WEBVTT - I Know it Wasn't (S2, E20 "Help Wanted")

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<v Speaker 1>I am all in, Kiss you, I am all in

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<v Speaker 1>with Scott Patterson and I Heart Radio podcast. Everybody's Scott Patterson.

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<v Speaker 1>I'm here with the team, Amy Sugarman, Daniel Romol, Riley

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<v Speaker 1>pellusis Hello, Hello for another episode of I Am all In.

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<v Speaker 1>We're gonna recap episode twenty season to help wanted. Oh

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<v Speaker 1>my god, guys, I need us all right here. I'm

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<v Speaker 1>gonna say something to you. I'm about to blow your minds.

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<v Speaker 1>We have no idea what's coming. I wept at the

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<v Speaker 1>end of the episode. It got me? Did it get you?

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<v Speaker 1>Did it get you? It? I mean it was the

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<v Speaker 1>floodgates opened, and I don't know, why can you explain

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<v Speaker 1>this to me? Because it was a amazing scene and

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<v Speaker 1>you both there was so much said and not set

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<v Speaker 1>and she says it wasn't his fault, and you said,

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<v Speaker 1>I know, I know it wasn't. I've been in those

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<v Speaker 1>situations and it just, Oh my god. I wept. I wept.

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<v Speaker 1>I couldn't believe I was welling up. I'm like, what

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<v Speaker 1>is happening here? I Am being manipulated by witchcraft somehow?

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<v Speaker 1>It was very, very much episode, and that was amazing

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<v Speaker 1>ending because she was so Rory was so upset. Why

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<v Speaker 1>is everyone blaming him? It really it struck a nerve

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<v Speaker 1>because you know what she said to her mother, everybody's

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<v Speaker 1>treating me like some idiot um who has no responsibility. Uh,

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<v Speaker 1>and I'm sick of it because I did have some

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<v Speaker 1>responsibility and why are they Why are they treating me

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<v Speaker 1>this way? It just really struck a nerve with me.

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<v Speaker 1>I could relate to that so deeply, and I just

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<v Speaker 1>you know, it's we can't go back and do it again.

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<v Speaker 1>We can't go back to two thousand and one to

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<v Speaker 1>demand more scenes between Rory and Luke because that what

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<v Speaker 1>what a magic combination that is because I hadn't seen

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<v Speaker 1>it yet, and I don't think I had. I think

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<v Speaker 1>is that the only scene I ever had with her

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<v Speaker 1>where it was just the two did have the scene

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<v Speaker 1>the week before where you asked her to tutor him,

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<v Speaker 1>but lore I was sort of fringely in it. She was,

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<v Speaker 1>she was, but he was a part of it. This

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<v Speaker 1>is probably one of the first scenes I can remember

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<v Speaker 1>where it's really just the two of you, no one else. Yeah,

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<v Speaker 1>I don't think that ever happened again. And the quiet

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<v Speaker 1>of that it was so minimal yeah, and what an

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<v Speaker 1>energy to bring into that whole experience that she was

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<v Speaker 1>going through. Luke mm because, boy, I just I forget

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<v Speaker 1>the I'm beginning to understand the impact of this character.

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<v Speaker 1>And I don't want to make this all about me.

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<v Speaker 1>There's a lot going on in that episode. I'm just

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<v Speaker 1>but I just finished watching it. Heart. I guess it was. Yeah,

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<v Speaker 1>I guess it was. And him not being there, I

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<v Speaker 1>mean I really felt it, you know, And I was

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<v Speaker 1>wondering if he was going to come back in and

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<v Speaker 1>the anticipation of that, and there he was in a

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<v Speaker 1>perfect scene. It was a perfect scene. I agree, because

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<v Speaker 1>just the way she walks up and there he is,

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<v Speaker 1>and there's so much unsaid that those two don't need

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<v Speaker 1>to say to each other. He really is a father figure,

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<v Speaker 1>it really is to her. I just wish there was

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<v Speaker 1>more of it, and I don't think the impact would

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<v Speaker 1>have been less if there was more Rory and Chess.

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<v Speaker 1>I mean, I'm sorry. Was that a slip of the tongue.

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<v Speaker 1>Don't put me on the couch, please, it's not. You know.

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<v Speaker 1>It's interesting because you're typically very critical of yourself and

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<v Speaker 1>you liked that scene. I love that scene. I love

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<v Speaker 1>the tenderness of that scene. I love, it was just

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<v Speaker 1>so tender and she was so I mean, you know,

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<v Speaker 1>where's Christopher, where's her dad? Where? Where? You know? An

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<v Speaker 1>I leave like gone fishing? You know, a huge sign

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<v Speaker 1>that said gone fishing. It's pretty funny. But I also

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<v Speaker 1>think that Rory goes to Luke because he's the only

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<v Speaker 1>one that can't understand her point of view. Everyone else

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<v Speaker 1>hates him, but Luke actually knows him, you know, you know.

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<v Speaker 1>I also think because there is some element here. Rory

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<v Speaker 1>is a strong girl who makes her own decisions, and

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<v Speaker 1>she doesn't like that the town is like, oh that boy,

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<v Speaker 1>that boy made you do something, and like like he

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<v Speaker 1>like that just kidnapped her and help her against her

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<v Speaker 1>will and forced her in the car. Like she is

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<v Speaker 1>stronger than that. So I think that's also part of

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<v Speaker 1>the reason why she's like, what the hell is going on?

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<v Speaker 1>I told him to turn right. I don't blame her, Yeah,

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<v Speaker 1>now I see her point of view. It's like just

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<v Speaker 1>because I'm you know, so doe eyed and and soft,

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<v Speaker 1>don't mess with me, man. And I don't know. I

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<v Speaker 1>think I think Laurel I was bullying her a little bit.

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<v Speaker 1>That big fight at the end. Yeah, what did you

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<v Speaker 1>think of that? I mean, tremendous scene, no question about it.

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<v Speaker 1>I like the way they paused and sort of gathered

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<v Speaker 1>themselves and said, Okay, I don't want to fight anymore.

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<v Speaker 1>But this is how people, you know, I see loyalized

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<v Speaker 1>point of view, I see Rory's point of view. I

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<v Speaker 1>see that, I see they're both justified. And this is

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<v Speaker 1>just the nature of conflict. And again, perfectly place, structurally speaking,

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<v Speaker 1>towards the end and a scene of conflict and all

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<v Speaker 1>this was driving This is the way to reveal information,

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<v Speaker 1>by the way, that's exposition. That is Rory's character revealing

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<v Speaker 1>how she feels in a in a in a heated

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<v Speaker 1>scene of conflict towards the end of the piece. And

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<v Speaker 1>that is a perfectly structured, perfectly placed, um scene. If

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<v Speaker 1>you're going to reveal information, that's how you reveal exposition

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<v Speaker 1>by the way that that is perfectly executed and perfectly structured.

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<v Speaker 1>So bravo. Yeah they do. And um it was a

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<v Speaker 1>really good episode. What do you think of this episode?

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<v Speaker 1>I give it very high marks. You know, anything with

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<v Speaker 1>a lot of ed Herman and in it is going

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<v Speaker 1>to be just wonderfully entertaining, engaging. He's he's a very

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<v Speaker 1>powerful presence. He's he's you know, he's he's very light

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<v Speaker 1>on his feet, isn't He's a very elegant actor. He's

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<v Speaker 1>even though he really he really holds the ground and

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<v Speaker 1>he's he's he's very um, you know, he's so present.

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<v Speaker 1>I mean, it's such a large but he is also

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<v Speaker 1>very nimble as an accurate and and and very elegant.

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<v Speaker 1>And their scenes together are just and right. And I

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<v Speaker 1>loved seeing how he saw her, maybe for the first

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<v Speaker 1>time since she realized her potential when she was growing up.

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<v Speaker 1>It's like, finally they're bonding and he's his eyes are opening,

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<v Speaker 1>and my daughter really is kind of an extraordinary woman,

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<v Speaker 1>isn't she. She's so competent. And you know what I

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<v Speaker 1>loved is that we didn't have to deal for very

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<v Speaker 1>long with his disappointment that she was not going to

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<v Speaker 1>work there with him, because I was like, oh, I

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<v Speaker 1>hope they don't like the labor this and it was like, oh,

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<v Speaker 1>at the party there was the assistant secretary that Lorelai wanted,

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<v Speaker 1>and it was all good. And then they had that

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<v Speaker 1>little like chat with each other with the lingo and

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<v Speaker 1>and we were good. I was like, yeah, that's how

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<v Speaker 1>it should be. But she was in the right. It's like, hey,

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<v Speaker 1>I'm not like rent a secretary. Here. I got my

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<v Speaker 1>own life that I built and I know you want

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<v Speaker 1>this and it's all working out beautifully and you respect

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<v Speaker 1>me now and you see I'm competent and you actually

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<v Speaker 1>are starting to like love me again as your daughter

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<v Speaker 1>and seeing me as somebody that you're not. You know,

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<v Speaker 1>you're not riding me hard, you're not putting me down,

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<v Speaker 1>You're not you're not giving me dirty looks anymore. You're

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<v Speaker 1>looking at me with love and you're looking at me

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<v Speaker 1>with respect because I'm helping you and I'm competent and

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<v Speaker 1>you can see this, and you can see what I am.

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<v Speaker 1>You can see that I didn't ruin my life and

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<v Speaker 1>here I am. I'm Laura I Gilmore and all her

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<v Speaker 1>glory helping you see your way through this, uh you know,

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<v Speaker 1>post retirement resurgen business venture, you know what I mean.

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<v Speaker 1>And it was one It was one wonderful to watch it.

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<v Speaker 1>And when she when she laid the law down on him, like, hey,

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<v Speaker 1>I'm just here to help you for a couple of days, Dad,

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<v Speaker 1>I cannot stay here, I'm not coming back tomorrow. He

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<v Speaker 1>got really but hurt because he knew she was right

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<v Speaker 1>and he wasn't going to get his way. Well, yeah,

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<v Speaker 1>he was so disappointed, just so good right, he wanted

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<v Speaker 1>her there, love being around her, and then her be

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<v Speaker 1>so skilled at running and office, all that experience she has,

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<v Speaker 1>you know, and and the chemistry is there. We saw

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<v Speaker 1>that beautiful chemistry emerge between those two without him judging her. Right,

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<v Speaker 1>it's not surprising that she's so successful because he is

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<v Speaker 1>so successful, but also so is Emily. Emily doesn't get

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<v Speaker 1>a lot of credit, but like she puts on those

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<v Speaker 1>parties and those events, that's like a full time job

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<v Speaker 1>that she does. So I do think Lorela learned a

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<v Speaker 1>lot from them about how to be a successful businesswoman. Well,

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<v Speaker 1>she's in the perfect profession, you know, running an in

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<v Speaker 1>keeping everything on time and classy, and she knows how

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<v Speaker 1>to make up for flubs and screw ups and just

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<v Speaker 1>send him in a free thing and a free rose

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<v Speaker 1>thing and a free chocolate and a free dinner. Free,

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<v Speaker 1>just go ahead and take care of him. And you

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<v Speaker 1>know that's what you do. So many people don't have

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<v Speaker 1>many questions. Go ahead, go ahead, let's start with everybody.

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<v Speaker 1>But really this is for Scott. What did you think

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<v Speaker 1>about sort of the idea that Luke went fishing he

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<v Speaker 1>just had to get out. Absolutely. I mean it's it's

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<v Speaker 1>the logical next move for Luke. It's like, go sit

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<v Speaker 1>in nature, forget about this garbage and uh, you know, disappear.

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<v Speaker 1>Go can go do his you know Henry David Threau,

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<v Speaker 1>go go commune with nature. Catch a fish. Town was

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<v Speaker 1>like you know what I mean. The town is lining

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<v Speaker 1>up outside the diner. So it's like they're realizing, like, hey,

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<v Speaker 1>this guy matters. And I think even though Lord I

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<v Speaker 1>wouldn't admit it, Rory really did, Like I think that's

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<v Speaker 1>scared Lord Lie like, oh god, no, this isn't my fault.

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<v Speaker 1>She can't find a dead cheeseburger. She couldn't find one

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<v Speaker 1>or good coffee. Yeah, So I thought it was like

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<v Speaker 1>really the right move for the character. It's exactly what

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<v Speaker 1>Luke would have done. It's just step away. That's Luke,

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<v Speaker 1>and we knew he's coming back, Like it wasn't like

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<v Speaker 1>he's left town, but like make him suffer withdrawn and

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<v Speaker 1>make him suffer. Yeah, I'm sure Luke didn't have a

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<v Speaker 1>great time fishing. He didn't catch them on by himself

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<v Speaker 1>in nature. The fish weren't biting, not getting any nibbles.

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<v Speaker 1>But you know he had to. I'm sure he got

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<v Speaker 1>something out of it, right. He seemed he seemed very

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<v Speaker 1>calm when he came back. He wasn't his usual self, right, Yeah,

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<v Speaker 1>he did. He seems very calm, didn't he? And I

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<v Speaker 1>attribute that to my high quality acting skills. Thank you

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<v Speaker 1>very much. Like and gentlemen, how do you come into

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<v Speaker 1>the scene important? What an important point? I'm I'm breaking

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<v Speaker 1>my arms patting myself on the back, But it's really

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<v Speaker 1>important that you pointed that out, because yeah, that was

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<v Speaker 1>so important to that scene, to us, and so noticeable

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<v Speaker 1>the scene. That scene, I mean, I know I said,

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<v Speaker 1>it was so quiet. It was nice, just the two

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<v Speaker 1>of them. He was calm, Yeah, and she's so calm.

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<v Speaker 1>They were both calm. He you know, I don't remember

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<v Speaker 1>anything about filming that scene. I don't remember that scene

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<v Speaker 1>at all, and I wish I did. Yeah, I don't

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<v Speaker 1>remember a thing about it. And but but now I

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<v Speaker 1>can see, you know, the technique coming into play where

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<v Speaker 1>I know I was asking myself all those questions, how

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<v Speaker 1>am I coming into this scene, what's the demeanor? What temperature?

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<v Speaker 1>Are you coming into this scene? And it has to

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<v Speaker 1>be different from any other scene you've ever done, because

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<v Speaker 1>you're with Rory now and it's quiet, and it's late

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<v Speaker 1>at night, and you didn't catch any Fitch Fitch Fitch

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<v Speaker 1>fish and certainly didn't catch any fitch um. There were

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<v Speaker 1>no Fitch to be caught. I was probably Fitch to

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<v Speaker 1>be tied because I didn't catch any fitch um. There

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<v Speaker 1>was such an how did this turn into Dr Seuss

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<v Speaker 1>all of a sudden? It's such an understanding between maybe

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<v Speaker 1>the two of you as actors, but also the two

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<v Speaker 1>of you as the characters. It's like Luke just gets

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<v Speaker 1>it and Alory just gets it, and they're just like

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<v Speaker 1>on the same page. We both love Jess, we both

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<v Speaker 1>see his potential. We're both heartbroken that he's not there.

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<v Speaker 1>We're both heartbroken that he got you know, stars hollow

0:13:53.880 --> 0:13:56.800
<v Speaker 1>as a meat grinder for a guy like that, he's

0:13:56.840 --> 0:13:58.560
<v Speaker 1>just not going to get away with that behavior. It's

0:13:58.600 --> 0:14:01.920
<v Speaker 1>too small town, um. You know. I also think it's

0:14:01.960 --> 0:14:07.079
<v Speaker 1>because Luke respects Rory really and truly, like he's saying,

0:14:07.280 --> 0:14:11.000
<v Speaker 1>not only do I respect you that this isn't your fault,

0:14:11.040 --> 0:14:13.840
<v Speaker 1>it isn't his fault, this isn't anyone's fault. This was

0:14:13.880 --> 0:14:17.079
<v Speaker 1>an accident and no one's in trouble and no one's

0:14:17.160 --> 0:14:22.040
<v Speaker 1>to blame and thank god, everyone's okay. Like just like that,

0:14:22.160 --> 0:14:30.640
<v Speaker 1>like Luke isn't going to demean Rory by acting like, oh,

0:14:30.680 --> 0:14:32.800
<v Speaker 1>you're just you know, like I said, like when youreually

0:14:32.880 --> 0:14:36.400
<v Speaker 1>a little girl who got like, you know, tricked by

0:14:36.440 --> 0:14:39.960
<v Speaker 1>a boy, it's like, no, Well, I think he respects

0:14:39.960 --> 0:14:45.160
<v Speaker 1>her brain. I think they're not close enough where he

0:14:45.240 --> 0:14:48.840
<v Speaker 1>feels like he has it's his place to get into

0:14:48.880 --> 0:14:54.320
<v Speaker 1>close to her or too deep inside her her life

0:14:54.480 --> 0:14:58.480
<v Speaker 1>where he is going to get judge or or you know,

0:14:58.600 --> 0:15:02.200
<v Speaker 1>start give being his opinion, and you know he's he's

0:15:02.320 --> 0:15:06.320
<v Speaker 1>he's at a comfortable distance I think with with Rory. Yeah, yeah,

0:15:06.400 --> 0:15:08.280
<v Speaker 1>And I think that's the way it should be because

0:15:08.360 --> 0:15:12.080
<v Speaker 1>he's just friends with Laurela anyway. I just think he

0:15:12.200 --> 0:15:16.440
<v Speaker 1>also I think he respects her decision making, which is

0:15:16.480 --> 0:15:20.160
<v Speaker 1>why he is like trusting her with Jesz, like tutoring

0:15:20.240 --> 0:15:23.400
<v Speaker 1>Jess or being friends with Jess. Whereas like let's talk

0:15:23.400 --> 0:15:30.320
<v Speaker 1>about Taylor's reaction, like all that pub did this to you? Do?

0:15:30.320 --> 0:15:33.200
<v Speaker 1>You know what I mean? Like, whereas no one is

0:15:35.360 --> 0:15:37.440
<v Speaker 1>like giving Rory the benefit of the doubt, is it

0:15:37.560 --> 0:15:40.200
<v Speaker 1>like she knew what she was doing. I gotta tell you,

0:15:40.880 --> 0:15:43.800
<v Speaker 1>that's my favorite line in the whole thing is Taylor says,

0:15:45.200 --> 0:15:48.920
<v Speaker 1>taking opioids like some of like those Hollywood people do.

0:15:50.520 --> 0:15:55.000
<v Speaker 1>He gave her the face. I laughed so hard. I

0:15:55.040 --> 0:15:59.640
<v Speaker 1>was like, Wow, he's like but that's you know, let's

0:15:59.680 --> 0:16:01.680
<v Speaker 1>get in to that a little bit, because that's how

0:16:01.760 --> 0:16:07.320
<v Speaker 1>people feel about Hollywood people. They do they just do, right.

0:16:08.200 --> 0:16:10.600
<v Speaker 1>I mean, I'm not trying to stir controversy here, but

0:16:10.920 --> 0:16:13.880
<v Speaker 1>it's it's, you know, people are tired of being preached at.

0:16:14.640 --> 0:16:16.680
<v Speaker 1>It's like, can we just live our lives? And like,

0:16:16.760 --> 0:16:19.280
<v Speaker 1>look what you guys are doing over there? And was

0:16:19.520 --> 0:16:24.600
<v Speaker 1>just such a funny line. That was a great scene. Waum.

0:16:25.600 --> 0:16:27.760
<v Speaker 1>I want to get Riley and Danielle's perspective, but I

0:16:27.800 --> 0:16:33.120
<v Speaker 1>know that we need to you know what, the fish

0:16:33.160 --> 0:16:36.160
<v Speaker 1>has been taken out of the bull. What the heck

0:16:36.160 --> 0:16:39.120
<v Speaker 1>are you talking about? You know what you're supposed to do, Scott,

0:16:39.400 --> 0:16:42.080
<v Speaker 1>The fish has been taken out of the bull. There

0:16:42.160 --> 0:16:44.800
<v Speaker 1>you go, you know, what I'm feeling like. Let's towel

0:16:44.840 --> 0:16:51.960
<v Speaker 1>off a little bit. Taken the ball, the eagle has landed.

0:16:52.360 --> 0:16:55.480
<v Speaker 1>There's fish, there's eagle. What's going on? All right, everybody,

0:16:55.520 --> 0:16:57.960
<v Speaker 1>let's let's towel off. For God's sake. I'm sweaty. I'm

0:16:57.960 --> 0:17:00.200
<v Speaker 1>gonna take this off. I wanna take a little break.

0:17:00.240 --> 0:17:03.200
<v Speaker 1>We come back. We're gonna address one of the biggest controversies,

0:17:03.280 --> 0:17:06.960
<v Speaker 1>by the way, uh in this episode. All right, we'll

0:17:06.960 --> 0:17:14.800
<v Speaker 1>see in a bit. Yeah, alright, we're back, everybody. We

0:17:14.880 --> 0:17:18.119
<v Speaker 1>are going to discuss one of the biggest controversies in

0:17:18.119 --> 0:17:21.840
<v Speaker 1>this entire episode, which is I want all of you

0:17:21.880 --> 0:17:29.720
<v Speaker 1>to give your opinions. Deans reaction too. I have I

0:17:29.760 --> 0:17:34.200
<v Speaker 1>have a word or two about that. I must say,

0:17:34.760 --> 0:17:39.280
<v Speaker 1>as a protector of Rory, I felt that his reaction

0:17:39.480 --> 0:17:43.720
<v Speaker 1>bordered on inappropriate violence. I did. I did not feel

0:17:43.760 --> 0:17:46.080
<v Speaker 1>comfortable with him kicking the bag like that. I did

0:17:46.160 --> 0:17:50.920
<v Speaker 1>not feel comfortable with a six ft four, glowering, angry

0:17:50.960 --> 0:17:56.600
<v Speaker 1>seventeen year old um going what what what and then

0:17:56.720 --> 0:17:59.000
<v Speaker 1>kicking the back. I mean, it was like she was scared.

0:17:59.440 --> 0:18:02.240
<v Speaker 1>She got scared, and I thought I shouldn't be laughing.

0:18:02.240 --> 0:18:05.640
<v Speaker 1>It's just your imitation, but good acting on his part.

0:18:05.760 --> 0:18:10.240
<v Speaker 1>Three different what's the temperature kept going up? But I thought,

0:18:10.880 --> 0:18:13.399
<v Speaker 1>I don't know if I want Rory in this situation

0:18:13.440 --> 0:18:16.080
<v Speaker 1>with this guy reading this letter, what he's reading taking

0:18:16.119 --> 0:18:19.399
<v Speaker 1>in it was bordering on he was going to whacker

0:18:19.640 --> 0:18:22.359
<v Speaker 1>and and I just did not like that. I was

0:18:22.400 --> 0:18:26.320
<v Speaker 1>ready to jump through the screen and say, pal go away.

0:18:26.520 --> 0:18:28.600
<v Speaker 1>What do you guys think? Did you feel uncomfortable for her?

0:18:29.200 --> 0:18:38.679
<v Speaker 1>Slightly different perspective, I I agree with you. For two minutes,

0:18:38.760 --> 0:18:41.359
<v Speaker 1>I was like, oh my god, angsty Dean is back,

0:18:41.520 --> 0:18:45.119
<v Speaker 1>like he is here, he is raging. But then he

0:18:45.200 --> 0:18:49.480
<v Speaker 1>had this like weird switch and he was like, you

0:18:49.480 --> 0:18:51.920
<v Speaker 1>know what, I'm not gonna I'm not gonna let him win.

0:18:52.160 --> 0:18:54.119
<v Speaker 1>That's what I was saying to myself. He was like,

0:18:54.240 --> 0:18:56.120
<v Speaker 1>I'm not going to let him get the best of me.

0:18:56.320 --> 0:18:58.919
<v Speaker 1>And then he totally was like you want roast, You

0:18:58.920 --> 0:19:00.480
<v Speaker 1>want to come in, you want to eat some roast.

0:19:00.760 --> 0:19:04.040
<v Speaker 1>Like literally, the juxtaposition of like the first seconds of

0:19:04.119 --> 0:19:07.879
<v Speaker 1>Dean to the end was so different. And yeah, he

0:19:08.000 --> 0:19:10.600
<v Speaker 1>was insane in the beginning, but then he just had

0:19:10.640 --> 0:19:15.160
<v Speaker 1>this like switch and I was like, oh, okay, Dean

0:19:15.520 --> 0:19:17.439
<v Speaker 1>like I'm going to give you props for that that

0:19:17.520 --> 0:19:19.800
<v Speaker 1>you're going to just say, you know what, I'm not

0:19:19.840 --> 0:19:22.320
<v Speaker 1>gonna let this get to me. You know what. I

0:19:22.320 --> 0:19:24.280
<v Speaker 1>think that's a dialogue I had in my head. Just

0:19:24.359 --> 0:19:28.920
<v Speaker 1>to interject here, I think he's done and I don't.

0:19:29.000 --> 0:19:31.640
<v Speaker 1>I don't. I don't know what's coming. But but I

0:19:31.640 --> 0:19:35.480
<v Speaker 1>I seem like, no, I think that he has decided

0:19:35.520 --> 0:19:39.919
<v Speaker 1>to move on in that moment. Am I wrong? I

0:19:39.920 --> 0:19:41.720
<v Speaker 1>had a different take on it, But Riley, you go first.

0:19:42.680 --> 0:19:44.119
<v Speaker 1>I feel like, I mean, and I might be in

0:19:44.160 --> 0:19:46.760
<v Speaker 1>on this one and the same I was like for

0:19:46.840 --> 0:19:50.840
<v Speaker 1>one w I was like Dean Razor standards like don't

0:19:51.000 --> 0:19:54.560
<v Speaker 1>don't just like go have it like I would be

0:19:54.680 --> 0:19:57.520
<v Speaker 1>really mad, stay mad, take some type apart, think about

0:19:57.600 --> 0:19:59.800
<v Speaker 1>process your feelings. Don't just like come break up with

0:20:01.040 --> 0:20:03.639
<v Speaker 1>just do something like So, Riley, my question for you

0:20:03.720 --> 0:20:07.840
<v Speaker 1>there is it's not the accident that he should be

0:20:07.920 --> 0:20:10.080
<v Speaker 1>upset about. It's that she was like basically on a

0:20:10.160 --> 0:20:13.560
<v Speaker 1>date with Jess exactly he was. She was spending time

0:20:13.600 --> 0:20:16.720
<v Speaker 1>with Jess again alone while he was out of town.

0:20:17.880 --> 0:20:20.760
<v Speaker 1>I would I would be like, right, you're not tutoring.

0:20:21.160 --> 0:20:23.600
<v Speaker 1>I'm not mad at her for tutoring Jeff. That's totally cool.

0:20:23.880 --> 0:20:26.320
<v Speaker 1>But like, right, if I was Dean, I'd be a

0:20:26.320 --> 0:20:28.280
<v Speaker 1>little suspect on like wait, why are you going to

0:20:28.280 --> 0:20:30.040
<v Speaker 1>get ice cream? And why are you driving around in

0:20:30.040 --> 0:20:35.880
<v Speaker 1>the car like they were on a date. So yeah,

0:20:35.920 --> 0:20:40.000
<v Speaker 1>my take on it is just that Dean's relieved, so

0:20:40.160 --> 0:20:44.320
<v Speaker 1>relieved that Jess is gone that he's just like so happy,

0:20:44.440 --> 0:20:47.560
<v Speaker 1>like Okay, now I just get what I want. I

0:20:47.600 --> 0:20:49.679
<v Speaker 1>don't have to worry about this anymore. So it's like

0:20:49.720 --> 0:20:53.000
<v Speaker 1>he's not even like going there with the fact that

0:20:53.040 --> 0:20:55.520
<v Speaker 1>like she wants Jess, she wants to be with Jess,

0:20:55.520 --> 0:20:58.560
<v Speaker 1>she's on this date with Jess. He's just like, oh good,

0:20:59.040 --> 0:21:02.200
<v Speaker 1>is he gone? Like is really gone? Yeah, he's gone. Okay,

0:21:02.200 --> 0:21:05.720
<v Speaker 1>good on some roast who believes that, like literally, I

0:21:05.800 --> 0:21:09.439
<v Speaker 1>was like Rory, like he Jess is coming back like

0:21:09.680 --> 0:21:13.520
<v Speaker 1>next weekend, you know, Like no, you don't believe that

0:21:14.520 --> 0:21:18.040
<v Speaker 1>she's coming back next weekend. You'll see. I'm not going

0:21:18.080 --> 0:21:21.400
<v Speaker 1>to say because it's so major what happens. It's I mean,

0:21:21.400 --> 0:21:25.119
<v Speaker 1>we're coming to the end of the season, guys. Everyone

0:21:25.119 --> 0:21:27.439
<v Speaker 1>has to remember we're coming to the end of the season.

0:21:27.520 --> 0:21:31.240
<v Speaker 1>You know, you know, what's what's also notable is in

0:21:31.359 --> 0:21:35.360
<v Speaker 1>the arc of the series, in the narrative of the series,

0:21:35.400 --> 0:21:38.320
<v Speaker 1>this kid's stuff is taking over, isn't it. I mean,

0:21:38.359 --> 0:21:41.720
<v Speaker 1>this is really becoming like kind of the thrust of

0:21:41.760 --> 0:21:44.480
<v Speaker 1>the show. And I know c W are at the time.

0:21:44.520 --> 0:21:47.280
<v Speaker 1>I think it became c W after year one of

0:21:47.359 --> 0:21:50.399
<v Speaker 1>the series. It really exkews younger younger. They were really

0:21:50.440 --> 0:21:54.480
<v Speaker 1>trying to go younger, younger, younger. So it's all I

0:21:54.520 --> 0:21:57.600
<v Speaker 1>don't know. For me, it's a fifty fifty, a real

0:21:57.760 --> 0:22:02.520
<v Speaker 1>solid Gilmore girls are. Rory is half the storyline and

0:22:02.560 --> 0:22:05.080
<v Speaker 1>whatever is impacting her, whether it's a relationship, it could

0:22:05.080 --> 0:22:06.879
<v Speaker 1>be with her mom, could be with her grandparents, and

0:22:06.920 --> 0:22:09.200
<v Speaker 1>then lower La is really truly half the story line.

0:22:09.200 --> 0:22:11.840
<v Speaker 1>And sometimes it's with Rory, sometimes it's with you, sometimes

0:22:11.840 --> 0:22:15.320
<v Speaker 1>with her significant other, her work, her parents. For me,

0:22:15.440 --> 0:22:20.080
<v Speaker 1>it's just a perfect fifty fifty kid adult story. I

0:22:20.119 --> 0:22:22.920
<v Speaker 1>don't know. I think it feels to me, okay, so yeah,

0:22:23.080 --> 0:22:25.760
<v Speaker 1>so it feels to me like the kids stuff is

0:22:25.840 --> 0:22:28.679
<v Speaker 1>the A story and the adult stuff is to be

0:22:30.040 --> 0:22:34.640
<v Speaker 1>the adult stuff is supporting the A story. We'll gonna disagree,

0:22:34.760 --> 0:22:37.399
<v Speaker 1>I'm gonna disagree, but I respect it because it's a

0:22:37.520 --> 0:22:42.239
<v Speaker 1>real close, real close, and it is compelling, and I

0:22:42.280 --> 0:22:44.600
<v Speaker 1>like how they weave it in and they don't dwell

0:22:45.480 --> 0:22:48.679
<v Speaker 1>on it. It's just the sort of scenes that really pop.

0:22:49.080 --> 0:22:52.880
<v Speaker 1>They're well placed, they're well acted, they're well written, um,

0:22:52.880 --> 0:22:57.320
<v Speaker 1>super impactful. Speaking up, as we have all this going on,

0:22:57.400 --> 0:22:59.359
<v Speaker 1>we have two other things to talk about, one being

0:22:59.440 --> 0:23:04.120
<v Speaker 1>Carol Kay. Yeah. Wow, wasn't she great? Yeah? And so

0:23:04.200 --> 0:23:07.480
<v Speaker 1>that was just a complete storyline in and of itself

0:23:07.960 --> 0:23:13.200
<v Speaker 1>for Lane that I liked. Yeah, great stuff, great stuff.

0:23:13.200 --> 0:23:15.399
<v Speaker 1>She discovered her purpose in life. What a moment in

0:23:15.440 --> 0:23:17.840
<v Speaker 1>somebody's life to discover their purpose in life they want

0:23:17.840 --> 0:23:20.280
<v Speaker 1>to be a drummer. And what a great scene when she,

0:23:20.359 --> 0:23:24.400
<v Speaker 1>after she excitedly explained this to to Rory, she walks

0:23:24.440 --> 0:23:28.199
<v Speaker 1>back inside and joins the choir, her mother's choir, singing

0:23:28.240 --> 0:23:34.479
<v Speaker 1>Bible songs. So I thought that was really cool. And

0:23:34.520 --> 0:23:39.320
<v Speaker 1>then another sort of totally independent storyline was the fact

0:23:39.440 --> 0:23:42.440
<v Speaker 1>that Lukes's closed and off they go to the Hungry Diner,

0:23:43.200 --> 0:23:45.359
<v Speaker 1>which I'm not even clear where the Hungry Dinner was,

0:23:45.400 --> 0:23:47.200
<v Speaker 1>but I thought it was hilarious that Shell was there.

0:23:47.320 --> 0:23:49.960
<v Speaker 1>I thought that was awkward. That was an awkward scene

0:23:50.000 --> 0:23:53.119
<v Speaker 1>for me because he was being so hostile to his

0:23:53.280 --> 0:23:58.240
<v Speaker 1>boss in a public place. He stood up and snootied

0:23:58.240 --> 0:24:02.600
<v Speaker 1>out of there without having touched his eggs. I mean,

0:24:02.640 --> 0:24:07.440
<v Speaker 1>it's like, I think, I think there needed to be more.

0:24:07.960 --> 0:24:09.680
<v Speaker 1>There needed to be more to that scene, or there

0:24:09.720 --> 0:24:12.399
<v Speaker 1>needed to be less to that scene. I did. That

0:24:12.520 --> 0:24:15.760
<v Speaker 1>scene did not work for me. I thought her reaction

0:24:15.920 --> 0:24:18.640
<v Speaker 1>was off, off the mark because she was still so

0:24:18.640 --> 0:24:21.800
<v Speaker 1>sunny and optimistic, and you know, she just got abused

0:24:21.800 --> 0:24:25.240
<v Speaker 1>by that guy, her employee. Oh but it's so him,

0:24:25.320 --> 0:24:27.240
<v Speaker 1>and I know it's so him, and it was funny

0:24:27.280 --> 0:24:29.320
<v Speaker 1>in the beginning of his table, Can I have a bite?

0:24:29.359 --> 0:24:30.760
<v Speaker 1>And I don't want to give away my favorite line,

0:24:30.760 --> 0:24:32.879
<v Speaker 1>but it's can I have a bite? Get away from me?

0:24:33.160 --> 0:24:36.880
<v Speaker 1>Like it's so good. Did you guys notice I think

0:24:36.880 --> 0:24:38.720
<v Speaker 1>they took it too far with the character. I think

0:24:38.720 --> 0:24:43.520
<v Speaker 1>they took it. That's possibly it. Did you guys notice

0:24:44.200 --> 0:24:48.000
<v Speaker 1>something massive in the background of the scene at the

0:24:48.080 --> 0:24:52.000
<v Speaker 1>Hungary diner? Please tell me I've seen it. When Rory

0:24:52.080 --> 0:24:56.000
<v Speaker 1>and Lorel are at their table and um, they asked

0:24:56.040 --> 0:24:59.879
<v Speaker 1>for the bowl of coffee. I have an answer to

0:25:00.119 --> 0:25:04.040
<v Speaker 1>this because I did make notes on inconsistency. So you

0:25:04.200 --> 0:25:08.120
<v Speaker 1>just that, you know, you discuss your theories now, well,

0:25:08.160 --> 0:25:11.920
<v Speaker 1>I want somebody to try and figure it out. I'll

0:25:11.920 --> 0:25:16.000
<v Speaker 1>give you a hint. Don't don't need hints. Oh well,

0:25:16.000 --> 0:25:19.600
<v Speaker 1>then you tell me it's not the clownfellow. Nope, this

0:25:19.680 --> 0:25:23.560
<v Speaker 1>is in the Hungry Diner. Richard would have liked this place.

0:25:24.040 --> 0:25:27.280
<v Speaker 1>Richard would have liked this. Oh grapefruit, yes, did you

0:25:27.320 --> 0:25:32.200
<v Speaker 1>see it? There's grape fruit. There was a fruit of fact.

0:25:34.640 --> 0:25:36.280
<v Speaker 1>Do you know? Do you know now I eat I

0:25:36.280 --> 0:25:38.560
<v Speaker 1>eat a great half a great fruit every morning now

0:25:38.680 --> 0:25:41.720
<v Speaker 1>because of this, because it's because of Richard. Yeah, it's

0:25:41.720 --> 0:25:46.200
<v Speaker 1>good for you. I love it. Yeah, so juicy. Yeah,

0:25:46.280 --> 0:25:50.359
<v Speaker 1>I don't know what grape fruit season is. Sour for

0:25:50.400 --> 0:25:53.840
<v Speaker 1>the morning though. No, you can't like brush your teeth

0:25:53.880 --> 0:26:00.159
<v Speaker 1>right after good eye, good eye, Riley. Okay, Scott, you

0:26:00.160 --> 0:26:05.000
<v Speaker 1>tell us, tell us what you saw in the music

0:26:05.040 --> 0:26:08.679
<v Speaker 1>store seeing there was a song playing in the background, right,

0:26:08.720 --> 0:26:12.000
<v Speaker 1>it's Wilco's heavy metal drummer, which is perfect for Lane.

0:26:12.160 --> 0:26:18.600
<v Speaker 1>Um So as a side note, you know, why don't

0:26:18.640 --> 0:26:21.760
<v Speaker 1>we here's an idea, though, why don't we make a

0:26:21.800 --> 0:26:27.160
<v Speaker 1>segment every episode and discussed the music in the show. Sure,

0:26:27.400 --> 0:26:29.439
<v Speaker 1>because that's that's the note I mean, is we should

0:26:29.520 --> 0:26:33.320
<v Speaker 1>we should be you know, discussing this. So what do

0:26:33.359 --> 0:26:36.840
<v Speaker 1>you think? A hundred percent? Yes, agree because music is

0:26:36.880 --> 0:26:40.280
<v Speaker 1>an important part of the show. It's huge, huge. But anyway,

0:26:40.359 --> 0:26:42.919
<v Speaker 1>let's talk about Carol King and how delightful that was.

0:26:43.560 --> 0:26:47.320
<v Speaker 1>Do you remember meeting her? I? Well, I didn't see

0:26:47.320 --> 0:26:50.040
<v Speaker 1>her on that episode because we didn't work together. I

0:26:50.080 --> 0:26:51.600
<v Speaker 1>only you know when I met her. I met her

0:26:51.600 --> 0:26:55.480
<v Speaker 1>on the Netflix reboot. Yeah. I think she came and

0:26:55.480 --> 0:26:57.160
<v Speaker 1>did a day or she at least visited the set

0:26:57.160 --> 0:26:58.719
<v Speaker 1>one day and I took a bunch of pictures with her.

0:26:58.760 --> 0:27:02.399
<v Speaker 1>I was all through. Yeah, yeah, it's really cool. That

0:27:02.480 --> 0:27:07.960
<v Speaker 1>must have been pretty major for like Keiko to be

0:27:08.000 --> 0:27:13.399
<v Speaker 1>able to beat in that scene King. Whoa And really

0:27:13.480 --> 0:27:15.400
<v Speaker 1>was she the only one in the scenes with Carol King?

0:27:16.000 --> 0:27:19.399
<v Speaker 1>Was Roy? Did Roy ever go inside? I don't think so. No,

0:27:19.560 --> 0:27:22.760
<v Speaker 1>she just she walked right by. That's pretty Major's Carol

0:27:22.880 --> 0:27:27.200
<v Speaker 1>King with some acting chops? What's wrong your your legs,

0:27:27.200 --> 0:27:29.760
<v Speaker 1>don't bend sit down, get on, get down on the

0:27:29.800 --> 0:27:34.880
<v Speaker 1>stole and anything. Yeah she was great, she was Yeah,

0:27:34.960 --> 0:27:37.160
<v Speaker 1>I was confused about that. Don't touch anything. But sit

0:27:37.240 --> 0:27:44.240
<v Speaker 1>down on the drum set. She's being a New Yorky salesperson, right,

0:27:44.400 --> 0:27:51.840
<v Speaker 1>just sit down, don't touch ye. The main thrust for

0:27:51.880 --> 0:27:57.760
<v Speaker 1>me was Richard and uh and Laurel I and I.

0:27:58.359 --> 0:28:01.679
<v Speaker 1>That was wonderful. Not a lot happened in this episode.

0:28:01.760 --> 0:28:04.040
<v Speaker 1>I mean it really just sort of moved the ball

0:28:04.119 --> 0:28:09.080
<v Speaker 1>forward a little bit some resolution with Dean. Jess is gone.

0:28:09.119 --> 0:28:11.840
<v Speaker 1>We're going to anticipate him coming back. Obviously he's going

0:28:11.880 --> 0:28:16.200
<v Speaker 1>to come back at some point. Um, you know, Luke's

0:28:16.200 --> 0:28:18.560
<v Speaker 1>not there. A lot of this episode was up in

0:28:18.600 --> 0:28:21.720
<v Speaker 1>the air, like like Luke and Jess are gone, they're

0:28:21.720 --> 0:28:25.520
<v Speaker 1>not in this epo coming back to Jean's coming back,

0:28:25.880 --> 0:28:29.480
<v Speaker 1>right right right? So, but I I thought all of

0:28:29.520 --> 0:28:34.600
<v Speaker 1>the Richard laurelized stuff was engaging. It was interesting. I

0:28:34.640 --> 0:28:37.480
<v Speaker 1>thought Sally Struthers had my comic scene in this one too,

0:28:37.920 --> 0:28:42.160
<v Speaker 1>when she's a great monologue. Great, you know it's more

0:28:42.240 --> 0:28:45.200
<v Speaker 1>role victims. You know is sure they're tin and they

0:28:45.320 --> 0:28:47.760
<v Speaker 1>got chest hair. You could carp at the dining room

0:28:47.840 --> 0:28:56.960
<v Speaker 1>with you know what a line? Right, always liked she Sally. Okay,

0:28:56.960 --> 0:28:59.760
<v Speaker 1>so so send me the hate emails. But yeah, is

0:28:59.800 --> 0:29:03.960
<v Speaker 1>that of Struthers didn't deserve Emmy consideration for comedy. Are

0:29:04.000 --> 0:29:06.680
<v Speaker 1>you kidding me? I mean that woman can make you

0:29:06.800 --> 0:29:10.440
<v Speaker 1>laugh out loud, long and hard. Man. I mean she's

0:29:10.960 --> 0:29:14.200
<v Speaker 1>every single appearance she makes, she's hitting it out of

0:29:14.240 --> 0:29:16.640
<v Speaker 1>the park. Yeah. I was glad, you know, I was

0:29:16.680 --> 0:29:19.000
<v Speaker 1>really glad to see and it's isn't it wonderful to

0:29:19.040 --> 0:29:25.800
<v Speaker 1>see Richard coming back. He's he's he's coming out of retirement.

0:29:25.920 --> 0:29:28.400
<v Speaker 1>He's back in the hunt again, and he's he closed

0:29:28.440 --> 0:29:31.000
<v Speaker 1>the swede. What he nailed what nailed down the swede

0:29:31.000 --> 0:29:32.959
<v Speaker 1>as he called it. Is that what they said, bag swede.

0:29:35.400 --> 0:29:40.240
<v Speaker 1>It's not about bagging swedes, Laurela. It's about forming relationships

0:29:40.240 --> 0:29:42.640
<v Speaker 1>and doing favors for people that you know. This guy.

0:29:45.360 --> 0:29:48.960
<v Speaker 1>I will make a quick little note that um Kelly

0:29:49.000 --> 0:29:53.800
<v Speaker 1>Bishop has made her appearance on Mrs Maisel and Scott Cohen.

0:29:54.280 --> 0:29:57.960
<v Speaker 1>So Scott Cohen left the Resident. If you're wondering where

0:29:58.000 --> 0:30:00.440
<v Speaker 1>Max Medina is, he left the Resident where he was

0:30:00.560 --> 0:30:03.760
<v Speaker 1>icky and now he had a scene in Mazel where

0:30:03.760 --> 0:30:07.080
<v Speaker 1>he was like, you know, fine, he was, he was good.

0:30:07.120 --> 0:30:08.960
<v Speaker 1>He just plays like a rich dad who wants his

0:30:09.040 --> 0:30:14.360
<v Speaker 1>daughters get married. M hm. So yeah, there we're tracking

0:30:14.600 --> 0:30:17.400
<v Speaker 1>where Max Medina is. We actually this week have a

0:30:17.440 --> 0:30:21.440
<v Speaker 1>little nod to Maxi Medina or pop culture to wait

0:30:21.520 --> 0:30:26.200
<v Speaker 1>for that. So very satisfying episode, very attaining, very funny,

0:30:26.520 --> 0:30:32.200
<v Speaker 1>very emotional. It was nice to see father and daughter

0:30:32.320 --> 0:30:34.800
<v Speaker 1>coming together. It was really nice to see Luke and

0:30:35.000 --> 0:30:41.160
<v Speaker 1>and Rory come together. It was almost a father daughter moment, definitely, um,

0:30:41.200 --> 0:30:44.280
<v Speaker 1>but it was it was deeply emotional. I mean, I

0:30:44.720 --> 0:30:47.000
<v Speaker 1>was very surprised at how I felt at the end

0:30:47.000 --> 0:30:49.000
<v Speaker 1>of that episode, and I welled up, and I walked

0:30:49.000 --> 0:30:51.000
<v Speaker 1>into the kitchen and tears, And I said to my wife,

0:30:51.000 --> 0:30:54.920
<v Speaker 1>I said, that show just made me cry. She she goes,

0:30:55.000 --> 0:31:02.040
<v Speaker 1>buck up, soldier, get out of here. Um, what else

0:31:02.040 --> 0:31:04.960
<v Speaker 1>did we miss? That's what I'm checking. I'm just checking

0:31:05.000 --> 0:31:10.719
<v Speaker 1>my notes here. You have a clown pillow half shown

0:31:10.920 --> 0:31:16.360
<v Speaker 1>just the top. Really Yeah, when um Rory went to

0:31:16.400 --> 0:31:23.280
<v Speaker 1>go get the money underneath the rabbi pizza, it was Okay.

0:31:23.280 --> 0:31:27.280
<v Speaker 1>I have a question before we go, Scott. Do you

0:31:27.360 --> 0:31:32.160
<v Speaker 1>think Luke left town because of the fight with Loralai

0:31:33.400 --> 0:31:36.560
<v Speaker 1>or because he was like heartbroken over the incident with

0:31:36.680 --> 0:31:42.600
<v Speaker 1>Jess both. Yeah, I mean he probably felt like a

0:31:42.680 --> 0:31:48.480
<v Speaker 1>failure on every level. He failed everybody, and now he's

0:31:48.520 --> 0:31:51.480
<v Speaker 1>lost his nephew. He failed at that, and now he's

0:31:51.520 --> 0:31:54.800
<v Speaker 1>lost his the love of his life as a friend. Maybe,

0:31:55.160 --> 0:31:58.640
<v Speaker 1>so he failed at that, you know, so he needed

0:31:58.840 --> 0:32:02.040
<v Speaker 1>he needed to go commune with nature and you know,

0:32:02.680 --> 0:32:05.760
<v Speaker 1>stare at his belly button and have a clubhouse meeting

0:32:05.760 --> 0:32:08.920
<v Speaker 1>with himself as it were, you know, and trying to

0:32:08.960 --> 0:32:13.080
<v Speaker 1>gather his thoughts and get his bearings back. So yeah,

0:32:13.080 --> 0:32:17.400
<v Speaker 1>a very wise thing to do, um, because I'll tell

0:32:17.440 --> 0:32:19.320
<v Speaker 1>you, you you know, getting in a fight with her, jeez,

0:32:20.080 --> 0:32:24.080
<v Speaker 1>she can bring it good. God, that's like getting in

0:32:24.080 --> 0:32:26.880
<v Speaker 1>the ring with a vander Holyfield. As I'm going through

0:32:26.960 --> 0:32:30.600
<v Speaker 1>my notes, I think we should point out this important line.

0:32:31.120 --> 0:32:34.040
<v Speaker 1>Ma said, I'm sick of this. I'm sick of everyone

0:32:34.080 --> 0:32:36.640
<v Speaker 1>treating me like I'm some kind of mindless idiot being

0:32:36.720 --> 0:32:39.600
<v Speaker 1>led around by a guy. And I really think that's

0:32:39.640 --> 0:32:45.479
<v Speaker 1>so important. She was so irritated that everyone thought she

0:32:45.680 --> 0:32:48.880
<v Speaker 1>was a type of girl who could be you know,

0:32:49.920 --> 0:32:52.720
<v Speaker 1>led by a boy or swooned by a boy to

0:32:53.280 --> 0:32:55.920
<v Speaker 1>doing something that wasn't totally her decision. But guess what,

0:32:56.160 --> 0:33:01.160
<v Speaker 1>that's the entire point of this show. That is why

0:33:01.360 --> 0:33:05.719
<v Speaker 1>Amy wrote this show, Because anybody. You know, there's been

0:33:05.760 --> 0:33:11.440
<v Speaker 1>shows about small towns with edgy characters, right and heartwarm

0:33:11.560 --> 0:33:15.200
<v Speaker 1>and lovely characters, you know, exotic characters. There's been a

0:33:15.200 --> 0:33:17.440
<v Speaker 1>lot of shows about that, but it's never been written

0:33:17.560 --> 0:33:20.520
<v Speaker 1>in the point of view of what you just stated.

0:33:21.600 --> 0:33:24.600
<v Speaker 1>It's like, these aren't idiots, they aren't being led around

0:33:24.680 --> 0:33:27.480
<v Speaker 1>by men. They can do it themselves. That's the point

0:33:27.520 --> 0:33:32.440
<v Speaker 1>of the show. That's it. It's it's it's it's it's

0:33:32.480 --> 0:33:36.040
<v Speaker 1>a it's a statement of female empowerment. But we're gonna

0:33:36.040 --> 0:33:37.800
<v Speaker 1>put it in this little town and we're gonna put

0:33:37.800 --> 0:33:41.200
<v Speaker 1>it in these situations. Yeah, you know, I didn't have

0:33:41.280 --> 0:33:43.920
<v Speaker 1>a ton of fashion standouts in this episode. I will

0:33:43.960 --> 0:33:49.160
<v Speaker 1>say apologies to those falling along for fashion. I appreciate

0:33:49.200 --> 0:33:51.800
<v Speaker 1>someone on Instagram also trying to help me find that

0:33:51.880 --> 0:33:59.440
<v Speaker 1>pink dog sweater. Keep looking, keep looking for people. There's

0:33:59.440 --> 0:34:04.000
<v Speaker 1>there's another one. Um, well, maybe we maybe we can

0:34:04.040 --> 0:34:07.680
<v Speaker 1>cover this in pop culture. But Richard talks about the

0:34:07.680 --> 0:34:11.560
<v Speaker 1>Gary Berghoff character and Mash the Mash series, that tiny,

0:34:11.560 --> 0:34:14.920
<v Speaker 1>tiny little man that the anticipates, You're just like that

0:34:14.960 --> 0:34:19.920
<v Speaker 1>tiny little man in Mash. It anticipates Laurel covered ed

0:34:20.000 --> 0:34:24.799
<v Speaker 1>Herman once guest starred in a nine episode of mash.

0:34:25.280 --> 0:34:29.000
<v Speaker 1>Oh that's a nice tippeta. I'm nervous for next week.

0:34:29.160 --> 0:34:33.839
<v Speaker 1>Why broke me down? Made me cry? Talk about talk

0:34:33.880 --> 0:34:41.520
<v Speaker 1>about entertain Should I get the tissues ready for next week? Yeah? Yeah,

0:34:41.960 --> 0:34:43.239
<v Speaker 1>So that's when I this is what, this is what

0:34:43.320 --> 0:34:45.800
<v Speaker 1>happened in my life and my kind of semi retirement

0:34:45.800 --> 0:34:48.439
<v Speaker 1>doing a podcast. I sit around in my media room

0:34:48.880 --> 0:34:53.279
<v Speaker 1>in my office eleven o'clock in the morning, weeping at

0:34:53.280 --> 0:34:58.759
<v Speaker 1>Gilmore Girls episodes, just like everybody else. I am one

0:34:58.760 --> 0:35:04.600
<v Speaker 1>of you, now I was just one of you. Anyway,

0:35:04.680 --> 0:35:09.040
<v Speaker 1>wonderful episode, um, and we're going to wrap it up

0:35:09.120 --> 0:35:12.120
<v Speaker 1>for graduation. We are going to say so, thanks ladies,

0:35:12.560 --> 0:35:16.680
<v Speaker 1>much appreciated, best fans on the planet. Love you guys,

0:35:16.760 --> 0:35:49.320
<v Speaker 1>Thanks for downloading. We'll see you next time. Stay safe,

0:35:49.960 --> 0:35:53.000
<v Speaker 1>hey everybody, and don't forget Follow us on Instagram at

0:35:53.320 --> 0:35:57.239
<v Speaker 1>I Am All In podcast and email us at Gilmore

0:35:57.520 --> 0:36:01.160
<v Speaker 1>at I Heart radio dot com. Oh you get more fans.

0:36:01.200 --> 0:36:02.920
<v Speaker 1>If you're looking for the best cup of coffee in

0:36:02.960 --> 0:36:06.400
<v Speaker 1>the world, go to my website for my company scott

0:36:06.360 --> 0:36:08.560
<v Speaker 1>ep dot com, s C O T T y P

0:36:08.760 --> 0:36:22.560
<v Speaker 1>dot com. Scott ep dot com Grade one Specialty Coffee. Yeah.