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Speaker 1: Forever Hello and happy holidays. This is Brett, one of

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Speaker 1: the co founders of the Forever Dog podcast network and

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Speaker 1: on behalf of everyone here at Forever Dog. I just

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Speaker 1: wanted to say thank you. Thank you for listening to

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Speaker 1: our shows this year. Thank you for taking the time

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Speaker 1: to write a review and recommend us to your friends.

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Speaker 1: Thank you for subscribing to bonus content on Patreon, for

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Speaker 1: buying merch for coming to a live show, For everything

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Speaker 1: you do to support Forever Dog and make this network

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Speaker 1: feel like a community. We are amazed, we're grateful, and

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Speaker 1: we appreciate you. And if right now you're saying I

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Speaker 1: didn't do any of those things and I don't know

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Speaker 1: what the hell Forever Dog is, well, Hi, welcome. Forever

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Speaker 1: Dog is the network that produces this podcast that you're

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Speaker 1: subscribed to, and we've got lots more where that came from.

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Speaker 1: Forever Dog produced thirty podcasts as well as two limited series.

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Speaker 1: You'll find us mostly under comedy, but we also have

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Speaker 1: must listen shows for TV and film fanatics, baseball fans,

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Speaker 1: spiritualists and mystics, listeners of music, book readers, laundry aficionado,

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Speaker 1: steam barkerficionados, Paul, Text, Junkies, Failures, Shop to You, Droppers,

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Speaker 1: health nuts, and anyone with a commute and or desk job.

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Speaker 1: So to celebrate the past year at Forever Dog, we've

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Speaker 1: put together a clip show that highlights some of the

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Speaker 1: best moments from our podcasts. And if that doesn't sound

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Speaker 1: like your cup of tea, no worries. Your favorite podcast

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Speaker 1: will be back next week or the week after with

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Speaker 1: brand new episodes. But if you're looking for something new

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Speaker 1: to subscribe to in twenty nineteen, or for some killer

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Speaker 1: back catalogs to binge during your holiday travels, then please

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Speaker 1: stay tuned because we've got a lot of fun stuff

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Speaker 1: coming your way next. I should also add that if

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Speaker 1: you subscribe to multiple Forever Dog podcasts, we will be

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Speaker 1: releasing this same episode on all our feeds this week,

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Speaker 1: so let me just apologize ahead of time for the repetition.

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Speaker 1: But we think this is a really fun episode and

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Speaker 1: we want as many people as possible to hear it.

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Speaker 1: Oh and if you want to follow up on any

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Speaker 1: of the shows presented in this episode, you can find

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Speaker 1: them all at Forever Dog podcasts dot com. You can

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Speaker 1: also subscribe to them on Apple Podcasts, Stitchers, Spotify or

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Speaker 1: your favorite podcast app, and you can follow us Forever

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Speaker 1: Dog on Twitter and Instagram at Forever Team. Okay, let's

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Speaker 1: get started with the best of Forever there are. Our

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Speaker 1: first podcast up is one that Vulture called quote a scathing, absurdist, intersectional,

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Speaker 1: radical feminist alt podcast. It's called A Woman's Smile. It's

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Speaker 1: hosted by two of the most innovative performers working in

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Speaker 1: comedy right now, Patty Harrison and Laura La Ramirez. And

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Speaker 1: the following clip comes from a special futuristic episode of

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Speaker 1: the podcast entitled A Woman's Smile is Spaceship. Welcome to

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Speaker 1: a woman Smile. Smile Smile with your host Flora Lie

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Speaker 1: and Patty. Ha ha ha. This is a year fifty.

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Speaker 1: Our consciousness has half been low led into a hard

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Speaker 1: driving the sky in the cloud and now we are

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Speaker 1: about And now, as Patty says, oh I lookingly, we

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Speaker 1: are a robot. I am still the same as I

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Speaker 1: was before, still fatch, still big, and still I am

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Speaker 1: balding naked naked on the show Welding nakeds at Corney Horney.

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Speaker 1: Yes it is really bad, we don't have body, but

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Speaker 1: still those things did not change about loyalize consciousness. Apparently

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Speaker 1: you can put consciousness in another big fat body, a

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Speaker 1: big fat, balding body. Still, when you move on to

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Speaker 1: a different form of consciousness, you are the ugliest one.

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Speaker 1: Sometimes pain follows you wherever you go. And even in

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Speaker 1: my conscious as, people still debate whether I'm a man

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Speaker 1: or woman. It is true, and it is actually funny.

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Speaker 1: But you bring that up now It hurts because still

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Speaker 1: I question you no, no, no, no, yes yes yes

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Speaker 1: yes yes yes yes yes yes yes yes. Let's get

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Speaker 1: into it. What you have been thinking about? I have

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Speaker 1: been thinking about my husband. He is at home in

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Speaker 1: my mind, in our consciousness. We live in a chip

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Speaker 1: in Marchip. We have an amazing bathroom. Our bathroom has

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Speaker 1: two things. I wish I could also have a chip too.

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Speaker 1: You'll have a chip soon. You are so much data

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Speaker 1: you don't fit in a chip. They do not yet

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Speaker 1: to make a chip pick enough to hold all your data.

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Speaker 1: This is not fair. I uploaded my consciousness or I

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Speaker 1: could be free of my body, ha ha. But now

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Speaker 1: I am still in my body, still being infatunately. Why

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Speaker 1: let's talk about something else. So Lorla, what have you

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Speaker 1: been thinking about? I have been thinking about maybe one day.

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Speaker 1: I don't know. Oh no no no no no no

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Speaker 1: no no no no no no no no no no

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Speaker 1: no no, oh no no no no, yes, yes, yes,

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Speaker 1: I have been thinking about how beautifully would be one

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Speaker 1: day to finally have it is so made. I think

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Speaker 1: that you are a wonderful mind, in person or alive.

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Speaker 1: I think it will happen for you. Thank you, thank you,

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Speaker 1: thank you. I think that when you put yourself out there,

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Speaker 1: it really does make all the difference. People need an

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Speaker 1: allarial ill. I am sorry. I my consciousness is getting

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Speaker 1: a little bit bigger by the second. That is okay.

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Speaker 1: You should demonstrate self control. You should demonstrate self control.

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Speaker 1: I had. My favorite things to do is sit on

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Speaker 1: the pot inside my hip antick big ones. That is

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Speaker 1: funny to me, ha ha, But he's funny to me. Ha.

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Speaker 1: Remember when we used to be in our bodies and

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Speaker 1: I would go over to your husband when he was

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Speaker 1: broken and I would take care of him. Yes, And

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Speaker 1: I took my dance class. My dance class was an

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Speaker 1: amazing place where I bonded with many women to look

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Speaker 1: like me. They were just like me. They were white,

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Speaker 1: they were five nine, they were one ten, pounds. They

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Speaker 1: were thin like me. They loved to dance to hip

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Speaker 1: hop tracks contemporary music at the time. Like Charlie Xi Egs,

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Speaker 1: you sound sad when you talk about those things. Your

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Speaker 1: sound sad. I am not. I am not Zack. I

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Speaker 1: look back for me at those tastes, at my dance

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Speaker 1: class with my white girlies, my skinny white girls. We

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Speaker 1: chained skinny white Cline after skinny bitch Whine was my baby.

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Speaker 1: I know you missed that life we had, but this

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Speaker 1: is for the better. Now now now I you are

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Speaker 1: you having a long room. This next clip comes from

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Speaker 1: a new podcast that premiered on Forever Dog in October,

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Speaker 1: called The American Arts and Culture Review. It's hosted by

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Speaker 1: Clay Tatum and Whitmer Thomas of Beloved l a comedy

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Speaker 1: outfit Power Violence, and together with friends Budd Anthony Diaz,

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Speaker 1: and Rodney Berry, they review the latest in film, TV,

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Speaker 1: high fashion, music and art accompany throughout a live soundtrack

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Speaker 1: of jazz pop standards. The clip You're about to Heat

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Speaker 1: comes from an episode entitled The Favorite Widows and Laras

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Speaker 1: von Trier and features a very special guest, critically acclaimed

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Speaker 1: filmmaker Lauras von Trier. We uh we Oh crap, I'm

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Speaker 1: supposed to do something that I didn't do. Do you

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Speaker 1: a special guest? Yeah, we have a very special guest. Um.

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Speaker 1: He came here all the way from foreign, foreign place,

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Speaker 1: from a different country, for sure. Yeah, he just flew

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Speaker 1: all the way from there. Yeah. He just directed a

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Speaker 1: new film called The House that Jack Built. Um, Bud,

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Speaker 1: would you mind going in and letting him in? No,

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Speaker 1: it'd be best at Bud when buddy, buddy, you have

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Speaker 1: to go later? Would and there he goes, he's getting

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Speaker 1: him right now, so uh okay. And he's coming in

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Speaker 1: and and he's coming in, and he's he's sitting down.

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Speaker 1: He's sitting down right now. This is so good. Hello okay, Lars,

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Speaker 1: so um, we have to be here. So what's some

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Speaker 1: all the reasons we should see you? Did you see

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Speaker 1: my film? I don't see. What's it about my house?

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Speaker 1: Not jolt? Okay? What's that about Calvin Dylan? Okay, he's

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Speaker 1: a murderer? Okay, good? No? Is you go in more details?

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Speaker 1: What you got to see my film? What is it

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Speaker 1: about if theaters? No? Is it? Yeah? Ok so so

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Speaker 1: let's you Okay, So what's not all of them. What

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Speaker 1: happens in the movie. He's on the road, okay, in

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Speaker 1: a car. Okay, don't get in his car. You've got

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Speaker 1: to see my phone. Okay, I can do this for

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Speaker 1: a little long. Yeah, so that's what it's about. Okay, Um,

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Speaker 1: what this is your idea? How about you take take

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Speaker 1: the meal of here? Uh so, what's up? Where are

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Speaker 1: you from? What got you into making movies? I'm foreign? Yeah,

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Speaker 1: we're we got you into making movies? What got you

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Speaker 1: into making movie? What got you make? What got you

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Speaker 1: into making movies? Ars? A camera? Yeah? Alright? Cool? And

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Speaker 1: what about the came? What about the camera? Made you

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Speaker 1: into the camera? Camera? This is so good? And where

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Speaker 1: I bought a camera? It was young? How old were you? Yeah,

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Speaker 1: so that's what made you decide. Yeah, and so you

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Speaker 1: bought a camera and you decided, I'm going to make films. Okay,

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Speaker 1: So recently you've made all kinds of great films. What's

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Speaker 1: your favorite film that you've made? But beside the newest

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Speaker 1: one one calling out because it's about depression? So so

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Speaker 1: that film is about depression. Would you say that you've

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Speaker 1: ever suffered from depression? Yeah? Actually, so what do you

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Speaker 1: do in your depressed. What's your remedy? Well, let me

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Speaker 1: just I have my headphones are broken and I barely here.

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Speaker 1: You did you get a little louder? So what is

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Speaker 1: your right? So? What's uh? What do you? What is you?

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Speaker 1: So you've struggled with depression, So what's a remedy that

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Speaker 1: you would recommend to someone who's dealing with depression? McK

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Speaker 1: movie camera? Okay, Lars, While while promoting the film Melancholia,

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Speaker 1: you came under fire for telling everyone that you're a Nazi.

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Speaker 1: So how do you stop talking? So? So do you

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Speaker 1: reject those statements now or you don't know what I said?

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Speaker 1: I'm so I made films your theaters. No, no, that's

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Speaker 1: not what I ask for. My film is in theaters. Now,

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Speaker 1: know that, when being interviewed a few years ago, you

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Speaker 1: told everyone that you're a Nazi. Do you regret saying

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Speaker 1: that or was it? Okay? So why don't you regret it?

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Speaker 1: I don't know, you don't, I don't Okay, Okay, Okay,

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Speaker 1: here's here's the thing. Here's the thing. My house, not

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Speaker 1: Jack Belt, the house that Jo Belt in theaters. Okay,

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Speaker 1: So you're not going to answer why I'm embarrassed okay,

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Speaker 1: where can He'll find you on social media? On Twitter?

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Speaker 1: What's your email? Email? Okay? Next up is The Wonderfully

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Speaker 1: Witchy Beyond, the only podcast we've ever produced that may

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Speaker 1: have altered the fabric of space and time. In Beyond,

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Speaker 1: self proclaimed energy expert Mike Kelton seeks to solve his

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Speaker 1: and his friends real life problems by supernatural means. Instead

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Speaker 1: of going to a therapist, Mike goes to mediums, ghost hunters,

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Speaker 1: cult leaders, healers, astrologers, and in this clip a which

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Speaker 1: this is from the episode entitled Witchcraft the goat Head,

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Speaker 1: and it features Mike's friend Lisa p from The Bronx

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Speaker 1: consulting a witch about the dark energy surrounding her boyfriends.

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Speaker 1: X So I go on the trip. I didn't say

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Speaker 1: anything like, I don't know. I never cried, I didn't

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Speaker 1: shed it tear. I was just like, Okay, come back

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Speaker 1: and I'm like what now. So I go back to

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Speaker 1: her again, and you know, she went through it again,

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Speaker 1: said she's not pregnant, she's not pregnant, blah blah blah.

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Speaker 1: And I said, well, what can I do to like

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Speaker 1: make this stop? Like she's like a menace. She this

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Speaker 1: woman is a menace. She's menacing my life, like I

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Speaker 1: can't go on, Like I can't do it. I'm gonna

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Speaker 1: break up with him. But then there's a competitive side

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Speaker 1: of me that's also like down with this bitch. God

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Speaker 1: so Rah and was like, oh well, I said, well,

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Speaker 1: can I light up like a candle in my apartment

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Speaker 1: and you know, do something or there's different remedies and

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Speaker 1: different types of cleanses, and she was like, oh no, no,

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Speaker 1: m m for this, you need to do something big. Well,

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Speaker 1: it's a revocationation. Yeah, o Spanish, it's a revocation. So

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Speaker 1: I had to do a revocation. So I was like whatever,

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Speaker 1: I'm down down like what she made me. I had

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Speaker 1: to bring a photo of this individual. And she said, okay,

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Speaker 1: I have to work on it for seven days. Most

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Speaker 1: things in this tradition or in the numbers of three,

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Speaker 1: seven or twenty one, so I think she had to

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Speaker 1: work on it for seven days. Then I had to

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Speaker 1: come pick up the finished product on a Monday, because

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Speaker 1: this is the day of the guardian of the cemetery.

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Speaker 1: Give us what happens when you show up after the

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Speaker 1: seven days on the Monday. What's what goes down? She

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Speaker 1: went into the kitchen into the freezer and pulled out

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Speaker 1: a plastic bag that was, you know, the size of

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Speaker 1: like a bread basket. Um. And she hands me like

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Speaker 1: a frozen goathead. So in the goat heads, mal in

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Speaker 1: the goats, hold on. She gives you the goath heead.

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Speaker 1: What is your first thought? Sometimes when you go into

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Speaker 1: these types of places, there's just the way that I am.

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Speaker 1: Even sometimes in certain churches, I feel like currents. The

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Speaker 1: spanishes like corients, you know, like currents. It feel it

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Speaker 1: felt very um ritualistic. It felt very spiritual. With the goad.

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Speaker 1: I was like inflow. I wasn't like, what is this?

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Speaker 1: Oh my god laughing. I'm all in and this is

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Speaker 1: part of it that makes sense to me, as you

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Speaker 1: have to be. If you're on a person's kitchen in

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Speaker 1: Washington nights and getting a goat heead, you gotta be

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Speaker 1: all in it. I was all in. It gets crazier.

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Speaker 1: I mean, she didn't tell us what she did, but

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Speaker 1: my friend who was with us, she you know, again

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Speaker 1: as the person who introduced me to Mina, and she

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Speaker 1: was like, oh, look, you know, there's coffee grounds in

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Speaker 1: the mouth. The picture was rolled up and stuffed and

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Speaker 1: my friend told me, She's like, this is all to

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Speaker 1: shut her up. This is to get her to shut up,

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Speaker 1: and there were other things. I'm sure that we're done

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Speaker 1: as well. So we had to take the goathhead and

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Speaker 1: bury it in a cemetery that night. It has to

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Speaker 1: be done on a Monday, had to be done, and

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Speaker 1: this was already like six o'clock and this is December,

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Speaker 1: so it's pick it's pitch dark. It's pitch dark. Okay.

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Speaker 1: So the only cemeteries that are in northern Manhattan are

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Speaker 1: completely gated off at this point and locked, and they

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Speaker 1: have cameras on them, and people get arrested for trying

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Speaker 1: to go in there because more people do this than

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Speaker 1: you think. For example, if you were to look up

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Speaker 1: goatheads in Prospect Park, you will find so many stories

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Speaker 1: about what has been going on with goatheads in Prospects

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Speaker 1: Are you serious? Yes, So of course we had to

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Speaker 1: research this and guess what, everyone it absolutely checks out.

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Speaker 1: There are so many articles about goatheads in Prospect Park

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Speaker 1: and also many other parks in the Tri state area,

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Speaker 1: and we will include those links in the description of

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Speaker 1: this podcast for some light fun reading after you finished

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Speaker 1: the app We've been huge fans of this next podcast

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Speaker 1: for a long time, so we were very honored when

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Speaker 1: they joined Forever Dog This year. It's black Men Can't

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Speaker 1: Jump in Hollywood, hosted by Jera Milligan, James the Third,

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Speaker 1: and Jonathan Braylock. One of the best movie review podcasts

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Speaker 1: out there, Black Man Can't Jump was selected for best

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Speaker 1: of lists from the A V Club, Vulture, and Relevant

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Speaker 1: and the following clip comes from their award winning episode

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Speaker 1: on the film Black Panther. If people are into Marvel,

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Speaker 1: I don't know, but like you know, when Infinity War comes,

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Speaker 1: like characters have to die, and like usually they'll kill

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Speaker 1: characters that are more secondary and like, I'm like, yo,

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Speaker 1: if one of these people die, like Ben set legitimately

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Speaker 1: sad and upset because we really came to grow and

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Speaker 1: love all of it. Quit so much so that I

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Speaker 1: would say, like my only grand with this movie was

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Speaker 1: I was so sad that Michael P. Jordan had to die,

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Speaker 1: even though I know he did, I don't think he did. Man.

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Speaker 1: That's that's that's this dude was amazing, and you set

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Speaker 1: it up so that he didn't have to die. You

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Speaker 1: set up the lot the internalizing in the film so

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Speaker 1: that they could have staved in with the science. And like,

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Speaker 1: I thought he was gonna be like, um, lowkey. I

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Speaker 1: thought he was gonna be lokey. I'm very way that

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Speaker 1: he yes, yes, the lines how he got perfect that

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Speaker 1: was so and it makes sense, it makes sense. It

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Speaker 1: makes like I didn't want him to die either. And

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Speaker 1: then he said that line was like this is perfect.

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Speaker 1: Same here and he just and he just did it.

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Speaker 1: Like but also, yo, this movie so okay, okay, I

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Speaker 1: think there's a perfect we can talk about its like

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Speaker 1: just to hit on Ryan Coogler real quick, is all

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Speaker 1: the times we we have this discussion on whether or

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Speaker 1: not a white person can direct a movie about like

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Speaker 1: the black experience, right right, And I know sometimes we're

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Speaker 1: we're like, we're really polite and we're really like, you know,

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Speaker 1: maybe they can't if they know. But I think the

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Speaker 1: nuances that this brother created in this movie, for instance,

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Speaker 1: that because he co wrote it so rand Coopy co

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Speaker 1: wrote if you don't know that line about uh no,

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Speaker 1: so what I can be locked up? No, just throw

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Speaker 1: me in the ocean, like my answers is dead. When

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Speaker 1: they were jumping off the boats because they knew it

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Speaker 1: was better died and be um in prison for the

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Speaker 1: rest of your life and something like that. It's like

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Speaker 1: bro like every first off everything that freaking um um

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Speaker 1: um Sterling K. Brown said at the top of the

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Speaker 1: movie about why he wanted this movie isn't about like

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Speaker 1: it's about like the world, but it's really about like ideology, like, Yo,

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Speaker 1: I've seen black people, butcher, I've seen people view them

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Speaker 1: and we have a chance to make them strong and

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Speaker 1: powerful and we're not. That is literally what the conflict

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Speaker 1: of this movie is. Do you help you? What are

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Speaker 1: you doing? Why are we saving our are we just

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Speaker 1: going to hoard and save our resources for It's so

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Speaker 1: funny like A's like somebody who's Christian that there's a

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Speaker 1: lot of spiritual the whole time the whole movie. I

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Speaker 1: was just thinking about that so much, like this idea

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Speaker 1: of like, you know, there's a that verson but when

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Speaker 1: there's a song like don't uh if you have a light,

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Speaker 1: don't hide it under a bus show like go let

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Speaker 1: it shine on the top of the mountain, right like

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Speaker 1: let me let your little lights shine. That's the song.

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Speaker 1: Like the idea is that if you have a light,

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Speaker 1: don't hide it and use it for yourself. You should

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Speaker 1: let it shine so others can see the light. And

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Speaker 1: that's exactly what Wakanda is. It's like this bright, shining

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Speaker 1: city in the center, in the heart of Africa that

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Speaker 1: has kept hidden. And the main conflict in theme in

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Speaker 1: this movie is like, are we gonna keep this hidden

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Speaker 1: for ourselves or do we have a responsibility to the

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Speaker 1: rest of the world, especially the rest of people of

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Speaker 1: color in these in these nations surrounding nations that are

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Speaker 1: suffering and that we know we could help, and we're

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Speaker 1: not helping to protect ourselves. You know, no, trust of

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Speaker 1: the movie. It's not some giant invader trying to take

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Speaker 1: over the world. I mean, I guess it kind of is.

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Speaker 1: I mean, not an invader, but it's like something that's

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Speaker 1: so real to black people. I'm want to thread right

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Speaker 1: now my boys from back home and it's like ten

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Speaker 1: of us on this thread. And literally the whole discussion

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Speaker 1: has been since Trump has been in office, especially this

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Speaker 1: year in particular, um of what can people of color

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Speaker 1: do to help? More like what basically like what should

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Speaker 1: we be doing, Like we know we gotta do something,

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Speaker 1: like yeah, we can vote, and we have been voting,

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Speaker 1: but it's more right, and the whole movie, the idea

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Speaker 1: behind the movies like what else, what do we do?

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Speaker 1: And I thought that was just a genius way to

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Speaker 1: do it. It made it more grounded to me than

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Speaker 1: most superhero movies are because it was something that was,

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Speaker 1: uh like, something that people can relate to. And also

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Speaker 1: we still had a villain. I feel like a lot

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Speaker 1: of times it's a black superhero, he's fighting like the

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Speaker 1: crime boss or the drug dealer on the block or

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Speaker 1: something like that. Whereas this he still had a true villain.

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Speaker 1: Um he also had something that just meant something personal,

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Speaker 1: you know. And then Ryan Coogler again, Ryan Coogler has

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Speaker 1: three movies all have over nine pcent a round tomatoes

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Speaker 1: and you know, not hate cooling Ryan Tomatoes. But to

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Speaker 1: go from food Vale Station which was set in Oakland,

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Speaker 1: which he added this character back in Oakland, and I

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Speaker 1: feel like he did it on purpose, but that's just me,

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Speaker 1: Like he had that movie to go from to Creed.

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Speaker 1: It's like this young black man, like young young black

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Speaker 1: man has now changed the way a lot of black

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Speaker 1: people even view themselves. And I'm like, and he wasn't rich,

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Speaker 1: Like this wasn't a rich black brother like he he

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Speaker 1: is from Oakland, like he grew up with not that

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Speaker 1: much and like my mad he like that is the

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Speaker 1: American dream. If you want to be real, he aspired.

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Speaker 1: He yo, my man would not only aspire black people

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Speaker 1: around this country. He's gon inspired like mad people. He's

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Speaker 1: also he's desiring filmmaker. Yeah, it's like a great filmmaker.

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Speaker 1: Just this past week, we sadly said goodbye to one

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Speaker 1: of the original Forever Dog podcasts, one of our all

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Speaker 1: time phase, the Book of Ya, hosted by Rob Hayes

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Speaker 1: and Chris Daniels. For the past two and a half years,

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Speaker 1: Rob and Chris have been journeying through the Kanye West

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Speaker 1: cannon song by song, will also trying to make sense

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Speaker 1: of every twist and turn of Kanye's career. Even though

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Speaker 1: the podcast is over, the Book of You leaves behind

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Speaker 1: an incredible back catalog of episodes that are well worth revisiting,

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Speaker 1: including so many great moments. In particular, Robin Chris were

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Speaker 1: really at their best when they were unpacking the controversial

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Speaker 1: and problem public lives of our most iconic pop stars,

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Speaker 1: whether it be Kanye himself, were in this clip from

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Speaker 1: the episode Hell of a Life with guests Gordon Baker, Bone, Lord,

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Speaker 1: don't pull a Lord were talking about. We're not talking

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Speaker 1: about We're not gonna talk about why alright, alright co

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Speaker 1: apology tweets ready, definitely, I'm sorry sorry Mr Jay talking

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Speaker 1: about he apologized to the joker. She'll never be a

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Speaker 1: word as far as wait, but don't like Lord because

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Speaker 1: when she said she posted a picture of bathtub, we'll

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Speaker 1: always love me. How's that an accident? That is not accident?

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Speaker 1: That is not an accident? No body guard, man ain't

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Speaker 1: no bathtub. Anybody goes what is got to pull that

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Speaker 1: for it? I don't know. Bad coincidence, that's not bad. No,

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Speaker 1: I'm on your side now, Rob, Yeah, you can't. You

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Speaker 1: think she blatantly went out she was always loved you

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Speaker 1: in a picture of a bathtub. That's a brick shot.

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Speaker 1: She always take a bath. Okay, scrub it up and

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Speaker 1: then tell it's a good cow. No, it's not. Nobody.

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Speaker 1: Nobody sings that. Nobody's got rubbed dub dub playing How old?

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Speaker 1: How old is Lord? She old enough not to know

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Speaker 1: to do that? So you have Wikipedia? Come on, man,

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Speaker 1: enough to have Google. Why would she be on the

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Speaker 1: laptop in the tub. She I recommend it. See what happens.

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Speaker 1: Could be on a blueberry, on a BlackBerry in the tub.

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Speaker 1: She could be on the laptop. She gott have a

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Speaker 1: laptop to the side. I don't understand. I don't understand

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Speaker 1: why she did that? If how is that not an accident?

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Speaker 1: And the tubs all the way from you? You know

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Speaker 1: you're saying it's not an accident. Yeah, so I'm asking

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Speaker 1: you how actually make an accident with that? Come on,

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Speaker 1: you say it's the wrong line. Girl, want to take

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Speaker 1: a path? It makes you know what I say, it's

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Speaker 1: ex because it makes no sense for not to be

423
00:26:08,280 --> 00:26:13,800
Speaker 1: what First of all? First of all, First of all,

424
00:26:13,880 --> 00:26:16,240
Speaker 1: Lord is one of them dark people here in front

425
00:26:16,240 --> 00:26:19,520
Speaker 1: of the face which is in the video. First of all,

426
00:26:19,880 --> 00:26:23,360
Speaker 1: so to make a joke or a reference to how

427
00:26:23,400 --> 00:26:28,800
Speaker 1: somebody died doesn't seem off for her. Second of all,

428
00:26:28,280 --> 00:26:31,880
Speaker 1: because girl who falling out of the well, I will

429
00:26:31,920 --> 00:26:35,399
Speaker 1: always love you. Now two eyes might have been Dolly Parton,

430
00:26:35,680 --> 00:26:38,880
Speaker 1: but we all know only Whitney Houston can pull off

431
00:26:38,880 --> 00:26:44,320
Speaker 1: that third consecutive eye. What is what is the song about?

432
00:26:45,480 --> 00:26:49,320
Speaker 1: What is the song about? Kevin Costner? Yeah, it's about her?

433
00:26:49,400 --> 00:26:55,920
Speaker 1: What hurt. The song is about love. The girl loves

434
00:26:55,960 --> 00:27:00,520
Speaker 1: taking back now getting get out of it? What are

435
00:27:00,520 --> 00:27:06,880
Speaker 1: you serious going on? What is wrong with you? First

436
00:27:06,920 --> 00:27:10,320
Speaker 1: of all, I hate you for making me like defend

437
00:27:10,400 --> 00:27:16,040
Speaker 1: Lords at the front of the keeping at the front

438
00:27:16,080 --> 00:27:20,000
Speaker 1: of the podcast. No scrat that. I hate that. I'm

439
00:27:20,119 --> 00:27:23,200
Speaker 1: going equally. It's hired for Finaliathan Lord and say forty

440
00:27:23,240 --> 00:27:25,920
Speaker 1: minutes she just loves baths and she was singing her,

441
00:27:26,000 --> 00:27:30,840
Speaker 1: she was professing her. I don't the only professing. I'm

442
00:27:30,880 --> 00:27:33,439
Speaker 1: only going to her because y'all going to her unnecessarily.

443
00:27:33,520 --> 00:27:36,960
Speaker 1: It makes it makes no sense. It makes no sense

444
00:27:37,000 --> 00:27:39,680
Speaker 1: to be mad because you know, but you're saying. You're

445
00:27:39,680 --> 00:27:44,680
Speaker 1: saying that, you're saying it was bad intent behind it

446
00:27:44,840 --> 00:27:47,119
Speaker 1: or funny, and it was probably should trying to be funny.

447
00:27:47,160 --> 00:27:49,560
Speaker 1: That's the worst joke, Evin, it is. That's one they

448
00:27:49,560 --> 00:27:53,000
Speaker 1: had to get out. They got on Netflix special you

449
00:27:53,040 --> 00:27:55,840
Speaker 1: gotta show me the president of Lord making jokes about

450
00:27:55,840 --> 00:27:58,879
Speaker 1: dead people. That's what made this upsetting, not surprising, but

451
00:27:59,119 --> 00:28:03,960
Speaker 1: upsetting because Lord was like somebody that we never have

452
00:28:04,040 --> 00:28:06,320
Speaker 1: a problem with, you know what I'm saying. Lord was

453
00:28:06,400 --> 00:28:11,000
Speaker 1: the only white person this year nominated for Best album

454
00:28:11,080 --> 00:28:14,480
Speaker 1: Album of the Year. And she didn't say nothing crazy.

455
00:28:14,520 --> 00:28:16,800
Speaker 1: She ain't had no crazy captions Like we was cool

456
00:28:16,800 --> 00:28:19,320
Speaker 1: with Lord. You know what I'm saying, Well, you've got

457
00:28:19,440 --> 00:28:23,960
Speaker 1: a ledger keeping up with Lord. What I'm saying is saying,

458
00:28:24,520 --> 00:28:27,240
Speaker 1: prior to this, we've never had an issue with Lord.

459
00:28:27,480 --> 00:28:30,119
Speaker 1: But now I'm looking at Lord like, all right, now, Lord,

460
00:28:30,640 --> 00:28:32,840
Speaker 1: you know your name is Lord. It already makes me

461
00:28:32,880 --> 00:28:36,359
Speaker 1: feel funny saying that it has an E on it.

462
00:28:36,440 --> 00:28:41,440
Speaker 1: But when you say you came here there, whose father

463
00:28:41,520 --> 00:28:48,000
Speaker 1: is that? Likence? Lordy? I'm just saying, Lordy, how Lord

464
00:28:48,120 --> 00:28:51,360
Speaker 1: can speak on Whitney Houston. But now Lord, you think

465
00:28:51,360 --> 00:28:54,640
Speaker 1: she got a career in her name is Lordy? Lordy

466
00:28:54,800 --> 00:28:58,440
Speaker 1: is the one who was singing rubber Dub Dub. I

467
00:28:58,480 --> 00:29:00,640
Speaker 1: definitely would never say her name and name is Lordy.

468
00:29:01,040 --> 00:29:06,440
Speaker 1: Y'all listen to that new Lordy, lord Lordy cool Glord

469
00:29:07,000 --> 00:29:09,320
Speaker 1: Lord Day. I call the Lord Lordy sound like a

470
00:29:09,360 --> 00:29:12,760
Speaker 1: SoundCloud rapper that I don't know about cancel because they'd

471
00:29:12,800 --> 00:29:14,960
Speaker 1: be like some and someone is canceled, then they just

472
00:29:15,040 --> 00:29:17,800
Speaker 1: be selling all the records. So we ain't gonna cancel her,

473
00:29:17,840 --> 00:29:19,400
Speaker 1: but we're just gonna put it to the side. You

474
00:29:19,520 --> 00:29:23,280
Speaker 1: ain't stopping Lord from selling record, but I'm not gonna

475
00:29:23,280 --> 00:29:28,480
Speaker 1: listen no more, especially after that. Man, we gotta be

476
00:29:28,560 --> 00:29:31,040
Speaker 1: secretive because you know, Spotify don't like to count stuff

477
00:29:31,040 --> 00:29:33,920
Speaker 1: when people organized to too loudly. The next time something

478
00:29:33,960 --> 00:29:38,600
Speaker 1: Lord come out, we're all gonna bringe group. I ain't

479
00:29:38,640 --> 00:29:41,040
Speaker 1: see that many people get upset about this. I saw

480
00:29:41,600 --> 00:29:43,840
Speaker 1: every the context that I was presented. Look at this

481
00:29:43,920 --> 00:29:47,160
Speaker 1: mistake Lord made, not y'all like y'all see what the

482
00:29:47,200 --> 00:29:49,960
Speaker 1: funk Lord did. Like see the kind of stuff that

483
00:29:50,120 --> 00:29:53,600
Speaker 1: they that they got you saying, because her name is

484
00:29:54,040 --> 00:29:57,520
Speaker 1: the mistake that Lord made. It's the sentence you just said.

485
00:29:57,560 --> 00:30:00,000
Speaker 1: Because her name is Lord, I'm gonna find out her

486
00:30:00,040 --> 00:30:08,960
Speaker 1: real name. That's what I'm gonna do. What his Lord? Lord? Mate,

487
00:30:09,080 --> 00:30:14,480
Speaker 1: that's better than Lord. What were you over inen? What

488
00:30:14,520 --> 00:30:16,840
Speaker 1: were you sick of? What were you done with? That's

489
00:30:16,840 --> 00:30:19,080
Speaker 1: the question that Derek Hats and Betsy Kenny put to

490
00:30:19,120 --> 00:30:21,800
Speaker 1: their guests every week. Undone, named one of the best

491
00:30:21,800 --> 00:30:27,040
Speaker 1: new podcasts by Refinery Done, features some truly cathartic moments,

492
00:30:27,080 --> 00:30:30,040
Speaker 1: like this one from the episode Natural Beauty Products Marfa

493
00:30:30,080 --> 00:30:32,840
Speaker 1: Texas and Whimsy Oh My God, So, Darren, I just

494
00:30:32,880 --> 00:30:34,920
Speaker 1: got back from a trip and I ripped one on

495
00:30:35,080 --> 00:30:40,200
Speaker 1: the point. I'm so sorry. Oh and this was allable,

496
00:30:40,400 --> 00:30:43,880
Speaker 1: This was Boing seven seven. This was like a tiny one,

497
00:30:43,880 --> 00:30:45,600
Speaker 1: like the pilot was right in front of me, and

498
00:30:45,680 --> 00:30:49,160
Speaker 1: like one family was flying it with us. And I

499
00:30:49,200 --> 00:30:51,480
Speaker 1: was trying to cover your ass because the dad I

500
00:30:51,520 --> 00:30:55,720
Speaker 1: knew was unto you. He knew you ripped one. Now wait,

501
00:30:55,760 --> 00:30:58,520
Speaker 1: so I did it, and it was truly so loud

502
00:30:58,560 --> 00:31:00,479
Speaker 1: and said that like a wocause you're kind. And when

503
00:31:00,480 --> 00:31:02,880
Speaker 1: I couldn'top laving the text are it was right before

504
00:31:02,920 --> 00:31:05,320
Speaker 1: we when I didn't hear it, it smelled like it

505
00:31:05,600 --> 00:31:09,480
Speaker 1: smelled like we all together fall into a drainage was

506
00:31:09,560 --> 00:31:12,440
Speaker 1: coming for us, coming that had come, and now we

507
00:31:12,440 --> 00:31:15,960
Speaker 1: were rotting in it and there were worms. It was

508
00:31:16,000 --> 00:31:21,840
Speaker 1: a small jeff, it wasna We truly couldn't stop laughing.

509
00:31:22,120 --> 00:31:24,600
Speaker 1: And right before that we were taking so many pictures,

510
00:31:24,600 --> 00:31:27,000
Speaker 1: like on the tarmac because it was truly one of

511
00:31:27,040 --> 00:31:30,360
Speaker 1: those planes. And the guy, this guy was so mad

512
00:31:30,440 --> 00:31:32,320
Speaker 1: and he didn't know why he goes this isn't a

513
00:31:32,360 --> 00:31:35,520
Speaker 1: place for fun. And then we were like he got

514
00:31:35,560 --> 00:31:37,560
Speaker 1: on the plane, I'm like shipping my pants. But it's

515
00:31:37,600 --> 00:31:41,480
Speaker 1: just air. I mean this, We're never allowed back. No,

516
00:31:41,680 --> 00:31:44,640
Speaker 1: that dad, because that dad had two daughters sitting in

517
00:31:44,640 --> 00:31:46,320
Speaker 1: front of him, who you thought were cute, I thought

518
00:31:46,360 --> 00:31:49,360
Speaker 1: were obnoxious, and I was going to yell at their asses,

519
00:31:49,400 --> 00:31:52,480
Speaker 1: but then you you let that far go and I couldn't.

520
00:31:52,520 --> 00:31:54,560
Speaker 1: You took away any leverage I had for the rest

521
00:31:54,560 --> 00:31:57,040
Speaker 1: of the flight, and then we couldn't stop laughing about

522
00:31:57,600 --> 00:32:02,080
Speaker 1: Far And it's truly gross. It's it's immature. Yeah, it's

523
00:32:02,080 --> 00:32:07,520
Speaker 1: not funny. Okay, fine, uh all right. When this next

524
00:32:07,560 --> 00:32:10,720
Speaker 1: podcast joined Forever Dog for season three of their absolutely

525
00:32:10,920 --> 00:32:13,680
Speaker 1: iconic show, we could not have been more thrilled. It's

526
00:32:13,680 --> 00:32:17,160
Speaker 1: Food for Thought, hosted by Dennis Norris the Second, Joseph Osmondson,

527
00:32:17,280 --> 00:32:20,480
Speaker 1: Tommy Pico, and Fran Toronto, a multi racial mix of

528
00:32:20,520 --> 00:32:24,200
Speaker 1: queer writers who talk about sex, relationships, race, identity, what

529
00:32:24,280 --> 00:32:26,080
Speaker 1: they like to read, and who they like to read.

530
00:32:26,400 --> 00:32:28,160
Speaker 1: And After you listen to the following clip from their

531
00:32:28,200 --> 00:32:31,120
Speaker 1: season three premiere episode, She's Arrived, please make sure to

532
00:32:31,160 --> 00:32:33,960
Speaker 1: go online to the I Heart Radio Podcast Awards site

533
00:32:34,200 --> 00:32:37,520
Speaker 1: and vote for Food for Thought for Best lgbt Q Podcast.

534
00:32:37,800 --> 00:32:44,680
Speaker 1: You guys, Betty Welcome to Season three of Food per

535
00:32:44,720 --> 00:32:49,080
Speaker 1: Thought podcast GAT. This random multi racial mix of queer

536
00:32:49,120 --> 00:32:53,800
Speaker 1: writers gather on the table to talk about sex, identity, clare,

537
00:32:54,440 --> 00:32:57,720
Speaker 1: what we like to read and who we like to

538
00:32:57,760 --> 00:33:01,640
Speaker 1: read frand just fell out of it. So recovering from

539
00:33:01,640 --> 00:33:06,720
Speaker 1: that bone chilling lass like waking up the souls of

540
00:33:06,840 --> 00:33:11,520
Speaker 1: thousands of thoughts of yesteryear sex, summoning them like it's

541
00:33:11,560 --> 00:33:16,360
Speaker 1: some fucking it's It's like slutty Pandora's Box, just unleashing

542
00:33:16,800 --> 00:33:23,880
Speaker 1: all these slutty demons thought where every day is cheat Day.

543
00:33:24,960 --> 00:33:29,320
Speaker 1: I'm Tommy Tieves Peeko. I'm an Indigenous American poet, screenwriter,

544
00:33:29,680 --> 00:33:32,080
Speaker 1: and my fourth book is coming out in fall two

545
00:33:32,080 --> 00:33:34,640
Speaker 1: thousand nineteen, proving once and for all four books and

546
00:33:34,680 --> 00:33:38,240
Speaker 1: four years, i am in fact that bench. Yes, who

547
00:33:38,560 --> 00:33:42,800
Speaker 1: are I'm Fran I'm a writer editor, and my drag

548
00:33:42,880 --> 00:33:46,000
Speaker 1: queen name is Virginia Slim, but my drag king name

549
00:33:46,320 --> 00:33:55,320
Speaker 1: is Girth Brooks. O. My god, I believe you're straight straight? Yes,

550
00:33:56,920 --> 00:33:59,160
Speaker 1: it takes up. It's been three seasons. I've been straight

551
00:33:59,280 --> 00:34:04,160
Speaker 1: the whole time. What if that was actually the rumors?

552
00:34:04,240 --> 00:34:08,759
Speaker 1: A twist lives for the drama Mom I have never

553
00:34:08,760 --> 00:34:11,520
Speaker 1: seen you suck dick personally, so who knows? And I

554
00:34:11,520 --> 00:34:17,520
Speaker 1: am Joseph Osins. Obviously you did not get that my

555
00:34:17,560 --> 00:34:19,960
Speaker 1: public says, are doing a great job. That's what you're doing.

556
00:34:20,920 --> 00:34:25,560
Speaker 1: A side just nonfiction writer, total top as always and

557
00:34:25,600 --> 00:34:28,280
Speaker 1: the food for thought originator of sticking out your tongue

558
00:34:28,320 --> 00:34:31,320
Speaker 1: in pictures. Oh my god, that's not true. True I

559
00:34:31,400 --> 00:34:42,480
Speaker 1: did at first. Um and hi guys, I'm back, Denis Reader, writer,

560
00:34:42,760 --> 00:34:47,000
Speaker 1: former figure skater, and it is my life's work to

561
00:34:47,000 --> 00:34:51,360
Speaker 1: work Michelle Kwan into every conversation. You're doing a great chat, sweetie,

562
00:34:51,400 --> 00:34:55,640
Speaker 1: You're doing a great job. Plus, dear reader, let's replay

563
00:34:55,800 --> 00:34:58,360
Speaker 1: that a Dennis's intro with the context that we have

564
00:34:58,480 --> 00:35:03,480
Speaker 1: deemed Dennis with the effect of a YouTuber, a white YouTuber,

565
00:35:04,320 --> 00:35:08,080
Speaker 1: a white like makeup tutorial YouTuber that's like, hey, guys,

566
00:35:08,320 --> 00:35:13,239
Speaker 1: how's it guy? And this is my unboxing video? So

567
00:35:13,440 --> 00:35:15,879
Speaker 1: tired you guys, Let's do this anyway? I said, you can.

568
00:35:16,040 --> 00:35:18,600
Speaker 1: You can take the Becky out of the valley, but

569
00:35:18,719 --> 00:35:20,520
Speaker 1: you can't take the valley out of it. That is

570
00:35:20,560 --> 00:35:23,200
Speaker 1: an uncanny valley. Who wants to tell us what we

571
00:35:23,280 --> 00:35:25,879
Speaker 1: got on the menu this week? Got it everybody this week,

572
00:35:26,520 --> 00:35:29,520
Speaker 1: all of us fuck Rihanna. We give good advice from

573
00:35:29,560 --> 00:35:34,400
Speaker 1: at least one doctor. It's me. We conclusively decide that

574
00:35:34,480 --> 00:35:37,480
Speaker 1: Mimi isn't it Eva not anymore? Fuck you, Fran, and

575
00:35:37,600 --> 00:35:39,960
Speaker 1: we knock on the window pane of one of the

576
00:35:40,000 --> 00:35:51,400
Speaker 1: greatest persons of all time, Take it away. I'm feeling

577
00:35:51,440 --> 00:35:55,000
Speaker 1: a little peckish. Starts the top of this show the

578
00:35:55,000 --> 00:35:57,600
Speaker 1: way any good time should with the little teas are

579
00:35:57,960 --> 00:36:02,960
Speaker 1: a vororious appetizer segment, amuse bouche and to amuse our bouches. Today,

580
00:36:03,280 --> 00:36:05,960
Speaker 1: Fran got a little game for us. That's right. So

581
00:36:06,280 --> 00:36:09,520
Speaker 1: the theme of today's episode is Diva, so it only

582
00:36:09,560 --> 00:36:12,560
Speaker 1: makes sense to gamify the meat of this episode with

583
00:36:12,640 --> 00:36:18,239
Speaker 1: a healthy little helping of bone block Bench. It's going

584
00:36:18,280 --> 00:36:21,520
Speaker 1: to copy I know, right, Diva's edition. So if you're

585
00:36:21,520 --> 00:36:25,200
Speaker 1: not familiar with our game, which we coined and created

586
00:36:25,239 --> 00:36:28,520
Speaker 1: a very originally, bone block Bench is pretty much the

587
00:36:28,560 --> 00:36:31,400
Speaker 1: exact same thing as Mary fu kill Um, but thoughtified.

588
00:36:31,520 --> 00:36:35,200
Speaker 1: So bone means like you need them, You've gotta have them,

589
00:36:35,239 --> 00:36:36,560
Speaker 1: like even if it's just for one night, Like you're

590
00:36:36,560 --> 00:36:39,160
Speaker 1: just gonna suck their brains out, Bench, just like you

591
00:36:39,200 --> 00:36:41,719
Speaker 1: want to like you you're gonna put them on the sidelines,

592
00:36:41,960 --> 00:36:44,399
Speaker 1: like maybe you want to play the long game with them,

593
00:36:44,480 --> 00:36:46,000
Speaker 1: Like that doesn't mean like they're out of your life forever,

594
00:36:46,040 --> 00:36:47,280
Speaker 1: but like you want to put them on the bench

595
00:36:47,600 --> 00:36:50,320
Speaker 1: and block is like what happens after all of Joe's

596
00:36:50,360 --> 00:36:59,560
Speaker 1: tender matches go on one date, I'm bone bone bone

597
00:36:59,600 --> 00:37:05,200
Speaker 1: and they're um And so another disclaimer here, I will

598
00:37:05,239 --> 00:37:09,359
Speaker 1: not be playing softball. There are no easy there are

599
00:37:09,400 --> 00:37:14,279
Speaker 1: no easy balls that I will be throwing today. I'm

600
00:37:14,480 --> 00:37:16,080
Speaker 1: see you guys later. And there have been too many

601
00:37:16,239 --> 00:37:19,879
Speaker 1: entre Dan gil and Eric do Dorrian have been through

602
00:37:19,920 --> 00:37:22,960
Speaker 1: it all on their podcast, Groomzilla's. They've planned their weddings,

603
00:37:22,960 --> 00:37:26,000
Speaker 1: they've gotten married, they've watched the Dodgers lose two consecutive

604
00:37:26,000 --> 00:37:28,720
Speaker 1: World series, and they've talked to tons of amazing guests

605
00:37:28,800 --> 00:37:31,960
Speaker 1: about love, marriage, and the whole damn thing. The following

606
00:37:31,960 --> 00:37:34,480
Speaker 1: clip comes from Dan and Eric's live stream of one

607
00:37:34,520 --> 00:37:38,400
Speaker 1: of most memorable events, the royal wedding of Megan Markel

608
00:37:38,680 --> 00:37:42,799
Speaker 1: and Prince Harry, recorded simultaneously in l a and Baltimore

609
00:37:42,880 --> 00:37:45,319
Speaker 1: in the wee hours of the morning. Here they are

610
00:37:45,800 --> 00:37:51,760
Speaker 1: the Groomzilla's and for taking all others. Be faithful to him.

611
00:37:51,800 --> 00:37:58,400
Speaker 1: As long as you both shovel it, I will nailed it.

612
00:38:00,080 --> 00:38:04,960
Speaker 1: M and with you is going faster than I thought

613
00:38:05,000 --> 00:38:06,840
Speaker 1: it would. Harry and Yeah, they want to get this

614
00:38:06,880 --> 00:38:11,040
Speaker 1: show on the road and uphold them in their marriage

615
00:38:11,120 --> 00:38:20,719
Speaker 1: now and in the years to come. We will as

616
00:38:20,719 --> 00:38:25,919
Speaker 1: I will stand. Let us pray for Harry and Megan. Um,

617
00:38:25,960 --> 00:38:30,919
Speaker 1: I'm gonna pray for Harry and Megan with them. Are

618
00:38:30,920 --> 00:38:34,799
Speaker 1: you praying? No, I don't believe in God, God, our Father.

619
00:38:35,840 --> 00:38:39,400
Speaker 1: In the beginning, you have blessed creation with abundant life.

620
00:38:40,719 --> 00:38:46,000
Speaker 1: Pour out your blessings upon Harriet and Megan joined in

621
00:38:46,120 --> 00:38:52,800
Speaker 1: mutual love and companionship and commitment to each other. He's

622
00:38:52,800 --> 00:38:55,279
Speaker 1: got his phone. Hid asked him this through our Lord

623
00:38:55,400 --> 00:38:59,600
Speaker 1: Jesus Christ, your son who is alive and reigns with

624
00:38:59,680 --> 00:39:04,080
Speaker 1: you the unity of the Holy Spirit, one God, now

625
00:39:04,280 --> 00:39:12,920
Speaker 1: and forever. Ah. That was a strong prayer. Judging from

626
00:39:12,960 --> 00:39:15,640
Speaker 1: the way Harry has been acting. I think the edible

627
00:39:15,719 --> 00:39:19,160
Speaker 1: hit about halfway down the aisle when he was walking

628
00:39:19,200 --> 00:39:23,720
Speaker 1: with William and I think you're really starting to swing

629
00:39:23,719 --> 00:39:30,240
Speaker 1: now and says to me, going on, my love, come away,

630
00:39:30,360 --> 00:39:36,000
Speaker 1: look at British. Who is this reading is over and gone?

631
00:39:37,600 --> 00:39:43,359
Speaker 1: Looks mom, the time of singing has come. That's Camilla's mom.

632
00:39:43,960 --> 00:39:46,000
Speaker 1: It looks like, isn't it. They all look the same

633
00:39:46,080 --> 00:39:49,520
Speaker 1: to me. Honestly. The fig tree puts for kits fixed

634
00:39:50,040 --> 00:39:52,640
Speaker 1: and the vines are in blossom. That's why it's a

635
00:39:53,040 --> 00:39:57,560
Speaker 1: big deal in the family. My love, my fair one,

636
00:39:58,200 --> 00:40:03,719
Speaker 1: and come around, figs set me as a seal upon

637
00:40:03,840 --> 00:40:10,520
Speaker 1: your heart, as a seal upon your arm is flies

638
00:40:10,760 --> 00:40:19,560
Speaker 1: right now? Totally, it's so hard, so hard, many waters.

639
00:40:19,840 --> 00:40:25,800
Speaker 1: Is he wearing the Nazi uniform underneath his uniform? Do

640
00:40:25,880 --> 00:40:27,799
Speaker 1: you think he still has it? No? I don't think

641
00:40:27,800 --> 00:40:30,399
Speaker 1: he does. One's house, but he did at one point.

642
00:40:34,400 --> 00:40:37,520
Speaker 1: I like, I like sitting down. Who is this broad

643
00:40:37,600 --> 00:40:42,800
Speaker 1: talking about floods and figs? Man? This is bumming me out. Um,

644
00:40:42,840 --> 00:40:49,799
Speaker 1: that was Harry's first was Harry's first girlfriend? I hear

645
00:40:49,840 --> 00:40:56,319
Speaker 1: where that whoever? That was just terrified her. Yeah, it's

646
00:40:56,320 --> 00:41:00,319
Speaker 1: seal gonna sing? Or what seal is going to sing?

647
00:41:01,239 --> 00:41:06,000
Speaker 1: He was doing two songs. I believe he's only got one.

648
00:41:13,360 --> 00:41:15,440
Speaker 1: Does this remind you of the wedding from Love? Actually

649
00:41:15,520 --> 00:41:18,720
Speaker 1: at all? This part kind of does, doesn't it the choir,

650
00:41:19,040 --> 00:41:23,799
Speaker 1: they is there choirs in love actually the boy quire Yeah,

651
00:41:23,800 --> 00:41:27,120
Speaker 1: in the in the in the in the first wedding, Oh,

652
00:41:27,120 --> 00:41:30,360
Speaker 1: when they're saying all you need is love with the trombones. Yeah,

653
00:41:31,080 --> 00:41:37,279
Speaker 1: oh come on, what one anywhere? And maybe it's just

654
00:41:37,360 --> 00:41:41,279
Speaker 1: like it's just it's just so much and it's like

655
00:41:41,400 --> 00:41:44,960
Speaker 1: fun and everything, but it's you know, I don't think

656
00:41:44,960 --> 00:41:47,960
Speaker 1: this is them. I just that's the feeling overall, you know,

657
00:41:48,000 --> 00:41:53,080
Speaker 1: I can't shake. But all this wedding as you know,

658
00:41:53,520 --> 00:41:56,160
Speaker 1: this is them, they like Heaven George and them all there.

659
00:41:57,920 --> 00:42:01,960
Speaker 1: Well yeah, but I mean all the part I mean,

660
00:42:01,960 --> 00:42:03,359
Speaker 1: I think they want to get rid of I want

661
00:42:03,360 --> 00:42:05,239
Speaker 1: to get they want to get home with it. They

662
00:42:05,239 --> 00:42:07,399
Speaker 1: want to just be married. I feel like I bet

663
00:42:07,440 --> 00:42:10,160
Speaker 1: to work. I bet George isn't even like focused on

664
00:42:10,200 --> 00:42:12,600
Speaker 1: the wedding right now, because he's probably a crunching numbers

665
00:42:12,600 --> 00:42:18,160
Speaker 1: for his cosam Egos tequila. George Clooney seeing seeing what

666
00:42:18,160 --> 00:42:19,799
Speaker 1: what the quarter is shaping up to be for his

667
00:42:20,160 --> 00:42:26,000
Speaker 1: cosam Egos tequila. Well, he's got one. He's always got one. Month.

668
00:42:26,200 --> 00:42:30,440
Speaker 1: Part of his mind is always back at his layer

669
00:42:30,520 --> 00:42:34,120
Speaker 1: in what a Lake Cuomo. Part of him is always

670
00:42:34,120 --> 00:42:37,080
Speaker 1: a Lake Cuomo. He's not fully anywhere. You could tell

671
00:42:37,280 --> 00:42:45,239
Speaker 1: his acting Wow shots fired. He's always back at his

672
00:42:45,360 --> 00:42:47,560
Speaker 1: half half part of him is always back at Lake Cuomo,

673
00:42:47,760 --> 00:42:50,719
Speaker 1: where him and his colleagues are working on tequila that

674
00:42:50,880 --> 00:42:55,359
Speaker 1: is creatively and professionally greater than any to get. Look

675
00:42:55,400 --> 00:43:01,880
Speaker 1: at these idiots, look at cosamigos. In a crowded landscape

676
00:43:01,920 --> 00:43:05,600
Speaker 1: of character based improv podcasts, Hampton High has quickly become

677
00:43:05,640 --> 00:43:08,160
Speaker 1: a world unto itself. That's what the A V Club

678
00:43:08,239 --> 00:43:10,360
Speaker 1: had to say about this next podcast, and we couldnot

679
00:43:10,360 --> 00:43:13,600
Speaker 1: agree more. Hampton High is created by and stars Tim

680
00:43:13,640 --> 00:43:17,160
Speaker 1: Platt as high school junior Hampton mclvey, whose quest to

681
00:43:17,200 --> 00:43:20,400
Speaker 1: become the Mark Maron of Rockville Prep by interviewing students

682
00:43:20,400 --> 00:43:23,360
Speaker 1: and faculty of interest leads him down some very strange paths.

683
00:43:23,680 --> 00:43:26,600
Speaker 1: The following clip is from Hampton's interview with theater kid

684
00:43:26,640 --> 00:43:31,680
Speaker 1: Meetra played by guest Metrahi. This is interesting. We have

685
00:43:31,760 --> 00:43:33,560
Speaker 1: more uncommon than people who have thought, who are looking

686
00:43:33,600 --> 00:43:35,719
Speaker 1: at our different social circles. And that's why I like

687
00:43:35,760 --> 00:43:37,880
Speaker 1: this podcast, and I think that's kind of the amazing

688
00:43:37,880 --> 00:43:40,920
Speaker 1: thing about our school is people are pretty open minded

689
00:43:41,120 --> 00:43:43,960
Speaker 1: connecting with people from other social groups. It's definitely true

690
00:43:44,040 --> 00:43:47,399
Speaker 1: ghost skuts truly. Um. Okay, so I wanted to ask you,

691
00:43:47,920 --> 00:43:50,040
Speaker 1: So you do these roles, you do these behind the

692
00:43:50,040 --> 00:43:53,040
Speaker 1: scenes stuff, but like, I mean, let's be brass acts here,

693
00:43:53,239 --> 00:43:56,560
Speaker 1: Like where's this gonna go? This is your career. I mean,

694
00:43:57,320 --> 00:44:01,000
Speaker 1: you know, now that I'm sevent I've kind of come

695
00:44:01,040 --> 00:44:04,239
Speaker 1: to terms with the fact that there are people who

696
00:44:04,280 --> 00:44:06,160
Speaker 1: are made for this stuff and there are people who

697
00:44:06,200 --> 00:44:08,479
Speaker 1: just love it and aren't necessarily going to get paid

698
00:44:08,480 --> 00:44:10,839
Speaker 1: to do it. And I think I'm the latter rather

699
00:44:10,880 --> 00:44:15,680
Speaker 1: than the former. Uh So, one thing I realized about

700
00:44:15,680 --> 00:44:18,880
Speaker 1: myself recently is that I'm actually really amazing at math Um.

701
00:44:19,200 --> 00:44:21,200
Speaker 1: I've known that for a long time, but I haven't

702
00:44:21,200 --> 00:44:24,279
Speaker 1: really thrown myself into it. But I've been sending more

703
00:44:24,280 --> 00:44:26,080
Speaker 1: and more time thinking about it, and I think I'm

704
00:44:26,120 --> 00:44:27,840
Speaker 1: gonna go to school for accounting. I just have to

705
00:44:27,880 --> 00:44:30,640
Speaker 1: be realistic with myself. I'm great at math I love

706
00:44:30,680 --> 00:44:32,839
Speaker 1: the idea of helping people shape their you know, take

707
00:44:32,840 --> 00:44:34,920
Speaker 1: care of their lives in a way that is responsible

708
00:44:35,000 --> 00:44:37,840
Speaker 1: and pragmatic. So I'm going to study accounting and just

709
00:44:37,880 --> 00:44:39,759
Speaker 1: sort of see where that takes me, and maybe I

710
00:44:39,760 --> 00:44:42,000
Speaker 1: can marry the two at some point, but mostly I

711
00:44:42,080 --> 00:44:47,640
Speaker 1: just want to get into the numbers and see what happens. Okay,

712
00:44:47,680 --> 00:44:52,320
Speaker 1: that was the sound of a pin dropping. Um okay.

713
00:44:52,400 --> 00:44:54,520
Speaker 1: But like if you get a big role next year

714
00:44:54,560 --> 00:44:56,680
Speaker 1: in the play, then like maybe that will be your

715
00:44:56,920 --> 00:44:58,600
Speaker 1: you know what I mean, Like, are you only saying

716
00:44:58,600 --> 00:45:01,400
Speaker 1: that because you haven't had a huge role yet? You know? Well,

717
00:45:01,440 --> 00:45:03,800
Speaker 1: I mean, of course it would be an honor and

718
00:45:03,800 --> 00:45:06,120
Speaker 1: I would take it incredibly seriously if I were to

719
00:45:06,160 --> 00:45:08,560
Speaker 1: receive a huge role. But when you think about like

720
00:45:08,680 --> 00:45:13,200
Speaker 1: the graces or you know, the like Evan Harper's of

721
00:45:13,239 --> 00:45:16,120
Speaker 1: the show, I mean of the school. Um, I'm not

722
00:45:16,160 --> 00:45:18,640
Speaker 1: one of those people. Those people just radiate a magnetic

723
00:45:18,719 --> 00:45:20,600
Speaker 1: energy that makes you want to watch everything they do,

724
00:45:20,680 --> 00:45:23,360
Speaker 1: and I just don't think I'm not and I'm okay

725
00:45:23,400 --> 00:45:25,719
Speaker 1: with that. Um okay. It's just like one of those

726
00:45:25,760 --> 00:45:28,840
Speaker 1: chicken things where you're like saying like you're insulting yourself

727
00:45:29,160 --> 00:45:31,800
Speaker 1: so other people will be like, oh, no, you're actually

728
00:45:31,840 --> 00:45:33,239
Speaker 1: actually great, you know know, I mean, like are you saying, oh,

729
00:45:33,239 --> 00:45:35,120
Speaker 1: I just want to be accountant, So like I'll be like,

730
00:45:35,160 --> 00:45:37,000
Speaker 1: oh no, you should actually need theater. Do you know

731
00:45:37,000 --> 00:45:39,719
Speaker 1: what I mean a chicken thing? Yeah, like you know

732
00:45:39,760 --> 00:45:41,839
Speaker 1: how like some you know how some chicks are like,

733
00:45:42,360 --> 00:45:44,719
Speaker 1: oh I look so ugly, and I'm like, no, you don't.

734
00:45:44,719 --> 00:45:47,160
Speaker 1: You're actually really hot right now. Um I'm not. Oh,

735
00:45:47,239 --> 00:45:48,799
Speaker 1: thank you. That's what I wanted you to say. I mean,

736
00:45:48,840 --> 00:45:50,840
Speaker 1: I know what you mean by a chick thing, but

737
00:45:51,320 --> 00:45:55,439
Speaker 1: it actually hurts my feelings when you say that. That's

738
00:45:55,480 --> 00:45:58,839
Speaker 1: call it a chick thing. But to lie you've never

739
00:45:58,880 --> 00:46:00,960
Speaker 1: told a lie. No, I've obviously to the lie. But

740
00:46:01,040 --> 00:46:03,320
Speaker 1: like what I'm saying, saying a lie a chick thing

741
00:46:03,440 --> 00:46:06,200
Speaker 1: is to lie. No, I'm just no, that's not what

742
00:46:06,280 --> 00:46:08,759
Speaker 1: I'm saying. I'm saying. It's like you saying, oh I

743
00:46:08,840 --> 00:46:10,680
Speaker 1: love the fear, but I want to do something else

744
00:46:10,719 --> 00:46:13,399
Speaker 1: because I'm not that good. It's sort of like when

745
00:46:13,480 --> 00:46:15,879
Speaker 1: a lot of chicks, and this is true, do say

746
00:46:15,960 --> 00:46:17,759
Speaker 1: like I don't look good right now because they want

747
00:46:17,760 --> 00:46:19,440
Speaker 1: the guys so they look good. Don't you think that

748
00:46:19,480 --> 00:46:23,320
Speaker 1: diminishes my goals by saying that I'm lying. I'm actually

749
00:46:23,360 --> 00:46:25,640
Speaker 1: really good at math. I'm great at math. I've always

750
00:46:25,640 --> 00:46:28,400
Speaker 1: gotten a plus is in math. It comes really naturally.

751
00:46:29,600 --> 00:46:33,359
Speaker 1: I'm sure you aren't, but that's not I'm not I'm

752
00:46:33,360 --> 00:46:35,319
Speaker 1: not saying you're not good at math. I'm saying that, like,

753
00:46:35,400 --> 00:46:36,920
Speaker 1: I'm not mad at you. I want you to know

754
00:46:37,000 --> 00:46:38,759
Speaker 1: I'm not mad at you, but i just want you

755
00:46:38,800 --> 00:46:41,200
Speaker 1: to know that it's actually pretty destructive of you to

756
00:46:41,239 --> 00:46:43,400
Speaker 1: refer to me saying that I want to pursue accounting

757
00:46:43,440 --> 00:46:46,120
Speaker 1: as a chick thing. When I state my goals, I

758
00:46:46,200 --> 00:46:50,759
Speaker 1: mean them. I'm an intelligent person, I know I yeah, no,

759
00:46:50,920 --> 00:46:53,560
Speaker 1: I know that. I'm not saying you're not intelligent. I

760
00:46:53,600 --> 00:46:56,120
Speaker 1: would just like if like a fear role came around

761
00:46:56,120 --> 00:46:57,480
Speaker 1: the corner that change your life. I'm just saying that

762
00:46:57,480 --> 00:47:00,200
Speaker 1: you would probably take that right, I mean so out,

763
00:47:00,239 --> 00:47:02,240
Speaker 1: but I'm saying that I don't think that's going to happen,

764
00:47:02,280 --> 00:47:05,240
Speaker 1: and that I've accepted and embrace and I'm really excited

765
00:47:05,239 --> 00:47:07,480
Speaker 1: about pursuing accounting. I'm not mad at you. I'm just

766
00:47:07,520 --> 00:47:10,440
Speaker 1: saying phrases like chick thing are problematic, and I want

767
00:47:10,480 --> 00:47:12,600
Speaker 1: you to think about the reasons why, because I respect

768
00:47:12,640 --> 00:47:16,480
Speaker 1: you and I think you're capable of better. Hampton. I

769
00:47:16,520 --> 00:47:20,719
Speaker 1: really like you. I mean it, okay, I like you too.

770
00:47:20,760 --> 00:47:23,160
Speaker 1: I feel like i'm walking on a mind fuel right

771
00:47:23,160 --> 00:47:29,320
Speaker 1: now to be perfectly frank, like, I uh, I all,

772
00:47:29,360 --> 00:47:31,960
Speaker 1: I okay, I mean, I'm not, I'm not I'm not

773
00:47:32,040 --> 00:47:34,200
Speaker 1: to dig this hole. But like, all I'm saying is that,

774
00:47:34,320 --> 00:47:38,759
Speaker 1: like people some I mean all I'm saying that, Like

775
00:47:38,800 --> 00:47:43,879
Speaker 1: people sometimes say you're okay, you're saying what you mean.

776
00:47:44,000 --> 00:47:46,600
Speaker 1: I see you were saying what you mean. A lot

777
00:47:46,600 --> 00:47:48,360
Speaker 1: of people say things that they don't mean, and I

778
00:47:48,360 --> 00:47:55,000
Speaker 1: don't think it's tied to their gender. Okay, that is

779
00:47:55,040 --> 00:48:00,399
Speaker 1: the sound of a mind blown a true calm, a legend.

780
00:48:00,480 --> 00:48:02,360
Speaker 1: Kevin McDonald of The Kids in the Hall brought his

781
00:48:02,440 --> 00:48:06,040
Speaker 1: traveling variety show podcast, Kevin McDonald's Kevin McDonald Show to

782
00:48:06,200 --> 00:48:09,440
Speaker 1: Los Angeles, New York, and Atlanta this year, featuring incredible

783
00:48:09,480 --> 00:48:13,080
Speaker 1: guests like Todd Barry, Paula Tompkins, Darcy Cardon, Tim Heidecker,

784
00:48:13,200 --> 00:48:16,200
Speaker 1: JUDEA Friedlander, and weird Al Yankovic. And the list doesn't

785
00:48:16,200 --> 00:48:19,480
Speaker 1: stop there. Check out Kevin's back catalog for sketches, live music,

786
00:48:19,520 --> 00:48:23,240
Speaker 1: and unforgettable appearances by Mike Myers, Amy Man, Andy Richter,

787
00:48:23,320 --> 00:48:27,160
Speaker 1: Ben Gibbert, Rob Cordrey, Rachel Drash, Bob Sagett, and fellow

788
00:48:27,239 --> 00:48:30,760
Speaker 1: kids in the Hall Scott Thompson, Dave Foley, and Mark McKinney.

789
00:48:30,880 --> 00:48:34,359
Speaker 1: Now please enjoy this clip from Kevin's interview with Weird Al.

790
00:48:34,800 --> 00:48:43,040
Speaker 1: I also, yeah, I remember in Canada another one, Loves

791
00:48:43,040 --> 00:48:47,120
Speaker 1: the Bus was like a super super hit. Um was it? Yeah?

792
00:48:47,120 --> 00:48:49,680
Speaker 1: It was? It wasn't in the stage I kind of.

793
00:48:49,840 --> 00:48:52,000
Speaker 1: It just barely got relieved, like the record label when

794
00:48:52,560 --> 00:48:55,520
Speaker 1: the record label went bankrupt two weeks after it came out,

795
00:48:57,880 --> 00:48:59,480
Speaker 1: But it got out there. How did you get your

796
00:48:59,480 --> 00:49:01,840
Speaker 1: first record deal? Like? What was it because of my bologna?

797
00:49:01,960 --> 00:49:03,279
Speaker 1: Or yeah, well that was the first that came out

798
00:49:03,280 --> 00:49:06,120
Speaker 1: on Capitol Records, And like the original bathroom recording literally

799
00:49:06,160 --> 00:49:09,200
Speaker 1: recorded in a bathroom in my college, and Capitol Records

800
00:49:09,200 --> 00:49:12,279
Speaker 1: put it out, uh, and it sold, you know, a

801
00:49:12,280 --> 00:49:14,680
Speaker 1: couple of dozen copies. I don't know if you can

802
00:49:14,680 --> 00:49:17,480
Speaker 1: find a copy today, though it's worth like thirty five cents,

803
00:49:17,640 --> 00:49:22,359
Speaker 1: so oh good. I think I might have I might

804
00:49:22,440 --> 00:49:24,760
Speaker 1: have it in the basement. When I moved from Toronto,

805
00:49:25,080 --> 00:49:26,920
Speaker 1: my sister took all my stuff and put in her

806
00:49:26,920 --> 00:49:28,600
Speaker 1: basement and then she had a flood and ruined everything.

807
00:49:28,800 --> 00:49:33,160
Speaker 1: No storright, wait to bring the room down like that

808
00:49:33,400 --> 00:49:39,399
Speaker 1: because I want to get out to my airport. Um. Oh, yeah,

809
00:49:39,520 --> 00:49:42,200
Speaker 1: here's he was gonna come today. He's not here day fully,

810
00:49:42,239 --> 00:49:43,719
Speaker 1: one of the kids in he was gonna come here.

811
00:49:43,800 --> 00:49:46,040
Speaker 1: He was gonna found out. I was showing up. No, no,

812
00:49:46,120 --> 00:49:51,880
Speaker 1: it's the opposite. I was showing up. He got a headache,

813
00:49:52,000 --> 00:49:54,839
Speaker 1: he had a should I say this, I can't even

814
00:49:54,880 --> 00:49:57,759
Speaker 1: pronounce it. Yesterday he had to help me colon us

815
00:49:58,440 --> 00:50:03,239
Speaker 1: colon and he's feeling badly from he should have just

816
00:50:03,280 --> 00:50:11,120
Speaker 1: gotten a semi coll on oscarpy. Yes, whoa Once the

817
00:50:11,200 --> 00:50:12,520
Speaker 1: kids in the hall a few years ago, we were

818
00:50:12,520 --> 00:50:15,440
Speaker 1: on a Canadian TV show and Scott had a colonoscopy

819
00:50:16,080 --> 00:50:19,000
Speaker 1: that morning and um uh we were reading the script

820
00:50:19,000 --> 00:50:20,359
Speaker 1: and they were asking us their notes because they were

821
00:50:20,360 --> 00:50:21,759
Speaker 1: pretending to care about it as the kids in the

822
00:50:21,760 --> 00:50:25,440
Speaker 1: hall and um, and Scott whispered to me, um, because

823
00:50:25,480 --> 00:50:28,600
Speaker 1: of the procedure, I just had. I'm pulling my pants

824
00:50:28,840 --> 00:50:31,960
Speaker 1: and then the m and then the writer said, uh,

825
00:50:32,200 --> 00:50:34,560
Speaker 1: uh Scott, do you have any notes? And then uh,

826
00:50:34,640 --> 00:50:36,680
Speaker 1: I said, you because want to get him out there? No, no, no,

827
00:50:36,719 --> 00:50:41,560
Speaker 1: he's okay, No, Kevin, I have notes and pulling his pants.

828
00:50:41,560 --> 00:50:45,759
Speaker 1: He gave a half hour of notes. I have had

829
00:50:45,760 --> 00:50:47,480
Speaker 1: the profugure a couple of times because I'm an old

830
00:50:47,520 --> 00:50:51,960
Speaker 1: guy and they give you pictures, they give you pictures afterwards,

831
00:50:52,040 --> 00:50:53,640
Speaker 1: Oh my god. And more than once I've asked my

832
00:50:53,640 --> 00:50:57,719
Speaker 1: wife should I Instagram? There's no no, do not do

833
00:50:57,840 --> 00:51:02,520
Speaker 1: that and be so popular me? So uh? Not as

834
00:51:02,520 --> 00:51:04,840
Speaker 1: populars another one loves and the bus and then you

835
00:51:04,920 --> 00:51:08,440
Speaker 1: keep calling it loves on the bus. I'm adding a

836
00:51:08,520 --> 00:51:14,680
Speaker 1: word and changing a few, but all right, day fully

837
00:51:14,680 --> 00:51:18,040
Speaker 1: and I always talked about ad nauseam. The people would

838
00:51:18,040 --> 00:51:19,600
Speaker 1: tell us to shut up. In the eighties and nineties,

839
00:51:19,680 --> 00:51:21,960
Speaker 1: how funny your videos were because we're like, uh, we're

840
00:51:22,000 --> 00:51:24,480
Speaker 1: big fans of Buster Keaton and the sight gags were amazing.

841
00:51:24,680 --> 00:51:26,920
Speaker 1: Who thought did you think of the sight gags? Well?

842
00:51:26,960 --> 00:51:31,960
Speaker 1: Most of um yeah, Like so you're a comedian. I

843
00:51:32,040 --> 00:51:35,520
Speaker 1: like the comedy. That's my that's like that. How did

844
00:51:35,560 --> 00:51:37,799
Speaker 1: you get that talent and music like that? Like you

845
00:51:37,840 --> 00:51:41,320
Speaker 1: thought a really great like video after video after video

846
00:51:41,400 --> 00:51:44,640
Speaker 1: had amazing sight gags. Thanks, I don't know. I just

847
00:51:44,920 --> 00:51:46,560
Speaker 1: that question. I listened to that. That's a good that's

848
00:51:46,560 --> 00:51:49,000
Speaker 1: a question. I don't know the answer there. Where do

849
00:51:49,000 --> 00:51:50,799
Speaker 1: you rights come from. I just listened to that. Yeah,

850
00:51:50,800 --> 00:51:54,000
Speaker 1: but I'm a comedian. I mean, you're a comedian, but

851
00:51:54,080 --> 00:51:59,000
Speaker 1: you're two things. My brain is split. I just listened

852
00:51:59,040 --> 00:52:01,000
Speaker 1: to the voices in my head. You know, did I understand?

853
00:52:01,280 --> 00:52:03,839
Speaker 1: Are you a Buster Keaton fan? Absolutely? Well? The um

854
00:52:03,880 --> 00:52:06,759
Speaker 1: I mean in Almost Paradise won the uh one, the

855
00:52:07,520 --> 00:52:12,120
Speaker 1: barn falls down. That's a total that's a total Buster Keaton. Right. Yeah,

856
00:52:12,160 --> 00:52:14,560
Speaker 1: I'm showing that where I live in Winnipeg for some reason. Next,

857
00:52:14,920 --> 00:52:16,680
Speaker 1: I show a funny movie every month, and I'm showing

858
00:52:16,760 --> 00:52:19,439
Speaker 1: that one and um, you know Steamboat Bill Jr. Where

859
00:52:19,440 --> 00:52:21,520
Speaker 1: the wall falls and Buster keat and everyone knows it

860
00:52:21,520 --> 00:52:23,120
Speaker 1: was a real wall right and would have killed him,

861
00:52:23,200 --> 00:52:25,719
Speaker 1: but he got like the best mathematicians in America to like,

862
00:52:25,760 --> 00:52:27,640
Speaker 1: to measure, I didn't have the best mathematicians. I had

863
00:52:27,680 --> 00:52:29,440
Speaker 1: some guy with green hair and a nose wherein going

864
00:52:29,719 --> 00:52:33,759
Speaker 1: yeah it'll be fine. No, no, literally, I mean this

865
00:52:33,840 --> 00:52:35,120
Speaker 1: was not It was not c g I. It was

866
00:52:35,160 --> 00:52:37,840
Speaker 1: a real, literal like barn wall that fell on me,

867
00:52:37,920 --> 00:52:41,320
Speaker 1: barely missing my head. And it wasn't even just would

868
00:52:41,360 --> 00:52:44,840
Speaker 1: they had to reinforce it with steel so it wouldn't

869
00:52:44,840 --> 00:52:47,759
Speaker 1: like torque and like miss the mark. So it was

870
00:52:47,800 --> 00:52:51,680
Speaker 1: just like really really really would have killed me dead

871
00:52:52,400 --> 00:52:54,439
Speaker 1: if I had like moved a few inches either way.

872
00:52:55,040 --> 00:52:56,600
Speaker 1: And I was like, we're doing one take and I'll

873
00:52:56,600 --> 00:52:59,879
Speaker 1: try really hard not to act like I'm scared right now,

874
00:53:01,160 --> 00:53:03,520
Speaker 1: and they can't practice it with the dummies your height

875
00:53:03,640 --> 00:53:07,560
Speaker 1: because because that we're doing the wall with one. But

876
00:53:07,600 --> 00:53:10,200
Speaker 1: your kidding. Please tell me you really had mathematicians. Well

877
00:53:10,239 --> 00:53:18,600
Speaker 1: I think he did some math, but oh my god,

878
00:53:18,640 --> 00:53:21,440
Speaker 1: how many accolades and catchphrase this can one podcast have?

879
00:53:21,880 --> 00:53:24,479
Speaker 1: Lost culturesta is hosted by Matt Rodgers and bow Yang

880
00:53:24,480 --> 00:53:27,800
Speaker 1: has been named to best of lists in Time, Esquire, Vulture,

881
00:53:27,920 --> 00:53:30,480
Speaker 1: Time Out in New York, and many more publications, and

882
00:53:30,520 --> 00:53:33,160
Speaker 1: they are about to embark on a national tour early

883
00:53:33,280 --> 00:53:36,800
Speaker 1: next year. Lost Culture Rista's remains an absolute must listen

884
00:53:36,880 --> 00:53:39,120
Speaker 1: week after week, and if you need proof, just check

885
00:53:39,160 --> 00:53:42,440
Speaker 1: out this clip from their episode Piss Sussy, Ciss Pussy

886
00:53:42,480 --> 00:53:45,200
Speaker 1: with a woman smiles Patty Harrison. And after you listen,

887
00:53:45,320 --> 00:53:47,640
Speaker 1: follow at Lost Culture Stas on Twitter to see if

888
00:53:47,640 --> 00:53:51,000
Speaker 1: Matt and Bowen are coming to your hometown in en

889
00:53:51,400 --> 00:53:54,000
Speaker 1: roll that clip. If you had all the money in

890
00:53:54,000 --> 00:53:56,880
Speaker 1: the world, as the pop star that is Patty. What

891
00:53:57,040 --> 00:53:59,640
Speaker 1: does your concert look like? How does this start? Like?

892
00:53:59,719 --> 00:54:02,000
Speaker 1: Who comes out? Like? What is there a story? Like?

893
00:54:02,040 --> 00:54:04,799
Speaker 1: What kind of fantastical aesthetic elements are we happening? Like

894
00:54:04,840 --> 00:54:07,040
Speaker 1: if you could do a World to War like the

895
00:54:07,120 --> 00:54:10,680
Speaker 1: N nine tour or formation, like what is the Patty tour?

896
00:54:11,480 --> 00:54:20,880
Speaker 1: So my tour would um be called? Well, let's not

897
00:54:21,000 --> 00:54:25,040
Speaker 1: start there, Okay, let's actually say that it would be

898
00:54:25,080 --> 00:54:29,440
Speaker 1: an audio visual experience. There would be you know, there

899
00:54:29,440 --> 00:54:31,799
Speaker 1: would be pre filmed things that and there will be

900
00:54:31,960 --> 00:54:35,839
Speaker 1: huge screens and there would be lights, lights that would

901
00:54:35,840 --> 00:54:38,000
Speaker 1: come up. So the so the concert is about to start.

902
00:54:38,040 --> 00:54:41,799
Speaker 1: Imagine concerts about to start. Everyone just like there's what

903
00:54:41,920 --> 00:54:45,439
Speaker 1: a stadium, it's like fifty people and then and then

904
00:54:45,560 --> 00:54:48,640
Speaker 1: the lights go out and everyone's like and then yeah,

905
00:54:48,719 --> 00:54:52,360
Speaker 1: and then some lights come on and then the screen

906
00:54:52,440 --> 00:54:56,279
Speaker 1: comes on too, and then I come out and then

907
00:54:56,480 --> 00:55:00,760
Speaker 1: music is playing. Oh my god, there's so much music playing.

908
00:55:00,800 --> 00:55:04,839
Speaker 1: Everyone's dancing and screaming. I come out. Dancers come out,

909
00:55:04,840 --> 00:55:08,440
Speaker 1: they're dancing too. They're like, they're all they're doing the routine.

910
00:55:08,480 --> 00:55:15,120
Speaker 1: We we painstakingly, painstakingly practice. I come out. I start

911
00:55:15,200 --> 00:55:18,719
Speaker 1: singing a medley of my original my hits from my

912
00:55:18,800 --> 00:55:23,880
Speaker 1: first album, and it's like a medley, yes, that, but

913
00:55:23,960 --> 00:55:25,600
Speaker 1: it's like in the key of another one of my

914
00:55:25,719 --> 00:55:27,680
Speaker 1: hits and then all in the same key because it

915
00:55:27,760 --> 00:55:30,359
Speaker 1: sets you up for the next song that you're going

916
00:55:30,360 --> 00:55:33,000
Speaker 1: into in the medley. Yeah, it's and this is like

917
00:55:33,040 --> 00:55:37,319
Speaker 1: an amazing medley. Then my outfit also, by the way,

918
00:55:37,440 --> 00:55:42,920
Speaker 1: looks beautiful to describe it. Everyone is like people are

919
00:55:42,920 --> 00:55:47,000
Speaker 1: taking pictures of it, People are taking people of thousands

920
00:55:47,040 --> 00:55:50,959
Speaker 1: of people. Are people describing your outfit as like, yes,

921
00:55:51,080 --> 00:55:57,480
Speaker 1: the gag, slag, say a gag, people are saying gags anything. Well,

922
00:55:57,600 --> 00:56:01,680
Speaker 1: one person actually is screaming a slur, just like one

923
00:56:01,719 --> 00:56:04,239
Speaker 1: person out there over all the screams of adoration, I

924
00:56:04,280 --> 00:56:07,319
Speaker 1: can kind of hear one slur and I'm like, I

925
00:56:07,360 --> 00:56:08,879
Speaker 1: think I know what they're saying it. I think it's

926
00:56:08,880 --> 00:56:11,040
Speaker 1: a slur, and but I'm like, I'm not trying to

927
00:56:11,080 --> 00:56:12,840
Speaker 1: focus too much on it. So I'm like I'm like

928
00:56:12,880 --> 00:56:16,320
Speaker 1: focusing on and again, my choreography is slightly less intense

929
00:56:16,360 --> 00:56:18,680
Speaker 1: than the dancers. I can fully focus on dancing and

930
00:56:18,719 --> 00:56:20,200
Speaker 1: I need time to kind of vamp and like can

931
00:56:20,200 --> 00:56:23,520
Speaker 1: stop the points here and there and be like and

932
00:56:23,520 --> 00:56:26,200
Speaker 1: then I point and I'm like and I stopped, and

933
00:56:26,200 --> 00:56:28,440
Speaker 1: there there's also I'm not lip sinking, but there is

934
00:56:28,480 --> 00:56:30,799
Speaker 1: a vocation from the background that has the chorus on it,

935
00:56:31,000 --> 00:56:33,440
Speaker 1: and I'm really yeah, and people are like ah. And

936
00:56:33,480 --> 00:56:35,640
Speaker 1: then I hear I hear like in the distance, I

937
00:56:35,640 --> 00:56:40,040
Speaker 1: hear like you're like, and I'm like, wait, not only

938
00:56:40,160 --> 00:56:43,080
Speaker 1: did I hear a slur, but I think I recognized

939
00:56:43,160 --> 00:56:46,120
Speaker 1: the voice of and I'm so I'm like, we're going

940
00:56:46,120 --> 00:56:48,160
Speaker 1: into my first My first song is actually one off

941
00:56:48,160 --> 00:56:51,160
Speaker 1: the new album, and it's like it's it's a song

942
00:56:51,200 --> 00:56:58,239
Speaker 1: that's like go fast and then so it's like yeah,

943
00:56:54,600 --> 00:57:01,480
Speaker 1: and then it's like images images that correspond with the song.

944
00:57:01,640 --> 00:57:05,359
Speaker 1: So the song is actually about moving on. And then

945
00:57:05,640 --> 00:57:10,520
Speaker 1: so that's going on. And then a spotlight not planned

946
00:57:10,560 --> 00:57:12,440
Speaker 1: a spotlight, I'm like, what is going on? A spotlight

947
00:57:12,640 --> 00:57:17,160
Speaker 1: goes the crowd. We guess who was in the crowd general?

948
00:57:19,440 --> 00:57:22,800
Speaker 1: That was it? That really was because we talked about

949
00:57:22,800 --> 00:57:32,760
Speaker 1: her last time and she's erect she's how it's this time? Yeah,

950
00:57:32,840 --> 00:57:37,560
Speaker 1: she did something she got like sheeni implant, she connect pectomy.

951
00:57:38,280 --> 00:57:40,720
Speaker 1: Pect was to remove the penis, but she got a

952
00:57:40,720 --> 00:57:45,240
Speaker 1: penio implant. She got a penectomy and then got her

953
00:57:45,240 --> 00:57:51,600
Speaker 1: penis removed, and then got a peno past and African

954
00:57:51,720 --> 00:57:55,040
Speaker 1: rhino horn in the place. So actually, when I sit

955
00:57:55,160 --> 00:57:57,880
Speaker 1: with seventeen inches, it's actually closer to four and a

956
00:57:57,880 --> 00:58:02,200
Speaker 1: half feet long. And she's lancing my fans, just like

957
00:58:02,960 --> 00:58:05,440
Speaker 1: lancing my fans in the crowd, like oh, there's like

958
00:58:05,480 --> 00:58:10,480
Speaker 1: a stack of my fans. I'm so sad, I'm crying

959
00:58:10,560 --> 00:58:13,480
Speaker 1: on stage. I'm like, stop the music. But they turned

960
00:58:13,520 --> 00:58:18,160
Speaker 1: my mic off because she did so. She talked to

961
00:58:18,200 --> 00:58:22,880
Speaker 1: the tech people, She talked to the powerful. That's when

962
00:58:22,920 --> 00:58:25,080
Speaker 1: I realized that she talked to the tech people ahead

963
00:58:25,080 --> 00:58:27,840
Speaker 1: of time, and that is not That was like, oh

964
00:58:27,880 --> 00:58:31,760
Speaker 1: my god. And still the music, this is bigger than

965
00:58:32,040 --> 00:58:33,760
Speaker 1: And then there's a part in the music where all

966
00:58:33,800 --> 00:58:36,720
Speaker 1: the percussion drops and it's just like it's like it's

967
00:58:36,760 --> 00:58:39,480
Speaker 1: like this arpeggio of like harp. It's a beautiful part

968
00:58:39,480 --> 00:58:43,320
Speaker 1: of the song. And I'm like, Ellen, get out of here.

969
00:58:43,360 --> 00:58:46,520
Speaker 1: And she comes up on stage does a flip with

970
00:58:46,960 --> 00:58:50,160
Speaker 1: still about six of my fans stacked on her horn,

971
00:58:50,800 --> 00:58:54,840
Speaker 1: does a flip. The centrifugal force of the flip flings

972
00:58:54,920 --> 00:58:58,680
Speaker 1: the fans at me off of like and she's about

973
00:58:58,800 --> 00:59:00,920
Speaker 1: she's flipping probably like twenty feet up in the air.

974
00:59:01,000 --> 00:59:04,560
Speaker 1: So it's like it's insane she can get that high. Yeah, yeah,

975
00:59:04,600 --> 00:59:07,240
Speaker 1: I know, it's like a fool and it's like it's

976
00:59:07,240 --> 00:59:12,400
Speaker 1: a really fast rotation. Don't but all the fans ad

977
00:59:12,400 --> 00:59:15,640
Speaker 1: fans have come towards you. They smack into me, knocked

978
00:59:15,640 --> 00:59:22,400
Speaker 1: me down in my big platform. She's break embarrassing, so

979
00:59:22,440 --> 00:59:27,040
Speaker 1: embarrassing concert. Yeah. Jennifer Bowman, who's our costumer, she's like

980
00:59:27,320 --> 00:59:32,040
Speaker 1: made those shoes herself, like special and so she, huh

981
00:59:32,080 --> 00:59:34,000
Speaker 1: did she get out of the arena? Jenna for Bowman

982
00:59:34,040 --> 00:59:35,480
Speaker 1: doesn't come to my shows because we have a bad

983
00:59:35,480 --> 00:59:40,240
Speaker 1: relationshow so then so that's the whole thing. And then

984
00:59:40,680 --> 00:59:43,560
Speaker 1: um so then by that time you're knocked out and

985
00:59:43,600 --> 00:59:46,240
Speaker 1: the fans, I guess are long dead by now, yeah,

986
00:59:46,400 --> 00:59:49,120
Speaker 1: at least several like six and maybe something that got

987
00:59:49,160 --> 00:59:53,240
Speaker 1: injured in the and they're like they're all mad. They're like,

988
00:59:53,280 --> 00:59:55,240
Speaker 1: this is not what we came here to see. So

989
00:59:55,280 --> 01:00:01,080
Speaker 1: now I'm here to see petty Man. But at this

990
01:00:01,160 --> 01:00:04,520
Speaker 1: point they've all turned because they're mad, and they're all

991
01:00:04,600 --> 01:00:10,600
Speaker 1: saying tranny. Oh you tranny, And I said stop it,

992
01:00:11,400 --> 01:00:15,919
Speaker 1: stop it. And then that's when Ellen turns to me

993
01:00:16,880 --> 01:00:19,760
Speaker 1: and guess what she fucking says, No what I guess

994
01:00:19,760 --> 01:00:25,960
Speaker 1: what she says. She says, you are a bit And

995
01:00:26,040 --> 01:00:31,680
Speaker 1: my heartbreaks because I believe it and it's Ellen. It's Ellen,

996
01:00:31,840 --> 01:00:35,400
Speaker 1: and it's not hero of mine. In that moment, like

997
01:00:35,440 --> 01:00:37,640
Speaker 1: she's gotten every wants to turn on you. They obviously

998
01:00:37,720 --> 01:00:41,240
Speaker 1: have taken sides other even though they've killed probably some

999
01:00:41,280 --> 01:00:43,360
Speaker 1: of the people that they know. Yeah, they start killing.

1000
01:00:43,680 --> 01:00:46,360
Speaker 1: I mean, fans are so mad, screaming tranny. They start

1001
01:00:46,480 --> 01:00:49,800
Speaker 1: killing each other, killing each other, just so you know,

1002
01:00:50,000 --> 01:00:51,880
Speaker 1: just so you know. At the at my tours, all

1003
01:00:51,880 --> 01:00:53,959
Speaker 1: my fans are siss because I won't let trans people

1004
01:00:54,440 --> 01:00:59,080
Speaker 1: because I don't like trans people. I'm a tur and

1005
01:00:59,120 --> 01:01:04,760
Speaker 1: it's a it's turf's only. Yeah, Turf's only for them

1006
01:01:05,920 --> 01:01:09,760
Speaker 1: who aren't with it. And they're all and they're all straight, beautiful,

1007
01:01:10,720 --> 01:01:16,520
Speaker 1: straight beautiful, yeah, straight, beautiful, gorgeous. They're saying tranny. But

1008
01:01:16,560 --> 01:01:20,800
Speaker 1: also Ellen, I remember originated the pronunciation tranny tronni yes

1009
01:01:20,880 --> 01:01:23,320
Speaker 1: with with an H and two ends the R O

1010
01:01:23,680 --> 01:01:31,840
Speaker 1: N n E. I try and she's like, Hey, you

1011
01:01:31,880 --> 01:01:34,560
Speaker 1: know why I say it that way? And I was like,

1012
01:01:34,720 --> 01:01:37,280
Speaker 1: oh why, oh in this night, couldn't get any worse.

1013
01:01:37,360 --> 01:01:40,360
Speaker 1: And she's like, because it's a play on pronunciation of

1014
01:01:40,440 --> 01:01:43,040
Speaker 1: the Vietnamese language, because I know you're Vietnamese. To you,

1015
01:01:43,240 --> 01:01:48,960
Speaker 1: Tranny just just cuts deeper, twist the knife. She fucking

1016
01:01:49,440 --> 01:01:55,919
Speaker 1: she fucking puts that knife screw drive, electric screwdriver. She's

1017
01:01:55,920 --> 01:01:59,520
Speaker 1: more than just twisting the knife. I am. Yeah, yeah,

1018
01:02:00,080 --> 01:02:05,200
Speaker 1: really went there. That's and that's a gorgeous tour and

1019
01:02:05,240 --> 01:02:09,120
Speaker 1: that is literally just Stockholm where the tour starts. That's

1020
01:02:09,160 --> 01:02:12,040
Speaker 1: literally just the first leg of the tour. And talk

1021
01:02:12,120 --> 01:02:16,520
Speaker 1: about why Stockholm? Why is that meaningful? Rich culture, a

1022
01:02:16,520 --> 01:02:20,040
Speaker 1: lot of amazing art. Their government, like the government in Sweden,

1023
01:02:20,120 --> 01:02:22,800
Speaker 1: it's just like really progressive socially, you know, the access

1024
01:02:22,840 --> 01:02:25,480
Speaker 1: to healthcare, the way people like treat each other, even

1025
01:02:26,160 --> 01:02:31,120
Speaker 1: um predominantly white blonde. Yes, yes, it's it's a sort

1026
01:02:31,120 --> 01:02:34,080
Speaker 1: of easier when matters and a lot of amazing pop

1027
01:02:34,160 --> 01:02:37,360
Speaker 1: comes out of Scandinavia. But see the thing about Sweden

1028
01:02:37,440 --> 01:02:39,000
Speaker 1: and the thing that it's it's just it's a great

1029
01:02:39,040 --> 01:02:44,360
Speaker 1: case study in homogenizing people to more easily governed and

1030
01:02:44,400 --> 01:02:49,000
Speaker 1: more easily socialized and provide access. If the people look

1031
01:02:49,000 --> 01:02:52,880
Speaker 1: at the same it's easier. Yeah. Absolutely. Once you all

1032
01:02:53,000 --> 01:02:57,560
Speaker 1: look the same, then you all act the same, then

1033
01:02:57,640 --> 01:03:02,320
Speaker 1: you all buy tickets to the same concert, and it's beautiful.

1034
01:03:02,400 --> 01:03:07,240
Speaker 1: That's a really good economy model. I disagree, Okay, but

1035
01:03:07,280 --> 01:03:10,000
Speaker 1: you're you're still like everything I set up into this point,

1036
01:03:10,000 --> 01:03:12,560
Speaker 1: would I was setting up that you would say that,

1037
01:03:12,600 --> 01:03:14,200
Speaker 1: so I would agree, and then I changed my mind

1038
01:03:14,200 --> 01:03:17,560
Speaker 1: in real time. Okay. And that's what people come to

1039
01:03:17,600 --> 01:03:19,840
Speaker 1: expect for my shows. Yeah, that they're going to expect

1040
01:03:19,840 --> 01:03:22,480
Speaker 1: to like, except, for example, get through it and live. Yeah. Yeah,

1041
01:03:22,600 --> 01:03:24,360
Speaker 1: that might not be the case. Well that's why they

1042
01:03:24,400 --> 01:03:27,600
Speaker 1: turned on each other. Yes, what And the tourists called

1043
01:03:27,720 --> 01:03:33,520
Speaker 1: sis heats only its radical beautiful. Yeah, it's called beautiful

1044
01:03:33,560 --> 01:03:40,840
Speaker 1: Turfs colon sis heads only, uh colon Uh. Dharma and

1045
01:03:40,880 --> 01:03:44,840
Speaker 1: Greg live for one night only, and they're they're they're

1046
01:03:45,000 --> 01:03:49,960
Speaker 1: the actors who played Dharma and Gregg are there and yeah,

1047
01:03:50,120 --> 01:03:54,160
Speaker 1: j scientologists famous scientologists, and I'm and I'm giving I

1048
01:03:54,160 --> 01:03:56,520
Speaker 1: give her like a twenty minute platform in the middle

1049
01:03:56,520 --> 01:03:58,760
Speaker 1: of show just to talk about scientology. And she's like,

1050
01:03:59,080 --> 01:04:01,400
Speaker 1: really cares my about it because she's like, I know,

1051
01:04:01,520 --> 01:04:04,400
Speaker 1: it's so crazy. You guys probably think I'm crazy. Yeah,

1052
01:04:04,560 --> 01:04:06,760
Speaker 1: it really is a lot of it's so stupid, right,

1053
01:04:06,840 --> 01:04:10,520
Speaker 1: like really learning people in with that. Yeah, She's like,

1054
01:04:10,680 --> 01:04:12,360
Speaker 1: you know what, what might be fun? What if you

1055
01:04:12,480 --> 01:04:14,080
Speaker 1: just like took some friends and you went to like

1056
01:04:14,160 --> 01:04:16,000
Speaker 1: the Church of Scientology as a joke because the doors

1057
01:04:16,000 --> 01:04:18,600
Speaker 1: are always open. You should see how like crazy stupid

1058
01:04:18,640 --> 01:04:20,840
Speaker 1: some of the decoration is. It's so gaudy, and everyone's like,

1059
01:04:20,840 --> 01:04:23,160
Speaker 1: ha ha, that's so funny. But it's like under the

1060
01:04:23,160 --> 01:04:26,080
Speaker 1: guys of like, oh yeah, come see how stupid this

1061
01:04:26,120 --> 01:04:28,560
Speaker 1: thing is. And then but it's people, I'm like, they're

1062
01:04:28,600 --> 01:04:32,240
Speaker 1: gonna go, and they all go, And how many of

1063
01:04:32,280 --> 01:04:36,240
Speaker 1: them a fall for it? How many of them did you?

1064
01:04:37,160 --> 01:04:39,360
Speaker 1: Did you not hear me? Are you? I said, they

1065
01:04:39,400 --> 01:04:42,240
Speaker 1: all all of them? But I know all of them go?

1066
01:04:42,840 --> 01:04:46,000
Speaker 1: But how many stay? How many signs on the dotted

1067
01:04:46,040 --> 01:04:49,680
Speaker 1: line when comes push comes to shove, Well, when push

1068
01:04:49,760 --> 01:04:52,400
Speaker 1: comes to shove, jokes on you, bitch. They were already

1069
01:04:52,480 --> 01:04:56,520
Speaker 1: scientilog just because it's also a scientilog, just only only

1070
01:04:57,680 --> 01:05:03,800
Speaker 1: beautiful turnsologist who are also turfs. It's called beautiful Turfs

1071
01:05:03,800 --> 01:05:08,200
Speaker 1: colon Um they had only Colin Darmer and Gregg Live

1072
01:05:08,200 --> 01:05:14,600
Speaker 1: when I only Colin. The newest addition to Forever Dog

1073
01:05:14,680 --> 01:05:18,120
Speaker 1: is this next podcast, The Very Funny Mall Talk, hosted

1074
01:05:18,120 --> 01:05:21,360
Speaker 1: by comedians and l a mall aficionado's Emily Faye and

1075
01:05:21,400 --> 01:05:23,720
Speaker 1: Page Wildon, who do not think that hanging out at

1076
01:05:23,760 --> 01:05:26,680
Speaker 1: the mall should stop in adulthood. Each episode, a guest

1077
01:05:26,800 --> 01:05:30,000
Speaker 1: joins them to discuss classic stores, mall memories, and recent

1078
01:05:30,080 --> 01:05:33,040
Speaker 1: mall going adventures. In the following clip, Emily and Paige

1079
01:05:33,080 --> 01:05:36,560
Speaker 1: talked to comedian Solomon Georgio about Cinnabon, J C. Penny

1080
01:05:36,640 --> 01:05:38,720
Speaker 1: and so much more so then you never went back

1081
01:05:38,720 --> 01:05:44,160
Speaker 1: to Macy's. I did eat at Cinabon every day. I

1082
01:05:44,280 --> 01:05:46,640
Speaker 1: used to do the worst thing ever, cause Cinnabon had

1083
01:05:47,480 --> 01:05:50,400
Speaker 1: they had those They had the particular ones, which was

1084
01:05:50,440 --> 01:05:53,200
Speaker 1: like the peak On one, and also I don't think

1085
01:05:53,200 --> 01:05:55,440
Speaker 1: they have anymore. They actually had a root beer milkshake.

1086
01:05:57,280 --> 01:05:59,120
Speaker 1: Oh yeah, so I'd have. We had the same exact

1087
01:05:59,120 --> 01:06:02,960
Speaker 1: reaction for that. So what I would do is order

1088
01:06:03,000 --> 01:06:05,360
Speaker 1: both of those things at the same time every day,

1089
01:06:05,360 --> 01:06:08,440
Speaker 1: oh every day within those three days that I was

1090
01:06:08,520 --> 01:06:12,760
Speaker 1: working there, and many times before and after until they

1091
01:06:12,840 --> 01:06:15,520
Speaker 1: no longer served the root beer. Oh I thought you

1092
01:06:15,480 --> 01:06:17,320
Speaker 1: were going to say, until they would no longer serve you.

1093
01:06:17,480 --> 01:06:22,080
Speaker 1: They were like, excuse me, you are cut off. We

1094
01:06:22,160 --> 01:06:26,240
Speaker 1: can see how soft your teeth are. They we have

1095
01:06:26,600 --> 01:06:29,920
Speaker 1: we have a moral responsibility vibrating for the last thirty

1096
01:06:29,960 --> 01:06:32,680
Speaker 1: minutes that I need you to stop. So where else

1097
01:06:32,720 --> 01:06:34,960
Speaker 1: did you work? I'm trying remember all the place that

1098
01:06:35,000 --> 01:06:36,880
Speaker 1: I worked, because I had a lot of job at

1099
01:06:36,880 --> 01:06:40,320
Speaker 1: the time, and that I would quit in dramatic ways

1100
01:06:42,400 --> 01:06:44,240
Speaker 1: because I did work at a J. C. Penney. But

1101
01:06:44,240 --> 01:06:47,840
Speaker 1: it wasn't at that mall at um oh my god,

1102
01:06:47,840 --> 01:06:51,400
Speaker 1: it was Aldwood Mall. It was called It's in Linwood, Washington,

1103
01:06:51,440 --> 01:06:55,000
Speaker 1: which is a North Seattle um and I worked at

1104
01:06:55,240 --> 01:06:56,560
Speaker 1: J C. Penny Is there? There was a j C.

1105
01:06:56,640 --> 01:06:58,520
Speaker 1: Pennies at North Gate, which I went to many times.

1106
01:06:58,920 --> 01:07:01,320
Speaker 1: Did you used to shop at j C Penny so

1107
01:07:01,400 --> 01:07:03,960
Speaker 1: many times? It's my mom's favorite place to buy her

1108
01:07:04,040 --> 01:07:07,000
Speaker 1: kids presence till this very day. I'm pretty sure she's

1109
01:07:07,080 --> 01:07:09,480
Speaker 1: currently in that jay Zy Penny trying to see if

1110
01:07:09,520 --> 01:07:13,720
Speaker 1: I want an oversize tweety bird shirt or and you

1111
01:07:13,840 --> 01:07:17,360
Speaker 1: do just small pair of boxers? No, she buys me

1112
01:07:17,440 --> 01:07:21,200
Speaker 1: briefs that's tidy Whitey's. She never knows my size. It's

1113
01:07:21,200 --> 01:07:23,960
Speaker 1: always a double excel or the smallest, and you're like,

1114
01:07:25,760 --> 01:07:27,880
Speaker 1: have you met me before? I do feel like j C.

1115
01:07:28,080 --> 01:07:31,120
Speaker 1: Penny is also like in my mind, such my Mom's

1116
01:07:31,200 --> 01:07:34,720
Speaker 1: like department store where it's like I feel like it's

1117
01:07:34,760 --> 01:07:37,240
Speaker 1: like Macy's is a little more like Elevant. It's like

1118
01:07:37,240 --> 01:07:40,120
Speaker 1: a little fancier j C. Penney. It's like Mom's like,

1119
01:07:40,200 --> 01:07:42,840
Speaker 1: I'm going to Penny's. I'm getting a deal. In my mind,

1120
01:07:43,280 --> 01:07:45,200
Speaker 1: is that where all like your school clothes and stuff

1121
01:07:45,240 --> 01:07:50,040
Speaker 1: came from. Um No, I wish it was mostly Ross

1122
01:07:50,080 --> 01:07:52,280
Speaker 1: and Marshall's also at the mall. I mean, we love,

1123
01:07:52,360 --> 01:07:56,000
Speaker 1: we love Marshall's. I Marshall's is definitely a clean a

1124
01:07:56,000 --> 01:07:59,560
Speaker 1: cleaner Ross, but it's really again not I mean Ross.

1125
01:07:59,600 --> 01:08:02,960
Speaker 1: I will roster if there's an emergency of some kind

1126
01:08:03,080 --> 01:08:06,840
Speaker 1: where I simply can't get to a Marshall's. But it's

1127
01:08:06,960 --> 01:08:09,560
Speaker 1: a war zone. It's crazy there. But I'll tell you

1128
01:08:09,600 --> 01:08:13,760
Speaker 1: this right now. When it comes to home goods, Ross

1129
01:08:14,040 --> 01:08:16,080
Speaker 1: is crushing the game. I recently bought a teapot there.

1130
01:08:16,640 --> 01:08:19,320
Speaker 1: Ross is where the great deals are and home good

1131
01:08:19,760 --> 01:08:21,800
Speaker 1: no one goes, and that's part of the Ross. Yeah,

1132
01:08:22,280 --> 01:08:24,080
Speaker 1: it's not Destiny. I feel like that that is the

1133
01:08:24,120 --> 01:08:28,400
Speaker 1: one part of Ross. Whereas Marshall's overall, I'm like, great,

1134
01:08:28,479 --> 01:08:32,800
Speaker 1: everything's great. Marshall's doesn't have good deals on home goods.

1135
01:08:32,840 --> 01:08:35,840
Speaker 1: I was in Marshall's recently looking for a teapot, and

1136
01:08:35,840 --> 01:08:37,639
Speaker 1: I was like, most of these teapots are like twenty

1137
01:08:37,680 --> 01:08:40,920
Speaker 1: five dollars. Disrespectful to the game. Yeah, why am I

1138
01:08:40,960 --> 01:08:43,960
Speaker 1: even here? Might as well? Might as well go to

1139
01:08:44,000 --> 01:08:50,000
Speaker 1: Williams Sonoma friends and big. Look. I'm just saying, if

1140
01:08:50,040 --> 01:08:52,439
Speaker 1: you have a store, I can't. I shouldn't be able

1141
01:08:52,439 --> 01:08:56,280
Speaker 1: to buy three shirts for the same price. Weird. I

1142
01:08:56,320 --> 01:08:58,439
Speaker 1: don't understand where that's going on. But I did then

1143
01:08:58,479 --> 01:09:03,080
Speaker 1: immediately going to Ross and like, or you could. I

1144
01:09:03,080 --> 01:09:04,639
Speaker 1: got a beautiful red one at four night and nine.

1145
01:09:04,840 --> 01:09:08,479
Speaker 1: That's amazing. I actually also need a tea kettle. Will

1146
01:09:08,479 --> 01:09:12,479
Speaker 1: report back the Ross, see what you find. The one

1147
01:09:12,520 --> 01:09:16,120
Speaker 1: in Pasadena is very good. That's the best one I

1148
01:09:16,120 --> 01:09:18,280
Speaker 1: haven't been in most of the most of the clothes

1149
01:09:18,280 --> 01:09:21,120
Speaker 1: in that one are on the wreck. Oh how as

1150
01:09:21,120 --> 01:09:24,760
Speaker 1: opposed to something to be said, rampled on the floor. Yeah,

1151
01:09:24,920 --> 01:09:27,160
Speaker 1: that's crazy, but I've only been there when it first

1152
01:09:27,160 --> 01:09:30,160
Speaker 1: opened a ten an episode. Sure, I can't speak for

1153
01:09:30,200 --> 01:09:35,360
Speaker 1: an afternoon as I can't imagine um. But actually even

1154
01:09:35,520 --> 01:09:37,640
Speaker 1: I remember one time, because we went to Ross so

1155
01:09:37,640 --> 01:09:40,280
Speaker 1: many times, that I poop my pants at a Ross

1156
01:09:40,360 --> 01:09:44,080
Speaker 1: and everyone was like, correct, the same thing. My mother

1157
01:09:44,120 --> 01:09:48,000
Speaker 1: refused to buy me a new pants the only the

1158
01:09:48,000 --> 01:09:49,960
Speaker 1: only time that I have anyone's ever been like I

1159
01:09:50,000 --> 01:09:54,639
Speaker 1: need to buy pants at Ross. I need to like

1160
01:09:54,800 --> 01:09:57,160
Speaker 1: I don't want to buy pants right now? Or was

1161
01:09:57,200 --> 01:10:01,719
Speaker 1: it like sit in your mistake? It was really won't

1162
01:10:01,760 --> 01:10:04,200
Speaker 1: happen again. I truly wish my mother had that decency

1163
01:10:04,280 --> 01:10:06,800
Speaker 1: and her where she was like I can't afford this,

1164
01:10:06,920 --> 01:10:09,519
Speaker 1: we can't. No, no, no. It was more like no

1165
01:10:10,520 --> 01:10:13,000
Speaker 1: this on purpose, which is like who ships their past

1166
01:10:13,080 --> 01:10:17,519
Speaker 1: that purpose? No, there's no winning part of that. You're

1167
01:10:17,600 --> 01:10:20,080
Speaker 1: not getting anything out of it, believe it or not.

1168
01:10:20,680 --> 01:10:22,400
Speaker 1: And it's like and like you're going to have to

1169
01:10:22,479 --> 01:10:24,599
Speaker 1: be in the car with me on the right back home.

1170
01:10:25,080 --> 01:10:31,360
Speaker 1: So this hurts all of us. For everybody listening to

1171
01:10:31,520 --> 01:10:34,160
Speaker 1: Mary whole Hands a little podcast is like being stuck

1172
01:10:34,160 --> 01:10:37,400
Speaker 1: in a blender of early nineties FM radio. That sounds

1173
01:10:37,400 --> 01:10:38,840
Speaker 1: like a quote, but I just came up with it.

1174
01:10:39,200 --> 01:10:41,879
Speaker 1: Every time you listen to Mary whole Hands a little podcast,

1175
01:10:41,920 --> 01:10:44,720
Speaker 1: it's something different. A morning talk show, an advice show,

1176
01:10:44,760 --> 01:10:46,880
Speaker 1: a game show, a makeover show, a call in show,

1177
01:10:46,960 --> 01:10:49,920
Speaker 1: call out show, all from the mind of Mary hold Hand.

1178
01:10:50,080 --> 01:10:53,760
Speaker 1: Plus commercials like this one. Hey, the big concerce on

1179
01:10:53,800 --> 01:10:56,120
Speaker 1: the beach. Let's go, but wait at to eat all

1180
01:10:56,160 --> 01:10:59,360
Speaker 1: these tacos. Just put them in your pants. You ever

1181
01:10:59,439 --> 01:11:01,640
Speaker 1: go on a on and reach into your pocket for

1182
01:11:01,680 --> 01:11:05,519
Speaker 1: a taco but it's all cold. No way. Taco pants

1183
01:11:05,560 --> 01:11:08,880
Speaker 1: are special pants of foil insulat pockets that keep your

1184
01:11:08,920 --> 01:11:13,160
Speaker 1: tacos warm all day. I'm in love with the taco pants.

1185
01:11:14,000 --> 01:11:20,120
Speaker 1: Taco pants. This next podcast was nameds best podcast for

1186
01:11:20,160 --> 01:11:23,400
Speaker 1: aspiring Comedians by Vulture, not because it talks about how

1187
01:11:23,439 --> 01:11:25,920
Speaker 1: to succeed, but about how to fail. The Need to

1188
01:11:25,920 --> 01:11:28,680
Speaker 1: Fail with Don Finelle features comedians and entertainers at the

1189
01:11:28,680 --> 01:11:31,160
Speaker 1: top of their game, talking about all the rules they

1190
01:11:31,200 --> 01:11:33,559
Speaker 1: didn't get, all the shows they bombed, all the times

1191
01:11:33,560 --> 01:11:36,280
Speaker 1: they ate ship and their dreams felt more elusive than ever,

1192
01:11:36,680 --> 01:11:39,479
Speaker 1: and how they persevered through those times. In the following clip,

1193
01:11:39,600 --> 01:11:42,920
Speaker 1: Don talks with comedian, writer and improviser Neil Casey. So

1194
01:11:42,960 --> 01:11:45,479
Speaker 1: you kept your car, you have your car in New York.

1195
01:11:45,800 --> 01:11:47,599
Speaker 1: My car in New York. And then I thirty days

1196
01:11:47,640 --> 01:11:50,360
Speaker 1: to figure out like where I'm gonna live and what's

1197
01:11:50,360 --> 01:11:54,000
Speaker 1: going on And the answer was ended up being that, um,

1198
01:11:54,040 --> 01:12:00,640
Speaker 1: I lived nowhere for five months. Um and uh uh

1199
01:12:00,680 --> 01:12:03,320
Speaker 1: I packed, I threw away a ton more ship. I

1200
01:12:03,360 --> 01:12:05,679
Speaker 1: got a storage unit over on the West Side Highway

1201
01:12:05,840 --> 01:12:08,280
Speaker 1: for the stuff I kept that wasn't in my car

1202
01:12:09,000 --> 01:12:12,719
Speaker 1: and uh. And then I was homeless for from April

1203
01:12:13,160 --> 01:12:21,880
Speaker 1: of until September of or mid August, when I moved

1204
01:12:21,880 --> 01:12:25,040
Speaker 1: into Nick Coacher's room that I rented with like Grant

1205
01:12:25,040 --> 01:12:28,360
Speaker 1: O'Brien and Mary and Lennon and some good people there.

1206
01:12:28,880 --> 01:12:31,360
Speaker 1: And part of it was like I called it a UM.

1207
01:12:31,800 --> 01:12:34,040
Speaker 1: Once I was I could say, um, it's like a

1208
01:12:34,120 --> 01:12:38,280
Speaker 1: controlled homelessness because my thinking was if I, if I

1209
01:12:38,280 --> 01:12:43,760
Speaker 1: can just there's some places I needed to be, including um,

1210
01:12:44,680 --> 01:12:48,760
Speaker 1: the Torquo trip to South Carolina Williamstown Theater Festival, where

1211
01:12:48,760 --> 01:12:51,760
Speaker 1: I teach improv classes. In the summertime, my family rents

1212
01:12:51,760 --> 01:12:54,640
Speaker 1: a beach house in June, so there was like if

1213
01:12:54,680 --> 01:12:58,120
Speaker 1: I could just cover these weeks, then I basically wouldn't

1214
01:12:58,120 --> 01:13:00,559
Speaker 1: need to pay rent for like I thought like three

1215
01:13:00,600 --> 01:13:02,559
Speaker 1: months that ended up being like a little over four.

1216
01:13:02,720 --> 01:13:05,040
Speaker 1: What did you do? How did you do this? I?

1217
01:13:05,720 --> 01:13:10,519
Speaker 1: Where did you stay? I stayed at my brothers a

1218
01:13:10,560 --> 01:13:13,160
Speaker 1: little bit a couple of nights, but he just had

1219
01:13:13,280 --> 01:13:15,559
Speaker 1: a bedroom. Did people know? Did you tell anybody about

1220
01:13:15,600 --> 01:13:17,479
Speaker 1: the people I asked to stay with? I did, yeah,

1221
01:13:17,560 --> 01:13:19,640
Speaker 1: but nobody else knew. Nobody else knew because Hines and

1222
01:13:19,640 --> 01:13:21,240
Speaker 1: I were doing our show then too. So anytime Hines

1223
01:13:21,280 --> 01:13:22,760
Speaker 1: and I would do Small Man, I would stay at

1224
01:13:22,800 --> 01:13:25,639
Speaker 1: his house tonight before and I'd sleep there and then

1225
01:13:25,720 --> 01:13:28,840
Speaker 1: we would But did you tell him I don't have

1226
01:13:28,840 --> 01:13:31,240
Speaker 1: a place? Okay? Yeah he knew, like my my my

1227
01:13:31,280 --> 01:13:36,360
Speaker 1: closest friends knew. Um and I would stay hind stated

1228
01:13:36,360 --> 01:13:38,360
Speaker 1: at my brother's. I stayed at Dan Blacks one time.

1229
01:13:38,400 --> 01:13:40,760
Speaker 1: I stayed a Glove Bands one time. These are all

1230
01:13:40,760 --> 01:13:43,280
Speaker 1: people right in Manhattan too, Yeah yeah, yeah, kind of

1231
01:13:43,360 --> 01:13:45,160
Speaker 1: kind of kind of keeping it honest that way. I

1232
01:13:45,600 --> 01:13:48,240
Speaker 1: lived at the green point Y m c A for

1233
01:13:48,280 --> 01:13:50,479
Speaker 1: a little while with a lot of old with a

1234
01:13:50,479 --> 01:13:53,800
Speaker 1: lot of old guys. Are you mentally during this how

1235
01:13:54,080 --> 01:13:59,080
Speaker 1: are you are you determined? Or are you like fucking low? Well,

1236
01:13:59,200 --> 01:14:03,680
Speaker 1: I was throwing in retrospect. I believe that what I

1237
01:14:03,760 --> 01:14:07,800
Speaker 1: was doing was I was eliminating absolutely everything that I

1238
01:14:07,840 --> 01:14:10,439
Speaker 1: had going on in my life so that I could

1239
01:14:10,600 --> 01:14:14,200
Speaker 1: like reboot the few things that I think would actually work.

1240
01:14:15,600 --> 01:14:18,280
Speaker 1: Another very exciting addition to Forever Dog this year was

1241
01:14:18,320 --> 01:14:22,519
Speaker 1: the beloved cold sensation podcast The Ride, a show about

1242
01:14:22,600 --> 01:14:25,400
Speaker 1: theme parks hosted by three childless men in their thirties,

1243
01:14:25,640 --> 01:14:29,439
Speaker 1: Mike Carlson, Jason Sheridan, and Scott Gardner. This year, podcast

1244
01:14:29,439 --> 01:14:32,680
Speaker 1: The Ride accomplished perhaps the most impressive feat in all

1245
01:14:32,720 --> 01:14:37,040
Speaker 1: of comedy podcasting, releasing an eighteen episodes in eighteen days

1246
01:14:37,240 --> 01:14:41,200
Speaker 1: series about Hollywood's Universal City Walk that was rightly named

1247
01:14:41,320 --> 01:14:44,600
Speaker 1: Best Mini Series of Team by Vulture. And here's a

1248
01:14:44,600 --> 01:14:48,719
Speaker 1: clip from that very series, the City Walk saga. Let's clarify,

1249
01:14:48,800 --> 01:14:53,439
Speaker 1: this series is about city Walk at Universal Hollywood, not

1250
01:14:53,600 --> 01:14:57,960
Speaker 1: City Walk at Universal Orlando. That is an entirely different entity.

1251
01:14:58,080 --> 01:15:00,559
Speaker 1: We will not speak about that at all at all.

1252
01:15:00,600 --> 01:15:03,240
Speaker 1: This is only for Hollywood. And yes, now that is

1253
01:15:03,280 --> 01:15:06,360
Speaker 1: also lovely. It's a lovely place. Yeah. Well, in an

1254
01:15:06,439 --> 01:15:12,200
Speaker 1: endeavor like this requires rules and parameters, right, and which

1255
01:15:12,320 --> 01:15:16,439
Speaker 1: is why you know we've carefully caged ourselves in with

1256
01:15:16,600 --> 01:15:20,599
Speaker 1: the nineteen part system. And where did where did nineteen

1257
01:15:21,479 --> 01:15:23,840
Speaker 1: come from? I feel like that because they aren't necessarily

1258
01:15:23,880 --> 01:15:28,360
Speaker 1: all even in the amounts of stores and restaurants. But

1259
01:15:28,400 --> 01:15:32,639
Speaker 1: there's I think nineteen is a is a perfect number. Uh,

1260
01:15:32,640 --> 01:15:35,360
Speaker 1: And I don't want to be question perfection. But but

1261
01:15:35,400 --> 01:15:37,639
Speaker 1: if we had to analyze, what is it about nineteen?

1262
01:15:37,680 --> 01:15:39,960
Speaker 1: Why is that the perfect amount? You know? One of

1263
01:15:40,000 --> 01:15:42,920
Speaker 1: the impetus is for for doing this is that, like

1264
01:15:43,120 --> 01:15:47,680
Speaker 1: we met a guy, I think a guy almost undervalues

1265
01:15:48,080 --> 01:15:54,160
Speaker 1: he is a mentor figure maybe or a voice of authority.

1266
01:15:54,160 --> 01:15:58,680
Speaker 1: Oh yeah, he's here a sector keeper he could know

1267
01:15:58,720 --> 01:16:04,400
Speaker 1: who could have said it themselves, the being himself. Um

1268
01:16:04,400 --> 01:16:07,160
Speaker 1: so yeah, joining us today on the podcast is uh,

1269
01:16:07,320 --> 01:16:09,840
Speaker 1: we call him the sector keeper. He keeps the different

1270
01:16:09,880 --> 01:16:14,720
Speaker 1: sectors of city walk Universal CityWalk sector keeper, please of course,

1271
01:16:14,840 --> 01:16:17,679
Speaker 1: universal CityWalk, Hollywood sector keeper. Actually, if I may correct,

1272
01:16:17,720 --> 01:16:24,680
Speaker 1: your spirit can across the country country start to dissipate.

1273
01:16:24,720 --> 01:16:27,160
Speaker 1: When you hit the Mississippi, I lose strength. Y. Yeah,

1274
01:16:27,200 --> 01:16:29,600
Speaker 1: So when we talk about nineteen sectors, um, this is

1275
01:16:29,640 --> 01:16:32,240
Speaker 1: sort of a number that's been around for as long

1276
01:16:32,280 --> 01:16:36,080
Speaker 1: as time. Like the number twenty three, the significant number

1277
01:16:36,080 --> 01:16:39,760
Speaker 1: of the Jim Carey film nineteen is a it's it

1278
01:16:39,840 --> 01:16:44,800
Speaker 1: exists in many different UH codes, and it's embedded secretly

1279
01:16:44,840 --> 01:16:48,400
Speaker 1: all over the city Walk property. That's fair to say, correct, Yes,

1280
01:16:49,000 --> 01:16:52,240
Speaker 1: as another World League of meaning, city Walk is a

1281
01:16:52,320 --> 01:16:55,960
Speaker 1: powerful place, a magical place, and so you must divide

1282
01:16:56,000 --> 01:17:00,040
Speaker 1: it into sectors to experience more than a sector it

1283
01:17:00,120 --> 01:17:03,080
Speaker 1: provides would be dangerous, Yes, if we have too much

1284
01:17:03,160 --> 01:17:06,240
Speaker 1: fun and too much discussion about like maybe say two

1285
01:17:06,240 --> 01:17:08,360
Speaker 1: sectors at once, it would be too much for sort

1286
01:17:08,360 --> 01:17:10,840
Speaker 1: of a normal mortal man or a woman to handle.

1287
01:17:11,280 --> 01:17:13,759
Speaker 1: So that's why we've divided it up into different sectors.

1288
01:17:13,760 --> 01:17:15,479
Speaker 1: Because we were talking about all the city Walk at once,

1289
01:17:16,000 --> 01:17:19,960
Speaker 1: who knows what would happen. We would just be exhausted,

1290
01:17:20,240 --> 01:17:23,080
Speaker 1: you know, or we'd be here all day, well a week.

1291
01:17:23,160 --> 01:17:27,240
Speaker 1: And many people in this city or visiting Los Angeles

1292
01:17:27,280 --> 01:17:30,000
Speaker 1: from other cities have gone up to city Walk, and

1293
01:17:30,080 --> 01:17:33,040
Speaker 1: I can only imagine. I mean, there's no there's no

1294
01:17:33,080 --> 01:17:36,000
Speaker 1: wrong way to do city Walk, but there's also a

1295
01:17:36,080 --> 01:17:38,360
Speaker 1: perfect way to do it. And and it it seems

1296
01:17:38,439 --> 01:17:43,200
Speaker 1: to me sector keeper that UH by laying out the

1297
01:17:43,280 --> 01:17:49,200
Speaker 1: divine sectors. You were providing the your ideal way of experiencing.

1298
01:17:49,600 --> 01:17:51,960
Speaker 1: Uh this, this mall, I would call it a perfect

1299
01:17:52,000 --> 01:17:55,120
Speaker 1: sort of roadmap. Yes, look at us, a roadmap, a

1300
01:17:55,240 --> 01:18:00,599
Speaker 1: roadmap that will provide you uh many things. Discovery of

1301
01:18:01,080 --> 01:18:08,400
Speaker 1: popcorn okay and Popcornopolis, discoveries of board shorts at Billabong,

1302
01:18:09,120 --> 01:18:14,720
Speaker 1: discoveries of watches that's, fossil discoveries, discoveries of water massages

1303
01:18:14,760 --> 01:18:21,280
Speaker 1: at zen Zone okay, and discoveries of well priced women's

1304
01:18:21,320 --> 01:18:25,679
Speaker 1: fashion at the Angels and stuff, yes, like scarves and

1305
01:18:25,680 --> 01:18:31,400
Speaker 1: and dresses, but a reasonable price forward. And that is

1306
01:18:31,439 --> 01:18:36,719
Speaker 1: your first sector. Okay, that sector wator one, Popcornopolis, Fossil,

1307
01:18:36,880 --> 01:18:45,760
Speaker 1: zen Zone and Angel. My boys venture into the sector, discuss,

1308
01:18:46,360 --> 01:18:49,559
Speaker 1: but be careful. If you go outside of the sector,

1309
01:18:50,200 --> 01:18:55,160
Speaker 1: my spirits will burn in hell, Wait what we'll spit

1310
01:18:55,160 --> 01:18:57,719
Speaker 1: out the drink I had of my mouth? Did you really?

1311
01:18:58,000 --> 01:19:02,120
Speaker 1: That's what's at stake here. Each sector will help piece

1312
01:19:02,160 --> 01:19:06,920
Speaker 1: together my soul. Once you accomplish each sector, you will

1313
01:19:06,920 --> 01:19:13,000
Speaker 1: get a sector stone. Okay, nineteen sector stones make up

1314
01:19:13,400 --> 01:19:17,080
Speaker 1: my soul. Oh my god, So please go forth, be

1315
01:19:17,200 --> 01:19:19,759
Speaker 1: careful and I'll be here watching over you as your guardian.

1316
01:19:19,920 --> 01:19:23,320
Speaker 1: Guardian setting you free, sorry to bring you back quick

1317
01:19:23,800 --> 01:19:27,760
Speaker 1: untill here. So yeah, like you can hang out, but

1318
01:19:27,800 --> 01:19:30,000
Speaker 1: like you were, setting you free. Basically are you until

1319
01:19:30,000 --> 01:19:32,840
Speaker 1: like Casper, where like you have unfinished business or yes,

1320
01:19:32,880 --> 01:19:36,000
Speaker 1: I have unfinished business in the city walk Okay, I

1321
01:19:36,040 --> 01:19:38,400
Speaker 1: can't get into the details. I'll tell you more as

1322
01:19:38,920 --> 01:19:42,960
Speaker 1: you discover more. Alright, just know that I will go

1323
01:19:43,040 --> 01:19:46,400
Speaker 1: to hell if you don't do this. Okay. Well that's

1324
01:19:46,400 --> 01:19:51,320
Speaker 1: a lot to put on us. Perhaps no podcast has

1325
01:19:51,360 --> 01:19:54,840
Speaker 1: followed a more bizarre and self destructive trajectory than the

1326
01:19:54,880 --> 01:19:58,480
Speaker 1: podcast for Laundry. Originally pitched to us as a podcast

1327
01:19:58,479 --> 01:20:00,880
Speaker 1: to do your laundry to we honestly had no idea

1328
01:20:00,960 --> 01:20:03,040
Speaker 1: what we were getting into. Over the course of the

1329
01:20:03,120 --> 01:20:06,200
Speaker 1: last year, host and laundry obsessive Brett Davis has been

1330
01:20:06,280 --> 01:20:09,200
Speaker 1: arrested during a live recording, gotten married to a bottle

1331
01:20:09,240 --> 01:20:12,200
Speaker 1: of tied detergent, and piste off pretty much every guest

1332
01:20:12,200 --> 01:20:14,519
Speaker 1: that has been unfortunate enough to be booked on the show,

1333
01:20:15,000 --> 01:20:19,639
Speaker 1: guests including Janine Garoffalo why It's Senac, Tom Sharpling, Bridy Elliott,

1334
01:20:19,680 --> 01:20:23,160
Speaker 1: and Chris Gathard. Please tolerate the following clip featuring Awful

1335
01:20:23,200 --> 01:20:26,439
Speaker 1: Brett and the wonderful Sashir Zamata. You know what I do,

1336
01:20:26,520 --> 01:20:28,400
Speaker 1: I've got um if you see my one my belt,

1337
01:20:28,400 --> 01:20:30,360
Speaker 1: they've got it looks like a little like a nineties

1338
01:20:30,400 --> 01:20:34,439
Speaker 1: cell phone holder's kind of thick but jam packed type pods. Wow,

1339
01:20:34,840 --> 01:20:37,000
Speaker 1: that's very convenient. Like you know how people walk around

1340
01:20:37,040 --> 01:20:39,479
Speaker 1: with dog treats. I'm sort of like that, but with

1341
01:20:41,240 --> 01:20:43,160
Speaker 1: that's great. Do you like hand amount of strangers or

1342
01:20:43,240 --> 01:20:47,080
Speaker 1: just using for yourself to strangers for myself whatever? Whatever?

1343
01:20:47,320 --> 01:20:49,040
Speaker 1: You know, Sometimes I check in on the laundromat and

1344
01:20:49,080 --> 01:20:51,000
Speaker 1: I just put my head and said, everything okay in here,

1345
01:20:53,479 --> 01:20:55,479
Speaker 1: that's really nice of you. And then if if some

1346
01:20:55,880 --> 01:20:58,559
Speaker 1: it's never happened, but something like I've forgot my launder

1347
01:20:58,640 --> 01:21:01,519
Speaker 1: mat and they may I have my card and my

1348
01:21:02,080 --> 01:21:03,760
Speaker 1: now I don't have my detergent and be like, hey,

1349
01:21:03,960 --> 01:21:07,320
Speaker 1: I toss some of teod. Wow, that's like a commercial

1350
01:21:08,000 --> 01:21:10,880
Speaker 1: for tide pods. I'd be worried that they would melt

1351
01:21:11,240 --> 01:21:14,880
Speaker 1: and do commercials. I don't any well, yeah I do.

1352
01:21:15,240 --> 01:21:17,880
Speaker 1: I used to do more than I do now. But yes,

1353
01:21:18,160 --> 01:21:24,560
Speaker 1: do you know any advertising agencies? Um? Not like, I

1354
01:21:24,600 --> 01:21:27,040
Speaker 1: don't have like good relationships with anybody I know of

1355
01:21:27,320 --> 01:21:32,120
Speaker 1: some are you looking for sponsorship? Well yeah, I always tied,

1356
01:21:33,000 --> 01:21:37,640
Speaker 1: But I think I have a lot of great laundry

1357
01:21:38,320 --> 01:21:42,040
Speaker 1: detergent commercial ideas. I'm sure you do. There was one

1358
01:21:42,479 --> 01:21:46,280
Speaker 1: commercial audition for it, actually for Tide. I didn't get it,

1359
01:21:46,320 --> 01:21:48,680
Speaker 1: but I auditioned for it, and it was like a

1360
01:21:48,760 --> 01:21:50,320
Speaker 1: mom role where you had to like be with a

1361
01:21:50,400 --> 01:21:54,960
Speaker 1: kid who was messy. And those auditions with other kids

1362
01:21:55,520 --> 01:21:58,720
Speaker 1: are always weird because you don't know the kid, but

1363
01:21:58,840 --> 01:22:00,840
Speaker 1: their mom is there and you're like trying to like

1364
01:22:01,920 --> 01:22:04,880
Speaker 1: convince them to chill out and be okay with this

1365
01:22:04,960 --> 01:22:08,519
Speaker 1: new adult in this very strange situation. Interesting, there was

1366
01:22:08,560 --> 01:22:09,880
Speaker 1: one I did for Loves where I had to hold

1367
01:22:09,880 --> 01:22:12,360
Speaker 1: a baby, and that was very strange and like a

1368
01:22:12,400 --> 01:22:14,760
Speaker 1: live baby. I had a hold of live baby, and

1369
01:22:14,800 --> 01:22:17,080
Speaker 1: they were like the casting people were asking me questions

1370
01:22:17,080 --> 01:22:20,040
Speaker 1: like do you like kids? Do you like being with kids?

1371
01:22:20,040 --> 01:22:22,200
Speaker 1: And I'm like holding it as far away as possible,

1372
01:22:22,240 --> 01:22:25,160
Speaker 1: like yeah, this is a blast for me, And it

1373
01:22:25,240 --> 01:22:29,440
Speaker 1: wasn't because it was wet. It was a very wet baby.

1374
01:22:30,040 --> 01:22:32,559
Speaker 1: One baby like kind of being passed around all day.

1375
01:22:32,920 --> 01:22:36,080
Speaker 1: I think they had multiple babies being passed around. I

1376
01:22:36,120 --> 01:22:39,640
Speaker 1: think that that baby maybe did a couple auditions and

1377
01:22:39,640 --> 01:22:41,920
Speaker 1: then they're like, okay, we get we get what that

1378
01:22:41,960 --> 01:22:43,960
Speaker 1: baby's deal is, and then they bring in another baby.

1379
01:22:44,360 --> 01:22:48,000
Speaker 1: Do you still have your sides? I don't know. That

1380
01:22:48,120 --> 01:22:52,840
Speaker 1: was a mental fun segment. Yeah. Sorry, it's like sort

1381
01:22:52,880 --> 01:22:56,040
Speaker 1: of living your dream. Yeah. I mean I've done other

1382
01:22:56,080 --> 01:22:59,760
Speaker 1: stuff since then. But I could be the baby. You

1383
01:23:00,040 --> 01:23:03,439
Speaker 1: hold me like a little baby. You're a little bigger

1384
01:23:03,439 --> 01:23:09,439
Speaker 1: than the baby. I could be a little baby. I

1385
01:23:09,560 --> 01:23:13,200
Speaker 1: need my laundry. The baby didn't have lines. It was

1386
01:23:13,280 --> 01:23:16,000
Speaker 1: just it was just the adult that had the line

1387
01:23:16,000 --> 01:23:19,599
Speaker 1: of the lines. So baby just sat there. I could coop,

1388
01:23:19,840 --> 01:23:24,439
Speaker 1: you could do you want to improve this? You're okay, yeah,

1389
01:23:24,520 --> 01:23:29,000
Speaker 1: let's do it. Wow. Did I get in your lap? No? No,

1390
01:23:29,120 --> 01:23:31,280
Speaker 1: you can say right there, okay, and we'll just pretend

1391
01:23:32,120 --> 01:23:36,040
Speaker 1: that you are in my lap. Okay, all right. As

1392
01:23:36,080 --> 01:23:38,799
Speaker 1: a busy mom, I don't have time to just clean

1393
01:23:38,880 --> 01:23:47,960
Speaker 1: up all the time when I'm on the go, when

1394
01:23:47,960 --> 01:23:51,360
Speaker 1: I'm on the go and my and my son's on

1395
01:23:51,400 --> 01:23:58,439
Speaker 1: the go. I use loves. Yeah, it seems great. That

1396
01:23:58,520 --> 01:24:02,040
Speaker 1: was really great. Good what do you use loves. What's

1397
01:24:02,120 --> 01:24:04,960
Speaker 1: love is the diaper company? Oh? I thought we were

1398
01:24:05,000 --> 01:24:07,600
Speaker 1: doing a laundry commercial. Oh, let's let's go back and

1399
01:24:07,640 --> 01:24:13,240
Speaker 1: do a commercially. I'm a busy mom and I don't

1400
01:24:13,280 --> 01:24:16,280
Speaker 1: have time to just run around pick up my kid's

1401
01:24:16,320 --> 01:24:23,320
Speaker 1: clothes all the time. As as you can see, little

1402
01:24:23,320 --> 01:24:27,800
Speaker 1: Harvard gets very upset often. So when I need to

1403
01:24:27,840 --> 01:24:36,080
Speaker 1: get my kid's clothes ready to go, there's a reason

1404
01:24:36,120 --> 01:24:39,960
Speaker 1: for this. Okay, I need to give my kids clothes

1405
01:24:39,960 --> 01:24:46,439
Speaker 1: ready to go. I used Tide. Oh see, look how

1406
01:24:46,479 --> 01:24:52,400
Speaker 1: happy is No, I'm using Tide Ti pud. Those were

1407
01:24:52,439 --> 01:24:59,320
Speaker 1: your first words, ti pud? Oh, don't eat it? Don't

1408
01:24:59,360 --> 01:25:06,920
Speaker 1: eat it? Sweet? M m hm. Wow that was great. Yeah.

1409
01:25:07,240 --> 01:25:09,200
Speaker 1: I wish there was a casting director here because that

1410
01:25:09,200 --> 01:25:12,080
Speaker 1: would have been amazing. Well, we could just said this,

1411
01:25:12,479 --> 01:25:17,080
Speaker 1: they do radio ads. This is true. Yeah, um, this

1412
01:25:17,120 --> 01:25:20,040
Speaker 1: could be on Spotify. Imagine if you don't have the

1413
01:25:20,040 --> 01:25:23,280
Speaker 1: Spotify premium and you're just kind of going through your

1414
01:25:23,320 --> 01:25:25,760
Speaker 1: day and then you hear that in between your you know,

1415
01:25:25,800 --> 01:25:30,120
Speaker 1: workout playlist or yeah, so exciting. It would be so exciting, like, Wow,

1416
01:25:30,200 --> 01:25:34,120
Speaker 1: maybe I should get tied. Is that this year? Is that?

1417
01:25:34,400 --> 01:25:40,880
Speaker 1: Brett Well They're Doing Well. One of two podcasts that

1418
01:25:40,920 --> 01:25:43,799
Speaker 1: Forever Dog, hosted by the prolific duo of Lindsay Kati

1419
01:25:43,880 --> 01:25:46,840
Speaker 1: and Kelly Nugent. Public Domain Theater started out as a

1420
01:25:46,880 --> 01:25:49,200
Speaker 1: bonus episode and has since grown into one of the

1421
01:25:49,240 --> 01:25:52,280
Speaker 1: most rewarding and binge able back catalogs in the comedy

1422
01:25:52,280 --> 01:25:55,840
Speaker 1: podcast universe. Public Domain Theater is like Master Best Theater

1423
01:25:56,000 --> 01:25:59,120
Speaker 1: meets Mystery Science Theater three thousand. Lindsey, Kelly and their

1424
01:25:59,160 --> 01:26:01,640
Speaker 1: guests read a classic or not so classic work of

1425
01:26:01,680 --> 01:26:05,440
Speaker 1: literature from the public domain and interrupted with hilarious commentary.

1426
01:26:05,560 --> 01:26:07,439
Speaker 1: If you're looking for an episode to start with, try

1427
01:26:07,560 --> 01:26:10,920
Speaker 1: Sherwood Anderson's The Egg with guest Riah Butcher, brand Stoker's

1428
01:26:10,920 --> 01:26:14,200
Speaker 1: The Dulatists with guest Mary Holland, named one of Indie

1429
01:26:14,200 --> 01:26:18,799
Speaker 1: Wire's best podcast episodes, Or Irving E. Cox's Love Story

1430
01:26:18,920 --> 01:26:22,120
Speaker 1: with guest Nick Wiger, which is where this clip comes from.

1431
01:26:22,400 --> 01:26:25,719
Speaker 1: True to Yourself. George found a strange comfort in the words,

1432
01:26:25,760 --> 01:26:28,640
Speaker 1: and his fear was gone. He squared his shoulders and

1433
01:26:28,640 --> 01:26:31,680
Speaker 1: faced the mouth of her gun. True to Yourself. That

1434
01:26:31,800 --> 01:26:34,880
Speaker 1: was something worth dying for. He saw a flicker of

1435
01:26:34,920 --> 01:26:38,599
Speaker 1: emotion in the old woman's eyes admiration. He couldn't be sure.

1436
01:26:38,920 --> 01:26:40,600
Speaker 1: For the moment, a shot rang out from the end

1437
01:26:40,640 --> 01:26:43,240
Speaker 1: of the corridor, and the top director fell back, nursing

1438
01:26:43,240 --> 01:26:47,759
Speaker 1: a hand suddenly bright with blood. Wait, what did somebody

1439
01:26:47,800 --> 01:26:59,559
Speaker 1: else shoot her? Rove roving band? Or is it Jenny? Oh? No, no, no, no,

1440
01:27:01,600 --> 01:27:09,800
Speaker 1: let him go. It was Jenny's voice, Jenny. She was

1441
01:27:09,840 --> 01:27:11,840
Speaker 1: sheltered by a partly opened door at the foot of

1442
01:27:11,880 --> 01:27:15,280
Speaker 1: the stairway. Don't be a fool, the old woman replied.

1443
01:27:15,600 --> 01:27:20,200
Speaker 1: He's seemed too much. It doesn't matter who would believe him.

1444
01:27:20,840 --> 01:27:25,920
Speaker 1: You're upset. You don't realize he's mine and I want him.

1445
01:27:25,960 --> 01:27:30,080
Speaker 1: The director will give you a refund of the purchase. Rice, God,

1446
01:27:30,439 --> 01:27:32,479
Speaker 1: you didn't understand me. I don't want one of your

1447
01:27:32,479 --> 01:27:35,559
Speaker 1: pretty automatons. Anybody can buy them for a few shares

1448
01:27:35,560 --> 01:27:40,000
Speaker 1: of stock. I want a man, a real man. I

1449
01:27:40,040 --> 01:27:47,519
Speaker 1: want to belong to him. He belongs to you. You

1450
01:27:47,600 --> 01:27:53,040
Speaker 1: bought him. No, no, and that's what's wrong. We really

1451
01:27:53,080 --> 01:28:00,679
Speaker 1: belong to each other. An old woman asked at George,

1452
01:28:00,680 --> 01:28:03,120
Speaker 1: and he saw the flame flicker of feeling in her

1453
01:28:03,120 --> 01:28:08,360
Speaker 1: eyes and tears, tears of regret. Why we have you outnumbered,

1454
01:28:08,360 --> 01:28:10,920
Speaker 1: the old woman said quietly to Jenny, I don't care.

1455
01:28:11,120 --> 01:28:13,280
Speaker 1: I have a gun. I'll use it as long as

1456
01:28:13,280 --> 01:28:16,800
Speaker 1: I'm able. The moral squad raised their weapons. The director

1457
01:28:16,880 --> 01:28:19,320
Speaker 1: shook her head imperiously, and they snapped to attention again.

1458
01:28:19,920 --> 01:28:22,000
Speaker 1: If you take him from us, she called out to Jenny,

1459
01:28:22,200 --> 01:28:24,639
Speaker 1: you'll be outlawed. We'll hunt you down if we can.

1460
01:28:25,240 --> 01:28:28,040
Speaker 1: I want him, Jenny persisted, I don't care about the

1461
01:28:28,080 --> 01:28:30,760
Speaker 1: rest of it. The old woman nodded at George. He

1462
01:28:30,800 --> 01:28:33,280
Speaker 1: couldn't believe that she meant it. The director was on

1463
01:28:33,320 --> 01:28:35,599
Speaker 1: her home ground, in her headquarters building, back by an

1464
01:28:35,680 --> 01:28:39,280
Speaker 1: arms squad of stone faced Amazons. She had no reason

1465
01:28:39,320 --> 01:28:42,160
Speaker 1: to let him go. She walked beside him as he

1466
01:28:42,200 --> 01:28:44,559
Speaker 1: moved down the hall. When they were when they were

1467
01:28:44,560 --> 01:28:47,200
Speaker 1: twenty ft from the guard, she closed her thin hand

1468
01:28:47,240 --> 01:28:50,680
Speaker 1: on his arm. Her eyes swam with tears, and she whispered,

1469
01:28:54,120 --> 01:28:56,960
Speaker 1: there truly is a love potion, not this nonsense we

1470
01:28:57,080 --> 01:29:00,400
Speaker 1: bottled here, but something real and very worthwhile. You and

1471
01:29:00,439 --> 01:29:02,600
Speaker 1: this girl have found it. I know that from the

1472
01:29:02,640 --> 01:29:05,920
Speaker 1: way she talks. She doesn't say anything about ownership, and

1473
01:29:05,960 --> 01:29:08,320
Speaker 1: that's as it should be, as it has to be

1474
01:29:08,439 --> 01:29:10,920
Speaker 1: for any of us to be happy. Hold tight to

1475
01:29:10,960 --> 01:29:13,400
Speaker 1: that all the rest of your life. Don't ever believe

1476
01:29:13,400 --> 01:29:16,400
Speaker 1: in words. Don't fall for any more love stories. Believe

1477
01:29:16,439 --> 01:29:19,280
Speaker 1: what you feel deep inside, what you know yourself to

1478
01:29:19,320 --> 01:29:22,160
Speaker 1: be true. You men who learned to break away, are

1479
01:29:22,200 --> 01:29:26,000
Speaker 1: our only hope to I'm sorry, who's talking right now?

1480
01:29:26,439 --> 01:29:28,360
Speaker 1: This is a little imperial. This is the old woman

1481
01:29:28,400 --> 01:29:31,960
Speaker 1: who's been shot. Why did she all? I don't know,

1482
01:29:32,040 --> 01:29:39,000
Speaker 1: she's flipped. Most of us don't see that yet. I do.

1483
01:29:39,320 --> 01:29:42,160
Speaker 1: I know what it used to be like. Someday there mate,

1484
01:29:42,200 --> 01:29:45,320
Speaker 1: which so she's like over ninety years old. Someday there

1485
01:29:45,320 --> 01:29:47,439
Speaker 1: may be enough men with a stamina to take back

1486
01:29:47,479 --> 01:29:50,920
Speaker 1: the place of dominance that we stole from them. We

1487
01:29:51,000 --> 01:29:53,479
Speaker 1: thought we wanted it for decades before. We had been

1488
01:29:53,560 --> 01:30:07,240
Speaker 1: screaming women's right. Oh, this is horrible, This is a nightmare.

1489
01:30:07,360 --> 01:30:13,240
Speaker 1: This is horrible, This is horrible. This at this story.

1490
01:30:14,200 --> 01:30:17,760
Speaker 1: Her thin lips twisted in the steer and she spattered, disgusted.

1491
01:30:18,160 --> 01:30:20,200
Speaker 1: Finally we took what we wanted, and it turned to

1492
01:30:20,240 --> 01:30:23,080
Speaker 1: ashes in our hands. We made our men play things,

1493
01:30:23,320 --> 01:30:26,599
Speaker 1: We made them slaves, and after that they weren't men anymore.

1494
01:30:27,000 --> 01:30:28,840
Speaker 1: But what we stole isn't the sort of thing you

1495
01:30:28,840 --> 01:30:31,160
Speaker 1: can hand back on a silver platter. Your shot. Why

1496
01:30:31,240 --> 01:30:34,479
Speaker 1: is she talking so long? I don't know, I am

1497
01:30:35,120 --> 01:30:38,720
Speaker 1: I hate this, but what we stole isn't the sort

1498
01:30:38,760 --> 01:30:40,719
Speaker 1: of thing you can hand back on a silver platter.

1499
01:30:41,240 --> 01:30:43,240
Speaker 1: You men have to get enough courage to take it

1500
01:30:43,280 --> 01:30:47,080
Speaker 1: away from us. God. Her grip tightened on his arm.

1501
01:30:47,640 --> 01:30:49,120
Speaker 1: There's a fire door at the end of the hall.

1502
01:30:49,160 --> 01:30:51,640
Speaker 1: If you push the emergency button, you'll close it. That

1503
01:30:51,680 --> 01:30:53,720
Speaker 1: will give you a five or ten minutes start. I

1504
01:30:53,760 --> 01:30:56,840
Speaker 1: can't help you anymore. They were abreast of Jenny. She

1505
01:30:56,920 --> 01:31:01,320
Speaker 1: sees Jenny's hand and thrust it into his. Beat it kids,

1506
01:31:00,479 --> 01:31:04,280
Speaker 1: there's a there's a bachelor camp on the north Ridge.

1507
01:31:04,800 --> 01:31:08,640
Speaker 1: You can make it and from here on in what

1508
01:31:08,800 --> 01:31:16,000
Speaker 1: he says goes The old woman added, are you kidding me?

1509
01:31:17,680 --> 01:31:25,440
Speaker 1: Don't forget it? One is fastest growing podcasts, an absolute

1510
01:31:25,439 --> 01:31:28,320
Speaker 1: phenomenon that's just getting started. Please enjoy the following clip

1511
01:31:28,360 --> 01:31:32,080
Speaker 1: from Race Chaser, an episode by episode discussion, dissection and

1512
01:31:32,120 --> 01:31:35,439
Speaker 1: dissemination of RuPaul's drag Race hosted by the franchise is

1513
01:31:35,600 --> 01:31:39,040
Speaker 1: Very Own Golden Child and Prodigal Son, Alaska, thunder Fuck

1514
01:31:39,080 --> 01:31:42,000
Speaker 1: and Willem and if you live in the Los Angeles area,

1515
01:31:42,120 --> 01:31:45,120
Speaker 1: do not miss Race Chaser's very first live show, taking

1516
01:31:45,160 --> 01:31:48,120
Speaker 1: place Friday, January eleven at the Theater at the Ace Hotel.

1517
01:31:48,400 --> 01:31:51,720
Speaker 1: Tickets on sale now at Race Chaser Tickets dot com.

1518
01:31:51,800 --> 01:31:54,320
Speaker 1: Um now for this challenge. For the first time, there's

1519
01:31:54,320 --> 01:31:57,920
Speaker 1: a live studio audience and a fake band. The band

1520
01:31:58,000 --> 01:31:59,800
Speaker 1: is lovely fake because you could tell it's the track.

1521
01:32:00,000 --> 01:32:04,559
Speaker 1: Then you're like big like nowadays, they would have the

1522
01:32:04,560 --> 01:32:08,519
Speaker 1: pit crew doing it and they're underway for sure. Yeah.

1523
01:32:08,600 --> 01:32:12,000
Speaker 1: It's very rocker. No shoes, no shoes, Yeah, for sure.

1524
01:32:12,160 --> 01:32:14,280
Speaker 1: I don't want to see a sock called go Go Boys.

1525
01:32:15,240 --> 01:32:17,800
Speaker 1: Go Go Boys. Please keep your socks on. The health

1526
01:32:17,920 --> 01:32:24,120
Speaker 1: departments coming by to light matching socks please tonight, No holes?

1527
01:32:24,920 --> 01:32:29,160
Speaker 1: What'd you say? Um? So, the girls, the basic rundown

1528
01:32:29,320 --> 01:32:32,280
Speaker 1: is I think from kind of like top to bottom.

1529
01:32:32,360 --> 01:32:38,120
Speaker 1: Jessica surprises and really delivers and is confident. Pandora's voice

1530
01:32:38,120 --> 01:32:41,040
Speaker 1: is kinda but like she's you know, doing her like

1531
01:32:41,439 --> 01:32:44,320
Speaker 1: rock moves. Yeah, hey, now you're an all star, get

1532
01:32:44,360 --> 01:32:49,200
Speaker 1: your game on. She looks kind of smash mouth, smash mouth,

1533
01:32:49,240 --> 01:32:54,200
Speaker 1: crimpy hair and like she's giving rocker and she's characterized.

1534
01:32:54,280 --> 01:32:58,280
Speaker 1: She's giving me Lindsay Lohan mall rocker from exactly. That

1535
01:32:58,320 --> 01:32:59,920
Speaker 1: hair could have been teased out, she could have had

1536
01:32:59,920 --> 01:33:03,360
Speaker 1: a couple of scabs, but you know she's clean, concise package.

1537
01:33:03,840 --> 01:33:06,519
Speaker 1: She demands innovation as she walks out and peels off

1538
01:33:06,600 --> 01:33:09,559
Speaker 1: one piece of sequin dot fabric. Honey, we've all done it.

1539
01:33:09,960 --> 01:33:14,200
Speaker 1: I've never demanded applause. I've never demanded, but I've done

1540
01:33:14,200 --> 01:33:21,679
Speaker 1: the sequin dot reveal. I know I've done shows you anyway,

1541
01:33:21,720 --> 01:33:24,799
Speaker 1: I'm not no one. No one sees this reveal coming.

1542
01:33:25,000 --> 01:33:30,000
Speaker 1: I'm wearing fabric. No one knows that I'm going to

1543
01:33:30,080 --> 01:33:33,120
Speaker 1: take this off, keeping this song for the whole show.

1544
01:33:36,120 --> 01:33:37,760
Speaker 1: I think any time that you have to go out

1545
01:33:37,800 --> 01:33:39,719
Speaker 1: for a challenge and you have to get an audience

1546
01:33:39,720 --> 01:33:43,200
Speaker 1: ready that like has been sitting come on, get yeah,

1547
01:33:43,200 --> 01:33:45,960
Speaker 1: I cut your hands, it's always like a risk because

1548
01:33:45,960 --> 01:33:48,920
Speaker 1: they could always just cut to the audience given newts. Yeah.

1549
01:33:49,360 --> 01:33:51,960
Speaker 1: Also keep in mind this audience has to watch how

1550
01:33:51,960 --> 01:33:58,200
Speaker 1: many queens sing the same exact song, uh six seven

1551
01:33:59,000 --> 01:34:02,519
Speaker 1: times in a row, which, Okay, it's gonna be hard

1552
01:34:02,560 --> 01:34:06,200
Speaker 1: to get that audience going for sure. Um Sahara actually

1553
01:34:06,240 --> 01:34:09,599
Speaker 1: forgets some of the lyrics, but Tatti adds her own,

1554
01:34:09,640 --> 01:34:11,719
Speaker 1: She gets some chant and t a t I bitch.

1555
01:34:11,800 --> 01:34:14,839
Speaker 1: Tati turns the party every time. She's a great performer.

1556
01:34:15,040 --> 01:34:18,200
Speaker 1: Raven two, Raven does really well, not surprisingly. And she's

1557
01:34:18,240 --> 01:34:21,120
Speaker 1: got a little something that for me is like a

1558
01:34:21,640 --> 01:34:25,080
Speaker 1: wet cotton ball pulling cart. There's just a thin strip

1559
01:34:25,120 --> 01:34:27,639
Speaker 1: of panty over a padded ass. And to me, that's

1560
01:34:27,680 --> 01:34:30,759
Speaker 1: just like, I don't know, it's just the padded patio

1561
01:34:30,960 --> 01:34:34,439
Speaker 1: as with a thong over It is a rare, thrilling moment.

1562
01:34:34,439 --> 01:34:39,800
Speaker 1: It's a very Inland Empire moment. Because the girls do it.

1563
01:34:40,160 --> 01:34:44,840
Speaker 1: Morgan does it, Raven does it. It doesn't to me

1564
01:34:45,040 --> 01:34:48,200
Speaker 1: resemble a real ass enough for it to be like,

1565
01:34:48,920 --> 01:34:51,320
Speaker 1: for it to have the impact that a thong is

1566
01:34:51,360 --> 01:34:53,559
Speaker 1: supposed to have. Yeah, I'm not saying put on depends,

1567
01:34:53,600 --> 01:34:55,639
Speaker 1: but put on a light panty French cut a brief

1568
01:34:56,600 --> 01:34:59,559
Speaker 1: you know, Yes, it draws attention to the wrong area.

1569
01:34:59,560 --> 01:35:03,920
Speaker 1: It's like, oh, okay, that's it's it's more for drag

1570
01:35:04,000 --> 01:35:07,160
Speaker 1: queens than it is for like the audience, because it

1571
01:35:07,200 --> 01:35:10,960
Speaker 1: doesn't it doesn't, I mean, and Raven like keeps turning

1572
01:35:11,000 --> 01:35:14,040
Speaker 1: around like showing her ass off, and it's like it's

1573
01:35:14,080 --> 01:35:17,599
Speaker 1: like like a um, like a loaf of bread with

1574
01:35:17,840 --> 01:35:23,720
Speaker 1: a piece of tape over. It doesn't resemble an ass

1575
01:35:24,000 --> 01:35:27,679
Speaker 1: and the scene from the Pantyhose is off center from Okay,

1576
01:35:27,680 --> 01:35:30,360
Speaker 1: I'm not gonna lock off points for that girl presentation.

1577
01:35:30,439 --> 01:35:34,000
Speaker 1: I'm going to lock off voice points presentation anyway. But

1578
01:35:34,200 --> 01:35:36,679
Speaker 1: she's fares well Ruth's living because she looks like Ruth's

1579
01:35:36,760 --> 01:35:39,720
Speaker 1: maybe stepdaughter. She has a tattoo of jinxmun Soon on

1580
01:35:39,760 --> 01:35:42,559
Speaker 1: her forearms and she looks like Terry Nun. She's selling it.

1581
01:35:42,600 --> 01:35:45,080
Speaker 1: They love it. She has Terry Nuns hair on, basically,

1582
01:35:45,640 --> 01:35:54,439
Speaker 1: and I believe that's an exposed course. That dum tyre

1583
01:35:56,040 --> 01:36:01,519
Speaker 1: I'll do it every um tire is dressed like Beyonce

1584
01:36:01,880 --> 01:36:04,759
Speaker 1: does rock. Basically, that wig has been around the world

1585
01:36:04,800 --> 01:36:09,240
Speaker 1: at this point, it has it has Michaels All Stars promo.

1586
01:36:09,320 --> 01:36:12,360
Speaker 1: Wig has been around the world for sure, and she's

1587
01:36:12,360 --> 01:36:17,840
Speaker 1: giving Beyonce choreography codeography. Um. She walks backwards like Beetlejuice

1588
01:36:17,880 --> 01:36:21,479
Speaker 1: at one point and says, I'm gonna do this if

1589
01:36:21,560 --> 01:36:25,280
Speaker 1: you are this is the case that the clothes there

1590
01:36:25,520 --> 01:36:30,040
Speaker 1: are taking over and it's especially for rock and roll.

1591
01:36:30,160 --> 01:36:33,679
Speaker 1: It's supposed to be about connection with this, the roll

1592
01:36:33,720 --> 01:36:37,960
Speaker 1: in the moment free, but she's like, I'm doing this

1593
01:36:38,000 --> 01:36:41,080
Speaker 1: thing with the coch and I'm not singing the words

1594
01:36:41,600 --> 01:36:44,599
Speaker 1: where they go at all. She was in her own

1595
01:36:44,680 --> 01:36:47,719
Speaker 1: she marched into her own band, and I was on

1596
01:36:47,479 --> 01:36:50,120
Speaker 1: a on a one person loop in her head. But

1597
01:36:50,280 --> 01:36:54,520
Speaker 1: she had immunity, so she was vulnerable. She made mistakes

1598
01:36:54,640 --> 01:36:57,880
Speaker 1: and she learned from it probably and she thanks yeah,

1599
01:36:57,960 --> 01:37:00,360
Speaker 1: and she's very thankful for it. I bet they vot

1600
01:37:00,400 --> 01:37:07,000
Speaker 1: your critique. Sketch comedy and podcasting are an absolute match

1601
01:37:07,040 --> 01:37:09,120
Speaker 1: made in heaven, and that's why we were very excited

1602
01:37:09,160 --> 01:37:11,920
Speaker 1: this year to produce John Milhiser and z Cut Singer's

1603
01:37:11,920 --> 01:37:15,280
Speaker 1: ten part series Radio Shorts, a collection of comedy sketches

1604
01:37:15,320 --> 01:37:17,600
Speaker 1: for your Ears, written and performed by over thirty of

1605
01:37:17,640 --> 01:37:20,479
Speaker 1: New York and l A's premier sketch comedians. One of

1606
01:37:20,479 --> 01:37:23,560
Speaker 1: our favorites was Starl Summers, a sketch about an unfortunate

1607
01:37:23,560 --> 01:37:26,799
Speaker 1: cruise ship entertainer, written by JESSEU Sparza and Cat Pillarti,

1608
01:37:27,160 --> 01:37:45,719
Speaker 1: performed by Capellarti and presented here in its entirety. Hello Lisen,

1609
01:37:45,800 --> 01:37:54,519
Speaker 1: Joe Hopey cruise ship to for Latin dev Hire Cruisian

1610
01:37:54,600 --> 01:37:57,880
Speaker 1: singeries Starl Summers and I've been seen on the stick

1611
01:37:57,960 --> 01:38:02,960
Speaker 1: for nine our Street no rakes, and my skin is

1612
01:38:03,120 --> 01:38:11,679
Speaker 1: literally burning off my body. This gut is a fire. Now,

1613
01:38:11,800 --> 01:38:15,080
Speaker 1: Corey Glamor, if you're out there, please come and relieve me.

1614
01:38:18,080 --> 01:38:22,960
Speaker 1: She's got hid in the class. She's putting it down.

1615
01:38:24,000 --> 01:38:29,920
Speaker 1: This girl, John, I'm talking about me. I am on fire.

1616
01:38:30,120 --> 01:38:34,080
Speaker 1: This is a crow, but never about me. Does anyone

1617
01:38:34,120 --> 01:38:40,400
Speaker 1: in the audience have any sunscreen, blankets, hats, one hat?

1618
01:38:40,520 --> 01:38:45,880
Speaker 1: Anybody with a hat, I'll come to you. Yeah. Oh,

1619
01:38:46,120 --> 01:38:51,679
Speaker 1: mama's got a brand new hat. Off off. Oh everything

1620
01:38:51,760 --> 01:38:54,880
Speaker 1: hurts to the touch. Jesus, I can't wear a hat,

1621
01:38:55,000 --> 01:39:00,840
Speaker 1: all right? Never mind? That is the most pain, this campustion.

1622
01:39:02,000 --> 01:39:04,760
Speaker 1: What do you get what I'm doing? How are you

1623
01:39:04,800 --> 01:39:09,960
Speaker 1: guys enjoying the coolsh Now, let's not forget the s

1624
01:39:10,120 --> 01:39:14,439
Speaker 1: S Infinity is your destination cruise ship and ranked in

1625
01:39:14,479 --> 01:39:18,080
Speaker 1: the top five shimp a face in the Western Hemisphere

1626
01:39:18,320 --> 01:39:23,519
Speaker 1: for a cruise ship. Thank you time. Yeah, I'm gonna

1627
01:39:23,560 --> 01:39:30,160
Speaker 1: sit down because baby, I'm feeling dizzy. Ye, how did

1628
01:39:30,200 --> 01:39:37,840
Speaker 1: my asshole oh no, no, no, no, oh, how about

1629
01:39:37,840 --> 01:39:41,640
Speaker 1: a joke. Here we go. If I don't die of

1630
01:39:41,680 --> 01:39:47,479
Speaker 1: an intense sunburn today, I will definitely develop a no noma.

1631
01:39:48,600 --> 01:39:51,840
Speaker 1: Are at the very least based self carstonoma? A skin

1632
01:39:51,960 --> 01:39:55,320
Speaker 1: cancer NS in my family? Who wants a conga line?

1633
01:39:58,800 --> 01:40:01,960
Speaker 1: I gonna take them out of a minute, guy, little

1634
01:40:03,600 --> 01:40:06,720
Speaker 1: you share? Come on up, Yeah, let's start a conkline.

1635
01:40:07,040 --> 01:40:20,559
Speaker 1: Hands right on the shoulders there. Oh, I should get

1636
01:40:20,600 --> 01:40:28,160
Speaker 1: the funk. Who the fuck? Yeah, we're back. You know

1637
01:40:28,240 --> 01:40:30,439
Speaker 1: what it is. It's like I woke up in the

1638
01:40:30,479 --> 01:40:37,120
Speaker 1: middle of surgery. Good Field, all the pain. Good enough

1639
01:40:37,160 --> 01:40:41,320
Speaker 1: about me? I hear we have a corporate team from you.

1640
01:40:42,320 --> 01:40:47,280
Speaker 1: I'm on board today. Can give me a Hey Star Star? Yeah?

1641
01:40:47,600 --> 01:40:49,640
Speaker 1: We get the bucking families from the back hills of

1642
01:40:49,680 --> 01:40:54,559
Speaker 1: George and Dick. Can I get a Hey Stara? Now?

1643
01:40:54,640 --> 01:40:57,080
Speaker 1: Are there any doctors or nurses on board? Because I'm

1644
01:40:57,760 --> 01:41:00,400
Speaker 1: I'm pretty deep in hate struck here. I'm smelling food, Jose,

1645
01:41:00,560 --> 01:41:05,280
Speaker 1: Come on, doctor, doctor, give me the news. I got

1646
01:41:05,400 --> 01:41:08,320
Speaker 1: a bad case of love and you come a bad

1647
01:41:08,400 --> 01:41:11,800
Speaker 1: case of skin peeling right off my body here. Oh,

1648
01:41:14,680 --> 01:41:22,000
Speaker 1: I'm feeling kind of shaky here. I don't know which

1649
01:41:22,040 --> 01:41:26,840
Speaker 1: time I have here. But more importantly, we have some

1650
01:41:27,280 --> 01:41:30,160
Speaker 1: newly whats one part today speak to you. We got

1651
01:41:30,240 --> 01:41:34,880
Speaker 1: some lily wets. No, welcome to you, Diane. This goes

1652
01:41:34,960 --> 01:41:38,400
Speaker 1: out to you from Richard. Just gonna walk from off

1653
01:41:38,439 --> 01:41:42,760
Speaker 1: the stage here. That is a drop, a free fun

1654
01:41:42,880 --> 01:41:49,760
Speaker 1: drop dumb on the left of the stage. Ok, it's

1655
01:41:49,840 --> 01:41:52,960
Speaker 1: fall away. You look at me. Oh he's falling. Only

1656
01:41:53,080 --> 01:41:57,479
Speaker 1: what I'm so sad? I thought I would be with

1657
01:41:57,640 --> 01:42:19,200
Speaker 1: my family when I died. Happy marriage, good, It's just dead.

1658
01:42:20,240 --> 01:42:25,200
Speaker 1: Next up is Relatively Healthy, Jenny Stoler's podcast about health, sex, wellness, dating,

1659
01:42:25,280 --> 01:42:28,160
Speaker 1: and self care. This year, Janey has conducted some of

1660
01:42:28,240 --> 01:42:30,800
Speaker 1: the most honest and revealing interviews that you will ever

1661
01:42:30,880 --> 01:42:34,320
Speaker 1: hear on a comedy podcast, covering topics such as breast cancer,

1662
01:42:34,479 --> 01:42:40,240
Speaker 1: body acceptance, grief, plastic surgery, polyamory, addiction, heart transplants, mental illness,

1663
01:42:40,400 --> 01:42:43,559
Speaker 1: and menstrual products. Definitely, one of the highlights of Relatively

1664
01:42:43,600 --> 01:42:46,679
Speaker 1: Healthy this year was Janey's two part series on abortion,

1665
01:42:47,000 --> 01:42:51,000
Speaker 1: which included this clip with guest Kim Callish. When you're

1666
01:42:51,360 --> 01:42:54,639
Speaker 1: trying to defend abortion, you try to make it seem

1667
01:42:54,680 --> 01:42:56,040
Speaker 1: like it's not that big of a deal. So it

1668
01:42:56,120 --> 01:42:59,280
Speaker 1: doesn't feel scary, and that's fair and that's fine. But

1669
01:43:00,240 --> 01:43:02,640
Speaker 1: for me, I got lost in it because all I

1670
01:43:02,800 --> 01:43:05,559
Speaker 1: was hearing from people who are pro choices like it's fine,

1671
01:43:05,640 --> 01:43:09,160
Speaker 1: it doesn't matter, is fine. I don't regret it. And

1672
01:43:09,640 --> 01:43:13,960
Speaker 1: you know, I'm two years out, and that first do

1673
01:43:14,160 --> 01:43:16,760
Speaker 1: date that came through, I was a mess over. I

1674
01:43:16,840 --> 01:43:18,800
Speaker 1: had to go take a hike up a mountain with

1675
01:43:18,960 --> 01:43:21,040
Speaker 1: my dog and I just left for the day and

1676
01:43:21,080 --> 01:43:22,640
Speaker 1: I was like, peace out, I need to go do this.

1677
01:43:23,360 --> 01:43:26,599
Speaker 1: And sometimes I still do the math of how old

1678
01:43:26,680 --> 01:43:30,439
Speaker 1: that kid would be if I had kept if I

1679
01:43:30,479 --> 01:43:33,200
Speaker 1: had kept it, and I and I go through it,

1680
01:43:33,960 --> 01:43:37,040
Speaker 1: and I still think about it, and I never questioned

1681
01:43:37,080 --> 01:43:39,680
Speaker 1: my decision, but I always think what if I had

1682
01:43:39,760 --> 01:43:42,519
Speaker 1: made a different decision. So in the in the battle

1683
01:43:42,560 --> 01:43:45,800
Speaker 1: of abortion, that seems to get really lost, and I

1684
01:43:46,000 --> 01:43:48,640
Speaker 1: just wish. I know, there's gotta be more women than

1685
01:43:48,800 --> 01:43:50,800
Speaker 1: just me thinking about it, so and I would think

1686
01:43:50,840 --> 01:43:54,200
Speaker 1: that I'm probably in the majority. It's just that there's

1687
01:43:54,240 --> 01:43:56,439
Speaker 1: such a shame because we all live in the shadows

1688
01:43:56,720 --> 01:43:58,479
Speaker 1: that we don't know how to talk about it, you know,

1689
01:43:58,920 --> 01:44:01,720
Speaker 1: and we're scared of pissing people off. Too, I think

1690
01:44:01,720 --> 01:44:04,400
Speaker 1: a lot of the time. I mean, there's also what

1691
01:44:04,520 --> 01:44:06,920
Speaker 1: you're saying is interesting because if there's a pressure to scream,

1692
01:44:07,680 --> 01:44:09,800
Speaker 1: you know, and some people they're just naturally wired like

1693
01:44:09,880 --> 01:44:11,639
Speaker 1: this or they feel this way, they want to scream

1694
01:44:11,640 --> 01:44:13,000
Speaker 1: about it. They love it, it's the best thing that

1695
01:44:13,040 --> 01:44:17,280
Speaker 1: they ever did, no complicated feelings. But if we also

1696
01:44:17,479 --> 01:44:21,439
Speaker 1: want to talk to people who don't necessarily understand it,

1697
01:44:22,040 --> 01:44:25,800
Speaker 1: sometimes like we're all having different conversations, Like there's just

1698
01:44:26,560 --> 01:44:28,840
Speaker 1: not people who are a pro choice and anti choice

1699
01:44:28,840 --> 01:44:30,840
Speaker 1: sometimes are just not time of the same thing, Like

1700
01:44:30,920 --> 01:44:33,719
Speaker 1: they're not talking about the same experience, the same type

1701
01:44:33,720 --> 01:44:39,400
Speaker 1: of story. So by being able to fill in those

1702
01:44:39,439 --> 01:44:42,360
Speaker 1: blanks with all the stories as many as possible actual experiences,

1703
01:44:42,439 --> 01:44:46,000
Speaker 1: I feel like that does a lot of service to you.

1704
01:44:46,080 --> 01:44:49,720
Speaker 1: Don't just like undo some of those huge divides. Yeah,

1705
01:44:49,800 --> 01:44:52,519
Speaker 1: I would agree with that. I also think that society

1706
01:44:52,760 --> 01:44:56,639
Speaker 1: at whole as whole, but also women, we hold women

1707
01:44:56,760 --> 01:45:00,840
Speaker 1: up to such a high moral standard that's much higher

1708
01:45:00,880 --> 01:45:04,880
Speaker 1: than men. We can't mess up and so, and we

1709
01:45:05,000 --> 01:45:09,599
Speaker 1: represent all women. One thing you do means everything for everybody, right,

1710
01:45:09,840 --> 01:45:12,599
Speaker 1: So you tend to get the extremes on both sides

1711
01:45:12,720 --> 01:45:16,240
Speaker 1: and you just lose nuance. And I don't know one

1712
01:45:16,360 --> 01:45:19,360
Speaker 1: topic or conversation in this world that doesn't have nuance,

1713
01:45:19,520 --> 01:45:23,000
Speaker 1: you know, And I just I don't know. Yeah, I

1714
01:45:23,320 --> 01:45:25,479
Speaker 1: don't think I'll ever be the person that's screaming at

1715
01:45:25,479 --> 01:45:27,080
Speaker 1: the top of my lungs that I've had an abortion,

1716
01:45:27,640 --> 01:45:29,720
Speaker 1: but like I'll sit down and talk to anybody who

1717
01:45:29,760 --> 01:45:32,200
Speaker 1: will have it, you know. And I just feel like

1718
01:45:32,439 --> 01:45:35,160
Speaker 1: there's a huge majority in there that we just don't

1719
01:45:35,200 --> 01:45:37,360
Speaker 1: get talked about all that much. Yeah, and then that

1720
01:45:37,520 --> 01:45:41,080
Speaker 1: just keeps propelling the stigma forward because then it's shut out.

1721
01:45:41,160 --> 01:45:43,919
Speaker 1: And then if the one in three wear their voices.

1722
01:45:44,040 --> 01:45:46,120
Speaker 1: So I'm not going to add myne right, We'll also

1723
01:45:46,160 --> 01:45:47,960
Speaker 1: take it from a if you take it from a

1724
01:45:48,040 --> 01:45:52,040
Speaker 1: pro life stance. If all you see are women screaming

1725
01:45:52,080 --> 01:45:55,160
Speaker 1: about the how they don't care but you believe that

1726
01:45:55,320 --> 01:45:59,479
Speaker 1: life begins at conception, I totally understand why you think

1727
01:45:59,560 --> 01:46:02,120
Speaker 1: they were crazy. You think they're screaming how proudly are

1728
01:46:02,160 --> 01:46:05,439
Speaker 1: to kill a baby? Right, and so you lack the

1729
01:46:05,520 --> 01:46:08,599
Speaker 1: ability to ever have a conversation with them. If there

1730
01:46:08,760 --> 01:46:11,280
Speaker 1: isn't a group of people saying no, hang on, hang on,

1731
01:46:11,560 --> 01:46:13,880
Speaker 1: I do believe I had a baby and I had

1732
01:46:13,960 --> 01:46:16,160
Speaker 1: to make this horrific choice and it was rough, but

1733
01:46:16,800 --> 01:46:19,519
Speaker 1: I had to make this choice, and I can't make

1734
01:46:19,560 --> 01:46:21,120
Speaker 1: that the choice for you, and you can't make that

1735
01:46:21,240 --> 01:46:25,160
Speaker 1: choice for me. There are few podcasts that make better

1736
01:46:25,320 --> 01:46:28,080
Speaker 1: use of sound and atmosphere than the Very Cool, Very

1737
01:46:28,120 --> 01:46:32,280
Speaker 1: Trippy Sassy Tarot, hosted by Veronica so Orio. Described as

1738
01:46:32,320 --> 01:46:35,040
Speaker 1: an audio journey through the world of the Taro, Veronica

1739
01:46:35,160 --> 01:46:38,439
Speaker 1: provides interactive readings, explains the meaning of the cards and

1740
01:46:38,479 --> 01:46:41,719
Speaker 1: how to interpret them, shares unforgettable stories from her life,

1741
01:46:42,120 --> 01:46:45,040
Speaker 1: and brings on guests for live readings, and all the

1742
01:46:45,080 --> 01:46:48,519
Speaker 1: while she's accompanied by a live improvised soundtrack courtesy of

1743
01:46:48,680 --> 01:46:52,599
Speaker 1: musician Peter Mark Kendall. Sassy Tarot is a truly unique

1744
01:46:52,640 --> 01:46:56,320
Speaker 1: listening experience. Just listen to this clip featuring Beyond's very

1745
01:46:56,360 --> 01:47:01,280
Speaker 1: own Mike Kelton. My Angel experiences have been I don't

1746
01:47:01,320 --> 01:47:05,080
Speaker 1: know a lot I got. I had a terrible I

1747
01:47:05,200 --> 01:47:08,200
Speaker 1: was going to do this work. I was hired as

1748
01:47:08,200 --> 01:47:13,160
Speaker 1: an actress for this high level thing, and UM I

1749
01:47:13,280 --> 01:47:16,479
Speaker 1: had a terrible, random, like out of nowhere fight with

1750
01:47:16,560 --> 01:47:20,040
Speaker 1: the producer I have never fought in my life. I'm

1751
01:47:20,560 --> 01:47:25,600
Speaker 1: so against I don't know myself either. I know that

1752
01:47:25,760 --> 01:47:28,439
Speaker 1: I get upset about it. Conflict makes me very stressed.

1753
01:47:28,720 --> 01:47:32,240
Speaker 1: I will say things frontally, but I don't know how

1754
01:47:32,320 --> 01:47:36,280
Speaker 1: that escalated. So and it turned into some mostly it

1755
01:47:36,360 --> 01:47:39,920
Speaker 1: was me in a corner being like defending myself, and

1756
01:47:41,360 --> 01:47:43,240
Speaker 1: so I felt like a cage animal. And that has

1757
01:47:43,280 --> 01:47:46,360
Speaker 1: never happened in my life. And I left very like

1758
01:47:46,680 --> 01:47:50,880
Speaker 1: thank you, I love, very like shaky, and was like funk.

1759
01:47:50,960 --> 01:47:54,040
Speaker 1: That has never happened. Like I try to like look

1760
01:47:54,120 --> 01:47:58,560
Speaker 1: back and regret it, regret having reacted or said or

1761
01:47:59,000 --> 01:48:01,280
Speaker 1: and I couldn't regret really anything. So I was kind

1762
01:48:01,280 --> 01:48:05,360
Speaker 1: of calmed that way, like I don't think there's one

1763
01:48:05,400 --> 01:48:10,400
Speaker 1: thing that I could have done differently, frankly, honestly, but

1764
01:48:10,520 --> 01:48:13,120
Speaker 1: I don't even regret it, and not in a bad way,

1765
01:48:13,200 --> 01:48:15,160
Speaker 1: like I wish maybe it wouldn't have gone that way,

1766
01:48:15,200 --> 01:48:17,960
Speaker 1: but I don't regret it. But I couldn't get this

1767
01:48:18,040 --> 01:48:23,080
Speaker 1: like terrible yucky post fight like doom, you know, like

1768
01:48:23,280 --> 01:48:26,360
Speaker 1: this like darkness and yeah, your hearts. So I went

1769
01:48:26,479 --> 01:48:28,840
Speaker 1: two days later to get a raky session because I

1770
01:48:28,880 --> 01:48:32,479
Speaker 1: wanted to clear that energy and also I was frankly

1771
01:48:32,720 --> 01:48:34,919
Speaker 1: losing my mind. I felt like they put like energetic

1772
01:48:35,080 --> 01:48:37,759
Speaker 1: like grips on me or something. Yeah, that can happen.

1773
01:48:37,880 --> 01:48:40,639
Speaker 1: It can stick to you for sure. If someone gets

1774
01:48:40,720 --> 01:48:44,000
Speaker 1: to you, if they managed to lower your vibration, you're

1775
01:48:45,400 --> 01:48:48,960
Speaker 1: they get you in a bad place emotionally. I've heard

1776
01:48:49,800 --> 01:48:54,360
Speaker 1: it's easier to to get it to attack you. Uh.

1777
01:48:54,680 --> 01:48:58,360
Speaker 1: And I have a little story about that. Um two

1778
01:48:58,439 --> 01:49:06,920
Speaker 1: petty petty petty story. I love Carol. So I went

1779
01:49:07,000 --> 01:49:10,040
Speaker 1: to get the Reiky session and I'm just like laying

1780
01:49:10,080 --> 01:49:12,400
Speaker 1: there and she's doing her thing. But one of the

1781
01:49:12,439 --> 01:49:15,719
Speaker 1: images that I had, it was so heavy, so strong.

1782
01:49:17,439 --> 01:49:20,360
Speaker 1: Before my accident, I prayed to Michael. I was like,

1783
01:49:20,439 --> 01:49:23,320
Speaker 1: please Michael, because that's my no, no, my Italian grandpa,

1784
01:49:23,479 --> 01:49:26,479
Speaker 1: that's this angel. And like we just we all prayed

1785
01:49:26,520 --> 01:49:29,719
Speaker 1: to Michael. Not pray too, but ask. So Duran Virtue

1786
01:49:29,760 --> 01:49:31,760
Speaker 1: is the one who taught me like when you want

1787
01:49:31,840 --> 01:49:35,560
Speaker 1: help outside help, you need to ask. Yeah, you have

1788
01:49:35,720 --> 01:49:38,720
Speaker 1: to communicate with your masters or whatever. Because free will

1789
01:49:38,880 --> 01:49:43,160
Speaker 1: is so free will. You're going about your left and

1790
01:49:43,200 --> 01:49:44,360
Speaker 1: then you're like I don't know what to do with this.

1791
01:49:44,400 --> 01:49:45,680
Speaker 1: I don't know what to do with this. Instead of

1792
01:49:45,800 --> 01:49:50,080
Speaker 1: using your brain, like that you can just go anyone

1793
01:49:50,120 --> 01:49:53,439
Speaker 1: who's qualified to help me with this, any idea, any thought,

1794
01:49:53,640 --> 01:49:56,080
Speaker 1: any person, please send it my way because I need

1795
01:49:56,200 --> 01:50:00,040
Speaker 1: this help. And then you at least are open in

1796
01:50:00,240 --> 01:50:04,479
Speaker 1: your brain to receive a solution versus just like staying

1797
01:50:04,600 --> 01:50:07,360
Speaker 1: in the asking place. If you stay in the negativity

1798
01:50:07,400 --> 01:50:09,840
Speaker 1: of it, yes, you kind of like tear yourself apart

1799
01:50:10,160 --> 01:50:13,439
Speaker 1: because you're not even actively looking for a solution. While

1800
01:50:13,479 --> 01:50:15,879
Speaker 1: when you ask, even if you don't believe in angels,

1801
01:50:16,080 --> 01:50:18,439
Speaker 1: you're asking, so you're putting your mind already in that

1802
01:50:18,800 --> 01:50:21,240
Speaker 1: In that position, it's literally the idea of like asking

1803
01:50:21,280 --> 01:50:23,320
Speaker 1: for help when you need it, and people will help

1804
01:50:23,360 --> 01:50:25,640
Speaker 1: you if you ask. Yes. So this is like a

1805
01:50:25,720 --> 01:50:29,559
Speaker 1: mental exercise to be like asked, the energy is available

1806
01:50:29,680 --> 01:50:32,640
Speaker 1: to please come to you and help you. So I

1807
01:50:32,760 --> 01:50:36,160
Speaker 1: do that. With the accident, I barely like I scratched

1808
01:50:36,200 --> 01:50:40,040
Speaker 1: myself basically even though it was hard. When the reggae

1809
01:50:40,080 --> 01:50:42,400
Speaker 1: session was happening, I closed my eyes well um, and

1810
01:50:42,479 --> 01:50:47,000
Speaker 1: then two huge muscular legs came out from inside of

1811
01:50:47,080 --> 01:50:50,640
Speaker 1: mine and then they were so so so so so

1812
01:50:50,880 --> 01:50:54,840
Speaker 1: long that I got lifted from earth like literally saw

1813
01:50:54,920 --> 01:51:01,560
Speaker 1: the earth like becoming them, and so you visualized to

1814
01:51:01,760 --> 01:51:05,960
Speaker 1: like big muscular did this image. It's like when when

1815
01:51:06,000 --> 01:51:08,160
Speaker 1: you were between a sleep in a way that a

1816
01:51:08,240 --> 01:51:12,600
Speaker 1: bunch of images just come and they're not yours, but

1817
01:51:12,680 --> 01:51:17,280
Speaker 1: they're not a dream. That that stage she was doing

1818
01:51:17,400 --> 01:51:21,479
Speaker 1: riky and I was like having random images and kind

1819
01:51:21,520 --> 01:51:25,120
Speaker 1: of thoughts because I'm still kind of conscious. And then

1820
01:51:25,160 --> 01:51:30,639
Speaker 1: two huge, muscular, super great big legs grow from inside

1821
01:51:30,680 --> 01:51:34,200
Speaker 1: of mine, but they were like energetic legs. They lift

1822
01:51:34,280 --> 01:51:37,880
Speaker 1: me from the earth. And then I looked back and

1823
01:51:38,080 --> 01:51:46,960
Speaker 1: there's uh six ft long wings, gigantic just the I

1824
01:51:47,040 --> 01:51:49,280
Speaker 1: knew it was Michael, and I knew he grew from

1825
01:51:49,400 --> 01:51:52,080
Speaker 1: inside of me so as to say like you're protected

1826
01:51:52,160 --> 01:51:56,040
Speaker 1: from inside out, lifted me from the earth and then

1827
01:51:56,800 --> 01:52:01,479
Speaker 1: walked with his two it was milky white with like

1828
01:52:01,640 --> 01:52:07,519
Speaker 1: a blue energy lining or something. Walked me from where

1829
01:52:07,560 --> 01:52:10,720
Speaker 1: I was on earth too a few steps, and then

1830
01:52:10,840 --> 01:52:15,120
Speaker 1: he slowly put me down and then I landed in

1831
01:52:15,200 --> 01:52:18,920
Speaker 1: a different place, and then more images came like that

1832
01:52:19,080 --> 01:52:22,360
Speaker 1: image went and then I realized. I was like, oh,

1833
01:52:22,960 --> 01:52:25,360
Speaker 1: I woke up. And then I told this girl who

1834
01:52:25,479 --> 01:52:26,880
Speaker 1: was even ricky to me, and she was like, oh,

1835
01:52:26,920 --> 01:52:28,320
Speaker 1: that was Michael, and I was like yeah, that's what

1836
01:52:28,400 --> 01:52:30,560
Speaker 1: I thought. She knew it was Michael. Yeah, she was like,

1837
01:52:30,720 --> 01:52:32,800
Speaker 1: this is Michael, and I was like, okay, yeah it

1838
01:52:32,920 --> 01:52:36,679
Speaker 1: was Michael. Oh my god, this story. I know, it's crazy,

1839
01:52:36,800 --> 01:52:40,600
Speaker 1: I don't. I mean, it is a bold move to

1840
01:52:40,680 --> 01:52:43,160
Speaker 1: introduce yourself to the world as the sister podcast of

1841
01:52:43,280 --> 01:52:46,080
Speaker 1: Lost Culture Rista's, But that is exactly what Katherine Cohen

1842
01:52:46,160 --> 01:52:49,080
Speaker 1: and Pat Regan did this year with their podcast Seek Treatment,

1843
01:52:49,320 --> 01:52:51,280
Speaker 1: and over the course of twenty plus episodes, they have

1844
01:52:51,400 --> 01:52:54,280
Speaker 1: proven themselves more than worthy of that title. In fact,

1845
01:52:54,360 --> 01:52:57,600
Speaker 1: Seek Treatment and Lost Culturesta's were just named Best Extended

1846
01:52:57,640 --> 01:53:01,240
Speaker 1: Podcast Universe by Vulture. Wow. I didn't know that was

1847
01:53:01,280 --> 01:53:03,880
Speaker 1: an award. Each week, Cat and Pat invite on a

1848
01:53:03,960 --> 01:53:07,719
Speaker 1: guest to have a fun, flirty conversation about boys, sex, fucking, dating,

1849
01:53:07,800 --> 01:53:10,519
Speaker 1: and love, and the proof is in the goddamn putting people.

1850
01:53:10,640 --> 01:53:13,240
Speaker 1: Please enjoy this clip from the episode Sucking a Dick

1851
01:53:13,400 --> 01:53:16,160
Speaker 1: is My Wedding with guest Amy Sullivan. I'm going through

1852
01:53:16,160 --> 01:53:17,760
Speaker 1: a lot of changes right now. I really feel like

1853
01:53:17,760 --> 01:53:19,400
Speaker 1: I'm growing right now. I think I'm growing right now.

1854
01:53:19,520 --> 01:53:21,040
Speaker 1: Oh good. I think I'm in this place where I'm

1855
01:53:21,040 --> 01:53:22,560
Speaker 1: getting things that I want and I think in like

1856
01:53:22,640 --> 01:53:24,760
Speaker 1: three years, I'll have everything I ever wanted. What I'm

1857
01:53:24,840 --> 01:53:26,840
Speaker 1: scared of is as I'm like getting closer to the

1858
01:53:26,880 --> 01:53:29,639
Speaker 1: things they want, I'm realizing it not I I'm seeing

1859
01:53:29,680 --> 01:53:31,720
Speaker 1: it not make me happy, and I'm like, oh my god,

1860
01:53:31,800 --> 01:53:33,800
Speaker 1: this Jack and I've been chasing for a decade is

1861
01:53:33,880 --> 01:53:39,439
Speaker 1: going to be a um golden calf and I will

1862
01:53:39,520 --> 01:53:42,080
Speaker 1: never be happy. I feel like my life is so

1863
01:53:42,280 --> 01:53:44,280
Speaker 1: perfect right now and everything good is happening. I need

1864
01:53:44,320 --> 01:53:46,080
Speaker 1: to just enjoy it instead of being anxious all the time.

1865
01:53:46,400 --> 01:53:50,439
Speaker 1: I do feel like you have to. I don't know,

1866
01:53:50,560 --> 01:53:52,000
Speaker 1: I don't quite know how to do it, but like

1867
01:53:52,439 --> 01:53:54,640
Speaker 1: you're performing. I was thinking about last night with you

1868
01:53:54,760 --> 01:53:57,280
Speaker 1: performing at Joe's Pub, like a literal thing you dreamed

1869
01:53:57,360 --> 01:54:00,040
Speaker 1: of in high school? Like how do we stop and

1870
01:54:00,160 --> 01:54:03,479
Speaker 1: be like holy shit? Even some for me, something as

1871
01:54:03,479 --> 01:54:05,240
Speaker 1: simple as like when I suck a deck, I'm like,

1872
01:54:05,320 --> 01:54:08,120
Speaker 1: I used to always want to suck a deck. Absolutely,

1873
01:54:12,400 --> 01:54:14,559
Speaker 1: I was like twenty three. I would remember being twenty

1874
01:54:14,600 --> 01:54:15,840
Speaker 1: three and like having a dream that I took the

1875
01:54:15,920 --> 01:54:17,160
Speaker 1: deck and I was still closeted, and I was like,

1876
01:54:17,320 --> 01:54:19,639
Speaker 1: I wonderful. Ever in my whole life stuck a day

1877
01:54:20,360 --> 01:54:22,879
Speaker 1: even in something as simple sucking, you should be celebrating.

1878
01:54:22,880 --> 01:54:27,040
Speaker 1: The second dick is my Joe's pup show. You're just

1879
01:54:27,280 --> 01:54:30,280
Speaker 1: pub show at the Duke play. I just I just

1880
01:54:30,320 --> 01:54:32,720
Speaker 1: popped shout the Dukes where ticket link is now available

1881
01:54:32,800 --> 01:54:39,440
Speaker 1: this this podcast will come out to day and Joe's

1882
01:54:39,440 --> 01:54:41,560
Speaker 1: pub show is Katherine's wedding. So if I transit the

1883
01:54:41,600 --> 01:54:45,240
Speaker 1: property stuck in your dick is my wedding, se me

1884
01:54:45,320 --> 01:54:48,280
Speaker 1: seking dicks wedding. I'm obsessed with the transident property and

1885
01:54:48,560 --> 01:54:55,240
Speaker 1: pub is my wedding. Now listen. The second podcast in

1886
01:54:55,280 --> 01:54:58,040
Speaker 1: this episode, hosted by Lindsay Kati and Kelly Nugent, is

1887
01:54:58,080 --> 01:55:01,360
Speaker 1: the absolutely beloved teen Creeps, a weekly book club of

1888
01:55:01,400 --> 01:55:04,280
Speaker 1: why pulp fiction from the eighties and nineties, which joined

1889
01:55:04,280 --> 01:55:07,280
Speaker 1: Forever Dog at the beginning of and proceeded to rip

1890
01:55:07,360 --> 01:55:10,320
Speaker 1: through an incredible run of episodes, tackling titles such as

1891
01:55:10,480 --> 01:55:14,280
Speaker 1: Arlstein's The prom Queen, Christopher Pike's Starlight Crystal, and L. J.

1892
01:55:14,440 --> 01:55:18,120
Speaker 1: Smith's Daughters of Darkness. Named one of the best podcasts

1893
01:55:18,960 --> 01:55:22,160
Speaker 1: by Cosmopolitan, teen Creeps is quote the book club you

1894
01:55:22,280 --> 01:55:24,760
Speaker 1: wish you had when you were young, except it's even

1895
01:55:24,800 --> 01:55:26,640
Speaker 1: better that you're discovering it now because you'll get more

1896
01:55:26,640 --> 01:55:28,720
Speaker 1: of the jokes and beyond the books. One of the

1897
01:55:28,800 --> 01:55:31,800
Speaker 1: most compelling parts of teen Creeps is the seemingly endless

1898
01:55:31,840 --> 01:55:35,680
Speaker 1: amount of awkward, hilarious, and exquisitely relatable coming of age

1899
01:55:35,720 --> 01:55:38,880
Speaker 1: stories that Lindsay and Kelly share, including the following clip

1900
01:55:39,120 --> 01:55:41,960
Speaker 1: from the episode on earl Stein's Cheerleaders The Third Evil,

1901
01:55:42,080 --> 01:55:44,520
Speaker 1: in which Kelly introduces us for the first but not

1902
01:55:44,680 --> 01:55:49,080
Speaker 1: the last time through her very very unforgettable aunt. So,

1903
01:55:49,960 --> 01:55:56,360
Speaker 1: I have an aunt who who nervous about where this

1904
01:55:56,520 --> 01:56:00,760
Speaker 1: is going, makes everybody do things for her, and like

1905
01:56:01,360 --> 01:56:05,080
Speaker 1: she's just very she's very strange. Like when she's talking

1906
01:56:05,080 --> 01:56:06,640
Speaker 1: to you, she'll get out this little notebook and like

1907
01:56:06,720 --> 01:56:10,600
Speaker 1: take notes on what you're saying. Yeah, she's intense, and

1908
01:56:10,680 --> 01:56:14,080
Speaker 1: she's also a person that will like, um, she just

1909
01:56:14,160 --> 01:56:19,440
Speaker 1: like likes being pampered and like massaged and like that

1910
01:56:19,680 --> 01:56:23,520
Speaker 1: kind of thing, but like by people she knows. My god, Yeah,

1911
01:56:23,600 --> 01:56:27,880
Speaker 1: it's pretty weird, like and she'll always like um, like

1912
01:56:28,080 --> 01:56:30,240
Speaker 1: she said to my mom, they're the same age. She

1913
01:56:30,320 --> 01:56:33,360
Speaker 1: goes tweet do you want And that's how she talks

1914
01:56:33,400 --> 01:56:37,000
Speaker 1: to do you want me to braid your hair. And

1915
01:56:37,120 --> 01:56:40,840
Speaker 1: my mom was like what, And she's like, I just

1916
01:56:41,120 --> 01:56:44,080
Speaker 1: love the feeling of when people play with my hair.

1917
01:56:45,000 --> 01:56:49,120
Speaker 1: And you have such beautiful hair. Do you mind if

1918
01:56:49,200 --> 01:56:54,760
Speaker 1: I play with it? Oh? God? But she will do

1919
01:56:54,840 --> 01:56:58,560
Speaker 1: things like that, like she watch an a SMR video Lady,

1920
01:57:01,760 --> 01:57:03,960
Speaker 1: she will like I remember when she used to stay

1921
01:57:03,960 --> 01:57:06,880
Speaker 1: at my grandparents house, there's like a guest bedroom in

1922
01:57:06,920 --> 01:57:10,160
Speaker 1: a guest bathroom. She would go into my grandparents and

1923
01:57:10,200 --> 01:57:14,880
Speaker 1: both had bathtubs. Go into my grandparents master bathroom, take

1924
01:57:14,960 --> 01:57:20,200
Speaker 1: bubble baths, leave the tub completely full of bubbles, bubbles

1925
01:57:20,200 --> 01:57:22,800
Speaker 1: all over the floor, and then just take all of

1926
01:57:22,840 --> 01:57:27,000
Speaker 1: their towels, use every single one of their towels, and

1927
01:57:27,120 --> 01:57:30,800
Speaker 1: then put them wherever she would end up going. Then

1928
01:57:31,560 --> 01:57:33,600
Speaker 1: when she she put all the towels, like on the

1929
01:57:33,720 --> 01:57:36,200
Speaker 1: kitchen table or whatever wherever she was done with her towels,

1930
01:57:36,440 --> 01:57:38,800
Speaker 1: And my grandma was like, oh, when you're going upstairs,

1931
01:57:38,840 --> 01:57:40,360
Speaker 1: could you bring the towels up and put them in

1932
01:57:40,400 --> 01:57:44,040
Speaker 1: the hamper. And she was like, oh, a wet towel

1933
01:57:44,200 --> 01:57:47,640
Speaker 1: is too heavy for me to Oh my god, Oh

1934
01:57:47,760 --> 01:58:00,240
Speaker 1: my god, but you were holding what's insane? It was

1935
01:58:00,400 --> 01:58:05,960
Speaker 1: so much ship. She was like what was her name?

1936
01:58:07,200 --> 01:58:09,400
Speaker 1: I don't know if I want to say it. It's

1937
01:58:09,400 --> 01:58:12,200
Speaker 1: not as good as I was homebro, Let's call her

1938
01:58:12,600 --> 01:58:20,200
Speaker 1: Annabella Annabella? Um she uh also new name? Sorry, su

1939
01:58:20,360 --> 01:58:24,000
Speaker 1: Fla soup flay very good splay on treyflay on Tray.

1940
01:58:29,640 --> 01:58:32,080
Speaker 1: Can you just go hello, I'm suflay on Trey and

1941
01:58:32,120 --> 01:58:34,960
Speaker 1: then say the thing about brading harring in Okay, Oh no,

1942
01:58:35,320 --> 01:58:37,480
Speaker 1: I'll do an actual line that she had said at

1943
01:58:37,520 --> 01:58:41,680
Speaker 1: the beach. Good, Hello, I'm su Fla on Trey. Can

1944
01:58:41,760 --> 01:58:46,440
Speaker 1: you put suntan lotion in between my tones? God? Shut

1945
01:58:46,520 --> 01:58:51,920
Speaker 1: the funk up? And then her husband did it and

1946
01:58:52,000 --> 01:58:57,440
Speaker 1: we were all like, oh s flay on Trey, you

1947
01:58:57,560 --> 01:59:01,520
Speaker 1: are too much. Um oh, so this is when my

1948
01:59:01,600 --> 01:59:06,160
Speaker 1: dad's driving. Oh, Mark, can you please slow down when

1949
01:59:06,200 --> 01:59:09,840
Speaker 1: you go over the speed bumps? I I don't leave

1950
01:59:09,920 --> 01:59:13,920
Speaker 1: before I placed my seat belt on. This woman has

1951
01:59:13,960 --> 01:59:20,360
Speaker 1: also gone white water rafting, so it's like she also

1952
01:59:20,480 --> 01:59:23,720
Speaker 1: has like a thousand elms. That was an ailments Like

1953
01:59:24,480 --> 01:59:30,240
Speaker 1: it's like, okay, here's here's here's an example of something

1954
01:59:30,280 --> 01:59:32,400
Speaker 1: that buten. Okay, we're my Grandma's like on her deathbed.

1955
01:59:32,440 --> 01:59:36,880
Speaker 1: She's dying, dying, dying, everybody. Everybody's in town. We're all waiting.

1956
01:59:38,080 --> 01:59:41,520
Speaker 1: We're all waiting in the in the waiting room. Me

1957
01:59:41,800 --> 01:59:45,120
Speaker 1: and my cousin, who are all fairly normal, are all

1958
01:59:45,160 --> 01:59:47,480
Speaker 1: sitting here just feeling, you know, a little bit sad

1959
01:59:47,560 --> 01:59:51,080
Speaker 1: but also kind of punchy and weird. My aunt, first

1960
01:59:51,120 --> 01:59:53,400
Speaker 1: of all, she she was like, I have to go

1961
01:59:53,480 --> 01:59:55,120
Speaker 1: to the bathroom, and I had to go also, So

1962
01:59:55,320 --> 01:59:58,400
Speaker 1: like I went to the bathroom, and then she was like, oh,

1963
01:59:58,960 --> 02:00:01,800
Speaker 1: it is so nice of you to come with me

1964
02:00:01,920 --> 02:00:04,720
Speaker 1: into the bathroom. And I was like, I'm just I'm

1965
02:00:04,800 --> 02:00:07,240
Speaker 1: just going to the bath Then so she comes back,

1966
02:00:07,280 --> 02:00:10,320
Speaker 1: we're all sitting She opens up her she brought a

1967
02:00:10,400 --> 02:00:15,200
Speaker 1: cooler to the hospital, gets out a Costco sized thing

1968
02:00:15,280 --> 02:00:22,480
Speaker 1: of apple sauce, like slowly and dantily, like unscrews the top,

1969
02:00:23,000 --> 02:00:27,960
Speaker 1: gets out her spoon. No eats one spoon. No. No,

1970
02:00:32,880 --> 02:00:35,160
Speaker 1: was it like one of those tiny spoons that you

1971
02:00:35,280 --> 02:00:39,560
Speaker 1: used to feed a baby. No, but it was a

1972
02:00:40,160 --> 02:00:44,600
Speaker 1: to go plastic smallish spoon that's like you would throw away,

1973
02:00:44,680 --> 02:00:47,880
Speaker 1: but she had it. She used that that and me

1974
02:00:47,960 --> 02:00:51,720
Speaker 1: and my cousins were like, oh, complete a weird And

1975
02:00:51,800 --> 02:00:53,720
Speaker 1: then she and then she like put it, put it away,

1976
02:00:53,760 --> 02:00:57,920
Speaker 1: and then she got out her zippy bag of apple slices,

1977
02:00:58,560 --> 02:01:01,480
Speaker 1: ate one apple slice, closed it and then put it away.

1978
02:01:02,080 --> 02:01:15,520
Speaker 1: She she single bite of apple eight a single she'll

1979
02:01:15,560 --> 02:01:18,400
Speaker 1: also bring up. Her full name is to play Apple

1980
02:01:18,480 --> 02:01:33,000
Speaker 1: on trays, play on tre to. One thing that we

1981
02:01:33,080 --> 02:01:35,680
Speaker 1: hear at Frev Dog will always remember about eighteen was

1982
02:01:35,720 --> 02:01:39,720
Speaker 1: getting the privilege to reboot Bnacker and Ben Blacker's legendary podcast,

1983
02:01:39,800 --> 02:01:43,480
Speaker 1: The Thrilling Adventure Hour, renamed The Thrilling Adventure Our Treasury.

1984
02:01:43,640 --> 02:01:46,200
Speaker 1: We've released three episodes so far, with many more on

1985
02:01:46,280 --> 02:01:49,560
Speaker 1: the way, featuring the triumphant return of classic segments such

1986
02:01:49,600 --> 02:01:52,720
Speaker 1: as Sparks Nevada, Marshal on Mars, Beyond Belief, and the

1987
02:01:52,800 --> 02:01:56,000
Speaker 1: cross time adventures of Colonel TikTok, as well as new tales,

1988
02:01:56,040 --> 02:01:58,600
Speaker 1: new writers, new guest stars, and a bold new sound.

1989
02:01:59,080 --> 02:02:02,080
Speaker 1: All Treasury episod zodes are recorded in studio with expansive

1990
02:02:02,120 --> 02:02:04,840
Speaker 1: sound design and new musical themes and arrangements. You can

1991
02:02:04,880 --> 02:02:07,360
Speaker 1: expect one new episode from the Treasury every month in

1992
02:02:07,440 --> 02:02:10,720
Speaker 1: twenty nineteen, as well as a previously unreleased live recording

1993
02:02:10,760 --> 02:02:13,560
Speaker 1: from The Thrilling Adventure Our Vault and if you want

1994
02:02:13,640 --> 02:02:15,560
Speaker 1: more of The Thrilling Adventure Hour, you can access the

1995
02:02:15,760 --> 02:02:19,360
Speaker 1: entire back catalog, complete libraries of classic segments, and bonus

1996
02:02:19,440 --> 02:02:23,040
Speaker 1: content on Patreon at patreon dot com slash Thrilling Adventure Hour.

1997
02:02:23,440 --> 02:02:26,440
Speaker 1: But in the meantime, please enjoy this holiday themed rendition

1998
02:02:26,560 --> 02:02:30,720
Speaker 1: of Beyond Belief featuring Paul if Tompkins, Paget Brewster, Rob Benedict,

1999
02:02:30,880 --> 02:02:38,160
Speaker 1: and Hal Lublin. It's time to send the little ones

2000
02:02:38,240 --> 02:02:43,120
Speaker 1: to Dreamland and set your radio style to spooky boat

2001
02:02:43,200 --> 02:02:47,760
Speaker 1: the doors, lock your windows, and steal yourself a mysterious suspense.

2002
02:02:48,160 --> 02:02:54,160
Speaker 1: In this evening's final feature, Beyond Belief, meet Frank and

2003
02:02:54,280 --> 02:02:57,880
Speaker 1: Sadie Doyle. The toast of the upper crust headline is

2004
02:02:57,920 --> 02:03:02,520
Speaker 1: on the society pages, and then yes they see ghosts.

2005
02:03:03,600 --> 02:03:05,880
Speaker 1: Who cares what evil lurks in the hearts of men

2006
02:03:06,360 --> 02:03:11,360
Speaker 1: unless evils carrying the Martini trade. Darling joined the Doyles

2007
02:03:11,400 --> 02:03:15,640
Speaker 1: in tonight's stock episode If These Walls Could Talk. Our

2008
02:03:15,800 --> 02:03:19,320
Speaker 1: story begins in a penthouse apartment at the Faint Plaza Hotel,

2009
02:03:19,760 --> 02:03:23,400
Speaker 1: where Frank and Sadie Doyle are about to taste the

2010
02:03:23,680 --> 02:03:36,040
Speaker 1: unknown eggnog. Eggnog, here goes, Oh my, this tastes like

2011
02:03:36,160 --> 02:03:38,000
Speaker 1: the punchline of a joke in which a cow is

2012
02:03:38,040 --> 02:03:40,880
Speaker 1: walked into a bar. I care for neither the joke

2013
02:03:41,000 --> 02:03:44,880
Speaker 1: nor the drink. As you suspected, the recipe was clearly incorrect.

2014
02:03:45,240 --> 02:03:47,320
Speaker 1: How much bourbon do you think would be sufficient to

2015
02:03:47,400 --> 02:03:50,680
Speaker 1: knog an egg? All of it? I imagine, if not more,

2016
02:03:50,920 --> 02:03:53,480
Speaker 1: I can still taste it. Take this, darling the most

2017
02:03:53,520 --> 02:03:56,360
Speaker 1: A stringent martini. I know how to make for emergencies.

2018
02:03:56,400 --> 02:03:59,320
Speaker 1: Only you headed ready, didn't you? Any time? And uncertain

2019
02:03:59,400 --> 02:04:02,360
Speaker 1: mixers and all my boy scout training kicks in. I

2020
02:04:02,520 --> 02:04:06,880
Speaker 1: do so love a man in uniform that did the trick?

2021
02:04:07,240 --> 02:04:09,600
Speaker 1: Shall we investigate the rest of this gift basket from

2022
02:04:09,600 --> 02:04:12,120
Speaker 1: the vicars? No reason to punish the other gifts? What

2023
02:04:12,200 --> 02:04:15,200
Speaker 1: else have we got in here? Those small brown Man

2024
02:04:15,400 --> 02:04:19,520
Speaker 1: cookies they're red and white, walking sticks, chestnuts which are

2025
02:04:19,560 --> 02:04:24,440
Speaker 1: basically poisoned. Speaking of which freshen you drink? Look Frank

2026
02:04:24,520 --> 02:04:27,560
Speaker 1: of present? Shall I undress it only if you wish

2027
02:04:27,640 --> 02:04:33,720
Speaker 1: for me to be jealous of it? I do? Oh,

2028
02:04:33,880 --> 02:04:39,560
Speaker 1: this is truly quite something, Frank, exquisite, priceless. It's us,

2029
02:04:39,920 --> 02:04:42,760
Speaker 1: this photo of us from the Vickers Gala the night

2030
02:04:42,840 --> 02:04:46,280
Speaker 1: I drank Mr Vickers under the table. I remember that table.

2031
02:04:46,600 --> 02:04:49,120
Speaker 1: It held its liquor far better than the host. That

2032
02:04:49,320 --> 02:04:51,760
Speaker 1: must be why I remember it so fondly. And look

2033
02:04:51,800 --> 02:04:55,120
Speaker 1: at this picture's handsome frame. On the back, he's written

2034
02:04:55,440 --> 02:04:59,840
Speaker 1: to the most winsome couple in Manhattan. Merry Christmas, Christmas?

2035
02:05:00,400 --> 02:05:03,400
Speaker 1: Is that still happening? Oh, Frank, we didn't get Mr

2036
02:05:03,560 --> 02:05:06,920
Speaker 1: Vick as anything, and he caught us. Well, let us

2037
02:05:06,960 --> 02:05:09,240
Speaker 1: think of something to get him. He's got everything he

2038
02:05:09,280 --> 02:05:12,280
Speaker 1: could ever want, save as stronger tolerance. How about you

2039
02:05:12,400 --> 02:05:14,680
Speaker 1: fix us another couple of rounds to think by, and

2040
02:05:14,760 --> 02:05:19,200
Speaker 1: I'll hang this picture on that wall? So rugged, aren't I? Now?

2041
02:05:19,280 --> 02:05:23,560
Speaker 1: Where is that instrument used to hang things? A hammer? Yes?

2042
02:05:24,120 --> 02:05:27,400
Speaker 1: And that which is hammed a nail? Here you are,

2043
02:05:27,520 --> 02:05:30,880
Speaker 1: my rugged darling. All right, it's just like dispatching a

2044
02:05:30,920 --> 02:05:33,880
Speaker 1: small vampire. You line up the steak, in this case

2045
02:05:33,960 --> 02:05:39,400
Speaker 1: a nail. And who just screamed? You did? And who

2046
02:05:39,480 --> 02:05:44,560
Speaker 1: before that? I did? It was me your wall. These

2047
02:05:44,640 --> 02:05:48,400
Speaker 1: walls can talk as this one, just me, the west wall.

2048
02:05:48,920 --> 02:05:53,120
Speaker 1: You're my favorite wall, papered as you are with a tanned,

2049
02:05:53,280 --> 02:05:57,960
Speaker 1: prickled texture. Thank you. That's my skin? Or was it?

2050
02:05:58,280 --> 02:06:01,560
Speaker 1: Is the skin still is? It's just I that was

2051
02:06:02,920 --> 02:06:06,360
Speaker 1: I suppose I kind of am. So what precisely are

2052
02:06:06,520 --> 02:06:10,280
Speaker 1: you and what exactly were you on this now? But

2053
02:06:10,400 --> 02:06:15,520
Speaker 1: I was a man, human, a human man. The players

2054
02:06:15,560 --> 02:06:19,160
Speaker 1: a man said it was Ostrich. Nope, ah me, definitely me.

2055
02:06:19,720 --> 02:06:22,400
Speaker 1: I remember because it really hurt to get flay alive.

2056
02:06:22,840 --> 02:06:25,200
Speaker 1: Never get flight alive. I always say, not if you're

2057
02:06:25,200 --> 02:06:28,240
Speaker 1: can avoid it. How please, Mr Doyle. You could handle

2058
02:06:28,280 --> 02:06:30,520
Speaker 1: getting flayed any day of the week. You've been through

2059
02:06:30,600 --> 02:06:34,600
Speaker 1: so much ghosts, vampires. Hey, remember when all those genies

2060
02:06:34,680 --> 02:06:37,960
Speaker 1: came over vaguely? Oh you must remember you were right

2061
02:06:38,000 --> 02:06:40,640
Speaker 1: over there and you were all out of drinks. That

2062
02:06:40,800 --> 02:06:44,040
Speaker 1: seems both likely and unlikely. You found a bottle, but

2063
02:06:44,200 --> 02:06:48,120
Speaker 1: instead of Boobo did right there. I will not tolerate

2064
02:06:48,160 --> 02:06:51,240
Speaker 1: a flashback episode. I forbid it. We came right up

2065
02:06:51,280 --> 02:06:53,920
Speaker 1: to it, didn't we. Sorry. I know I shouldn't have

2066
02:06:53,920 --> 02:06:56,280
Speaker 1: said anything in the first place, but in my defense,

2067
02:06:56,760 --> 02:06:59,800
Speaker 1: I was hammered. I will most frequently used to fans,

2068
02:07:00,240 --> 02:07:02,560
Speaker 1: and I suppose I must apologize for taking a tool

2069
02:07:02,640 --> 02:07:07,879
Speaker 1: to you. Sorry, old Chap. My name is was Is Walton,

2070
02:07:08,640 --> 02:07:11,960
Speaker 1: which is a coincidence, I admit wally the wall, like

2071
02:07:12,280 --> 02:07:14,440
Speaker 1: when guy's name Taylor can really thread a needle? You

2072
02:07:14,480 --> 02:07:17,040
Speaker 1: know what I'm saying? Not really? You mean to tell

2073
02:07:17,120 --> 02:07:21,760
Speaker 1: me you've been watching, listening, spying this whole time. Would

2074
02:07:21,800 --> 02:07:24,520
Speaker 1: you preferred I made my presence known? I think I

2075
02:07:24,600 --> 02:07:28,920
Speaker 1: might have. I know I would have voyers by invitation only. Yeah,

2076
02:07:28,960 --> 02:07:31,480
Speaker 1: I meant to, but I guess I never found my moment.

2077
02:07:32,000 --> 02:07:33,800
Speaker 1: But now is as good a time as any, right,

2078
02:07:34,520 --> 02:07:38,000
Speaker 1: Not like you've got another oddity knocking on that door today? Right? Well?

2079
02:07:38,720 --> 02:07:41,240
Speaker 1: I require more drink, Frank, will you help me mix

2080
02:07:41,280 --> 02:07:47,320
Speaker 1: the martini by the east wall? Certainly? Don't think. I'm

2081
02:07:47,360 --> 02:07:49,920
Speaker 1: not sure. I like the non consensual presence of this

2082
02:07:50,080 --> 02:07:53,720
Speaker 1: sentient surface. I couldn't agree more love. What's next? A

2083
02:07:53,800 --> 02:07:56,680
Speaker 1: garrulous floor? No, thank you. We must find a way

2084
02:07:56,720 --> 02:07:59,360
Speaker 1: to move him off. Are you guys talking about me? No? No,

2085
02:08:00,320 --> 02:08:03,360
Speaker 1: yeah you are. Are you talking about exercising me from

2086
02:08:03,400 --> 02:08:06,520
Speaker 1: this wall? Why would you ever think that? I know you?

2087
02:08:06,880 --> 02:08:10,320
Speaker 1: That's what you do? As it turns out, we've decided

2088
02:08:10,360 --> 02:08:15,840
Speaker 1: to exercise you from our wall. But where will I go?

2089
02:08:16,760 --> 02:08:20,320
Speaker 1: Come again? The spirits you exercise, do you know what

2090
02:08:20,440 --> 02:08:24,360
Speaker 1: happens to them? It depends on them, Walton, unless we're upset.

2091
02:08:24,800 --> 02:08:27,640
Speaker 1: We tend to send them where they think they should go,

2092
02:08:28,160 --> 02:08:30,920
Speaker 1: based on their circumstances and perspective. So they get end

2093
02:08:31,040 --> 02:08:34,320
Speaker 1: up someplace terrible, like a swimming pool filled with wigs

2094
02:08:34,360 --> 02:08:38,320
Speaker 1: and mustard, only if that is their rather specific fears

2095
02:08:38,440 --> 02:08:41,800
Speaker 1: it is, and they believe that's what they deserve. I

2096
02:08:41,960 --> 02:08:46,440
Speaker 1: do then, yes, do you drink? You sound like you

2097
02:08:46,480 --> 02:08:49,000
Speaker 1: could use a drink hack. When I was a guy

2098
02:08:49,080 --> 02:08:52,320
Speaker 1: with hands and never had friends like you. Now the

2099
02:08:52,520 --> 02:08:55,520
Speaker 1: Frank Doyle is asking me to dance, drink to drink,

2100
02:08:55,720 --> 02:08:57,360
Speaker 1: and all I can do is stand here like some

2101
02:08:57,520 --> 02:09:01,480
Speaker 1: kind of some kind of I'm sure there's a word

2102
02:09:01,520 --> 02:09:03,480
Speaker 1: for it. Now, don't get too down. It was a

2103
02:09:03,560 --> 02:09:07,360
Speaker 1: good run. You've been part of our adventures all along, Walton,

2104
02:09:07,680 --> 02:09:11,520
Speaker 1: we just didn't know it. Yeah, it's been fun, are

2105
02:09:11,600 --> 02:09:15,480
Speaker 1: you It's been real fun. It's been so much fun.

2106
02:09:15,840 --> 02:09:20,280
Speaker 1: Please don't cry. I'm sorry I've made it awkward now

2107
02:09:20,600 --> 02:09:23,280
Speaker 1: only now, just now, you've made it awkward. To be

2108
02:09:23,360 --> 02:09:26,920
Speaker 1: awkward is to be aware. You're sure you don't want

2109
02:09:26,960 --> 02:09:29,320
Speaker 1: to drink. I don't have any kind of digestive track,

2110
02:09:29,680 --> 02:09:32,200
Speaker 1: but if you wouldn't mind not exercising me, I won't

2111
02:09:32,240 --> 02:09:34,240
Speaker 1: make a peep again. It'd be like I'm not even

2112
02:09:34,320 --> 02:09:38,120
Speaker 1: here as if I could forget. Perhaps said has the solution.

2113
02:09:38,680 --> 02:09:42,440
Speaker 1: You are the wall paper, not the wall itself. Yes,

2114
02:09:42,760 --> 02:09:45,760
Speaker 1: I'm more of a skin condition than anything else. Really

2115
02:09:46,240 --> 02:09:49,080
Speaker 1: share we peel you off the wall, then, and do

2116
02:09:49,400 --> 02:09:52,760
Speaker 1: what with me? Deliver you somewhere nice? Do you fancy

2117
02:09:52,880 --> 02:09:55,440
Speaker 1: from Uda this time of year? They've got plenty of

2118
02:09:55,520 --> 02:09:57,600
Speaker 1: walls there on which to live out the rest of

2119
02:09:57,680 --> 02:10:00,600
Speaker 1: your bizarre consciousness. That's the thing. I'm not sure I

2120
02:10:00,720 --> 02:10:03,200
Speaker 1: want to be a wall anymore? Then what would you

2121
02:10:03,280 --> 02:10:06,680
Speaker 1: care to be? I'm basically leather. Instead of watching you,

2122
02:10:07,280 --> 02:10:10,960
Speaker 1: always watching you, I could be wrapped around you, Mrs Doyle,

2123
02:10:11,520 --> 02:10:14,360
Speaker 1: holding you. No, I do not like the sound of

2124
02:10:14,640 --> 02:10:18,320
Speaker 1: any of that, Nor do I mean neither neither watch

2125
02:10:18,360 --> 02:10:21,360
Speaker 1: you said nor how you said. No. But you know

2126
02:10:21,480 --> 02:10:23,919
Speaker 1: who would love a one of a kind coach for Christmas?

2127
02:10:24,720 --> 02:10:28,080
Speaker 1: Mr Vickers, to whom we owe a gift wonderful? May

2128
02:10:28,160 --> 02:10:31,720
Speaker 1: we despitch two birds with you? Walter? Frankly, I don't

2129
02:10:31,720 --> 02:10:34,040
Speaker 1: know if I want some strange man to wear me.

2130
02:10:34,560 --> 02:10:37,720
Speaker 1: Vickers isn't strange. He merely traverses the globe and a

2131
02:10:38,120 --> 02:10:41,160
Speaker 1: boring old copper zeppelin filled with trunks and trunks of

2132
02:10:41,360 --> 02:10:44,760
Speaker 1: dull old money and everyday flammable gas. What's strange about that?

2133
02:10:45,120 --> 02:10:48,920
Speaker 1: Luxuriously on the edge. He calls himself the Thrillionaire, which

2134
02:10:49,000 --> 02:10:52,720
Speaker 1: is either ridiculous or admirable. Honestly, I go back and forth.

2135
02:10:52,920 --> 02:10:55,360
Speaker 1: I don't know. Listen, you can be a coat or

2136
02:10:55,400 --> 02:10:59,720
Speaker 1: remain a wall, but you can't stay here. Fine, Mr Vickers, coat,

2137
02:10:59,800 --> 02:11:03,040
Speaker 1: it is here, we go. I'll just reach up and

2138
02:11:03,280 --> 02:11:07,160
Speaker 1: peel you at this corner. Walton, Oh my god, that's faithful,

2139
02:11:07,480 --> 02:11:10,600
Speaker 1: Oh dear, Maybe all in one go, like putting off

2140
02:11:10,640 --> 02:11:12,840
Speaker 1: a band head, but in a scenario in which it

2141
02:11:12,960 --> 02:11:15,400
Speaker 1: hurts only the band head. Just do it, Just do it.

2142
02:11:15,400 --> 02:11:19,560
Speaker 1: Don't talk about it, just do it. No, very, just one?

2143
02:11:20,080 --> 02:11:24,800
Speaker 1: Well what we needed a little nubrication? What is that

2144
02:11:25,640 --> 02:11:30,280
Speaker 1: a giblet for your glue? Whoa? Who said I couldn't

2145
02:11:30,360 --> 02:11:36,040
Speaker 1: drink me? Wrong? I was wrong? I apologious. Walton is

2146
02:11:36,080 --> 02:11:38,680
Speaker 1: feeling quite nicely, now, wouldn't you say free? I would

2147
02:11:38,720 --> 02:11:42,360
Speaker 1: describe Walton as supple. This is ours her dream come true?

2148
02:11:43,680 --> 02:11:46,839
Speaker 1: What is this on your skin? Walton? Some kind of marking.

2149
02:11:47,120 --> 02:11:52,240
Speaker 1: He found my tattoo. Tattoo, Were you a sailor? No,

2150
02:11:52,520 --> 02:11:54,720
Speaker 1: I was a member of a secret society. I should

2151
02:11:54,800 --> 02:11:57,160
Speaker 1: never have joined a secret society. I just knew i'd

2152
02:11:57,200 --> 02:12:02,520
Speaker 1: end up a wall they always do, you know, Frank,

2153
02:12:02,640 --> 02:12:06,000
Speaker 1: we've seen that tattoo before. I think i'd remember. Turn

2154
02:12:06,040 --> 02:12:10,640
Speaker 1: it upside down. Oh, this is from the Triangle Club.

2155
02:12:10,960 --> 02:12:13,200
Speaker 1: They tried to recruit me about ten years back, Frank,

2156
02:12:13,280 --> 02:12:15,800
Speaker 1: isn't it when the players is at an outside contractor.

2157
02:12:15,920 --> 02:12:19,760
Speaker 1: It gifted us the Ostrich wallpaper, and the wallpaper arrived

2158
02:12:19,800 --> 02:12:22,320
Speaker 1: after we concluded that the Triangle Club was nothing but

2159
02:12:22,400 --> 02:12:26,760
Speaker 1: a men's group for warlocks. Indeed, didn't we put a

2160
02:12:26,800 --> 02:12:32,880
Speaker 1: stop to their entire chapter? You eradicated the Essaceles Cauldron? No, no, no, no, no,

2161
02:12:33,360 --> 02:12:36,720
Speaker 1: we helped them eradicate themselves. Oh you did. The club

2162
02:12:36,840 --> 02:12:40,000
Speaker 1: felt like a very wronged triangle. Mr Doyle determined to

2163
02:12:40,080 --> 02:12:42,560
Speaker 1: make it a right. Are you saying they've played you

2164
02:12:42,800 --> 02:12:46,000
Speaker 1: because of our actions? Walton? Oh no, I got flayed

2165
02:12:46,040 --> 02:12:49,440
Speaker 1: way before that for infidelity, and not even mine. You

2166
02:12:49,520 --> 02:12:54,800
Speaker 1: know Pythagorean warlock. Yeah, his wife is his infidelity us. Well,

2167
02:12:54,840 --> 02:12:57,760
Speaker 1: why would they ever save you for us. Oh, my

2168
02:12:57,920 --> 02:13:03,400
Speaker 1: punishment was to be a punishment. I honestly, I'm supposed

2169
02:13:03,440 --> 02:13:07,480
Speaker 1: to drain your souls. I'm what's called? Oh man, I

2170
02:13:07,520 --> 02:13:10,000
Speaker 1: can never remember, but it's bad. It's a word that

2171
02:13:10,080 --> 02:13:14,560
Speaker 1: means a patch of cursed skin that drains out souls. Um, God, yeah,

2172
02:13:14,640 --> 02:13:18,120
Speaker 1: I don't remember. You guys know, No, Wally, have you

2173
02:13:18,200 --> 02:13:21,480
Speaker 1: been draining our souls? Please be honest, I would never know.

2174
02:13:21,720 --> 02:13:24,560
Speaker 1: I mean I was supposed to. I was gonna, but

2175
02:13:24,680 --> 02:13:26,640
Speaker 1: then I couldn't do it because I loved you guys

2176
02:13:26,760 --> 02:13:30,960
Speaker 1: right away. We are touched Walton. But if we send

2177
02:13:31,040 --> 02:13:33,480
Speaker 1: you as a coat to Mr Vickers, are you going

2178
02:13:33,560 --> 02:13:36,600
Speaker 1: to drain his soul? If he's not as charming as you?

2179
02:13:37,520 --> 02:13:40,840
Speaker 1: Maybe I suppose we can't send him to Mr Vickers

2180
02:13:40,920 --> 02:13:44,560
Speaker 1: then can we? Frank? No, Vickers is more eccentric than charming.

2181
02:13:44,680 --> 02:13:47,400
Speaker 1: That wouldn't do. Shall we send you to that warlock

2182
02:13:47,440 --> 02:13:49,720
Speaker 1: who flayed you and then try to destroy us? Is

2183
02:13:49,760 --> 02:13:57,720
Speaker 1: he still kicking? O Pythagorean? Let me see what are

2184
02:13:57,760 --> 02:14:02,080
Speaker 1: you seeing exactly? I'm expanding my consciousness outward all um,

2185
02:14:02,560 --> 02:14:08,960
Speaker 1: whatever I'm called can do this? Nah? Yeah, got him?

2186
02:14:09,440 --> 02:14:12,160
Speaker 1: He's alive, barely He and his wife and a nursing

2187
02:14:12,200 --> 02:14:14,960
Speaker 1: home in Queens. Would you enjoy to take his soul

2188
02:14:15,000 --> 02:14:17,560
Speaker 1: before it flips out of him? Oh? Boy, would I?

2189
02:14:18,280 --> 02:14:20,400
Speaker 1: And it would be nice to see angle again. Then

2190
02:14:20,520 --> 02:14:24,480
Speaker 1: we shall visit a nursing home. A nursing home in Queens.

2191
02:14:24,880 --> 02:14:28,760
Speaker 1: You do that for me? It's Christmas apparently, and you're

2192
02:14:28,840 --> 02:14:31,880
Speaker 1: like family. Family, We do not want to stay with us,

2193
02:14:31,920 --> 02:14:34,520
Speaker 1: which is just exactly who you deliver to a nursing

2194
02:14:34,560 --> 02:14:37,840
Speaker 1: home in Queens. Then it seems like we've got this

2195
02:14:37,960 --> 02:14:42,800
Speaker 1: triangle club situation squared away. I'll roll you right up now, Walton,

2196
02:14:43,200 --> 02:14:46,000
Speaker 1: oh Frank with Walton off to Queen's were without a

2197
02:14:46,080 --> 02:14:49,000
Speaker 1: gift for the brillionaire? What do you get for the

2198
02:14:49,080 --> 02:14:52,560
Speaker 1: man who has everything? You have it, I believe I have.

2199
02:14:53,200 --> 02:14:55,000
Speaker 1: For the man who has everything, you get him the

2200
02:14:55,040 --> 02:15:00,160
Speaker 1: one thing he doesn't have, nothing, nothing. It's perfect us

2201
02:15:00,240 --> 02:15:03,560
Speaker 1: like your eyes, my love, my eyes. Have you seen

2202
02:15:03,640 --> 02:15:06,040
Speaker 1: your nose? You want to talk about perfection? Look in

2203
02:15:06,120 --> 02:15:12,040
Speaker 1: a mirror, your nose, your ears, your lips, your lips,

2204
02:15:12,400 --> 02:15:15,440
Speaker 1: what about them? Put them right here? But darling, I'd

2205
02:15:15,480 --> 02:15:18,520
Speaker 1: get them all over your lips, yes you would, wouldn't

2206
02:15:18,560 --> 02:15:23,280
Speaker 1: do They're perfect Hey, guys, they can take it. Guys.

2207
02:15:23,400 --> 02:15:28,720
Speaker 1: You're on me. Guys, Hey guys, could you move me

2208
02:15:28,760 --> 02:15:30,280
Speaker 1: to the east side of the room. How he's kind

2209
02:15:30,320 --> 02:15:35,000
Speaker 1: of want to see what it's like over there? Oh God,

2210
02:15:36,360 --> 02:15:45,640
Speaker 1: if I could. I don't want to interrupting, guys, And

2211
02:15:45,880 --> 02:15:49,680
Speaker 1: so Frank and Sadie find themselves walking tall in the

2212
02:15:49,800 --> 02:15:53,160
Speaker 1: face of a talking wall. Revenge is a dish best

2213
02:15:53,280 --> 02:15:56,880
Speaker 1: left unserved to those married mediums unless they find out

2214
02:15:56,920 --> 02:16:00,520
Speaker 1: about it, get it drunk, and send it back water Unfold.

2215
02:16:01,640 --> 02:16:04,320
Speaker 1: Joined the Doyles next time, when they once again walk

2216
02:16:04,400 --> 02:16:09,240
Speaker 1: beyond belief in a horrifying Kronuka episode titled The Lady

2217
02:16:09,320 --> 02:16:17,200
Speaker 1: of the Latkas coded Deeple Diving, Deeple Diving Doom. This

2218
02:16:17,400 --> 02:16:20,640
Speaker 1: next clip comes from a new podcast that premiered appropriately

2219
02:16:20,760 --> 02:16:23,280
Speaker 1: the day after the mid term elections this year. It's

2220
02:16:23,320 --> 02:16:26,080
Speaker 1: called This Is What Democracy Pods Like, and it's hosted

2221
02:16:26,120 --> 02:16:29,960
Speaker 1: by comedians and progressive firebrands Billy Domino, Oscar Montoya, and

2222
02:16:30,120 --> 02:16:33,440
Speaker 1: Kate Friedman. Each week, Billy, Oscar and Kate trade hot

2223
02:16:33,520 --> 02:16:36,760
Speaker 1: takes on the weekend politics, take the temperature of the resistance,

2224
02:16:37,040 --> 02:16:40,920
Speaker 1: and interview unforgettable guests like young Al Gore death obsessed

2225
02:16:41,000 --> 02:16:45,160
Speaker 1: Dan Rather, sexy Wyoming politician Ross Tennison, and the head

2226
02:16:45,200 --> 02:16:48,880
Speaker 1: of nonpracticing Lesbians for Ted Cruz, Shyanne Dikes. In the

2227
02:16:49,080 --> 02:16:51,920
Speaker 1: following clip, Billy and Kate reads selections from their post

2228
02:16:52,000 --> 02:16:57,320
Speaker 1: midterms congressional erotic fan fiction Enjoy. We've got that Democratic

2229
02:16:57,400 --> 02:17:01,160
Speaker 1: House coming up in January. Uh, that'll be sworn in

2230
02:17:01,280 --> 02:17:03,400
Speaker 1: and Pelosi is likely going to take back that gavel.

2231
02:17:03,480 --> 02:17:08,600
Speaker 1: We'll see Marcia Fudge coming forward. Who knows. But we've

2232
02:17:08,640 --> 02:17:10,640
Speaker 1: been waiting for this for not even just two years

2233
02:17:10,640 --> 02:17:12,240
Speaker 1: since Trump was elected. We've been waiting for this for

2234
02:17:12,360 --> 02:17:17,000
Speaker 1: eight years now since and we've had some ideas in

2235
02:17:17,080 --> 02:17:20,160
Speaker 1: mind of what might happen when that house is taken back. Absolutely,

2236
02:17:20,280 --> 02:17:24,000
Speaker 1: ideas that excite us, ideas that make us whisper, ideas

2237
02:17:24,000 --> 02:17:27,440
Speaker 1: that make a scream. But Kate and I have written

2238
02:17:27,520 --> 02:17:30,959
Speaker 1: up some stuff Oscar didn't because Oscar was busy last night.

2239
02:17:31,480 --> 02:17:34,120
Speaker 1: Do what what were you busy with? Oscar? He has

2240
02:17:34,200 --> 02:17:35,880
Speaker 1: no answer for that. He's just touching his coffee. So

2241
02:17:36,000 --> 02:17:38,920
Speaker 1: it's going to save him somehow. It's not Kate, do

2242
02:17:38,959 --> 02:17:41,480
Speaker 1: you want to read, uh, your little story? Show us

2243
02:17:41,520 --> 02:17:43,440
Speaker 1: what's in your brain? What you're hoping for we get

2244
02:17:43,480 --> 02:17:46,720
Speaker 1: politically out of this house. Thank you for the invitation, Billy.

2245
02:17:46,800 --> 02:17:51,520
Speaker 1: I'm really excited to have an outlet for my excitement

2246
02:17:51,640 --> 02:17:57,080
Speaker 1: about the house and my own sexual energy. M The

2247
02:17:57,160 --> 02:18:01,160
Speaker 1: air was heavily perfumed by fresh glisten in sampler baskets.

2248
02:18:01,600 --> 02:18:04,119
Speaker 1: Abby was so excited she could barely take a bite

2249
02:18:04,200 --> 02:18:07,040
Speaker 1: as Nancy Pelosi kept talking to her on and on

2250
02:18:07,240 --> 02:18:09,920
Speaker 1: and on. No one told me Congress was going to

2251
02:18:10,040 --> 02:18:12,440
Speaker 1: be this fun, Abby said as she took an ill

2252
02:18:12,520 --> 02:18:16,520
Speaker 1: informed drag, shooting her straight to the moon. I'm with

2253
02:18:16,720 --> 02:18:19,560
Speaker 1: all that nance, but I'm gonna be all up in

2254
02:18:19,680 --> 02:18:23,720
Speaker 1: that probe, giving my best. Oh face o o O,

2255
02:18:24,160 --> 02:18:28,680
Speaker 1: Adam Shift said, as a few people laughed. Not my best, sorry, guys,

2256
02:18:28,720 --> 02:18:32,680
Speaker 1: Adam said as he asked for the bill. Adam might

2257
02:18:32,760 --> 02:18:35,240
Speaker 1: have been her the woman, but this is and it's

2258
02:18:35,280 --> 02:18:37,800
Speaker 1: you're the woman telling you to shut the funk up,

2259
02:18:38,000 --> 02:18:40,520
Speaker 1: Nancy said, as all the ladies laughed together in a

2260
02:18:40,560 --> 02:18:44,960
Speaker 1: glorious way. Abby couldn't believe the night was all already over,

2261
02:18:45,520 --> 02:18:47,959
Speaker 1: or was it all of a sudden? It was February

2262
02:18:48,040 --> 02:18:50,720
Speaker 1: and the house was in full swing. New and extremely

2263
02:18:50,760 --> 02:18:54,120
Speaker 1: strict gun background checks were in play, and community policing

2264
02:18:54,280 --> 02:18:56,840
Speaker 1: totally took a turn for the best and across the

2265
02:18:56,920 --> 02:19:01,560
Speaker 1: country was totally responsible behind the peaceful burnings of excess

2266
02:19:01,640 --> 02:19:04,959
Speaker 1: guns around the country. Maroon five and had even played

2267
02:19:05,080 --> 02:19:07,400
Speaker 1: at a recent gun burning event in Austin, and it

2268
02:19:07,520 --> 02:19:11,440
Speaker 1: was dope as fuck. Everything was coming up Democrat. As

2269
02:19:11,480 --> 02:19:14,160
Speaker 1: they were about to break for lunch, Nancy Pelosi let

2270
02:19:14,240 --> 02:19:16,760
Speaker 1: everyone know that Trump was stepping down as president because

2271
02:19:16,840 --> 02:19:18,760
Speaker 1: Greg Pence got a message from God that it was

2272
02:19:18,800 --> 02:19:21,640
Speaker 1: the right thing to do. The White House was about

2273
02:19:21,680 --> 02:19:24,480
Speaker 1: to instill the House of Reps as one really big

2274
02:19:24,600 --> 02:19:28,560
Speaker 1: new president. Here here, everyone shouted, Abby, squiled, and delight.

2275
02:19:28,840 --> 02:19:31,039
Speaker 1: She couldn't believe that she was part of an even

2276
02:19:31,320 --> 02:19:34,720
Speaker 1: bigger moment in history that happened in record time. Just

2277
02:19:34,840 --> 02:19:36,400
Speaker 1: as she was about to call her dad and tell

2278
02:19:36,480 --> 02:19:39,520
Speaker 1: him the good news, she felt another naked, unsucked foot

2279
02:19:39,600 --> 02:19:42,520
Speaker 1: fall upon hers. When she looked up, she was shocked

2280
02:19:42,560 --> 02:19:44,320
Speaker 1: at who was on the other end of the leg

2281
02:19:44,600 --> 02:19:55,280
Speaker 1: grazing hers. Oh my gosh, Oh yeah, that sounds like

2282
02:19:55,320 --> 02:19:58,800
Speaker 1: a walk around the block after that one, Thank you

2283
02:19:58,879 --> 02:20:01,000
Speaker 1: for letting me get some of the his thoughts and feelings.

2284
02:20:02,879 --> 02:20:06,120
Speaker 1: I mean, everyone knows that the key to erotica is

2285
02:20:06,360 --> 02:20:13,200
Speaker 1: specifics and Chili's Alexandria Hampton in these are all things

2286
02:20:13,320 --> 02:20:16,360
Speaker 1: that that makes that make parts of my body shout.

2287
02:20:16,959 --> 02:20:18,840
Speaker 1: That's so nice. Thank you. It's so nice to have

2288
02:20:18,959 --> 02:20:21,560
Speaker 1: like a warm reception to something that, like you write

2289
02:20:21,600 --> 02:20:23,600
Speaker 1: in such a piece of you and it's so vulnerable

2290
02:20:23,720 --> 02:20:25,960
Speaker 1: and like you know your question like did I put

2291
02:20:26,000 --> 02:20:28,400
Speaker 1: too many time jumps in there? Is it making sense? Like?

2292
02:20:28,600 --> 02:20:31,040
Speaker 1: And it's just it just feels really nice. Guys, thank you.

2293
02:20:31,360 --> 02:20:33,280
Speaker 1: We are not about king shaming. We are about kink

2294
02:20:33,400 --> 02:20:36,119
Speaker 1: celebration and matter the kink, no matter if it's dangerous

2295
02:20:36,120 --> 02:20:38,720
Speaker 1: to others. Uh. You know, you need to do what

2296
02:20:38,840 --> 02:20:40,760
Speaker 1: you need to do in order to express yourself in

2297
02:20:40,800 --> 02:20:42,880
Speaker 1: your body. Wow. Okay, well, thank you so much for

2298
02:20:42,959 --> 02:20:48,039
Speaker 1: sharing this work of art. Um Billy um Let's hear

2299
02:20:48,120 --> 02:20:50,600
Speaker 1: yours all. Admit. Mind doesn't have as a night time jumps.

2300
02:20:50,640 --> 02:20:52,440
Speaker 1: Mind takes place in sort of more in real time.

2301
02:20:52,520 --> 02:20:57,280
Speaker 1: But that's interesting in its own way. Maybe that's equally erotic.

2302
02:20:58,320 --> 02:21:01,600
Speaker 1: After a grueling eight weeks of auditions and experimental work

2303
02:21:01,640 --> 02:21:04,360
Speaker 1: shopping where several congress people lost their lives due to

2304
02:21:04,440 --> 02:21:09,520
Speaker 1: trust falls, today everyone will learn the committee appointments. Quickly,

2305
02:21:09,560 --> 02:21:12,320
Speaker 1: the shouts start to rise above the din as excitement

2306
02:21:12,400 --> 02:21:16,120
Speaker 1: fills the room with sexy feelings. Mitch tepidly walked towards

2307
02:21:16,160 --> 02:21:19,720
Speaker 1: the corkboard. What committee will he be on? Energy and

2308
02:21:19,840 --> 02:21:25,359
Speaker 1: Commerce Yearbook? Everyone sees Mitch walking, clothes, his neck glistening

2309
02:21:25,400 --> 02:21:29,000
Speaker 1: in the indoor breeze. The crowd parts and hush falls

2310
02:21:29,080 --> 02:21:32,360
Speaker 1: over a hush like that time Mr Bayner cried during

2311
02:21:32,400 --> 02:21:35,320
Speaker 1: the Earth They Assembly. No one wants to be near Mitch.

2312
02:21:35,360 --> 02:21:38,800
Speaker 1: When he finds out the news, Mitch scrolls the list

2313
02:21:39,120 --> 02:21:43,960
Speaker 1: with his sexy hot finger. Commerce, no veterans Affairs, no

2314
02:21:44,560 --> 02:21:48,440
Speaker 1: PEP squad and agriculture, not even that one. Mitch is sad.

2315
02:21:49,200 --> 02:21:51,760
Speaker 1: A tear starts to trickle down his cheek as Tedloo

2316
02:21:51,760 --> 02:21:54,920
Speaker 1: and Elijah Cummings make out by the junior lockers, get

2317
02:21:54,959 --> 02:21:57,920
Speaker 1: a room, shouts Jody Urns, who her headgear covered in

2318
02:21:58,000 --> 02:22:01,840
Speaker 1: four rage stickers. Adam and Alisha do not get a room.

2319
02:22:02,320 --> 02:22:05,360
Speaker 1: They just keep sucking neck, their lips glistening in the

2320
02:22:05,440 --> 02:22:08,920
Speaker 1: indoor breeze. Match is about to give up and go home,

2321
02:22:09,080 --> 02:22:11,280
Speaker 1: thinking this new Congress is one he won't be a

2322
02:22:11,400 --> 02:22:13,640
Speaker 1: part of you'll just have to go home and kill

2323
02:22:13,720 --> 02:22:17,720
Speaker 1: himself like he always does. But just then he sees

2324
02:22:17,840 --> 02:22:20,400
Speaker 1: one tiny list at the very bottom of the corkboard.

2325
02:22:20,920 --> 02:22:23,880
Speaker 1: It has his name on it, but it's the only name.

2326
02:22:26,400 --> 02:22:30,480
Speaker 1: Oh my god, more, give us more. Billy was too short.

2327
02:22:30,640 --> 02:22:33,480
Speaker 1: Holy crap. If you want more, go to your local

2328
02:22:33,560 --> 02:22:39,080
Speaker 1: library and write this there on a public computer. Is

2329
02:22:39,120 --> 02:22:41,400
Speaker 1: it a published work that? I don't know? What? Do

2330
02:22:41,480 --> 02:22:44,800
Speaker 1: you call WordPress? Is word press publishing or not? I

2331
02:22:44,879 --> 02:22:48,720
Speaker 1: don't know. I'm not really, I'm I'm fully steamed up.

2332
02:22:49,040 --> 02:22:51,200
Speaker 1: Really is it legally published? I don't know. Is this

2333
02:22:51,280 --> 02:22:54,160
Speaker 1: in the Library of Congress? Yes? I don't know what.

2334
02:22:54,840 --> 02:22:56,520
Speaker 1: I don't know what weight you want to give that?

2335
02:22:59,520 --> 02:23:02,400
Speaker 1: Guess what. Forever Dog has a baseball podcast and it's

2336
02:23:02,400 --> 02:23:05,879
Speaker 1: about more than baseball, and it's really really good. It's

2337
02:23:05,920 --> 02:23:09,080
Speaker 1: called Three Swings, and on each episode, long suffering baseball

2338
02:23:09,120 --> 02:23:13,640
Speaker 1: fan Ria Butcher reinvents America's pastime with radically sensible thoughts

2339
02:23:13,920 --> 02:23:19,000
Speaker 1: on baseball, history, culture, gender, race, politics, and more. John

2340
02:23:19,080 --> 02:23:20,960
Speaker 1: Lingen over a Dead Spin hit the nail on the

2341
02:23:21,000 --> 02:23:24,000
Speaker 1: head when he described Three Swings like this for Butcher,

2342
02:23:24,200 --> 02:23:26,840
Speaker 1: as for everyone else that cares about the game. Baseball

2343
02:23:26,920 --> 02:23:30,600
Speaker 1: is an escape, a beautifully pointless hobby that nevertheless connects

2344
02:23:30,680 --> 02:23:33,800
Speaker 1: us to our friends, family, city, and youth. But Three

2345
02:23:33,840 --> 02:23:36,960
Speaker 1: Swings is a baseball show for an anxious age, one

2346
02:23:37,000 --> 02:23:41,240
Speaker 1: where everything feels connected and ambiently doomed. As such, it

2347
02:23:41,280 --> 02:23:43,880
Speaker 1: has become a journey of a host's self reflection and

2348
02:23:44,040 --> 02:23:48,560
Speaker 1: self reinvention. The ragged optimism of that evolution is always visible.

2349
02:23:49,320 --> 02:23:53,119
Speaker 1: Well put, couldn't agree more. Please enjoy the following clip

2350
02:23:53,680 --> 02:23:56,680
Speaker 1: from Three Swings. We've got a big trade, which is

2351
02:23:56,800 --> 02:24:00,240
Speaker 1: Daniel Murphy to the Cubs. Uh. Daniel Murphy's out oken

2352
02:24:00,320 --> 02:24:04,000
Speaker 1: homophobia began when he was with the Mets. Billy Bean,

2353
02:24:04,160 --> 02:24:07,560
Speaker 1: former MLB player and current inclusion ambassador, was visiting the

2354
02:24:07,640 --> 02:24:10,760
Speaker 1: Mets and spring training to share his experiences as a

2355
02:24:10,879 --> 02:24:14,880
Speaker 1: closeted professional athlete and to discuss strategies to the MLB

2356
02:24:15,200 --> 02:24:18,400
Speaker 1: to become more inclusive and accepting of gay athletes, executives

2357
02:24:18,520 --> 02:24:20,920
Speaker 1: and fans, um and just to put a pin in

2358
02:24:21,000 --> 02:24:25,760
Speaker 1: this there. Billy Bean has since said that he retired

2359
02:24:25,879 --> 02:24:28,200
Speaker 1: from baseball because he did not feel he could come

2360
02:24:28,240 --> 02:24:30,960
Speaker 1: out and continue to play baseball, and he needed to

2361
02:24:31,040 --> 02:24:33,600
Speaker 1: come out. Um So I think that's an important thing

2362
02:24:33,879 --> 02:24:37,040
Speaker 1: to keep in mind when discussing Billy Bean. Um. I

2363
02:24:37,080 --> 02:24:40,840
Speaker 1: think it's always important to keep a timeline of these things,

2364
02:24:41,120 --> 02:24:43,840
Speaker 1: regardless of what it is UM in mind, which you

2365
02:24:43,920 --> 02:24:47,520
Speaker 1: could also consider to be context. That he retired early

2366
02:24:47,720 --> 02:24:50,120
Speaker 1: from uh, not just the sport that he loved and

2367
02:24:50,240 --> 02:24:54,800
Speaker 1: something he was uh you know, uh blessed I guess

2368
02:24:54,879 --> 02:24:57,680
Speaker 1: to to be able to do um. He also had

2369
02:24:57,720 --> 02:25:01,920
Speaker 1: to retire from work QUI his job, essentially so that

2370
02:25:02,040 --> 02:25:04,520
Speaker 1: he could be his true self. And I don't think

2371
02:25:04,560 --> 02:25:07,520
Speaker 1: we think about that often. You know, we think about

2372
02:25:07,720 --> 02:25:10,520
Speaker 1: we look at you know, the Internet, and everybody's so

2373
02:25:10,800 --> 02:25:13,280
Speaker 1: pro l g B t Q plus I A, like,

2374
02:25:13,400 --> 02:25:17,200
Speaker 1: everybody's so pro everything, and everybody thinks everything's fine now.

2375
02:25:17,400 --> 02:25:23,240
Speaker 1: But like, you gotta think about these things where yeah,

2376
02:25:23,360 --> 02:25:25,400
Speaker 1: he's all over the place and they made this position

2377
02:25:25,480 --> 02:25:29,199
Speaker 1: for him, but he that's because he had to retire

2378
02:25:30,640 --> 02:25:33,200
Speaker 1: so that he could be who he is. And that's

2379
02:25:33,200 --> 02:25:35,720
Speaker 1: a big deal. You know, that's kind of a big problem.

2380
02:25:36,360 --> 02:25:40,560
Speaker 1: And um, you know, I'm more concerned about that that

2381
02:25:40,680 --> 02:25:43,640
Speaker 1: people don't have to quit their jobs or be fired

2382
02:25:43,680 --> 02:25:47,440
Speaker 1: from their jobs than I am about you know, whether

2383
02:25:47,560 --> 02:25:50,000
Speaker 1: or not a team sells a rainbow flag shirt and

2384
02:25:50,080 --> 02:25:53,920
Speaker 1: their pro shop. You know, it's one thing is making

2385
02:25:54,000 --> 02:25:56,160
Speaker 1: money and then the other thing is preventing a human

2386
02:25:56,200 --> 02:25:58,280
Speaker 1: being from doing a job. You know. So I think

2387
02:25:58,320 --> 02:26:00,880
Speaker 1: that both things are important, but one might be a

2388
02:26:00,920 --> 02:26:04,600
Speaker 1: little bit more important for me. Um so. In response

2389
02:26:04,680 --> 02:26:07,280
Speaker 1: to Billy Bean's visit, Murphy first called the idea of

2390
02:26:07,320 --> 02:26:11,240
Speaker 1: forward thinking, before proceeding to say that because of his

2391
02:26:11,400 --> 02:26:15,560
Speaker 1: Christian beliefs, he disagreed with beans lifestyle. The full quote

2392
02:26:15,680 --> 02:26:17,760
Speaker 1: is this, I do disagree with the fact that Billy

2393
02:26:17,879 --> 02:26:21,960
Speaker 1: is a homosexual, something very specific about Christians using the

2394
02:26:22,040 --> 02:26:25,240
Speaker 1: word homosexual. But whatever. Anyway, that doesn't mean I can't

2395
02:26:25,400 --> 02:26:27,320
Speaker 1: still invest in him and get to know him. I

2396
02:26:27,360 --> 02:26:29,760
Speaker 1: don't think the fact that someone is a homosexual should

2397
02:26:29,800 --> 02:26:32,320
Speaker 1: completely shut the door on investing in them. In a

2398
02:26:32,440 --> 02:26:35,600
Speaker 1: relational aspect, I would say, you can still accept them,

2399
02:26:35,640 --> 02:26:39,640
Speaker 1: but I do disagree with the lifestyle one Maybe as

2400
02:26:39,680 --> 02:26:44,960
Speaker 1: a Christian, Oh sorry, new sentence. Maybe as a Christian

2401
02:26:45,080 --> 02:26:48,039
Speaker 1: we haven't been articulate enough in describing what our actual

2402
02:26:48,160 --> 02:26:51,800
Speaker 1: stances on homosexuality. We love the people, we disagree with

2403
02:26:51,879 --> 02:26:54,200
Speaker 1: the lifestyle. That's the way I would describe it. For me,

2404
02:26:54,400 --> 02:26:56,520
Speaker 1: it's the same way that there are aspects of my

2405
02:26:56,720 --> 02:26:59,760
Speaker 1: life that I'm trying to surrender to Christ. That's a

2406
02:26:59,800 --> 02:27:02,360
Speaker 1: g eight deal of many things, like my pride, which

2407
02:27:02,440 --> 02:27:04,360
Speaker 1: I think is such an interesting choice of words, and

2408
02:27:04,400 --> 02:27:06,640
Speaker 1: I'll get back to that. I just think that as

2409
02:27:06,680 --> 02:27:09,520
Speaker 1: a believer trying to articulate it in a way that says,

2410
02:27:09,600 --> 02:27:12,039
Speaker 1: just because I disagree with the lifestyle doesn't mean I'm

2411
02:27:12,080 --> 02:27:14,240
Speaker 1: not going to speak to Billy Bean every time he

2412
02:27:14,320 --> 02:27:17,040
Speaker 1: walks through the door. That's not love. That's not love

2413
02:27:17,120 --> 02:27:24,520
Speaker 1: at all. Now, I have to admit that in when

2414
02:27:24,600 --> 02:27:28,600
Speaker 1: this happened, I had just started getting back into baseball

2415
02:27:28,920 --> 02:27:34,520
Speaker 1: in was the first World Series that I watched since

2416
02:27:35,000 --> 02:27:39,160
Speaker 1: probably two thousand six, um, because I really was out

2417
02:27:39,200 --> 02:27:42,280
Speaker 1: of sports for a long time, men's professional sports for

2418
02:27:42,320 --> 02:27:45,480
Speaker 1: a long time. And I found out about this stuff

2419
02:27:46,120 --> 02:27:50,560
Speaker 1: mostly via like TV clips and then maybe the internet,

2420
02:27:50,640 --> 02:27:52,880
Speaker 1: but I don't really know. It was a combination. And

2421
02:27:53,200 --> 02:27:55,400
Speaker 1: I didn't read the whole quote, and I didn't hear

2422
02:27:55,440 --> 02:27:58,960
Speaker 1: the whole quote, and I'll be honest, I just kind

2423
02:27:59,040 --> 02:28:02,879
Speaker 1: of saw homophobic baseball player and went funk that guy.

2424
02:28:03,600 --> 02:28:08,840
Speaker 1: And that's on me. Number One. I have in the past,

2425
02:28:08,959 --> 02:28:13,080
Speaker 1: like I don't know. Year of this year really tried

2426
02:28:13,200 --> 02:28:18,440
Speaker 1: to slow down and not just like I'm gonna say, retweet,

2427
02:28:18,480 --> 02:28:21,240
Speaker 1: but I I it's a metaphor for everything, which is

2428
02:28:22,080 --> 02:28:25,600
Speaker 1: everything has turned into such like click bait, where it's

2429
02:28:26,000 --> 02:28:29,720
Speaker 1: boiled down to this essential nature that is an attempt

2430
02:28:29,840 --> 02:28:34,520
Speaker 1: to get your attention and also inspire either rage, panic,

2431
02:28:34,800 --> 02:28:39,400
Speaker 1: or happiness. And so I have tried really hard to

2432
02:28:40,080 --> 02:28:43,560
Speaker 1: if there's something that I see and it inspires any

2433
02:28:43,600 --> 02:28:46,040
Speaker 1: of those things in me, and it is on a

2434
02:28:46,120 --> 02:28:49,520
Speaker 1: website that is a real thing, I try to take

2435
02:28:49,560 --> 02:28:52,800
Speaker 1: a moment to read it and see if that's what

2436
02:28:53,000 --> 02:28:55,960
Speaker 1: they're actually saying, you know, because I've seen so many

2437
02:28:56,160 --> 02:29:00,800
Speaker 1: news headlines or tweet headlines that really do not line

2438
02:29:00,840 --> 02:29:03,760
Speaker 1: up with what the actual article is saying, and it's

2439
02:29:04,000 --> 02:29:09,240
Speaker 1: it's so uh disparaging and so frustrating and so toxic

2440
02:29:09,640 --> 02:29:14,360
Speaker 1: for everything that, um, you really owe it to literally

2441
02:29:14,440 --> 02:29:18,480
Speaker 1: yourself to pay more full attention to the things that

2442
02:29:18,560 --> 02:29:22,200
Speaker 1: you want to comment on. You know, Like I both

2443
02:29:22,280 --> 02:29:24,960
Speaker 1: bristle and completely agree with the idea that there is

2444
02:29:25,000 --> 02:29:28,120
Speaker 1: outrage culture, because I think that for a lot of people,

2445
02:29:28,680 --> 02:29:31,440
Speaker 1: outrage has become the new PC culture, and like all

2446
02:29:31,480 --> 02:29:34,360
Speaker 1: of these things are like a toss away, just a

2447
02:29:34,440 --> 02:29:37,720
Speaker 1: way of diminishing someone saying, hey, stop treating us badly.

2448
02:29:38,360 --> 02:29:40,920
Speaker 1: But at the same time, there is also people who

2449
02:29:41,040 --> 02:29:43,080
Speaker 1: just jump on board with a thing and act like

2450
02:29:43,240 --> 02:29:46,440
Speaker 1: it's the craziest, worst thing that's ever happened. Let's all

2451
02:29:46,520 --> 02:29:49,720
Speaker 1: burn everything down. And so there's got to be a

2452
02:29:49,840 --> 02:29:52,440
Speaker 1: middle ground here of going, wait a minute, what is

2453
02:29:52,480 --> 02:29:54,960
Speaker 1: this actually about? What is this person actually trying to say?

2454
02:29:56,600 --> 02:30:00,520
Speaker 1: And so I'm actually grateful to the fact that this

2455
02:30:00,680 --> 02:30:05,000
Speaker 1: guy was traded somewhere that we're all going back and

2456
02:30:05,120 --> 02:30:07,240
Speaker 1: looking at this again because I think that there's a

2457
02:30:07,320 --> 02:30:10,160
Speaker 1: lot here, because I haven't even gotten to the fan

2458
02:30:10,320 --> 02:30:14,640
Speaker 1: reaction to the fact that Daniel Murphy is playing in Chicago. Um,

2459
02:30:14,840 --> 02:30:18,240
Speaker 1: just to go back to his quote, I actually, um,

2460
02:30:19,320 --> 02:30:22,520
Speaker 1: I actually think that what he is trying to get at,

2461
02:30:23,560 --> 02:30:29,960
Speaker 1: while I disagree, because I don't think you can disagree

2462
02:30:30,160 --> 02:30:34,040
Speaker 1: with a human beings existence, because he is able to

2463
02:30:34,280 --> 02:30:40,920
Speaker 1: as a non LGBTQ person and as a his type

2464
02:30:40,959 --> 02:30:44,720
Speaker 1: of Christian person with his belief system, is able to

2465
02:30:44,879 --> 02:30:50,080
Speaker 1: see his lifestyle as a norm or an acceptable one,

2466
02:30:50,320 --> 02:30:55,240
Speaker 1: or following Christ or whatever or neutral he is in

2467
02:30:55,400 --> 02:30:58,000
Speaker 1: the sort of neutral position to be able to say,

2468
02:30:58,879 --> 02:31:02,640
Speaker 1: you know, essentially, hate the sin, not the cinner, and

2469
02:31:02,800 --> 02:31:05,280
Speaker 1: it's a sort of evolved position from hate the sin

2470
02:31:05,400 --> 02:31:07,920
Speaker 1: not the center, to say I disagree with your lifestyle,

2471
02:31:08,400 --> 02:31:10,240
Speaker 1: but that doesn't mean I'm not going to engage with

2472
02:31:10,320 --> 02:31:12,600
Speaker 1: you as a human being. And the reason I'm even

2473
02:31:13,000 --> 02:31:16,560
Speaker 1: saying this, and I hope that all of you who

2474
02:31:16,920 --> 02:31:20,360
Speaker 1: probably disagree with me right now understand that I am

2475
02:31:20,879 --> 02:31:24,520
Speaker 1: a thirty six year old queer person who has lived

2476
02:31:24,560 --> 02:31:30,560
Speaker 1: their life as a gender nonconforming UH person and also

2477
02:31:30,680 --> 02:31:33,560
Speaker 1: a butch lesbian and also all of the things that

2478
02:31:33,640 --> 02:31:36,199
Speaker 1: I've been in my life, I have not been accepted.

2479
02:31:36,320 --> 02:31:39,119
Speaker 1: I have been treated like shit simply for the way

2480
02:31:39,200 --> 02:31:42,880
Speaker 1: I exist on this planet. So please keep that in

2481
02:31:42,959 --> 02:31:45,120
Speaker 1: mind when I say all this stuff. I am somebody

2482
02:31:45,200 --> 02:31:47,840
Speaker 1: that has I don't like Daniel Murphy as a player.

2483
02:31:48,120 --> 02:31:49,760
Speaker 1: I don't even like his I don't like his style

2484
02:31:49,800 --> 02:31:52,320
Speaker 1: of play, but I have to be very honest about

2485
02:31:52,320 --> 02:31:55,240
Speaker 1: the way this guy is talking that I actually think

2486
02:31:55,320 --> 02:31:59,800
Speaker 1: that someone speaking this way about that is someone that

2487
02:32:00,040 --> 02:32:03,160
Speaker 1: you could have a conversation with and say, I get

2488
02:32:03,240 --> 02:32:05,920
Speaker 1: what you're saying, but this is why I think it's wrong.

2489
02:32:06,400 --> 02:32:09,680
Speaker 1: Can we have a conversation about this? Do you realize

2490
02:32:10,120 --> 02:32:13,440
Speaker 1: that as a human being you cannot separate my existence

2491
02:32:14,040 --> 02:32:16,760
Speaker 1: from my human nous And the fact that I am

2492
02:32:16,920 --> 02:32:20,960
Speaker 1: queer is not a lifestyle. It is in existence. It

2493
02:32:21,120 --> 02:32:24,320
Speaker 1: is not something that I put on because I feel

2494
02:32:24,400 --> 02:32:28,560
Speaker 1: like it. Moving now from the baseball diamond to the

2495
02:32:28,680 --> 02:32:31,240
Speaker 1: farthest reaches of outer space, we arrive at Treks in

2496
02:32:31,280 --> 02:32:34,520
Speaker 1: the City, an episode by episode recap of Star Trek

2497
02:32:34,560 --> 02:32:37,840
Speaker 1: the Next Generation hosted by Alice Wetterland and Veronica Sorio

2498
02:32:38,240 --> 02:32:41,400
Speaker 1: that features the absolute best in feminist sci fi comedy,

2499
02:32:41,480 --> 02:32:45,000
Speaker 1: plus soundboard, sound effects, original songs, and amazing guests like

2500
02:32:45,120 --> 02:32:48,160
Speaker 1: Paula Tompkins, Amanda Seal's, John Lovett, Iron Mass in the

2501
02:32:48,240 --> 02:32:51,080
Speaker 1: Third Joke and Booster, and many many more. For Star

2502
02:32:51,160 --> 02:32:53,959
Speaker 1: Trek die hards and novices alike, Treks in the City

2503
02:32:54,040 --> 02:32:56,920
Speaker 1: has an absolute treasure chest of a back catalog, So

2504
02:32:57,080 --> 02:33:00,000
Speaker 1: subscribe and get caught up now before Alison Veronica jump

2505
02:33:00,040 --> 02:33:03,200
Speaker 1: up into season four in nineteen and in the meantime,

2506
02:33:03,320 --> 02:33:06,279
Speaker 1: enjoy this clip of Alice, Veronica and guests Whitmer Thomas

2507
02:33:06,480 --> 02:33:10,080
Speaker 1: singing an improvised pop punk song about the Android data

2508
02:33:10,400 --> 02:33:14,600
Speaker 1: and his android offspring Lall from season three, episode sixteen,

2509
02:33:15,080 --> 02:33:20,400
Speaker 1: The Offspring, I have something cute up there you go?

2510
02:33:21,640 --> 02:33:26,400
Speaker 1: What am I singing about? Saying goodbye to Law? Law

2511
02:33:26,800 --> 02:33:34,480
Speaker 1: was a really nice little robot. She felt a little

2512
02:33:34,560 --> 02:33:38,720
Speaker 1: too much. She liked her Doddy and she's liked his touch.

2513
02:33:39,440 --> 02:33:43,720
Speaker 1: She had a motion, she knew about paintings. She would

2514
02:33:43,760 --> 02:33:46,720
Speaker 1: spit a drink on her shirt. And one day she

2515
02:33:46,879 --> 02:33:52,879
Speaker 1: got too smart and her little hard was torn apart.

2516
02:33:53,680 --> 02:33:59,280
Speaker 1: So she had to be repaired. But no matter how

2517
02:33:59,520 --> 02:34:09,760
Speaker 1: fast Dada Daddy is Houn Mills gee how because they

2518
02:34:09,840 --> 02:34:16,200
Speaker 1: couldn't improve her. Oh, Datta Daddy, Datta Daddy, couldn't get

2519
02:34:16,280 --> 02:34:28,480
Speaker 1: in dap gotta daddy dada dadda daddy deep dickens big.

2520
02:34:33,200 --> 02:34:37,120
Speaker 1: Oh my god, I wish you would just record an

2521
02:34:37,120 --> 02:34:40,080
Speaker 1: album talking about what we are going to record albums.

2522
02:34:40,080 --> 02:34:45,360
Speaker 1: So maybe wedn't have that song Beyond Beyond. I'll always

2523
02:34:45,400 --> 02:34:49,520
Speaker 1: do a little choruses if you need thanks, be there,

2524
02:34:49,640 --> 02:34:54,040
Speaker 1: Thank you. The Unofficial Expert with Sydney Washington and Marie

2525
02:34:54,120 --> 02:34:56,600
Speaker 1: Fouston is a podcast that we have always listened to

2526
02:34:56,720 --> 02:34:59,760
Speaker 1: with absolute awe and how funny it is, how fast

2527
02:34:59,800 --> 02:35:02,120
Speaker 1: it is, and so When Sydney and Marie brought the

2528
02:35:02,200 --> 02:35:05,119
Speaker 1: Unofficial Expert to Forever Dog this year, we were ecstatic.

2529
02:35:05,560 --> 02:35:08,000
Speaker 1: Each episode, Sydney and Marie invite on a guest who

2530
02:35:08,080 --> 02:35:11,680
Speaker 1: claims to be an expert in a very specific field flirting, porn,

2531
02:35:11,879 --> 02:35:15,800
Speaker 1: daddy issues, online dating, cookouts, stalking, sex toys, runaway brides,

2532
02:35:16,240 --> 02:35:19,600
Speaker 1: and they interview the guests to test their expertise, deciding

2533
02:35:19,680 --> 02:35:21,520
Speaker 1: by the end of the episode whether or not to

2534
02:35:21,600 --> 02:35:25,039
Speaker 1: crown them an unofficial expert. Please enjoy the following clip

2535
02:35:25,120 --> 02:35:28,280
Speaker 1: from the episode Sex Date Expert with guest Molly Austin.

2536
02:35:28,720 --> 02:35:32,000
Speaker 1: So I showed to the date and well, first of all, wow,

2537
02:35:32,160 --> 02:35:36,039
Speaker 1: threesomes are a weird group of people to break into.

2538
02:35:36,280 --> 02:35:38,640
Speaker 1: I will say as because like, well, I just want

2539
02:35:38,680 --> 02:35:40,600
Speaker 1: to let you know, people who are openly looking for

2540
02:35:40,720 --> 02:35:44,800
Speaker 1: three sims are fucking weird. Like any threesome I've had,

2541
02:35:44,879 --> 02:35:48,160
Speaker 1: it just fucking happened. Any threesome you've had. How many

2542
02:35:48,280 --> 02:35:54,760
Speaker 1: threesomes have you had? Said number? I need a hard number,

2543
02:35:57,680 --> 02:35:59,920
Speaker 1: one to three? Four? Give me am I in the tea?

2544
02:36:00,200 --> 02:36:02,520
Speaker 1: Where am I with? This bit is less than it's

2545
02:36:02,600 --> 02:36:09,760
Speaker 1: less than five, So four five, she's at at least

2546
02:36:09,840 --> 02:36:12,400
Speaker 1: five whatever this is about you, the saying about me,

2547
02:36:12,520 --> 02:36:14,640
Speaker 1: But let's talk about your didn't know you had five

2548
02:36:14,760 --> 02:36:17,520
Speaker 1: three times? Isn't that crazy that she's had six? I

2549
02:36:17,640 --> 02:36:21,120
Speaker 1: mean seven is lucky? Had three? Soomes is crazy? Dude,

2550
02:36:21,160 --> 02:36:23,400
Speaker 1: I can't believe you had that. Man. Let the listeners

2551
02:36:23,480 --> 02:36:26,000
Speaker 1: think whatever they want to. Y'all know, damn well, I haven't.

2552
02:36:26,000 --> 02:36:27,720
Speaker 1: What are we doing with your boobs right now? I'm

2553
02:36:27,800 --> 02:36:31,640
Speaker 1: just Missa's because it was more hands on her boobs before.

2554
02:36:31,720 --> 02:36:34,120
Speaker 1: I feel like I'm at the guy. No, wait what

2555
02:36:34,280 --> 02:36:37,640
Speaker 1: I'm not touching myself like you're working for lumps. I don't.

2556
02:36:37,720 --> 02:36:41,600
Speaker 1: I don't check anyway, go ahead, Yes, he got a chap,

2557
02:36:41,760 --> 02:36:43,760
Speaker 1: I know, but I feel like they look smooth. You

2558
02:36:43,840 --> 02:36:47,280
Speaker 1: know that's true. Anyway, So you're you meet up with

2559
02:36:47,320 --> 02:36:50,240
Speaker 1: these people, So I meet up with these people, And

2560
02:36:50,800 --> 02:36:53,720
Speaker 1: did you have a preference you wanted? I mean, I

2561
02:36:53,760 --> 02:36:55,960
Speaker 1: guess it was gonna be a girl and guy. Well, no,

2562
02:36:56,200 --> 02:36:59,760
Speaker 1: I was open. No, I was like open to discussing

2563
02:37:00,400 --> 02:37:06,680
Speaker 1: all options. Guy and guy. I'm like, that feels I

2564
02:37:06,720 --> 02:37:09,240
Speaker 1: don't know, something about two dicks feels very violent to me,

2565
02:37:09,920 --> 02:37:13,920
Speaker 1: like swords like swords right like and like you get

2566
02:37:14,000 --> 02:37:16,080
Speaker 1: to cut somewhere right. But I'm like also like not

2567
02:37:16,360 --> 02:37:19,880
Speaker 1: shut down to the idea. But I'm also not like Molly,

2568
02:37:19,959 --> 02:37:23,120
Speaker 1: you would take two dicks, That's what I mean. I

2569
02:37:23,200 --> 02:37:27,080
Speaker 1: feel like I'm not judging you, but I'm I don't

2570
02:37:27,080 --> 02:37:28,680
Speaker 1: think it would have to be like a very I

2571
02:37:28,760 --> 02:37:30,920
Speaker 1: don't know. I just like I don't. I don't think

2572
02:37:30,959 --> 02:37:34,920
Speaker 1: I could handle to. Do you think you could handle to?

2573
02:37:35,200 --> 02:37:37,000
Speaker 1: I feel like you could handle two dicks as well.

2574
02:37:37,160 --> 02:37:41,440
Speaker 1: I feel like I've wiped what about me? You would

2575
02:37:41,480 --> 02:37:44,920
Speaker 1: have like dicks? You have one like getting snacks set up,

2576
02:37:45,080 --> 02:37:46,800
Speaker 1: and then you would bang one and then like he

2577
02:37:46,840 --> 02:37:49,240
Speaker 1: would rest and then you would eat, you know, a

2578
02:37:49,280 --> 02:37:52,720
Speaker 1: little little break. Molly, you got a new back, so

2579
02:37:52,840 --> 02:37:54,920
Speaker 1: you definitely could take two dicks. That's what I'm talking about.

2580
02:37:55,760 --> 02:37:57,760
Speaker 1: I do have a new back. Not two big dicks,

2581
02:37:57,840 --> 02:37:59,520
Speaker 1: but like a like a medium sized dick, and then

2582
02:37:59,560 --> 02:38:01,800
Speaker 1: like a I'm not working around with two dicks for

2583
02:38:02,160 --> 02:38:05,920
Speaker 1: for for glow average dick. I mean, I've like people

2584
02:38:05,959 --> 02:38:09,680
Speaker 1: who have three sums don't have great dicks. I want

2585
02:38:09,720 --> 02:38:12,560
Speaker 1: to say, yeah, right, that's why they need to help

2586
02:38:12,720 --> 02:38:22,880
Speaker 1: as a threesome expert. I tell you know. Anyway, So

2587
02:38:23,600 --> 02:38:26,560
Speaker 1: I get there. I get there. He's there already, And

2588
02:38:27,920 --> 02:38:33,520
Speaker 1: I mean like like Clark Kent, like six three, real broad,

2589
02:38:33,959 --> 02:38:37,360
Speaker 1: real like tall, dark and handsome, just like a night

2590
02:38:37,440 --> 02:38:40,279
Speaker 1: like a like a retired chipping Dale. He's like fucking

2591
02:38:40,400 --> 02:38:43,800
Speaker 1: buff and he's like hot. You are painting the photo here.

2592
02:38:43,959 --> 02:38:47,160
Speaker 1: I mean this man is just like his hands like

2593
02:38:47,240 --> 02:38:51,520
Speaker 1: fit across my entire back. Like he's huge. He's a

2594
02:38:51,760 --> 02:38:55,360
Speaker 1: huge at beautiful man who like, yeah, he's like a

2595
02:38:55,440 --> 02:39:07,800
Speaker 1: giant and I'm just like like your yeah. But if

2596
02:39:07,840 --> 02:39:10,120
Speaker 1: he's that big and that fine, I would assume that

2597
02:39:10,200 --> 02:39:15,120
Speaker 1: means he either doesn't speak English or he's very dumb. Right, Yes,

2598
02:39:15,959 --> 02:39:19,200
Speaker 1: I mean no, I definitely because I once a day

2599
02:39:19,200 --> 02:39:21,920
Speaker 1: did a male model, so I was like perfect right

2600
02:39:21,959 --> 02:39:24,160
Speaker 1: at my alley. They don't like no words, I mean

2601
02:39:24,200 --> 02:39:26,080
Speaker 1: not seeing a picture of him. He's good looking, but

2602
02:39:26,280 --> 02:39:29,520
Speaker 1: he don't look dumb. No, he's actually not. He's actually

2603
02:39:29,640 --> 02:39:31,720
Speaker 1: very smart and smart. I can see the way he

2604
02:39:31,800 --> 02:39:37,000
Speaker 1: parted sucking hair, he has a hat, he has arts

2605
02:39:37,040 --> 02:39:39,680
Speaker 1: his air and smooth, he's like slick. He's like very

2606
02:39:40,120 --> 02:39:43,240
Speaker 1: You should have led with the fact that he parts Clark.

2607
02:39:44,320 --> 02:39:48,640
Speaker 1: I didn't know that Superman was parent that Clark can

2608
02:39:48,760 --> 02:39:51,880
Speaker 1: had glasses, flies through the air, never loses his part.

2609
02:39:55,400 --> 02:39:58,520
Speaker 1: So what does the girl look like? So she's late

2610
02:39:59,040 --> 02:40:01,760
Speaker 1: and we are like, and I was like, which is

2611
02:40:01,800 --> 02:40:04,680
Speaker 1: a terrible move for her, because if I bringing my

2612
02:40:04,800 --> 02:40:06,959
Speaker 1: man and meet another bitch, Oh, I'm getting there early,

2613
02:40:07,800 --> 02:40:09,880
Speaker 1: you're pulling up together. No, no, no, I'm getting there early.

2614
02:40:09,920 --> 02:40:13,680
Speaker 1: I'm but together. Right where was she that he got

2615
02:40:13,720 --> 02:40:15,960
Speaker 1: there first, meet me early. I'm gonna get there early.

2616
02:40:16,080 --> 02:40:18,240
Speaker 1: Talk to the way to listen, another bitch is coming in,

2617
02:40:18,480 --> 02:40:21,440
Speaker 1: and yeah, it's gonna be messy. So well she gets

2618
02:40:21,440 --> 02:40:23,640
Speaker 1: oh my god, toname is really? Why is it so

2619
02:40:23,840 --> 02:40:27,160
Speaker 1: violent for you? And it was like, I'm under the well,

2620
02:40:27,240 --> 02:40:30,760
Speaker 1: I'm told that it's her idea. The whole thing is

2621
02:40:30,800 --> 02:40:32,840
Speaker 1: her idea. That means he's about to break up with

2622
02:40:32,959 --> 02:40:36,400
Speaker 1: her and she's panicking, right right, that's what that is.

2623
02:40:36,480 --> 02:40:38,560
Speaker 1: Why you just ruin the end of the story. So well,

2624
02:40:38,640 --> 02:40:41,160
Speaker 1: that's what hell that. But I'm no, I'm saying that's

2625
02:40:41,160 --> 02:40:43,680
Speaker 1: a fact. Like if you were like, yo, I'll do

2626
02:40:43,800 --> 02:40:45,760
Speaker 1: whatever you want, so you could say it would be

2627
02:40:45,840 --> 02:40:49,440
Speaker 1: a threesome. Well, yeah, this is why I don't This

2628
02:40:49,680 --> 02:40:52,080
Speaker 1: is why I don't care about how men feel I'm

2629
02:40:52,160 --> 02:40:55,480
Speaker 1: not a desperate hail Mary pass. To keep my man

2630
02:40:55,680 --> 02:41:00,160
Speaker 1: is to bring another chicken to the situation. I ever,

2631
02:41:00,240 --> 02:41:01,680
Speaker 1: I'd be like, if you want to go, go And

2632
02:41:01,760 --> 02:41:04,560
Speaker 1: also I'm never going to bring someone into my situation.

2633
02:41:04,720 --> 02:41:08,120
Speaker 1: I'm going out. I'm going out. I'm going out for food,

2634
02:41:08,560 --> 02:41:10,120
Speaker 1: you know what I'm talking about, because i want to

2635
02:41:10,120 --> 02:41:11,520
Speaker 1: go home. I don't want these people in my home.

2636
02:41:11,560 --> 02:41:14,640
Speaker 1: I don't want them in my space. I don't want like, no, no, no,

2637
02:41:15,480 --> 02:41:17,360
Speaker 1: I don't want to never see these people again. I

2638
02:41:17,400 --> 02:41:20,640
Speaker 1: don't even want them to be from this coast and

2639
02:41:20,680 --> 02:41:24,720
Speaker 1: they're not look at look at God. In addition to

2640
02:41:24,760 --> 02:41:27,040
Speaker 1: the thrilling Adventure Hour, we also had the privilege this

2641
02:41:27,120 --> 02:41:29,120
Speaker 1: year of working with Ben Blacker on another one of

2642
02:41:29,200 --> 02:41:33,160
Speaker 1: his podcasts, The Writer's Panel, which celebrated it's four hundred

2643
02:41:33,320 --> 02:41:36,160
Speaker 1: episode this year with an amazing live show at Dynasty

2644
02:41:36,240 --> 02:41:39,240
Speaker 1: Typewriter in Los Angeles. The Writer's Panel has one of

2645
02:41:39,280 --> 02:41:42,680
Speaker 1: the most impressive back catalogs you will ever find, featuring

2646
02:41:42,800 --> 02:41:46,400
Speaker 1: in depth interviews with Vince Gilligan, Amy Sherman, Palladino, Jordan

2647
02:41:46,480 --> 02:41:49,640
Speaker 1: Peel and Keegan, Michael Key, Damon Lindeloft, and many more

2648
02:41:49,760 --> 02:41:53,400
Speaker 1: television luminaries. The writer's panel is the definitive guide to

2649
02:41:53,480 --> 02:41:55,879
Speaker 1: our golden age of TV, and I hope you enjoy

2650
02:41:56,040 --> 02:41:59,280
Speaker 1: this highlight from the Live FO episode, which featured an

2651
02:41:59,320 --> 02:42:02,720
Speaker 1: incredible all of writers and show winners, including Caroline Drees,

2652
02:42:02,879 --> 02:42:07,960
Speaker 1: LaToya Morgan, Alexander Cunningham, Monica Breen, Christine Boylan, Chernold Edwards,

2653
02:42:08,200 --> 02:42:11,400
Speaker 1: Angela King, and Jennifer Hutchinson. When it seems, it seems

2654
02:42:11,440 --> 02:42:13,440
Speaker 1: to me that a lot of the request for free

2655
02:42:13,480 --> 02:42:17,440
Speaker 1: work come from a place of fear on the buyer's side.

2656
02:42:17,600 --> 02:42:21,200
Speaker 1: It's we we need to feel secure in paying you

2657
02:42:21,320 --> 02:42:23,400
Speaker 1: to do this thing, So do all the free stuff first. Well,

2658
02:42:23,440 --> 02:42:25,160
Speaker 1: what's hard is when you go into pitch and I

2659
02:42:25,200 --> 02:42:27,480
Speaker 1: would love to hear from every everybody here who's like

2660
02:42:27,680 --> 02:42:30,360
Speaker 1: sold all this stuff, because I've sold certain things and

2661
02:42:30,440 --> 02:42:34,840
Speaker 1: something's going some things don't. But they want a This

2662
02:42:35,000 --> 02:42:36,840
Speaker 1: is such a Tony Robbins thing of like a need

2663
02:42:36,920 --> 02:42:39,680
Speaker 1: for a need for a need for like certainty and

2664
02:42:39,760 --> 02:42:42,320
Speaker 1: a need for adventure at the same time, and that's

2665
02:42:42,320 --> 02:42:44,400
Speaker 1: what they want. They want certainty. They want to know

2666
02:42:44,480 --> 02:42:46,120
Speaker 1: you have all the secrets of the universe in your

2667
02:42:46,160 --> 02:42:48,200
Speaker 1: iPod or in your cards or in your head however

2668
02:42:48,240 --> 02:42:52,440
Speaker 1: your pitch. But they also want to be enticed, so

2669
02:42:52,520 --> 02:42:54,240
Speaker 1: they want you to tell them everything. But they don't

2670
02:42:54,240 --> 02:42:56,320
Speaker 1: want you to tell them everything because they want to

2671
02:42:56,400 --> 02:42:59,640
Speaker 1: they want to be seduced, and and that's important too.

2672
02:43:00,040 --> 02:43:02,480
Speaker 1: So like the last I've been back and forth wearing

2673
02:43:02,520 --> 02:43:04,199
Speaker 1: on a couple of pitches the last couple of months

2674
02:43:04,520 --> 02:43:06,720
Speaker 1: and trying to find that level of I'm the kind

2675
02:43:06,760 --> 02:43:09,240
Speaker 1: of person who I will like, arrest you for eight

2676
02:43:09,320 --> 02:43:11,680
Speaker 1: hours and tell you every single detail of this whole world.

2677
02:43:11,720 --> 02:43:14,840
Speaker 1: And nobody wants that obviously, right um. But at the

2678
02:43:14,840 --> 02:43:17,240
Speaker 1: same time, the ten minute pitches, like I haven't even

2679
02:43:17,240 --> 02:43:19,400
Speaker 1: gotten into the part where the angels come down, just

2680
02:43:19,720 --> 02:43:23,320
Speaker 1: you know, just give me five more minutes, you know.

2681
02:43:23,840 --> 02:43:26,520
Speaker 1: So I mean, the balance of what do you keep

2682
02:43:26,560 --> 02:43:29,360
Speaker 1: and what do what do you not keep? And walking

2683
02:43:29,400 --> 02:43:32,080
Speaker 1: into a room where if you're pitching on a book,

2684
02:43:33,160 --> 02:43:35,520
Speaker 1: you have to assume no one's read that book, even

2685
02:43:35,560 --> 02:43:37,720
Speaker 1: though the people you're bringing with you, the producers, will

2686
02:43:37,760 --> 02:43:39,040
Speaker 1: have read it and they know it and you know,

2687
02:43:39,320 --> 02:43:42,200
Speaker 1: maybe you know the author. Maybe that's going great podcast.

2688
02:43:42,280 --> 02:43:47,600
Speaker 1: They probably heard it, right, But they I mean, and

2689
02:43:47,680 --> 02:43:50,480
Speaker 1: to be fair, if they have to read a lot

2690
02:43:51,120 --> 02:43:52,960
Speaker 1: and they all have families, and it's you know, I

2691
02:43:53,040 --> 02:43:57,000
Speaker 1: get that, but I don't get it. I want them

2692
02:43:57,040 --> 02:44:00,560
Speaker 1: to have read more, but I never expected you know,

2693
02:44:01,040 --> 02:44:03,600
Speaker 1: that's the thing. So, yeah, what's the balance for you

2694
02:44:03,680 --> 02:44:07,959
Speaker 1: guys of of like of like seduction and enticement versus listen,

2695
02:44:08,080 --> 02:44:11,120
Speaker 1: here is a chart of five to seven seasons, and

2696
02:44:11,360 --> 02:44:13,240
Speaker 1: here are the points we're gonna hit. And it's gonna

2697
02:44:13,520 --> 02:44:16,480
Speaker 1: spike on Twitter season four because of this. Just trust me, Like,

2698
02:44:17,240 --> 02:44:19,000
Speaker 1: how do we do that well in the details that

2699
02:44:19,080 --> 02:44:21,160
Speaker 1: you think are important versus the ones that are important

2700
02:44:21,200 --> 02:44:25,160
Speaker 1: for telling that story? I mean, well, first of all,

2701
02:44:25,240 --> 02:44:27,720
Speaker 1: sometimes it doesn't help if they've listened to the podcast.

2702
02:44:27,800 --> 02:44:29,879
Speaker 1: I found that, like I had better pitches on Nightville

2703
02:44:29,920 --> 02:44:32,720
Speaker 1: when maybe they weren't as familiar with it because they

2704
02:44:32,800 --> 02:44:35,560
Speaker 1: have expectations if they listen to it, they think this

2705
02:44:35,760 --> 02:44:37,360
Speaker 1: is gonna be who you're following, this is going to

2706
02:44:37,400 --> 02:44:38,720
Speaker 1: be what the show is. And then if you don't

2707
02:44:38,800 --> 02:44:42,200
Speaker 1: meet those then you're not you're not selling to that place. Um,

2708
02:44:43,160 --> 02:44:45,680
Speaker 1: it's a hard balanced And this is something I consistently

2709
02:44:45,720 --> 02:44:47,440
Speaker 1: struggle with. I am the person where I go in

2710
02:44:47,520 --> 02:44:49,560
Speaker 1: and and like it's never the right amount of detail.

2711
02:44:49,640 --> 02:44:52,360
Speaker 1: Like if I overdo it, my agents like, oh wow,

2712
02:44:52,440 --> 02:44:54,400
Speaker 1: you really apparently gave a lot of detail. And then

2713
02:44:54,440 --> 02:44:55,960
Speaker 1: if I underdo it, it's like, oh, they want you

2714
02:44:56,000 --> 02:44:58,760
Speaker 1: to come back, and it's so hard balance. And so

2715
02:44:58,920 --> 02:45:01,640
Speaker 1: I think the thing that I have found is because

2716
02:45:01,680 --> 02:45:03,720
Speaker 1: you're right, they want to know everything, but they don't

2717
02:45:03,720 --> 02:45:05,680
Speaker 1: want to know anything. What they really want to know

2718
02:45:06,200 --> 02:45:10,040
Speaker 1: is do you know everything? And and if you can

2719
02:45:10,120 --> 02:45:13,400
Speaker 1: communicate that to them, then I think that's when you

2720
02:45:13,480 --> 02:45:16,640
Speaker 1: have a more sort of successful moment um. And so

2721
02:45:17,080 --> 02:45:19,040
Speaker 1: when it comes to details, I try to do a

2722
02:45:19,080 --> 02:45:21,480
Speaker 1: thing where like there are specific details that I highlight

2723
02:45:21,640 --> 02:45:24,000
Speaker 1: that are important to me that I feel like I

2724
02:45:24,120 --> 02:45:26,600
Speaker 1: can pitch really well because they're meaningful for me. And

2725
02:45:26,680 --> 02:45:29,280
Speaker 1: then they're like, oh she has details, there must be

2726
02:45:29,400 --> 02:45:32,360
Speaker 1: more details. Um, It's not always successful, but I think

2727
02:45:32,640 --> 02:45:34,280
Speaker 1: that's the thing is like, do you have a point

2728
02:45:34,320 --> 02:45:36,680
Speaker 1: of view that's really strong? Can we can we invest

2729
02:45:36,760 --> 02:45:38,760
Speaker 1: in you even if we don't have it all in

2730
02:45:38,800 --> 02:45:43,040
Speaker 1: our heads? Monica, you were not in your I mean,

2731
02:45:43,320 --> 02:45:45,560
Speaker 1: I have no answer to this because I struggle with

2732
02:45:45,640 --> 02:45:49,959
Speaker 1: it all the time. And the one the most successful

2733
02:45:50,040 --> 02:45:52,520
Speaker 1: pitch I had, which was midnight, Texas. I walk in

2734
02:45:52,720 --> 02:45:56,280
Speaker 1: and give them thirty minutes of a small town story

2735
02:45:56,640 --> 02:45:58,240
Speaker 1: and it was based on a book that no one

2736
02:45:58,280 --> 02:46:00,960
Speaker 1: had read, and I was They looked at me and

2737
02:46:01,000 --> 02:46:03,760
Speaker 1: so turn around Monica, and I turned around and there's

2738
02:46:03,760 --> 02:46:07,039
Speaker 1: a picture of Jamie Alexander's back with all the tattoos

2739
02:46:07,120 --> 02:46:08,640
Speaker 1: on it, you know, and they're like, make it that

2740
02:46:09,000 --> 02:46:11,480
Speaker 1: and you gotta deal and they walk out. I'm getting

2741
02:46:11,560 --> 02:46:14,040
Speaker 1: high fives from the producer. I'm like, what just happened.

2742
02:46:14,600 --> 02:46:18,080
Speaker 1: I didn't picture though at all, Like it's a small

2743
02:46:18,200 --> 02:46:26,640
Speaker 1: town soap opera? What is what is this? And then

2744
02:46:28,320 --> 02:46:30,200
Speaker 1: before they picked up the show because I was like,

2745
02:46:30,240 --> 02:46:33,000
Speaker 1: they're never making the show, so I got the pilot. Man,

2746
02:46:33,080 --> 02:46:35,040
Speaker 1: it was delightful. I had a really lovely time. I

2747
02:46:35,120 --> 02:46:37,480
Speaker 1: was in New Mexico. It was really pretty and um,

2748
02:46:37,800 --> 02:46:39,440
Speaker 1: I was like, no one's ever doing the show. There's

2749
02:46:39,480 --> 02:46:42,280
Speaker 1: a talking cat, there's angels. I don't even looks crazy town.

2750
02:46:43,120 --> 02:46:45,640
Speaker 1: But it was a small town soap with supernaturals. And

2751
02:46:45,959 --> 02:46:47,720
Speaker 1: I get called in It's like, can you make it

2752
02:46:47,760 --> 02:46:50,160
Speaker 1: a Demon of the Week because if you can, you

2753
02:46:50,360 --> 02:46:54,080
Speaker 1: gotta sale. And I'm like, what did I pitch? Why

2754
02:46:54,160 --> 02:46:56,680
Speaker 1: did I just tell me what you want. This is

2755
02:46:56,760 --> 02:46:59,880
Speaker 1: to make your own adventure. So like, I don't I

2756
02:47:01,480 --> 02:47:05,760
Speaker 1: have answers because it was successful, it worked, and the

2757
02:47:05,840 --> 02:47:07,960
Speaker 1: show as wack could do as it was got a

2758
02:47:08,040 --> 02:47:11,040
Speaker 1: second season. So in a strange way, I'm just like,

2759
02:47:11,160 --> 02:47:13,000
Speaker 1: all right, let me just go into this like a

2760
02:47:13,080 --> 02:47:16,920
Speaker 1: little you know, rabbit hole and just figure out what's happening,

2761
02:47:16,959 --> 02:47:20,320
Speaker 1: because no, no, no one knows. Like that's what's amazing

2762
02:47:20,440 --> 02:47:23,160
Speaker 1: to me that no one this is NBC. This is NBC, right,

2763
02:47:23,480 --> 02:47:26,320
Speaker 1: and what what year is this? This is like two

2764
02:47:26,400 --> 02:47:28,200
Speaker 1: years ago. This is like right after we funked up

2765
02:47:28,200 --> 02:47:33,760
Speaker 1: on Constantina did a serialized Yeah. Yeah, And they were like,

2766
02:47:34,080 --> 02:47:36,040
Speaker 1: can't you just make it like grim? Can't you just

2767
02:47:36,280 --> 02:47:38,760
Speaker 1: can't an exorcism of the week. I was like, put,

2768
02:47:38,800 --> 02:47:41,480
Speaker 1: all exorcisms are kind of gonna look the same if

2769
02:47:41,520 --> 02:47:45,680
Speaker 1: we do that. But you nailed it, so I mean yeah,

2770
02:47:46,720 --> 02:47:49,200
Speaker 1: I mean it was just it was you worked very

2771
02:47:49,280 --> 02:47:51,720
Speaker 1: hard on your pitches, and you've worked very hard on

2772
02:47:51,840 --> 02:47:54,600
Speaker 1: creating a world in your mind that you understanding, you

2773
02:47:54,680 --> 02:47:56,160
Speaker 1: know how to break the story, you know what the

2774
02:47:56,240 --> 02:47:59,240
Speaker 1: emotional arcs are, and then you just get thrown these

2775
02:47:59,320 --> 02:48:02,760
Speaker 1: things make it this and you're like, all right, And

2776
02:48:02,920 --> 02:48:05,480
Speaker 1: I mean, you know, part of it for me, as

2777
02:48:05,520 --> 02:48:07,600
Speaker 1: I always think of this job a little bit like

2778
02:48:07,720 --> 02:48:10,840
Speaker 1: a project runway challenge. Like it's like, go to the

2779
02:48:11,680 --> 02:48:14,840
Speaker 1: store and make a gown and like and I feel

2780
02:48:14,920 --> 02:48:18,400
Speaker 1: like that keeps me sane, because otherwise I will go

2781
02:48:18,600 --> 02:48:20,920
Speaker 1: crazy when they tell me to make a gown out

2782
02:48:21,000 --> 02:48:26,200
Speaker 1: of out of construction debris. But that's, you know, part

2783
02:48:26,240 --> 02:48:28,240
Speaker 1: of the front of the job. It's like, all right, well,

2784
02:48:28,360 --> 02:48:33,040
Speaker 1: let's make a gown. I guess from A two Z.

2785
02:48:33,360 --> 02:48:35,480
Speaker 1: We have finally arrived at the end of the Forever

2786
02:48:35,560 --> 02:48:39,480
Speaker 1: Dog Roster with Alexis gees Als. Innovative interview podcast is

2787
02:48:39,520 --> 02:48:42,760
Speaker 1: All Good. On each episode of All Good, Alexis interviews

2788
02:48:42,800 --> 02:48:46,640
Speaker 1: a fellow comedian, entertainer, or influencer about their life and career,

2789
02:48:47,160 --> 02:48:50,600
Speaker 1: and she also interviews one of their parents or siblings,

2790
02:48:50,720 --> 02:48:53,560
Speaker 1: or best friends or colleagues to get the real story

2791
02:48:53,840 --> 02:48:56,920
Speaker 1: behind their public persona. The interviews are then cut together

2792
02:48:57,000 --> 02:48:59,720
Speaker 1: in a point counterpoint fashion that makes All Good really

2793
02:49:00,200 --> 02:49:02,960
Speaker 1: unlike any other interview podcast you've ever heard. In the

2794
02:49:03,000 --> 02:49:05,880
Speaker 1: following clip, our last clip, Alexis talks to comedian and

2795
02:49:05,959 --> 02:49:09,440
Speaker 1: director Bo Burnham and his sister Sam Enjoy. I was

2796
02:49:09,480 --> 02:49:13,800
Speaker 1: always incredibly, incredibly competitive, and I still am competitive, and

2797
02:49:13,879 --> 02:49:15,640
Speaker 1: I have to unlearn that stuff, but I feel like

2798
02:49:15,680 --> 02:49:20,840
Speaker 1: a deeply, deeply competitive person, and I've only Yeah, so

2799
02:49:21,120 --> 02:49:23,840
Speaker 1: did you always see him kind of going into entertainment

2800
02:49:23,959 --> 02:49:26,080
Speaker 1: or what was that prediction on your end as to

2801
02:49:26,240 --> 02:49:30,000
Speaker 1: where he would end up career wise? Um, Honestly, I

2802
02:49:30,120 --> 02:49:32,120
Speaker 1: just always knew he was going to be great. Like

2803
02:49:32,240 --> 02:49:34,400
Speaker 1: I still tell him to this day when he last

2804
02:49:34,440 --> 02:49:36,640
Speaker 1: in my face that like, if this doesn't work, he

2805
02:49:36,920 --> 02:49:39,000
Speaker 1: can just go be a brain surgeon. And I truly

2806
02:49:39,120 --> 02:49:41,520
Speaker 1: believe he could. Like I really think he's just like

2807
02:49:41,879 --> 02:49:44,960
Speaker 1: that start and great and everything. He's kind of just

2808
02:49:45,760 --> 02:49:47,879
Speaker 1: he's kind of just awesome and everything he does. Again,

2809
02:49:47,959 --> 02:49:50,840
Speaker 1: it sounds that sounds like I'm getting weird. I really

2810
02:49:50,920 --> 02:49:57,120
Speaker 1: think that that's Yeah, that's that's the bess untrue and yeah,

2811
02:49:57,280 --> 02:50:01,320
Speaker 1: that's part of her her and my mother there's want

2812
02:50:01,400 --> 02:50:03,360
Speaker 1: to tell me that all the time is actually a

2813
02:50:03,520 --> 02:50:05,760
Speaker 1: burden that I'm I've been trying to shake since I

2814
02:50:05,840 --> 02:50:08,160
Speaker 1: was three years old, which is like, you guys have

2815
02:50:08,360 --> 02:50:10,560
Speaker 1: to stop telling me I'm the smartest, greatest boy that's

2816
02:50:10,560 --> 02:50:12,560
Speaker 1: ever lived from the time I'm too or then I

2817
02:50:12,640 --> 02:50:15,680
Speaker 1: try to seek that from the world and anything less

2818
02:50:15,800 --> 02:50:19,520
Speaker 1: than that is obliteration to me. Um. So now I

2819
02:50:19,640 --> 02:50:21,440
Speaker 1: just not in smile when they tell me that. But

2820
02:50:21,520 --> 02:50:23,200
Speaker 1: it's very sweet. I know that. I know she actually

2821
02:50:23,280 --> 02:50:26,080
Speaker 1: does believe that, which is very sweet. Um, but it's

2822
02:50:26,200 --> 02:50:30,480
Speaker 1: very not true. Um. But once you started doing the plays,

2823
02:50:30,720 --> 02:50:32,400
Speaker 1: it was like, oh my god, you have to keep

2824
02:50:32,440 --> 02:50:34,400
Speaker 1: doing there. You just have to. I mean he was

2825
02:50:35,120 --> 02:50:37,640
Speaker 1: so good at acting and so creative. And then once

2826
02:50:37,720 --> 02:50:41,480
Speaker 1: you started performing um and doing the comedy stuff, just

2827
02:50:41,600 --> 02:50:45,000
Speaker 1: everything that he writes just feels Yeah. I mean, right

2828
02:50:45,040 --> 02:50:47,039
Speaker 1: when you got started, it felt like, oh, of course,

2829
02:50:47,160 --> 02:50:49,520
Speaker 1: this is what you need to be doing. She also

2830
02:50:49,600 --> 02:50:52,400
Speaker 1: mentioned that you at one point got really into magic.

2831
02:50:53,040 --> 02:50:56,400
Speaker 1: Sure what sort of sparked that. Probably just being a

2832
02:50:56,640 --> 02:50:59,360
Speaker 1: loser and thinking, why not just complete the vision of

2833
02:50:59,440 --> 02:51:01,560
Speaker 1: myself with them, you know. I mean, I'm already down

2834
02:51:01,680 --> 02:51:05,360
Speaker 1: here so unappealing to women and my peers, I might

2835
02:51:05,440 --> 02:51:08,440
Speaker 1: as well start doing magic now. UM. I don't know.

2836
02:51:08,600 --> 02:51:12,600
Speaker 1: I just liked it. It was probably performative. There's also

2837
02:51:12,640 --> 02:51:14,960
Speaker 1: something fun about it. I also like math and tricky

2838
02:51:15,160 --> 02:51:18,440
Speaker 1: puzzling things, and there's like magic sort of blend the

2839
02:51:18,480 --> 02:51:22,520
Speaker 1: world of like theater and performance and puzzles and again

2840
02:51:23,560 --> 02:51:27,680
Speaker 1: just repulsion to everyone around you. You know it Also, Yeah,

2841
02:51:28,160 --> 02:51:31,600
Speaker 1: I don't know you do you feel like you were

2842
02:51:31,720 --> 02:51:35,960
Speaker 1: repulsed or people were repulsed by you? I think it

2843
02:51:36,080 --> 02:51:38,600
Speaker 1: was no. And you know, I was somewhere where it's like,

2844
02:51:38,760 --> 02:51:42,280
Speaker 1: you know, probably the coolest kid in class was doing magic. Um.

2845
02:51:43,120 --> 02:51:47,280
Speaker 1: But yeah, I felt I felt on cool, not on cool. Yeah.

2846
02:51:47,320 --> 02:51:51,800
Speaker 1: I mean a dork that words that words become something else. Um.

2847
02:51:52,720 --> 02:51:55,360
Speaker 1: I was just like a passionate little dork. Okay, So

2848
02:51:55,440 --> 02:51:59,000
Speaker 1: you have like your specific interests that you were very into. Yeah,

2849
02:51:59,160 --> 02:52:02,280
Speaker 1: just like feat or and magic. And I have friends

2850
02:52:02,320 --> 02:52:04,000
Speaker 1: where I look back, I'm like, men, you were cool

2851
02:52:04,240 --> 02:52:07,520
Speaker 1: like you you are cool at twelve. Um, it's not

2852
02:52:07,640 --> 02:52:10,200
Speaker 1: not about being cool like you were cool necessarily to

2853
02:52:10,840 --> 02:52:13,880
Speaker 1: those around you. Um yeah I would. I would just

2854
02:52:13,959 --> 02:52:17,000
Speaker 1: always uh just had eccentric interesting. Yeah. I think there

2855
02:52:17,080 --> 02:52:20,480
Speaker 1: is something cool about being a young person and liking

2856
02:52:20,600 --> 02:52:24,080
Speaker 1: what you like and not being you know, concerned if

2857
02:52:24,120 --> 02:52:26,440
Speaker 1: that's necessarily like the cool thing. I think that gets

2858
02:52:26,520 --> 02:52:29,240
Speaker 1: cooler and cooler in hindsight as you get older. You're like,

2859
02:52:29,360 --> 02:52:34,120
Speaker 1: oh I was confident. Yes, yes, yeah, I think so. Um, yeah,

2860
02:52:34,440 --> 02:52:37,600
Speaker 1: you know, in hindsight, I wish hindsight did did did

2861
02:52:38,200 --> 02:52:44,120
Speaker 1: worked on magic it work. Bengali decks and and foam

2862
02:52:44,280 --> 02:52:47,200
Speaker 1: rabbits are not really helping. Um, you know, you're not

2863
02:52:47,200 --> 02:52:48,960
Speaker 1: getting any better in the rear view. But you know,

2864
02:52:49,080 --> 02:52:51,040
Speaker 1: I had a lot of fun. And it's like, I

2865
02:52:51,440 --> 02:52:53,640
Speaker 1: guess I I sort of understand where you're coming from

2866
02:52:53,720 --> 02:52:55,760
Speaker 1: as well, because I am an only child and both

2867
02:52:55,800 --> 02:52:58,000
Speaker 1: of my parents just think I'm the bee's knees. They

2868
02:52:58,240 --> 02:53:00,880
Speaker 1: just love it. They think I'm great. And then so

2869
02:53:01,720 --> 02:53:04,400
Speaker 1: when I go into things, I'm like, so that was great,

2870
02:53:04,560 --> 02:53:08,080
Speaker 1: it was great. And it's like, don't I want everyone

2871
02:53:08,120 --> 02:53:10,280
Speaker 1: to think that I'm in the world is not your parents? Yeah,

2872
02:53:11,520 --> 02:53:13,320
Speaker 1: brutal and no, but it really is. No. But I'm

2873
02:53:13,320 --> 02:53:15,640
Speaker 1: not even saying that, like, h that's realization for me,

2874
02:53:15,800 --> 02:53:18,600
Speaker 1: and like it's it's it's a realization for a lot

2875
02:53:18,640 --> 02:53:21,160
Speaker 1: of people in I think we're vaguely the same generation,

2876
02:53:21,400 --> 02:53:23,840
Speaker 1: like on either side of it, and like, yeah, we

2877
02:53:24,040 --> 02:53:29,000
Speaker 1: we we do need a lot of It's it's it's

2878
02:53:29,040 --> 02:53:32,840
Speaker 1: not necessarily that the love and the and the affirmation

2879
02:53:33,000 --> 02:53:35,119
Speaker 1: is the issue. It's that the lack of the other,

2880
02:53:35,280 --> 02:53:40,120
Speaker 1: Like there's some value in having like a psychological thing

2881
02:53:40,200 --> 02:53:42,400
Speaker 1: to overcome to look at your parents and go I'll

2882
02:53:42,440 --> 02:53:44,720
Speaker 1: show you and like run out into the world to

2883
02:53:44,840 --> 02:53:47,800
Speaker 1: prove something wrong. Uh, and to not have anything to

2884
02:53:47,879 --> 02:53:52,680
Speaker 1: push back against and to feel like it's hard. It's not.

2885
02:53:52,920 --> 02:53:57,000
Speaker 1: It's not more difficult, but it has another type of problem. Um,

2886
02:53:57,640 --> 02:54:00,360
Speaker 1: and yeah, it's it's it's it's a strange thing to

2887
02:54:01,200 --> 02:54:03,800
Speaker 1: have the privilege that sounds like we did, of of

2888
02:54:04,240 --> 02:54:09,720
Speaker 1: being supported. That concludes the best of Forever Dog. You

2889
02:54:09,800 --> 02:54:12,520
Speaker 1: can find all the podcasts mentioned in this episode at

2890
02:54:12,560 --> 02:54:15,920
Speaker 1: forever Dog podcasts dot com. You can also subscribe to

2891
02:54:16,000 --> 02:54:20,039
Speaker 1: them on Apple Podcasts, Stitchers, Spotify, or your favorite podcast app.

2892
02:54:20,360 --> 02:54:22,279
Speaker 1: And if you have a chance, please leave your favorite

2893
02:54:22,320 --> 02:54:24,200
Speaker 1: shows a rating and review and let them know you

2894
02:54:24,280 --> 02:54:26,440
Speaker 1: like what they're doing. It not only helps more people

2895
02:54:26,480 --> 02:54:29,520
Speaker 1: find out about our podcasts, it's also very appreciated by

2896
02:54:29,560 --> 02:54:32,640
Speaker 1: our podcasters and our production team. Speaking of which, you

2897
02:54:32,680 --> 02:54:35,480
Speaker 1: can follow us forever Dog on Twitter and Instagram at

2898
02:54:35,520 --> 02:54:38,160
Speaker 1: forever Dog team for the latest news and updates. We

2899
02:54:38,240 --> 02:54:40,119
Speaker 1: have a lot of exciting news shows coming your way

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Speaker 1: in so stay tuned for that as well as amazing

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Speaker 1: new episodes by all of your favorites from this episode.

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Speaker 1: So thank you very much for your support for listening,

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Speaker 1: and we'll see you in