1 00:00:00,720 --> 00:00:10,520 Speaker 1: I Am all in Again. Let's you. 2 00:00:17,239 --> 00:00:17,319 Speaker 2: Hi. 3 00:00:17,320 --> 00:00:22,360 Speaker 1: I Am all in Again with Scott Patterson and iHeartRadio Podcast. 4 00:00:22,800 --> 00:00:25,960 Speaker 1: Hey Everybody, Scott Patterson, I amland Podcast one eleven productions, 5 00:00:26,000 --> 00:00:30,760 Speaker 1: iHeartRadio Media, iHeart Podcasts, Season three, episode twenty. We're getting 6 00:00:30,840 --> 00:00:34,599 Speaker 1: pretty long down the road on season three, it's going 7 00:00:34,680 --> 00:00:38,000 Speaker 1: by fast. Say good night, Gracie, and we're very special 8 00:00:38,080 --> 00:00:42,320 Speaker 1: guest David Rogers. He's an editor and producer of the 9 00:00:42,360 --> 00:00:46,440 Speaker 1: Emmy winning show The Office, plus The Mindy Project, uploads 10 00:00:46,440 --> 00:00:51,400 Speaker 1: Space Force, New Office spin spin off show The Paper, 11 00:00:52,640 --> 00:00:55,920 Speaker 1: just to name a few. He also ventured into directing 12 00:00:56,560 --> 00:00:59,720 Speaker 1: some of those same shows as well. But before all 13 00:00:59,800 --> 00:01:03,600 Speaker 1: of that, he was on one episode of Gilmore Girls. 14 00:01:04,319 --> 00:01:08,679 Speaker 1: Got Your Startup Gilmore Girls Season three, episode eighteen, A 15 00:01:08,760 --> 00:01:12,160 Speaker 1: Tale of Pose and Fire. Welcome David to the show. 16 00:01:12,959 --> 00:01:17,039 Speaker 2: Thank you, it's great to be Here's great to meet you. 17 00:01:17,080 --> 00:01:20,480 Speaker 1: Great to meet you. It's You've come. You've You've traveled 18 00:01:20,480 --> 00:01:24,520 Speaker 1: a very great distance from your debut on the show. 19 00:01:24,920 --> 00:01:30,479 Speaker 1: Congratulations on all your success. Air date May sixth, two 20 00:01:30,560 --> 00:01:34,880 Speaker 1: thousand and three. Synopsis. The unexpected visit from Jess's father 21 00:01:35,959 --> 00:01:39,399 Speaker 1: and repercussions of the party pushed Jess and Luke to 22 00:01:39,520 --> 00:01:43,319 Speaker 1: their limits and Jess skips town. Rory is feeling all 23 00:01:43,360 --> 00:01:45,880 Speaker 1: the thanks from being in a relationship with Jess. Fran 24 00:01:46,040 --> 00:01:50,400 Speaker 1: passes away sadly, which makes room for Suki and Laura 25 00:01:50,520 --> 00:01:53,160 Speaker 1: l I to buy the dragon Fly in in a 26 00:01:53,280 --> 00:01:58,120 Speaker 1: hilarious scene directed by Jamie Babbitt, written by Amy Sherman 27 00:01:58,120 --> 00:02:02,320 Speaker 1: Palladino and Janet Lahey. Before we get into all this, David, 28 00:02:02,360 --> 00:02:04,240 Speaker 1: what did you think of this episode overall? 29 00:02:05,520 --> 00:02:10,280 Speaker 2: I really liked it. I have to say it was. Uh, 30 00:02:10,480 --> 00:02:13,400 Speaker 2: you know, it's it's got such a great balance, you know, 31 00:02:13,520 --> 00:02:15,560 Speaker 2: as do most of the episodes. It's got such a 32 00:02:15,560 --> 00:02:20,360 Speaker 2: great balance of comedy and drama. And uh, I'm not 33 00:02:20,480 --> 00:02:22,639 Speaker 2: to I don't mean to kiss up to you or anything, 34 00:02:22,639 --> 00:02:25,040 Speaker 2: but you have a couple of great scenes in here, 35 00:02:25,800 --> 00:02:27,400 Speaker 2: you know. I don't I don't know if I should 36 00:02:27,480 --> 00:02:31,320 Speaker 2: jump ahead or anything like that. But you know the 37 00:02:31,360 --> 00:02:35,480 Speaker 2: scene where you where you and Rob estes, uh, you know, 38 00:02:35,520 --> 00:02:39,000 Speaker 2: where you visit Jimmy Marinaro and we find out who 39 00:02:39,000 --> 00:02:41,600 Speaker 2: he is. That's a that's just a great scene. I 40 00:02:41,600 --> 00:02:44,720 Speaker 2: feel like that's a scene actors just love to, you know, 41 00:02:44,960 --> 00:02:47,440 Speaker 2: to get to do, just to be able to you know, 42 00:02:47,600 --> 00:02:51,440 Speaker 2: kind of unleash that kind of you know, uh, you know, 43 00:02:51,639 --> 00:02:53,760 Speaker 2: just kind of anger and just but but by still 44 00:02:53,840 --> 00:02:58,320 Speaker 2: keeping it grounded and uh, you know, and and then also, uh, 45 00:02:58,400 --> 00:03:00,240 Speaker 2: you know, I feel like the scene at the end 46 00:03:00,240 --> 00:03:06,240 Speaker 2: with you and uh, Mila Milo, but with you and Jess, 47 00:03:07,600 --> 00:03:11,840 Speaker 2: that's another great scene, another great confrontation and uh, you know, 48 00:03:11,919 --> 00:03:14,280 Speaker 2: so those are those are things that I always, you know, 49 00:03:14,800 --> 00:03:18,400 Speaker 2: appreciate to see and and being and I'm entertained by. 50 00:03:19,800 --> 00:03:23,480 Speaker 2: But but there's such a funny balance. But you know 51 00:03:23,520 --> 00:03:25,880 Speaker 2: between that, the flip side of that is, you know, 52 00:03:27,000 --> 00:03:31,120 Speaker 2: seeing uh I call everybody in other characters, but seeing 53 00:03:31,160 --> 00:03:34,400 Speaker 2: Lorelei and Suki you know, try to try to you know, 54 00:03:35,080 --> 00:03:37,480 Speaker 2: how they want to go about getting the dragonfly in 55 00:03:37,640 --> 00:03:40,280 Speaker 2: and what they do with the funeral walk and everything. 56 00:03:40,400 --> 00:03:44,680 Speaker 2: It's just very very funny and enjoyable episode. 57 00:03:45,200 --> 00:03:48,920 Speaker 1: And as a as a producer and a director yourself, 58 00:03:49,520 --> 00:03:52,760 Speaker 1: you know, I kind of feel two ways about the 59 00:03:52,840 --> 00:03:58,080 Speaker 1: storylines being separated so drastically. Where Luke and Jess were 60 00:03:58,080 --> 00:04:01,760 Speaker 1: having an experience over here, Laura was having her experience 61 00:04:01,800 --> 00:04:08,080 Speaker 1: over there. Uh and they never never the Twain did meet, right, 62 00:04:09,720 --> 00:04:13,960 Speaker 1: I was I was almost wanting Laureli to come in 63 00:04:14,040 --> 00:04:17,000 Speaker 1: and provide more, you know, a different energy to this 64 00:04:17,160 --> 00:04:21,280 Speaker 1: dynamic and what that would have felt like. Why, in 65 00:04:21,320 --> 00:04:24,680 Speaker 1: your professional opinion, in your experience, did they keep it separated? 66 00:04:25,800 --> 00:04:29,479 Speaker 2: I mean, you know, there's a there's a few reasons 67 00:04:29,680 --> 00:04:33,200 Speaker 2: why I could. I could guess one is probably the 68 00:04:33,200 --> 00:04:38,080 Speaker 2: shooting schedule and you know who's who's heavy. You know 69 00:04:38,120 --> 00:04:41,360 Speaker 2: who's busy and what scenes and turnarounds and things like that, 70 00:04:41,880 --> 00:04:44,719 Speaker 2: and you know they think about those kinds of things. 71 00:04:44,760 --> 00:04:49,040 Speaker 2: So it's you know, the lead actresses aren't in every 72 00:04:49,200 --> 00:04:53,280 Speaker 2: scene and aren't heavy, you know, with every storyline they need, 73 00:04:53,600 --> 00:04:55,919 Speaker 2: you know, because sometimes they just need a break, you know, 74 00:04:56,040 --> 00:04:58,720 Speaker 2: because they're doing other you know, and when and when 75 00:04:58,839 --> 00:05:01,240 Speaker 2: when the actresses when like and you know this too, 76 00:05:01,440 --> 00:05:03,599 Speaker 2: when there are days that you're not shooting, you're probably 77 00:05:03,600 --> 00:05:06,160 Speaker 2: getting a costume fitting or something, or you have a 78 00:05:06,200 --> 00:05:09,720 Speaker 2: mandatory haircut and things like that. So I'm guessing that's 79 00:05:09,800 --> 00:05:12,440 Speaker 2: you know, part of probably the logistics behind the scenes 80 00:05:12,480 --> 00:05:14,520 Speaker 2: to some of that. But I think also from a 81 00:05:14,560 --> 00:05:20,080 Speaker 2: writing standpoint that this is about, you know, introducing this component, 82 00:05:20,240 --> 00:05:24,720 Speaker 2: introducing you know, Jimmy, the you know, Jess's father, is 83 00:05:24,760 --> 00:05:27,279 Speaker 2: more about you guys, and there would be time later 84 00:05:27,880 --> 00:05:31,560 Speaker 2: for for laural I, you know, and and Rory to discover, 85 00:05:32,680 --> 00:05:35,280 Speaker 2: you know, what was going on, and and you know 86 00:05:35,360 --> 00:05:39,039 Speaker 2: how how it this has storyline, it has affected you. 87 00:05:39,040 --> 00:05:41,760 Speaker 2: You know. Uh, that's that's really what I think is 88 00:05:42,200 --> 00:05:45,800 Speaker 2: probably just from a writing standpoint that you know, it's 89 00:05:46,320 --> 00:05:48,360 Speaker 2: better to wait a little bit, let you let you 90 00:05:48,400 --> 00:05:52,000 Speaker 2: guys experience it first, and then bring them in. You know, 91 00:05:53,440 --> 00:05:55,760 Speaker 2: this is your story, you know, I mean, and it's 92 00:05:56,120 --> 00:05:58,279 Speaker 2: it's kind of nice sometimes to get a break from 93 00:05:58,320 --> 00:06:01,200 Speaker 2: things and and again to have that comedy of the 94 00:06:01,279 --> 00:06:04,680 Speaker 2: of the loralized supy story, you know, mixed in with 95 00:06:04,800 --> 00:06:09,080 Speaker 2: this you know, new dramatic you know storyline that that 96 00:06:09,520 --> 00:06:11,839 Speaker 2: has has arrived. That's you know, I think that's a 97 00:06:11,839 --> 00:06:12,479 Speaker 2: good balance. 98 00:06:12,880 --> 00:06:15,680 Speaker 1: Yeah, that's a big it's a big deal. This is 99 00:06:15,720 --> 00:06:19,440 Speaker 1: a big episode for Jess. It's a it's it's this 100 00:06:19,520 --> 00:06:23,400 Speaker 1: episode really got me. It really got me just to 101 00:06:23,520 --> 00:06:27,440 Speaker 1: see what this poor kid is going through and what 102 00:06:27,600 --> 00:06:31,240 Speaker 1: he has to shoulder going forward. It's not it's just 103 00:06:31,279 --> 00:06:33,840 Speaker 1: not what he's dealing with now, but what his you know, 104 00:06:34,000 --> 00:06:37,600 Speaker 1: his future and how he has to to to sort 105 00:06:37,640 --> 00:06:40,400 Speaker 1: of navigate through this and it's years of this. It's 106 00:06:40,400 --> 00:06:43,599 Speaker 1: gonna be years of this dealing with this emotionally, and 107 00:06:43,680 --> 00:06:46,160 Speaker 1: it really really got me. I thought the casting was 108 00:06:46,320 --> 00:06:50,480 Speaker 1: so dead on. I mean, they look alike, they sound alike. 109 00:06:51,160 --> 00:06:53,200 Speaker 1: They have the same sort of like I don't know, 110 00:06:53,320 --> 00:06:56,920 Speaker 1: upper register, like almost a tenor voice where it's like 111 00:06:57,040 --> 00:07:01,000 Speaker 1: there's this lilt to it, and and a testament to 112 00:07:01,040 --> 00:07:04,640 Speaker 1: both their skills. I mean, somebody was imitating somebody else. 113 00:07:06,240 --> 00:07:08,200 Speaker 1: The rob ASTs came in and I thought, really did 114 00:07:08,200 --> 00:07:11,440 Speaker 1: a great job. Yeah, tough role to play. 115 00:07:11,600 --> 00:07:14,920 Speaker 2: Yeah, I mean it's uh, it's and again it's a 116 00:07:14,960 --> 00:07:19,640 Speaker 2: great I love the detail of how he left when 117 00:07:19,680 --> 00:07:23,240 Speaker 2: you explain, you know, when when when Luke explains, like, 118 00:07:23,320 --> 00:07:26,320 Speaker 2: you know, you went out for diapers and never came back, 119 00:07:26,840 --> 00:07:30,000 Speaker 2: like he left. So we discovered that he left really early. 120 00:07:30,200 --> 00:07:35,120 Speaker 1: I mean, yeah, you know, right right exactly. That is 121 00:07:35,240 --> 00:07:40,360 Speaker 1: a perfect use of exposition, you know, kind of late 122 00:07:40,480 --> 00:07:43,280 Speaker 1: in the piece into the well. I mean, if it's 123 00:07:43,320 --> 00:07:45,920 Speaker 1: a film structure, I don't know much about TV structure, 124 00:07:45,960 --> 00:07:48,320 Speaker 1: but film, if it's a film structure, it's like late 125 00:07:48,400 --> 00:07:51,400 Speaker 1: in the second act and a scene of extreme conflict, 126 00:07:51,720 --> 00:07:53,840 Speaker 1: that's when it can come out, and that's when it's 127 00:07:54,320 --> 00:07:59,280 Speaker 1: best to come out right the exposition. But anyway, all right, 128 00:07:59,360 --> 00:08:03,400 Speaker 1: so why don't we deal with the aftermath of this party. 129 00:08:03,440 --> 00:08:06,520 Speaker 1: There was a lot going on in this episode. Yeah, 130 00:08:06,760 --> 00:08:10,040 Speaker 1: so much going on. Laurel, I's proud of Rory going 131 00:08:10,040 --> 00:08:13,360 Speaker 1: to her first cop rated party, as she put it, 132 00:08:13,440 --> 00:08:16,960 Speaker 1: and sings wind beneath My Wings. Very funny. When Lane 133 00:08:16,960 --> 00:08:20,040 Speaker 1: got home after her drunken phone call to her mother, 134 00:08:21,200 --> 00:08:25,840 Speaker 1: she's freezing out Lane. Luke got a call from Kyle's dad. 135 00:08:26,120 --> 00:08:28,840 Speaker 1: Caused a lot of damage and Jess has to pay 136 00:08:28,880 --> 00:08:32,960 Speaker 1: the back, but Luke has to deal with with the father. 137 00:08:34,000 --> 00:08:36,920 Speaker 1: Dave shows up at Lane's then asked missus Kim for 138 00:08:37,000 --> 00:08:40,640 Speaker 1: permission to take Lelane to the prom hysterical speech. 139 00:08:41,040 --> 00:08:42,760 Speaker 2: That's a very very funny scene. 140 00:08:42,679 --> 00:08:48,280 Speaker 1: Yeah, that's a very and he's, you know, Adam Brodie's 141 00:08:48,360 --> 00:08:51,400 Speaker 1: just so good in this role, so good in this role. 142 00:08:51,880 --> 00:08:55,160 Speaker 1: She gives him a psalm and he doesn't know what 143 00:08:55,320 --> 00:08:57,880 Speaker 1: it is. He goes home to do research. 144 00:09:00,240 --> 00:09:03,720 Speaker 2: Yeah, when he leaves, you feel like he's like, okay, 145 00:09:03,920 --> 00:09:05,920 Speaker 2: got it. And then he walks down and he's like, 146 00:09:06,000 --> 00:09:08,160 Speaker 2: I don't know what she just said. I don't know 147 00:09:08,200 --> 00:09:11,400 Speaker 2: if that's a yes or a no, you know, very funny. 148 00:09:11,480 --> 00:09:14,480 Speaker 2: And then yeah, I don't want to. The aftermath of 149 00:09:14,520 --> 00:09:15,439 Speaker 2: that is very funny. 150 00:09:15,520 --> 00:09:23,640 Speaker 1: The return, Oh god, uh, Lane apologizes for that party 151 00:09:23,760 --> 00:09:26,959 Speaker 1: night or the other night. Dave still shows up and 152 00:09:27,080 --> 00:09:29,720 Speaker 1: admits he reads the read the Bible from cover to 153 00:09:29,800 --> 00:09:34,680 Speaker 1: cover to impress missus Kim and and and give her 154 00:09:34,720 --> 00:09:36,679 Speaker 1: her permission to go to the problem with him, and 155 00:09:36,760 --> 00:09:39,880 Speaker 1: which she which she did grant, but with conditions. There 156 00:09:39,880 --> 00:09:41,559 Speaker 1: were some very severe conditions. 157 00:09:41,920 --> 00:09:43,120 Speaker 2: Oh that was it. That was the thing. When he 158 00:09:43,120 --> 00:09:45,800 Speaker 2: comes back, it is very funny how he read the 159 00:09:45,840 --> 00:09:48,520 Speaker 2: whole Bible and she was impressed by that, and she 160 00:09:48,600 --> 00:09:50,600 Speaker 2: kind of throws the line away of like I've only 161 00:09:50,640 --> 00:09:56,760 Speaker 2: done it three times. He's like, but you know, I 162 00:09:56,760 --> 00:09:59,640 Speaker 2: mean he's done, but he's done. He's wonner over at least, like, Okay, 163 00:09:59,800 --> 00:10:01,920 Speaker 2: you can you know, you can take her to the prom, 164 00:10:02,000 --> 00:10:05,040 Speaker 2: but you cannot get married. And I thought that was 165 00:10:05,679 --> 00:10:06,200 Speaker 2: very funny. 166 00:10:06,520 --> 00:10:09,440 Speaker 1: Oh god, So now we you know, this is Dave's 167 00:10:09,440 --> 00:10:12,720 Speaker 1: big moment. This is this is a big episode for day. Yeah, 168 00:10:12,840 --> 00:10:15,360 Speaker 1: he stands up for Lane, he reads the Bible, He 169 00:10:15,400 --> 00:10:19,960 Speaker 1: impresses missus Kim personally have you ever had to jump 170 00:10:19,960 --> 00:10:22,240 Speaker 1: through hoops to get a parent's permission to date someone? 171 00:10:22,720 --> 00:10:26,280 Speaker 2: No, I have to say I haven't. I haven't had 172 00:10:26,320 --> 00:10:29,000 Speaker 2: that kind of I think my dating all happened a 173 00:10:29,040 --> 00:10:32,680 Speaker 2: little bit later when you know, like maybe even later, 174 00:10:32,840 --> 00:10:36,480 Speaker 2: even in high school, there wasn't any issues. But I 175 00:10:36,520 --> 00:10:42,440 Speaker 2: feel like, you know, certain you know, nationalities, it's you know, 176 00:10:42,480 --> 00:10:45,920 Speaker 2: they are protective, and you know there are you know, 177 00:10:46,640 --> 00:10:49,000 Speaker 2: I mean, I feel like, I don't know, there's there's 178 00:10:49,080 --> 00:10:53,120 Speaker 2: also like you know, like I feel like like I'm Jewish, 179 00:10:53,200 --> 00:10:54,960 Speaker 2: and I feel like to a certain degree there's like, 180 00:10:55,000 --> 00:10:57,800 Speaker 2: oh dated Jewish woman, you know, and it's like I 181 00:10:57,840 --> 00:11:00,199 Speaker 2: feel like that comes up from the older generation. It's 182 00:11:00,200 --> 00:11:02,640 Speaker 2: like even our parents aren't that concerned with that kind 183 00:11:02,679 --> 00:11:05,439 Speaker 2: of thing, but uh, you know, the grandparents would always 184 00:11:05,440 --> 00:11:07,040 Speaker 2: push for that, and you know, and I could so 185 00:11:07,080 --> 00:11:09,200 Speaker 2: I could see this kind of character like yes, we 186 00:11:09,280 --> 00:11:11,920 Speaker 2: want to kind of keep it in our nationality or whatever. 187 00:11:12,000 --> 00:11:14,720 Speaker 2: But you know, I think it's great that it's that 188 00:11:14,800 --> 00:11:17,640 Speaker 2: it's you know, it's not that and that even the 189 00:11:18,280 --> 00:11:21,319 Speaker 2: that the mom is willing to you know, to let 190 00:11:21,320 --> 00:11:24,320 Speaker 2: her to let her date Dave, let Lane date Dave. 191 00:11:25,000 --> 00:11:29,080 Speaker 1: Right, So it's a little shocking, but he's very, very clever. 192 00:11:29,280 --> 00:11:30,240 Speaker 1: He's very charming. 193 00:11:31,200 --> 00:11:32,880 Speaker 2: By the way, I was going to just ask you 194 00:11:32,960 --> 00:11:34,439 Speaker 2: for a second, have you ever been to any of 195 00:11:34,480 --> 00:11:36,560 Speaker 2: these kinds of parties back in high school? 196 00:11:36,720 --> 00:11:42,240 Speaker 1: Where no, me, little old me innocent to me, No, 197 00:11:43,160 --> 00:11:45,680 Speaker 1: I would never participate in anything like that. 198 00:11:45,920 --> 00:11:47,679 Speaker 2: I will say my I had. I just want to 199 00:11:47,720 --> 00:11:50,400 Speaker 2: say when I when I watched this episode my buddy 200 00:11:50,559 --> 00:11:52,880 Speaker 2: in high school, his parents went out of town and 201 00:11:52,880 --> 00:11:55,360 Speaker 2: they told them two things. They said, don't buy a 202 00:11:55,400 --> 00:12:00,800 Speaker 2: ferret and don't have a party. The second he bought 203 00:12:00,800 --> 00:12:03,640 Speaker 2: a ferret, he bought it because beast Master was the 204 00:12:03,640 --> 00:12:05,280 Speaker 2: big thing at the time. Do you remember that movie? 205 00:12:06,880 --> 00:12:09,160 Speaker 2: He bought a ferret and uh, and he had a 206 00:12:09,160 --> 00:12:12,520 Speaker 2: big party and uh, everybody like crashed the party and 207 00:12:12,559 --> 00:12:14,640 Speaker 2: the we I think he had to call the cops 208 00:12:14,880 --> 00:12:16,920 Speaker 2: to like break it up. It got too crazy, and 209 00:12:16,960 --> 00:12:20,520 Speaker 2: like I remember, like the cops came and people ran 210 00:12:20,559 --> 00:12:23,120 Speaker 2: out of the house all over the place, and there 211 00:12:23,200 --> 00:12:25,200 Speaker 2: was like a volkswag. And this is in New Jersey, 212 00:12:25,240 --> 00:12:26,520 Speaker 2: the suburbs of New Jersey, and. 213 00:12:26,480 --> 00:12:28,160 Speaker 1: There was where Where's where'd you grow up? 214 00:12:28,920 --> 00:12:30,680 Speaker 2: Mammoth County Marlborough, New Jersey. 215 00:12:30,760 --> 00:12:32,079 Speaker 1: Okay, I'm South Jersey. 216 00:12:32,920 --> 00:12:34,640 Speaker 2: Yeah, I love New Jersey. 217 00:12:34,760 --> 00:12:37,720 Speaker 1: I'm missing you know, but. 218 00:12:37,800 --> 00:12:39,559 Speaker 2: Yeah, this was a part. I remember walking around the 219 00:12:39,559 --> 00:12:41,319 Speaker 2: neighborhood and then with a friend trying to get him 220 00:12:41,320 --> 00:12:44,440 Speaker 2: to sober up, and there was a volkswagon overturned and 221 00:12:44,480 --> 00:12:47,160 Speaker 2: I was like, oh my god, but uh yeah that 222 00:12:47,280 --> 00:12:49,160 Speaker 2: was And then my friend had to return to Ferret. 223 00:12:49,200 --> 00:12:51,719 Speaker 2: His parents came home and they made him return to 224 00:12:51,800 --> 00:12:54,800 Speaker 2: Ferret and the pet store said, your banned from the store. 225 00:12:58,600 --> 00:13:01,599 Speaker 1: Oh, we don't know what that Farret went through the 226 00:13:02,040 --> 00:13:05,400 Speaker 1: damaged goods. Now, actually I did. I did throw a 227 00:13:05,440 --> 00:13:12,640 Speaker 1: party when my mom and her soon to be husband 228 00:13:14,520 --> 00:13:16,319 Speaker 1: went away from the way. They went to Ocean City 229 00:13:16,360 --> 00:13:21,360 Speaker 1: for the weekend, and I just decided to throw a 230 00:13:21,480 --> 00:13:26,040 Speaker 1: massive party. And the entire school came, I mean, and 231 00:13:26,280 --> 00:13:30,480 Speaker 1: there was a fight between who would become my one 232 00:13:30,480 --> 00:13:34,560 Speaker 1: of my stepbrothers, and like one of the kids in 233 00:13:34,559 --> 00:13:37,480 Speaker 1: the town that was a tough kid, you know. Thename 234 00:13:37,600 --> 00:13:41,920 Speaker 1: was Tommy. I don't name him, but you know, I 235 00:13:42,080 --> 00:13:45,840 Speaker 1: was good friends with Tommy and and these two got 236 00:13:45,880 --> 00:13:48,600 Speaker 1: into it. These two really got into it. And I 237 00:13:48,600 --> 00:13:50,480 Speaker 1: don't know, they didn't do a lot of damage. They 238 00:13:50,520 --> 00:13:52,760 Speaker 1: went in the backyard and duked it out. You know, 239 00:13:53,200 --> 00:13:56,600 Speaker 1: back in the day, everybody used to when somebody got 240 00:13:56,640 --> 00:14:00,000 Speaker 1: called out, they you know, they would take it outside 241 00:14:00,200 --> 00:14:05,760 Speaker 1: the house. Yeah, and then the circle of observer spectators 242 00:14:05,760 --> 00:14:08,800 Speaker 1: would form around them. It was a circle, right, and 243 00:14:08,840 --> 00:14:11,040 Speaker 1: they go at it. Yeah. And if somebody tried to 244 00:14:11,120 --> 00:14:14,439 Speaker 1: run away from the fight, they get thrown back, bring 245 00:14:14,559 --> 00:14:20,080 Speaker 1: him death, right. Uh. Yeah, so I got a little 246 00:14:20,120 --> 00:14:22,920 Speaker 1: bit of trouble, No cop. The cops didn't comp The cops. 247 00:14:22,760 --> 00:14:25,680 Speaker 2: Came to this party, and uh, and I remember my 248 00:14:25,760 --> 00:14:29,440 Speaker 2: friend I went just least. It was my friend Barry's party, 249 00:14:29,640 --> 00:14:31,200 Speaker 2: and I remember the cops came in and they were like, 250 00:14:31,200 --> 00:14:33,360 Speaker 2: all right, who was invited? And who was you know, 251 00:14:33,520 --> 00:14:36,040 Speaker 2: and my friend he's wearing sunglasses and he's the little 252 00:14:36,080 --> 00:14:38,480 Speaker 2: tipsy and he's like, oh that's easy. He's like he was. 253 00:14:38,640 --> 00:14:42,000 Speaker 2: He wasn't he was? And like you see the kids 254 00:14:42,040 --> 00:14:44,280 Speaker 2: who were like, you know, who came, who crashed basically 255 00:14:44,320 --> 00:14:47,400 Speaker 2: were like, you know, leave me alone, just you know, 256 00:14:47,520 --> 00:14:50,080 Speaker 2: as he called them out, who wasn't invited? But I mean, 257 00:14:50,160 --> 00:14:52,400 Speaker 2: you know, it was just we were kids. 258 00:14:53,000 --> 00:14:58,760 Speaker 1: They were such good times. Nothing better than high school parties. Yeah, 259 00:14:59,040 --> 00:15:02,760 Speaker 1: except call it parties. Okay, so we're doing all this 260 00:15:02,880 --> 00:15:07,560 Speaker 1: like so Dean, all right, So Fran passes away sadly, 261 00:15:08,240 --> 00:15:12,160 Speaker 1: and then everybody goes to the memorial service, and very 262 00:15:12,200 --> 00:15:15,160 Speaker 1: funny moment for Taylor when he forgets to cancel the 263 00:15:15,200 --> 00:15:18,640 Speaker 1: marching band and he has to run out. I can't sorry, 264 00:15:18,720 --> 00:15:25,400 Speaker 1: cancel the band, cancel and post memorial service, Dean, And 265 00:15:25,440 --> 00:15:27,960 Speaker 1: this was I really thought an ingenious way to do this. 266 00:15:28,040 --> 00:15:33,800 Speaker 1: Dean tells Rory that he's getting married to Lindsey and 267 00:15:33,880 --> 00:15:38,880 Speaker 1: she just kind of coughs, got a reaction, and he 268 00:15:38,920 --> 00:15:41,080 Speaker 1: gets a little upset because she does not appear to 269 00:15:41,120 --> 00:15:46,000 Speaker 1: be terribly supportive of this or even happy for him, 270 00:15:46,720 --> 00:15:49,840 Speaker 1: and he just kind of unloads on her, like you know, Jess, 271 00:15:49,880 --> 00:15:52,440 Speaker 1: and he treats you like crap, and will you kidding me? 272 00:15:53,200 --> 00:15:56,480 Speaker 1: You know, you can't be happy for me and you're 273 00:15:56,520 --> 00:15:59,480 Speaker 1: stuck in this horrible relationship. So now it wakes Rory 274 00:15:59,560 --> 00:16:04,640 Speaker 1: up a little bit. And it's just I just, Dave, 275 00:16:04,720 --> 00:16:07,760 Speaker 1: I feel so sad for Rory. I feel so bad 276 00:16:07,800 --> 00:16:11,000 Speaker 1: for her because I understand how she feels. Kids get 277 00:16:11,080 --> 00:16:13,720 Speaker 1: these I mean, adults get in these situations too. Not 278 00:16:13,760 --> 00:16:16,720 Speaker 1: just kids, but kids. It's really hard for kids when 279 00:16:16,720 --> 00:16:19,760 Speaker 1: they get these situations with the wrong person who feels 280 00:16:19,760 --> 00:16:22,240 Speaker 1: like the right person maybe the right person, but they're 281 00:16:22,280 --> 00:16:26,760 Speaker 1: just and uh should know what to do, should know 282 00:16:26,800 --> 00:16:27,160 Speaker 1: what to do. 283 00:16:27,480 --> 00:16:29,040 Speaker 2: I think that the flip side of that is that 284 00:16:29,960 --> 00:16:34,000 Speaker 2: Dean is too young to get married eighteen mean in 285 00:16:34,040 --> 00:16:35,840 Speaker 2: the graduate in high school, do you know what I mean? 286 00:16:35,960 --> 00:16:39,160 Speaker 1: Like to young get married, you got you gotta you 287 00:16:39,160 --> 00:16:40,520 Speaker 1: gotta go out there and live alone. 288 00:16:40,600 --> 00:16:42,920 Speaker 2: Yeah, So, I mean I think that's what her and 289 00:16:43,080 --> 00:16:44,760 Speaker 2: I think she says that later on when she talks 290 00:16:44,800 --> 00:16:47,400 Speaker 2: her much. He's like, she's just you know, he's so young, 291 00:16:48,680 --> 00:16:52,080 Speaker 2: you know, why so soon and everything? So you know, 292 00:16:52,320 --> 00:16:54,600 Speaker 2: and yeah, I mean I feel like Rory in her 293 00:16:54,640 --> 00:16:58,760 Speaker 2: relationship with Jess is it's it's not uncommon from you know, 294 00:17:00,040 --> 00:17:01,920 Speaker 2: the struggles that a lot of kids have, what they 295 00:17:02,080 --> 00:17:05,399 Speaker 2: you know, dating, when you're at that age where you 296 00:17:05,440 --> 00:17:07,960 Speaker 2: meet someone and then you know there's this attraction and 297 00:17:08,000 --> 00:17:11,440 Speaker 2: then you know it's a struggle because things aren't quite 298 00:17:11,520 --> 00:17:13,760 Speaker 2: right and there are problems, but you still, you know, 299 00:17:13,920 --> 00:17:15,160 Speaker 2: just try, you. 300 00:17:15,080 --> 00:17:19,159 Speaker 1: Know, well, right, you have no experience doing that, so 301 00:17:19,240 --> 00:17:24,040 Speaker 1: you don't know what red flags are. You don't know 302 00:17:24,119 --> 00:17:27,359 Speaker 1: how to recognize them, and you wouldn't care if you did. 303 00:17:29,040 --> 00:17:32,280 Speaker 2: The heart wants what it wants, I mean, you know. 304 00:17:34,080 --> 00:17:37,480 Speaker 1: But she's really beginning to, you know, lose her patience 305 00:17:37,520 --> 00:17:41,159 Speaker 1: with this and and feel like she deserves more. She 306 00:17:41,240 --> 00:17:43,600 Speaker 1: wants more. I mean, I don't think she wants to 307 00:17:43,600 --> 00:17:46,440 Speaker 1: get married, but you know, she at least wants to 308 00:17:46,440 --> 00:17:50,480 Speaker 1: get asked to the problem is that reaching for the stars. 309 00:17:50,560 --> 00:17:56,200 Speaker 1: You know, she just would like to have, you know, 310 00:17:56,520 --> 00:17:59,879 Speaker 1: some certainty, a little bit of certainty, and I just 311 00:18:00,320 --> 00:18:03,480 Speaker 1: you know that scene at the end, and we'll jump around. 312 00:18:03,480 --> 00:18:08,040 Speaker 1: It's okay, that scene at the end when she sees 313 00:18:08,080 --> 00:18:11,160 Speaker 1: him on the bus. She doesn't see his giant double bag, 314 00:18:11,200 --> 00:18:14,119 Speaker 1: but she sees him right she gets off the bus 315 00:18:14,280 --> 00:18:16,359 Speaker 1: and then he pulls out the bag. And now we 316 00:18:16,400 --> 00:18:19,040 Speaker 1: know that poor kid that got me. 317 00:18:19,400 --> 00:18:22,159 Speaker 2: But he's so I mean, in his defense, he's so 318 00:18:22,359 --> 00:18:25,720 Speaker 2: protective of himself, and he's had this kind of rough past, 319 00:18:26,320 --> 00:18:28,920 Speaker 2: like he tried to get prompt tickets and the principle, 320 00:18:28,920 --> 00:18:30,600 Speaker 2: you know, the previous I think it was a previous 321 00:18:30,600 --> 00:18:34,479 Speaker 2: episode or the principal wouldn't let him. He says, you're 322 00:18:34,520 --> 00:18:36,439 Speaker 2: not going to graduate. You can't go. You can't, you know. 323 00:18:36,560 --> 00:18:38,600 Speaker 2: So it's not like he didn't try, but he doesn't 324 00:18:38,640 --> 00:18:42,720 Speaker 2: communicate with her about it. And I think even the fight, 325 00:18:43,440 --> 00:18:48,240 Speaker 2: I felt like, you know, whatever happened between him and 326 00:18:48,320 --> 00:18:52,399 Speaker 2: Rory at the party, he still got sucker punched, you know, 327 00:18:53,200 --> 00:18:55,600 Speaker 2: And I mean, he didn't start the fight. So he's 328 00:18:55,600 --> 00:18:57,879 Speaker 2: in a situation and I feel like these things kind 329 00:18:57,920 --> 00:19:01,119 Speaker 2: of like and he gets a little lucky, you know, 330 00:19:01,200 --> 00:19:04,640 Speaker 2: with certain things. But you know, I mean, like that's 331 00:19:04,640 --> 00:19:06,679 Speaker 2: the thing. He's a you know, he's a he is 332 00:19:06,720 --> 00:19:09,080 Speaker 2: a tough guy, and he's got this shell around him. 333 00:19:09,080 --> 00:19:13,800 Speaker 2: He's protecting himself. And especially he's got other circumstances happening 334 00:19:13,840 --> 00:19:16,400 Speaker 2: in this episode with the return of his father, which 335 00:19:16,400 --> 00:19:20,280 Speaker 2: he hasn't he hasn't said anything to you know, to 336 00:19:20,359 --> 00:19:23,000 Speaker 2: her about it. So Jess, you know, Jess has this 337 00:19:23,840 --> 00:19:28,520 Speaker 2: protective shell around him that he because of the struggles 338 00:19:28,560 --> 00:19:31,679 Speaker 2: he's had in life, and it's hard for Rory to 339 00:19:32,240 --> 00:19:33,399 Speaker 2: kind of break through that. 340 00:19:33,840 --> 00:19:36,520 Speaker 1: Yeah, she she just doesn't have a chance against all that. 341 00:19:36,840 --> 00:19:41,920 Speaker 1: She doesn't know it, which is why Laura I continually 342 00:19:41,920 --> 00:19:45,359 Speaker 1: tried to steer her away from getting involved. She saw 343 00:19:45,359 --> 00:19:47,720 Speaker 1: it she saw this. I mean, boy did she see 344 00:19:47,720 --> 00:19:54,920 Speaker 1: it coming. But in those situations, nature takes its course, hysterical. Really, 345 00:19:55,080 --> 00:19:59,960 Speaker 1: Maybe the funniest scene of the episode was was one 346 00:20:00,080 --> 00:20:04,720 Speaker 1: Laura Lai and Suki were were and that was that 347 00:20:04,920 --> 00:20:11,359 Speaker 1: you know the guy that they were that's Melissa McCarthy's husband. Yeah, 348 00:20:11,440 --> 00:20:13,120 Speaker 1: that's Ben Falcone right there. 349 00:20:13,200 --> 00:20:14,800 Speaker 2: Is that his first appearance on the show. 350 00:20:14,960 --> 00:20:16,440 Speaker 1: I think it is. Yeah. 351 00:20:16,640 --> 00:20:22,400 Speaker 2: Interesting. Were they married at the time or dating at 352 00:20:22,400 --> 00:20:22,680 Speaker 2: the time. 353 00:20:22,800 --> 00:20:24,080 Speaker 1: No, No, I think that's how they met. 354 00:20:24,160 --> 00:20:25,000 Speaker 2: That's how they met. 355 00:20:25,240 --> 00:20:30,359 Speaker 1: Fascinating that scene is I think how they met. Wow, 356 00:20:30,680 --> 00:20:33,560 Speaker 1: I could be wrong, but I believe that that was 357 00:20:33,600 --> 00:20:39,120 Speaker 1: when they met. Yeah, and Suki and and and Laura. 358 00:20:39,240 --> 00:20:42,000 Speaker 1: I conspiring now I would you know, not conspiring, but 359 00:20:42,119 --> 00:20:47,879 Speaker 1: tiptoeing around, not so gently around this issue of getting 360 00:20:48,000 --> 00:20:52,439 Speaker 1: friends in uh. Now that she's passed, they want to 361 00:20:52,440 --> 00:20:56,680 Speaker 1: be first in line to to buy it, so they 362 00:20:57,080 --> 00:21:03,440 Speaker 1: they approach Ben Falcone lead Paul Bear. Very funny, see, 363 00:21:03,880 --> 00:21:07,720 Speaker 1: very funny. Uh, and then they celebrate towards they jump 364 00:21:07,840 --> 00:21:14,119 Speaker 1: up and down with the body's going getting carried away. 365 00:21:15,119 --> 00:21:28,040 Speaker 1: Oh man, all right, Jess's father shows up and Luke 366 00:21:28,359 --> 00:21:31,600 Speaker 1: gets a little upset here Jess is. He's not in 367 00:21:31,640 --> 00:21:36,639 Speaker 1: the best mood. It's evening. He's waiting impatiently. Oh no, 368 00:21:36,760 --> 00:21:39,280 Speaker 1: this is when we first sorry, scratch all that, Jackie. 369 00:21:40,160 --> 00:21:44,960 Speaker 1: This is when we first see ah what what is his? Uh, 370 00:21:45,520 --> 00:21:50,680 Speaker 1: Jimmy is it's Jimmy. It's Jimmy. This is when we 371 00:21:50,680 --> 00:21:52,639 Speaker 1: first see Jimmy. He's just sitting He's just sitting at 372 00:21:52,640 --> 00:21:53,840 Speaker 1: a table. He's not ordering anything. 373 00:21:53,840 --> 00:21:55,840 Speaker 2: He's got You don't know who it is at this point, 374 00:21:56,119 --> 00:21:56,400 Speaker 2: we have. 375 00:21:56,359 --> 00:22:00,520 Speaker 1: No idea at the table right, he won't order anything, 376 00:22:00,600 --> 00:22:03,320 Speaker 1: and Jess is getting frustrated with him and being a 377 00:22:03,359 --> 00:22:07,000 Speaker 1: little rude to him, and that turns out to be 378 00:22:07,040 --> 00:22:11,400 Speaker 1: his dad. So he leaves the diner. He forgets his walt. 379 00:22:11,480 --> 00:22:13,399 Speaker 1: Luke chases after him with the wall, pulls out his 380 00:22:13,440 --> 00:22:16,639 Speaker 1: ID and says, uh, oh, now I know who this is. 381 00:22:18,320 --> 00:22:22,680 Speaker 1: Luke finds him, shows up at his hotel room and in. 382 00:22:24,520 --> 00:22:28,800 Speaker 2: Great scene, great, great scene. That's my favorite scene of 383 00:22:28,800 --> 00:22:32,479 Speaker 2: the episode. I gotta say that's my favorite scene. I 384 00:22:32,560 --> 00:22:35,720 Speaker 2: just think it's a it's just a great I feel 385 00:22:35,720 --> 00:22:37,600 Speaker 2: like you have two great actors. I love seeing you 386 00:22:37,600 --> 00:22:40,720 Speaker 2: guys just you know, go at it and that you're 387 00:22:40,840 --> 00:22:43,240 Speaker 2: just like lay down the lay down the law with him. 388 00:22:43,280 --> 00:22:44,639 Speaker 1: You know what it is, you know, you know what 389 00:22:44,680 --> 00:22:48,680 Speaker 1: it is, Dave, it's you don't get You don't get 390 00:22:48,720 --> 00:22:50,959 Speaker 1: to do that a lot I got. I did that 391 00:22:51,200 --> 00:22:54,520 Speaker 1: a lot in in in New York on stage, right, 392 00:22:54,560 --> 00:22:56,880 Speaker 1: you get to do that on stage. You don't get 393 00:22:56,880 --> 00:22:59,040 Speaker 1: to do that in television shows. 394 00:22:59,680 --> 00:23:03,239 Speaker 2: It's very rare, but it's special when it happens, like 395 00:23:03,320 --> 00:23:05,959 Speaker 2: if it's too often that it loses its specialists. 396 00:23:06,000 --> 00:23:09,159 Speaker 1: I feel it absolutely. And but the writing is so 397 00:23:09,480 --> 00:23:13,359 Speaker 1: good that you just feel like you can go, go, go, 398 00:23:13,359 --> 00:23:17,600 Speaker 1: go go, and you're gonna be okay. So if you go, 399 00:23:17,800 --> 00:23:22,760 Speaker 1: like if you turn the amp up to nine or eleven, even, 400 00:23:23,200 --> 00:23:25,880 Speaker 1: you're gonna be okay. It's not gonna be too much 401 00:23:25,960 --> 00:23:27,240 Speaker 1: because the writing's there. 402 00:23:27,640 --> 00:23:29,680 Speaker 2: Writing writing was solid. 403 00:23:30,320 --> 00:23:33,280 Speaker 1: So it's like it's almost like the writing is sort 404 00:23:33,320 --> 00:23:37,760 Speaker 1: of actor proof where you could under you could underplay 405 00:23:37,760 --> 00:23:40,320 Speaker 1: it and it would still work. Because as I was 406 00:23:40,359 --> 00:23:43,399 Speaker 1: watching it, I thought, hmmm, how would I approach that 407 00:23:43,560 --> 00:23:48,160 Speaker 1: scene now, you know so twenty years later, right, and 408 00:23:48,800 --> 00:23:52,160 Speaker 1: would I underplay it? Would I be calmer with it? 409 00:23:52,200 --> 00:23:54,800 Speaker 1: And it could work that way. It could work any 410 00:23:54,880 --> 00:23:58,919 Speaker 1: number of ways anyway. But it's just really that's the situation, 411 00:23:59,200 --> 00:24:02,919 Speaker 1: and that's the choice that you make. And if the 412 00:24:03,040 --> 00:24:08,760 Speaker 1: director feels like it's going well in rehearsal, like yeah, yeah, 413 00:24:08,800 --> 00:24:12,160 Speaker 1: this feels organic and it feels good, and why wouldn't 414 00:24:12,160 --> 00:24:17,280 Speaker 1: it you know, Luke would do this. Luke would blow 415 00:24:17,359 --> 00:24:18,760 Speaker 1: his top a little bit. You know. 416 00:24:19,119 --> 00:24:21,480 Speaker 2: Can I ask you a question. I wonder how involved 417 00:24:21,520 --> 00:24:25,360 Speaker 2: were like the Palladinos on set did they were they 418 00:24:25,440 --> 00:24:28,359 Speaker 2: or the writers? How much did they like affect the 419 00:24:28,440 --> 00:24:31,800 Speaker 2: director or how much did they you know, are you 420 00:24:31,880 --> 00:24:34,600 Speaker 2: aware of like any of that kind of of a 421 00:24:34,760 --> 00:24:37,680 Speaker 2: dynamic going on or you know. 422 00:24:37,600 --> 00:24:40,120 Speaker 1: What I think the Palatinos did which was so great 423 00:24:40,480 --> 00:24:44,520 Speaker 1: is I think they had all of their director meetings 424 00:24:44,680 --> 00:24:48,280 Speaker 1: beforehand and it was just kind of a hands off approach. 425 00:24:48,800 --> 00:24:53,080 Speaker 1: You know, it was never public, it was never on set, 426 00:24:53,160 --> 00:24:56,640 Speaker 1: they never came on. It's like, you know, I've been 427 00:24:56,640 --> 00:25:01,520 Speaker 1: on shows where I was on one show where between 428 00:25:02,280 --> 00:25:05,520 Speaker 1: just about every single take, the director was watching remotely 429 00:25:05,560 --> 00:25:09,159 Speaker 1: and would I mean the showrunner was watching remotely and 430 00:25:09,200 --> 00:25:11,359 Speaker 1: would call the director, so there would be these five 431 00:25:11,440 --> 00:25:14,919 Speaker 1: ten minute delays between every single take, and it was 432 00:25:15,040 --> 00:25:17,600 Speaker 1: just awful. It was just an awful way to work. 433 00:25:17,880 --> 00:25:21,040 Speaker 1: But now they were very hands off. It seemed like 434 00:25:21,800 --> 00:25:26,800 Speaker 1: the directors had full autonomy and and to express themselves 435 00:25:26,840 --> 00:25:29,560 Speaker 1: and they were trusted, and it was it was always 436 00:25:29,600 --> 00:25:34,040 Speaker 1: a nice working environment with with the directors that came in. 437 00:25:34,160 --> 00:25:38,840 Speaker 1: They were all very very competent and very prepared and 438 00:25:40,840 --> 00:25:46,400 Speaker 1: you know and open to you know, suggestions and choices, 439 00:25:46,480 --> 00:25:48,960 Speaker 1: and it was a very free and open kind of 440 00:25:49,240 --> 00:25:52,680 Speaker 1: not not script wise, no, you didn't touch the language, 441 00:25:52,680 --> 00:25:54,560 Speaker 1: but it's just sort of you know, the blocking and 442 00:25:54,560 --> 00:25:54,840 Speaker 1: all that. 443 00:25:55,280 --> 00:25:56,119 Speaker 2: Yeah. 444 00:25:56,280 --> 00:25:58,000 Speaker 1: Yeah, so they were they were great about it. 445 00:25:58,040 --> 00:26:01,080 Speaker 2: I just was curious, Yeah, because I've had experiences with 446 00:26:01,400 --> 00:26:04,080 Speaker 2: kind of both and sometimes it's it's you know, now 447 00:26:04,080 --> 00:26:06,680 Speaker 2: I'm not saying it's necessarily a bad thing, but sometimes 448 00:26:06,680 --> 00:26:10,080 Speaker 2: you're you you direct, and you're protecting for both. So 449 00:26:10,119 --> 00:26:12,040 Speaker 2: they might you know, director might be like, wow, I 450 00:26:12,119 --> 00:26:14,880 Speaker 2: love this, but I should also get it this way too, 451 00:26:15,119 --> 00:26:17,720 Speaker 2: just because I know that the you know, the showrunners 452 00:26:17,720 --> 00:26:20,560 Speaker 2: said they you know what I mean, that kind of thing. 453 00:26:20,720 --> 00:26:23,640 Speaker 2: So I just was curious, Yeah, because you could you know, 454 00:26:24,000 --> 00:26:26,359 Speaker 2: when you when you have a choice or something like that. 455 00:26:26,440 --> 00:26:28,159 Speaker 2: Like if I was if I was directing watching that, 456 00:26:28,200 --> 00:26:29,720 Speaker 2: I'd be like, oh my god, I just love this 457 00:26:30,200 --> 00:26:32,240 Speaker 2: and and you know, you could just see that the 458 00:26:32,280 --> 00:26:34,840 Speaker 2: performances just so great, and it's you. 459 00:26:34,760 --> 00:26:37,880 Speaker 1: Know, listen, it's it's I don't want to say it's 460 00:26:37,920 --> 00:26:42,000 Speaker 1: easy with that kind of writing. It's just that kind 461 00:26:42,080 --> 00:26:47,159 Speaker 1: of writing engages you and focuses you and you feel 462 00:26:47,240 --> 00:26:55,880 Speaker 1: so completely what's the word I'm looking for. Obligated two 463 00:26:57,119 --> 00:27:02,240 Speaker 1: execute at your highest level. I mean, it really challenges 464 00:27:02,320 --> 00:27:05,639 Speaker 1: you to like, can you do this and this is 465 00:27:05,680 --> 00:27:07,919 Speaker 1: what you need to do, and you see it before 466 00:27:07,960 --> 00:27:09,840 Speaker 1: you do it, you feel it before you do it, 467 00:27:10,640 --> 00:27:12,520 Speaker 1: and you just don't know if you're going to pull 468 00:27:12,560 --> 00:27:16,760 Speaker 1: it off because you know, as well as anybody you know, 469 00:27:16,840 --> 00:27:19,480 Speaker 1: as far as actors are concerned, their best work rarely 470 00:27:19,680 --> 00:27:22,919 Speaker 1: makes it to the final cut because of so many 471 00:27:24,000 --> 00:27:26,760 Speaker 1: you know, technical things that can go wrong in a scene, 472 00:27:26,840 --> 00:27:28,920 Speaker 1: or a sound issue, or there's there's a lighting issue, 473 00:27:29,040 --> 00:27:31,040 Speaker 1: or there's you know, whatever it is. But it's but 474 00:27:31,119 --> 00:27:35,560 Speaker 1: it's hard. And that's the fun part is when you're 475 00:27:35,600 --> 00:27:38,879 Speaker 1: handed something, when you're given the responsibility to do something 476 00:27:38,960 --> 00:27:40,840 Speaker 1: like that, that's the fun part of it, you know. 477 00:27:41,680 --> 00:27:43,920 Speaker 2: But I would I would say I want to give 478 00:27:43,960 --> 00:27:46,920 Speaker 2: though that the director and editor credit as well. When 479 00:27:46,920 --> 00:27:48,760 Speaker 2: you say, like, I think a lot of times the 480 00:27:48,760 --> 00:27:50,919 Speaker 2: best stuff does make it. At least That's what I 481 00:27:50,960 --> 00:27:53,919 Speaker 2: strive for when I'm editing a show is to you know, 482 00:27:54,000 --> 00:27:57,600 Speaker 2: look at these performances and wow, they're great, even if 483 00:27:57,600 --> 00:28:00,679 Speaker 2: it's crossing takes and getting man's so great in this 484 00:28:00,840 --> 00:28:02,919 Speaker 2: take and then this take, he's got this line. How 485 00:28:02,920 --> 00:28:05,879 Speaker 2: do I get these two together? You know? And I 486 00:28:05,920 --> 00:28:08,960 Speaker 2: think that, I mean, yes, there's always obviously there's technical 487 00:28:09,000 --> 00:28:12,360 Speaker 2: issues that happen, and sometimes we can, you know, editors 488 00:28:12,359 --> 00:28:14,840 Speaker 2: can can work a little magic and fix things and 489 00:28:15,680 --> 00:28:19,119 Speaker 2: even with visual effects or sound work and stuff. But 490 00:28:19,240 --> 00:28:22,320 Speaker 2: I think that everybody does strive to get the best, 491 00:28:22,440 --> 00:28:24,760 Speaker 2: you know, like you like you get those words and 492 00:28:24,800 --> 00:28:27,840 Speaker 2: you feel this obligation. I feel like everybody down the line, 493 00:28:28,200 --> 00:28:30,960 Speaker 2: you know, the editor also has this obligation. Well, we 494 00:28:31,000 --> 00:28:32,320 Speaker 2: want to get the best. I want to get the 495 00:28:32,320 --> 00:28:35,119 Speaker 2: best cut that I can to the producers, and I 496 00:28:35,119 --> 00:28:37,719 Speaker 2: think everybody is striving to make the best show. And 497 00:28:37,720 --> 00:28:39,640 Speaker 2: that's why I show that, Like you know, like the 498 00:28:39,640 --> 00:28:43,480 Speaker 2: Gillmore Girls goes for for season after season after season, 499 00:28:43,520 --> 00:28:46,560 Speaker 2: and then there's still such you know, fan fare about it. 500 00:28:46,600 --> 00:28:49,080 Speaker 2: That they can pick it up again eight years later. 501 00:28:49,160 --> 00:28:52,800 Speaker 2: And you know what I mean. So it's a good 502 00:28:52,840 --> 00:28:55,920 Speaker 2: you know, it's just quality and care, right. 503 00:28:56,240 --> 00:28:59,120 Speaker 1: Yeah and so and so I think that answers your 504 00:28:59,160 --> 00:29:03,320 Speaker 1: question as well. Well. Behind the scenes, the Palladinos, I 505 00:29:03,640 --> 00:29:07,440 Speaker 1: think what they were very, very good at was hiring 506 00:29:07,480 --> 00:29:11,480 Speaker 1: the right people, you know, because none of us had 507 00:29:11,600 --> 00:29:14,000 Speaker 1: any right to be on that show, given the quality 508 00:29:14,000 --> 00:29:16,600 Speaker 1: of the writing and given the fact that so many 509 00:29:16,680 --> 00:29:19,920 Speaker 1: name actors were available at that time, because the crossover 510 00:29:20,040 --> 00:29:23,240 Speaker 1: into TV was becoming a thing, right film to TV 511 00:29:23,840 --> 00:29:27,040 Speaker 1: at that time. And I know that, you know, the 512 00:29:27,080 --> 00:29:30,680 Speaker 1: studio didn't want any of us, right, they wanted names, 513 00:29:30,760 --> 00:29:33,320 Speaker 1: And she fought for every one of us because she 514 00:29:33,560 --> 00:29:37,040 Speaker 1: felt that we were kind of perfect for these roles. 515 00:29:37,360 --> 00:29:39,560 Speaker 1: You know, maybe it's the only role they'll ever play 516 00:29:39,560 --> 00:29:42,040 Speaker 1: in their lives, but they're really like right for this one. 517 00:29:42,680 --> 00:29:44,760 Speaker 1: And I think she did that on all levels. Amy 518 00:29:44,760 --> 00:29:46,680 Speaker 1: and Dan did that on all levels. They had great 519 00:29:46,680 --> 00:29:49,640 Speaker 1: people there. I mean, there were just great people everywhere. 520 00:29:50,800 --> 00:29:52,760 Speaker 1: It really was a very special place. 521 00:29:52,800 --> 00:29:56,240 Speaker 2: You were seeing the casting. I mean even just all 522 00:29:56,280 --> 00:29:58,800 Speaker 2: these actors, you know, I mean how they brought you 523 00:29:58,840 --> 00:30:00,920 Speaker 2: guys together, but even how they guess first have gone 524 00:30:00,960 --> 00:30:03,320 Speaker 2: off right, Oh they've had careers out, you know what 525 00:30:03,320 --> 00:30:06,600 Speaker 2: I mean the time it's like, oh really it had 526 00:30:06,640 --> 00:30:07,760 Speaker 2: some jewels here. 527 00:30:07,680 --> 00:30:12,720 Speaker 1: You know, yeah, it's it's it is amazing. It is 528 00:30:12,760 --> 00:30:18,000 Speaker 1: an amazing legacy that this show is left and continues to 529 00:30:18,000 --> 00:30:23,120 Speaker 1: to to leave. All right, we're getting a little tight 530 00:30:23,200 --> 00:30:26,040 Speaker 1: on time. Let me see here. Oh no, no we're good, 531 00:30:26,240 --> 00:30:32,160 Speaker 1: but just heartbreaking stuff. Heartbreaking to have to confront somebody 532 00:30:32,160 --> 00:30:36,560 Speaker 1: else's dad and defend Jess and no, probably in as 533 00:30:36,600 --> 00:30:38,680 Speaker 1: hard as hearts. It's it's a lost cause. But he's 534 00:30:38,720 --> 00:30:42,080 Speaker 1: gonna just he's gonna die trying. One of the funnier 535 00:30:42,120 --> 00:30:44,640 Speaker 1: moments for me, and this was when Taylor comes in 536 00:30:44,800 --> 00:30:47,000 Speaker 1: singing Sunshine. 537 00:30:51,240 --> 00:30:56,200 Speaker 2: Yes, and he's got that and I love the little 538 00:30:56,320 --> 00:30:58,280 Speaker 2: little line at the end too. He's like, you know, 539 00:30:58,320 --> 00:31:12,600 Speaker 2: and you can get penny candies for a. 540 00:31:07,240 --> 00:31:09,959 Speaker 1: It's just great. Yeah. I mean, it's filled with that stuff. 541 00:31:10,280 --> 00:31:14,720 Speaker 1: Hence hence the volume of rewatch, because there's it's so 542 00:31:14,920 --> 00:31:18,480 Speaker 1: dense with humor that nobody can possibly pick it all 543 00:31:18,560 --> 00:31:21,600 Speaker 1: up in one viewing. So Taylor comes in and announces 544 00:31:21,640 --> 00:31:26,480 Speaker 1: the his soda shop is opening. Pass around flyers you 545 00:31:26,480 --> 00:31:29,520 Speaker 1: know what we've covered. We've actually covered all this. Wow. 546 00:31:29,560 --> 00:31:33,360 Speaker 1: What this has been a full discussion of this episode 547 00:31:33,360 --> 00:31:38,960 Speaker 1: pretty much. It's filled with drama levity. You can't ask 548 00:31:38,960 --> 00:31:50,160 Speaker 1: for anything more. All right, So you were in the 549 00:31:50,200 --> 00:31:54,320 Speaker 1: episode we recapped Dave a few weeks ago, Tale of 550 00:31:54,320 --> 00:31:56,160 Speaker 1: Post and Fire. What do you remember about your time 551 00:31:56,200 --> 00:31:57,000 Speaker 1: on set? 552 00:31:57,320 --> 00:31:59,560 Speaker 2: What do you remember who came by? Do you remember 553 00:31:59,600 --> 00:32:01,480 Speaker 2: who was there that day? And did the sleigh a 554 00:32:01,480 --> 00:32:02,320 Speaker 2: couple of times? 555 00:32:02,560 --> 00:32:07,120 Speaker 1: Were you there when Brian Depalmer was there? Was Matthew Perry? Yeah, 556 00:32:07,200 --> 00:32:09,520 Speaker 1: oh yes I did. You were in the diner. 557 00:32:09,840 --> 00:32:13,200 Speaker 2: I'm in the diner. I have one It's so funny. 558 00:32:13,240 --> 00:32:15,800 Speaker 2: I mean I have one line and it's one word. 559 00:32:15,920 --> 00:32:19,280 Speaker 2: I just go, you know, Suki says, hey, you know, 560 00:32:19,320 --> 00:32:22,400 Speaker 2: they come just to reac. They come from the inn 561 00:32:22,840 --> 00:32:25,440 Speaker 2: is on fire. It's the next morning, it's breakfast. They 562 00:32:25,480 --> 00:32:27,400 Speaker 2: come in and they kind of take over your diner 563 00:32:27,440 --> 00:32:30,040 Speaker 2: and they say, you know, it's okay, we cancel your 564 00:32:30,160 --> 00:32:33,320 Speaker 2: orders and make Suki's fabulous French hosts. And and then 565 00:32:33,360 --> 00:32:36,720 Speaker 2: I go, sure, like that's my That's what I'm online 566 00:32:37,280 --> 00:32:40,160 Speaker 2: and uh and people still I will get messages from 567 00:32:40,240 --> 00:32:44,280 Speaker 2: people today like hey, where you want to give more girls? 568 00:32:44,360 --> 00:32:46,800 Speaker 2: I think I like all the time, like twice two 569 00:32:46,960 --> 00:32:50,040 Speaker 2: three times a year. I will get like Facebook messages, 570 00:32:50,080 --> 00:32:53,480 Speaker 2: I'll get a text from someone, I'll get a shot, right, 571 00:32:54,320 --> 00:32:56,880 Speaker 2: and so it's it's so funny. But uh, I had 572 00:32:56,920 --> 00:32:59,200 Speaker 2: I have my call sheet still. I had a great 573 00:32:59,440 --> 00:33:02,760 Speaker 2: That was a great day. It was the first time 574 00:33:02,880 --> 00:33:06,320 Speaker 2: like I had, you know, I come from I was 575 00:33:06,480 --> 00:33:09,320 Speaker 2: editing and I was assistant editing and editing. I had 576 00:33:09,320 --> 00:33:14,280 Speaker 2: actually like I worked on uh Lauren Seinfeld episode. I 577 00:33:14,440 --> 00:33:17,200 Speaker 2: was Uh. I was the assistant editor for the last 578 00:33:17,240 --> 00:33:20,480 Speaker 2: two seasons of Seinfeld. So she came in. She came 579 00:33:20,520 --> 00:33:24,000 Speaker 2: in and did the Millennium episode and uh and I 580 00:33:24,080 --> 00:33:29,040 Speaker 2: actually I edited you. I edited the clips show the finale. 581 00:33:29,080 --> 00:33:31,520 Speaker 2: The episode that came right before the finale was a 582 00:33:31,560 --> 00:33:35,520 Speaker 2: clip show. She used the clip of you and Elaine 583 00:33:36,480 --> 00:33:39,840 Speaker 2: from the Sponge the sponge can you do something about 584 00:33:39,840 --> 00:33:44,360 Speaker 2: those cybergs? Okay, I mean so that that and that 585 00:33:44,400 --> 00:33:47,280 Speaker 2: because it's a great scene. But I put those together 586 00:33:47,360 --> 00:33:50,200 Speaker 2: with the with the writers and worked with Jerry Jerry 587 00:33:50,200 --> 00:33:53,480 Speaker 2: Seinfeld and Larry David and Andy Ackerman and we we 588 00:33:53,640 --> 00:33:56,040 Speaker 2: you know, put these clips together. It was my first 589 00:33:56,040 --> 00:33:59,000 Speaker 2: solo editing episode. So I did. I worked with you. 590 00:33:59,040 --> 00:34:01,360 Speaker 2: I mean, this was all you had shot that, you know, 591 00:34:01,480 --> 00:34:03,800 Speaker 2: a couple of seasons before, but it was so good 592 00:34:03,920 --> 00:34:07,240 Speaker 2: that it made it into the clip show. 593 00:34:07,200 --> 00:34:10,280 Speaker 1: And I got an experience that was Jesus. 594 00:34:10,280 --> 00:34:12,320 Speaker 2: And then I started, uh, you know, and it's funny. 595 00:34:12,360 --> 00:34:15,799 Speaker 2: I'm in the background of a one Seinfeld episode. I'm 596 00:34:15,840 --> 00:34:19,640 Speaker 2: in the YadA YadA, which is uh, it's a wedding 597 00:34:19,760 --> 00:34:23,520 Speaker 2: scene and it's like, got Robert Wagner in it and 598 00:34:23,640 --> 00:34:27,560 Speaker 2: Jill Saint John and uh, you know, the Debra Messing 599 00:34:27,680 --> 00:34:29,640 Speaker 2: is there and I'm sitting in the back row and 600 00:34:29,760 --> 00:34:32,360 Speaker 2: people will also they'll notice me back there. So I'm 601 00:34:32,400 --> 00:34:33,240 Speaker 2: good at crafts. 602 00:34:34,360 --> 00:34:36,400 Speaker 1: Yeah, that's so great. 603 00:34:36,880 --> 00:34:40,520 Speaker 2: And I had gotten my sad card, and uh I 604 00:34:40,560 --> 00:34:43,440 Speaker 2: did some voiceover work for a friend that I'd gone 605 00:34:43,480 --> 00:34:45,400 Speaker 2: to college with, and then I was I started. I 606 00:34:45,440 --> 00:34:48,520 Speaker 2: took acting classes more of like as to become a 607 00:34:48,520 --> 00:34:52,040 Speaker 2: better director, just be able to communicates. I always wanted 608 00:34:52,040 --> 00:34:55,160 Speaker 2: to get in, you know, to to lean that that way. 609 00:34:55,480 --> 00:34:57,880 Speaker 2: But I did take an auditioning class with A. D. 610 00:34:58,120 --> 00:35:03,240 Speaker 2: Wallace Stone and so started her. Yeah, I mean she's great. 611 00:35:03,280 --> 00:35:06,280 Speaker 2: So I and I knew the I knew the casting 612 00:35:06,320 --> 00:35:09,120 Speaker 2: direct I knew Jamie Rudowski, who casts the show, and 613 00:35:09,160 --> 00:35:10,640 Speaker 2: I said, oh can I can I come in and 614 00:35:10,840 --> 00:35:14,239 Speaker 2: and and read and uh so I read and then she, 615 00:35:14,440 --> 00:35:16,719 Speaker 2: you know, she get me to the producers, and I 616 00:35:17,080 --> 00:35:19,640 Speaker 2: remember things that de told me, like, you know, if 617 00:35:19,640 --> 00:35:22,600 Speaker 2: something calls for something, you know, it said bring a plant, 618 00:35:22,760 --> 00:35:25,319 Speaker 2: do this. So I'm like, I dressed up like, oh, 619 00:35:25,320 --> 00:35:27,520 Speaker 2: it's gonna be fall I'm wore a leather jacket. I 620 00:35:27,560 --> 00:35:30,560 Speaker 2: had a scarf on for my audition, and I guess 621 00:35:30,600 --> 00:35:33,120 Speaker 2: I guess they liked me, and you know, that was it. 622 00:35:33,200 --> 00:35:36,040 Speaker 2: I was so happy when I got the part and 623 00:35:36,400 --> 00:35:38,919 Speaker 2: coming to see you know, getting in early, having hair 624 00:35:38,960 --> 00:35:42,560 Speaker 2: and makeup, you know, work on me, getting breakfast at 625 00:35:42,560 --> 00:35:44,560 Speaker 2: the you know, the first time, like I'm on this, 626 00:35:44,719 --> 00:35:46,560 Speaker 2: you know, this other side of the of the camera, 627 00:35:46,600 --> 00:35:49,200 Speaker 2: seeing what actors, you know, what you guys experience, and 628 00:35:49,239 --> 00:35:51,640 Speaker 2: then and then going to set, it was it was 629 00:35:51,719 --> 00:35:58,520 Speaker 2: just great. You uh, you know Lauren, Melissa McCarthy and 630 00:35:58,560 --> 00:36:02,080 Speaker 2: then uh and yeah, Matt Perry shows up right, shows up, 631 00:36:02,080 --> 00:36:04,120 Speaker 2: and you know he was friendly with more and I 632 00:36:04,160 --> 00:36:05,799 Speaker 2: don't know if they were dating or just friendly at 633 00:36:05,840 --> 00:36:09,440 Speaker 2: the time. But but you know, he was a lot 634 00:36:09,480 --> 00:36:12,120 Speaker 2: of fun. Everybody was so excited that he came by 635 00:36:12,160 --> 00:36:14,280 Speaker 2: and he did that a few times. 636 00:36:14,440 --> 00:36:18,680 Speaker 1: He was joking around while we were rehearsing. Yeah, yeah, no, 637 00:36:18,719 --> 00:36:20,840 Speaker 1: while we were shooting. He was joking around because I 638 00:36:20,840 --> 00:36:24,160 Speaker 1: had a I had a line. What was I had 639 00:36:24,160 --> 00:36:28,319 Speaker 1: a line about? I think it was when Laura like, oh, yeah, 640 00:36:28,320 --> 00:36:32,400 Speaker 1: they right, they came in and the inn was burning down, 641 00:36:32,520 --> 00:36:34,799 Speaker 1: or you're yeah, and the line I said, you're in 642 00:36:36,040 --> 00:36:39,799 Speaker 1: and and and so Matthew goes urine. You're talking about urine. 643 00:36:40,160 --> 00:36:44,239 Speaker 1: Everybody laughed. You remember that that exchange. That's that's the 644 00:36:44,239 --> 00:36:47,600 Speaker 1: one funny exchange I had with That's a pair. Ye 645 00:36:48,200 --> 00:36:52,719 Speaker 1: never got to act with him, No, And he's like, 646 00:36:53,160 --> 00:36:55,120 Speaker 1: that's like one person you want to act with. You 647 00:36:55,400 --> 00:36:58,239 Speaker 1: There's like there's there's people, and then there's people that's like, man, 648 00:36:58,280 --> 00:37:00,320 Speaker 1: I want to I want to try to do comedy 649 00:37:00,360 --> 00:37:02,120 Speaker 1: with that guy, you know, because I probably woudn't have 650 00:37:02,160 --> 00:37:04,160 Speaker 1: to do much, right, you just just say the lines 651 00:37:04,160 --> 00:37:06,680 Speaker 1: and let him go right, let him do his thing. 652 00:37:07,040 --> 00:37:09,920 Speaker 2: And then the scene was it was great just watching 653 00:37:09,960 --> 00:37:12,200 Speaker 2: you guys, you know, because we were basically just getting 654 00:37:12,200 --> 00:37:14,239 Speaker 2: to watch. You know, I have one line and I'm 655 00:37:14,280 --> 00:37:16,359 Speaker 2: sitting there just being in the diner, just trying to 656 00:37:16,400 --> 00:37:19,480 Speaker 2: you know, be attentive. And then I remember then they 657 00:37:19,480 --> 00:37:24,440 Speaker 2: turned the cameras around to get to get you know, 658 00:37:24,480 --> 00:37:27,080 Speaker 2: because they had shot us for whatever reason, they shot 659 00:37:27,120 --> 00:37:29,120 Speaker 2: one way and then the other, and so they had 660 00:37:29,160 --> 00:37:31,520 Speaker 2: shot the crowd shots and then we were shooting Laurence 661 00:37:31,600 --> 00:37:33,600 Speaker 2: coverage and she's like, you know, oh, you guys don't 662 00:37:33,600 --> 00:37:35,040 Speaker 2: have to be here if you don't want and we're like. 663 00:37:35,040 --> 00:37:39,279 Speaker 1: No, we want to be here, or like why would 664 00:37:39,280 --> 00:37:39,920 Speaker 1: you want to be here? 665 00:37:40,200 --> 00:37:41,799 Speaker 2: Because she was like, you know, because the camera wasn't 666 00:37:41,800 --> 00:37:43,840 Speaker 2: on us, but it's like, no, we're not going to 667 00:37:43,880 --> 00:37:46,719 Speaker 2: have an ad read our lines. Like we're here to 668 00:37:46,760 --> 00:37:50,520 Speaker 2: support you guys. We're so happy to be here. You know. 669 00:37:50,560 --> 00:37:55,719 Speaker 2: It was me and this Jessica Pennington was the other customer. 670 00:37:55,920 --> 00:37:58,279 Speaker 2: I guess you played my wife or something, you know, 671 00:37:59,120 --> 00:38:00,800 Speaker 2: and we were all like, know, we want to be 672 00:38:00,920 --> 00:38:02,600 Speaker 2: here and support you guys. It was a It was 673 00:38:02,640 --> 00:38:07,759 Speaker 2: a great team, very very well managed set, you know, 674 00:38:07,880 --> 00:38:14,319 Speaker 2: very smooth because were hers cameras pretty quick too. I was, yeah, I. 675 00:38:14,360 --> 00:38:17,759 Speaker 1: Really missed that show. That was just a Wow. They 676 00:38:17,880 --> 00:38:20,280 Speaker 1: they had it down, you know, they had it anyway, 677 00:38:20,360 --> 00:38:25,120 Speaker 1: all right, So unfortunately, Dave, we're at a time, but 678 00:38:25,400 --> 00:38:26,360 Speaker 1: please come back. 679 00:38:27,239 --> 00:38:28,840 Speaker 2: I would love to have you back. 680 00:38:29,560 --> 00:38:32,879 Speaker 1: You're you're a great co host, and uh, we'd love 681 00:38:32,880 --> 00:38:36,759 Speaker 1: to have you back. So everybody, uh off the spin off. 682 00:38:37,360 --> 00:38:39,919 Speaker 1: Dave's behind it. He's producing and he's just I think 683 00:38:40,239 --> 00:38:47,680 Speaker 1: executive producer the paper and that's already got an early 684 00:38:47,800 --> 00:38:53,719 Speaker 1: renewal for season three by Peacock so so so check 685 00:38:53,760 --> 00:38:57,560 Speaker 1: it out. Dave Rogers, thank you so much, my friend, 686 00:38:57,719 --> 00:39:00,520 Speaker 1: and we'll hopefully see you soon. And that's going to 687 00:39:00,560 --> 00:39:02,520 Speaker 1: wrap it here. Thanks for all your cards and letters 688 00:39:02,520 --> 00:39:06,000 Speaker 1: and emails, everybody, keep them coming and remember you are 689 00:39:06,040 --> 00:39:10,399 Speaker 1: the best fans on the planet Earth, and where you lead, 690 00:39:10,440 --> 00:39:42,440 Speaker 1: we will follow. Okay, stay safe everyone, Hey, everybody, and 691 00:39:42,480 --> 00:39:46,080 Speaker 1: don't forget Follow us on Instagram at I Am All 692 00:39:46,120 --> 00:40:00,000 Speaker 1: In podcast and email us at Gilmour at iHeartRadio dot com.