1 00:00:00,720 --> 00:00:17,680 Speaker 1: I am all in, Kiss you, I am all in 2 00:00:17,960 --> 00:00:22,720 Speaker 1: with Scott Patterson and I Heart Radio podcast. Everybody's Scott Patterson. 3 00:00:22,720 --> 00:00:26,520 Speaker 1: I'm here with the team, Amy Sugarman, Daniel Romol, Riley 4 00:00:26,520 --> 00:00:30,520 Speaker 1: pellusis Hello, Hello for another episode of I Am all In. 5 00:00:31,680 --> 00:00:35,720 Speaker 1: We're gonna recap episode twenty season to help wanted. Oh 6 00:00:35,760 --> 00:00:40,839 Speaker 1: my god, guys, I need us all right here. I'm 7 00:00:40,840 --> 00:00:45,640 Speaker 1: gonna say something to you. I'm about to blow your minds. 8 00:00:47,240 --> 00:00:50,800 Speaker 1: We have no idea what's coming. I wept at the 9 00:00:50,960 --> 00:00:54,600 Speaker 1: end of the episode. It got me? Did it get you? 10 00:00:55,800 --> 00:00:58,840 Speaker 1: Did it get you? It? I mean it was the 11 00:00:58,880 --> 00:01:02,320 Speaker 1: floodgates opened, and I don't know, why can you explain 12 00:01:02,360 --> 00:01:04,920 Speaker 1: this to me? Because it was a amazing scene and 13 00:01:04,959 --> 00:01:08,040 Speaker 1: you both there was so much said and not set 14 00:01:09,800 --> 00:01:12,760 Speaker 1: and she says it wasn't his fault, and you said, 15 00:01:13,720 --> 00:01:15,720 Speaker 1: I know, I know it wasn't. I've been in those 16 00:01:15,760 --> 00:01:18,880 Speaker 1: situations and it just, Oh my god. I wept. I wept. 17 00:01:18,920 --> 00:01:20,920 Speaker 1: I couldn't believe I was welling up. I'm like, what 18 00:01:21,080 --> 00:01:26,000 Speaker 1: is happening here? I Am being manipulated by witchcraft somehow? 19 00:01:27,400 --> 00:01:31,560 Speaker 1: It was very, very much episode, and that was amazing 20 00:01:31,800 --> 00:01:36,360 Speaker 1: ending because she was so Rory was so upset. Why 21 00:01:36,520 --> 00:01:40,240 Speaker 1: is everyone blaming him? It really it struck a nerve 22 00:01:40,360 --> 00:01:43,200 Speaker 1: because you know what she said to her mother, everybody's 23 00:01:43,240 --> 00:01:48,880 Speaker 1: treating me like some idiot um who has no responsibility. Uh, 24 00:01:48,920 --> 00:01:50,280 Speaker 1: and I'm sick of it because I did have some 25 00:01:50,320 --> 00:01:52,640 Speaker 1: responsibility and why are they Why are they treating me 26 00:01:52,720 --> 00:01:55,520 Speaker 1: this way? It just really struck a nerve with me. 27 00:01:56,280 --> 00:01:59,600 Speaker 1: I could relate to that so deeply, and I just 28 00:02:00,240 --> 00:02:03,240 Speaker 1: you know, it's we can't go back and do it again. 29 00:02:04,000 --> 00:02:06,080 Speaker 1: We can't go back to two thousand and one to 30 00:02:06,120 --> 00:02:10,760 Speaker 1: demand more scenes between Rory and Luke because that what 31 00:02:10,760 --> 00:02:14,720 Speaker 1: what a magic combination that is because I hadn't seen 32 00:02:14,720 --> 00:02:17,119 Speaker 1: it yet, and I don't think I had. I think 33 00:02:17,280 --> 00:02:19,280 Speaker 1: is that the only scene I ever had with her 34 00:02:19,320 --> 00:02:21,480 Speaker 1: where it was just the two did have the scene 35 00:02:21,639 --> 00:02:24,280 Speaker 1: the week before where you asked her to tutor him, 36 00:02:24,280 --> 00:02:27,040 Speaker 1: but lore I was sort of fringely in it. She was, 37 00:02:28,760 --> 00:02:31,480 Speaker 1: she was, but he was a part of it. This 38 00:02:31,560 --> 00:02:34,680 Speaker 1: is probably one of the first scenes I can remember 39 00:02:34,680 --> 00:02:39,639 Speaker 1: where it's really just the two of you, no one else. Yeah, 40 00:02:40,320 --> 00:02:45,640 Speaker 1: I don't think that ever happened again. And the quiet 41 00:02:45,800 --> 00:02:53,280 Speaker 1: of that it was so minimal yeah, and what an 42 00:02:53,400 --> 00:02:57,760 Speaker 1: energy to bring into that whole experience that she was 43 00:02:57,800 --> 00:03:02,639 Speaker 1: going through. Luke mm because, boy, I just I forget 44 00:03:02,720 --> 00:03:06,760 Speaker 1: the I'm beginning to understand the impact of this character. 45 00:03:07,160 --> 00:03:08,840 Speaker 1: And I don't want to make this all about me. 46 00:03:09,720 --> 00:03:12,000 Speaker 1: There's a lot going on in that episode. I'm just 47 00:03:12,080 --> 00:03:15,639 Speaker 1: but I just finished watching it. Heart. I guess it was. Yeah, 48 00:03:15,639 --> 00:03:19,800 Speaker 1: I guess it was. And him not being there, I 49 00:03:19,800 --> 00:03:22,280 Speaker 1: mean I really felt it, you know, And I was 50 00:03:22,320 --> 00:03:24,240 Speaker 1: wondering if he was going to come back in and 51 00:03:24,240 --> 00:03:27,120 Speaker 1: the anticipation of that, and there he was in a 52 00:03:27,280 --> 00:03:31,600 Speaker 1: perfect scene. It was a perfect scene. I agree, because 53 00:03:32,400 --> 00:03:34,960 Speaker 1: just the way she walks up and there he is, 54 00:03:35,320 --> 00:03:38,120 Speaker 1: and there's so much unsaid that those two don't need 55 00:03:38,160 --> 00:03:41,280 Speaker 1: to say to each other. He really is a father figure, 56 00:03:41,680 --> 00:03:44,880 Speaker 1: it really is to her. I just wish there was 57 00:03:44,960 --> 00:03:47,640 Speaker 1: more of it, and I don't think the impact would 58 00:03:47,640 --> 00:03:51,080 Speaker 1: have been less if there was more Rory and Chess. 59 00:03:51,320 --> 00:03:55,360 Speaker 1: I mean, I'm sorry. Was that a slip of the tongue. 60 00:03:56,200 --> 00:04:02,320 Speaker 1: Don't put me on the couch, please, it's not. You know. 61 00:04:02,360 --> 00:04:06,480 Speaker 1: It's interesting because you're typically very critical of yourself and 62 00:04:07,120 --> 00:04:10,119 Speaker 1: you liked that scene. I love that scene. I love 63 00:04:10,160 --> 00:04:13,640 Speaker 1: the tenderness of that scene. I love, it was just 64 00:04:13,720 --> 00:04:17,240 Speaker 1: so tender and she was so I mean, you know, 65 00:04:17,279 --> 00:04:19,920 Speaker 1: where's Christopher, where's her dad? Where? Where? You know? An 66 00:04:19,960 --> 00:04:23,000 Speaker 1: I leave like gone fishing? You know, a huge sign 67 00:04:23,040 --> 00:04:26,919 Speaker 1: that said gone fishing. It's pretty funny. But I also 68 00:04:27,000 --> 00:04:30,039 Speaker 1: think that Rory goes to Luke because he's the only 69 00:04:30,080 --> 00:04:33,360 Speaker 1: one that can't understand her point of view. Everyone else 70 00:04:33,400 --> 00:04:37,839 Speaker 1: hates him, but Luke actually knows him, you know, you know. 71 00:04:37,920 --> 00:04:43,039 Speaker 1: I also think because there is some element here. Rory 72 00:04:43,160 --> 00:04:46,920 Speaker 1: is a strong girl who makes her own decisions, and 73 00:04:48,760 --> 00:04:54,240 Speaker 1: she doesn't like that the town is like, oh that boy, 74 00:04:54,360 --> 00:04:57,680 Speaker 1: that boy made you do something, and like like he 75 00:04:58,000 --> 00:05:00,600 Speaker 1: like that just kidnapped her and help her against her 76 00:05:00,600 --> 00:05:03,080 Speaker 1: will and forced her in the car. Like she is 77 00:05:03,120 --> 00:05:05,320 Speaker 1: stronger than that. So I think that's also part of 78 00:05:05,320 --> 00:05:07,560 Speaker 1: the reason why she's like, what the hell is going on? 79 00:05:08,720 --> 00:05:12,279 Speaker 1: I told him to turn right. I don't blame her, Yeah, 80 00:05:12,320 --> 00:05:14,760 Speaker 1: now I see her point of view. It's like just 81 00:05:14,839 --> 00:05:19,279 Speaker 1: because I'm you know, so doe eyed and and soft, 82 00:05:20,960 --> 00:05:23,080 Speaker 1: don't mess with me, man. And I don't know. I 83 00:05:23,120 --> 00:05:25,560 Speaker 1: think I think Laurel I was bullying her a little bit. 84 00:05:26,200 --> 00:05:28,520 Speaker 1: That big fight at the end. Yeah, what did you 85 00:05:28,560 --> 00:05:32,240 Speaker 1: think of that? I mean, tremendous scene, no question about it. 86 00:05:32,279 --> 00:05:35,120 Speaker 1: I like the way they paused and sort of gathered 87 00:05:35,160 --> 00:05:38,000 Speaker 1: themselves and said, Okay, I don't want to fight anymore. 88 00:05:38,040 --> 00:05:41,719 Speaker 1: But this is how people, you know, I see loyalized 89 00:05:41,920 --> 00:05:44,440 Speaker 1: point of view, I see Rory's point of view. I 90 00:05:45,160 --> 00:05:47,320 Speaker 1: see that, I see they're both justified. And this is 91 00:05:47,760 --> 00:05:52,680 Speaker 1: just the nature of conflict. And again, perfectly place, structurally speaking, 92 00:05:53,040 --> 00:05:55,760 Speaker 1: towards the end and a scene of conflict and all 93 00:05:55,800 --> 00:06:00,440 Speaker 1: this was driving This is the way to reveal information, 94 00:06:00,560 --> 00:06:05,240 Speaker 1: by the way, that's exposition. That is Rory's character revealing 95 00:06:05,560 --> 00:06:08,640 Speaker 1: how she feels in a in a in a heated 96 00:06:08,680 --> 00:06:10,920 Speaker 1: scene of conflict towards the end of the piece. And 97 00:06:10,920 --> 00:06:18,160 Speaker 1: that is a perfectly structured, perfectly placed, um scene. If 98 00:06:18,160 --> 00:06:21,680 Speaker 1: you're going to reveal information, that's how you reveal exposition 99 00:06:21,960 --> 00:06:25,560 Speaker 1: by the way that that is perfectly executed and perfectly structured. 100 00:06:25,920 --> 00:06:34,200 Speaker 1: So bravo. Yeah they do. And um it was a 101 00:06:34,279 --> 00:06:36,880 Speaker 1: really good episode. What do you think of this episode? 102 00:06:37,800 --> 00:06:40,760 Speaker 1: I give it very high marks. You know, anything with 103 00:06:40,839 --> 00:06:42,839 Speaker 1: a lot of ed Herman and in it is going 104 00:06:42,880 --> 00:06:47,159 Speaker 1: to be just wonderfully entertaining, engaging. He's he's a very 105 00:06:47,160 --> 00:06:52,000 Speaker 1: powerful presence. He's he's you know, he's he's very light 106 00:06:52,040 --> 00:06:54,839 Speaker 1: on his feet, isn't He's a very elegant actor. He's 107 00:06:55,640 --> 00:06:59,120 Speaker 1: even though he really he really holds the ground and 108 00:06:59,200 --> 00:07:03,359 Speaker 1: he's he's he's very um, you know, he's so present. 109 00:07:03,440 --> 00:07:06,080 Speaker 1: I mean, it's such a large but he is also 110 00:07:06,240 --> 00:07:09,520 Speaker 1: very nimble as an accurate and and and very elegant. 111 00:07:09,600 --> 00:07:14,960 Speaker 1: And their scenes together are just and right. And I 112 00:07:15,040 --> 00:07:18,280 Speaker 1: loved seeing how he saw her, maybe for the first 113 00:07:18,320 --> 00:07:22,040 Speaker 1: time since she realized her potential when she was growing up. 114 00:07:22,760 --> 00:07:25,640 Speaker 1: It's like, finally they're bonding and he's his eyes are opening, 115 00:07:25,640 --> 00:07:28,320 Speaker 1: and my daughter really is kind of an extraordinary woman, 116 00:07:28,400 --> 00:07:31,640 Speaker 1: isn't she. She's so competent. And you know what I 117 00:07:31,680 --> 00:07:34,840 Speaker 1: loved is that we didn't have to deal for very 118 00:07:34,920 --> 00:07:38,720 Speaker 1: long with his disappointment that she was not going to 119 00:07:38,840 --> 00:07:41,400 Speaker 1: work there with him, because I was like, oh, I 120 00:07:41,480 --> 00:07:44,160 Speaker 1: hope they don't like the labor this and it was like, oh, 121 00:07:44,240 --> 00:07:48,880 Speaker 1: at the party there was the assistant secretary that Lorelai wanted, 122 00:07:49,160 --> 00:07:51,280 Speaker 1: and it was all good. And then they had that 123 00:07:51,360 --> 00:07:55,040 Speaker 1: little like chat with each other with the lingo and 124 00:07:55,040 --> 00:07:57,240 Speaker 1: and we were good. I was like, yeah, that's how 125 00:07:57,280 --> 00:08:01,160 Speaker 1: it should be. But she was in the right. It's like, hey, 126 00:08:01,200 --> 00:08:04,280 Speaker 1: I'm not like rent a secretary. Here. I got my 127 00:08:04,320 --> 00:08:06,800 Speaker 1: own life that I built and I know you want 128 00:08:06,840 --> 00:08:08,800 Speaker 1: this and it's all working out beautifully and you respect 129 00:08:08,840 --> 00:08:11,120 Speaker 1: me now and you see I'm competent and you actually 130 00:08:11,120 --> 00:08:13,600 Speaker 1: are starting to like love me again as your daughter 131 00:08:14,280 --> 00:08:16,600 Speaker 1: and seeing me as somebody that you're not. You know, 132 00:08:16,680 --> 00:08:19,080 Speaker 1: you're not riding me hard, you're not putting me down, 133 00:08:19,160 --> 00:08:22,160 Speaker 1: You're not you're not giving me dirty looks anymore. You're 134 00:08:22,200 --> 00:08:24,200 Speaker 1: looking at me with love and you're looking at me 135 00:08:24,240 --> 00:08:27,000 Speaker 1: with respect because I'm helping you and I'm competent and 136 00:08:27,040 --> 00:08:28,880 Speaker 1: you can see this, and you can see what I am. 137 00:08:29,520 --> 00:08:32,120 Speaker 1: You can see that I didn't ruin my life and 138 00:08:32,160 --> 00:08:35,199 Speaker 1: here I am. I'm Laura I Gilmore and all her 139 00:08:35,240 --> 00:08:40,160 Speaker 1: glory helping you see your way through this, uh you know, 140 00:08:40,240 --> 00:08:44,920 Speaker 1: post retirement resurgen business venture, you know what I mean. 141 00:08:45,520 --> 00:08:47,840 Speaker 1: And it was one It was one wonderful to watch it. 142 00:08:47,880 --> 00:08:50,760 Speaker 1: And when she when she laid the law down on him, like, hey, 143 00:08:51,120 --> 00:08:53,720 Speaker 1: I'm just here to help you for a couple of days, Dad, 144 00:08:53,760 --> 00:08:57,000 Speaker 1: I cannot stay here, I'm not coming back tomorrow. He 145 00:08:57,080 --> 00:08:59,360 Speaker 1: got really but hurt because he knew she was right 146 00:08:59,800 --> 00:09:02,040 Speaker 1: and he wasn't going to get his way. Well, yeah, 147 00:09:02,040 --> 00:09:05,959 Speaker 1: he was so disappointed, just so good right, he wanted 148 00:09:06,000 --> 00:09:09,840 Speaker 1: her there, love being around her, and then her be 149 00:09:10,000 --> 00:09:16,439 Speaker 1: so skilled at running and office, all that experience she has, 150 00:09:16,559 --> 00:09:20,080 Speaker 1: you know, and and the chemistry is there. We saw 151 00:09:20,160 --> 00:09:27,080 Speaker 1: that beautiful chemistry emerge between those two without him judging her. Right, 152 00:09:27,920 --> 00:09:31,680 Speaker 1: it's not surprising that she's so successful because he is 153 00:09:31,720 --> 00:09:34,920 Speaker 1: so successful, but also so is Emily. Emily doesn't get 154 00:09:34,960 --> 00:09:38,080 Speaker 1: a lot of credit, but like she puts on those 155 00:09:38,120 --> 00:09:41,560 Speaker 1: parties and those events, that's like a full time job 156 00:09:41,640 --> 00:09:46,640 Speaker 1: that she does. So I do think Lorela learned a 157 00:09:46,679 --> 00:09:51,640 Speaker 1: lot from them about how to be a successful businesswoman. Well, 158 00:09:51,640 --> 00:09:55,120 Speaker 1: she's in the perfect profession, you know, running an in 159 00:09:56,120 --> 00:10:00,360 Speaker 1: keeping everything on time and classy, and she knows how 160 00:10:00,400 --> 00:10:03,800 Speaker 1: to make up for flubs and screw ups and just 161 00:10:03,840 --> 00:10:06,080 Speaker 1: send him in a free thing and a free rose 162 00:10:06,400 --> 00:10:08,920 Speaker 1: thing and a free chocolate and a free dinner. Free, 163 00:10:09,240 --> 00:10:10,520 Speaker 1: just go ahead and take care of him. And you 164 00:10:10,559 --> 00:10:14,480 Speaker 1: know that's what you do. So many people don't have 165 00:10:14,520 --> 00:10:17,920 Speaker 1: many questions. Go ahead, go ahead, let's start with everybody. 166 00:10:17,960 --> 00:10:19,920 Speaker 1: But really this is for Scott. What did you think 167 00:10:19,960 --> 00:10:25,400 Speaker 1: about sort of the idea that Luke went fishing he 168 00:10:25,679 --> 00:10:30,320 Speaker 1: just had to get out. Absolutely. I mean it's it's 169 00:10:30,360 --> 00:10:35,160 Speaker 1: the logical next move for Luke. It's like, go sit 170 00:10:35,280 --> 00:10:40,559 Speaker 1: in nature, forget about this garbage and uh, you know, disappear. 171 00:10:41,280 --> 00:10:43,800 Speaker 1: Go can go do his you know Henry David Threau, 172 00:10:43,920 --> 00:10:47,480 Speaker 1: go go commune with nature. Catch a fish. Town was 173 00:10:47,559 --> 00:10:51,520 Speaker 1: like you know what I mean. The town is lining 174 00:10:51,559 --> 00:10:56,640 Speaker 1: up outside the diner. So it's like they're realizing, like, hey, 175 00:10:56,720 --> 00:11:00,640 Speaker 1: this guy matters. And I think even though Lord I 176 00:11:00,679 --> 00:11:04,120 Speaker 1: wouldn't admit it, Rory really did, Like I think that's 177 00:11:04,120 --> 00:11:08,200 Speaker 1: scared Lord Lie like, oh god, no, this isn't my fault. 178 00:11:08,720 --> 00:11:12,400 Speaker 1: She can't find a dead cheeseburger. She couldn't find one 179 00:11:13,080 --> 00:11:16,800 Speaker 1: or good coffee. Yeah, So I thought it was like 180 00:11:16,920 --> 00:11:22,880 Speaker 1: really the right move for the character. It's exactly what 181 00:11:23,000 --> 00:11:29,640 Speaker 1: Luke would have done. It's just step away. That's Luke, 182 00:11:30,240 --> 00:11:32,080 Speaker 1: and we knew he's coming back, Like it wasn't like 183 00:11:32,120 --> 00:11:35,600 Speaker 1: he's left town, but like make him suffer withdrawn and 184 00:11:35,640 --> 00:11:40,560 Speaker 1: make him suffer. Yeah, I'm sure Luke didn't have a 185 00:11:40,600 --> 00:11:46,320 Speaker 1: great time fishing. He didn't catch them on by himself 186 00:11:46,320 --> 00:11:51,160 Speaker 1: in nature. The fish weren't biting, not getting any nibbles. 187 00:11:52,040 --> 00:11:54,040 Speaker 1: But you know he had to. I'm sure he got 188 00:11:54,080 --> 00:11:57,120 Speaker 1: something out of it, right. He seemed he seemed very 189 00:11:57,120 --> 00:12:00,480 Speaker 1: calm when he came back. He wasn't his usual self, right, Yeah, 190 00:12:00,520 --> 00:12:02,920 Speaker 1: he did. He seems very calm, didn't he? And I 191 00:12:02,960 --> 00:12:08,719 Speaker 1: attribute that to my high quality acting skills. Thank you 192 00:12:08,840 --> 00:12:12,640 Speaker 1: very much. Like and gentlemen, how do you come into 193 00:12:12,679 --> 00:12:17,079 Speaker 1: the scene important? What an important point? I'm I'm breaking 194 00:12:17,080 --> 00:12:21,920 Speaker 1: my arms patting myself on the back, But it's really 195 00:12:21,960 --> 00:12:24,840 Speaker 1: important that you pointed that out, because yeah, that was 196 00:12:24,960 --> 00:12:28,599 Speaker 1: so important to that scene, to us, and so noticeable 197 00:12:28,920 --> 00:12:30,959 Speaker 1: the scene. That scene, I mean, I know I said, 198 00:12:30,960 --> 00:12:35,240 Speaker 1: it was so quiet. It was nice, just the two 199 00:12:35,280 --> 00:12:38,800 Speaker 1: of them. He was calm, Yeah, and she's so calm. 200 00:12:39,000 --> 00:12:42,200 Speaker 1: They were both calm. He you know, I don't remember 201 00:12:42,280 --> 00:12:45,160 Speaker 1: anything about filming that scene. I don't remember that scene 202 00:12:45,160 --> 00:12:47,120 Speaker 1: at all, and I wish I did. Yeah, I don't 203 00:12:47,160 --> 00:12:51,440 Speaker 1: remember a thing about it. And but but now I 204 00:12:51,480 --> 00:12:54,960 Speaker 1: can see, you know, the technique coming into play where 205 00:12:55,760 --> 00:12:58,320 Speaker 1: I know I was asking myself all those questions, how 206 00:12:58,360 --> 00:13:03,600 Speaker 1: am I coming into this scene, what's the demeanor? What temperature? 207 00:13:03,600 --> 00:13:05,440 Speaker 1: Are you coming into this scene? And it has to 208 00:13:05,480 --> 00:13:08,040 Speaker 1: be different from any other scene you've ever done, because 209 00:13:08,080 --> 00:13:10,120 Speaker 1: you're with Rory now and it's quiet, and it's late 210 00:13:10,160 --> 00:13:12,880 Speaker 1: at night, and you didn't catch any Fitch Fitch Fitch 211 00:13:12,960 --> 00:13:17,360 Speaker 1: fish and certainly didn't catch any fitch um. There were 212 00:13:17,360 --> 00:13:20,400 Speaker 1: no Fitch to be caught. I was probably Fitch to 213 00:13:20,400 --> 00:13:23,520 Speaker 1: be tied because I didn't catch any fitch um. There 214 00:13:23,679 --> 00:13:26,000 Speaker 1: was such an how did this turn into Dr Seuss 215 00:13:26,000 --> 00:13:34,560 Speaker 1: all of a sudden? It's such an understanding between maybe 216 00:13:34,559 --> 00:13:36,800 Speaker 1: the two of you as actors, but also the two 217 00:13:36,840 --> 00:13:40,240 Speaker 1: of you as the characters. It's like Luke just gets 218 00:13:40,280 --> 00:13:42,480 Speaker 1: it and Alory just gets it, and they're just like 219 00:13:42,880 --> 00:13:46,000 Speaker 1: on the same page. We both love Jess, we both 220 00:13:46,000 --> 00:13:49,240 Speaker 1: see his potential. We're both heartbroken that he's not there. 221 00:13:49,480 --> 00:13:53,840 Speaker 1: We're both heartbroken that he got you know, stars hollow 222 00:13:53,880 --> 00:13:56,800 Speaker 1: as a meat grinder for a guy like that, he's 223 00:13:56,840 --> 00:13:58,560 Speaker 1: just not going to get away with that behavior. It's 224 00:13:58,600 --> 00:14:01,920 Speaker 1: too small town, um. You know. I also think it's 225 00:14:01,960 --> 00:14:07,079 Speaker 1: because Luke respects Rory really and truly, like he's saying, 226 00:14:07,280 --> 00:14:11,000 Speaker 1: not only do I respect you that this isn't your fault, 227 00:14:11,040 --> 00:14:13,840 Speaker 1: it isn't his fault, this isn't anyone's fault. This was 228 00:14:13,880 --> 00:14:17,079 Speaker 1: an accident and no one's in trouble and no one's 229 00:14:17,160 --> 00:14:22,040 Speaker 1: to blame and thank god, everyone's okay. Like just like that, 230 00:14:22,160 --> 00:14:30,640 Speaker 1: like Luke isn't going to demean Rory by acting like, oh, 231 00:14:30,680 --> 00:14:32,800 Speaker 1: you're just you know, like I said, like when youreually 232 00:14:32,880 --> 00:14:36,400 Speaker 1: a little girl who got like, you know, tricked by 233 00:14:36,440 --> 00:14:39,960 Speaker 1: a boy, it's like, no, Well, I think he respects 234 00:14:39,960 --> 00:14:45,160 Speaker 1: her brain. I think they're not close enough where he 235 00:14:45,240 --> 00:14:48,840 Speaker 1: feels like he has it's his place to get into 236 00:14:48,880 --> 00:14:54,320 Speaker 1: close to her or too deep inside her her life 237 00:14:54,480 --> 00:14:58,480 Speaker 1: where he is going to get judge or or you know, 238 00:14:58,600 --> 00:15:02,200 Speaker 1: start give being his opinion, and you know he's he's 239 00:15:02,320 --> 00:15:06,320 Speaker 1: he's at a comfortable distance I think with with Rory. Yeah, yeah, 240 00:15:06,400 --> 00:15:08,280 Speaker 1: And I think that's the way it should be because 241 00:15:08,360 --> 00:15:12,080 Speaker 1: he's just friends with Laurela anyway. I just think he 242 00:15:12,200 --> 00:15:16,440 Speaker 1: also I think he respects her decision making, which is 243 00:15:16,480 --> 00:15:20,160 Speaker 1: why he is like trusting her with Jesz, like tutoring 244 00:15:20,240 --> 00:15:23,400 Speaker 1: Jess or being friends with Jess. Whereas like let's talk 245 00:15:23,400 --> 00:15:30,320 Speaker 1: about Taylor's reaction, like all that pub did this to you? Do? 246 00:15:30,320 --> 00:15:33,200 Speaker 1: You know what I mean? Like, whereas no one is 247 00:15:35,360 --> 00:15:37,440 Speaker 1: like giving Rory the benefit of the doubt, is it 248 00:15:37,560 --> 00:15:40,200 Speaker 1: like she knew what she was doing. I gotta tell you, 249 00:15:40,880 --> 00:15:43,800 Speaker 1: that's my favorite line in the whole thing is Taylor says, 250 00:15:45,200 --> 00:15:48,920 Speaker 1: taking opioids like some of like those Hollywood people do. 251 00:15:50,520 --> 00:15:55,000 Speaker 1: He gave her the face. I laughed so hard. I 252 00:15:55,040 --> 00:15:59,640 Speaker 1: was like, Wow, he's like but that's you know, let's 253 00:15:59,680 --> 00:16:01,680 Speaker 1: get in to that a little bit, because that's how 254 00:16:01,760 --> 00:16:07,320 Speaker 1: people feel about Hollywood people. They do they just do, right. 255 00:16:08,200 --> 00:16:10,600 Speaker 1: I mean, I'm not trying to stir controversy here, but 256 00:16:10,920 --> 00:16:13,880 Speaker 1: it's it's, you know, people are tired of being preached at. 257 00:16:14,640 --> 00:16:16,680 Speaker 1: It's like, can we just live our lives? And like, 258 00:16:16,760 --> 00:16:19,280 Speaker 1: look what you guys are doing over there? And was 259 00:16:19,520 --> 00:16:24,600 Speaker 1: just such a funny line. That was a great scene. Waum. 260 00:16:25,600 --> 00:16:27,760 Speaker 1: I want to get Riley and Danielle's perspective, but I 261 00:16:27,800 --> 00:16:33,120 Speaker 1: know that we need to you know what, the fish 262 00:16:33,160 --> 00:16:36,160 Speaker 1: has been taken out of the bull. What the heck 263 00:16:36,160 --> 00:16:39,120 Speaker 1: are you talking about? You know what you're supposed to do, Scott, 264 00:16:39,400 --> 00:16:42,080 Speaker 1: The fish has been taken out of the bull. There 265 00:16:42,160 --> 00:16:44,800 Speaker 1: you go, you know, what I'm feeling like. Let's towel 266 00:16:44,840 --> 00:16:51,960 Speaker 1: off a little bit. Taken the ball, the eagle has landed. 267 00:16:52,360 --> 00:16:55,480 Speaker 1: There's fish, there's eagle. What's going on? All right, everybody, 268 00:16:55,520 --> 00:16:57,960 Speaker 1: let's let's towel off. For God's sake. I'm sweaty. I'm 269 00:16:57,960 --> 00:17:00,200 Speaker 1: gonna take this off. I wanna take a little break. 270 00:17:00,240 --> 00:17:03,200 Speaker 1: We come back. We're gonna address one of the biggest controversies, 271 00:17:03,280 --> 00:17:06,960 Speaker 1: by the way, uh in this episode. All right, we'll 272 00:17:06,960 --> 00:17:14,800 Speaker 1: see in a bit. Yeah, alright, we're back, everybody. We 273 00:17:14,880 --> 00:17:18,119 Speaker 1: are going to discuss one of the biggest controversies in 274 00:17:18,119 --> 00:17:21,840 Speaker 1: this entire episode, which is I want all of you 275 00:17:21,880 --> 00:17:29,720 Speaker 1: to give your opinions. Deans reaction too. I have I 276 00:17:29,760 --> 00:17:34,200 Speaker 1: have a word or two about that. I must say, 277 00:17:34,760 --> 00:17:39,280 Speaker 1: as a protector of Rory, I felt that his reaction 278 00:17:39,480 --> 00:17:43,720 Speaker 1: bordered on inappropriate violence. I did. I did not feel 279 00:17:43,760 --> 00:17:46,080 Speaker 1: comfortable with him kicking the bag like that. I did 280 00:17:46,160 --> 00:17:50,920 Speaker 1: not feel comfortable with a six ft four, glowering, angry 281 00:17:50,960 --> 00:17:56,600 Speaker 1: seventeen year old um going what what what and then 282 00:17:56,720 --> 00:17:59,000 Speaker 1: kicking the back. I mean, it was like she was scared. 283 00:17:59,440 --> 00:18:02,240 Speaker 1: She got scared, and I thought I shouldn't be laughing. 284 00:18:02,240 --> 00:18:05,640 Speaker 1: It's just your imitation, but good acting on his part. 285 00:18:05,760 --> 00:18:10,240 Speaker 1: Three different what's the temperature kept going up? But I thought, 286 00:18:10,880 --> 00:18:13,399 Speaker 1: I don't know if I want Rory in this situation 287 00:18:13,440 --> 00:18:16,080 Speaker 1: with this guy reading this letter, what he's reading taking 288 00:18:16,119 --> 00:18:19,399 Speaker 1: in it was bordering on he was going to whacker 289 00:18:19,640 --> 00:18:22,359 Speaker 1: and and I just did not like that. I was 290 00:18:22,400 --> 00:18:26,320 Speaker 1: ready to jump through the screen and say, pal go away. 291 00:18:26,520 --> 00:18:28,600 Speaker 1: What do you guys think? Did you feel uncomfortable for her? 292 00:18:29,200 --> 00:18:38,679 Speaker 1: Slightly different perspective, I I agree with you. For two minutes, 293 00:18:38,760 --> 00:18:41,359 Speaker 1: I was like, oh my god, angsty Dean is back, 294 00:18:41,520 --> 00:18:45,119 Speaker 1: like he is here, he is raging. But then he 295 00:18:45,200 --> 00:18:49,480 Speaker 1: had this like weird switch and he was like, you 296 00:18:49,480 --> 00:18:51,920 Speaker 1: know what, I'm not gonna I'm not gonna let him win. 297 00:18:52,160 --> 00:18:54,119 Speaker 1: That's what I was saying to myself. He was like, 298 00:18:54,240 --> 00:18:56,120 Speaker 1: I'm not going to let him get the best of me. 299 00:18:56,320 --> 00:18:58,919 Speaker 1: And then he totally was like you want roast, You 300 00:18:58,920 --> 00:19:00,480 Speaker 1: want to come in, you want to eat some roast. 301 00:19:00,760 --> 00:19:04,040 Speaker 1: Like literally, the juxtaposition of like the first seconds of 302 00:19:04,119 --> 00:19:07,879 Speaker 1: Dean to the end was so different. And yeah, he 303 00:19:08,000 --> 00:19:10,600 Speaker 1: was insane in the beginning, but then he just had 304 00:19:10,640 --> 00:19:15,160 Speaker 1: this like switch and I was like, oh, okay, Dean 305 00:19:15,520 --> 00:19:17,439 Speaker 1: like I'm going to give you props for that that 306 00:19:17,520 --> 00:19:19,800 Speaker 1: you're going to just say, you know what, I'm not 307 00:19:19,840 --> 00:19:22,320 Speaker 1: gonna let this get to me. You know what. I 308 00:19:22,320 --> 00:19:24,280 Speaker 1: think that's a dialogue I had in my head. Just 309 00:19:24,359 --> 00:19:28,920 Speaker 1: to interject here, I think he's done and I don't. 310 00:19:29,000 --> 00:19:31,640 Speaker 1: I don't. I don't know what's coming. But but I 311 00:19:31,640 --> 00:19:35,480 Speaker 1: I seem like, no, I think that he has decided 312 00:19:35,520 --> 00:19:39,919 Speaker 1: to move on in that moment. Am I wrong? I 313 00:19:39,920 --> 00:19:41,720 Speaker 1: had a different take on it, But Riley, you go first. 314 00:19:42,680 --> 00:19:44,119 Speaker 1: I feel like, I mean, and I might be in 315 00:19:44,160 --> 00:19:46,760 Speaker 1: on this one and the same I was like for 316 00:19:46,840 --> 00:19:50,840 Speaker 1: one w I was like Dean Razor standards like don't 317 00:19:51,000 --> 00:19:54,560 Speaker 1: don't just like go have it like I would be 318 00:19:54,680 --> 00:19:57,520 Speaker 1: really mad, stay mad, take some type apart, think about 319 00:19:57,600 --> 00:19:59,800 Speaker 1: process your feelings. Don't just like come break up with 320 00:20:01,040 --> 00:20:03,639 Speaker 1: just do something like So, Riley, my question for you 321 00:20:03,720 --> 00:20:07,840 Speaker 1: there is it's not the accident that he should be 322 00:20:07,920 --> 00:20:10,080 Speaker 1: upset about. It's that she was like basically on a 323 00:20:10,160 --> 00:20:13,560 Speaker 1: date with Jess exactly he was. She was spending time 324 00:20:13,600 --> 00:20:16,720 Speaker 1: with Jess again alone while he was out of town. 325 00:20:17,880 --> 00:20:20,760 Speaker 1: I would I would be like, right, you're not tutoring. 326 00:20:21,160 --> 00:20:23,600 Speaker 1: I'm not mad at her for tutoring Jeff. That's totally cool. 327 00:20:23,880 --> 00:20:26,320 Speaker 1: But like, right, if I was Dean, I'd be a 328 00:20:26,320 --> 00:20:28,280 Speaker 1: little suspect on like wait, why are you going to 329 00:20:28,280 --> 00:20:30,040 Speaker 1: get ice cream? And why are you driving around in 330 00:20:30,040 --> 00:20:35,880 Speaker 1: the car like they were on a date. So yeah, 331 00:20:35,920 --> 00:20:40,000 Speaker 1: my take on it is just that Dean's relieved, so 332 00:20:40,160 --> 00:20:44,320 Speaker 1: relieved that Jess is gone that he's just like so happy, 333 00:20:44,440 --> 00:20:47,560 Speaker 1: like Okay, now I just get what I want. I 334 00:20:47,600 --> 00:20:49,679 Speaker 1: don't have to worry about this anymore. So it's like 335 00:20:49,720 --> 00:20:53,000 Speaker 1: he's not even like going there with the fact that 336 00:20:53,040 --> 00:20:55,520 Speaker 1: like she wants Jess, she wants to be with Jess, 337 00:20:55,520 --> 00:20:58,560 Speaker 1: she's on this date with Jess. He's just like, oh good, 338 00:20:59,040 --> 00:21:02,200 Speaker 1: is he gone? Like is really gone? Yeah, he's gone. Okay, 339 00:21:02,200 --> 00:21:05,720 Speaker 1: good on some roast who believes that, like literally, I 340 00:21:05,800 --> 00:21:09,439 Speaker 1: was like Rory, like he Jess is coming back like 341 00:21:09,680 --> 00:21:13,520 Speaker 1: next weekend, you know, Like no, you don't believe that 342 00:21:14,520 --> 00:21:18,040 Speaker 1: she's coming back next weekend. You'll see. I'm not going 343 00:21:18,080 --> 00:21:21,400 Speaker 1: to say because it's so major what happens. It's I mean, 344 00:21:21,400 --> 00:21:25,119 Speaker 1: we're coming to the end of the season, guys. Everyone 345 00:21:25,119 --> 00:21:27,439 Speaker 1: has to remember we're coming to the end of the season. 346 00:21:27,520 --> 00:21:31,240 Speaker 1: You know, you know, what's what's also notable is in 347 00:21:31,359 --> 00:21:35,360 Speaker 1: the arc of the series, in the narrative of the series, 348 00:21:35,400 --> 00:21:38,320 Speaker 1: this kid's stuff is taking over, isn't it. I mean, 349 00:21:38,359 --> 00:21:41,720 Speaker 1: this is really becoming like kind of the thrust of 350 00:21:41,760 --> 00:21:44,480 Speaker 1: the show. And I know c W are at the time. 351 00:21:44,520 --> 00:21:47,280 Speaker 1: I think it became c W after year one of 352 00:21:47,359 --> 00:21:50,399 Speaker 1: the series. It really exkews younger younger. They were really 353 00:21:50,440 --> 00:21:54,480 Speaker 1: trying to go younger, younger, younger. So it's all I 354 00:21:54,520 --> 00:21:57,600 Speaker 1: don't know. For me, it's a fifty fifty, a real 355 00:21:57,760 --> 00:22:02,520 Speaker 1: solid Gilmore girls are. Rory is half the storyline and 356 00:22:02,560 --> 00:22:05,080 Speaker 1: whatever is impacting her, whether it's a relationship, it could 357 00:22:05,080 --> 00:22:06,879 Speaker 1: be with her mom, could be with her grandparents, and 358 00:22:06,920 --> 00:22:09,200 Speaker 1: then lower La is really truly half the story line. 359 00:22:09,200 --> 00:22:11,840 Speaker 1: And sometimes it's with Rory, sometimes it's with you, sometimes 360 00:22:11,840 --> 00:22:15,320 Speaker 1: with her significant other, her work, her parents. For me, 361 00:22:15,440 --> 00:22:20,080 Speaker 1: it's just a perfect fifty fifty kid adult story. I 362 00:22:20,119 --> 00:22:22,920 Speaker 1: don't know. I think it feels to me, okay, so yeah, 363 00:22:23,080 --> 00:22:25,760 Speaker 1: so it feels to me like the kids stuff is 364 00:22:25,840 --> 00:22:28,679 Speaker 1: the A story and the adult stuff is to be 365 00:22:30,040 --> 00:22:34,640 Speaker 1: the adult stuff is supporting the A story. We'll gonna disagree, 366 00:22:34,760 --> 00:22:37,399 Speaker 1: I'm gonna disagree, but I respect it because it's a 367 00:22:37,520 --> 00:22:42,239 Speaker 1: real close, real close, and it is compelling, and I 368 00:22:42,280 --> 00:22:44,600 Speaker 1: like how they weave it in and they don't dwell 369 00:22:45,480 --> 00:22:48,679 Speaker 1: on it. It's just the sort of scenes that really pop. 370 00:22:49,080 --> 00:22:52,880 Speaker 1: They're well placed, they're well acted, they're well written, um, 371 00:22:52,880 --> 00:22:57,320 Speaker 1: super impactful. Speaking up, as we have all this going on, 372 00:22:57,400 --> 00:22:59,359 Speaker 1: we have two other things to talk about, one being 373 00:22:59,440 --> 00:23:04,120 Speaker 1: Carol Kay. Yeah. Wow, wasn't she great? Yeah? And so 374 00:23:04,200 --> 00:23:07,480 Speaker 1: that was just a complete storyline in and of itself 375 00:23:07,960 --> 00:23:13,200 Speaker 1: for Lane that I liked. Yeah, great stuff, great stuff. 376 00:23:13,200 --> 00:23:15,399 Speaker 1: She discovered her purpose in life. What a moment in 377 00:23:15,440 --> 00:23:17,840 Speaker 1: somebody's life to discover their purpose in life they want 378 00:23:17,840 --> 00:23:20,280 Speaker 1: to be a drummer. And what a great scene when she, 379 00:23:20,359 --> 00:23:24,400 Speaker 1: after she excitedly explained this to to Rory, she walks 380 00:23:24,440 --> 00:23:28,199 Speaker 1: back inside and joins the choir, her mother's choir, singing 381 00:23:28,240 --> 00:23:34,479 Speaker 1: Bible songs. So I thought that was really cool. And 382 00:23:34,520 --> 00:23:39,320 Speaker 1: then another sort of totally independent storyline was the fact 383 00:23:39,440 --> 00:23:42,440 Speaker 1: that Lukes's closed and off they go to the Hungry Diner, 384 00:23:43,200 --> 00:23:45,359 Speaker 1: which I'm not even clear where the Hungry Dinner was, 385 00:23:45,400 --> 00:23:47,200 Speaker 1: but I thought it was hilarious that Shell was there. 386 00:23:47,320 --> 00:23:49,960 Speaker 1: I thought that was awkward. That was an awkward scene 387 00:23:50,000 --> 00:23:53,119 Speaker 1: for me because he was being so hostile to his 388 00:23:53,280 --> 00:23:58,240 Speaker 1: boss in a public place. He stood up and snootied 389 00:23:58,240 --> 00:24:02,600 Speaker 1: out of there without having touched his eggs. I mean, 390 00:24:02,640 --> 00:24:07,440 Speaker 1: it's like, I think, I think there needed to be more. 391 00:24:07,960 --> 00:24:09,680 Speaker 1: There needed to be more to that scene, or there 392 00:24:09,720 --> 00:24:12,399 Speaker 1: needed to be less to that scene. I did. That 393 00:24:12,520 --> 00:24:15,760 Speaker 1: scene did not work for me. I thought her reaction 394 00:24:15,920 --> 00:24:18,640 Speaker 1: was off, off the mark because she was still so 395 00:24:18,640 --> 00:24:21,800 Speaker 1: sunny and optimistic, and you know, she just got abused 396 00:24:21,800 --> 00:24:25,240 Speaker 1: by that guy, her employee. Oh but it's so him, 397 00:24:25,320 --> 00:24:27,240 Speaker 1: and I know it's so him, and it was funny 398 00:24:27,280 --> 00:24:29,320 Speaker 1: in the beginning of his table, Can I have a bite? 399 00:24:29,359 --> 00:24:30,760 Speaker 1: And I don't want to give away my favorite line, 400 00:24:30,760 --> 00:24:32,879 Speaker 1: but it's can I have a bite? Get away from me? 401 00:24:33,160 --> 00:24:36,880 Speaker 1: Like it's so good. Did you guys notice I think 402 00:24:36,880 --> 00:24:38,720 Speaker 1: they took it too far with the character. I think 403 00:24:38,720 --> 00:24:43,520 Speaker 1: they took it. That's possibly it. Did you guys notice 404 00:24:44,200 --> 00:24:48,000 Speaker 1: something massive in the background of the scene at the 405 00:24:48,080 --> 00:24:52,000 Speaker 1: Hungary diner? Please tell me I've seen it. When Rory 406 00:24:52,080 --> 00:24:56,000 Speaker 1: and Lorel are at their table and um, they asked 407 00:24:56,040 --> 00:24:59,879 Speaker 1: for the bowl of coffee. I have an answer to 408 00:25:00,119 --> 00:25:04,040 Speaker 1: this because I did make notes on inconsistency. So you 409 00:25:04,200 --> 00:25:08,120 Speaker 1: just that, you know, you discuss your theories now, well, 410 00:25:08,160 --> 00:25:11,920 Speaker 1: I want somebody to try and figure it out. I'll 411 00:25:11,920 --> 00:25:16,000 Speaker 1: give you a hint. Don't don't need hints. Oh well, 412 00:25:16,000 --> 00:25:19,600 Speaker 1: then you tell me it's not the clownfellow. Nope, this 413 00:25:19,680 --> 00:25:23,560 Speaker 1: is in the Hungry Diner. Richard would have liked this place. 414 00:25:24,040 --> 00:25:27,280 Speaker 1: Richard would have liked this. Oh grapefruit, yes, did you 415 00:25:27,320 --> 00:25:32,200 Speaker 1: see it? There's grape fruit. There was a fruit of fact. 416 00:25:34,640 --> 00:25:36,280 Speaker 1: Do you know? Do you know now I eat I 417 00:25:36,280 --> 00:25:38,560 Speaker 1: eat a great half a great fruit every morning now 418 00:25:38,680 --> 00:25:41,720 Speaker 1: because of this, because it's because of Richard. Yeah, it's 419 00:25:41,720 --> 00:25:46,200 Speaker 1: good for you. I love it. Yeah, so juicy. Yeah, 420 00:25:46,280 --> 00:25:50,359 Speaker 1: I don't know what grape fruit season is. Sour for 421 00:25:50,400 --> 00:25:53,840 Speaker 1: the morning though. No, you can't like brush your teeth 422 00:25:53,880 --> 00:26:00,159 Speaker 1: right after good eye, good eye, Riley. Okay, Scott, you 423 00:26:00,160 --> 00:26:05,000 Speaker 1: tell us, tell us what you saw in the music 424 00:26:05,040 --> 00:26:08,679 Speaker 1: store seeing there was a song playing in the background, right, 425 00:26:08,720 --> 00:26:12,000 Speaker 1: it's Wilco's heavy metal drummer, which is perfect for Lane. 426 00:26:12,160 --> 00:26:18,600 Speaker 1: Um So as a side note, you know, why don't 427 00:26:18,640 --> 00:26:21,760 Speaker 1: we here's an idea, though, why don't we make a 428 00:26:21,800 --> 00:26:27,160 Speaker 1: segment every episode and discussed the music in the show. Sure, 429 00:26:27,400 --> 00:26:29,439 Speaker 1: because that's that's the note I mean, is we should 430 00:26:29,520 --> 00:26:33,320 Speaker 1: we should be you know, discussing this. So what do 431 00:26:33,359 --> 00:26:36,840 Speaker 1: you think? A hundred percent? Yes, agree because music is 432 00:26:36,880 --> 00:26:40,280 Speaker 1: an important part of the show. It's huge, huge. But anyway, 433 00:26:40,359 --> 00:26:42,919 Speaker 1: let's talk about Carol King and how delightful that was. 434 00:26:43,560 --> 00:26:47,320 Speaker 1: Do you remember meeting her? I? Well, I didn't see 435 00:26:47,320 --> 00:26:50,040 Speaker 1: her on that episode because we didn't work together. I 436 00:26:50,080 --> 00:26:51,600 Speaker 1: only you know when I met her. I met her 437 00:26:51,600 --> 00:26:55,480 Speaker 1: on the Netflix reboot. Yeah. I think she came and 438 00:26:55,480 --> 00:26:57,160 Speaker 1: did a day or she at least visited the set 439 00:26:57,160 --> 00:26:58,719 Speaker 1: one day and I took a bunch of pictures with her. 440 00:26:58,760 --> 00:27:02,399 Speaker 1: I was all through. Yeah, yeah, it's really cool. That 441 00:27:02,480 --> 00:27:07,960 Speaker 1: must have been pretty major for like Keiko to be 442 00:27:08,000 --> 00:27:13,399 Speaker 1: able to beat in that scene King. Whoa And really 443 00:27:13,480 --> 00:27:15,400 Speaker 1: was she the only one in the scenes with Carol King? 444 00:27:16,000 --> 00:27:19,399 Speaker 1: Was Roy? Did Roy ever go inside? I don't think so. No, 445 00:27:19,560 --> 00:27:22,760 Speaker 1: she just she walked right by. That's pretty Major's Carol 446 00:27:22,880 --> 00:27:27,200 Speaker 1: King with some acting chops? What's wrong your your legs, 447 00:27:27,200 --> 00:27:29,760 Speaker 1: don't bend sit down, get on, get down on the 448 00:27:29,800 --> 00:27:34,880 Speaker 1: stole and anything. Yeah she was great, she was Yeah, 449 00:27:34,960 --> 00:27:37,160 Speaker 1: I was confused about that. Don't touch anything. But sit 450 00:27:37,240 --> 00:27:44,240 Speaker 1: down on the drum set. She's being a New Yorky salesperson, right, 451 00:27:44,400 --> 00:27:51,840 Speaker 1: just sit down, don't touch ye. The main thrust for 452 00:27:51,880 --> 00:27:57,760 Speaker 1: me was Richard and uh and Laurel I and I. 453 00:27:58,359 --> 00:28:01,679 Speaker 1: That was wonderful. Not a lot happened in this episode. 454 00:28:01,760 --> 00:28:04,040 Speaker 1: I mean it really just sort of moved the ball 455 00:28:04,119 --> 00:28:09,080 Speaker 1: forward a little bit some resolution with Dean. Jess is gone. 456 00:28:09,119 --> 00:28:11,840 Speaker 1: We're going to anticipate him coming back. Obviously he's going 457 00:28:11,880 --> 00:28:16,200 Speaker 1: to come back at some point. Um, you know, Luke's 458 00:28:16,200 --> 00:28:18,560 Speaker 1: not there. A lot of this episode was up in 459 00:28:18,600 --> 00:28:21,720 Speaker 1: the air, like like Luke and Jess are gone, they're 460 00:28:21,720 --> 00:28:25,520 Speaker 1: not in this epo coming back to Jean's coming back, 461 00:28:25,880 --> 00:28:29,480 Speaker 1: right right right? So, but I I thought all of 462 00:28:29,520 --> 00:28:34,600 Speaker 1: the Richard laurelized stuff was engaging. It was interesting. I 463 00:28:34,640 --> 00:28:37,480 Speaker 1: thought Sally Struthers had my comic scene in this one too, 464 00:28:37,920 --> 00:28:42,160 Speaker 1: when she's a great monologue. Great, you know it's more 465 00:28:42,240 --> 00:28:45,200 Speaker 1: role victims. You know is sure they're tin and they 466 00:28:45,320 --> 00:28:47,760 Speaker 1: got chest hair. You could carp at the dining room 467 00:28:47,840 --> 00:28:56,960 Speaker 1: with you know what a line? Right, always liked she Sally. Okay, 468 00:28:56,960 --> 00:28:59,760 Speaker 1: so so send me the hate emails. But yeah, is 469 00:28:59,800 --> 00:29:03,960 Speaker 1: that of Struthers didn't deserve Emmy consideration for comedy. Are 470 00:29:04,000 --> 00:29:06,680 Speaker 1: you kidding me? I mean that woman can make you 471 00:29:06,800 --> 00:29:10,440 Speaker 1: laugh out loud, long and hard. Man. I mean she's 472 00:29:10,960 --> 00:29:14,200 Speaker 1: every single appearance she makes, she's hitting it out of 473 00:29:14,240 --> 00:29:16,640 Speaker 1: the park. Yeah. I was glad, you know, I was 474 00:29:16,680 --> 00:29:19,000 Speaker 1: really glad to see and it's isn't it wonderful to 475 00:29:19,040 --> 00:29:25,800 Speaker 1: see Richard coming back. He's he's he's coming out of retirement. 476 00:29:25,920 --> 00:29:28,400 Speaker 1: He's back in the hunt again, and he's he closed 477 00:29:28,440 --> 00:29:31,000 Speaker 1: the swede. What he nailed what nailed down the swede 478 00:29:31,000 --> 00:29:32,959 Speaker 1: as he called it. Is that what they said, bag swede. 479 00:29:35,400 --> 00:29:40,240 Speaker 1: It's not about bagging swedes, Laurela. It's about forming relationships 480 00:29:40,240 --> 00:29:42,640 Speaker 1: and doing favors for people that you know. This guy. 481 00:29:45,360 --> 00:29:48,960 Speaker 1: I will make a quick little note that um Kelly 482 00:29:49,000 --> 00:29:53,800 Speaker 1: Bishop has made her appearance on Mrs Maisel and Scott Cohen. 483 00:29:54,280 --> 00:29:57,960 Speaker 1: So Scott Cohen left the Resident. If you're wondering where 484 00:29:58,000 --> 00:30:00,440 Speaker 1: Max Medina is, he left the Resident where he was 485 00:30:00,560 --> 00:30:03,760 Speaker 1: icky and now he had a scene in Mazel where 486 00:30:03,760 --> 00:30:07,080 Speaker 1: he was like, you know, fine, he was, he was good. 487 00:30:07,120 --> 00:30:08,960 Speaker 1: He just plays like a rich dad who wants his 488 00:30:09,040 --> 00:30:14,360 Speaker 1: daughters get married. M hm. So yeah, there we're tracking 489 00:30:14,600 --> 00:30:17,400 Speaker 1: where Max Medina is. We actually this week have a 490 00:30:17,440 --> 00:30:21,440 Speaker 1: little nod to Maxi Medina or pop culture to wait 491 00:30:21,520 --> 00:30:26,200 Speaker 1: for that. So very satisfying episode, very attaining, very funny, 492 00:30:26,520 --> 00:30:32,200 Speaker 1: very emotional. It was nice to see father and daughter 493 00:30:32,320 --> 00:30:34,800 Speaker 1: coming together. It was really nice to see Luke and 494 00:30:35,000 --> 00:30:41,160 Speaker 1: and Rory come together. It was almost a father daughter moment, definitely, um, 495 00:30:41,200 --> 00:30:44,280 Speaker 1: but it was it was deeply emotional. I mean, I 496 00:30:44,720 --> 00:30:47,000 Speaker 1: was very surprised at how I felt at the end 497 00:30:47,000 --> 00:30:49,000 Speaker 1: of that episode, and I welled up, and I walked 498 00:30:49,000 --> 00:30:51,000 Speaker 1: into the kitchen and tears, And I said to my wife, 499 00:30:51,000 --> 00:30:54,920 Speaker 1: I said, that show just made me cry. She she goes, 500 00:30:55,000 --> 00:31:02,040 Speaker 1: buck up, soldier, get out of here. Um, what else 501 00:31:02,040 --> 00:31:04,960 Speaker 1: did we miss? That's what I'm checking. I'm just checking 502 00:31:05,000 --> 00:31:10,719 Speaker 1: my notes here. You have a clown pillow half shown 503 00:31:10,920 --> 00:31:16,360 Speaker 1: just the top. Really Yeah, when um Rory went to 504 00:31:16,400 --> 00:31:23,280 Speaker 1: go get the money underneath the rabbi pizza, it was Okay. 505 00:31:23,280 --> 00:31:27,280 Speaker 1: I have a question before we go, Scott. Do you 506 00:31:27,360 --> 00:31:32,160 Speaker 1: think Luke left town because of the fight with Loralai 507 00:31:33,400 --> 00:31:36,560 Speaker 1: or because he was like heartbroken over the incident with 508 00:31:36,680 --> 00:31:42,600 Speaker 1: Jess both. Yeah, I mean he probably felt like a 509 00:31:42,680 --> 00:31:48,480 Speaker 1: failure on every level. He failed everybody, and now he's 510 00:31:48,520 --> 00:31:51,480 Speaker 1: lost his nephew. He failed at that, and now he's 511 00:31:51,520 --> 00:31:54,800 Speaker 1: lost his the love of his life as a friend. Maybe, 512 00:31:55,160 --> 00:31:58,640 Speaker 1: so he failed at that, you know, so he needed 513 00:31:58,840 --> 00:32:02,040 Speaker 1: he needed to go commune with nature and you know, 514 00:32:02,680 --> 00:32:05,760 Speaker 1: stare at his belly button and have a clubhouse meeting 515 00:32:05,760 --> 00:32:08,920 Speaker 1: with himself as it were, you know, and trying to 516 00:32:08,960 --> 00:32:13,080 Speaker 1: gather his thoughts and get his bearings back. So yeah, 517 00:32:13,080 --> 00:32:17,400 Speaker 1: a very wise thing to do, um, because I'll tell 518 00:32:17,440 --> 00:32:19,320 Speaker 1: you, you you know, getting in a fight with her, jeez, 519 00:32:20,080 --> 00:32:24,080 Speaker 1: she can bring it good. God, that's like getting in 520 00:32:24,080 --> 00:32:26,880 Speaker 1: the ring with a vander Holyfield. As I'm going through 521 00:32:26,960 --> 00:32:30,600 Speaker 1: my notes, I think we should point out this important line. 522 00:32:31,120 --> 00:32:34,040 Speaker 1: Ma said, I'm sick of this. I'm sick of everyone 523 00:32:34,080 --> 00:32:36,640 Speaker 1: treating me like I'm some kind of mindless idiot being 524 00:32:36,720 --> 00:32:39,600 Speaker 1: led around by a guy. And I really think that's 525 00:32:39,640 --> 00:32:45,479 Speaker 1: so important. She was so irritated that everyone thought she 526 00:32:45,680 --> 00:32:48,880 Speaker 1: was a type of girl who could be you know, 527 00:32:49,920 --> 00:32:52,720 Speaker 1: led by a boy or swooned by a boy to 528 00:32:53,280 --> 00:32:55,920 Speaker 1: doing something that wasn't totally her decision. But guess what, 529 00:32:56,160 --> 00:33:01,160 Speaker 1: that's the entire point of this show. That is why 530 00:33:01,360 --> 00:33:05,719 Speaker 1: Amy wrote this show, Because anybody. You know, there's been 531 00:33:05,760 --> 00:33:11,440 Speaker 1: shows about small towns with edgy characters, right and heartwarm 532 00:33:11,560 --> 00:33:15,200 Speaker 1: and lovely characters, you know, exotic characters. There's been a 533 00:33:15,200 --> 00:33:17,440 Speaker 1: lot of shows about that, but it's never been written 534 00:33:17,560 --> 00:33:20,520 Speaker 1: in the point of view of what you just stated. 535 00:33:21,600 --> 00:33:24,600 Speaker 1: It's like, these aren't idiots, they aren't being led around 536 00:33:24,680 --> 00:33:27,480 Speaker 1: by men. They can do it themselves. That's the point 537 00:33:27,520 --> 00:33:32,440 Speaker 1: of the show. That's it. It's it's it's it's it's 538 00:33:32,480 --> 00:33:36,040 Speaker 1: a it's a statement of female empowerment. But we're gonna 539 00:33:36,040 --> 00:33:37,800 Speaker 1: put it in this little town and we're gonna put 540 00:33:37,800 --> 00:33:41,200 Speaker 1: it in these situations. Yeah, you know, I didn't have 541 00:33:41,280 --> 00:33:43,920 Speaker 1: a ton of fashion standouts in this episode. I will 542 00:33:43,960 --> 00:33:49,160 Speaker 1: say apologies to those falling along for fashion. I appreciate 543 00:33:49,200 --> 00:33:51,800 Speaker 1: someone on Instagram also trying to help me find that 544 00:33:51,880 --> 00:33:59,440 Speaker 1: pink dog sweater. Keep looking, keep looking for people. There's 545 00:33:59,440 --> 00:34:04,000 Speaker 1: there's another one. Um, well, maybe we maybe we can 546 00:34:04,040 --> 00:34:07,680 Speaker 1: cover this in pop culture. But Richard talks about the 547 00:34:07,680 --> 00:34:11,560 Speaker 1: Gary Berghoff character and Mash the Mash series, that tiny, 548 00:34:11,560 --> 00:34:14,920 Speaker 1: tiny little man that the anticipates, You're just like that 549 00:34:14,960 --> 00:34:19,920 Speaker 1: tiny little man in Mash. It anticipates Laurel covered ed 550 00:34:20,000 --> 00:34:24,799 Speaker 1: Herman once guest starred in a nine episode of mash. 551 00:34:25,280 --> 00:34:29,000 Speaker 1: Oh that's a nice tippeta. I'm nervous for next week. 552 00:34:29,160 --> 00:34:33,839 Speaker 1: Why broke me down? Made me cry? Talk about talk 553 00:34:33,880 --> 00:34:41,520 Speaker 1: about entertain Should I get the tissues ready for next week? Yeah? Yeah, 554 00:34:41,960 --> 00:34:43,239 Speaker 1: So that's when I this is what, this is what 555 00:34:43,320 --> 00:34:45,800 Speaker 1: happened in my life and my kind of semi retirement 556 00:34:45,800 --> 00:34:48,439 Speaker 1: doing a podcast. I sit around in my media room 557 00:34:48,880 --> 00:34:53,279 Speaker 1: in my office eleven o'clock in the morning, weeping at 558 00:34:53,280 --> 00:34:58,759 Speaker 1: Gilmore Girls episodes, just like everybody else. I am one 559 00:34:58,760 --> 00:35:04,600 Speaker 1: of you, now I was just one of you. Anyway, 560 00:35:04,680 --> 00:35:09,040 Speaker 1: wonderful episode, um, and we're going to wrap it up 561 00:35:09,120 --> 00:35:12,120 Speaker 1: for graduation. We are going to say so, thanks ladies, 562 00:35:12,560 --> 00:35:16,680 Speaker 1: much appreciated, best fans on the planet. Love you guys, 563 00:35:16,760 --> 00:35:49,320 Speaker 1: Thanks for downloading. We'll see you next time. Stay safe, 564 00:35:49,960 --> 00:35:53,000 Speaker 1: hey everybody, and don't forget Follow us on Instagram at 565 00:35:53,320 --> 00:35:57,239 Speaker 1: I Am All In podcast and email us at Gilmore 566 00:35:57,520 --> 00:36:01,160 Speaker 1: at I Heart radio dot com. Oh you get more fans. 567 00:36:01,200 --> 00:36:02,920 Speaker 1: If you're looking for the best cup of coffee in 568 00:36:02,960 --> 00:36:06,400 Speaker 1: the world, go to my website for my company scott 569 00:36:06,360 --> 00:36:08,560 Speaker 1: ep dot com, s C O T T y P 570 00:36:08,760 --> 00:36:22,560 Speaker 1: dot com. Scott ep dot com Grade one Specialty Coffee. Yeah.