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Speaker 1: This is Bombing with Eric Andrey, the podcast where I

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Speaker 1: talk with friends, comedians, musicians, and other creative people about

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Speaker 1: their worst moments on stage and getting shot on by

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Speaker 1: a live audience. And we have our first musician on

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Speaker 1: the show. I talked to my good pal Mac DeMarco.

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Speaker 1: Crazy talented. He's toured all over the world and shared

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Speaker 1: his music amongst endless fans, like passing out pieces and

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Speaker 1: freaking out the neighborhood. Let's time in this conversation about

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Speaker 1: his life on the road and what wild shit he's

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Speaker 1: seen on stage.

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Speaker 2: Let's do it. Bombing with Eric andre.

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Speaker 3: So what's the worst you've ever bombed? I have a

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Speaker 3: list with are there's some you know. I was thinking

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Speaker 3: about it.

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Speaker 4: The three questions I asked every guest what's the worst

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Speaker 4: you ever bombed on stage?

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Speaker 3: What's the worst bomb you've ever seen?

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Speaker 4: Like I once saw cap Power live and she ripped

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Speaker 4: their piano and a half or whatever it is. I

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Speaker 4: just made that story up. So what's the worst you've

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Speaker 4: ever bombed? What's the worst bomb you've ever seen? And

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Speaker 4: what is the most wasted you've ever been on stage?

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Speaker 4: You know? I had one guest on whose answer to

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Speaker 4: that last question was on stage with Mac DeMarco, was

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Speaker 4: really yeah, DJ DJ Doug Pound, Oh yeah, that's the

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Speaker 4: most waste you've been on stage. You had like the

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Speaker 4: little beer section or something. You'd have people it's called

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Speaker 4: the bestro table, sit people on stage and get them wasted.

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Speaker 4: He doesn't drink that much, he said. He got hammered

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Speaker 4: out of his mind, and then out of nowhere. You

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Speaker 4: were like, Doug, why don't you get on the drums

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Speaker 4: and play this next? And he was like, he's not

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Speaker 4: a drummer. He rarely drinks. And he was like annihilated

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Speaker 4: in front of a fucking arena of billions of fans.

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Speaker 3: Just yeah, fucking.

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Speaker 2: You're years ago.

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Speaker 3: But you were like you were, you're happy as a clam.

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Speaker 3: That's I mean, you know, it's like I don't. It's

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Speaker 3: funny because yeah, probably my worst bomb in the drunks

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Speaker 3: I've ever been. Those might be the same story. You

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Speaker 3: will tell us it too. There's like so many times

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Speaker 3: I was thinking about it too, because it's like, you know,

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Speaker 3: I think about what it means to bomb in comedy

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Speaker 3: versus music, and it's like I feel like there's a

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Speaker 3: difference where, you know, like in music I feel like

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Speaker 3: there's a soft bomb like if you play a song

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Speaker 3: that the crowd doesn't really know or they don't really care,

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Speaker 3: you play it and they're like okay, right, and it's

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Speaker 3: like that's kind of bombing. But then there's like the

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Speaker 3: kind of you know, then there's like some of these

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Speaker 3: stories that I'll tell you here where it's like savagely

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Speaker 3: something savage happens and everyone's.

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Speaker 4: Kind of like what it's like, yeah, yeah, like off

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Speaker 4: like when Prince Prince used to open up for the

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Speaker 4: Rolling Stones and people would throw bottles.

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Speaker 3: Yeah, that would be like got off that stage. And

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Speaker 3: then with you know, I don't know, comedy, it's like

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Speaker 3: you such it's like such a closer connection, or it's

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Speaker 3: like a more intimate connection, I think, or like I

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Speaker 3: don't know, person, I don't know. It depends, but let's see.

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Speaker 3: I have a little list here. I was thinking the Uh,

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Speaker 3: there was one instance we played at we were doing

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Speaker 3: I think three nights at the Teargramd Ballroom just downtown

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Speaker 3: in LA and uh, the first night, I don't really

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Speaker 3: know why it happened. I don't know what happened, but

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Speaker 3: I got like really really really drunk on stage and

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Speaker 3: I was in a bit of a mood. Sometimes you

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Speaker 3: get into mood, you know, I write these songs that

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Speaker 3: mean something to me, you know, it's like sometimes you

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Speaker 3: get you get emotional, which I think, I think those

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Speaker 3: are the best kinds of show. Like here's the thing

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Speaker 3: too about this show is like some of my friends

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Speaker 3: will be like Jesus Christ, like what was that? And

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Speaker 3: then other other friends will be like that was the

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Speaker 3: most the best show I've ever seen you do. But

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Speaker 3: I guess essentially what happened we I think we kind

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Speaker 3: of stumbled through most of the set, and then we

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Speaker 3: got to this point where we were kind of jamming

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Speaker 3: up there, and I had taken my shirt off and

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Speaker 3: I was kind of crouched like a gargoyle on top

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Speaker 3: of my amp, like staring out at the audience, and

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Speaker 3: I had I had made everybody sit down, and they

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Speaker 3: were all sitting down, and for a long time I

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Speaker 3: was I was turned and the bestro table was right there,

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Speaker 3: like we were talking about with Doug Pound. But I

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Speaker 3: was turned around for a while and I had the

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Speaker 3: microphone in my mouth, like the whole bulb of it,

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Speaker 3: and I was just screaming and screaming into it, and

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Speaker 3: then I turned around a one. Kids would try to

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Speaker 3: get up and I'd be like, it's the fuck up.

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Speaker 3: Like just at one point I put a cigarette out

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Speaker 3: on my chest. Yeah, the scar is here. If you

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Speaker 3: can see that, that little white patch, the scar is there. Yeah.

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Speaker 3: But I put this smoke out of my chest like

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Speaker 3: fully pushed in, which I had never done before. It

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Speaker 3: really hurts. I mean I didn't really feel at the time.

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Speaker 3: Next day was horrible, but drigger whiskey, yeah, Jamison used

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Speaker 3: to be my weapon of choice. But there was all

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Speaker 3: of that, and I remember just and it was getting

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Speaker 3: to the point where it was kind of like the

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Speaker 3: music wasn't even sounding like music anymore. People had been

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Speaker 3: sitting on the ground for a long time. It was

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Speaker 3: just confusing. And then my mom and my mom wasn't there,

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Speaker 3: and I'll get to that. But there was one girl

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Speaker 3: in the middle of the crowd and she I remember,

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Speaker 3: she stood up and everyone also is on the ground.

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Speaker 3: It's probably you know, like six hundred person venue or

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Speaker 3: something like, you know, she stood up and she was

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Speaker 3: weeping and she just went, what the fuck are you doing? Bag?

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Speaker 2: And then.

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Speaker 3: Yeah, deeply, deeply disturbed. She wanted she wanted some nice tunes.

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Speaker 3: You were like, it was it was so brutal and yeah,

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Speaker 3: and then the next you know, the show finished, we

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Speaker 3: went home. I remember getting a call from my mom

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Speaker 3: in the morning that I was being like, is everything

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Speaker 3: all right, sweetheart? Like it had made the rounds of

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Speaker 3: the internet, like Mac played a real raw one last night.

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Speaker 3: You know, it's just okay, No people are concerned for you. Yeah, exactly.

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Speaker 3: But then the show we did the next night there

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Speaker 3: was great, so you know, it was redeemed, I guess.

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Speaker 3: But I remember pulling up to the venue that like

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Speaker 3: the next day, because it's a residency, it's not even

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Speaker 3: like we did this insane thing and we can just

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Speaker 3: leave town. It's like nope. Coming back the next night,

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Speaker 3: pulling in and one of the guys that worked at

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Speaker 3: the venue is like, pretty interesting show last night, man.

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Speaker 3: I was like, yeah, yeah, pretty weird, and he just

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Speaker 3: went prett embarrassing and I went, oh, really he said

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Speaker 3: that to you?

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Speaker 2: That's rude.

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Speaker 3: I mean, you know whatever, that's polari say that to

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Speaker 3: the fucking artist that has a residency. What are you

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Speaker 3: gonna dona keep.

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Speaker 4: That tears self? I don't agree with that guy. That's

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Speaker 4: fucking passive aggressive. That'n't even passive agresses. That's aggressive.

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Speaker 3: Yeah, I guess so, But you know what, I don't know.

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Speaker 4: I'm sensitive to that kind of shit. One time I

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Speaker 4: was doing stand up in Alabama and I spilled ranch

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Speaker 4: salad dressing all over the stage. And the guy that

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Speaker 4: ran he wasn't even the guy that ran the club.

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Speaker 4: He was just like a random guy that worked there.

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Speaker 4: Was so angry at me and mopped between I had

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Speaker 4: like an eight o'clock show and a ten o'clock show,

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Speaker 4: and then he took out a mop bucket and he

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Speaker 4: stared daggers at me as he mopped up the ranch

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Speaker 4: that wasn't that much, honestly, it was like the size

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Speaker 4: of a dinner plate. Yeah, And I was like, okay,

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Speaker 4: I'm sorry, and I went and I grabbed the mop

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Speaker 4: and I.

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Speaker 3: Mopped the rest of the.

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Speaker 4: Ranch up and like finished the mopping, and then and

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Speaker 4: then I mopped the second show. I was like, it's

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Speaker 4: gonna happen again at the second show and I mopped

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Speaker 4: the other one and he was still poudy about it.

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Speaker 3: I was like, the fuck you, Alabama man. Yeah, I

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Speaker 3: don't know. Some people just don't have you know, I

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Speaker 3: remember there was a kid. There was a kid. Where

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Speaker 3: were we in DC?

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Speaker 2: I think?

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Speaker 3: And we played. He was really excited to he was

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Speaker 3: working at the show. I think he was doing merch

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Speaker 3: for us, and I used to do this thing where

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Speaker 3: I hit the microphone into my chest like this just

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Speaker 3: I don't know why, some kind of caveman shit or whatever.

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Speaker 3: But after the show I went up to go say like, oh,

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Speaker 3: thank you so much, like if you want any merch,

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Speaker 3: like you know, like that, you know, thank you so

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Speaker 3: much for working with us. But he was like disturbed

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Speaker 3: by me because I mean, I don't know, maybe he

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Speaker 3: has some I don't know what it is, but he

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Speaker 3: thought that they were gunning shots every time. I was

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Speaker 3: just kind of like, it's a mac Marco's show, you know,

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Speaker 3: It's like we're not you know, it's like it's not

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Speaker 3: even I don't know. Maybe maybe he had an experience

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Speaker 3: that made him feel uncomfortable in that way, but it

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Speaker 3: was kind of like, you don't he like wouldn't even

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Speaker 3: look at me after the show, and I was kind

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Speaker 3: of like, man, like, I don't know, so what is

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Speaker 3: this bistro table? Do you serve food there? The bistro

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Speaker 3: table was invented at this venue in Toronto years ago,

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Speaker 3: probably in like two thousand and.

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Speaker 2: Eight or nine.

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Speaker 3: Well, in the first tour as I ever went on

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Speaker 3: this venue called the Horseshoe Tavern Legendary Tour at Toronto Venue,

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Speaker 3: and it was kind of like you know, I used

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Speaker 3: to I don't know, It's like it's like whin. I

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Speaker 3: had some friends and it was like we put a

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Speaker 3: table on the stage and I bought them some pictures

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Speaker 3: and they just sat there while we played and they

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Speaker 3: get to enjoy. Yeah, they get to enjoy the shit.

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Speaker 3: It's like the ultimate VIP experience, you know. And it

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Speaker 3: kind of snowballed. And we've been doing it for years

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Speaker 3: and years and years. Do you still do it? We

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Speaker 3: will do it? Yeah, do you do it every show?

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Speaker 3: It depends. I want to be on the b show table.

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Speaker 3: Next time we play in La can be at the Beast?

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Speaker 3: Can I make little drinks? Yeah? Well that's the thing.

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Speaker 3: Sometimes the promoters are really about it, and they're like,

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Speaker 3: there's this one guy in France actually does our shows

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Speaker 3: there and he gets a nice tablecloth and he gets

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Speaker 3: flowers and the food.

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Speaker 2: I loved that.

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Speaker 3: Yeah, the only problem is sometimes we don't you know,

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Speaker 3: I need to put like little speakers over there, because

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Speaker 3: when you're standing on the side of the stage and

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Speaker 3: there's no pa like, it just kind of sounds like

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Speaker 3: you're like, well, I'm at the show, but I can't

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Speaker 3: hear it down time. It's why So it's like kind of,

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Speaker 3: you know, the shittiest place to watch from, but it's

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Speaker 3: also tight. But but yeah, no, it's been Actually, there's

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Speaker 3: an interesting story about the be Stroow table in LA

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Speaker 3: that long time ago, probably like seven years ago, we

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Speaker 3: were playing a couple of nights at the Fonda and

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Speaker 3: there was a kid i'd met him at on the

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Speaker 3: street in Highland Park, I think maybe in front of

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Speaker 3: Future Music or or some music store or something, and

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Speaker 3: him and his girlfriend. I was like, oh, come to

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Speaker 3: the show, no problem, And I got them on the

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Speaker 3: guests as they came, and they came and sat at

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Speaker 3: the be Strow table and I think they're, like Doug

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Speaker 3: was saying, like they I don't know if they drank

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Speaker 3: that much, but there's a lot of booze around and

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Speaker 3: they is it fans. There's friends of yours at the

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Speaker 3: be Stow table. Friends usually fan I don't know. It's

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Speaker 3: kind of like whoever is or it depends, you know.

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Speaker 3: Now it's usually for friends, I would say, but you know,

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Speaker 3: it just depends. But they were sitting up there and yeah,

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Speaker 3: and the kid got hammered, and I you know, I

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Speaker 3: didn't see him till after the show. Well yeah I didn't.

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Speaker 3: I noticed he was kind of drunk at the table,

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Speaker 3: but there's like twenty five people at the table or something.

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Speaker 3: So anyway, I go finish the show.

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Speaker 2: Great rock show.

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Speaker 3: Really, you know, nailed it home. Everyone was loving the

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Speaker 3: rock it And I go down the stairs and I

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Speaker 3: see the kid's girlfriend and there's a stretcher and there's

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Speaker 3: the kid and they're pulling the white sheet over his head.

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Speaker 3: And I was like, oh God, like like someone died

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Speaker 3: at my show. But no, he wasn't dead. He wasn't dead.

240
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Speaker 3: He was just he had like alcohol poisoning or something

241
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Speaker 3: or you know, had like thrown up or something. They

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Speaker 3: were taking him out, like I don't know why the

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Speaker 3: white sheet. But it was like I was like kidding, Yeah,

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Speaker 3: it was crazy. I was coming off this l I

245
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Speaker 3: was like, yes, like I'm a rock star. Then you

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Speaker 3: go downstairs like oh my god, like like right at

247
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Speaker 3: the bottom of the stairs. It was so brutal, but

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Speaker 3: uh yeah, it's pretty, you know the beast table, sometimes good,

249
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Speaker 3: sometimes bad. That's cool. It's so perfect. So you're putting

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Speaker 3: cigarettes out on yourself.

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Speaker 4: Yeah, and then the guy the next day said that

252
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Speaker 4: was embarrassing or whatever. Did you go into the next

253
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Speaker 4: set the second day like straight as an.

254
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Speaker 3: Arrow sober or were you still in that mode.

255
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Speaker 4: Where you were like like iggy pop like on PCP.

256
00:11:03,360 --> 00:11:05,760
Speaker 3: No, it was more sober. The next night was like

257
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Speaker 3: really wholesome somehow, like John c Riley introduced us and.

258
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Speaker 4: We had well your bass player one time before he

259
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Speaker 4: stopped page right Pierce Pierce.

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Speaker 3: Yeah, he used to drink. He was so drunk.

261
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Speaker 4: One time at the bar he stuck all four fingers

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Speaker 4: up My ass cracked.

263
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Speaker 3: When I was talking to with Gal at the bar

264
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Speaker 3: out of nowhere, he like crammed and he wanted to stop.

265
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Speaker 4: He was like trying to cram his like hand into

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Speaker 4: my ass, and I was like wow, and I was

267
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Speaker 4: so drunk and it was so violating and shocking.

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Speaker 3: I like snapped on him. I was like, get the

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Speaker 3: fuck away, and he was like and then I don't

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Speaker 3: even know if I would have been there for that,

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Speaker 3: you weren't there. You were there.

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Speaker 4: And then like the next week he came out of

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Speaker 4: my house and I play upright bass, and it's expensive instrument,

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Speaker 4: and it's a fragile instrument.

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Speaker 3: A cheap upright bass is ten thousand dollars and they

276
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Speaker 3: go up, yeah, two hundred and fifty k.

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Speaker 4: You know, like my teachers, the bases they played, they

278
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Speaker 4: had to take that mortgages from the bank basis. It's

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Speaker 4: expensive instrument. I don't mind people playing it, but you

280
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Speaker 4: gotta be a little bit careful. He's wasted, and he's

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Speaker 4: like grabbing it, he's flopping it around and just you know,

282
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Speaker 4: six days ago, stuck all four fingers in my ass.

283
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Speaker 3: I was like, get out of my house, like kicked

284
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Speaker 3: him out of my house. I kicked out. I was like,

285
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Speaker 3: get away from me. Well he's not drinking anymore for

286
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Speaker 3: the best. Yeah. Then the next time I saw he

287
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Speaker 3: was like, oh, yeah, I don't drink anymore. You know,

288
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Speaker 3: that's what happens sometimes when you when you when you

289
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Speaker 3: finish all of your alloted drinks and then you know,

290
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Speaker 3: there's all his drinks. He finished all his drinks real early. God,

291
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Speaker 3: bless them, yeah, God bless.

292
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Speaker 2: But what he was drinking.

293
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Speaker 3: He was like, fucking goddamn. Jerry Lee Lewis Great Balls

294
00:12:47,400 --> 00:12:49,480
Speaker 3: of Fire, A great story of Pierce. Once we were

295
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Speaker 3: playing in Australia. This is kind of a bomb, I guess,

296
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Speaker 3: but Pierce and Andy, Pierce, we used to used to

297
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Speaker 3: get into quite a mood on stage sometimes too. I

298
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Speaker 3: love this man still today. He's one of my best friends.

299
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Speaker 3: But that but he there was a night We're playing

300
00:13:01,880 --> 00:13:03,520
Speaker 3: in Australia and it was near the end of the

301
00:13:03,520 --> 00:13:07,440
Speaker 3: show and and him and my guitarist Andy were looking

302
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Speaker 3: at each other and Pierce was kind of he was

303
00:13:08,960 --> 00:13:10,760
Speaker 3: just not having it, like he was just not having

304
00:13:10,800 --> 00:13:12,440
Speaker 3: a good time on stage, didn't want to be there.

305
00:13:12,679 --> 00:13:14,439
Speaker 3: And Andy was kind of egging him on, like why

306
00:13:14,480 --> 00:13:16,040
Speaker 3: do you just leave then, Like why don't you go,

307
00:13:16,160 --> 00:13:17,640
Speaker 3: like come on, like what are you gonna do?

308
00:13:17,679 --> 00:13:17,880
Speaker 2: You know?

309
00:13:18,160 --> 00:13:20,560
Speaker 3: And Pierce was like fuck it, and he took his

310
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Speaker 3: bass off and left the stage.

311
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Speaker 2: Show.

312
00:13:23,080 --> 00:13:25,000
Speaker 3: I didn't even notice, yeah, but like right near the

313
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Speaker 3: end of the show and I was like, oh, I

314
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Speaker 3: didn't really know what's going on. So I got there

315
00:13:28,040 --> 00:13:29,520
Speaker 3: was that some of the guys from that band King

316
00:13:29,520 --> 00:13:31,600
Speaker 3: Gizzard and the Lizard Wizard were there. So this guy Cookie.

317
00:13:31,640 --> 00:13:33,160
Speaker 3: I was like, Cooky, cook, get up here and play

318
00:13:33,160 --> 00:13:34,680
Speaker 3: the flast song. He was like, I don't know, and

319
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Speaker 3: I was like, it'll be fine. Dorn Pierce left and

320
00:13:38,240 --> 00:13:40,040
Speaker 3: he went to the green room and he grabbed two

321
00:13:40,120 --> 00:13:42,960
Speaker 3: beers and ahead of broccoli for some reason, just really

322
00:13:43,000 --> 00:13:45,120
Speaker 3: drunk and was like I'm out of here and tried

323
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Speaker 3: to leave out the front door, and the bouncer was like,

324
00:13:48,400 --> 00:13:50,440
Speaker 3: you can't take those beers out of here, and he said, fuck,

325
00:13:50,640 --> 00:13:53,360
Speaker 3: make me and the guy grabbed the beers out the bottom,

326
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Speaker 3: so it like slashed, you know, the little beer bottle

327
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Speaker 3: cap slashed his like tendon here open. There was blood

328
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Speaker 3: all over the place. I don't know what he was

329
00:14:01,200 --> 00:14:03,200
Speaker 3: doing with the broccoli. But the next day we were

330
00:14:03,200 --> 00:14:07,160
Speaker 3: supposed to go to that like wildlife conservatory place where

331
00:14:07,160 --> 00:14:09,200
Speaker 3: you like hold the koalas and stuff. And I remember

332
00:14:09,200 --> 00:14:11,400
Speaker 3: in the morning waking up and I hadn't seen him

333
00:14:11,440 --> 00:14:12,760
Speaker 3: for the rest of the night, but waking up in

334
00:14:12,760 --> 00:14:14,920
Speaker 3: the morning and everyone being like, so are we going

335
00:14:14,960 --> 00:14:17,520
Speaker 3: to the petting day? I was like, no, Fred, not

336
00:14:17,840 --> 00:14:19,920
Speaker 3: like not today, not not.

337
00:14:20,000 --> 00:14:20,880
Speaker 2: After last night.

338
00:14:20,960 --> 00:14:24,480
Speaker 3: Sorry about that. Was his hand all funked up. Yeah,

339
00:14:24,520 --> 00:14:29,280
Speaker 3: he was out of these fucking cuts all over. But

340
00:14:29,480 --> 00:14:31,360
Speaker 3: he had to play, he had to play an instrument.

341
00:14:31,680 --> 00:14:31,880
Speaker 2: Yeah.

342
00:14:32,000 --> 00:14:33,880
Speaker 3: I think luckily it was his right hand so that

343
00:14:33,960 --> 00:14:37,840
Speaker 3: you know, it didn't go to his brutal Yeah.

344
00:14:37,920 --> 00:14:40,000
Speaker 2: Yeah, he was was.

345
00:14:39,880 --> 00:14:41,120
Speaker 3: A wild child.

346
00:14:41,920 --> 00:14:44,960
Speaker 4: You know who the most stressful guys to drink with?

347
00:14:45,080 --> 00:14:47,440
Speaker 4: Have you ever drank with the jack jackass guys?

348
00:14:47,600 --> 00:14:50,640
Speaker 3: I've never even really met, uh met the I remember

349
00:14:50,680 --> 00:14:52,480
Speaker 3: you were over here at one point and you when

350
00:14:52,520 --> 00:14:54,000
Speaker 3: you came over, you came in and you were like

351
00:14:54,240 --> 00:14:57,040
Speaker 3: surveying the backyard because you weren't sure where and when

352
00:14:57,080 --> 00:14:57,520
Speaker 3: they would be.

353
00:14:59,640 --> 00:15:02,760
Speaker 4: Like I was at an tiki bar with Knoxville and

354
00:15:02,800 --> 00:15:05,320
Speaker 4: I had sandals on, which I'd never have.

355
00:15:06,320 --> 00:15:09,120
Speaker 3: Yeah, and I'm not paying attention, I'm talking it. I

356
00:15:09,200 --> 00:15:11,320
Speaker 3: was Jeff Germaine. I'm talking to Germaine.

357
00:15:12,400 --> 00:15:14,680
Speaker 4: And my left foot feels like it's having.

358
00:15:14,480 --> 00:15:20,920
Speaker 5: Like the worst allergic reaction, like just like inflamed. I'm like, God,

359
00:15:21,040 --> 00:15:23,600
Speaker 5: what the fuck? My left foot feels like I must

360
00:15:23,640 --> 00:15:24,680
Speaker 5: be having an allergic reaction.

361
00:15:24,680 --> 00:15:26,840
Speaker 3: I'm feel like I'm having a stroke. I look down.

362
00:15:26,880 --> 00:15:28,480
Speaker 3: My whole left foot is on fire.

363
00:15:28,720 --> 00:15:31,040
Speaker 4: Knoxville, got like a bottle of one fifty one rum

364
00:15:31,200 --> 00:15:33,280
Speaker 4: and matches, and he's like just pouring one.

365
00:15:33,160 --> 00:15:38,720
Speaker 3: Fifty one all over my foot and throwing matches at Wow,

366
00:15:39,080 --> 00:15:41,520
Speaker 3: and you can't stop it out. You're just stomping it around.

367
00:15:41,680 --> 00:15:44,760
Speaker 3: It's like it's amazing, though, you know, that's like it's

368
00:15:44,960 --> 00:15:47,280
Speaker 3: just the way it should be. I think with those guys,

369
00:15:47,320 --> 00:15:49,440
Speaker 3: you know what I mean, Like that's it because how

370
00:15:49,480 --> 00:15:51,240
Speaker 3: old is he now? He's like in his fifties or

371
00:15:51,240 --> 00:15:51,600
Speaker 3: something that.

372
00:15:54,120 --> 00:15:55,920
Speaker 2: The early fifties, and he's.

373
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Speaker 3: Still lighting people's feet on fire.

374
00:15:57,640 --> 00:16:00,120
Speaker 4: Like God, that's great, and you got it, like the

375
00:16:00,160 --> 00:16:02,640
Speaker 4: whole crew. It's not just the guys on the cast.

376
00:16:02,680 --> 00:16:06,160
Speaker 4: It's like you always have to have like your your

377
00:16:06,280 --> 00:16:09,000
Speaker 4: beer like this because they pee, they take out their

378
00:16:09,080 --> 00:16:11,560
Speaker 4: dicks at the arm, pee in your beer while they're

379
00:16:11,600 --> 00:16:15,560
Speaker 4: talking about my Frank tow was drinking a beer and

380
00:16:15,600 --> 00:16:18,720
Speaker 4: then like and then like Tom toothless Tom, who's not

381
00:16:18,760 --> 00:16:21,080
Speaker 4: even on he's a camera operator, like pee all in.

382
00:16:22,840 --> 00:16:23,800
Speaker 3: Towns beer.

383
00:16:24,800 --> 00:16:28,040
Speaker 4: The key is you can't you can't act nervous around them,

384
00:16:28,040 --> 00:16:29,760
Speaker 4: and then when they do prank, you just act gotta

385
00:16:29,760 --> 00:16:32,160
Speaker 4: act cool because the more you stress, the more, they're

386
00:16:32,200 --> 00:16:32,640
Speaker 4: gonna be like.

387
00:16:35,080 --> 00:16:42,240
Speaker 3: Wow, that's insane. Yeah it's tough. Yeah, pee and fucking fire.

388
00:16:47,400 --> 00:16:59,000
Speaker 2: With aer Condre, with Aerdre.

389
00:16:58,600 --> 00:17:01,760
Speaker 4: That's what's the words bomb you ever seen? Have you

390
00:17:01,800 --> 00:17:05,840
Speaker 4: ever seen a performer tank just eat a bag of

391
00:17:05,880 --> 00:17:07,000
Speaker 4: shit on stage?

392
00:17:07,600 --> 00:17:09,679
Speaker 3: Trying to think of like a really like maybe a

393
00:17:09,800 --> 00:17:10,560
Speaker 3: musical one.

394
00:17:10,720 --> 00:17:18,000
Speaker 4: I saw like Ario Pink early Ario Pink shows every day.

395
00:17:18,600 --> 00:17:20,560
Speaker 3: That was kind of what he did though at that

396
00:17:20,600 --> 00:17:21,680
Speaker 3: but you know he would just pull up with the

397
00:17:21,680 --> 00:17:23,920
Speaker 3: boombox and people would be like this isn't even good,

398
00:17:23,960 --> 00:17:26,600
Speaker 3: like fuck you, this isn't good. You know, it's just

399
00:17:26,640 --> 00:17:30,199
Speaker 3: like this sucks. So I don't know, I feel like

400
00:17:30,320 --> 00:17:32,880
Speaker 3: but that, but it's like charming in a way as well.

401
00:17:32,920 --> 00:17:35,520
Speaker 3: It's like if you saw those shows. I saw one

402
00:17:35,560 --> 00:17:36,960
Speaker 3: of them back in the day, but I remember my

403
00:17:36,960 --> 00:17:38,720
Speaker 3: friend Cody was just like, yeah I saw it the

404
00:17:38,760 --> 00:17:40,840
Speaker 3: other day in Montreal, like it fucking sucked, And I

405
00:17:40,880 --> 00:17:46,200
Speaker 3: was like cat Power. Cap Power would notoriously mount down

406
00:17:46,200 --> 00:17:48,720
Speaker 3: on stage all the time too. She would she would

407
00:17:48,760 --> 00:17:52,000
Speaker 3: have a really tough time. She would unravel. I mean

408
00:17:52,320 --> 00:17:54,720
Speaker 3: see that there's like a different street because I remember

409
00:17:54,760 --> 00:17:56,880
Speaker 3: seeing there was a band called Fuck What they called

410
00:17:56,920 --> 00:17:59,880
Speaker 3: a garage band from Montreal. They came over to Vanco

411
00:18:00,200 --> 00:18:01,720
Speaker 3: and they were playing. It was this big deal, like

412
00:18:01,760 --> 00:18:04,480
Speaker 3: when garage was kind of really having its moment, like

413
00:18:04,480 --> 00:18:06,320
Speaker 3: two thousand and seven, two thousand and eight or whatever,

414
00:18:06,359 --> 00:18:08,920
Speaker 3: and maybe two thousand and nine even and what were

415
00:18:08,920 --> 00:18:12,520
Speaker 3: they called I can't remember, but uh, but that in

416
00:18:12,560 --> 00:18:14,679
Speaker 3: that instance, it was like the drummer was just so

417
00:18:15,040 --> 00:18:18,159
Speaker 3: hammered that like they couldn't, Like the whole band is

418
00:18:18,200 --> 00:18:20,760
Speaker 3: like trying to play in the drummers just can't can't

419
00:18:20,800 --> 00:18:22,440
Speaker 3: get in there. Which is it just like it just

420
00:18:22,480 --> 00:18:25,760
Speaker 3: didn't sound like music at all. You know, there's instances

421
00:18:25,800 --> 00:18:28,359
Speaker 3: like that where it's kind of like technically impossible, But

422
00:18:28,400 --> 00:18:31,520
Speaker 3: then there's the ones where it is just like, uh,

423
00:18:31,760 --> 00:18:34,400
Speaker 3: meltdown status, like screaming at the audience.

424
00:18:34,440 --> 00:18:34,600
Speaker 2: You know.

425
00:18:34,600 --> 00:18:36,399
Speaker 3: I have a friend Sean that used to you know,

426
00:18:36,800 --> 00:18:38,399
Speaker 3: I love this guy as well. I just recorded a

427
00:18:38,440 --> 00:18:39,840
Speaker 3: record for him a couple of years ago. But back

428
00:18:39,880 --> 00:18:42,639
Speaker 3: in the day, he would have you know, Sean Nicholas Savage.

429
00:18:42,640 --> 00:18:45,280
Speaker 3: He would he would he had some shows, some difficult

430
00:18:45,320 --> 00:18:47,000
Speaker 3: shows where he would get quite.

431
00:18:46,840 --> 00:18:47,280
Speaker 2: Angry at that.

432
00:18:47,359 --> 00:18:49,160
Speaker 3: Actually on tour with us, I hope he doesn't mind

433
00:18:49,160 --> 00:18:51,399
Speaker 3: that I'm telling these stories. But there was a tour

434
00:18:51,600 --> 00:18:53,879
Speaker 3: where he he was in the van with us the

435
00:18:53,920 --> 00:18:56,560
Speaker 3: whole time, and he had he would he would use

436
00:18:56,720 --> 00:18:58,560
Speaker 3: olive oil in his hair to slick it back. He

437
00:18:58,600 --> 00:19:00,639
Speaker 3: was looking good on the story in Italian suit slipped

438
00:19:00,680 --> 00:19:02,520
Speaker 3: his hair back every day. He's kind of you know,

439
00:19:02,680 --> 00:19:05,679
Speaker 3: very uh, kind of a cloud snowmy style look sometimes,

440
00:19:05,760 --> 00:19:09,119
Speaker 3: you know, very skinny guy, like beautiful guy. But I

441
00:19:09,119 --> 00:19:11,320
Speaker 3: remember there was this one we played in Glasgow or

442
00:19:11,320 --> 00:19:13,440
Speaker 3: something and they didn't have normal olive oil. We're playing

443
00:19:13,440 --> 00:19:15,080
Speaker 3: it at a pizza restaurant, but they had like the

444
00:19:15,119 --> 00:19:18,240
Speaker 3: pizza olive oil spicy, so it's it had like the

445
00:19:18,400 --> 00:19:20,880
Speaker 3: peppers in it and stuff, so Sean, you got mad.

446
00:19:20,920 --> 00:19:22,879
Speaker 3: There was no hot water in the green rooms. It

447
00:19:22,960 --> 00:19:24,680
Speaker 3: was frustrated about that. And then they didn't have the

448
00:19:24,720 --> 00:19:26,560
Speaker 3: olive oil. They only had the pizza of olive oil.

449
00:19:26,600 --> 00:19:29,000
Speaker 3: So he took a cold shower and then he smelled

450
00:19:29,000 --> 00:19:30,880
Speaker 3: like a pizza. He use his pizza of olive oil

451
00:19:30,920 --> 00:19:33,359
Speaker 3: and he just got that night though, I think it

452
00:19:33,400 --> 00:19:35,640
Speaker 3: was like a we had just a mess of shit

453
00:19:35,760 --> 00:19:37,760
Speaker 3: happening that, you know, on that tour, and it was

454
00:19:37,800 --> 00:19:39,760
Speaker 3: that was one of the you know, I feel like

455
00:19:39,760 --> 00:19:42,800
Speaker 3: our fuse was quite short, but somehow he had a

456
00:19:42,880 --> 00:19:44,520
Speaker 3: dress when we played that night, and he was like

457
00:19:44,600 --> 00:19:47,600
Speaker 3: crawling around and just screaming, and it was like it

458
00:19:47,640 --> 00:19:50,000
Speaker 3: was just punishing, you know, just punishing the people that

459
00:19:50,080 --> 00:19:54,720
Speaker 3: came to But even that, it's like I love the punishment,

460
00:19:54,760 --> 00:19:57,480
Speaker 3: like the bomb to me, it's like the most entertaining

461
00:19:57,520 --> 00:20:00,760
Speaker 3: show to me. I'd like, yeah, somebody Steve.

462
00:20:01,000 --> 00:20:03,119
Speaker 4: Oh no, I saw a super cut of Steve Lacey

463
00:20:03,720 --> 00:20:05,480
Speaker 4: taking people's iPhones out.

464
00:20:05,400 --> 00:20:08,320
Speaker 3: Of their hands, like breaking them one. But even that,

465
00:20:08,560 --> 00:20:09,919
Speaker 3: it's like, you know, that's one of those things we're

466
00:20:09,960 --> 00:20:12,080
Speaker 3: online because I've seen those clips and I love Steve too,

467
00:20:12,080 --> 00:20:14,920
Speaker 3: he's my my good buddy. But it's like with that,

468
00:20:15,080 --> 00:20:17,959
Speaker 3: it's it's kind of like people are like like I

469
00:20:18,000 --> 00:20:20,960
Speaker 3: am so angry at you, Steve, like I paid, Like

470
00:20:21,040 --> 00:20:22,720
Speaker 3: right now, we're living in this in this world where

471
00:20:22,760 --> 00:20:25,960
Speaker 3: it's kind of like I paid for your record Outrage Economy. Yeah,

472
00:20:26,000 --> 00:20:28,320
Speaker 3: I I own you well that and it's like it's

473
00:20:28,359 --> 00:20:30,640
Speaker 3: like I I should have a say, you know, it's

474
00:20:30,680 --> 00:20:33,000
Speaker 3: like I am your fan and I pay to be

475
00:20:33,080 --> 00:20:35,000
Speaker 3: your fan, so but it's like, no, you let him

476
00:20:35,040 --> 00:20:35,679
Speaker 3: break your phone.

477
00:20:35,840 --> 00:20:36,240
Speaker 2: I like it.

478
00:20:36,600 --> 00:20:38,879
Speaker 3: I love it. I love him, I loves camera. Like

479
00:20:39,040 --> 00:20:41,480
Speaker 3: fuck yeah, Steve, like get it because it is you know,

480
00:20:42,080 --> 00:20:44,439
Speaker 3: it's annoying. You know, it's fucking annoying. You know. But

481
00:20:44,480 --> 00:20:47,679
Speaker 3: it's I don't know, it's like even that. Like but

482
00:20:47,800 --> 00:20:50,720
Speaker 3: that's what I'm saying is like a difference between this

483
00:20:50,880 --> 00:20:52,840
Speaker 3: the music bombing in the comedy. But I don't know,

484
00:20:52,880 --> 00:20:56,920
Speaker 3: bombing is such like it's such a very particular thing,

485
00:20:57,240 --> 00:21:00,560
Speaker 3: like it's I don't know. I think that the worst

486
00:21:00,600 --> 00:21:03,240
Speaker 3: is when something happens that is out of your control

487
00:21:03,600 --> 00:21:06,399
Speaker 3: and then you can't reel it back in. Yeah, you know,

488
00:21:06,520 --> 00:21:09,200
Speaker 3: like like say for like and then it just gets

489
00:21:09,240 --> 00:21:12,959
Speaker 3: all like technical equipment like yeah, audio going down or

490
00:21:13,000 --> 00:21:14,520
Speaker 3: that kind of thing. You know. It's kind of like

491
00:21:14,560 --> 00:21:17,840
Speaker 3: I think back to like when we saw radio Head

492
00:21:17,840 --> 00:21:19,639
Speaker 3: at Coachella, like I don't know, five years ago or

493
00:21:19,640 --> 00:21:21,879
Speaker 3: four years ago or whatever, and uh, and the P

494
00:21:22,000 --> 00:21:24,000
Speaker 3: eight has kept shutting off and the first time you're like, oh,

495
00:21:24,040 --> 00:21:25,919
Speaker 3: that's cute, the PA is shutting off, and then it

496
00:21:26,000 --> 00:21:28,880
Speaker 3: happens again and again Radiohead's PA. Well that's what I'm saying, Yeah,

497
00:21:29,080 --> 00:21:31,080
Speaker 3: the console is exploding or something and like, you know,

498
00:21:31,200 --> 00:21:32,760
Speaker 3: even you can even see it in the guys. I

499
00:21:32,760 --> 00:21:34,960
Speaker 3: mean they're professionals, they take care of business or whatever.

500
00:21:35,000 --> 00:21:36,960
Speaker 3: But you know, it happens two or three times and

501
00:21:37,000 --> 00:21:39,960
Speaker 3: you get to the point where you're kind of like like, yeah,

502
00:21:39,960 --> 00:21:41,680
Speaker 3: I don't know if I have any more like cute

503
00:21:41,720 --> 00:21:44,560
Speaker 3: jokes about the ship being fucked, Like shit's just kind

504
00:21:44,560 --> 00:21:46,360
Speaker 3: of fucked, you know what I mean. It's like at

505
00:21:46,359 --> 00:21:50,760
Speaker 3: that point, it's kind of like you get that. Yeah, yeah,

506
00:21:50,840 --> 00:21:54,720
Speaker 3: I feel like I had it so badly recently. What

507
00:21:54,800 --> 00:21:57,919
Speaker 3: was it? The cringe? It's almost, Yeah, the cringe is

508
00:21:57,920 --> 00:22:00,280
Speaker 3: what I This is what I search for. That's what

509
00:22:00,359 --> 00:22:03,480
Speaker 3: I love. Yeah, I heard Frank Ocean was having a

510
00:22:03,480 --> 00:22:06,600
Speaker 3: tough time. That was I Yeah, I was there for

511
00:22:06,640 --> 00:22:09,920
Speaker 3: that as well. Vanny buddies with Bunny Blanco. He said

512
00:22:09,920 --> 00:22:11,280
Speaker 3: the show was amazing. He goes, I don't know why

513
00:22:11,280 --> 00:22:13,480
Speaker 3: everybody's get people really loved it. I didn't stay for

514
00:22:13,520 --> 00:22:15,400
Speaker 3: the whole thing just because I was like, I don't

515
00:22:15,440 --> 00:22:17,920
Speaker 3: want to wait for the traffic. But uh, I'm out.

516
00:22:18,000 --> 00:22:20,080
Speaker 3: I'll say that some components of it, like his voice

517
00:22:20,080 --> 00:22:23,480
Speaker 3: sounded amazing. It was just like there's parts about it

518
00:22:23,520 --> 00:22:25,840
Speaker 3: where you know, there was a lot of waiting, there

519
00:22:25,880 --> 00:22:28,200
Speaker 3: was a lot of It was strange.

520
00:22:28,200 --> 00:22:31,359
Speaker 4: It was really strange. I think Cochella is a tough crowd.

521
00:22:31,400 --> 00:22:33,720
Speaker 4: Don't you think Coachella is a tough coachell is?

522
00:22:33,840 --> 00:22:36,480
Speaker 3: We did? We performed at Gouccilla together. That's right, we

523
00:22:36,600 --> 00:22:39,119
Speaker 3: performed at Coello together. Never forget the Theorem and and

524
00:22:39,160 --> 00:22:41,080
Speaker 3: the Giant. It was a twenty inch deal in the

525
00:22:41,160 --> 00:22:44,880
Speaker 3: Giant Dogs Giant. But it's don't you think that Coachella

526
00:22:45,000 --> 00:22:48,320
Speaker 3: is a tough crowd. Coachella is like not a music crowd.

527
00:22:48,400 --> 00:22:50,439
Speaker 3: It's like a butt cheeks crowd. Like it's like, you know,

528
00:22:50,480 --> 00:22:53,239
Speaker 3: everybody's there with like barely any clothes on, and like

529
00:22:53,280 --> 00:22:55,760
Speaker 3: it's more about getting the photos and ship. Yes, I

530
00:22:55,800 --> 00:22:59,080
Speaker 3: mean Frank Ocean is like you know those butt cheek people,

531
00:22:59,119 --> 00:23:02,000
Speaker 3: like do know about Frank? Like they love Frank. It's

532
00:23:02,080 --> 00:23:03,800
Speaker 3: so fun It's such a funny, you know what I mean?

533
00:23:03,960 --> 00:23:06,119
Speaker 4: So what is that are you describing? Like the southern

534
00:23:06,160 --> 00:23:10,080
Speaker 4: California girl with a flower crown and the Big Times

535
00:23:10,280 --> 00:23:12,240
Speaker 4: just out and they didn't even know the bands.

536
00:23:12,240 --> 00:23:15,320
Speaker 3: They're just they're fuck like that. I have a problem

537
00:23:15,320 --> 00:23:16,200
Speaker 3: with the butt cheek people.

538
00:23:16,320 --> 00:23:17,960
Speaker 4: I have a problem with the but cheek people, the

539
00:23:18,000 --> 00:23:22,120
Speaker 4: budget people. They're low cutie pies, but they're fucking they are.

540
00:23:22,680 --> 00:23:27,640
Speaker 4: They are the stereotype of the southern California ding Dong

541
00:23:28,359 --> 00:23:31,480
Speaker 4: Oh yeah, like, And that's my problem with the Coachella crowd.

542
00:23:31,520 --> 00:23:34,880
Speaker 4: I don't think anybody's paying attention. It's very hot. Here's

543
00:23:34,880 --> 00:23:37,320
Speaker 4: my here's my issues with Coachella. I'll tell you one

544
00:23:37,320 --> 00:23:41,679
Speaker 4: of the best festivals ever played, fucking uh b C. Pemberton,

545
00:23:42,040 --> 00:23:43,639
Speaker 4: British col Yeah, I've heard that's a nice one.

546
00:23:43,680 --> 00:23:44,320
Speaker 3: Under been there, but.

547
00:23:44,640 --> 00:23:48,840
Speaker 4: Pemberton all Pacific Northwest outside land festivals. San Francisco is

548
00:23:48,840 --> 00:23:53,360
Speaker 4: fucking amazing, Sasquatch, all those like, all those like rural

549
00:23:53,600 --> 00:23:59,320
Speaker 4: Washington state kind of festivals amazing. The weather's amazing, the

550
00:23:59,440 --> 00:24:07,040
Speaker 4: landscapes amazing. Indio, California, Coachello Valley is just a flat, brutal, hot,

551
00:24:07,960 --> 00:24:12,320
Speaker 4: brutal nightmare strawberry farm. It's just a fucking strawberry farm.

552
00:24:12,680 --> 00:24:13,959
Speaker 3: Butt cheeks everywhere.

553
00:24:14,400 --> 00:24:19,480
Speaker 4: And then ding Dong's from Orange County and Arizona in

554
00:24:19,680 --> 00:24:24,320
Speaker 4: La La ding Dongs gorgeous idiots coming for miles around.

555
00:24:24,760 --> 00:24:26,760
Speaker 4: I don't know, it just feels a little too cool.

556
00:24:27,080 --> 00:24:29,240
Speaker 3: It's not even cool, Like it's like.

557
00:24:29,640 --> 00:24:31,640
Speaker 4: But it's not cool. The irony is it's not cool,

558
00:24:31,680 --> 00:24:34,080
Speaker 4: but it feels like it feels like girls with flower

559
00:24:34,080 --> 00:24:37,400
Speaker 4: crowns that are like this rave is important, man, exactly,

560
00:24:37,480 --> 00:24:39,480
Speaker 4: and it's like it is important.

561
00:24:40,080 --> 00:24:42,600
Speaker 3: It feels expensive in a way, you know what I mean,

562
00:24:42,680 --> 00:24:44,320
Speaker 3: But it kind of it's like it's like greasy in

563
00:24:44,359 --> 00:24:46,240
Speaker 3: a way. But here's the thing is, I talked to

564
00:24:46,280 --> 00:24:48,359
Speaker 3: my friend Jania that a couple of weeks ago, and

565
00:24:48,400 --> 00:24:50,199
Speaker 3: he was saying that he went to Cochello. He'd never

566
00:24:50,200 --> 00:24:52,080
Speaker 3: really been a music vessels. Guy's a painter. He's a

567
00:24:52,080 --> 00:24:53,960
Speaker 3: good pal of mine, and that you know, he was

568
00:24:54,000 --> 00:24:55,919
Speaker 3: saying that he he went with this stay with this

569
00:24:56,000 --> 00:24:57,960
Speaker 3: guy that you know, I think is an art dealer

570
00:24:58,040 --> 00:24:59,679
Speaker 3: or something, and they had the real they had the

571
00:24:59,760 --> 00:25:02,680
Speaker 3: luck Coachell experience, Like the guy's got a humongous house

572
00:25:02,720 --> 00:25:05,280
Speaker 3: on a golf course and there's you know, chefs and

573
00:25:05,359 --> 00:25:07,760
Speaker 3: like just a million dollar experience, you know, and like

574
00:25:07,800 --> 00:25:09,240
Speaker 3: the artists don't even have that there.

575
00:25:09,320 --> 00:25:09,480
Speaker 2: You know.

576
00:25:09,520 --> 00:25:12,760
Speaker 3: It's like I you know, you're like in a dusty

577
00:25:12,800 --> 00:25:15,399
Speaker 3: trailer or something, and like we all caterings closing, it's like, oh,

578
00:25:15,400 --> 00:25:17,840
Speaker 3: can I still get dinner? It's like sorry now, you know,

579
00:25:17,880 --> 00:25:21,280
Speaker 3: it's like you know, it's like it's it's I don't know,

580
00:25:21,359 --> 00:25:23,240
Speaker 3: it's But that's the whole point too, is that you

581
00:25:23,280 --> 00:25:26,320
Speaker 3: can you can essentially buy the artist experience like Cochelle.

582
00:25:26,359 --> 00:25:28,200
Speaker 3: You can like buy an artist pass, you can buy

583
00:25:28,200 --> 00:25:31,159
Speaker 3: a VIP pass whatever. So it's enticing to these people.

584
00:25:31,320 --> 00:25:32,800
Speaker 3: But that's why I love it. You know, it's like

585
00:25:32,840 --> 00:25:36,040
Speaker 3: the you go for the celebs, you know, you go

586
00:25:36,119 --> 00:25:39,560
Speaker 3: to people watch. Although the first couple of years we played,

587
00:25:39,560 --> 00:25:41,480
Speaker 3: I was looking for the wrong celebs, Like I'm looking

588
00:25:41,480 --> 00:25:44,760
Speaker 3: for like Jack Nicholson or something like. You know, you

589
00:25:44,840 --> 00:25:47,520
Speaker 3: got to look for the contemporary, the TikTokers. You got

590
00:25:47,600 --> 00:25:50,040
Speaker 3: to look for Jack. Keep your eyes feel for Jack.

591
00:25:50,280 --> 00:25:51,720
Speaker 3: I mean I would I saw, you know, you go

592
00:25:51,760 --> 00:25:53,600
Speaker 3: to Lakers game. That's where you see Jack. Yeah, you

593
00:25:53,640 --> 00:25:55,520
Speaker 3: ever see that photo of him at the Lakers game

594
00:25:55,800 --> 00:25:58,160
Speaker 3: where him and his buddy brought homemade chili to eat

595
00:25:58,520 --> 00:26:01,760
Speaker 3: and he just spilt it all rest pants. It's so

596
00:26:04,280 --> 00:26:06,040
Speaker 3: and he's just sitting there like a ship, like what

597
00:26:06,119 --> 00:26:06,760
Speaker 3: do I do? Now?

598
00:26:07,840 --> 00:26:24,359
Speaker 2: Check with aericndre with Aeric Condre.

599
00:26:24,720 --> 00:26:27,719
Speaker 3: What's the well you already said the most wasted you've

600
00:26:27,720 --> 00:26:29,239
Speaker 3: been on stage. I don't know if that was the

601
00:26:29,240 --> 00:26:34,679
Speaker 3: most wasted. There's definitely been other instances where I've just

602
00:26:34,720 --> 00:26:36,840
Speaker 3: been I mean it's like, you know, it's it's funny

603
00:26:37,160 --> 00:26:40,080
Speaker 3: getting into the swing of Like there was about a

604
00:26:40,160 --> 00:26:41,600
Speaker 3: year and a half or two year period where I

605
00:26:41,600 --> 00:26:44,359
Speaker 3: would drink a full two six of Jamison on stage

606
00:26:44,359 --> 00:26:44,719
Speaker 3: every night.

607
00:26:44,920 --> 00:26:45,800
Speaker 2: It was like I would just.

608
00:26:47,400 --> 00:26:49,879
Speaker 3: Are those early tours or are those your early tours? No,

609
00:26:50,040 --> 00:26:52,720
Speaker 3: this is like this is like maybe you know the

610
00:26:53,280 --> 00:26:58,240
Speaker 3: two albums ago, last album? Yeah, so it's like but

611
00:26:58,280 --> 00:27:02,160
Speaker 3: your nerves or for fun. I think it was just like, well,

612
00:27:02,240 --> 00:27:04,880
Speaker 3: let's just see how far down this road we can go,

613
00:27:04,960 --> 00:27:08,040
Speaker 3: you know. But it was there were there were nights.

614
00:27:08,040 --> 00:27:09,719
Speaker 3: I remember we played a show I think it might

615
00:27:09,760 --> 00:27:12,600
Speaker 3: be the only show we ever played in Pittsburgh and

616
00:27:12,640 --> 00:27:14,840
Speaker 3: we just played for I mean, we played the songs

617
00:27:14,880 --> 00:27:17,639
Speaker 3: we were gonna play, like my songs, and then I

618
00:27:17,760 --> 00:27:21,000
Speaker 3: was so so like it just erupted into this like

619
00:27:21,200 --> 00:27:24,280
Speaker 3: jam thing. I like don't remember the show at all,

620
00:27:24,320 --> 00:27:26,560
Speaker 3: but there's videos of it. We played for like three

621
00:27:26,600 --> 00:27:28,480
Speaker 3: and a half hours or something like a lot of

622
00:27:28,480 --> 00:27:30,720
Speaker 3: it is just like kind of weird slow jamming, and

623
00:27:30,720 --> 00:27:33,119
Speaker 3: I'm making people say I'm like Turkey, and they're like

624
00:27:33,160 --> 00:27:35,159
Speaker 3: saying Turkey back to It's this whole thing and I

625
00:27:35,200 --> 00:27:38,200
Speaker 3: just remember, you know, the show was finished. I'm laying

626
00:27:38,240 --> 00:27:41,000
Speaker 3: on the back the back patio. There's like a masseuse

627
00:27:41,200 --> 00:27:45,399
Speaker 3: there giving me a massage. I don't know, it's just

628
00:27:45,440 --> 00:27:47,760
Speaker 3: like there's a blur of this era where it's like,

629
00:27:47,960 --> 00:27:49,399
Speaker 3: you know, there were a lot of shows where I

630
00:27:49,560 --> 00:27:52,840
Speaker 3: couldn't walk after the show, and that was like that.

631
00:27:52,960 --> 00:27:56,760
Speaker 4: You know, do you think toe to toe drink for drink,

632
00:27:56,840 --> 00:27:58,080
Speaker 4: cigarette for cigarette?

633
00:27:58,640 --> 00:28:01,879
Speaker 3: Did you ever surpass post malone or were you guys

634
00:28:01,880 --> 00:28:04,720
Speaker 3: to kind of neck and neck for SIGs post party

635
00:28:04,800 --> 00:28:07,360
Speaker 3: with this? One time we party would post in Tokyo.

636
00:28:08,000 --> 00:28:09,760
Speaker 3: We were both playing at Fuji Rock and we took

637
00:28:09,840 --> 00:28:12,840
Speaker 3: him to this. Didn't he smoke four to five packs

638
00:28:12,840 --> 00:28:15,160
Speaker 3: a day? I wouldn't be surprised, I mean, I never

639
00:28:15,880 --> 00:28:17,639
Speaker 3: I'm sure that if I was at you know, if

640
00:28:17,680 --> 00:28:19,440
Speaker 3: it was the right music festival and we played early

641
00:28:19,520 --> 00:28:21,440
Speaker 3: enough in the day, like four packs wouldn't be out

642
00:28:21,480 --> 00:28:24,840
Speaker 3: of the four that's eighty cigarettes. Yeah, it's a shitload.

643
00:28:24,920 --> 00:28:26,960
Speaker 3: I mean but it's like, you know, here's the thing.

644
00:28:27,000 --> 00:28:28,600
Speaker 3: I bet it's the same a Post too. When your

645
00:28:28,640 --> 00:28:30,840
Speaker 3: Post and you got SIGs, everybody's having a sig. You

646
00:28:30,880 --> 00:28:32,800
Speaker 3: go through four or five packs. I don't know, but there,

647
00:28:32,880 --> 00:28:34,320
Speaker 3: I mean there was a long time where I was

648
00:28:34,320 --> 00:28:36,199
Speaker 3: smoking at least two packs a day, which is like

649
00:28:36,840 --> 00:28:39,480
Speaker 3: that's a lot of cigarettes, you know. But but Post,

650
00:28:39,560 --> 00:28:40,920
Speaker 3: I remember there was a nut yet we took him

651
00:28:40,920 --> 00:28:44,080
Speaker 3: to Beat Cafe. This guy Kato man in in Tokyo.

652
00:28:44,080 --> 00:28:46,080
Speaker 3: He runs this bar named Beat Cafe. And we went

653
00:28:46,120 --> 00:28:49,640
Speaker 3: there with Posts and me and all my guys, like

654
00:28:49,720 --> 00:28:51,320
Speaker 3: we drank. We all drank a lot. A lot of

655
00:28:51,400 --> 00:28:53,160
Speaker 3: us were from Canada. It's like it's kind of you know,

656
00:28:53,280 --> 00:28:53,960
Speaker 3: that's that's the.

657
00:28:54,440 --> 00:28:58,160
Speaker 4: Yeah, it's a nation founded by alcoholics. Exaxactly, John, what's

658
00:28:58,200 --> 00:28:59,960
Speaker 4: what's your George Roshing called Johnny Apples?

659
00:29:00,360 --> 00:29:03,680
Speaker 3: What's like Johnny Apples? He's got the big Schnas. I

660
00:29:03,680 --> 00:29:04,360
Speaker 3: don't even know.

661
00:29:04,400 --> 00:29:07,880
Speaker 4: John McDonald, John McDonald, John McDonald, have you seen that

662
00:29:07,880 --> 00:29:13,200
Speaker 4: guy Schnas? That guy drank his face into an explosion exactly.

663
00:29:13,320 --> 00:29:16,840
Speaker 3: Yea. But so you're drinking in Tokyo Post, Yeah, we

664
00:29:16,840 --> 00:29:18,720
Speaker 3: were with Posts and we were drinking in there and

665
00:29:18,880 --> 00:29:20,520
Speaker 3: Post I mean Post there was it got to the

666
00:29:20,560 --> 00:29:22,320
Speaker 3: post gets hammered. I don't know if he does anymore.

667
00:29:22,320 --> 00:29:23,560
Speaker 3: I haven't seen him in quite a few years. But

668
00:29:24,160 --> 00:29:26,920
Speaker 3: he was like on the ground, like rolling around and

669
00:29:26,920 --> 00:29:28,200
Speaker 3: we had that. There was a point where we were

670
00:29:28,200 --> 00:29:29,920
Speaker 3: all hammered too. We had to go to security like

671
00:29:30,080 --> 00:29:32,120
Speaker 3: don't you think like maybe you should take him home?

672
00:29:32,160 --> 00:29:34,640
Speaker 3: Like you can't stand up now, what's going on? So

673
00:29:34,840 --> 00:29:37,360
Speaker 3: in that one instance, we I would say, we out

674
00:29:37,400 --> 00:29:40,440
Speaker 3: drank Post nice. But he's a he's a beer man,

675
00:29:40,520 --> 00:29:43,440
Speaker 3: like he loves to drink. The budd Light guy. Yeah

676
00:29:43,520 --> 00:29:45,920
Speaker 3: that was interesting too. That year he actually had like

677
00:29:46,080 --> 00:29:49,160
Speaker 3: palettes of bud Light flown into Fuji Rock, which is

678
00:29:49,200 --> 00:29:53,120
Speaker 3: like bud Light jet rough bud Light. Yeah, Japan, Japan's

679
00:29:53,160 --> 00:29:55,360
Speaker 3: got good like light light beer, Like why not just

680
00:29:55,440 --> 00:29:57,640
Speaker 3: drink that? But he is a he loves his bud Lights.

681
00:29:57,720 --> 00:30:01,000
Speaker 3: So bud Light's tough man. It's easy to drink. I

682
00:30:01,000 --> 00:30:03,560
Speaker 3: think that's the thing. It's like a casual doesn't make

683
00:30:03,560 --> 00:30:07,040
Speaker 3: you feel full, doesn't make you drunk too fast. But

684
00:30:07,160 --> 00:30:10,480
Speaker 3: also I like drinking to get drunk. I'm like exactly,

685
00:30:10,520 --> 00:30:12,440
Speaker 3: that's the whole thing. I never really thought that there

686
00:30:12,520 --> 00:30:15,880
Speaker 3: was any you know, I mean the flavor, never, I

687
00:30:15,920 --> 00:30:17,440
Speaker 3: don't know, fancy cocktail.

688
00:30:17,080 --> 00:30:17,400
Speaker 2: I don't know.

689
00:30:17,400 --> 00:30:20,000
Speaker 3: It's just kind of like the faster the you know.

690
00:30:20,040 --> 00:30:22,040
Speaker 3: That's why jamison is so great. It's because it's it's

691
00:30:22,120 --> 00:30:24,000
Speaker 3: quite easy to drink, and you can drink it fast,

692
00:30:24,000 --> 00:30:26,840
Speaker 3: and it's kind of like the Coca cola hard alcohol

693
00:30:26,880 --> 00:30:30,040
Speaker 3: or whatever. And then there you are. I'm a big rum.

694
00:30:29,760 --> 00:30:33,440
Speaker 2: Guy, I'm a rum. I'm part pirate rum. Rum is mine.

695
00:30:34,800 --> 00:30:37,000
Speaker 3: I'll say this. This is another instance of me being

696
00:30:37,240 --> 00:30:40,960
Speaker 3: really hammered on stage that I'm just remembering. My friend

697
00:30:40,960 --> 00:30:44,880
Speaker 3: Mollie Lewis. She's a whistler and she was doing the

698
00:30:44,920 --> 00:30:47,480
Speaker 3: show at Zibulon. What do you mean she's like a whistler.

699
00:30:47,480 --> 00:30:51,760
Speaker 3: She's a whistlership. You know, she's an opera level can yah.

700
00:30:51,760 --> 00:30:54,840
Speaker 3: She's crazy really good whistler. And she was a professional

701
00:30:54,880 --> 00:30:57,280
Speaker 3: Oh yeah, yeah, yeah, yeah yeah. And she was doing

702
00:30:57,320 --> 00:31:00,160
Speaker 3: a whistle show down at Zebulon, like not far from

703
00:31:00,240 --> 00:31:03,960
Speaker 3: a you know, the zone in La and uh. And

704
00:31:04,080 --> 00:31:06,600
Speaker 3: she wanted me to come and sing this Frank Sinatra song,

705
00:31:06,640 --> 00:31:08,920
Speaker 3: a song called Change Partners. This was years ago and

706
00:31:09,160 --> 00:31:11,520
Speaker 3: I don't drink gin. Really. I was a whiskey guy,

707
00:31:11,560 --> 00:31:13,560
Speaker 3: ort tequila guy or whatever I loved. But I was like,

708
00:31:13,560 --> 00:31:18,560
Speaker 3: I'm singing a Frank Sinatra song tonight, I'm gonna drink Martini's.

709
00:31:18,760 --> 00:31:21,440
Speaker 3: And so I just started drinking these Jim Martinez. I

710
00:31:21,480 --> 00:31:25,000
Speaker 3: think I had like maybe twenty maybe twenty gin, and

711
00:31:25,120 --> 00:31:29,960
Speaker 3: it was this gin. It was fucked up. Martini is

712
00:31:30,000 --> 00:31:32,959
Speaker 3: basically just Gin with a little remove. It was like that.

713
00:31:33,040 --> 00:31:36,200
Speaker 3: The performance was okay, and I had a nice time there,

714
00:31:36,320 --> 00:31:38,240
Speaker 3: but I was so drunk. And say, if it was

715
00:31:38,240 --> 00:31:40,640
Speaker 3: what happened after you know that plays Astro diner down

716
00:31:40,680 --> 00:31:43,880
Speaker 3: the street from the so I was there, I was

717
00:31:44,480 --> 00:31:46,640
Speaker 3: one thing led to another, was hugging my friend, you know,

718
00:31:46,840 --> 00:31:48,479
Speaker 3: he had to lead. I don't know. I ended up

719
00:31:48,520 --> 00:31:51,840
Speaker 3: falling through one of the stained glass windows at after Diner,

720
00:31:52,480 --> 00:31:55,040
Speaker 3: but but my I also had my my cock and

721
00:31:55,120 --> 00:31:57,760
Speaker 3: balls out of my jeans for some reason. So I

722
00:31:57,800 --> 00:31:59,760
Speaker 3: fell through, and as soon as I fell through, I

723
00:31:59,760 --> 00:32:01,680
Speaker 3: would I was like it was so sobering. All of

724
00:32:01,720 --> 00:32:03,440
Speaker 3: a sudden, I was like, oh, okay, time to get

725
00:32:03,520 --> 00:32:05,360
Speaker 3: up and go tell them that I'll replace the glass,

726
00:32:05,360 --> 00:32:07,640
Speaker 3: and I like start walking in but Cura. My girlfriend

727
00:32:07,680 --> 00:32:09,239
Speaker 3: was like like stop stop, and I was like what

728
00:32:09,280 --> 00:32:11,400
Speaker 3: and she had to, like she pushed my balls back

729
00:32:11,440 --> 00:32:14,560
Speaker 3: in my jeans, hipped the jeans up, and then I

730
00:32:14,560 --> 00:32:16,720
Speaker 3: walked in. I was like, I'm so sorry, I've destroyed

731
00:32:16,720 --> 00:32:18,280
Speaker 3: your And actually I paid for the windows, like two

732
00:32:18,320 --> 00:32:20,440
Speaker 3: hundred bucks, like it took like months and months and months,

733
00:32:20,480 --> 00:32:21,120
Speaker 3: and then to get it.

734
00:32:21,200 --> 00:32:24,120
Speaker 4: They have staying that's windows like a church, these low

735
00:32:24,200 --> 00:32:25,320
Speaker 4: there's these low ones.

736
00:32:25,400 --> 00:32:26,960
Speaker 3: Yeah, I mean I think that place has been there

737
00:32:26,960 --> 00:32:28,760
Speaker 3: for a long time, but they kind of know me

738
00:32:28,800 --> 00:32:34,000
Speaker 3: in there now because I, yeah, fell the acids like

739
00:32:34,320 --> 00:32:39,280
Speaker 3: twenties Zebulan marts. Yeah, brutal, But man, what are you

740
00:32:39,320 --> 00:32:41,320
Speaker 3: gonna do? Were you ever a cocaine guy? Where you

741
00:32:41,360 --> 00:32:44,320
Speaker 3: big coke? Coke? Not really? No, there's a lot of

742
00:32:44,320 --> 00:32:45,480
Speaker 3: big drinkers are.

743
00:32:45,320 --> 00:32:48,840
Speaker 4: Like they like sniffing the they like sniffing the stuff

744
00:32:48,920 --> 00:32:49,880
Speaker 4: to kind of get them to die.

745
00:32:50,040 --> 00:32:51,760
Speaker 3: Yeah, I never became you know, it's funny, It's like

746
00:32:51,800 --> 00:32:54,400
Speaker 3: I never really became that much of a drugman. You

747
00:32:54,440 --> 00:32:57,760
Speaker 3: weren't popping mally shelfing pingers. I mean, there's been music

748
00:32:57,800 --> 00:33:00,040
Speaker 3: festivals over the years that for sure, you know, But

749
00:33:00,040 --> 00:33:02,400
Speaker 3: but It's like I never I never really seeked it out.

750
00:33:02,480 --> 00:33:03,800
Speaker 3: I guess it was always just kind of like I

751
00:33:03,840 --> 00:33:06,720
Speaker 3: suppose I suppose I will yeah, No, probably, yeah, some

752
00:33:06,760 --> 00:33:08,880
Speaker 3: of those I mean, especially with the molly and that.

753
00:33:08,960 --> 00:33:10,920
Speaker 3: You know, it's like you just don't know what you're

754
00:33:10,920 --> 00:33:12,840
Speaker 3: getting sometimes and it, you know, you end up having

755
00:33:12,920 --> 00:33:16,040
Speaker 3: a insane We have had some insane experiences. But I

756
00:33:16,120 --> 00:33:20,480
Speaker 3: remember just watching we watched Outcast at a festival in Belgium,

757
00:33:20,720 --> 00:33:23,200
Speaker 3: and we had all the whole crew had taken some

758
00:33:23,520 --> 00:33:25,960
Speaker 3: pills that some kid had given us, and we're just

759
00:33:26,000 --> 00:33:27,800
Speaker 3: in that little there's that little turret or like the

760
00:33:27,840 --> 00:33:30,440
Speaker 3: little like moat or whatever that you know, from the

761
00:33:30,560 --> 00:33:32,320
Speaker 3: front of house to the stage and we're all in

762
00:33:32,360 --> 00:33:35,160
Speaker 3: there holding the railing like watching out Class play, like

763
00:33:35,600 --> 00:33:40,720
Speaker 3: just so terrified and like so so high. Yeah, horrible.

764
00:33:40,760 --> 00:33:42,680
Speaker 3: You know. It's kind of drug is whippets.

765
00:33:42,760 --> 00:33:46,240
Speaker 4: I've probably done millions and millions and millions of whippets.

766
00:33:46,320 --> 00:33:48,160
Speaker 3: I've never done whippets, but I have a lot of

767
00:33:48,160 --> 00:33:49,440
Speaker 3: friends that have indulged in that.

768
00:33:50,320 --> 00:33:51,480
Speaker 2: The best it's is.

769
00:33:51,400 --> 00:33:52,720
Speaker 3: It similar to like poppers?

770
00:33:53,120 --> 00:33:56,360
Speaker 4: No, I think poppers is the poor man's whippits. Poppers

771
00:33:56,680 --> 00:34:02,680
Speaker 4: VHS cleaner, Like it is true hopping chemicals. Nitrous oxide

772
00:34:03,200 --> 00:34:05,560
Speaker 4: is not only food grade, but the dentist gives it

773
00:34:05,560 --> 00:34:07,520
Speaker 4: to you when they give you a dental procedure. They're

774
00:34:07,560 --> 00:34:10,919
Speaker 4: not giving they're not giving you VHS cleaner. So I'm

775
00:34:11,080 --> 00:34:14,440
Speaker 4: very Uh, I'm a whippit advocate.

776
00:34:14,840 --> 00:34:18,399
Speaker 3: That's medical. I like that, that's medical stuff. I feel.

777
00:34:18,440 --> 00:34:20,520
Speaker 3: We there was a while we knew this guy and uh,

778
00:34:20,719 --> 00:34:22,800
Speaker 3: just speaking about interesting drugs at this point. There was

779
00:34:22,800 --> 00:34:25,279
Speaker 3: a guy named Bruno that used to take us around

780
00:34:25,280 --> 00:34:27,319
Speaker 3: when we go down to Brazil, and he would still

781
00:34:27,320 --> 00:34:28,719
Speaker 3: but we'd have been down in a long time, but

782
00:34:28,760 --> 00:34:30,919
Speaker 3: he used to have this He never sat down. This guy,

783
00:34:31,000 --> 00:34:33,600
Speaker 3: he's like a very you know, very fit bald man.

784
00:34:33,640 --> 00:34:35,520
Speaker 3: Wore a nice little hat. He had this amulet. He

785
00:34:35,520 --> 00:34:38,120
Speaker 3: would always wear a he and we'd ask about he'd

786
00:34:38,120 --> 00:34:39,600
Speaker 3: be like, you can look, but like no touching, and

787
00:34:39,640 --> 00:34:42,359
Speaker 3: he was always kind of dancing like this. He never

788
00:34:42,480 --> 00:34:44,680
Speaker 3: sat down. He was always standing up. Even if we're driving.

789
00:34:44,680 --> 00:34:46,680
Speaker 3: We would drive like four hours doing their city. He'd

790
00:34:46,719 --> 00:34:48,439
Speaker 3: stand up in the in the you know, the van

791
00:34:48,520 --> 00:34:51,239
Speaker 3: the whole time. But he had this this It was

792
00:34:51,239 --> 00:34:54,560
Speaker 3: like a little tin of like brown powder and he

793
00:34:54,640 --> 00:34:56,319
Speaker 3: used to sprinkle a little bit like right there on

794
00:34:56,360 --> 00:34:58,359
Speaker 3: his hand and yeah, you know, it's like some kind

795
00:34:58,360 --> 00:35:01,080
Speaker 3: of like brown cocaine. I was like, the Bruno, what

796
00:35:01,200 --> 00:35:04,480
Speaker 3: is that? It was apparently like the crushed up roots

797
00:35:04,520 --> 00:35:10,839
Speaker 3: of like an ancient tree and it gets yell jacked out.

798
00:35:11,920 --> 00:35:13,600
Speaker 3: It's some crazy.

799
00:35:14,840 --> 00:35:15,200
Speaker 2: I love it.

800
00:35:16,920 --> 00:35:20,480
Speaker 3: That's so cool to me. That's so cool. That guy

801
00:35:20,560 --> 00:35:23,440
Speaker 3: sounds like the coolest guy. He's cool. He had a

802
00:35:23,480 --> 00:35:25,200
Speaker 3: lot of good times for Bruno. He's a great guy.

803
00:35:25,360 --> 00:35:30,560
Speaker 3: Montel Valle's his last name. Great guy. What more can

804
00:35:30,600 --> 00:35:31,000
Speaker 3: we say?

805
00:35:31,360 --> 00:35:34,840
Speaker 4: I mean, the craziest thing you've done is like acupuncture

806
00:35:35,000 --> 00:35:36,520
Speaker 4: and you got to like, what do you gotta do

807
00:35:36,640 --> 00:35:39,480
Speaker 4: like explode semen and your girlfriend or something.

808
00:35:39,200 --> 00:35:43,080
Speaker 3: No semen allowed, where you explode the uterus? No semen allowed?

809
00:35:43,640 --> 00:35:45,840
Speaker 3: How do you do that? I don't know, I said,

810
00:35:45,880 --> 00:35:48,440
Speaker 3: Like he you know, doctor Kim is like he speaks English,

811
00:35:48,480 --> 00:35:50,880
Speaker 3: but he's he's Korean and he's like E s L.

812
00:35:50,960 --> 00:35:53,600
Speaker 3: So it's kind of like you know I was, I said.

813
00:35:53,800 --> 00:35:57,919
Speaker 3: When he said that, I was like edging and he went, okay,

814
00:35:59,200 --> 00:36:00,840
Speaker 3: you know we didn't really meet in the middle on it,

815
00:36:00,880 --> 00:36:02,799
Speaker 3: but he says a lot of crazy things, you know.

816
00:36:02,880 --> 00:36:04,480
Speaker 3: Yesterday he told me some cool ones where he was

817
00:36:04,520 --> 00:36:09,760
Speaker 3: kind of like, he's like the sandwich work never sandwich

818
00:36:09,800 --> 00:36:13,720
Speaker 3: while working, never never sandwich time, work time. I was like, okay,

819
00:36:13,880 --> 00:36:16,480
Speaker 3: I respect that. Do not eat when you work, make

820
00:36:16,560 --> 00:36:18,560
Speaker 3: it separate, do not the other thing he says all

821
00:36:18,600 --> 00:36:22,480
Speaker 3: the time. He says, I should become a CIA agent

822
00:36:22,840 --> 00:36:25,480
Speaker 3: so I can get the license to kill. Then I

823
00:36:25,520 --> 00:36:29,000
Speaker 3: can kill my boss. Because my boss is stressing me out.

824
00:36:29,000 --> 00:36:30,880
Speaker 3: I don't think he realizes that I'm kind of like

825
00:36:30,920 --> 00:36:34,919
Speaker 3: a you know, I kind of am the boss, but yes, insane.

826
00:36:35,440 --> 00:36:37,200
Speaker 3: He's fully insane. And I lay there and I let

827
00:36:37,239 --> 00:36:39,400
Speaker 3: him just shove me full of needles. Actually, one of

828
00:36:39,400 --> 00:36:40,960
Speaker 3: the ones that he put in my arm yesterday, my

829
00:36:41,000 --> 00:36:42,279
Speaker 3: hands kind of fucked up from it.

830
00:36:42,360 --> 00:36:45,520
Speaker 4: So I think some of those needles are dirty. I

831
00:36:45,520 --> 00:36:47,440
Speaker 4: did at a few times. I'm like, I feel like

832
00:36:47,440 --> 00:36:49,080
Speaker 4: they're reusing some of these needles.

833
00:36:49,160 --> 00:36:52,880
Speaker 3: Yeah, I wonder. I don't like that A few times.

834
00:36:53,680 --> 00:36:56,480
Speaker 3: Gives me the fucking Hebrew gis a little bit. Yeah.

835
00:36:56,520 --> 00:36:58,840
Speaker 3: The cupping. Has you have you ever done the blood cupping?

836
00:36:58,880 --> 00:36:59,319
Speaker 2: Oh? Yeah?

837
00:36:59,360 --> 00:37:01,319
Speaker 3: He like stabbed my foot three times and I was

838
00:37:01,320 --> 00:37:03,600
Speaker 3: like ah yeah, and then he sucked all this blood

839
00:37:03,600 --> 00:37:05,439
Speaker 3: out and he's like, you have a fever in your liver,

840
00:37:05,640 --> 00:37:10,040
Speaker 3: but don't worry. I'm sucking it up now. Okay, brutal,

841
00:37:10,200 --> 00:37:12,520
Speaker 3: but you know, kind of cool. Interesting. I want to

842
00:37:12,520 --> 00:37:15,120
Speaker 3: hang with this guy in Bruno. Yeah, Bruno and doctor Cam.

843
00:37:15,160 --> 00:37:18,239
Speaker 3: That would be a wild what a tour Brazil with

844
00:37:18,280 --> 00:37:24,360
Speaker 3: both of them. I love it, Mac. What's left to

845
00:37:24,400 --> 00:37:26,279
Speaker 3: be said? I don't know. Thank you for having me

846
00:37:26,320 --> 00:37:28,400
Speaker 3: on your show. Yeah, thanks man, Thanks thanks.

847
00:37:28,400 --> 00:37:31,560
Speaker 4: It's a new show and we're figuring it out as

848
00:37:31,600 --> 00:37:34,319
Speaker 4: we go, and that's cool. You are a phenomenal guest

849
00:37:34,360 --> 00:37:36,560
Speaker 4: and you know I love you and I will be

850
00:37:36,719 --> 00:37:39,200
Speaker 4: back in La in a couple of weeks. And let's

851
00:37:39,200 --> 00:37:40,960
Speaker 4: go to fucking Astroberger and crash.

852
00:37:40,920 --> 00:37:45,839
Speaker 3: Absolutely windows, Belimo, bellissimo.

853
00:37:47,239 --> 00:37:52,080
Speaker 2: All right, body with a core?

854
00:37:52,440 --> 00:37:55,280
Speaker 3: All right, listen up. We got some special for you.

855
00:37:55,280 --> 00:37:57,600
Speaker 4: Got it burning story that you're itching to tell about

856
00:37:57,600 --> 00:37:59,760
Speaker 4: when you bombed or absolutely failed in life?

857
00:38:00,000 --> 00:38:02,400
Speaker 3: And how's your chance to tell me all about it?

858
00:38:02,440 --> 00:38:02,960
Speaker 2: Babe?

859
00:38:03,000 --> 00:38:06,120
Speaker 4: I want to hear your worst, most cringe worthy what

860
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Speaker 4: the fuck was I thinking?

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00:38:08,040 --> 00:38:10,759
Speaker 3: What just happened? Moment? So pick up your phone and

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Speaker 3: dial seven one six bombing.

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00:38:13,080 --> 00:38:16,640
Speaker 4: That's seven one six two six six twenty four sixty

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00:38:16,680 --> 00:38:19,000
Speaker 4: four and leave me a voicemail and we might just

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Speaker 4: play it on a future episode. Bombing with Eric Andre

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Speaker 4: is brought to you by Will Ferrell's Big Money Players

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Speaker 4: Network and iHeart Podcast.

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Speaker 3: Our executive producer is Olivia Aguilar.

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Speaker 4: Our producer is Bei Wang, our research assistant is David Carliner,

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Speaker 4: our editor in sound designers Andy Harris, and our art

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00:38:34,000 --> 00:38:36,440
Speaker 4: is by Dylan Vanderberg. Go rate us five stars and

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00:38:36,520 --> 00:38:38,920
Speaker 4: drop a review on your podcast app a choice