WEBVTT - How TV Ratings Work

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<v Speaker 1>Welcome to you Stuff you Should Know from House Stuff

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<v Speaker 1>Works dot com. Hey, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark. There's Charles W. Chuckers Bryant, and there's Jerry W.

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<v Speaker 1>Jerre Rowland. Actually, Jerry has been canceled, okay, due to

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<v Speaker 1>low ratings. You know it's funny, is um. Jerry has

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<v Speaker 1>been portrayed on television and a TV show that was

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<v Speaker 1>canceled due to poor ratings. Poor ratings. That was our show.

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<v Speaker 1>That was our show. We had a television show once.

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<v Speaker 1>It was called Stuff you should Know. It was a

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<v Speaker 1>slightly fictionalized version of our life, our work life. We

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<v Speaker 1>made a sitcom. Yeah we did. It's pretty cool and

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<v Speaker 1>a lot of people loved it, and a lot of

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<v Speaker 1>people are like, what in the world did you do

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<v Speaker 1>it that way for? So that a lot it's like

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<v Speaker 1>basically ten and ten. Oh, yeah, you're referring to the

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<v Speaker 1>tony people who've seen that show. Yeah, actually we'll get

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<v Speaker 1>to that at all. But we um, we know a

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<v Speaker 1>little bit about how TV ratings work because of that,

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<v Speaker 1>and uh, in some ways I believe we're a victim

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<v Speaker 1>of the antiquated system that is the Nielsen TV ratings. Now, dude,

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<v Speaker 1>it's it's it's antiquated, it's changing. I do not disagree

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<v Speaker 1>with the antiquated part. What I do disagree with is

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<v Speaker 1>that had it been up to date, I think it

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<v Speaker 1>would have had zero impact on our success. I don't know, man,

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<v Speaker 1>I will say this to the people out there, what um.

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<v Speaker 1>What the network did was they looked only at one number,

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<v Speaker 1>which is the amount of people that sat down in

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<v Speaker 1>front of their television set on a Saturday night live

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<v Speaker 1>at ten pm to watch our show. They did not

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<v Speaker 1>count things that we'll talk about, like online streaming or

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<v Speaker 1>DVR um or anything like that, which is what makes

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<v Speaker 1>it antiquated. Because it's it's changing. Man. People aren't watching

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<v Speaker 1>TV like they used to. But they're basing a lot

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<v Speaker 1>of these uh decisions on a system that was designed

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<v Speaker 1>in the nineteen fifties. So let's go back, man. It

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<v Speaker 1>goes back even further than that, back in three the A. C.

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<v Speaker 1>Nielsen Company started. At the time, people who were broadcasting

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<v Speaker 1>radio wanted to know what people were listening to. So

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<v Speaker 1>there are a lot of companies that would telephone up

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<v Speaker 1>family at random and say, say, fella, what are you

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<v Speaker 1>listening to right now? On the old Victor Rola, the

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<v Speaker 1>Amazing adventure A. And uh, he'd say, hey, thanks a lot,

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<v Speaker 1>bub talk to you later, and they'd hang up a

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<v Speaker 1>nickel for your trouble, they wish, because we're talking depression

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<v Speaker 1>at this time. Um well not later on, they wished

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<v Speaker 1>the head a nickel. Here's a chicken for your pot.

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<v Speaker 1>That's a Hoover reference. Man, you don't get those two

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<v Speaker 1>often try to bust him out. So the Nielsen Company said,

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<v Speaker 1>that's all finding good. That's great that you guys are

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<v Speaker 1>figuring out what people are listening to, but we have

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<v Speaker 1>something even better because we are a technological powerhouse. And

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<v Speaker 1>what they did was they randomly picked some families around

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<v Speaker 1>America and said, say, can we put this cool recording

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<v Speaker 1>device in your home near your radio and it will

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<v Speaker 1>record what you're listening to at any given time, and

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<v Speaker 1>then we'll send technicians out to pick it up from

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<v Speaker 1>time to time to get the information off of it,

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<v Speaker 1>and then bring it back so we can keep recording it.

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<v Speaker 1>And family said sure, and the Nielsen Company's domination of

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<v Speaker 1>broadcast ratings was sealed. After that point, everybody from every

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<v Speaker 1>competitor they had was just peanuts compared to the Nielsen Company,

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<v Speaker 1>so much so that when you hear TV ratings, it's

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<v Speaker 1>synonymous with Nielsen ratings, very much like Kleenex and UH

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<v Speaker 1>facial tissue are one and the same same thing, thanks

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<v Speaker 1>to Nielsen's technological powerhouse. The irony of it, though, is

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<v Speaker 1>once they started installing those boxes in the twenties or thirties,

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<v Speaker 1>and then they moved on to television sets, the innovation,

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<v Speaker 1>I mean they innovated somewhat fundamentally principally, it remained the

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<v Speaker 1>same until a year or two ago. Yeah, and they're not, Um,

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<v Speaker 1>we'll get into all the hardware of the the hardware

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<v Speaker 1>side of how it works. But what they did in

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<v Speaker 1>n with send actual little diaries that you would fill

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<v Speaker 1>out and pencil and send back. And they still do

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<v Speaker 1>that today in two thousand fourteen, even though in two

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<v Speaker 1>thousand six they said they were going to stop. They

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<v Speaker 1>still send those little diaries. And you get a little

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<v Speaker 1>diary in the mail with five one dollar bills really

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<v Speaker 1>in the envelope for your troubles, and they look like

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<v Speaker 1>the modern nickel, Yeah exactly. And they rely on lazy,

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<v Speaker 1>dishonest people to fill out this card and mail it

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<v Speaker 1>back and then go spend that five dollars on a

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<v Speaker 1>on a grande a latte. It would have gotten a

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<v Speaker 1>lot more. Oh man, you could have bought a car.

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<v Speaker 1>But but that is the diary version. What UM and

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<v Speaker 1>and the networks and advertisers have never liked the diary version.

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<v Speaker 1>They still don't know. But it's what's called sweep sweek,

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<v Speaker 1>which is hard to say. That's right, and we'll get

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<v Speaker 1>it sweeps in a second. But um what they mainly

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<v Speaker 1>like to rely on are two different electronic hardware methods

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<v Speaker 1>UM the set meters as in TV set and people meters.

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<v Speaker 1>And right now they have by they plan to have

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<v Speaker 1>more than sixty TV set meters. And this is just

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<v Speaker 1>for the US and Canada, by the way, because everyone

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<v Speaker 1>else's TV is weird. Yeah, simon, do you ever watched

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<v Speaker 1>TV in different countries when you're traveling and stuff? Yes,

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<v Speaker 1>and it is so much fun. It is fun. But

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<v Speaker 1>after a while you're like, I really miss American TV. Yeah,

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<v Speaker 1>but I mean, if you're traveling abroad, you shouldn't be

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<v Speaker 1>watching a whole lot of TV. Exact, it's like late

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<v Speaker 1>night in the hotel. It's one of but it's one

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<v Speaker 1>of the great plus is as you're just like, I

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<v Speaker 1>don't feel like watching this, will go out and see

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<v Speaker 1>the site instead. Yeah. I think I was in Belgium

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<v Speaker 1>watching TV with my buddy Brett years and years ago,

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<v Speaker 1>and uh that was translated in English and subtitles and

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<v Speaker 1>one of the characters said something and I guess I

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<v Speaker 1>don't know if it was Flemish, and the other guy

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<v Speaker 1>just looked and said I and it said me too.

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<v Speaker 1>So we still say that today when we're responding me

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<v Speaker 1>to do each other, we'll go I all those years later.

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<v Speaker 1>So anyway, Um, the set, yeah, I said there was

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<v Speaker 1>in thirty one uh markets, TV markets, and then there

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<v Speaker 1>are about thirty five thousand, I believe. Now people meeters

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<v Speaker 1>in those homes, I'm sorry, in about twenty homes, and

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<v Speaker 1>those people meeters are more specific because you can have

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<v Speaker 1>three people meeters in one house. We want to see

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<v Speaker 1>what little Susie's watching, We want to see what her

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<v Speaker 1>brother Randy's watching, and they won't see what her dad

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<v Speaker 1>watches after everyone's gone to bed. Yeah, so each one

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<v Speaker 1>of them will have their own little people meter that

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<v Speaker 1>they'll turn on. And I always thought that these things

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<v Speaker 1>were connected to your television like your cable box and

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<v Speaker 1>it just kind of read the information, but they're actually

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<v Speaker 1>listening devices. Isn't that weird? Totally blew my mind. So basically,

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<v Speaker 1>the podcast the way that the way that Nielsen figures

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<v Speaker 1>out what TV show you're talking to is because they

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<v Speaker 1>have a device that's connected to the Internet that um

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<v Speaker 1>is eaves dropping on your TV. And they just in

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<v Speaker 1>two thousand and six finally got to the point where

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<v Speaker 1>they perfected this technology, and they have codes that broadcasters,

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<v Speaker 1>the networks and the local affiliates have to put in

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<v Speaker 1>to their audio stream, the audio video stream that the

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<v Speaker 1>audio stream is it just audio, yeah, but they're trying

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<v Speaker 1>to come up with the video version. So basically, there's

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<v Speaker 1>a a sound, there's a frequency that you can't hear.

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<v Speaker 1>I don't even think your dog can hear it, but

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<v Speaker 1>it comes through your TV and your Nielsen box can

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<v Speaker 1>hear it. And it's a it's basically an audio fingerprint

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<v Speaker 1>for a show. And when the Nielsen box here's that audio,

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<v Speaker 1>it can be like, oh, well, they're watching good Times

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<v Speaker 1>right now, that's funny. I was just thinking that Good Times, yeah,

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<v Speaker 1>and then I was like, no, let should say Three's

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<v Speaker 1>Company instead. It depends, and then he said good Times.

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<v Speaker 1>Although if you watch good Times long enough, there's an

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<v Speaker 1>episode of Three's Company coming on eventually on that channel.

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<v Speaker 1>That's I think good Times and maybe my favorite all

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<v Speaker 1>time theme song. That's a good one. Oh man, it's

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<v Speaker 1>so good, it's ridiculous. Did I tell you Henry Mancini

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<v Speaker 1>did the the What's Happening? Theme song? Yes? What episode

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<v Speaker 1>is that? In just a few ago it was number

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<v Speaker 1>stations because the sound that the shortwave thing. So uh,

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<v Speaker 1>That's how Nielsen has been figuring out what people are watching,

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<v Speaker 1>which is mind blowing. It's also if it's a little backwards, yeah,

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<v Speaker 1>it may be emblematic of a larger systematic resistance towards

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<v Speaker 1>technological improvement. Yeah. Or if it seems a little small

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<v Speaker 1>as far as the sample pool goes, Umi, it is.

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<v Speaker 1>But what they do is they extrapolate that number, just

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<v Speaker 1>like polsters do, and they say, well, this these are

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<v Speaker 1>average markets, these are average families. Um so if these

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<v Speaker 1>eventually sixty TV sets are watching this, we can pull

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<v Speaker 1>that out and and do some sort of They probably

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<v Speaker 1>do it on a chalkboard in a room. There's this

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<v Speaker 1>one guy who has the piece of chalk and the

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<v Speaker 1>extrapolate sets out and says, well, this is what America

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<v Speaker 1>is watching, which always has bugged me, especially when you

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<v Speaker 1>have a TV show that gets canceled. It is because

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<v Speaker 1>it all comes down to just how representative is your sample.

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<v Speaker 1>So there's six TV sets there, sixty by two thoften

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<v Speaker 1>right now in two thous in fourteen may have two

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<v Speaker 1>thousand fourteen. There are a hundred and sixteen point three

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<v Speaker 1>million TV set from the US. So this is a

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<v Speaker 1>very small sample size. But if the guy with the

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<v Speaker 1>chalk um Bert can can come up with a very

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<v Speaker 1>good representative portion of the US, Like there's this many

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<v Speaker 1>UM divorced Hispanic families, there's this many UM gay Asian households.

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<v Speaker 1>There's like this many you know, Mitt Romney voters, and

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<v Speaker 1>like they take all these guys and put them together

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<v Speaker 1>and it's a clear cross section of America. That's America, baby.

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<v Speaker 1>You should be able to extrapolate pretty pretty well from that.

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<v Speaker 1>That's true. It just all depends on how good their

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<v Speaker 1>statisticians are, that's right. And they do audits over the

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<v Speaker 1>years and quality checks of course, and compare ratings from

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<v Speaker 1>different samples. So it's not like they just said, yeah,

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<v Speaker 1>I saw we're doing it, although they sort of do that,

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<v Speaker 1>but they do they do quality checks of course. Yeah.

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<v Speaker 1>One of the problems is like there's been so few

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<v Speaker 1>challenges from outside competition that Nielsen can do whatever it wants,

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<v Speaker 1>and it's so powerful that it literally has the entire

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<v Speaker 1>television industry at its feet. It decides what rating a

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<v Speaker 1>TV show gets, and ultimately, the whole point to all

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<v Speaker 1>of this stuff, the TV ratings in general, is so

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<v Speaker 1>that networks and their local affiliates can set advertising rates

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<v Speaker 1>for advertisers. There's seventy eight billion dollars at stake. That's

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<v Speaker 1>the advertising spent in a year on television, and it

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<v Speaker 1>all comes down to what rating. Nielsen, with the representative

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<v Speaker 1>sample and their audio eavesdropping boxes and their five dollar

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<v Speaker 1>bills in a paper diary, decide that your TV show got.

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<v Speaker 1>That's right. That's the dirty little secret is that they

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<v Speaker 1>don't care how many people are watching that TV show.

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<v Speaker 1>They care about how many people are watching the commercials. Yeah,

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<v Speaker 1>that's really what they're looking at, and more specifically, what demographic,

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<v Speaker 1>which is why I don't think we mentioned why the

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<v Speaker 1>people meters are so valuable, because they want to get

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<v Speaker 1>that specific demo so they can show advertisers eighteen to

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<v Speaker 1>forty nine year olds, they spend a ton of money

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<v Speaker 1>and they're watching uh, they're watching Community, but no one

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<v Speaker 1>else is, so will cancel Community, which is kind of crazy,

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<v Speaker 1>as we'll see in a little a little while. Yeah,

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<v Speaker 1>but um, just quickly let me go over. I think

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<v Speaker 1>most people know this. But if you've got a half

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<v Speaker 1>hour TV show and um, you're gonna have twenty two

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<v Speaker 1>minutes of UH TV show, then you're gonna have eight

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<v Speaker 1>minutes of commercial. Six of those are national ads sold

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<v Speaker 1>by the network, and then your local affiliate. That's where

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<v Speaker 1>you're gonna get your awesome commercials. The Wolf two minutes

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<v Speaker 1>worth or crazy Eddie. I remember it was big up

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<v Speaker 1>in the Northeast and then so this is two thousand

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<v Speaker 1>and six. I couldn't find one recently, but back in

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<v Speaker 1>two thousand and six, you if you're buying a commercial

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<v Speaker 1>slot from a local affiliate, you're gonna pay about dollars

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<v Speaker 1>to two thousand dollars depending on This is during the daytime.

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<v Speaker 1>This isn't like three am, depending on what show. So

0:13:06.800 --> 0:13:09.120
<v Speaker 1>like back when Oprah was on, you could get a

0:13:09.160 --> 0:13:13.800
<v Speaker 1>thirty second spot for ninety bucks you could. Yeah, you

0:13:13.840 --> 0:13:16.040
<v Speaker 1>could also pay up to two thousand dollars for it,

0:13:16.320 --> 0:13:19.600
<v Speaker 1>and then apparently you're going to double that for um

0:13:19.640 --> 0:13:22.720
<v Speaker 1>a national ad for a thirty second spot during the day,

0:13:22.880 --> 0:13:27.320
<v Speaker 1>which isn't just not outlandish. Well that's how crazy Eddie.

0:13:27.320 --> 0:13:29.360
<v Speaker 1>I mean, yeah, or the wolf Man. They don't have

0:13:29.360 --> 0:13:32.160
<v Speaker 1>a ton of money. Although I don't know, the wolf

0:13:32.160 --> 0:13:34.680
<v Speaker 1>Man wore a lot of jewelry. For those of you

0:13:34.720 --> 0:13:37.559
<v Speaker 1>who don't know who the Wolfman is, we understand because

0:13:37.600 --> 0:13:41.480
<v Speaker 1>you probably didn't live in Atlanta. Yeah, I bet it

0:13:41.559 --> 0:13:44.320
<v Speaker 1>was Southeast I bet it was on like WTVS and stuff.

0:13:44.600 --> 0:13:47.720
<v Speaker 1>All you have to do is go type in Wolfman, Donna,

0:13:48.280 --> 0:13:51.800
<v Speaker 1>gallery furniture into the YouTube's and it will show you

0:13:51.880 --> 0:13:55.120
<v Speaker 1>some classic gallery furniture ads. Or just type in, hey,

0:13:55.160 --> 0:13:58.360
<v Speaker 1>ask for the Wolfman. No, ask for Donna. I don't

0:13:58.360 --> 0:14:01.319
<v Speaker 1>remember that part. What you don't remember Donna, his daughter

0:14:01.520 --> 0:14:06.240
<v Speaker 1>with the hair. The whole premise of the ad, wanted

0:14:06.240 --> 0:14:09.120
<v Speaker 1>you to come see him, and she'd say, Hey, ask

0:14:09.200 --> 0:14:12.040
<v Speaker 1>for the Wolfman. She'd go no, ask for Donna. She'd

0:14:12.040 --> 0:14:14.320
<v Speaker 1>always get his goat. All right, So let's take a

0:14:14.320 --> 0:14:17.000
<v Speaker 1>break here and then we'll talk about you mentioned Sweeps

0:14:17.040 --> 0:14:19.440
<v Speaker 1>Week and we'll talk about that right after this. Yeah,

0:14:19.520 --> 0:14:26.320
<v Speaker 1>we will, all right, sweeps Everyone's heard it. Um it

0:14:26.440 --> 0:14:29.480
<v Speaker 1>is a bit. Yeah, everyone hears about you know this

0:14:29.600 --> 0:14:32.000
<v Speaker 1>is sweeps Weeks. That's when well, well we'll tell you

0:14:32.080 --> 0:14:34.000
<v Speaker 1>what it is. This is the fact that the podcast

0:14:34.040 --> 0:14:37.560
<v Speaker 1>to me what sweets Week? Yeah, where it came from

0:14:37.600 --> 0:14:41.720
<v Speaker 1>and why it exists. Well, in when they started sending

0:14:41.720 --> 0:14:47.000
<v Speaker 1>out those TV diaries and uh, they made a geographic

0:14:47.040 --> 0:14:49.640
<v Speaker 1>sweep starting in the northeast, across the country from east

0:14:49.640 --> 0:14:53.960
<v Speaker 1>to west, and they collected the little booklets and those

0:14:54.000 --> 0:14:58.240
<v Speaker 1>were our first reportings of TV writings. So before they

0:14:58.240 --> 0:15:01.760
<v Speaker 1>had they had the eaves offing boxes that they were using.

0:15:01.800 --> 0:15:05.560
<v Speaker 1>But it was basically like, um, this this These are

0:15:06.280 --> 0:15:09.280
<v Speaker 1>I think maybe up the twenty thousand households at one

0:15:09.320 --> 0:15:13.320
<v Speaker 1>point in the major markets. There's the great thing about

0:15:13.360 --> 0:15:15.800
<v Speaker 1>the paper diaries is they could go into local markets,

0:15:15.840 --> 0:15:19.280
<v Speaker 1>smaller markets and find out not just what you know,

0:15:19.600 --> 0:15:22.000
<v Speaker 1>the people in New York or l A or Chicago

0:15:22.040 --> 0:15:25.080
<v Speaker 1>were watching, but what the people in you know, Santa

0:15:25.080 --> 0:15:29.160
<v Speaker 1>Fe were watching too, or you know, Fort Lauderdale. Those

0:15:29.200 --> 0:15:33.040
<v Speaker 1>are saying, how does it play in Santa Fe? Sheboygan

0:15:33.160 --> 0:15:37.480
<v Speaker 1>or something probably or Walla, Walla, I can't remember. It

0:15:37.480 --> 0:15:39.320
<v Speaker 1>may have been a movie thing too, but that there's

0:15:39.360 --> 0:15:41.560
<v Speaker 1>an industry saying, how does it play in the city.

0:15:41.760 --> 0:15:44.400
<v Speaker 1>It's got a rhyme because that's what matters, you know.

0:15:44.480 --> 0:15:46.200
<v Speaker 1>Of course New York, in l A and the major

0:15:46.240 --> 0:15:49.720
<v Speaker 1>markets are going to consume. Uh. They want to know

0:15:49.920 --> 0:15:52.840
<v Speaker 1>what your average household wants to see, right, And this

0:15:52.880 --> 0:15:56.600
<v Speaker 1>is this is the first time that anyone had ever

0:15:56.720 --> 0:16:01.480
<v Speaker 1>taken a really comprehensive snapshot of what America was watching

0:16:01.800 --> 0:16:04.240
<v Speaker 1>in a given week. And so they said, hey, this

0:16:04.320 --> 0:16:07.040
<v Speaker 1>worked really well. We're gonna start doing this every year.

0:16:07.240 --> 0:16:10.000
<v Speaker 1>We're gonna have what's now called a sweep Sweek and

0:16:10.040 --> 0:16:12.560
<v Speaker 1>it's going to be on this week. And so the

0:16:12.600 --> 0:16:15.120
<v Speaker 1>TV executive said, well, wait a minute, wait a minute,

0:16:15.480 --> 0:16:18.280
<v Speaker 1>sweep Sweek, this is what we're gonna start setting our

0:16:18.320 --> 0:16:21.520
<v Speaker 1>advertising rates against. And it's gonna be this week, and

0:16:21.640 --> 0:16:24.560
<v Speaker 1>I'm going to do the craziest stuff I can think

0:16:24.600 --> 0:16:28.480
<v Speaker 1>of to get ratings as as big and wide as

0:16:28.520 --> 0:16:32.080
<v Speaker 1>I possibly can grab on that week. And that is

0:16:32.120 --> 0:16:35.200
<v Speaker 1>where sweep Sweek came from. And we have seen some

0:16:35.280 --> 0:16:38.640
<v Speaker 1>pretty interesting things as a result of sweeps week. Yeah,

0:16:38.720 --> 0:16:42.359
<v Speaker 1>there's um a great tradition of stunt casting during sweeps week.

0:16:42.720 --> 0:16:44.800
<v Speaker 1>Justin Bieber will show up on c S. I. I

0:16:44.840 --> 0:16:46.520
<v Speaker 1>didn't see that one to do, and I don't watch

0:16:46.520 --> 0:16:48.240
<v Speaker 1>that show, and if I did, I would have punched

0:16:48.280 --> 0:16:52.200
<v Speaker 1>my TV if he showed up on it. Um, if

0:16:52.240 --> 0:16:54.840
<v Speaker 1>you're gonna shoot JR, You're gonna do it during sweep sweek.

0:16:54.960 --> 0:16:57.320
<v Speaker 1>Oh yeah. The late night talk shows are gonna load

0:16:57.400 --> 0:17:00.280
<v Speaker 1>up their their biggest A list guest during sweeps week.

0:17:00.560 --> 0:17:03.600
<v Speaker 1>E R did a live show. Yes, I've actually watched

0:17:03.600 --> 0:17:04.960
<v Speaker 1>that one, and I wasn't an e R fan. I

0:17:05.000 --> 0:17:06.720
<v Speaker 1>just wanted to see if they could pull it off. Right.

0:17:06.760 --> 0:17:09.640
<v Speaker 1>It's pretty cool. Ellen used to have a sitcom based

0:17:09.680 --> 0:17:12.520
<v Speaker 1>on her life and she came out on that show

0:17:13.119 --> 0:17:17.680
<v Speaker 1>during sweep Sweell. Yeah, that's right. And very famously, there

0:17:17.760 --> 0:17:22.560
<v Speaker 1>was a not one, not two, but thrice part Happy

0:17:22.680 --> 0:17:25.680
<v Speaker 1>Days where Fonzie jumps the shark on water skis that

0:17:25.800 --> 0:17:30.240
<v Speaker 1>sweep that happened during sweep sweek. Wow, that's a sweeps failure. Well,

0:17:30.280 --> 0:17:32.680
<v Speaker 1>I'll know if people watched it. Yeah. I don't guess

0:17:32.680 --> 0:17:35.680
<v Speaker 1>you can call it a failure because that's probably as iconic. Yeah,

0:17:35.680 --> 0:17:37.719
<v Speaker 1>it's part of the lexicon. Now do you remember an

0:17:37.800 --> 0:17:44.199
<v Speaker 1>Arrested development where Henry Winkler jumps over Shark Classic. Uh,

0:17:44.320 --> 0:17:50.520
<v Speaker 1>these days, sweep Sweek is actually sixteen weeks because they

0:17:50.520 --> 0:17:53.119
<v Speaker 1>have I don't know if but narrowed it down. They

0:17:53.119 --> 0:17:56.080
<v Speaker 1>broadened it out to four four week periods in November

0:17:56.119 --> 0:18:00.560
<v Speaker 1>of February, May and July, and they still old trot

0:18:00.600 --> 0:18:04.119
<v Speaker 1>out uh special things for sweeps but it's not it

0:18:04.160 --> 0:18:07.119
<v Speaker 1>definitely doesn't have the teeth that it used to because

0:18:07.200 --> 0:18:09.560
<v Speaker 1>the way that people consume media these days, which we're

0:18:09.560 --> 0:18:12.760
<v Speaker 1>gonna you know, start getting into, so not it doesn't

0:18:12.760 --> 0:18:14.560
<v Speaker 1>have the teeth that it used to. And and as

0:18:14.560 --> 0:18:17.720
<v Speaker 1>a result, um, a lot of networks have kind of stopped,

0:18:18.119 --> 0:18:20.280
<v Speaker 1>like you said, doing the stunt casting and that kind

0:18:20.280 --> 0:18:24.760
<v Speaker 1>of stuff. But it's still as a um um, it's

0:18:24.760 --> 0:18:29.160
<v Speaker 1>still basically holding broadcast TV hostage because that is still

0:18:29.400 --> 0:18:33.000
<v Speaker 1>what advertisers want to see, Well, what are your ratings

0:18:33.040 --> 0:18:35.480
<v Speaker 1>during sweeps Week? And that's what they set their ad

0:18:35.560 --> 0:18:39.160
<v Speaker 1>rates against. So the fact that there are these four

0:18:39.400 --> 0:18:44.399
<v Speaker 1>month long sweeps weeks um means that the broadcasters have

0:18:44.560 --> 0:18:48.600
<v Speaker 1>to follow the normal fall the summer broadcast model with

0:18:48.720 --> 0:18:55.000
<v Speaker 1>reruns in between. Yeah, and this is for for NBC, ABC, CBS, Fox,

0:18:55.040 --> 0:18:58.720
<v Speaker 1>like the major broadcast networks non cable networks, which is

0:18:58.920 --> 0:19:06.720
<v Speaker 1>a completely dying beast. Yeah, because they rely exclusively on advertising,

0:19:07.520 --> 0:19:11.000
<v Speaker 1>and cable has been eating their lunch because advertising has

0:19:11.040 --> 0:19:13.720
<v Speaker 1>been going down. It looks like it's already peaked. It's

0:19:13.720 --> 0:19:17.400
<v Speaker 1>still seventy eight million dollars billion billion. Yes, you're right,

0:19:17.800 --> 0:19:21.680
<v Speaker 1>but cable takes a huge substantial portion of that in advertising.

0:19:22.480 --> 0:19:25.560
<v Speaker 1>But then even when advertising rates go down, cable still

0:19:25.600 --> 0:19:30.280
<v Speaker 1>survives because cable makes money off of subscriber fees and

0:19:30.520 --> 0:19:33.639
<v Speaker 1>transmission fees to Yeah, exactly, which is why a cable

0:19:34.160 --> 0:19:37.560
<v Speaker 1>has a big leg up. And also they can um

0:19:37.640 --> 0:19:40.160
<v Speaker 1>they don't have a traditional television season. They can release

0:19:40.200 --> 0:19:44.160
<v Speaker 1>stuff all year long and you can binge watch it. Yeah,

0:19:44.200 --> 0:19:47.120
<v Speaker 1>which is happening. That's that's the new model. So, like

0:19:47.160 --> 0:19:49.920
<v Speaker 1>we said, for many years, um Nielsen was just kind

0:19:49.960 --> 0:19:53.879
<v Speaker 1>of as this one Wired article, the Nielsen family is

0:19:53.880 --> 0:19:57.280
<v Speaker 1>dead put it. It was in a torpor. And the

0:19:57.359 --> 0:20:01.720
<v Speaker 1>first thing that really per um, the first thing that

0:20:01.800 --> 0:20:07.679
<v Speaker 1>really roused um Nielsen was DVRs Because when DVRs came along,

0:20:08.000 --> 0:20:11.520
<v Speaker 1>the advertising industry was like, oh god, people can fast

0:20:11.560 --> 0:20:15.200
<v Speaker 1>forward through ads now like they've always dreamed of doing

0:20:15.240 --> 0:20:18.520
<v Speaker 1>exactly now they can, And it was the basically the

0:20:18.560 --> 0:20:22.639
<v Speaker 1>television apocalypse, and that didn't pan out because advertisers figured

0:20:22.680 --> 0:20:24.960
<v Speaker 1>out that, yeah, people can ever we can pass forward

0:20:25.040 --> 0:20:27.959
<v Speaker 1>two ads. But there's ways to still get your message

0:20:27.960 --> 0:20:31.000
<v Speaker 1>across at sixteen time speed. You can do things called

0:20:31.000 --> 0:20:34.000
<v Speaker 1>pop busters where you use the actors or the look

0:20:34.080 --> 0:20:36.320
<v Speaker 1>or the set of the TV show that you're advertising

0:20:36.359 --> 0:20:38.760
<v Speaker 1>within to make them think like the show just came

0:20:38.800 --> 0:20:41.000
<v Speaker 1>back on and you caught them. Because it's really an

0:20:41.000 --> 0:20:43.439
<v Speaker 1>ad um there's all sorts of stuff you can do,

0:20:43.480 --> 0:20:46.800
<v Speaker 1>so it hasn't been an advertising apocalypse. And as a result,

0:20:46.960 --> 0:20:49.600
<v Speaker 1>because DVRs are clearly clearly here to stay and have

0:20:49.760 --> 0:20:53.640
<v Speaker 1>been since you know, the early two thousands, um Nielsen

0:20:53.720 --> 0:20:56.040
<v Speaker 1>has had to kind of finally be like, Okay, we

0:20:56.080 --> 0:20:57.960
<v Speaker 1>need to innovate a little bit and figure out how

0:20:58.040 --> 0:21:03.160
<v Speaker 1>to include DVR because not everybody's sitting down at eight

0:21:03.160 --> 0:21:06.560
<v Speaker 1>o'clock on a Monday night and watching Murder. She wrote,

0:21:06.880 --> 0:21:09.639
<v Speaker 1>nobody is man. I watched a couple of episodes the

0:21:09.640 --> 0:21:13.320
<v Speaker 1>other night. I love that show. I've never seen one episode.

0:21:13.560 --> 0:21:17.480
<v Speaker 1>What I know, man, it is good? Is it's good?

0:21:18.640 --> 0:21:22.160
<v Speaker 1>Another thing too? Uh? Just the backtrack is I've noticed

0:21:22.240 --> 0:21:26.000
<v Speaker 1>lately is UM, you're on demand watching, which a lot

0:21:26.040 --> 0:21:30.040
<v Speaker 1>of cable companies. I'm a Comcast person by because I'm

0:21:30.080 --> 0:21:33.720
<v Speaker 1>forced to be. UM. A lot of the the on

0:21:33.840 --> 0:21:36.600
<v Speaker 1>demand shows now within the first like a couple of

0:21:36.600 --> 0:21:39.800
<v Speaker 1>weeks that they're available, you can't fast forward through. Oh yeah,

0:21:39.960 --> 0:21:42.320
<v Speaker 1>like you hit the fast forward button and a little

0:21:42.560 --> 0:21:46.040
<v Speaker 1>null sign comes up and says, sorry, you're gonna have

0:21:46.119 --> 0:21:52.280
<v Speaker 1>to sit through this. The DVR, I guess the fact

0:21:52.320 --> 0:21:56.639
<v Speaker 1>that the DVR is connected to the internet, yeah, and

0:21:56.840 --> 0:22:00.800
<v Speaker 1>is because it's getting show information that the actual show

0:22:00.960 --> 0:22:03.640
<v Speaker 1>is being recorded on your physical hard drive. I'm sure

0:22:03.640 --> 0:22:07.280
<v Speaker 1>there's cloud DVR recorders or whatever, but for the most part,

0:22:07.359 --> 0:22:10.880
<v Speaker 1>there's a hard drive that's recording shows onto your DVR.

0:22:11.119 --> 0:22:13.600
<v Speaker 1>And then the other capability is that it is connected

0:22:13.600 --> 0:22:15.800
<v Speaker 1>to the Internet, which is where it gets show information

0:22:15.800 --> 0:22:19.080
<v Speaker 1>and all that stuff to present to you. But the Internet,

0:22:19.280 --> 0:22:21.080
<v Speaker 1>as you may have figured out by now, is a

0:22:21.080 --> 0:22:24.679
<v Speaker 1>two way streak. Not only can information be downloaded to

0:22:24.760 --> 0:22:27.960
<v Speaker 1>your home, it can be uploaded and that includes your preferences.

0:22:28.440 --> 0:22:32.160
<v Speaker 1>How what shows you watch, how often you watch them

0:22:32.160 --> 0:22:34.119
<v Speaker 1>when you watch them, And so all of a sudden,

0:22:34.119 --> 0:22:38.040
<v Speaker 1>the DVR companies are like, hey, Nielsen's giving you guys,

0:22:38.080 --> 0:22:42.080
<v Speaker 1>like eight pm on NBC ratings. We've got all of

0:22:42.119 --> 0:22:45.040
<v Speaker 1>these other ratings that they're not taking into account that

0:22:45.160 --> 0:22:47.399
<v Speaker 1>you can get from us. Not only that, but they

0:22:47.440 --> 0:22:51.600
<v Speaker 1>can actually tell when you're pausing your TV because the

0:22:51.640 --> 0:22:56.280
<v Speaker 1>infamous nip slip hate even saying those words, uh, and

0:22:56.320 --> 0:22:59.119
<v Speaker 1>the two thousand four Super Bowl with Janet Jackson, they uh,

0:22:59.200 --> 0:23:03.480
<v Speaker 1>TiVo the people are DVR company, although the people still

0:23:03.560 --> 0:23:05.639
<v Speaker 1>use TVO. They probably do. I don't know. It's like

0:23:05.680 --> 0:23:07.720
<v Speaker 1>every local cable company has around d v R now

0:23:07.800 --> 0:23:10.679
<v Speaker 1>it seems like it. But um, they were able to

0:23:10.680 --> 0:23:13.800
<v Speaker 1>say that was the most replayed clip uh in the

0:23:13.880 --> 0:23:16.480
<v Speaker 1>history of TVO up into that point was people pausing

0:23:16.480 --> 0:23:20.439
<v Speaker 1>and rewinding. That's stupid, stupid stunt, right, But like you

0:23:20.440 --> 0:23:25.240
<v Speaker 1>were saying, they've now decided, um, but at least some

0:23:25.320 --> 0:23:29.440
<v Speaker 1>networks have decided they're gonna start counting. Um. What's called

0:23:29.720 --> 0:23:33.160
<v Speaker 1>the DVR I'm so better the DVR plus system, which

0:23:33.200 --> 0:23:37.159
<v Speaker 1>is DVR UM live plus Same Day. Yeah, that's the

0:23:37.240 --> 0:23:41.040
<v Speaker 1>Nielsen method. Live plus three days or Live plus three

0:23:41.359 --> 0:23:44.440
<v Speaker 1>and then Live plus seven, which is obviously Live plus

0:23:44.440 --> 0:23:46.240
<v Speaker 1>same days if you just watch it later that night.

0:23:46.880 --> 0:23:49.119
<v Speaker 1>Um plus three is three days within three days, and

0:23:49.160 --> 0:23:51.159
<v Speaker 1>then seven is within that week. And I'm staying like,

0:23:51.200 --> 0:23:56.080
<v Speaker 1>conflicting information out there. Seems like either they they now

0:23:56.200 --> 0:23:59.919
<v Speaker 1>have basically just Live plus Live plus three, which is

0:24:00.240 --> 0:24:03.680
<v Speaker 1>um like their main measurement. Well, what matters is what

0:24:03.760 --> 0:24:07.840
<v Speaker 1>the advertisers say is what we care about. Like, you

0:24:07.880 --> 0:24:10.280
<v Speaker 1>can have Live plus twenty, but if the advertisers are like,

0:24:10.440 --> 0:24:12.359
<v Speaker 1>we don't care about Live plus twenty, that doesn't do

0:24:12.400 --> 0:24:15.439
<v Speaker 1>anything for us exactly, It's true, but it sounds like

0:24:15.480 --> 0:24:18.159
<v Speaker 1>you're right. Like at one point they tried to say

0:24:18.200 --> 0:24:20.520
<v Speaker 1>that Live plus same Day is basically the same thing

0:24:20.640 --> 0:24:23.359
<v Speaker 1>Nielsen did and the advertising and they wanted to lump

0:24:23.359 --> 0:24:26.960
<v Speaker 1>it together with Live and and the advertisers like, no,

0:24:27.119 --> 0:24:30.160
<v Speaker 1>that's really not the same because of the fast forwarding thing. Yeah,

0:24:30.160 --> 0:24:32.920
<v Speaker 1>so let's at least separate these numbers out so we

0:24:32.960 --> 0:24:35.959
<v Speaker 1>can look at it all as individually. Yeah. Um, the

0:24:35.960 --> 0:24:39.159
<v Speaker 1>thing is is the people who are watching TV, you know,

0:24:39.280 --> 0:24:43.399
<v Speaker 1>I EU and I UM, we don't care what the

0:24:43.400 --> 0:24:45.919
<v Speaker 1>advertisers think. And they basically just need to keep up

0:24:45.920 --> 0:24:49.840
<v Speaker 1>with our viewing habits, which are changing radically. Yeah, the

0:24:49.960 --> 0:24:55.080
<v Speaker 1>broadcast networks have lost seventeen percent of the most coveted

0:24:55.080 --> 0:24:59.119
<v Speaker 1>demographic eighteen to forty nine year olds between two thousand

0:24:59.119 --> 0:25:04.120
<v Speaker 1>and twelve and two thousand just gone. Part of that

0:25:04.240 --> 0:25:07.959
<v Speaker 1>is because the networks put out terrible, terrible stuff, although

0:25:08.200 --> 0:25:12.280
<v Speaker 1>so did the cable networks these days too. But another

0:25:12.320 --> 0:25:15.280
<v Speaker 1>part of it is because broadcast is stuck in this

0:25:15.600 --> 0:25:21.639
<v Speaker 1>sweep weeks sweeps week um certain time and on a

0:25:21.720 --> 0:25:26.399
<v Speaker 1>certain day format that has been in forever since the fifties,

0:25:26.960 --> 0:25:30.920
<v Speaker 1>and they're being basically held hostage by Nielsen's ratings. So

0:25:31.880 --> 0:25:35.919
<v Speaker 1>there's been a real push to advance technologically and to

0:25:36.000 --> 0:25:40.600
<v Speaker 1>start taking into account these other myriad ways that people

0:25:40.640 --> 0:25:45.239
<v Speaker 1>consume television and uh, getting a clear picture of what

0:25:45.280 --> 0:25:47.920
<v Speaker 1>an audience is doing, and the fact that it's now

0:25:48.080 --> 0:25:52.159
<v Speaker 1>computer based and we have ways of tracking computers. Really,

0:25:52.600 --> 0:25:56.560
<v Speaker 1>broadcasters are as excited as ever and we just have

0:25:56.600 --> 0:25:57.919
<v Speaker 1>to figure out how to do it. And we'll talk

0:25:57.960 --> 0:25:59.600
<v Speaker 1>about how they're trying to figure out how to do

0:25:59.640 --> 0:26:07.160
<v Speaker 1>it right after this, Chuck. Yeah, we love squares space

0:26:07.240 --> 0:26:09.640
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0:26:09.640 --> 0:26:12.080
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0:26:12.119 --> 0:26:15.120
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0:26:15.160 --> 0:26:18.280
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0:26:21.680 --> 0:26:24.560
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0:26:24.640 --> 0:26:28.959
<v Speaker 1>even though it's intuitive, they have great customer support, email support,

0:26:29.119 --> 0:26:33.040
<v Speaker 1>live chat. I think you know what that means. Yeah,

0:26:33.040 --> 0:26:35.439
<v Speaker 1>it means all the time, all the time. Plus, squares

0:26:35.440 --> 0:26:39.240
<v Speaker 1>space is very design centric. They produce beautiful, clean designs

0:26:39.320 --> 0:26:41.840
<v Speaker 1>and your content becomes the focus of your website, which

0:26:41.880 --> 0:26:43.560
<v Speaker 1>is what you're after. Yeah, and if you want to

0:26:43.600 --> 0:26:45.879
<v Speaker 1>sell stuff, all the plans have commerce options, which is

0:26:45.880 --> 0:26:48.879
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0:26:48.920 --> 0:26:51.760
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0:26:51.760 --> 0:26:55.399
<v Speaker 1>on every device from your laptops, your tablet, your mobile phone.

0:26:55.720 --> 0:26:58.240
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0:27:03.720 --> 0:27:08.000
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0:27:08.000 --> 0:27:10.639
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0:27:18.880 --> 0:27:21.000
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<v Speaker 1>temper sign off of your first purchase. That's squarespace, dot

0:27:26.880 --> 0:27:36.000
<v Speaker 1>com slash stuff offer code stuff. Well, one thing before

0:27:36.000 --> 0:27:39.040
<v Speaker 1>we get to the internet, um that we haven't mentioned

0:27:39.119 --> 0:27:43.119
<v Speaker 1>yet is you might hear in UH TV parlance the

0:27:43.160 --> 0:27:46.560
<v Speaker 1>word share as opposed to rating. Uh. And what that

0:27:46.720 --> 0:27:50.119
<v Speaker 1>is is is a share is how many people are

0:27:50.160 --> 0:27:54.880
<v Speaker 1>watching a certain TV show that are actually watching TV. UM.

0:27:54.880 --> 0:27:56.679
<v Speaker 1>A rating is just how many people are watching it,

0:27:57.080 --> 0:27:59.600
<v Speaker 1>But the share is how many people what share of

0:27:59.680 --> 0:28:03.440
<v Speaker 1>people are watching a show that are watching something other

0:28:03.480 --> 0:28:05.880
<v Speaker 1>people like? If your TV is off, it doesn't count.

0:28:05.960 --> 0:28:08.160
<v Speaker 1>Know that your share numbers always gonna be higher. Yeah

0:28:08.200 --> 0:28:11.240
<v Speaker 1>it is. But the rating is the the number of

0:28:11.240 --> 0:28:14.480
<v Speaker 1>people watching it compared to the entire population of America,

0:28:14.640 --> 0:28:18.399
<v Speaker 1>right exactly for Canada. Yeah, I keep forgeting about Canada.

0:28:18.760 --> 0:28:22.480
<v Speaker 1>They steal our shows. UM. So now we're onto the

0:28:22.760 --> 0:28:26.520
<v Speaker 1>the newest development. Um DVRs kind of threw a wrench

0:28:26.560 --> 0:28:28.840
<v Speaker 1>in the plans, but they're trying to take those into

0:28:28.880 --> 0:28:31.359
<v Speaker 1>account and they've they've been pretty successful, it seems like

0:28:31.359 --> 0:28:33.320
<v Speaker 1>with that. Yeah, once they settle on what they all

0:28:33.359 --> 0:28:38.040
<v Speaker 1>agree is a valid thing measurement, Yeah, valid measurement. Um.

0:28:38.080 --> 0:28:40.880
<v Speaker 1>But now, of course, people are consuming TV online more

0:28:40.920 --> 0:28:45.680
<v Speaker 1>than ever, on their laptops, on their tablets, their mobile devices.

0:28:45.720 --> 0:28:47.920
<v Speaker 1>Can throw out some figures for you real quick, Chuck,

0:28:48.040 --> 0:28:51.680
<v Speaker 1>Please consider this A hundred and sixteen million television sets

0:28:51.720 --> 0:28:57.400
<v Speaker 1>in the United States. There's a hundred and thirteen million tablets, Yeah,

0:28:57.440 --> 0:29:01.640
<v Speaker 1>a hundred and sixty six million smartphones, and two hundred

0:29:01.720 --> 0:29:06.800
<v Speaker 1>and forty three million Internet connected computers, double the amount

0:29:06.920 --> 0:29:11.320
<v Speaker 1>of televisions in the US. And people are watching stuff

0:29:11.400 --> 0:29:14.440
<v Speaker 1>whenever they want, however they want on this and as

0:29:14.480 --> 0:29:17.240
<v Speaker 1>it stands right now, Nielsen is still trying to figure

0:29:17.240 --> 0:29:21.320
<v Speaker 1>out how the heck they can most effectively track these people. Yeah, well,

0:29:21.360 --> 0:29:24.480
<v Speaker 1>this is the the first year, uh, this fall TV

0:29:24.560 --> 0:29:28.240
<v Speaker 1>season will be the very first year that uh, they're

0:29:28.240 --> 0:29:34.959
<v Speaker 1>gonna supposedly have a across the board measurement system with

0:29:35.040 --> 0:29:38.560
<v Speaker 1>TV ratings that will include viewership on everything including your

0:29:38.600 --> 0:29:41.360
<v Speaker 1>mobile device. And it's forced some innovation too, because the

0:29:41.720 --> 0:29:44.680
<v Speaker 1>Nielsen can't just say, oh, well, we'll add like an

0:29:44.720 --> 0:29:48.040
<v Speaker 1>eavesdropper onto your tablet or your smartphone because it will

0:29:48.120 --> 0:29:50.560
<v Speaker 1>drain your battery. Yeah, what it will probably be is

0:29:50.600 --> 0:29:53.240
<v Speaker 1>a is a third party app or piece of software.

0:29:53.760 --> 0:29:55.080
<v Speaker 1>And it makes sense. It seems like it would be

0:29:55.120 --> 0:29:58.560
<v Speaker 1>easier than ever to track watching habits in the near future. Okay,

0:29:58.640 --> 0:30:01.920
<v Speaker 1>it is. If your Google, if you're Nielsen, and you've

0:30:01.960 --> 0:30:04.320
<v Speaker 1>been basically caught off guard by this since you know,

0:30:04.400 --> 0:30:06.880
<v Speaker 1>you maybe started thinking about this in two thousand and eleven,

0:30:07.440 --> 0:30:12.680
<v Speaker 1>then you're in deep trouble. There's a very very effective

0:30:12.720 --> 0:30:17.040
<v Speaker 1>way of tracking computer use, Chuck, and it's called cookies.

0:30:17.520 --> 0:30:20.480
<v Speaker 1>And cookies have been around forever and they've gotten to

0:30:20.480 --> 0:30:24.360
<v Speaker 1>the point now where they can plant cookies on your tablet,

0:30:24.400 --> 0:30:28.280
<v Speaker 1>your smartphone, your computer. However, you have all these things

0:30:28.320 --> 0:30:31.400
<v Speaker 1>you use, and after a while, just from paying attention

0:30:31.440 --> 0:30:35.280
<v Speaker 1>to the data they they they're the algorithm will basically say,

0:30:35.320 --> 0:30:38.360
<v Speaker 1>I think these three cookies over here are the same person,

0:30:38.680 --> 0:30:40.800
<v Speaker 1>and they'll put them together and all of a sudden,

0:30:40.920 --> 0:30:43.600
<v Speaker 1>what was once three users is now one and the

0:30:43.680 --> 0:30:48.000
<v Speaker 1>picture is that much clear of who Binge watched Season

0:30:48.040 --> 0:30:53.680
<v Speaker 1>two of True Blood this week. You know. So there's

0:30:53.680 --> 0:30:56.120
<v Speaker 1>cookies out there and they've been around for a while,

0:30:56.200 --> 0:30:58.800
<v Speaker 1>and they're very easy to get and very easy to use.

0:30:59.160 --> 0:31:01.800
<v Speaker 1>And this is what New Wilson's up against. Yeah, and

0:31:01.840 --> 0:31:05.200
<v Speaker 1>you may be saying yourself, well, who cares how people

0:31:05.200 --> 0:31:08.120
<v Speaker 1>are watching it if it's online or on TV. But

0:31:08.200 --> 0:31:12.680
<v Speaker 1>what matters is advertisers. Uh. If you've noticed if you

0:31:12.720 --> 0:31:16.240
<v Speaker 1>watch shows online, like with Hulu or something, they're different commercials.

0:31:16.680 --> 0:31:19.760
<v Speaker 1>You're not seeing the same stuff. And they still can't

0:31:19.760 --> 0:31:25.680
<v Speaker 1>even decide now what to count because they don't want to. Uh.

0:31:25.720 --> 0:31:28.000
<v Speaker 1>You know, if if Brad Pitt does a pepsi commercial,

0:31:28.480 --> 0:31:30.440
<v Speaker 1>he probably has it in his contract. Well, this can

0:31:30.480 --> 0:31:34.840
<v Speaker 1>only run on on network on air TV in Thailand.

0:31:35.480 --> 0:31:38.160
<v Speaker 1>Don't don't show me on Hulu. I don't want my

0:31:38.160 --> 0:31:40.719
<v Speaker 1>commercial running online. If I show up in South Korea,

0:31:40.800 --> 0:31:43.479
<v Speaker 1>you owe me ten million dollars. That's right. So they

0:31:43.480 --> 0:31:45.920
<v Speaker 1>have a lot of control on how their images are seen.

0:31:46.920 --> 0:31:50.560
<v Speaker 1>Or maybe they maybe there's an awesome commercial that licensed,

0:31:51.160 --> 0:31:54.880
<v Speaker 1>Um the who's won't get fooled again, it's only licensed

0:31:54.880 --> 0:31:58.160
<v Speaker 1>for television. They can't show that same commercial online, so

0:31:58.200 --> 0:32:02.160
<v Speaker 1>you're gonna have to show what some advertisers or or

0:32:02.560 --> 0:32:07.479
<v Speaker 1>shows or networks might consider uh substandard ad, so they

0:32:07.480 --> 0:32:09.959
<v Speaker 1>don't want to count that as a view. Yeah, and

0:32:10.000 --> 0:32:12.600
<v Speaker 1>the same applies to TV shows to there there might

0:32:12.640 --> 0:32:15.640
<v Speaker 1>be actors, writers that are just for on air and

0:32:15.720 --> 0:32:19.760
<v Speaker 1>not for video distribution or um, just like with the ads.

0:32:19.800 --> 0:32:23.400
<v Speaker 1>So it seems to me like the the there's it's

0:32:23.440 --> 0:32:25.680
<v Speaker 1>not just Nielsen's up against this. The networks are still

0:32:25.680 --> 0:32:28.520
<v Speaker 1>trying to figure out things like TV everywhere, Like they

0:32:28.560 --> 0:32:31.280
<v Speaker 1>want you to be able to watch TV everywhere you

0:32:31.320 --> 0:32:34.040
<v Speaker 1>are at all times, because then they can serve you

0:32:34.120 --> 0:32:36.880
<v Speaker 1>ads everywhere at all times and they can charge for

0:32:36.920 --> 0:32:40.120
<v Speaker 1>those kind of things. But they can't say how to

0:32:40.200 --> 0:32:44.000
<v Speaker 1>track this yet one and not everything's cleared for all

0:32:44.120 --> 0:32:47.440
<v Speaker 1>forms of media to the other problem with online viewing

0:32:47.600 --> 0:32:50.840
<v Speaker 1>is that they don't have that all important demographic detail

0:32:51.800 --> 0:32:54.760
<v Speaker 1>okay again though or they could though if they start

0:32:54.880 --> 0:32:58.000
<v Speaker 1>using cookies, then they've got it right there. They that

0:32:58.120 --> 0:33:02.280
<v Speaker 1>this is what advertisers are salvating over, like hyper targeted ads.

0:33:02.760 --> 0:33:04.840
<v Speaker 1>So like imagine if you and I are watching the

0:33:04.920 --> 0:33:08.440
<v Speaker 1>same like classic episode a Saturday Night Live and I'm

0:33:08.440 --> 0:33:10.920
<v Speaker 1>watching on my computer, you're watching on your computer. We're

0:33:10.920 --> 0:33:12.800
<v Speaker 1>sitting right next to each other. We pressed play at

0:33:12.880 --> 0:33:15.160
<v Speaker 1>the same time, the ad break gets to the same

0:33:15.200 --> 0:33:17.840
<v Speaker 1>spot at the same time, and then boom, two different

0:33:17.840 --> 0:33:20.120
<v Speaker 1>ads come up. Yeah, I get Team because I'm in

0:33:20.160 --> 0:33:23.840
<v Speaker 1>my forties. You get a Ferrari ad because you're five

0:33:23.920 --> 0:33:27.000
<v Speaker 1>or six years young. Exactly, That's exactly what would happen to.

0:33:27.400 --> 0:33:30.400
<v Speaker 1>So this is what advertisers want, like that level of targeted.

0:33:30.720 --> 0:33:34.440
<v Speaker 1>But the Nielsen Company is still dominating. If they can

0:33:34.480 --> 0:33:37.440
<v Speaker 1>catch up, the Nielsen Company will be around for another

0:33:37.480 --> 0:33:41.520
<v Speaker 1>fifty hundred years. But again, they're up against cookie tracking

0:33:41.600 --> 0:33:43.640
<v Speaker 1>right now. And if somebody can come along and be like,

0:33:43.880 --> 0:33:46.200
<v Speaker 1>hey man, we've got all of your second screen data

0:33:46.320 --> 0:33:50.240
<v Speaker 1>you could ever want, then again Nielsen is in big trouble.

0:33:50.400 --> 0:33:52.080
<v Speaker 1>Well there, our company is trying to do that. There's

0:33:52.080 --> 0:33:55.880
<v Speaker 1>one called calm Score that says they can offer a

0:33:55.920 --> 0:33:59.880
<v Speaker 1>single metric that it shows who's watching television across a

0:34:00.120 --> 0:34:05.600
<v Speaker 1>single platform. You can think of time shifted, on demand, streaming, live,

0:34:06.200 --> 0:34:09.760
<v Speaker 1>whatever calm scores is, they can do it. Uh. NBC

0:34:09.920 --> 0:34:12.800
<v Speaker 1>has signed up with them and they haven't dropped Nielsen.

0:34:12.840 --> 0:34:14.319
<v Speaker 1>You know, they're just spending more money to try and

0:34:14.360 --> 0:34:18.040
<v Speaker 1>get better tracking. Uh. There's another company. They did that

0:34:18.080 --> 0:34:20.759
<v Speaker 1>in the two thousand fourteen Socy Olympics, right was at

0:34:20.800 --> 0:34:22.680
<v Speaker 1>the trial. Yeah, I think that's when they rolled it out.

0:34:22.680 --> 0:34:25.719
<v Speaker 1>Supposedly was super successful. Yeah, that's what they said. Um.

0:34:25.800 --> 0:34:28.920
<v Speaker 1>And then there's another one called ring Track that uh.

0:34:29.840 --> 0:34:34.080
<v Speaker 1>They their origins were just a video cassette distributor, but

0:34:34.239 --> 0:34:37.920
<v Speaker 1>they realized that that was going nowhere in two thousand

0:34:37.960 --> 0:34:43.120
<v Speaker 1>fourteen even worse. Yeah, they diversified into TV ratings and

0:34:43.239 --> 0:34:47.040
<v Speaker 1>they use cable set top boxes and right now have

0:34:47.120 --> 0:34:50.359
<v Speaker 1>deals with seventy networks and three D TV stations and

0:34:50.440 --> 0:34:55.120
<v Speaker 1>basically the competition. David Poltrak, he's a chief research officer

0:34:55.200 --> 0:34:59.239
<v Speaker 1>for CBS Corporation, said that it's the competition on the

0:34:59.239 --> 0:35:02.279
<v Speaker 1>research front is the most intense it's ever been and

0:35:02.560 --> 0:35:06.520
<v Speaker 1>pretty exciting time. Yeah. And Nielsen actually those um FTC

0:35:07.440 --> 0:35:10.840
<v Speaker 1>antitrust settlement where I think the way I understand it

0:35:10.880 --> 0:35:16.440
<v Speaker 1>is that Nielsen was using uh, they they acquired a

0:35:16.440 --> 0:35:20.480
<v Speaker 1>company called Arbitron, which is a specialist in radio and

0:35:20.840 --> 0:35:23.160
<v Speaker 1>out of home measurement, and I think there was an

0:35:23.160 --> 0:35:25.760
<v Speaker 1>antitrust suit saying like you can't be the only people

0:35:25.840 --> 0:35:29.920
<v Speaker 1>using this. So they've now licensed that out. Uh, we're forced,

0:35:29.920 --> 0:35:32.319
<v Speaker 1>I think, to license it out to Calm Score, who

0:35:32.360 --> 0:35:38.600
<v Speaker 1>is now using that portable people meter, not purple people eaters.

0:35:39.520 --> 0:35:42.000
<v Speaker 1>And I think I'm understanding that correctly. But the long

0:35:42.040 --> 0:35:44.879
<v Speaker 1>and the short of it is, unless they get this right,

0:35:44.960 --> 0:35:49.319
<v Speaker 1>they think they're missing out on as much as of

0:35:49.400 --> 0:35:53.239
<v Speaker 1>TV viewing is going unaccounted for at this point. So

0:35:53.280 --> 0:35:55.280
<v Speaker 1>if you like you're a network or something like that,

0:35:55.280 --> 0:35:59.120
<v Speaker 1>that's ad revenue, right, that's an ad rate hike that

0:35:59.320 --> 0:36:03.000
<v Speaker 1>you aren't it. If you're an advertiser, that's like a

0:36:03.000 --> 0:36:05.920
<v Speaker 1>whole like ghost group that you may or may not

0:36:06.000 --> 0:36:10.239
<v Speaker 1>be getting your product in front of. But like you

0:36:10.280 --> 0:36:13.920
<v Speaker 1>can't say either way, Um, there's yeah, having ten or

0:36:13.920 --> 0:36:16.960
<v Speaker 1>fifercent of the advertising or viewing audience on accounting for

0:36:17.000 --> 0:36:21.360
<v Speaker 1>it is not acceptable to me. Not in modern America, buddy.

0:36:21.480 --> 0:36:23.160
<v Speaker 1>This is what I think is gonna happen. I think

0:36:23.160 --> 0:36:26.960
<v Speaker 1>they're gonna get their their jazz together UM and be

0:36:27.040 --> 0:36:30.239
<v Speaker 1>able to track who watches a show down to a

0:36:32.120 --> 0:36:37.799
<v Speaker 1>UM and the people who make the shows will sell

0:36:37.840 --> 0:36:41.840
<v Speaker 1>a package to an advertiser, and the advertiser spot runs

0:36:41.880 --> 0:36:45.160
<v Speaker 1>in that show no matter where it's consumed. So it's

0:36:45.160 --> 0:36:48.200
<v Speaker 1>like a three sixty deal. Basically, like this show is

0:36:48.239 --> 0:36:51.160
<v Speaker 1>going to be broadcast live or broadcast on on the NEPs,

0:36:51.360 --> 0:36:54.239
<v Speaker 1>it's going to be up on our player, you're gonna

0:36:54.239 --> 0:36:55.839
<v Speaker 1>be able to watch it on tablet. But in all

0:36:55.960 --> 0:36:59.960
<v Speaker 1>these it's going to be when you buy an ad spot,

0:37:00.120 --> 0:37:02.839
<v Speaker 1>it goes with the show, no matter where the show goes.

0:37:03.680 --> 0:37:07.880
<v Speaker 1>I could. And then there's another happy aspect of tracking viewing,

0:37:08.360 --> 0:37:12.080
<v Speaker 1>like down to this granular detail, your shows are more

0:37:12.160 --> 0:37:15.279
<v Speaker 1>likely to be saved. Our show, again, I say, would

0:37:15.320 --> 0:37:17.640
<v Speaker 1>not have been helped by any of this. But the

0:37:17.640 --> 0:37:21.759
<v Speaker 1>whole reason community was online are still on air. It

0:37:21.880 --> 0:37:25.480
<v Speaker 1>was because the NBC was smart enough to be like, oh,

0:37:25.480 --> 0:37:28.640
<v Speaker 1>well wait a minute, Like, yeah, it's ratings are abysmal

0:37:29.560 --> 0:37:33.560
<v Speaker 1>traditionally speaking, but on Twitter it actually trends. It's like

0:37:33.600 --> 0:37:37.759
<v Speaker 1>a worldwide trend that's valuable, and they figured out that

0:37:37.800 --> 0:37:40.120
<v Speaker 1>this is this is something you have to take into account.

0:37:40.440 --> 0:37:43.440
<v Speaker 1>Nielsen has as well. They launched a partnership with Twitter,

0:37:43.920 --> 0:37:46.840
<v Speaker 1>who in turn bought like a basically a TV trend

0:37:46.880 --> 0:37:50.760
<v Speaker 1>tracking service. So now Nielsen's going to start taking Twitter

0:37:50.800 --> 0:37:53.520
<v Speaker 1>trending into account into its ratings. And I think they

0:37:54.120 --> 0:37:56.640
<v Speaker 1>think Nielsen has a deal with Facebook too, right, I believe,

0:37:56.680 --> 0:38:00.600
<v Speaker 1>so to try and uh see like and what's trending?

0:38:00.640 --> 0:38:03.359
<v Speaker 1>I guess yeah, And so now it's not just going

0:38:03.440 --> 0:38:05.640
<v Speaker 1>to be how many people are watching, how many people

0:38:05.680 --> 0:38:08.080
<v Speaker 1>are talking about it, how people like dress up like

0:38:08.160 --> 0:38:11.080
<v Speaker 1>that character on you know that night? That kind of thing.

0:38:11.760 --> 0:38:15.880
<v Speaker 1>Um so really neat inventive shows that don't get a

0:38:15.960 --> 0:38:19.680
<v Speaker 1>huge national audience. Sure, we'll maybe have a longer life.

0:38:19.840 --> 0:38:22.280
<v Speaker 1>We must still have freaks and geeks. It's the yes,

0:38:22.560 --> 0:38:26.000
<v Speaker 1>that would be nice. Although that was a perfect run

0:38:26.360 --> 0:38:30.799
<v Speaker 1>and encapsulated in one season. Yeah, it's pretty great. And

0:38:30.840 --> 0:38:32.560
<v Speaker 1>everyone on that show went on to be huge movie

0:38:32.600 --> 0:38:34.839
<v Speaker 1>stars almost well, not everyone, but a lot of them

0:38:34.840 --> 0:38:37.120
<v Speaker 1>did most of them? Um Man, you know who, if

0:38:37.160 --> 0:38:38.359
<v Speaker 1>we would have had time, who we should have talked

0:38:38.400 --> 0:38:41.960
<v Speaker 1>to you about this was Luke Ryan. Oh yeah, our

0:38:41.960 --> 0:38:46.839
<v Speaker 1>buddy Luke Is. He's movies though, right, well now he does.

0:38:47.960 --> 0:38:50.239
<v Speaker 1>He knows all about this stuff. He does TV as well.

0:38:50.239 --> 0:38:53.520
<v Speaker 1>But he's just talking to him is like he's always

0:38:53.560 --> 0:38:58.160
<v Speaker 1>one step ahead. He's very very forward thinking guy. And

0:38:58.400 --> 0:39:02.200
<v Speaker 1>I bet he would verify your theory on where we're headed,

0:39:02.680 --> 0:39:05.160
<v Speaker 1>maybe tweak it. Well, Luke if you're out there listening,

0:39:05.760 --> 0:39:09.080
<v Speaker 1>let us know you'd better be listening. Um. And also,

0:39:09.200 --> 0:39:12.560
<v Speaker 1>I'm eternally grateful to Luke Ryan for my Billy's ABCA

0:39:12.800 --> 0:39:16.120
<v Speaker 1>signed tub time Machine poster. That's right, that's how we

0:39:16.160 --> 0:39:19.160
<v Speaker 1>first met him. Right, that's pretty cool. Uh. If you

0:39:19.280 --> 0:39:23.160
<v Speaker 1>want to know more about Luke Ryan or TV ratings,

0:39:23.440 --> 0:39:25.840
<v Speaker 1>you can type either of those two into the search

0:39:25.880 --> 0:39:29.279
<v Speaker 1>bar at how stuff works dot com. Uh. And since

0:39:29.320 --> 0:39:33.239
<v Speaker 1>I said Luke Ryan, not Luke Brian, that's different. I

0:39:33.280 --> 0:39:36.000
<v Speaker 1>don't even know who. Look Brian is. Oh, he's a huge,

0:39:36.040 --> 0:39:38.319
<v Speaker 1>big time country star. That's why I don't know who.

0:39:38.400 --> 0:39:41.239
<v Speaker 1>Do you know? He's sold out like two shows at

0:39:41.320 --> 0:39:45.440
<v Speaker 1>Madison Square Gardens and like apparently he's the only one

0:39:45.480 --> 0:39:48.800
<v Speaker 1>to ever do that. He's huge. Now what do people

0:39:48.800 --> 0:39:51.200
<v Speaker 1>sell out multiple shows at Madison Square Garden all the time?

0:39:51.719 --> 0:39:53.480
<v Speaker 1>Like Bruce sells out like six eight in a row.

0:39:53.560 --> 0:39:55.920
<v Speaker 1>He's one of them. Okay, maybe he broke like the

0:39:55.960 --> 0:39:57.960
<v Speaker 1>time record or something, but he's a he's a good

0:39:57.960 --> 0:40:01.000
<v Speaker 1>guy too. Though his name isn't Ellie Nelson, then I

0:40:01.040 --> 0:40:05.319
<v Speaker 1>don't know him well. Anyways, time for listener mail. I'm

0:40:05.360 --> 0:40:10.200
<v Speaker 1>gonna call this train conductor I love that job. We

0:40:10.280 --> 0:40:13.279
<v Speaker 1>had one that wrote in. Um Hey, guys, been wanting

0:40:13.280 --> 0:40:14.919
<v Speaker 1>to write in for a while now. I've been waiting

0:40:15.000 --> 0:40:17.480
<v Speaker 1>until I could think of something interesting to relate to you.

0:40:17.960 --> 0:40:19.920
<v Speaker 1>I found your podcast a while back in February. Is

0:40:19.920 --> 0:40:22.080
<v Speaker 1>looking for something to listen to while I commute to

0:40:22.080 --> 0:40:24.560
<v Speaker 1>work working out a pin station for the Long Island

0:40:24.600 --> 0:40:27.360
<v Speaker 1>Railroad as a train conductor, means my hours tend to

0:40:27.360 --> 0:40:30.200
<v Speaker 1>have me driving home anywhere from midnight to three am.

0:40:30.560 --> 0:40:32.480
<v Speaker 1>Prior to finding your show, all I listened to our

0:40:32.480 --> 0:40:35.120
<v Speaker 1>audiobooks or the radio. But I got bored with all

0:40:35.160 --> 0:40:37.600
<v Speaker 1>that after a while, and I noticed my eyelids were

0:40:37.640 --> 0:40:40.200
<v Speaker 1>getting heavier and heavier, which is about seventy miles door

0:40:40.239 --> 0:40:43.360
<v Speaker 1>to door. I'm going trip. Yeah, it's no good enter stuff.

0:40:43.360 --> 0:40:45.560
<v Speaker 1>You should know from the first time I listened to you,

0:40:45.600 --> 0:40:48.319
<v Speaker 1>guys have been wide awake, amused, and attended the whole drive.

0:40:48.640 --> 0:40:50.040
<v Speaker 1>That's why I want to thank you guys for keeping

0:40:50.080 --> 0:40:52.040
<v Speaker 1>me alive, because if not for your show, I'm sure

0:40:52.040 --> 0:40:53.719
<v Speaker 1>I would have fallen asleep and driven off the road.

0:40:54.360 --> 0:40:57.680
<v Speaker 1>Ever since childhood, I've always been fascinated about history and

0:40:57.760 --> 0:41:00.799
<v Speaker 1>learning how things work. Uh, and was evident by me

0:41:00.960 --> 0:41:03.920
<v Speaker 1>dismantling my toys and attempting to put them back together.

0:41:04.200 --> 0:41:06.480
<v Speaker 1>Although it's funny. In the end, I always had extra parts.

0:41:07.800 --> 0:41:09.640
<v Speaker 1>So again, thank you for accompanying me on my drive

0:41:09.680 --> 0:41:11.960
<v Speaker 1>home every night. It's been nice having three friends in

0:41:11.960 --> 0:41:15.960
<v Speaker 1>the car. Although one of you is extremely silent. That's Jerry.

0:41:16.000 --> 0:41:18.480
<v Speaker 1>And by the way, Jerry didn't get canceled. We were

0:41:18.480 --> 0:41:21.960
<v Speaker 1>just joking, all right, she's she's on the air. Uh,

0:41:22.000 --> 0:41:26.279
<v Speaker 1>and that is from Angel, Cartagena and Bethel, Connecticut, or

0:41:26.360 --> 0:41:29.080
<v Speaker 1>on Hell. I wondered about that, he says, ps if

0:41:29.120 --> 0:41:31.000
<v Speaker 1>it becomes listener, Male, I know you both try so

0:41:31.040 --> 0:41:34.520
<v Speaker 1>hard to pronounce things. My last name is Cartagena, like

0:41:34.600 --> 0:41:37.239
<v Speaker 1>the city in Romancing the Stone. But he didn't say

0:41:37.239 --> 0:41:39.279
<v Speaker 1>if it's end Hell or Angel. If his last name

0:41:39.320 --> 0:41:42.960
<v Speaker 1>is Cartagena, it's on Hell, I would think, but we'll see,

0:41:43.440 --> 0:41:46.239
<v Speaker 1>we will see. Let us know on Hell. That's what

0:41:46.280 --> 0:41:49.520
<v Speaker 1>I'm going with, all right. Uh, if you want to

0:41:49.600 --> 0:41:51.640
<v Speaker 1>let us know how to pronounce your name, We're always

0:41:51.680 --> 0:41:54.680
<v Speaker 1>happy to hear from buddies out there who listen and

0:41:54.800 --> 0:41:57.640
<v Speaker 1>listening land. You can tweet to us at s y

0:41:57.800 --> 0:42:00.839
<v Speaker 1>s K podcast. You can post the nunciation of your

0:42:00.920 --> 0:42:03.239
<v Speaker 1>name on Facebook dot com, slash stuff you Should Know.

0:42:03.640 --> 0:42:05.799
<v Speaker 1>You can send us an email to stuff Podcasts at

0:42:05.800 --> 0:42:08.399
<v Speaker 1>how stuff works dot com, and, as always, hang out

0:42:08.400 --> 0:42:10.279
<v Speaker 1>with us at our home on the web, Stuff you

0:42:10.280 --> 0:42:17.920
<v Speaker 1>Should Know dot com. For more on this and thousands

0:42:17.920 --> 0:42:27.480
<v Speaker 1>of other topics, is that how stuff Works dot com