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Speaker 1: It's time. It's time time to wake up teaching in

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Speaker 1: Financial League and Charlo Mean the God of the Practice Club, bitch,

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Speaker 1: the voice of the culture. People watch The Reckface Club

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Speaker 1: for like news to really be tuned in. It's one

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Speaker 1: of my favorite shows to do, just because y'all always

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Speaker 1: keep you one, honey, y'all keep your Really, they might

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Speaker 1: not watch the news, but they're on Twitter, they're on Facebook,

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Speaker 1: they're you know, they're listening to the Breakfast Brother gets

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Speaker 1: your ass. So good morning usc yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo. Good morning Angela yea, Charlomagne the guy. Peace

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Speaker 1: to the planet is Tuesday. Yes, it's Tuesday. Absolutely is

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Speaker 1: they after the Vina? Did anybody watch well? Before we

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Speaker 1: do that, Before we do that, let's shout out ours

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Speaker 1: family member, who you got uh ninety six five the

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Speaker 1: box number one fifth popping R and B and Little

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Speaker 1: Rock Arkins dropping a clue, Little Rock Arkansas, Good morning

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Speaker 1: you guys talking to the family. I can never I

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Speaker 1: can never hear a little Rock offica and I think

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Speaker 1: about Gang banging in a little Remember that old documentary

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Speaker 1: from that. I remember after it actually went to a

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Speaker 1: Little Rock one time with Sway. He had a conference

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Speaker 1: out there and Little Rock oukusas did anybody get shot? No?

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Speaker 1: I always expect that when I see documentaries that showcase

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Speaker 1: the street life to gangster life of a city. Always

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Speaker 1: expect that when you go there, somebody's gonna get shot too.

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Speaker 1: But there's always two sides. That's a shame that people

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Speaker 1: think that just because there's one documentary. It's like that,

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Speaker 1: what do you think the documentary is gonna what kind

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Speaker 1: of image of the city? You think documentary is gonna

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Speaker 1: putting somebody's head gang banging in Little Rock? Of course?

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Speaker 1: Good morning to our friends in uh Arkansas, good morning, Yes,

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Speaker 1: good morning, Yes, salute a little bit. And they probably

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Speaker 1: hate the fact that documentary painted that picture them all

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Speaker 1: those years. I'm sure they get that all the time.

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Speaker 1: But did anybody watch the VMAs? Yes? I watched part

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Speaker 1: of it. In parts of it, I was gonna go,

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Speaker 1: but I was tired. Man. Plus I don't like to

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Speaker 1: go in the way without my wife, so she's eight

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Speaker 1: months pregnant and big as hell. Then you went and

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Speaker 1: you posted your badge and everything I did. I did

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Speaker 1: post my badge that that move. No, I didn't post

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Speaker 1: it like I was because I posted it earlier in

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Speaker 1: afternoon and I said, so this is gonna be fun tonight.

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Speaker 1: But it's Biscuit actually took a picture of my badge

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Speaker 1: and put his name on it. Go to his page.

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Speaker 1: He photoshopped his name on it. But small Man, Yeah,

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Speaker 1: I know. I heard they always like, do not post

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Speaker 1: any of the badges. Are credential post the ball cold

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Speaker 1: okay on the badge? Yes, But I thought the VMA

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Speaker 1: is very white. It amazes me. Very white. Every year,

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Speaker 1: the VMA's finds a way to be whiter and whiter. Yeah,

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Speaker 1: but I feel like they also don't really play music

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Speaker 1: on MTV, So the VMA, yeah, like it's getting less

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Speaker 1: about I don't know if artists really cared that much

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Speaker 1: about it, just because they don't even play music. Yeah,

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Speaker 1: it's not getting less about music, it's just getting They

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Speaker 1: just find a way to make it wider and whiter

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Speaker 1: every year. But even the people, like I was, I

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Speaker 1: was watching the people in the audience, it seemed like

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Speaker 1: less people about music and more people about reality shows

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Speaker 1: and stuff. Like that. I mean, all of that plays

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Speaker 1: a part in the culture. But I understand what you're saying,

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Speaker 1: but it's a viacom thing. So they have VH one,

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Speaker 1: they have MTV, they have BT and it's mostly reality.

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Speaker 1: They got to feel the seats. I mean, you know,

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Speaker 1: if if if child is again be not coming and

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Speaker 1: the Carter's not coming, then they got to feel the seats.

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Speaker 1: No Kendrick, no Cole, no Drake, got to put the

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Speaker 1: fire there, get you. The cast of Love and Hip

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Speaker 1: Hop Atlanta on Miami, New Orleans, Lower Rock, New York. Good,

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Speaker 1: whatever they're doing and post Malon and Arrowsmith was the

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Speaker 1: most mannaise filled mash up I've ever seen in my

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Speaker 1: goddamn like. I love Arrowsmith, Okay, I didn't see when

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Speaker 1: I seen, I think he's walking out where he had

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Speaker 1: like smiley faces all on the suit. That was the

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Speaker 1: last performance of the night, and immediately after that performance,

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Speaker 1: they went into a Rifa Franklin rspect which I did

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Speaker 1: not understand that. I wasn't ready for that transition. You

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Speaker 1: can't give me all that mannaise and didn't say here's

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Speaker 1: some sweet potatoes to go with it. You know. Madonna,

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Speaker 1: she represented right. No, she did not fart all over

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Speaker 1: Madonna's Oh my goodness, I didn't see that, but I

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Speaker 1: read that she was just giving the video Music Video

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Speaker 1: Music Video Award of the Year or whatever. She took

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Speaker 1: some time to talk about her No, no, she did

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Speaker 1: a whole thing about a refa before they had a

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Speaker 1: refa backdrop behind Madonna and Madonna be coming out. They're

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Speaker 1: paying how much to the But it was all about

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Speaker 1: I was confused because she started and she was like, yeah.

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Speaker 1: When I was going into uh, you know, to try

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Speaker 1: out to sing, I had to pick a song. I'm like,

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Speaker 1: where's this going? Lost me? What's it going? They said,

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Speaker 1: little girls, shut up, and I said, no, I'm not

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Speaker 1: gonna shut up because I'm a Donna. I was like,

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Speaker 1: where's this going? I didn't get it. Where's this going

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Speaker 1: get And there's no there's nobody that can make me

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Speaker 1: believe Madonna blew people away with an acapella rendition of

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Speaker 1: you make me feel like a natural woman. There's no

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Speaker 1: whole body that's gonna make me believe that. Okay, yes, exactly.

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Speaker 1: And it seems like Charlemagne's getting Sucker of the Day.

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Speaker 1: What the Sucker of the Day? That's why I think

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Speaker 1: that you ca sucker. Yeah yeah, I don't want to

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Speaker 1: say the word. Oh yeah, I saw Nicki say that.

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Speaker 1: Just gotta pray for Nicki Minaj Man, Nicki Minads got

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Speaker 1: a lot to be smiling for us. I don't know

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Speaker 1: what the f she'd be wilding for. Okay, she got

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Speaker 1: the number two albums in the country. I write one

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Speaker 1: hundred and eighty five dollar record. So she won an

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Speaker 1: award last night. I was surprised. I was like, you

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Speaker 1: would an award, You go up there, a great performance,

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Speaker 1: great performance, like you got a lot to be smiling

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Speaker 1: for what you'd be wilding for? And the words a

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Speaker 1: snoop Dogg. I don't get it, Like what what are

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Speaker 1: you so mad at? And nobody. Went on a Twitter

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Speaker 1: rant yesterday saying talking about politics and said that the

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Speaker 1: only reason Nicki Minad won this award is because she

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Speaker 1: performed there, because there's no way that she should have

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Speaker 1: been Best Hip Hop Artists for Drake Jay Coole, the Carters,

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Speaker 1: Themigos and Cardi B. Come on for Chunley stop It,

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Speaker 1: and I like chunle Butt stop it, come on. But no,

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Speaker 1: I don't think should have got she You don't think

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Speaker 1: she should have got that. Don't think she should have

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Speaker 1: got it. I asked you, how do you think that

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Speaker 1: she got it because she performed at the VMAs I

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Speaker 1: stuff like that. How do they decide who wins the

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Speaker 1: VMAs by who's sitting in the audience. That's what I think.

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Speaker 1: I'm sorry that you know, Chunley just came out of Chile.

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Speaker 1: Wasn't beginning in my feelings, Drake jen Cole, Cardi B

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Speaker 1: Cardy B the Carters Andy. That was a little stretch shop,

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Speaker 1: that was a little stretch. But I get it. She

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Speaker 1: was there, Yes, she performed. Yes, all right, well we

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Speaker 1: got a lot to talk, gradulator, drop the clues. But

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Speaker 1: now you're gonna gradulated after you said she doesn't deserve it.

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Speaker 1: I didn't say she didn't deserve it. I just said

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Speaker 1: I could have played that politic card, but I didn't. Well,

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Speaker 1: you're getting suck her the day, so well, I wonder

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Speaker 1: what say on effect? That's gonna be just curious. All right, way,

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Speaker 1: Natasha Alfred will be joining us from the GRIEO this morning. Yes,

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Speaker 1: I love Natasha Alfred. She does great work and she

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Speaker 1: was the first um DEGREEO was the first black outlet.

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Speaker 1: She did the interview to interview Amarosa. Okay, all right,

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Speaker 1: and we got front page news. Next. Yes, let's talk

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Speaker 1: about this tender date that actually turned out to be

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Speaker 1: a marketing stunt. Okay, we'll get into all that when

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Speaker 1: we come back. Keep a lock this to Breakfast Club.

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Speaker 1: Good morning morning. Everybody is DJ mvy, Angela Charlomagne, the guy,

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Speaker 1: we are the Breakfast. I want to clue bond for

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Speaker 1: Tianna Taylor. Man. I was about the repost Tianna Taylor's

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Speaker 1: piture until I realized she was a married woman. And

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Speaker 1: I don't want it to be taken the wrong way. Yeah.

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Speaker 1: I just talked about this yesterday. I know, but Tianna

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Speaker 1: Taylor's body is really goals. And I'm talking about for anybody.

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Speaker 1: There's no way you can look at Tianna Taylor's ass

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Speaker 1: and I say to yourself, God, damn man, let me

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Speaker 1: just go get some egwhites this morning. Nothing else. An

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Speaker 1: shopper might want five minutes, but you I ain't talking

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Speaker 1: about her the way she looked. I'm talking about her

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Speaker 1: fitness is a one all you said, fitness, her fitness

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Speaker 1: her You could tell she her fitness game is the

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Speaker 1: one that's what I'm in press by. All right, well,

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Speaker 1: let's get in some front page news' starting you. Well,

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Speaker 1: let's talk about this student who was sent home because

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Speaker 1: she had quote unnatural hair for schools. This this was

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Speaker 1: christ the King and Queen and Louis and Louisianaia. Sorry. Now,

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Speaker 1: the school policy is students can only have natural hair,

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Speaker 1: and she actually had some extensions in so school administrators

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Speaker 1: said it's rule, and she was then sent home. The

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Speaker 1: mother was told the hairstyle was not in compliance, and

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Speaker 1: she did a me to change her child's hair. But

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Speaker 1: in the meantime, it was really sad. She was crying,

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Speaker 1: she was embarrassed when she was pulled out in front

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Speaker 1: of everybody. Man, I'm telling you, I got, you know,

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Speaker 1: a beautiful black daughter in a school with a bunch

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Speaker 1: of white people. And I tell you all the time,

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Speaker 1: sometimes like she'll pull up to like track me to something,

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Speaker 1: and all the white girls want to run and touch

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Speaker 1: her hair. I am the father that screams at all

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Speaker 1: the white kids and tells the parents, tell your kids,

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Speaker 1: keep your your other hands on my child's hair. Please. Yeah,

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Speaker 1: we're gonna have that problem with logan in a couple

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Speaker 1: of weeks because Logan has corn rolls, and I think

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Speaker 1: the school that he's going to doesn't allow um those

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Speaker 1: type of head allow corn rolls, yeah, because they want,

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Speaker 1: like you said, like natural type of hairs. But is

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Speaker 1: your natural hair? Corn rose? Is your natural? We're gonna

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Speaker 1: see natural also, we're gonna see in two weeks with

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Speaker 1: that son's crazy con roll. What you know it's crazy

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Speaker 1: is that her hair looks really cute and beautiful. She

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Speaker 1: just has some added here and sometimes to have braids,

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Speaker 1: people add here onto their braids to braid your hair.

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Speaker 1: The protect anxiety even just thinking about that kind of stuff.

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Speaker 1: But we see was gaping it. Don't play with my

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Speaker 1: little queen like that. Okay, all right now this is

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Speaker 1: but all right, never mind. But anyway, this mass tender

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Speaker 1: date actually turned out to be a marketing stent. Imagine

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Speaker 1: that a tender user told you to meet her at

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Speaker 1: Union Square. Then when you get there, hundreds of men

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Speaker 1: are there as well. Well. It was a marketing stunt

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Speaker 1: for this marketing agency. It's the same agency that did

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Speaker 1: hitting camera footage of a woman being cat called as

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Speaker 1: she walked around New York City. She walked around for

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Speaker 1: ten hours for an anti harassment clip that happened back

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Speaker 1: in twenty fourteen now, and this one. A woman who's

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Speaker 1: a model and an actress invited man that she met

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Speaker 1: on tender to that public area to meet, and when

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Speaker 1: the guys got there, she got on stage and said

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Speaker 1: they were all there to date her. And people started

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Speaker 1: getting dismissed based on not meeting a certain criteria, like

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Speaker 1: half of you are in relationships, so those people should

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Speaker 1: leave now, is the first thing that happened. Then they said,

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Speaker 1: because they said, statistically people who are on dating app

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Speaker 1: half of them are in relationships already. The first elimination

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Speaker 1: was if you think you support Trump, then leave and

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Speaker 1: data Puerto Rican then you can leave. If anyone's a

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Speaker 1: tourist or doesn't live in this country, you should leave too.

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Speaker 1: Also anyone named I don't enjoy the name Jimmy. Those

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Speaker 1: people had to leave. Man with beer bellies, long beers, Khakis,

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Speaker 1: and Time Choose were dismissed as well, And that's when

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Speaker 1: state the remainders had to compete in a running race.

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Speaker 1: But they said they haven't revealed what the whole project is,

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Speaker 1: but on Thursday Fast, on Thursday, they're gonna let you

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Speaker 1: know exactly what the host done is. All right, well,

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Speaker 1: last front page news. Now, usually we do get it

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Speaker 1: off your chess, but we got a special guest joining us.

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Speaker 1: We're gonna kick it in a couple of minutes. Natasha

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Speaker 1: s out for from the Grio. Tell the people who

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Speaker 1: she is and what she did recently. That was pretty big.

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Speaker 1: But Natasha's a deputy editor at the Grio, and she

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Speaker 1: interviewed I'm a Rosa. Was the first She was the

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Speaker 1: first black outlet to interview I'm a Rosa at the Grio,

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Speaker 1: and there was a lot that she had to go

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Speaker 1: through to make this interview happen. So it'll be interesting

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Speaker 1: to hear her point of view on what you had

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Speaker 1: to say about the whole behind the scenes activity to

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Speaker 1: even get that interview happening. All right, we'll get into

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Speaker 1: that next keeping lock don't worry. We're gonna be talking

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Speaker 1: about the VMA's this morning and Morison don't move and

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Speaker 1: Charlemagne really and of the day, keeping this breakfast club.

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Speaker 1: What does the c sucker of the day. What we're

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Speaker 1: gonna find out the breakfast club morning? Everybody is DJ

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Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the breakfast club.

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Speaker 1: We gotta special guests in the building. Yes, Sir, Natasha

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Speaker 1: s Altford, good morning, good morning, what's up? Good morning?

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Speaker 1: How are you? I'm doing wonderful. How are you right?

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Speaker 1: And now we report it on you last week, Natasha,

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Speaker 1: because you were the first black outlet who did an

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Speaker 1: interview with Ama Rosa about her book. Have you read

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Speaker 1: her book? I have, She gave me a copy. I

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Speaker 1: didn't read the entire thing, and sometimes that happens. They

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Speaker 1: dropped the book on you with very little notice, so

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Speaker 1: that way they can kind of frame how they want

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Speaker 1: the interview to go. But I read excerpts and really

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Speaker 1: the focus of the book is she's talking about her journey,

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Speaker 1: but she's using what happened in the Trump White House

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Speaker 1: to basically sell her story as well. But you had

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Speaker 1: enough material to do an interview. Oh, definitely, definitely. I

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Speaker 1: mean the whole news media jumped all over. Anytime you

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Speaker 1: have recordings, anytime you're talking about race, that's going to

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Speaker 1: be a national story. But it was important for me

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Speaker 1: to make sure that black press was in the conversation

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Speaker 1: because you know, the first places she went, CBS, NBC,

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Speaker 1: all those big places, and it's like, you're using the

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Speaker 1: black community as part of your platform. You're saying that

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Speaker 1: you were advocating for us the whole time in the

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Speaker 1: White House, so therefore you should be talking to black

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Speaker 1: people directly about what your experience. She can't do that

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Speaker 1: because she know that US black people will tell her

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Speaker 1: she's fullish, And the white outlets can't do that. The

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Speaker 1: white outlets mainstream, I guess is the politically correct term

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Speaker 1: to use. But the mainstream news outlets, obviously their focus

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Speaker 1: is Donald Trump anytime they can get some dirt on him.

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Speaker 1: It's like, how much did you record? How many tapes

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Speaker 1: do you have? Are you talking to Robert Muller? And

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Speaker 1: I had a feeling that they weren't going to ask

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Speaker 1: the questions that I wanted to know, which was, what

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Speaker 1: was the whole point of doing this? Did you accomplish

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Speaker 1: anything for the black community? Why did it take you

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Speaker 1: so long to say that Donald Trump was a racist

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Speaker 1: when many people have already agreed that that's that's sort

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Speaker 1: of the agreement that things that he's he said are racist.

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Speaker 1: And also just like, what was the point of this

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Speaker 1: entire endeavor for books? Right? But going to the wire,

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Speaker 1: about being in the White House was big now. She

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Speaker 1: said that she didn't realize how bad it was because

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Speaker 1: you know, when you're really close to something and you

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Speaker 1: can't see from a different point of view because it's

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Speaker 1: happening right there next to you, I guess kind of thing. Yeah,

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Speaker 1: She said that she had a blind spot for Donald

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Speaker 1: Trump and that she really felt like they had a

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Speaker 1: genuine relationship fourteen years. Think about it, we didn't know

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Speaker 1: Omarosa from anything in the beginning, even though she had

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Speaker 1: worked in the White House before. It was The Apprentice

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Speaker 1: that really launched her. And so you have Donald Trump

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Speaker 1: and Omarossa using each other in a way to boost

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Speaker 1: their profile. And that's that's how she built her career,

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Speaker 1: and so he was doing favors for her. She says

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Speaker 1: it in the book that her career flourished because of him,

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Speaker 1: and so therefore she kept her loyalty to him, but

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Speaker 1: there were trade offs in the process. This is like

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Speaker 1: it's a transactional thing. She has an agenda. It's clear

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Speaker 1: she wants to sell books. We want to tell the

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Speaker 1: story of where do you stand with the black community?

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Speaker 1: So she comes in there like you have twelve minutes

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Speaker 1: her husband and her book people sit right there in

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Speaker 1: front of me. You don't see that on the camera,

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Speaker 1: but they are right there. And then we just we

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Speaker 1: go in and we start asking questions. And I knew

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Speaker 1: there were three things I wanted to ask. Why did

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Speaker 1: it take so long for you to call Donald Trump

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Speaker 1: a racist? What did you actually accomplish for the black community?

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Speaker 1: And what do you say to people in the black

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Speaker 1: community who feel like you betrayed them? And I think

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Speaker 1: when I asked her those questions, she was like, okay,

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Speaker 1: and you know, gave the answer that I'm sure that

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Speaker 1: she prepared and thought about. But I wanted to get

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Speaker 1: her on the record, and then I wanted to leave

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Speaker 1: it to black people to decide how they felt. You know,

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Speaker 1: we all feel different, but the majority of people read

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Speaker 1: the Grio are like Nazis, like, you're not coming back

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Speaker 1: to the bar. You know why because you didn't do

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Speaker 1: a good thanks. But I would respect her if she

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Speaker 1: had quit, you know what. She was in the White

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Speaker 1: House recording all these people and then she quit and

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Speaker 1: then revealed it. Then she's like this spook who sat

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Speaker 1: by the door. You got fired, man, like, like you

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Speaker 1: didn't quit, like and you was dealing with Donald Trumps

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Speaker 1: Celebrity Apprentice, Right, and that question, You're absolutely right about

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Speaker 1: the timing thing because when she quit, she went on

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Speaker 1: ABC with Deva Robertson said she didn't even quit, well, right,

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Speaker 1: she she resigned, she said, but then then it came

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Speaker 1: out that she quit. She said, he's not racist, he's racial. Right,

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Speaker 1: So there was so I believe this is now, this

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Speaker 1: is my opinion. She was like, there's still a benefit

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Speaker 1: to me being cool with him, but if he switches

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Speaker 1: up on me, if there's something that I can't get,

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Speaker 1: then then I'm basically, you know, releasing all the tapes.

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Speaker 1: So I believe we're looking at somebody who's a masterful

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Speaker 1: media communicator, Like she's very skilled, and she basically is

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Speaker 1: using the things that she learned from Donald Trump to

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Speaker 1: get back at Donald Trump. This whole thing is a

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Speaker 1: big game of Celebrity Apprentice. I think I think it's

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Speaker 1: a big game. We have more with Natasha from the

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Speaker 1: Grill when we come back. Keep it locked. As to

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Speaker 1: Breakfast Club, good morning, the Breakfast Club. Everybody is DJ Envy,

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Speaker 1: Angela Yee, Charlemagne the guy. We are the Breakfast Club

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Speaker 1: from the Grill, We have Natasha as Alfred in the building.

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Speaker 1: It what'sn't legality of taping the president? Like, I didn't

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Speaker 1: think you could just do that. I don't know, but

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Speaker 1: you can't. You're not even supposed to bring in any

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Speaker 1: type of devices or even your phone. Well, that's why

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Speaker 1: they are upset, But that's why people are also like,

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Speaker 1: what type of White House is this? You can be

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Speaker 1: in this situation room just recording whatever Hart takes your phone,

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Speaker 1: but the White House don't like that's crazy. And he's

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Speaker 1: still mad about getting kicked out of a Kevin Hart show.

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Speaker 1: I'm sure she'll be facing some type of legality though. Yeah,

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Speaker 1: Well they filed arbitration against her the Donald Trump campaign,

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Speaker 1: and so you saw in my interview and other interviews

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Speaker 1: she was saying, I can't talk about that right now,

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Speaker 1: you know. So she knows what's up. She knows that

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Speaker 1: there are sort of legal guidelines that are going to

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Speaker 1: prevent her from talking, but she might have something explosive

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Speaker 1: that she reveals when she talks to Robert Muller if

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Speaker 1: they speak again. She said that they had an interview,

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Speaker 1: so she spoke with him. So you just you never

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Speaker 1: know how it's going to turn out, But ultimately I

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Speaker 1: think she was she looked out for herself, which is

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Speaker 1: what she said, and now she's she's telling her story. Now,

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Speaker 1: if you're invited to the White House to go sit

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Speaker 1: down with Donald Trump, are you up in there? Because

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Speaker 1: as an investigative journalist, a good question. Yeah, I would

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Speaker 1: ask him questions. I asked him a question before um

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Speaker 1: on the campaign trail, back when nobody thought he was

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Speaker 1: gonna win, or maybe not nobody, but a lot of

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Speaker 1: the you know, the establishment was like, no, Hillary Clinton

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Speaker 1: is gonna win. I still was communicating with Republican sources

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Speaker 1: and I was like, I want to know what his

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Speaker 1: plan is for the black community. So they actually invited

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Speaker 1: me to the Trump Tower with other people. Now I

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Speaker 1: thought I could ask a question. I was told you

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Speaker 1: might be able to ask a questions. Then I get

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Speaker 1: there and they're like, no questions, And they were like,

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Speaker 1: are you going to be a problem. They had to

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Speaker 1: make sure they heard your voice over the phone. He

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Speaker 1: was like, I don't know. If she's black, everybody should

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Speaker 1: get it. No questions. The woman said are you going

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Speaker 1: to be a problem? Wow? And she actually turned away

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Speaker 1: another guy who worked for another black outlet. She was like,

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Speaker 1: you're not on the list. So I'm like, I'm the

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Speaker 1: only black person going up into this room. So I

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Speaker 1: was just like, no, I'm not going to be a problem.

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Speaker 1: I didn't say I was going to ask a question though.

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Speaker 1: We got up there. You know, somebody said what do

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Speaker 1: we have going on here? It was like black and

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Speaker 1: Latino business fellows who he was saying, Look, I'm helping

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Speaker 1: black and Latino's become entrepreneurs. And so right as everybody

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Speaker 1: was about to leave, I was just like, mister Trump,

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Speaker 1: you know, what is your plan? This is not the

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Speaker 1: exact words that I use, but what is your plan

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Speaker 1: for dealing with bank discrimination against African Americans because we

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Speaker 1: don't get loans at the same rate like we're often

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Speaker 1: discriminated against. And he answered, and I was going live

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Speaker 1: on my phone just in case they kick me out.

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Speaker 1: I wanted everybody out here. He's just, oh, that's a problem.

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Speaker 1: You know, we're definitely going to do something to handle that.

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Speaker 1: You know, great question, So right, right, So I don't

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Speaker 1: mind asking him questions. And I think if I take

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Speaker 1: anything from this, the one thing I will say is

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Speaker 1: being in the room is important. But everybody has a

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Speaker 1: role to play. We need commentators who just who call

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Speaker 1: it like they see it. We need people who are

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Speaker 1: just telling the story of what what the heck is

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Speaker 1: happening right now in the country, and everybody has a

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Speaker 1: role to play and like getting us closer to the truth.

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Speaker 1: And as a young black millennial Latina all of that,

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Speaker 1: like I can bring a unique perspective because that's my

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Speaker 1: perspective and story that I'm bringing to my child. And

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Speaker 1: you better than me because I'd have been raised my

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Speaker 1: handles of Donald Trump. What do you think about America's

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Speaker 1: improving a relationship with Wakanda? You know what I'm saying,

424
00:19:28,640 --> 00:19:31,840
Speaker 1: And you would probably be like, this is before the

425
00:19:32,320 --> 00:19:34,320
Speaker 1: actually this is before the movie came out. But he

426
00:19:34,440 --> 00:19:37,000
Speaker 1: might might actually believe Wakanda is a real place. You

427
00:19:37,040 --> 00:19:39,320
Speaker 1: never know. Let Natasha, I just want to take congratulations

428
00:19:39,320 --> 00:19:41,600
Speaker 1: to you on everything that you think doing. Keep doing

429
00:19:41,640 --> 00:19:45,840
Speaker 1: good work, Natasha. Appreciate it. I really appreciate it. Thank

430
00:19:45,840 --> 00:19:47,760
Speaker 1: you for the opportunity to come on and talk about

431
00:19:47,800 --> 00:19:49,760
Speaker 1: my story and shout out to the Grio and everything.

432
00:19:50,000 --> 00:19:51,600
Speaker 1: Me and Natasha got to spend some time at the

433
00:19:51,840 --> 00:19:55,439
Speaker 1: UBJ and Abj. Yes, we both got on it at

434
00:19:55,440 --> 00:19:58,199
Speaker 1: a dinner. Yeah, and ABJ was awesome. N ABJ for

435
00:19:58,200 --> 00:20:01,399
Speaker 1: anybody that doesn't know National social of Black Journalists and

436
00:20:01,480 --> 00:20:04,440
Speaker 1: we exist to support journalists but also to make sure

437
00:20:04,480 --> 00:20:07,440
Speaker 1: that we're heard, whether you're working in a predominantly white

438
00:20:07,440 --> 00:20:10,359
Speaker 1: newsroom or if you're in black press. So that was

439
00:20:10,359 --> 00:20:12,440
Speaker 1: a that was a great week in Jamale. She won

440
00:20:12,720 --> 00:20:15,080
Speaker 1: UM Journalist of the Year. I got Merging Journalists of

441
00:20:15,119 --> 00:20:19,320
Speaker 1: the Year. Yeah, congratulations, Thank you girl. We'll be watching you.

442
00:20:19,400 --> 00:20:22,880
Speaker 1: Thank you. Appreciate it. All right, it's the Breakfast Club.

443
00:20:22,920 --> 00:20:33,080
Speaker 1: Good morning, the Breakfast Club. Listen. It's just oh gosh, guys,

444
00:20:34,680 --> 00:20:39,280
Speaker 1: it's the Report Breakfast Club. Well. I don't know what's

445
00:20:39,280 --> 00:20:42,399
Speaker 1: going on with Bowel aka shod Moss. He's going through

446
00:20:42,440 --> 00:20:45,600
Speaker 1: a lot. He posted on Twitter, take your ass to

447
00:20:45,640 --> 00:20:47,920
Speaker 1: sleep and get the f off Twitter for I embarrass

448
00:20:48,000 --> 00:20:51,600
Speaker 1: you stop playing with me, And the next post he put,

449
00:20:51,680 --> 00:20:55,640
Speaker 1: I hate being mere talking to himself and I don't

450
00:20:55,640 --> 00:20:57,920
Speaker 1: know who he's talking to, but he wants somebody to

451
00:20:58,000 --> 00:21:00,359
Speaker 1: get off Twitter before he embarrassed. Listen. Mental health is

452
00:21:00,359 --> 00:21:02,000
Speaker 1: just as important as physical health. But I don't know

453
00:21:02,040 --> 00:21:04,159
Speaker 1: when Shad Moss is doing things for attention or he's

454
00:21:04,200 --> 00:21:06,560
Speaker 1: serious he did have an album coming out called Suicide.

455
00:21:07,000 --> 00:21:08,879
Speaker 1: So I don't know if this whole depression knact is

456
00:21:08,880 --> 00:21:11,000
Speaker 1: all promo. But if it's not a n act, just

457
00:21:11,119 --> 00:21:13,960
Speaker 1: go get some help, brother, Like, go go do some therapy,

458
00:21:14,040 --> 00:21:15,960
Speaker 1: Go do some counseling. Seems a little help, find a

459
00:21:16,000 --> 00:21:18,080
Speaker 1: spiritual advisors something. But there's a lot of people that

460
00:21:18,200 --> 00:21:20,000
Speaker 1: need to help, and they think that that blacking out

461
00:21:20,040 --> 00:21:21,760
Speaker 1: on social media is gonna help him, but that just

462
00:21:21,840 --> 00:21:23,600
Speaker 1: makes it worse. Hell no, because soon as you reveal

463
00:21:23,640 --> 00:21:25,879
Speaker 1: your problems on social media, people are gonna be on

464
00:21:26,000 --> 00:21:27,640
Speaker 1: the encouraging you to do whatever it is you want

465
00:21:27,680 --> 00:21:29,520
Speaker 1: to do to yourself, you know, social media, and say

466
00:21:29,640 --> 00:21:31,200
Speaker 1: kill yourself. I want to kill myself. If you want to,

467
00:21:31,560 --> 00:21:33,119
Speaker 1: I bet you to be a bunch of people telling you, yes,

468
00:21:33,119 --> 00:21:35,320
Speaker 1: go ahead and do it. All right, well hopefully not

469
00:21:35,440 --> 00:21:38,480
Speaker 1: all right. Nisi Nash TNT has ordered a late night

470
00:21:38,560 --> 00:21:41,480
Speaker 1: show pilot from her dropping a close bonds for niss Nashville.

471
00:21:42,400 --> 00:21:46,120
Speaker 1: It's called Naked Nissi Nash and it's gonna be basically

472
00:21:46,240 --> 00:21:50,080
Speaker 1: Niazy Nash giving her humor, advice and all things on love, sex,

473
00:21:50,200 --> 00:21:53,160
Speaker 1: ro mans, and relationships with everyday people. So it should

474
00:21:53,200 --> 00:21:56,560
Speaker 1: be pretty interesting. It'll be executive produced by former Chelsea

475
00:21:56,720 --> 00:22:00,280
Speaker 1: Lately executive producers Sue Murphy. Not mad at that one. Yes,

476
00:22:00,440 --> 00:22:03,960
Speaker 1: congratulations Tinny C. Nash for that all right, Kendall Jenner

477
00:22:04,040 --> 00:22:07,440
Speaker 1: has managed to make the whole modeling community upset. Now.

478
00:22:07,560 --> 00:22:10,520
Speaker 1: She was talking to Love magazine. She said, since the beginning,

479
00:22:10,520 --> 00:22:13,240
Speaker 1: We've been super selective about what shows I do. I

480
00:22:13,440 --> 00:22:14,920
Speaker 1: was never one of those girls who would do like

481
00:22:15,000 --> 00:22:17,359
Speaker 1: thirty shows a season or whatever the f those girls do,

482
00:22:17,600 --> 00:22:20,680
Speaker 1: More power to them. We'll imagine you're a model who's

483
00:22:20,720 --> 00:22:22,760
Speaker 1: been struggling and working really hard to get to a

484
00:22:22,840 --> 00:22:25,919
Speaker 1: certain point, and you hear this from Kendall Jenner. Now.

485
00:22:25,960 --> 00:22:27,840
Speaker 1: Kendell Jenner went on to say, I had a million jobs,

486
00:22:27,880 --> 00:22:30,600
Speaker 1: not only catwalks, but everything else. The whole combination was

487
00:22:30,680 --> 00:22:32,560
Speaker 1: very overwhelming, and I started to freak out a little

488
00:22:32,560 --> 00:22:35,040
Speaker 1: bit and needed to take a step back. People were saying,

489
00:22:35,080 --> 00:22:37,640
Speaker 1: this makes me so angry when Victoria's Secret Model said

490
00:22:37,960 --> 00:22:40,680
Speaker 1: so disrespect for the literally ninety nine percent of people

491
00:22:40,720 --> 00:22:42,560
Speaker 1: in the industry. Yes, they had to work their way up.

492
00:22:42,600 --> 00:22:46,000
Speaker 1: Please get in tough with the real world. Why is it?

493
00:22:46,320 --> 00:22:48,240
Speaker 1: Why are they angry about that what am I missing? Well,

494
00:22:48,320 --> 00:22:51,320
Speaker 1: she's basically Kendall Jenner. A lot of these models work

495
00:22:51,359 --> 00:22:53,000
Speaker 1: really hard to get to the point that Kendall Jenner

496
00:22:53,040 --> 00:22:55,240
Speaker 1: is already at where she's turning things down and she's

497
00:22:55,240 --> 00:22:57,720
Speaker 1: saying that she's selective and I was never one of

498
00:22:57,760 --> 00:22:59,960
Speaker 1: those girls who would do like thirty shows a season

499
00:23:00,080 --> 00:23:03,560
Speaker 1: or whatever the f those girls do. So basically talking

500
00:23:03,600 --> 00:23:05,280
Speaker 1: down on these women that are doing thirty shows this

501
00:23:05,280 --> 00:23:07,000
Speaker 1: season because they're trying to pay their bills and they're

502
00:23:07,000 --> 00:23:09,960
Speaker 1: trying to be recognized and get known. So you can't

503
00:23:10,000 --> 00:23:12,280
Speaker 1: you can't be, you can't not can do Genda's blessings,

504
00:23:12,320 --> 00:23:15,800
Speaker 1: her blessings or her blessings, and I mean everybody, everybody's

505
00:23:15,800 --> 00:23:18,720
Speaker 1: in their own lane. Like they'll listen, they give the

506
00:23:18,800 --> 00:23:22,440
Speaker 1: Genders Kardashians too much flex. Now another model posted whatever

507
00:23:22,480 --> 00:23:24,760
Speaker 1: the f those girls do is do their very best

508
00:23:24,960 --> 00:23:26,600
Speaker 1: to make their way up and try to make some

509
00:23:26,680 --> 00:23:29,640
Speaker 1: money so they can provide for themselves and their families.

510
00:23:29,680 --> 00:23:31,560
Speaker 1: Oh and it's seventy shows a season, by the way,

511
00:23:31,760 --> 00:23:34,200
Speaker 1: so they don't like the wording of her saying whatever

512
00:23:34,280 --> 00:23:37,320
Speaker 1: the che whatever the Ethols girls do right isn't whatever,

513
00:23:37,320 --> 00:23:40,400
Speaker 1: But isn't whatever the fthtols girls do what she does too, well,

514
00:23:40,440 --> 00:23:41,560
Speaker 1: she doesn't have to do what they have to do.

515
00:23:41,640 --> 00:23:43,440
Speaker 1: They have to do seventy shows a season and try

516
00:23:43,480 --> 00:23:45,479
Speaker 1: to put food on the table and provide for their families,

517
00:23:45,520 --> 00:23:48,440
Speaker 1: so they don't have the luxury of being selective and

518
00:23:48,560 --> 00:23:52,240
Speaker 1: doing you know, whatever they want now. One person hashtagged

519
00:23:52,359 --> 00:23:56,080
Speaker 1: and the privilege Peyton Knight said, this kind of disrespect

520
00:23:56,080 --> 00:23:58,280
Speaker 1: toward other models who have no name for themselves walking

521
00:23:58,320 --> 00:24:01,040
Speaker 1: into the industry is disgusting. We don't get to choose

522
00:24:01,040 --> 00:24:02,600
Speaker 1: which shows to do, and it's an honor to do

523
00:24:02,680 --> 00:24:04,639
Speaker 1: a lot. If we said no to multiple jobs, we

524
00:24:04,720 --> 00:24:08,000
Speaker 1: wouldn't have a career. So basically, it's a trying to

525
00:24:08,280 --> 00:24:10,320
Speaker 1: uplift each other and not act like you're better than

526
00:24:10,359 --> 00:24:13,280
Speaker 1: the other models. Is the thing that they're all upset

527
00:24:13,320 --> 00:24:16,880
Speaker 1: about if she is more popping than other models, though, well,

528
00:24:16,960 --> 00:24:18,800
Speaker 1: I think what they're saying, it's a lot of privilege

529
00:24:18,840 --> 00:24:20,720
Speaker 1: that came with her getting the jobs that she's gotten,

530
00:24:20,800 --> 00:24:22,399
Speaker 1: while they've had to work really hard to get there.

531
00:24:22,440 --> 00:24:25,200
Speaker 1: So instead of talking down, try to uplift them and say,

532
00:24:25,240 --> 00:24:27,200
Speaker 1: these girls work very hard to get to where they've

533
00:24:27,200 --> 00:24:29,040
Speaker 1: gotten to instead of saying I don't have to do

534
00:24:29,080 --> 00:24:31,520
Speaker 1: what they do, but their last name isn't Jenna Kardashi

535
00:24:31,560 --> 00:24:33,960
Speaker 1: suill still never be me? Right, Well, you're not a model,

536
00:24:34,000 --> 00:24:36,400
Speaker 1: but I guess the modeling community was upset by these

537
00:24:36,480 --> 00:24:38,879
Speaker 1: comments because it is a lot of work that as

538
00:24:38,920 --> 00:24:42,080
Speaker 1: easy as it looks. So man, you guys, wind though,

539
00:24:42,520 --> 00:24:46,080
Speaker 1: all right now, Chili wants women to date outside of

540
00:24:46,240 --> 00:24:48,040
Speaker 1: want women a color to be open to dating outside

541
00:24:48,080 --> 00:24:49,600
Speaker 1: of their race. She said she's not worried about ever

542
00:24:49,680 --> 00:24:52,640
Speaker 1: finding her person because she's not limiting herself to only

543
00:24:52,760 --> 00:24:56,080
Speaker 1: dating black men. She said, I went for women, especially

544
00:24:56,080 --> 00:24:57,480
Speaker 1: for women of color, to be not to a close

545
00:24:57,560 --> 00:25:00,240
Speaker 1: minded when it comes to love. God made all of us,

546
00:25:00,280 --> 00:25:02,000
Speaker 1: and you may not find your husband because you're trying

547
00:25:02,000 --> 00:25:03,520
Speaker 1: to stick to one group. You've got to be open.

548
00:25:03,960 --> 00:25:06,520
Speaker 1: So basically, right now, the person that she's dating, she's saying,

549
00:25:06,760 --> 00:25:09,680
Speaker 1: it's not black. Okay, thank you Chili for that most

550
00:25:09,840 --> 00:25:12,040
Speaker 1: that obvious advice. Round of applause to Chili for giv

551
00:25:12,080 --> 00:25:15,119
Speaker 1: me just most obvious advice to women. Yes, does she

552
00:25:15,200 --> 00:25:19,280
Speaker 1: have ch block? Still you can date outside of your race? Why? Yeah?

553
00:25:19,320 --> 00:25:20,840
Speaker 1: But a lot of black women do try to date

554
00:25:20,960 --> 00:25:24,280
Speaker 1: other black men and have that difference. So she's saying

555
00:25:24,280 --> 00:25:26,560
Speaker 1: to be more open minded. Nothing wrong with giving that advice.

556
00:25:26,640 --> 00:25:28,440
Speaker 1: Some people don't even think that. You know how many

557
00:25:28,600 --> 00:25:31,000
Speaker 1: racial dat not popping. You know how many black women

558
00:25:31,080 --> 00:25:35,320
Speaker 1: have never dated anybody outside of a black man. A

559
00:25:35,359 --> 00:25:36,960
Speaker 1: lot of races are like that, though a lot of

560
00:25:37,040 --> 00:25:39,080
Speaker 1: black women haven't. Well, she's black, so she's giving advice

561
00:25:39,080 --> 00:25:40,960
Speaker 1: to other black women, black women. Chili gave yall the

562
00:25:41,000 --> 00:25:42,480
Speaker 1: green light. It's cool, it's safe now, you know what

563
00:25:42,480 --> 00:25:44,119
Speaker 1: I'm saying. She created a safe space for y'all to

564
00:25:44,160 --> 00:25:46,480
Speaker 1: date all the white men and Spanish men or whatever

565
00:25:46,560 --> 00:25:48,760
Speaker 1: other race men y'all want. That's why you blocked. Yes,

566
00:25:49,080 --> 00:25:51,240
Speaker 1: Chili did it, all right, I mansi laye, and that

567
00:25:51,400 --> 00:25:53,959
Speaker 1: is your weather. For Chili, we'd have no Obama, all right,

568
00:25:54,200 --> 00:25:57,000
Speaker 1: shut up, man, that's what she say. I'm just saying.

569
00:25:57,560 --> 00:26:00,719
Speaker 1: It wasn't for Chili, we wouldn't have j colen't for ChIL. No. Wait,

570
00:26:00,800 --> 00:26:03,840
Speaker 1: Obama's mom is she gave the green light. Okay, that's

571
00:26:03,880 --> 00:26:07,880
Speaker 1: why you stay. Obama's mom isn't black, and she's talking

572
00:26:07,880 --> 00:26:10,920
Speaker 1: about black women specifically. Oh god, okay, Okay, she's saying

573
00:26:10,960 --> 00:26:13,960
Speaker 1: black women know that. Well, black women say, ye's mom, Yes,

574
00:26:14,240 --> 00:26:15,960
Speaker 1: black women, you have the green light the date outside

575
00:26:15,960 --> 00:26:17,600
Speaker 1: of your race. Now, if it wasn't for that, it

576
00:26:17,680 --> 00:26:25,800
Speaker 1: wasn't Chili given the green light, we'd have no Angeli drops.

577
00:26:26,160 --> 00:26:29,440
Speaker 1: That's why you stay blocked. That's why, that's why you're

578
00:26:29,440 --> 00:26:34,840
Speaker 1: getting this award to mark on Thursday. Y'all can't wait?

579
00:26:34,960 --> 00:26:36,640
Speaker 1: Right you think I'll give a damn. I just want

580
00:26:36,640 --> 00:26:38,119
Speaker 1: to hate the sound of fact. I'm getting called a

581
00:26:38,160 --> 00:26:40,200
Speaker 1: rapers all, mom, what is the sea sucker gonna do? Stop?

582
00:26:40,440 --> 00:26:41,800
Speaker 1: I just want to hear the sound. Knock it off

583
00:26:41,840 --> 00:26:44,080
Speaker 1: your donkeys. He I just want to know the sound

584
00:26:44,320 --> 00:26:45,960
Speaker 1: sucker that I'm not doing it, because then you're gonna

585
00:26:45,960 --> 00:26:48,359
Speaker 1: take my right. I'm gonna take my sound effect like

586
00:26:48,400 --> 00:26:51,840
Speaker 1: a slurping sound. How you doing it? That's the guy

587
00:26:51,880 --> 00:26:55,320
Speaker 1: that's gonna get you first of all, everybody in this room.

588
00:26:55,840 --> 00:26:58,600
Speaker 1: We might get it everybody. I don't mind getting that

589
00:26:58,680 --> 00:27:02,200
Speaker 1: a woman. Okay, ye, I don't mind getting my sea sucked. Now,

590
00:27:03,520 --> 00:27:06,960
Speaker 1: that's not what the other way. Don't tempt you with

591
00:27:07,040 --> 00:27:09,760
Speaker 1: a good time whatever. All right, guys, that's your rumor report.

592
00:27:09,840 --> 00:27:11,400
Speaker 1: All right? Up next to Front page News. What we're

593
00:27:11,400 --> 00:27:13,720
Speaker 1: talking about in front basiness business. Let's talk about a

594
00:27:13,920 --> 00:27:16,119
Speaker 1: young girl who was sent home from school over a

595
00:27:16,240 --> 00:27:18,560
Speaker 1: quote unnatural here. All right, we'll get into that when

596
00:27:18,560 --> 00:27:20,160
Speaker 1: we come back. Keep it locked. This to Breakfast Club,

597
00:27:20,200 --> 00:27:23,879
Speaker 1: Good Morning, wanting everybody's DJ Envy, Angela Yee, Charlemagne the

598
00:27:23,960 --> 00:27:26,240
Speaker 1: guy we all the Breakfast Club. Let's get to Front

599
00:27:26,280 --> 00:27:29,000
Speaker 1: page News. Lets start with Aaron Rnandez. Yes, they have

600
00:27:29,119 --> 00:27:33,840
Speaker 1: revealed Aaron Hernanez's suicide notes. His attorney, Jose Bias, has

601
00:27:33,880 --> 00:27:37,960
Speaker 1: a book, Unnecessary Roughness Inside the Trial and final Days

602
00:27:38,080 --> 00:27:40,600
Speaker 1: of Aaron Hernanez. There were three letters that he wrote

603
00:27:40,600 --> 00:27:42,399
Speaker 1: the night that he died that were discovered in his

604
00:27:42,480 --> 00:27:46,520
Speaker 1: cell and released to correction officials a few days after

605
00:27:46,640 --> 00:27:49,640
Speaker 1: his death. So now they have revealed those suicide notes.

606
00:27:50,400 --> 00:27:52,399
Speaker 1: There was one letter that was written to his lawyer,

607
00:27:52,720 --> 00:27:55,800
Speaker 1: Jose was up, brother, what I wrote this letter following

608
00:27:55,840 --> 00:27:57,359
Speaker 1: my acquittal. I wanted to voice how I felt and

609
00:27:57,440 --> 00:27:59,280
Speaker 1: let some people whose music help me get through hard

610
00:27:59,320 --> 00:28:01,960
Speaker 1: times know that it did. Some of those people that

611
00:28:02,119 --> 00:28:04,600
Speaker 1: he talked about that helped him get through, with Kevin Gates,

612
00:28:04,640 --> 00:28:07,960
Speaker 1: Rick Ross, Jay Z and so on and so forth.

613
00:28:08,520 --> 00:28:13,119
Speaker 1: So he shouted them out the game as well. All right.

614
00:28:13,160 --> 00:28:15,760
Speaker 1: He also wrote a letter to his fiance, and what

615
00:28:15,840 --> 00:28:17,920
Speaker 1: he said to her was, I don't believe he was well.

616
00:28:17,920 --> 00:28:19,800
Speaker 1: According to Bias, he said, I don't believe he was

617
00:28:19,840 --> 00:28:22,880
Speaker 1: in sound mind doing this. But he told his fiance, say,

618
00:28:22,960 --> 00:28:24,399
Speaker 1: you have always been my soul mate and I want

619
00:28:24,440 --> 00:28:25,920
Speaker 1: you to love life. And no, I'm always with you.

620
00:28:26,040 --> 00:28:27,800
Speaker 1: I told you it was coming in directly. I love

621
00:28:27,840 --> 00:28:29,800
Speaker 1: you so much and know you are an angel. We

622
00:28:29,880 --> 00:28:32,640
Speaker 1: split into two to come change the world. You're characteristic

623
00:28:33,160 --> 00:28:35,399
Speaker 1: is that of a true angel and the definition of

624
00:28:35,600 --> 00:28:39,440
Speaker 1: God's love. He also wrote a letter to his daughter,

625
00:28:40,080 --> 00:28:42,680
Speaker 1: Daddy will never leave you. I'm entering to the timeless realm,

626
00:28:42,760 --> 00:28:44,760
Speaker 1: in which I can enter into any form at any time,

627
00:28:44,800 --> 00:28:47,000
Speaker 1: because everything that could happen or not happen, I see

628
00:28:47,080 --> 00:28:49,800
Speaker 1: all at once. Life is eternal. Believe, love, repent, and

629
00:28:49,880 --> 00:28:52,920
Speaker 1: see me yourself and everyone, because that's what truth is.

630
00:28:52,960 --> 00:28:54,840
Speaker 1: I'll see you all in the heavens, awaiting you all

631
00:28:54,920 --> 00:28:57,240
Speaker 1: with the same love. Never fear me, but love me

632
00:28:57,360 --> 00:29:00,760
Speaker 1: with all of you, all right. In addition, in this book,

633
00:29:00,840 --> 00:29:05,800
Speaker 1: his fiance wrote about basically not having any indication that

634
00:29:05,880 --> 00:29:07,560
Speaker 1: he was gay or homosexual. She said, I wish I

635
00:29:07,600 --> 00:29:09,800
Speaker 1: would had known how he felt, just so we could

636
00:29:09,840 --> 00:29:11,760
Speaker 1: have talked about it. I wouldn't have disowned him. I

637
00:29:11,800 --> 00:29:14,160
Speaker 1: would have been supportive. I can't fault him if he

638
00:29:14,240 --> 00:29:16,720
Speaker 1: was feeling that way. When you love someone so much,

639
00:29:16,760 --> 00:29:18,480
Speaker 1: you just want to be there to support them. The

640
00:29:18,560 --> 00:29:20,000
Speaker 1: fact that he felt he couldn't come out to me

641
00:29:20,120 --> 00:29:22,080
Speaker 1: or you couldn't tell me these things hurts because we

642
00:29:22,200 --> 00:29:24,920
Speaker 1: had that bond. I feel empathy for Aeron Nandez because

643
00:29:24,920 --> 00:29:29,720
Speaker 1: he suffered from CTE. But he did kill people. So

644
00:29:29,800 --> 00:29:31,480
Speaker 1: I don't know if he killed people because of the CTE,

645
00:29:31,640 --> 00:29:33,080
Speaker 1: but he still did kill people. So it's as soon

646
00:29:33,120 --> 00:29:34,600
Speaker 1: as you have some empathy when you read. You read

647
00:29:34,640 --> 00:29:36,120
Speaker 1: those letters like that, and it tucked at your heart

648
00:29:36,160 --> 00:29:37,960
Speaker 1: a little bit. You're like, well, he did kill people,

649
00:29:38,600 --> 00:29:40,400
Speaker 1: all right. Now let's talk about the young girl who

650
00:29:40,560 --> 00:29:43,120
Speaker 1: was sent home because of her hairstyle. This was a

651
00:29:43,320 --> 00:29:46,720
Speaker 1: christ the King and Louisiana and Terrytown, Louisiana. Now, the

652
00:29:46,760 --> 00:29:49,720
Speaker 1: school policy as students can only have natural hair, but

653
00:29:49,880 --> 00:29:53,200
Speaker 1: this young lady had extra extensions in because she had

654
00:29:53,240 --> 00:29:55,800
Speaker 1: some braids in her hair. So they informed the student

655
00:29:55,840 --> 00:29:58,600
Speaker 1: and her mother that hairstyle was not in compliance, and

656
00:29:58,760 --> 00:30:00,880
Speaker 1: she agreed to change her child out here to comply

657
00:30:01,040 --> 00:30:03,600
Speaker 1: with the policy. So she was sent home. It was

658
00:30:03,680 --> 00:30:05,960
Speaker 1: embarrassing for her and she was crying. They took the

659
00:30:06,040 --> 00:30:07,960
Speaker 1: video of her being sent home for that. Well, you know,

660
00:30:08,000 --> 00:30:09,880
Speaker 1: I hate it having a young black queen in the

661
00:30:09,920 --> 00:30:11,880
Speaker 1: school where it's majority of white people's hair is a

662
00:30:11,960 --> 00:30:14,640
Speaker 1: point of scress for me because it's like whenever she

663
00:30:14,760 --> 00:30:18,200
Speaker 1: has braids or some type of hairstyle, when she pulls up,

664
00:30:18,360 --> 00:30:20,360
Speaker 1: it's like all the little white girls want to touch

665
00:30:20,440 --> 00:30:22,360
Speaker 1: her hair. And I am absolutely the father that will

666
00:30:22,360 --> 00:30:24,280
Speaker 1: scream at them, little white girls and their parents and

667
00:30:24,360 --> 00:30:27,320
Speaker 1: tell their parents to please stop. Please tell your kids

668
00:30:27,320 --> 00:30:28,920
Speaker 1: to stop touching my child's head. Yeah, I don't have

669
00:30:28,920 --> 00:30:30,200
Speaker 1: a problem with that. In the next couple of weeks,

670
00:30:30,280 --> 00:30:32,800
Speaker 1: Logans going to his school. They want a neat haircut,

671
00:30:32,880 --> 00:30:34,840
Speaker 1: and I don't think they consider corn rolls as a

672
00:30:34,920 --> 00:30:36,840
Speaker 1: neat hairsty. It was a really neat as long as

673
00:30:36,880 --> 00:30:39,360
Speaker 1: you don't let them get frizzy. Well, we got that problem.

674
00:30:39,400 --> 00:30:44,240
Speaker 1: Your daughter never had those problems. She's sixteen, seventeen. Nope, really,

675
00:30:44,640 --> 00:30:49,600
Speaker 1: white girls, I just wanted touch her hair. All right,

676
00:30:49,640 --> 00:30:52,240
Speaker 1: Well that's your front page news. All right, thank you, missy. Now,

677
00:30:52,280 --> 00:30:55,960
Speaker 1: feel like braids are no contact sport all black hairstyles

678
00:30:55,960 --> 00:30:58,880
Speaker 1: are no contact board just admire from afar they do

679
00:30:58,960 --> 00:31:01,400
Speaker 1: when when she had the corn rolls and and I

680
00:31:01,480 --> 00:31:03,160
Speaker 1: guess they want to touch the head to see if

681
00:31:03,200 --> 00:31:05,480
Speaker 1: it's her real hair all the time. But what is

682
00:31:05,680 --> 00:31:08,120
Speaker 1: It's something about braids and twist that just drive white

683
00:31:08,160 --> 00:31:10,520
Speaker 1: people crazy. I don't know. It's like braids and twist

684
00:31:10,560 --> 00:31:12,720
Speaker 1: to the backstreet boys of hairstyles for black people, for

685
00:31:12,800 --> 00:31:15,320
Speaker 1: white people. I don't know. My son wanted dreds, but

686
00:31:15,560 --> 00:31:17,760
Speaker 1: we did at that immediately. I just I don't know.

687
00:31:17,920 --> 00:31:20,080
Speaker 1: I just I don't know. Anyway, can't be light skin

688
00:31:20,160 --> 00:31:22,000
Speaker 1: with dredgs that I was taking the same thing. I said,

689
00:31:22,000 --> 00:31:25,320
Speaker 1: you just look stupid. What that sounds silly to like

690
00:31:28,360 --> 00:31:32,240
Speaker 1: dread y'all do look like y'allself sandals sometimes on some resorts,

691
00:31:32,480 --> 00:31:35,040
Speaker 1: we're just gonna look stupid, just corn rolls. Anyway, all right,

692
00:31:35,080 --> 00:31:37,239
Speaker 1: when we come back, shoot your shot right now. If

693
00:31:37,240 --> 00:31:39,240
Speaker 1: you want to higher at somebody, maybe a co worker,

694
00:31:39,320 --> 00:31:41,480
Speaker 1: maybe an accent, and you need a little help, you

695
00:31:41,560 --> 00:31:44,040
Speaker 1: need some help from the Breakfast Club eight hundred five

696
00:31:44,120 --> 00:31:46,040
Speaker 1: eight five one on five one. If you want to shoot,

697
00:31:46,040 --> 00:31:48,040
Speaker 1: you shot high at somebody will help you. We'll get

698
00:31:48,040 --> 00:31:50,120
Speaker 1: on the line and we'll guide you through the process

699
00:31:50,160 --> 00:31:52,200
Speaker 1: of getting that person back or hollering at that person.

700
00:31:52,240 --> 00:31:54,600
Speaker 1: All right, call us up. Now shoot your shots next

701
00:31:55,360 --> 00:32:04,560
Speaker 1: the Breakfast Club. It's time to shoot your shot. To

702
00:32:04,560 --> 00:32:07,200
Speaker 1: shoot your shot with the Breakfast Club. Just one chance.

703
00:32:07,480 --> 00:32:10,120
Speaker 1: Don't mess it up, mess it up, mess it up.

704
00:32:10,320 --> 00:32:12,240
Speaker 1: We got Mike on the line. Mike, what's up and

705
00:32:12,440 --> 00:32:15,719
Speaker 1: what's going on, y'all? How's everybody be good? Man? Everybody good?

706
00:32:15,760 --> 00:32:19,560
Speaker 1: How your mama doing doing well? Man? Mike, you want

707
00:32:19,560 --> 00:32:21,520
Speaker 1: to shoot your shot with bro? I want to shoot

708
00:32:21,560 --> 00:32:23,560
Speaker 1: my shot at Kenyon. That's my baby mama, and I'm

709
00:32:23,640 --> 00:32:26,760
Speaker 1: trying to really get back with her. We've we've weeping

710
00:32:26,880 --> 00:32:29,880
Speaker 1: through our ups and downs, and I love her. I mean,

711
00:32:29,960 --> 00:32:32,960
Speaker 1: I've been have the ask well quite a while? Had

712
00:32:32,960 --> 00:32:35,080
Speaker 1: you been up her ass? No? No, he is an ass.

713
00:32:37,960 --> 00:32:39,880
Speaker 1: Why tell us that as soon as you hear asks

714
00:32:41,320 --> 00:32:45,200
Speaker 1: that he's been doing things wrong? He didn't treat her well.

715
00:32:45,320 --> 00:32:46,960
Speaker 1: Didn't sound like that, sound like he was about ain't

716
00:32:47,120 --> 00:32:50,960
Speaker 1: it is? Ain't a pleasure it is ain't a pleasure, Mike, continue, Please,

717
00:32:51,040 --> 00:32:54,840
Speaker 1: I'm sorry, Mike. Yeah, I mean, you know, I never

718
00:32:54,920 --> 00:32:57,360
Speaker 1: had my father in my life and he was an

719
00:32:57,360 --> 00:32:59,800
Speaker 1: absent and the same music, and got kind of accepted

720
00:32:59,800 --> 00:33:02,800
Speaker 1: the that you know, me and changars a relationship was.

721
00:33:02,960 --> 00:33:04,440
Speaker 1: I mean, I love it a gut. And you have

722
00:33:04,520 --> 00:33:08,360
Speaker 1: a daughters promised three years old. And I've seen a

723
00:33:08,440 --> 00:33:10,000
Speaker 1: lot of things, a lot of my friends. When I'm

724
00:33:10,000 --> 00:33:13,200
Speaker 1: gone killed, I just want to, you know, have a family.

725
00:33:13,240 --> 00:33:15,239
Speaker 1: I want to be back well and I love her.

726
00:33:15,440 --> 00:33:17,240
Speaker 1: Are you willing to change though? Cut out some of

727
00:33:17,280 --> 00:33:19,080
Speaker 1: the stuff that you were doing before that that that

728
00:33:19,240 --> 00:33:21,880
Speaker 1: broke y'all up, Like, like what were you doing? I

729
00:33:22,080 --> 00:33:25,000
Speaker 1: was going to script clubs, I was cheating, I was

730
00:33:25,920 --> 00:33:28,080
Speaker 1: hanging out late, not doing things that I needed to

731
00:33:28,160 --> 00:33:30,600
Speaker 1: be and take full responsibility of being a man. And

732
00:33:31,560 --> 00:33:34,320
Speaker 1: I accept, you know, my faults, and I'm just ready

733
00:33:34,360 --> 00:33:35,760
Speaker 1: to change. When the last time you've been to the

734
00:33:35,800 --> 00:33:41,720
Speaker 1: script club sir, like two months ago? The last time

735
00:33:41,720 --> 00:33:44,320
Speaker 1: you cheated, sir, he's not with us, it wouldn't be cheating.

736
00:33:45,680 --> 00:33:48,560
Speaker 1: Uh yeah, exactly. I'm not known. When the last time

737
00:33:48,560 --> 00:33:53,400
Speaker 1: you another girl, sir, man like two months ago. You're

738
00:33:53,440 --> 00:33:57,400
Speaker 1: not ready ready? What are you doing? What are you

739
00:33:57,440 --> 00:34:00,360
Speaker 1: doing to change? Bro? Actually I realized, you know, when

740
00:34:00,360 --> 00:34:02,440
Speaker 1: you sleep with somebody and you realize it's not the

741
00:34:02,560 --> 00:34:05,560
Speaker 1: same thing as somebody that's sharing a share at a party,

742
00:34:05,560 --> 00:34:07,760
Speaker 1: and it's like, you know, all that is just out

743
00:34:07,800 --> 00:34:10,320
Speaker 1: the door, you know, you know, I just realized that

744
00:34:10,760 --> 00:34:12,680
Speaker 1: I want I want her. I don't want anybody else.

745
00:34:13,160 --> 00:34:17,399
Speaker 1: How old are you, sir? I'm getting he might be there,

746
00:34:19,400 --> 00:34:21,320
Speaker 1: might be you might be there. All right, So this

747
00:34:21,360 --> 00:34:24,600
Speaker 1: is what we're gonna do when we come back. What's

748
00:34:24,600 --> 00:34:28,520
Speaker 1: the name again? Kenya? All right? We African country Cole?

749
00:34:28,560 --> 00:34:30,640
Speaker 1: Can you when we come back? And hopefully we can

750
00:34:30,719 --> 00:34:33,480
Speaker 1: make this work all right? All right? All right, keep

751
00:34:33,520 --> 00:34:36,120
Speaker 1: a lock as the breakfast clog more Envy and Angela yee,

752
00:34:36,239 --> 00:34:38,600
Speaker 1: Charlemagne the guy. We are the breakfast club. In the

753
00:34:38,680 --> 00:34:41,879
Speaker 1: middle of shoots, she shot. We have Mike on the line.

754
00:34:41,920 --> 00:34:56,000
Speaker 1: Mike's about to col can you Hello, Hey, Kenya, It's Mike.

755
00:34:57,680 --> 00:35:01,680
Speaker 1: What's up. I just wanted to have a conversation that

756
00:35:01,760 --> 00:35:07,879
Speaker 1: you could you talk? Yeah, what's going on? I really

757
00:35:07,960 --> 00:35:10,360
Speaker 1: miss you and I want you and promise to be

758
00:35:10,719 --> 00:35:12,880
Speaker 1: under the same roof as I am right now. I mean,

759
00:35:13,040 --> 00:35:16,040
Speaker 1: I can't stand this co parent and I want it

760
00:35:16,239 --> 00:35:19,279
Speaker 1: as a one sample household. I just want to apologize

761
00:35:19,280 --> 00:35:21,839
Speaker 1: for anything that I've done in the past that could

762
00:35:21,880 --> 00:35:24,400
Speaker 1: have hurt you and made you disappointed to me. You know,

763
00:35:24,520 --> 00:35:27,120
Speaker 1: I'm just trying to stop us a man, and I

764
00:35:27,239 --> 00:35:33,880
Speaker 1: want you back in my life, like for real. I mean,

765
00:35:33,960 --> 00:35:38,160
Speaker 1: we talked about this before. I mean, you live in

766
00:35:38,200 --> 00:35:41,440
Speaker 1: the Chinese studio apartment. I live with my parents. What

767
00:35:41,560 --> 00:35:43,799
Speaker 1: are we gonna do. I'm wanting to go out there.

768
00:35:44,280 --> 00:35:46,880
Speaker 1: We have a baby, we co parent. I mean, I

769
00:35:47,080 --> 00:35:49,359
Speaker 1: know you love me, I know we're good, but there's

770
00:35:49,440 --> 00:35:52,000
Speaker 1: nothing we can do. Even though there's a lot that

771
00:35:52,080 --> 00:35:53,520
Speaker 1: we could do. I could just go out there and

772
00:35:53,520 --> 00:35:55,399
Speaker 1: if I have to work two jobs to make sure

773
00:35:55,800 --> 00:35:58,560
Speaker 1: that we have enough wrong for you and promise I'll

774
00:35:58,560 --> 00:36:00,520
Speaker 1: go out there and do that. You know. I want

775
00:36:00,560 --> 00:36:02,640
Speaker 1: you to move out to your family's house and come

776
00:36:02,719 --> 00:36:04,360
Speaker 1: live with me. I mean, give me a month or

777
00:36:04,360 --> 00:36:10,239
Speaker 1: two our promises. That's that's from my heart. Why are

778
00:36:10,280 --> 00:36:14,320
Speaker 1: you doing this now? I mean, I love what you're saying,

779
00:36:14,400 --> 00:36:17,560
Speaker 1: but this is just this is like, this is crazy.

780
00:36:17,719 --> 00:36:19,840
Speaker 1: I mean, we we've talked about this so many times.

781
00:36:19,920 --> 00:36:22,399
Speaker 1: Why why are you? Why are you saying this? Now?

782
00:36:22,640 --> 00:36:26,479
Speaker 1: You know my You know I've had issues in my life,

783
00:36:26,640 --> 00:36:29,399
Speaker 1: for my father not being around, to my best friend

784
00:36:29,480 --> 00:36:32,239
Speaker 1: getting killed too, a lot of people I grew up

785
00:36:32,280 --> 00:36:35,279
Speaker 1: with upstake doing time. You know, I don't want to

786
00:36:35,360 --> 00:36:38,359
Speaker 1: I don't want to live like that. I want you. Hey,

787
00:36:38,480 --> 00:36:44,160
Speaker 1: ken Ye, it's bare chiming in here. It's Angela, Charmaine

788
00:36:44,239 --> 00:36:46,560
Speaker 1: and envy. Yeah, I'm sorry, I'm sorry that you gotta

789
00:36:46,560 --> 00:36:49,080
Speaker 1: listen to this BS all right? Uh sounds to me

790
00:36:49,160 --> 00:36:51,560
Speaker 1: like entry to Kenya has been denied. They don't except

791
00:36:52,040 --> 00:36:55,040
Speaker 1: you know, he's trying hard, Kenya. He's changed, He's trying

792
00:36:55,080 --> 00:36:56,960
Speaker 1: to change his life. He wants to be dead daddy

793
00:36:57,000 --> 00:36:59,799
Speaker 1: and dead homeboy. Got to do with this. He's going

794
00:37:00,120 --> 00:37:02,200
Speaker 1: a lot, and he just really wants to change. Explaining

795
00:37:02,239 --> 00:37:04,160
Speaker 1: the shot, Why you got a therapy? You should know,

796
00:37:04,280 --> 00:37:06,160
Speaker 1: he's explaining his behavior. I don't got nothing to do

797
00:37:06,200 --> 00:37:10,160
Speaker 1: with the cheating. What are you doing? Who was on

798
00:37:10,239 --> 00:37:14,560
Speaker 1: the phone? Oh, hi'st to the breakfast class D. I

799
00:37:14,760 --> 00:37:16,520
Speaker 1: do listen to the breakfast CLUBB. But what are you

800
00:37:16,640 --> 00:37:18,640
Speaker 1: doing on this phone call? He wanted to shoot his

801
00:37:18,719 --> 00:37:20,360
Speaker 1: shot and try to get you back and know what

802
00:37:20,440 --> 00:37:24,080
Speaker 1: it is that he needs to do. You got to

803
00:37:24,120 --> 00:37:26,600
Speaker 1: move out, baby, that's what you gotta do. What she

804
00:37:26,680 --> 00:37:28,160
Speaker 1: called you baby, that's a good thing because you could

805
00:37:28,200 --> 00:37:31,440
Speaker 1: have called you ass. You're being You're being expunged from Kenya, sir.

806
00:37:31,760 --> 00:37:34,000
Speaker 1: So Mike, now that I like just played in the

807
00:37:34,040 --> 00:37:37,120
Speaker 1: whole world like, I mean, it's cute, sweetheart, but you

808
00:37:37,560 --> 00:37:43,120
Speaker 1: really need to look kind of like keep you guys.

809
00:37:43,360 --> 00:37:45,560
Speaker 1: But so, Mike, you ready to move out? Mike? Can

810
00:37:45,600 --> 00:37:47,399
Speaker 1: you get you got a job? Can you believe Mike

811
00:37:47,480 --> 00:37:50,000
Speaker 1: you're a tourist. So, mikea, are you ready to move

812
00:37:50,040 --> 00:37:51,640
Speaker 1: out and really put her into a home and really

813
00:37:51,640 --> 00:37:53,960
Speaker 1: start this family the right way, no cheating, be a

814
00:37:54,040 --> 00:37:57,560
Speaker 1: responsible adult. Hold on, So they're about to live together? Yes?

815
00:37:57,960 --> 00:38:01,040
Speaker 1: Where he moving out from his tiny, tiny little apartment

816
00:38:01,120 --> 00:38:03,560
Speaker 1: that she can't stand. Oh, ken Ya, I don't know

817
00:38:03,560 --> 00:38:05,040
Speaker 1: if you should do this. Mom. I'm gonna be honest

818
00:38:05,080 --> 00:38:07,640
Speaker 1: with the man just has sex with another woman too much? Man,

819
00:38:07,719 --> 00:38:09,600
Speaker 1: shoot your shot with trying to help not he told

820
00:38:09,640 --> 00:38:11,840
Speaker 1: me I really don't need to hear that, sweetheart. That

821
00:38:11,960 --> 00:38:14,160
Speaker 1: was a lot of Charlomagne's line. He didn't say that

822
00:38:14,360 --> 00:38:16,920
Speaker 1: oh on my lying, I'm lying here. Yes, so Kenya,

823
00:38:16,920 --> 00:38:19,000
Speaker 1: if he moves out, if he moves out at you down,

824
00:38:19,760 --> 00:38:22,640
Speaker 1: I'm down. Yeah, I want to get it. I mean yeah,

825
00:38:23,000 --> 00:38:24,600
Speaker 1: tell her the truth. Mike, you have sex with another

826
00:38:24,640 --> 00:38:29,640
Speaker 1: woman too much ago? What's wrong with you? Man Laker's

827
00:38:29,680 --> 00:38:33,040
Speaker 1: locker room? Definitely? So now I'm snitching. So you see,

828
00:38:33,040 --> 00:38:34,520
Speaker 1: that's the problem. You said that you was gonna be

829
00:38:34,560 --> 00:38:36,760
Speaker 1: a change man. You're gonna start being honest with Kenya.

830
00:38:36,840 --> 00:38:41,040
Speaker 1: But you're not even being honest with Kenya right now, Kenya,

831
00:38:41,040 --> 00:38:44,480
Speaker 1: So you're gonna give him another chance? Right? So? Did

832
00:38:44,520 --> 00:38:46,439
Speaker 1: you have sex with a guy too much ago? Guy?

833
00:38:49,280 --> 00:38:52,239
Speaker 1: Your head? You have sex with another woman too months ago?

834
00:38:52,600 --> 00:38:55,399
Speaker 1: Stop it, CanYa, thank you for giving him another shot.

835
00:38:55,440 --> 00:38:58,480
Speaker 1: Hopefully you guys worked this out. I stay away from

836
00:38:58,520 --> 00:39:01,279
Speaker 1: charlomagne o. He You'll be smelling his muff. Oh my god,

837
00:39:01,280 --> 00:39:03,719
Speaker 1: I'm wondering if he's cheating. Oh wow, you know. I

838
00:39:03,840 --> 00:39:06,719
Speaker 1: thank you guys. Good luck? All right? Yeah, I wish

839
00:39:06,719 --> 00:39:09,279
Speaker 1: you and yesterday I'm a good luck too, shall any

840
00:39:09,320 --> 00:39:14,280
Speaker 1: thank you? I stopped cheating? Three? That was a threat

841
00:39:14,560 --> 00:39:16,120
Speaker 1: you hated, yo, My man trying to get his life

842
00:39:16,120 --> 00:39:17,520
Speaker 1: to give you don't even let him get his light together.

843
00:39:19,120 --> 00:39:21,560
Speaker 1: You know what? All right, man, we got rumors all

844
00:39:21,560 --> 00:39:24,879
Speaker 1: the way. It's a breakfast club. Good morning, all right morning.

845
00:39:24,960 --> 00:39:28,399
Speaker 1: Everybody is DJ m VY, Angela, Ye, Charlomagne the guy.

846
00:39:28,440 --> 00:39:30,520
Speaker 1: We are the breakfast club. Let's get to these rumors.

847
00:39:30,560 --> 00:39:34,640
Speaker 1: Let's talk to VMAs. This is the rumor report with

848
00:39:34,880 --> 00:39:44,160
Speaker 1: Angela breast Club. Well, if you guys watched the VMA's

849
00:39:44,280 --> 00:39:48,879
Speaker 1: last night, there were some little shots being thrown throughout. Now.

850
00:39:49,080 --> 00:39:51,920
Speaker 1: Of course, Tiffany Haddris and Kevin Hart were up first,

851
00:39:52,320 --> 00:39:55,000
Speaker 1: and Tiffany Haris had a little jokey joke about Fifth Harmony.

852
00:39:55,080 --> 00:40:00,040
Speaker 1: Here's what she said. Calla is nominated for fun. I

853
00:40:00,160 --> 00:40:03,480
Speaker 1: know I can't read that good right, I only speak

854
00:40:03,560 --> 00:40:07,000
Speaker 1: English and that's mostly any BONNICX. Look, she's nominated for

855
00:40:07,160 --> 00:40:13,080
Speaker 1: five being made tonight. I'm super proud ever so um

856
00:40:13,280 --> 00:40:16,400
Speaker 1: so those of you watching at home high Fifth Harmony?

857
00:40:16,680 --> 00:40:20,160
Speaker 1: Oh God, I know nothing about hi Fifth Harmony, so

858
00:40:20,360 --> 00:40:23,120
Speaker 1: that exchanging over my head. But I'm assuming Camilla Cabello

859
00:40:23,280 --> 00:40:26,640
Speaker 1: was used to be in Fifth Harmony. Yesicked her out right. Well,

860
00:40:27,200 --> 00:40:31,080
Speaker 1: Nicki Minaj actually defended one of her friends from Fifth Harmony.

861
00:40:31,120 --> 00:40:33,200
Speaker 1: Here's what she said, shout out to Covin and Test

862
00:40:33,560 --> 00:40:36,240
Speaker 1: and Tiff don't be coming for Fifth Harmony because Normany

863
00:40:36,360 --> 00:40:39,680
Speaker 1: is that all right? No money? Clearly another member from

864
00:40:39,680 --> 00:40:43,040
Speaker 1: Fifth Harmony as well, so she said, don't you know

865
00:40:43,280 --> 00:40:45,719
Speaker 1: that's her. She had a big song on their charts too.

866
00:40:45,920 --> 00:40:53,120
Speaker 1: She was okay, now, okay, now Cardie B also one

867
00:40:53,400 --> 00:40:55,719
Speaker 1: for oh first of all, Nicki Minaj by the way

868
00:40:55,719 --> 00:40:57,200
Speaker 1: you got up there. She won the first award that

869
00:40:57,239 --> 00:40:59,480
Speaker 1: we saw on TV for the night. And here's what

870
00:40:59,560 --> 00:41:02,200
Speaker 1: she said during her speech. I wanted just to say,

871
00:41:02,760 --> 00:41:04,680
Speaker 1: tune in for Queen Mario so you can know who

872
00:41:04,800 --> 00:41:07,759
Speaker 1: the suck up the Day award is going to. What's

873
00:41:07,800 --> 00:41:11,759
Speaker 1: wrong with sucking? Seas? Though? Nothing right, everybody sucks. We

874
00:41:11,880 --> 00:41:15,520
Speaker 1: love it. This is a very like uh like you

875
00:41:15,560 --> 00:41:19,520
Speaker 1: know that can't be an insult. May have contests, especially

876
00:41:19,560 --> 00:41:23,120
Speaker 1: if you do it. I'm sure Nikki sucks sees right,

877
00:41:23,400 --> 00:41:26,200
Speaker 1: I would hope. So yeah, I'm sure nobody said it's

878
00:41:26,200 --> 00:41:30,120
Speaker 1: a bad award. Maybe it's a goodward who's getting Maybe

879
00:41:30,160 --> 00:41:31,440
Speaker 1: it's not a bad thing. I just want to know

880
00:41:31,480 --> 00:41:33,960
Speaker 1: the sound effects, like you know donkeys talk about. I

881
00:41:33,960 --> 00:41:35,839
Speaker 1: just wouldn't know what the sound effects gonna be. Let's

882
00:41:35,880 --> 00:41:38,239
Speaker 1: talk about the award Nikki won for Best Hip Hop Artists.

883
00:41:38,239 --> 00:41:39,840
Speaker 1: Do you think that she should have won the category

884
00:41:39,960 --> 00:41:43,239
Speaker 1: with Drake J Cole me Goes the Carters and Cardi B.

885
00:41:43,360 --> 00:41:44,719
Speaker 1: Do you think she should have won or she won

886
00:41:44,760 --> 00:41:48,479
Speaker 1: because she performed, or maybe they had a performed because

887
00:41:48,480 --> 00:41:50,920
Speaker 1: she was winning. I think you. I think you just

888
00:41:50,960 --> 00:41:53,799
Speaker 1: said the same thing I just said, and I try

889
00:41:55,239 --> 00:41:57,040
Speaker 1: trying to trick a fire you. But I think the

890
00:41:57,160 --> 00:41:58,759
Speaker 1: moral of the story, she won that award because she

891
00:41:58,800 --> 00:42:02,799
Speaker 1: was performing. All right. Now, Cardi B did win Best

892
00:42:02,880 --> 00:42:05,120
Speaker 1: New Ice Award, and here's what she has to say

893
00:42:05,600 --> 00:42:09,000
Speaker 1: during her acceptance speech. I'm so happy, you know so

894
00:42:09,239 --> 00:42:12,239
Speaker 1: received this award. A couple of months ago, a lot

895
00:42:12,280 --> 00:42:15,040
Speaker 1: of people were saying, you know, you're gambling your career,

896
00:42:15,239 --> 00:42:17,239
Speaker 1: You're about to have a baby. What are you doing?

897
00:42:17,840 --> 00:42:20,360
Speaker 1: And you know I had a baby, I carry the

898
00:42:20,480 --> 00:42:24,200
Speaker 1: baby and now I'm still running a horse. I want

899
00:42:24,200 --> 00:42:27,040
Speaker 1: to thank all my fans, my family that supported me,

900
00:42:27,160 --> 00:42:29,719
Speaker 1: all the love, all the love that my fans, that

901
00:42:29,880 --> 00:42:33,960
Speaker 1: my friends, that everybody shows me. And that's something that

902
00:42:34,120 --> 00:42:41,840
Speaker 1: God give me that you can't buy now. You know.

903
00:42:41,960 --> 00:42:43,680
Speaker 1: That's because a lot of people were trying to say

904
00:42:43,719 --> 00:42:47,080
Speaker 1: that she paid uh Atlantic Records paid for people to

905
00:42:47,560 --> 00:42:52,680
Speaker 1: support Cardi B. So she wants to show all right now,

906
00:42:52,840 --> 00:42:56,879
Speaker 1: Travis Scott. In the meantime, I also had to point

907
00:42:56,920 --> 00:43:00,000
Speaker 1: out the fact that he does indeed have the number

908
00:43:00,080 --> 00:43:08,560
Speaker 1: or one album right now, and now I come when

909
00:43:08,600 --> 00:43:11,600
Speaker 1: that was a reach That was a reach point out

910
00:43:11,640 --> 00:43:13,400
Speaker 1: he had the number one album. You're just stating the obvious.

911
00:43:13,440 --> 00:43:15,120
Speaker 1: He had satan the fact. Yeah, but let's be clear,

912
00:43:15,239 --> 00:43:17,880
Speaker 1: Nicki Minaj did say that she spoke to He doesn't

913
00:43:17,880 --> 00:43:20,000
Speaker 1: have the number one album, she said, and not to

914
00:43:20,120 --> 00:43:22,480
Speaker 1: mention he was sitting behind her. They heard they had

915
00:43:22,560 --> 00:43:25,400
Speaker 1: him change the seats because his album's number one right now,

916
00:43:25,440 --> 00:43:27,319
Speaker 1: So then they ended up seating him across the room.

917
00:43:27,360 --> 00:43:29,200
Speaker 1: But I guess, yeah, I would be kind of mad

918
00:43:29,280 --> 00:43:30,880
Speaker 1: my album number one, I gotta sit behind her her

919
00:43:30,880 --> 00:43:33,160
Speaker 1: album number two. I heard during rehearsals Travis Scott told

920
00:43:33,160 --> 00:43:34,719
Speaker 1: everybody thought their peace signs in the air, and it

921
00:43:34,880 --> 00:43:36,600
Speaker 1: was like, no, I don't do that because everybody they're

922
00:43:36,600 --> 00:43:38,480
Speaker 1: gonna thank you, being some liminal tone. Everybody thought it

923
00:43:38,520 --> 00:43:40,440
Speaker 1: number two up, stop it stopping you don't want to

924
00:43:40,520 --> 00:43:42,399
Speaker 1: start it. All that sounds like you're starting a room.

925
00:43:42,440 --> 00:43:45,720
Speaker 1: And right now, all right now, now, this whole Harriet

926
00:43:45,840 --> 00:43:50,040
Speaker 1: Tubman situation, Harriet Tubman was trending, and that's because Nikki said,

927
00:43:50,360 --> 00:43:53,160
Speaker 1: all the queens I remember, shook Ish Queen of the

928
00:43:53,200 --> 00:43:56,120
Speaker 1: week may go to Harriet Tubman. Had she just sat

929
00:43:56,200 --> 00:43:58,919
Speaker 1: there and ate her rice, you and Where's history would

930
00:43:58,920 --> 00:44:01,640
Speaker 1: have been a lot less trying. I'm fit now that

931
00:44:01,880 --> 00:44:04,520
Speaker 1: ended up being a trending topic. And now Nikki said

932
00:44:04,520 --> 00:44:08,000
Speaker 1: on Queen Radio she's going to be honoring Harriet Tubman.

933
00:44:08,160 --> 00:44:10,920
Speaker 1: She said she could have rescued more slaves had they

934
00:44:11,000 --> 00:44:13,680
Speaker 1: known they were slaves. I fought for streaming services to

935
00:44:13,800 --> 00:44:16,080
Speaker 1: count to our billboard when a lot of n word

936
00:44:16,120 --> 00:44:18,439
Speaker 1: stayed quiet. Well, that's not a real Harriet Tubman. Que

937
00:44:18,680 --> 00:44:20,440
Speaker 1: Harry Tubman never said that. By the way, she never

938
00:44:20,480 --> 00:44:22,560
Speaker 1: said what that she if a lot more people, she

939
00:44:22,600 --> 00:44:24,239
Speaker 1: would have recute more slaves if they had known they

940
00:44:24,239 --> 00:44:27,160
Speaker 1: were slaves. That's not a real quote. It's like a myth,

941
00:44:27,280 --> 00:44:29,560
Speaker 1: a rumor that that's a quote, urban legend. But that's

942
00:44:29,560 --> 00:44:31,239
Speaker 1: not a real quote from Harriet Tubman. I just I

943
00:44:31,360 --> 00:44:33,320
Speaker 1: just the thing that offended me to most about that

944
00:44:33,400 --> 00:44:35,279
Speaker 1: tweet was the fact that she thinks Harriet Tubman was

945
00:44:35,280 --> 00:44:37,480
Speaker 1: ever just sitting around eating rice. Okay. It's almost like

946
00:44:37,560 --> 00:44:39,439
Speaker 1: she didn't know. Harriet Tubman was a nurse, a spy,

947
00:44:39,640 --> 00:44:43,560
Speaker 1: ain't a cook. Okay, Harry was a professional cook, all right.

948
00:44:43,600 --> 00:44:45,479
Speaker 1: How do you think she made money to fund her rage?

949
00:44:45,560 --> 00:44:48,200
Speaker 1: She wasn't just eating rice. They had chicken fat, chunk,

950
00:44:48,239 --> 00:44:52,040
Speaker 1: sup pork pies, bread. Okay, so she was making rice.

951
00:44:53,000 --> 00:44:55,600
Speaker 1: Shut up, I'm just saying she was the mother of

952
00:44:55,680 --> 00:44:58,400
Speaker 1: a cook, all right, Like HARRYE. Tubman spent the summer

953
00:44:58,400 --> 00:45:01,000
Speaker 1: in eighteen fifty two working into the cook in the resort,

954
00:45:01,040 --> 00:45:02,520
Speaker 1: and she used that money to pay for a raid

955
00:45:02,600 --> 00:45:05,239
Speaker 1: that three nine slaves like she had. She know a cook,

956
00:45:05,280 --> 00:45:08,000
Speaker 1: you'd more than rice. You definitely go with the streaming services.

957
00:45:08,040 --> 00:45:10,000
Speaker 1: It's what Spotify if you guys remember, she said that

958
00:45:10,080 --> 00:45:14,160
Speaker 1: Spotify actually sabotaged all of her streaming because they wanted

959
00:45:14,200 --> 00:45:16,880
Speaker 1: to teach her a lesson after she aligned herself with

960
00:45:16,920 --> 00:45:21,000
Speaker 1: Apple Music. While Spotify has responded, a rep said Spotify

961
00:45:21,000 --> 00:45:23,960
Speaker 1: supported Nicki Minas with The Times Square Billboard, a host

962
00:45:24,040 --> 00:45:26,839
Speaker 1: of the largest playlist new music Friday and the new

963
00:45:26,960 --> 00:45:29,400
Speaker 1: music release Shelf. Her song Bed actually saw an increase

964
00:45:29,480 --> 00:45:32,480
Speaker 1: based on the promotions put behind the campaign. The company

965
00:45:32,800 --> 00:45:36,439
Speaker 1: continues to be big fans of Nikki So and nick

966
00:45:36,520 --> 00:45:40,000
Speaker 1: even posted the Spotify billboard that was in Times Square

967
00:45:40,040 --> 00:45:42,080
Speaker 1: on her own Instagram names. I can't wait to get

968
00:45:42,120 --> 00:45:45,320
Speaker 1: that seat suck out to day You saw crazy like

969
00:45:45,520 --> 00:45:48,040
Speaker 1: without context on the ground, bro, without context, you right

970
00:45:48,120 --> 00:45:51,560
Speaker 1: on crazy. You can't wait till you get that seat

971
00:45:51,600 --> 00:45:53,399
Speaker 1: stuck out to day like, you can't wait to give

972
00:45:53,480 --> 00:45:56,200
Speaker 1: it to me? And I want to put your little

973
00:45:56,280 --> 00:45:58,480
Speaker 1: Nike hoodie on a drop to your knees and let

974
00:45:58,800 --> 00:46:02,960
Speaker 1: this particular remember queen, it's something positive. I'm going to

975
00:46:03,040 --> 00:46:07,000
Speaker 1: human resources. Let's talk about Drake going to Larry Children's Hospital.

976
00:46:07,000 --> 00:46:08,759
Speaker 1: I'm not gonna lie. This just warm my coal heart.

977
00:46:09,080 --> 00:46:11,040
Speaker 1: This was really sweet. You went to go see a

978
00:46:11,120 --> 00:46:14,919
Speaker 1: transplant patient, Sophia Sanchez. She turned eleven and her wish

979
00:46:15,239 --> 00:46:18,080
Speaker 1: was for Drake to come and visit her. That was

980
00:46:18,160 --> 00:46:21,000
Speaker 1: her birthday wish. I love this. Check it out. It's

981
00:46:21,200 --> 00:46:24,000
Speaker 1: in literal because it's one of the persons I make

982
00:46:24,040 --> 00:46:31,759
Speaker 1: shure like that, and you asked me to come on here.

983
00:46:32,000 --> 00:46:34,879
Speaker 1: I didn't talk for him, and I was like, it's

984
00:46:34,920 --> 00:46:38,120
Speaker 1: just it's just a real freak, like it's me Drake.

985
00:46:38,400 --> 00:46:42,279
Speaker 1: I'm like, oh my God and many gods to seem

986
00:46:42,280 --> 00:46:45,200
Speaker 1: me God's plan. I gave him my autograph and he

987
00:46:45,320 --> 00:46:48,200
Speaker 1: gave me his. This is the best birthday present I ever.

988
00:46:48,800 --> 00:46:51,040
Speaker 1: Thank you so much, Faith for coming saying me. It

989
00:46:51,120 --> 00:46:52,880
Speaker 1: means a lot for you to come and share me.

990
00:46:53,280 --> 00:46:58,400
Speaker 1: That warm my cot a little chi I go by

991
00:46:58,480 --> 00:47:00,399
Speaker 1: the way. That was nice. Doesn't this mean you guys

992
00:47:00,400 --> 00:47:02,400
Speaker 1: want to be wish grants for Make a Wish Foundation.

993
00:47:02,560 --> 00:47:04,480
Speaker 1: I do that now, you do. I do it too.

994
00:47:04,840 --> 00:47:07,680
Speaker 1: We all do it. You guys were part of Make

995
00:47:07,719 --> 00:47:10,600
Speaker 1: a Wish pulling up the hospitals. I just don't be

996
00:47:10,880 --> 00:47:13,000
Speaker 1: putting it on Instagram or putting it in God's playing

997
00:47:13,000 --> 00:47:14,600
Speaker 1: a video. But I ain't mad at nobody who does.

998
00:47:14,920 --> 00:47:16,840
Speaker 1: I think it actually encourages a lot of people to

999
00:47:17,040 --> 00:47:19,080
Speaker 1: join foundations like that when they see the difference that

1000
00:47:19,160 --> 00:47:21,080
Speaker 1: it can make in a young child's life because you

1001
00:47:21,160 --> 00:47:23,120
Speaker 1: don't actually have to pull up. But sometimes for which

1002
00:47:23,400 --> 00:47:26,799
Speaker 1: I just want to LaToya games some clothes if they

1003
00:47:26,880 --> 00:47:29,160
Speaker 1: have a wish to help them get that granted from

1004
00:47:29,360 --> 00:47:31,239
Speaker 1: so if it's somebody that they want to meet, if

1005
00:47:31,320 --> 00:47:33,000
Speaker 1: it's a trip they want to say, they want to

1006
00:47:33,000 --> 00:47:34,879
Speaker 1: go to Disney World or something like that. You helped

1007
00:47:34,880 --> 00:47:36,759
Speaker 1: make those wishes come true. So it's not that you

1008
00:47:36,880 --> 00:47:39,279
Speaker 1: physically have to be there. Like Drake Win, which of

1009
00:47:39,360 --> 00:47:40,880
Speaker 1: course was a big wish. I like pulling up the

1010
00:47:41,200 --> 00:47:42,960
Speaker 1: flue to Drake for that. I was at the Brooklyn

1011
00:47:43,000 --> 00:47:46,600
Speaker 1: Platinum Medical Center on this past Saturday. A matter of fact, Okay,

1012
00:47:46,680 --> 00:47:49,440
Speaker 1: want to see and I will see that. I will

1013
00:47:49,480 --> 00:47:52,000
Speaker 1: see that, like where is it? Where is Drake? We

1014
00:47:52,120 --> 00:47:57,799
Speaker 1: want to see Drake come ontility. My little girl got

1015
00:47:57,920 --> 00:48:03,000
Speaker 1: Drake got man. I go to therapy every week. Chalomagne

1016
00:48:03,040 --> 00:48:04,640
Speaker 1: was in there telling the kids, shook once my book

1017
00:48:04,719 --> 00:48:09,279
Speaker 1: is coming out, anxiety kills me. Whatever little kids can't read.

1018
00:48:09,840 --> 00:48:11,440
Speaker 1: This is why I'd been going to therapy right here

1019
00:48:11,480 --> 00:48:13,719
Speaker 1: every week, right here, you know what I'm saying. And

1020
00:48:13,920 --> 00:48:16,200
Speaker 1: I looked at that them. I looked at that video

1021
00:48:16,320 --> 00:48:19,080
Speaker 1: just now just to see if Drake had on a

1022
00:48:19,239 --> 00:48:22,120
Speaker 1: Nike Yard Didas tracks. That wasn't it. No, it was

1023
00:48:22,160 --> 00:48:25,920
Speaker 1: a OO that makes more sense than both OO. Was

1024
00:48:26,200 --> 00:48:27,839
Speaker 1: it was? But I was if it was the Didas

1025
00:48:27,840 --> 00:48:29,279
Speaker 1: I was gonna say you said checks over. I was

1026
00:48:29,280 --> 00:48:31,759
Speaker 1: just looking for something to hate on. You know me, right,

1027
00:48:31,920 --> 00:48:34,799
Speaker 1: we know we know me somehow hate on this as

1028
00:48:34,960 --> 00:48:37,680
Speaker 1: I'm gonna find a way to hate on this thing

1029
00:48:37,760 --> 00:48:41,600
Speaker 1: that's making me happy. That is your room report. Why

1030
00:48:41,600 --> 00:48:43,279
Speaker 1: do you keep rubbing your chest like that? What's going on?

1031
00:48:43,600 --> 00:48:46,319
Speaker 1: Hurt my heart? That really made me feel good. You're

1032
00:48:46,400 --> 00:48:51,200
Speaker 1: ruined the story. You kind of like Madonna situation. I

1033
00:48:51,239 --> 00:48:53,640
Speaker 1: remember the time that I went. I went this weekend

1034
00:48:53,680 --> 00:48:59,200
Speaker 1: in Brooklyn, and I see from Canada's going to optitles too.

1035
00:49:00,120 --> 00:49:03,120
Speaker 1: I gonna you're talking about yourself care when I pull

1036
00:49:03,200 --> 00:49:05,879
Speaker 1: up to go see the chance. Yeah, that was hate

1037
00:49:05,920 --> 00:49:09,239
Speaker 1: all hate. Charlotte mcdonnado mcdonne, Who are you giving your

1038
00:49:09,320 --> 00:49:12,520
Speaker 1: donkey to next? Madonna? Nigga? How about the unleash all

1039
00:49:12,560 --> 00:49:15,600
Speaker 1: of this pain? It ain't gone feeling on her this morning?

1040
00:49:15,760 --> 00:49:19,800
Speaker 1: Charlote mcdonna coming up next to all y'all fault my

1041
00:49:19,920 --> 00:49:22,640
Speaker 1: goodness and I'll get a dance sponsored by hate. Keep

1042
00:49:23,239 --> 00:49:25,920
Speaker 1: talking about Drake. I pull up to the hospital in Brooklyn.

1043
00:49:26,000 --> 00:49:28,360
Speaker 1: I talk to the kids too. I might care about

1044
00:49:28,400 --> 00:49:30,279
Speaker 1: my plan. I just don't call my plan. Can't be

1045
00:49:30,400 --> 00:49:32,440
Speaker 1: got I gotta post it. I just don't be posted it.

1046
00:49:33,000 --> 00:49:39,879
Speaker 1: It's the breakfast club. Good morning. Don't you get drunk

1047
00:49:43,200 --> 00:49:50,960
Speaker 1: you are. I'm gonna fatten all that around your eyes.

1048
00:49:51,160 --> 00:49:53,480
Speaker 1: They want this man to dog and blowers man. They're

1049
00:49:53,480 --> 00:49:56,080
Speaker 1: waiting for Charlomagne to talk these gloves let's go. Had

1050
00:49:56,080 --> 00:49:57,920
Speaker 1: to make a judgment who was gonna be on the

1051
00:49:58,000 --> 00:50:00,680
Speaker 1: donkey of the day. They chose you. It was a

1052
00:50:00,719 --> 00:50:04,120
Speaker 1: breakfast club bitch's donkey of the day to day. Well,

1053
00:50:04,480 --> 00:50:06,439
Speaker 1: don't here to day for Tuesday. All the twenty first

1054
00:50:06,480 --> 00:50:09,759
Speaker 1: goals to Madonna for that a refa Franklin tribute that

1055
00:50:09,840 --> 00:50:11,800
Speaker 1: she did last night at the VMA's. If you're not

1056
00:50:11,880 --> 00:50:13,719
Speaker 1: watching me on Revolte, then you didn't see me put

1057
00:50:13,800 --> 00:50:16,360
Speaker 1: tribute and air quotes just now. But I had to

1058
00:50:16,400 --> 00:50:18,839
Speaker 1: look up the definition of tribute last night, because after

1059
00:50:18,880 --> 00:50:20,640
Speaker 1: watching what Madonna did, I had to make sure I

1060
00:50:20,800 --> 00:50:23,640
Speaker 1: understood what a tribute was. Okay, the dictionary says the

1061
00:50:23,680 --> 00:50:25,840
Speaker 1: tribute is an act, statement, a gift that is intended

1062
00:50:25,880 --> 00:50:29,080
Speaker 1: to show gratitude, respect, our admiration. So I was like, okay,

1063
00:50:29,160 --> 00:50:31,080
Speaker 1: tribute means the same thing that it's always meant. So

1064
00:50:31,200 --> 00:50:35,080
Speaker 1: what was my issue when Madonna paying tribute to a

1065
00:50:35,120 --> 00:50:37,759
Speaker 1: refer Franklin last night. My issue was, at some point

1066
00:50:37,840 --> 00:50:39,680
Speaker 1: during that speech, she lost me because I'm sitting there

1067
00:50:39,719 --> 00:50:42,080
Speaker 1: waiting to here Madonna paying hommage the Queen Aretha, but

1068
00:50:42,200 --> 00:50:44,560
Speaker 1: all of her was her paying hommage to herself. Now,

1069
00:50:44,640 --> 00:50:46,640
Speaker 1: I'm not gonna sit here and let Madonna take all

1070
00:50:46,680 --> 00:50:48,880
Speaker 1: this smoke by herself, because I'm sure she rehearsed this.

1071
00:50:48,960 --> 00:50:51,040
Speaker 1: But when you are surrounded by a bunch of yes

1072
00:50:51,160 --> 00:50:54,200
Speaker 1: people and in your own team, and nobody at MTV

1073
00:50:54,320 --> 00:50:56,120
Speaker 1: wants to rock the boat because they don't want Madonna

1074
00:50:56,160 --> 00:50:58,800
Speaker 1: to get mad and not do it, that's when you

1075
00:50:58,880 --> 00:51:02,400
Speaker 1: get someone giving herself from self indulgent tribute to himself

1076
00:51:02,719 --> 00:51:04,879
Speaker 1: instead of paying homage to the Queen of Soul, Miss

1077
00:51:04,920 --> 00:51:07,960
Speaker 1: Aretha Franklin. Everyone, do you have a minute in twenty

1078
00:51:08,000 --> 00:51:11,040
Speaker 1: six seconds despair to listen to Madonna suck her own

1079
00:51:11,080 --> 00:51:14,080
Speaker 1: breast for a moment. Let's flash back to last night's fame.

1080
00:51:14,600 --> 00:51:21,680
Speaker 1: Aretha Louise Franklin changed the course of my life. I

1081
00:51:21,880 --> 00:51:25,800
Speaker 1: left Detroit when I was eighteen, thirty five dollars in

1082
00:51:25,920 --> 00:51:29,160
Speaker 1: my pocket. I had no training or dreams of ever

1083
00:51:29,280 --> 00:51:32,200
Speaker 1: becoming a singer, but I went for it. I got

1084
00:51:32,280 --> 00:51:36,560
Speaker 1: cut and rejected from every audition, and then one day

1085
00:51:37,160 --> 00:51:40,279
Speaker 1: a French disco sensation was looking for backup singers and

1086
00:51:40,400 --> 00:51:44,560
Speaker 1: dancers for his world tour. The dance audition went well.

1087
00:51:45,160 --> 00:51:47,800
Speaker 1: Then they asked me if I had sheet music and

1088
00:51:47,920 --> 00:51:52,040
Speaker 1: a song prepared. Fortunately, one of my favorite albums was

1089
00:51:52,160 --> 00:51:55,000
Speaker 1: Lady's Soul. I don't need sheet music, I said, I

1090
00:51:55,160 --> 00:51:58,920
Speaker 1: know every word. When I was finished, they said, we

1091
00:51:59,040 --> 00:52:02,320
Speaker 1: will call you a day and maybe soon. Finally the

1092
00:52:02,400 --> 00:52:04,919
Speaker 1: phone rang and it was one of the producers saying,

1093
00:52:05,960 --> 00:52:08,560
Speaker 1: we don't think you are right for this job. We

1094
00:52:08,719 --> 00:52:12,040
Speaker 1: think you have great potentials. We want to bring you

1095
00:52:12,120 --> 00:52:15,480
Speaker 1: to Paris and make you a star. So that was

1096
00:52:15,520 --> 00:52:18,240
Speaker 1: the beginning of my journey as a singer. You're probably

1097
00:52:18,280 --> 00:52:22,279
Speaker 1: all wondering why I'm telling you this story, because none

1098
00:52:22,320 --> 00:52:25,640
Speaker 1: of this would have happened without our Lady or Soul.

1099
00:52:26,719 --> 00:52:30,320
Speaker 1: She led me to where I am today, and I

1100
00:52:30,440 --> 00:52:34,040
Speaker 1: know she influenced so many people, and I want to

1101
00:52:34,120 --> 00:52:38,800
Speaker 1: thank you, Aretha for empowering all of us. R s

1102
00:52:39,239 --> 00:52:43,000
Speaker 1: pect Now did that seem long and drawn out? That

1103
00:52:43,200 --> 00:52:45,440
Speaker 1: was a minute in twenty six sec long. I forgot

1104
00:52:45,480 --> 00:52:48,400
Speaker 1: the point. I want you to note that the original speech, uncut,

1105
00:52:48,600 --> 00:52:52,160
Speaker 1: is six minutes twelve seconds of Madonna talking about herself

1106
00:52:52,239 --> 00:52:55,880
Speaker 1: and then tagging Aretha. First of all, I refused to

1107
00:52:55,880 --> 00:52:58,880
Speaker 1: believe that Madonna blew anybody away with a rendition of

1108
00:52:58,960 --> 00:53:01,239
Speaker 1: any Aretha's now, all right. She simply doesn't have the

1109
00:53:01,320 --> 00:53:03,279
Speaker 1: vocal shops to pull that off. Second of all, if

1110
00:53:03,320 --> 00:53:06,080
Speaker 1: someone could give their own eulogy, it would sound exactly

1111
00:53:06,160 --> 00:53:08,520
Speaker 1: like how Madonna sounded just now. Third of all, I

1112
00:53:08,560 --> 00:53:10,520
Speaker 1: don't know why. It's just dawned on me, but Aretha

1113
00:53:10,600 --> 00:53:13,759
Speaker 1: Franklin passed away on Mcdonna's sixty of born day, all right,

1114
00:53:13,840 --> 00:53:16,600
Speaker 1: sixty as a milestone, and it's Madonna's born day, So

1115
00:53:16,719 --> 00:53:18,880
Speaker 1: you know how they had that backdrop of Aretha behind

1116
00:53:18,960 --> 00:53:20,759
Speaker 1: Madonna as she was talking. Well, when it comes to

1117
00:53:20,880 --> 00:53:24,919
Speaker 1: Madonna's born day and her turning sixty, Aretha Franklin dying

1118
00:53:25,480 --> 00:53:27,680
Speaker 1: is definitely in her review. It's just the backdrop. And

1119
00:53:27,719 --> 00:53:29,840
Speaker 1: when things are in your review, they're behind you, so

1120
00:53:30,000 --> 00:53:31,959
Speaker 1: you can't really see them. Okay, you're not really checking

1121
00:53:32,040 --> 00:53:34,080
Speaker 1: for things in your rearview, which leads me to mind,

1122
00:53:34,200 --> 00:53:37,920
Speaker 1: which leads me the fourth Okay. Of of all, the

1123
00:53:38,080 --> 00:53:41,480
Speaker 1: ultimate aim of the ego is not to see something. Okay,

1124
00:53:41,680 --> 00:53:43,680
Speaker 1: the ultimate aim of the ego is not to see something,

1125
00:53:43,760 --> 00:53:46,160
Speaker 1: but to be something. But Donna doesn't see it for

1126
00:53:46,239 --> 00:53:49,200
Speaker 1: Aretha because she too busy being Madonna. But I will

1127
00:53:49,280 --> 00:53:52,319
Speaker 1: never understand, because Madonna, when you pass, God forbid, God

1128
00:53:52,400 --> 00:53:54,719
Speaker 1: forbid is not anytime soon, the white man's world is

1129
00:53:54,719 --> 00:53:57,240
Speaker 1: gonna stop for you. Okay. See, if Madonna had passed

1130
00:53:57,239 --> 00:53:59,880
Speaker 1: away last Thursday, the vmade last night would have been

1131
00:54:00,120 --> 00:54:04,360
Speaker 1: Video Madonna Awards. Every presentation, every performance, all the imaging

1132
00:54:04,520 --> 00:54:06,759
Speaker 1: would have been centered around Madonna. And when she does

1133
00:54:06,800 --> 00:54:09,160
Speaker 1: pass and I pray us in the far far future,

1134
00:54:09,200 --> 00:54:10,839
Speaker 1: I pray for her to have a long life, it's

1135
00:54:10,880 --> 00:54:13,279
Speaker 1: still gonna be the Video Madonna Awards. And I'm not

1136
00:54:13,400 --> 00:54:16,080
Speaker 1: surprised because I don't look for anyone else to celebrate

1137
00:54:16,239 --> 00:54:19,440
Speaker 1: us the way we will celebrate us, And by us,

1138
00:54:19,520 --> 00:54:22,080
Speaker 1: I mean black people. Okay, there's no way in hell

1139
00:54:22,480 --> 00:54:24,719
Speaker 1: the Vamaze would allow a black artist to come out

1140
00:54:24,760 --> 00:54:27,000
Speaker 1: and turn a tribute about one of their own into

1141
00:54:27,080 --> 00:54:30,239
Speaker 1: a self indulgent rant about how they got started in

1142
00:54:30,320 --> 00:54:32,560
Speaker 1: the music business. But let's not make this about race.

1143
00:54:32,719 --> 00:54:35,800
Speaker 1: Let's keep it about Ego Madonna. That tribute wasn't about you,

1144
00:54:36,160 --> 00:54:37,680
Speaker 1: all right. And even if you wanted to use a

1145
00:54:37,760 --> 00:54:39,920
Speaker 1: Retha to explain that she was a spark to get

1146
00:54:40,000 --> 00:54:43,279
Speaker 1: your career started, then get to that point faster. It

1147
00:54:43,320 --> 00:54:45,719
Speaker 1: shouldn't take six minutes and twelve seconds. Okay. A Reza

1148
00:54:45,800 --> 00:54:47,800
Speaker 1: should have been the A story. How you gotten the

1149
00:54:47,840 --> 00:54:50,000
Speaker 1: singing should have been the B story. We have plenty

1150
00:54:50,040 --> 00:54:52,880
Speaker 1: of time to get to your origin story because you

1151
00:54:53,120 --> 00:54:57,759
Speaker 1: are Donna. Okay, you will probably still be alive to

1152
00:54:57,800 --> 00:55:00,920
Speaker 1: see your biopick. Aretha doesn't have the so could you

1153
00:55:01,040 --> 00:55:05,040
Speaker 1: please make this tribute about her and move along. Everybody

1154
00:55:05,120 --> 00:55:07,719
Speaker 1: in name Mamma knows how to spell respect r E

1155
00:55:08,040 --> 00:55:11,960
Speaker 1: s p I c T except Ol Sharpton, oh my goodness,

1156
00:55:12,239 --> 00:55:14,960
Speaker 1: except Al Sharpton. But it's not enough to just spell

1157
00:55:15,160 --> 00:55:19,279
Speaker 1: respect when it comes to Queen Aretha Franklin R E

1158
00:55:19,680 --> 00:55:23,440
Speaker 1: S P e CT. You have to show it, and

1159
00:55:23,560 --> 00:55:25,800
Speaker 1: it wasn't shown to her last night at the VMA's.

1160
00:55:26,000 --> 00:55:28,480
Speaker 1: Please give him, Madonna the sweet sounds of the Hamletones.

1161
00:55:28,880 --> 00:55:38,440
Speaker 1: You are the dokey O the day you are the

1162
00:55:38,960 --> 00:55:51,160
Speaker 1: dokey the day he all right, thank you, for that

1163
00:55:51,280 --> 00:55:55,440
Speaker 1: donkey of the day, our producer, Daniel, one of our producers,

1164
00:55:55,440 --> 00:55:57,759
Speaker 1: slut to Daniel. He just emailed me. I looked in

1165
00:55:57,840 --> 00:56:01,840
Speaker 1: the inbox and said full Madonna tribute, as if I

1166
00:56:01,920 --> 00:56:03,520
Speaker 1: want to see that again. So I put it in

1167
00:56:03,600 --> 00:56:05,960
Speaker 1: my trash conversation, moved to trash right now, and I

1168
00:56:06,000 --> 00:56:09,040
Speaker 1: would not undo. People applaud after because I didn't see

1169
00:56:09,080 --> 00:56:14,040
Speaker 1: it in real time. The level and whoever won their award,

1170
00:56:14,280 --> 00:56:16,360
Speaker 1: I think it was the girl from Fifth Harmony she

1171
00:56:16,640 --> 00:56:21,160
Speaker 1: dedicated her award to Madonna, to mcdonna, yes she did, yes, okay,

1172
00:56:21,480 --> 00:56:23,200
Speaker 1: she didn't think young thuck too and young thugs on

1173
00:56:23,239 --> 00:56:26,960
Speaker 1: that record. Wasn't gonna think twenty one savage, twenty one

1174
00:56:26,960 --> 00:56:28,640
Speaker 1: savage and come on the show for him, Come come

1175
00:56:28,640 --> 00:56:30,719
Speaker 1: on the stage with him. Now, White people ain't thinking

1176
00:56:30,719 --> 00:56:33,120
Speaker 1: about us, all right, Well, thank you for that donkey today,

1177
00:56:33,160 --> 00:56:35,279
Speaker 1: let's open up the phone lines eight on drip five

1178
00:56:35,400 --> 00:56:37,880
Speaker 1: eight five, one oh five one now on a scale

1179
00:56:38,000 --> 00:56:43,360
Speaker 1: from one to ten, how bad on a scale of

1180
00:56:43,719 --> 00:56:45,800
Speaker 1: one to Nikki giving me the Sea Sucker of the

1181
00:56:45,920 --> 00:56:49,680
Speaker 1: Day award, how bad? Well, how disrespectful was that tribute?

1182
00:56:51,080 --> 00:56:53,480
Speaker 1: This is all about slander This morning? There is nothing.

1183
00:56:53,640 --> 00:56:57,160
Speaker 1: All this is. This whole segment is hate hate eight

1184
00:56:57,320 --> 00:57:02,719
Speaker 1: eight eight eight. On a scale from one to ten,

1185
00:57:03,920 --> 00:57:09,480
Speaker 1: how disrespectful was that tribute? That's right, Carlo Ben slanted

1186
00:57:09,480 --> 00:57:11,239
Speaker 1: the hell out of mdonnad. Let's piss off some white people.

1187
00:57:11,280 --> 00:57:13,440
Speaker 1: That one, all right, Carls. White people feel free to

1188
00:57:13,480 --> 00:57:17,040
Speaker 1: call in and slander. Or two joined the breakfast club

1189
00:57:20,000 --> 00:57:23,960
Speaker 1: more than everybody? Is DJ mvy angela ye, Charlomagne the guy,

1190
00:57:24,040 --> 00:57:26,200
Speaker 1: we are the breakfast club. Now if you just joined us.

1191
00:57:26,440 --> 00:57:29,919
Speaker 1: Charlemagne gave Donkey of the Day to Madonna. That's because

1192
00:57:29,960 --> 00:57:31,600
Speaker 1: of that a tribute last night she gave to RIFA

1193
00:57:31,640 --> 00:57:33,720
Speaker 1: Franklin tribute put tribute in air quotes. It was a

1194
00:57:33,800 --> 00:57:38,280
Speaker 1: six minute, twelve second rant of Madonna talking about her life. Okay,

1195
00:57:38,280 --> 00:57:41,520
Speaker 1: it was a Madonna Madonna monologue and she mentioned the

1196
00:57:41,600 --> 00:57:43,800
Speaker 1: RIFA Franklin towards the end. So we're asking, on the

1197
00:57:43,840 --> 00:57:46,560
Speaker 1: scale of one to ten, how disrespectful was that tribute?

1198
00:57:46,680 --> 00:57:49,560
Speaker 1: On a scale of one to me, stepping on your

1199
00:57:49,840 --> 00:57:53,640
Speaker 1: fresh new white air force ones, I would have to

1200
00:57:53,680 --> 00:57:56,920
Speaker 1: give that a ten. I say the reason I give

1201
00:57:56,960 --> 00:57:59,320
Speaker 1: it a ten because you know the VMA's has already

1202
00:57:59,360 --> 00:58:01,840
Speaker 1: whitewashed enough. So you know, I was shocked that they

1203
00:58:01,920 --> 00:58:04,760
Speaker 1: even did anything for a Wretha Franklin, but you know,

1204
00:58:04,960 --> 00:58:07,320
Speaker 1: to give her that moment where they have a backdrop

1205
00:58:07,400 --> 00:58:10,040
Speaker 1: of Aretha Franklin behind Madonna and they have Madonna rant

1206
00:58:10,360 --> 00:58:13,120
Speaker 1: about herself for six minutes and twelve seconds and nobody

1207
00:58:13,240 --> 00:58:15,520
Speaker 1: checked that, like she had to rehearse that. So nobody

1208
00:58:15,560 --> 00:58:18,280
Speaker 1: on her team said, Madonna, this ain't about you. Nobody

1209
00:58:18,360 --> 00:58:21,080
Speaker 1: at that works at MTV could pull pull somebody from

1210
00:58:21,160 --> 00:58:23,240
Speaker 1: Madonna team to decide to say, this isn't really about her.

1211
00:58:23,320 --> 00:58:26,120
Speaker 1: We want her to keep this about Aretha. Like super

1212
00:58:26,200 --> 00:58:29,440
Speaker 1: disrespectful to me. I agree mcdonna had died last Thursday,

1213
00:58:29,480 --> 00:58:31,640
Speaker 1: that whole award sho would have been the video of Madonna. Awards,

1214
00:58:31,680 --> 00:58:35,840
Speaker 1: every presentation, every tribute, every performance, everything would have been

1215
00:58:35,840 --> 00:58:38,240
Speaker 1: about Madonna. So I feel like Aretha deserve better than that,

1216
00:58:38,280 --> 00:58:40,040
Speaker 1: but BT gonna give it to it. I'm with you.

1217
00:58:40,200 --> 00:58:42,200
Speaker 1: I think it was it was Holly. I forgot what

1218
00:58:42,320 --> 00:58:45,680
Speaker 1: Madonna was doing up there, Like she started talking about

1219
00:58:45,920 --> 00:58:47,760
Speaker 1: her doing you know, hu going in and they said

1220
00:58:47,800 --> 00:58:49,920
Speaker 1: you can't sing, and she says, I'm Madonna. I was like,

1221
00:58:49,960 --> 00:58:51,360
Speaker 1: what the hell is what are we doing right now?

1222
00:58:51,560 --> 00:58:54,560
Speaker 1: Exactly that? But that's ego. Ego. Ego is not about

1223
00:58:54,680 --> 00:58:57,720
Speaker 1: seeing people, it's about being. It's yeah, the ego is

1224
00:58:57,720 --> 00:59:00,080
Speaker 1: not about seeing, it's about Yeah. The ultimate aim the

1225
00:59:00,160 --> 00:59:02,280
Speaker 1: Eagle is not to see something, but to be something.

1226
00:59:02,400 --> 00:59:05,320
Speaker 1: Madonna doesn't see it for Aretha because she's too busy

1227
00:59:05,400 --> 00:59:07,600
Speaker 1: being Madonna. Get what do you think? I was just

1228
00:59:07,680 --> 00:59:09,560
Speaker 1: confused because I was like, what's she up there to

1229
00:59:09,640 --> 00:59:11,680
Speaker 1: give an award? Because I know she did give Video

1230
00:59:11,720 --> 00:59:14,560
Speaker 1: of the Year award and then on her own mention Deretha.

1231
00:59:14,680 --> 00:59:16,880
Speaker 1: Was that supposed to be a for real tribute? Because

1232
00:59:17,200 --> 00:59:19,680
Speaker 1: it didn't feel like a tribute to Aretha Franklin. I thought,

1233
00:59:20,120 --> 00:59:22,160
Speaker 1: is this just Madonna getting ready to give an award

1234
00:59:22,200 --> 00:59:25,360
Speaker 1: and then digressing from that? So I was just confused.

1235
00:59:25,560 --> 00:59:30,160
Speaker 1: Let's go to the phone line. See what I've dold

1236
00:59:30,200 --> 00:59:32,720
Speaker 1: detroit A, see what's happening. On the scale of one

1237
00:59:32,800 --> 00:59:35,400
Speaker 1: to ten, how disrespectful was it? Well, I think it

1238
00:59:35,520 --> 00:59:38,800
Speaker 1: wasn't that disrespectful at all. I really I will probably

1239
00:59:38,840 --> 00:59:41,680
Speaker 1: give it a three. I really think you hate right now,

1240
00:59:41,680 --> 00:59:43,920
Speaker 1: I start on the name. You can't come hating because

1241
00:59:44,120 --> 00:59:47,760
Speaker 1: you think it's other people are here disrespecting the respect.

1242
00:59:48,040 --> 00:59:51,680
Speaker 1: You gotta put some respect on Aretha's name. Didn't didn't.

1243
00:59:51,880 --> 00:59:54,640
Speaker 1: Al Sharpton just felled it wrong, sell her, sell her

1244
00:59:55,040 --> 00:59:59,480
Speaker 1: her song wrong. Yes, she felt this song wrong. Rspilf

1245
00:59:59,560 --> 01:00:01,400
Speaker 1: year to day because I think at the head of

1246
01:00:01,480 --> 01:00:05,240
Speaker 1: the day, all Madonna was doing was paying hommed. I mean,

1247
01:00:05,320 --> 01:00:07,120
Speaker 1: she did have to lead up to what she was

1248
01:00:07,200 --> 01:00:09,040
Speaker 1: talking about. It was the story. She had a limit

1249
01:00:09,120 --> 01:00:11,520
Speaker 1: of amount of time. Of course, we understand that she

1250
01:00:11,640 --> 01:00:13,920
Speaker 1: had six minutes and twelve seconds. That's a long time

1251
01:00:14,000 --> 01:00:17,800
Speaker 1: on television. Brother, six minutes and twelve seconds. That was

1252
01:00:18,040 --> 01:00:22,360
Speaker 1: the time time it prop and that was only up

1253
01:00:22,400 --> 01:00:24,880
Speaker 1: how she got on. And at the end of the day,

1254
01:00:25,200 --> 01:00:27,320
Speaker 1: she feels like a Wretha did put her on because

1255
01:00:27,360 --> 01:00:30,120
Speaker 1: she put her on with that song. No, brother, you

1256
01:00:30,160 --> 01:00:31,800
Speaker 1: mean to tell me that Madonna been in this industry

1257
01:00:31,800 --> 01:00:33,400
Speaker 1: a long time. She don't have a personal story that

1258
01:00:33,480 --> 01:00:36,240
Speaker 1: she shared with Aretha. She met a Wretha somewhere and

1259
01:00:36,280 --> 01:00:38,520
Speaker 1: they had a conversation or something. If not, then wise

1260
01:00:38,640 --> 01:00:44,520
Speaker 1: mcdonna on the Let's get somebody, That's what I'm saying. Marissa, Hey,

1261
01:00:44,680 --> 01:00:47,640
Speaker 1: good morning, good morning. I love you guys. On the

1262
01:00:47,720 --> 01:00:49,959
Speaker 1: Breakfast Club. I just want to let y'all know, guys,

1263
01:00:50,000 --> 01:00:52,400
Speaker 1: I love you. Value. On the scale of one to ten,

1264
01:00:52,680 --> 01:00:58,320
Speaker 1: how disrespectful was that attribute? Very ten? Very disrespectful? Yes,

1265
01:00:58,560 --> 01:01:01,280
Speaker 1: because sometimes I just say, like white people, they just

1266
01:01:01,360 --> 01:01:03,760
Speaker 1: say book and they don't realize the offense, but they

1267
01:01:04,320 --> 01:01:07,959
Speaker 1: say it, yeah, because they to it. Okay, thank you mama.

1268
01:01:08,120 --> 01:01:09,760
Speaker 1: All right, I have a good one on YouTube now.

1269
01:01:10,000 --> 01:01:12,800
Speaker 1: Eight hundred five eight five, one oh five one. We're asking,

1270
01:01:13,200 --> 01:01:15,440
Speaker 1: on the scale of one to ten, how disrespectful was

1271
01:01:15,480 --> 01:01:17,920
Speaker 1: Madonna's tribute last night? If you haven't heard it, we're

1272
01:01:17,920 --> 01:01:23,320
Speaker 1: gonna play it back when we come back. How disrespectful

1273
01:01:23,400 --> 01:01:26,280
Speaker 1: was the hairline one? Yeah, that was a hairline one.

1274
01:01:26,400 --> 01:01:29,440
Speaker 1: I call us now as the Breakfast Clo. Good morning Porning.

1275
01:01:29,520 --> 01:01:33,160
Speaker 1: Everybody is DJ mvy angela ye, Charlemagne the guy. We

1276
01:01:33,240 --> 01:01:35,200
Speaker 1: are the Breakfast Club. Now. If you just missed it,

1277
01:01:35,280 --> 01:01:38,520
Speaker 1: Charlemagne gave Madonna Donkey of the Day for her tribute

1278
01:01:38,600 --> 01:01:41,080
Speaker 1: last night to Aretha Franklin at the VMA's If you missed,

1279
01:01:41,160 --> 01:01:46,160
Speaker 1: let's play a snippet of it. Aretha Louise Franklin changed

1280
01:01:47,080 --> 01:01:51,040
Speaker 1: the course of my life. I left Detroit when I

1281
01:01:51,160 --> 01:01:55,040
Speaker 1: was eighteen thirty five dollars in my pocket. My dream

1282
01:01:55,200 --> 01:01:58,200
Speaker 1: was to make it as a professional dancer. After years

1283
01:01:58,240 --> 01:02:01,040
Speaker 1: of struggling and being broke, I decided to go to

1284
01:02:01,080 --> 01:02:04,160
Speaker 1: auditions for musical theater. None of this would have happened

1285
01:02:04,680 --> 01:02:09,480
Speaker 1: without our Lady of Soul. She led me to where

1286
01:02:09,520 --> 01:02:12,160
Speaker 1: I am today. And I want to thank you, Aretha

1287
01:02:12,800 --> 01:02:17,120
Speaker 1: for empowering all of us. R E S P e CT.

1288
01:02:18,200 --> 01:02:19,720
Speaker 1: That thing is the snippet of it, because the whole

1289
01:02:19,760 --> 01:02:22,400
Speaker 1: thing is six minutes and twelve seconds, all right, And

1290
01:02:22,520 --> 01:02:24,640
Speaker 1: in six minutes and twelve seconds, she might have mentioned

1291
01:02:24,840 --> 01:02:27,520
Speaker 1: Aretha Franklin for thirty five to forty at those seconds.

1292
01:02:27,560 --> 01:02:29,760
Speaker 1: And I keep telling y'all that you know. The thing

1293
01:02:29,800 --> 01:02:35,080
Speaker 1: about ego is that you know U ego. I don't

1294
01:02:35,080 --> 01:02:36,840
Speaker 1: even want the hell you say? What do you say?

1295
01:02:36,920 --> 01:02:39,440
Speaker 1: Right now? Anyway, let's go, let's go to the photo.

1296
01:02:41,040 --> 01:02:43,520
Speaker 1: I'm just I'm just disgusted at this whole situation. Five

1297
01:02:43,600 --> 01:02:46,080
Speaker 1: A five one five one Hello, who's this? Come on?

1298
01:02:46,520 --> 01:02:49,680
Speaker 1: J Hey, Ray? What's going on? Brother? I just want

1299
01:02:49,720 --> 01:02:52,080
Speaker 1: to talk about the disrespect these white people have towards

1300
01:02:52,160 --> 01:02:55,280
Speaker 1: our pulse. Char I just don't understand it, right, You

1301
01:02:55,320 --> 01:02:58,280
Speaker 1: can drop to two clues bombs. One for Aretha Franklin,

1302
01:02:58,400 --> 01:03:01,240
Speaker 1: God rest her soul and walk for the breakfast Club.

1303
01:03:01,280 --> 01:03:03,520
Speaker 1: Always know when the culture forward, Thank you, sir. You know,

1304
01:03:03,840 --> 01:03:06,320
Speaker 1: since the beginning they mentioned that, oh, she died on

1305
01:03:06,400 --> 01:03:09,920
Speaker 1: the same day as Elvis Presley, who cares? And she

1306
01:03:10,000 --> 01:03:15,760
Speaker 1: died on mcdonna's birthday too, Yeah, who cares? She died? Died?

1307
01:03:16,640 --> 01:03:21,120
Speaker 1: You know, the disrespect of our culture, you know, the

1308
01:03:21,280 --> 01:03:23,760
Speaker 1: white depression. We all know about it. There's nothing new.

1309
01:03:24,160 --> 01:03:26,360
Speaker 1: And again it goes to show last night the VMA

1310
01:03:26,680 --> 01:03:29,160
Speaker 1: when mcdonna goes on the whole field about herself so wild.

1311
01:03:29,240 --> 01:03:33,440
Speaker 1: Who cares about you? Madonna? You're old trash. You know

1312
01:03:33,480 --> 01:03:37,240
Speaker 1: what I think too, I'm gonna. I think I hadn't

1313
01:03:37,280 --> 01:03:40,480
Speaker 1: have died, they would have had Madonna present that same award.

1314
01:03:40,560 --> 01:03:42,400
Speaker 1: But I think that they would have had Madonna talk

1315
01:03:42,440 --> 01:03:46,160
Speaker 1: about turning sixty because sixty is such a milestone. So

1316
01:03:46,280 --> 01:03:49,560
Speaker 1: I think Madonna already had that prepared to discuss herself.

1317
01:03:50,080 --> 01:03:53,040
Speaker 1: But then Aretha died and she was yeah, she had

1318
01:03:53,080 --> 01:03:56,000
Speaker 1: to just Hello, who's this? You know this drake from

1319
01:03:56,520 --> 01:03:59,560
Speaker 1: test what's up? Bro? We're talking on the scale of

1320
01:03:59,560 --> 01:04:01,880
Speaker 1: one to ten. How disrespectful was that tribute? Man? It

1321
01:04:01,960 --> 01:04:03,440
Speaker 1: was about a two out of ten? Man? It was

1322
01:04:03,480 --> 01:04:05,760
Speaker 1: really disrespectful. Man, So how can it be a two

1323
01:04:05,800 --> 01:04:07,920
Speaker 1: out of ten? You? I swear to god he did

1324
01:04:07,960 --> 01:04:11,160
Speaker 1: it backwards. He did it backwards? All right? Then say

1325
01:04:11,200 --> 01:04:13,920
Speaker 1: that man, he didn't know a S E c K.

1326
01:04:14,440 --> 01:04:18,640
Speaker 1: Is it? What? Sor sorry? With ten being the most

1327
01:04:18,720 --> 01:04:22,720
Speaker 1: disrespectful and one being the least disrespectful, why are you

1328
01:04:22,800 --> 01:04:25,080
Speaker 1: so mad? God, I don't want to sound stupid from

1329
01:04:25,080 --> 01:04:28,240
Speaker 1: the white people. I forget it, forget it? What grad

1330
01:04:28,280 --> 01:04:31,800
Speaker 1: you in? Bro? Man? I'm out of school. Was okay,

1331
01:04:31,960 --> 01:04:33,920
Speaker 1: you can't have this? Yeah, I'll shopton not here spelling

1332
01:04:33,960 --> 01:04:37,240
Speaker 1: to respect rspr ct This man says it's a two

1333
01:04:37,320 --> 01:04:39,120
Speaker 1: out of ten? Like, come on, you really spelled an

1334
01:04:39,240 --> 01:04:43,480
Speaker 1: RSPE I thought you was joking. So you get something?

1335
01:04:43,560 --> 01:04:46,760
Speaker 1: Actually her did? All right? Well, what's the moral of

1336
01:04:46,840 --> 01:04:48,600
Speaker 1: the story. The moral of the story is the ultimate

1337
01:04:48,640 --> 01:04:50,440
Speaker 1: aim of the ego is not to see something, but

1338
01:04:50,560 --> 01:04:53,160
Speaker 1: to be something. Madonna doesn't see it for Aretha because

1339
01:04:53,200 --> 01:04:57,479
Speaker 1: she's too busy being Madonna. Okay, it's all ego, baby,

1340
01:04:57,600 --> 01:04:59,800
Speaker 1: But you know, respect is not something that you you

1341
01:05:00,000 --> 01:05:04,200
Speaker 1: just can spell respected. Something that you have to show respect. Rspect. No,

1342
01:05:04,320 --> 01:05:06,480
Speaker 1: you can't find out what it means to me. C

1343
01:05:06,760 --> 01:05:10,919
Speaker 1: C C s U C K E R. You're gonna

1344
01:05:10,960 --> 01:05:15,200
Speaker 1: get that right out who you are. We got rumored

1345
01:05:15,240 --> 01:05:18,080
Speaker 1: on the way. Yes, let's do something great. Let's talk

1346
01:05:18,080 --> 01:05:20,720
Speaker 1: about some own bios winning every gold medal at the

1347
01:05:20,840 --> 01:05:23,520
Speaker 1: US Championships. Okay, we'll get into that when we come back.

1348
01:05:23,600 --> 01:05:26,160
Speaker 1: Keeping locked this to Breakfast Club the Mordy. Now listen.

1349
01:05:26,240 --> 01:05:28,560
Speaker 1: I usually get tired in hand Drake on every record

1350
01:05:28,600 --> 01:05:31,200
Speaker 1: on the radio, so I would never request this. But

1351
01:05:31,280 --> 01:05:33,880
Speaker 1: there's one record I want to hear Drake on. I

1352
01:05:34,000 --> 01:05:36,560
Speaker 1: want Drake to do a verse on a little Duvall. Smile, bitch.

1353
01:05:37,040 --> 01:05:39,640
Speaker 1: He didn't do it because he can't. He can't hear it.

1354
01:05:39,680 --> 01:05:41,040
Speaker 1: If he didn't do it, I want him to do

1355
01:05:41,120 --> 01:05:43,840
Speaker 1: it because he's living his best life. Why don't you

1356
01:05:43,920 --> 01:05:47,400
Speaker 1: call him who Drake and tell him set it up?

1357
01:05:47,960 --> 01:05:50,480
Speaker 1: I want Drake to do a verse on living my

1358
01:05:50,600 --> 01:05:53,640
Speaker 1: best life. Put Drake go ahead and take that record

1359
01:05:53,720 --> 01:05:55,680
Speaker 1: number one for the coaches. It's already top ten. Put

1360
01:05:55,760 --> 01:06:04,040
Speaker 1: Drake and Nikki on it. No, Drake and Cardy, you

1361
01:06:04,280 --> 01:06:07,120
Speaker 1: fool man. Let's get to the rooms. Let's talk sim Bows.

1362
01:06:15,720 --> 01:06:19,480
Speaker 1: Angela ye the breakfast club man. I love a great

1363
01:06:19,520 --> 01:06:22,480
Speaker 1: story like this. Congratulations to Simone Bows. She became the

1364
01:06:22,560 --> 01:06:26,080
Speaker 1: first female gymnast to win five all around titles at

1365
01:06:26,080 --> 01:06:30,160
Speaker 1: the twenty eighteen US Gymnastics Championships. For Small Bows, one

1366
01:06:30,200 --> 01:06:33,800
Speaker 1: of my daughters. She took a fourteen month break from

1367
01:06:33,840 --> 01:06:36,720
Speaker 1: training after the twenty sixteen Olympics. She just started competing

1368
01:06:36,840 --> 01:06:39,400
Speaker 1: three weeks ago. She said, I've been back for only

1369
01:06:39,520 --> 01:06:42,360
Speaker 1: nine months. I'm so proud of myself. She also wore

1370
01:06:42,440 --> 01:06:45,840
Speaker 1: till and that until leotard represents the color of sexual

1371
01:06:45,880 --> 01:06:48,800
Speaker 1: assault awareness. She wore that to honor the victims of

1372
01:06:49,160 --> 01:06:53,360
Speaker 1: former US gymnastics doctor Larry Nassar, who was sentenced to

1373
01:06:53,440 --> 01:06:57,920
Speaker 1: life in prison for sexual assault. So congratulations to Simone

1374
01:06:57,960 --> 01:07:01,320
Speaker 1: Bows for that landmarket. Simon Boss, my daughter is in

1375
01:07:01,360 --> 01:07:03,760
Speaker 1: the gymnastics and all that good stuff. So she absolutely

1376
01:07:04,160 --> 01:07:08,680
Speaker 1: idolizes small daughter. Yes, now, she said, I knew I

1377
01:07:08,760 --> 01:07:10,440
Speaker 1: was capable of scoring as well, but I kind of

1378
01:07:10,480 --> 01:07:12,000
Speaker 1: thought I was going to be a nervous wreck and

1379
01:07:12,120 --> 01:07:15,000
Speaker 1: maybe fall apart going into these events. I know, I

1380
01:07:15,120 --> 01:07:16,960
Speaker 1: kept telling my family like, I don't know if I'm

1381
01:07:16,960 --> 01:07:18,520
Speaker 1: going to be able to calm myself down the way

1382
01:07:18,560 --> 01:07:21,240
Speaker 1: I did before and handle the nerves. But so far,

1383
01:07:21,480 --> 01:07:25,000
Speaker 1: so good. All right, congratulations to young Doug. He has

1384
01:07:25,120 --> 01:07:28,280
Speaker 1: partnered up with bell Air. He announced that partnership. He said,

1385
01:07:28,280 --> 01:07:30,760
Speaker 1: I've been friends with Brett Barrish for a while. He's

1386
01:07:30,800 --> 01:07:32,960
Speaker 1: the CEO of Sovereign Brands. For a Bellair, he said,

1387
01:07:33,000 --> 01:07:35,560
Speaker 1: We've been talking about doing something together for a couple

1388
01:07:35,600 --> 01:07:38,040
Speaker 1: of years, and then we finally linked up. So he

1389
01:07:38,520 --> 01:07:40,920
Speaker 1: also shouted them out for supporting the hip hop culture

1390
01:07:41,280 --> 01:07:43,960
Speaker 1: since Rick Ross became their first rap ambassador back in

1391
01:07:44,080 --> 01:07:47,600
Speaker 1: twenty fifteen. And what pink, bubbly, sparkly champagne will he

1392
01:07:47,720 --> 01:07:50,960
Speaker 1: be promoting. I'm sure it's going to be delicious. You'll

1393
01:07:51,000 --> 01:07:55,040
Speaker 1: taste it right. All right, now, let's talk about whoa

1394
01:07:55,320 --> 01:07:58,280
Speaker 1: my go I don't know, walked right into that stupid

1395
01:07:58,320 --> 01:08:02,040
Speaker 1: one right there. Whoa whoa I saw it in still

1396
01:08:02,280 --> 01:08:07,400
Speaker 1: boom forhead? What's your forehead? Hit? Okay, whoa you cain't

1397
01:08:07,440 --> 01:08:09,920
Speaker 1: key just runing bro right, guys, Okay, you guys and

1398
01:08:10,000 --> 01:08:11,960
Speaker 1: gals calmed down. They call that a turkey slap just

1399
01:08:12,040 --> 01:08:15,240
Speaker 1: so yeah, okay, everybody, really, ye look it up. It's

1400
01:08:15,280 --> 01:08:17,960
Speaker 1: not even Thanksgiving. You know what a turkey slap is? No? Okay,

1401
01:08:18,080 --> 01:08:20,519
Speaker 1: google it? No thank you? All right. Now, let's talk

1402
01:08:20,560 --> 01:08:24,280
Speaker 1: about Asia Argento. She is one of the first people

1403
01:08:24,280 --> 01:08:26,840
Speaker 1: to speak out against Harvey Weinstein in the Me Too movement,

1404
01:08:26,880 --> 01:08:29,559
Speaker 1: one of the first alleged victims to come forward. Well,

1405
01:08:29,600 --> 01:08:32,120
Speaker 1: now she has something against her. She actually paid three

1406
01:08:32,200 --> 01:08:35,640
Speaker 1: hundred and eighty thousand dollars for a photo of her

1407
01:08:35,720 --> 01:08:39,080
Speaker 1: snuggling with then seventeen year old Jimmy Bennett on a bed,

1408
01:08:39,280 --> 01:08:42,840
Speaker 1: shirtless with their foreheads pressed together. Now, he did play

1409
01:08:42,960 --> 01:08:45,840
Speaker 1: her son in a movie. Prior to that, he was

1410
01:08:45,880 --> 01:08:48,120
Speaker 1: only seventeen, and the age of consent in California where

1411
01:08:48,160 --> 01:08:50,720
Speaker 1: that picture was is eighteen years old, so she had

1412
01:08:50,760 --> 01:08:53,439
Speaker 1: to pay him three hundred and eighty thousand dollars for it. Now,

1413
01:08:53,520 --> 01:08:55,599
Speaker 1: TMZ did see the picture, and the only reason there

1414
01:08:55,680 --> 01:08:59,519
Speaker 1: was no NDA is because in California, confidentiality agreements are

1415
01:08:59,560 --> 01:09:03,719
Speaker 1: not in four when they involve allegations of child sex acts.

1416
01:09:04,160 --> 01:09:06,320
Speaker 1: So she has not been a reachable since this whole

1417
01:09:06,479 --> 01:09:09,639
Speaker 1: entire story broke. But they do have documents and everything

1418
01:09:09,720 --> 01:09:13,680
Speaker 1: to support that this payment was made. Well, the hypocrisy

1419
01:09:13,760 --> 01:09:15,599
Speaker 1: is high on this one because I saw Rose McGowan

1420
01:09:15,680 --> 01:09:17,679
Speaker 1: tweet out, none of us know the truth for the situation,

1421
01:09:18,000 --> 01:09:21,360
Speaker 1: and I'm sure more will be revealed. Be gentle guys

1422
01:09:21,439 --> 01:09:23,920
Speaker 1: don't get that kind of luxury when accusations happen, not

1423
01:09:24,000 --> 01:09:26,760
Speaker 1: at all, not even a little bit. M No, I

1424
01:09:26,800 --> 01:09:28,760
Speaker 1: don't know about that, because sometimes people don't believe women,

1425
01:09:28,800 --> 01:09:30,360
Speaker 1: depending on who it is. It was a lot of

1426
01:09:30,479 --> 01:09:33,280
Speaker 1: what Bill Cosby with all those accusers. People still didn't

1427
01:09:33,320 --> 01:09:35,840
Speaker 1: believe that he did anything, So I wouldn't say that

1428
01:09:35,880 --> 01:09:39,519
Speaker 1: they don't get that all around from McGowan once tweeted

1429
01:09:39,600 --> 01:09:41,920
Speaker 1: that it's quite simple. All who have worked with knowing

1430
01:09:41,920 --> 01:09:45,120
Speaker 1: predators should do three simple things. Believe survivors, apologized for

1431
01:09:45,160 --> 01:09:48,040
Speaker 1: putting your careers and whiles before what was right, gravispine,

1432
01:09:48,040 --> 01:09:49,680
Speaker 1: and denounced. If you do not do those things, you

1433
01:09:49,720 --> 01:09:52,720
Speaker 1: are still moral cowards. What she tweeted about that young

1434
01:09:52,840 --> 01:09:56,559
Speaker 1: lady right there was a far cry from that original tweet. Right. No, definitely,

1435
01:09:56,640 --> 01:09:59,479
Speaker 1: she certainly should be treated the same way that everybody

1436
01:09:59,560 --> 01:10:03,160
Speaker 1: else who is a predator is treated. Okay, now let's

1437
01:10:03,200 --> 01:10:06,160
Speaker 1: discuss the MTV Video Music Award winners, because we didn't

1438
01:10:06,160 --> 01:10:08,479
Speaker 1: even get into that so much. Video of the Wear

1439
01:10:09,080 --> 01:10:11,519
Speaker 1: of the Year went to Camilla Cabello and Young Thug Havanna.

1440
01:10:12,040 --> 01:10:14,800
Speaker 1: Artists of the Year went to Camilla Cabello. Also, Song

1441
01:10:14,920 --> 01:10:16,880
Speaker 1: of the Year went to Post Malone and twenty one

1442
01:10:16,960 --> 01:10:20,200
Speaker 1: Savage for rock Star. Also Best New Artist that was

1443
01:10:20,280 --> 01:10:23,720
Speaker 1: Cardi B. Best Collab went to Jennifer Lopez featuring DJ

1444
01:10:23,880 --> 01:10:26,559
Speaker 1: Khaled and Cardi B with De Niro. Best Pop went

1445
01:10:26,640 --> 01:10:29,160
Speaker 1: to Ariana Grande No Tears Left to Cry, Best hip

1446
01:10:29,200 --> 01:10:32,719
Speaker 1: Hop Nicki Minaj with Chun Lee, and for Best Video

1447
01:10:32,840 --> 01:10:35,879
Speaker 1: with a message that was Childish Gambino this is America,

1448
01:10:36,040 --> 01:10:38,240
Speaker 1: and the cartists did win for ape ish, for Best

1449
01:10:38,240 --> 01:10:42,760
Speaker 1: Cinematography and for Best Art to ract are all these

1450
01:10:42,840 --> 01:10:44,920
Speaker 1: awards voted on? Because I see everybody telling me that

1451
01:10:45,000 --> 01:10:46,760
Speaker 1: the reason Nikki won Best hip Hop because it was

1452
01:10:46,840 --> 01:10:48,479
Speaker 1: voted on. That's why I was asking you, I said,

1453
01:10:48,479 --> 01:10:50,439
Speaker 1: how did they determine these awards? Because it was two

1454
01:10:50,479 --> 01:10:52,360
Speaker 1: awards that I definitely feel like they gave you to

1455
01:10:52,360 --> 01:10:54,680
Speaker 1: people just because they were earned in attendance, and that

1456
01:10:54,760 --> 01:10:57,960
Speaker 1: was the Best hip Hop Award and Best Collaboration because

1457
01:10:58,080 --> 01:11:02,439
Speaker 1: j Loo in Cardi and Kalid was not a better

1458
01:11:02,479 --> 01:11:05,080
Speaker 1: collaboration than jay Z and Beyonce. It does say that

1459
01:11:05,960 --> 01:11:10,919
Speaker 1: VMAs are determined by fans and mysterious strangers. Oh, mysterious strangers.

1460
01:11:11,200 --> 01:11:12,840
Speaker 1: When I was years ago, I was a few years ago,

1461
01:11:13,360 --> 01:11:15,040
Speaker 1: that the same way. Now, I don't know. I have

1462
01:11:15,160 --> 01:11:17,680
Speaker 1: no idea how they determine who wins. Listen. I just

1463
01:11:17,760 --> 01:11:18,960
Speaker 1: feel like I don't even know if I would do

1464
01:11:19,040 --> 01:11:21,360
Speaker 1: the same thing though I don't know MTV for music anyway,

1465
01:11:21,439 --> 01:11:23,639
Speaker 1: if you come to the award show and you perform,

1466
01:11:24,240 --> 01:11:27,120
Speaker 1: I would award you. That's whacked. Yeah, but you know what,

1467
01:11:27,200 --> 01:11:29,240
Speaker 1: I can't have a whole night of such and such

1468
01:11:29,320 --> 01:11:31,600
Speaker 1: couldn't be here tonight because they didn't. No, no, no,

1469
01:11:32,000 --> 01:11:35,000
Speaker 1: that's why that's whack. When people don't show up to

1470
01:11:35,000 --> 01:11:36,519
Speaker 1: the award show. I think sometimes they give you a

1471
01:11:36,600 --> 01:11:39,800
Speaker 1: heads up if you're gonna win. So sometimes it might

1472
01:11:39,840 --> 01:11:41,360
Speaker 1: be that they asked you to perform because they already

1473
01:11:41,400 --> 01:11:43,519
Speaker 1: know you're gonna win. So they're like, all right, just

1474
01:11:43,720 --> 01:11:45,320
Speaker 1: so you know you are about to win this award,

1475
01:11:45,360 --> 01:11:47,200
Speaker 1: so it would be greative. That's an extra incentive to

1476
01:11:47,280 --> 01:11:50,160
Speaker 1: come perform. Certainly, that's true, true, all right, I'm angela

1477
01:11:50,240 --> 01:11:52,639
Speaker 1: yea and that's your rumor report, all right, Shell to revote,

1478
01:11:52,640 --> 01:11:55,040
Speaker 1: will see you guys tomorrow. Everybody else to People's Choice

1479
01:11:55,080 --> 01:11:57,280
Speaker 1: mixes up. Next, let's go. It's the Breakfast Club comorning