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Speaker 1: Hey, Christy, Hi Will, how are you.

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Speaker 2: I'm good? Well, here we are.

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Speaker 3: We are.

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Speaker 1: Are you feeling better, by the way, because they were

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Speaker 1: following up, No, yeah.

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Speaker 2: I'm like seventy five percent. You know, the stomach virus,

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Speaker 2: like the stomach flu, It just it wipes you. So

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Speaker 2: I'm on the mend. I'm definitely on the mend, and

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Speaker 2: I'm better than I was, but certainly not one hundred percent.

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Speaker 2: I was telling Brian, our awesome engineer, that yesterday I

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Speaker 2: just started faking it. I just started eating normally and

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Speaker 2: working out again and just pretending that I was fine,

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Speaker 2: And we're going to see if that works.

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Speaker 1: So sometimes you fake it till you make it.

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Speaker 2: I agree, Yes, I've worked for you.

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Speaker 1: I think in the past it has, so it has anyways,

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Speaker 1: it has exactly.

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Speaker 2: I just pretend I know how to act, and all

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Speaker 2: of a sudden, somebody gives me a shot. So that's

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Speaker 2: that's nice. But we're no, I'm we're here. This is

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Speaker 2: our last round of the Sweet sixteen. Yes, so we

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Speaker 2: are going to the Elite eight. These are the first

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Speaker 2: time we will meet any new contestants will be today

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Speaker 2: and of course at the top of show, we just

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Speaker 2: like to give a quick shout out to everybody who

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Speaker 2: made this super awesome contest to become the next big

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Speaker 2: voice actor happen. Of course, all of our friends over

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Speaker 2: at Amazon Prime. Who that that's going to come into

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Speaker 2: conversation a lot today, we'll get into that with our guests.

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Speaker 1: But a great guest today, judge a great communicator adjudicator.

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Speaker 2: Yes, yes, which is great, but no so we we

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Speaker 2: of course want to thank Amazon Prime and thank everybody

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Speaker 2: over at Critical Role and the Legend of oxmock in

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Speaker 2: the season two is available for download right now. Of course,

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Speaker 2: go check it out. It is an incredible show. And

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Speaker 2: I say this every week. I don't just say that.

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Speaker 1: Because he's in it. That's why you say.

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Speaker 2: It is phenomenally good. But we also want to thank

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Speaker 2: CESD for their phenomenal prize. We want to thank iHeart

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Speaker 2: for of course, are making all of this happen. The

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Speaker 2: contest has been going so well. Week by week we

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Speaker 2: are having a more and more difficult time picking who's

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Speaker 2: moving on. And next week we start the Elite A

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Speaker 2: and a brand new game, so we will be saying

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Speaker 2: goodbye to by the Numbers and hello do something which

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Speaker 2: we will introduce next week. I'm not even going to

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Speaker 2: give away the title because it's so much fun where

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Speaker 2: we're going from here. We can't wait. We are going

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Speaker 2: to find a well rounded voice actor and that means

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Speaker 2: not just doing funny voices. It means a lot of

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Speaker 2: other stuff too, and we will really be showcasing that

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Speaker 2: in the next round. But we are not done with

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Speaker 2: this round. Yes, and we have two incredible people joining

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Speaker 2: us today. Our contestants are Mia from Florida and Robert

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Speaker 2: from Virginia, and we are going to be getting into it.

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Speaker 2: I can't wait. But before we get there, we need

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Speaker 2: a guest adjudicator. It does You're so right, Christy. It

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Speaker 2: does absolutely sound John Wickish, doesn't it.

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Speaker 1: Well, there's that character who in the Yes, the judicator,

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Speaker 1: and that is what it is.

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Speaker 3: Yes, it is.

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Speaker 2: I feel like I need to put down a secret

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Speaker 2: gold coin and pass it across the table and say,

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Speaker 2: we need an adjudicator for this week. But we got

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Speaker 2: a good one, don't we.

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Speaker 3: We do. I love this.

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Speaker 1: I'm actually really excited to see you guys chat because

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Speaker 1: I'm assuming that you guys are really good friends.

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Speaker 2: Yes, well, this person has been you know, somebody that

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Speaker 2: I've known for many years and has been integral in

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Speaker 2: the creation, building and maintaining of one of the most

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Speaker 2: popular media brands in the world, quite literally, and is

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Speaker 2: a ridiculously good and well known not only voice of actor,

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Speaker 2: but especially video game actor. She has been in some

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Speaker 2: of the greatest video games ever and that's absolutely not

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Speaker 2: an exaggeration. She has some of the most incredible I mean,

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Speaker 2: her resume is insane. So we will get into that,

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Speaker 2: of course when we get there. But let's introduce her

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Speaker 2: because I don't want to keep her waiting anymore, and

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Speaker 2: we'll let her know what's going on. Who is joining

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Speaker 2: us today, Christy, We have.

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Speaker 1: The fabulous Laura Bailey in the hull.

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Speaker 2: Cannot wait, everybody, Laura Bailey Bay huh, Hey, how are you? Laura?

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Speaker 3: I'm will How are you?

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Speaker 2: I'm good? Thank you for joining us today.

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Speaker 1: Hey, no, frivolo, you have a gorgeous home.

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Speaker 2: I don't know what this is.

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Speaker 1: This is gorgeous.

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Speaker 4: This is half my office, half my son's play area,

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Speaker 4: which would have benmbo if I'm being You're like.

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Speaker 1: In hindsight, maybe not.

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Speaker 2: My favorite thing about your home is your neighborhood. I

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Speaker 2: hear you live in an absolutely beautiful neighborhood.

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Speaker 3: You know, I hear the same thing.

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Speaker 2: We got great neighbors, we really do. So thank you

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Speaker 2: for joining us today. You're joining us on kind of

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Speaker 2: a pretty important episode because you are joining us for

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Speaker 2: the last round of the Sweet sixteen to help to

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Speaker 2: pick who goes on to the Elite eight. Yes, so

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Speaker 2: to bring you up to date on what's going on.

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Speaker 2: We have seven incredible contestants, so we have as you

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Speaker 2: well know, because you are part of this little show

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Speaker 2: called The Critical Role.

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Speaker 1: It's a little show that we never talk about every

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Speaker 1: single week.

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Speaker 2: It's tiny. There's so much four or five people that

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Speaker 2: watch this show.

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Speaker 4: All right.

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Speaker 2: Anyway, before we get into our show, let's get into

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Speaker 2: your show a little bit. Can you tell us a

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Speaker 2: little bit. Let's start first, because we are strictly a

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Speaker 2: voiceover show, Let's start first with your voiceover career. Just

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Speaker 2: very briefly. How did you get started in the in

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Speaker 2: the industry?

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Speaker 3: Oh? Man, I started kind of fresh out of high school.

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Speaker 3: I was in Texas and I know that's where I

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Speaker 3: was doing. Uh you saw my pajama pants for a second.

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Speaker 4: I was doing a play in Dallas and uh, one

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Speaker 4: of the people in the show was a voice actor

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Speaker 4: for Funnimation, which did like Dragon Ball Z and at

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Speaker 4: the time it was it.

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Speaker 3: Was basically Dragon Ball Z, that's what they did.

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Speaker 4: And he asked if I were to come in an audition,

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Speaker 4: and I had never even thought that voiceover could be

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Speaker 4: a thing. And I went an auditioned and had a

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Speaker 4: blast lost my voice in the callbacks.

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Speaker 2: Yeah, like you want, like you exactly what you want.

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Speaker 4: Because I had no vocal control, you know, had not

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Speaker 4: learned my lessons now. But yeah, and then I ended

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Speaker 4: up getting cast as kid Trunks on Dragon Ball Z

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Speaker 4: and then it just kind of been there.

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Speaker 2: So where now you've obviously you've done a ton of

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Speaker 2: I mean, we can talk about all the Marvel stuff

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Speaker 2: you do, and you and I have worked together a

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Speaker 2: lot in the Marvel world and all, you know that

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Speaker 2: kind of thing. But you really just hit it out

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Speaker 2: of the park in the video game world. How did

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Speaker 2: that come into play?

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Speaker 3: Well? Outside of Funimation?

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Speaker 4: I started doing video games very very early as well,

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Speaker 4: and I did a video game called blood Rain in Texas.

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Speaker 4: That was the first video game I ever did. And

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Speaker 4: I was a Nazi killing vampire.

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Speaker 2: Of course, like you did.

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Speaker 3: Kind and yeah, it.

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Speaker 4: Just kind of all happened at the same time. And

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Speaker 4: then when I came out to La, you know, there's

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Speaker 4: I mean, there's there's recording in Texas. There's stuff to

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Speaker 4: be done, but there's.

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Speaker 1: Not a ton I need to get a job, guys,

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Speaker 1: I need to Is this still happening?

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Speaker 2: This is awesome. That's good. Then you can afford some

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Speaker 2: stuff to hang behind you.

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Speaker 1: I mean, this is sad guy, right look at her.

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Speaker 1: She's got all you.

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Speaker 3: You could be, you could be anywhere right now.

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Speaker 2: Exactly every time we start the show, I ask her

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Speaker 2: to hold up today's paper so I know she's safe.

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Speaker 2: It's just the easiest way to do it, like, oh,

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Speaker 2: thank god, that's Today's We're good. So moving out to La,

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Speaker 2: did you because one of the things we talk about

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Speaker 2: on the show a lot is how, I mean, the

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Speaker 2: video game world not only took voiceover to a whole

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Speaker 2: different level, but it became this hybrid between live action

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Speaker 2: and voice acting that you really can't find anywhere else.

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Speaker 2: So did you jump right into the mocap world or

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Speaker 2: did you start strictly vo.

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Speaker 4: I started strictly V I'd been in California working for

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Speaker 4: I don't know, I don't know a few years and

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Speaker 4: I got an audition for motion capture and I had

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Speaker 4: no idea really what it was. We had worked with

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Speaker 4: a stunt coordinator on another project and he brought us in,

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Speaker 4: Me and Travis. I say us like the Royal Wey

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Speaker 4: or something, of course, and Travis is in the kitchen

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Speaker 4: over there.

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Speaker 2: I'm sure he'll pop in at some point, and.

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Speaker 4: So we went an auditioned for it ended up getting

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Speaker 4: cast on this project that filmed in Japan, so we

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Speaker 4: shot motion capture.

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Speaker 3: I think it was for was it for Konami?

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Speaker 4: I can't remember. It ended up not being made. We

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Speaker 4: worked on it for like two months and the project

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Speaker 4: ended up getting.

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Speaker 3: Scrapped after a while. It's fun.

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Speaker 4: I never saw the light of day, but it was

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Speaker 4: my first experience with motion capture and I realized how

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Speaker 4: much I loved it. And then it just you know,

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Speaker 4: the industry has evolved so much as we've been working

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Speaker 4: in it, and now so much of it is mo

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Speaker 4: cap and I think I just looked out that I

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Speaker 4: got in when it was very early and I understood

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Speaker 4: the process, and then so that experience kept helping me

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Speaker 4: get more jobs.

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Speaker 2: You know, it's amazing. I mean it truly is. It's

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Speaker 2: one of those things where I'm not a huge gamer anymore,

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Speaker 2: just because once they added the third button on the remote,

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Speaker 2: I was lost. But other than that, it was A

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Speaker 2: and B.

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Speaker 3: I'm good turn it up and down?

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Speaker 2: Really that aut Oh no, they added an X button

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Speaker 2: and I was like, what's happened? So but the best

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Speaker 2: storytelling is now all done in video games because it

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Speaker 2: can it actually can tell the whole story, and it's

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Speaker 2: something that is just off the chart. So yes, we

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Speaker 2: could sit here all day and talk about how you're

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Speaker 2: amazing at what you do and your resume is ridiculous,

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Speaker 2: But it's not about us. It's about finding the next US, okay,

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Speaker 2: and we need your help. So every week we have

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Speaker 2: we we actually had we thought, as you know, I

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Speaker 2: came on to your show on Critical Role and we

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Speaker 2: announced the contest there and we announced some other places,

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Speaker 2: so we thought we were going to have you know,

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Speaker 2: five six, seven hundred kind of people. We had almost

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Speaker 2: forty five hundred entries. We literally went through every single one.

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Speaker 4: How how how I think it was you guys A

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Speaker 4: long time?

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Speaker 2: Yeah, you guys. I think it was because of a

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Speaker 2: Critical Role that we really it exploded. So we three

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Speaker 2: of us went through forty five hundred entries.

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Speaker 3: How did we do that?

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Speaker 2: It was sitting in the room that was one after the.

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Speaker 1: Being like Christy got a pinish.

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Speaker 2: We've got more more. But we have come up. We

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Speaker 2: picked our final sixteen and we have come up with

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Speaker 2: our first round to get to the elite eight. We

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Speaker 2: came up with a game that is called by the Numbers,

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Speaker 2: and we're going to need you to help us with

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Speaker 2: buy the numbers. So what by the Numbers is is

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Speaker 2: we have three lines of actually, well, the contestants that

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Speaker 2: we have no of two lines of dialogue that we

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Speaker 2: have that we've sent to them ahead of time. We

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Speaker 2: then have four categories size, what are you age? And

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Speaker 2: a wacky attribute with numbers. You will pick Laura. You

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Speaker 2: will create a character on the spot that the actors

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Speaker 2: then have to do with the lines of dialogue that

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Speaker 2: we have given them. After each round, we will give

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Speaker 2: them notes and they will try it again and then

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Speaker 2: they move on to line too. Now the wrinkle is

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Speaker 2: after the first two lines, we will then be throwing

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Speaker 2: them a line three that they have not seen yet

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Speaker 2: and will then create another character on the spot and

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Speaker 2: they will have to read cold after they It's not easy,

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Speaker 2: and some of the combinations we come up with, we're going,

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Speaker 2: I don't know what we would do, it's really not

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Speaker 2: So we will then put them in their waiting rooms

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Speaker 2: and then decide which one of them moves on and

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Speaker 2: which one of them unfortunately, will have to look elsewhere

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Speaker 2: because we know that all these people are so talented

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Speaker 2: that they're going to get signed somehow, but they will

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Speaker 2: no longer be in the contest, So we take them

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Speaker 2: how they come. And the first one that we have

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Speaker 2: to is Mia from Florida. So if we can bring

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Speaker 2: Mia in and introduce her, that would be phenomenal. Hello, Hi, well,

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Speaker 2: I already like her voice. Thank you, Mia. If you

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Speaker 2: could tell us very briefly what drew you to be

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Speaker 2: wanting to become a voiceover actor.

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Speaker 5: Well, growing up as a blind individual, you know, music

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Speaker 5: and audio is very very important to me because I

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Speaker 5: felt like it was something that I could really connect

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Speaker 5: with other people on, like it was something that I

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Speaker 5: could actually listen to and be like, oh, I can

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Speaker 5: experience this sensation just like the rest of you can.

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Speaker 5: So obviously I grew up in theater. I did a

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Speaker 5: lot of stage work. But my only problem was they're

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Speaker 5: always like.

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Speaker 6: Wow, your voice is so expressive.

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Speaker 5: However your body language is is a little bit lacking.

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Speaker 5: So I was like, what can I do with vocal

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Speaker 5: things that you know? And then I found voiceover and

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Speaker 5: then the apocalypse happened, obviously, and that was a really

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Speaker 5: great time to just you know, sit down, get all

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Speaker 5: the equipment, get everything started. And it's been a wonderful journey.

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Speaker 1: I love it so much.

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Speaker 7: It's my life.

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Speaker 3: It's wonderful.

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Speaker 2: That is incredible, and I'm taking so much away from

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Speaker 2: what you just said. But I heard you were blind.

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Speaker 2: Is that what you just said? I can't believe.

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Speaker 1: Vision and pair ways we can say that all that

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Speaker 1: so I think she gets to pick jokes.

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Speaker 2: It's so funny. Thank you so much. We will do

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Speaker 2: you have your two lines of dialogue that we send perfect.

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Speaker 2: We will be right back with you to begin round one.

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Speaker 2: Thank you so much.

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Speaker 4: Thank you.

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Speaker 2: That's incredible, unbelievable. This is going to be a fun week.

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Speaker 2: I can already tell wow. All right, now let's bring

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Speaker 2: in contestant number two. We are bringing in Austin from Virginia.

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Speaker 3: Hello, he.

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Speaker 2: Very quickly, can you tell us what led you to

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Speaker 2: wanting to become a voice over actor.

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Speaker 8: Well, I've been acting, performing, singing, and dancing since since

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Speaker 8: pre school. My mom was really the one who taught

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Speaker 8: me all of my foundations for storyteller. For storytelling, storytelling

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Speaker 8: is really the goal. I love live action, I love animation.

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Speaker 8: I've been collecting voices my entire life since even before then.

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Speaker 8: And I've never had an agent. But I have won city, state,

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Speaker 8: and national awards, scholarships, and competitions for writing, acting, and

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Speaker 8: directing for film and theater. Wow, which all sounds cool,

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Speaker 8: but it doesn't exactly mean anything if you're broke.

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Speaker 4: Uh.

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Speaker 8: But but I haven't competed in a while, so this

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Speaker 8: is like really exciting. Storytelling just means a lot to me.

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Speaker 2: Some of the most.

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Speaker 8: Important movies ever made were animated movies or TV shows

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Speaker 8: Iron Giant, Grape Mouse, Detective Rescuers, down On. So I'm here,

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Speaker 8: let's do this.

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Speaker 2: You got Austin love that?

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Speaker 3: Where did you say you're located Austin.

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Speaker 8: I'm actually just outside of d C. I'm actually in

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Speaker 8: the Stafford Quantico area of Virginia.

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Speaker 2: So, like the FBI Academy is listening to you, less

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Speaker 2: than a mile oh, definitely, they've rigged to the contest

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Speaker 2: them fed well, thank you so much, Austin, you have

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Speaker 2: the two lines of dialogue we sent you. I do perfect.

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Speaker 2: We will be back with you. Your fellow contestant got

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Speaker 2: here first, and we are going just by order of

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Speaker 2: how people arrived, so we will be right back with

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Speaker 2: you to start round one. Thank you so much. All right,

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Speaker 2: let's bring in Mia. Here we go people the last

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Speaker 2: round of round one, to see whos going to be

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Speaker 2: an elite the elite.

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Speaker 1: This is crazy, this is going to be a doozy.

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Speaker 2: I can't wait. It is a ton of fun. So

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Speaker 2: here we go and we are bringing Mia back.

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Speaker 4: Hi.

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Speaker 1: Hi.

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Speaker 2: By the way, I am so excited that I forgot

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Speaker 2: to introduce you to Laura Bailey and Krista Carlson Romano

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Speaker 2: and myself. I'm Wilfredell. Welcome to the show.

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Speaker 3: Is here.

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Speaker 1: I'm just like a stage five clinger.

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Speaker 2: And thank you. And so as you know, we are

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Speaker 2: going to be starting round one here with your first

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Speaker 2: line of dialogue and the redoubtable, which has become one

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Speaker 2: of my favorite words ever. Laura Bailey is going to

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Speaker 2: decide what character you are going to do. Line one

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Speaker 2: in so, Laura, if you would please, could you give

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Speaker 2: me a number between one and six?

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Speaker 3: And I don't know what any of these numbers mean?

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Speaker 2: Nope, no, okay, did you will?

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Speaker 6: Soon?

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Speaker 3: I will say number four?

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Speaker 2: And can you give me a number between one and twelve?

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Speaker 3: Seven?

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Speaker 2: And now a number between one and seven two, and

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Speaker 2: finally a number between one and eleven eleven? Oh, I

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Speaker 2: like this, Christy? Can you please tell us what character? Mia?

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Speaker 4: Will be?

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Speaker 2: Ready?

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Speaker 3: All right?

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Speaker 1: All right, miss Mia? You are a small flower.

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Speaker 7: Oh who's five years old and is an athletic coach?

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Speaker 5: Oh my gosh, I love it.

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Speaker 2: So there is an interesting combination for you, a small

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Speaker 2: five year old flower, oh who's an athletic coach? Line

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Speaker 2: number one, Mia at your pleasure sounds great? NiFe is

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Speaker 2: so strange?

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Speaker 5: Why do I sometimes feel like someone just made me up?

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Speaker 5: Like they picked random numbers off of the list and

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Speaker 5: I'm a cane. Jeez, it's such a weird feeling.

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Speaker 2: Wow. Yeah, that's a pretty strong start. Lord. Do you

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Speaker 2: have any notes from me?

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Speaker 1: Is there any way to make her sound more innocent

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Speaker 1: like that?

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Speaker 2: Okay?

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Speaker 5: Yeah?

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Speaker 2: Anything else? Mia?

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Speaker 1: I think we always say, like, okay, we got that

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Speaker 1: she was small? We got that, you know, I generally

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Speaker 1: I could definitely envision her being a flower. She had

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Speaker 1: that kind of flowery feeling to her voice. You know,

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Speaker 1: it's very sing song and magical. And I think, like

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Speaker 1: I agree, I think that the five year old. There

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Speaker 1: were two things that were gonna just we can improve

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Speaker 1: on in this second take would be that five year old,

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Speaker 1: which Laura I think was hinting out with it being

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Speaker 1: feeling a little bit more like you said innocent, yes, okay.

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Speaker 1: How do you think that would play in the voice

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Speaker 1: in that way?

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Speaker 3: I usually feel like.

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Speaker 4: When you're doing it's hard for adults to voice children

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Speaker 4: because we have our own, like adult ways of inflecting things.

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Speaker 4: So maybe like change up some of the inflections in

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Speaker 4: just like unique ways ways that would maybe sound wrong

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Speaker 4: to an adult.

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Speaker 3: That's how kids like would blurt.

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Speaker 1: Something out, yes, I feel that okay, And then the

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Speaker 1: athletic coach.

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Speaker 2: Right, that's what I was gonna say. I would say,

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Speaker 2: I know, I know we're throwing a lot at you,

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Speaker 2: but I got I got young, I got flower. Maybe

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Speaker 2: for the second round, lean a little bit into athletic coach.

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Speaker 2: I'd like to see what that would sound like.

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Speaker 5: Already, all right, So it's fun, it.

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Speaker 2: Gets it, it gets crazy. Yeah, so uh there you go,

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Speaker 2: line number one, me at your pleasure, all right, life

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Speaker 2: is so strange.

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Speaker 5: Why do I sometimes feel like someone just made me up,

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Speaker 5: like be picked random numbers off all this and I can't.

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Speaker 1: Jeez, come on, come on, it's such a weird feeling.

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Speaker 2: You get it, you get wow. Wow, good adjustments. Thank

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Speaker 2: you very much. We will be back with you in

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Speaker 2: a second.

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Speaker 9: Thank you.

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Speaker 1: Well, guys, this is the last round and it is

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Speaker 1: going to be a hard one.

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Speaker 3: I can already tell.

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Speaker 2: That was that was pretty That was pretty great. I

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Speaker 2: also thought that she took the direction really well.

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Speaker 3: You really did?

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Speaker 2: Yeah, which really did you know? That's when we're looking

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Speaker 2: for an all around voice actor. That's what you're looking

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Speaker 2: we always say, Laura. We are looking for somebody that

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Speaker 2: the second day win, if they win on a Monday Tuesday,

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Speaker 2: they could be in the booth with us.

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Speaker 3: Yeah.

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Speaker 2: So some she sounded very good. Inflection was was great,

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Speaker 2: and love the.

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Speaker 4: Way a hard thing because the two notes were like

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Speaker 4: kind of contradictory.

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Speaker 3: Also more like an athletic coach. And she fully did it.

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Speaker 2: Yeah, it was insane all right. So let's bring Austin in. Hey, Austin,

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Speaker 2: how are you hello again? All right, so here we go.

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Speaker 2: We are going to be starting with line one. Laura,

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Speaker 2: if you would please a number between one and.

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Speaker 3: Six oh five.

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Speaker 2: And now a number between one and twelve eight, and

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Speaker 2: now a number between one and seven two.

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Speaker 3: Oh, I did it too before it didn't Is it

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Speaker 3: the same thing?

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Speaker 2: Yep? Great, three, three, and now finally a number between

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Speaker 2: one and eleven four. Christ right, oh, I like this.

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Speaker 1: You're at You're a tiny fish who is ten years

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Speaker 1: old and is in the middle of an allergic reaction.

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Speaker 2: Okay, all right, let's Austin's like. I got this.

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Speaker 1: Let's go tiny fish ten years old in the middle

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Speaker 1: of an allergic reaction.

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Speaker 2: All right, Austin, go ahead. Life is so strange. Why

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Speaker 2: do I sometimes feel like someone.

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Speaker 10: Just win me up, like they picked relgium numbers off

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Speaker 10: the list and the outside cabe jeez, that's what's a

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Speaker 10: weird feeling?

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Speaker 2: Totally quite waitful.

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Speaker 3: Wamy epi pen oh I like it, Laura?

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Speaker 4: Any notes it is there any way to make it

447
00:22:08,160 --> 00:22:09,280
Speaker 4: sound a little bit younger.

448
00:22:11,880 --> 00:22:15,640
Speaker 3: I would like to hear it without the without the.

449
00:22:15,600 --> 00:22:17,920
Speaker 4: Mouth effect, to see if you can just do something

450
00:22:17,960 --> 00:22:20,600
Speaker 4: without the pulley on the cheek, Okay for sure.

451
00:22:21,240 --> 00:22:24,840
Speaker 11: Christy, Uh yeah, I think you could play with the

452
00:22:24,880 --> 00:22:28,080
Speaker 11: allergic reaction to It's kind of tricky because you're playing

453
00:22:28,160 --> 00:22:32,200
Speaker 11: fish and sometimes playing fish and like Watery, you also

454
00:22:32,240 --> 00:22:34,119
Speaker 11: can get into the the nose.

455
00:22:34,359 --> 00:22:37,679
Speaker 1: I think that the allergic reaction thing can also be

456
00:22:37,880 --> 00:22:41,360
Speaker 1: in a sneeze or a cough or like a wheeze.

457
00:22:41,760 --> 00:22:44,080
Speaker 1: Like I think they're that we're giving you a lot,

458
00:22:45,359 --> 00:22:47,439
Speaker 1: but I think you can. I think you can. I

459
00:22:47,440 --> 00:22:50,080
Speaker 1: think you're doing it, doing it great, Okay.

460
00:22:50,000 --> 00:22:53,560
Speaker 2: And I would say, Austin, let's just make sure for

461
00:22:53,600 --> 00:22:54,720
Speaker 2: the first thing we got to do is we got

462
00:22:54,760 --> 00:22:56,280
Speaker 2: to make sure we can hear the dialogue. So we

463
00:22:56,320 --> 00:22:58,840
Speaker 2: want to make sure that you're enunciating the words and

464
00:22:59,640 --> 00:23:01,399
Speaker 2: we're adding the words.

465
00:23:01,880 --> 00:23:05,360
Speaker 1: Tiny isn't something that I really got from that, right,

466
00:23:05,640 --> 00:23:07,000
Speaker 1: He's tiny.

467
00:23:07,480 --> 00:23:09,000
Speaker 2: That's the other thing we've always said, though, is you

468
00:23:09,000 --> 00:23:10,440
Speaker 2: can always play against type so.

469
00:23:10,680 --> 00:23:11,520
Speaker 3: And that's good.

470
00:23:11,680 --> 00:23:14,440
Speaker 2: Yeah, I almost exactly.

471
00:23:14,760 --> 00:23:16,439
Speaker 1: Yeah, I don't know what it is, but I loved

472
00:23:16,560 --> 00:23:17,639
Speaker 1: I loved his take on it.

473
00:23:17,800 --> 00:23:20,159
Speaker 2: Yeah, tiny, tiny can be big and big can be tiny.

474
00:23:20,200 --> 00:23:22,199
Speaker 2: So Austin, why don't you just give it one more

475
00:23:22,240 --> 00:23:24,240
Speaker 2: shot with the ninety three things we just threw at you,

476
00:23:24,359 --> 00:23:29,200
Speaker 2: some of them contradicting each other. Give it one more time,

477
00:23:29,200 --> 00:23:30,600
Speaker 2: one more tri Austin at your pleasure?

478
00:23:34,040 --> 00:23:40,840
Speaker 12: Life is so strange? Why do I sometimes I feel

479
00:23:41,760 --> 00:23:46,680
Speaker 12: I feel like someone just just make me up? They

480
00:23:47,680 --> 00:23:51,800
Speaker 12: they put random numbers up, A mished and out.

481
00:23:51,880 --> 00:23:52,639
Speaker 3: I came.

482
00:23:55,920 --> 00:24:02,280
Speaker 12: Such a weird feeling. M can you just grab the

483
00:24:02,359 --> 00:24:05,800
Speaker 12: EPI pen please, and maybe a snack?

484
00:24:08,200 --> 00:24:09,320
Speaker 3: I like that character.

485
00:24:09,720 --> 00:24:11,960
Speaker 2: That was great, Thank you very much. We will be

486
00:24:12,040 --> 00:24:12,600
Speaker 2: right back with you.

487
00:24:13,160 --> 00:24:15,919
Speaker 1: A cute fish.

488
00:24:16,280 --> 00:24:17,800
Speaker 2: I thought he was great. I thought he took the

489
00:24:17,840 --> 00:24:21,760
Speaker 2: direction well too. But frankly, I thought her Round one

490
00:24:21,960 --> 00:24:25,960
Speaker 2: was so good. Yeah that I think she's got the

491
00:24:26,000 --> 00:24:29,040
Speaker 2: slight edge over round one, if that's just my opinion.

492
00:24:29,040 --> 00:24:31,000
Speaker 2: But I thought she was great.

493
00:24:31,240 --> 00:24:33,280
Speaker 4: I mean, I think you could fully picture what she

494
00:24:33,400 --> 00:24:36,600
Speaker 4: was doing as the description, right, you saw a little flower.

495
00:24:37,000 --> 00:24:38,960
Speaker 3: I feel like with Austin.

496
00:24:38,840 --> 00:24:42,720
Speaker 4: The voice was hilarious, the ad libs were hilarious.

497
00:24:42,880 --> 00:24:47,200
Speaker 3: Yeah, but I was picturing like droopy dog me too. Yeah,

498
00:24:47,280 --> 00:24:49,119
Speaker 3: And he created the jewel effect.

499
00:24:49,200 --> 00:24:51,480
Speaker 2: He went jowey, So looks like I was down here

500
00:24:51,520 --> 00:24:55,119
Speaker 2: a little bit. Yeah. That being said, you know, certainly

501
00:24:55,119 --> 00:24:57,280
Speaker 2: nobody's running away with it after round one, but she

502
00:24:57,640 --> 00:24:59,879
Speaker 2: really was great. I'd like to see. Let's see if

503
00:25:00,000 --> 00:25:03,040
Speaker 2: something happens where she has to play completely against little

504
00:25:03,040 --> 00:25:07,439
Speaker 2: girl or little kid and see the range, and if

505
00:25:07,440 --> 00:25:10,399
Speaker 2: we can bring Mia back in and we will start

506
00:25:10,720 --> 00:25:11,480
Speaker 2: line number two.

507
00:25:12,320 --> 00:25:18,440
Speaker 1: Helonia plant time. No see, I'm sorry, that's about you.

508
00:25:18,560 --> 00:25:23,920
Speaker 2: Nice, very nice. All right, so we are too, round

509
00:25:24,119 --> 00:25:28,240
Speaker 2: number two, line number two, and here we go. If

510
00:25:28,280 --> 00:25:31,960
Speaker 2: you would please, Laura a number between one and six six,

511
00:25:32,840 --> 00:25:37,760
Speaker 2: and now a number between one and twelve three, and

512
00:25:37,800 --> 00:25:44,359
Speaker 2: now a number between one and seven six, and finally

513
00:25:44,400 --> 00:25:46,480
Speaker 2: a number between one and eleven.

514
00:25:48,000 --> 00:25:48,240
Speaker 3: Eight.

515
00:25:49,800 --> 00:25:55,880
Speaker 1: Christy, you're a microscopic sixty year old mouse who's been

516
00:25:56,000 --> 00:25:58,760
Speaker 1: stuck in traffic for six hours.

517
00:26:00,240 --> 00:26:01,040
Speaker 2: That's amazing.

518
00:26:02,160 --> 00:26:03,159
Speaker 3: I think you can do it.

519
00:26:03,680 --> 00:26:07,199
Speaker 2: Well, let's see, let's do what so Mia? There you

520
00:26:07,240 --> 00:26:08,960
Speaker 2: go on? Do you need their description again?

521
00:26:09,880 --> 00:26:10,040
Speaker 3: No?

522
00:26:10,080 --> 00:26:11,640
Speaker 1: I think I got it.

523
00:26:11,680 --> 00:26:14,240
Speaker 5: Okay, we got the microscope, big, we got the mouse,

524
00:26:14,280 --> 00:26:16,200
Speaker 5: I got sixty years old, you know, traffic?

525
00:26:16,720 --> 00:26:17,120
Speaker 2: Perfect?

526
00:26:17,160 --> 00:26:17,400
Speaker 3: Okay.

527
00:26:17,440 --> 00:26:20,960
Speaker 1: Yeah, if there's one thing that older people probably don't like.

528
00:26:21,560 --> 00:26:30,239
Speaker 2: Being all right, Mia, line number two at your pleasure already.

529
00:26:31,119 --> 00:26:35,439
Speaker 5: Okay, the costume is all done, You've need some of

530
00:26:35,480 --> 00:26:38,600
Speaker 5: the equipment, and I live in a city filled with crime.

531
00:26:39,600 --> 00:26:41,240
Speaker 1: Time to go be a superhero?

532
00:26:42,520 --> 00:26:42,760
Speaker 2: Wait?

533
00:26:43,640 --> 00:26:45,960
Speaker 5: Mom, can you drive me to be a superhero?

534
00:26:49,200 --> 00:26:50,320
Speaker 2: Laura? And you notice.

535
00:26:55,560 --> 00:26:59,800
Speaker 3: Can we hear it? Uh? With a little bit more age? Well,

536
00:27:00,080 --> 00:27:04,000
Speaker 3: so she's only sixty, right, let's just push it.

537
00:27:04,160 --> 00:27:06,400
Speaker 1: I know it's like we're talking like sissy, right.

538
00:27:06,680 --> 00:27:08,280
Speaker 3: I know we're not talking like ninety.

539
00:27:08,359 --> 00:27:12,399
Speaker 2: But let's make it ninety. Let's make it ninety here further. Yeah,

540
00:27:12,480 --> 00:27:14,680
Speaker 2: let's let's try to push everything. Let's make it ninety.

541
00:27:14,720 --> 00:27:15,879
Speaker 2: I don't have a problem with that. We want to

542
00:27:16,160 --> 00:27:17,960
Speaker 2: we want to push you out of your comfort zone.

543
00:27:18,000 --> 00:27:20,480
Speaker 2: So let's let's see what ninety year old mouse sounds like.

544
00:27:20,680 --> 00:27:25,720
Speaker 1: All right, Christy, Yeah, I mean I got I want

545
00:27:25,720 --> 00:27:27,879
Speaker 1: to push it even farther, like if this is really

546
00:27:27,920 --> 00:27:29,640
Speaker 1: just for us to see you have fun with it,

547
00:27:30,080 --> 00:27:33,080
Speaker 1: and to push it even farther if she's ninety. It's

548
00:27:33,080 --> 00:27:34,919
Speaker 1: so funny how you can use the words on the

549
00:27:34,920 --> 00:27:37,360
Speaker 1: page right well, and Laura, like, I feel like that's

550
00:27:37,400 --> 00:27:39,720
Speaker 1: sometimes all you can do is use the words on

551
00:27:39,760 --> 00:27:44,119
Speaker 1: the page with you know, three three adjectives or whatever

552
00:27:44,119 --> 00:27:46,680
Speaker 1: they're giving you for this little character, which is exactly

553
00:27:46,760 --> 00:27:53,120
Speaker 1: this simulation. And I think it's the words that we're discussing, right,

554
00:27:53,200 --> 00:27:56,479
Speaker 1: is she's ninety and she's still expecting her mom to

555
00:27:56,600 --> 00:28:02,679
Speaker 1: drive her. She's also stuck in traffic, so it's like

556
00:28:03,040 --> 00:28:06,280
Speaker 1: she's honestly yeah, So I would just say, really play

557
00:28:06,320 --> 00:28:10,760
Speaker 1: into the frustration and how you know you still have

558
00:28:10,800 --> 00:28:13,240
Speaker 1: to be a superhero. You've probably been a superhero for

559
00:28:13,280 --> 00:28:18,720
Speaker 1: a really long time. You should be retired playing yes.

560
00:28:18,520 --> 00:28:21,240
Speaker 2: Yes, yeah, there you go. That's that's great. So let's

561
00:28:21,320 --> 00:28:25,600
Speaker 2: let's hear that, okay, and then go from there. So Mia,

562
00:28:25,840 --> 00:28:28,760
Speaker 2: line number two at your pleasure, Thank you very much.

563
00:28:31,359 --> 00:28:35,640
Speaker 7: Okay, the costume result done.

564
00:28:36,160 --> 00:28:39,000
Speaker 5: I've made some of the equipment, and I live in

565
00:28:39,040 --> 00:28:40,680
Speaker 5: a city filled with crime.

566
00:28:41,760 --> 00:28:43,760
Speaker 1: Time to go be a superhero?

567
00:28:45,240 --> 00:28:49,080
Speaker 2: Wait, mom, can you drive me to go there? Superhero?

568
00:28:52,520 --> 00:28:54,800
Speaker 2: Thank you very much. Mia, We'll be right back with you.

569
00:28:55,080 --> 00:28:55,560
Speaker 3: Thank you.

570
00:28:56,440 --> 00:28:58,440
Speaker 2: See that's what I mean. She's great, But it's if

571
00:28:58,480 --> 00:28:59,960
Speaker 2: once she's out of her comfort zone, it's.

572
00:29:00,640 --> 00:29:02,960
Speaker 4: Yeah, yeah, Well you know what's interesting is I think

573
00:29:03,720 --> 00:29:05,200
Speaker 4: I mean, it would have made sense for her to

574
00:29:05,240 --> 00:29:07,640
Speaker 4: take it really small again, and I think she wanted

575
00:29:07,680 --> 00:29:09,959
Speaker 4: to show sure that she can do something other than

576
00:29:09,960 --> 00:29:11,040
Speaker 4: that teeny voice, you know.

577
00:29:11,640 --> 00:29:14,120
Speaker 2: Which is again it's okay. We all know actors that

578
00:29:14,160 --> 00:29:17,720
Speaker 2: go in and they you know, they have their specific

579
00:29:17,880 --> 00:29:19,840
Speaker 2: to kind of what they do. They're great at what

580
00:29:19,880 --> 00:29:22,600
Speaker 2: they do. Oh, but that's what they do. You know.

581
00:29:22,680 --> 00:29:25,560
Speaker 2: I've often said, you know, most of us, myself very

582
00:29:25,640 --> 00:29:28,560
Speaker 2: much at the top of this list, can't do fifty voices.

583
00:29:29,640 --> 00:29:32,320
Speaker 2: You know, we're not Eric Bausa. Most of us we

584
00:29:32,480 --> 00:29:35,160
Speaker 2: can do a couple and as long as the acting's there.

585
00:29:35,760 --> 00:29:36,760
Speaker 1: That's what I was going to say.

586
00:29:36,800 --> 00:29:37,720
Speaker 2: That's what I was going to say.

587
00:29:37,720 --> 00:29:40,000
Speaker 1: Well, I think what I've learned, and it's something that

588
00:29:40,040 --> 00:29:43,160
Speaker 1: I've learned through this experience of this contest.

589
00:29:43,120 --> 00:29:45,240
Speaker 3: Is that what makes the.

590
00:29:45,120 --> 00:29:51,120
Speaker 1: Actor stand out is that is that interpretation of what

591
00:29:51,240 --> 00:29:54,400
Speaker 1: they're given, sure, and and just how much they put

592
00:29:54,440 --> 00:29:58,200
Speaker 1: their their imprint on it. Right Like when we know

593
00:29:59,160 --> 00:30:02,040
Speaker 1: that people are getting hired in Hollywood because they bring

594
00:30:02,200 --> 00:30:06,000
Speaker 1: something to the words on the page, like I said again,

595
00:30:06,680 --> 00:30:08,680
Speaker 1: and so it's like, Okay, we know that they're going

596
00:30:08,720 --> 00:30:11,000
Speaker 1: to put their stamp on it, and that creativity is

597
00:30:11,000 --> 00:30:13,959
Speaker 1: going to live through those characters. It doesn't necessarily mean

598
00:30:14,000 --> 00:30:17,200
Speaker 1: I think that the the like, you know, the voice

599
00:30:17,240 --> 00:30:20,280
Speaker 1: has to be wild or big, all that different. It

600
00:30:20,400 --> 00:30:23,080
Speaker 1: just has to be the approach to the content I

601
00:30:23,080 --> 00:30:25,040
Speaker 1: think has to be at a professional level.

602
00:30:25,080 --> 00:30:28,520
Speaker 2: Now I agree, So all right, well let's speaking of

603
00:30:28,520 --> 00:30:31,080
Speaker 2: the approach. Let's see how Austin approaches line number two here,

604
00:30:31,320 --> 00:30:37,360
Speaker 2: and we'll bring Austin back in another tough week. Hey Austin. Hello,

605
00:30:37,680 --> 00:30:41,040
Speaker 2: all right, so line number two here we go, Laura,

606
00:30:41,120 --> 00:30:43,200
Speaker 2: if you would please the number between one and six?

607
00:30:44,960 --> 00:30:47,920
Speaker 3: What haven't I chosen? One?

608
00:30:48,400 --> 00:30:51,320
Speaker 2: Fair enough? Now number between one and twelve?

609
00:30:52,320 --> 00:30:52,760
Speaker 3: Twelve?

610
00:30:53,880 --> 00:30:56,720
Speaker 2: And oh fine, a number between one and seven.

611
00:30:58,600 --> 00:30:59,840
Speaker 3: Two today, I say two.

612
00:31:00,600 --> 00:31:02,840
Speaker 2: You've done two, but not for actually not for Austin,

613
00:31:02,880 --> 00:31:05,640
Speaker 2: so that's perfect. And now finally a number between one

614
00:31:05,640 --> 00:31:06,400
Speaker 2: and eleven.

615
00:31:07,680 --> 00:31:07,880
Speaker 3: Ten.

616
00:31:09,840 --> 00:31:10,840
Speaker 2: I love this, Christy.

617
00:31:12,120 --> 00:31:16,840
Speaker 1: You're a giant teddy bear who is five years old

618
00:31:17,040 --> 00:31:19,360
Speaker 1: and is afraid of your own shadow.

619
00:31:20,800 --> 00:31:24,840
Speaker 2: Cute, good combo, love that cat? All right, all right, Austin,

620
00:31:25,040 --> 00:31:25,680
Speaker 2: at your pleasure.

621
00:31:28,240 --> 00:31:33,920
Speaker 13: Okay, the costume's all done, and I've made some equipment,

622
00:31:34,000 --> 00:31:38,280
Speaker 13: and I live in a city filled with crime. Time

623
00:31:38,400 --> 00:31:41,480
Speaker 13: to go be a superhero?

624
00:31:43,240 --> 00:31:50,120
Speaker 2: Awake mom? Mom? Can can you go trive me to

625
00:31:50,160 --> 00:31:55,440
Speaker 2: be a superhero? Flora any notes.

626
00:31:58,600 --> 00:32:01,560
Speaker 4: Two things I would like to see if you can

627
00:32:01,560 --> 00:32:07,160
Speaker 4: make the voice any bigger, fuller, you know, and also

628
00:32:07,400 --> 00:32:09,600
Speaker 4: try speeding up the read a little.

629
00:32:09,400 --> 00:32:13,040
Speaker 8: Bit, speeding it up, okay, and can I get can

630
00:32:13,080 --> 00:32:15,280
Speaker 8: I get the description real quick so I can again,

631
00:32:15,440 --> 00:32:15,800
Speaker 8: just to be.

632
00:32:15,880 --> 00:32:20,760
Speaker 1: A giant, a giant teddy bear, a giant five year

633
00:32:20,800 --> 00:32:25,360
Speaker 1: old teddy bear, and you are afraid of your own shadow.

634
00:32:26,520 --> 00:32:30,720
Speaker 2: Okay, By the way, I agree with both of those

635
00:32:30,760 --> 00:32:32,719
Speaker 2: notes from Laura. That's exactly what I was going to say.

636
00:32:32,720 --> 00:32:36,640
Speaker 2: I would say, let's more giant, let's let's hear some size,

637
00:32:37,000 --> 00:32:40,360
Speaker 2: and uh, let's let's speed up the dialogue a little bit,

638
00:32:40,400 --> 00:32:40,920
Speaker 2: smooth it out.

639
00:32:41,600 --> 00:32:44,640
Speaker 1: And also just more fearful throughout, I would say too.

640
00:32:45,000 --> 00:32:47,120
Speaker 2: Yeah, just those fourteen notes.

641
00:32:48,360 --> 00:32:49,560
Speaker 3: I was always going to say it.

642
00:32:51,480 --> 00:32:53,720
Speaker 2: That's good. That's good though, That's what we have to do.

643
00:32:54,360 --> 00:32:56,360
Speaker 2: So you have you're going to get directors that are

644
00:32:56,440 --> 00:32:58,800
Speaker 2: yelling at you through the glass a bunch of different things.

645
00:32:58,800 --> 00:33:01,280
Speaker 2: So at your at your pleasure whenever you want.

646
00:33:02,560 --> 00:33:07,040
Speaker 13: Okay, the costume is all done, and I've made some equipment,

647
00:33:07,120 --> 00:33:10,520
Speaker 13: and I live in a city filled with crime.

648
00:33:11,360 --> 00:33:19,480
Speaker 10: Time to go be a superhero. Oh wait, mom, Mom,

649
00:33:19,520 --> 00:33:21,560
Speaker 10: can you drive me to go be a superhero?

650
00:33:22,880 --> 00:33:23,360
Speaker 12: Please?

651
00:33:25,360 --> 00:33:27,440
Speaker 2: Thank you very much, We will be right back with you.

652
00:33:28,080 --> 00:33:28,520
Speaker 3: Awesome.

653
00:33:32,240 --> 00:33:35,520
Speaker 2: I think she takes the direction a little better than

654
00:33:35,560 --> 00:33:37,680
Speaker 2: he does, I'm honest.

655
00:33:38,640 --> 00:33:41,320
Speaker 4: I also think that the voice type was outside of his,

656
00:33:42,320 --> 00:33:44,480
Speaker 4: like he's got a good hero voice, like a really

657
00:33:44,520 --> 00:33:46,840
Speaker 4: good like oh if he's just like a.

658
00:33:46,560 --> 00:33:50,600
Speaker 1: Teenager a spider Man type exactly.

659
00:33:54,240 --> 00:33:55,800
Speaker 2: So you know what we might have to do, which

660
00:33:55,840 --> 00:33:58,080
Speaker 2: we did this last week, and I'm thinking this might

661
00:33:58,080 --> 00:34:00,720
Speaker 2: be the way that we kind of start doing round

662
00:34:00,760 --> 00:34:04,640
Speaker 2: three if we for the very last contestant we've ever had,

663
00:34:05,960 --> 00:34:09,560
Speaker 2: if we think that somebody's has a comfort zone, maybe

664
00:34:09,600 --> 00:34:13,839
Speaker 2: we try to go to that for the next one

665
00:34:13,840 --> 00:34:16,320
Speaker 2: we create. So we try to create something for him

666
00:34:16,880 --> 00:34:19,880
Speaker 2: that is in his comfort zone, in his wheelhouse, so

667
00:34:19,920 --> 00:34:22,480
Speaker 2: we can see, all right, here's your character, here's the

668
00:34:22,600 --> 00:34:24,799
Speaker 2: ideal character for you. What would you do? Because I

669
00:34:24,800 --> 00:34:27,439
Speaker 2: almost feel like Mia got that in the first round

670
00:34:27,480 --> 00:34:30,879
Speaker 2: with the five year old age, you know, so it's

671
00:34:31,000 --> 00:34:32,840
Speaker 2: it seems like she was kind of right in her

672
00:34:32,840 --> 00:34:34,799
Speaker 2: wheelhouse right from the start, and maybe we want to

673
00:34:34,800 --> 00:34:36,560
Speaker 2: give him a shot where he's right in the wheelhouse.

674
00:34:36,640 --> 00:34:41,480
Speaker 2: So maybe we have Laura create a superhero character for

675
00:34:41,560 --> 00:34:44,320
Speaker 2: him kind of towards the end for next round, and

676
00:34:44,360 --> 00:34:45,319
Speaker 2: we'll see what he can do.

677
00:34:45,600 --> 00:34:46,200
Speaker 3: Yeah. I like that.

678
00:34:46,520 --> 00:34:49,520
Speaker 2: Yeah, so there's a fairness to it. But so far,

679
00:34:50,680 --> 00:34:54,120
Speaker 2: so far, and again just me speaking, I have her

680
00:34:54,160 --> 00:34:58,120
Speaker 2: to nil on him so far round wise, but I

681
00:34:58,160 --> 00:35:00,680
Speaker 2: do want to give him a shot to really be

682
00:35:00,760 --> 00:35:02,640
Speaker 2: in his wheelhouse and see what's going to go on,

683
00:35:02,680 --> 00:35:04,640
Speaker 2: because Laura, if he does, if he comes in and

684
00:35:04,719 --> 00:35:07,319
Speaker 2: kills it. We have something that Christy created called the

685
00:35:07,360 --> 00:35:10,319
Speaker 2: Tongue Tist the Tongue Twister Tiebreaker Challenge which I can't

686
00:35:10,320 --> 00:35:12,600
Speaker 2: even say, I can't even say the title, which we've

687
00:35:12,600 --> 00:35:15,640
Speaker 2: only had to we'll only had to implement once. But

688
00:35:15,840 --> 00:35:17,919
Speaker 2: what we shall see. So let's bring me back in

689
00:35:17,960 --> 00:35:22,960
Speaker 2: for round three. Hello, Hello, Hello, hey Miah, Hey, do

690
00:35:23,000 --> 00:35:25,719
Speaker 2: you have the third line that we're going to be doing.

691
00:35:26,000 --> 00:35:28,480
Speaker 5: Let me check if it's in the comments. I can

692
00:35:28,600 --> 00:35:29,880
Speaker 5: do my own thing and make it really big so

693
00:35:29,920 --> 00:35:30,799
Speaker 5: you don't need to worry about it.

694
00:35:31,080 --> 00:35:33,239
Speaker 2: Okay, perfect, Then that's what we are going to do.

695
00:35:33,320 --> 00:35:36,880
Speaker 2: That's absolutely wonderful, excellent, So there you go. We're going

696
00:35:36,960 --> 00:35:38,719
Speaker 2: to do line three for you, and we are going

697
00:35:38,800 --> 00:35:43,560
Speaker 2: to have the unbelievable. I like that the best way.

698
00:35:43,600 --> 00:35:47,040
Speaker 2: The unbelievable Laura Belly once again create Ay, I just

699
00:35:47,080 --> 00:35:49,879
Speaker 2: keep using redoubtable, which I love, but most people don't

700
00:35:49,880 --> 00:35:52,759
Speaker 2: know what it means. The unbelievable Laura Belly is once

701
00:35:52,760 --> 00:35:55,680
Speaker 2: again and going to create a character for you. Laura.

702
00:35:57,200 --> 00:35:59,279
Speaker 2: I'm going to say this off the bat, not to

703
00:35:59,480 --> 00:36:02,200
Speaker 2: in any way, shape or form influence you. But when

704
00:36:02,239 --> 00:36:05,000
Speaker 2: we get to wrap, when we get to the fourth category,

705
00:36:06,320 --> 00:36:10,480
Speaker 2: if you were to pick one of the first three numbers,

706
00:36:12,480 --> 00:36:17,640
Speaker 2: other stuff might happen. This is all I'm gonna say.

707
00:36:18,040 --> 00:36:22,960
Speaker 2: Role for initiative. Okay, So here we go. But first,

708
00:36:23,480 --> 00:36:29,040
Speaker 2: a number between one and six. One I meant for

709
00:36:29,080 --> 00:36:30,120
Speaker 2: the fourth one, but that works too.

710
00:36:35,080 --> 00:36:39,160
Speaker 14: Went across the board, Jesus one all the way. Actually

711
00:36:39,280 --> 00:36:41,520
Speaker 14: one that would? Is that what you're gonna do that?

712
00:36:44,200 --> 00:36:45,840
Speaker 14: Nobody has ever done that?

713
00:36:48,640 --> 00:36:49,200
Speaker 3: So I will.

714
00:36:49,840 --> 00:36:50,839
Speaker 2: Christy, what do we got?

715
00:36:51,239 --> 00:36:59,160
Speaker 1: You are a British giant dog who is ancient, proper British,

716
00:36:59,200 --> 00:36:59,960
Speaker 1: proper British.

717
00:37:00,040 --> 00:37:06,280
Speaker 2: Oh boy, ancient proper British giant dog. Thank Lor Belly

718
00:37:06,400 --> 00:37:13,560
Speaker 2: for that. Thank you, So your secret line number three

719
00:37:14,160 --> 00:37:15,920
Speaker 2: at your pleasure, all.

720
00:37:15,920 --> 00:37:22,680
Speaker 7: Right, And here it is noon only wonderful Monday, and

721
00:37:22,719 --> 00:37:26,600
Speaker 7: I hope your week starts with walks, bulls being thrown

722
00:37:26,680 --> 00:37:28,840
Speaker 7: in some big stretchers.

723
00:37:29,480 --> 00:37:31,719
Speaker 5: We're going to keep it going now, it's a classic

724
00:37:33,040 --> 00:37:36,040
Speaker 5: pardon this is a walk in the park by the.

725
00:37:36,280 --> 00:37:38,600
Speaker 1: Boo wos here on easy one oh.

726
00:37:38,560 --> 00:37:40,080
Speaker 2: To the book.

727
00:37:41,239 --> 00:37:46,120
Speaker 1: Wow it actually being perfect? Why did you guys write

728
00:37:46,160 --> 00:37:46,640
Speaker 1: this for that?

729
00:37:48,320 --> 00:37:51,920
Speaker 2: Seriously? Wow? Okay, Laura, any notes.

730
00:37:52,719 --> 00:37:55,520
Speaker 3: I don't know how much like dialogue training like. It

731
00:37:55,600 --> 00:37:57,840
Speaker 3: is kind of crazy to throw out just like a

732
00:37:57,920 --> 00:37:58,760
Speaker 3: random accent.

733
00:38:00,360 --> 00:38:02,240
Speaker 4: But if we can try to keep it a little

734
00:38:02,239 --> 00:38:05,719
Speaker 4: more consistent throughout, because we kind of lost it about

735
00:38:05,719 --> 00:38:06,279
Speaker 4: halfway through.

736
00:38:09,480 --> 00:38:12,759
Speaker 3: I think that's and ancient on top of it.

737
00:38:12,719 --> 00:38:15,200
Speaker 4: We already had you do a nine year old and

738
00:38:15,480 --> 00:38:16,960
Speaker 4: there's another ancient character.

739
00:38:18,440 --> 00:38:21,600
Speaker 2: Make her younger or him younger, make make the character younger.

740
00:38:21,600 --> 00:38:23,680
Speaker 2: That's no problem, keep it. Let's keep it in your

741
00:38:23,680 --> 00:38:27,960
Speaker 2: wheelhouse for where you feel comfortable with the age of

742
00:38:28,000 --> 00:38:31,400
Speaker 2: the character. Why don't we do that, miya? So however,

743
00:38:31,440 --> 00:38:34,120
Speaker 2: you take take away ancient and let's make it whatever

744
00:38:34,239 --> 00:38:36,800
Speaker 2: age you feel comfortable making the character. We want to

745
00:38:36,800 --> 00:38:39,360
Speaker 2: make this Round three? Is she still giant in your wearehouse?

746
00:38:39,480 --> 00:38:40,880
Speaker 1: Is she still a giant dog.

747
00:38:40,680 --> 00:38:43,240
Speaker 2: Sure, because giant can be you can. You can play giant.

748
00:38:43,239 --> 00:38:46,840
Speaker 2: However you want to play giant, I'd still play Clifford

749
00:38:46,880 --> 00:38:50,480
Speaker 2: like this. So yes, it's kind of up to you

750
00:38:50,560 --> 00:38:52,040
Speaker 2: how you would like to do it. But and then

751
00:38:52,080 --> 00:38:54,080
Speaker 2: the other thing I would say is maybe, and I

752
00:38:54,120 --> 00:38:56,600
Speaker 2: know this is tough because we just threw the line

753
00:38:56,640 --> 00:38:58,200
Speaker 2: at you, but smooth it out a little bit all

754
00:38:58,200 --> 00:39:01,920
Speaker 2: the way through. Yeah, and maybe slow it down a

755
00:39:01,920 --> 00:39:04,399
Speaker 2: little bit and pick your moments if that makes sense.

756
00:39:04,719 --> 00:39:09,320
Speaker 5: All right, It sounds like a plan anytime. And it

757
00:39:09,400 --> 00:39:12,600
Speaker 5: is noon only, wonderful Monday, and I hope your week's

758
00:39:12,600 --> 00:39:16,960
Speaker 5: thoughts with looks balls being thrown in some big stretches,

759
00:39:17,440 --> 00:39:17,839
Speaker 5: we are.

760
00:39:17,760 --> 00:39:18,960
Speaker 1: Going to keep it going.

761
00:39:19,000 --> 00:39:21,040
Speaker 7: Now, let's say classic this.

762
00:39:21,040 --> 00:39:24,040
Speaker 5: Is Walk in the Park, Bye, bow wows here on

763
00:39:24,280 --> 00:39:31,120
Speaker 5: easy went into the book.

764
00:39:32,920 --> 00:39:33,760
Speaker 3: We'll be back.

765
00:39:35,280 --> 00:39:37,920
Speaker 1: Yeah, what a what a cutie? Huh?

766
00:39:37,960 --> 00:39:38,560
Speaker 2: That was great?

767
00:39:38,880 --> 00:39:39,680
Speaker 3: Yes, adorable.

768
00:39:40,000 --> 00:39:42,400
Speaker 2: Yeah, And for the record, some people can't do a

769
00:39:42,440 --> 00:39:43,440
Speaker 2: whole bunch of dialects.

770
00:39:44,000 --> 00:39:47,160
Speaker 1: I got to be honest, like I I agree with you.

771
00:39:47,200 --> 00:39:50,359
Speaker 1: I know that that wasn't for accurate accuracy saying the

772
00:39:50,360 --> 00:39:54,239
Speaker 1: best proper, But the character like she approached it with

773
00:39:54,280 --> 00:39:57,360
Speaker 1: such like energy that it did feel fun.

774
00:39:57,440 --> 00:40:03,840
Speaker 2: And not everybody, not every buddy is Trevor de Valls. Yeah, British,

775
00:40:03,960 --> 00:40:08,160
Speaker 2: but you've been here for a while, the home of British.

776
00:40:08,200 --> 00:40:10,799
Speaker 2: But no, it's again, not everybody is Trevor Deval. Not

777
00:40:10,840 --> 00:40:24,000
Speaker 2: everybody can instantly snap into a thousand different dialects. And

778
00:40:24,080 --> 00:40:29,560
Speaker 2: now we will bring in uh for for the last round. Here,

779
00:40:29,880 --> 00:40:33,440
Speaker 2: let's bring him back one more time.

780
00:40:34,800 --> 00:40:37,160
Speaker 1: I can't believe how accurate that one.

781
00:40:37,360 --> 00:40:40,759
Speaker 2: Right, All right, Austin, here we go round number three.

782
00:40:41,080 --> 00:40:44,920
Speaker 2: We have just sent you your line of dialogue, So Austin,

783
00:40:44,960 --> 00:40:46,880
Speaker 2: we're gonna kind of switch it up a little bit

784
00:40:46,920 --> 00:40:47,120
Speaker 2: on you.

785
00:40:47,160 --> 00:40:47,319
Speaker 3: Here.

786
00:40:47,320 --> 00:40:49,120
Speaker 2: We're gonna have Laura pick a character for you, but

787
00:40:49,200 --> 00:40:51,359
Speaker 2: we're also going to kind of tailor the character because

788
00:40:51,360 --> 00:40:53,040
Speaker 2: we want to see what you can do if you're

789
00:40:53,080 --> 00:40:57,319
Speaker 2: more in your wheelhouse, if that makes sense, you know,

790
00:40:57,520 --> 00:41:00,320
Speaker 2: age wise, character wise, something like that. We feel like

791
00:41:00,360 --> 00:41:02,680
Speaker 2: you've been getting a lot of maybe younger characters, and

792
00:41:03,000 --> 00:41:05,279
Speaker 2: we think that we could see you as more of

793
00:41:05,360 --> 00:41:08,880
Speaker 2: having that kind of younger superhero voice, like a like

794
00:41:08,920 --> 00:41:11,400
Speaker 2: the good Peter Parker kind of voice. So we're gonna

795
00:41:11,520 --> 00:41:15,480
Speaker 2: kind of tailor a character a bit for you and

796
00:41:15,520 --> 00:41:17,320
Speaker 2: go from there. So we're gonna see what Laura picks,

797
00:41:17,320 --> 00:41:19,120
Speaker 2: and then we're gonna kind of tweak if we have to.

798
00:41:19,120 --> 00:41:20,240
Speaker 2: Does that make sense.

799
00:41:21,760 --> 00:41:22,040
Speaker 4: All right?

800
00:41:22,120 --> 00:41:24,280
Speaker 2: So here we go, Laura. Number between one and six please?

801
00:41:24,800 --> 00:41:26,439
Speaker 3: Three? Have I already said three before?

802
00:41:27,160 --> 00:41:29,399
Speaker 2: You have not? You have not? And now a number

803
00:41:29,440 --> 00:41:31,120
Speaker 2: between one and twelve.

804
00:41:32,760 --> 00:41:33,040
Speaker 3: Nine.

805
00:41:34,560 --> 00:41:38,360
Speaker 2: Nice? And now a number between one and seven two?

806
00:41:39,320 --> 00:41:40,000
Speaker 3: No, I said two?

807
00:41:40,600 --> 00:41:46,680
Speaker 2: Yeah, you did you mean four? Yeah, you met four.

808
00:41:46,960 --> 00:41:50,920
Speaker 2: That's what I thought I thought you met for. And

809
00:41:50,960 --> 00:41:58,520
Speaker 2: now a number between one and eleven two. Okay, great,

810
00:42:00,200 --> 00:42:03,160
Speaker 2: we're going to try this. The audience can't see what

811
00:42:03,239 --> 00:42:07,480
Speaker 2: you just did. We want to give everybody the best

812
00:42:07,520 --> 00:42:10,120
Speaker 2: possible shot here Austin, and we'll be honest. In other weeks,

813
00:42:10,120 --> 00:42:14,440
Speaker 2: the contestants have gotten gotten characters that were in their wheelhouse,

814
00:42:14,440 --> 00:42:16,480
Speaker 2: so we didn't necessarily have to tweak. It's only been

815
00:42:16,480 --> 00:42:18,600
Speaker 2: in the last two weeks where it seems like some

816
00:42:18,640 --> 00:42:21,520
Speaker 2: of the numbers we were picking were not perfectly tailored

817
00:42:21,560 --> 00:42:23,120
Speaker 2: to some of the some of the actors. And we

818
00:42:23,160 --> 00:42:24,360
Speaker 2: want to make sure that you have a chance to

819
00:42:24,440 --> 00:42:27,120
Speaker 2: kind of do one that you can really just throw

820
00:42:27,120 --> 00:42:27,640
Speaker 2: it out there.

821
00:42:27,680 --> 00:42:31,360
Speaker 4: So, Christy, let's be real like, I don't get auditions

822
00:42:31,400 --> 00:42:34,040
Speaker 4: for you know, ninety year old women. I get auditions

823
00:42:34,080 --> 00:42:37,000
Speaker 4: for people that are most of the time similar to

824
00:42:37,000 --> 00:42:38,200
Speaker 4: my voice type, you know what I mean?

825
00:42:38,360 --> 00:42:40,080
Speaker 2: Right, so, and we want to make sure that you

826
00:42:40,120 --> 00:42:42,600
Speaker 2: get that opportunity as well. So you in this one

827
00:42:42,680 --> 00:42:51,160
Speaker 2: are a ninety year old woman, I mean, Christy, you are.

828
00:42:51,120 --> 00:42:55,600
Speaker 1: A medium alien, medium sized alien who's fifteen years old,

829
00:42:55,640 --> 00:42:59,480
Speaker 1: so like teenager age, right, and you here's this, here's

830
00:42:59,520 --> 00:43:01,960
Speaker 1: the sniff. You're Scottish?

831
00:43:02,800 --> 00:43:15,880
Speaker 9: Okay, all right, A right of course, just fine accuracy.

832
00:43:14,160 --> 00:43:18,000
Speaker 2: Alright anytime, Austin so an alien real quick before.

833
00:43:18,080 --> 00:43:22,360
Speaker 8: So it's an alien, medium sized, fifteen year old Scottish alien.

834
00:43:22,960 --> 00:43:26,400
Speaker 2: Yep hmm. And for round number two, if Scottish doesn't

835
00:43:26,400 --> 00:43:29,080
Speaker 2: work out, we'll just hear fifteen year old alien. But

836
00:43:29,160 --> 00:43:31,439
Speaker 2: for now, let's see what you got, all.

837
00:43:31,440 --> 00:43:34,839
Speaker 15: Right, listen up u ee, lads and glasses. And here

838
00:43:34,920 --> 00:43:38,640
Speaker 15: it is noon on this wonderful Monday, and I hope

839
00:43:38,680 --> 00:43:41,960
Speaker 15: your week starts with walks, balls, being throne and some

840
00:43:42,280 --> 00:43:46,360
Speaker 15: big stretches. We're going to keep it going now with

841
00:43:46,440 --> 00:43:51,400
Speaker 15: a classic. This is walk in the Bark, Walk in

842
00:43:51,440 --> 00:43:55,839
Speaker 15: the Park by the Bow wows here on Easy one

843
00:43:55,880 --> 00:43:57,520
Speaker 15: O two the bark.

844
00:44:00,160 --> 00:44:02,240
Speaker 2: Nice, uh any notes.

845
00:44:02,840 --> 00:44:03,279
Speaker 3: I mean you.

846
00:44:03,320 --> 00:44:06,719
Speaker 1: Sounded forty, but beyond that I love Yeah.

847
00:44:06,719 --> 00:44:08,719
Speaker 3: I think you know I would do it too. I

848
00:44:08,760 --> 00:44:14,200
Speaker 3: think the Scottish accent makes people's so let's Scottish accent.

849
00:44:14,520 --> 00:44:17,080
Speaker 2: Yeah, it makes people go deeper because instantly you know

850
00:44:17,200 --> 00:44:21,520
Speaker 2: you're someone you know, you know. I want to forget it,

851
00:44:22,480 --> 00:44:24,880
Speaker 2: forget like Billy Connolly.

852
00:44:25,800 --> 00:44:27,799
Speaker 15: You know I can do it.

853
00:44:28,200 --> 00:44:31,000
Speaker 2: I can do a lot of that's interesting. I say

854
00:44:31,000 --> 00:44:34,480
Speaker 2: we dropped the accent just for this round. Okay, okay,

855
00:44:34,600 --> 00:44:38,600
Speaker 2: I would say, no Scottish. I want to hear your

856
00:44:39,640 --> 00:44:43,400
Speaker 2: teenage superhero voice with this line of dialog.

857
00:44:43,640 --> 00:44:48,319
Speaker 13: Okay, all right, listen up, boys and girls. And here

858
00:44:48,360 --> 00:44:51,359
Speaker 13: it is noon on this wonderful Monday, and I hope

859
00:44:51,400 --> 00:44:54,759
Speaker 13: your week starts with walks, balls being thrown in some

860
00:44:54,960 --> 00:44:57,719
Speaker 13: big stretches. We're going to keep it going now with

861
00:44:57,800 --> 00:45:00,680
Speaker 13: a classic. This is Walking the Park by the Bow

862
00:45:00,760 --> 00:45:03,480
Speaker 13: wows here on Easy one O two the Bark.

863
00:45:06,000 --> 00:45:09,640
Speaker 2: That's great, We'll be right back with you. Love you guys,

864
00:45:10,280 --> 00:45:10,960
Speaker 2: Thank you Austin.

865
00:45:11,040 --> 00:45:12,160
Speaker 1: Oh he's so sweet too.

866
00:45:12,680 --> 00:45:15,239
Speaker 2: Let's discuss this because we got some choices to make. Yeah,

867
00:45:16,440 --> 00:45:18,680
Speaker 2: so that was the best one. I mean I thought

868
00:45:18,680 --> 00:45:23,359
Speaker 2: that just when he strips it down, Yeah, acting is good. Yeah, yeah,

869
00:45:23,400 --> 00:45:23,680
Speaker 2: you know.

870
00:45:23,719 --> 00:45:26,880
Speaker 3: It's funny because that's that line is so like your

871
00:45:26,960 --> 00:45:31,840
Speaker 3: radio announcer. So it's I think challenging. It's challenging to

872
00:45:31,920 --> 00:45:34,480
Speaker 3: do that line and also like try to keep it

873
00:45:34,520 --> 00:45:37,320
Speaker 3: like you know, I'm a nervous superhero and.

874
00:45:37,560 --> 00:45:41,240
Speaker 2: You know, yeah, it's tough. That's why we're throwing.

875
00:45:41,280 --> 00:45:43,600
Speaker 1: It's it's it's almost smelling that you want to do

876
00:45:43,640 --> 00:45:44,840
Speaker 1: a tongue tie twister?

877
00:45:45,080 --> 00:45:49,040
Speaker 3: Is that when I'm it sounds like so much fun?

878
00:45:50,120 --> 00:45:50,480
Speaker 3: What it is?

879
00:45:51,200 --> 00:45:52,600
Speaker 2: Should I mean, okay, were.

880
00:45:52,520 --> 00:45:55,279
Speaker 4: Personally up until this point, I think I would say, nah.

881
00:45:55,640 --> 00:45:56,560
Speaker 2: I don't disagree.

882
00:45:56,680 --> 00:45:58,560
Speaker 1: Yeah, I don't disagree either.

883
00:45:58,640 --> 00:46:00,680
Speaker 2: Okay, then there's not We can't just throw them to

884
00:46:00,680 --> 00:46:02,760
Speaker 2: do the tongue tied twister challenge.

885
00:46:02,480 --> 00:46:04,080
Speaker 3: If it's not a.

886
00:46:04,080 --> 00:46:07,360
Speaker 2: Tide just because it's fun. And I think he's good,

887
00:46:07,440 --> 00:46:14,600
Speaker 2: I really do. She that first round she did was

888
00:46:14,800 --> 00:46:18,680
Speaker 2: so sitting next to somebody in the booth just doing

889
00:46:18,719 --> 00:46:22,200
Speaker 2: a role that I thought she nailed it right off

890
00:46:22,239 --> 00:46:24,360
Speaker 2: the bat. I mean it was it was perfectly in

891
00:46:24,400 --> 00:46:27,680
Speaker 2: her Wheelhouse. But it was really good that her first round.

892
00:46:27,760 --> 00:46:32,080
Speaker 2: I mean really good. And I think she needs a

893
00:46:32,080 --> 00:46:34,640
Speaker 2: little bit of work on maybe some of the choices

894
00:46:34,680 --> 00:46:38,160
Speaker 2: she makes as an actor. But I thought the acting's good.

895
00:46:38,160 --> 00:46:40,040
Speaker 2: I think the voice is good. I think she could

896
00:46:40,040 --> 00:46:45,760
Speaker 2: work all the time with that, you know, just her pipes.

897
00:46:45,800 --> 00:46:49,040
Speaker 2: You know, she sounds like kind of young powerpuff Girls

898
00:46:49,160 --> 00:46:49,719
Speaker 2: or yeah, I.

899
00:46:49,719 --> 00:46:52,840
Speaker 1: Mean eighteen if we're you know, oh, yeah, she's eighteen

900
00:46:52,920 --> 00:46:53,239
Speaker 1: years old.

901
00:46:53,280 --> 00:46:53,840
Speaker 3: She's eighteen.

902
00:46:54,000 --> 00:46:56,560
Speaker 1: Yes, she has actually a mature voice for an eighteen

903
00:46:56,640 --> 00:46:56,960
Speaker 1: year old.

904
00:46:57,080 --> 00:46:57,439
Speaker 3: I agree.

905
00:46:57,480 --> 00:46:59,000
Speaker 1: I think, you know what I'm saying. I feel like

906
00:46:59,080 --> 00:47:02,440
Speaker 1: she actually will row into her voice more and have

907
00:47:02,560 --> 00:47:06,839
Speaker 1: a long career. And I mean, you know, this kind

908
00:47:06,840 --> 00:47:09,520
Speaker 1: of contest could be so big for a person, you know,

909
00:47:09,800 --> 00:47:12,520
Speaker 1: like Mia, and she's doing a great job and we

910
00:47:12,560 --> 00:47:15,439
Speaker 1: didn't you know, we didn't hold back at all. She's

911
00:47:15,480 --> 00:47:18,480
Speaker 1: gotten all the information just like everyone did at real time.

912
00:47:18,800 --> 00:47:20,560
Speaker 1: And I'm just so proud of her. You know, she's

913
00:47:20,560 --> 00:47:22,440
Speaker 1: got a great attitude, and you definitely need to have

914
00:47:22,440 --> 00:47:25,279
Speaker 1: a great attitude to face you know, all of the

915
00:47:25,280 --> 00:47:26,400
Speaker 1: ins and outs of the business.

916
00:47:27,520 --> 00:47:29,560
Speaker 2: Laura, what do you think you stick You stick with Mia?

917
00:47:29,880 --> 00:47:32,240
Speaker 3: I stick with me. I still think I think Austin

918
00:47:32,400 --> 00:47:35,080
Speaker 3: was great, fantastic.

919
00:47:35,160 --> 00:47:39,759
Speaker 4: Yeah again, I think that he'll find work absolutely.

920
00:47:39,480 --> 00:47:40,960
Speaker 2: I think so too. I think so too. And I

921
00:47:40,960 --> 00:47:43,200
Speaker 2: think partially one of the things that I'm glad we

922
00:47:43,360 --> 00:47:46,360
Speaker 2: started doing with Round three was letting people kind of

923
00:47:46,560 --> 00:47:48,279
Speaker 2: so what we had last week, for instance, is we

924
00:47:48,320 --> 00:47:52,719
Speaker 2: had a guy who was who came in and the

925
00:47:52,840 --> 00:47:56,600
Speaker 2: contestant he was up against was phenomenal, but his natural

926
00:47:56,719 --> 00:48:02,960
Speaker 2: voice was so unbelievably good. Like Barry White announcer. He

927
00:48:03,080 --> 00:48:05,279
Speaker 2: said hello and we were all like, oh man. So

928
00:48:05,320 --> 00:48:07,680
Speaker 2: we were doing everything we could to get him in

929
00:48:07,800 --> 00:48:10,760
Speaker 2: his wheelhouse, but he just ran up against the buzzsauce.

930
00:48:10,760 --> 00:48:13,440
Speaker 2: So we want to make sure that everybody's having their opportunity,

931
00:48:13,520 --> 00:48:16,480
Speaker 2: and I think I do. I think Austin's very, very good.

932
00:48:16,520 --> 00:48:18,400
Speaker 2: I think his natural voice is probably the way I

933
00:48:18,400 --> 00:48:18,719
Speaker 2: would go.

934
00:48:18,719 --> 00:48:21,880
Speaker 3: I think he would do amazing commercial work. Yes, commercial

935
00:48:21,960 --> 00:48:23,920
Speaker 3: radio reads like he say seemed like.

936
00:48:26,040 --> 00:48:28,759
Speaker 1: Yeah, I agree, I agree, But unfortunately he would be

937
00:48:28,840 --> 00:48:33,080
Speaker 1: great on camera yeah yeah, yeah, like a or like

938
00:48:33,200 --> 00:48:35,080
Speaker 1: you or like a hero. I think he's great, and

939
00:48:35,360 --> 00:48:36,240
Speaker 1: he's a great actor.

940
00:48:36,680 --> 00:48:39,000
Speaker 2: He is funny, and he's he's trying to add lib

941
00:48:39,080 --> 00:48:41,760
Speaker 2: and that's what you want. You want somebody who's Yeah,

942
00:48:41,840 --> 00:48:44,440
Speaker 2: I agree, but we're looking for an all you know,

943
00:48:44,480 --> 00:48:46,799
Speaker 2: we need somebody who does great ad read but also

944
00:48:46,880 --> 00:48:49,160
Speaker 2: does great character and we're looking for that all around

945
00:48:49,760 --> 00:48:51,640
Speaker 2: kind of voice actor. So I think we're all in

946
00:48:51,640 --> 00:48:54,160
Speaker 2: agreement then, as much as we'd love the tongue twister challenge,

947
00:48:54,160 --> 00:48:58,800
Speaker 2: all right, let's bring Austin back in. This sucks. Hey Austin,

948
00:48:58,840 --> 00:49:03,440
Speaker 2: how are you hello? How's everything going? How's it going? Guys? So, uh,

949
00:49:04,080 --> 00:49:06,160
Speaker 2: we we think you're great. We really do. We think

950
00:49:06,160 --> 00:49:10,200
Speaker 2: you're phenomenal. I think the last round was your best

951
00:49:10,280 --> 00:49:13,200
Speaker 2: round because it's kind of it stayed in your natural register,

952
00:49:14,560 --> 00:49:18,080
Speaker 2: and I think, uh, you know, in your career that's

953
00:49:18,120 --> 00:49:20,719
Speaker 2: a voiceover wise, that's kind of where I think you're

954
00:49:20,719 --> 00:49:23,920
Speaker 2: gonna want to stay. That being said, your fellow contestant

955
00:49:23,920 --> 00:49:27,200
Speaker 2: today was really really good. And unfortunately this is as

956
00:49:27,200 --> 00:49:28,800
Speaker 2: far as you're going to be going in the contest,

957
00:49:30,280 --> 00:49:32,560
Speaker 2: But you were. All of us have been sitting here

958
00:49:32,600 --> 00:49:35,760
Speaker 2: just talking about it left and right because you're Frankly,

959
00:49:35,800 --> 00:49:38,600
Speaker 2: we as awesome as your voice is, and your voice

960
00:49:38,640 --> 00:49:41,399
Speaker 2: is really good, we think you're We think you're an

961
00:49:41,440 --> 00:49:44,759
Speaker 2: on camera actor. Yeah, we think voice over something that

962
00:49:44,800 --> 00:49:46,680
Speaker 2: you should definitely do because you're good at it. But

963
00:49:47,520 --> 00:49:51,160
Speaker 2: you're you're just your whole vibe just comes off as

964
00:49:51,200 --> 00:49:52,960
Speaker 2: being an on camera actor. Frank Kustin.

965
00:49:53,040 --> 00:49:55,279
Speaker 1: I think you would make so much money in commercials.

966
00:49:55,320 --> 00:49:57,920
Speaker 1: I mean, like, you have such a great look for

967
00:49:57,960 --> 00:50:00,560
Speaker 1: folks I can't see. He's just really good looking.

968
00:50:00,440 --> 00:50:03,840
Speaker 2: Guy and very hip and very easy to talk to.

969
00:50:04,160 --> 00:50:07,600
Speaker 1: And I just think I think you'd be great. I

970
00:50:07,640 --> 00:50:10,799
Speaker 1: think if you if you wanted to do that, Yeah.

971
00:50:10,560 --> 00:50:14,280
Speaker 2: You're really good. And again we've said from the beginning

972
00:50:14,920 --> 00:50:17,920
Speaker 2: the sixteen people we picked, so I'm not going to

973
00:50:17,960 --> 00:50:20,640
Speaker 2: lie to you. I remember you from the from the audition.

974
00:50:20,920 --> 00:50:24,480
Speaker 2: You were This is not a joke. The first audition

975
00:50:24,800 --> 00:50:29,879
Speaker 2: I saw, I really are you talking forty five hundred auditions,

976
00:50:30,080 --> 00:50:33,759
Speaker 2: you were the first one I clicked on, and we

977
00:50:33,840 --> 00:50:36,040
Speaker 2: even think you guys got it for the lengt time.

978
00:50:36,360 --> 00:50:39,239
Speaker 2: And I instantly put you in the has to move

979
00:50:39,280 --> 00:50:42,279
Speaker 2: forward category and I was like, Wow, they're all going

980
00:50:42,360 --> 00:50:45,160
Speaker 2: to be this good and they work, they just they

981
00:50:45,239 --> 00:50:48,920
Speaker 2: just weren't you. Did you set the bar? I'm not

982
00:50:49,040 --> 00:50:50,759
Speaker 2: trying to blow smoke at you. You set the bar

983
00:50:50,960 --> 00:50:55,680
Speaker 2: You're really really good, so keep moving forward. As you said,

984
00:50:55,719 --> 00:50:57,920
Speaker 2: you've won contest, You've done stuff. You will get signed

985
00:50:57,920 --> 00:51:00,359
Speaker 2: by somebody, and you are going to have a career.

986
00:51:00,480 --> 00:51:02,640
Speaker 2: So we want you to know that you did phenomenally well.

987
00:51:02,680 --> 00:51:05,920
Speaker 2: Congratulations on making it this far. But your fellow contestant

988
00:51:05,960 --> 00:51:08,160
Speaker 2: today was was just kind of on another level, and

989
00:51:08,200 --> 00:51:09,080
Speaker 2: that could just be today.

990
00:51:09,200 --> 00:51:10,799
Speaker 8: People have off days, you know, It's just the way

991
00:51:10,800 --> 00:51:13,480
Speaker 8: it is, absolutely and I totally understand that. Honestly, I'm

992
00:51:13,560 --> 00:51:15,600
Speaker 8: very I'm just thankful for the opportunity.

993
00:51:15,719 --> 00:51:16,680
Speaker 2: Thank you guys so much.

994
00:51:16,719 --> 00:51:18,800
Speaker 8: This has been like a world I'm such huge fans

995
00:51:18,800 --> 00:51:21,719
Speaker 8: of all of you, Like I've been paying attention to

996
00:51:21,760 --> 00:51:24,480
Speaker 8: your work for like my whole life, Like not many

997
00:51:24,480 --> 00:51:27,680
Speaker 8: people my age talk about my date with the President's.

998
00:51:27,200 --> 00:51:28,000
Speaker 2: Daughter that much.

999
00:51:29,360 --> 00:51:32,200
Speaker 8: I appreciate that I was watching Batman Beyond this morning.

1000
00:51:32,800 --> 00:51:36,160
Speaker 8: And I'm obviously a huge fan of Christie's Laura. I've

1001
00:51:36,160 --> 00:51:39,960
Speaker 8: definitely seen you around too, Like you guys are awesome, Like,

1002
00:51:40,480 --> 00:51:41,399
Speaker 8: thank you so much for this.

1003
00:51:41,400 --> 00:51:45,000
Speaker 2: This means the world to me. So blessed. Well we are,

1004
00:51:45,080 --> 00:51:46,719
Speaker 2: we are, we will see you again. We know we'll

1005
00:51:46,719 --> 00:51:48,200
Speaker 2: see you again, So thank you so much.

1006
00:51:48,040 --> 00:51:48,440
Speaker 11: For coming on.

1007
00:51:48,520 --> 00:51:51,960
Speaker 2: I appreciate it. Take care guys, you as well. God,

1008
00:51:52,000 --> 00:51:53,879
Speaker 2: that's the worst. I hate that because he is good.

1009
00:51:54,560 --> 00:51:57,359
Speaker 1: Every every single person that we've had to let go

1010
00:51:57,760 --> 00:52:00,560
Speaker 1: took it so well so well.

1011
00:52:00,560 --> 00:52:03,239
Speaker 2: It's also the I think they're going to work. Yeah, exactly. No,

1012
00:52:03,320 --> 00:52:05,960
Speaker 2: I just was like, I hate you guys. They're so

1013
00:52:06,000 --> 00:52:08,719
Speaker 2: good and we're hoping, we're hoping. You know, other agencies,

1014
00:52:08,719 --> 00:52:10,799
Speaker 2: and you know, the winner signs with CESD, but other

1015
00:52:10,840 --> 00:52:12,839
Speaker 2: agencies have to be hearing this stuff and saying, man,

1016
00:52:12,880 --> 00:52:16,279
Speaker 2: I'll sign that personally. You know, it's because because they're great.

1017
00:52:16,280 --> 00:52:18,319
Speaker 2: But now now the fun part happens. Now we can

1018
00:52:18,360 --> 00:52:22,680
Speaker 2: bring me in Mia. Hello, how are you good?

1019
00:52:22,920 --> 00:52:23,399
Speaker 1: How are you?

1020
00:52:24,440 --> 00:52:26,600
Speaker 2: We're good. We just wanted to thank you so much

1021
00:52:26,640 --> 00:52:29,359
Speaker 2: for coming and joining us. It has been a very

1022
00:52:29,360 --> 00:52:32,560
Speaker 2: difficult week and a very difficult decision for us. But

1023
00:52:32,960 --> 00:52:34,200
Speaker 2: you know, we just want you to know that we

1024
00:52:34,200 --> 00:52:37,600
Speaker 2: think you're amazing and you really you really did well today.

1025
00:52:38,560 --> 00:52:42,480
Speaker 2: But unfortunately you're gonna have to deal with us going

1026
00:52:42,520 --> 00:52:44,880
Speaker 2: forward because you will be moving on in the next round.

1027
00:52:45,920 --> 00:52:50,040
Speaker 1: Why why can I get to do that because it's fun?

1028
00:52:51,120 --> 00:52:53,600
Speaker 2: I know, I get to do that because it's fun. Mia.

1029
00:52:53,719 --> 00:52:58,720
Speaker 2: We think you are absolutely wonderful. You know, the the

1030
00:52:58,880 --> 00:53:02,080
Speaker 2: first round of special we think the character just suited

1031
00:53:02,080 --> 00:53:03,920
Speaker 2: you perfectly, and you really showed us what you can do.

1032
00:53:05,320 --> 00:53:08,359
Speaker 2: I think you're you're the sky's the limit. I would

1033
00:53:08,360 --> 00:53:09,920
Speaker 2: say this moving forward, and now I'm gonna throw it

1034
00:53:09,960 --> 00:53:13,240
Speaker 2: to Christi and Laura, I would say, moving forward. Anytime

1035
00:53:13,360 --> 00:53:18,360
Speaker 2: you can work on improv, I would you know it

1036
00:53:18,560 --> 00:53:21,560
Speaker 2: just it makes you faster, It makes you kind of

1037
00:53:21,560 --> 00:53:24,759
Speaker 2: on your toes. And as any voiceover actor will tell you,

1038
00:53:25,400 --> 00:53:27,360
Speaker 2: the job you're in right now, the next job you

1039
00:53:27,400 --> 00:53:29,080
Speaker 2: get a lot of times it's because of stuff you

1040
00:53:29,120 --> 00:53:31,279
Speaker 2: ad lived in the room and you made. You just

1041
00:53:31,320 --> 00:53:33,040
Speaker 2: are creating things in the room, and the next thing

1042
00:53:33,040 --> 00:53:34,920
Speaker 2: you know, you're on the next show because hey, remember

1043
00:53:34,920 --> 00:53:37,560
Speaker 2: that voice you were doing. So you know, if you

1044
00:53:37,560 --> 00:53:39,239
Speaker 2: can get into some kind of an improv class or

1045
00:53:39,239 --> 00:53:41,399
Speaker 2: something like that, I think you should because it can

1046
00:53:41,520 --> 00:53:44,480
Speaker 2: only help with the natural talent that you already have

1047
00:53:45,480 --> 00:53:47,440
Speaker 2: from there. So, Laura, do you have anything to add

1048
00:53:48,200 --> 00:53:48,840
Speaker 2: You're awesome.

1049
00:53:50,320 --> 00:53:52,840
Speaker 5: Oh my gosh, you guys have been such a pleasure

1050
00:53:52,880 --> 00:53:53,200
Speaker 5: to meet.

1051
00:53:53,239 --> 00:53:54,880
Speaker 1: I'm very happy I got to come on here.

1052
00:53:54,920 --> 00:53:55,680
Speaker 3: Thank you so much.

1053
00:53:56,640 --> 00:53:58,359
Speaker 2: That is so cool. Christ Billy.

1054
00:53:58,520 --> 00:53:59,560
Speaker 3: I'm really proud of you, ya.

1055
00:53:59,600 --> 00:54:02,560
Speaker 1: I think you have so much talent inside of your

1056
00:54:02,560 --> 00:54:05,920
Speaker 1: body and I we are all just you know, rooting

1057
00:54:06,000 --> 00:54:08,200
Speaker 1: for you, and I'm excited to see you at the

1058
00:54:08,239 --> 00:54:11,279
Speaker 1: next round of this competition. Congratulations, Thank you so much.

1059
00:54:11,320 --> 00:54:12,279
Speaker 1: Can't wait to see you again.

1060
00:54:13,040 --> 00:54:15,839
Speaker 2: And speaking of that, if if the next round, if

1061
00:54:15,840 --> 00:54:17,759
Speaker 2: we could, if we could have your camera working, that

1062
00:54:17,800 --> 00:54:18,640
Speaker 2: would really be great.

1063
00:54:18,680 --> 00:54:20,279
Speaker 5: Okay, we kind of have a talking to you after this,

1064
00:54:21,000 --> 00:54:21,600
Speaker 5: all right.

1065
00:54:22,480 --> 00:54:24,400
Speaker 2: Well, thank you so much and we will see you

1066
00:54:24,520 --> 00:54:25,560
Speaker 2: in the next round.

1067
00:54:25,600 --> 00:54:29,120
Speaker 4: Alle ready, bye bye, bye bye bye.

1068
00:54:29,560 --> 00:54:32,239
Speaker 2: Okay, everybody very quickly before we say goodbye to our

1069
00:54:32,360 --> 00:54:35,760
Speaker 2: amazing guest judge today, Laura Bailey, and you were amazing.

1070
00:54:35,800 --> 00:54:38,520
Speaker 2: Thank you so much for joining us. We are there.

1071
00:54:38,840 --> 00:54:41,040
Speaker 2: Round one of the super awesome contests to become the

1072
00:54:41,040 --> 00:54:43,920
Speaker 2: next Big Voice Actor is done. We are done with

1073
00:54:44,000 --> 00:54:45,640
Speaker 2: by the numbers and we'll be moving on to a

1074
00:54:45,680 --> 00:54:52,040
Speaker 2: new game next week. But Mia from Florida is going

1075
00:54:52,080 --> 00:54:55,040
Speaker 2: to be joined by Dylan from Louisiana, Danielle from Tennessee,

1076
00:54:55,440 --> 00:54:59,960
Speaker 2: Matthew from Delaware, Tatiana from California, Hannah from Alabama, heylenh

1077
00:55:00,360 --> 00:55:03,680
Speaker 2: from North Carolina and Haley from Texas. We did not

1078
00:55:03,800 --> 00:55:06,160
Speaker 2: plan this, We did not know what was happening. But

1079
00:55:06,280 --> 00:55:10,560
Speaker 2: the women came in and just crushed it. They absolutely

1080
00:55:10,800 --> 00:55:15,279
Speaker 2: killed So there's only two men left. There's there's two

1081
00:55:15,280 --> 00:55:17,239
Speaker 2: guys left and the other six are women. The women

1082
00:55:17,320 --> 00:55:21,719
Speaker 2: just came in and absolutely threw down. Yes, so what

1083
00:55:21,960 --> 00:55:24,880
Speaker 2: a contest and we are moving forward. Laura, thank you

1084
00:55:24,920 --> 00:55:25,520
Speaker 2: so much for this.

1085
00:55:25,600 --> 00:55:27,480
Speaker 3: Thanks for having me. This was a blast. You were

1086
00:55:27,520 --> 00:55:28,160
Speaker 3: at last.

1087
00:55:28,239 --> 00:55:29,640
Speaker 1: It was really nice to meet you.

1088
00:55:29,640 --> 00:55:31,480
Speaker 3: You too. I can't believe we haven't met before.

1089
00:55:31,440 --> 00:55:35,880
Speaker 2: Which is crazy. It's absolutely crazy. So not that I

1090
00:55:35,920 --> 00:55:38,960
Speaker 2: have to say this for anybody actually listening to the show, Laura,

1091
00:55:39,000 --> 00:55:40,799
Speaker 2: but where can people find you if they're looking for you?

1092
00:55:40,920 --> 00:55:41,839
Speaker 2: What projects do you have?

1093
00:55:41,960 --> 00:55:42,200
Speaker 4: Now?

1094
00:55:42,440 --> 00:55:43,040
Speaker 3: Oh? Man?

1095
00:55:44,040 --> 00:55:46,120
Speaker 4: You can find me on Twitter, even though I'm like

1096
00:55:46,160 --> 00:55:49,520
Speaker 4: never on it. At Laura bayle Villo on Instagram, the

1097
00:55:49,560 --> 00:55:50,080
Speaker 4: same way.

1098
00:55:51,239 --> 00:55:54,400
Speaker 3: You can watch me on Critical Role almost every Thursday.

1099
00:55:55,040 --> 00:55:59,160
Speaker 3: I have the Month and coming out soon, which I'm

1100
00:55:59,160 --> 00:55:59,919
Speaker 3: really excited about.

1101
00:56:00,239 --> 00:56:04,240
Speaker 4: I have a video game coming out called Stray Gods,

1102
00:56:04,960 --> 00:56:08,560
Speaker 4: which is it's a I'm just like pumping it up

1103
00:56:08,600 --> 00:56:10,120
Speaker 4: because it's so weird and cool.

1104
00:56:10,800 --> 00:56:11,600
Speaker 3: It sounds cool.

1105
00:56:11,680 --> 00:56:16,759
Speaker 4: It's a musical RPG game, so in like the vein

1106
00:56:16,840 --> 00:56:21,040
Speaker 4: of it's written by David Gator who did like Dragon Age,

1107
00:56:21,080 --> 00:56:24,040
Speaker 4: so he's like a master at branching dialogues, right, but

1108
00:56:24,160 --> 00:56:27,560
Speaker 4: instead of like branching dialogue, as you choose your choices,

1109
00:56:27,680 --> 00:56:29,720
Speaker 4: it changes the freaking music.

1110
00:56:30,800 --> 00:56:31,160
Speaker 9: Wow.

1111
00:56:31,160 --> 00:56:33,640
Speaker 4: And it's all a musical written by Austin Wintry who's

1112
00:56:33,640 --> 00:56:36,320
Speaker 4: an amazing phenomenal composer.

1113
00:56:36,480 --> 00:56:38,719
Speaker 3: And it's got like a really stellar cast and it's

1114
00:56:38,760 --> 00:56:39,359
Speaker 3: been just.

1115
00:56:40,239 --> 00:56:42,280
Speaker 2: Did you say yea?

1116
00:56:42,360 --> 00:56:45,360
Speaker 3: I saying it's a lot of a lot of music

1117
00:56:46,640 --> 00:56:47,359
Speaker 3: and it's when.

1118
00:56:47,560 --> 00:56:50,480
Speaker 2: Now do you know when when that's coming out?

1119
00:56:50,840 --> 00:56:53,080
Speaker 3: I don't know. Oh yes, yes, the REALA State did

1120
00:56:53,080 --> 00:56:54,640
Speaker 3: come out. It's August third.

1121
00:56:55,120 --> 00:56:55,759
Speaker 2: Oh that's great.

1122
00:56:57,600 --> 00:57:00,000
Speaker 3: It's super fun, super amazing cast.

1123
00:57:00,080 --> 00:57:00,440
Speaker 4: Look it up.

1124
00:57:01,280 --> 00:57:04,480
Speaker 2: That's incredible. And if you haven't started critical roles started

1125
00:57:04,480 --> 00:57:07,480
Speaker 2: on Saturday, you'll be done by Sunday with four seasons,

1126
00:57:07,600 --> 00:57:09,839
Speaker 2: which is great. It's super quick to walk now there

1127
00:57:09,840 --> 00:57:12,560
Speaker 2: are like nine hour episodes and so much fun that

1128
00:57:12,640 --> 00:57:14,840
Speaker 2: they really are. But Laura, thank you so much for

1129
00:57:14,920 --> 00:57:16,440
Speaker 2: joining us. We know how busy you are, and this

1130
00:57:16,480 --> 00:57:18,000
Speaker 2: is really really cool that you could be here and

1131
00:57:18,080 --> 00:57:20,480
Speaker 2: you know. One of the prizes, of course, is you know,

1132
00:57:20,520 --> 00:57:24,400
Speaker 2: getting to uh have a training session with Sam Regal

1133
00:57:24,480 --> 00:57:30,360
Speaker 2: and Mary McGlynn, who are two phenomenal directors. Gods, Oh

1134
00:57:30,480 --> 00:57:34,680
Speaker 2: so cool. That's okay, another singer. I'm just phenomenal. And

1135
00:57:34,720 --> 00:57:36,800
Speaker 2: this is what it takes everybody to be that perfect

1136
00:57:36,800 --> 00:57:40,080
Speaker 2: well rounded voiceover actor. You've got singing, you've got you know,

1137
00:57:40,240 --> 00:57:43,000
Speaker 2: incredible acting, you've got dialects, you've got it. You've got it,

1138
00:57:43,000 --> 00:57:45,280
Speaker 2: you got it. So that's what we are looking for. Everybody,

1139
00:57:45,640 --> 00:57:48,480
Speaker 2: So cool. Thank you, Laura, thank you Christy. Thanks for

1140
00:57:48,600 --> 00:57:52,480
Speaker 2: joining us. I'm getting there, which is which is good.

1141
00:57:52,520 --> 00:57:55,320
Speaker 2: I'm glad next week the show of Today's paper. You

1142
00:57:55,400 --> 00:57:57,600
Speaker 2: are in fact still with us and the ransom has

1143
00:57:57,680 --> 00:58:00,560
Speaker 2: yet to be paid. So that's your very very cool.

1144
00:58:00,560 --> 00:58:04,240
Speaker 2: We love that, everybody. Don't forget. Thank you everybody at CESD,

1145
00:58:04,320 --> 00:58:06,800
Speaker 2: Thank you everybody at Prime Video. Go check out season

1146
00:58:06,880 --> 00:58:09,479
Speaker 2: two of the Legend of Vox Machina. It is available now.

1147
00:58:09,520 --> 00:58:12,120
Speaker 2: It is phenomenal. The guest stars in that show are

1148
00:58:12,200 --> 00:58:16,080
Speaker 2: so good. I don't even know where to start. So

1149
00:58:16,200 --> 00:58:18,920
Speaker 2: thanks everybody for joining us, and don't forget. If you

1150
00:58:18,960 --> 00:58:20,440
Speaker 2: think you have what it takes to step up to

1151
00:58:20,480 --> 00:58:22,400
Speaker 2: the microphone and be one of us. Put your voices

1152
00:58:22,400 --> 00:58:25,000
Speaker 2: where your mouth is. Thanks everybody. I Hear Voices is

1153
00:58:25,000 --> 00:58:27,960
Speaker 2: hosted by Wilfredell and Christy Carlson Romano. Executive produced by

1154
00:58:28,000 --> 00:58:30,680
Speaker 2: will Fredell, Brendan Rooney, Amy Sugarman. Our executive in charge

1155
00:58:30,720 --> 00:58:33,680
Speaker 2: of production is Danielle Romo, Our producer is Lorraine Viriuez,

1156
00:58:33,720 --> 00:58:36,680
Speaker 2: and our editor slash engineer is Brian Burton. And that

1157
00:58:37,360 --> 00:58:38,680
Speaker 2: was my announcer voice.

1158
00:58:38,800 --> 00:58:40,840
Speaker 6: Some side effects of listening to I Hear Voices are

1159
00:58:40,880 --> 00:58:43,840
Speaker 6: sore abs from hilarity falling down the coco melon rabbit hole,

1160
00:58:43,960 --> 00:58:46,080
Speaker 6: sneezing due to mass nostalgia, and hugs.

1161
00:58:46,200 --> 00:58:48,280
Speaker 2: Follow I Hear Voices wherever you listen to podcasts so

1162
00:58:48,320 --> 00:58:50,080
Speaker 2: you don't miss any of the amazing voices.

1163
00:58:50,200 --> 00:58:52,400
Speaker 6: Be sure to follow us on Instagram and TikTok at

1164
00:58:52,400 --> 00:58:53,600
Speaker 6: I Hear Voices podcast.

1165
00:58:53,680 --> 00:58:56,800
Speaker 2: You can also check us out on MySpace, omegle Vine, LimeWire.

1166
00:58:56,880 --> 00:58:57,800
Speaker 2: Hey I'm a napster.

1167
00:58:57,920 --> 00:58:59,560
Speaker 6: Okay, well let's teach you about the Internet.

1168
00:58:59,760 --> 00:58:59,880
Speaker 9: Who