WEBVTT - Brian Wheat

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left's podcast. Like

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<v Speaker 1>yesterday is the bass player for Tesla, Brian read Brian,

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<v Speaker 1>you wrote a new book and the title is Son

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<v Speaker 1>of a Milkman. Why did you use that title because

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<v Speaker 1>I am the illegitimate son of the milkman. Okay, well,

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<v Speaker 1>you know today people having babies without being married, etcetera

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<v Speaker 1>is Derek Gurr. But back when you were born, it

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<v Speaker 1>was a little bit pooh pooed. Was it something you

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<v Speaker 1>grew up with that had any negative connotation or any

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<v Speaker 1>negative impact upon your life? Well, just in the fact

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<v Speaker 1>that I come from a large family. There's uh, five

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<v Speaker 1>brothers and one sister now is the youngest. And you

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<v Speaker 1>know the old joke used to be, well you are

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<v Speaker 1>the milkman's kid. Well it's I am the milkman's kid.

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<v Speaker 1>So that's that's kind of why when I sat down

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<v Speaker 1>and started to decide to write a book, I thought, well,

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<v Speaker 1>that would be a good title because people think it's

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<v Speaker 1>a joke, But for me, it wasn't a joke. I

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<v Speaker 1>was the milkman's kid. You know. He came by and

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<v Speaker 1>dropped off of cream and my brothers were out there

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<v Speaker 1>ripping off his ice cream truck or whatever he had,

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<v Speaker 1>you know, the dairy truck, and he got mom pregnant

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<v Speaker 1>and cut out. So it was that's how life began.

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<v Speaker 1>So why write a book, Brian, Well, you know, it's funny.

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<v Speaker 1>In this book, I talked a lot about me and

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<v Speaker 1>the things that I have to go through in life

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<v Speaker 1>with autoimmune disease and depression and anxiety and all that stuff.

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<v Speaker 1>So getting back to why writing the book. When I

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<v Speaker 1>first started to develop anxiety attacks and I went to

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<v Speaker 1>see this therapist in New York, Dr Hirst Cough, he

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<v Speaker 1>said to me, you know, one day you should consider

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<v Speaker 1>writing a book. It would be a good way to

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<v Speaker 1>help you let go of some of the things that

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<v Speaker 1>you hang onto that maybe are causing you anxiety. And

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<v Speaker 1>at the time we were only on Great Radio Controversy,

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<v Speaker 1>so I went, yeah, yeah, yeah, you know, sure, you know,

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<v Speaker 1>and I never really thought about it again. And then

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<v Speaker 1>I think it was when I turned fifty I said, well,

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<v Speaker 1>all right that that came to mind again. You know,

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<v Speaker 1>this thing about a book. I've seen other people's books

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<v Speaker 1>in the bookstores, Duff mckagans and a few other people's.

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<v Speaker 1>I thought, well enough, time has passed in my life

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<v Speaker 1>to actually write something about and the band having a

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<v Speaker 1>career the thirty years or whatever it was at the time,

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<v Speaker 1>because they started the book eight years ago, so I said, well,

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<v Speaker 1>then maybe it's time to do a book. There's enough

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<v Speaker 1>history and people might want to read a story about

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<v Speaker 1>the base player that started the band Tesla. But at

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<v Speaker 1>the time in in No One, when I gave a ship,

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<v Speaker 1>you know, they just wouldn't have that, you know, the

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<v Speaker 1>Tesla was still you know, becoming Tesla and and stuff,

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<v Speaker 1>and so I just thought, you know, it's kind of

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<v Speaker 1>like a turning fifty thing and then turning fifty, turn

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<v Speaker 1>fifty five. And we finished it last year. Okay, did

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<v Speaker 1>you write it alone? How did What was your actual process?

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<v Speaker 1>So I started. I started it eight years ago with

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<v Speaker 1>this guy, Pete mckowski, who used to write for Sounds

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<v Speaker 1>magazine in in England, because I was spending a lot

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<v Speaker 1>of time in England. And we started a draft and

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<v Speaker 1>basically he was interviewing me and interviewing other people and stuff,

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<v Speaker 1>and it was gonna be more of a Tesla book.

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<v Speaker 1>But when I started looking at the drafts of what

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<v Speaker 1>we were doing, it made me sound like it was English,

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<v Speaker 1>like I was an English guy the way he was

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<v Speaker 1>writing it, and so we kind of just lost We

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<v Speaker 1>put it on the back burner and lost connection whatever.

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<v Speaker 1>And then a couple of years after that, this guy

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<v Speaker 1>Kenny Nicholson who worked for Tesla as stage manager, production manager,

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<v Speaker 1>you know, monitor guy, all the stuff that han't known

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<v Speaker 1>as since we started playing in the clubs when we're kids. Um,

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<v Speaker 1>he kind of writes a little bit. He's got some

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<v Speaker 1>degree in journalism, and the said, I said, hey, would

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<v Speaker 1>you do this and let me write? Let me let's

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<v Speaker 1>write this book. You interview me in a series of

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<v Speaker 1>interviews and go kind of like from the beginning to

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<v Speaker 1>where we were at the time, and and let's see

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<v Speaker 1>if if there's something there, and then I'll pitch it

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<v Speaker 1>and see if someone wants to put out this book.

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<v Speaker 1>So we did that, and the feedback we got then

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<v Speaker 1>was it read more like an interview, And a lot

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<v Speaker 1>of the stuff that's in the book now wasn't in

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<v Speaker 1>the book, Like the things with the the health issues

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<v Speaker 1>and stuff. It was more geared towards Tesla instead of

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<v Speaker 1>you know, more Brian Wheat. So when I presented that

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<v Speaker 1>to people, my manager Mike kobe Ashi. Actually he said,

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<v Speaker 1>you know, do something a little bit different here, Brian

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<v Speaker 1>than just you know, this is what we did in Tesla,

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<v Speaker 1>this is how we made the albums. Blah blah blah.

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<v Speaker 1>Talk about your life and the things that I know

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<v Speaker 1>that you go through, you know, with your clidas and

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<v Speaker 1>your crones and your depression and all these other things,

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<v Speaker 1>and you know, overcoming alcoholism, all that stuff, believe me.

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<v Speaker 1>And for a minute I went, oh, I don't know,

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<v Speaker 1>and then I went, well, if you're gonna do it,

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<v Speaker 1>you might as well just put it all out there.

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<v Speaker 1>And if you're gonna let him be judged, let him

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<v Speaker 1>judge you once and for alln maybe just maybe you know,

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<v Speaker 1>there's some kidding Tara Hut, Indiana with colidas or something

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<v Speaker 1>that's a Tesla fan or suffers from depression or anxiety.

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<v Speaker 1>He reads the book and he goes, as well, you know,

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<v Speaker 1>I'm not the only guy, meaning him that has this condition.

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<v Speaker 1>Brian has it in Tesla, and I can relate. So

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<v Speaker 1>if then I thought, well, maybe I've been actually helped somebody.

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<v Speaker 1>And that's when I went full four center. Okay, let's

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<v Speaker 1>separate some of the health issues. Let's talk about the

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<v Speaker 1>physical health issues to begin. When did your colitis and

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<v Speaker 1>crone's manifest When did you first notice you had them? Fourteen?

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<v Speaker 1>And what happened then? I just got one day, I

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<v Speaker 1>finished eating dinner and I got really bad stomach pains.

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<v Speaker 1>And then we spent about three weeks going back and

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<v Speaker 1>forth to the emergency room. This is in the mid seventies,

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<v Speaker 1>and they kept saying you got the flu, you know,

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<v Speaker 1>because it was just really bad cramps and the bleeding

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<v Speaker 1>stuff didn't start until later. Until finally, three weeks later,

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<v Speaker 1>they the doctor figured out, well, you've got colitis, and

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<v Speaker 1>basically he put me on a bland diet for four

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<v Speaker 1>months five months and it went into remission and it

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<v Speaker 1>stayed in remission until I was forty years old. And

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<v Speaker 1>what happened at forty tesla was back together. Well, you know,

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<v Speaker 1>I have a friend of unfortunately had colitis and ultimately died.

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<v Speaker 1>There's a lot, you know, there's a lot that's unknown

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<v Speaker 1>to what degree is politis amplified by stress. There's a

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<v Speaker 1>lot stresses that you know, they don't know what causes it,

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<v Speaker 1>and they don't have a cure for it, but they

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<v Speaker 1>can you know, kick its ass. Into remission. But stress

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<v Speaker 1>is a big trigger, and you know, that was the

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<v Speaker 1>thing I talked about when Tessa got back together in nineteen.

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<v Speaker 1>After we broke up in ninety five and two thousand,

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<v Speaker 1>there was still a lot of stress in the group

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<v Speaker 1>and we had to find our way, and I talked

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<v Speaker 1>about that in the book as well. Um, so that's

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<v Speaker 1>when it really started to come back, you know. But

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<v Speaker 1>how being said that and you just asking me that,

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<v Speaker 1>I think it started two years before when I was

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<v Speaker 1>out in a van with my other band, Soul Mode,

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<v Speaker 1>because when Tesla quit, I started another band and got

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<v Speaker 1>another record deal and went out there and like in

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<v Speaker 1>a van and played clubs and stuff that I never

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<v Speaker 1>did in the beginning of Tesla. With Tesla, we got

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<v Speaker 1>hooked up with Cliff and Peter and we immediately were

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<v Speaker 1>on David Lee Roth and then def Leppard and that

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<v Speaker 1>was it. So I always called it like my back

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<v Speaker 1>taxes tour. But I think that started to to the stress.

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<v Speaker 1>And then when Tessa got that together, it was stressful

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<v Speaker 1>again because it took us a while to get our

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<v Speaker 1>our bearings on why we broke up in the first

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<v Speaker 1>place and how to not do those same things. So

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<v Speaker 1>stress is very very much a trigger and collidus, And

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<v Speaker 1>so what's the status and you're colleidis today, it's it's good.

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<v Speaker 1>I'm I'm in a good shape these days. I'm you know,

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<v Speaker 1>the last four five years, I've been really good. Okay,

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<v Speaker 1>And what about the crones? Tell us about the crones. Well,

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<v Speaker 1>my symptom is clide's basically crone's is from your mouth

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<v Speaker 1>to the other end, and collidus is just the intestine.

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<v Speaker 1>So how my manifest is is in the intestines and

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<v Speaker 1>you get ulcers and bleeding and cramping and all kinds

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<v Speaker 1>and gnarly stuff. Yeah, I wasn't sure what was going on.

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<v Speaker 1>Thanks for clarifying that. When did you first notice that

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<v Speaker 1>you were haunted by either anxiety or depression? That started

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<v Speaker 1>at funny enough, when I was fourteen too, and it

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<v Speaker 1>was Halloween and I was out riding around my tins

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<v Speaker 1>being Halloween, and I ran into a friend of a

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<v Speaker 1>friend of my brother buddies and he said, hey, do

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<v Speaker 1>you want to smoke some weed? Any I'm a young

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<v Speaker 1>kid wanted to be cool. Go well, yeah, sure, yeah,

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<v Speaker 1>what is it? Because it's Panama red man? I said, great,

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<v Speaker 1>So I smoked this weed. And the next thing I know,

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<v Speaker 1>I'm riding my bike and I'm like, I don't know

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<v Speaker 1>where the last ten minutes went. I can't remember anything right,

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<v Speaker 1>and I'm just like Wow. So at that point, when

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<v Speaker 1>I was a kid, I thought, well, I'm just allergic

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<v Speaker 1>to marijuana, so I'd never really smoked pot. I would just,

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<v Speaker 1>you know, when you went to those high school parties

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<v Speaker 1>and stuff, just drink beer, Jack Daniels whatever, stayed away

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<v Speaker 1>from the pot. And it wasn't until right after I

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<v Speaker 1>got married to Sandy Sarea and we were recording Psychotic

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<v Speaker 1>Supper that all of a sudden, these anxiety attacks started coming.

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<v Speaker 1>And we were sitting in pre production with Steve Thompson

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<v Speaker 1>and Michael Barbierro, and next thing I knew, it felt

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<v Speaker 1>like I was up on the ceiling looking down at

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<v Speaker 1>the band. I had disconnected, and I started freaking out,

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<v Speaker 1>and and Steve took me outside and I threw up,

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<v Speaker 1>and I said, I think something's really wrong. I don't

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<v Speaker 1>know what's going on. And that just kept happening for

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<v Speaker 1>a couple of weeks while we were in this pre production. Now,

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<v Speaker 1>mind you, Psychotic Supper was a little bit of a

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<v Speaker 1>stressful record to make, so there's all this stress going on.

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<v Speaker 1>So this stress triggers the anxiety and the colidus. It's

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<v Speaker 1>kind of like a double edged sword. So he said, look,

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<v Speaker 1>when we get to New York to record, my brother

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<v Speaker 1>is a doctor. I want you to see him. So

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<v Speaker 1>I went to the hospital there and on Long Island

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<v Speaker 1>or wherever it was, and they ran a you know,

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<v Speaker 1>every test nuner Son, and he came in and he said, uh, well,

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<v Speaker 1>I know what's wrong with you. And I'm like, well, okay,

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<v Speaker 1>and I'm thinking I got a brain tumor or something. Right,

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<v Speaker 1>he said, you're you're suffering from anxiety attacks. And I said, what, Well,

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<v Speaker 1>how do you deal with that? And he said, well,

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<v Speaker 1>and you either see a psychiatrist or I give you

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<v Speaker 1>a bunch of pills, you know, to to medicate this.

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<v Speaker 1>And at the time I kind of liked I was

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<v Speaker 1>drinking and taking whatever it was downers or whatever at

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<v Speaker 1>the time. Uh so I don't want to do that.

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<v Speaker 1>I don't want to become a drug addict. Funny how

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<v Speaker 1>my rationale was. So he said, well, you should see

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<v Speaker 1>a psychiatrist and and and it can help. And I said,

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<v Speaker 1>I don't really believe in it. You know, I don't

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<v Speaker 1>know today I'm a strong advocate of it. And it

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<v Speaker 1>was Peter Minch, my manager, that said, I know a

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<v Speaker 1>really good guy. When I told Peter what was going on,

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<v Speaker 1>he was always really helpful, uh with me. You know,

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<v Speaker 1>me and Pete had a really good relationship. And uh

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<v Speaker 1>he said, I know a doctor that's a psychiatrist. Go

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<v Speaker 1>to him and see if he can help you. And uh,

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<v Speaker 1>after I went there for about five weeks, six weeks,

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<v Speaker 1>this anxiety and these attacks started to get a lot less. Okay,

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<v Speaker 1>you know, as someone who suffered from panic attacks and

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<v Speaker 1>anxiety myself. Uh, they say that exposure therapy works. Was

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<v Speaker 1>he focusing on the general things in your life or

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<v Speaker 1>did he tell you how to deal with anxiety? He

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<v Speaker 1>was doing cognitive behavior therapy and what's the other one,

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<v Speaker 1>you know, the Freudian thing where you go through your

0:13:33.040 --> 0:13:37.000
<v Speaker 1>life and all that. So he did actual exposures. I

0:13:37.040 --> 0:13:39.480
<v Speaker 1>mean like, uh, some of my things would be I'm

0:13:39.480 --> 0:13:41.680
<v Speaker 1>gonna be in an enclosed space, i won't be able

0:13:41.720 --> 0:13:44.560
<v Speaker 1>to move whatever, and they'll tell you, well, try to

0:13:44.600 --> 0:13:47.040
<v Speaker 1>be in that space, try to overcome the feelings. Did

0:13:47.040 --> 0:13:48.719
<v Speaker 1>he do anything like that where he would put you

0:13:48.800 --> 0:13:52.440
<v Speaker 1>in situations and show that you wouldn't freak out. No, no,

0:13:52.640 --> 0:13:55.760
<v Speaker 1>he was more like, tell me about your life, right,

0:13:56.559 --> 0:13:58.800
<v Speaker 1>and why do you why do you have to drink

0:13:58.840 --> 0:14:03.200
<v Speaker 1>six scotches? Why you drink too? You know? He so

0:14:03.280 --> 0:14:07.720
<v Speaker 1>he started like that kind of thing, but he never

0:14:07.760 --> 0:14:10.200
<v Speaker 1>said why did you have to drink six scotches and

0:14:10.320 --> 0:14:14.839
<v Speaker 1>couldn't just drink? I was young, you know, I was stupid.

0:14:15.480 --> 0:14:17.520
<v Speaker 1>I was young. I mean the question because were you

0:14:17.600 --> 0:14:21.360
<v Speaker 1>self medicating to do I think so? I think so?

0:14:21.760 --> 0:14:23.520
<v Speaker 1>And that's what he said. He's like, why do you

0:14:23.520 --> 0:14:25.560
<v Speaker 1>got to do this? And he also said I had

0:14:25.560 --> 0:14:29.680
<v Speaker 1>this thing called a sundown effect. When the sun went down,

0:14:29.720 --> 0:14:32.600
<v Speaker 1>that's when the anxiety came out. And he said it

0:14:32.680 --> 0:14:34.800
<v Speaker 1>was because you know, I talked about it in the book,

0:14:34.800 --> 0:14:36.800
<v Speaker 1>as well as my mom having a couple of nervous

0:14:36.800 --> 0:14:40.440
<v Speaker 1>breakdowns when I was a kid, and he said it

0:14:40.600 --> 0:14:42.680
<v Speaker 1>it reminded you that you had to go home and

0:14:42.720 --> 0:14:46.240
<v Speaker 1>be this adult and take care of your mother. You know,

0:14:46.280 --> 0:14:50.320
<v Speaker 1>It's what he said, you know, look right, right, So

0:14:50.440 --> 0:14:54.760
<v Speaker 1>there's all this stuff, but long story short, he got

0:14:54.800 --> 0:14:58.200
<v Speaker 1>me to where I was able to really control them

0:14:59.200 --> 0:15:03.200
<v Speaker 1>and and and not freak out. But it took about

0:15:03.240 --> 0:15:06.720
<v Speaker 1>three years and I continued therapy with him for another

0:15:06.880 --> 0:15:10.840
<v Speaker 1>five A couple of questions, Do you still have anxiety today?

0:15:12.760 --> 0:15:17.520
<v Speaker 1>Very rarely, but I take medication today. Did you take

0:15:17.560 --> 0:15:21.640
<v Speaker 1>medication when you saw that psychiatrist? No, there was no medication.

0:15:21.800 --> 0:15:25.400
<v Speaker 1>Only when did you start taking medication? What is the medication?

0:15:25.760 --> 0:15:31.160
<v Speaker 1>It's Paxel And I started taking Paxel and two thousand

0:15:31.240 --> 0:15:35.080
<v Speaker 1>and four and I've been on it ever since. And

0:15:35.400 --> 0:15:37.240
<v Speaker 1>the thing of it is is I tried to get

0:15:37.240 --> 0:15:40.800
<v Speaker 1>off of it last year, you know, after so two

0:15:40.840 --> 0:15:44.880
<v Speaker 1>thousand four to two thousand one nineteen, so twenty doesn't count.

0:15:44.920 --> 0:15:48.040
<v Speaker 1>It's such a blur because the year before that, we're

0:15:48.040 --> 0:15:52.520
<v Speaker 1>on tour feff Leppard in in Canada, and I decided

0:15:52.560 --> 0:15:54.640
<v Speaker 1>to wean off the Paxel because I wanted to get

0:15:54.640 --> 0:15:58.280
<v Speaker 1>off medication, you know, as much as I could. And

0:15:59.160 --> 0:16:02.360
<v Speaker 1>it threw me the worst depression I've ever had in

0:16:02.400 --> 0:16:07.320
<v Speaker 1>my life. I never experienced it before. And then you know,

0:16:07.600 --> 0:16:10.480
<v Speaker 1>I jumped back on it, but it took another five

0:16:10.520 --> 0:16:12.760
<v Speaker 1>months to get it back in your system. When it

0:16:12.800 --> 0:16:16.480
<v Speaker 1>takes five months to get it out of your system, well,

0:16:16.600 --> 0:16:18.080
<v Speaker 1>did you ever get to the the point where you stopped

0:16:18.120 --> 0:16:23.920
<v Speaker 1>completely stopped the paxel. Right, yes, okay, so you were

0:16:23.920 --> 0:16:27.120
<v Speaker 1>off completely. I was weaned and I thought I was great,

0:16:28.280 --> 0:16:30.600
<v Speaker 1>and I got I got to a point where we

0:16:30.640 --> 0:16:34.040
<v Speaker 1>got on tour in Canada. I don't know what it was.

0:16:34.960 --> 0:16:37.480
<v Speaker 1>I woke up one morning and had this weird feeling

0:16:37.520 --> 0:16:41.800
<v Speaker 1>didn't want to get out of my bunk. And you know,

0:16:42.400 --> 0:16:45.520
<v Speaker 1>it wasn't anxiety because it didn't feel like anxiety. It

0:16:45.560 --> 0:16:48.400
<v Speaker 1>wasn't them an anxiety attack. This was like a big

0:16:48.440 --> 0:16:52.720
<v Speaker 1>black cloud. I I think it was depression. Certainly sounds

0:16:52.720 --> 0:16:54.960
<v Speaker 1>like it. But you're saying it takes five months to

0:16:55.080 --> 0:16:57.640
<v Speaker 1>ramp back up with the paxel. How did you cope

0:16:58.000 --> 0:17:03.000
<v Speaker 1>biting my nails? You know, you just you just you

0:17:03.160 --> 0:17:06.280
<v Speaker 1>just cope. That's what I've always had to do. I've

0:17:06.280 --> 0:17:09.359
<v Speaker 1>had to cope with it. Well, there's certain certain people

0:17:10.000 --> 0:17:14.000
<v Speaker 1>like Chris Cornell and you know, others who couldn't cope. No,

0:17:14.160 --> 0:17:16.480
<v Speaker 1>I know. And and that's that's funny you mentioned that

0:17:16.520 --> 0:17:19.400
<v Speaker 1>because the only time I met Chris met him one

0:17:19.440 --> 0:17:22.080
<v Speaker 1>time I drove him around l A with my friend

0:17:22.200 --> 0:17:25.720
<v Speaker 1>Ross Halfon to do a photo shoot, and you know,

0:17:25.760 --> 0:17:28.159
<v Speaker 1>he knew I was in Tesla. Obviously, I knew he

0:17:28.200 --> 0:17:30.800
<v Speaker 1>was in Southing Garden because we were peers, but we

0:17:30.960 --> 0:17:32.920
<v Speaker 1>never met or anything. And he started telling me, man,

0:17:32.960 --> 0:17:38.240
<v Speaker 1>I suffer with really bad anxiety attacks. I went, what, man, dude,

0:17:38.240 --> 0:17:42.119
<v Speaker 1>I've had anxiety attacks as I was fourteen. I said,

0:17:42.320 --> 0:17:44.960
<v Speaker 1>you know, I said, I did a lot of therapy

0:17:45.000 --> 0:17:47.560
<v Speaker 1>and now I take packs. Law I'm doing, you know,

0:17:47.600 --> 0:17:50.159
<v Speaker 1>pretty good. And this was two thousand and seventeen or

0:17:50.840 --> 0:17:54.080
<v Speaker 1>whenever it was. But it wasn't too long after that

0:17:54.080 --> 0:17:57.719
<v Speaker 1>that he committed suicide. Who did do you remember if

0:17:57.760 --> 0:18:02.119
<v Speaker 1>he said he was taking any antidepressants. I think he

0:18:02.240 --> 0:18:05.639
<v Speaker 1>said he was taking xanix, right, which is really just

0:18:05.680 --> 0:18:10.160
<v Speaker 1>an anti anxiety medication. People don't understand. That's different. Yeah,

0:18:10.200 --> 0:18:13.359
<v Speaker 1>I think he was, said I think he was. I

0:18:13.400 --> 0:18:17.040
<v Speaker 1>think he said something about Zanex. Okay, so in the

0:18:17.080 --> 0:18:19.639
<v Speaker 1>book you mentioned you had therapy with this guy for

0:18:19.720 --> 0:18:23.320
<v Speaker 1>five years as someone from Sacramentos on the road and

0:18:23.359 --> 0:18:25.520
<v Speaker 1>the guys in New York. How did you do the

0:18:25.520 --> 0:18:31.680
<v Speaker 1>therapy on the phone and did that work? Well, it

0:18:31.720 --> 0:18:34.439
<v Speaker 1>didn't work as good as when I saw him, but

0:18:35.080 --> 0:18:37.920
<v Speaker 1>it did. It was better than nothing. It would be

0:18:38.000 --> 0:18:39.960
<v Speaker 1>great if we have what we have now, these zoom

0:18:40.000 --> 0:18:45.720
<v Speaker 1>meetings right stuff. But you know this is and even

0:18:45.800 --> 0:18:48.280
<v Speaker 1>worse was when I would be on tour in Europe,

0:18:49.480 --> 0:18:52.320
<v Speaker 1>so I'd be calling him, paying him as hourly rate

0:18:53.000 --> 0:18:58.560
<v Speaker 1>and the transatlantic call. I mean, you know it's expensive. Oh,

0:18:58.640 --> 0:19:01.000
<v Speaker 1>that is for sure. That's one thing you also mentioned

0:19:01.000 --> 0:19:03.200
<v Speaker 1>in the book that you got to the point where

0:19:03.240 --> 0:19:06.840
<v Speaker 1>he was too expensive for your budget. Yeah, at a

0:19:06.880 --> 0:19:10.479
<v Speaker 1>certain point with Tesla, and I kind of ended my

0:19:10.480 --> 0:19:15.040
<v Speaker 1>my my therapy with him when Tesla broke up because

0:19:15.040 --> 0:19:17.800
<v Speaker 1>then obviously the money stopped coming in. There were no

0:19:17.880 --> 0:19:22.840
<v Speaker 1>more royalties, so you got your the Paxels. Who prescribed

0:19:22.880 --> 0:19:26.200
<v Speaker 1>the Paxel. That was another doctor I went to later,

0:19:26.760 --> 0:19:30.040
<v Speaker 1>a therapist, psychiatrist, Yeah, I went to it. I went

0:19:30.080 --> 0:19:33.880
<v Speaker 1>to another psychiatrist in Sacramento and Tesla got back together,

0:19:35.880 --> 0:19:38.439
<v Speaker 1>and he's the one that said, I think you should

0:19:38.440 --> 0:19:42.560
<v Speaker 1>take abuse bar and I tried that that didn't do nothing,

0:19:43.119 --> 0:19:46.920
<v Speaker 1>and then he said, well try Paxel, and Paxel worked.

0:19:47.240 --> 0:19:49.520
<v Speaker 1>And I saw him for you know, maybe a year,

0:19:49.560 --> 0:19:52.760
<v Speaker 1>and then the bands on for I want to say

0:19:52.840 --> 0:19:56.520
<v Speaker 1>six months because we were having a hard time making

0:19:56.560 --> 0:19:59.640
<v Speaker 1>the album. Uh into the now when we got back

0:19:59.640 --> 0:20:04.000
<v Speaker 1>together there and uh, I'd seen you know, Metallica doing

0:20:04.040 --> 0:20:06.240
<v Speaker 1>it on their thing. I said, hey, guys, and because

0:20:06.280 --> 0:20:09.400
<v Speaker 1>I've been in therapy, would you come, you know, consider

0:20:09.480 --> 0:20:12.919
<v Speaker 1>going in and and and seeing the psychiatrist? And you know,

0:20:12.960 --> 0:20:14.960
<v Speaker 1>I don't want to have the band break up again,

0:20:15.160 --> 0:20:17.560
<v Speaker 1>and the guys didn't want to, but we didn't really

0:20:17.560 --> 0:20:21.600
<v Speaker 1>know how to communicate. So we went to him and

0:20:21.640 --> 0:20:23.600
<v Speaker 1>he got us through it. We made the record and

0:20:24.240 --> 0:20:28.560
<v Speaker 1>we're still standing, Wow, and do you have any therapy? Now?

0:20:28.600 --> 0:20:31.360
<v Speaker 1>You're just taking the paxel. Pretty No, I just take

0:20:31.400 --> 0:20:35.520
<v Speaker 1>the paxel. Okay. We're having a very honest conversation about this,

0:20:35.960 --> 0:20:38.639
<v Speaker 1>and certainly as time goes by, these are topics that

0:20:38.680 --> 0:20:41.800
<v Speaker 1>people talk about. But to what degree since you started

0:20:41.840 --> 0:20:44.919
<v Speaker 1>at age fourteen, did you feel these were things that

0:20:45.000 --> 0:20:47.400
<v Speaker 1>you had to hold to yourself and you couldn't talk

0:20:47.440 --> 0:20:51.400
<v Speaker 1>about made you feel separate from people? Well, with with

0:20:51.440 --> 0:20:54.359
<v Speaker 1>any of those things in the book that I talked about,

0:20:54.920 --> 0:20:58.439
<v Speaker 1>they're not glamorous, they're not rock and roll. You know,

0:20:58.520 --> 0:21:02.960
<v Speaker 1>I'm cool, I'm Keith Richards kind of things to talk about.

0:21:03.680 --> 0:21:06.760
<v Speaker 1>You know, Uh, there's a stigma to them. People think

0:21:06.800 --> 0:21:15.199
<v Speaker 1>you're weak mentally weak if you suffer from anxiety or depression. Um,

0:21:15.240 --> 0:21:18.359
<v Speaker 1>so I kind of kept him to myself. It wasn't Hi,

0:21:18.480 --> 0:21:22.600
<v Speaker 1>I'm Brian, I have you know, I have collidus and

0:21:22.640 --> 0:21:27.520
<v Speaker 1>I suffer from anxiety. What's your name? You know? So

0:21:28.280 --> 0:21:31.000
<v Speaker 1>it was kept to myself a lot. And that's the

0:21:31.040 --> 0:21:33.439
<v Speaker 1>thing about putting it in the book, Bob is it

0:21:33.480 --> 0:21:37.320
<v Speaker 1>was kind of liberating for me. It really was, in

0:21:37.359 --> 0:21:40.960
<v Speaker 1>the sense that you let it go. The doctor was right,

0:21:41.080 --> 0:21:43.679
<v Speaker 1>how about the side effects of paxel? Do they affect

0:21:43.720 --> 0:21:48.640
<v Speaker 1>you in anyway? Well? Well, okay, you know the worst

0:21:48.680 --> 0:21:50.760
<v Speaker 1>side effect of paxel. If you take too much, you

0:21:50.800 --> 0:21:55.760
<v Speaker 1>can't come right. How do you deal with that? Cut

0:21:55.800 --> 0:22:03.440
<v Speaker 1>down your dose? Uh? Yeah, Because they had me up,

0:22:03.440 --> 0:22:05.400
<v Speaker 1>they and he ramped up on the high dose there

0:22:05.440 --> 0:22:08.879
<v Speaker 1>for a while. As to say, doc, you know, dude,

0:22:09.880 --> 0:22:12.359
<v Speaker 1>you know what's going on. He said, well, I got

0:22:12.400 --> 0:22:16.480
<v Speaker 1>that in half and we found the right dosage and stuff.

0:22:16.560 --> 0:22:21.280
<v Speaker 1>And do you supplement that with VIAGRAA or anything like that. No,

0:22:21.400 --> 0:22:24.520
<v Speaker 1>I don't need any of that. Okay, that's good. I'm

0:22:24.800 --> 0:22:28.879
<v Speaker 1>good with that these days. Okay, let's go to the band.

0:22:28.960 --> 0:22:33.440
<v Speaker 1>The band had instant success. They're on a major label, Geffen.

0:22:33.560 --> 0:22:37.239
<v Speaker 1>Then the band broke up, got back together. You had

0:22:37.280 --> 0:22:39.840
<v Speaker 1>a deal with Sanctuary. Now you say in the book

0:22:39.880 --> 0:22:43.639
<v Speaker 1>you turned down a deal with Sony you felt that

0:22:43.680 --> 0:22:46.880
<v Speaker 1>you can make more money yourself. What's it like now?

0:22:46.920 --> 0:22:51.720
<v Speaker 1>Granted the whole landscape change in this period, but what

0:22:51.800 --> 0:22:54.640
<v Speaker 1>was it like being on a major label and being

0:22:54.720 --> 0:23:00.320
<v Speaker 1>independent today? Well? I tell people, and they find it

0:23:00.359 --> 0:23:04.520
<v Speaker 1>hard to believe, but I say, we make more money

0:23:04.640 --> 0:23:09.760
<v Speaker 1>now being independent than we did back then, having Geffen

0:23:09.960 --> 0:23:12.600
<v Speaker 1>and Q Prime and all that, you know, all the

0:23:12.640 --> 0:23:19.439
<v Speaker 1>people that come with it, and I prefer And I

0:23:19.480 --> 0:23:22.080
<v Speaker 1>also tell people that I'm prouder of the second half

0:23:22.119 --> 0:23:25.399
<v Speaker 1>of my career that I am the first, only in

0:23:25.440 --> 0:23:28.280
<v Speaker 1>the sense not of the work we did. Because the

0:23:28.320 --> 0:23:31.439
<v Speaker 1>work we did, I think it's really good. There's some

0:23:31.480 --> 0:23:34.359
<v Speaker 1>really good moments, but just in the fact that we

0:23:34.440 --> 0:23:36.440
<v Speaker 1>survived and we had to do it on our own

0:23:36.480 --> 0:23:38.800
<v Speaker 1>and we learned how to do it, and I think

0:23:38.880 --> 0:23:46.000
<v Speaker 1>that was an accomplishment for that band. Um. But yeah,

0:23:46.040 --> 0:23:48.960
<v Speaker 1>I mean, you know, we we sold a million and

0:23:48.960 --> 0:23:52.359
<v Speaker 1>a half records on mechanical residents and never saw any money.

0:23:53.800 --> 0:23:56.480
<v Speaker 1>You know, it was paid. Did you ask for the money.

0:23:56.480 --> 0:23:58.800
<v Speaker 1>And what did they say, Well, we were too stupid.

0:23:58.920 --> 0:24:02.320
<v Speaker 1>We thought everything was free. They thought like we thought,

0:24:02.359 --> 0:24:05.520
<v Speaker 1>like when they came to the show and they took

0:24:05.520 --> 0:24:08.399
<v Speaker 1>you to these nice meals and stuff, that David Geffin

0:24:08.560 --> 0:24:12.240
<v Speaker 1>was just a really nice guy. He really liked you, right,

0:24:12.280 --> 0:24:13.800
<v Speaker 1>And when they flew you and they put you in

0:24:13.840 --> 0:24:17.880
<v Speaker 1>the Sunset Marquee to do press and all this stuff, like, man,

0:24:17.960 --> 0:24:21.359
<v Speaker 1>what a place. It wasn't until many years later that

0:24:21.440 --> 0:24:23.600
<v Speaker 1>we thought was that we found out that we were

0:24:23.640 --> 0:24:27.399
<v Speaker 1>paying for it. It's like, oh, okay, these two hundred

0:24:27.480 --> 0:24:31.040
<v Speaker 1>thousand dollar videos you got us making, we're paying for him,

0:24:32.040 --> 0:24:37.199
<v Speaker 1>right and and and unfortunately that band at that time,

0:24:38.680 --> 0:24:41.919
<v Speaker 1>I didn't really watch what we were doing. You know,

0:24:42.040 --> 0:24:45.560
<v Speaker 1>I did later, and you know, when certainly got back together,

0:24:45.600 --> 0:24:50.480
<v Speaker 1>I steered the business end of Tesla. But at that

0:24:50.520 --> 0:24:54.720
<v Speaker 1>time we were spending money like crazy. And you'd be amazed,

0:24:55.440 --> 0:24:58.560
<v Speaker 1>you know how much money was just going all over

0:24:58.600 --> 0:25:03.960
<v Speaker 1>the place. Okay, Uh, when you were having your first

0:25:04.000 --> 0:25:07.840
<v Speaker 1>hit era MTV was dominant. You get a video on

0:25:07.960 --> 0:25:10.520
<v Speaker 1>there blows you up all over the world. You certainly

0:25:10.520 --> 0:25:14.480
<v Speaker 1>with the beneficiary of that. That scene no longer exists.

0:25:15.359 --> 0:25:18.119
<v Speaker 1>So it's hard for almost anybody. You know, even the

0:25:18.119 --> 0:25:23.720
<v Speaker 1>biggest acts on the so called chart don't reach everybody. Okay,

0:25:23.760 --> 0:25:27.320
<v Speaker 1>So what's it like to be in the marketplace knowing

0:25:27.680 --> 0:25:31.520
<v Speaker 1>that inherently it's incredibly difficult to reach everybody? Are you

0:25:31.600 --> 0:25:33.760
<v Speaker 1>happy with the audience you have? Do you want to

0:25:33.760 --> 0:25:36.479
<v Speaker 1>grow it? How do you grow it? Well? You always

0:25:36.480 --> 0:25:40.520
<v Speaker 1>want to grow it. You know. Today we make money

0:25:40.560 --> 0:25:45.119
<v Speaker 1>from tickets and t shirts, make no money on records,

0:25:45.160 --> 0:25:49.320
<v Speaker 1>no money on publishing, no money on you know, Spotify

0:25:49.400 --> 0:25:53.879
<v Speaker 1>and Apple Music. That's you know, that's when no one

0:25:53.920 --> 0:25:58.320
<v Speaker 1>gets nothing, you know, unless you're a super act. So

0:25:59.080 --> 0:26:01.960
<v Speaker 1>we're I was trying to grow it. You just you

0:26:02.040 --> 0:26:04.600
<v Speaker 1>try to get on the bigger tours like we've done

0:26:04.640 --> 0:26:07.200
<v Speaker 1>in the past, in the in the summer, big Live

0:26:07.320 --> 0:26:12.360
<v Speaker 1>Nation tours to try to build your audience bigger um.

0:26:12.480 --> 0:26:16.520
<v Speaker 1>But Tesla has a cult following. We We can roll

0:26:16.560 --> 0:26:21.280
<v Speaker 1>into any town and do two thousand seats, you know, anywhere,

0:26:21.280 --> 0:26:24.440
<v Speaker 1>in some places four and five thousands, So that I'm

0:26:24.480 --> 0:26:27.680
<v Speaker 1>thankful for. That's what all that hard work we did

0:26:27.680 --> 0:26:30.760
<v Speaker 1>in that first half allowed us to be able to

0:26:30.800 --> 0:26:35.359
<v Speaker 1>still do. If you go to those markets to what

0:26:35.520 --> 0:26:40.879
<v Speaker 1>degree can you play new material? Well, we might play

0:26:41.000 --> 0:26:45.440
<v Speaker 1>three or four songs maximum out of how many how

0:26:45.560 --> 0:26:48.399
<v Speaker 1>long it said, how many our forty five minutes? You know,

0:26:48.440 --> 0:26:51.240
<v Speaker 1>an hour forty five minutes set, you might hear four

0:26:51.280 --> 0:26:56.199
<v Speaker 1>new songs and and and you know it's not like

0:26:56.320 --> 0:26:59.960
<v Speaker 1>it was back in the eighties and early nineties. You know,

0:27:00.080 --> 0:27:02.959
<v Speaker 1>people they go off and get a beer and do whatever,

0:27:03.080 --> 0:27:06.159
<v Speaker 1>and you know they want to hear the hits. They

0:27:06.200 --> 0:27:08.119
<v Speaker 1>want to hear the things they know, They want to

0:27:08.160 --> 0:27:10.440
<v Speaker 1>hear the way it is. They want to hear signs

0:27:10.440 --> 0:27:13.399
<v Speaker 1>and want to hear Susie Cowboy, what you give love song?

0:27:14.000 --> 0:27:18.600
<v Speaker 1>You know, they there's a certain percentage of our fans

0:27:19.240 --> 0:27:22.800
<v Speaker 1>that do like that. You know, we'll sell fifty sixty

0:27:22.880 --> 0:27:27.720
<v Speaker 1>seventy thousand albums still today, which is is pretty good,

0:27:29.040 --> 0:27:31.480
<v Speaker 1>but not compared to when you were selling two and

0:27:31.480 --> 0:27:35.719
<v Speaker 1>a half million. So you know, there's not a lot

0:27:35.800 --> 0:27:38.240
<v Speaker 1>of you know, we do though we we put them in.

0:27:38.600 --> 0:27:40.880
<v Speaker 1>We put three or four in, but never more than

0:27:40.960 --> 0:27:45.120
<v Speaker 1>four because it's just okay. And getting on those live

0:27:45.200 --> 0:27:50.720
<v Speaker 1>nation package tours in the sheds. Who makes that happen? Um, Well,

0:27:50.800 --> 0:27:54.199
<v Speaker 1>we have a we have a great agency, a G.

0:27:54.320 --> 0:28:01.280
<v Speaker 1>I Adam Cornfield and Dennis Arthur, and recently we were managed.

0:28:01.640 --> 0:28:07.359
<v Speaker 1>I managed the band from two thousand five until about

0:28:07.359 --> 0:28:12.440
<v Speaker 1>two thousand fifteen sixteen, and at that point we hooked

0:28:12.440 --> 0:28:16.320
<v Speaker 1>back up with our old buddies and Deaf Leopard, and

0:28:16.440 --> 0:28:20.120
<v Speaker 1>I got us on that one Deaf Leopard Sticks Tesla

0:28:20.640 --> 0:28:22.639
<v Speaker 1>package that was out that one summer, and then we

0:28:22.680 --> 0:28:25.720
<v Speaker 1>did two more. But at that point I think I

0:28:25.800 --> 0:28:27.400
<v Speaker 1>felt that if we were going to take the band

0:28:27.440 --> 0:28:31.359
<v Speaker 1>any far farther and try to grow that thing, I

0:28:31.440 --> 0:28:36.359
<v Speaker 1>needed to get with a big manager right now, mind you.

0:28:36.440 --> 0:28:38.840
<v Speaker 1>I called Peter and Cliff back in the beginning and

0:28:39.200 --> 0:28:42.880
<v Speaker 1>they were like, no, it's okay, we're not into When

0:28:42.920 --> 0:28:45.080
<v Speaker 1>we got back together, went on into nostalgia and I

0:28:45.200 --> 0:28:48.200
<v Speaker 1>understand that. How did it make you feel, though? Well?

0:28:48.200 --> 0:28:50.760
<v Speaker 1>I hurt my feelings at first, you know, when Cliff

0:28:50.800 --> 0:28:53.720
<v Speaker 1>said that to me. But Cliffs are genius and Tesla

0:28:53.760 --> 0:28:58.440
<v Speaker 1>would not be what Tesla was without Cliff Bernstein. Cliff

0:28:58.600 --> 0:29:01.680
<v Speaker 1>Burnstein was one of the dry be forces. Well can

0:29:01.720 --> 0:29:03.680
<v Speaker 1>you stop there for a second and say what Cliff

0:29:03.720 --> 0:29:07.800
<v Speaker 1>added or what Cliff did? Well, Cliff, outside of being

0:29:07.800 --> 0:29:12.880
<v Speaker 1>a business genius, has a really good musical ear and

0:29:12.880 --> 0:29:15.880
<v Speaker 1>and Cliff he was like our A and R guy.

0:29:15.960 --> 0:29:19.520
<v Speaker 1>I mean Tom Zutat was there the first record and

0:29:19.520 --> 0:29:22.360
<v Speaker 1>he took us to Cliff, but after that Guns and

0:29:22.480 --> 0:29:25.440
<v Speaker 1>Roses had exploded and he wasn't really you know, it

0:29:25.520 --> 0:29:28.880
<v Speaker 1>was Cliff. It was Cliff and Peter we were sending

0:29:28.920 --> 0:29:31.560
<v Speaker 1>our songs to. Tom was involved to a degree, but

0:29:31.680 --> 0:29:34.960
<v Speaker 1>not like Peter and Cliff, and mainly Cliff. Peter was

0:29:35.000 --> 0:29:38.280
<v Speaker 1>more the touring guy, you know, the stage, that guy

0:29:38.960 --> 0:29:41.760
<v Speaker 1>the muscle and if you wanted to talk about, you know,

0:29:41.800 --> 0:29:45.200
<v Speaker 1>doing a track with a symphony or something, you know Peter,

0:29:45.400 --> 0:29:48.760
<v Speaker 1>I mean Cliff was that guy. And their relationships there's

0:29:49.160 --> 0:29:50.880
<v Speaker 1>there's the two of them and you know both of

0:29:50.880 --> 0:29:55.720
<v Speaker 1>them well, but um, being on your end, it I've

0:29:55.720 --> 0:29:59.000
<v Speaker 1>never been represented by them. Uh, they were the best.

0:29:59.440 --> 0:30:02.800
<v Speaker 1>What was the band happy with what they said? Or

0:30:02.800 --> 0:30:05.080
<v Speaker 1>would you tend to argue with the two of them.

0:30:05.120 --> 0:30:07.200
<v Speaker 1>In the beginning, we were happy to what they what

0:30:07.360 --> 0:30:10.040
<v Speaker 1>they said. And the problem is is that once the

0:30:10.040 --> 0:30:13.720
<v Speaker 1>band becomes successful, then they don't want to listen anymore.

0:30:14.600 --> 0:30:18.080
<v Speaker 1>And there was one bad mistake that was that we

0:30:18.200 --> 0:30:21.840
<v Speaker 1>never let Peter and Cliff or Tom Zoo tat ever

0:30:21.880 --> 0:30:24.960
<v Speaker 1>forget and that's that. The three of them never wanted

0:30:25.000 --> 0:30:29.440
<v Speaker 1>to put Love Song on that album. They said, it's

0:30:29.560 --> 0:30:33.920
<v Speaker 1>three songs, it's not a song. And we fought tooth

0:30:33.960 --> 0:30:39.680
<v Speaker 1>and nail, and so anytime we after Love Song that

0:30:40.120 --> 0:30:42.800
<v Speaker 1>we said something they didn't agree. We said, well, you

0:30:42.840 --> 0:30:46.520
<v Speaker 1>didn't like love Song either, and I'm sure they got

0:30:46.560 --> 0:30:48.880
<v Speaker 1>tired of hearing. Now. Look, we were a paid in

0:30:48.920 --> 0:30:52.920
<v Speaker 1>the asked to manage. You know, we never really cracked

0:30:52.960 --> 0:30:57.360
<v Speaker 1>it like Guns or Metallica or Leopard or Motley. We

0:30:57.360 --> 0:31:00.800
<v Speaker 1>were in the second level of the band. You know,

0:31:00.800 --> 0:31:02.920
<v Speaker 1>I'd like to say we we were the B B

0:31:03.120 --> 0:31:06.120
<v Speaker 1>level bands. We had a couple of hits, but never

0:31:06.960 --> 0:31:11.400
<v Speaker 1>massive and at a certain point, I guess, you know,

0:31:11.440 --> 0:31:13.480
<v Speaker 1>for those guys, it was just too much trouble when

0:31:13.480 --> 0:31:16.040
<v Speaker 1>it was worth. You know, we had problems with the

0:31:16.040 --> 0:31:21.200
<v Speaker 1>guitar player, and you know, we were dysfunctional, and you know,

0:31:21.320 --> 0:31:23.440
<v Speaker 1>I can't blame him. But at the time when Cliff

0:31:23.480 --> 0:31:26.800
<v Speaker 1>said he wasn't in a nostalgia me being naive and

0:31:27.000 --> 0:31:29.840
<v Speaker 1>being the positive guy that I am, I thought, I'll

0:31:29.880 --> 0:31:32.800
<v Speaker 1>called Peter, Will call Cliff, Will call Thompson, Barbiuro We

0:31:32.920 --> 0:31:35.200
<v Speaker 1>get the whole band back together. We'll just pick up

0:31:35.240 --> 0:31:40.280
<v Speaker 1>where we left off. No, No, that's that's not what happened.

0:31:40.720 --> 0:31:43.200
<v Speaker 1>So what year were in when you're having these conversations.

0:31:44.000 --> 0:31:47.360
<v Speaker 1>Two thousand, Okay, so it's not not that long. It's

0:31:47.400 --> 0:31:49.600
<v Speaker 1>five years after the band break Yeah, it's five years

0:31:49.640 --> 0:31:59.120
<v Speaker 1>after the band broke up. Okay, let's go into a

0:31:59.200 --> 0:32:04.440
<v Speaker 1>few things here. You were, you know, Thompson and Barbierro

0:32:04.560 --> 0:32:09.240
<v Speaker 1>you had mixed feelings about yeah, yeah, and then ultimately

0:32:09.240 --> 0:32:12.440
<v Speaker 1>you felt Thompson I believe added something. And first what

0:32:12.480 --> 0:32:14.280
<v Speaker 1>the guy doing, but in retrospect you said he was

0:32:14.280 --> 0:32:17.560
<v Speaker 1>a key influencers approach. Yeah, and again it's it's it's

0:32:17.560 --> 0:32:21.000
<v Speaker 1>that thing of being young and and nowaive. You didn't

0:32:21.080 --> 0:32:23.760
<v Speaker 1>really get what Steve was doing until you look back

0:32:23.800 --> 0:32:27.880
<v Speaker 1>on it later, you know, because we associated everything. Unless

0:32:27.880 --> 0:32:31.400
<v Speaker 1>you were turning knobs or playing guitar, you weren't really

0:32:31.440 --> 0:32:34.600
<v Speaker 1>doing anything. Well, Steve didn't play the guitar, and he

0:32:34.640 --> 0:32:37.320
<v Speaker 1>wasn't an engineer, but he'd come in there and he'd

0:32:37.360 --> 0:32:40.719
<v Speaker 1>speak in these these metaphors like I want you to

0:32:40.760 --> 0:32:44.520
<v Speaker 1>inject some energy here, and we're like, okay, great, what

0:32:44.640 --> 0:32:48.240
<v Speaker 1>fucking key you know what I mean, and you know,

0:32:49.080 --> 0:32:54.200
<v Speaker 1>so yeah, at the time, you know, and we and

0:32:54.240 --> 0:32:56.000
<v Speaker 1>I and I also say we had a phone out

0:32:56.040 --> 0:33:00.520
<v Speaker 1>with with with barberro In in the end of Psychotic

0:33:00.560 --> 0:33:03.080
<v Speaker 1>Supper where he walked out and me and Frank had

0:33:03.120 --> 0:33:06.800
<v Speaker 1>to finish mixing the album. You know, those those were

0:33:06.840 --> 0:33:11.880
<v Speaker 1>just things you go through when you've got success, money, drugs,

0:33:12.840 --> 0:33:17.680
<v Speaker 1>people telling you how fucking cool you are. Um, although

0:33:17.680 --> 0:33:19.720
<v Speaker 1>I did feel that we had outgrown him by the

0:33:19.760 --> 0:33:23.560
<v Speaker 1>third album, I felt that it was time and I

0:33:23.600 --> 0:33:26.960
<v Speaker 1>think we all did to try, you know, something different.

0:33:27.920 --> 0:33:29.760
<v Speaker 1>But I was at the point when we got back

0:33:29.800 --> 0:33:33.080
<v Speaker 1>together I had seen all that and realized that, and

0:33:33.960 --> 0:33:36.240
<v Speaker 1>you know, it was like and the thing that Thompson

0:33:36.240 --> 0:33:38.680
<v Speaker 1>and barber Erero said to me was well said to

0:33:38.720 --> 0:33:40.560
<v Speaker 1>the bend, was we'll we'll do a record if the

0:33:40.560 --> 0:33:43.640
<v Speaker 1>songs are good. And that kind of was like, well,

0:33:43.680 --> 0:33:45.560
<v Speaker 1>what the funk weren't the song is good the first

0:33:45.560 --> 0:33:50.280
<v Speaker 1>time around? You know that kind of again, we're passed off,

0:33:50.280 --> 0:33:52.160
<v Speaker 1>you know, for a day. But you know, the funny

0:33:52.160 --> 0:33:55.640
<v Speaker 1>thing about it is I speak to Steve quite often

0:33:55.720 --> 0:33:59.000
<v Speaker 1>and Mike I don't speak with too much that I

0:33:59.040 --> 0:34:03.640
<v Speaker 1>think Mike, you know, he harbors a little ill feelings

0:34:04.600 --> 0:34:09.400
<v Speaker 1>to me because he says I wouldn't let them go

0:34:09.520 --> 0:34:13.600
<v Speaker 1>mix the Guns and Roses record and walk off Psychotic

0:34:13.680 --> 0:34:17.000
<v Speaker 1>Supper and that, you know, I cost him a lot

0:34:17.040 --> 0:34:19.520
<v Speaker 1>of money. And I said, Mike, but you made four

0:34:19.560 --> 0:34:21.920
<v Speaker 1>of the records that were multi platinum records in that

0:34:22.000 --> 0:34:25.319
<v Speaker 1>same time for hime, I cost you anything. I mean,

0:34:25.360 --> 0:34:28.040
<v Speaker 1>why why would anyone say, oh, yeah, go ahead, we'll

0:34:28.040 --> 0:34:32.720
<v Speaker 1>stop you go ahead, you know, ACXL, Slash, Mike, Steve,

0:34:32.800 --> 0:34:36.040
<v Speaker 1>Tom everyone, you know. I mean, you can imagine how

0:34:36.440 --> 0:34:38.759
<v Speaker 1>how he felt. But I think Mike still to this

0:34:38.840 --> 0:34:41.520
<v Speaker 1>day kind of harbors a little bit of that fell feeling.

0:34:41.520 --> 0:34:44.719
<v Speaker 1>I hope he doesn't, but I since he does, because

0:34:44.719 --> 0:34:47.400
<v Speaker 1>I don't. It's never been really quite the same between

0:34:47.440 --> 0:34:51.040
<v Speaker 1>me and Michael. Let me and Steve are fine, okay.

0:34:51.600 --> 0:34:54.440
<v Speaker 1>You know, to the outside observer, they would think a

0:34:54.520 --> 0:34:57.400
<v Speaker 1>song by love Song would be what the label and

0:34:57.440 --> 0:35:01.120
<v Speaker 1>the manager would tell you to do a ballad. So

0:35:01.200 --> 0:35:04.680
<v Speaker 1>what what is the story of how love Song was created?

0:35:05.000 --> 0:35:08.160
<v Speaker 1>What was it from the band's side, Well, we were

0:35:08.239 --> 0:35:10.840
<v Speaker 1>just in doing demos, you know. We we had this

0:35:10.880 --> 0:35:14.160
<v Speaker 1>little rehearsal room and we had a a track tape

0:35:14.200 --> 0:35:17.719
<v Speaker 1>machine set up, and we were just writing songs for

0:35:17.760 --> 0:35:21.840
<v Speaker 1>the next record after Mechanical Residents, and we had Heavens

0:35:21.880 --> 0:35:25.640
<v Speaker 1>Trail and Hang Tough and and and and what It

0:35:25.680 --> 0:35:29.880
<v Speaker 1>Is and What You Give was even ready for that record,

0:35:29.920 --> 0:35:34.640
<v Speaker 1>but Jeff didn't have the lyrics together. And but the

0:35:34.680 --> 0:35:38.160
<v Speaker 1>one that we all thought were like was the the song,

0:35:39.000 --> 0:35:40.680
<v Speaker 1>the one that we thought was the hit on that

0:35:40.719 --> 0:35:43.840
<v Speaker 1>record was love Song. And we played it to Peter

0:35:44.000 --> 0:35:49.000
<v Speaker 1>and Cliff and Tom and they said, we don't like it.

0:35:49.000 --> 0:35:51.960
<v Speaker 1>It's it's just sounds like three songs. And Jeff Keith

0:35:52.040 --> 0:35:57.759
<v Speaker 1>literally started crying, like fucking crying tears and all, and I,

0:35:58.360 --> 0:36:01.719
<v Speaker 1>how can you say that, you know? And and I

0:36:01.760 --> 0:36:04.720
<v Speaker 1>think that was the first time Cliff ever saw Jeff

0:36:04.800 --> 0:36:08.319
<v Speaker 1>that emotional, which he got to see much later in

0:36:08.320 --> 0:36:11.080
<v Speaker 1>our career. And they were all kind of taken back,

0:36:11.200 --> 0:36:15.080
<v Speaker 1>and we're like, you know, guys, we really believe in

0:36:15.120 --> 0:36:19.200
<v Speaker 1>this song. And and uh, you know, we had to

0:36:19.239 --> 0:36:22.399
<v Speaker 1>twist some arms and really kind of say, look, well,

0:36:22.400 --> 0:36:26.520
<v Speaker 1>we'll throw off fucking lazy days, crazy nights. And that's

0:36:26.560 --> 0:36:30.960
<v Speaker 1>Cliff Bernstein's favorite song. I just gotta mention because I

0:36:31.000 --> 0:36:32.719
<v Speaker 1>was gonna bring that up because that's one of your

0:36:32.880 --> 0:36:35.520
<v Speaker 1>that was the only very successful track you hadn't mentioned

0:36:35.560 --> 0:36:40.960
<v Speaker 1>yet and certainly my anthem and he and he remember

0:36:41.040 --> 0:36:44.520
<v Speaker 1>being at backstage at the meadow Lands and def Lepper.

0:36:44.520 --> 0:36:46.520
<v Speaker 1>We were playing with Queens Rich and we were working

0:36:46.560 --> 0:36:52.520
<v Speaker 1>on the second album and and we said, you know

0:36:52.560 --> 0:36:54.879
<v Speaker 1>what we're putting love song on? We don't, we don't

0:36:55.320 --> 0:36:58.759
<v Speaker 1>fuck it. We'll take we're taking Lazy Days, Crazy Nights

0:36:58.800 --> 0:37:01.400
<v Speaker 1>off the record. He I'll buy that song from you.

0:37:01.560 --> 0:37:03.120
<v Speaker 1>How much you want for it, I'll buy it. I

0:37:03.200 --> 0:37:07.000
<v Speaker 1>want that song. He said, Okay, okay, calm down, okay,

0:37:07.120 --> 0:37:12.320
<v Speaker 1>because he really, he really loved that song. And but

0:37:12.520 --> 0:37:14.560
<v Speaker 1>you know, that was the thing that they just didn't,

0:37:15.000 --> 0:37:17.239
<v Speaker 1>you know, all the powers to be didn't wanted to

0:37:18.000 --> 0:37:20.440
<v Speaker 1>put it out, and that's why it came out on

0:37:20.480 --> 0:37:22.480
<v Speaker 1>that record. I don't know if you remember, we put

0:37:22.480 --> 0:37:26.439
<v Speaker 1>out Heavens Trail first, and then we put out Hang

0:37:26.600 --> 0:37:30.920
<v Speaker 1>Tough and it's stalled, and everyone's like, oh, that's it

0:37:31.080 --> 0:37:36.600
<v Speaker 1>for Tesla and uh. At that point we pleaded with

0:37:36.719 --> 0:37:39.719
<v Speaker 1>Tom Zootat to go to Eddie Rosen Black and give

0:37:39.800 --> 0:37:44.320
<v Speaker 1>us one more track, and he said okay, and it

0:37:44.400 --> 0:37:48.640
<v Speaker 1>gave us love song and took Peter and Cliff's credit.

0:37:49.680 --> 0:37:52.120
<v Speaker 1>At that time, they were doing the Steel Wheels tour,

0:37:53.120 --> 0:37:58.600
<v Speaker 1>and I know they bartered, you know, tickets for uh

0:37:58.880 --> 0:38:03.200
<v Speaker 1>shots like mash Trash. If you give Teslas Master trash,

0:38:03.360 --> 0:38:06.160
<v Speaker 1>let it see if people fans react to it, you know,

0:38:06.239 --> 0:38:08.480
<v Speaker 1>we'll give you tickets or whatever. There was some of

0:38:08.520 --> 0:38:12.560
<v Speaker 1>that going on. So in the end they did believe

0:38:12.600 --> 0:38:15.480
<v Speaker 1>in it and and help make it a hit. It

0:38:15.520 --> 0:38:19.080
<v Speaker 1>was it took like fourteen weeks for that track to

0:38:19.239 --> 0:38:21.480
<v Speaker 1>to build up to what it came and then it

0:38:21.880 --> 0:38:25.000
<v Speaker 1>kind of blew up for a while. But in the

0:38:25.000 --> 0:38:29.120
<v Speaker 1>beginning they did not want to put that on the record. Okay,

0:38:29.239 --> 0:38:31.719
<v Speaker 1>have you always been the business guy in the band?

0:38:33.000 --> 0:38:40.840
<v Speaker 1>How did that happen? Minch? You know, Peter took a

0:38:40.880 --> 0:38:43.399
<v Speaker 1>liking to me and he said, look, I'm gonna make

0:38:43.400 --> 0:38:45.239
<v Speaker 1>sure that you're not one of those guys that don't

0:38:45.239 --> 0:38:48.200
<v Speaker 1>know how to to book a plane flight or a

0:38:48.280 --> 0:38:52.239
<v Speaker 1>hotel room. And so I kind of always paid attention

0:38:52.280 --> 0:38:55.880
<v Speaker 1>to what they were doing and ask questions and advice

0:38:55.960 --> 0:38:58.719
<v Speaker 1>and stuff, and I caught shipped from some of the

0:38:58.760 --> 0:39:00.799
<v Speaker 1>guys in the band. They used to call the manager's

0:39:00.880 --> 0:39:05.120
<v Speaker 1>boy and stuff, you know, because I would say, guys,

0:39:05.160 --> 0:39:07.520
<v Speaker 1>I think we should listen to him. You know, you know,

0:39:07.640 --> 0:39:10.960
<v Speaker 1>you're always agreeing with him. Well they're successful, I mean,

0:39:11.480 --> 0:39:14.880
<v Speaker 1>you know, um, so yeah, I always wound up wearing

0:39:14.920 --> 0:39:18.279
<v Speaker 1>that hat and I still do to this day. And

0:39:18.880 --> 0:39:23.480
<v Speaker 1>you know, it was originally five members. Now four original members.

0:39:23.560 --> 0:39:30.200
<v Speaker 1>How do you keep the band together? You know, there's

0:39:30.239 --> 0:39:35.480
<v Speaker 1>just something, there's a brotherhood there, okay, And I thought

0:39:35.480 --> 0:39:39.719
<v Speaker 1>the other guy was part of the brotherhood, but you know,

0:39:39.840 --> 0:39:46.919
<v Speaker 1>he chose drugs versus the band. The whole band got

0:39:46.960 --> 0:39:52.200
<v Speaker 1>clean for him, you know, tried to support him, and

0:39:52.280 --> 0:39:55.200
<v Speaker 1>he just couldn't. He couldn't do it. He couldn't hang

0:39:56.360 --> 0:39:59.279
<v Speaker 1>and the four of us did. And then I think

0:39:59.320 --> 0:40:01.960
<v Speaker 1>when we were play faced Tommy with Dave Rude, he

0:40:02.040 --> 0:40:05.040
<v Speaker 1>was such a perfect replacement because it could have went

0:40:05.080 --> 0:40:07.120
<v Speaker 1>the other way, we could have wound up breaking up again.

0:40:08.160 --> 0:40:12.160
<v Speaker 1>That we all just realized that it's a special thing

0:40:12.280 --> 0:40:17.600
<v Speaker 1>we have that doesn't come easy to two people, you know,

0:40:17.640 --> 0:40:21.520
<v Speaker 1>being able to play and have people buy your concert

0:40:21.520 --> 0:40:23.920
<v Speaker 1>tickets and your t shirts year after year after you're

0:40:24.200 --> 0:40:27.439
<v Speaker 1>a special thing. And we realize it. I mean, sure,

0:40:27.520 --> 0:40:30.919
<v Speaker 1>we fight now and again like brothers do. But we're

0:40:30.920 --> 0:40:35.400
<v Speaker 1>brothers and you know, we have other outlets now to

0:40:35.440 --> 0:40:38.480
<v Speaker 1>where we can do other things where it's if we

0:40:38.520 --> 0:40:40.759
<v Speaker 1>don't feel like, you know, we want to do something

0:40:40.800 --> 0:40:45.480
<v Speaker 1>that's outside the framework of what teslayers because it's a brand.

0:40:45.520 --> 0:40:48.400
<v Speaker 1>Tesla is a brand. You expect a certain sound. If

0:40:48.600 --> 0:40:51.239
<v Speaker 1>if we deviate too much, your fans bitch at us.

0:40:52.040 --> 0:40:54.600
<v Speaker 1>You know. So we have things that we can go

0:40:54.640 --> 0:40:57.560
<v Speaker 1>do outside, but we always come back to to Tesla

0:40:58.120 --> 0:41:01.320
<v Speaker 1>and quite honestly, it's how we make our living as well.

0:41:02.080 --> 0:41:05.440
<v Speaker 1>I mean, we were never the level to where we

0:41:05.520 --> 0:41:10.640
<v Speaker 1>all became like multi meonionaires, right, So we're working band.

0:41:10.800 --> 0:41:13.960
<v Speaker 1>That's how we that's how we earn our living is

0:41:14.000 --> 0:41:17.200
<v Speaker 1>going out and playing a hundred shows a year. It's

0:41:17.200 --> 0:41:20.239
<v Speaker 1>a nice living, don't get me wrong. But you know

0:41:20.320 --> 0:41:23.160
<v Speaker 1>you stop it for two years for Corona, it takes

0:41:23.160 --> 0:41:27.839
<v Speaker 1>an effect on you, your your your bank account. Trust me, buddy, Okay,

0:41:28.239 --> 0:41:31.640
<v Speaker 1>how do you feel about changing the band's name to Tesla,

0:41:32.160 --> 0:41:35.560
<v Speaker 1>and especially in light of the car at this point, Well,

0:41:37.239 --> 0:41:39.600
<v Speaker 1>the card the car didn't come around ntil two thousand

0:41:39.640 --> 0:41:43.440
<v Speaker 1>and six, so it's funny, Like I call someone today

0:41:43.440 --> 0:41:45.960
<v Speaker 1>and go, Hi, this is Barnian Wheat from tests and

0:41:45.960 --> 0:41:50.480
<v Speaker 1>they go, oh the car company. No, I'm with the

0:41:50.560 --> 0:41:58.040
<v Speaker 1>band you know started And you know, when Cliff brought

0:41:58.120 --> 0:42:02.360
<v Speaker 1>that to us, we said, what the Fox of Tesla?

0:42:03.040 --> 0:42:05.360
<v Speaker 1>You know that was Jeff exactly words and what the

0:42:05.400 --> 0:42:09.319
<v Speaker 1>Fox of Tesla man? And he told us who Tesla was.

0:42:09.400 --> 0:42:12.400
<v Speaker 1>We never in a thousand years would have picked that

0:42:12.480 --> 0:42:15.280
<v Speaker 1>for a name for the band. We didn't know anything

0:42:15.280 --> 0:42:19.000
<v Speaker 1>about him. It wasn't taught to us in school. And

0:42:19.080 --> 0:42:22.120
<v Speaker 1>none of us were like science fanatics, you know, we

0:42:22.120 --> 0:42:27.400
<v Speaker 1>were music fanatics. Um as far as the car, I

0:42:27.400 --> 0:42:29.840
<v Speaker 1>think the car is cool. I've reached out to Ellen

0:42:29.920 --> 0:42:32.320
<v Speaker 1>a couple of times, tried to get him to a

0:42:33.120 --> 0:42:37.160
<v Speaker 1>a show, uh, because I saw a picture where he

0:42:37.239 --> 0:42:39.640
<v Speaker 1>was wearing our T shirt at Sundance, you know, and

0:42:39.680 --> 0:42:42.719
<v Speaker 1>had our faces on it. And Okay, he obviously knows

0:42:42.719 --> 0:42:46.560
<v Speaker 1>who we are, right And so I got hold of

0:42:46.600 --> 0:42:49.799
<v Speaker 1>his executive p A and sent message and he said

0:42:49.920 --> 0:42:52.359
<v Speaker 1>some shirts, some Tesla shirts. We sent him some more

0:42:52.880 --> 0:42:56.760
<v Speaker 1>Tesla band shirts and we were never able to get together,

0:42:57.840 --> 0:43:00.000
<v Speaker 1>but I'd like to meet him some day. He seemed

0:43:00.120 --> 0:43:04.400
<v Speaker 1>like he's a pretty cool guy. Speaking of high profile people.

0:43:05.560 --> 0:43:08.520
<v Speaker 1>There are a lot of stories about you being friends

0:43:08.520 --> 0:43:12.320
<v Speaker 1>with Jimmy page. How did that happen and what is

0:43:12.360 --> 0:43:15.399
<v Speaker 1>the nature of your friendship. Well, Jimmy is a really

0:43:15.400 --> 0:43:21.600
<v Speaker 1>good friend of mine. Um, I met Jimmy with Ross Halfin,

0:43:21.640 --> 0:43:25.160
<v Speaker 1>who's a really good friend of mine. And Ross Halfin's

0:43:25.160 --> 0:43:31.239
<v Speaker 1>like Jimmy's brother, and I met him backstage at Hammersmith

0:43:31.280 --> 0:43:34.600
<v Speaker 1>onean at our David Lee Ross show. So Ross said,

0:43:34.960 --> 0:43:37.440
<v Speaker 1>I was there mixing busting nut with Terry Thomas and

0:43:37.480 --> 0:43:39.840
<v Speaker 1>Frank Annon. Ross call ups today, you want to go

0:43:39.840 --> 0:43:42.800
<v Speaker 1>see David Lee Roth. Yeah, sure, I ain't got nothing

0:43:42.800 --> 0:43:47.279
<v Speaker 1>to do. So Jenny's coming out. Don't be stupid, don't

0:43:47.280 --> 0:43:50.879
<v Speaker 1>be a fanboy, they said, don't be a punter, right,

0:43:51.480 --> 0:43:53.439
<v Speaker 1>I said, yeah, I know a hand of myself. I'll

0:43:53.440 --> 0:43:55.880
<v Speaker 1>be okay. And you know I'm not gonna gush all that.

0:43:56.760 --> 0:44:00.560
<v Speaker 1>So Jimmy came in Ross and induced me to Jimmy.

0:44:00.640 --> 0:44:03.960
<v Speaker 1>I said hi, Jimmy said hi, and then everyone flocked

0:44:04.040 --> 0:44:07.560
<v Speaker 1>Jimmy as they do. And then when all that settled down,

0:44:07.640 --> 0:44:10.399
<v Speaker 1>I said, Jimmy, I'm gonna go get something at the bar.

0:44:10.520 --> 0:44:12.960
<v Speaker 1>Do you want something? He said yeah? He said okay,

0:44:13.160 --> 0:44:14.920
<v Speaker 1>so I came back and I gave him his drink

0:44:14.960 --> 0:44:17.959
<v Speaker 1>and he said thank you. I said, you're welcome. He said,

0:44:18.320 --> 0:44:20.919
<v Speaker 1>I really like five Man Acoustic Jim, and I think

0:44:20.920 --> 0:44:23.960
<v Speaker 1>it's great. And I went, what he said, five Man

0:44:24.000 --> 0:44:27.160
<v Speaker 1>Acoustic Jim. I think it's a great album and no

0:44:27.200 --> 0:44:30.719
<v Speaker 1>one talks about it. And I went, Man, I didn't

0:44:30.719 --> 0:44:33.080
<v Speaker 1>even think you knew who I was. Of course I

0:44:33.120 --> 0:44:35.719
<v Speaker 1>know who you are. You're in Tesla, we're on the

0:44:35.800 --> 0:44:42.000
<v Speaker 1>same label. We're on Guffing because he had Outrider, and

0:44:42.000 --> 0:44:44.879
<v Speaker 1>and then when he toured with Page Plant, I would

0:44:44.960 --> 0:44:47.040
<v Speaker 1>go see him. You know, he'd reach out to me

0:44:47.360 --> 0:44:50.440
<v Speaker 1>if when he was in the States, his his assistant, Hey,

0:44:50.520 --> 0:44:52.320
<v Speaker 1>Jimmy's gonna be in town. You know, you want to

0:44:52.360 --> 0:44:55.120
<v Speaker 1>come to see him, see him? And I just developed

0:44:55.120 --> 0:44:58.920
<v Speaker 1>this friendship over the years, and really we got to

0:44:59.000 --> 0:45:01.520
<v Speaker 1>be really pretty good friends in the last ten years.

0:45:02.560 --> 0:45:06.319
<v Speaker 1>More um, because I was going to England a lot

0:45:06.400 --> 0:45:09.680
<v Speaker 1>with Ross and seeing Ross, and Jimmy was always around,

0:45:09.680 --> 0:45:13.360
<v Speaker 1>so we'd go we'd go out, you know, record shopping

0:45:13.480 --> 0:45:16.040
<v Speaker 1>or whatever. And he's actually the one that got me

0:45:16.080 --> 0:45:19.440
<v Speaker 1>into collecting vinyl because I had given up all my

0:45:19.560 --> 0:45:22.320
<v Speaker 1>vinyl and him and Ross would go to these record

0:45:22.360 --> 0:45:25.520
<v Speaker 1>shops and and freak out a re Vinyl and I'd go, guys,

0:45:25.719 --> 0:45:27.759
<v Speaker 1>I'm gonna go to a coffee shop. I listen to

0:45:27.760 --> 0:45:31.400
<v Speaker 1>the CDs and Jimmy said, no, Brian, he really missing

0:45:31.440 --> 0:45:36.719
<v Speaker 1>it here, man. Vinyl sounds much much better. And one

0:45:36.800 --> 0:45:38.920
<v Speaker 1>night I was over there and I had given him

0:45:38.960 --> 0:45:42.560
<v Speaker 1>a Hoffner for his birthday I don't know, six seven,

0:45:42.920 --> 0:45:46.320
<v Speaker 1>eight years ago, and so me and my wife Monique

0:45:46.320 --> 0:45:48.239
<v Speaker 1>went to his house to pick him up. And he's like, well,

0:45:48.239 --> 0:45:50.600
<v Speaker 1>we'll go to this place to Troubadour and and they

0:45:50.680 --> 0:45:53.560
<v Speaker 1>have some food and they do poetry and stuff there,

0:45:54.120 --> 0:45:58.720
<v Speaker 1>and he put on Johnny Burnette trio train kept rolling

0:45:58.719 --> 0:46:01.600
<v Speaker 1>on vinyl. And because we're just sitting in his living

0:46:01.640 --> 0:46:03.879
<v Speaker 1>room getting ready to go, and he's showing me this

0:46:04.040 --> 0:46:06.399
<v Speaker 1>where I'm showing him the base and he's going, okay, cool,

0:46:06.400 --> 0:46:10.000
<v Speaker 1>and he put I was just like, whoa. And at

0:46:10.040 --> 0:46:13.280
<v Speaker 1>that point in when he's right, it does sound better.

0:46:13.800 --> 0:46:17.960
<v Speaker 1>And then I started collecting vinyl. So I've been lucky

0:46:18.280 --> 0:46:21.160
<v Speaker 1>because my two heroes when I was a kid with

0:46:21.280 --> 0:46:24.800
<v Speaker 1>Paul McCartney and Jimmy Page, and I've met him both.

0:46:25.800 --> 0:46:28.520
<v Speaker 1>Paul I just met, you know, he he has no

0:46:28.560 --> 0:46:32.560
<v Speaker 1>clue who I am. But Jimmy I developed the friendship,

0:46:32.640 --> 0:46:35.160
<v Speaker 1>and that that's something that's really special and cool to me.

0:46:35.640 --> 0:46:39.000
<v Speaker 1>And what is the friendship based on? Why do you click?

0:46:39.840 --> 0:46:43.520
<v Speaker 1>We both like, we both like chicken, we both like

0:46:43.760 --> 0:46:48.440
<v Speaker 1>are we we both like going to weird places, we

0:46:48.600 --> 0:46:53.800
<v Speaker 1>both like vinyl records. We're peers. I know that's funny

0:46:53.800 --> 0:46:56.200
<v Speaker 1>for me to stay right, but they'll say you're a peer,

0:46:56.280 --> 0:46:59.799
<v Speaker 1>you're a fellow musician, Brian. You know, so just all

0:46:59.840 --> 0:47:02.800
<v Speaker 1>of at and I think the fact that he liked

0:47:02.800 --> 0:47:06.200
<v Speaker 1>me for some reason, I didn't freak out and go,

0:47:06.600 --> 0:47:09.400
<v Speaker 1>oh my god, you're Jimmy Page. You know, he he

0:47:09.800 --> 0:47:13.320
<v Speaker 1>liked me, and he because he easily could have just said,

0:47:13.360 --> 0:47:16.760
<v Speaker 1>you know, whatever it was, you know, it was on him,

0:47:16.800 --> 0:47:19.560
<v Speaker 1>and he extended it out and we just became friends.

0:47:20.160 --> 0:47:23.960
<v Speaker 1>Now you're painting that you're obviously a talkative guy with intelligence.

0:47:24.520 --> 0:47:29.320
<v Speaker 1>To what degree do you spend every day emailing talking

0:47:29.360 --> 0:47:31.520
<v Speaker 1>to people or are you more of a hermit when

0:47:31.520 --> 0:47:34.040
<v Speaker 1>you're not on the road. Who are you keeping contact

0:47:34.080 --> 0:47:36.960
<v Speaker 1>with all these people? Recently? I spent a lot of

0:47:37.000 --> 0:47:39.840
<v Speaker 1>time talking well, you mean, like to my friends or

0:47:40.000 --> 0:47:42.400
<v Speaker 1>just in general. I didn't you know, what kind of

0:47:42.400 --> 0:47:45.920
<v Speaker 1>person are you? In general? Uh? I have a small

0:47:45.960 --> 0:47:49.600
<v Speaker 1>group of friends, you know. I have two guys that

0:47:49.640 --> 0:47:52.279
<v Speaker 1>are in bands, Joe Eliott and Jimmy Page that I

0:47:52.320 --> 0:47:55.920
<v Speaker 1>would say, well, they're my friends, no acquaintances or peers.

0:47:56.880 --> 0:47:59.880
<v Speaker 1>And then I got some other kind of people, Ross

0:48:00.120 --> 0:48:05.319
<v Speaker 1>and you know, a doctor, different different people, different walks alive.

0:48:05.400 --> 0:48:09.759
<v Speaker 1>But I got maybe ten of them, and I don't.

0:48:10.080 --> 0:48:12.720
<v Speaker 1>I don't. I speak to a couple of them every day,

0:48:13.120 --> 0:48:15.719
<v Speaker 1>you know. It depends on where I'm at. Like my

0:48:15.800 --> 0:48:19.920
<v Speaker 1>friend Marvin and Tommy here in Texas. You know, if

0:48:19.960 --> 0:48:21.719
<v Speaker 1>I'm in Texas, I'll speak to them every day. If

0:48:21.719 --> 0:48:23.239
<v Speaker 1>I'm in New York, I might speak to him every

0:48:23.280 --> 0:48:25.319
<v Speaker 1>three or four days. Where I have a friend in

0:48:25.360 --> 0:48:28.719
<v Speaker 1>New York named Mike, and I speak to him every

0:48:28.760 --> 0:48:30.879
<v Speaker 1>day when I'm in New York. It depends Ross I speak.

0:48:31.040 --> 0:48:34.200
<v Speaker 1>I spoke to Ross this morning. Jimmy I texted with

0:48:34.840 --> 0:48:38.600
<v Speaker 1>on his birthday last week. Um. I used to hang

0:48:38.680 --> 0:48:41.480
<v Speaker 1>with Ross a lot in the eighties, and the last

0:48:41.520 --> 0:48:44.000
<v Speaker 1>time I saw him was with Jimmy. If he was

0:48:44.080 --> 0:48:46.600
<v Speaker 1>warning me about something about similar with Jimmy and then

0:48:46.640 --> 0:48:48.239
<v Speaker 1>I ended up not even talking to me. It was

0:48:48.960 --> 0:48:50.920
<v Speaker 1>at the premiere of it might get loud, you know,

0:48:51.160 --> 0:48:55.439
<v Speaker 1>just like everybody's hanging around Jimmy, I'm not gonna go Yeah. Yeah.

0:48:55.560 --> 0:49:00.200
<v Speaker 1>Ross is really protectively Jimmy. Yeah, but you making I mean,

0:49:00.239 --> 0:49:02.120
<v Speaker 1>I know, Ross, But you make a point in the

0:49:02.120 --> 0:49:04.880
<v Speaker 1>book that you have flown all over the world with Ross.

0:49:04.960 --> 0:49:07.880
<v Speaker 1>Can you tell us about that? Well. Ross is one

0:49:07.880 --> 0:49:11.960
<v Speaker 1>of my best friends, and I love Ross Helfing. I

0:49:12.080 --> 0:49:14.160
<v Speaker 1>know there are a lot of people can't stand them.

0:49:14.200 --> 0:49:17.040
<v Speaker 1>They hate it. And I look at Ross and I go,

0:49:17.400 --> 0:49:20.200
<v Speaker 1>I'm surprised you've never been punched some of these ships.

0:49:20.239 --> 0:49:23.239
<v Speaker 1>You say to people, the ship that comes out of

0:49:23.239 --> 0:49:24.799
<v Speaker 1>your mouth, Ross, and he goes, you know, I just

0:49:24.840 --> 0:49:27.759
<v Speaker 1>do it because it blows their mind. They can't believe

0:49:27.840 --> 0:49:30.640
<v Speaker 1>I said it. I said, one day, you're gonna get punched.

0:49:32.239 --> 0:49:39.080
<v Speaker 1>He's like a brother to me, you know, um he um.

0:49:39.120 --> 0:49:41.760
<v Speaker 1>I met him first when we did that first photo

0:49:41.800 --> 0:49:45.439
<v Speaker 1>session for Mechanical Residents, and he said, you know, don't worry,

0:49:45.520 --> 0:49:47.720
<v Speaker 1>I'll put you in the back. You're not the lead singer.

0:49:48.480 --> 0:49:50.360
<v Speaker 1>And I thought, what an asshole, you know, And I

0:49:50.440 --> 0:49:52.879
<v Speaker 1>told Peter Minh said, you know, this guy's a fucking dick.

0:49:53.040 --> 0:49:55.480
<v Speaker 1>He said, just tell him the funk off, you know,

0:49:55.920 --> 0:49:59.160
<v Speaker 1>that's what he likes. So I did, and the whole

0:49:59.160 --> 0:50:02.040
<v Speaker 1>band did. And then what happened was we wound up

0:50:02.040 --> 0:50:05.480
<v Speaker 1>on on tour in England with Leopard on the Hysteria

0:50:05.560 --> 0:50:10.120
<v Speaker 1>Tour of England, and Ross was their photographer, and he

0:50:10.320 --> 0:50:13.719
<v Speaker 1>just connected with me. You know, I like UFO. He

0:50:13.760 --> 0:50:16.319
<v Speaker 1>was friends with Pete Way. You know, we we kind

0:50:16.320 --> 0:50:19.760
<v Speaker 1>of bonded over UFO, I think more than anything, because

0:50:19.800 --> 0:50:24.440
<v Speaker 1>Pete Way was another hero mine and we just developed

0:50:24.440 --> 0:50:28.960
<v Speaker 1>this friendship over the years. And and I'd see him,

0:50:29.000 --> 0:50:31.880
<v Speaker 1>you know, all through the nineties until we broke up.

0:50:31.920 --> 0:50:33.399
<v Speaker 1>And then I didn't see him for four or five

0:50:34.040 --> 0:50:37.640
<v Speaker 1>maybe six years, and we actually didn't talk for maybe

0:50:37.640 --> 0:50:40.319
<v Speaker 1>three or four years. Not that we were mad at

0:50:40.360 --> 0:50:44.160
<v Speaker 1>each other anything, just saving saving happened to me. I

0:50:44.200 --> 0:50:46.120
<v Speaker 1>know what you're talking about. People are on different different

0:50:46.560 --> 0:50:51.759
<v Speaker 1>And then I remember calling him because we were we

0:50:51.760 --> 0:50:54.560
<v Speaker 1>were in the studio making the real the real records,

0:50:55.600 --> 0:50:59.799
<v Speaker 1>and and I just I saw his blog or something,

0:51:00.080 --> 0:51:02.000
<v Speaker 1>you know what I should call him, And I called him.

0:51:02.000 --> 0:51:04.839
<v Speaker 1>He goes, oh, what do you want? I'm like you know,

0:51:05.000 --> 0:51:06.400
<v Speaker 1>I mean, what do any what I want to call

0:51:06.480 --> 0:51:11.640
<v Speaker 1>to say hello your cox sucker um. And we just

0:51:11.719 --> 0:51:14.719
<v Speaker 1>kind of picked back up where where we left off.

0:51:14.760 --> 0:51:17.040
<v Speaker 1>And there was a point where he was going through

0:51:17.040 --> 0:51:20.400
<v Speaker 1>a bad period in his life and me and Monique

0:51:20.400 --> 0:51:23.880
<v Speaker 1>flew over to help him out and be with him

0:51:23.920 --> 0:51:26.319
<v Speaker 1>because we didn't want him to be alone. And I

0:51:26.320 --> 0:51:30.040
<v Speaker 1>think that that struck something with him, you know, And

0:51:30.600 --> 0:51:32.879
<v Speaker 1>he's just he's just he's just like like I said,

0:51:32.960 --> 0:51:37.200
<v Speaker 1>he's like a brother. The book that you take to

0:51:37.239 --> 0:51:40.680
<v Speaker 1>go to Asia with him. Yeah, when we were talking

0:51:40.760 --> 0:51:43.920
<v Speaker 1>this morning, he's like, let's go back to Bangkok. I said, well,

0:51:44.040 --> 0:51:46.160
<v Speaker 1>and he was just in Dubai with kiss. I said, well,

0:51:46.239 --> 0:51:48.359
<v Speaker 1>let me get this hernia surgery out of the way

0:51:48.400 --> 0:51:52.040
<v Speaker 1>because I gotta have a hernia surgery and he just

0:51:52.160 --> 0:51:55.800
<v Speaker 1>had one yesterday. I said, And we'll go somewhere in March,

0:51:55.920 --> 0:51:58.400
<v Speaker 1>you know, we'll either go to Dubai or you know

0:51:58.400 --> 0:52:02.120
<v Speaker 1>wherever people allie us to go right now with all

0:52:02.160 --> 0:52:06.759
<v Speaker 1>these travel restrictions, Uh, we'll go. So it's funny because

0:52:07.040 --> 0:52:09.200
<v Speaker 1>just this morning, you know, come on, you should come

0:52:09.200 --> 0:52:10.959
<v Speaker 1>over and we should go. You know, we should go here,

0:52:11.400 --> 0:52:13.160
<v Speaker 1>We should go there. He's been going to Egypt the

0:52:13.239 --> 0:52:17.239
<v Speaker 1>last couple of months and he's really been into Egypt, so,

0:52:18.080 --> 0:52:22.240
<v Speaker 1>you know, and so from going with him, I'd always

0:52:22.320 --> 0:52:25.799
<v Speaker 1>take pictures on my iPhone and I'd say, Ross, you

0:52:25.840 --> 0:52:28.680
<v Speaker 1>may be the greatest rock and roll photographer, but I'm

0:52:28.760 --> 0:52:32.799
<v Speaker 1>the world's greatest iPhone photographer, right, need to say, I'll

0:52:32.800 --> 0:52:35.960
<v Speaker 1>fuck you, Brian. So one day he gave me one

0:52:36.000 --> 0:52:38.080
<v Speaker 1>of his Lias to play with while we were out

0:52:38.440 --> 0:52:42.120
<v Speaker 1>on one of our trips, and I started taking photographs

0:52:42.280 --> 0:52:47.000
<v Speaker 1>of travel stuff, you know, and he said, Brian, those

0:52:47.000 --> 0:52:50.320
<v Speaker 1>are pretty good. You got a good eye list at all. Thanks.

0:52:50.360 --> 0:52:53.560
<v Speaker 1>I know nothing about a camera, BOK. I'm not the

0:52:53.600 --> 0:52:57.719
<v Speaker 1>technical guy, aperture all that stuff. I'm one of these

0:52:57.760 --> 0:53:02.680
<v Speaker 1>points shoot guys. And uh. I just started taking pictures

0:53:03.440 --> 0:53:05.200
<v Speaker 1>and I got really into it. And then he gave

0:53:05.239 --> 0:53:08.279
<v Speaker 1>me one of his Nike on D three's, so then

0:53:08.320 --> 0:53:11.319
<v Speaker 1>I got more better at it, and he let me

0:53:11.400 --> 0:53:14.080
<v Speaker 1>use some of his lenses and I got into it.

0:53:14.160 --> 0:53:18.880
<v Speaker 1>But again with him, it's it's anything from photographs to

0:53:19.120 --> 0:53:24.720
<v Speaker 1>food too KFC, to vinyl records to going to really

0:53:24.760 --> 0:53:27.680
<v Speaker 1>weird places. I think you know. We went to Burma,

0:53:27.760 --> 0:53:30.480
<v Speaker 1>which was pretty trippy. That was kind of that was

0:53:30.560 --> 0:53:33.719
<v Speaker 1>kind of an eye opener. We were in Hanoi a

0:53:33.760 --> 0:53:36.279
<v Speaker 1>couple of years ago, which was really cool. I love it.

0:53:36.480 --> 0:53:39.560
<v Speaker 1>So he's my travel buddy, and you know, he's he's

0:53:39.560 --> 0:53:42.279
<v Speaker 1>a he's a friend, he's a dear friend. Okay, you

0:53:42.320 --> 0:53:45.480
<v Speaker 1>mentioned Monique. Now in the book you talk about your

0:53:45.520 --> 0:53:49.000
<v Speaker 1>first marriage, So a couple of questions, how do you

0:53:49.080 --> 0:53:52.799
<v Speaker 1>keep a relationship together when you're on the road, and

0:53:52.880 --> 0:53:55.760
<v Speaker 1>to what degree have you taken, whether it be earlier

0:53:55.800 --> 0:53:58.920
<v Speaker 1>in your career now taking advantage of the so called

0:53:58.960 --> 0:54:03.920
<v Speaker 1>perks of the road, are you Are you alluding to

0:54:04.920 --> 0:54:09.719
<v Speaker 1>women on the road? Yes, I am. Okay, Well that's

0:54:09.760 --> 0:54:13.759
<v Speaker 1>not my style, to be honest with you. I um,

0:54:13.800 --> 0:54:15.840
<v Speaker 1>I had a super cool wife and I had a

0:54:15.880 --> 0:54:19.920
<v Speaker 1>super cool first wife. My old there is, if you're

0:54:19.920 --> 0:54:22.239
<v Speaker 1>gonna do that, you don't need to be married. And

0:54:22.360 --> 0:54:25.399
<v Speaker 1>I did plenty of that, Bob, you know, from nine

0:54:25.760 --> 0:54:29.880
<v Speaker 1>eight seven to nine when I married Sandy Serea and

0:54:29.880 --> 0:54:32.239
<v Speaker 1>then you know we split up in ninety three or

0:54:32.320 --> 0:54:36.160
<v Speaker 1>ninety four until I got back to got together with Monique,

0:54:36.160 --> 0:54:40.880
<v Speaker 1>and you know, I I was like a guy in

0:54:40.920 --> 0:54:44.840
<v Speaker 1>a smart news board, you know, Okay, but how do

0:54:44.880 --> 0:54:46.920
<v Speaker 1>you know the first wife it broke up. You say

0:54:46.960 --> 0:54:50.680
<v Speaker 1>it was because she wanted a career, but you know,

0:54:51.480 --> 0:54:54.040
<v Speaker 1>I remember when Cliff was telling me about Metallica or

0:54:54.040 --> 0:54:55.319
<v Speaker 1>some many they all went on the road for two

0:54:55.360 --> 0:54:58.400
<v Speaker 1>and a half years. They all came home and got divorces. Uh,

0:54:58.560 --> 0:55:01.120
<v Speaker 1>how do you keep the relations ship together when you're

0:55:01.160 --> 0:55:05.759
<v Speaker 1>away so much. Well, that's the thing I had the

0:55:05.800 --> 0:55:09.640
<v Speaker 1>advantage of. It was hard to keep the relationship together

0:55:09.800 --> 0:55:12.480
<v Speaker 1>with my first wife because she was on do in

0:55:12.560 --> 0:55:15.880
<v Speaker 1>her career in Peter and Cliff managed her too, and

0:55:15.920 --> 0:55:19.719
<v Speaker 1>I was off doing Tesla, and then you know, she

0:55:19.760 --> 0:55:23.560
<v Speaker 1>wanted a family. All these things point we were just

0:55:23.600 --> 0:55:26.880
<v Speaker 1>young and wound up getting a doors like most people

0:55:26.880 --> 0:55:31.040
<v Speaker 1>do when they were young. Well, it wasn't too long

0:55:31.080 --> 0:55:34.400
<v Speaker 1>after we got a divorce. My band broke up, so

0:55:34.480 --> 0:55:37.359
<v Speaker 1>I wasn't on the road for another five years. So

0:55:37.400 --> 0:55:42.040
<v Speaker 1>I spent five years at home with Monique basically, and

0:55:42.120 --> 0:55:43.759
<v Speaker 1>then when I went out on the road, I went

0:55:43.760 --> 0:55:46.520
<v Speaker 1>out all the road with Soul Motor, which was like

0:55:46.600 --> 0:55:51.560
<v Speaker 1>for three months. And it wasn't until two thousand that

0:55:52.000 --> 0:55:54.279
<v Speaker 1>Tesla got back together that I actually went back on

0:55:54.320 --> 0:55:57.320
<v Speaker 1>the road. But going back on the road in two thousands,

0:55:58.080 --> 0:56:00.480
<v Speaker 1>you know, you're not talking, you're gone for six months

0:56:00.480 --> 0:56:03.640
<v Speaker 1>at a time, or you know, a two year tour

0:56:04.280 --> 0:56:08.000
<v Speaker 1>where you have a break every eight weeks. Now, in

0:56:08.160 --> 0:56:12.839
<v Speaker 1>Tesla tours, unless it's one of those big summer packages,

0:56:13.560 --> 0:56:16.000
<v Speaker 1>we'll go out for a month and we come home

0:56:16.080 --> 0:56:18.480
<v Speaker 1>for a month, and then we go out for a

0:56:18.480 --> 0:56:20.880
<v Speaker 1>month and we come home for a month. So he

0:56:20.960 --> 0:56:23.279
<v Speaker 1>wanted at me and gone six months out of the year,

0:56:23.600 --> 0:56:27.879
<v Speaker 1>but we're home every other month. And I think that's

0:56:27.880 --> 0:56:30.920
<v Speaker 1>been easier on on all of us because I've been

0:56:30.960 --> 0:56:34.359
<v Speaker 1>with Monique now twenty six years. And did you ever

0:56:34.400 --> 0:56:37.680
<v Speaker 1>want to have children yourself? No? No. That was part

0:56:37.719 --> 0:56:40.240
<v Speaker 1>of the problem with me and Sandy was she wanted

0:56:40.280 --> 0:56:43.200
<v Speaker 1>to and I didn't really want to. I thought I did,

0:56:43.239 --> 0:56:46.160
<v Speaker 1>but I really didn't want to. And Monique that doesn't

0:56:46.200 --> 0:56:48.800
<v Speaker 1>want children. I don't want children. I had to sector

0:56:48.880 --> 0:56:52.479
<v Speaker 1>me at like thirty something years old because I didn't

0:56:52.480 --> 0:56:55.120
<v Speaker 1>want her to have to take birth control pills anymore.

0:56:55.680 --> 0:56:58.000
<v Speaker 1>And we have Jack Russell's there are children we have.

0:56:58.160 --> 0:57:00.640
<v Speaker 1>We have three of them. We've had had seven of

0:57:00.680 --> 0:57:09.520
<v Speaker 1>them total. What's the specific reason you don't want to

0:57:09.560 --> 0:57:11.399
<v Speaker 1>have kids. I mean I don't have kids either. I'm

0:57:11.440 --> 0:57:14.240
<v Speaker 1>just asking, well, I think you know a lot of reasons.

0:57:14.800 --> 0:57:16.280
<v Speaker 1>I don't think I would have been a good dad.

0:57:17.040 --> 0:57:19.080
<v Speaker 1>I didn't have a dad, so I don't know how

0:57:19.120 --> 0:57:23.320
<v Speaker 1>to be a dad. Right. The other thing is unselfish.

0:57:24.240 --> 0:57:26.880
<v Speaker 1>I want to go when I want to go. When

0:57:26.920 --> 0:57:30.120
<v Speaker 1>you have children, you can't do that, right, And that

0:57:30.240 --> 0:57:31.920
<v Speaker 1>was that was the thing about me and Monique. We

0:57:32.000 --> 0:57:33.960
<v Speaker 1>both wanted to, like if we wanted to pack up

0:57:33.960 --> 0:57:36.160
<v Speaker 1>and go to London, you couldn't just do that if

0:57:36.160 --> 0:57:38.320
<v Speaker 1>you had two or three kids. It's not that simple.

0:57:38.800 --> 0:57:42.400
<v Speaker 1>And there's the financial part of it as well. Kids.

0:57:42.600 --> 0:57:45.280
<v Speaker 1>You know, kids are expensive, cost a lot of money

0:57:45.360 --> 0:57:49.160
<v Speaker 1>to provide and take care of children. So those those

0:57:49.200 --> 0:57:53.320
<v Speaker 1>things were it. But really I just never I never

0:57:53.360 --> 0:57:56.320
<v Speaker 1>thought because I didn't have a dad and I came

0:57:56.400 --> 0:57:59.760
<v Speaker 1>kind of from a dysfunctional family, not even kind of

0:58:00.160 --> 0:58:03.920
<v Speaker 1>was this action that I didn't want to, you know,

0:58:04.320 --> 0:58:07.919
<v Speaker 1>that was the one thing in therapy the doctor said,

0:58:07.960 --> 0:58:11.280
<v Speaker 1>you gotta break the chain, Like you know, your father

0:58:11.400 --> 0:58:14.480
<v Speaker 1>gives you his bad habits, you give your children and

0:58:14.640 --> 0:58:17.800
<v Speaker 1>just keeps going down the line. And I didn't want to.

0:58:17.840 --> 0:58:19.840
<v Speaker 1>I didn't want to hand off whatever bad habits I

0:58:19.960 --> 0:58:22.440
<v Speaker 1>man had or whatever to a kid. Either. There's a

0:58:22.480 --> 0:58:25.760
<v Speaker 1>lot of factors, but that not to make me it. Okay.

0:58:25.760 --> 0:58:27.720
<v Speaker 1>The other thing that you have a huge interest in

0:58:28.240 --> 0:58:32.480
<v Speaker 1>is Victorian homes. You first bought one downtown Sacramento. Why

0:58:32.520 --> 0:58:34.800
<v Speaker 1>don't you tell us about your interest and especially what

0:58:34.960 --> 0:58:38.760
<v Speaker 1>happened with the one in Sacramento with a fire, et cetera. Yeah, well,

0:58:38.800 --> 0:58:43.160
<v Speaker 1>I love architecture, you know. And when we were kids

0:58:43.400 --> 0:58:47.040
<v Speaker 1>starting out Tesla, when we're city kid, the place we

0:58:47.120 --> 0:58:50.040
<v Speaker 1>used to play was this place called the Oasis Ballroom.

0:58:50.200 --> 0:58:52.400
<v Speaker 1>It was in the oldest part of Sacramento, kind of

0:58:52.400 --> 0:58:57.560
<v Speaker 1>the historic district. There's all these cool Victorian homes. They're

0:58:57.640 --> 0:59:01.680
<v Speaker 1>from eighteen fifties eighteen sixties Sacramento. You know, it was

0:59:01.960 --> 0:59:05.200
<v Speaker 1>a gold mine town. It came after the gold Rush.

0:59:05.360 --> 0:59:07.440
<v Speaker 1>And I used to always say to Frank, one day,

0:59:07.480 --> 0:59:11.000
<v Speaker 1>I'm gonna own one of those Victorian mansions, man, And

0:59:11.000 --> 0:59:14.640
<v Speaker 1>he'd said, well, cool man. And one day I finally

0:59:14.680 --> 0:59:18.439
<v Speaker 1>got to buy one. So I bought the one on

0:59:18.440 --> 0:59:24.840
<v Speaker 1>on J Street in n three, and you know, I

0:59:24.880 --> 0:59:27.200
<v Speaker 1>restored it and did all the things that you do

0:59:27.640 --> 0:59:31.600
<v Speaker 1>in one of those houses. And in two thousand and ten,

0:59:33.120 --> 0:59:36.120
<v Speaker 1>I had built a building and back because I had

0:59:36.160 --> 0:59:38.600
<v Speaker 1>the it's a deep lot, it was, and this is

0:59:38.680 --> 0:59:42.640
<v Speaker 1>like in the kind of Greenwich Village neighborhood of Sacramento,

0:59:42.760 --> 0:59:45.480
<v Speaker 1>that kind of feel and those you know, those kind

0:59:45.480 --> 0:59:49.200
<v Speaker 1>of big, deep lots, and I had built a recording

0:59:49.240 --> 0:59:53.800
<v Speaker 1>studio back there. Well, I had a fire, and I

0:59:53.800 --> 0:59:57.040
<v Speaker 1>actually have a fire. My neighbors had a fire and

0:59:57.080 --> 1:00:01.040
<v Speaker 1>it you know, those houses only five ft apart, and

1:00:01.600 --> 1:00:07.160
<v Speaker 1>it jumped from his house which was five next to

1:00:07.160 --> 1:00:10.600
<v Speaker 1>my studio, went up the wall and caught my my

1:00:10.680 --> 1:00:16.680
<v Speaker 1>roof on fire on the studio building, and it destroyed

1:00:16.680 --> 1:00:20.040
<v Speaker 1>that building. And then the embers, because I had a

1:00:20.080 --> 1:00:24.640
<v Speaker 1>wood shake roof on the old Victorian house, caught that

1:00:24.760 --> 1:00:27.919
<v Speaker 1>roof on fire. But they were able to put that out.

1:00:28.040 --> 1:00:31.000
<v Speaker 1>There was water damage in the house, but the studio

1:00:31.120 --> 1:00:35.960
<v Speaker 1>was completely demolished, and uh then we just re rebuilt

1:00:36.000 --> 1:00:41.480
<v Speaker 1>the studio, fixed that house. And I had that house

1:00:41.760 --> 1:00:48.160
<v Speaker 1>until about two thousand and fifteen or sixteen, and then

1:00:49.640 --> 1:00:53.080
<v Speaker 1>I was just I belonged to these groups on Facebook,

1:00:53.120 --> 1:00:57.880
<v Speaker 1>you know, like vinyl collectors groups or Victorian homeowners groups

1:00:57.920 --> 1:01:02.160
<v Speaker 1>or bathrooms or whatever, and this picture came up with

1:01:02.280 --> 1:01:04.640
<v Speaker 1>this really nice house in Texas. This is where I

1:01:04.680 --> 1:01:08.120
<v Speaker 1>am now. It was a Victorian built in nineteen hundred.

1:01:08.200 --> 1:01:12.760
<v Speaker 1>Mine was built in eighteen when Sacramento, and it said

1:01:12.760 --> 1:01:16.040
<v Speaker 1>two hundred and fifty thousand dollars. And that was what

1:01:17.160 --> 1:01:19.080
<v Speaker 1>I just gotta be a mistake, right, because you know

1:01:19.240 --> 1:01:22.919
<v Speaker 1>Victorians can be very expensive, especially in San Francisco. They're

1:01:22.920 --> 1:01:26.960
<v Speaker 1>really expensive. So I looked at it and just you know,

1:01:27.000 --> 1:01:31.880
<v Speaker 1>I was getting tired of California. You know, I lived

1:01:31.880 --> 1:01:33.640
<v Speaker 1>there in my whole life. We really have a really

1:01:33.680 --> 1:01:38.440
<v Speaker 1>bad homeless problem in Sacramento. I mean really bad. And

1:01:38.480 --> 1:01:41.880
<v Speaker 1>it got to where people were, you know, shipping and

1:01:42.000 --> 1:01:44.600
<v Speaker 1>piston on the side of my house, camping on the

1:01:44.600 --> 1:01:46.920
<v Speaker 1>side of my house. And I am with this two

1:01:46.960 --> 1:01:51.440
<v Speaker 1>million dollar Victorian mansion and nothing can be done about it.

1:01:51.480 --> 1:01:55.280
<v Speaker 1>The city won't do nothing, you know, the mayor. I

1:01:55.360 --> 1:01:57.160
<v Speaker 1>just got fed up and I just said, fuck it,

1:01:58.560 --> 1:02:02.960
<v Speaker 1>I'm gonna leave. And this house was in Texas. This

1:02:03.040 --> 1:02:07.200
<v Speaker 1>other house for almost as nice, needed a little bit

1:02:07.200 --> 1:02:10.320
<v Speaker 1>of work, at least I thought it was almost as nice.

1:02:10.880 --> 1:02:13.760
<v Speaker 1>And I'll get to that in a minute. Um. So

1:02:13.800 --> 1:02:16.640
<v Speaker 1>I called money, because today would you but you can

1:02:17.160 --> 1:02:21.040
<v Speaker 1>consider moving to to Texas. She said yeah, because she

1:02:21.080 --> 1:02:27.600
<v Speaker 1>grew up there. I said, okay, So we we moved

1:02:27.600 --> 1:02:31.440
<v Speaker 1>to Texas and we left the house in Sacramento. We

1:02:31.560 --> 1:02:36.280
<v Speaker 1>rented it out and but we didn't realizes once we

1:02:36.360 --> 1:02:40.320
<v Speaker 1>got to Texas, we got rattlesnakes in our backyard and

1:02:40.360 --> 1:02:46.600
<v Speaker 1>it killed one of our dogs. Right, So that never

1:02:46.640 --> 1:02:51.520
<v Speaker 1>really quite fit. So it was decided, then, well, we're

1:02:51.520 --> 1:02:54.600
<v Speaker 1>gonna have to leave Texas because Jack Russells and Texas

1:02:54.680 --> 1:02:59.560
<v Speaker 1>don't go. So then it got to looking for another

1:02:59.640 --> 1:03:03.120
<v Speaker 1>place somewhere in the country. And I was looking for

1:03:03.160 --> 1:03:06.800
<v Speaker 1>a place that didn't have state income tax, but couldn't

1:03:06.960 --> 1:03:09.680
<v Speaker 1>find that I did like that in Texas. I gotta admit,

1:03:10.200 --> 1:03:15.360
<v Speaker 1>who wouldn't, right, Um. So I found a place in

1:03:15.840 --> 1:03:19.120
<v Speaker 1>upstate New York, in in the Finger Lakes area in Auburn,

1:03:19.120 --> 1:03:25.000
<v Speaker 1>New York, which was John Doulas's Senator John Doulass house

1:03:25.000 --> 1:03:28.560
<v Speaker 1>when he was a kid, where the family lived there.

1:03:29.320 --> 1:03:34.120
<v Speaker 1>And it was just really beautiful, beautiful Victorian mansion. And

1:03:34.160 --> 1:03:36.520
<v Speaker 1>I mean my other houses were houses, you know, there

1:03:36.560 --> 1:03:38.959
<v Speaker 1>were five six thousand feet. This thing is like ten

1:03:39.080 --> 1:03:43.640
<v Speaker 1>thousand feet. And I'm like what's wrong with this picture?

1:03:44.320 --> 1:03:48.800
<v Speaker 1>It was like five hundred grand, right, So I said, Monique,

1:03:48.840 --> 1:03:51.080
<v Speaker 1>I think I found the place. So when I called

1:03:51.080 --> 1:03:55.720
<v Speaker 1>the real estate, do you got rattlesnakes? There? No? No rattlesnakes. Okay,

1:03:55.800 --> 1:04:00.200
<v Speaker 1>well do you have tornadoes? No? No tornados haill storms. No.

1:04:01.320 --> 1:04:04.840
<v Speaker 1>So we wound up finally moving there about a year

1:04:04.880 --> 1:04:06.880
<v Speaker 1>and a half ago and we love it up in

1:04:07.000 --> 1:04:10.800
<v Speaker 1>up state New York. But you told me earlier before

1:04:10.800 --> 1:04:13.960
<v Speaker 1>we turned on Mike's that you live the winter in Texas.

1:04:14.360 --> 1:04:19.520
<v Speaker 1>We did so long. What happened was because I live

1:04:19.600 --> 1:04:24.040
<v Speaker 1>in Texas and Texas is my main residence. I you know,

1:04:24.080 --> 1:04:27.160
<v Speaker 1>I don't have to pay state income tax? And are

1:04:27.200 --> 1:04:31.840
<v Speaker 1>there rattlesnakes in the winter? No? Okay, let's go back,

1:04:31.840 --> 1:04:33.400
<v Speaker 1>you know. So one of the stories that kind of

1:04:33.440 --> 1:04:37.000
<v Speaker 1>amaze me, based on my personality is your original house

1:04:37.120 --> 1:04:40.040
<v Speaker 1>was downtown and you would have these parties where all

1:04:40.120 --> 1:04:43.480
<v Speaker 1>kinds of people came by. Were you weren't you worried

1:04:43.520 --> 1:04:46.240
<v Speaker 1>they were going to trash the house and steal stuff? Man,

1:04:46.240 --> 1:04:52.680
<v Speaker 1>I was high, you know at that time. That's pre Monique.

1:04:52.960 --> 1:04:57.520
<v Speaker 1>Once Monique got there, she ran everyone off, like, hey, man,

1:04:57.520 --> 1:05:00.439
<v Speaker 1>you ran off all my friends. She said, no, those

1:05:00.440 --> 1:05:05.280
<v Speaker 1>who are your friends. Um, you know, I, I my nephew,

1:05:05.440 --> 1:05:09.440
<v Speaker 1>my my sister. She's the second oldest. Her son is

1:05:09.480 --> 1:05:12.919
<v Speaker 1>only four years younger than me. He lived with me,

1:05:13.080 --> 1:05:15.840
<v Speaker 1>so he kind of kept an eye on everything. But

1:05:15.880 --> 1:05:18.080
<v Speaker 1>at the time I was, you know, I was at

1:05:18.080 --> 1:05:22.080
<v Speaker 1>the height of of being high, and you know, I'll

1:05:22.120 --> 1:05:24.680
<v Speaker 1>go to the club down the street, get get get

1:05:24.960 --> 1:05:28.480
<v Speaker 1>some blow. You a wasted. Everyone will just come back

1:05:28.520 --> 1:05:30.520
<v Speaker 1>to my house and stay there until six seven in

1:05:30.520 --> 1:05:34.360
<v Speaker 1>the morning. It was insane, but you know, it just

1:05:34.400 --> 1:05:39.080
<v Speaker 1>goes show. You live through it. You live through it.

1:05:39.320 --> 1:05:41.960
<v Speaker 1>You mentioned how a recording studio. That's another big thing

1:05:41.960 --> 1:05:44.600
<v Speaker 1>in the book, how you get invested in recording students.

1:05:44.640 --> 1:05:47.600
<v Speaker 1>What's happening with that today and what can you tell

1:05:47.640 --> 1:05:51.000
<v Speaker 1>us about your rein running a recording studio. Well, I

1:05:51.000 --> 1:05:54.040
<v Speaker 1>I have, I have, I still have a management company

1:05:54.320 --> 1:05:57.560
<v Speaker 1>and a and a and a small label that you know,

1:05:57.920 --> 1:06:00.960
<v Speaker 1>I have distribution and stuff, and I go out now

1:06:01.560 --> 1:06:05.080
<v Speaker 1>and I try to find young bands to develop because

1:06:05.080 --> 1:06:07.680
<v Speaker 1>I don't think people are doing an R anymore really,

1:06:07.840 --> 1:06:10.240
<v Speaker 1>not like when I came up what a R was.

1:06:11.080 --> 1:06:15.160
<v Speaker 1>So I have a really nice recording studio. I'm a songwriter,

1:06:15.320 --> 1:06:20.720
<v Speaker 1>I'm a producer, I'm a mixing engineer and mixer. Um,

1:06:20.760 --> 1:06:24.840
<v Speaker 1>I manage bands. So I've got this little company that

1:06:25.120 --> 1:06:28.280
<v Speaker 1>I go look for young bands and try to mold

1:06:28.320 --> 1:06:32.120
<v Speaker 1>them and help them get to the next level. And

1:06:32.200 --> 1:06:35.560
<v Speaker 1>kind of everything's under one roof. Generally speaking, that's a

1:06:35.640 --> 1:06:39.160
<v Speaker 1>labor of love. It's hard to make money doing that.

1:06:40.200 --> 1:06:42.720
<v Speaker 1>It's a labor of love where where you may mean,

1:06:42.960 --> 1:06:45.120
<v Speaker 1>maybe we'll make some moneys if you pop one of

1:06:45.160 --> 1:06:48.320
<v Speaker 1>these bands one day, and how much of your time

1:06:48.400 --> 1:06:53.640
<v Speaker 1>is dedicated to that. When I'm not doing tesla, that's

1:06:53.640 --> 1:06:56.640
<v Speaker 1>what I'm doing, I'm either I mean, I mean they're

1:06:56.680 --> 1:06:59.080
<v Speaker 1>painting because I do the thing with the painting and

1:06:59.080 --> 1:07:03.680
<v Speaker 1>the photography, or I'm doing stuff, you know, with with

1:07:03.760 --> 1:07:09.080
<v Speaker 1>the bands, or I'm doing tesla, or I'm doing nothing. Okay,

1:07:09.160 --> 1:07:11.840
<v Speaker 1>do you still own a recording studio? Yeah? Yeah, I

1:07:11.880 --> 1:07:15.840
<v Speaker 1>still it's a beautiful studio. Say to the art that's weird.

1:07:16.160 --> 1:07:21.240
<v Speaker 1>That's in Sacramento. Okay, Now the band also rehearses in Sacramento.

1:07:21.400 --> 1:07:25.360
<v Speaker 1>You'd not even bother to rehearse. Uh, we still record.

1:07:25.440 --> 1:07:28.240
<v Speaker 1>We've made the last three albums in that well. The

1:07:28.320 --> 1:07:30.440
<v Speaker 1>last five album has been made in my studio, but

1:07:31.520 --> 1:07:33.919
<v Speaker 1>two of them were before Burnt and then the other

1:07:34.000 --> 1:07:38.080
<v Speaker 1>three were in the new facility. Um. I still have

1:07:38.160 --> 1:07:40.919
<v Speaker 1>a house in Sacramento I rented out as an Airbnb,

1:07:41.800 --> 1:07:43.880
<v Speaker 1>and then when I go to town to work with

1:07:44.000 --> 1:07:46.920
<v Speaker 1>bands or work with Tesla, I stay in that house

1:07:46.960 --> 1:07:50.960
<v Speaker 1>and don't rent it out. Okay, that just because I'm interested.

1:07:51.440 --> 1:07:53.320
<v Speaker 1>You know, it's hard to move is when as you

1:07:53.360 --> 1:07:56.920
<v Speaker 1>get older. So do you have any friends in Texas

1:07:57.040 --> 1:07:59.160
<v Speaker 1>or New York? Or is it generally with the internet

1:07:59.200 --> 1:08:01.080
<v Speaker 1>your friends could be in where No, No, I have

1:08:01.200 --> 1:08:05.040
<v Speaker 1>friends in Texas. I have two good buddies here in

1:08:05.360 --> 1:08:07.200
<v Speaker 1>Texas where I live, in the town I live in.

1:08:08.080 --> 1:08:11.800
<v Speaker 1>I have two or three really good buddies in Auburn,

1:08:11.800 --> 1:08:16.000
<v Speaker 1>New York. And then in Sacramento. Because I'm there, I'm

1:08:16.040 --> 1:08:18.840
<v Speaker 1>there quite often as well. Now because I've been in

1:08:18.840 --> 1:08:21.599
<v Speaker 1>this COVID, I've been going about every other week, every

1:08:21.600 --> 1:08:24.880
<v Speaker 1>two weeks back and forth to work on projects. Have

1:08:24.960 --> 1:08:29.080
<v Speaker 1>been producing some some records for for young bands. You

1:08:29.200 --> 1:08:32.800
<v Speaker 1>also go into the breakup of Tesla. You know, from

1:08:32.840 --> 1:08:37.040
<v Speaker 1>an outside observer, it would appear that the band's arc

1:08:37.160 --> 1:08:39.840
<v Speaker 1>was going down and that would break up the band.

1:08:40.439 --> 1:08:42.960
<v Speaker 1>But you say, you just made a new deal with

1:08:43.080 --> 1:08:45.840
<v Speaker 1>Geffen and then all of a sudden the band imploded.

1:08:46.160 --> 1:08:49.000
<v Speaker 1>Tell us about that. Well, that's the funny thing, you know.

1:08:49.439 --> 1:08:51.559
<v Speaker 1>We we we had just made a new deal with

1:08:51.640 --> 1:08:57.760
<v Speaker 1>Geffen and we put out Bust to Nut and it

1:08:57.880 --> 1:09:02.320
<v Speaker 1>didn't reach platinum and only went gold. I think it

1:09:02.360 --> 1:09:06.960
<v Speaker 1>was six hundred thousands. And uh, we were hearing rumors

1:09:07.000 --> 1:09:11.160
<v Speaker 1>that Geffin was gonna drop us. You know, we're going

1:09:11.360 --> 1:09:14.280
<v Speaker 1>How could you in my mind that we're all of us.

1:09:14.320 --> 1:09:19.280
<v Speaker 1>I think we're just you know, this whole grunge thing came, right,

1:09:19.320 --> 1:09:22.639
<v Speaker 1>we were having internal problems at the same time. Right,

1:09:23.240 --> 1:09:26.639
<v Speaker 1>I won't say we weren't. We were. The grunge thing came.

1:09:27.520 --> 1:09:30.160
<v Speaker 1>We weren't on the radio like we had been the

1:09:30.240 --> 1:09:35.280
<v Speaker 1>previous five records or four records, um, and we were

1:09:35.320 --> 1:09:41.040
<v Speaker 1>being labeled as as a hair band and and your

1:09:41.200 --> 1:09:44.760
<v Speaker 1>your your your record company is you know, we're around

1:09:44.800 --> 1:09:48.200
<v Speaker 1>the campfires as you're getting you're getting dropped. And even

1:09:48.240 --> 1:09:51.160
<v Speaker 1>Cliffs said to me said, look, I'm sorry to tell you,

1:09:51.439 --> 1:09:55.160
<v Speaker 1>I think it's over for you guys, And I could

1:09:55.280 --> 1:09:57.880
<v Speaker 1>I meant I could not wrap my head around it.

1:09:58.479 --> 1:10:01.760
<v Speaker 1>It just sucked my head up, you know, and I

1:10:01.800 --> 1:10:05.920
<v Speaker 1>think it sucked everyone's head up. And then, you know,

1:10:06.320 --> 1:10:09.880
<v Speaker 1>we lose the guitar player, right, this is the first

1:10:09.920 --> 1:10:12.760
<v Speaker 1>time you've been asked to leave, because he'd been asked

1:10:12.760 --> 1:10:17.759
<v Speaker 1>to leave twice or three times. I lose track. Jeff

1:10:17.800 --> 1:10:22.519
<v Speaker 1>has an incident in Reno and falls falls apart, and

1:10:22.840 --> 1:10:26.720
<v Speaker 1>it just next thing, you know, we broke up and

1:10:26.840 --> 1:10:30.960
<v Speaker 1>what were your feelings then? I was I was probably

1:10:30.960 --> 1:10:38.040
<v Speaker 1>piste off, you know, piste off. Obviously I wasn't in

1:10:38.080 --> 1:10:41.000
<v Speaker 1>my right mind at that time. You know. I didn't

1:10:41.000 --> 1:10:45.240
<v Speaker 1>do any drugs until the last part of that first

1:10:45.240 --> 1:10:48.800
<v Speaker 1>part of Tessa's career. I would just drink alcohol, so

1:10:48.840 --> 1:10:52.439
<v Speaker 1>I started experimenting with drugs towards the end before we

1:10:52.560 --> 1:10:58.720
<v Speaker 1>broke up. I don't know, I guess deflated, you know,

1:11:00.000 --> 1:11:03.800
<v Speaker 1>really's is how you how you could put it? He went,

1:11:04.080 --> 1:11:08.400
<v Speaker 1>you know, wow, how can you go from you know?

1:11:09.880 --> 1:11:12.320
<v Speaker 1>In two years? It was literally, of course, to two

1:11:12.400 --> 1:11:17.679
<v Speaker 1>years because Busting Nut came out and what fo Yeah,

1:11:18.160 --> 1:11:22.080
<v Speaker 1>Psychotic Supper was and we toured for two years on that.

1:11:22.479 --> 1:11:25.560
<v Speaker 1>We came off that tour thinking this next record was

1:11:25.600 --> 1:11:27.320
<v Speaker 1>going to be the record that was gonna be like

1:11:27.640 --> 1:11:32.799
<v Speaker 1>the Black album you know from Metallica. That's okay, we're plois,

1:11:32.960 --> 1:11:37.040
<v Speaker 1>this is this is it, you know, and uh it didn't.

1:11:37.360 --> 1:11:41.519
<v Speaker 1>It should have been called Busting Up instead of busting nut. Okay,

1:11:41.600 --> 1:11:45.479
<v Speaker 1>for five years the band is on hyatta hiatus. What

1:11:45.520 --> 1:11:47.439
<v Speaker 1>are you doing for money? Or did you have enough

1:11:47.479 --> 1:11:53.080
<v Speaker 1>money that you made? No, I started mortgage in my house.

1:11:55.200 --> 1:11:59.640
<v Speaker 1>You know. Um, there was still you know, I was

1:11:59.640 --> 1:12:03.160
<v Speaker 1>still it was some publishing, but there, you know, there

1:12:03.160 --> 1:12:06.679
<v Speaker 1>obviously wasn't T shirt money. There was no live gate money,

1:12:06.680 --> 1:12:09.559
<v Speaker 1>which that that was the bolt and the record money

1:12:11.040 --> 1:12:12.760
<v Speaker 1>because we had done a new deal with Geff and

1:12:12.760 --> 1:12:15.240
<v Speaker 1>they had given us quite a large advance. So we

1:12:15.320 --> 1:12:22.440
<v Speaker 1>did have some money, but not not enough. Probably the

1:12:22.520 --> 1:12:25.400
<v Speaker 1>last five years we thought we were rich, but you

1:12:25.439 --> 1:12:32.799
<v Speaker 1>know we weren't. So um. You know, you just hustled, man,

1:12:33.560 --> 1:12:38.120
<v Speaker 1>You're out there hustling, you know, producing bands, demos whatever. Luckily,

1:12:38.160 --> 1:12:41.479
<v Speaker 1>my expenses weren't that high at the time, you know.

1:12:41.600 --> 1:12:45.240
<v Speaker 1>I mean Jeff, poor Jeff, he got a job as

1:12:45.240 --> 1:12:48.280
<v Speaker 1>a DJ and a strip club when we were off

1:12:48.280 --> 1:12:54.160
<v Speaker 1>for five years. Um, Frank, I think he was doing landscaping.

1:12:55.360 --> 1:13:00.240
<v Speaker 1>Troy was roofing, and I was, you know, live off

1:13:00.280 --> 1:13:05.040
<v Speaker 1>the equity in my house. Wow. Okay, So when you

1:13:05.080 --> 1:13:08.120
<v Speaker 1>go on the road a hundred days with Tesla, these

1:13:08.400 --> 1:13:11.840
<v Speaker 1>these days when it's not COVID, do you enjoy it

1:13:12.400 --> 1:13:15.320
<v Speaker 1>or you're earning a living? No, I still enjoy it.

1:13:16.840 --> 1:13:19.720
<v Speaker 1>I still enjoy it. And you know, Code is kind

1:13:19.760 --> 1:13:23.559
<v Speaker 1>of a blessing in the sense that I think it

1:13:24.320 --> 1:13:26.439
<v Speaker 1>we needed a little bit of a break because we've

1:13:26.439 --> 1:13:29.360
<v Speaker 1>been going twenty years straight since we got back together,

1:13:30.720 --> 1:13:32.719
<v Speaker 1>and we may have been getting a little bit tired,

1:13:32.800 --> 1:13:36.479
<v Speaker 1>but it still was you know. Look, one thing I'll

1:13:36.479 --> 1:13:38.559
<v Speaker 1>say about the band is we never phone it in

1:13:39.439 --> 1:13:42.439
<v Speaker 1>that hour and forty minutes on stage. That's that's the

1:13:42.520 --> 1:13:45.000
<v Speaker 1>real deal. It might be a pain in the ass

1:13:45.080 --> 1:13:49.600
<v Speaker 1>the other twenty hours, you know, said, here's someplace just

1:13:49.680 --> 1:13:51.439
<v Speaker 1>going on. You know, what the funk are we doing? Here?

1:13:51.600 --> 1:13:54.839
<v Speaker 1>Was parking lot? You know. But the playing is always

1:13:54.880 --> 1:13:58.000
<v Speaker 1>the thing that kept us together. But I think the

1:13:58.040 --> 1:13:59.960
<v Speaker 1>good thing is when we do get to go back

1:14:00.360 --> 1:14:05.000
<v Speaker 1>and play again now that this COVID thing, it would

1:14:05.000 --> 1:14:09.040
<v Speaker 1>be like a shot in the arm again because we

1:14:09.080 --> 1:14:12.439
<v Speaker 1>realized again it it took the breakup to make us

1:14:12.479 --> 1:14:16.200
<v Speaker 1>realize how much we really did cherish it and how

1:14:16.200 --> 1:14:19.759
<v Speaker 1>we fucked it up. And with COVID, it's just another

1:14:19.960 --> 1:14:23.320
<v Speaker 1>thing going. Look, we really do miss playing with each

1:14:23.320 --> 1:14:27.840
<v Speaker 1>other and doing this. I mean, we're okay for for money,

1:14:28.200 --> 1:14:31.360
<v Speaker 1>a lot better financial situation than we were in in

1:14:31.520 --> 1:14:36.600
<v Speaker 1>n You know, you ever think of giving up and

1:14:36.600 --> 1:14:41.040
<v Speaker 1>going straight? What do you mean leaving the entertainment, leaving

1:14:41.080 --> 1:14:45.479
<v Speaker 1>the circus behind? Well? Would I do? Okay? That that's

1:14:45.520 --> 1:14:48.400
<v Speaker 1>the thing. I mean, seriously, you know, Bob, the only

1:14:48.479 --> 1:14:51.160
<v Speaker 1>job I ever had was I was the manager of McDonald's.

1:14:52.800 --> 1:14:57.240
<v Speaker 1>So I mean really, it's like you know in yeah,

1:14:57.280 --> 1:14:59.880
<v Speaker 1>I mean it crossed my mind, but only for a second,

1:15:00.000 --> 1:15:02.080
<v Speaker 1>and I thought, you know, what am I gonna do?

1:15:02.320 --> 1:15:04.519
<v Speaker 1>So I did what I the only thing I knew

1:15:04.520 --> 1:15:06.240
<v Speaker 1>how to do was I started another band and I

1:15:06.280 --> 1:15:10.559
<v Speaker 1>got signed by Sanctuary, you know, Tom Lipsky signed me

1:15:10.760 --> 1:15:13.880
<v Speaker 1>to another record deal, and I was trying to put

1:15:13.920 --> 1:15:16.840
<v Speaker 1>that together and it was we were starting to make

1:15:16.840 --> 1:15:20.400
<v Speaker 1>some headway. And then you know this guy in Sacramento,

1:15:20.439 --> 1:15:23.280
<v Speaker 1>Pat Martin, that's the DJ the have been there for

1:15:23.760 --> 1:15:25.920
<v Speaker 1>many many years, was at dinner at my house when

1:15:26.000 --> 1:15:29.200
<v Speaker 1>Knight said, if the other guys would agree to playing

1:15:29.240 --> 1:15:31.439
<v Speaker 1>for one night, would you do it? And they went, yeah,

1:15:31.439 --> 1:15:34.080
<v Speaker 1>as long as Tommy skille Is is in the band,

1:15:34.160 --> 1:15:38.200
<v Speaker 1>I want the original five just gonna be for one night. Yeah,

1:15:38.320 --> 1:15:40.519
<v Speaker 1>And then that turned into us being back together for

1:15:40.600 --> 1:15:43.920
<v Speaker 1>twenty years. But honestly, if you asked me today, I

1:15:44.200 --> 1:15:46.280
<v Speaker 1>don't know what I do. If I stopped today, what

1:15:46.920 --> 1:15:49.080
<v Speaker 1>would I do? I can't go to a work for

1:15:49.120 --> 1:15:51.760
<v Speaker 1>a record company, you know what I mean? There's there's

1:15:51.800 --> 1:15:56.360
<v Speaker 1>no I mean, does that even exist? Really not for

1:15:56.400 --> 1:15:59.400
<v Speaker 1>people who are over the age of thirty five? But

1:16:00.640 --> 1:16:02.920
<v Speaker 1>can you eat? Can you still eat a filet of

1:16:02.920 --> 1:16:06.080
<v Speaker 1>fish or quarter pounder? Are you burned out forever? No?

1:16:06.200 --> 1:16:09.200
<v Speaker 1>I can't eat that ship man. I like to diet

1:16:09.240 --> 1:16:11.759
<v Speaker 1>coke though. That's the only thing I can eat, Okay?

1:16:11.800 --> 1:16:15.599
<v Speaker 1>And to what degree today? Are you clean? Drugs? Alcohol? Oh?

1:16:15.600 --> 1:16:21.720
<v Speaker 1>I haven't done any drugs and fourteen fifteen years alcohol.

1:16:22.600 --> 1:16:26.840
<v Speaker 1>If I go to my house in Italy, I may

1:16:26.920 --> 1:16:29.880
<v Speaker 1>have a glass of wine because those people love to

1:16:30.120 --> 1:16:32.559
<v Speaker 1>and I love Italy. I think I talked about that

1:16:32.600 --> 1:16:34.080
<v Speaker 1>in the book too. I have a house in Italy

1:16:34.120 --> 1:16:37.160
<v Speaker 1>and I really loved going there. I might have a

1:16:37.280 --> 1:16:40.400
<v Speaker 1>glass of wine. And I'm usually there twice a year,

1:16:40.800 --> 1:16:43.480
<v Speaker 1>once in the summer for a month and once at Christmas.

1:16:44.040 --> 1:16:47.360
<v Speaker 1>So usually around Christmas as a festive period, I might

1:16:47.439 --> 1:16:51.840
<v Speaker 1>have a glass of wine, nice burnello, you know. But

1:16:51.840 --> 1:16:54.800
<v Speaker 1>but that's it. I it just kicks my ass. That's

1:16:54.800 --> 1:16:58.120
<v Speaker 1>why I stopped. Really, it wasn't that, you know, I felt, Oh,

1:16:58.200 --> 1:17:01.439
<v Speaker 1>I'm a funk up. It was just a minute, just

1:17:01.520 --> 1:17:04.679
<v Speaker 1>the hangovers got So what happens the other ten months

1:17:04.720 --> 1:17:08.160
<v Speaker 1>with your house in Italy when you're not there. My brother,

1:17:08.280 --> 1:17:12.360
<v Speaker 1>my oldest brother, who was like my father buddy, Um,

1:17:12.479 --> 1:17:15.040
<v Speaker 1>he stays there about six months out of the year.

1:17:15.080 --> 1:17:17.840
<v Speaker 1>He goes there for three months and then comes back

1:17:17.880 --> 1:17:20.080
<v Speaker 1>and then goes for three months. He so he gets

1:17:20.080 --> 1:17:22.519
<v Speaker 1>to really enjoy it and it just sits. You want

1:17:22.520 --> 1:17:25.280
<v Speaker 1>to go, let me know, give me the keys man. Wow,

1:17:25.560 --> 1:17:29.120
<v Speaker 1>that's quite an invite. But people would say, you're living

1:17:29.160 --> 1:17:31.919
<v Speaker 1>on the street and you can't really see anybody's bank account.

1:17:32.080 --> 1:17:35.680
<v Speaker 1>You've got four houses. You're doing Okay, I'm not. I'm

1:17:35.720 --> 1:17:40.439
<v Speaker 1>not saying I'm broke. All I'm saying is that that

1:17:41.400 --> 1:17:49.280
<v Speaker 1>Tesla Earnest living from playing, playing and going back to

1:17:49.320 --> 1:17:53.200
<v Speaker 1>your other question that you asked earlier. Do I feel

1:17:53.200 --> 1:17:55.960
<v Speaker 1>it's better now without all the big record companies and stuff.

1:17:56.760 --> 1:18:01.040
<v Speaker 1>There there's your answer. I'm doing better to day and

1:18:01.080 --> 1:18:03.599
<v Speaker 1>the second half of my career financially than I did

1:18:03.640 --> 1:18:09.400
<v Speaker 1>in the first step. Okay, let's talk about rock. Hip

1:18:09.479 --> 1:18:12.840
<v Speaker 1>Hop has a huge place in the market today. What's

1:18:12.880 --> 1:18:17.280
<v Speaker 1>the status in future of rock? Man? I don't know,

1:18:18.640 --> 1:18:20.639
<v Speaker 1>you know, I just try to do the best work

1:18:20.680 --> 1:18:24.960
<v Speaker 1>I can do, you know, and Tesla whatever we're we're doing.

1:18:25.040 --> 1:18:28.519
<v Speaker 1>We try to make the best record we can. But

1:18:29.360 --> 1:18:31.920
<v Speaker 1>you know, it's not like there's many platforms for it.

1:18:32.040 --> 1:18:34.840
<v Speaker 1>You know, there's not an MTV anymore. There's fewer and

1:18:34.920 --> 1:18:38.760
<v Speaker 1>fewer fewer rock radio stations. And I still think that

1:18:38.880 --> 1:18:43.080
<v Speaker 1>radio is the biggest mover of music, especially rock music.

1:18:44.040 --> 1:18:50.480
<v Speaker 1>You know, Um you have these these spotifying and iTunes

1:18:51.400 --> 1:18:54.719
<v Speaker 1>that you know, artists get nothing for putting their music

1:18:54.800 --> 1:18:58.160
<v Speaker 1>up there people and people now are being conditioned that

1:18:58.240 --> 1:19:02.000
<v Speaker 1>they don't want to buy music. So I don't know

1:19:02.040 --> 1:19:04.679
<v Speaker 1>what the future of rock is. It made me really

1:19:04.720 --> 1:19:07.920
<v Speaker 1>happy when I've seen Paul McCartney had a number one

1:19:08.000 --> 1:19:11.920
<v Speaker 1>record at seventy eight years old. The other month. That

1:19:12.000 --> 1:19:17.640
<v Speaker 1>was pretty cool. Um, but I mean, really, I don't know.

1:19:17.720 --> 1:19:21.160
<v Speaker 1>You you probably could answer because you're it's it's not

1:19:21.240 --> 1:19:24.360
<v Speaker 1>optimistic that that would take an hour for me to explain,

1:19:25.080 --> 1:19:27.599
<v Speaker 1>you know as well documented. You know, I'm a huge

1:19:27.640 --> 1:19:30.640
<v Speaker 1>Tesla fan. I think a lot of people would like

1:19:30.920 --> 1:19:33.040
<v Speaker 1>I think we have to go back to the roots

1:19:33.120 --> 1:19:35.719
<v Speaker 1>of what blues based. You know, all the English musicians

1:19:35.720 --> 1:19:38.759
<v Speaker 1>to talk about Jimmy Page, etcetera, were influenced by Robert

1:19:38.840 --> 1:19:42.040
<v Speaker 1>Johnson and all the other Delta blues people. We've gotten

1:19:42.160 --> 1:19:44.439
<v Speaker 1>so far from that. If you listen to the active

1:19:44.560 --> 1:19:49.679
<v Speaker 1>rock radio channels that still exist, there's not much melody.

1:19:49.720 --> 1:19:52.280
<v Speaker 1>There's not a lot of the basics that form the loan.

1:19:52.960 --> 1:19:55.479
<v Speaker 1>You know. That's funny you bring that up, because you're right,

1:19:55.520 --> 1:19:59.200
<v Speaker 1>it's more it's more hip hop based. You know else,

1:19:59.320 --> 1:20:04.080
<v Speaker 1>it's you know it, it's more it's moving more into

1:20:04.120 --> 1:20:08.400
<v Speaker 1>a thrash direction, and inherently that is a marginalized place.

1:20:08.479 --> 1:20:12.080
<v Speaker 1>I'm not judging it, but it's not gonna appeal to everybody.

1:20:12.680 --> 1:20:15.519
<v Speaker 1>A couple of vinyl questions. Do you press vinyl to

1:20:15.560 --> 1:20:20.000
<v Speaker 1>sell on the road? Now? Absolutely always how much you

1:20:20.080 --> 1:20:21.760
<v Speaker 1>charge and how much? How many will you sell a

1:20:21.800 --> 1:20:27.240
<v Speaker 1>gig um? Well, I don't know what they're charging because

1:20:27.360 --> 1:20:30.760
<v Speaker 1>our merch deals through Live Nation, so we're kind of

1:20:30.800 --> 1:20:35.919
<v Speaker 1>at their mercy, you know. Once I signed up uh

1:20:36.320 --> 1:20:39.000
<v Speaker 1>on those Live Nation tours and we you know, kind

1:20:39.000 --> 1:20:42.360
<v Speaker 1>of went that way before we were doing it ourselves,

1:20:42.439 --> 1:20:44.559
<v Speaker 1>and and you know I was, I was, you know

1:20:44.680 --> 1:20:49.360
<v Speaker 1>Jim Cuomo no oh okay, he used to run Ricco

1:20:49.720 --> 1:20:53.840
<v Speaker 1>distribution and and stuff. So when Tessa started our own

1:20:53.920 --> 1:20:57.160
<v Speaker 1>label and oh six and we were we were doing

1:20:57.160 --> 1:21:00.519
<v Speaker 1>stuff with Jim Komo and Rico. I mean we would

1:21:00.560 --> 1:21:06.599
<v Speaker 1>sell maybe a hundred a night at twenty bucks apiece,

1:21:07.600 --> 1:21:12.960
<v Speaker 1>and you know, we were more in charge of what

1:21:13.080 --> 1:21:16.559
<v Speaker 1>the pricing was back then. Our last couple of records

1:21:16.600 --> 1:21:19.920
<v Speaker 1>have been on Universal with Andrew Dawes, so we're being

1:21:20.000 --> 1:21:23.000
<v Speaker 1>kind of part of that model. But now we're free again.

1:21:23.040 --> 1:21:26.840
<v Speaker 1>We're free agents again. So I think that once we

1:21:26.920 --> 1:21:30.200
<v Speaker 1>start playing again, we're allowed to get back and play.

1:21:30.439 --> 1:21:34.240
<v Speaker 1>I know Frank wants to get together and do another album.

1:21:34.400 --> 1:21:36.960
<v Speaker 1>We'll explore, you know a bunch of stuff, but always

1:21:37.200 --> 1:21:41.280
<v Speaker 1>doing vinyl. Yeah, okay, of your collection, what are the

1:21:41.320 --> 1:21:44.960
<v Speaker 1>two best sounding vinyl records? I'm not talking about the

1:21:45.040 --> 1:21:49.360
<v Speaker 1>quality of the music you just put sound. I have

1:21:49.439 --> 1:21:52.840
<v Speaker 1>an original pressing a Revolver, first pressing it sounds a

1:21:52.920 --> 1:21:56.960
<v Speaker 1>min and I have a first pressing a Rubber Soul

1:21:57.479 --> 1:22:01.400
<v Speaker 1>that sounds amazing. Probably those two. But then when you

1:22:01.479 --> 1:22:06.519
<v Speaker 1>listen to you know, Abbey Road, I think, you know,

1:22:07.000 --> 1:22:10.800
<v Speaker 1>it's hard to top that, but I think Revolver, to me,

1:22:10.880 --> 1:22:15.600
<v Speaker 1>is is the one for for me, just you know.

1:22:15.640 --> 1:22:17.559
<v Speaker 1>And then you got Pete Floyd and you know, and

1:22:17.560 --> 1:22:22.360
<v Speaker 1>there's so many sonically great records, you know, Alan Parsons,

1:22:22.880 --> 1:22:26.320
<v Speaker 1>Le Zeppelin. I mean, there's just some e L. I've

1:22:26.320 --> 1:22:30.280
<v Speaker 1>been into e L a lot lately, and you know,

1:22:30.400 --> 1:22:32.519
<v Speaker 1>you just listen to some of those records and this

1:22:32.720 --> 1:22:35.360
<v Speaker 1>space that he, Jeff Lynn was able to create with

1:22:35.400 --> 1:22:38.599
<v Speaker 1>all them instruments, you know, but of course he got

1:22:38.600 --> 1:22:42.120
<v Speaker 1>it from the Beatles and George Martin, jeff Emery. I

1:22:42.240 --> 1:22:44.320
<v Speaker 1>came friends with jeff Emery before he died, and that

1:22:44.439 --> 1:22:47.479
<v Speaker 1>was really cool. Well, I used to hang with him

1:22:47.479 --> 1:22:51.479
<v Speaker 1>a few times. We were in uh Rio inighteen and

1:22:51.560 --> 1:22:54.599
<v Speaker 1>Jack Douglas used to put together these dinners before he passed.

1:22:55.080 --> 1:22:57.000
<v Speaker 1>And yeah, you know the funny thing about jeff you

1:22:57.040 --> 1:23:00.200
<v Speaker 1>never know is you know, hanging with famous people. One

1:23:00.200 --> 1:23:02.679
<v Speaker 1>of the rules is you're talking about Jimmy, you don't

1:23:02.680 --> 1:23:05.320
<v Speaker 1>play fan and you don't ask him about that stuff.

1:23:06.160 --> 1:23:08.439
<v Speaker 1>But I was told that Jeff likes to talk about

1:23:08.439 --> 1:23:10.559
<v Speaker 1>the Beatles. He would go on about it. It was

1:23:10.600 --> 1:23:13.400
<v Speaker 1>just great. One of the one of the coolest things

1:23:13.560 --> 1:23:16.080
<v Speaker 1>was how I met him was he was holding this

1:23:16.240 --> 1:23:20.160
<v Speaker 1>camp at a recording studio where you got to spend

1:23:20.200 --> 1:23:22.559
<v Speaker 1>three days with them and talk about and because I'm

1:23:22.560 --> 1:23:26.040
<v Speaker 1>an engineer and stuff, I wanted to pick his brain. Well,

1:23:26.040 --> 1:23:28.519
<v Speaker 1>we hit it off immediately because he knew who I was,

1:23:28.680 --> 1:23:33.240
<v Speaker 1>and I knew people that he knew. And the coolest

1:23:33.280 --> 1:23:35.360
<v Speaker 1>thing was sitting with him one night and he said, Brian,

1:23:35.439 --> 1:23:38.000
<v Speaker 1>let me tell you something about all those Beatle records.

1:23:38.680 --> 1:23:41.439
<v Speaker 1>He said, they were all meant to be heard in mono.

1:23:42.720 --> 1:23:45.960
<v Speaker 1>He said, the band was never even there for the

1:23:45.960 --> 1:23:49.160
<v Speaker 1>stereo mixes. He said, with the exception of Abby wrote,

1:23:49.600 --> 1:23:52.080
<v Speaker 1>every one of those records was meant to be in mono.

1:23:52.960 --> 1:23:56.080
<v Speaker 1>And he played me the mono version of Sergeant Pepper.

1:23:56.479 --> 1:23:59.120
<v Speaker 1>And I'm sitting with him and we're going through the

1:23:59.160 --> 1:24:02.320
<v Speaker 1>whole thing, and we're air drama and air guitar and

1:24:02.320 --> 1:24:06.719
<v Speaker 1>and every single measure of that album is a hook.

1:24:08.000 --> 1:24:11.599
<v Speaker 1>Every measure is a hook. If it's a high hat part,

1:24:11.680 --> 1:24:14.680
<v Speaker 1>it's a hook, you know. I mean, it was just

1:24:15.040 --> 1:24:19.880
<v Speaker 1>it was one of my all time rock and roll experiences. Okay, Brian,

1:24:19.920 --> 1:24:22.280
<v Speaker 1>this has been fantastic. I could see why you have

1:24:22.360 --> 1:24:26.280
<v Speaker 1>a million friends. You're obviously a great guy, you know,

1:24:26.439 --> 1:24:29.160
<v Speaker 1>great talking. I could talk to you for days. So

1:24:29.160 --> 1:24:32.479
<v Speaker 1>there's certainly plenty in the book we haven't covered. Uh,

1:24:32.600 --> 1:24:35.600
<v Speaker 1>certainly like you, I can't wait for Live Vieuse to

1:24:35.640 --> 1:24:38.880
<v Speaker 1>come back. Thanks so much for doing the podcast, Thanks

1:24:38.880 --> 1:24:42.120
<v Speaker 1>for having me, and thanks for always you know, saying

1:24:42.200 --> 1:24:45.719
<v Speaker 1>kind things about my band. I've watched and the Wings

1:24:45.760 --> 1:24:49.840
<v Speaker 1>through and and Voyered, and I really appreciate that well.

1:24:49.880 --> 1:24:51.600
<v Speaker 1>As I say, you know, we're doing this and I'm not.

1:24:51.640 --> 1:24:55.559
<v Speaker 1>I mean, I'm a huge Tesla fan. You know the

1:24:55.640 --> 1:24:58.839
<v Speaker 1>way I used to put the way it is lazy

1:24:58.920 --> 1:25:01.519
<v Speaker 1>days and crazy night love songs. You know, once you

1:25:01.600 --> 1:25:05.280
<v Speaker 1>got a CD player, you could program it punching those

1:25:05.320 --> 1:25:08.920
<v Speaker 1>tracks and put it on at infinitem and just play

1:25:08.920 --> 1:25:11.759
<v Speaker 1>it forever. And of course you know the acoustic record

1:25:12.320 --> 1:25:15.360
<v Speaker 1>were could go on. But for the sake of our audience.

1:25:15.439 --> 1:25:18.200
<v Speaker 1>Once again, Brian, thanks so much for doing this. Bob,

1:25:18.280 --> 1:25:21.080
<v Speaker 1>thanks for having me pleasure. Until next time. This is

1:25:21.120 --> 1:25:22.040
<v Speaker 1>Bob left sense