,

0:23:48.800 --> 0:23:50.440
<v Speaker 3>I'm gonna come back, But I don't know.

0:23:50.480 --> 0:23:50.960
<v Speaker 1>I don't try.

0:23:51.200 --> 0:23:53.359
<v Speaker 2>You don't know with shrooms, you know what. I heard that,

0:23:53.880 --> 0:23:56.520
<v Speaker 2>or at least every single person that I know that

0:23:56.680 --> 0:23:59.879
<v Speaker 2>have done it, they always tell me that you if

0:23:59.920 --> 0:24:02.600
<v Speaker 2>you battling with something, or if you're struggling with something,

0:24:02.960 --> 0:24:05.240
<v Speaker 2>if you have something suppress in your mind and you

0:24:05.359 --> 0:24:08.399
<v Speaker 2>don't even know you have to you gotta battle that

0:24:08.840 --> 0:24:11.680
<v Speaker 2>first before you even enjoy the height of the shrooms.

0:24:12.040 --> 0:24:14.480
<v Speaker 2>And that's why I want to take them, because I

0:24:14.640 --> 0:24:17.320
<v Speaker 2>want to see what is it that I gotta change,

0:24:17.480 --> 0:24:19.520
<v Speaker 2>like I want to. If I got to solve something

0:24:19.560 --> 0:24:22.480
<v Speaker 2>and I gotta sol them shrooms, then let's go. Where's

0:24:22.480 --> 0:24:27.320
<v Speaker 2>the shrooms at? I feel like I don't know, but

0:24:27.440 --> 0:24:28.719
<v Speaker 2>I'm a little bit scared too.

0:24:29.080 --> 0:24:30.520
<v Speaker 1>Yeah, I don't know. If it's going to be a

0:24:30.560 --> 0:24:31.960
<v Speaker 1>bad trip and I'm not going to come back.

0:24:32.680 --> 0:24:35.480
<v Speaker 2>If you see like little things running on the floor

0:24:35.600 --> 0:24:38.760
<v Speaker 2>and then you're just stripping on your car, your couch

0:24:38.920 --> 0:24:41.640
<v Speaker 2>is eating you alive, I ain't.

0:24:41.440 --> 0:24:43.479
<v Speaker 3>Trying to That's the reason why I don't want no shrooms.

0:24:43.560 --> 0:24:45.560
<v Speaker 2>I don't want that experience. I still got to build

0:24:45.640 --> 0:24:48.600
<v Speaker 2>up that courage. But once I have it, I'm calling you,

0:24:49.640 --> 0:24:50.600
<v Speaker 2>you gotta take them now.

0:24:50.760 --> 0:24:52.679
<v Speaker 3>Yeah, you gotta be like, pull up, honey, I got

0:24:52.760 --> 0:24:54.960
<v Speaker 3>the shrooms. Oh yeah, and I trust the person I

0:24:55.000 --> 0:24:57.000
<v Speaker 3>bought them with, okay from.

0:24:57.000 --> 0:24:59.760
<v Speaker 2>Oh no, yeah, that's for sure. That even if I'm

0:25:00.080 --> 0:25:02.040
<v Speaker 2>going to smoke, like I go to trust the places

0:25:03.240 --> 0:25:06.760
<v Speaker 2>and go to a dispensary or go to someone that

0:25:06.960 --> 0:25:08.480
<v Speaker 2>you know that they probably grow it.

0:25:08.520 --> 0:25:10.200
<v Speaker 1>At home, something that's safe.

0:25:10.720 --> 0:25:14.160
<v Speaker 2>These times are getting trying to we want to live

0:25:14.280 --> 0:25:16.840
<v Speaker 2>right mm hmm. I'd rather not smoke. If I'm not

0:25:16.880 --> 0:25:18.400
<v Speaker 2>going to smoke anything good sing.

0:25:19.080 --> 0:25:21.240
<v Speaker 1>Now, let's talk about fashion. When did your love for

0:25:21.320 --> 0:25:22.560
<v Speaker 1>fashion start?

0:25:23.280 --> 0:25:26.159
<v Speaker 2>Since I was a child. I feel like, especially as Dominicans,

0:25:26.200 --> 0:25:29.399
<v Speaker 2>we always try to You see people on the black,

0:25:30.160 --> 0:25:32.399
<v Speaker 2>they might not have money, but they still have that

0:25:32.600 --> 0:25:35.280
<v Speaker 2>feet on, you know, putting it together with the other.

0:25:35.840 --> 0:25:36.399
<v Speaker 1>I'm like, don't.

0:25:40.160 --> 0:25:44.560
<v Speaker 2>But you know what I mean that I don't see

0:25:44.560 --> 0:25:51.119
<v Speaker 2>it fresh, always have it, don't say the chick. I

0:25:51.280 --> 0:25:53.920
<v Speaker 2>like to stay fresh or play with the clothes, not

0:25:54.760 --> 0:25:58.240
<v Speaker 2>simply stay fresh because I'm not like a Gucci Louis

0:25:58.240 --> 0:25:58.880
<v Speaker 2>with person.

0:25:58.920 --> 0:26:02.280
<v Speaker 1>So listen that money comes later. Okay, that's what I'm saying.

0:26:02.320 --> 0:26:04.600
<v Speaker 2>But even if I have it, I don't know what.

0:26:04.680 --> 0:26:09.000
<v Speaker 2>I don't know. I can I say, I don't know

0:26:09.040 --> 0:26:09.800
<v Speaker 2>where I'm gonna be.

0:26:10.760 --> 0:26:14.440
<v Speaker 1>You know, you had to talk Gucci talk about that

0:26:14.600 --> 0:26:15.520
<v Speaker 1>was the thing.

0:26:15.600 --> 0:26:19.280
<v Speaker 2>I don't myself doing that. No, Like I feel like

0:26:20.720 --> 0:26:24.359
<v Speaker 2>I could go to a thrift store last it's the

0:26:24.440 --> 0:26:26.960
<v Speaker 2>best and grab like random things. I like to play

0:26:27.000 --> 0:26:30.760
<v Speaker 2>with the clothes. I feel like that's what happens. Like, yeah,

0:26:30.960 --> 0:26:33.200
<v Speaker 2>I don't, it don't matter. It don't matter to me

0:26:33.480 --> 0:26:36.280
<v Speaker 2>what it is. Maybe if I'm buying Gucci later or

0:26:36.400 --> 0:26:39.760
<v Speaker 2>Louis V, I'll probably throw it all together, like make

0:26:39.840 --> 0:26:40.480
<v Speaker 2>a mix, you know.

0:26:40.640 --> 0:26:43.040
<v Speaker 1>But never do you judge yourself now or no, I

0:26:43.240 --> 0:26:44.159
<v Speaker 1>address myself now.

0:26:44.240 --> 0:26:47.480
<v Speaker 2>I used to have a stylist, Mila shout out to

0:26:47.560 --> 0:26:51.240
<v Speaker 2>you checks and balances. She's amazing, But for now I

0:26:51.280 --> 0:26:54.960
<v Speaker 2>think she's a little bit retired working from working with Artissa,

0:26:55.400 --> 0:26:58.359
<v Speaker 2>so I let her be. But Mela, whenever you're ready,

0:26:58.440 --> 0:27:00.679
<v Speaker 2>let me know. For now, I'm dressing myself.

0:27:00.720 --> 0:27:03.000
<v Speaker 3>You're good, you so much because you know what's crazy

0:27:03.040 --> 0:27:05.119
<v Speaker 3>I go through every artist that I only, I go

0:27:05.200 --> 0:27:07.399
<v Speaker 3>through their entire social media, and I was like, I

0:27:07.560 --> 0:27:08.560
<v Speaker 3>love the way she dressed.

0:27:08.600 --> 0:27:10.600
<v Speaker 1>I love the hair. I didn't know what color you

0:27:10.800 --> 0:27:12.919
<v Speaker 1>expect today. I was hoping for something crazy.

0:27:13.119 --> 0:27:15.920
<v Speaker 2>That's something, that's something. Yeah, thank you so much. I

0:27:16.840 --> 0:27:19.080
<v Speaker 2>this one. I did it myself, which mean you did this.

0:27:19.200 --> 0:27:22.840
<v Speaker 2>It was platinum. But like, the good thing about having

0:27:22.880 --> 0:27:24.480
<v Speaker 2>short hair is that you can put your head on

0:27:24.560 --> 0:27:26.520
<v Speaker 2>the shower every day like you can wear your hair.

0:27:26.640 --> 0:27:29.359
<v Speaker 2>So I guess that wedding they went a little bit

0:27:29.400 --> 0:27:32.320
<v Speaker 2>down to yellow. But I do. I do everything and

0:27:32.480 --> 0:27:35.159
<v Speaker 2>everything you saw if you ever were my Instagram, everything

0:27:35.240 --> 0:27:38.480
<v Speaker 2>you saw I did, like thing dressing myself, like you

0:27:38.480 --> 0:27:40.480
<v Speaker 2>look good. It had to be maybe like two years ago.

0:27:40.560 --> 0:27:42.240
<v Speaker 2>I had the stylist, thank you.

0:27:42.440 --> 0:27:43.840
<v Speaker 1>Oh no, you look really really good.

0:27:43.880 --> 0:27:45.680
<v Speaker 2>Are you playing with everything you see?

0:27:46.040 --> 0:27:46.399
<v Speaker 1>Pause?

0:27:47.480 --> 0:27:51.960
<v Speaker 2>Hey hey hey no yeah, pause No you don't want

0:27:52.080 --> 0:27:52.560
<v Speaker 2>no pose?

0:27:52.680 --> 0:27:53.800
<v Speaker 3>I do play with everything.

0:27:53.880 --> 0:27:56.800
<v Speaker 2>Okay, take it however you want to take it. I

0:27:56.960 --> 0:27:58.080
<v Speaker 2>love it. I love it. I love it.

0:27:58.680 --> 0:28:01.800
<v Speaker 3>I was dating in the United States versus dating in

0:28:01.840 --> 0:28:03.919
<v Speaker 3>the R Were you too young to date in.

0:28:04.040 --> 0:28:06.399
<v Speaker 2>The R No, I was a little bit young, but

0:28:06.480 --> 0:28:15.800
<v Speaker 2>I was still dating. Okay, you're just impressive. Be uh mama.

0:28:18.560 --> 0:28:24.440
<v Speaker 2>I feel like it's not like it's hard, but sometimes

0:28:24.520 --> 0:28:27.600
<v Speaker 2>you know, you end up dating other cultures, you know,

0:28:28.000 --> 0:28:37.280
<v Speaker 2>and I go and you know, you gotta come on

0:28:37.359 --> 0:28:41.760
<v Speaker 2>to this, so you know it's work.

0:28:41.840 --> 0:28:42.600
<v Speaker 1>It's got a blend.

0:28:42.680 --> 0:28:49.720
<v Speaker 2>But besides that, I love it here. I you that messy?

0:28:51.000 --> 0:28:54.000
<v Speaker 2>Are you that lass? In this?

0:28:54.480 --> 0:28:54.800
<v Speaker 3>Thank you?

0:28:59.720 --> 0:29:18.000
<v Speaker 2>You? Are you a gamer? I used to not not

0:29:18.160 --> 0:29:19.920
<v Speaker 2>like that, but I used to be more like, you know,

0:29:20.080 --> 0:29:22.880
<v Speaker 2>more of my PlayStation before. I was like, I can't

0:29:22.920 --> 0:29:23.800
<v Speaker 2>charted a lot.

0:29:24.000 --> 0:29:25.880
<v Speaker 1>I said, I get gamer vibes from the I don't

0:29:25.880 --> 0:29:27.520
<v Speaker 1>know why I had to add.

0:29:28.560 --> 0:29:31.560
<v Speaker 2>I put my PlayStation away and started painting because I

0:29:31.640 --> 0:29:34.280
<v Speaker 2>felt like I wasn't doing that. You know, I was

0:29:34.360 --> 0:29:36.640
<v Speaker 2>spending hours there and I was like, nah, I don't

0:29:36.680 --> 0:29:38.320
<v Speaker 2>know if this is worth it for me. I moved

0:29:38.400 --> 0:29:41.560
<v Speaker 2>from like I have faces. So I've been painting the

0:29:41.680 --> 0:29:42.880
<v Speaker 2>last year a lot art.

0:29:43.600 --> 0:29:45.280
<v Speaker 1>I want to see something. I didn't see anything.

0:29:45.400 --> 0:29:47.760
<v Speaker 2>I'm gonna show you. I don't put it on social media, okay,

0:29:48.120 --> 0:29:56.400
<v Speaker 2>but I was thinking about doing it, maybe like maybe

0:29:56.400 --> 0:29:59.040
<v Speaker 2>if you like it, they are a lot. It's very cartoonish,

0:29:59.160 --> 0:29:59.720
<v Speaker 2>but I love it.

0:29:59.760 --> 0:30:02.400
<v Speaker 3>But I'm a car I'm as fan and I like,

0:30:02.480 --> 0:30:05.000
<v Speaker 3>you know, I I collect a lot of cartoonish type

0:30:05.000 --> 0:30:05.320
<v Speaker 3>of stuff.

0:30:05.360 --> 0:30:08.040
<v Speaker 1>Okay, so I'm definitely definitely okay.

0:30:07.960 --> 0:30:10.760
<v Speaker 2>I'm definitely gonna show you something, make it, make you one.

0:30:11.040 --> 0:30:11.400
<v Speaker 2>There you go?

0:30:12.640 --> 0:30:15.880
<v Speaker 1>Are you hip hop fan over your American hip hop? Yeah?

0:30:16.800 --> 0:30:20.040
<v Speaker 2>Yeah, I gotta say yeah, because I do listen to

0:30:20.680 --> 0:30:22.560
<v Speaker 2>a lot of people from here, even when I was

0:30:22.640 --> 0:30:23.040
<v Speaker 2>in the YR.

0:30:25.600 --> 0:30:28.240
<v Speaker 3>I just you're't gonna drop no names. You could just

0:30:28.280 --> 0:30:29.040
<v Speaker 3>tell me hip.

0:30:29.240 --> 0:30:33.360
<v Speaker 2>Say people that I like from here. I like school Book, Schoolboy,

0:30:33.520 --> 0:30:39.360
<v Speaker 2>c Like Okay, I don't know if they still have

0:30:39.520 --> 0:30:42.360
<v Speaker 2>something going on, but I do like Drake. You know, listen,

0:30:42.480 --> 0:30:46.040
<v Speaker 2>Drake can never be canceled. Okay, Drake say, they go,

0:30:46.160 --> 0:30:48.800
<v Speaker 2>I don't know what's going on over there. I do

0:30:49.000 --> 0:30:53.240
<v Speaker 2>find the culture, but not to that extent, Like I

0:30:53.560 --> 0:30:55.600
<v Speaker 2>still got to do some more homework.

0:30:55.760 --> 0:30:57.760
<v Speaker 1>Becaun't. What Drake has managed to do with hip hop

0:30:57.880 --> 0:30:59.480
<v Speaker 1>can never be erased, you know what I'm saying.

0:31:00.120 --> 0:31:01.239
<v Speaker 2>Yes, it's a goal.

0:31:01.920 --> 0:31:05.400
<v Speaker 3>He is. He's he listened, whether people like it or not. Overall,

0:31:05.880 --> 0:31:08.080
<v Speaker 3>like as an overall artist, I'm talking like you know,

0:31:08.920 --> 0:31:11.840
<v Speaker 3>stage presence music you know fandom.

0:31:12.120 --> 0:31:16.200
<v Speaker 1>Drake is one of the top artists, and I feel like.

0:31:16.240 --> 0:31:18.440
<v Speaker 2>You could spend a whole year without dropping anything, and

0:31:18.520 --> 0:31:20.800
<v Speaker 2>if he drops something next year, we all.

0:31:21.480 --> 0:31:25.000
<v Speaker 1>He'll be fine. He'll be fine. So Schoolboy cute and Drake.

0:31:25.480 --> 0:31:31.040
<v Speaker 2>Jac oh yeah, and especially because he's one of the

0:31:31.200 --> 0:31:34.120
<v Speaker 2>artists that for me, this is very important coming from

0:31:34.120 --> 0:31:37.320
<v Speaker 2>another country. I like to be able to understand what

0:31:37.440 --> 0:31:41.720
<v Speaker 2>he's saying on the on your phone, Like I know English, Yeah,

0:31:41.880 --> 0:31:44.880
<v Speaker 2>but sometimes other artists use all the kind of words

0:31:45.000 --> 0:31:48.680
<v Speaker 2>or like slangs that I don't understand. Son know what

0:31:48.720 --> 0:31:49.640
<v Speaker 2>they're talking about.

0:31:49.440 --> 0:31:51.880
<v Speaker 1>Them crap is hard for us to understand, even if

0:31:51.880 --> 0:31:52.560
<v Speaker 1>we speak English.

0:31:52.760 --> 0:31:55.560
<v Speaker 2>Okay, well, there you go. I'm kind of struggling there.

0:31:55.800 --> 0:31:57.640
<v Speaker 2>But I like those artists. They're very clear.

0:31:57.800 --> 0:32:01.320
<v Speaker 3>Now listen, Ja Cole is five for me. The man

0:32:01.520 --> 0:32:04.880
<v Speaker 3>is a lyrical genius, and the things he says, it's

0:32:04.920 --> 0:32:07.560
<v Speaker 3>just everything makes so much sense and it connects and

0:32:07.680 --> 0:32:09.800
<v Speaker 3>he is very clear when he wraps, so I can

0:32:09.840 --> 0:32:10.400
<v Speaker 3>see where you're come.

0:32:10.520 --> 0:32:11.320
<v Speaker 1>What about the girlies.

0:32:12.600 --> 0:32:16.800
<v Speaker 2>I like Lato, I love Lato, I love Lao, CARDI.

0:32:21.400 --> 0:32:33.400
<v Speaker 1>Please like.

0:32:35.200 --> 0:32:35.480
<v Speaker 2>Undo.

0:32:36.360 --> 0:32:48.520
<v Speaker 3>Yeah, okay, you know weren't happy with her. They were like,

0:32:48.680 --> 0:32:53.040
<v Speaker 3>you know, representing this, but I'm like, leave her alone.

0:32:55.920 --> 0:32:58.320
<v Speaker 2>It's very hard sometimes for other people to understand that,

0:32:58.480 --> 0:33:04.080
<v Speaker 2>especially older generations. But amen, that's music. That's what music

0:33:04.240 --> 0:33:07.120
<v Speaker 2>is made for. It's or you are supposed to express

0:33:07.320 --> 0:33:11.440
<v Speaker 2>yourself with it and be yourself on it, you know.

0:33:11.720 --> 0:33:14.120
<v Speaker 2>So and that's her, that's all you know. She even

0:33:14.160 --> 0:33:16.760
<v Speaker 2>said it before, like that's the life that I was living,

0:33:16.920 --> 0:33:19.120
<v Speaker 2>you know, Like that's all I know. So that's all

0:33:19.120 --> 0:33:19.640
<v Speaker 2>I'm saying.

0:33:22.720 --> 0:33:26.840
<v Speaker 3>I love her, Okay, Madonna. I was like, yes, I

0:33:27.000 --> 0:33:35.720
<v Speaker 3>said that. I'm I was like okay, yeah, yeah, Madona.

0:33:37.720 --> 0:33:38.320
<v Speaker 1>Listen mad.

0:33:40.320 --> 0:33:59.560
<v Speaker 2>Dominicans. So Yola, this is Maya fis you to the

0:34:00.120 --> 0:34:06.680
<v Speaker 2>job devil me, I getta gold paid by your They

0:34:06.760 --> 0:34:18.440
<v Speaker 2>have a Vasica Burgos and la connection superintendent just super repetos,

0:34:21.000 --> 0:34:31.800
<v Speaker 2>so you get that. Now you're just Compson and ten

0:34:31.840 --> 0:34:38.080
<v Speaker 2>the local Yago Jolic commune. So Clara commiso to look

0:34:38.719 --> 0:34:41.640
<v Speaker 2>to look at you to and too loud you and

0:34:41.719 --> 0:34:43.279
<v Speaker 2>and meal in.

0:34:46.040 --> 0:34:50.080
<v Speaker 4>Happy life, happy happy wife, happy life, Yeah happy why

0:34:50.120 --> 0:34:55.840
<v Speaker 4>not wife? And the album do we have any p

0:34:56.080 --> 0:34:57.359
<v Speaker 4>Do we have an album? Getting any more?

0:34:57.400 --> 0:34:57.680
<v Speaker 1>Right now?

0:34:57.920 --> 0:34:59.600
<v Speaker 2>Your hand?

0:34:59.719 --> 0:34:59.960
<v Speaker 1>Are you.

0:35:01.520 --> 0:35:07.880
<v Speaker 2>Album? See yah po?

0:35:08.320 --> 0:35:11.800
<v Speaker 1>Yes we got that going on project.

0:35:11.880 --> 0:35:13.360
<v Speaker 2>I don't know if they're gonna.

0:35:14.719 --> 0:35:15.680
<v Speaker 1>Drop it because.

0:35:18.800 --> 0:35:23.000
<v Speaker 2>Simultaneously, so I believe that the first one is gonna

0:35:23.000 --> 0:35:27.720
<v Speaker 2>be dropped by singles? Am I wrong? Drop by singles? Basically?

0:35:28.320 --> 0:35:38.400
<v Speaker 2>If not, it's gonna be an albumorma perando album.

0:35:41.640 --> 0:35:46.080
<v Speaker 3>Sal Aside from the music, what else do you want

0:35:46.120 --> 0:35:47.320
<v Speaker 3>to get your hands into.

0:35:49.200 --> 0:35:58.839
<v Speaker 2>Mela issue? I don't know. I feel like for now,

0:35:59.000 --> 0:36:01.040
<v Speaker 2>all I can think about and all I can focus

0:36:01.280 --> 0:36:03.239
<v Speaker 2>is on music. To be honest, I don't want to

0:36:03.320 --> 0:36:06.600
<v Speaker 2>sound crazy, but it's your passion. Yeah, I feel like, yeah,

0:36:06.680 --> 0:36:08.920
<v Speaker 2>that's all I can see for now. Maybe you know,

0:36:10.280 --> 0:36:13.279
<v Speaker 2>later on get a little bit more into fashion. Who knows.

0:36:13.320 --> 0:36:15.600
<v Speaker 2>I can see we come out with my own brand,

0:36:16.080 --> 0:36:19.120
<v Speaker 2>especially because I come up with so many characters and

0:36:19.239 --> 0:36:22.480
<v Speaker 2>the paintings that I would like to put that into work.

0:36:22.640 --> 0:36:25.440
<v Speaker 2>And we're already doing something with the logo, with the

0:36:25.480 --> 0:36:28.680
<v Speaker 2>six sex logo which came also you made one of

0:36:28.760 --> 0:36:31.600
<v Speaker 2>my paintings. Yeah really, Yeah, I was wondering they go

0:36:32.239 --> 0:36:39.799
<v Speaker 2>twelve hundred Entertainment, you know your lost publico. If yeah,

0:36:39.800 --> 0:36:42.000
<v Speaker 2>I use my characters, the people would have been like this.

0:36:43.920 --> 0:36:47.759
<v Speaker 2>So we made it a little bit more comfortable. If

0:36:47.840 --> 0:36:51.680
<v Speaker 2>it's let's say that a kidsasion likes it, they can

0:36:51.800 --> 0:36:54.560
<v Speaker 2>endow it. You know, it's it's more commercial, yes, but

0:36:54.680 --> 0:36:56.160
<v Speaker 2>it comes from one of my paintings too.

0:36:56.719 --> 0:36:58.879
<v Speaker 1>I feel like we're going to have an album drop

0:36:59.080 --> 0:37:00.879
<v Speaker 1>with an art exhibit at the same time. I feel

0:37:00.880 --> 0:37:02.320
<v Speaker 1>like I would love that. I feel like that's the

0:37:02.440 --> 0:37:03.080
<v Speaker 1>vibe we have to go.

0:37:03.200 --> 0:37:04.200
<v Speaker 2>Danny, are you listening?

0:37:04.360 --> 0:37:07.640
<v Speaker 3>Yeah, for real, Danny, I'm thinking somebody here with with

0:37:07.920 --> 0:37:09.800
<v Speaker 3>art exhibit. That is gonna be amazing.

0:37:10.080 --> 0:37:12.520
<v Speaker 2>I love that, And don't know, Danny, don't have a

0:37:12.680 --> 0:37:15.400
<v Speaker 2>hundred paintings in my house, so I can definitely do

0:37:15.520 --> 0:37:16.960
<v Speaker 2>an exhibition if that was.

0:37:16.960 --> 0:37:20.160
<v Speaker 1>The case album release party. I can see it already and.

0:37:20.440 --> 0:37:23.480
<v Speaker 2>By twenty twenty five or who knows, twenty twenty six,

0:37:23.600 --> 0:37:27.040
<v Speaker 2>so I'm probably gonna have like three hundred who knows,

0:37:27.080 --> 0:37:28.799
<v Speaker 2>because I'm be painting as much as I can.

0:37:29.680 --> 0:37:30.160
<v Speaker 1>I love that.

0:37:30.520 --> 0:37:34.879
<v Speaker 2>That's a spend hours if I can. Is therapeutic. That's

0:37:34.920 --> 0:37:37.839
<v Speaker 2>the thing. I feel like. That's why I got more

0:37:38.080 --> 0:37:40.320
<v Speaker 2>into it because I didn't even know how to paint.

0:37:41.239 --> 0:37:43.640
<v Speaker 2>So when I started it, I just put my PlayStation

0:37:43.800 --> 0:37:45.680
<v Speaker 2>aside and I was like, let me just you know,

0:37:45.960 --> 0:37:48.880
<v Speaker 2>try and it's really good for your mental once you

0:37:48.960 --> 0:37:49.560
<v Speaker 2>get the hang of it.

0:37:50.000 --> 0:37:51.680
<v Speaker 1>Now, I really want to see these paintings.

0:37:52.400 --> 0:37:54.759
<v Speaker 2>Oh, you gonna be like you got mental problems for real.

0:37:55.640 --> 0:37:57.160
<v Speaker 2>You you're struggling with something.

0:37:57.760 --> 0:37:59.680
<v Speaker 3>But you know what, it's amazing that you know you

0:37:59.719 --> 0:38:01.520
<v Speaker 3>don't not only have the music as an outlet, but

0:38:01.600 --> 0:38:03.319
<v Speaker 3>you also have your art as an outlet and your

0:38:03.360 --> 0:38:04.000
<v Speaker 3>fashion as an hour.

0:38:04.080 --> 0:38:07.920
<v Speaker 2>I feel like I always found ways to actually express

0:38:08.040 --> 0:38:12.120
<v Speaker 2>my art, not only through music. Somehow I was always

0:38:12.239 --> 0:38:15.960
<v Speaker 2>probably painting on the wall in dr not painting painting,

0:38:16.080 --> 0:38:19.320
<v Speaker 2>but you know, since a child, I always found ways.

0:38:21.080 --> 0:38:23.520
<v Speaker 3>That's amazing. I feel like you have such a such

0:38:23.560 --> 0:38:26.920
<v Speaker 3>an amazing future ahead of you. Like immediately you know

0:38:27.040 --> 0:38:30.359
<v Speaker 3>someone Djcilo, we're good friends.

0:38:31.760 --> 0:38:33.080
<v Speaker 1>He's the one. He said, come here, I want to

0:38:33.080 --> 0:38:34.960
<v Speaker 1>show you an artist and he played me your music.

0:38:35.080 --> 0:38:37.720
<v Speaker 2>Did that? Yeah, he did that. I love you, Silo.

0:38:38.320 --> 0:38:39.440
<v Speaker 2>Shout out to you, man.

0:38:39.560 --> 0:38:40.960
<v Speaker 3>I want to see him in a little while and

0:38:41.080 --> 0:38:42.360
<v Speaker 3>thank you so much. I want to tell him I

0:38:42.480 --> 0:38:44.000
<v Speaker 3>was with you and he told me he said, I

0:38:44.040 --> 0:38:45.279
<v Speaker 3>think you would like this artist, and I was like,

0:38:45.320 --> 0:38:47.400
<v Speaker 3>show me. We were in the studio together and he

0:38:47.440 --> 0:38:49.120
<v Speaker 3>played me your music. He showed me your page and

0:38:49.160 --> 0:38:50.759
<v Speaker 3>I said, I want to talk to her. I want

0:38:50.800 --> 0:38:51.239
<v Speaker 3>to talk to her, and.

0:38:51.239 --> 0:38:53.440
<v Speaker 2>I thank you so much. I love that, and I

0:38:53.600 --> 0:38:56.880
<v Speaker 2>appreciate so much that you actually invited me and allow

0:38:57.000 --> 0:38:58.080
<v Speaker 2>me to be with you here.

0:38:58.840 --> 0:39:01.240
<v Speaker 3>You know, it's crazy because I'm making I kept mentioning

0:39:01.280 --> 0:39:03.520
<v Speaker 3>your name, and I kept showing you and your producer

0:39:03.719 --> 0:39:05.839
<v Speaker 3>who handles our artist relations are met.

0:39:05.960 --> 0:39:08.319
<v Speaker 1>I sent him. I actually commented on your page. I said,

0:39:08.400 --> 0:39:10.080
<v Speaker 1>this is the person I want to it.

0:39:10.160 --> 0:39:13.840
<v Speaker 2>I was like, I'm down, say less, say less, and I.

0:39:13.880 --> 0:39:15.440
<v Speaker 1>Thank you so much for coming through today.

0:39:16.000 --> 0:39:18.880
<v Speaker 2>I feel like we can be friends. I don't know like,

0:39:19.000 --> 0:39:20.440
<v Speaker 2>but I'm vibing with you. I don't know if you

0:39:20.600 --> 0:39:20.799
<v Speaker 2>like me.

0:39:20.920 --> 0:39:25.120
<v Speaker 1>But I'm probably with you to definitely like your vibe.

0:39:25.200 --> 0:39:38.759
<v Speaker 2>You know. She said, no, no, Mario, not.

0:39:52.440 --> 0:39:53.440
<v Speaker 1>Hold on the shrooms.

0:39:53.960 --> 0:39:57.120
<v Speaker 2>They got stopped drinking, maybe like a year ago. Okay,

0:39:57.560 --> 0:40:02.440
<v Speaker 2>you know it's look at usc you pull us. I

0:40:02.480 --> 0:40:04.239
<v Speaker 2>don't want you to break your No, I'm not. It's

0:40:04.239 --> 0:40:07.920
<v Speaker 2>not like man, I just didn't like naturally, just stop drinking. O.

0:40:07.920 --> 0:40:10.160
<v Speaker 2>Doun't nowhere good for you? Man? But if I gotta

0:40:10.200 --> 0:40:12.520
<v Speaker 2>take a shower, or a cup of wine. I'm taking it.

0:40:13.120 --> 0:40:16.640
<v Speaker 2>There's a lot of There's a lot of and she's like, no,

0:40:16.920 --> 0:40:19.400
<v Speaker 2>you should not. Skin looks too good. We're not going

0:40:19.440 --> 0:40:23.040
<v Speaker 2>to mess up hydrating away. I'm struggling with my skin

0:40:23.160 --> 0:40:26.320
<v Speaker 2>right now. Weird. Yeah, I'm literally like trying to go

0:40:26.480 --> 0:40:29.319
<v Speaker 2>back to it because I feel like my skin was great.

0:40:29.360 --> 0:40:31.200
<v Speaker 2>I don't know what's going on. I think I gotta

0:40:31.440 --> 0:40:33.960
<v Speaker 2>I don't know my shower head or something is wrong

0:40:34.080 --> 0:40:37.399
<v Speaker 2>and to change that or something hard water.

0:40:37.719 --> 0:40:40.160
<v Speaker 3>I absolutely love you, man, Thank you so much for

0:40:40.280 --> 0:40:44.840
<v Speaker 3>stopping by today. This interview was amazing and another Dominican,

0:40:45.400 --> 0:40:48.880
<v Speaker 3>you know, just on the rise and with such amazing talent.

0:40:49.040 --> 0:40:50.400
<v Speaker 3>I had to sit down with you and I had

0:40:50.440 --> 0:40:51.880
<v Speaker 3>to show you love and let you know that I

0:40:52.000 --> 0:40:53.040
<v Speaker 3>am already a fan.

0:40:53.239 --> 0:40:55.880
<v Speaker 2>Thank you so much, Thank you. I really appreciate that.

0:40:56.040 --> 0:41:00.359
<v Speaker 2>You know. I always say people's time is the most

0:41:00.520 --> 0:41:02.880
<v Speaker 2>valuable valuable thing that they have.

0:41:03.600 --> 0:41:04.920
<v Speaker 1>That's a fact, period.

0:41:05.480 --> 0:41:08.880
<v Speaker 2>And I appreciate so much you taking you know, and

0:41:09.040 --> 0:41:11.680
<v Speaker 2>your whole team too, taking time to be sitting here

0:41:11.800 --> 0:41:15.359
<v Speaker 2>with me and the words. Man, Thank you so much.

0:41:20.560 --> 0:41:25.799
<v Speaker 1>Grassos probably need you know what Grassiers come again?

0:41:28.200 --> 0:41:35.440
<v Speaker 2>Money honey, Grassier Come Again. Yeah, I Joe and.

0:41:35.520 --> 0:41:36.799
<v Speaker 1>They Joe Boom.

0:41:38.440 --> 0:41:38.720
<v Speaker 2>Boom.

0:41:39.640 --> 0:41:42.719
<v Speaker 3>Grassiers Come Again is a production of Honey German Productions

0:41:42.760 --> 0:41:45.600
<v Speaker 3>in partnership with iHeart micro To the podcast network