WEBVTT - From the Vault: The Three-Pupiled Eye, Part 1

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<v Speaker 1>Hey you, Welcome to Stuff to Blow Your Mind. My

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<v Speaker 1>name is Robert Lamb and I'm Joe McCormick. And it's Saturday,

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<v Speaker 1>the day of each week that we venture down into

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<v Speaker 1>the vault and retrieve an older episode of the show

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<v Speaker 1>for you. This one originally published on March twenty ninth,

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<v Speaker 1>twenty twenty two, and it's part one of our series

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<v Speaker 1>called The Three Pupiled Eye. Yeah. I remember this one

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<v Speaker 1>being quite a lot of fun, and I think we

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<v Speaker 1>discussed this idea as it pops up in a various

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<v Speaker 1>cultures and traditions and sources. But I think we do

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<v Speaker 1>get a little bit into some Irish legend so it's

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<v Speaker 1>a good topic to revisit as we launch ourselves towards

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<v Speaker 1>Saint Patty's Day. Welcome to Stuff to Blow Your Mind,

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<v Speaker 1>a production of iHeartRadio. Hey, welcome to Stuff to Blow

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<v Speaker 1>Your Mind. My name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 1>And you know, we recently did a couple episodes that

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<v Speaker 1>related to Irish mythology, and as we were looking through

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<v Speaker 1>these various accounts of various heroes and monsters and tales

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<v Speaker 1>too often to ten and and so forth, I was

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<v Speaker 1>reminded again of a motif that I remember coming up briefly,

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<v Speaker 1>at least when we were looking at the hero cocolin,

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<v Speaker 1>and that is Irish heroes that are depicted as having

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<v Speaker 1>either multiple pupils or multiple irises within their eyes. That

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<v Speaker 1>is a strange detail, especially because I can picture multiple pupils,

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<v Speaker 1>I have a harder time picturing multiple irises. So, of course,

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<v Speaker 1>basic anatomical note, the pupil is the black dot in

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<v Speaker 1>the middle of your eye, and the iris is the

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<v Speaker 1>colored ring around that dot. So multiple pupils I'm seeing, Okay,

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<v Speaker 1>multiple thoughts, multiple irises. I don't know that that just

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<v Speaker 1>what Like, how would you tell where one iris began

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<v Speaker 1>or ended? Well, I guess you'd have to have like

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<v Speaker 1>multiple irises and pupils in that department. And as we'll

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<v Speaker 1>get into one of the things is that some of

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<v Speaker 1>these accounts will say pupils and other versions of that

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<v Speaker 1>same account will say irises. So you know, I'm not

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<v Speaker 1>I'm not sure exactly how uh you know, the term

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<v Speaker 1>maybe gets confused over time or it's lost in translation.

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<v Speaker 1>So but it kind of adds to the mystery of

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<v Speaker 1>of not being exactly sure what we're talking about here

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<v Speaker 1>when these details come up, Well, so how did these

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<v Speaker 1>details go? Like, what's an example? Okay, so um, taking

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<v Speaker 1>for example, Kucolin since we've we've discussed him before. The

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<v Speaker 1>Irish hero, a warrior hero, a demigod possessed by the

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<v Speaker 1>ability to enter the warp spasm during battle. Lots of

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<v Speaker 1>wonderful tales and about this character, and he's he's prominently

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<v Speaker 1>featured in the early Irish epic The Cattle Raid of

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<v Speaker 1>Coolie or the Tane as it goes sometimes called. But

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<v Speaker 1>one of the other interesting facts about this hero is

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<v Speaker 1>that he's sometimes described as having seven irises, as translated

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<v Speaker 1>from the epic by Joseph Dunns. I believe in nineteen

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<v Speaker 1>fourteen translation quote seven jewels of the eyes brilliance was

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<v Speaker 1>either of his keenly eyes, seven toes to either of

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<v Speaker 1>his two feet, seven fingers to either of his two hands,

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<v Speaker 1>with the clutch of hawk's claw, with the grip of

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<v Speaker 1>Hedgehog's talent in every separate one of them. I love

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<v Speaker 1>how that's all majestic and fierce until you get to

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<v Speaker 1>the hedgehog. I don't know. Hedgehog's talent sounds pretty intense

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<v Speaker 1>to me. Even if I can't quite picture what that

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<v Speaker 1>would be. Maybe I don't have enough experience with hedgehogs. Though.

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<v Speaker 1>I also this struck me because I love stories where

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<v Speaker 1>beings have a strange, recurring, specific number of body features.

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<v Speaker 1>It reminds me of visions in the Bible, like particularly

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<v Speaker 1>the visions of the Dragon and the beast in the

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<v Speaker 1>Book of Revelation. And if you're not familiar, the Book

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<v Speaker 1>of Revelation is the last book in the Christian New Testament.

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<v Speaker 1>It is mostly describing a vision that the author, someone

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<v Speaker 1>named John says was given to him by Christ. And

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<v Speaker 1>it's a book where the number seven has great significance.

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<v Speaker 1>It's used in a number of ways throughout the apocalypse.

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<v Speaker 1>There are messages sent to seven church congregations there and

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<v Speaker 1>then within the vision, seven seals are opened, seven trumpets

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<v Speaker 1>are sounded, and so forth. But there are also these

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<v Speaker 1>wondrous beings, both great and terrible, with seven of something.

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<v Speaker 1>So for example, in chapter twelve, verse three, it says,

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<v Speaker 1>and there appeared another wonder in heaven, and behold a

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<v Speaker 1>great red dragon, having seven heads and ten horns, and

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<v Speaker 1>seven crowns upon his heads. And I always wondered if

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<v Speaker 1>that meant okay, so he's got seven heads and then

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<v Speaker 1>seven crowns on his heads. But does that mean seven

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<v Speaker 1>crowns per head or just one crown per head? I'm

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<v Speaker 1>not sure. One of the seven heads is wearing seven crowns,

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<v Speaker 1>staffing pop to each other. That heads a real dick.

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<v Speaker 1>They fight over the crowns. But then later also the

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<v Speaker 1>beast is said to have seven heads and ten horns

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<v Speaker 1>quote end upon his horns ten crowns, and upon his

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<v Speaker 1>heads the name of blasphemy. And so I like these

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<v Speaker 1>specific numbers. It's not just like, oh, this beast has

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<v Speaker 1>two heads. It's got seven heads. And of course, in

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<v Speaker 1>Jewish and Christian traditions, seven is a very significant number.

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<v Speaker 1>It's a holy number and one that most of the

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<v Speaker 1>time seems to be associated with wholeness or completion or fulfillment.

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<v Speaker 1>You know, God rested on the seventh day in the

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<v Speaker 1>creation story, after creating Earth in six days, rested on

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<v Speaker 1>the seventh, So it's sort of like the finishing of

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<v Speaker 1>a good and wholesome cycle of something. Though I guess

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<v Speaker 1>in this case it's interesting because this is a sort

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<v Speaker 1>of unholy seven. It's the opposite of God, and there

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<v Speaker 1>are other beings in Jewish literature described with various specific

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<v Speaker 1>numbers of features. For example, there is a vision described

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<v Speaker 1>in the Book of Isaiah where the prophet sees the

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<v Speaker 1>Lord sitting upon a throne and he's surrounded by angels

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<v Speaker 1>called seraphim, which literally means the burning ones. And the

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<v Speaker 1>Seraphim are said to each have six wings, and there's

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<v Speaker 1>a reason given for this. In the vision, the wings

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<v Speaker 1>are each doing something, so Isaiah says that with two

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<v Speaker 1>of the wings he covered his face, with two of

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<v Speaker 1>them he covered his feet, and with the other two

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<v Speaker 1>he did fly. Though I wonder if the number six

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<v Speaker 1>is also showing a different significance in that these beings

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<v Speaker 1>are sort of the second highest beings in the heavenly

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<v Speaker 1>hierarchy without being on the level of God himself. So

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<v Speaker 1>seven is holy perfection and fulfillment. Six is one level

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<v Speaker 1>under that. Oh wow. So first of all, I love

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<v Speaker 1>how this actually is finding way to tie back to

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<v Speaker 1>our recent episodes on the days of the week, you know,

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<v Speaker 1>the seven day week, and yeah, all these thing about

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<v Speaker 1>examples like this where we're dealing with you know, literary

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<v Speaker 1>motifs and symbolism and you know, mythic beings. But we

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<v Speaker 1>take these non biological numbers and though they sort of

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<v Speaker 1>bleed through their imagined bodies, and and we instantly enter

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<v Speaker 1>this zone of of of just of of fantasy and

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<v Speaker 1>in myth um. You know, it's the it's the sort

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<v Speaker 1>of thing that I think, you know, today we would

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<v Speaker 1>we would classify this sort of thing is like you know,

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<v Speaker 1>visionary art or you know, some sort of psychedelic notion um.

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<v Speaker 1>But but clearly we've you know, we've been dreaming up

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<v Speaker 1>these these things throughout human history. Well yeah, yeah, and

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<v Speaker 1>you're right to note that seven is not a very

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<v Speaker 1>biological number. Yeah, I mean, usually in animals with bilateral symmetry,

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<v Speaker 1>there tend to be even numbers of things. There are

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<v Speaker 1>some interesting exceptions, but that's that's most most often the case.

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<v Speaker 1>We'll get to one exception within the human body later

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<v Speaker 1>on that I like. But yeah, so so I don't

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<v Speaker 1>know exactly why you'd get these myths later on of

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<v Speaker 1>like say, yeah, a hero who's got seven irises in

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<v Speaker 1>his eye or seven pupils in his eye. But I

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<v Speaker 1>would be surprised if it isn't if it isn't part

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<v Speaker 1>of a tradition, if it is an all downstream from

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<v Speaker 1>this ancient line of thinking that says, hey, you know,

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<v Speaker 1>this monster doesn't just have two heads, it has seven heads.

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<v Speaker 1>And not only does it have seven heads, the fact

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<v Speaker 1>that it has seven heads means something. This is like

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<v Speaker 1>the ultimate bad monster because there's seven of it. Seven

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<v Speaker 1>is kind of like a siren. It means whenever there's

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<v Speaker 1>seven or of something, it's it's incredibly meaningful. It's intensely significant.

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<v Speaker 1>And with with Cocullen's eye, it's it's really hard for

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<v Speaker 1>me to picture it, Like I guess I'd end up

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<v Speaker 1>picturing like this just sort of ring of pupils, and

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<v Speaker 1>then yeah, when I try and picture seven irises in there,

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<v Speaker 1>it doesn't really come together for me. Here a couple

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<v Speaker 1>of other translations. M Thomas CANSELLA translation says seven hard

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<v Speaker 1>heroic jewels are set in the iris of Kucullan's eye

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<v Speaker 1>and then done also translating in another section of the work,

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<v Speaker 1>hero from a poem prophecy quote seven gems of champions,

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<v Speaker 1>brave deck the center of his orbs. Naked are the

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<v Speaker 1>spears he bears, and he hooks a red cloak round

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<v Speaker 1>And I've seen these, yeah, I've seen these described as

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<v Speaker 1>as pupils as irises, and there's a there's one version

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<v Speaker 1>that reads, quote, there were seven pupils in Kucullin's royal eye,

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<v Speaker 1>and two of these pupils were squinting. The pupils were squinting, Yes,

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<v Speaker 1>and yeah, this this is another area where I haven't

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<v Speaker 1>found I haven't found much to really, you know, break

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<v Speaker 1>down what this means, and that that just makes it

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<v Speaker 1>more enticing, Like what what to imagine looking into this

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<v Speaker 1>this hero's eyes and then like, first of all, they're

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<v Speaker 1>like seven pupils in there, and then and then to

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<v Speaker 1>make things even weirder, to make that moment even weirder,

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<v Speaker 1>two of them are squinting. A two of the pupils

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<v Speaker 1>are squinting. But pupil, I mean, so pupils do, of

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<v Speaker 1>course contract. We'll talk about that as we go on.

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<v Speaker 1>That's one of their main anatomical functions. But I don't

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<v Speaker 1>think that's usually what people mean with the words squinting.

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<v Speaker 1>With squinting, I think of squeezing of like the muscles

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<v Speaker 1>around the orbital you know, your face. Yeah, though, as

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<v Speaker 1>we'll discuss, pupils do weird things. So maybe by the

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<v Speaker 1>time we roll through some examples from the animal world,

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<v Speaker 1>we'll have a better idea of what this could conceivably

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<v Speaker 1>look like. But cal Colin is not the only character

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<v Speaker 1>in an Irish tradition who has mysterious eyes. There's also

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<v Speaker 1>a character by the name of fedem Or. I think

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<v Speaker 1>the modern version of this is Fidelma, and this is

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<v Speaker 1>a she's a member of the two authored don and

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<v Speaker 1>she's a prophet, a poet. She's mentioned in the Ulstra cycle,

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<v Speaker 1>and I've also read that she some critics and historians

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<v Speaker 1>think that she may be connected to later toys of

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<v Speaker 1>the Banshee, which, again, the Banshee, one of its whole

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<v Speaker 1>things is that it is it haunts a place, It

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<v Speaker 1>whales in anticipation of death, so it is it is,

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<v Speaker 1>in its own way, a profit, though a profit of

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<v Speaker 1>one particular thing. She appears in the Tane as well,

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<v Speaker 1>and she's described as having three irises in each eye,

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<v Speaker 1>triple irises. And this gets really interesting because she's described

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<v Speaker 1>at length, and I'm just going to read a part

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<v Speaker 1>of it, translated by Dunne quote weaving lace was she

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<v Speaker 1>and in her right hand was a bordering rod of

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<v Speaker 1>silvered bronze with its seven strips of red gold at

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<v Speaker 1>the sides, A mini spotted green mantle around her, A bulging,

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<v Speaker 1>strong headed pin of gold in the mantle over her bosom,

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<v Speaker 1>A hooded tunic with red interweaving about her. A ruddy,

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<v Speaker 1>fair faced countenance. She had, narrow below and broad above.

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<v Speaker 1>She had a blue gray laughing eye. Each eye had

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<v Speaker 1>three pupils. Dark and black were her eyebrows, The soft

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<v Speaker 1>black lashes threw a shadow to the middle of her cheeks.

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<v Speaker 1>Red and thin were her lips. Shiny and pearly were

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<v Speaker 1>her teeth. Thou wouldst believe they were showers of white

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<v Speaker 1>pearls that had rained into her head. And I have

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<v Speaker 1>to say, I love how I mean, it's all beautiful,

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<v Speaker 1>but the three pupils in the eye just gets like

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<v Speaker 1>this brief description. But then the author is like, and

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<v Speaker 1>let me tell you about her teeth, right, Yeah, I

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<v Speaker 1>had the same reaction. So then again, I'm thinking about

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<v Speaker 1>the historical setting from which this story would have emerged,

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<v Speaker 1>and maybe at that time seeing somebody with really clean

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<v Speaker 1>teeth was even more rare than a eye with three pupils.

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<v Speaker 1>A true true. So so okay, so we already have

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<v Speaker 1>a couple of examples here cocullen and we have we

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<v Speaker 1>also have a Feedom here, and Feedom is very much

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<v Speaker 1>just see her, and she has eyes of prophecy, So

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<v Speaker 1>it's easy to see where one interpretation here is that

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<v Speaker 1>her eyes are unnatural because she has unnatural vision she

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<v Speaker 1>can see into the future. Makes sense, right sure, But

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<v Speaker 1>as as several different commentators have pointed out, this is

0:13:12.080 --> 0:13:14.319
<v Speaker 1>what this is. Another level where it got even more

0:13:14.400 --> 0:13:18.960
<v Speaker 1>interesting is that commentators have pointed out that, um, these

0:13:19.000 --> 0:13:23.280
<v Speaker 1>are also signs of beauty. So think to this passage

0:13:23.320 --> 0:13:27.120
<v Speaker 1>I just read, so uh, you know, yes, again, she

0:13:27.280 --> 0:13:30.920
<v Speaker 1>is a seer, but she's described as as being as

0:13:31.000 --> 0:13:34.560
<v Speaker 1>not being beautiful but possessed with weird eyes. Her triple

0:13:34.640 --> 0:13:38.280
<v Speaker 1>pupils or iris eyes are listed as part of her

0:13:38.320 --> 0:13:42.319
<v Speaker 1>beauty though you know, undeniably this connects to her attributed

0:13:42.360 --> 0:13:46.680
<v Speaker 1>powers as well. Right, So it's listed along other along

0:13:46.720 --> 0:13:51.040
<v Speaker 1>other things like having long, lustrous eyelashes and pearly teeth,

0:13:51.240 --> 0:13:53.640
<v Speaker 1>things that in a lot of other literature would be

0:13:53.679 --> 0:13:57.760
<v Speaker 1>just clear markers that are supposed to mean beauty. And

0:13:57.880 --> 0:14:00.640
<v Speaker 1>here it's also like and three people by that is

0:14:00.679 --> 0:14:03.680
<v Speaker 1>one of those things, right, we all know that thing? Yeah, yeah,

0:14:03.679 --> 0:14:05.240
<v Speaker 1>And this is this is I think something that makes

0:14:05.240 --> 0:14:09.240
<v Speaker 1>it so fascinating to read as a modern reader of

0:14:09.080 --> 0:14:12.080
<v Speaker 1>the text, because obviously, if you had, you know, a

0:14:12.120 --> 0:14:14.280
<v Speaker 1>modern work of fiction that was referring to a character

0:14:14.400 --> 0:14:16.760
<v Speaker 1>like this, everything would go in reverse, right, you would

0:14:16.760 --> 0:14:18.440
<v Speaker 1>have all that you would say, Oh, she was beautiful,

0:14:18.520 --> 0:14:22.880
<v Speaker 1>and she looked totally human, a beautiful human, except woe,

0:14:23.160 --> 0:14:25.480
<v Speaker 1>those eyes three pupils in each one. It was a

0:14:25.480 --> 0:14:28.640
<v Speaker 1>bit weird. So one of the sources that I was

0:14:28.720 --> 0:14:33.640
<v Speaker 1>looking at about this is Jacqueline the Evil Eye in

0:14:33.840 --> 0:14:37.480
<v Speaker 1>early Irish literature in Law two thousand and three, published

0:14:37.560 --> 0:14:42.480
<v Speaker 1>in Celtica twenty four. It provides a lot of insight

0:14:42.560 --> 0:14:46.680
<v Speaker 1>into the literary motif of the eye in Irish literature.

0:14:47.880 --> 0:14:52.200
<v Speaker 1>So she brings up, first of all, a different creature

0:14:52.280 --> 0:14:54.440
<v Speaker 1>with a unique eye, and that is the one eyed

0:14:54.600 --> 0:14:59.000
<v Speaker 1>giant Insoul Cache or ing Soul the Terrible, who is

0:14:59.440 --> 0:15:03.320
<v Speaker 1>described as this great giant something of a pirate I

0:15:03.360 --> 0:15:06.720
<v Speaker 1>think with possible like English origins of the time, so

0:15:06.840 --> 0:15:08.560
<v Speaker 1>you know, into in this week get like the idea

0:15:08.640 --> 0:15:11.040
<v Speaker 1>that may if there is some sort of historical basis

0:15:11.080 --> 0:15:12.760
<v Speaker 1>for this figure, maybe he was just some sort of

0:15:12.760 --> 0:15:15.440
<v Speaker 1>a pirate rater from that region. But in the mythic

0:15:15.440 --> 0:15:19.200
<v Speaker 1>connotation he becomes this, this this great, big giant who

0:15:19.240 --> 0:15:21.680
<v Speaker 1>not only has just this single eye in his head,

0:15:21.720 --> 0:15:24.440
<v Speaker 1>he's not only a cyclops, but it is a solid

0:15:24.520 --> 0:15:28.240
<v Speaker 1>black eye. And that solid black eye has seven pupils

0:15:28.280 --> 0:15:31.320
<v Speaker 1>within it, though I've also read descriptions where he just

0:15:31.400 --> 0:15:35.000
<v Speaker 1>has three pupils. How would it have pupils if it's solid.

0:15:35.000 --> 0:15:36.960
<v Speaker 1>The pupil is the black part of the eye. So

0:15:38.400 --> 0:15:43.520
<v Speaker 1>that's thoroughly confusing. Yes, so he's known for the destruction

0:15:43.680 --> 0:15:47.760
<v Speaker 1>of Dadurga Hostel. There's a whole story about this. And

0:15:47.840 --> 0:15:51.240
<v Speaker 1>so the author here is discussing Ingsul's eye and she

0:15:51.280 --> 0:15:53.840
<v Speaker 1>connects it not only with Cocolin, but also with the

0:15:53.920 --> 0:15:57.240
<v Speaker 1>High King of Ireland, Cormac McCart who is also said

0:15:57.280 --> 0:16:01.520
<v Speaker 1>to have had seven pupils in each eye. So again

0:16:01.560 --> 0:16:03.920
<v Speaker 1>it's just driving home that this is a recurring motif.

0:16:03.920 --> 0:16:06.440
<v Speaker 1>It's not like a one time thing that you know,

0:16:06.520 --> 0:16:10.800
<v Speaker 1>it clearly meants something and was worth repeating in the Cannon.

0:16:11.400 --> 0:16:13.600
<v Speaker 1>But but she points out that you know, in the

0:16:13.640 --> 0:16:17.920
<v Speaker 1>cases of these two heroes quote this is explicitly qualified

0:16:18.120 --> 0:16:21.160
<v Speaker 1>as a sign of beauty. And furthermore, she says that

0:16:21.160 --> 0:16:24.320
<v Speaker 1>the squinting in Cucullin's pupils is also seen as a

0:16:24.320 --> 0:16:27.720
<v Speaker 1>doornament rather than disfigurement. And then she also comes back

0:16:27.760 --> 0:16:32.920
<v Speaker 1>to Fedelm, the female seer of the Tuatha, to Donna

0:16:33.000 --> 0:16:37.080
<v Speaker 1>and says quote, there is no explanation offered of this characteristic,

0:16:37.720 --> 0:16:41.160
<v Speaker 1>the triple I with Fedelm. It could be a sign

0:16:41.200 --> 0:16:42.880
<v Speaker 1>of beauty, and it could be a sign of her

0:16:42.920 --> 0:16:47.240
<v Speaker 1>supernatural sight. The latter is more probable because the characteristic

0:16:47.360 --> 0:16:50.280
<v Speaker 1>is separated from the description of her looks by the

0:16:50.360 --> 0:16:53.800
<v Speaker 1>mention of the weaver's beam. The weaver's beam has been

0:16:53.800 --> 0:16:58.000
<v Speaker 1>interpreted as a supernatural tool for prophecy. The triple pupils

0:16:58.080 --> 0:17:01.040
<v Speaker 1>could therefore very well be a symbol of her claer

0:17:01.040 --> 0:17:03.520
<v Speaker 1>of glance. And yeah, so I'm not if I'm not

0:17:03.560 --> 0:17:05.879
<v Speaker 1>mistaken here the weaver's beam, this is part of a loom.

0:17:06.640 --> 0:17:09.440
<v Speaker 1>And so we're getting into the idea they'd like here this,

0:17:09.440 --> 0:17:14.320
<v Speaker 1>this piece of technology also had mystical connotations for divination.

0:17:14.680 --> 0:17:16.720
<v Speaker 1>All right? What about ing Sol though, the giant or

0:17:16.800 --> 0:17:20.119
<v Speaker 1>pirate who has a single eye which is entirely black

0:17:20.160 --> 0:17:23.680
<v Speaker 1>and also has either three or seven pupils in it, well,

0:17:23.920 --> 0:17:26.880
<v Speaker 1>she's She says that, Okay, if we're going to look

0:17:26.880 --> 0:17:28.600
<v Speaker 1>at these other examples and try and figure out Engsol,

0:17:28.640 --> 0:17:31.000
<v Speaker 1>we'll say, first of all, he's definitely not beautiful. This

0:17:31.080 --> 0:17:32.880
<v Speaker 1>is not a sign of his beauty. He's a rough

0:17:33.280 --> 0:17:36.240
<v Speaker 1>and horrible monster, she knows. She points out some of

0:17:36.280 --> 0:17:39.840
<v Speaker 1>the terms that are used to describe him. But his

0:17:40.000 --> 0:17:43.000
<v Speaker 1>sight is described as being sharp, he can make out

0:17:43.040 --> 0:17:45.880
<v Speaker 1>every detail of the hostile at a glance, and Boor

0:17:46.040 --> 0:17:49.840
<v Speaker 1>says that he also might connect to the legendary evil

0:17:49.960 --> 0:17:53.760
<v Speaker 1>eye of Balor, the king of the Fomorians, whose great eye,

0:17:54.400 --> 0:17:57.879
<v Speaker 1>when opened and when his great brow could be raised

0:17:57.960 --> 0:18:00.480
<v Speaker 1>up in some accounts, two warriors have to stand on

0:18:00.520 --> 0:18:03.560
<v Speaker 1>either side of him, put a woman wooden beam beneath

0:18:03.600 --> 0:18:06.600
<v Speaker 1>his big, saggy brow, and lift the brow up so

0:18:06.640 --> 0:18:09.840
<v Speaker 1>that the evil eye can see out an unleash destruction

0:18:09.920 --> 0:18:14.399
<v Speaker 1>on the battlefield. It could be connected to that Ballor,

0:18:14.480 --> 0:18:17.680
<v Speaker 1>by the way, is eventually killed by his grandson Lug

0:18:17.800 --> 0:18:20.320
<v Speaker 1>of the Tuatha de Dun, and there are multiple versions

0:18:20.320 --> 0:18:23.280
<v Speaker 1>of the Balor myth as well. Sometimes his destructive eye

0:18:23.480 --> 0:18:25.440
<v Speaker 1>is described, you know, more or less like the single

0:18:25.920 --> 0:18:28.800
<v Speaker 1>single eye of a cyclops and other times it's depicted

0:18:28.840 --> 0:18:31.280
<v Speaker 1>as more of a third eye in the center of

0:18:31.359 --> 0:18:36.280
<v Speaker 1>the head alongside two ordinary eyes. So there's just a

0:18:36.400 --> 0:18:42.119
<v Speaker 1>taste of the triple or sevenfold eye in Irish mythology.

0:18:42.200 --> 0:18:45.240
<v Speaker 1>And again I've even having you know, research to the

0:18:45.320 --> 0:18:48.040
<v Speaker 1>bed and laid it out in the in the outline here,

0:18:48.040 --> 0:18:52.119
<v Speaker 1>it's still just overwhelmingly mysterious and on inspiring to me.

0:18:52.640 --> 0:18:56.040
<v Speaker 1>And we're going to come back to some other traditions,

0:18:56.520 --> 0:19:00.480
<v Speaker 1>some other ancient writings that refer to mysterious eyes of

0:19:00.600 --> 0:19:03.359
<v Speaker 1>this nature. But at this point we're gonna we're gonna

0:19:03.359 --> 0:19:06.240
<v Speaker 1>shift into the scientific world and hopefully this will be

0:19:06.400 --> 0:19:09.399
<v Speaker 1>a fun case where the science and the myth will

0:19:09.440 --> 0:19:11.440
<v Speaker 1>sort of play off each other and each one will

0:19:11.520 --> 0:19:21.040
<v Speaker 1>make the other more fabulous. All right, well, since we're

0:19:21.080 --> 0:19:23.280
<v Speaker 1>talking about eyes, I think we do need to do

0:19:23.359 --> 0:19:27.200
<v Speaker 1>a quick overview of eyeball anatomy. So picture an eyeball,

0:19:27.320 --> 0:19:29.080
<v Speaker 1>rob Are you doing it? Can you can see that

0:19:29.160 --> 0:19:33.040
<v Speaker 1>eyeball in your mind's eye burning like the eye of Sauron. Okay, well,

0:19:33.080 --> 0:19:35.280
<v Speaker 1>that actually connects to something because the eye of Sauron,

0:19:35.359 --> 0:19:38.040
<v Speaker 1>you picture that, that's not just floating out in space, right,

0:19:38.160 --> 0:19:40.800
<v Speaker 1>it's sitting in a tower, that's right, And so of

0:19:40.880 --> 0:19:44.320
<v Speaker 1>course our eyeballs need some some structural scaffolding as well.

0:19:44.400 --> 0:19:47.520
<v Speaker 1>So the eyeball of humans it's within a bony socket

0:19:47.600 --> 0:19:51.119
<v Speaker 1>called the orbit, and the outer layer of the eyeball

0:19:51.160 --> 0:19:54.400
<v Speaker 1>itself is a tough white tissue made of collagen that's

0:19:54.440 --> 0:19:57.000
<v Speaker 1>called the sclera. This is the white part of the

0:19:57.080 --> 0:19:59.840
<v Speaker 1>eye that you can see. And then the pupil, of course,

0:20:00.160 --> 0:20:02.200
<v Speaker 1>is the black dot in the middle of the eye.

0:20:02.640 --> 0:20:05.640
<v Speaker 1>Covering the pupil on the outside is a clear layer

0:20:05.680 --> 0:20:09.560
<v Speaker 1>of cells known as the cornea, which both protects the eye.

0:20:09.640 --> 0:20:12.720
<v Speaker 1>It protects the iris and the pupil, and it also

0:20:13.359 --> 0:20:16.280
<v Speaker 1>helps to focus incoming light into the pupil. Actually, there

0:20:16.320 --> 0:20:19.119
<v Speaker 1>are two parts of your eyes that do focusing of

0:20:19.240 --> 0:20:21.600
<v Speaker 1>light rays. The cornea does the majority of it. I

0:20:21.640 --> 0:20:23.639
<v Speaker 1>think it does about two thirds of the focusing, and

0:20:23.720 --> 0:20:26.560
<v Speaker 1>that's the first layer. And actually, if you've listened to

0:20:26.600 --> 0:20:28.480
<v Speaker 1>our episodes on tiers that we did I think a

0:20:28.560 --> 0:20:30.399
<v Speaker 1>couple of months ago, you know there's something even to

0:20:30.480 --> 0:20:33.119
<v Speaker 1>the outside of the cornea, which is that thin layer

0:20:33.160 --> 0:20:36.159
<v Speaker 1>of tier film that covers the eye. It's secreted by

0:20:36.240 --> 0:20:40.520
<v Speaker 1>the lachrymal glands actually has multiple parts. That the watery

0:20:40.600 --> 0:20:44.320
<v Speaker 1>part of the tier film is secreted by the lachrymal glands,

0:20:44.359 --> 0:20:46.480
<v Speaker 1>and then there's an oily part of the tier film

0:20:46.800 --> 0:20:50.120
<v Speaker 1>that comes from the base of the eyelids, now coming

0:20:50.160 --> 0:20:53.320
<v Speaker 1>to the pupil. While it's tempting to think of the

0:20:53.480 --> 0:20:57.080
<v Speaker 1>pupil as a thing, the interesting truth is that the

0:20:57.200 --> 0:21:00.919
<v Speaker 1>pupil is really an absence. The pupil is the whole

0:21:01.240 --> 0:21:05.600
<v Speaker 1>or the opening through which light passes. So light comes

0:21:05.720 --> 0:21:09.280
<v Speaker 1>through the cornea and then is directed through the pupil

0:21:09.400 --> 0:21:11.560
<v Speaker 1>and then is focused again a second time after the

0:21:11.640 --> 0:21:15.280
<v Speaker 1>cornea by a clear structure on the inside of the eye,

0:21:15.359 --> 0:21:18.359
<v Speaker 1>the inside of the pupil that's called the lens. And

0:21:18.480 --> 0:21:21.080
<v Speaker 1>then finally, after it is focused through the lens, the

0:21:21.200 --> 0:21:24.320
<v Speaker 1>light is reflected onto the layer of sensitive cells on

0:21:24.400 --> 0:21:26.879
<v Speaker 1>the back of the inside of the eye, known as

0:21:26.960 --> 0:21:29.600
<v Speaker 1>the retina, and then the sensing cells of the retina

0:21:29.720 --> 0:21:32.720
<v Speaker 1>transmit the information about the light via the optic nerve

0:21:32.840 --> 0:21:34.840
<v Speaker 1>all the way to the visual cortex in the back

0:21:34.880 --> 0:21:37.720
<v Speaker 1>of the brain, where the information is made sense of

0:21:37.880 --> 0:21:40.040
<v Speaker 1>in a way that we experience as sight. So I

0:21:40.080 --> 0:21:42.040
<v Speaker 1>think what we should say is that sight happens in

0:21:42.160 --> 0:21:44.320
<v Speaker 1>the brain, which is why there are so many things

0:21:44.400 --> 0:21:47.280
<v Speaker 1>that can that can affect what we see when we

0:21:47.359 --> 0:21:48.879
<v Speaker 1>look at the world. You know, it's not just like

0:21:49.000 --> 0:21:53.000
<v Speaker 1>a video camera feed. There's there's some post processing that

0:21:53.119 --> 0:21:55.119
<v Speaker 1>goes on that can be affected by all kinds of

0:21:55.200 --> 0:22:00.280
<v Speaker 1>things from uh, you know, from biases and little little

0:22:00.359 --> 0:22:04.280
<v Speaker 1>tricks of how the brain works, to drugs and so so.

0:22:04.800 --> 0:22:07.000
<v Speaker 1>Sight happens in the brain, but of course light has

0:22:07.080 --> 0:22:09.520
<v Speaker 1>to go through all these stages within the eye before

0:22:09.560 --> 0:22:12.159
<v Speaker 1>it is turned into the experience of vision in the

0:22:12.280 --> 0:22:15.240
<v Speaker 1>visual cortex. You know. I just think you were talking

0:22:15.280 --> 0:22:18.040
<v Speaker 1>about how about the pupil being an absence and not

0:22:18.160 --> 0:22:22.000
<v Speaker 1>a thing, and I was thinking about, you know, various

0:22:22.359 --> 0:22:25.120
<v Speaker 1>there's of course the Chinese story of the magic paint brush,

0:22:25.160 --> 0:22:27.159
<v Speaker 1>and I think there are different variations on this, but

0:22:27.240 --> 0:22:31.200
<v Speaker 1>there's one in which the paint brush, whatever you paint

0:22:31.240 --> 0:22:33.720
<v Speaker 1>with it comes to life, but only after you have

0:22:34.400 --> 0:22:37.280
<v Speaker 1>added the eye or I think perhaps the you know,

0:22:37.400 --> 0:22:42.120
<v Speaker 1>adding the pupil slash iris of the eye, because depending

0:22:42.200 --> 0:22:45.680
<v Speaker 1>on the detail of your illustration, like the pupil in

0:22:45.680 --> 0:22:47.280
<v Speaker 1>the eye are just going to be one, right, Like

0:22:47.400 --> 0:22:50.080
<v Speaker 1>if you're painting an eye. Drawing an eye, you create

0:22:50.160 --> 0:22:52.399
<v Speaker 1>the white and then you put that black dot in

0:22:52.480 --> 0:22:55.399
<v Speaker 1>the middle to complete it, and it kind of brings

0:22:55.520 --> 0:22:58.040
<v Speaker 1>life to something. But on the other hand, I think

0:22:58.080 --> 0:23:03.159
<v Speaker 1>to the world of miniature paint and off there. If

0:23:03.200 --> 0:23:05.280
<v Speaker 1>anyone's never seen this, you should look it up because

0:23:05.280 --> 0:23:09.919
<v Speaker 1>it can be hilarious. When people are just figuring out

0:23:09.960 --> 0:23:12.680
<v Speaker 1>what they're doing with miniatures, they'll often want to complete

0:23:12.840 --> 0:23:15.640
<v Speaker 1>like this small you know, we're talking like a small scale, uh,

0:23:16.840 --> 0:23:20.000
<v Speaker 1>you know, soldier or something, and they'll want to put

0:23:20.040 --> 0:23:22.840
<v Speaker 1>eyes on it, so they'll create the white dots and

0:23:22.880 --> 0:23:24.639
<v Speaker 1>then they'll go to throw those little black dots in

0:23:24.680 --> 0:23:28.320
<v Speaker 1>there as well, often with just hilarious results. You'll end

0:23:28.400 --> 0:23:32.679
<v Speaker 1>up with just the completely ridiculous googly eyes that that are,

0:23:32.760 --> 0:23:34.679
<v Speaker 1>you know, look too big for the head and one

0:23:34.760 --> 0:23:37.080
<v Speaker 1>eyes put looking off in one direction and the other

0:23:37.119 --> 0:23:41.359
<v Speaker 1>in another direction. But we have that compulsion way like

0:23:41.440 --> 0:23:44.000
<v Speaker 1>we it's not real until I add, you know, the

0:23:44.440 --> 0:23:47.320
<v Speaker 1>pupil iris. We can't just have white there, we can't

0:23:47.359 --> 0:23:50.040
<v Speaker 1>just have dark there. We have to have both. Well, yeah,

0:23:50.080 --> 0:23:54.160
<v Speaker 1>I think there is actually a strong biological reason why

0:23:54.480 --> 0:23:57.040
<v Speaker 1>why having both is very important to us. You know,

0:23:57.240 --> 0:24:00.320
<v Speaker 1>we've looked at research before on how humans are very

0:24:00.480 --> 0:24:05.639
<v Speaker 1>sensitive to noticing gaze direction in other humans, to monitoring

0:24:05.760 --> 0:24:09.400
<v Speaker 1>the movement of other people's eyes to understand where they're looking.

0:24:09.520 --> 0:24:13.359
<v Speaker 1>That is very socially relevant information and we keep close

0:24:13.440 --> 0:24:16.120
<v Speaker 1>tabs on it even when you don't notice you're doing it. Yeah.

0:24:16.480 --> 0:24:18.960
<v Speaker 1>So if you're just see a representation of a human

0:24:19.040 --> 0:24:22.040
<v Speaker 1>and they like don't have pupils in their eyes, this

0:24:22.240 --> 0:24:24.600
<v Speaker 1>is very disturbing because it's like, well, I can't tell

0:24:24.680 --> 0:24:27.320
<v Speaker 1>where they're looking and that you know that that doesn't

0:24:27.359 --> 0:24:29.359
<v Speaker 1>feel good at all. And this is probably why you

0:24:29.400 --> 0:24:32.240
<v Speaker 1>know it's it's very popular in films and TV shows.

0:24:32.280 --> 0:24:34.679
<v Speaker 1>If you need a character to have a very very

0:24:34.760 --> 0:24:38.080
<v Speaker 1>other worldly air to them, just simply give them completely

0:24:38.160 --> 0:24:41.880
<v Speaker 1>black eyes or completely wide eyes, and you know they'll

0:24:41.960 --> 0:24:46.200
<v Speaker 1>have this angelic or demonic a hair about them. Oh yeah, absolutely.

0:24:46.280 --> 0:24:47.520
<v Speaker 1>The one thing I do want to come back to

0:24:47.600 --> 0:24:49.960
<v Speaker 1>when I said that the pupils are an absence and

0:24:50.080 --> 0:24:52.040
<v Speaker 1>I said not a thing. I mean, of course, it

0:24:52.160 --> 0:24:54.399
<v Speaker 1>depends on what you mean by thing, but I mean,

0:24:54.520 --> 0:24:56.800
<v Speaker 1>you know, they are the pinhole in a pinhole camera

0:24:57.400 --> 0:25:01.040
<v Speaker 1>without the whole the pinhole camera doesn't work. They're very important,

0:25:01.080 --> 0:25:03.159
<v Speaker 1>you've got to have them, but what they are is

0:25:03.280 --> 0:25:06.800
<v Speaker 1>an opening. Yeah, here's another weird thing. You ever think

0:25:06.800 --> 0:25:10.080
<v Speaker 1>about the fact that your eye has muscles. I don't know. Yah,

0:25:10.480 --> 0:25:12.680
<v Speaker 1>maybe this is one that everybody else is just fully

0:25:12.720 --> 0:25:15.280
<v Speaker 1>metabolized and it is sitting with them just fine. But

0:25:15.760 --> 0:25:18.880
<v Speaker 1>thinking about my eye muscles makes me a little woozy.

0:25:19.520 --> 0:25:21.720
<v Speaker 1>But obviously it's true. I mean, in fact, your eye

0:25:21.760 --> 0:25:24.440
<v Speaker 1>has multiple levels of muscles. And here's we're going to

0:25:24.480 --> 0:25:28.040
<v Speaker 1>come back to creatures with seven of something. So arranged

0:25:28.520 --> 0:25:30.800
<v Speaker 1>around the back of each of your eyes, on the

0:25:30.920 --> 0:25:37.200
<v Speaker 1>attached to the sclera, there are seven muscles, the extraocular muscles,

0:25:37.760 --> 0:25:40.520
<v Speaker 1>and these are muscles that move the eyeballs into some

0:25:40.640 --> 0:25:43.920
<v Speaker 1>degree the eyelids as well, certainly the superior eyelids. So

0:25:44.040 --> 0:25:46.439
<v Speaker 1>when you look up down side to side, up at

0:25:46.440 --> 0:25:49.280
<v Speaker 1>an angle, when you're trying to remember something, you're flexing

0:25:49.359 --> 0:25:52.640
<v Speaker 1>these muscles. Do you think Colin had seven of these?

0:25:52.760 --> 0:25:56.920
<v Speaker 1>Or did he have forty nine muscles on his eyeballs? Wait?

0:25:57.040 --> 0:25:59.040
<v Speaker 1>Did he have different eyes or I know, I mean

0:25:59.640 --> 0:26:02.560
<v Speaker 1>I think he only had two eyeballs. He just said

0:26:02.640 --> 0:26:06.520
<v Speaker 1>seven irises or eyeles. So these are apportioned according to eyeballs.

0:26:06.680 --> 0:26:09.800
<v Speaker 1>Not took pupils and irises. Didn't know how deep into

0:26:09.840 --> 0:26:14.360
<v Speaker 1>his anatomy the numerology went. But to get even weirder,

0:26:14.480 --> 0:26:18.160
<v Speaker 1>there are also muscles within the eye. There are muscles

0:26:18.320 --> 0:26:22.000
<v Speaker 1>in your eyes responsible for changing the diameter of the

0:26:22.119 --> 0:26:25.840
<v Speaker 1>pupil of that opening. So remember the pupil is basically

0:26:25.920 --> 0:26:27.680
<v Speaker 1>a hole in the function of the pupil is to

0:26:27.760 --> 0:26:30.640
<v Speaker 1>allow light to pass through the lens and onto the retina,

0:26:31.200 --> 0:26:33.760
<v Speaker 1>and the eye has to adjust the size of the

0:26:33.880 --> 0:26:37.439
<v Speaker 1>hole to help control light exposure and to focus the image.

0:26:37.840 --> 0:26:41.800
<v Speaker 1>A very easy example to see for yourself. Everybody probably

0:26:41.800 --> 0:26:43.520
<v Speaker 1>did this in elementary school at some point, but if

0:26:43.520 --> 0:26:46.200
<v Speaker 1>you never did, check it out sometime. Watch your pupils

0:26:46.520 --> 0:26:49.000
<v Speaker 1>in a mirror. When you're turning the lights in the

0:26:49.119 --> 0:26:52.119
<v Speaker 1>room on and off. Your pupil will dilate in a

0:26:52.240 --> 0:26:54.800
<v Speaker 1>dark room to allow more light in to become more

0:26:54.880 --> 0:26:58.159
<v Speaker 1>sensitive to less data, and when the light comes on,

0:26:58.280 --> 0:27:01.959
<v Speaker 1>the pupil will contract to allow less light in. Now

0:27:01.960 --> 0:27:04.720
<v Speaker 1>I was reading about what function the pupil serves because

0:27:04.720 --> 0:27:07.040
<v Speaker 1>I think the expansion and contraction of the pupil is

0:27:07.080 --> 0:27:10.040
<v Speaker 1>not only for controlling for the amount of light in

0:27:10.119 --> 0:27:13.800
<v Speaker 1>the environment. And I think it also helps control focus

0:27:13.960 --> 0:27:17.960
<v Speaker 1>of the image that you're trying to turn your gaze onto.

0:27:18.560 --> 0:27:20.840
<v Speaker 1>So I was reading about this in a paper by

0:27:21.000 --> 0:27:26.520
<v Speaker 1>Sebastian Methote called Pupilometry, Psychology, Physiology and Function in the

0:27:26.600 --> 0:27:30.320
<v Speaker 1>Journal of Cognition twenty eighteen, and Methote writes, quote, although

0:27:30.400 --> 0:27:33.600
<v Speaker 1>people responses likely serve many functions, not all of which

0:27:33.600 --> 0:27:37.320
<v Speaker 1>are fully understood, one important function is to optimize vision,

0:27:37.520 --> 0:27:42.200
<v Speaker 1>either for acuity small pupils see sharper and depth of

0:27:42.359 --> 0:27:46.520
<v Speaker 1>field small pupils see sharply at a wider range of distances,

0:27:47.400 --> 0:27:51.040
<v Speaker 1>or for sensitivity, large pupils are better able to detect

0:27:51.119 --> 0:27:54.520
<v Speaker 1>faint stimuli. And then finally says that that is, pupils

0:27:54.640 --> 0:27:58.040
<v Speaker 1>change their size to optimize vision for a particular situation.

0:27:58.800 --> 0:28:01.760
<v Speaker 1>And probably all of these are familiar to people who

0:28:01.800 --> 0:28:05.159
<v Speaker 1>have ever had to work the aperture of a film camera,

0:28:06.119 --> 0:28:09.119
<v Speaker 1>because you manipulate the aperture not just to respond to

0:28:09.200 --> 0:28:13.200
<v Speaker 1>different light conditions and to avoid overexposing or under exposing,

0:28:13.280 --> 0:28:15.680
<v Speaker 1>but you also do it in order to control things

0:28:15.760 --> 0:28:17.840
<v Speaker 1>like depth of field, like do you want you know

0:28:18.359 --> 0:28:20.879
<v Speaker 1>things that are both close and far away in sharp

0:28:20.960 --> 0:28:23.960
<v Speaker 1>focus are only what's up close in focus and so forth.

0:28:24.480 --> 0:28:26.520
<v Speaker 1>But to come back to those muscles within the eye,

0:28:26.880 --> 0:28:31.000
<v Speaker 1>what causes the expansion or contraction of the pupil is

0:28:31.040 --> 0:28:34.480
<v Speaker 1>actually the set of muscles within the iris. This is

0:28:34.600 --> 0:28:38.800
<v Speaker 1>what your iris is for. And so here's a wonderful

0:28:38.880 --> 0:28:41.840
<v Speaker 1>anatomy fact that everyone should know. When you hear a

0:28:41.840 --> 0:28:44.880
<v Speaker 1>good love song or a poem about eye color. You know,

0:28:45.320 --> 0:28:47.760
<v Speaker 1>my love, how I long to gaze into your big

0:28:47.840 --> 0:28:51.600
<v Speaker 1>brown eyes. The singer is technically longing to gaze into

0:28:51.680 --> 0:28:55.760
<v Speaker 1>two sphincters. What certainly makes you rethink Van Morrison's Brown

0:28:55.800 --> 0:28:59.760
<v Speaker 1>Eyed Girl? That right, Yes, speaking of which Irish singer,

0:29:00.320 --> 0:29:04.960
<v Speaker 1>why not why brown eyes instead of triple or seven

0:29:05.040 --> 0:29:09.040
<v Speaker 1>pupiled eyes? Missed opportunity? Brown Eyed Girl is a song

0:29:09.160 --> 0:29:13.600
<v Speaker 1>all about the appreciation of beautiful glassy sphincters glinting in

0:29:13.640 --> 0:29:16.840
<v Speaker 1>the sun. Okay, So the iris is composed of two

0:29:16.920 --> 0:29:20.160
<v Speaker 1>types of muscle. You've got the dilator muscles, and these

0:29:20.240 --> 0:29:23.760
<v Speaker 1>are long muscle fibers, you know, relatively long within the

0:29:23.880 --> 0:29:26.960
<v Speaker 1>eye at least that cause the pupil to expand when

0:29:27.040 --> 0:29:29.520
<v Speaker 1>they contract. So you can kind of think of muscles

0:29:29.600 --> 0:29:33.080
<v Speaker 1>like pulling and opening wider by by pulling at its edges.

0:29:33.760 --> 0:29:36.000
<v Speaker 1>And then the second type within the iris is the

0:29:36.120 --> 0:29:39.520
<v Speaker 1>sphincter muscle. This is a ring of muscle tissue around

0:29:39.560 --> 0:29:42.440
<v Speaker 1>the inner edge of the iris that shrinks the pupil

0:29:42.560 --> 0:29:46.000
<v Speaker 1>when it contracts. And so the term sphincter is of

0:29:46.160 --> 0:29:49.160
<v Speaker 1>course most famous for referring to the muscle that controls

0:29:49.240 --> 0:29:52.200
<v Speaker 1>the anus, but it actually just means any ring of

0:29:52.320 --> 0:29:55.080
<v Speaker 1>muscle that works to open and close a tube in

0:29:55.440 --> 0:29:58.960
<v Speaker 1>an animal body. So you actually have multiple sphincters throughout

0:29:59.040 --> 0:30:01.120
<v Speaker 1>your body, not just the anus, not just in the

0:30:01.160 --> 0:30:05.400
<v Speaker 1>anus and the irises, but also internally controlling the openings

0:30:05.440 --> 0:30:08.479
<v Speaker 1>of the stomach. By the way, we do have at

0:30:08.520 --> 0:30:10.760
<v Speaker 1>least a couple of episodes about the evolution of the

0:30:10.840 --> 0:30:14.000
<v Speaker 1>anus that we did a few years back, So if

0:30:14.040 --> 0:30:18.080
<v Speaker 1>anyone is interested in more information on that, then I

0:30:18.560 --> 0:30:21.720
<v Speaker 1>send you to the vault to seek those episodes out.

0:30:22.080 --> 0:30:24.320
<v Speaker 1>Oh yeah, I recall that being great fun, But but

0:30:24.680 --> 0:30:26.480
<v Speaker 1>I wanted to say, believe it or not, this tidbit

0:30:26.520 --> 0:30:30.360
<v Speaker 1>about sphincters is the sphincters of the eyes is not

0:30:30.560 --> 0:30:33.720
<v Speaker 1>just an amusing digression. This will actually play into what

0:30:33.800 --> 0:30:36.800
<v Speaker 1>I'm about to talk about, which is an extremely rare

0:30:36.920 --> 0:30:41.920
<v Speaker 1>medical condition in which human beings do sometimes have multiple

0:30:42.040 --> 0:30:45.200
<v Speaker 1>pupils in the same eye. And this is a condition

0:30:45.320 --> 0:30:49.479
<v Speaker 1>known as polychoria. So it's very very rare, but multiple

0:30:49.560 --> 0:30:52.440
<v Speaker 1>pupils per eye does exist in the real world, and

0:30:52.560 --> 0:30:54.600
<v Speaker 1>so as a source on this, I was looking at

0:30:54.840 --> 0:30:58.960
<v Speaker 1>a book called The Handbook of Pediatric neuro Optimology published

0:30:59.040 --> 0:31:01.640
<v Speaker 1>by Springer in two thousand and six by Kenneth W. Wright,

0:31:01.800 --> 0:31:06.240
<v Speaker 1>Peter H. Spiegel, and Lisa S. Thompson. According to the

0:31:06.320 --> 0:31:10.160
<v Speaker 1>authors here, there are actually two different conditions known as polychoria,

0:31:10.240 --> 0:31:13.640
<v Speaker 1>though both are referring to conditions where there is more

0:31:13.720 --> 0:31:17.680
<v Speaker 1>than one opening in the iris. They say these additional

0:31:17.760 --> 0:31:19.920
<v Speaker 1>openings tend to be due to what they call local

0:31:20.200 --> 0:31:25.200
<v Speaker 1>hypoplasia of the iris stroma and the pigment epithelium. So

0:31:25.360 --> 0:31:29.200
<v Speaker 1>these are the layers of tissue within the iris. The

0:31:29.280 --> 0:31:32.320
<v Speaker 1>iris stroma is the bigger middle layer and the pigment

0:31:32.360 --> 0:31:36.840
<v Speaker 1>epithelium is a layer that is what gives eyes their color,

0:31:37.000 --> 0:31:39.840
<v Speaker 1>the pigment on the back of the irises and so

0:31:40.320 --> 0:31:45.160
<v Speaker 1>hypoplasia within those tissues would mean a lack of cells

0:31:45.280 --> 0:31:49.479
<v Speaker 1>or an incomplete formation of the cells within those tissues. Now,

0:31:49.560 --> 0:31:53.200
<v Speaker 1>regarding the two varieties of this condition, there is true polychoria,

0:31:53.360 --> 0:31:56.160
<v Speaker 1>in which there is more than one pupil and they

0:31:56.400 --> 0:32:01.280
<v Speaker 1>each have their own iris sphincter muscle the ability to contract.

0:32:02.000 --> 0:32:05.880
<v Speaker 1>Then there is false polychoria or pseudo polychoria, in which

0:32:05.960 --> 0:32:09.080
<v Speaker 1>there are multiple openings in the iris, but only one

0:32:09.360 --> 0:32:13.240
<v Speaker 1>has the sphincter muscle. So the sphincter muscle is what

0:32:13.520 --> 0:32:17.240
<v Speaker 1>makes the difference. The having the sphincters around your extra

0:32:17.360 --> 0:32:21.240
<v Speaker 1>pupils is what makes it true polychoria. Both conditions are rare,

0:32:21.320 --> 0:32:24.320
<v Speaker 1>but true polychoria is much more rare. They write that

0:32:24.480 --> 0:32:29.560
<v Speaker 1>in almost all clinical situations the correct diagnosis is pseudo polychoria.

0:32:30.560 --> 0:32:33.640
<v Speaker 1>And given how rare polychoria is, there doesn't seem to

0:32:33.720 --> 0:32:36.640
<v Speaker 1>be a ton of accessible medical literature on it. Most

0:32:36.680 --> 0:32:38.920
<v Speaker 1>of what I did find was pretty old. I found

0:32:39.080 --> 0:32:43.320
<v Speaker 1>one report from recent years, and this was an article

0:32:43.400 --> 0:32:49.120
<v Speaker 1>published in Jamma Optimology from twenty twenty by Antoine Safie

0:32:49.440 --> 0:32:54.400
<v Speaker 1>and Shallenburg and Aki Kawasaki called Polychoria in a Young Girl.

0:32:54.960 --> 0:32:57.120
<v Speaker 1>This was a case report of a nine year old

0:32:57.200 --> 0:32:59.520
<v Speaker 1>girl in good health who was in for a regular

0:32:59.600 --> 0:33:02.600
<v Speaker 1>checkup with her doctor when the doctor noticed that she

0:33:02.800 --> 0:33:06.440
<v Speaker 1>had two pupils in her left eye, one regular sized

0:33:06.480 --> 0:33:09.640
<v Speaker 1>pupil in the middle and then another much smaller hole

0:33:09.720 --> 0:33:13.040
<v Speaker 1>in the iris just the side of the primary rob

0:33:13.200 --> 0:33:15.280
<v Speaker 1>I've attached a picture for you to look at here.

0:33:15.800 --> 0:33:20.040
<v Speaker 1>But this case was one of the extremely rare documented

0:33:20.120 --> 0:33:24.200
<v Speaker 1>cases of true polychoria because both pupils in the same

0:33:24.320 --> 0:33:28.800
<v Speaker 1>eye would contract simultaneously when exposed to light, meaning they

0:33:28.960 --> 0:33:33.240
<v Speaker 1>both had functional sphincter muscles surrounding them. And one of

0:33:33.280 --> 0:33:37.640
<v Speaker 1>the proposed causes of true polychoria is what the authors

0:33:37.720 --> 0:33:41.120
<v Speaker 1>call quote a sneering or pinching off from the margin

0:33:41.360 --> 0:33:45.000
<v Speaker 1>of another pupil, and that would seem to make sense

0:33:45.040 --> 0:33:48.520
<v Speaker 1>of why there would be sphincter muscles surrounding it. So

0:33:48.600 --> 0:33:51.520
<v Speaker 1>if you picture the pupil surrounded by this ring of

0:33:51.600 --> 0:33:54.800
<v Speaker 1>sphincter muscle, and then you picture part of that pupil

0:33:55.320 --> 0:33:58.360
<v Speaker 1>by just some kind of quirk of how the cells

0:33:58.400 --> 0:34:01.840
<v Speaker 1>are growing, part of the pupil pinched off and separated

0:34:01.960 --> 0:34:04.920
<v Speaker 1>from the other one, like the iris cells around it

0:34:05.200 --> 0:34:07.320
<v Speaker 1>kind of just come together and grow together and pinch

0:34:07.400 --> 0:34:09.719
<v Speaker 1>off part of it that would still it would still

0:34:09.719 --> 0:34:13.319
<v Speaker 1>be surrounded by those sphincter muscle cells. By the way,

0:34:13.440 --> 0:34:15.719
<v Speaker 1>and a lot of times we'll say, definitely, go do

0:34:15.880 --> 0:34:17.680
<v Speaker 1>an image search so you can see what we're talking

0:34:17.680 --> 0:34:19.800
<v Speaker 1>about here. I have to advise if you're doing a

0:34:19.840 --> 0:34:25.120
<v Speaker 1>search for polychoria, you will invariably turn up some actual images,

0:34:25.160 --> 0:34:28.640
<v Speaker 1>but also a lot of doctored images and like clickbait

0:34:28.760 --> 0:34:34.600
<v Speaker 1>images that don't represent anything that's actually happening in the

0:34:35.160 --> 0:34:37.960
<v Speaker 1>real biological world. If you definitely want to see a

0:34:38.000 --> 0:34:39.680
<v Speaker 1>real photo, you can look up the article I just

0:34:39.800 --> 0:34:42.840
<v Speaker 1>mentioned again that was in jam Optomology called polychoria in

0:34:42.880 --> 0:34:45.080
<v Speaker 1>a young Girl. It just as close ups of the

0:34:45.120 --> 0:34:47.400
<v Speaker 1>pupils and you can see them right there. Yeah, these

0:34:47.440 --> 0:34:50.000
<v Speaker 1>images are quite impressive. Though of course, I have to

0:34:50.280 --> 0:34:52.520
<v Speaker 1>say that anytime you have a close up image of

0:34:52.600 --> 0:34:56.520
<v Speaker 1>the inner workings of an eyeball, you're getting into weird

0:34:56.640 --> 0:35:07.480
<v Speaker 1>territory because it quickly becomes this strange a in the world. Now,

0:35:07.520 --> 0:35:10.520
<v Speaker 1>you might be tempted to wonder, WHOA if somebody has

0:35:11.120 --> 0:35:14.680
<v Speaker 1>two pupils in the same eye, how does that affect vision?

0:35:14.800 --> 0:35:17.439
<v Speaker 1>Like do they see two images out of that eye

0:35:17.520 --> 0:35:20.840
<v Speaker 1>or something? And the answer to that is no, because

0:35:21.480 --> 0:35:24.480
<v Speaker 1>what's what's creating the what's sending the light data back

0:35:24.560 --> 0:35:29.040
<v Speaker 1>to your visual cortex is the retina. So what tends

0:35:29.080 --> 0:35:34.440
<v Speaker 1>to result from polychoria is usually just some impairment of

0:35:34.760 --> 0:35:38.200
<v Speaker 1>vision in that eye. But it doesn't tend to, at

0:35:38.280 --> 0:35:42.520
<v Speaker 1>least as far as I've read, create any extravagant unusual effects.

0:35:42.640 --> 0:35:45.120
<v Speaker 1>More likely, if it has effects on vision, it's probably

0:35:45.200 --> 0:35:48.520
<v Speaker 1>just some reduction in the function of the eye or

0:35:48.560 --> 0:35:50.879
<v Speaker 1>impairment of vision. I mean, you kind of come back

0:35:50.880 --> 0:35:52.560
<v Speaker 1>to the same place where we've we've been here before,

0:35:52.560 --> 0:35:55.840
<v Speaker 1>where you you talk about site and it's something that

0:35:55.920 --> 0:35:58.279
<v Speaker 1>we know most of us take for granted. But then

0:35:58.360 --> 0:36:00.800
<v Speaker 1>when you start thinking about what's act really happening, you

0:36:00.840 --> 0:36:03.400
<v Speaker 1>know that you have these not one, but two different

0:36:03.520 --> 0:36:07.239
<v Speaker 1>eyeballs functioning, and uh and then this data is then um,

0:36:07.520 --> 0:36:11.759
<v Speaker 1>you know, reassembled and created into this stitched together into

0:36:11.800 --> 0:36:14.800
<v Speaker 1>this this simulated model of the world inside our heads.

0:36:15.680 --> 0:36:18.920
<v Speaker 1>It's it's pretty crazy. Well yeah, and especially because as

0:36:19.000 --> 0:36:21.520
<v Speaker 1>we said earlier, you know, vision happens in the brain.

0:36:21.760 --> 0:36:24.840
<v Speaker 1>It just makes use of data gathered with the eyes.

0:36:25.040 --> 0:36:27.680
<v Speaker 1>So the brain can actually do a lot of compensating,

0:36:27.760 --> 0:36:30.560
<v Speaker 1>adapting and adjusting based on what's going on in the

0:36:30.640 --> 0:36:33.759
<v Speaker 1>first part of the process. Right. It also reminds me

0:36:33.880 --> 0:36:36.719
<v Speaker 1>of talking to David Eagleman. You know, one of the

0:36:36.800 --> 0:36:40.800
<v Speaker 1>things he points out is that we're basically mister potato

0:36:40.880 --> 0:36:43.960
<v Speaker 1>heads and the more sensory tools that you plug into

0:36:44.000 --> 0:36:46.680
<v Speaker 1>the brain, like, it's just going to be integrated into

0:36:46.760 --> 0:36:51.040
<v Speaker 1>the model. So you know, it's like one eyeball, two eyeballs, Um,

0:36:51.160 --> 0:36:53.320
<v Speaker 1>if you if you were to add additional eyeballs or

0:36:53.640 --> 0:36:57.560
<v Speaker 1>additional things, that's that that fed in additional data like

0:36:57.800 --> 0:37:02.040
<v Speaker 1>that would be consolidated into the Yeah, he's pretty from

0:37:02.080 --> 0:37:05.480
<v Speaker 1>what I understand, he's pretty bullish on plasticity, right, And

0:37:05.560 --> 0:37:08.320
<v Speaker 1>I guess there are differences of opinion among experts on this,

0:37:08.520 --> 0:37:11.720
<v Speaker 1>like how adaptable is the adult brain, how many types

0:37:11.760 --> 0:37:15.520
<v Speaker 1>of new sensory information could a brain make use of?

0:37:15.760 --> 0:37:17.560
<v Speaker 1>But yeah, I think he's more on the end of

0:37:17.680 --> 0:37:20.160
<v Speaker 1>like we would be shocked how much the brain can

0:37:20.200 --> 0:37:23.080
<v Speaker 1>adapt to, right. Yeah, But then again, just coming back

0:37:23.080 --> 0:37:25.200
<v Speaker 1>to the idea that, yeah, your vision is not the

0:37:25.280 --> 0:37:27.200
<v Speaker 1>thing your eye does. Your vision is the thing your

0:37:27.239 --> 0:37:31.520
<v Speaker 1>brain does using the eyes. Right. All Right, So we're

0:37:31.520 --> 0:37:33.600
<v Speaker 1>gonna be back in the next episode. We're gonna have

0:37:34.680 --> 0:37:38.920
<v Speaker 1>more ancient ideas about multi lobed eyes. We're gonna have

0:37:39.840 --> 0:37:42.319
<v Speaker 1>We're gonna have some more science at this time from

0:37:42.400 --> 0:37:45.680
<v Speaker 1>the animal world and some of the strange pupils going

0:37:45.760 --> 0:37:49.840
<v Speaker 1>on out there. I did want to mention, though, briefly,

0:37:49.960 --> 0:37:52.680
<v Speaker 1>that yeah, you do have some some pretty neat pop

0:37:52.800 --> 0:37:57.960
<v Speaker 1>culture examples of multi pupil, multi irist eyes. I was

0:37:58.000 --> 0:38:00.040
<v Speaker 1>trying to think of think of them. I feel like

0:38:00.120 --> 0:38:02.200
<v Speaker 1>the ones that came to mind or are all kind

0:38:02.239 --> 0:38:04.359
<v Speaker 1>of loosely connected to each other, or they all feel

0:38:04.400 --> 0:38:07.240
<v Speaker 1>like they're very much within the same sort of genre

0:38:07.480 --> 0:38:12.959
<v Speaker 1>of sort of weird horror themed visionary art. I was like, Rob,

0:38:13.280 --> 0:38:15.960
<v Speaker 1>is it going to be Tool? Yeah, well it has

0:38:16.000 --> 0:38:18.920
<v Speaker 1>to be Tool, right, So like and because I guess

0:38:18.960 --> 0:38:21.200
<v Speaker 1>these were probably my first exposures to this kind of

0:38:21.360 --> 0:38:23.520
<v Speaker 1>of imagery, even though again it's it's you know, it's

0:38:23.560 --> 0:38:25.479
<v Speaker 1>clearly been around with us for a very long time.

0:38:25.960 --> 0:38:31.680
<v Speaker 1>But there's the Adam Jones of Tool. His art for

0:38:31.840 --> 0:38:36.160
<v Speaker 1>the The ep Opiate features something like, you know, eyes

0:38:36.239 --> 0:38:40.680
<v Speaker 1>with multiple pupils and or eyes undergoing mitosis or their

0:38:40.719 --> 0:38:43.080
<v Speaker 1>figure eight pupils. It's you know, hard to figure out

0:38:43.080 --> 0:38:46.680
<v Speaker 1>exactly what's happening in a stationary image. There's also the

0:38:47.000 --> 0:38:50.800
<v Speaker 1>cam de Leon album art Ocular Orifice for Tools nineteen

0:38:50.880 --> 0:38:54.480
<v Speaker 1>ninety six album Onema featuring an eye with two or

0:38:54.680 --> 0:38:58.200
<v Speaker 1>more irises and pupils, and that's one that I believe

0:38:58.320 --> 0:39:00.800
<v Speaker 1>is animated as well. So its this you get this

0:39:00.880 --> 0:39:03.320
<v Speaker 1>idea of the eye turning. Was that an album that

0:39:03.400 --> 0:39:05.040
<v Speaker 1>had some release where you'd like turn it in the

0:39:05.160 --> 0:39:07.960
<v Speaker 1>light and it would move? Yeah, yeah, you can. Yeah,

0:39:08.120 --> 0:39:10.399
<v Speaker 1>some of the images could be placed so that they're

0:39:10.640 --> 0:39:12.640
<v Speaker 1>they're looking out the front of the CD case and

0:39:12.719 --> 0:39:16.440
<v Speaker 1>it creates this this this movement. The real masters of

0:39:16.520 --> 0:39:19.360
<v Speaker 1>the physical release, the horror movie you talked about with

0:39:19.440 --> 0:39:22.640
<v Speaker 1>the VHS box with the light up eyes. Yeah, yeah,

0:39:22.840 --> 0:39:25.399
<v Speaker 1>they were very very much and that I mean they're

0:39:25.400 --> 0:39:27.279
<v Speaker 1>still putting out albums with that kind of gimmick rick,

0:39:27.320 --> 0:39:31.359
<v Speaker 1>which which I love. Um. Now, a film that comes

0:39:31.400 --> 0:39:34.600
<v Speaker 1>to mind, there's John Carpenter's in the Mouth of Madness,

0:39:34.680 --> 0:39:37.520
<v Speaker 1>which I know you you saw in the last few years. Anyway,

0:39:37.880 --> 0:39:40.880
<v Speaker 1>there's a scene in which a deranged killer, uh like

0:39:41.040 --> 0:39:45.080
<v Speaker 1>you know, crashes through the the storefront, this cafe front

0:39:45.160 --> 0:39:46.799
<v Speaker 1>with an axe and then you get a close up

0:39:46.840 --> 0:39:50.080
<v Speaker 1>of his eyes, and he seems to have they're either

0:39:50.360 --> 0:39:54.560
<v Speaker 1>like conjoined irises, or perhaps irises that are undergoing mitosis

0:39:54.680 --> 0:39:58.200
<v Speaker 1>that are coming together or splitting apart, or something is

0:39:58.239 --> 0:40:00.680
<v Speaker 1>going on there, and it's like a super creepy moment.

0:40:01.040 --> 0:40:04.400
<v Speaker 1>And then he starts talking about Sutter kane Um and

0:40:04.480 --> 0:40:06.920
<v Speaker 1>then of cour course, you know that's a film that's

0:40:06.920 --> 0:40:09.839
<v Speaker 1>often talked about in terms of the Lovecrafty and influences.

0:40:09.960 --> 0:40:12.160
<v Speaker 1>There's a great madness line at the end of HP

0:40:12.320 --> 0:40:16.160
<v Speaker 1>Lovecraft's story The Haunter of the Dark that reads, I

0:40:16.320 --> 0:40:19.880
<v Speaker 1>see it coming here, hell Win, Titan blur, black wings,

0:40:20.400 --> 0:40:23.759
<v Speaker 1>Yog so thought save me. The three lobed burning eye.

0:40:24.280 --> 0:40:26.680
<v Speaker 1>I mean, frankly, after all this talk of seven lobed

0:40:26.760 --> 0:40:29.480
<v Speaker 1>burning eyes, I feel like that's right. The same is

0:40:29.560 --> 0:40:31.919
<v Speaker 1>not that impressive. I can easily imagine the three lobe

0:40:31.960 --> 0:40:35.640
<v Speaker 1>burning eye, seven lobed. Yeah, that's too mad to even

0:40:35.760 --> 0:40:39.360
<v Speaker 1>right about. Yog Sotho arrives on Earth after millions of

0:40:39.440 --> 0:40:42.319
<v Speaker 1>years is like I have come to conquer runs into

0:40:42.360 --> 0:40:46.160
<v Speaker 1>ku Collin. Collin's like, I have so many more irises

0:40:46.200 --> 0:40:48.320
<v Speaker 1>than you, And that's right, Yeah, I have a Kukolin.

0:40:48.360 --> 0:40:52.080
<v Speaker 1>Could could totally whip yog sotho, no no, no question

0:40:52.120 --> 0:40:54.520
<v Speaker 1>about it. All right, Well, we're gonna go and close

0:40:54.560 --> 0:40:56.479
<v Speaker 1>it out there, but we will be back Thursday. There'll

0:40:56.480 --> 0:41:01.440
<v Speaker 1>be more I related to Wonder, more related science, so

0:41:01.880 --> 0:41:04.719
<v Speaker 1>tune in. In the meantime. We'd love to hear from everyone, though,

0:41:04.719 --> 0:41:06.719
<v Speaker 1>if you have thoughts about this episode, if you have

0:41:06.840 --> 0:41:12.719
<v Speaker 1>thoughts about Irish mythology, other tales that involve multiple pupils

0:41:13.040 --> 0:41:15.799
<v Speaker 1>or multiple irises in the same eye. Like I said,

0:41:15.800 --> 0:41:17.800
<v Speaker 1>we're going to mention some in the next episode, but

0:41:17.880 --> 0:41:21.919
<v Speaker 1>it's very likely. I mean it's it's I'm definitely missing something.

0:41:22.239 --> 0:41:25.640
<v Speaker 1>There's some sort of detail from some other folklore, mythology,

0:41:25.800 --> 0:41:28.440
<v Speaker 1>or certainly pop culture, and we would love to hear

0:41:28.480 --> 0:41:30.480
<v Speaker 1>about any of those examples. So write in and let

0:41:30.600 --> 0:41:34.080
<v Speaker 1>us know. Those episodes. Of course, core episodes of Stuff

0:41:34.080 --> 0:41:36.360
<v Speaker 1>to Blow Your Mind come out on Tuesdays and Thursdays.

0:41:36.719 --> 0:41:39.640
<v Speaker 1>On Wednesday we do a short form artifact or monster fact.

0:41:39.719 --> 0:41:42.239
<v Speaker 1>On Monday we do listener Mail, and on Friday we

0:41:42.360 --> 0:41:44.480
<v Speaker 1>do Weird House Cinema. That's our time to set aside

0:41:44.560 --> 0:41:47.959
<v Speaker 1>most serious matters and just discuss a strange film. Huge

0:41:48.000 --> 0:41:51.720
<v Speaker 1>thanks as always to our excellent audio producer Seth Nicholas Johnson.

0:41:52.040 --> 0:41:53.600
<v Speaker 1>If you would like to get in touch with us

0:41:53.680 --> 0:41:56.320
<v Speaker 1>with feedback on this episode or any other, to suggest

0:41:56.360 --> 0:41:58.399
<v Speaker 1>a topic for the future, or just to say hello,

0:41:58.520 --> 0:42:01.080
<v Speaker 1>you can email us at tact at stuff to Blow

0:42:01.160 --> 0:42:11.040
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

0:42:11.080 --> 0:42:14.320
<v Speaker 1>production of iHeartRadio. For more podcasts from my heart Radio,

0:42:14.560 --> 0:42:17.680
<v Speaker 1>visit the iHeartRadio app, Apple Podcasts, or wherever you listening

0:42:17.719 --> 0:42:18.600
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