WEBVTT - Round Eight!

0:00:00.120 --> 0:00:02.640
<v Speaker 1>Hey, Christy, Hi Will, how are you.

0:00:03.040 --> 0:00:05.320
<v Speaker 2>I'm good? Well, here we are.

0:00:05.960 --> 0:00:06.360
<v Speaker 3>We are.

0:00:06.480 --> 0:00:08.560
<v Speaker 1>Are you feeling better, by the way, because they were

0:00:08.560 --> 0:00:10.520
<v Speaker 1>following up, No, yeah.

0:00:10.400 --> 0:00:13.560
<v Speaker 2>I'm like seventy five percent. You know, the stomach virus,

0:00:13.560 --> 0:00:16.040
<v Speaker 2>like the stomach flu, It just it wipes you. So

0:00:16.680 --> 0:00:19.159
<v Speaker 2>I'm on the mend. I'm definitely on the mend, and

0:00:19.160 --> 0:00:21.319
<v Speaker 2>I'm better than I was, but certainly not one hundred percent.

0:00:21.520 --> 0:00:25.200
<v Speaker 2>I was telling Brian, our awesome engineer, that yesterday I

0:00:25.280 --> 0:00:28.120
<v Speaker 2>just started faking it. I just started eating normally and

0:00:28.160 --> 0:00:31.480
<v Speaker 2>working out again and just pretending that I was fine,

0:00:31.600 --> 0:00:33.120
<v Speaker 2>And we're going to see if that works.

0:00:33.360 --> 0:00:35.519
<v Speaker 1>So sometimes you fake it till you make it.

0:00:35.560 --> 0:00:37.199
<v Speaker 2>I agree, Yes, I've worked for you.

0:00:37.400 --> 0:00:40.040
<v Speaker 1>I think in the past it has, so it has anyways,

0:00:40.560 --> 0:00:41.400
<v Speaker 1>it has exactly.

0:00:41.440 --> 0:00:43.599
<v Speaker 2>I just pretend I know how to act, and all

0:00:43.600 --> 0:00:45.440
<v Speaker 2>of a sudden, somebody gives me a shot. So that's

0:00:45.520 --> 0:00:48.960
<v Speaker 2>that's nice. But we're no, I'm we're here. This is

0:00:49.000 --> 0:00:52.680
<v Speaker 2>our last round of the Sweet sixteen. Yes, so we

0:00:52.720 --> 0:00:55.080
<v Speaker 2>are going to the Elite eight. These are the first

0:00:55.120 --> 0:00:57.560
<v Speaker 2>time we will meet any new contestants will be today

0:00:58.000 --> 0:01:00.680
<v Speaker 2>and of course at the top of show, we just

0:01:00.760 --> 0:01:03.040
<v Speaker 2>like to give a quick shout out to everybody who

0:01:03.120 --> 0:01:04.960
<v Speaker 2>made this super awesome contest to become the next big

0:01:05.040 --> 0:01:08.679
<v Speaker 2>voice actor happen. Of course, all of our friends over

0:01:08.920 --> 0:01:13.240
<v Speaker 2>at Amazon Prime. Who that that's going to come into

0:01:13.280 --> 0:01:15.480
<v Speaker 2>conversation a lot today, we'll get into that with our guests.

0:01:15.840 --> 0:01:20.560
<v Speaker 1>But a great guest today, judge a great communicator adjudicator.

0:01:20.640 --> 0:01:23.600
<v Speaker 2>Yes, yes, which is great, but no so we we

0:01:23.920 --> 0:01:27.360
<v Speaker 2>of course want to thank Amazon Prime and thank everybody

0:01:27.400 --> 0:01:29.960
<v Speaker 2>over at Critical Role and the Legend of oxmock in

0:01:30.000 --> 0:01:32.479
<v Speaker 2>the season two is available for download right now. Of course,

0:01:32.520 --> 0:01:34.440
<v Speaker 2>go check it out. It is an incredible show. And

0:01:34.480 --> 0:01:35.880
<v Speaker 2>I say this every week. I don't just say that.

0:01:35.840 --> 0:01:39.080
<v Speaker 1>Because he's in it. That's why you say.

0:01:38.840 --> 0:01:42.000
<v Speaker 2>It is phenomenally good. But we also want to thank

0:01:42.680 --> 0:01:46.880
<v Speaker 2>CESD for their phenomenal prize. We want to thank iHeart

0:01:46.920 --> 0:01:50.280
<v Speaker 2>for of course, are making all of this happen. The

0:01:50.320 --> 0:01:53.000
<v Speaker 2>contest has been going so well. Week by week we

0:01:53.040 --> 0:01:55.320
<v Speaker 2>are having a more and more difficult time picking who's

0:01:55.360 --> 0:01:59.880
<v Speaker 2>moving on. And next week we start the Elite A

0:02:00.160 --> 0:02:03.160
<v Speaker 2>and a brand new game, so we will be saying

0:02:03.160 --> 0:02:05.720
<v Speaker 2>goodbye to by the Numbers and hello do something which

0:02:05.720 --> 0:02:07.280
<v Speaker 2>we will introduce next week. I'm not even going to

0:02:07.320 --> 0:02:10.360
<v Speaker 2>give away the title because it's so much fun where

0:02:10.440 --> 0:02:13.000
<v Speaker 2>we're going from here. We can't wait. We are going

0:02:13.080 --> 0:02:15.560
<v Speaker 2>to find a well rounded voice actor and that means

0:02:15.600 --> 0:02:17.760
<v Speaker 2>not just doing funny voices. It means a lot of

0:02:17.800 --> 0:02:19.880
<v Speaker 2>other stuff too, and we will really be showcasing that

0:02:19.880 --> 0:02:22.560
<v Speaker 2>in the next round. But we are not done with

0:02:22.600 --> 0:02:26.920
<v Speaker 2>this round. Yes, and we have two incredible people joining

0:02:27.000 --> 0:02:30.000
<v Speaker 2>us today. Our contestants are Mia from Florida and Robert

0:02:30.040 --> 0:02:33.200
<v Speaker 2>from Virginia, and we are going to be getting into it.

0:02:33.240 --> 0:02:35.480
<v Speaker 2>I can't wait. But before we get there, we need

0:02:36.040 --> 0:02:40.400
<v Speaker 2>a guest adjudicator. It does You're so right, Christy. It

0:02:40.400 --> 0:02:43.440
<v Speaker 2>does absolutely sound John Wickish, doesn't it.

0:02:43.800 --> 0:02:47.680
<v Speaker 1>Well, there's that character who in the Yes, the judicator,

0:02:47.760 --> 0:02:49.560
<v Speaker 1>and that is what it is.

0:02:49.680 --> 0:02:50.240
<v Speaker 3>Yes, it is.

0:02:50.280 --> 0:02:51.960
<v Speaker 2>I feel like I need to put down a secret

0:02:52.000 --> 0:02:54.079
<v Speaker 2>gold coin and pass it across the table and say,

0:02:54.080 --> 0:02:57.320
<v Speaker 2>we need an adjudicator for this week. But we got

0:02:57.360 --> 0:02:58.600
<v Speaker 2>a good one, don't we.

0:02:58.600 --> 0:02:59.680
<v Speaker 3>We do. I love this.

0:02:59.840 --> 0:03:02.240
<v Speaker 1>I'm actually really excited to see you guys chat because

0:03:02.240 --> 0:03:04.240
<v Speaker 1>I'm assuming that you guys are really good friends.

0:03:04.320 --> 0:03:08.920
<v Speaker 2>Yes, well, this person has been you know, somebody that

0:03:08.919 --> 0:03:11.680
<v Speaker 2>I've known for many years and has been integral in

0:03:12.000 --> 0:03:15.880
<v Speaker 2>the creation, building and maintaining of one of the most

0:03:15.919 --> 0:03:20.799
<v Speaker 2>popular media brands in the world, quite literally, and is

0:03:20.960 --> 0:03:25.399
<v Speaker 2>a ridiculously good and well known not only voice of actor,

0:03:25.440 --> 0:03:29.080
<v Speaker 2>but especially video game actor. She has been in some

0:03:29.160 --> 0:03:33.520
<v Speaker 2>of the greatest video games ever and that's absolutely not

0:03:34.320 --> 0:03:38.320
<v Speaker 2>an exaggeration. She has some of the most incredible I mean,

0:03:38.360 --> 0:03:41.520
<v Speaker 2>her resume is insane. So we will get into that,

0:03:41.640 --> 0:03:45.360
<v Speaker 2>of course when we get there. But let's introduce her

0:03:45.360 --> 0:03:46.920
<v Speaker 2>because I don't want to keep her waiting anymore, and

0:03:46.960 --> 0:03:49.040
<v Speaker 2>we'll let her know what's going on. Who is joining

0:03:49.120 --> 0:03:50.880
<v Speaker 2>us today, Christy, We have.

0:03:50.920 --> 0:03:53.120
<v Speaker 1>The fabulous Laura Bailey in the hull.

0:03:53.880 --> 0:04:02.120
<v Speaker 2>Cannot wait, everybody, Laura Bailey Bay huh, Hey, how are you? Laura?

0:04:02.360 --> 0:04:03.400
<v Speaker 3>I'm will How are you?

0:04:04.000 --> 0:04:05.880
<v Speaker 2>I'm good? Thank you for joining us today.

0:04:06.080 --> 0:04:09.760
<v Speaker 1>Hey, no, frivolo, you have a gorgeous home.

0:04:09.840 --> 0:04:10.560
<v Speaker 2>I don't know what this is.

0:04:10.720 --> 0:04:11.480
<v Speaker 1>This is gorgeous.

0:04:11.560 --> 0:04:14.440
<v Speaker 4>This is half my office, half my son's play area,

0:04:14.920 --> 0:04:18.560
<v Speaker 4>which would have benmbo if I'm being You're like.

0:04:18.640 --> 0:04:22.159
<v Speaker 1>In hindsight, maybe not.

0:04:23.320 --> 0:04:25.400
<v Speaker 2>My favorite thing about your home is your neighborhood. I

0:04:25.440 --> 0:04:27.479
<v Speaker 2>hear you live in an absolutely beautiful neighborhood.

0:04:27.520 --> 0:04:29.120
<v Speaker 3>You know, I hear the same thing.

0:04:32.480 --> 0:04:36.039
<v Speaker 2>We got great neighbors, we really do. So thank you

0:04:36.080 --> 0:04:38.400
<v Speaker 2>for joining us today. You're joining us on kind of

0:04:38.400 --> 0:04:40.560
<v Speaker 2>a pretty important episode because you are joining us for

0:04:40.640 --> 0:04:44.880
<v Speaker 2>the last round of the Sweet sixteen to help to

0:04:45.040 --> 0:04:48.800
<v Speaker 2>pick who goes on to the Elite eight. Yes, so

0:04:49.520 --> 0:04:51.160
<v Speaker 2>to bring you up to date on what's going on.

0:04:51.200 --> 0:04:53.719
<v Speaker 2>We have seven incredible contestants, so we have as you

0:04:53.760 --> 0:04:56.360
<v Speaker 2>well know, because you are part of this little show

0:04:56.360 --> 0:04:57.280
<v Speaker 2>called The Critical Role.

0:04:57.800 --> 0:04:59.920
<v Speaker 1>It's a little show that we never talk about every

0:05:00.000 --> 0:05:00.520
<v Speaker 1>single week.

0:05:00.839 --> 0:05:06.320
<v Speaker 2>It's tiny. There's so much four or five people that

0:05:06.440 --> 0:05:07.359
<v Speaker 2>watch this show.

0:05:08.880 --> 0:05:09.159
<v Speaker 4>All right.

0:05:10.680 --> 0:05:13.360
<v Speaker 2>Anyway, before we get into our show, let's get into

0:05:13.400 --> 0:05:14.760
<v Speaker 2>your show a little bit. Can you tell us a

0:05:14.760 --> 0:05:18.240
<v Speaker 2>little bit. Let's start first, because we are strictly a

0:05:18.360 --> 0:05:21.400
<v Speaker 2>voiceover show, Let's start first with your voiceover career. Just

0:05:21.560 --> 0:05:23.960
<v Speaker 2>very briefly. How did you get started in the in

0:05:24.000 --> 0:05:24.640
<v Speaker 2>the industry?

0:05:25.160 --> 0:05:29.920
<v Speaker 3>Oh? Man, I started kind of fresh out of high school.

0:05:31.640 --> 0:05:39.520
<v Speaker 3>I was in Texas and I know that's where I

0:05:39.600 --> 0:05:42.000
<v Speaker 3>was doing. Uh you saw my pajama pants for a second.

0:05:43.560 --> 0:05:47.920
<v Speaker 4>I was doing a play in Dallas and uh, one

0:05:47.920 --> 0:05:50.000
<v Speaker 4>of the people in the show was a voice actor

0:05:51.200 --> 0:05:55.320
<v Speaker 4>for Funnimation, which did like Dragon Ball Z and at

0:05:55.360 --> 0:05:56.360
<v Speaker 4>the time it was it.

0:05:56.320 --> 0:05:57.960
<v Speaker 3>Was basically Dragon Ball Z, that's what they did.

0:05:59.040 --> 0:06:00.840
<v Speaker 4>And he asked if I were to come in an audition,

0:06:00.920 --> 0:06:03.640
<v Speaker 4>and I had never even thought that voiceover could be

0:06:03.640 --> 0:06:08.680
<v Speaker 4>a thing. And I went an auditioned and had a

0:06:08.680 --> 0:06:10.520
<v Speaker 4>blast lost my voice in the callbacks.

0:06:11.320 --> 0:06:13.279
<v Speaker 2>Yeah, like you want, like you exactly what you want.

0:06:13.560 --> 0:06:16.560
<v Speaker 4>Because I had no vocal control, you know, had not

0:06:16.720 --> 0:06:20.120
<v Speaker 4>learned my lessons now. But yeah, and then I ended

0:06:20.200 --> 0:06:22.000
<v Speaker 4>up getting cast as kid Trunks on Dragon Ball Z

0:06:22.080 --> 0:06:24.680
<v Speaker 4>and then it just kind of been there.

0:06:24.960 --> 0:06:27.640
<v Speaker 2>So where now you've obviously you've done a ton of

0:06:27.720 --> 0:06:29.800
<v Speaker 2>I mean, we can talk about all the Marvel stuff

0:06:29.800 --> 0:06:31.000
<v Speaker 2>you do, and you and I have worked together a

0:06:31.040 --> 0:06:32.719
<v Speaker 2>lot in the Marvel world and all, you know that

0:06:32.800 --> 0:06:36.360
<v Speaker 2>kind of thing. But you really just hit it out

0:06:36.360 --> 0:06:38.279
<v Speaker 2>of the park in the video game world. How did

0:06:38.360 --> 0:06:39.159
<v Speaker 2>that come into play?

0:06:39.800 --> 0:06:41.839
<v Speaker 3>Well? Outside of Funimation?

0:06:42.760 --> 0:06:45.880
<v Speaker 4>I started doing video games very very early as well,

0:06:46.560 --> 0:06:49.440
<v Speaker 4>and I did a video game called blood Rain in Texas.

0:06:49.720 --> 0:06:51.240
<v Speaker 4>That was the first video game I ever did. And

0:06:52.000 --> 0:06:54.960
<v Speaker 4>I was a Nazi killing vampire.

0:06:55.120 --> 0:06:56.200
<v Speaker 2>Of course, like you did.

0:06:56.400 --> 0:06:59.320
<v Speaker 3>Kind and yeah, it.

0:06:59.400 --> 0:07:01.359
<v Speaker 4>Just kind of all happened at the same time. And

0:07:01.360 --> 0:07:03.200
<v Speaker 4>then when I came out to La, you know, there's

0:07:03.320 --> 0:07:05.560
<v Speaker 4>I mean, there's there's recording in Texas. There's stuff to

0:07:05.560 --> 0:07:06.320
<v Speaker 4>be done, but there's.

0:07:06.160 --> 0:07:08.520
<v Speaker 1>Not a ton I need to get a job, guys,

0:07:08.640 --> 0:07:12.680
<v Speaker 1>I need to Is this still happening?

0:07:14.400 --> 0:07:16.520
<v Speaker 2>This is awesome. That's good. Then you can afford some

0:07:16.520 --> 0:07:17.680
<v Speaker 2>stuff to hang behind you.

0:07:18.080 --> 0:07:20.600
<v Speaker 1>I mean, this is sad guy, right look at her.

0:07:20.800 --> 0:07:21.640
<v Speaker 1>She's got all you.

0:07:22.120 --> 0:07:24.040
<v Speaker 3>You could be, you could be anywhere right now.

0:07:24.800 --> 0:07:26.640
<v Speaker 2>Exactly every time we start the show, I ask her

0:07:26.680 --> 0:07:28.480
<v Speaker 2>to hold up today's paper so I know she's safe.

0:07:30.960 --> 0:07:32.840
<v Speaker 2>It's just the easiest way to do it, like, oh,

0:07:32.880 --> 0:07:38.040
<v Speaker 2>thank god, that's Today's We're good. So moving out to La,

0:07:38.160 --> 0:07:40.000
<v Speaker 2>did you because one of the things we talk about

0:07:40.000 --> 0:07:43.040
<v Speaker 2>on the show a lot is how, I mean, the

0:07:43.120 --> 0:07:46.200
<v Speaker 2>video game world not only took voiceover to a whole

0:07:46.240 --> 0:07:50.760
<v Speaker 2>different level, but it became this hybrid between live action

0:07:51.160 --> 0:07:54.000
<v Speaker 2>and voice acting that you really can't find anywhere else.

0:07:54.280 --> 0:07:57.360
<v Speaker 2>So did you jump right into the mocap world or

0:07:57.400 --> 0:07:58.800
<v Speaker 2>did you start strictly vo.

0:07:59.040 --> 0:08:03.160
<v Speaker 4>I started strictly V I'd been in California working for

0:08:03.400 --> 0:08:06.440
<v Speaker 4>I don't know, I don't know a few years and

0:08:06.480 --> 0:08:10.840
<v Speaker 4>I got an audition for motion capture and I had

0:08:10.880 --> 0:08:12.880
<v Speaker 4>no idea really what it was. We had worked with

0:08:12.880 --> 0:08:15.440
<v Speaker 4>a stunt coordinator on another project and he brought us in,

0:08:15.760 --> 0:08:17.760
<v Speaker 4>Me and Travis. I say us like the Royal Wey

0:08:17.800 --> 0:08:21.760
<v Speaker 4>or something, of course, and Travis is in the kitchen

0:08:21.840 --> 0:08:22.240
<v Speaker 4>over there.

0:08:22.280 --> 0:08:25.400
<v Speaker 2>I'm sure he'll pop in at some point, and.

0:08:25.200 --> 0:08:27.200
<v Speaker 4>So we went an auditioned for it ended up getting

0:08:27.240 --> 0:08:33.520
<v Speaker 4>cast on this project that filmed in Japan, so we

0:08:33.559 --> 0:08:34.679
<v Speaker 4>shot motion capture.

0:08:34.679 --> 0:08:38.760
<v Speaker 3>I think it was for was it for Konami?

0:08:38.880 --> 0:08:41.360
<v Speaker 4>I can't remember. It ended up not being made. We

0:08:41.400 --> 0:08:44.560
<v Speaker 4>worked on it for like two months and the project

0:08:44.600 --> 0:08:45.400
<v Speaker 4>ended up getting.

0:08:45.160 --> 0:08:48.760
<v Speaker 3>Scrapped after a while. It's fun.

0:08:48.800 --> 0:08:50.000
<v Speaker 4>I never saw the light of day, but it was

0:08:50.000 --> 0:08:52.040
<v Speaker 4>my first experience with motion capture and I realized how

0:08:52.080 --> 0:08:53.400
<v Speaker 4>much I loved it. And then it just you know,

0:08:53.440 --> 0:08:56.480
<v Speaker 4>the industry has evolved so much as we've been working

0:08:56.520 --> 0:08:59.040
<v Speaker 4>in it, and now so much of it is mo

0:08:59.160 --> 0:09:01.000
<v Speaker 4>cap and I think I just looked out that I

0:09:01.040 --> 0:09:04.240
<v Speaker 4>got in when it was very early and I understood

0:09:04.240 --> 0:09:07.719
<v Speaker 4>the process, and then so that experience kept helping me

0:09:07.760 --> 0:09:08.520
<v Speaker 4>get more jobs.

0:09:08.520 --> 0:09:11.280
<v Speaker 2>You know, it's amazing. I mean it truly is. It's

0:09:11.320 --> 0:09:14.440
<v Speaker 2>one of those things where I'm not a huge gamer anymore,

0:09:14.520 --> 0:09:16.640
<v Speaker 2>just because once they added the third button on the remote,

0:09:16.640 --> 0:09:20.160
<v Speaker 2>I was lost. But other than that, it was A

0:09:20.480 --> 0:09:20.800
<v Speaker 2>and B.

0:09:20.920 --> 0:09:22.559
<v Speaker 3>I'm good turn it up and down?

0:09:22.760 --> 0:09:26.880
<v Speaker 2>Really that aut Oh no, they added an X button

0:09:26.920 --> 0:09:31.680
<v Speaker 2>and I was like, what's happened? So but the best

0:09:31.720 --> 0:09:34.560
<v Speaker 2>storytelling is now all done in video games because it

0:09:34.600 --> 0:09:38.160
<v Speaker 2>can it actually can tell the whole story, and it's

0:09:38.160 --> 0:09:40.559
<v Speaker 2>something that is just off the chart. So yes, we

0:09:40.600 --> 0:09:42.600
<v Speaker 2>could sit here all day and talk about how you're

0:09:42.760 --> 0:09:44.960
<v Speaker 2>amazing at what you do and your resume is ridiculous,

0:09:44.960 --> 0:09:49.280
<v Speaker 2>But it's not about us. It's about finding the next US, okay,

0:09:49.640 --> 0:09:53.560
<v Speaker 2>and we need your help. So every week we have

0:09:53.840 --> 0:09:57.400
<v Speaker 2>we we actually had we thought, as you know, I

0:09:57.440 --> 0:10:00.760
<v Speaker 2>came on to your show on Critical Role and we

0:10:00.800 --> 0:10:03.360
<v Speaker 2>announced the contest there and we announced some other places,

0:10:03.360 --> 0:10:05.080
<v Speaker 2>so we thought we were going to have you know,

0:10:05.440 --> 0:10:09.360
<v Speaker 2>five six, seven hundred kind of people. We had almost

0:10:09.360 --> 0:10:14.560
<v Speaker 2>forty five hundred entries. We literally went through every single one.

0:10:15.040 --> 0:10:18.040
<v Speaker 4>How how how I think it was you guys A

0:10:18.400 --> 0:10:18.880
<v Speaker 4>long time?

0:10:19.120 --> 0:10:20.839
<v Speaker 2>Yeah, you guys. I think it was because of a

0:10:20.840 --> 0:10:25.120
<v Speaker 2>Critical Role that we really it exploded. So we three

0:10:25.120 --> 0:10:28.080
<v Speaker 2>of us went through forty five hundred entries.

0:10:28.240 --> 0:10:30.000
<v Speaker 3>How did we do that?

0:10:30.000 --> 0:10:34.360
<v Speaker 2>It was sitting in the room that was one after the.

0:10:34.760 --> 0:10:36.280
<v Speaker 1>Being like Christy got a pinish.

0:10:36.559 --> 0:10:40.440
<v Speaker 2>We've got more more. But we have come up. We

0:10:40.480 --> 0:10:42.720
<v Speaker 2>picked our final sixteen and we have come up with

0:10:42.800 --> 0:10:45.520
<v Speaker 2>our first round to get to the elite eight. We

0:10:45.559 --> 0:10:47.840
<v Speaker 2>came up with a game that is called by the Numbers,

0:10:47.840 --> 0:10:49.200
<v Speaker 2>and we're going to need you to help us with

0:10:49.240 --> 0:10:51.199
<v Speaker 2>buy the numbers. So what by the Numbers is is

0:10:51.679 --> 0:10:56.120
<v Speaker 2>we have three lines of actually, well, the contestants that

0:10:56.160 --> 0:10:58.280
<v Speaker 2>we have no of two lines of dialogue that we

0:10:58.360 --> 0:11:00.640
<v Speaker 2>have that we've sent to them ahead of time. We

0:11:00.880 --> 0:11:06.040
<v Speaker 2>then have four categories size, what are you age? And

0:11:06.120 --> 0:11:10.040
<v Speaker 2>a wacky attribute with numbers. You will pick Laura. You

0:11:10.120 --> 0:11:14.319
<v Speaker 2>will create a character on the spot that the actors

0:11:14.360 --> 0:11:16.840
<v Speaker 2>then have to do with the lines of dialogue that

0:11:16.880 --> 0:11:20.880
<v Speaker 2>we have given them. After each round, we will give

0:11:20.920 --> 0:11:23.600
<v Speaker 2>them notes and they will try it again and then

0:11:23.640 --> 0:11:26.000
<v Speaker 2>they move on to line too. Now the wrinkle is

0:11:26.080 --> 0:11:28.040
<v Speaker 2>after the first two lines, we will then be throwing

0:11:28.040 --> 0:11:30.280
<v Speaker 2>them a line three that they have not seen yet

0:11:30.679 --> 0:11:32.880
<v Speaker 2>and will then create another character on the spot and

0:11:32.880 --> 0:11:36.400
<v Speaker 2>they will have to read cold after they It's not easy,

0:11:36.480 --> 0:11:38.800
<v Speaker 2>and some of the combinations we come up with, we're going,

0:11:38.880 --> 0:11:40.599
<v Speaker 2>I don't know what we would do, it's really not

0:11:42.240 --> 0:11:45.319
<v Speaker 2>So we will then put them in their waiting rooms

0:11:45.320 --> 0:11:47.560
<v Speaker 2>and then decide which one of them moves on and

0:11:47.600 --> 0:11:50.320
<v Speaker 2>which one of them unfortunately, will have to look elsewhere

0:11:50.360 --> 0:11:52.319
<v Speaker 2>because we know that all these people are so talented

0:11:52.320 --> 0:11:54.400
<v Speaker 2>that they're going to get signed somehow, but they will

0:11:54.440 --> 0:11:56.960
<v Speaker 2>no longer be in the contest, So we take them

0:11:57.520 --> 0:11:59.760
<v Speaker 2>how they come. And the first one that we have

0:11:59.800 --> 0:12:03.520
<v Speaker 2>to is Mia from Florida. So if we can bring

0:12:03.559 --> 0:12:10.679
<v Speaker 2>Mia in and introduce her, that would be phenomenal. Hello, Hi, well,

0:12:10.720 --> 0:12:14.280
<v Speaker 2>I already like her voice. Thank you, Mia. If you

0:12:14.280 --> 0:12:18.240
<v Speaker 2>could tell us very briefly what drew you to be

0:12:18.800 --> 0:12:20.760
<v Speaker 2>wanting to become a voiceover actor.

0:12:20.920 --> 0:12:23.880
<v Speaker 5>Well, growing up as a blind individual, you know, music

0:12:24.080 --> 0:12:26.520
<v Speaker 5>and audio is very very important to me because I

0:12:26.520 --> 0:12:28.320
<v Speaker 5>felt like it was something that I could really connect

0:12:28.320 --> 0:12:30.280
<v Speaker 5>with other people on, like it was something that I

0:12:30.320 --> 0:12:31.959
<v Speaker 5>could actually listen to and be like, oh, I can

0:12:32.000 --> 0:12:34.880
<v Speaker 5>experience this sensation just like the rest of you can.

0:12:35.280 --> 0:12:37.280
<v Speaker 5>So obviously I grew up in theater. I did a

0:12:37.280 --> 0:12:40.120
<v Speaker 5>lot of stage work. But my only problem was they're

0:12:40.160 --> 0:12:40.520
<v Speaker 5>always like.

0:12:40.520 --> 0:12:42.119
<v Speaker 6>Wow, your voice is so expressive.

0:12:42.400 --> 0:12:45.000
<v Speaker 5>However your body language is is a little bit lacking.

0:12:45.320 --> 0:12:47.760
<v Speaker 5>So I was like, what can I do with vocal

0:12:47.840 --> 0:12:50.520
<v Speaker 5>things that you know? And then I found voiceover and

0:12:50.520 --> 0:12:53.360
<v Speaker 5>then the apocalypse happened, obviously, and that was a really

0:12:53.360 --> 0:12:55.400
<v Speaker 5>great time to just you know, sit down, get all

0:12:55.400 --> 0:12:59.240
<v Speaker 5>the equipment, get everything started. And it's been a wonderful journey.

0:12:59.400 --> 0:13:00.280
<v Speaker 1>I love it so much.

0:13:00.360 --> 0:13:01.000
<v Speaker 7>It's my life.

0:13:01.559 --> 0:13:02.240
<v Speaker 3>It's wonderful.

0:13:02.600 --> 0:13:05.959
<v Speaker 2>That is incredible, and I'm taking so much away from

0:13:05.960 --> 0:13:07.720
<v Speaker 2>what you just said. But I heard you were blind.

0:13:07.800 --> 0:13:10.360
<v Speaker 2>Is that what you just said? I can't believe.

0:13:12.120 --> 0:13:15.680
<v Speaker 1>Vision and pair ways we can say that all that

0:13:15.800 --> 0:13:23.320
<v Speaker 1>so I think she gets to pick jokes.

0:13:23.360 --> 0:13:26.960
<v Speaker 2>It's so funny. Thank you so much. We will do

0:13:27.000 --> 0:13:30.080
<v Speaker 2>you have your two lines of dialogue that we send perfect.

0:13:30.120 --> 0:13:32.600
<v Speaker 2>We will be right back with you to begin round one.

0:13:32.640 --> 0:13:33.400
<v Speaker 2>Thank you so much.

0:13:33.559 --> 0:13:34.000
<v Speaker 4>Thank you.

0:13:34.840 --> 0:13:38.320
<v Speaker 2>That's incredible, unbelievable. This is going to be a fun week.

0:13:38.360 --> 0:13:48.840
<v Speaker 2>I can already tell wow. All right, now let's bring

0:13:48.880 --> 0:13:54.360
<v Speaker 2>in contestant number two. We are bringing in Austin from Virginia.

0:13:55.360 --> 0:13:56.520
<v Speaker 3>Hello, he.

0:13:58.000 --> 0:14:01.120
<v Speaker 2>Very quickly, can you tell us what led you to

0:14:01.480 --> 0:14:02.760
<v Speaker 2>wanting to become a voice over actor.

0:14:04.360 --> 0:14:09.280
<v Speaker 8>Well, I've been acting, performing, singing, and dancing since since

0:14:09.360 --> 0:14:12.280
<v Speaker 8>pre school. My mom was really the one who taught

0:14:12.280 --> 0:14:17.079
<v Speaker 8>me all of my foundations for storyteller. For storytelling, storytelling

0:14:17.160 --> 0:14:20.360
<v Speaker 8>is really the goal. I love live action, I love animation.

0:14:22.080 --> 0:14:26.120
<v Speaker 8>I've been collecting voices my entire life since even before then.

0:14:27.600 --> 0:14:32.200
<v Speaker 8>And I've never had an agent. But I have won city, state,

0:14:32.320 --> 0:14:36.680
<v Speaker 8>and national awards, scholarships, and competitions for writing, acting, and

0:14:36.720 --> 0:14:40.640
<v Speaker 8>directing for film and theater. Wow, which all sounds cool,

0:14:40.640 --> 0:14:43.040
<v Speaker 8>but it doesn't exactly mean anything if you're broke.

0:14:45.200 --> 0:14:45.480
<v Speaker 4>Uh.

0:14:45.560 --> 0:14:48.240
<v Speaker 8>But but I haven't competed in a while, so this

0:14:48.320 --> 0:14:51.080
<v Speaker 8>is like really exciting. Storytelling just means a lot to me.

0:14:51.400 --> 0:14:52.400
<v Speaker 2>Some of the most.

0:14:52.680 --> 0:14:56.360
<v Speaker 8>Important movies ever made were animated movies or TV shows

0:14:56.680 --> 0:15:01.000
<v Speaker 8>Iron Giant, Grape Mouse, Detective Rescuers, down On. So I'm here,

0:15:01.080 --> 0:15:01.680
<v Speaker 8>let's do this.

0:15:02.120 --> 0:15:03.560
<v Speaker 2>You got Austin love that?

0:15:03.640 --> 0:15:06.040
<v Speaker 3>Where did you say you're located Austin.

0:15:06.080 --> 0:15:09.280
<v Speaker 8>I'm actually just outside of d C. I'm actually in

0:15:09.360 --> 0:15:12.360
<v Speaker 8>the Stafford Quantico area of Virginia.

0:15:12.480 --> 0:15:16.560
<v Speaker 2>So, like the FBI Academy is listening to you, less

0:15:16.560 --> 0:15:20.600
<v Speaker 2>than a mile oh, definitely, they've rigged to the contest

0:15:21.440 --> 0:15:24.520
<v Speaker 2>them fed well, thank you so much, Austin, you have

0:15:24.520 --> 0:15:27.720
<v Speaker 2>the two lines of dialogue we sent you. I do perfect.

0:15:27.920 --> 0:15:30.280
<v Speaker 2>We will be back with you. Your fellow contestant got

0:15:30.320 --> 0:15:32.200
<v Speaker 2>here first, and we are going just by order of

0:15:32.200 --> 0:15:34.200
<v Speaker 2>how people arrived, so we will be right back with

0:15:34.280 --> 0:15:39.280
<v Speaker 2>you to start round one. Thank you so much. All right,

0:15:39.360 --> 0:15:42.440
<v Speaker 2>let's bring in Mia. Here we go people the last

0:15:42.800 --> 0:15:45.920
<v Speaker 2>round of round one, to see whos going to be

0:15:45.920 --> 0:15:46.680
<v Speaker 2>an elite the elite.

0:15:46.920 --> 0:15:50.200
<v Speaker 1>This is crazy, this is going to be a doozy.

0:15:50.440 --> 0:15:52.040
<v Speaker 2>I can't wait. It is a ton of fun. So

0:15:52.120 --> 0:15:54.280
<v Speaker 2>here we go and we are bringing Mia back.

0:15:54.760 --> 0:15:54.960
<v Speaker 4>Hi.

0:15:55.720 --> 0:15:57.360
<v Speaker 1>Hi.

0:15:57.600 --> 0:15:59.760
<v Speaker 2>By the way, I am so excited that I forgot

0:15:59.760 --> 0:16:02.480
<v Speaker 2>to introduce you to Laura Bailey and Krista Carlson Romano

0:16:02.560 --> 0:16:04.560
<v Speaker 2>and myself. I'm Wilfredell. Welcome to the show.

0:16:04.720 --> 0:16:05.000
<v Speaker 3>Is here.

0:16:05.200 --> 0:16:07.400
<v Speaker 1>I'm just like a stage five clinger.

0:16:07.080 --> 0:16:10.600
<v Speaker 2>And thank you. And so as you know, we are

0:16:10.640 --> 0:16:13.960
<v Speaker 2>going to be starting round one here with your first

0:16:13.960 --> 0:16:17.800
<v Speaker 2>line of dialogue and the redoubtable, which has become one

0:16:17.800 --> 0:16:20.040
<v Speaker 2>of my favorite words ever. Laura Bailey is going to

0:16:20.120 --> 0:16:24.600
<v Speaker 2>decide what character you are going to do. Line one

0:16:24.800 --> 0:16:26.680
<v Speaker 2>in so, Laura, if you would please, could you give

0:16:26.680 --> 0:16:28.080
<v Speaker 2>me a number between one and six?

0:16:28.240 --> 0:16:29.720
<v Speaker 3>And I don't know what any of these numbers mean?

0:16:30.000 --> 0:16:32.880
<v Speaker 2>Nope, no, okay, did you will?

0:16:32.920 --> 0:16:33.160
<v Speaker 6>Soon?

0:16:34.640 --> 0:16:36.240
<v Speaker 3>I will say number four?

0:16:37.640 --> 0:16:39.560
<v Speaker 2>And can you give me a number between one and twelve?

0:16:40.600 --> 0:16:41.000
<v Speaker 3>Seven?

0:16:41.880 --> 0:16:45.840
<v Speaker 2>And now a number between one and seven two, and

0:16:45.960 --> 0:16:50.800
<v Speaker 2>finally a number between one and eleven eleven? Oh, I

0:16:50.960 --> 0:16:54.080
<v Speaker 2>like this, Christy? Can you please tell us what character? Mia?

0:16:54.080 --> 0:16:54.320
<v Speaker 4>Will be?

0:16:54.320 --> 0:16:54.520
<v Speaker 2>Ready?

0:16:54.520 --> 0:16:54.920
<v Speaker 3>All right?

0:16:55.240 --> 0:16:59.400
<v Speaker 1>All right, miss Mia? You are a small flower.

0:16:59.440 --> 0:17:05.919
<v Speaker 7>Oh who's five years old and is an athletic coach?

0:17:06.200 --> 0:17:10.199
<v Speaker 5>Oh my gosh, I love it.

0:17:10.880 --> 0:17:15.240
<v Speaker 2>So there is an interesting combination for you, a small

0:17:15.320 --> 0:17:18.360
<v Speaker 2>five year old flower, oh who's an athletic coach? Line

0:17:18.440 --> 0:17:24.520
<v Speaker 2>number one, Mia at your pleasure sounds great? NiFe is

0:17:24.640 --> 0:17:25.679
<v Speaker 2>so strange?

0:17:26.200 --> 0:17:29.400
<v Speaker 5>Why do I sometimes feel like someone just made me up?

0:17:30.040 --> 0:17:33.320
<v Speaker 5>Like they picked random numbers off of the list and

0:17:33.440 --> 0:17:37.159
<v Speaker 5>I'm a cane. Jeez, it's such a weird feeling.

0:17:39.440 --> 0:17:43.320
<v Speaker 2>Wow. Yeah, that's a pretty strong start. Lord. Do you

0:17:43.320 --> 0:17:44.040
<v Speaker 2>have any notes from me?

0:17:46.200 --> 0:17:49.320
<v Speaker 1>Is there any way to make her sound more innocent

0:17:52.000 --> 0:17:52.400
<v Speaker 1>like that?

0:17:53.400 --> 0:17:53.760
<v Speaker 2>Okay?

0:17:54.359 --> 0:17:54.560
<v Speaker 5>Yeah?

0:17:54.800 --> 0:17:56.359
<v Speaker 2>Anything else? Mia?

0:17:56.480 --> 0:17:58.560
<v Speaker 1>I think we always say, like, okay, we got that

0:17:58.600 --> 0:18:01.360
<v Speaker 1>she was small? We got that, you know, I generally

0:18:01.440 --> 0:18:04.040
<v Speaker 1>I could definitely envision her being a flower. She had

0:18:04.040 --> 0:18:07.159
<v Speaker 1>that kind of flowery feeling to her voice. You know,

0:18:07.240 --> 0:18:11.159
<v Speaker 1>it's very sing song and magical. And I think, like

0:18:11.680 --> 0:18:13.719
<v Speaker 1>I agree, I think that the five year old. There

0:18:13.720 --> 0:18:15.800
<v Speaker 1>were two things that were gonna just we can improve

0:18:15.800 --> 0:18:18.119
<v Speaker 1>on in this second take would be that five year old,

0:18:18.440 --> 0:18:20.320
<v Speaker 1>which Laura I think was hinting out with it being

0:18:20.359 --> 0:18:24.880
<v Speaker 1>feeling a little bit more like you said innocent, yes, okay.

0:18:25.119 --> 0:18:27.399
<v Speaker 1>How do you think that would play in the voice

0:18:27.600 --> 0:18:28.280
<v Speaker 1>in that way?

0:18:29.560 --> 0:18:30.560
<v Speaker 3>I usually feel like.

0:18:32.240 --> 0:18:35.880
<v Speaker 4>When you're doing it's hard for adults to voice children

0:18:36.240 --> 0:18:39.760
<v Speaker 4>because we have our own, like adult ways of inflecting things.

0:18:40.119 --> 0:18:44.560
<v Speaker 4>So maybe like change up some of the inflections in

0:18:44.760 --> 0:18:48.480
<v Speaker 4>just like unique ways ways that would maybe sound wrong

0:18:48.520 --> 0:18:49.240
<v Speaker 4>to an adult.

0:18:49.480 --> 0:18:52.600
<v Speaker 3>That's how kids like would blurt.

0:18:52.280 --> 0:18:56.280
<v Speaker 1>Something out, yes, I feel that okay, And then the

0:18:56.320 --> 0:18:57.200
<v Speaker 1>athletic coach.

0:18:57.080 --> 0:18:58.880
<v Speaker 2>Right, that's what I was gonna say. I would say,

0:18:58.960 --> 0:19:01.360
<v Speaker 2>I know, I know we're throwing a lot at you,

0:19:01.400 --> 0:19:04.800
<v Speaker 2>but I got I got young, I got flower. Maybe

0:19:04.840 --> 0:19:08.040
<v Speaker 2>for the second round, lean a little bit into athletic coach.

0:19:08.080 --> 0:19:10.040
<v Speaker 2>I'd like to see what that would sound like.

0:19:10.680 --> 0:19:16.120
<v Speaker 5>Already, all right, So it's fun, it.

0:19:16.359 --> 0:19:20.080
<v Speaker 2>Gets it, it gets crazy. Yeah, so uh there you go,

0:19:20.200 --> 0:19:27.359
<v Speaker 2>line number one, me at your pleasure, all right, life

0:19:27.480 --> 0:19:28.720
<v Speaker 2>is so strange.

0:19:29.000 --> 0:19:31.920
<v Speaker 5>Why do I sometimes feel like someone just made me up,

0:19:32.240 --> 0:19:37.040
<v Speaker 5>like be picked random numbers off all this and I can't.

0:19:37.520 --> 0:19:40.479
<v Speaker 1>Jeez, come on, come on, it's such a weird feeling.

0:19:40.520 --> 0:19:46.200
<v Speaker 2>You get it, you get wow. Wow, good adjustments. Thank

0:19:46.240 --> 0:19:48.080
<v Speaker 2>you very much. We will be back with you in

0:19:48.080 --> 0:19:48.560
<v Speaker 2>a second.

0:19:48.600 --> 0:19:49.080
<v Speaker 9>Thank you.

0:19:50.400 --> 0:19:54.480
<v Speaker 1>Well, guys, this is the last round and it is

0:19:55.040 --> 0:19:56.080
<v Speaker 1>going to be a hard one.

0:19:56.119 --> 0:19:57.120
<v Speaker 3>I can already tell.

0:19:57.280 --> 0:20:00.040
<v Speaker 2>That was that was pretty That was pretty great. I

0:20:00.080 --> 0:20:02.520
<v Speaker 2>also thought that she took the direction really well.

0:20:02.880 --> 0:20:03.680
<v Speaker 3>You really did?

0:20:03.840 --> 0:20:06.200
<v Speaker 2>Yeah, which really did you know? That's when we're looking

0:20:06.200 --> 0:20:07.880
<v Speaker 2>for an all around voice actor. That's what you're looking

0:20:07.920 --> 0:20:10.560
<v Speaker 2>we always say, Laura. We are looking for somebody that

0:20:10.920 --> 0:20:13.760
<v Speaker 2>the second day win, if they win on a Monday Tuesday,

0:20:13.800 --> 0:20:14.879
<v Speaker 2>they could be in the booth with us.

0:20:15.200 --> 0:20:15.400
<v Speaker 3>Yeah.

0:20:15.640 --> 0:20:20.000
<v Speaker 2>So some she sounded very good. Inflection was was great,

0:20:20.040 --> 0:20:20.840
<v Speaker 2>and love the.

0:20:20.760 --> 0:20:25.080
<v Speaker 4>Way a hard thing because the two notes were like

0:20:25.119 --> 0:20:26.040
<v Speaker 4>kind of contradictory.

0:20:27.160 --> 0:20:30.040
<v Speaker 3>Also more like an athletic coach. And she fully did it.

0:20:30.240 --> 0:20:40.080
<v Speaker 2>Yeah, it was insane all right. So let's bring Austin in. Hey, Austin,

0:20:40.119 --> 0:20:43.399
<v Speaker 2>how are you hello again? All right, so here we go.

0:20:43.440 --> 0:20:45.679
<v Speaker 2>We are going to be starting with line one. Laura,

0:20:45.720 --> 0:20:47.800
<v Speaker 2>if you would please a number between one and.

0:20:47.800 --> 0:20:50.159
<v Speaker 3>Six oh five.

0:20:50.960 --> 0:20:55.800
<v Speaker 2>And now a number between one and twelve eight, and

0:20:55.840 --> 0:20:58.399
<v Speaker 2>now a number between one and seven two.

0:20:58.720 --> 0:21:00.240
<v Speaker 3>Oh, I did it too before it didn't Is it

0:21:00.320 --> 0:21:00.760
<v Speaker 3>the same thing?

0:21:01.040 --> 0:21:04.919
<v Speaker 2>Yep? Great, three, three, and now finally a number between

0:21:04.920 --> 0:21:11.520
<v Speaker 2>one and eleven four. Christ right, oh, I like this.

0:21:12.040 --> 0:21:17.840
<v Speaker 1>You're at You're a tiny fish who is ten years

0:21:17.880 --> 0:21:20.760
<v Speaker 1>old and is in the middle of an allergic reaction.

0:21:21.160 --> 0:21:25.359
<v Speaker 2>Okay, all right, let's Austin's like. I got this.

0:21:25.600 --> 0:21:30.280
<v Speaker 1>Let's go tiny fish ten years old in the middle

0:21:30.280 --> 0:21:31.320
<v Speaker 1>of an allergic reaction.

0:21:31.480 --> 0:21:37.600
<v Speaker 2>All right, Austin, go ahead. Life is so strange. Why

0:21:37.640 --> 0:21:40.200
<v Speaker 2>do I sometimes feel like someone.

0:21:40.000 --> 0:21:45.160
<v Speaker 10>Just win me up, like they picked relgium numbers off

0:21:45.240 --> 0:21:50.720
<v Speaker 10>the list and the outside cabe jeez, that's what's a

0:21:50.760 --> 0:21:51.760
<v Speaker 10>weird feeling?

0:21:52.960 --> 0:21:55.200
<v Speaker 2>Totally quite waitful.

0:21:55.800 --> 0:22:05.080
<v Speaker 3>Wamy epi pen oh I like it, Laura?

0:22:05.200 --> 0:22:08.119
<v Speaker 4>Any notes it is there any way to make it

0:22:08.160 --> 0:22:09.280
<v Speaker 4>sound a little bit younger.

0:22:11.880 --> 0:22:15.640
<v Speaker 3>I would like to hear it without the without the.

0:22:15.600 --> 0:22:17.920
<v Speaker 4>Mouth effect, to see if you can just do something

0:22:17.960 --> 0:22:20.600
<v Speaker 4>without the pulley on the cheek, Okay for sure.

0:22:21.240 --> 0:22:24.840
<v Speaker 11>Christy, Uh yeah, I think you could play with the

0:22:24.880 --> 0:22:28.080
<v Speaker 11>allergic reaction to It's kind of tricky because you're playing

0:22:28.160 --> 0:22:32.200
<v Speaker 11>fish and sometimes playing fish and like Watery, you also

0:22:32.240 --> 0:22:34.119
<v Speaker 11>can get into the the nose.

0:22:34.359 --> 0:22:37.679
<v Speaker 1>I think that the allergic reaction thing can also be

0:22:37.880 --> 0:22:41.360
<v Speaker 1>in a sneeze or a cough or like a wheeze.

0:22:41.760 --> 0:22:44.080
<v Speaker 1>Like I think they're that we're giving you a lot,

0:22:45.359 --> 0:22:47.439
<v Speaker 1>but I think you can. I think you can. I

0:22:47.440 --> 0:22:50.080
<v Speaker 1>think you're doing it, doing it great, Okay.

0:22:50.000 --> 0:22:53.560
<v Speaker 2>And I would say, Austin, let's just make sure for

0:22:53.600 --> 0:22:54.720
<v Speaker 2>the first thing we got to do is we got

0:22:54.760 --> 0:22:56.280
<v Speaker 2>to make sure we can hear the dialogue. So we

0:22:56.320 --> 0:22:58.840
<v Speaker 2>want to make sure that you're enunciating the words and

0:22:59.640 --> 0:23:01.399
<v Speaker 2>we're adding the words.

0:23:01.880 --> 0:23:05.360
<v Speaker 1>Tiny isn't something that I really got from that, right,

0:23:05.640 --> 0:23:07.000
<v Speaker 1>He's tiny.

0:23:07.480 --> 0:23:09.000
<v Speaker 2>That's the other thing we've always said, though, is you

0:23:09.000 --> 0:23:10.440
<v Speaker 2>can always play against type so.

0:23:10.680 --> 0:23:11.520
<v Speaker 3>And that's good.

0:23:11.680 --> 0:23:14.440
<v Speaker 2>Yeah, I almost exactly.

0:23:14.760 --> 0:23:16.439
<v Speaker 1>Yeah, I don't know what it is, but I loved

0:23:16.560 --> 0:23:17.639
<v Speaker 1>I loved his take on it.

0:23:17.800 --> 0:23:20.159
<v Speaker 2>Yeah, tiny, tiny can be big and big can be tiny.

0:23:20.200 --> 0:23:22.199
<v Speaker 2>So Austin, why don't you just give it one more

0:23:22.240 --> 0:23:24.240
<v Speaker 2>shot with the ninety three things we just threw at you,

0:23:24.359 --> 0:23:29.200
<v Speaker 2>some of them contradicting each other. Give it one more time,

0:23:29.200 --> 0:23:30.600
<v Speaker 2>one more tri Austin at your pleasure?

0:23:34.040 --> 0:23:40.840
<v Speaker 12>Life is so strange? Why do I sometimes I feel

0:23:41.760 --> 0:23:46.680
<v Speaker 12>I feel like someone just just make me up? They

0:23:47.680 --> 0:23:51.800
<v Speaker 12>they put random numbers up, A mished and out.

0:23:51.880 --> 0:23:52.639
<v Speaker 3>I came.

0:23:55.920 --> 0:24:02.280
<v Speaker 12>Such a weird feeling. M can you just grab the

0:24:02.359 --> 0:24:05.800
<v Speaker 12>EPI pen please, and maybe a snack?

0:24:08.200 --> 0:24:09.320
<v Speaker 3>I like that character.

0:24:09.720 --> 0:24:11.960
<v Speaker 2>That was great, Thank you very much. We will be

0:24:12.040 --> 0:24:12.600
<v Speaker 2>right back with you.

0:24:13.160 --> 0:24:15.919
<v Speaker 1>A cute fish.

0:24:16.280 --> 0:24:17.800
<v Speaker 2>I thought he was great. I thought he took the

0:24:17.840 --> 0:24:21.760
<v Speaker 2>direction well too. But frankly, I thought her Round one

0:24:21.960 --> 0:24:25.960
<v Speaker 2>was so good. Yeah that I think she's got the

0:24:26.000 --> 0:24:29.040
<v Speaker 2>slight edge over round one, if that's just my opinion.

0:24:29.040 --> 0:24:31.000
<v Speaker 2>But I thought she was great.

0:24:31.240 --> 0:24:33.280
<v Speaker 4>I mean, I think you could fully picture what she

0:24:33.400 --> 0:24:36.600
<v Speaker 4>was doing as the description, right, you saw a little flower.

0:24:37.000 --> 0:24:38.960
<v Speaker 3>I feel like with Austin.

0:24:38.840 --> 0:24:42.720
<v Speaker 4>The voice was hilarious, the ad libs were hilarious.

0:24:42.880 --> 0:24:47.200
<v Speaker 3>Yeah, but I was picturing like droopy dog me too. Yeah,

0:24:47.280 --> 0:24:49.119
<v Speaker 3>And he created the jewel effect.

0:24:49.200 --> 0:24:51.480
<v Speaker 2>He went jowey, So looks like I was down here

0:24:51.520 --> 0:24:55.119
<v Speaker 2>a little bit. Yeah. That being said, you know, certainly

0:24:55.119 --> 0:24:57.280
<v Speaker 2>nobody's running away with it after round one, but she

0:24:57.640 --> 0:24:59.879
<v Speaker 2>really was great. I'd like to see. Let's see if

0:25:00.000 --> 0:25:03.040
<v Speaker 2>something happens where she has to play completely against little

0:25:03.040 --> 0:25:07.439
<v Speaker 2>girl or little kid and see the range, and if

0:25:07.440 --> 0:25:10.399
<v Speaker 2>we can bring Mia back in and we will start

0:25:10.720 --> 0:25:11.480
<v Speaker 2>line number two.

0:25:12.320 --> 0:25:18.440
<v Speaker 1>Helonia plant time. No see, I'm sorry, that's about you.

0:25:18.560 --> 0:25:23.920
<v Speaker 2>Nice, very nice. All right, so we are too, round

0:25:24.119 --> 0:25:28.240
<v Speaker 2>number two, line number two, and here we go. If

0:25:28.280 --> 0:25:31.960
<v Speaker 2>you would please, Laura a number between one and six six,

0:25:32.840 --> 0:25:37.760
<v Speaker 2>and now a number between one and twelve three, and

0:25:37.800 --> 0:25:44.359
<v Speaker 2>now a number between one and seven six, and finally

0:25:44.400 --> 0:25:46.480
<v Speaker 2>a number between one and eleven.

0:25:48.000 --> 0:25:48.240
<v Speaker 3>Eight.

0:25:49.800 --> 0:25:55.880
<v Speaker 1>Christy, you're a microscopic sixty year old mouse who's been

0:25:56.000 --> 0:25:58.760
<v Speaker 1>stuck in traffic for six hours.

0:26:00.240 --> 0:26:01.040
<v Speaker 2>That's amazing.

0:26:02.160 --> 0:26:03.159
<v Speaker 3>I think you can do it.

0:26:03.680 --> 0:26:07.199
<v Speaker 2>Well, let's see, let's do what so Mia? There you

0:26:07.240 --> 0:26:08.960
<v Speaker 2>go on? Do you need their description again?

0:26:09.880 --> 0:26:10.040
<v Speaker 3>No?

0:26:10.080 --> 0:26:11.640
<v Speaker 1>I think I got it.

0:26:11.680 --> 0:26:14.240
<v Speaker 5>Okay, we got the microscope, big, we got the mouse,

0:26:14.280 --> 0:26:16.200
<v Speaker 5>I got sixty years old, you know, traffic?

0:26:16.720 --> 0:26:17.120
<v Speaker 2>Perfect?

0:26:17.160 --> 0:26:17.400
<v Speaker 3>Okay.

0:26:17.440 --> 0:26:20.960
<v Speaker 1>Yeah, if there's one thing that older people probably don't like.

0:26:21.560 --> 0:26:30.239
<v Speaker 2>Being all right, Mia, line number two at your pleasure already.

0:26:31.119 --> 0:26:35.439
<v Speaker 5>Okay, the costume is all done, You've need some of

0:26:35.480 --> 0:26:38.600
<v Speaker 5>the equipment, and I live in a city filled with crime.

0:26:39.600 --> 0:26:41.240
<v Speaker 1>Time to go be a superhero?

0:26:42.520 --> 0:26:42.760
<v Speaker 2>Wait?

0:26:43.640 --> 0:26:45.960
<v Speaker 5>Mom, can you drive me to be a superhero?

0:26:49.200 --> 0:26:50.320
<v Speaker 2>Laura? And you notice.

0:26:55.560 --> 0:26:59.800
<v Speaker 3>Can we hear it? Uh? With a little bit more age? Well,

0:27:00.080 --> 0:27:04.000
<v Speaker 3>so she's only sixty, right, let's just push it.

0:27:04.160 --> 0:27:06.400
<v Speaker 1>I know it's like we're talking like sissy, right.

0:27:06.680 --> 0:27:08.280
<v Speaker 3>I know we're not talking like ninety.

0:27:08.359 --> 0:27:12.399
<v Speaker 2>But let's make it ninety. Let's make it ninety here further. Yeah,

0:27:12.480 --> 0:27:14.680
<v Speaker 2>let's let's try to push everything. Let's make it ninety.

0:27:14.720 --> 0:27:15.879
<v Speaker 2>I don't have a problem with that. We want to

0:27:16.160 --> 0:27:17.960
<v Speaker 2>we want to push you out of your comfort zone.

0:27:18.000 --> 0:27:20.480
<v Speaker 2>So let's let's see what ninety year old mouse sounds like.

0:27:20.680 --> 0:27:25.720
<v Speaker 1>All right, Christy, Yeah, I mean I got I want

0:27:25.720 --> 0:27:27.879
<v Speaker 1>to push it even farther, like if this is really

0:27:27.920 --> 0:27:29.640
<v Speaker 1>just for us to see you have fun with it,

0:27:30.080 --> 0:27:33.080
<v Speaker 1>and to push it even farther if she's ninety. It's

0:27:33.080 --> 0:27:34.919
<v Speaker 1>so funny how you can use the words on the

0:27:34.920 --> 0:27:37.360
<v Speaker 1>page right well, and Laura, like, I feel like that's

0:27:37.400 --> 0:27:39.720
<v Speaker 1>sometimes all you can do is use the words on

0:27:39.760 --> 0:27:44.119
<v Speaker 1>the page with you know, three three adjectives or whatever

0:27:44.119 --> 0:27:46.680
<v Speaker 1>they're giving you for this little character, which is exactly

0:27:46.760 --> 0:27:53.120
<v Speaker 1>this simulation. And I think it's the words that we're discussing, right,

0:27:53.200 --> 0:27:56.479
<v Speaker 1>is she's ninety and she's still expecting her mom to

0:27:56.600 --> 0:28:02.679
<v Speaker 1>drive her. She's also stuck in traffic, so it's like

0:28:03.040 --> 0:28:06.280
<v Speaker 1>she's honestly yeah, So I would just say, really play

0:28:06.320 --> 0:28:10.760
<v Speaker 1>into the frustration and how you know you still have

0:28:10.800 --> 0:28:13.240
<v Speaker 1>to be a superhero. You've probably been a superhero for

0:28:13.280 --> 0:28:18.720
<v Speaker 1>a really long time. You should be retired playing yes.

0:28:18.520 --> 0:28:21.240
<v Speaker 2>Yes, yeah, there you go. That's that's great. So let's

0:28:21.320 --> 0:28:25.600
<v Speaker 2>let's hear that, okay, and then go from there. So Mia,

0:28:25.840 --> 0:28:28.760
<v Speaker 2>line number two at your pleasure, Thank you very much.

0:28:31.359 --> 0:28:35.640
<v Speaker 7>Okay, the costume result done.

0:28:36.160 --> 0:28:39.000
<v Speaker 5>I've made some of the equipment, and I live in

0:28:39.040 --> 0:28:40.680
<v Speaker 5>a city filled with crime.

0:28:41.760 --> 0:28:43.760
<v Speaker 1>Time to go be a superhero?

0:28:45.240 --> 0:28:49.080
<v Speaker 2>Wait, mom, can you drive me to go there? Superhero?

0:28:52.520 --> 0:28:54.800
<v Speaker 2>Thank you very much. Mia, We'll be right back with you.

0:28:55.080 --> 0:28:55.560
<v Speaker 3>Thank you.

0:28:56.440 --> 0:28:58.440
<v Speaker 2>See that's what I mean. She's great, But it's if

0:28:58.480 --> 0:28:59.960
<v Speaker 2>once she's out of her comfort zone, it's.

0:29:00.640 --> 0:29:02.960
<v Speaker 4>Yeah, yeah, Well you know what's interesting is I think

0:29:03.720 --> 0:29:05.200
<v Speaker 4>I mean, it would have made sense for her to

0:29:05.240 --> 0:29:07.640
<v Speaker 4>take it really small again, and I think she wanted

0:29:07.680 --> 0:29:09.959
<v Speaker 4>to show sure that she can do something other than

0:29:09.960 --> 0:29:11.040
<v Speaker 4>that teeny voice, you know.

0:29:11.640 --> 0:29:14.120
<v Speaker 2>Which is again it's okay. We all know actors that

0:29:14.160 --> 0:29:17.720
<v Speaker 2>go in and they you know, they have their specific

0:29:17.880 --> 0:29:19.840
<v Speaker 2>to kind of what they do. They're great at what

0:29:19.880 --> 0:29:22.600
<v Speaker 2>they do. Oh, but that's what they do. You know.

0:29:22.680 --> 0:29:25.560
<v Speaker 2>I've often said, you know, most of us, myself very

0:29:25.640 --> 0:29:28.560
<v Speaker 2>much at the top of this list, can't do fifty voices.

0:29:29.640 --> 0:29:32.320
<v Speaker 2>You know, we're not Eric Bausa. Most of us we

0:29:32.480 --> 0:29:35.160
<v Speaker 2>can do a couple and as long as the acting's there.

0:29:35.760 --> 0:29:36.760
<v Speaker 1>That's what I was going to say.

0:29:36.800 --> 0:29:37.720
<v Speaker 2>That's what I was going to say.

0:29:37.720 --> 0:29:40.000
<v Speaker 1>Well, I think what I've learned, and it's something that

0:29:40.040 --> 0:29:43.160
<v Speaker 1>I've learned through this experience of this contest.

0:29:43.120 --> 0:29:45.240
<v Speaker 3>Is that what makes the.

0:29:45.120 --> 0:29:51.120
<v Speaker 1>Actor stand out is that is that interpretation of what

0:29:51.240 --> 0:29:54.400
<v Speaker 1>they're given, sure, and and just how much they put

0:29:54.440 --> 0:29:58.200
<v Speaker 1>their their imprint on it. Right Like when we know

0:29:59.160 --> 0:30:02.040
<v Speaker 1>that people are getting hired in Hollywood because they bring

0:30:02.200 --> 0:30:06.000
<v Speaker 1>something to the words on the page, like I said again,

0:30:06.680 --> 0:30:08.680
<v Speaker 1>and so it's like, Okay, we know that they're going

0:30:08.720 --> 0:30:11.000
<v Speaker 1>to put their stamp on it, and that creativity is

0:30:11.000 --> 0:30:13.959
<v Speaker 1>going to live through those characters. It doesn't necessarily mean

0:30:14.000 --> 0:30:17.200
<v Speaker 1>I think that the the like, you know, the voice

0:30:17.240 --> 0:30:20.280
<v Speaker 1>has to be wild or big, all that different. It

0:30:20.400 --> 0:30:23.080
<v Speaker 1>just has to be the approach to the content I

0:30:23.080 --> 0:30:25.040
<v Speaker 1>think has to be at a professional level.

0:30:25.080 --> 0:30:28.520
<v Speaker 2>Now I agree, So all right, well let's speaking of

0:30:28.520 --> 0:30:31.080
<v Speaker 2>the approach. Let's see how Austin approaches line number two here,

0:30:31.320 --> 0:30:37.360
<v Speaker 2>and we'll bring Austin back in another tough week. Hey Austin. Hello,

0:30:37.680 --> 0:30:41.040
<v Speaker 2>all right, so line number two here we go, Laura,

0:30:41.120 --> 0:30:43.200
<v Speaker 2>if you would please the number between one and six?

0:30:44.960 --> 0:30:47.920
<v Speaker 3>What haven't I chosen? One?

0:30:48.400 --> 0:30:51.320
<v Speaker 2>Fair enough? Now number between one and twelve?

0:30:52.320 --> 0:30:52.760
<v Speaker 3>Twelve?

0:30:53.880 --> 0:30:56.720
<v Speaker 2>And oh fine, a number between one and seven.

0:30:58.600 --> 0:30:59.840
<v Speaker 3>Two today, I say two.

0:31:00.600 --> 0:31:02.840
<v Speaker 2>You've done two, but not for actually not for Austin,

0:31:02.880 --> 0:31:05.640
<v Speaker 2>so that's perfect. And now finally a number between one

0:31:05.640 --> 0:31:06.400
<v Speaker 2>and eleven.

0:31:07.680 --> 0:31:07.880
<v Speaker 3>Ten.

0:31:09.840 --> 0:31:10.840
<v Speaker 2>I love this, Christy.

0:31:12.120 --> 0:31:16.840
<v Speaker 1>You're a giant teddy bear who is five years old

0:31:17.040 --> 0:31:19.360
<v Speaker 1>and is afraid of your own shadow.

0:31:20.800 --> 0:31:24.840
<v Speaker 2>Cute, good combo, love that cat? All right, all right, Austin,

0:31:25.040 --> 0:31:25.680
<v Speaker 2>at your pleasure.

0:31:28.240 --> 0:31:33.920
<v Speaker 13>Okay, the costume's all done, and I've made some equipment,

0:31:34.000 --> 0:31:38.280
<v Speaker 13>and I live in a city filled with crime. Time

0:31:38.400 --> 0:31:41.480
<v Speaker 13>to go be a superhero?

0:31:43.240 --> 0:31:50.120
<v Speaker 2>Awake mom? Mom? Can can you go trive me to

0:31:50.160 --> 0:31:55.440
<v Speaker 2>be a superhero? Flora any notes.

0:31:58.600 --> 0:32:01.560
<v Speaker 4>Two things I would like to see if you can

0:32:01.560 --> 0:32:07.160
<v Speaker 4>make the voice any bigger, fuller, you know, and also

0:32:07.400 --> 0:32:09.600
<v Speaker 4>try speeding up the read a little.

0:32:09.400 --> 0:32:13.040
<v Speaker 8>Bit, speeding it up, okay, and can I get can

0:32:13.080 --> 0:32:15.280
<v Speaker 8>I get the description real quick so I can again,

0:32:15.440 --> 0:32:15.800
<v Speaker 8>just to be.

0:32:15.880 --> 0:32:20.760
<v Speaker 1>A giant, a giant teddy bear, a giant five year

0:32:20.800 --> 0:32:25.360
<v Speaker 1>old teddy bear, and you are afraid of your own shadow.

0:32:26.520 --> 0:32:30.720
<v Speaker 2>Okay, By the way, I agree with both of those

0:32:30.760 --> 0:32:32.719
<v Speaker 2>notes from Laura. That's exactly what I was going to say.

0:32:32.720 --> 0:32:36.640
<v Speaker 2>I would say, let's more giant, let's let's hear some size,

0:32:37.000 --> 0:32:40.360
<v Speaker 2>and uh, let's let's speed up the dialogue a little bit,

0:32:40.400 --> 0:32:40.920
<v Speaker 2>smooth it out.

0:32:41.600 --> 0:32:44.640
<v Speaker 1>And also just more fearful throughout, I would say too.

0:32:45.000 --> 0:32:47.120
<v Speaker 2>Yeah, just those fourteen notes.

0:32:48.360 --> 0:32:49.560
<v Speaker 3>I was always going to say it.

0:32:51.480 --> 0:32:53.720
<v Speaker 2>That's good. That's good though, That's what we have to do.

0:32:54.360 --> 0:32:56.360
<v Speaker 2>So you have you're going to get directors that are

0:32:56.440 --> 0:32:58.800
<v Speaker 2>yelling at you through the glass a bunch of different things.

0:32:58.800 --> 0:33:01.280
<v Speaker 2>So at your at your pleasure whenever you want.

0:33:02.560 --> 0:33:07.040
<v Speaker 13>Okay, the costume is all done, and I've made some equipment,

0:33:07.120 --> 0:33:10.520
<v Speaker 13>and I live in a city filled with crime.

0:33:11.360 --> 0:33:19.480
<v Speaker 10>Time to go be a superhero. Oh wait, mom, Mom,

0:33:19.520 --> 0:33:21.560
<v Speaker 10>can you drive me to go be a superhero?

0:33:22.880 --> 0:33:23.360
<v Speaker 12>Please?

0:33:25.360 --> 0:33:27.440
<v Speaker 2>Thank you very much, We will be right back with you.

0:33:28.080 --> 0:33:28.520
<v Speaker 3>Awesome.

0:33:32.240 --> 0:33:35.520
<v Speaker 2>I think she takes the direction a little better than

0:33:35.560 --> 0:33:37.680
<v Speaker 2>he does, I'm honest.

0:33:38.640 --> 0:33:41.320
<v Speaker 4>I also think that the voice type was outside of his,

0:33:42.320 --> 0:33:44.480
<v Speaker 4>like he's got a good hero voice, like a really

0:33:44.520 --> 0:33:46.840
<v Speaker 4>good like oh if he's just like a.

0:33:46.560 --> 0:33:50.600
<v Speaker 1>Teenager a spider Man type exactly.

0:33:54.240 --> 0:33:55.800
<v Speaker 2>So you know what we might have to do, which

0:33:55.840 --> 0:33:58.080
<v Speaker 2>we did this last week, and I'm thinking this might

0:33:58.080 --> 0:34:00.720
<v Speaker 2>be the way that we kind of start doing round

0:34:00.760 --> 0:34:04.640
<v Speaker 2>three if we for the very last contestant we've ever had,

0:34:05.960 --> 0:34:09.560
<v Speaker 2>if we think that somebody's has a comfort zone, maybe

0:34:09.600 --> 0:34:13.839
<v Speaker 2>we try to go to that for the next one

0:34:13.840 --> 0:34:16.320
<v Speaker 2>we create. So we try to create something for him

0:34:16.880 --> 0:34:19.880
<v Speaker 2>that is in his comfort zone, in his wheelhouse, so

0:34:19.920 --> 0:34:22.480
<v Speaker 2>we can see, all right, here's your character, here's the

0:34:22.600 --> 0:34:24.799
<v Speaker 2>ideal character for you. What would you do? Because I

0:34:24.800 --> 0:34:27.439
<v Speaker 2>almost feel like Mia got that in the first round

0:34:27.480 --> 0:34:30.879
<v Speaker 2>with the five year old age, you know, so it's

0:34:31.000 --> 0:34:32.840
<v Speaker 2>it seems like she was kind of right in her

0:34:32.840 --> 0:34:34.799
<v Speaker 2>wheelhouse right from the start, and maybe we want to

0:34:34.800 --> 0:34:36.560
<v Speaker 2>give him a shot where he's right in the wheelhouse.

0:34:36.640 --> 0:34:41.480
<v Speaker 2>So maybe we have Laura create a superhero character for

0:34:41.560 --> 0:34:44.320
<v Speaker 2>him kind of towards the end for next round, and

0:34:44.360 --> 0:34:45.319
<v Speaker 2>we'll see what he can do.

0:34:45.600 --> 0:34:46.200
<v Speaker 3>Yeah. I like that.

0:34:46.520 --> 0:34:49.520
<v Speaker 2>Yeah, so there's a fairness to it. But so far,

0:34:50.680 --> 0:34:54.120
<v Speaker 2>so far, and again just me speaking, I have her

0:34:54.160 --> 0:34:58.120
<v Speaker 2>to nil on him so far round wise, but I

0:34:58.160 --> 0:35:00.680
<v Speaker 2>do want to give him a shot to really be

0:35:00.760 --> 0:35:02.640
<v Speaker 2>in his wheelhouse and see what's going to go on,

0:35:02.680 --> 0:35:04.640
<v Speaker 2>because Laura, if he does, if he comes in and

0:35:04.719 --> 0:35:07.319
<v Speaker 2>kills it. We have something that Christy created called the

0:35:07.360 --> 0:35:10.319
<v Speaker 2>Tongue Tist the Tongue Twister Tiebreaker Challenge which I can't

0:35:10.320 --> 0:35:12.600
<v Speaker 2>even say, I can't even say the title, which we've

0:35:12.600 --> 0:35:15.640
<v Speaker 2>only had to we'll only had to implement once. But

0:35:15.840 --> 0:35:17.919
<v Speaker 2>what we shall see. So let's bring me back in

0:35:17.960 --> 0:35:22.960
<v Speaker 2>for round three. Hello, Hello, Hello, hey Miah, Hey, do

0:35:23.000 --> 0:35:25.719
<v Speaker 2>you have the third line that we're going to be doing.

0:35:26.000 --> 0:35:28.480
<v Speaker 5>Let me check if it's in the comments. I can

0:35:28.600 --> 0:35:29.880
<v Speaker 5>do my own thing and make it really big so

0:35:29.920 --> 0:35:30.799
<v Speaker 5>you don't need to worry about it.

0:35:31.080 --> 0:35:33.239
<v Speaker 2>Okay, perfect, Then that's what we are going to do.

0:35:33.320 --> 0:35:36.880
<v Speaker 2>That's absolutely wonderful, excellent, So there you go. We're going

0:35:36.960 --> 0:35:38.719
<v Speaker 2>to do line three for you, and we are going

0:35:38.800 --> 0:35:43.560
<v Speaker 2>to have the unbelievable. I like that the best way.

0:35:43.600 --> 0:35:47.040
<v Speaker 2>The unbelievable Laura Belly once again create Ay, I just

0:35:47.080 --> 0:35:49.879
<v Speaker 2>keep using redoubtable, which I love, but most people don't

0:35:49.880 --> 0:35:52.759
<v Speaker 2>know what it means. The unbelievable Laura Belly is once

0:35:52.760 --> 0:35:55.680
<v Speaker 2>again and going to create a character for you. Laura.

0:35:57.200 --> 0:35:59.279
<v Speaker 2>I'm going to say this off the bat, not to

0:35:59.480 --> 0:36:02.200
<v Speaker 2>in any way, shape or form influence you. But when

0:36:02.239 --> 0:36:05.000
<v Speaker 2>we get to wrap, when we get to the fourth category,

0:36:06.320 --> 0:36:10.480
<v Speaker 2>if you were to pick one of the first three numbers,

0:36:12.480 --> 0:36:17.640
<v Speaker 2>other stuff might happen. This is all I'm gonna say.

0:36:18.040 --> 0:36:22.960
<v Speaker 2>Role for initiative. Okay, So here we go. But first,

0:36:23.480 --> 0:36:29.040
<v Speaker 2>a number between one and six. One I meant for

0:36:29.080 --> 0:36:30.120
<v Speaker 2>the fourth one, but that works too.

0:36:35.080 --> 0:36:39.160
<v Speaker 14>Went across the board, Jesus one all the way. Actually

0:36:39.280 --> 0:36:41.520
<v Speaker 14>one that would? Is that what you're gonna do that?

0:36:44.200 --> 0:36:45.840
<v Speaker 14>Nobody has ever done that?

0:36:48.640 --> 0:36:49.200
<v Speaker 3>So I will.

0:36:49.840 --> 0:36:50.839
<v Speaker 2>Christy, what do we got?

0:36:51.239 --> 0:36:59.160
<v Speaker 1>You are a British giant dog who is ancient, proper British,

0:36:59.200 --> 0:36:59.960
<v Speaker 1>proper British.

0:37:00.040 --> 0:37:06.280
<v Speaker 2>Oh boy, ancient proper British giant dog. Thank Lor Belly

0:37:06.400 --> 0:37:13.560
<v Speaker 2>for that. Thank you, So your secret line number three

0:37:14.160 --> 0:37:15.920
<v Speaker 2>at your pleasure, all.

0:37:15.920 --> 0:37:22.680
<v Speaker 7>Right, And here it is noon only wonderful Monday, and

0:37:22.719 --> 0:37:26.600
<v Speaker 7>I hope your week starts with walks, bulls being thrown

0:37:26.680 --> 0:37:28.840
<v Speaker 7>in some big stretchers.

0:37:29.480 --> 0:37:31.719
<v Speaker 5>We're going to keep it going now, it's a classic

0:37:33.040 --> 0:37:36.040
<v Speaker 5>pardon this is a walk in the park by the.

0:37:36.280 --> 0:37:38.600
<v Speaker 1>Boo wos here on easy one oh.

0:37:38.560 --> 0:37:40.080
<v Speaker 2>To the book.

0:37:41.239 --> 0:37:46.120
<v Speaker 1>Wow it actually being perfect? Why did you guys write

0:37:46.160 --> 0:37:46.640
<v Speaker 1>this for that?

0:37:48.320 --> 0:37:51.920
<v Speaker 2>Seriously? Wow? Okay, Laura, any notes.

0:37:52.719 --> 0:37:55.520
<v Speaker 3>I don't know how much like dialogue training like. It

0:37:55.600 --> 0:37:57.840
<v Speaker 3>is kind of crazy to throw out just like a

0:37:57.920 --> 0:37:58.760
<v Speaker 3>random accent.

0:38:00.360 --> 0:38:02.240
<v Speaker 4>But if we can try to keep it a little

0:38:02.239 --> 0:38:05.719
<v Speaker 4>more consistent throughout, because we kind of lost it about

0:38:05.719 --> 0:38:06.279
<v Speaker 4>halfway through.

0:38:09.480 --> 0:38:12.759
<v Speaker 3>I think that's and ancient on top of it.

0:38:12.719 --> 0:38:15.200
<v Speaker 4>We already had you do a nine year old and

0:38:15.480 --> 0:38:16.960
<v Speaker 4>there's another ancient character.

0:38:18.440 --> 0:38:21.600
<v Speaker 2>Make her younger or him younger, make make the character younger.

0:38:21.600 --> 0:38:23.680
<v Speaker 2>That's no problem, keep it. Let's keep it in your

0:38:23.680 --> 0:38:27.960
<v Speaker 2>wheelhouse for where you feel comfortable with the age of

0:38:28.000 --> 0:38:31.400
<v Speaker 2>the character. Why don't we do that, miya? So however,

0:38:31.440 --> 0:38:34.120
<v Speaker 2>you take take away ancient and let's make it whatever

0:38:34.239 --> 0:38:36.800
<v Speaker 2>age you feel comfortable making the character. We want to

0:38:36.800 --> 0:38:39.360
<v Speaker 2>make this Round three? Is she still giant in your wearehouse?

0:38:39.480 --> 0:38:40.880
<v Speaker 1>Is she still a giant dog.

0:38:40.680 --> 0:38:43.240
<v Speaker 2>Sure, because giant can be you can. You can play giant.

0:38:43.239 --> 0:38:46.840
<v Speaker 2>However you want to play giant, I'd still play Clifford

0:38:46.880 --> 0:38:50.480
<v Speaker 2>like this. So yes, it's kind of up to you

0:38:50.560 --> 0:38:52.040
<v Speaker 2>how you would like to do it. But and then

0:38:52.080 --> 0:38:54.080
<v Speaker 2>the other thing I would say is maybe, and I

0:38:54.120 --> 0:38:56.600
<v Speaker 2>know this is tough because we just threw the line

0:38:56.640 --> 0:38:58.200
<v Speaker 2>at you, but smooth it out a little bit all

0:38:58.200 --> 0:39:01.920
<v Speaker 2>the way through. Yeah, and maybe slow it down a

0:39:01.920 --> 0:39:04.399
<v Speaker 2>little bit and pick your moments if that makes sense.

0:39:04.719 --> 0:39:09.320
<v Speaker 5>All right, It sounds like a plan anytime. And it

0:39:09.400 --> 0:39:12.600
<v Speaker 5>is noon only, wonderful Monday, and I hope your week's

0:39:12.600 --> 0:39:16.960
<v Speaker 5>thoughts with looks balls being thrown in some big stretches,

0:39:17.440 --> 0:39:17.839
<v Speaker 5>we are.

0:39:17.760 --> 0:39:18.960
<v Speaker 1>Going to keep it going.

0:39:19.000 --> 0:39:21.040
<v Speaker 7>Now, let's say classic this.

0:39:21.040 --> 0:39:24.040
<v Speaker 5>Is Walk in the Park, Bye, bow wows here on

0:39:24.280 --> 0:39:31.120
<v Speaker 5>easy went into the book.

0:39:32.920 --> 0:39:33.760
<v Speaker 3>We'll be back.

0:39:35.280 --> 0:39:37.920
<v Speaker 1>Yeah, what a what a cutie? Huh?

0:39:37.960 --> 0:39:38.560
<v Speaker 2>That was great?

0:39:38.880 --> 0:39:39.680
<v Speaker 3>Yes, adorable.

0:39:40.000 --> 0:39:42.400
<v Speaker 2>Yeah, And for the record, some people can't do a

0:39:42.440 --> 0:39:43.440
<v Speaker 2>whole bunch of dialects.

0:39:44.000 --> 0:39:47.160
<v Speaker 1>I got to be honest, like I I agree with you.

0:39:47.200 --> 0:39:50.359
<v Speaker 1>I know that that wasn't for accurate accuracy saying the

0:39:50.360 --> 0:39:54.239
<v Speaker 1>best proper, But the character like she approached it with

0:39:54.280 --> 0:39:57.360
<v Speaker 1>such like energy that it did feel fun.

0:39:57.440 --> 0:40:03.840
<v Speaker 2>And not everybody, not every buddy is Trevor de Valls. Yeah, British,

0:40:03.960 --> 0:40:08.160
<v Speaker 2>but you've been here for a while, the home of British.

0:40:08.200 --> 0:40:10.799
<v Speaker 2>But no, it's again, not everybody is Trevor Deval. Not

0:40:10.840 --> 0:40:24.000
<v Speaker 2>everybody can instantly snap into a thousand different dialects. And

0:40:24.080 --> 0:40:29.560
<v Speaker 2>now we will bring in uh for for the last round. Here,

0:40:29.880 --> 0:40:33.440
<v Speaker 2>let's bring him back one more time.

0:40:34.800 --> 0:40:37.160
<v Speaker 1>I can't believe how accurate that one.

0:40:37.360 --> 0:40:40.759
<v Speaker 2>Right, All right, Austin, here we go round number three.

0:40:41.080 --> 0:40:44.920
<v Speaker 2>We have just sent you your line of dialogue, So Austin,

0:40:44.960 --> 0:40:46.880
<v Speaker 2>we're gonna kind of switch it up a little bit

0:40:46.920 --> 0:40:47.120
<v Speaker 2>on you.

0:40:47.160 --> 0:40:47.319
<v Speaker 3>Here.

0:40:47.320 --> 0:40:49.120
<v Speaker 2>We're gonna have Laura pick a character for you, but

0:40:49.200 --> 0:40:51.359
<v Speaker 2>we're also going to kind of tailor the character because

0:40:51.360 --> 0:40:53.040
<v Speaker 2>we want to see what you can do if you're

0:40:53.080 --> 0:40:57.319
<v Speaker 2>more in your wheelhouse, if that makes sense, you know,

0:40:57.520 --> 0:41:00.320
<v Speaker 2>age wise, character wise, something like that. We feel like

0:41:00.360 --> 0:41:02.680
<v Speaker 2>you've been getting a lot of maybe younger characters, and

0:41:03.000 --> 0:41:05.279
<v Speaker 2>we think that we could see you as more of

0:41:05.360 --> 0:41:08.880
<v Speaker 2>having that kind of younger superhero voice, like a like

0:41:08.920 --> 0:41:11.400
<v Speaker 2>the good Peter Parker kind of voice. So we're gonna

0:41:11.520 --> 0:41:15.480
<v Speaker 2>kind of tailor a character a bit for you and

0:41:15.520 --> 0:41:17.320
<v Speaker 2>go from there. So we're gonna see what Laura picks,

0:41:17.320 --> 0:41:19.120
<v Speaker 2>and then we're gonna kind of tweak if we have to.

0:41:19.120 --> 0:41:20.240
<v Speaker 2>Does that make sense.

0:41:21.760 --> 0:41:22.040
<v Speaker 4>All right?

0:41:22.120 --> 0:41:24.280
<v Speaker 2>So here we go, Laura. Number between one and six please?

0:41:24.800 --> 0:41:26.439
<v Speaker 3>Three? Have I already said three before?

0:41:27.160 --> 0:41:29.399
<v Speaker 2>You have not? You have not? And now a number

0:41:29.440 --> 0:41:31.120
<v Speaker 2>between one and twelve.

0:41:32.760 --> 0:41:33.040
<v Speaker 3>Nine.

0:41:34.560 --> 0:41:38.360
<v Speaker 2>Nice? And now a number between one and seven two?

0:41:39.320 --> 0:41:40.000
<v Speaker 3>No, I said two?

0:41:40.600 --> 0:41:46.680
<v Speaker 2>Yeah, you did you mean four? Yeah, you met four.

0:41:46.960 --> 0:41:50.920
<v Speaker 2>That's what I thought I thought you met for. And

0:41:50.960 --> 0:41:58.520
<v Speaker 2>now a number between one and eleven two. Okay, great,

0:42:00.200 --> 0:42:03.160
<v Speaker 2>we're going to try this. The audience can't see what

0:42:03.239 --> 0:42:07.480
<v Speaker 2>you just did. We want to give everybody the best

0:42:07.520 --> 0:42:10.120
<v Speaker 2>possible shot here Austin, and we'll be honest. In other weeks,

0:42:10.120 --> 0:42:14.440
<v Speaker 2>the contestants have gotten gotten characters that were in their wheelhouse,

0:42:14.440 --> 0:42:16.480
<v Speaker 2>so we didn't necessarily have to tweak. It's only been

0:42:16.480 --> 0:42:18.600
<v Speaker 2>in the last two weeks where it seems like some

0:42:18.640 --> 0:42:21.520
<v Speaker 2>of the numbers we were picking were not perfectly tailored

0:42:21.560 --> 0:42:23.120
<v Speaker 2>to some of the some of the actors. And we

0:42:23.160 --> 0:42:24.360
<v Speaker 2>want to make sure that you have a chance to

0:42:24.440 --> 0:42:27.120
<v Speaker 2>kind of do one that you can really just throw

0:42:27.120 --> 0:42:27.640
<v Speaker 2>it out there.

0:42:27.680 --> 0:42:31.360
<v Speaker 4>So, Christy, let's be real like, I don't get auditions

0:42:31.400 --> 0:42:34.040
<v Speaker 4>for you know, ninety year old women. I get auditions

0:42:34.080 --> 0:42:37.000
<v Speaker 4>for people that are most of the time similar to

0:42:37.000 --> 0:42:38.200
<v Speaker 4>my voice type, you know what I mean?

0:42:38.360 --> 0:42:40.080
<v Speaker 2>Right, so, and we want to make sure that you

0:42:40.120 --> 0:42:42.600
<v Speaker 2>get that opportunity as well. So you in this one

0:42:42.680 --> 0:42:51.160
<v Speaker 2>are a ninety year old woman, I mean, Christy, you are.

0:42:51.120 --> 0:42:55.600
<v Speaker 1>A medium alien, medium sized alien who's fifteen years old,

0:42:55.640 --> 0:42:59.480
<v Speaker 1>so like teenager age, right, and you here's this, here's

0:42:59.520 --> 0:43:01.960
<v Speaker 1>the sniff. You're Scottish?

0:43:02.800 --> 0:43:15.880
<v Speaker 9>Okay, all right, A right of course, just fine accuracy.

0:43:14.160 --> 0:43:18.000
<v Speaker 2>Alright anytime, Austin so an alien real quick before.

0:43:18.080 --> 0:43:22.360
<v Speaker 8>So it's an alien, medium sized, fifteen year old Scottish alien.

0:43:22.960 --> 0:43:26.400
<v Speaker 2>Yep hmm. And for round number two, if Scottish doesn't

0:43:26.400 --> 0:43:29.080
<v Speaker 2>work out, we'll just hear fifteen year old alien. But

0:43:29.160 --> 0:43:31.439
<v Speaker 2>for now, let's see what you got, all.

0:43:31.440 --> 0:43:34.839
<v Speaker 15>Right, listen up u ee, lads and glasses. And here

0:43:34.920 --> 0:43:38.640
<v Speaker 15>it is noon on this wonderful Monday, and I hope

0:43:38.680 --> 0:43:41.960
<v Speaker 15>your week starts with walks, balls, being throne and some

0:43:42.280 --> 0:43:46.360
<v Speaker 15>big stretches. We're going to keep it going now with

0:43:46.440 --> 0:43:51.400
<v Speaker 15>a classic. This is walk in the Bark, Walk in

0:43:51.440 --> 0:43:55.839
<v Speaker 15>the Park by the Bow wows here on Easy one

0:43:55.880 --> 0:43:57.520
<v Speaker 15>O two the bark.

0:44:00.160 --> 0:44:02.240
<v Speaker 2>Nice, uh any notes.

0:44:02.840 --> 0:44:03.279
<v Speaker 3>I mean you.

0:44:03.320 --> 0:44:06.719
<v Speaker 1>Sounded forty, but beyond that I love Yeah.

0:44:06.719 --> 0:44:08.719
<v Speaker 3>I think you know I would do it too. I

0:44:08.760 --> 0:44:14.200
<v Speaker 3>think the Scottish accent makes people's so let's Scottish accent.

0:44:14.520 --> 0:44:17.080
<v Speaker 2>Yeah, it makes people go deeper because instantly you know

0:44:17.200 --> 0:44:21.520
<v Speaker 2>you're someone you know, you know. I want to forget it,

0:44:22.480 --> 0:44:24.880
<v Speaker 2>forget like Billy Connolly.

0:44:25.800 --> 0:44:27.799
<v Speaker 15>You know I can do it.

0:44:28.200 --> 0:44:31.000
<v Speaker 2>I can do a lot of that's interesting. I say

0:44:31.000 --> 0:44:34.480
<v Speaker 2>we dropped the accent just for this round. Okay, okay,

0:44:34.600 --> 0:44:38.600
<v Speaker 2>I would say, no Scottish. I want to hear your

0:44:39.640 --> 0:44:43.400
<v Speaker 2>teenage superhero voice with this line of dialog.

0:44:43.640 --> 0:44:48.319
<v Speaker 13>Okay, all right, listen up, boys and girls. And here

0:44:48.360 --> 0:44:51.359
<v Speaker 13>it is noon on this wonderful Monday, and I hope

0:44:51.400 --> 0:44:54.759
<v Speaker 13>your week starts with walks, balls being thrown in some

0:44:54.960 --> 0:44:57.719
<v Speaker 13>big stretches. We're going to keep it going now with

0:44:57.800 --> 0:45:00.680
<v Speaker 13>a classic. This is Walking the Park by the Bow

0:45:00.760 --> 0:45:03.480
<v Speaker 13>wows here on Easy one O two the Bark.

0:45:06.000 --> 0:45:09.640
<v Speaker 2>That's great, We'll be right back with you. Love you guys,

0:45:10.280 --> 0:45:10.960
<v Speaker 2>Thank you Austin.

0:45:11.040 --> 0:45:12.160
<v Speaker 1>Oh he's so sweet too.

0:45:12.680 --> 0:45:15.239
<v Speaker 2>Let's discuss this because we got some choices to make. Yeah,

0:45:16.440 --> 0:45:18.680
<v Speaker 2>so that was the best one. I mean I thought

0:45:18.680 --> 0:45:23.359
<v Speaker 2>that just when he strips it down, Yeah, acting is good. Yeah, yeah,

0:45:23.400 --> 0:45:23.680
<v Speaker 2>you know.

0:45:23.719 --> 0:45:26.880
<v Speaker 3>It's funny because that's that line is so like your

0:45:26.960 --> 0:45:31.840
<v Speaker 3>radio announcer. So it's I think challenging. It's challenging to

0:45:31.920 --> 0:45:34.480
<v Speaker 3>do that line and also like try to keep it

0:45:34.520 --> 0:45:37.320
<v Speaker 3>like you know, I'm a nervous superhero and.

0:45:37.560 --> 0:45:41.240
<v Speaker 2>You know, yeah, it's tough. That's why we're throwing.

0:45:41.280 --> 0:45:43.600
<v Speaker 1>It's it's it's almost smelling that you want to do

0:45:43.640 --> 0:45:44.840
<v Speaker 1>a tongue tie twister?

0:45:45.080 --> 0:45:49.040
<v Speaker 3>Is that when I'm it sounds like so much fun?

0:45:50.120 --> 0:45:50.480
<v Speaker 3>What it is?

0:45:51.200 --> 0:45:52.600
<v Speaker 2>Should I mean, okay, were.

0:45:52.520 --> 0:45:55.279
<v Speaker 4>Personally up until this point, I think I would say, nah.

0:45:55.640 --> 0:45:56.560
<v Speaker 2>I don't disagree.

0:45:56.680 --> 0:45:58.560
<v Speaker 1>Yeah, I don't disagree either.

0:45:58.640 --> 0:46:00.680
<v Speaker 2>Okay, then there's not We can't just throw them to

0:46:00.680 --> 0:46:02.760
<v Speaker 2>do the tongue tied twister challenge.

0:46:02.480 --> 0:46:04.080
<v Speaker 3>If it's not a.

0:46:04.080 --> 0:46:07.360
<v Speaker 2>Tide just because it's fun. And I think he's good,

0:46:07.440 --> 0:46:14.600
<v Speaker 2>I really do. She that first round she did was

0:46:14.800 --> 0:46:18.680
<v Speaker 2>so sitting next to somebody in the booth just doing

0:46:18.719 --> 0:46:22.200
<v Speaker 2>a role that I thought she nailed it right off

0:46:22.239 --> 0:46:24.360
<v Speaker 2>the bat. I mean it was it was perfectly in

0:46:24.400 --> 0:46:27.680
<v Speaker 2>her Wheelhouse. But it was really good that her first round.

0:46:27.760 --> 0:46:32.080
<v Speaker 2>I mean really good. And I think she needs a

0:46:32.080 --> 0:46:34.640
<v Speaker 2>little bit of work on maybe some of the choices

0:46:34.680 --> 0:46:38.160
<v Speaker 2>she makes as an actor. But I thought the acting's good.

0:46:38.160 --> 0:46:40.040
<v Speaker 2>I think the voice is good. I think she could

0:46:40.040 --> 0:46:45.760
<v Speaker 2>work all the time with that, you know, just her pipes.

0:46:45.800 --> 0:46:49.040
<v Speaker 2>You know, she sounds like kind of young powerpuff Girls

0:46:49.160 --> 0:46:49.719
<v Speaker 2>or yeah, I.

0:46:49.719 --> 0:46:52.840
<v Speaker 1>Mean eighteen if we're you know, oh, yeah, she's eighteen

0:46:52.920 --> 0:46:53.239
<v Speaker 1>years old.

0:46:53.280 --> 0:46:53.840
<v Speaker 3>She's eighteen.

0:46:54.000 --> 0:46:56.560
<v Speaker 1>Yes, she has actually a mature voice for an eighteen

0:46:56.640 --> 0:46:56.960
<v Speaker 1>year old.

0:46:57.080 --> 0:46:57.439
<v Speaker 3>I agree.

0:46:57.480 --> 0:46:59.000
<v Speaker 1>I think, you know what I'm saying. I feel like

0:46:59.080 --> 0:47:02.440
<v Speaker 1>she actually will row into her voice more and have

0:47:02.560 --> 0:47:06.839
<v Speaker 1>a long career. And I mean, you know, this kind

0:47:06.840 --> 0:47:09.520
<v Speaker 1>of contest could be so big for a person, you know,

0:47:09.800 --> 0:47:12.520
<v Speaker 1>like Mia, and she's doing a great job and we

0:47:12.560 --> 0:47:15.439
<v Speaker 1>didn't you know, we didn't hold back at all. She's

0:47:15.480 --> 0:47:18.480
<v Speaker 1>gotten all the information just like everyone did at real time.

0:47:18.800 --> 0:47:20.560
<v Speaker 1>And I'm just so proud of her. You know, she's

0:47:20.560 --> 0:47:22.440
<v Speaker 1>got a great attitude, and you definitely need to have

0:47:22.440 --> 0:47:25.279
<v Speaker 1>a great attitude to face you know, all of the

0:47:25.280 --> 0:47:26.400
<v Speaker 1>ins and outs of the business.

0:47:27.520 --> 0:47:29.560
<v Speaker 2>Laura, what do you think you stick You stick with Mia?

0:47:29.880 --> 0:47:32.240
<v Speaker 3>I stick with me. I still think I think Austin

0:47:32.400 --> 0:47:35.080
<v Speaker 3>was great, fantastic.

0:47:35.160 --> 0:47:39.759
<v Speaker 4>Yeah again, I think that he'll find work absolutely.

0:47:39.480 --> 0:47:40.960
<v Speaker 2>I think so too. I think so too. And I

0:47:40.960 --> 0:47:43.200
<v Speaker 2>think partially one of the things that I'm glad we

0:47:43.360 --> 0:47:46.360
<v Speaker 2>started doing with Round three was letting people kind of

0:47:46.560 --> 0:47:48.279
<v Speaker 2>so what we had last week, for instance, is we

0:47:48.320 --> 0:47:52.719
<v Speaker 2>had a guy who was who came in and the

0:47:52.840 --> 0:47:56.600
<v Speaker 2>contestant he was up against was phenomenal, but his natural

0:47:56.719 --> 0:48:02.960
<v Speaker 2>voice was so unbelievably good. Like Barry White announcer. He

0:48:03.080 --> 0:48:05.279
<v Speaker 2>said hello and we were all like, oh man. So

0:48:05.320 --> 0:48:07.680
<v Speaker 2>we were doing everything we could to get him in

0:48:07.800 --> 0:48:10.760
<v Speaker 2>his wheelhouse, but he just ran up against the buzzsauce.

0:48:10.760 --> 0:48:13.440
<v Speaker 2>So we want to make sure that everybody's having their opportunity,

0:48:13.520 --> 0:48:16.480
<v Speaker 2>and I think I do. I think Austin's very, very good.

0:48:16.520 --> 0:48:18.400
<v Speaker 2>I think his natural voice is probably the way I

0:48:18.400 --> 0:48:18.719
<v Speaker 2>would go.

0:48:18.719 --> 0:48:21.880
<v Speaker 3>I think he would do amazing commercial work. Yes, commercial

0:48:21.960 --> 0:48:23.920
<v Speaker 3>radio reads like he say seemed like.

0:48:26.040 --> 0:48:28.759
<v Speaker 1>Yeah, I agree, I agree, But unfortunately he would be

0:48:28.840 --> 0:48:33.080
<v Speaker 1>great on camera yeah yeah, yeah, like a or like

0:48:33.200 --> 0:48:35.080
<v Speaker 1>you or like a hero. I think he's great, and

0:48:35.360 --> 0:48:36.240
<v Speaker 1>he's a great actor.

0:48:36.680 --> 0:48:39.000
<v Speaker 2>He is funny, and he's he's trying to add lib

0:48:39.080 --> 0:48:41.760
<v Speaker 2>and that's what you want. You want somebody who's Yeah,

0:48:41.840 --> 0:48:44.440
<v Speaker 2>I agree, but we're looking for an all you know,

0:48:44.480 --> 0:48:46.799
<v Speaker 2>we need somebody who does great ad read but also

0:48:46.880 --> 0:48:49.160
<v Speaker 2>does great character and we're looking for that all around

0:48:49.760 --> 0:48:51.640
<v Speaker 2>kind of voice actor. So I think we're all in

0:48:51.640 --> 0:48:54.160
<v Speaker 2>agreement then, as much as we'd love the tongue twister challenge,

0:48:54.160 --> 0:48:58.800
<v Speaker 2>all right, let's bring Austin back in. This sucks. Hey Austin,

0:48:58.840 --> 0:49:03.440
<v Speaker 2>how are you hello? How's everything going? How's it going? Guys? So, uh,

0:49:04.080 --> 0:49:06.160
<v Speaker 2>we we think you're great. We really do. We think

0:49:06.160 --> 0:49:10.200
<v Speaker 2>you're phenomenal. I think the last round was your best

0:49:10.280 --> 0:49:13.200
<v Speaker 2>round because it's kind of it stayed in your natural register,

0:49:14.560 --> 0:49:18.080
<v Speaker 2>and I think, uh, you know, in your career that's

0:49:18.120 --> 0:49:20.719
<v Speaker 2>a voiceover wise, that's kind of where I think you're

0:49:20.719 --> 0:49:23.920
<v Speaker 2>gonna want to stay. That being said, your fellow contestant

0:49:23.920 --> 0:49:27.200
<v Speaker 2>today was really really good. And unfortunately this is as

0:49:27.200 --> 0:49:28.800
<v Speaker 2>far as you're going to be going in the contest,

0:49:30.280 --> 0:49:32.560
<v Speaker 2>But you were. All of us have been sitting here

0:49:32.600 --> 0:49:35.760
<v Speaker 2>just talking about it left and right because you're Frankly,

0:49:35.800 --> 0:49:38.600
<v Speaker 2>we as awesome as your voice is, and your voice

0:49:38.640 --> 0:49:41.399
<v Speaker 2>is really good, we think you're We think you're an

0:49:41.440 --> 0:49:44.759
<v Speaker 2>on camera actor. Yeah, we think voice over something that

0:49:44.800 --> 0:49:46.680
<v Speaker 2>you should definitely do because you're good at it. But

0:49:47.520 --> 0:49:51.160
<v Speaker 2>you're you're just your whole vibe just comes off as

0:49:51.200 --> 0:49:52.960
<v Speaker 2>being an on camera actor. Frank Kustin.

0:49:53.040 --> 0:49:55.279
<v Speaker 1>I think you would make so much money in commercials.

0:49:55.320 --> 0:49:57.920
<v Speaker 1>I mean, like, you have such a great look for

0:49:57.960 --> 0:50:00.560
<v Speaker 1>folks I can't see. He's just really good looking.

0:50:00.440 --> 0:50:03.840
<v Speaker 2>Guy and very hip and very easy to talk to.

0:50:04.160 --> 0:50:07.600
<v Speaker 1>And I just think I think you'd be great. I

0:50:07.640 --> 0:50:10.799
<v Speaker 1>think if you if you wanted to do that, Yeah.

0:50:10.560 --> 0:50:14.280
<v Speaker 2>You're really good. And again we've said from the beginning

0:50:14.920 --> 0:50:17.920
<v Speaker 2>the sixteen people we picked, so I'm not going to

0:50:17.960 --> 0:50:20.640
<v Speaker 2>lie to you. I remember you from the from the audition.

0:50:20.920 --> 0:50:24.480
<v Speaker 2>You were This is not a joke. The first audition

0:50:24.800 --> 0:50:29.879
<v Speaker 2>I saw, I really are you talking forty five hundred auditions,

0:50:30.080 --> 0:50:33.759
<v Speaker 2>you were the first one I clicked on, and we

0:50:33.840 --> 0:50:36.040
<v Speaker 2>even think you guys got it for the lengt time.

0:50:36.360 --> 0:50:39.239
<v Speaker 2>And I instantly put you in the has to move

0:50:39.280 --> 0:50:42.279
<v Speaker 2>forward category and I was like, Wow, they're all going

0:50:42.360 --> 0:50:45.160
<v Speaker 2>to be this good and they work, they just they

0:50:45.239 --> 0:50:48.920
<v Speaker 2>just weren't you. Did you set the bar? I'm not

0:50:49.040 --> 0:50:50.759
<v Speaker 2>trying to blow smoke at you. You set the bar

0:50:50.960 --> 0:50:55.680
<v Speaker 2>You're really really good, so keep moving forward. As you said,

0:50:55.719 --> 0:50:57.920
<v Speaker 2>you've won contest, You've done stuff. You will get signed

0:50:57.920 --> 0:51:00.359
<v Speaker 2>by somebody, and you are going to have a career.

0:51:00.480 --> 0:51:02.640
<v Speaker 2>So we want you to know that you did phenomenally well.

0:51:02.680 --> 0:51:05.920
<v Speaker 2>Congratulations on making it this far. But your fellow contestant

0:51:05.960 --> 0:51:08.160
<v Speaker 2>today was was just kind of on another level, and

0:51:08.200 --> 0:51:09.080
<v Speaker 2>that could just be today.

0:51:09.200 --> 0:51:10.799
<v Speaker 8>People have off days, you know, It's just the way

0:51:10.800 --> 0:51:13.480
<v Speaker 8>it is, absolutely and I totally understand that. Honestly, I'm

0:51:13.560 --> 0:51:15.600
<v Speaker 8>very I'm just thankful for the opportunity.

0:51:15.719 --> 0:51:16.680
<v Speaker 2>Thank you guys so much.

0:51:16.719 --> 0:51:18.800
<v Speaker 8>This has been like a world I'm such huge fans

0:51:18.800 --> 0:51:21.719
<v Speaker 8>of all of you, Like I've been paying attention to

0:51:21.760 --> 0:51:24.480
<v Speaker 8>your work for like my whole life, Like not many

0:51:24.480 --> 0:51:27.680
<v Speaker 8>people my age talk about my date with the President's.

0:51:27.200 --> 0:51:28.000
<v Speaker 2>Daughter that much.

0:51:29.360 --> 0:51:32.200
<v Speaker 8>I appreciate that I was watching Batman Beyond this morning.

0:51:32.800 --> 0:51:36.160
<v Speaker 8>And I'm obviously a huge fan of Christie's Laura. I've

0:51:36.160 --> 0:51:39.960
<v Speaker 8>definitely seen you around too, Like you guys are awesome, Like,

0:51:40.480 --> 0:51:41.399
<v Speaker 8>thank you so much for this.

0:51:41.400 --> 0:51:45.000
<v Speaker 2>This means the world to me. So blessed. Well we are,

0:51:45.080 --> 0:51:46.719
<v Speaker 2>we are, we will see you again. We know we'll

0:51:46.719 --> 0:51:48.200
<v Speaker 2>see you again, So thank you so much.

0:51:48.040 --> 0:51:48.440
<v Speaker 11>For coming on.

0:51:48.520 --> 0:51:51.960
<v Speaker 2>I appreciate it. Take care guys, you as well. God,

0:51:52.000 --> 0:51:53.879
<v Speaker 2>that's the worst. I hate that because he is good.

0:51:54.560 --> 0:51:57.359
<v Speaker 1>Every every single person that we've had to let go

0:51:57.760 --> 0:52:00.560
<v Speaker 1>took it so well so well.

0:52:00.560 --> 0:52:03.239
<v Speaker 2>It's also the I think they're going to work. Yeah, exactly. No,

0:52:03.320 --> 0:52:05.960
<v Speaker 2>I just was like, I hate you guys. They're so

0:52:06.000 --> 0:52:08.719
<v Speaker 2>good and we're hoping, we're hoping. You know, other agencies,

0:52:08.719 --> 0:52:10.799
<v Speaker 2>and you know, the winner signs with CESD, but other

0:52:10.840 --> 0:52:12.839
<v Speaker 2>agencies have to be hearing this stuff and saying, man,

0:52:12.880 --> 0:52:16.279
<v Speaker 2>I'll sign that personally. You know, it's because because they're great.

0:52:16.280 --> 0:52:18.319
<v Speaker 2>But now now the fun part happens. Now we can

0:52:18.360 --> 0:52:22.680
<v Speaker 2>bring me in Mia. Hello, how are you good?

0:52:22.920 --> 0:52:23.399
<v Speaker 1>How are you?

0:52:24.440 --> 0:52:26.600
<v Speaker 2>We're good. We just wanted to thank you so much

0:52:26.640 --> 0:52:29.359
<v Speaker 2>for coming and joining us. It has been a very

0:52:29.360 --> 0:52:32.560
<v Speaker 2>difficult week and a very difficult decision for us. But

0:52:32.960 --> 0:52:34.200
<v Speaker 2>you know, we just want you to know that we

0:52:34.200 --> 0:52:37.600
<v Speaker 2>think you're amazing and you really you really did well today.

0:52:38.560 --> 0:52:42.480
<v Speaker 2>But unfortunately you're gonna have to deal with us going

0:52:42.520 --> 0:52:44.880
<v Speaker 2>forward because you will be moving on in the next round.

0:52:45.920 --> 0:52:50.040
<v Speaker 1>Why why can I get to do that because it's fun?

0:52:51.120 --> 0:52:53.600
<v Speaker 2>I know, I get to do that because it's fun. Mia.

0:52:53.719 --> 0:52:58.720
<v Speaker 2>We think you are absolutely wonderful. You know, the the

0:52:58.880 --> 0:53:02.080
<v Speaker 2>first round of special we think the character just suited

0:53:02.080 --> 0:53:03.920
<v Speaker 2>you perfectly, and you really showed us what you can do.

0:53:05.320 --> 0:53:08.359
<v Speaker 2>I think you're you're the sky's the limit. I would

0:53:08.360 --> 0:53:09.920
<v Speaker 2>say this moving forward, and now I'm gonna throw it

0:53:09.960 --> 0:53:13.240
<v Speaker 2>to Christi and Laura, I would say, moving forward. Anytime

0:53:13.360 --> 0:53:18.360
<v Speaker 2>you can work on improv, I would you know it

0:53:18.560 --> 0:53:21.560
<v Speaker 2>just it makes you faster, It makes you kind of

0:53:21.560 --> 0:53:24.759
<v Speaker 2>on your toes. And as any voiceover actor will tell you,

0:53:25.400 --> 0:53:27.360
<v Speaker 2>the job you're in right now, the next job you

0:53:27.400 --> 0:53:29.080
<v Speaker 2>get a lot of times it's because of stuff you

0:53:29.120 --> 0:53:31.279
<v Speaker 2>ad lived in the room and you made. You just

0:53:31.320 --> 0:53:33.040
<v Speaker 2>are creating things in the room, and the next thing

0:53:33.040 --> 0:53:34.920
<v Speaker 2>you know, you're on the next show because hey, remember

0:53:34.920 --> 0:53:37.560
<v Speaker 2>that voice you were doing. So you know, if you

0:53:37.560 --> 0:53:39.239
<v Speaker 2>can get into some kind of an improv class or

0:53:39.239 --> 0:53:41.399
<v Speaker 2>something like that, I think you should because it can

0:53:41.520 --> 0:53:44.480
<v Speaker 2>only help with the natural talent that you already have

0:53:45.480 --> 0:53:47.440
<v Speaker 2>from there. So, Laura, do you have anything to add

0:53:48.200 --> 0:53:48.840
<v Speaker 2>You're awesome.

0:53:50.320 --> 0:53:52.840
<v Speaker 5>Oh my gosh, you guys have been such a pleasure

0:53:52.880 --> 0:53:53.200
<v Speaker 5>to meet.

0:53:53.239 --> 0:53:54.880
<v Speaker 1>I'm very happy I got to come on here.

0:53:54.920 --> 0:53:55.680
<v Speaker 3>Thank you so much.

0:53:56.640 --> 0:53:58.359
<v Speaker 2>That is so cool. Christ Billy.

0:53:58.520 --> 0:53:59.560
<v Speaker 3>I'm really proud of you, ya.

0:53:59.600 --> 0:54:02.560
<v Speaker 1>I think you have so much talent inside of your

0:54:02.560 --> 0:54:05.920
<v Speaker 1>body and I we are all just you know, rooting

0:54:06.000 --> 0:54:08.200
<v Speaker 1>for you, and I'm excited to see you at the

0:54:08.239 --> 0:54:11.279
<v Speaker 1>next round of this competition. Congratulations, Thank you so much.

0:54:11.320 --> 0:54:12.279
<v Speaker 1>Can't wait to see you again.

0:54:13.040 --> 0:54:15.839
<v Speaker 2>And speaking of that, if if the next round, if

0:54:15.840 --> 0:54:17.759
<v Speaker 2>we could, if we could have your camera working, that

0:54:17.800 --> 0:54:18.640
<v Speaker 2>would really be great.

0:54:18.680 --> 0:54:20.279
<v Speaker 5>Okay, we kind of have a talking to you after this,

0:54:21.000 --> 0:54:21.600
<v Speaker 5>all right.

0:54:22.480 --> 0:54:24.400
<v Speaker 2>Well, thank you so much and we will see you

0:54:24.520 --> 0:54:25.560
<v Speaker 2>in the next round.

0:54:25.600 --> 0:54:29.120
<v Speaker 4>Alle ready, bye bye, bye bye bye.

0:54:29.560 --> 0:54:32.239
<v Speaker 2>Okay, everybody very quickly before we say goodbye to our

0:54:32.360 --> 0:54:35.760
<v Speaker 2>amazing guest judge today, Laura Bailey, and you were amazing.

0:54:35.800 --> 0:54:38.520
<v Speaker 2>Thank you so much for joining us. We are there.

0:54:38.840 --> 0:54:41.040
<v Speaker 2>Round one of the super awesome contests to become the

0:54:41.040 --> 0:54:43.920
<v Speaker 2>next Big Voice Actor is done. We are done with

0:54:44.000 --> 0:54:45.640
<v Speaker 2>by the numbers and we'll be moving on to a

0:54:45.680 --> 0:54:52.040
<v Speaker 2>new game next week. But Mia from Florida is going

0:54:52.080 --> 0:54:55.040
<v Speaker 2>to be joined by Dylan from Louisiana, Danielle from Tennessee,

0:54:55.440 --> 0:54:59.960
<v Speaker 2>Matthew from Delaware, Tatiana from California, Hannah from Alabama, heylenh

0:55:00.360 --> 0:55:03.680
<v Speaker 2>from North Carolina and Haley from Texas. We did not

0:55:03.800 --> 0:55:06.160
<v Speaker 2>plan this, We did not know what was happening. But

0:55:06.280 --> 0:55:10.560
<v Speaker 2>the women came in and just crushed it. They absolutely

0:55:10.800 --> 0:55:15.279
<v Speaker 2>killed So there's only two men left. There's there's two

0:55:15.280 --> 0:55:17.239
<v Speaker 2>guys left and the other six are women. The women

0:55:17.320 --> 0:55:21.719
<v Speaker 2>just came in and absolutely threw down. Yes, so what

0:55:21.960 --> 0:55:24.880
<v Speaker 2>a contest and we are moving forward. Laura, thank you

0:55:24.920 --> 0:55:25.520
<v Speaker 2>so much for this.

0:55:25.600 --> 0:55:27.480
<v Speaker 3>Thanks for having me. This was a blast. You were

0:55:27.520 --> 0:55:28.160
<v Speaker 3>at last.

0:55:28.239 --> 0:55:29.640
<v Speaker 1>It was really nice to meet you.

0:55:29.640 --> 0:55:31.480
<v Speaker 3>You too. I can't believe we haven't met before.

0:55:31.440 --> 0:55:35.880
<v Speaker 2>Which is crazy. It's absolutely crazy. So not that I

0:55:35.920 --> 0:55:38.960
<v Speaker 2>have to say this for anybody actually listening to the show, Laura,

0:55:39.000 --> 0:55:40.799
<v Speaker 2>but where can people find you if they're looking for you?

0:55:40.920 --> 0:55:41.839
<v Speaker 2>What projects do you have?

0:55:41.960 --> 0:55:42.200
<v Speaker 4>Now?

0:55:42.440 --> 0:55:43.040
<v Speaker 3>Oh? Man?

0:55:44.040 --> 0:55:46.120
<v Speaker 4>You can find me on Twitter, even though I'm like

0:55:46.160 --> 0:55:49.520
<v Speaker 4>never on it. At Laura bayle Villo on Instagram, the

0:55:49.560 --> 0:55:50.080
<v Speaker 4>same way.

0:55:51.239 --> 0:55:54.400
<v Speaker 3>You can watch me on Critical Role almost every Thursday.

0:55:55.040 --> 0:55:59.160
<v Speaker 3>I have the Month and coming out soon, which I'm

0:55:59.160 --> 0:55:59.919
<v Speaker 3>really excited about.

0:56:00.239 --> 0:56:04.240
<v Speaker 4>I have a video game coming out called Stray Gods,

0:56:04.960 --> 0:56:08.560
<v Speaker 4>which is it's a I'm just like pumping it up

0:56:08.600 --> 0:56:10.120
<v Speaker 4>because it's so weird and cool.

0:56:10.800 --> 0:56:11.600
<v Speaker 3>It sounds cool.

0:56:11.680 --> 0:56:16.759
<v Speaker 4>It's a musical RPG game, so in like the vein

0:56:16.840 --> 0:56:21.040
<v Speaker 4>of it's written by David Gator who did like Dragon Age,

0:56:21.080 --> 0:56:24.040
<v Speaker 4>so he's like a master at branching dialogues, right, but

0:56:24.160 --> 0:56:27.560
<v Speaker 4>instead of like branching dialogue, as you choose your choices,

0:56:27.680 --> 0:56:29.720
<v Speaker 4>it changes the freaking music.

0:56:30.800 --> 0:56:31.160
<v Speaker 9>Wow.

0:56:31.160 --> 0:56:33.640
<v Speaker 4>And it's all a musical written by Austin Wintry who's

0:56:33.640 --> 0:56:36.320
<v Speaker 4>an amazing phenomenal composer.

0:56:36.480 --> 0:56:38.719
<v Speaker 3>And it's got like a really stellar cast and it's

0:56:38.760 --> 0:56:39.359
<v Speaker 3>been just.

0:56:40.239 --> 0:56:42.280
<v Speaker 2>Did you say yea?

0:56:42.360 --> 0:56:45.360
<v Speaker 3>I saying it's a lot of a lot of music

0:56:46.640 --> 0:56:47.359
<v Speaker 3>and it's when.

0:56:47.560 --> 0:56:50.480
<v Speaker 2>Now do you know when when that's coming out?

0:56:50.840 --> 0:56:53.080
<v Speaker 3>I don't know. Oh yes, yes, the REALA State did

0:56:53.080 --> 0:56:54.640
<v Speaker 3>come out. It's August third.

0:56:55.120 --> 0:56:55.759
<v Speaker 2>Oh that's great.

0:56:57.600 --> 0:57:00.000
<v Speaker 3>It's super fun, super amazing cast.

0:57:00.080 --> 0:57:00.440
<v Speaker 4>Look it up.

0:57:01.280 --> 0:57:04.480
<v Speaker 2>That's incredible. And if you haven't started critical roles started

0:57:04.480 --> 0:57:07.480
<v Speaker 2>on Saturday, you'll be done by Sunday with four seasons,

0:57:07.600 --> 0:57:09.839
<v Speaker 2>which is great. It's super quick to walk now there

0:57:09.840 --> 0:57:12.560
<v Speaker 2>are like nine hour episodes and so much fun that

0:57:12.640 --> 0:57:14.840
<v Speaker 2>they really are. But Laura, thank you so much for

0:57:14.920 --> 0:57:16.440
<v Speaker 2>joining us. We know how busy you are, and this

0:57:16.480 --> 0:57:18.000
<v Speaker 2>is really really cool that you could be here and

0:57:18.080 --> 0:57:20.480
<v Speaker 2>you know. One of the prizes, of course, is you know,

0:57:20.520 --> 0:57:24.400
<v Speaker 2>getting to uh have a training session with Sam Regal

0:57:24.480 --> 0:57:30.360
<v Speaker 2>and Mary McGlynn, who are two phenomenal directors. Gods, Oh

0:57:30.480 --> 0:57:34.680
<v Speaker 2>so cool. That's okay, another singer. I'm just phenomenal. And

0:57:34.720 --> 0:57:36.800
<v Speaker 2>this is what it takes everybody to be that perfect

0:57:36.800 --> 0:57:40.080
<v Speaker 2>well rounded voiceover actor. You've got singing, you've got you know,

0:57:40.240 --> 0:57:43.000
<v Speaker 2>incredible acting, you've got dialects, you've got it. You've got it,

0:57:43.000 --> 0:57:45.280
<v Speaker 2>you got it. So that's what we are looking for. Everybody,

0:57:45.640 --> 0:57:48.480
<v Speaker 2>So cool. Thank you, Laura, thank you Christy. Thanks for

0:57:48.600 --> 0:57:52.480
<v Speaker 2>joining us. I'm getting there, which is which is good.

0:57:52.520 --> 0:57:55.320
<v Speaker 2>I'm glad next week the show of Today's paper. You

0:57:55.400 --> 0:57:57.600
<v Speaker 2>are in fact still with us and the ransom has

0:57:57.680 --> 0:58:00.560
<v Speaker 2>yet to be paid. So that's your very very cool.

0:58:00.560 --> 0:58:04.240
<v Speaker 2>We love that, everybody. Don't forget. Thank you everybody at CESD,

0:58:04.320 --> 0:58:06.800
<v Speaker 2>Thank you everybody at Prime Video. Go check out season

0:58:06.880 --> 0:58:09.479
<v Speaker 2>two of the Legend of Vox Machina. It is available now.

0:58:09.520 --> 0:58:12.120
<v Speaker 2>It is phenomenal. The guest stars in that show are

0:58:12.200 --> 0:58:16.080
<v Speaker 2>so good. I don't even know where to start. So

0:58:16.200 --> 0:58:18.920
<v Speaker 2>thanks everybody for joining us, and don't forget. If you

0:58:18.960 --> 0:58:20.440
<v Speaker 2>think you have what it takes to step up to

0:58:20.480 --> 0:58:22.400
<v Speaker 2>the microphone and be one of us. Put your voices

0:58:22.400 --> 0:58:25.000
<v Speaker 2>where your mouth is. Thanks everybody. I Hear Voices is

0:58:25.000 --> 0:58:27.960
<v Speaker 2>hosted by Wilfredell and Christy Carlson Romano. Executive produced by

0:58:28.000 --> 0:58:30.680
<v Speaker 2>will Fredell, Brendan Rooney, Amy Sugarman. Our executive in charge

0:58:30.720 --> 0:58:33.680
<v Speaker 2>of production is Danielle Romo, Our producer is Lorraine Viriuez,

0:58:33.720 --> 0:58:36.680
<v Speaker 2>and our editor slash engineer is Brian Burton. And that

0:58:37.360 --> 0:58:38.680
<v Speaker 2>was my announcer voice.

0:58:38.800 --> 0:58:40.840
<v Speaker 6>Some side effects of listening to I Hear Voices are

0:58:40.880 --> 0:58:43.840
<v Speaker 6>sore abs from hilarity falling down the coco melon rabbit hole,

0:58:43.960 --> 0:58:46.080
<v Speaker 6>sneezing due to mass nostalgia, and hugs.

0:58:46.200 --> 0:58:48.280
<v Speaker 2>Follow I Hear Voices wherever you listen to podcasts so

0:58:48.320 --> 0:58:50.080
<v Speaker 2>you don't miss any of the amazing voices.

0:58:50.200 --> 0:58:52.400
<v Speaker 6>Be sure to follow us on Instagram and TikTok at

0:58:52.400 --> 0:58:53.600
<v Speaker 6>I Hear Voices podcast.

0:58:53.680 --> 0:58:56.800
<v Speaker 2>You can also check us out on MySpace, omegle Vine, LimeWire.

0:58:56.880 --> 0:58:57.800
<v Speaker 2>Hey I'm a napster.

0:58:57.920 --> 0:58:59.560
<v Speaker 6>Okay, well let's teach you about the Internet.

0:58:59.760 --> 0:58:59.880
<v Speaker 9>Who