WEBVTT - Ralph McDaniels on Tupac in Juice, Video Music Box, directing Nas & Wu-Tang

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<v Speaker 1>Who taint cream Na, I ain't all to tell rait

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<v Speaker 1>Que's caucerated Scarffe public enemy featuring ice Cube. Big Daddy

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<v Speaker 1>can't burn Hollywood burn?

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<v Speaker 2>Yeah, yeah, what up? Yard'st don Cardagina, your boy Jada kiss.

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<v Speaker 3>You know what it is that Joe and Jada show

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<v Speaker 3>every one of our shows his legendary and iconic.

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<v Speaker 2>And all of that. So we don't even neither hear

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<v Speaker 2>nor this.

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<v Speaker 3>But once again, today, ladies and gentlemen, animals of all kinds,

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<v Speaker 3>make some noise for our big brother uncle slash mentor

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<v Speaker 3>slash every think to the culture. Ralph mcdad you salute, salute, salute.

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<v Speaker 4>Joe and Jada the streetsman talking, They said, I need

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<v Speaker 4>to be on this show from here.

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<v Speaker 3>We give you flowers every all the time, almost every show,

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<v Speaker 3>every other show, we make sure we present you with

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<v Speaker 3>some flowers.

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<v Speaker 5>Uncle, Ralph, I hear, I hear this is what I said.

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<v Speaker 5>I said, Okay, I mean those are my peoples. Why

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<v Speaker 5>not I need to be there.

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<v Speaker 4>You know, Ralph from the down, Yes, of course. Yeah,

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<v Speaker 4>well hold up, no, captain that you're my friend. Listen,

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<v Speaker 4>you're rock. You ain't let me do it. You ain't

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<v Speaker 4>let me right, all right, I'm the Dawn. So wherever

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<v Speaker 4>I go, I run ship. I don't care who I

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<v Speaker 4>deal with.

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<v Speaker 2>It is what it is. I'm a ball summer Dawn.

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<v Speaker 4>I was coming and I said to myself, there's only one,

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<v Speaker 4>possibly one man on the earth I could call my

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<v Speaker 4>big home, and that.

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<v Speaker 2>Would be thank you, thank you you are to have done

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<v Speaker 2>or this whole shit.

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<v Speaker 4>And if even though your documentary went super platinum, if

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<v Speaker 4>they're not in tune, but we do is we do

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<v Speaker 4>it for the love of the culture. This is the

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<v Speaker 4>man who basically created the whole video concept of the culture.

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<v Speaker 4>If you see rap videos, the only place to see

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<v Speaker 4>it on the earth was video music by They should

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<v Speaker 4>have had me on the b et. It wasn't able

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<v Speaker 4>to cancel it. If you ever try to work something

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<v Speaker 4>out with them, I'm sure my name has come up

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<v Speaker 4>mallion times, but I would love to do to work

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<v Speaker 4>with work with them, because you know, you can have

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<v Speaker 4>the stars of that, you got to have the street

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<v Speaker 4>there too.

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<v Speaker 2>Got to balance it out.

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<v Speaker 5>You can have big, big names and nobody comes and

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<v Speaker 5>they but then we need to have the locks on

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<v Speaker 5>that show. We need to have we need to have

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<v Speaker 5>the real, real streets, and you gotta balance it out, man,

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<v Speaker 5>and hip hop sometimes be a little bit o with

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<v Speaker 5>the top, and so you gotta gotta bounce it out.

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<v Speaker 2>And I think we did a good job of that.

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<v Speaker 4>Forty two years of Video Music Box still rocking and rolling,

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<v Speaker 4>the longest bunny show world is.

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<v Speaker 2>Yo.

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<v Speaker 4>My my mom just passed away a couple of months ago.

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<v Speaker 4>My moms watched Video Music Box.

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<v Speaker 2>She would tell me everything.

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<v Speaker 4>She was like, Ralph is still going, Joe, he had

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<v Speaker 4>this one up there, he had that one up there.

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<v Speaker 2>It's like, you're on.

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<v Speaker 4>I've seen the City Islands. You know everything about hip hop.

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<v Speaker 4>She's a big fan of video music. I was at

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<v Speaker 4>City Island Friday. I go once once the summer just

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<v Speaker 4>for the vibe, because it's a vibe when you go

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<v Speaker 4>to at the end, not at the little fancy.

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<v Speaker 3>You go to them to the end. That's the first

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<v Speaker 3>in the first place city you really get, chiefly cities

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<v Speaker 3>like Johnny's and Frank Johnny. That's the real ship. That's

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<v Speaker 3>the shout out, the live style house.

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<v Speaker 2>I go there too.

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<v Speaker 5>I sit down in there and people come from all

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<v Speaker 5>over from from fifty to sixty to twenty.

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<v Speaker 2>Yo.

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<v Speaker 5>Thank you Ralph, thank you still doing it. And I'm like, oh,

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<v Speaker 5>this is what I just go for the vibe. You know,

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<v Speaker 5>you see the young people coming out and they still

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<v Speaker 5>know why. I'm like, oh, I didn't even know. Y'all

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<v Speaker 5>knew what was what I'm watching now, watched Saturday night.

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<v Speaker 5>I'm like, oh, all right, I gotta play some some

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<v Speaker 5>young stuff.

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<v Speaker 2>Did you think it was it was going to have

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<v Speaker 2>that effect? But did you think it? Did you think

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<v Speaker 2>you was going to change the world? Can you change

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<v Speaker 2>the world? Yeah?

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<v Speaker 5>No, I didn't know it was going to be like that,

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<v Speaker 5>just like hip hop. I didn't know it was going

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<v Speaker 5>to be like what it is today. Look here we

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<v Speaker 5>got all this going on. But I knew it was

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<v Speaker 5>going to be important for the people who loved the music.

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<v Speaker 2>I love the music.

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<v Speaker 5>If you love music like I love music, you're gonna

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<v Speaker 5>like this because I'm putting my heart into it and

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<v Speaker 5>I think that you're gonna dig what I like.

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<v Speaker 2>And that was the beginning of it. And then one

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<v Speaker 2>day I.

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<v Speaker 5>Tell it in my documentary, I'm on the train and

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<v Speaker 5>like the thug, you know, on the train.

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<v Speaker 2>Back in the eighties you could get.

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<v Speaker 4>Still they still throwing people in front of They threw

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<v Speaker 4>somebody in front of the train last night. Right, it's

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<v Speaker 4>still very violent. Yeah, you gotta be keep your eyes,

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<v Speaker 4>keep you aware. But this is all right, Well you

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<v Speaker 4>can get all he's telling you the same shit. So

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<v Speaker 4>I'm sitting there and these dudes is like boom. I'm

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<v Speaker 4>in Brooklyn, deep in Flatbush. I lived in flatbos Brooklyn.

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<v Speaker 4>First train, I'm like this. They looking at me like

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<v Speaker 4>mean mugging.

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<v Speaker 5>I'm like this, okay, So either I get off at

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<v Speaker 5>the next stop and punk it out or I just

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<v Speaker 5>see what happens.

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<v Speaker 2>Let's just see what happens.

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<v Speaker 4>So they're talking, but every once in a while, the

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<v Speaker 4>energy keeps coming my way, so I think they're waiting

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<v Speaker 4>for the moment to get me.

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<v Speaker 5>So nothing happens. I get like ten twelve stops. I

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<v Speaker 5>get ready to get off to go to the video

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<v Speaker 5>I was going to the office and they say, yo,

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<v Speaker 5>you the dude that be doing a video show. And

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<v Speaker 5>I said, yeah, we like that shit.

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<v Speaker 2>By your niggers.

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<v Speaker 5>Ain't say this shit like twelve stots ago. I'm like this,

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<v Speaker 5>But that's New York. You know, you never know because

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<v Speaker 5>we're gonna look at you a certain way. You know,

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<v Speaker 5>and the streets is going to be you know, you

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<v Speaker 5>can either go left or right. You don't know, you

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<v Speaker 5>have no idea.

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<v Speaker 4>No, but you controlled the streets and and you said

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<v Speaker 4>what was HoTT No, No, you always thank god, you

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<v Speaker 4>always kept the camp. But you always set the tone.

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<v Speaker 4>If you went to a spot, the ship was sold down.

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<v Speaker 4>Everybody wanted to shout out. You know, you created shout out.

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<v Speaker 4>That was that was a life back in the days.

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<v Speaker 4>That was like, uh, you know you was involved in

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<v Speaker 4>the shout out right, and I played it. That was

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<v Speaker 4>Trump might be everybody nobody just saying them through the

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<v Speaker 4>joint skis off the white you know, Donald Trump Junior

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<v Speaker 4>posted the joints you know what's going on? W n

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<v Speaker 4>B A they throwing Oh yes, green Fildo's Trump did that?

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<v Speaker 4>Trump Junior through the that.

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<v Speaker 2>He had a video of Trump joint sky off the white. Yo,

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<v Speaker 2>this ship is crazy. Trump juniors do a joints ski

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<v Speaker 2>off the white.

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<v Speaker 4>So he showed Trump throwing the fucking some some joint

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<v Speaker 4>ski and like the ship now it's out of control.

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<v Speaker 4>I'm sorry about that, but he definitely Donald Trump definitely.

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<v Speaker 2>Said, yo, let me get a shout out. Oh yeah,

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<v Speaker 2>absolutely he might have been on on the shield for

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<v Speaker 2>a shout out with joint Ski. That was the most

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<v Speaker 2>hilarious shiite tell them, man, thank god, you're my partner

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<v Speaker 2>and you're winny and you're funny. I was yo with you.

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<v Speaker 2>You envision ship like this for me.

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<v Speaker 4>You gave me opportunity when I was a kid, and

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<v Speaker 4>you let me host video music bugs. So kiss, let

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<v Speaker 4>me tell you the story about this guy right here,

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<v Speaker 4>right he comes to my office, my office on thirty

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<v Speaker 4>first floors wield the.

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<v Speaker 2>Elevator never worked, and I fat that he was real

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<v Speaker 2>fat Joe. How much I wanted it.

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<v Speaker 5>All the time I was walking there was a Puerto

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<v Speaker 5>Rican lady who was the security guards.

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<v Speaker 2>I figured it out.

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<v Speaker 4>They started talking Spanish and he's going getting in. I

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<v Speaker 4>was on the mummy, but you put me the host

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<v Speaker 4>and changed my life. Started taking me serious. It was

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<v Speaker 4>like a right, he's really gonna rap.

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<v Speaker 2>He's literally gonna do something. And how'd you lead to

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<v Speaker 2>do that? When he got up, I told I never

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<v Speaker 2>heard Joe REGGI get up there. Yo.

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<v Speaker 4>I remember if you could ever remember the scene in

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<v Speaker 4>call Leido's Way when the fat dudes and I would

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<v Speaker 4>use by the time I got up there, my ship

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<v Speaker 4>was like.

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<v Speaker 2>Ralph, he'd be like, where you going today? Like I

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<v Speaker 2>don't know. He said, I want to go wherever you're going.

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<v Speaker 2>And that's what we did. And we took him to wherever.

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<v Speaker 5>You know, I'm hosting something, we're doing whatever, video music

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<v Speaker 5>box somewhere we took Remember in New Jerseys they boot you.

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<v Speaker 5>You have you remember right if you wasn't from Jersey,

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<v Speaker 5>they hated you.

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<v Speaker 4>I don't care who came there. And Joe got on

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<v Speaker 4>and before he could get two words out, that happened

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<v Speaker 4>to me in La Too. Two weeks later, Flow Joe

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<v Speaker 4>comes out. Everybody's happier, and I told him that. I said,

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<v Speaker 4>wait till your record drops, it's going to be different.

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<v Speaker 4>Once that Flow Joe hit that that rick to scale, Yeah,

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<v Speaker 4>you know what the fix was it? You know Ralph

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<v Speaker 4>ran this, He ran all of it. You know that

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<v Speaker 4>Flow Joe was on every day was you know, I'm

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<v Speaker 4>a worker of video music. Imagine your worker puts out

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<v Speaker 4>a heat rock. He had that ship ringing.

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<v Speaker 2>All This is Flow Joe by.

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<v Speaker 4>Fat Joe on video Music. And I hear him tell

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<v Speaker 4>that the cap stories. He exaggerates a little bit a

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<v Speaker 4>little bit, a little bit, a little bit. I was

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<v Speaker 4>there for some of those things when it happened, so

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<v Speaker 4>I know some of it is true.

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<v Speaker 2>I know a majority of it is true. Bust of

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<v Speaker 2>it is true.

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<v Speaker 4>If I tell you one hundred guys, it might have

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<v Speaker 4>been twenty five, I'm gonna keep it a fuck. But

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<v Speaker 4>that's about the only thing I can see with Katka.

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<v Speaker 4>All my sh it is backed up on the receipts

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<v Speaker 4>I got. There's a lot of guys who took smacks

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<v Speaker 4>to the face out there that y'all call the biggest

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<v Speaker 4>legends in the world, that they wearing it well, and

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<v Speaker 4>they're looking at this show and they're like, that boy

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<v Speaker 4>is not one. I'm telling you the truth. There's a

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<v Speaker 4>somebody had to get punished. If I'm telling you these stories.

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<v Speaker 4>I propped the gym, I punished this one at this

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<v Speaker 4>somebody's father was punished out there and knows.

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<v Speaker 2>It, knows it, knows it. You know I had to

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<v Speaker 2>go to yonkers one time. You heard you hurt out

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<v Speaker 2>through the whole flock on the floor. Don't the whole

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<v Speaker 2>block on the floor, the whole the floor, you know,

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<v Speaker 2>gonna no, no, I'm not gonna say it's the truth. Though.

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<v Speaker 2>I love the whole block on the floor because when

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<v Speaker 2>I turned around, Raoul and them boys had some things

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<v Speaker 2>out and the whole block was on the floor. While

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<v Speaker 2>he was just saying I.

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<v Speaker 4>Took a guy and punishing them. Man thing her true story.

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<v Speaker 4>But the guy's more. He's trying to he's trying to

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<v Speaker 4>get away, right, So he's trying to climb the wall, right,

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<v Speaker 4>right right and get help. A car pulls up, the

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<v Speaker 4>door opens. No, let me tell you about this, right

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<v Speaker 4>because I gotta listen here. Look, I got a lot

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<v Speaker 4>of friends in young Listen, I love you.

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<v Speaker 1>I'm not thirty some years, you know header I know

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<v Speaker 1>all of it to.

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<v Speaker 2>This, I'm gonna tell you. I'm gonna tell you. If

0:11:37.640 --> 0:11:40.760
<v Speaker 2>they ain't paint the picture for you, I'm gonna tell you.

0:11:40.800 --> 0:11:45.760
<v Speaker 2>So we go out there, I get busy. Immediately, I'm like,

0:11:45.800 --> 0:11:49.320
<v Speaker 2>who they like him? It's on, there's nothing to talk about.

0:11:50.120 --> 0:11:55.320
<v Speaker 2>Hold on, hold on half his size though feet tall.

0:11:56.200 --> 0:11:59.200
<v Speaker 2>I didn't look like you. Gotta let the people know

0:11:59.720 --> 0:12:02.360
<v Speaker 2>what talking about. It's a whole block looked like a

0:12:02.400 --> 0:12:08.640
<v Speaker 2>big drug block in the hall and elliott A. This

0:12:08.679 --> 0:12:11.160
<v Speaker 2>ain't a car, okay, But the pink.

0:12:11.400 --> 0:12:13.840
<v Speaker 4>The picture I'm trying to pink to you is I'm

0:12:13.880 --> 0:12:16.240
<v Speaker 4>on this guy, a guy trying to get away, right,

0:12:16.240 --> 0:12:20.520
<v Speaker 4>he fast boom. When I turned around, the whole block

0:12:20.640 --> 0:12:23.560
<v Speaker 4>is on the floor. Raoul and my man rested.

0:12:23.640 --> 0:12:26.040
<v Speaker 2>Peace. Well, both of them passed away. They got them

0:12:26.120 --> 0:12:27.000
<v Speaker 2>things out them.

0:12:27.000 --> 0:12:30.520
<v Speaker 4>Actually out in the middle of everybody on the street,

0:12:30.520 --> 0:12:32.960
<v Speaker 4>going yo, this fucked up, man, this sucked up.

0:12:33.000 --> 0:12:34.160
<v Speaker 2>Then the car come.

0:12:35.600 --> 0:12:39.040
<v Speaker 4>And the door opened, and the car is so low

0:12:39.720 --> 0:12:42.720
<v Speaker 4>when the guy got out because I'm trying to I'm

0:12:42.720 --> 0:12:44.680
<v Speaker 4>trying to get him right, the guys trying to climb

0:12:44.720 --> 0:12:45.199
<v Speaker 4>over the gate.

0:12:45.320 --> 0:12:48.120
<v Speaker 2>I don't even know this right. I turned around the

0:12:48.240 --> 0:12:52.560
<v Speaker 2>shadow this big pun with a fucking bat in his hand.

0:12:52.559 --> 0:12:55.360
<v Speaker 4>At me, a bat looked like a tooth pick. That's

0:12:55.400 --> 0:12:56.880
<v Speaker 4>how fucking big Pun was.

0:12:57.200 --> 0:13:00.439
<v Speaker 2>And the ship he twirling the fucking bat and he

0:13:00.559 --> 0:13:04.400
<v Speaker 2>going like this, and the whole block set. Oh shit.

0:13:04.880 --> 0:13:06.240
<v Speaker 2>He wasn't rapping.

0:13:06.000 --> 0:13:09.880
<v Speaker 4>Yet, like he wasn't rapping big but this was like monsy,

0:13:09.960 --> 0:13:12.800
<v Speaker 4>button your lip, like this was some movie. Ship can

0:13:12.960 --> 0:13:15.720
<v Speaker 4>jump out the car you five hundred pounds with a bat.

0:13:16.240 --> 0:13:20.480
<v Speaker 4>When they was already on the floor when they seen Punt,

0:13:21.200 --> 0:13:28.560
<v Speaker 4>the whole fucking block set. Oh shit, And the kid

0:13:28.679 --> 0:13:30.880
<v Speaker 4>is trying to get away from the on the gate

0:13:31.360 --> 0:13:34.840
<v Speaker 4>and pun hits him. He goes, I pun hits him

0:13:34.840 --> 0:13:40.760
<v Speaker 4>on the other side. But anyway, that's not cock. Guys,

0:13:40.880 --> 0:13:42.920
<v Speaker 4>by the way, we'll find out soon.

0:13:44.880 --> 0:13:47.040
<v Speaker 2>Well, you know, they get a lot of calls. They're

0:13:47.040 --> 0:13:49.360
<v Speaker 2>gonna tell you they know the truth. They know the truth,

0:13:49.400 --> 0:13:51.520
<v Speaker 2>and that it is just one of ten thousand.

0:13:53.720 --> 0:13:55.800
<v Speaker 4>You threw a lot of parties, man, that could have

0:13:55.840 --> 0:13:57.200
<v Speaker 4>got really, really violent.

0:13:57.360 --> 0:14:00.360
<v Speaker 5>I was righting it as soon as I seeing you,

0:14:00.400 --> 0:14:02.440
<v Speaker 5>and I could tell the energy was getting ready to happen.

0:14:03.080 --> 0:14:04.719
<v Speaker 4>I turned that light on it. You're gonna do a

0:14:04.760 --> 0:14:06.280
<v Speaker 4>shout out right now, we're gonna do interviewing.

0:14:06.360 --> 0:14:12.000
<v Speaker 2>Joe's like, what kill it? You know what's crazy is

0:14:12.520 --> 0:14:14.600
<v Speaker 2>this industry basically.

0:14:15.520 --> 0:14:19.480
<v Speaker 4>Commercialized in front of your eyes, sir. So Like when

0:14:19.480 --> 0:14:24.360
<v Speaker 4>you got footage in your documentary of Mary seventeen bro

0:14:25.040 --> 0:14:29.200
<v Speaker 4>where what's that show? When Yonkers I was in Brooklyn because.

0:14:29.000 --> 0:14:31.560
<v Speaker 3>We was never on it. You know, as much as

0:14:31.600 --> 0:14:34.160
<v Speaker 3>we went home and watched it, I saw your video,

0:14:34.280 --> 0:14:37.120
<v Speaker 3>so I saw you. I saw your video.

0:14:37.400 --> 0:14:37.440
<v Speaker 6>Me.

0:14:37.720 --> 0:14:40.400
<v Speaker 2>I never gave a shout out on video, No no, No,

0:14:40.440 --> 0:14:44.600
<v Speaker 2>I've seen your video something see myself kissing. You're gonna

0:14:44.640 --> 0:14:47.200
<v Speaker 2>pull out out. I'm going into the archives. Kiss.

0:14:47.280 --> 0:14:50.640
<v Speaker 5>I'm gonna prove you wrong. Kiss wrong. It better not

0:14:50.800 --> 0:14:56.760
<v Speaker 5>be in the ancient town. Everything is ancient from back then.

0:14:57.120 --> 0:15:00.840
<v Speaker 5>It can't it, So it gotta be this. Don't pull out.

0:15:00.880 --> 0:15:02.680
<v Speaker 4>Three months ago, I bet you was like at a

0:15:02.680 --> 0:15:04.280
<v Speaker 4>basketball game or something.

0:15:04.320 --> 0:15:07.160
<v Speaker 2>You wanna You're gonna be going. We did no beef

0:15:07.280 --> 0:15:10.120
<v Speaker 2>ever in my life for Rothley Daniels, I'm here, my love,

0:15:10.200 --> 0:15:12.000
<v Speaker 2>his family is one beef.

0:15:12.240 --> 0:15:14.840
<v Speaker 4>My wife, My wife says just before you saw it,

0:15:15.280 --> 0:15:17.000
<v Speaker 4>he loves you before I came to see you today

0:15:17.000 --> 0:15:18.000
<v Speaker 4>and my daughter came today.

0:15:18.280 --> 0:15:19.920
<v Speaker 2>I love wat Kim.

0:15:19.960 --> 0:15:22.360
<v Speaker 3>I got your tickets for the show that got post Pole.

0:15:22.920 --> 0:15:25.720
<v Speaker 3>Uncle kiss got you with even better VI. I PC

0:15:26.360 --> 0:15:29.320
<v Speaker 3>for the cash money tour that got postpone, that got

0:15:29.400 --> 0:15:29.800
<v Speaker 3>She done it.

0:15:29.920 --> 0:15:31.760
<v Speaker 2>She had, she had already done her nails. He was

0:15:31.760 --> 0:15:32.400
<v Speaker 2>ready to sw.

0:15:33.840 --> 0:15:36.320
<v Speaker 4>But let me but let me ask you, right, what's

0:15:36.360 --> 0:15:40.680
<v Speaker 4>so beef beef is? I feel like I don't know.

0:15:40.680 --> 0:15:43.960
<v Speaker 4>If it's a financial thing, yes, but I don't know.

0:15:44.000 --> 0:15:47.920
<v Speaker 2>If you order the film like you're you're like the

0:15:47.960 --> 0:15:51.080
<v Speaker 2>original Johnny Nunez. You know we never see the pictures.

0:15:51.720 --> 0:15:52.360
<v Speaker 2>Where is y'all?

0:15:52.640 --> 0:15:56.480
<v Speaker 4>He got footage of Biggie and Nas rapping this and that, that,

0:15:56.480 --> 0:15:57.680
<v Speaker 4>that that water.

0:15:57.680 --> 0:15:59.400
<v Speaker 2>Are you gonna do it? He should do something with

0:15:59.520 --> 0:16:01.840
<v Speaker 2>rock Nation being there. We you know, we were moving

0:16:01.880 --> 0:16:03.520
<v Speaker 2>like that. Let's do it. Let's do it the big way.

0:16:04.160 --> 0:16:07.120
<v Speaker 2>Let's do it. I'll get it done. I walk up

0:16:07.160 --> 0:16:10.040
<v Speaker 2>right after this. Let's let's let's do that. I walk

0:16:10.200 --> 0:16:13.000
<v Speaker 2>right up you and kiss yo, one million percent. I

0:16:13.040 --> 0:16:15.000
<v Speaker 2>want you see kiss and got you in the mix.

0:16:15.080 --> 0:16:16.800
<v Speaker 2>You know what I'm saying. You gotta do that. You

0:16:16.800 --> 0:16:18.160
<v Speaker 2>gotta do this, You gotta do that.

0:16:18.240 --> 0:16:26.040
<v Speaker 4>You know, even Ralph me take the ship because of me.

0:16:26.080 --> 0:16:29.120
<v Speaker 4>I watched Ralpha interviews. They be asking me like, oh man,

0:16:29.160 --> 0:16:31.080
<v Speaker 4>why they had to go there with Raph? Yo, tell

0:16:31.120 --> 0:16:32.280
<v Speaker 4>me about Fat Joe ship?

0:16:32.320 --> 0:16:32.760
<v Speaker 2>Really not?

0:16:33.240 --> 0:16:35.080
<v Speaker 4>He'd be like, you know, it's real. You know this

0:16:35.240 --> 0:16:39.120
<v Speaker 4>this kiss? I would hate to be him with Fat Joe.

0:16:39.240 --> 0:16:40.520
<v Speaker 4>He's my business, fucker.

0:16:40.600 --> 0:16:43.680
<v Speaker 2>What kind of ship you hearing on the streets bout

0:16:43.720 --> 0:16:45.840
<v Speaker 2>Fat Joe? They go they love you, man, they love

0:16:45.920 --> 0:16:48.360
<v Speaker 2>you Joe.

0:16:48.400 --> 0:16:51.200
<v Speaker 3>Look, you know you manufact shot out to my man,

0:16:51.240 --> 0:16:52.360
<v Speaker 3>baby face Rade.

0:16:52.160 --> 0:16:54.680
<v Speaker 2>From the d He hit me like a week ago. Yo, fat,

0:16:54.760 --> 0:16:57.040
<v Speaker 2>Joe is the best human being in the world. Oh

0:16:57.280 --> 0:16:59.200
<v Speaker 2>ship baby face was good dad.

0:16:59.600 --> 0:17:02.440
<v Speaker 4>Real The real deal is for those who want to say,

0:17:02.480 --> 0:17:04.240
<v Speaker 4>oh this about Joe, this is about whoever.

0:17:04.920 --> 0:17:07.680
<v Speaker 2>If you wasn't there, how can you say that? How

0:17:07.680 --> 0:17:08.280
<v Speaker 2>can you see?

0:17:08.440 --> 0:17:13.119
<v Speaker 6>That's his pointy voting point, that's his he stands on

0:17:13.280 --> 0:17:14.080
<v Speaker 6>that home point.

0:17:14.160 --> 0:17:16.159
<v Speaker 2>He got no right to say none of that. You

0:17:16.359 --> 0:17:19.400
<v Speaker 2>was I was dead. You wasn't there. And my thing

0:17:19.600 --> 0:17:23.840
<v Speaker 2>is if you were there and you know you so

0:17:24.160 --> 0:17:28.680
<v Speaker 2>recipes ray this yall. We went out to the funeral, right,

0:17:29.560 --> 0:17:32.280
<v Speaker 2>everybody there I knew right right, and everybody playing the

0:17:32.400 --> 0:17:34.840
<v Speaker 2>point of hip hop, whether they danced or it was

0:17:34.920 --> 0:17:37.720
<v Speaker 2>beasts or it was this or this. So if you

0:17:37.880 --> 0:17:41.760
<v Speaker 2>play the game in hip hop coming up, I know you.

0:17:41.840 --> 0:17:44.240
<v Speaker 4>I knew D M Y when they introduced me to you,

0:17:44.800 --> 0:17:48.720
<v Speaker 4>anybody who played any type of ship. It could be exclan,

0:17:48.840 --> 0:17:51.360
<v Speaker 4>it could be this fact. Joe was everywhere.

0:17:51.400 --> 0:17:53.760
<v Speaker 2>I knew them all. So when you called of rap

0:17:53.760 --> 0:17:56.320
<v Speaker 2>and do no, no, he was before my time.

0:17:56.760 --> 0:18:01.120
<v Speaker 4>But if the man is so, if you talking shit

0:18:01.200 --> 0:18:04.720
<v Speaker 4>about hip hop, the birthplace to this, to that and

0:18:04.760 --> 0:18:09.240
<v Speaker 4>you live in Seattle, my man, you not validing this ship.

0:18:09.440 --> 0:18:11.840
<v Speaker 2>You want not there. We just gonna throw a shot

0:18:11.880 --> 0:18:14.520
<v Speaker 2>at Seattle. No, I don't miss. We love Seattle.

0:18:14.640 --> 0:18:16.960
<v Speaker 4>I'm trying to tell you is that the people, the

0:18:17.000 --> 0:18:20.000
<v Speaker 4>people who lead these claims, these false claims, that they're

0:18:20.040 --> 0:18:22.200
<v Speaker 4>not from the here kiss, is what I'm trying to say.

0:18:22.200 --> 0:18:24.480
<v Speaker 5>It's like me saying something about Atlanta and I don't

0:18:24.480 --> 0:18:27.359
<v Speaker 5>really be there. I don't know, And I'm sure there's

0:18:27.400 --> 0:18:30.400
<v Speaker 5>fun things about Atlanta that are unique to Atlanta, and

0:18:30.520 --> 0:18:33.320
<v Speaker 5>that's it New York. New York got its own thing,

0:18:33.600 --> 0:18:35.880
<v Speaker 5>you know. It's and every city got their own thing,

0:18:36.240 --> 0:18:38.159
<v Speaker 5>you know. And you when y'all go there, y'all know that.

0:18:38.760 --> 0:18:39.680
<v Speaker 5>But we're gonna miss.

0:18:40.240 --> 0:18:43.560
<v Speaker 2>They always hold a grudge against us, though he got.

0:18:43.800 --> 0:18:46.400
<v Speaker 2>I don't know what that. I don't know what we did.

0:18:46.840 --> 0:18:49.120
<v Speaker 2>You know, what happened before our times?

0:18:49.359 --> 0:18:53.240
<v Speaker 4>What happened here that didn't happen and everywhere else was

0:18:53.320 --> 0:18:58.280
<v Speaker 4>Latinos and blacks grew outside by side facts next door

0:18:58.400 --> 0:19:01.720
<v Speaker 4>five E. I go to Miss LaVerne's apartment to go

0:19:01.760 --> 0:19:04.760
<v Speaker 4>get the batter to salt the district. So when you

0:19:04.920 --> 0:19:09.520
<v Speaker 4>got racism and segregation around this country, what they just

0:19:09.600 --> 0:19:13.640
<v Speaker 4>don't get how New York Latinos and blacks just grew

0:19:13.720 --> 0:19:18.000
<v Speaker 4>up together, family, integrated all that. So they looking from

0:19:18.040 --> 0:19:20.520
<v Speaker 4>somewhere else from a different lens, and they're like.

0:19:20.600 --> 0:19:22.159
<v Speaker 2>That's why they don't understand it.

0:19:22.400 --> 0:19:25.200
<v Speaker 4>That's why this country is in the state that is

0:19:25.240 --> 0:19:26.800
<v Speaker 4>in right now because of.

0:19:27.600 --> 0:19:28.720
<v Speaker 2>Putting people over here.

0:19:28.720 --> 0:19:31.880
<v Speaker 4>You're putting immigrants over here, You're putting white folks over here,

0:19:31.880 --> 0:19:33.360
<v Speaker 4>You're putting Asian people over here.

0:19:33.359 --> 0:19:35.000
<v Speaker 5>What are you talking about. We all live in the

0:19:35.040 --> 0:19:37.720
<v Speaker 5>same spot. What are you talking about. That's why the

0:19:37.720 --> 0:19:39.840
<v Speaker 5>countries in the situation that it's in. It's got to

0:19:39.920 --> 0:19:44.040
<v Speaker 5>change because we're going to continue to see bad things

0:19:44.080 --> 0:19:45.520
<v Speaker 5>happen to an economy in New.

0:19:45.560 --> 0:19:49.800
<v Speaker 4>York, in la in Arizona, wherever it's going to be.

0:19:50.000 --> 0:19:51.840
<v Speaker 4>We have to come together because and New York has

0:19:51.880 --> 0:19:52.159
<v Speaker 4>done that.

0:19:52.200 --> 0:19:54.560
<v Speaker 2>We don't. We don't have no problem with that, but

0:19:55.080 --> 0:20:07.439
<v Speaker 2>it's got to change. Let's took the wires, hold up.

0:20:07.560 --> 0:20:09.679
<v Speaker 2>I never got an answer, never got a straight answer.

0:20:09.920 --> 0:20:11.680
<v Speaker 2>Oh you, let's put it on him. We're going to

0:20:11.720 --> 0:20:12.320
<v Speaker 2>put that right.

0:20:12.400 --> 0:20:16.920
<v Speaker 4>No, no, he get this stuff.

0:20:17.200 --> 0:20:18.119
<v Speaker 2>Laurie heard this.

0:20:19.160 --> 0:20:22.119
<v Speaker 7>That's Luri lo. Laurie makes it. Lorry let's make it happen.

0:20:22.520 --> 0:20:26.080
<v Speaker 7>I'm telling you, Glory's Laurie. It's the Bible of fifty

0:20:26.560 --> 0:20:29.679
<v Speaker 7>cut me in Lory Laurie.

0:20:29.880 --> 0:20:31.760
<v Speaker 4>You can't get no better than you know, this guy

0:20:31.760 --> 0:20:34.240
<v Speaker 4>don't even talk if he said definitely the bible.

0:20:35.040 --> 0:20:37.119
<v Speaker 2>You know what it is, it gotta go down. Twenty

0:20:37.200 --> 0:20:41.080
<v Speaker 2>thousand hours of video. I was in twenty thousand hours. Yeah,

0:20:41.080 --> 0:20:42.200
<v Speaker 2>but they were saying cap.

0:20:42.560 --> 0:20:47.960
<v Speaker 4>I was in events where he filmed it clean and everybody'd.

0:20:47.320 --> 0:20:50.399
<v Speaker 2>Be like, yo, you cap, you Cap, And I'm like, nod,

0:20:50.600 --> 0:20:53.280
<v Speaker 2>he grabbed the mic and no, just grabbed the mic.

0:20:53.760 --> 0:20:56.800
<v Speaker 2>And then I'm in the crowd a fan. I'm like,

0:20:57.320 --> 0:20:59.920
<v Speaker 2>but we never get to see these things he got.

0:21:00.400 --> 0:21:04.280
<v Speaker 4>So I wanted to digitize everything, from analog to digital.

0:21:04.320 --> 0:21:06.560
<v Speaker 4>We digitize everything. Now it's part of the Video Music

0:21:06.640 --> 0:21:09.719
<v Speaker 4>Box Collection. I look at it as the Rockefeller Collection

0:21:10.040 --> 0:21:12.320
<v Speaker 4>because this is the history of hip hop. You know,

0:21:12.400 --> 0:21:14.280
<v Speaker 4>it's not everything, of course, because it was just from

0:21:14.280 --> 0:21:18.880
<v Speaker 4>my lens, but it's nineteen eighty three, from nineteen eighty

0:21:18.920 --> 0:21:22.359
<v Speaker 4>three to present. You know, I was in Stand Island

0:21:22.480 --> 0:21:25.480
<v Speaker 4>last night. We rock in doing the party, still still

0:21:25.520 --> 0:21:29.159
<v Speaker 4>taping this stuff, and so we had to digitize it

0:21:29.160 --> 0:21:30.840
<v Speaker 4>because I had to have it in digital phonk because

0:21:30.840 --> 0:21:32.840
<v Speaker 4>that's the only way we can pass it around.

0:21:33.280 --> 0:21:35.560
<v Speaker 2>And so now it's archiving it. It's a lot of work.

0:21:35.600 --> 0:21:40.359
<v Speaker 5>It's like a real librarrian archivist work. But we're doing

0:21:40.400 --> 0:21:42.680
<v Speaker 5>it and it's and it's happened. But do we need help?

0:21:43.040 --> 0:21:46.400
<v Speaker 5>Absolutely absolutely we need help. So we're running it.

0:21:46.359 --> 0:21:49.760
<v Speaker 2>Up slory right after this glory. We need it, we

0:21:49.840 --> 0:21:52.199
<v Speaker 2>need it. I'm walking in broth. I don't do that

0:21:52.240 --> 0:21:53.480
<v Speaker 2>for now. I lost friends.

0:21:54.040 --> 0:21:56.680
<v Speaker 4>I lost I lost friends selling me Yo, I gotta

0:21:56.720 --> 0:21:57.600
<v Speaker 4>sit down with jay Z.

0:21:57.760 --> 0:22:01.320
<v Speaker 2>I said, fuck you gonna sit down Jess, motherfucker.

0:22:01.480 --> 0:22:03.879
<v Speaker 4>I ain't bringing you to jay Z for shit. I

0:22:03.960 --> 0:22:06.240
<v Speaker 4>tell you telling you I'm going up there. I tell

0:22:06.280 --> 0:22:09.280
<v Speaker 4>you like this, when when when I did my documentary,

0:22:09.840 --> 0:22:11.440
<v Speaker 4>I said I have to have jay Z in the

0:22:11.560 --> 0:22:12.760
<v Speaker 4>in the documentary.

0:22:12.840 --> 0:22:16.000
<v Speaker 5>And the people that I was working with at showtime

0:22:16.000 --> 0:22:18.040
<v Speaker 5>were like, well, you know jay Z. You know, if

0:22:18.080 --> 0:22:20.360
<v Speaker 5>he's not involved in it, he probably won't do it.

0:22:20.480 --> 0:22:23.439
<v Speaker 5>I said, I know him, I actually know, so they

0:22:23.440 --> 0:22:26.040
<v Speaker 5>were like, well you know. So then the day I

0:22:26.080 --> 0:22:30.320
<v Speaker 5>booked it, they were like your interviewing Jays. They called

0:22:30.359 --> 0:22:32.960
<v Speaker 5>me while I was sitting down with Jay here and

0:22:33.040 --> 0:22:35.960
<v Speaker 5>so I was like, yeah, well, why didn't you tell

0:22:36.000 --> 0:22:37.600
<v Speaker 5>us you guys didn't want to have anything to do?

0:22:37.640 --> 0:22:39.439
<v Speaker 5>You said he wouldn't do it, And I said, if

0:22:39.480 --> 0:22:41.320
<v Speaker 5>I didn't tell Jay that I was doing this, he'd

0:22:41.320 --> 0:22:42.720
<v Speaker 5>have been pissed off. And me like, why you didn't

0:22:42.760 --> 0:22:44.080
<v Speaker 5>ask me to be I'd like to have been part

0:22:44.080 --> 0:22:46.760
<v Speaker 5>of it. It's been disrespectful. He's part of this story,

0:22:47.119 --> 0:22:49.960
<v Speaker 5>you know, from day one. So these are the interview

0:22:50.040 --> 0:22:52.639
<v Speaker 5>These are the relationships that I have that you know,

0:22:52.840 --> 0:22:55.200
<v Speaker 5>people come and say, like, you guys always love.

0:22:55.720 --> 0:22:59.719
<v Speaker 2>I'm called Jada locks Yo, I gotta show what can

0:22:59.760 --> 0:23:00.399
<v Speaker 2>you do? All right?

0:23:00.480 --> 0:23:05.080
<v Speaker 5>Ralph, we got you, Joe always anytime. Just a fact,

0:23:05.160 --> 0:23:07.320
<v Speaker 5>Joe weird.

0:23:07.720 --> 0:23:12.080
<v Speaker 2>You know. Crazy question is do you ever look at

0:23:12.080 --> 0:23:14.720
<v Speaker 2>the success of hip hop and you know you paid

0:23:14.720 --> 0:23:19.080
<v Speaker 2>the way for so many people and you see everybody millionaires, billionaires?

0:23:19.080 --> 0:23:21.800
<v Speaker 4>Did you ever think that should have been not a

0:23:21.880 --> 0:23:25.600
<v Speaker 4>go fund me? But uh w mc daniel fund it's

0:23:25.680 --> 0:23:26.080
<v Speaker 4>out out.

0:23:26.119 --> 0:23:27.960
<v Speaker 5>So last night I was thinking about when I was

0:23:28.000 --> 0:23:30.560
<v Speaker 5>gonna see you guys, maybe they're gonna give me like

0:23:30.600 --> 0:23:31.760
<v Speaker 5>a million dollars When I.

0:23:31.680 --> 0:23:36.399
<v Speaker 2>Get they're like that.

0:23:36.520 --> 0:23:38.919
<v Speaker 4>You know, like we're getting you a deal. If I

0:23:38.960 --> 0:23:41.240
<v Speaker 4>went everywhere I went and I got a million dollars,

0:23:41.280 --> 0:23:43.879
<v Speaker 4>O know, you be out of control, you'd be a billionaire.

0:23:44.600 --> 0:23:45.640
<v Speaker 4>You gotta put this thing.

0:23:45.800 --> 0:23:48.920
<v Speaker 3>You gotta help them do this thing, Laurie. We're doing

0:23:49.000 --> 0:23:52.119
<v Speaker 3>it going upstairs the moments. You can't replace me. But

0:23:52.160 --> 0:23:54.359
<v Speaker 3>it's history. And I didn't get into it for the

0:23:54.400 --> 0:23:56.320
<v Speaker 3>money at first. I got into it because I just

0:23:56.400 --> 0:23:59.639
<v Speaker 3>loved music. I realized that you could make money out

0:23:59.640 --> 0:24:03.119
<v Speaker 3>of this thing later, But the history is super important

0:24:03.160 --> 0:24:07.040
<v Speaker 3>to me because currently, right now, this administration is cutting

0:24:07.040 --> 0:24:08.879
<v Speaker 3>off a lot of the stuff that is our story,

0:24:08.920 --> 0:24:10.399
<v Speaker 3>and we can't like it's for everybody.

0:24:10.440 --> 0:24:12.200
<v Speaker 4>It's not just for us. We didn't make You don't

0:24:12.200 --> 0:24:14.679
<v Speaker 4>make music just for black people all you know, you

0:24:14.680 --> 0:24:17.080
<v Speaker 4>don't make music with just for Latinos. And we make

0:24:17.119 --> 0:24:19.520
<v Speaker 4>it for whoever loves it. That's whoever loves hip hop.

0:24:19.880 --> 0:24:20.600
<v Speaker 2>That was the thing.

0:24:20.640 --> 0:24:22.600
<v Speaker 5>When I first went to the Fresh Vest in nineteen

0:24:22.640 --> 0:24:27.040
<v Speaker 5>eighty five, I walked in the National Coliseum and it

0:24:27.200 --> 0:24:31.200
<v Speaker 5>was everybody. It was Blacks, Asians, Latinos, everybody singing along

0:24:31.240 --> 0:24:34.840
<v Speaker 5>to Houdini, singing along to run DMC grand Master Flash,

0:24:34.880 --> 0:24:39.080
<v Speaker 5>Furious Five Fat Boys, and I was like, everybody loves this.

0:24:40.520 --> 0:24:43.160
<v Speaker 5>Everybody loves this. This is a big thing. You didn't

0:24:43.160 --> 0:24:44.320
<v Speaker 5>have to tell me nothing. After that.

0:24:45.040 --> 0:24:46.280
<v Speaker 2>You want to know what's crazy?

0:24:46.520 --> 0:24:50.160
<v Speaker 4>I go, uh, when I don't have no time, whatever,

0:24:50.160 --> 0:24:55.399
<v Speaker 4>I gotta cut today. I love these guys on YouTube

0:24:55.560 --> 0:24:59.160
<v Speaker 4>that go to Peru, go to China, go to Cuba,

0:24:59.560 --> 0:25:01.439
<v Speaker 4>go to the were just regular guys and they go

0:25:01.480 --> 0:25:04.720
<v Speaker 4>into the dangerous neighborhoods, they go into everything. And today

0:25:05.200 --> 0:25:08.040
<v Speaker 4>I was looking at Thailand and he showed all that shit.

0:25:08.119 --> 0:25:10.600
<v Speaker 4>Then he went to the club and it was Thailand.

0:25:10.680 --> 0:25:14.800
<v Speaker 4>People singing day dollar every word of day, not like

0:25:14.920 --> 0:25:19.040
<v Speaker 4>us in fucking Thailand, and they knew every fucking word.

0:25:19.080 --> 0:25:23.280
<v Speaker 4>And that's how I was taught from the from the

0:25:23.400 --> 0:25:26.960
<v Speaker 4>ancestors of hip hop, meaning that Africa band Bodies, grand

0:25:27.000 --> 0:25:31.480
<v Speaker 4>Master Flashes, the bel These guys taught me that hip

0:25:31.520 --> 0:25:36.000
<v Speaker 4>hop is almost like a religion, right, It's almost like

0:25:36.040 --> 0:25:36.640
<v Speaker 4>a religion.

0:25:37.240 --> 0:25:39.439
<v Speaker 2>And if you're true to it and you love it,

0:25:39.560 --> 0:25:41.280
<v Speaker 2>love it, love it, whether you dance.

0:25:41.160 --> 0:25:45.120
<v Speaker 8>Or you just listen to anything, you're part of the culture.

0:25:46.080 --> 0:25:46.600
<v Speaker 2>You're stuck.

0:25:48.000 --> 0:25:51.160
<v Speaker 4>Yeah, But that's how I was taught and so now

0:25:51.240 --> 0:25:54.680
<v Speaker 4>with segregation and all types of shit they try they

0:25:54.720 --> 0:25:56.879
<v Speaker 4>try to break shit up into that. The way I

0:25:57.119 --> 0:26:00.480
<v Speaker 4>was taught where is if you're part of the culture

0:26:00.560 --> 0:26:04.400
<v Speaker 4>and you love this culture, then you valid and you're part.

0:26:04.160 --> 0:26:04.960
<v Speaker 2>Of our family.

0:26:05.960 --> 0:26:09.440
<v Speaker 5>There has no color on it, there has no status

0:26:09.480 --> 0:26:13.320
<v Speaker 5>on the richest people in the world love it.

0:26:13.520 --> 0:26:16.720
<v Speaker 2>Come on, yo, it's crazy, right, I'll tell you something,

0:26:16.720 --> 0:26:18.719
<v Speaker 2>and I'm gonna let you talk ji because at this

0:26:18.760 --> 0:26:22.679
<v Speaker 2>point I think I'm talking too much. But I had

0:26:22.720 --> 0:26:25.080
<v Speaker 2>a friend of mine who was a rapper and he

0:26:25.200 --> 0:26:28.359
<v Speaker 2>was struggling, and I used to try to get them

0:26:28.359 --> 0:26:29.480
<v Speaker 2>shows and they wouldn't book them.

0:26:29.520 --> 0:26:32.879
<v Speaker 4>I'm talking about the legend, right. I would be like, Yo,

0:26:33.000 --> 0:26:35.040
<v Speaker 4>could you book such and such with me? You know

0:26:35.080 --> 0:26:37.880
<v Speaker 4>they booked me? Who is no, no, no, we can't do that.

0:26:38.280 --> 0:26:41.560
<v Speaker 4>But he was at a moment.

0:26:42.880 --> 0:26:48.640
<v Speaker 2>Where he was struggling and somebody invited me to meet

0:26:48.720 --> 0:26:53.600
<v Speaker 2>somebody having business or whatever with this billionaire dude in Mallible.

0:26:54.240 --> 0:26:55.560
<v Speaker 2>So the house.

0:26:56.760 --> 0:26:59.160
<v Speaker 4>It takes like five minutes to even get up there.

0:26:59.160 --> 0:27:01.080
<v Speaker 4>It's on the top of this shit over the This

0:27:01.160 --> 0:27:04.320
<v Speaker 4>ship was like a hundred million dollars, right, I get

0:27:04.359 --> 0:27:09.800
<v Speaker 4>in there, the man won't turn my guy's songs. Well,

0:27:09.960 --> 0:27:12.879
<v Speaker 4>yoh know, this is your guy, my favorite in the world.

0:27:13.240 --> 0:27:16.160
<v Speaker 4>This is the greatest guy. This is the best guy.

0:27:16.600 --> 0:27:17.800
<v Speaker 4>No one's better than him.

0:27:18.080 --> 0:27:20.760
<v Speaker 2>Oh my god. When I was in college and he just.

0:27:20.800 --> 0:27:25.520
<v Speaker 4>Kept playing this dude's shit and meanwhile I'm sitting there

0:27:25.560 --> 0:27:27.560
<v Speaker 4>and I'm like, yo, I can't get this guy five

0:27:27.680 --> 0:27:31.320
<v Speaker 4>grand and it's a billionaire ringing.

0:27:31.040 --> 0:27:34.960
<v Speaker 2>His ship every fucking album. He wouldn't turn the ship.

0:27:35.000 --> 0:27:36.800
<v Speaker 4>And I said, man, I wish I could tell him

0:27:37.160 --> 0:27:39.720
<v Speaker 4>that this guy fucked up. Maybe you're throwing a check

0:27:39.840 --> 0:27:42.040
<v Speaker 4>or some shit, but that's how him.

0:27:42.280 --> 0:27:44.359
<v Speaker 2>No, I can't. You know, I ain't gonna tell nobody

0:27:44.480 --> 0:27:45.240
<v Speaker 2>business like that.

0:27:45.720 --> 0:27:50.120
<v Speaker 1>You block them why he didn't tell the God about him?

0:27:50.160 --> 0:27:52.840
<v Speaker 2>They needed and he needed that. Keep that in mind, you,

0:27:52.960 --> 0:27:55.840
<v Speaker 2>my partner, that you might go some flyshing with they

0:27:55.880 --> 0:27:58.080
<v Speaker 2>keep playing fat Joe. You were like, yo, maybe you want.

0:27:57.920 --> 0:28:01.679
<v Speaker 6>To know he's like like this, you won one of

0:28:01.720 --> 0:28:02.919
<v Speaker 6>these paintings.

0:28:03.440 --> 0:28:05.399
<v Speaker 2>Like all they gotta do is give me a painting.

0:28:05.480 --> 0:28:09.040
<v Speaker 2>I don't get gifts right now, even on my birthday,

0:28:10.000 --> 0:28:15.040
<v Speaker 2>boxes screwdrivers and you know what's the wacky ship? Yo?

0:28:15.240 --> 0:28:17.359
<v Speaker 2>Guy got everything? What could I give you you a

0:28:17.440 --> 0:28:19.440
<v Speaker 2>fit excu that's the excuse.

0:28:19.480 --> 0:28:22.080
<v Speaker 4>They but that's just that's that's not you first. That's

0:28:22.080 --> 0:28:24.720
<v Speaker 4>all man, that's all men. They do that too, right.

0:28:25.160 --> 0:28:26.840
<v Speaker 4>It's like it was Father's Day.

0:28:26.880 --> 0:28:28.520
<v Speaker 2>He was like, Yo, all I got is a pair

0:28:28.560 --> 0:28:30.560
<v Speaker 2>of boxers turkey.

0:28:31.320 --> 0:28:34.920
<v Speaker 9>I got two turkey bacons. You got two turkey bacons too.

0:28:35.840 --> 0:28:36.080
<v Speaker 2>You know.

0:28:36.119 --> 0:28:38.960
<v Speaker 4>I had to talk with my family about chilling, like

0:28:39.200 --> 0:28:42.320
<v Speaker 4>stop spending. I had to go back with my daughter

0:28:42.360 --> 0:28:44.720
<v Speaker 4>first in this month, said, yo, the boxes is coming

0:28:44.800 --> 0:28:46.560
<v Speaker 4>back up, like I keep seeing the.

0:28:46.560 --> 0:28:49.000
<v Speaker 2>Boxes like I thought.

0:28:49.040 --> 0:28:52.840
<v Speaker 4>We had this conversation like this ship this bing bong,

0:28:53.080 --> 0:28:56.040
<v Speaker 4>three new boxes, fredix this this like yo, this kid

0:28:56.520 --> 0:29:00.560
<v Speaker 4>be the same conversation we had last month because starting

0:29:00.600 --> 0:29:03.880
<v Speaker 4>to ring off, you know, I mean that's where it's that.

0:29:04.040 --> 0:29:07.040
<v Speaker 2>Let me so you shot videos.

0:29:07.080 --> 0:29:09.760
<v Speaker 4>You went from putting the videos on and then you

0:29:09.840 --> 0:29:11.680
<v Speaker 4>started shooting all the video.

0:29:11.840 --> 0:29:15.280
<v Speaker 2>Hello ladies and gentlemen. How did he do how does

0:29:15.320 --> 0:29:20.120
<v Speaker 2>he do this? How did his go for it? We wait?

0:29:21.560 --> 0:29:25.360
<v Speaker 2>Cutting my next question off? You got it right? Answer

0:29:25.400 --> 0:29:28.640
<v Speaker 2>me that question, Jada was amazing. How you do it?

0:29:29.880 --> 0:29:33.920
<v Speaker 2>I'm in these dangers away, I'm Joey McDaniels. I'm in

0:29:33.960 --> 0:29:39.480
<v Speaker 2>to McDaniels. Tamp okay, I'm in the fucking family. I

0:29:39.520 --> 0:29:45.680
<v Speaker 2>see the meme already. I know I didn't. I didn't

0:29:45.760 --> 0:29:48.760
<v Speaker 2>happen for them all. I didn't. They're gonna sit for

0:29:48.840 --> 0:29:49.400
<v Speaker 2>this interview.

0:29:49.400 --> 0:29:52.000
<v Speaker 1>You're gonna see you and him in one thing on

0:29:52.080 --> 0:29:53.240
<v Speaker 1>the Instagram, lady.

0:29:53.400 --> 0:29:55.680
<v Speaker 2>I didn't prepare for this interview.

0:29:56.040 --> 0:30:00.520
<v Speaker 9>You know, I just got music in video direction career, Yes, sir,

0:30:00.720 --> 0:30:03.640
<v Speaker 9>in some incredible historic video.

0:30:04.000 --> 0:30:08.600
<v Speaker 1>Who dang cream nahs ain't all to tell raight one.

0:30:08.720 --> 0:30:13.800
<v Speaker 1>It's caut your weighted scoffee, Public Enemy featured ice Cube,

0:30:13.800 --> 0:30:16.600
<v Speaker 1>Big Daddy k Burn, Hollywood Burn.

0:30:17.120 --> 0:30:21.840
<v Speaker 2>What this tell us it? Let's see it. Let's start

0:30:21.920 --> 0:30:24.600
<v Speaker 2>with Wolang. So, for folks, this is the learning moment.

0:30:24.840 --> 0:30:27.320
<v Speaker 2>Williams was your intern. It was my intern.

0:30:28.480 --> 0:30:35.280
<v Speaker 4>So so in the beginning of hip hop, you didn't

0:30:35.280 --> 0:30:36.480
<v Speaker 4>necessarily get a video.

0:30:37.320 --> 0:30:39.120
<v Speaker 2>You didn't go in guarantee videos.

0:30:39.120 --> 0:30:41.960
<v Speaker 5>In the beginning, right, there were songs that were hit

0:30:42.040 --> 0:30:45.880
<v Speaker 5>records no video because nobody believed that it was gonna

0:30:45.920 --> 0:30:49.280
<v Speaker 5>go in further. Video was like an added a thing

0:30:49.640 --> 0:30:53.080
<v Speaker 5>at all. Right, So we used to sit around be like,

0:30:53.080 --> 0:30:55.360
<v Speaker 5>how is no video for this, were like, we need

0:30:55.360 --> 0:30:57.320
<v Speaker 5>to do a video for it. We got cameras and stuff,

0:30:57.400 --> 0:30:59.760
<v Speaker 5>Let's just do a video. So the first video I

0:30:59.800 --> 0:31:01.680
<v Speaker 5>did was for Roxane Chante.

0:31:02.080 --> 0:31:08.680
<v Speaker 4>Wow, Roxanne Roxanne, and I say rightly and I said,

0:31:09.960 --> 0:31:12.080
<v Speaker 4>this is an opportunity for us to have advantage.

0:31:12.320 --> 0:31:14.040
<v Speaker 5>Now people are going to still watch the show more

0:31:14.200 --> 0:31:16.160
<v Speaker 5>because they're going to see the rock Sanne Roxanne video

0:31:16.560 --> 0:31:17.160
<v Speaker 5>doesn't exist.

0:31:17.200 --> 0:31:20.320
<v Speaker 4>It's a record Mister Magic Molly mal They playing it

0:31:20.360 --> 0:31:21.840
<v Speaker 4>every week playing the where's.

0:31:21.480 --> 0:31:23.600
<v Speaker 2>Your So got a video? Now?

0:31:23.640 --> 0:31:26.440
<v Speaker 5>Boom, so a video comes out, so little moments like that.

0:31:26.880 --> 0:31:30.600
<v Speaker 5>From that, I meet Biz Marquis, we do Bismarcky videos.

0:31:30.640 --> 0:31:32.800
<v Speaker 5>From that, I meet Big Daddy Kane, we do Big

0:31:32.920 --> 0:31:35.120
<v Speaker 5>Daddy Camee videos. So now it's starting to grow. Then

0:31:35.160 --> 0:31:37.160
<v Speaker 5>we do Coogie Wrap, Then we do all these different

0:31:37.240 --> 0:31:39.320
<v Speaker 5>artists and culting. We did almost all the co chilling

0:31:39.400 --> 0:31:43.720
<v Speaker 5>videos x Clan. Then we did you know, it just grew.

0:31:44.080 --> 0:31:46.520
<v Speaker 4>But the reason why we did it is because there

0:31:46.600 --> 0:31:49.520
<v Speaker 4>was these videos didn't exist, and I would do it

0:31:50.240 --> 0:31:52.080
<v Speaker 4>with my equipment, so it helped the artist.

0:31:52.160 --> 0:31:54.040
<v Speaker 2>It was a little bit lower in price at that time.

0:31:54.080 --> 0:31:56.440
<v Speaker 5>Remember videos used to be one hundred and two hundred

0:31:56.480 --> 0:31:59.720
<v Speaker 5>thousand dollars to do. Now you could have an iPhone

0:31:59.720 --> 0:32:04.040
<v Speaker 5>and do it for ten dollars. So back then we

0:32:04.200 --> 0:32:06.520
<v Speaker 5>just wanted to get the videos out and our company

0:32:06.600 --> 0:32:07.600
<v Speaker 5>is called Classic Concept.

0:32:07.680 --> 0:32:11.920
<v Speaker 4>My partner Lino vid kid on Vig. We did all

0:32:11.960 --> 0:32:13.800
<v Speaker 4>those videos. We did over four hundred videos. We did

0:32:13.840 --> 0:32:16.080
<v Speaker 4>all of the Boys to Men first album that.

0:32:16.240 --> 0:32:18.680
<v Speaker 2>You fucked me up man, because that was my next question.

0:32:19.440 --> 0:32:21.320
<v Speaker 2>I get Devo Poison.

0:32:21.720 --> 0:32:24.800
<v Speaker 4>Oh my god, he did POI he said, but you

0:32:24.920 --> 0:32:27.440
<v Speaker 4>know the one I liked, the one y'all did the

0:32:27.560 --> 0:32:30.280
<v Speaker 4>new addition, Uh, Poison was the best.

0:32:30.360 --> 0:32:32.920
<v Speaker 2>But thought it was me. Yeah, I thought it was me.

0:32:33.160 --> 0:32:35.440
<v Speaker 2>I remember they had a party in the mansion and

0:32:36.360 --> 0:32:43.959
<v Speaker 2>oh y'all shot. Oh that was shit. Oh shit, all

0:32:44.040 --> 0:32:44.200
<v Speaker 2>of this.

0:32:44.600 --> 0:32:47.760
<v Speaker 4>So I'm meeting all of these guys, meeting actors. Nia

0:32:47.840 --> 0:32:50.040
<v Speaker 4>Long was in one of the BBDJ I never saw

0:32:50.080 --> 0:32:52.520
<v Speaker 4>me along on nothing before that. She's in the in

0:32:52.600 --> 0:32:55.200
<v Speaker 4>that in that big BBD video. She's a friend of

0:32:55.240 --> 0:32:58.080
<v Speaker 4>Mike Divs and we just well the people that were

0:32:58.120 --> 0:33:00.600
<v Speaker 4>making the videos. And I was also I did the

0:33:00.640 --> 0:33:03.640
<v Speaker 4>same as a Wu Tang commercial I was in. I

0:33:03.720 --> 0:33:06.560
<v Speaker 4>was in stanting Island last night and I was like this,

0:33:06.720 --> 0:33:08.400
<v Speaker 4>young guys with me, take us to park Hill. I

0:33:08.480 --> 0:33:10.120
<v Speaker 4>was like, bro, Saturday night, you.

0:33:11.040 --> 0:33:13.840
<v Speaker 2>Might you might not want said we'll ride through there

0:33:13.880 --> 0:33:15.440
<v Speaker 2>real quick. And I got to the block.

0:33:15.480 --> 0:33:17.920
<v Speaker 4>It was dark and it was Waiians on one on

0:33:18.000 --> 0:33:21.000
<v Speaker 4>each side said no, we're not doing that. But I

0:33:21.040 --> 0:33:23.840
<v Speaker 4>took him over to where the Wu Tang District is.

0:33:23.840 --> 0:33:25.880
<v Speaker 4>They got like a little areas called the Woo Tang District.

0:33:26.040 --> 0:33:27.000
<v Speaker 2>Damn took them over.

0:33:27.160 --> 0:33:29.800
<v Speaker 4>Yeah, yeah, yeah, it's it's it's like a designated you know,

0:33:30.280 --> 0:33:32.600
<v Speaker 4>a place for tourists. And I took him over there

0:33:32.600 --> 0:33:34.320
<v Speaker 4>and right across the street is where we shot the

0:33:36.040 --> 0:33:40.960
<v Speaker 4>video the commercial for UH say you know it's crazy.

0:33:41.000 --> 0:33:43.480
<v Speaker 4>I just pulled up to day. I was a little

0:33:43.560 --> 0:33:47.440
<v Speaker 4>late as I went to uh fat Man's scoops block. Yes,

0:33:47.640 --> 0:33:51.000
<v Speaker 4>shout out the fat Man, somebody I really really loved. Yes,

0:33:51.840 --> 0:33:54.160
<v Speaker 4>they give him a city block and this to see

0:33:54.600 --> 0:33:56.920
<v Speaker 4>just to see. It was yesterday, you know, so they

0:33:57.280 --> 0:33:58.960
<v Speaker 4>you know, they both. But I pulled up to that

0:33:59.080 --> 0:34:01.160
<v Speaker 4>Fat Man. I didn't even feel right. I was in

0:34:01.320 --> 0:34:03.840
<v Speaker 4>Vegas at of show. I was really upset.

0:34:03.880 --> 0:34:04.520
<v Speaker 2>I couldn't be love.

0:34:04.680 --> 0:34:07.040
<v Speaker 4>Yeah, I know, I used to listen to that overnights

0:34:07.080 --> 0:34:09.800
<v Speaker 4>on high Night memories, Overnights on Hot Now overnight so

0:34:09.920 --> 0:34:12.359
<v Speaker 4>high night, he said, Yo, I used to love fat Man.

0:34:12.480 --> 0:34:14.480
<v Speaker 4>I do love fat Man. It's cool, you know, and

0:34:15.440 --> 0:34:18.439
<v Speaker 4>whatever times I could share with him. Uh So, Nia

0:34:18.560 --> 0:34:19.840
<v Speaker 4>Long became a superstar.

0:34:19.960 --> 0:34:20.120
<v Speaker 6>You know.

0:34:20.200 --> 0:34:22.760
<v Speaker 4>It was a lot of girls that was like, featured

0:34:22.800 --> 0:34:26.080
<v Speaker 4>in my video. I had one girl featured in my video. No,

0:34:26.120 --> 0:34:29.520
<v Speaker 4>I'm telling you a true story. One girl featured in

0:34:29.600 --> 0:34:33.800
<v Speaker 4>my video one of my last videos. All right, I

0:34:33.840 --> 0:34:35.279
<v Speaker 4>don't want to tell her business.

0:34:35.080 --> 0:34:38.320
<v Speaker 8>Like this, but you gotta start saying the names. No, No,

0:34:38.560 --> 0:34:44.040
<v Speaker 8>she's beautiful, right, beyond beautiful. But she was a hairstylest.

0:34:45.160 --> 0:34:48.680
<v Speaker 8>She does the Fat Joe video. When I tell you

0:34:50.120 --> 0:34:53.479
<v Speaker 8>not a week later she so you stop?

0:34:54.520 --> 0:34:58.560
<v Speaker 2>Really, she ain't stopped being on private planes with Burkins,

0:34:58.680 --> 0:35:03.800
<v Speaker 2>with Egypt, with Afriker, would do bide like that video.

0:35:04.160 --> 0:35:08.560
<v Speaker 2>That ain't the girl's life like I've never seen beautiful.

0:35:08.680 --> 0:35:11.320
<v Speaker 2>My mother gave her that right. She went from.

0:35:11.280 --> 0:35:16.840
<v Speaker 4>Hairstylists to shot the Fat Joe video, and she won't

0:35:17.280 --> 0:35:19.640
<v Speaker 4>stop the jurry.

0:35:19.440 --> 0:35:23.120
<v Speaker 2>The bags, the flowers, the roses, the privates that this.

0:35:23.360 --> 0:35:24.440
<v Speaker 2>How don't you think she flies.

0:35:24.480 --> 0:35:27.680
<v Speaker 4>Commercial videos would have placed up before a movie, before

0:35:27.719 --> 0:35:30.000
<v Speaker 4>you got Before you got a movie, you could be.

0:35:30.040 --> 0:35:30.520
<v Speaker 2>In the video.

0:35:30.719 --> 0:35:33.600
<v Speaker 4>I'm sure's plenty of videos at the locksteps. Somebody could

0:35:33.600 --> 0:35:36.000
<v Speaker 4>be in the video, actor or somebody. The next thing,

0:35:36.040 --> 0:35:39.319
<v Speaker 4>you know, Booney in the movie Kevin Hart lean Back. Yeah, really,

0:35:39.719 --> 0:35:40.279
<v Speaker 4>I told you this.

0:35:40.719 --> 0:35:44.080
<v Speaker 2>He shot a two dollars movie somewhere in Philly before that.

0:35:44.560 --> 0:35:45.040
<v Speaker 2>Proud of that.

0:35:45.239 --> 0:35:47.719
<v Speaker 4>I met him, thought he was funny. I put him

0:35:47.760 --> 0:35:50.080
<v Speaker 4>in lean Back. He's the guy at the front door,

0:35:50.239 --> 0:35:52.080
<v Speaker 4>right right right, right right here, John and them, y'all

0:35:52.120 --> 0:35:52.840
<v Speaker 4>can't get in this.

0:35:53.040 --> 0:35:57.399
<v Speaker 2>This that. After that, I'm not taking credit for a shit,

0:35:57.440 --> 0:36:00.680
<v Speaker 2>but that was the lean Back. After that was soul Play.

0:36:01.640 --> 0:36:04.640
<v Speaker 4>No, after that he got popping. It was It's his

0:36:04.840 --> 0:36:08.360
<v Speaker 4>first big look. It's nowhere around it. There's nothing he

0:36:08.440 --> 0:36:10.920
<v Speaker 4>could say about it. It's nothing anybody could say about music.

0:36:11.040 --> 0:36:12.080
<v Speaker 2>Videos are like a movie.

0:36:12.360 --> 0:36:15.920
<v Speaker 3>Since we're talking about that, you co produced the cold

0:36:16.200 --> 0:36:17.520
<v Speaker 3>classic Juice.

0:36:18.440 --> 0:36:20.520
<v Speaker 2>Assoi hell did you do that? So?

0:36:20.680 --> 0:36:22.800
<v Speaker 4>Juice was the first movie I worked on, So I

0:36:22.920 --> 0:36:26.680
<v Speaker 4>worked with I never worked with Ernest Dickerson. He directed

0:36:26.760 --> 0:36:31.960
<v Speaker 4>Bless You and but the producer Moretz, the guy's last name.

0:36:32.040 --> 0:36:34.680
<v Speaker 4>He also went on to do like amazing movies. He

0:36:34.800 --> 0:36:37.320
<v Speaker 4>came to me and he said, look, nobody's responded. This

0:36:37.400 --> 0:36:38.160
<v Speaker 4>is early nineties.

0:36:38.239 --> 0:36:40.600
<v Speaker 5>Nobody's responded to me because kip Hop Movies was kind

0:36:40.640 --> 0:36:44.120
<v Speaker 5>of whack in the early nineties calling people. Nobody's called.

0:36:44.120 --> 0:36:48.239
<v Speaker 5>He might have called you good, were good. So he goes,

0:36:48.320 --> 0:36:50.320
<v Speaker 5>we got we got this movie. Can you come help it?

0:36:50.360 --> 0:36:52.440
<v Speaker 5>Can you rewrite it? I go to the office. It's

0:36:52.480 --> 0:36:56.440
<v Speaker 5>called Juice. I'm helping him rewrite it. The only person

0:36:56.520 --> 0:36:59.239
<v Speaker 5>we've cast it is this guy named Tupac. Tupac's not

0:36:59.320 --> 0:36:59.839
<v Speaker 5>out yet.

0:36:59.880 --> 0:37:01.600
<v Speaker 4>He's in quart of Digital Underground, but he's not like

0:37:01.680 --> 0:37:03.320
<v Speaker 4>people don't know him, kind of know his name, but

0:37:03.360 --> 0:37:07.439
<v Speaker 4>I don't know him. Like I'm going there. I said,

0:37:07.440 --> 0:37:09.800
<v Speaker 4>all right, I'll help you rewrite it. Called Queen Latifa

0:37:09.840 --> 0:37:12.520
<v Speaker 4>on the phone. Look, they're trying to get in contact

0:37:12.600 --> 0:37:12.759
<v Speaker 4>with you.

0:37:13.760 --> 0:37:14.319
<v Speaker 2>This is legit.

0:37:14.480 --> 0:37:16.120
<v Speaker 5>She said, you're working with him? I said, yeah, it

0:37:16.160 --> 0:37:19.040
<v Speaker 5>was all right, we'll see what's going on. She shows

0:37:19.120 --> 0:37:22.160
<v Speaker 5>up next thing, you know, Tretch shows up, next thing.

0:37:22.239 --> 0:37:24.600
<v Speaker 2>You know. All these different people start showing up just

0:37:24.680 --> 0:37:25.239
<v Speaker 2>because of.

0:37:25.360 --> 0:37:28.880
<v Speaker 5>You, validating validated, And I said, it's legit and that

0:37:29.080 --> 0:37:33.040
<v Speaker 5>was it, and it became, you know, a cold classic.

0:37:33.120 --> 0:37:34.719
<v Speaker 2>We didn't know when we was shooting you you don't know,

0:37:35.320 --> 0:37:37.320
<v Speaker 2>but it became a cold classic. All of the guys

0:37:37.360 --> 0:37:39.680
<v Speaker 2>in it. I got interviews behind the scenes. We haven't

0:37:39.680 --> 0:37:44.239
<v Speaker 2>put that out yet of juice. Why Torrero Brothers is there?

0:37:44.320 --> 0:37:45.879
<v Speaker 2>You know what. Therrero Brothers was there.

0:37:46.000 --> 0:37:46.800
<v Speaker 3>They was with me.

0:37:47.160 --> 0:37:48.359
<v Speaker 2>Yeah, there was a rod mess.

0:37:48.440 --> 0:37:51.239
<v Speaker 4>You know, we kind of like hate social media even though,

0:37:52.120 --> 0:37:53.920
<v Speaker 4>you know, because we came up at a time where

0:37:53.920 --> 0:37:55.040
<v Speaker 4>there was no social media.

0:37:55.120 --> 0:37:57.279
<v Speaker 2>But through social media, I learned a lot of things

0:37:57.360 --> 0:37:58.080
<v Speaker 2>I never knew.

0:37:58.760 --> 0:38:02.440
<v Speaker 4>Tupac walked all the ship we big enough ASoP Rocky

0:38:02.520 --> 0:38:04.759
<v Speaker 4>and all these guys for right now, Tupac was in

0:38:04.840 --> 0:38:12.279
<v Speaker 4>the Versace show walking the runway, and and uh, it's that.

0:38:12.640 --> 0:38:13.600
<v Speaker 2>He walked up in the show.

0:38:13.640 --> 0:38:16.400
<v Speaker 4>He had you know, of course Quincy Jones' daughter, Cadata,

0:38:16.920 --> 0:38:20.160
<v Speaker 4>which was his fiance, She must have plugged the men.

0:38:20.239 --> 0:38:23.839
<v Speaker 4>But he was there earlier than anybody. And Tupac when

0:38:23.880 --> 0:38:27.279
<v Speaker 4>he was Tupac was walking the runway. He was out

0:38:27.320 --> 0:38:29.879
<v Speaker 4>there in France, and they said people couldn't get enough

0:38:29.920 --> 0:38:31.640
<v Speaker 4>of it. He was he was a serious guy and

0:38:31.880 --> 0:38:35.120
<v Speaker 4>and when we shot the Juice. You know you have

0:38:35.280 --> 0:38:39.000
<v Speaker 4>the win a bago the thing. Girls are lined up

0:38:39.840 --> 0:38:44.359
<v Speaker 4>outside doing them. It's crazy. I'm like this, I want

0:38:44.880 --> 0:38:46.920
<v Speaker 4>you see women that you know. You're like, really, that's

0:38:46.960 --> 0:38:47.399
<v Speaker 4>what you're doing?

0:38:50.280 --> 0:38:53.759
<v Speaker 2>You know? Uh? I went to a concert the Big

0:38:53.840 --> 0:38:56.399
<v Speaker 2>Daddy Kinge was performing. How about this one? You want

0:38:56.440 --> 0:38:59.680
<v Speaker 2>to cap one? You want to yo yo yo. But

0:38:59.800 --> 0:39:03.759
<v Speaker 2>this this story been verified by Big Daddy Came. So

0:39:03.800 --> 0:39:05.239
<v Speaker 2>I'm just in the crowd as a fan.

0:39:05.360 --> 0:39:09.640
<v Speaker 4>It was one of them Buttwise and Superfest and the

0:39:09.800 --> 0:39:16.120
<v Speaker 4>crowd start going crazy and through the crowd Tupac should call.

0:39:16.040 --> 0:39:19.840
<v Speaker 2>From Juice the Juices out of redon Tupac walking with

0:39:19.920 --> 0:39:24.840
<v Speaker 2>the test You was dere wow, Oh, I'm there. I

0:39:24.880 --> 0:39:28.839
<v Speaker 2>know you're talking there. So I go. He walking through

0:39:29.880 --> 0:39:33.680
<v Speaker 2>and he's walking with Biggie Smalls. How about that.

0:39:34.760 --> 0:39:38.000
<v Speaker 4>The fucking garden is losing a fucking mind. I'm just

0:39:38.160 --> 0:39:41.239
<v Speaker 4>in the crowd watching Big Daddy Came before he.

0:39:41.400 --> 0:39:46.640
<v Speaker 2>Stops, yo crack. Come on, all I got out is

0:39:46.680 --> 0:39:48.719
<v Speaker 2>Flow Joe Flow Joe number one at the time, by

0:39:48.760 --> 0:39:52.719
<v Speaker 2>the way, to this party in bullshit Biggie Right, we

0:39:52.880 --> 0:39:53.800
<v Speaker 2>go on stage.

0:39:55.160 --> 0:39:59.760
<v Speaker 4>Evan MC eleven seven mc eleven's I'm standing on stage

0:40:00.120 --> 0:40:03.680
<v Speaker 4>next to them. That's crazy, Okay, I'm on stage in

0:40:03.800 --> 0:40:07.440
<v Speaker 4>Madison Square Garden with them. I remember Tupac pulling me

0:40:07.880 --> 0:40:11.319
<v Speaker 4>up on the stage. Biggie, but I got seven mecha

0:40:11.320 --> 0:40:16.560
<v Speaker 4>eleven's about eight. Tupac even saying yo, Fat Joe passing

0:40:16.600 --> 0:40:21.480
<v Speaker 4>the mic. Big Daddy came was like, not enough time, guys,

0:40:21.719 --> 0:40:25.880
<v Speaker 4>not enough time, shut Joe crackdown, not enough times?

0:40:26.440 --> 0:40:29.600
<v Speaker 2>This, this, that, this, this, It's cool because I knew

0:40:29.680 --> 0:40:32.480
<v Speaker 2>for a fact I wasn't as good as Tupac or Bis,

0:40:33.160 --> 0:40:34.120
<v Speaker 2>so I was cool.

0:40:34.200 --> 0:40:36.279
<v Speaker 4>They gave me a thick but Big Daddy came shut

0:40:36.360 --> 0:40:39.239
<v Speaker 4>it down, right, and that's the infamous.

0:40:39.320 --> 0:40:41.880
<v Speaker 2>I got seven mecha and no want niggas in the

0:40:41.960 --> 0:40:43.919
<v Speaker 2>pens free say nothing.

0:40:44.239 --> 0:40:44.840
<v Speaker 8>So now.

0:40:46.280 --> 0:40:49.360
<v Speaker 4>Years later I tell that story, right, and they that

0:40:49.719 --> 0:40:51.960
<v Speaker 4>might have started cap Heaven for Fat Joe.

0:40:51.920 --> 0:40:58.760
<v Speaker 2>Oh full of shit water this guy not him again,

0:40:59.440 --> 0:41:02.560
<v Speaker 2>But Big Daddy Kane went up to drink Champs and

0:41:02.680 --> 0:41:05.279
<v Speaker 2>Norrie asked him. You said, yeah, it's true, Joe was dead.

0:41:05.360 --> 0:41:05.520
<v Speaker 2>You know.

0:41:05.600 --> 0:41:07.920
<v Speaker 4>I was running out of time. I was headlining, so

0:41:08.000 --> 0:41:10.600
<v Speaker 4>I had to get to the hits. I said, Big

0:41:10.680 --> 0:41:12.680
<v Speaker 4>Daddy can't no, Fat Joe was going to be that

0:41:12.840 --> 0:41:15.839
<v Speaker 4>lean back fat Joe. No, he probably knew, he knew,

0:41:15.840 --> 0:41:16.600
<v Speaker 4>he knew who he was.

0:41:17.360 --> 0:41:19.239
<v Speaker 2>I didn't know I was gonna be the lean back

0:41:19.320 --> 0:41:22.600
<v Speaker 2>fat Joe or the Joey crack crack crack crack crack.

0:41:22.719 --> 0:41:26.120
<v Speaker 5>So Biggie was a fan of Big Daddy Kane. I

0:41:26.239 --> 0:41:30.200
<v Speaker 5>have footage of Kane of Kane performing in Deep in Brooklyn,

0:41:30.280 --> 0:41:33.720
<v Speaker 5>Food and Street the Hood, and Biggie's like a kid watching,

0:41:34.760 --> 0:41:36.160
<v Speaker 5>like studying everything that he did.

0:41:36.400 --> 0:41:38.560
<v Speaker 4>You know, he was everybody's face. He was a Big

0:41:38.640 --> 0:41:42.719
<v Speaker 4>Pun's favorite too. Yes, Big Big Pun love Kougie Rap

0:41:43.440 --> 0:41:46.040
<v Speaker 4>and Big Daddy Kane. They was his favorite. Like I

0:41:46.120 --> 0:41:48.120
<v Speaker 4>broke down the tears when he was at the funeral

0:41:48.200 --> 0:41:51.920
<v Speaker 4>and Koujie Rap walked up. I was just like because

0:41:51.960 --> 0:41:55.399
<v Speaker 4>I knew how much he earned g rapping and Big

0:41:55.520 --> 0:41:58.560
<v Speaker 4>Daddy King. Then you know it goes on to eminem

0:41:58.680 --> 0:42:02.400
<v Speaker 4>that whole kdence, that whole flow. You know what I'm saying,

0:42:02.760 --> 0:42:16.200
<v Speaker 4>Great ones, the greatest one. Yes, from what you think

0:42:16.280 --> 0:42:19.120
<v Speaker 4>is the best era in the hip hop, I'm nineties

0:42:19.160 --> 0:42:21.799
<v Speaker 4>early nineties, So from ninety to ninety five is when

0:42:21.880 --> 0:42:23.640
<v Speaker 4>I really was loving him so.

0:42:23.880 --> 0:42:26.440
<v Speaker 2>Nas jay z all that I felt. So you not

0:42:26.600 --> 0:42:30.839
<v Speaker 2>go you not ll Salt and Peppa Lati. No, I'm

0:42:30.960 --> 0:42:33.880
<v Speaker 2>I'm I'm ll Salt Pepper Lot. I know you love ll.

0:42:34.000 --> 0:42:37.160
<v Speaker 4>I have the footage at the FEVA when you had

0:42:37.200 --> 0:42:40.600
<v Speaker 4>them on stage. Joe was a promoter. It really helped

0:42:40.640 --> 0:42:43.279
<v Speaker 4>me out with this cap Centennaio. They got going on

0:42:43.480 --> 0:42:46.399
<v Speaker 4>with me because you got the proof rout. That's why

0:42:46.440 --> 0:42:49.120
<v Speaker 4>we got to make the documentary. You saw him come

0:42:49.200 --> 0:42:52.520
<v Speaker 4>up in the FEVA. Yeah, and that was it, Ja

0:42:52.760 --> 0:42:53.960
<v Speaker 4>and did he was his money and you.

0:42:54.040 --> 0:42:56.080
<v Speaker 2>Got the start. You said the same thing. You invited

0:42:56.120 --> 0:42:59.800
<v Speaker 2>Biggie to your birthday and he showed up and it

0:42:59.880 --> 0:43:02.040
<v Speaker 2>was the last thing you thought was gonna happen, and

0:43:02.040 --> 0:43:03.600
<v Speaker 2>he came up hung out all that correct.

0:43:04.920 --> 0:43:07.440
<v Speaker 4>Oh, No, same thing happened to me with Llo cool J.

0:43:07.719 --> 0:43:11.520
<v Speaker 4>Was like he hates when you say this. Well, he

0:43:11.719 --> 0:43:15.520
<v Speaker 4>was like justin Bieber, you know, no, it's the truth.

0:43:15.920 --> 0:43:19.239
<v Speaker 4>We never saw Llo cool J in the hood. He

0:43:19.400 --> 0:43:22.600
<v Speaker 4>got his stories, we never saw him. So when I

0:43:22.680 --> 0:43:24.160
<v Speaker 4>met him for the first time, I told him he

0:43:24.280 --> 0:43:27.799
<v Speaker 4>was my idol. I shot my shot and I said,

0:43:27.800 --> 0:43:29.800
<v Speaker 4>you know, by the way, you know I'm having my

0:43:29.920 --> 0:43:31.160
<v Speaker 4>birthday party.

0:43:30.960 --> 0:43:34.000
<v Speaker 2>Saturday at the Fever. Yeah.

0:43:34.080 --> 0:43:36.919
<v Speaker 4>He was like that place still open. I said, yeah,

0:43:36.960 --> 0:43:41.160
<v Speaker 4>it's open. He was like, Saturday this this we Yo, listen, bro.

0:43:42.880 --> 0:43:45.080
<v Speaker 4>I woke up that Saturday and I was like, the

0:43:45.360 --> 0:43:48.120
<v Speaker 4>last thing I thought was gonna happen was LL show up.

0:43:49.280 --> 0:43:51.239
<v Speaker 2>But I was praying for him to show up.

0:43:51.760 --> 0:43:54.840
<v Speaker 5>There was some real mcs on that stage. Yoh waited,

0:43:55.040 --> 0:43:58.040
<v Speaker 5>he waited, KRS One, he waited. He was like this, okay,

0:43:58.800 --> 0:44:02.319
<v Speaker 5>christ One was terror in the paint off. That motherfucker

0:44:03.120 --> 0:44:06.799
<v Speaker 5>caris won. We had rage, we had Lord Treik, beat

0:44:06.840 --> 0:44:07.240
<v Speaker 5>the guns.

0:44:07.280 --> 0:44:10.000
<v Speaker 4>We had a gangstall, we had the nast we had

0:44:10.120 --> 0:44:13.600
<v Speaker 4>the whole rap world was at the Fever. And then

0:44:13.680 --> 0:44:16.759
<v Speaker 4>all of a sudden, I hear girls screaming like yeah,

0:44:17.600 --> 0:44:19.719
<v Speaker 4>at like two three in the morning, you see the

0:44:19.840 --> 0:44:20.839
<v Speaker 4>red baseball cap.

0:44:21.120 --> 0:44:24.600
<v Speaker 2>The man walked up on that stage. I was like, Yo,

0:44:25.960 --> 0:44:29.960
<v Speaker 2>this is impossible to man kay the much shit. Nah,

0:44:30.080 --> 0:44:32.040
<v Speaker 2>that was the night you got it on film, got

0:44:32.080 --> 0:44:35.920
<v Speaker 2>it on films, got I phone, let it go. No, no, no,

0:44:37.000 --> 0:44:38.840
<v Speaker 2>your gutans will make it happen. Oh No.

0:44:39.000 --> 0:44:42.320
<v Speaker 3>We did pop Hall of Fame Award reship me in

0:44:42.560 --> 0:44:46.360
<v Speaker 3>nineteen ninety one. One of the earliest formal recognitions of

0:44:46.560 --> 0:44:48.120
<v Speaker 3>hip hop Right and Nicks.

0:44:47.920 --> 0:44:50.000
<v Speaker 4>Could have been I don't I don't even remember nineteen

0:44:50.080 --> 0:44:53.960
<v Speaker 4>that Oh you know what, Yes, okay, so that was me,

0:44:54.280 --> 0:44:55.760
<v Speaker 4>Molly Ma and Red Alert.

0:44:56.840 --> 0:44:57.640
<v Speaker 2>We got the award.

0:44:58.239 --> 0:45:02.400
<v Speaker 5>That's the same night NAS performs live at the barbecue

0:45:02.560 --> 0:45:05.280
<v Speaker 5>with Main Source. So if you ever say that footage,

0:45:05.719 --> 0:45:07.719
<v Speaker 5>that footage that was that night, that was that night,

0:45:07.800 --> 0:45:11.600
<v Speaker 5>it's like that, y'all, that large main Source comes out.

0:45:12.000 --> 0:45:19.000
<v Speaker 2>We got to wrap a nods fatal mocking Elly's crazy.

0:45:19.440 --> 0:45:23.440
<v Speaker 4>No, that ship, that energy right there, you know that

0:45:23.680 --> 0:45:27.000
<v Speaker 4>energy that's legendary energy.

0:45:27.280 --> 0:45:31.440
<v Speaker 2>Yeah, you know all that set it off when when

0:45:31.480 --> 0:45:33.720
<v Speaker 2>when I was twelve, I went to hellth snuff of Jesus.

0:45:33.760 --> 0:45:36.399
<v Speaker 2>That was that was like in your ass?

0:45:36.480 --> 0:45:40.160
<v Speaker 4>Could you played yourself? There's certain that was it that

0:45:40.320 --> 0:45:44.120
<v Speaker 4>will live forever? Right, yes, I'm thinking right now while

0:45:44.160 --> 0:45:48.240
<v Speaker 4>I'm looking at you. You a treasure chest of of moments.

0:45:48.680 --> 0:45:51.919
<v Speaker 4>But tell us about that moment where Karl Ka nine

0:45:52.040 --> 0:45:54.960
<v Speaker 4>had his ship going on. They had the Sean John

0:45:55.040 --> 0:45:56.480
<v Speaker 4>at this I knew I used to go to all

0:45:56.520 --> 0:45:59.560
<v Speaker 4>these events, had the fashion shows, a fashion show, so

0:45:59.680 --> 0:46:02.359
<v Speaker 4>people he used to what are y'all doing doing fashion shows?

0:46:02.360 --> 0:46:05.400
<v Speaker 2>I'm like, yo, this is before this hip hop. You know.

0:46:05.480 --> 0:46:07.680
<v Speaker 4>We was just going to to to the to the

0:46:08.040 --> 0:46:10.280
<v Speaker 4>to the store and buying some sneakers and some jeans,

0:46:10.680 --> 0:46:11.440
<v Speaker 4>and that was hip hop.

0:46:11.600 --> 0:46:14.040
<v Speaker 5>Okay, we're good. Got some air Force one, some Adidas

0:46:14.239 --> 0:46:17.040
<v Speaker 5>whatever it is, Bob, we got outfit. Now they're starting

0:46:17.080 --> 0:46:20.920
<v Speaker 5>to bring stylists into the game. Somebody addressed you bringing

0:46:20.960 --> 0:46:23.760
<v Speaker 5>you clothes. Carcani shows up, He lays out his clothes

0:46:23.800 --> 0:46:24.000
<v Speaker 5>for you.

0:46:24.080 --> 0:46:27.040
<v Speaker 2>What you want? Take him all? Karlca and I was

0:46:27.040 --> 0:46:30.680
<v Speaker 2>the best. He gave everybody stuff. Yes, still to this day.

0:46:31.040 --> 0:46:35.120
<v Speaker 5>And then came Fugle Fub comes to me, Damon John

0:46:36.080 --> 0:46:38.319
<v Speaker 5>and my man Keith that this four guys in food.

0:46:38.520 --> 0:46:41.840
<v Speaker 5>It comes to my office with the shirt, says, fub

0:46:42.080 --> 0:46:42.279
<v Speaker 5>want it?

0:46:42.840 --> 0:46:46.800
<v Speaker 2>What does that mean for us? By us? What's the

0:46:46.960 --> 0:46:48.880
<v Speaker 2>best thing I ever heard in my bread ship to this?

0:46:49.000 --> 0:46:54.279
<v Speaker 4>They reincordinated that ship every president, Yeah, everybody.

0:46:54.640 --> 0:46:57.720
<v Speaker 2>I said, yo, man, how many y'all got mad clothes?

0:46:57.840 --> 0:47:01.040
<v Speaker 2>He's like, this is it? We got we got ten shirts?

0:47:01.440 --> 0:47:01.839
<v Speaker 4>Is it? Right?

0:47:01.920 --> 0:47:01.960
<v Speaker 2>In?

0:47:02.400 --> 0:47:03.879
<v Speaker 5>I said, you'll make it some more because when y'all

0:47:04.040 --> 0:47:06.040
<v Speaker 5>be on video music box, it's gonna be off the hook,

0:47:06.760 --> 0:47:08.040
<v Speaker 5>and so Damon goes all right.

0:47:08.800 --> 0:47:10.960
<v Speaker 4>Next day they were like, we got to get a

0:47:11.000 --> 0:47:14.160
<v Speaker 4>distribution company. We need more people. And so that's how

0:47:14.960 --> 0:47:16.600
<v Speaker 4>that that company moves forward.

0:47:16.840 --> 0:47:18.919
<v Speaker 2>You know. I was the first person to sell fool

0:47:18.920 --> 0:47:19.680
<v Speaker 2>Boy in the Bronx.

0:47:20.160 --> 0:47:23.880
<v Speaker 4>Really in my in my clothing store was named was

0:47:24.040 --> 0:47:27.120
<v Speaker 4>named store Halftime halftime right, heyman, John pulled up.

0:47:27.080 --> 0:47:29.880
<v Speaker 2>In the Hootie. It was missing two fucking tires. It

0:47:30.000 --> 0:47:32.800
<v Speaker 2>was in the fucking big They had two donuts and

0:47:33.160 --> 0:47:37.359
<v Speaker 2>ship you have the donuts. He tells this story. Yes, loirk,

0:47:37.480 --> 0:47:39.439
<v Speaker 2>he pulls up. Yo, we got a clothing line.

0:47:39.480 --> 0:47:41.160
<v Speaker 4>I was the first to sell food Boy in the

0:47:41.200 --> 0:47:45.280
<v Speaker 4>Bronx and had Clue tapes, Brother tapes, mixtape.

0:47:45.280 --> 0:47:48.120
<v Speaker 2>Oh yeah, because that was the both of them, I

0:47:48.239 --> 0:47:50.960
<v Speaker 2>mean the first seven. And I made him take me

0:47:51.120 --> 0:47:55.080
<v Speaker 2>to a baseball game. I had a softball game.

0:47:55.120 --> 0:47:56.880
<v Speaker 4>And they would be like, yo, you just jumped in

0:47:56.960 --> 0:47:59.440
<v Speaker 4>the Hootie. Used got Joe already and you just were

0:47:59.480 --> 0:48:01.399
<v Speaker 4>I was like, fuck that. He said, you was saying

0:48:01.440 --> 0:48:05.040
<v Speaker 4>what's up to everybody out the HOOTI with the donuts, Yo, yo,

0:48:05.200 --> 0:48:09.920
<v Speaker 4>yo yo, but shout out the fooble go in the

0:48:10.040 --> 0:48:10.560
<v Speaker 4>round along.

0:48:10.960 --> 0:48:13.040
<v Speaker 2>Yeah, yeah, that was the thing, you know, so now

0:48:13.080 --> 0:48:14.400
<v Speaker 2>you got sorry.

0:48:15.000 --> 0:48:18.240
<v Speaker 4>I remember I saw one fashion show with Tyson Bedford.

0:48:18.280 --> 0:48:20.560
<v Speaker 4>Shout out Tyson Bedford. He got to rewind the tome,

0:48:20.640 --> 0:48:24.600
<v Speaker 4>you know. Bef was was the first one three while

0:48:24.640 --> 0:48:27.560
<v Speaker 4>you could be forty two, forty two when you could.

0:48:27.360 --> 0:48:28.160
<v Speaker 2>Be thirty one.

0:48:28.440 --> 0:48:32.800
<v Speaker 4>He was meeting mister shot, mister raff lurenn. He was

0:48:33.080 --> 0:48:36.399
<v Speaker 4>the only black person in the rafflerenn As. You want

0:48:36.440 --> 0:48:38.360
<v Speaker 4>to know what's crazy is I went to one of

0:48:38.440 --> 0:48:38.880
<v Speaker 4>them shows.

0:48:38.920 --> 0:48:39.920
<v Speaker 2>I don't know what you was.

0:48:40.040 --> 0:48:42.600
<v Speaker 4>I think of Jacob Javis and the man came out

0:48:42.760 --> 0:48:47.360
<v Speaker 4>into like a potato sack and was like hopping on

0:48:47.520 --> 0:48:50.120
<v Speaker 4>the ruck. This ship was an exciting time, bro, this

0:48:50.400 --> 0:48:53.560
<v Speaker 4>all no, I'm telling you. It was an exciting time

0:48:53.640 --> 0:48:56.160
<v Speaker 4>when they had the clothing brands and all that were

0:48:56.200 --> 0:48:59.320
<v Speaker 4>you at April walk up Naughty by Nature.

0:48:59.480 --> 0:49:00.520
<v Speaker 2>Everybody had a line.

0:49:01.480 --> 0:49:03.800
<v Speaker 5>Everybody had a line and it was and it was

0:49:03.880 --> 0:49:07.920
<v Speaker 5>working walk away wool with yeah, all of that. When

0:49:07.960 --> 0:49:10.600
<v Speaker 5>the wou did it, they had a store, Naughty by

0:49:10.719 --> 0:49:15.200
<v Speaker 5>Nature had a store all naughtied out, woos all wooed out.

0:49:15.520 --> 0:49:18.239
<v Speaker 2>It's crazy, man, that's the crazy. Who do you think?

0:49:18.719 --> 0:49:20.120
<v Speaker 2>Who would you say? A couple.

0:49:20.280 --> 0:49:21.800
<v Speaker 4>I'm not gonna put you on the spot like I

0:49:21.920 --> 0:49:27.040
<v Speaker 4>do Jada of unsung heroes like like rappers that should

0:49:27.080 --> 0:49:30.000
<v Speaker 4>have got more recognition than they did.

0:49:30.520 --> 0:49:33.080
<v Speaker 5>Wow, I think he gets it now. I think that

0:49:33.239 --> 0:49:35.279
<v Speaker 5>Noidy played a good role in for the Ground, for

0:49:35.360 --> 0:49:40.080
<v Speaker 5>the Underground with CNN. You know, I mean clearly I'm

0:49:40.120 --> 0:49:43.120
<v Speaker 5>a queen's guy, but I love you know, Mob Deep.

0:49:43.360 --> 0:49:46.279
<v Speaker 5>You know, just just the body of work is just

0:49:46.640 --> 0:49:49.920
<v Speaker 5>you know, the consistency, Like to me, it's like the Locks,

0:49:51.120 --> 0:49:55.440
<v Speaker 5>Mob Deep, you know, like blue collar hip hop to me.

0:49:55.560 --> 0:49:57.920
<v Speaker 5>And I I'm not trying to say that that's less then,

0:49:58.320 --> 0:50:00.759
<v Speaker 5>I'm just saying that's like work. And every time you

0:50:00.840 --> 0:50:02.319
<v Speaker 5>hear it, you could feel the work, and you could

0:50:02.320 --> 0:50:04.640
<v Speaker 5>hear the work. You can hear the work in kiss voice,

0:50:04.840 --> 0:50:06.719
<v Speaker 5>you know, you can hear the work in styles. You

0:50:06.760 --> 0:50:09.279
<v Speaker 5>can hear the work and styles you know. You know,

0:50:09.400 --> 0:50:12.480
<v Speaker 5>it just goes on forever. And I think I've always

0:50:12.520 --> 0:50:14.600
<v Speaker 5>been stuck in that lane of that type of music.

0:50:14.840 --> 0:50:17.320
<v Speaker 5>Like I can tell when it's commercial, like I feel like,

0:50:17.719 --> 0:50:19.200
<v Speaker 5>you know, okay, they're going.

0:50:19.080 --> 0:50:21.400
<v Speaker 2>For the radio with this one. But I'm good with

0:50:21.520 --> 0:50:24.120
<v Speaker 2>the third or fourth cut on the album. I'm good

0:50:24.160 --> 0:50:24.960
<v Speaker 2>with that right there.

0:50:25.760 --> 0:50:28.040
<v Speaker 4>You know, I felt you was gonna say somebody I

0:50:28.520 --> 0:50:31.160
<v Speaker 4>saw you used to play what was that man's name?

0:50:31.239 --> 0:50:33.520
<v Speaker 2>What was the guy's name? You played a lot of

0:50:33.680 --> 0:50:39.120
<v Speaker 2>you put me on the reggae music. What was my man? Oh?

0:50:39.239 --> 0:50:40.080
<v Speaker 2>Jamal skit.

0:50:43.400 --> 0:50:43.680
<v Speaker 3>Buddy?

0:50:44.200 --> 0:50:44.399
<v Speaker 2>Yeah.

0:50:45.080 --> 0:50:47.120
<v Speaker 4>I thought you're gonna say, lock him ship bat you

0:50:47.400 --> 0:50:50.600
<v Speaker 4>lock him Chappez Yeah, yeah, tru yest like, yeah, there's

0:50:50.600 --> 0:50:51.919
<v Speaker 4>a lot of I was sawing un.

0:50:54.480 --> 0:50:58.080
<v Speaker 2>All set us rich by the way they underground were rich.

0:50:58.480 --> 0:51:01.280
<v Speaker 2>I was waiting for you to say something unsung souper

0:51:01.560 --> 0:51:03.600
<v Speaker 2>so many I just I guess can't. So there's so

0:51:03.680 --> 0:51:06.520
<v Speaker 2>many of them that over the years we've worked with

0:51:06.960 --> 0:51:09.160
<v Speaker 2>So maybe you know the story. We got an episode

0:51:09.239 --> 0:51:10.520
<v Speaker 2>on what we was talking about.

0:51:10.640 --> 0:51:15.480
<v Speaker 4>Jersey, Yes, right, so Chill, rob G and Snap remember

0:51:15.560 --> 0:51:18.160
<v Speaker 4>you played them both they had the same I was

0:51:18.200 --> 0:51:19.120
<v Speaker 4>mad at the same time.

0:51:19.440 --> 0:51:21.919
<v Speaker 2>How does it happen? I don't know, and I asked

0:51:21.960 --> 0:51:23.280
<v Speaker 2>you happened?

0:51:23.400 --> 0:51:25.959
<v Speaker 5>I think that you know, like back in the days,

0:51:26.000 --> 0:51:29.640
<v Speaker 5>you would get they would license your music over to UK,

0:51:30.239 --> 0:51:33.719
<v Speaker 5>or to Germany or to Japan or wherever. So it's

0:51:34.120 --> 0:51:37.920
<v Speaker 5>a new version here, but they licensed it and put

0:51:37.960 --> 0:51:41.560
<v Speaker 5>a whole nother artist on the record, and Snap comes

0:51:41.600 --> 0:51:44.560
<v Speaker 5>out with this ding fucking record. I never understood, so

0:51:44.719 --> 0:51:45.680
<v Speaker 5>they both us hits.

0:51:45.760 --> 0:51:48.320
<v Speaker 4>Yet three years ago, I meet the guy Turbo that

0:51:48.440 --> 0:51:50.360
<v Speaker 4>was the guy who was the rapper on the Snap record,

0:51:51.080 --> 0:51:53.200
<v Speaker 4>and I met him in the in Wyo.

0:51:53.440 --> 0:51:56.480
<v Speaker 5>It was a B boy contest or something. He was in, Yeah,

0:51:56.600 --> 0:51:57.960
<v Speaker 5>and I went through the thing and they were like

0:51:58.040 --> 0:52:01.160
<v Speaker 5>Turbos from Snappers here and I was like rude like that.

0:52:02.200 --> 0:52:04.800
<v Speaker 5>He's looking at me like like, you know, don't have

0:52:04.880 --> 0:52:05.480
<v Speaker 5>no beef with me.

0:52:05.560 --> 0:52:07.319
<v Speaker 2>I'm it was a long time ago. I don't care.

0:52:07.840 --> 0:52:10.239
<v Speaker 2>So we start talking and he was like, yeah, you know,

0:52:10.400 --> 0:52:12.960
<v Speaker 2>he's like a big dude too. Oh no, he was

0:52:13.040 --> 0:52:15.560
<v Speaker 2>big then. Just you look like, yeah, he was a

0:52:15.600 --> 0:52:16.719
<v Speaker 2>big dude that, but I was.

0:52:17.320 --> 0:52:19.239
<v Speaker 5>I played Jill rob G because that was the first

0:52:19.239 --> 0:52:21.480
<v Speaker 5>one I had. I couldn't do that, you know, like

0:52:21.560 --> 0:52:23.880
<v Speaker 5>and that that happens in the music business. You played

0:52:23.880 --> 0:52:27.239
<v Speaker 5>the Snap too, not as much, not as much. He

0:52:27.360 --> 0:52:30.040
<v Speaker 5>wasn't feeling it like that. I just felt like the principal,

0:52:31.040 --> 0:52:34.440
<v Speaker 5>you know, like how we tea just passed away? What

0:52:34.680 --> 0:52:37.640
<v Speaker 5>kind of Fuck Legends first video.

0:52:37.960 --> 0:52:39.440
<v Speaker 4>One of the first people asked me it was the

0:52:39.440 --> 0:52:41.719
<v Speaker 4>first hip hop video he played on videos, And I

0:52:41.719 --> 0:52:44.480
<v Speaker 4>always say CD three Get Tough, and Howie T was

0:52:44.520 --> 0:52:45.000
<v Speaker 4>in that group.

0:52:45.040 --> 0:52:47.880
<v Speaker 2>I didn't know the world is rough, yeah tough. How

0:52:47.960 --> 0:52:50.160
<v Speaker 2>we name all the world that roughs to get tough.

0:52:51.440 --> 0:52:53.719
<v Speaker 2>I didn't know he was guy him as a coming up.

0:52:54.320 --> 0:52:56.640
<v Speaker 2>Ain't got a problem with it. I look beautiful. I'm

0:52:56.719 --> 0:52:59.760
<v Speaker 2>rewinded up legs. Get If I want to get.

0:52:59.719 --> 0:53:02.560
<v Speaker 4>Drunk, I drink the so least my leg is getting strung.

0:53:02.760 --> 0:53:05.439
<v Speaker 4>You know what I decided, I'm going into the gym.

0:53:06.200 --> 0:53:08.400
<v Speaker 4>I'm gonna start working on my legs. You know what

0:53:08.440 --> 0:53:12.319
<v Speaker 4>I'm saying, get them cock diesel, strong guy.

0:53:12.400 --> 0:53:18.080
<v Speaker 2>You hear this guy God? But yeah, oh that was

0:53:18.160 --> 0:53:18.560
<v Speaker 2>the time.

0:53:18.640 --> 0:53:22.480
<v Speaker 4>But all that money talks, money talk, Yeah yeah, and

0:53:22.600 --> 0:53:23.439
<v Speaker 4>you would play ship.

0:53:23.520 --> 0:53:25.480
<v Speaker 2>I play a little freestyle, you know, because that was

0:53:25.560 --> 0:53:25.919
<v Speaker 2>New York.

0:53:26.440 --> 0:53:29.320
<v Speaker 5>You know, I'm gonna play you know, Sweet Sensation and

0:53:29.440 --> 0:53:32.480
<v Speaker 5>the cover Girls and that kind of vibe because I

0:53:32.640 --> 0:53:35.560
<v Speaker 5>was going to those spots ten eighteen, the rock Seeds,

0:53:35.640 --> 0:53:37.359
<v Speaker 5>they was playing that. You know, you had to play,

0:53:37.960 --> 0:53:42.200
<v Speaker 5>you know, certain records like that record So Hot that record, right,

0:53:42.640 --> 0:53:46.880
<v Speaker 5>But the same dude who's producing for karras One produced

0:53:46.960 --> 0:53:49.120
<v Speaker 5>that record, Like that dude.

0:53:48.960 --> 0:53:52.719
<v Speaker 4>Who's like, there wasn't no no, there was nothing underground,

0:53:53.239 --> 0:53:57.200
<v Speaker 4>you know what. I was with Spike in Brooklyn, Spike Lee. Yes,

0:53:57.560 --> 0:54:01.520
<v Speaker 4>let me not say that lightly, but I'm with Spike

0:54:01.680 --> 0:54:04.279
<v Speaker 4>Lee and he throws a party in Brooklyn. I going

0:54:04.360 --> 0:54:06.959
<v Speaker 4>there and Homeboy was in there, the guy who may.

0:54:07.000 --> 0:54:09.839
<v Speaker 2>Set it off. Oh straight, he performed set it off

0:54:09.960 --> 0:54:13.080
<v Speaker 2>on the love y'all set it off. I was like,

0:54:13.400 --> 0:54:14.640
<v Speaker 2>what the fuck?

0:54:15.160 --> 0:54:17.919
<v Speaker 4>Hold on, hold on, hold on, Joe. So this he's

0:54:18.000 --> 0:54:21.160
<v Speaker 4>part of my video music Box experience and I bought

0:54:21.200 --> 0:54:23.200
<v Speaker 4>you guys something, So I think it's a good time

0:54:23.360 --> 0:54:23.840
<v Speaker 4>to bring it.

0:54:24.360 --> 0:54:24.920
<v Speaker 2>Bring it out.

0:54:25.600 --> 0:54:27.960
<v Speaker 5>The video music Box Experiences of there's a party that

0:54:28.080 --> 0:54:30.480
<v Speaker 5>we do with all different types of artists.

0:54:30.520 --> 0:54:36.440
<v Speaker 2>So Straf is one of the main people. You got

0:54:36.480 --> 0:54:39.040
<v Speaker 2>the suit in there. You're looking at a fat rack

0:54:41.440 --> 0:54:45.600
<v Speaker 2>like a fat no, I got that question.

0:54:46.239 --> 0:54:49.200
<v Speaker 5>It's called a video music Box experience. It's a party

0:54:49.760 --> 0:54:52.920
<v Speaker 5>from all different generations. So we'll have last last time

0:54:52.960 --> 0:54:56.319
<v Speaker 5>we had group Home. Oh I love them.

0:54:56.719 --> 0:55:03.359
<v Speaker 4>They was at his birthday party right day was group

0:55:03.400 --> 0:55:06.000
<v Speaker 4>Home in years Yeah, I love those guys. That was

0:55:06.040 --> 0:55:11.880
<v Speaker 4>wife Donald, Little dapt Malaka. They came through little Dappers

0:55:12.200 --> 0:55:15.799
<v Speaker 4>did he bopping it ship? That's real hip hop.

0:55:16.120 --> 0:55:18.399
<v Speaker 2>That was the real hip hop ship right there. Yeah

0:55:19.160 --> 0:55:21.680
<v Speaker 2>Malachi that Yeah, I love those guys.

0:55:21.760 --> 0:55:25.560
<v Speaker 4>A big sugar and anything that Premo has something to

0:55:25.640 --> 0:55:29.680
<v Speaker 4>do with, shout out the Pange everybody, everything, Primo.

0:55:29.440 --> 0:55:30.680
<v Speaker 2>Has to do what it was like.

0:55:30.840 --> 0:55:33.879
<v Speaker 5>Premo said that was one of his favorite albums because

0:55:33.880 --> 0:55:35.440
<v Speaker 5>he did most of the album and he felt like

0:55:35.480 --> 0:55:36.560
<v Speaker 5>that was one of his best words.

0:55:37.239 --> 0:55:38.080
<v Speaker 2>That group Home album.

0:55:39.640 --> 0:55:45.560
<v Speaker 4>Them beats on his timeless so time disgusted. Yeah, yeah,

0:55:46.040 --> 0:55:48.440
<v Speaker 4>anytime you hear about videos, boxing is a vibe.

0:55:48.680 --> 0:55:52.799
<v Speaker 5>It's fun. It's for all ages. People sing along, they

0:55:53.080 --> 0:55:57.480
<v Speaker 5>rap along, they dancing. And I've been seeing him sold out.

0:55:57.640 --> 0:55:59.959
<v Speaker 5>All the parties you've been throwing is sold out. Crazy

0:56:00.040 --> 0:56:02.239
<v Speaker 5>big up late development my partner. You know, I work

0:56:02.280 --> 0:56:02.799
<v Speaker 5>a lot man.

0:56:02.880 --> 0:56:04.640
<v Speaker 4>Every time I try to sneak up in there to

0:56:04.760 --> 0:56:07.480
<v Speaker 4>give you a little fat yo I'm watching from like

0:56:07.640 --> 0:56:11.120
<v Speaker 4>Vegas or La or some ship like that, I'm like, damn, you.

0:56:11.160 --> 0:56:13.719
<v Speaker 2>Always been there. That gotta be for fun. Yeah, yeah,

0:56:13.880 --> 0:56:16.439
<v Speaker 2>I'm always be there. Yes, sir, you know what I'm saying,

0:56:16.520 --> 0:56:18.320
<v Speaker 2>you know, I pulled up in Brooklyn. You know what

0:56:18.360 --> 0:56:20.840
<v Speaker 2>I'm saying. Right Coney Island, Remember, heyb.

0:56:21.120 --> 0:56:25.439
<v Speaker 4>Here, Coney Island was sick, crazy, I like that last

0:56:25.480 --> 0:56:28.240
<v Speaker 4>week in Brooklyn to the to the to the funeral,

0:56:28.320 --> 0:56:30.440
<v Speaker 4>and I just I felt like I had to be there.

0:56:30.800 --> 0:56:34.640
<v Speaker 4>I felt like, you know, everybody, So my my brother

0:56:34.760 --> 0:56:37.920
<v Speaker 4>Raises Ony Ray was you know, you deal with somebody

0:56:38.000 --> 0:56:42.120
<v Speaker 4>for ship almost thirty five years, me and him doing

0:56:42.160 --> 0:56:44.600
<v Speaker 4>stuff raise the kind of person with cold.

0:56:44.920 --> 0:56:47.000
<v Speaker 5>You gotta get Jada kissed today, he's got to be

0:56:47.080 --> 0:56:48.640
<v Speaker 5>on the show. And I'm like, and then it was

0:56:48.680 --> 0:56:50.920
<v Speaker 5>standing in front of me, so you're waiting for me

0:56:51.000 --> 0:56:52.719
<v Speaker 5>to call him right now, Like I have to do

0:56:52.840 --> 0:56:55.520
<v Speaker 5>that right now, you know, like he'd be pressuring me

0:56:55.960 --> 0:56:58.440
<v Speaker 5>because he just he's Jada loves you, Ralph. And I'm like,

0:56:58.800 --> 0:57:01.279
<v Speaker 5>but Jada has no life, bro, I just can't turn

0:57:01.400 --> 0:57:04.319
<v Speaker 5>up then do something. I can't ask Joe. But he's

0:57:04.360 --> 0:57:05.560
<v Speaker 5>that kind of He's that guy.

0:57:06.000 --> 0:57:08.440
<v Speaker 2>You know, without that energy, there never would have been

0:57:08.480 --> 0:57:10.200
<v Speaker 2>a DJ Khaled. Wow.

0:57:10.360 --> 0:57:13.960
<v Speaker 4>There's stories of Calid climbing over gates for certain artists

0:57:14.040 --> 0:57:14.960
<v Speaker 4>to get on the songs.

0:57:15.880 --> 0:57:19.520
<v Speaker 2>He he made me get Eminem on the Lean Back Remax.

0:57:20.000 --> 0:57:21.560
<v Speaker 2>He was like, you can get the white boy, you

0:57:21.600 --> 0:57:23.920
<v Speaker 2>could get him. I said, Bro, that man is not

0:57:24.200 --> 0:57:26.680
<v Speaker 2>thinking about me. Bro. He was like, get him, get

0:57:26.720 --> 0:57:28.840
<v Speaker 2>the white boy, get the white He put the battery

0:57:28.920 --> 0:57:32.440
<v Speaker 2>in my back so much that I threw out the kite. Yo,

0:57:32.560 --> 0:57:35.040
<v Speaker 2>you think you want to get on this song? And

0:57:35.160 --> 0:57:38.080
<v Speaker 2>he said yes, I ain't never gonna forget Eminem.

0:57:38.280 --> 0:57:41.120
<v Speaker 4>He broke his promise because when he got on that song,

0:57:41.160 --> 0:57:44.400
<v Speaker 4>he said, you got one favorite, Joe, So I getting

0:57:44.400 --> 0:57:47.000
<v Speaker 4>on the remix on the Name Back and then he got.

0:57:46.920 --> 0:57:49.160
<v Speaker 2>Back on my album a couple of years later. So

0:57:49.320 --> 0:57:52.360
<v Speaker 2>he did two for me. But it's guys like that.

0:57:52.560 --> 0:57:57.400
<v Speaker 4>So when you got when you got nas, you got

0:57:57.560 --> 0:58:00.680
<v Speaker 4>jay Z on your documentary, you know this is my

0:58:00.840 --> 0:58:01.480
<v Speaker 4>one favorite.

0:58:01.480 --> 0:58:06.600
<v Speaker 2>I gotta ask, yeah, this is it? Oh yass? I

0:58:06.760 --> 0:58:08.680
<v Speaker 2>pulled I went to him. I went and got him

0:58:08.720 --> 0:58:10.680
<v Speaker 2>in Miami. I pulled up.

0:58:11.160 --> 0:58:14.439
<v Speaker 4>I was dead, and they know what Cali caught Cold

0:58:14.560 --> 0:58:15.320
<v Speaker 4>caught Covid.

0:58:15.400 --> 0:58:16.720
<v Speaker 2>Nobody wanted to say what it was.

0:58:16.960 --> 0:58:18.800
<v Speaker 4>None of he caught Covid that ship. He was the

0:58:18.880 --> 0:58:20.880
<v Speaker 4>only person that that shit was like the ant told

0:58:20.920 --> 0:58:24.560
<v Speaker 4>nobody we got COVID. He said, this guy calend is

0:58:24.600 --> 0:58:26.000
<v Speaker 4>in the house all the time. How the hell did

0:58:26.040 --> 0:58:29.040
<v Speaker 4>he get COVID? Yo, bros in the house the man

0:58:29.280 --> 0:58:32.240
<v Speaker 4>Calic one time and and and this is all love,

0:58:33.640 --> 0:58:35.400
<v Speaker 4>but w it's the COVID.

0:58:35.520 --> 0:58:37.880
<v Speaker 2>Right, I'm one of the only guys. They test everybody.

0:58:38.200 --> 0:58:41.440
<v Speaker 2>We need to walk in his house. You gotta get tested.

0:58:41.680 --> 0:58:44.840
<v Speaker 4>The barber was wearing like one of them fucking spacesuits

0:58:45.520 --> 0:58:48.120
<v Speaker 4>like like this. One day he almost fainted. The barber,

0:58:49.000 --> 0:58:51.360
<v Speaker 4>no send, the barber did like this. We had to

0:58:51.400 --> 0:58:53.000
<v Speaker 4>grab him. I was like, yo, this ship was like

0:58:53.080 --> 0:58:55.400
<v Speaker 4>it was in Miami a thousand degrees and he was

0:58:55.480 --> 0:58:57.720
<v Speaker 4>cutting his ship outside because he couldn't go in the house.

0:58:57.920 --> 0:59:02.160
<v Speaker 4>He had a space suit. Right, I'm like your Calid

0:59:02.200 --> 0:59:05.360
<v Speaker 4>man getting get a mess of water something. So when

0:59:05.400 --> 0:59:09.760
<v Speaker 4>he caught bro Calid was one of the most paranoid

0:59:09.840 --> 0:59:11.560
<v Speaker 4>guys with COVID in the world.

0:59:12.080 --> 0:59:15.240
<v Speaker 2>And so I remember when he caught COVID. I'm looking

0:59:15.280 --> 0:59:17.400
<v Speaker 2>at and you know what else? Color did KLi. You know,

0:59:19.160 --> 0:59:21.480
<v Speaker 2>we all got brothers that we love, but some of

0:59:21.520 --> 0:59:22.520
<v Speaker 2>them is pretty weird.

0:59:22.640 --> 0:59:22.760
<v Speaker 4>Right.

0:59:23.400 --> 0:59:26.560
<v Speaker 2>Not only did Calech catch COVID, but.

0:59:26.640 --> 0:59:30.760
<v Speaker 4>He made everybody take a COVID test, not because they

0:59:30.800 --> 0:59:31.520
<v Speaker 4>could have COVID.

0:59:31.760 --> 0:59:34.920
<v Speaker 2>He wanted to know where he got COVID from. He

0:59:34.960 --> 0:59:35.440
<v Speaker 2>wanted to know.

0:59:35.480 --> 0:59:38.880
<v Speaker 4>If I gave him covidor this one gave him COVID.

0:59:39.000 --> 0:59:42.880
<v Speaker 2>The barber he made all of it. No, no, but

0:59:43.040 --> 0:59:46.560
<v Speaker 2>he made us go to the real doctor. Urgent can't

0:59:46.680 --> 0:59:49.680
<v Speaker 2>get COVID tests because he wanted to know who gave

0:59:49.760 --> 0:59:52.040
<v Speaker 2>it to him. Did you ever find No? But I

0:59:52.160 --> 0:59:55.560
<v Speaker 2>was talking to him out the window. He's like he

0:59:55.680 --> 0:59:59.080
<v Speaker 2>had doctors twenty four hours, like you know you got

0:59:59.600 --> 1:00:03.240
<v Speaker 2>he's It was like, look, Kelly's pretty upsetsive gotta get

1:00:03.280 --> 1:00:05.400
<v Speaker 2>it rough me tell him, you gotta get with him.

1:00:05.440 --> 1:00:07.600
<v Speaker 2>And he was like, yo, I got COVID. I went

1:00:07.680 --> 1:00:10.400
<v Speaker 2>to his house to nick Man. They had him like

1:00:11.440 --> 1:00:13.640
<v Speaker 2>like when Trump caught COVID. You know how they took

1:00:13.680 --> 1:00:17.360
<v Speaker 2>him to the special doctor. That man had doctors in there.

1:00:17.520 --> 1:00:19.960
<v Speaker 2>Like it was like he was aye, like you could

1:00:20.000 --> 1:00:24.720
<v Speaker 2>tell he was gonna be a cod huh oh no,

1:00:24.840 --> 1:00:27.000
<v Speaker 2>no no. At that time, it was like you caught COVID.

1:00:27.800 --> 1:00:28.600
<v Speaker 2>People were dying.

1:00:28.640 --> 1:00:30.560
<v Speaker 4>It was a very he caught it, like at the

1:00:30.840 --> 1:00:32.960
<v Speaker 4>serious time where everybody was dying.

1:00:33.120 --> 1:00:36.640
<v Speaker 2>This this that it wasn't COVID. Later, you know what

1:00:36.720 --> 1:00:37.360
<v Speaker 2>I'm saying.

1:00:37.120 --> 1:00:40.480
<v Speaker 10>It's only serious and if something, he won't I knew

1:00:40.520 --> 1:00:44.520
<v Speaker 10>a guy that worked for Nike man such a beautiful guy,

1:00:44.880 --> 1:00:47.160
<v Speaker 10>and he's one of the first guys that caught COVID.

1:00:47.400 --> 1:00:48.680
<v Speaker 2>It was a beautiful guy.

1:00:49.600 --> 1:00:51.520
<v Speaker 4>And when he went to the hospital, I think he

1:00:51.600 --> 1:00:55.880
<v Speaker 4>went in there by himself. You know, your family can't.

1:00:55.760 --> 1:00:58.160
<v Speaker 2>Go in there. And they had everybody dead in like

1:00:58.280 --> 1:01:00.560
<v Speaker 2>the hallways and all that, and I think he died

1:01:00.640 --> 1:01:03.240
<v Speaker 2>scared to death. He had COVID. Facts.

1:01:03.600 --> 1:01:07.160
<v Speaker 4>No, I'm just a very serious I'm not being funny.

1:01:07.200 --> 1:01:09.800
<v Speaker 4>I'm just saying, you know, if they take you in

1:01:09.880 --> 1:01:14.400
<v Speaker 4>the hospital, if it's funny, I'm gonna erase them this ship.

1:01:14.520 --> 1:01:15.840
<v Speaker 4>I don't want to be I don't want this to

1:01:15.920 --> 1:01:18.880
<v Speaker 4>be funny. I'm just saying, if they take you in there,

1:01:19.800 --> 1:01:22.000
<v Speaker 4>you sick, and everybody's.

1:01:21.560 --> 1:01:28.040
<v Speaker 2>Dad in the hallways and we've seen it. He had COVID. No, No,

1:01:28.160 --> 1:01:30.240
<v Speaker 2>you couldn't leave once you went in there. I can't

1:01:30.520 --> 1:01:31.880
<v Speaker 2>I go with so where's mad?

1:01:32.000 --> 1:01:37.320
<v Speaker 4>Dead body's But people like like especially the older family,

1:01:37.440 --> 1:01:38.880
<v Speaker 4>topped me up the back and all.

1:01:40.160 --> 1:01:42.080
<v Speaker 2>But the older people thought, you know, they believe in

1:01:42.120 --> 1:01:45.160
<v Speaker 2>whatever the doctor says. Go in somewhere. I don't care

1:01:45.240 --> 1:01:48.000
<v Speaker 2>if you could walk and talk it slid, drag your

1:01:48.080 --> 1:01:51.400
<v Speaker 2>foot and you see mad dead body. Drag your head

1:01:52.000 --> 1:01:54.680
<v Speaker 2>out the door again. It listens, listen to kiss.

1:01:55.160 --> 1:01:59.520
<v Speaker 1>It's three uncles in it, Uncle Luke, his uncle Snoop

1:01:59.800 --> 1:02:01.040
<v Speaker 1>and his uncle Ralph.

1:02:01.640 --> 1:02:07.560
<v Speaker 2>You the you they uncle reg So you can't figure here,

1:02:07.640 --> 1:02:13.800
<v Speaker 2>We can't. We can't leave you out on you. Everybody's uncle.

1:02:14.200 --> 1:02:17.600
<v Speaker 2>You've been uncle before, you was oup. How you feel

1:02:17.600 --> 1:02:20.080
<v Speaker 2>about it? I mean you look, look, Red is the

1:02:20.160 --> 1:02:22.439
<v Speaker 2>one who made me Uncle Ralph. He called me uncle Ralph.

1:02:22.520 --> 1:02:26.400
<v Speaker 5>So he said, he said, look, go see Ralph, because

1:02:26.440 --> 1:02:28.520
<v Speaker 5>he's going to tell you and give you the plug

1:02:28.640 --> 1:02:30.360
<v Speaker 5>to the next move that you gotta make.

1:02:30.840 --> 1:02:33.120
<v Speaker 2>So that's what your uncle's supposed to do. Hook you up,

1:02:33.600 --> 1:02:34.280
<v Speaker 2>all right? I got you.

1:02:34.400 --> 1:02:36.960
<v Speaker 4>Go over here, Go see Joe, Go see Jada, go

1:02:37.040 --> 1:02:38.640
<v Speaker 4>see whoever. And they were going to tell you what

1:02:38.760 --> 1:02:41.000
<v Speaker 4>to do next. I don't know, go see them. And

1:02:41.680 --> 1:02:43.560
<v Speaker 4>when they come, Jada goes, yeah, I got you both.

1:02:43.760 --> 1:02:45.800
<v Speaker 4>And that was what the uncle thing was, just to

1:02:45.920 --> 1:02:49.800
<v Speaker 4>pass it on the information. No, no, no blocking, no

1:02:50.120 --> 1:02:53.280
<v Speaker 4>you know, no no gateholding. You know, just come on, man,

1:02:53.360 --> 1:02:54.720
<v Speaker 4>we all want to win. You know, as long as

1:02:54.720 --> 1:02:57.360
<v Speaker 4>he's not gonna get you in no trouble, that's awesome.

1:02:58.480 --> 1:03:01.840
<v Speaker 2>Listen, man, this is the legendary. I don't know how

1:03:01.840 --> 1:03:02.720
<v Speaker 2>to explain it to you.

1:03:02.960 --> 1:03:05.080
<v Speaker 4>If you from outside of New York City and you

1:03:05.240 --> 1:03:08.960
<v Speaker 4>don't quite understand, uh, I say, what's the name of

1:03:09.000 --> 1:03:09.840
<v Speaker 4>the documentary?

1:03:10.440 --> 1:03:10.680
<v Speaker 2>Ralph?

1:03:11.040 --> 1:03:15.400
<v Speaker 4>You're watching video music Boxes directed by NAS and it's

1:03:15.520 --> 1:03:16.320
<v Speaker 4>on showtime.

1:03:16.720 --> 1:03:19.200
<v Speaker 2>You can watch it still. Now, you can't get a

1:03:19.280 --> 1:03:22.800
<v Speaker 2>guy like Nas to go direct ship. I just wanted

1:03:22.840 --> 1:03:25.240
<v Speaker 2>to do it. I know he did. Ja wanted to

1:03:25.320 --> 1:03:28.640
<v Speaker 2>do it. I wanted to everybody wanted to do it.

1:03:28.720 --> 1:03:29.920
<v Speaker 2>And when you call you get this.

1:03:30.520 --> 1:03:34.520
<v Speaker 3>You probably wanted to people that can call anybody that

1:03:34.720 --> 1:03:39.240
<v Speaker 3>get a yes when you get a first ring ante

1:03:39.360 --> 1:03:40.680
<v Speaker 3>and you get a yes when you.

1:03:40.760 --> 1:03:43.480
<v Speaker 2>Ask for whatever you act for, how does that fit? Yes?

1:03:44.320 --> 1:03:47.200
<v Speaker 2>Some of the most people coaching.

1:03:47.760 --> 1:03:49.520
<v Speaker 5>Look, you know, I was I was on stage with

1:03:49.680 --> 1:03:53.600
<v Speaker 5>with DJ Technician last night and I said, and I said,

1:03:54.320 --> 1:03:56.120
<v Speaker 5>and I said, I said, your.

1:03:56.120 --> 1:04:01.640
<v Speaker 2>Luck from the Fromide and he just kicked in like that.

1:04:01.680 --> 1:04:03.720
<v Speaker 2>I was like, no, good, no rock.

1:04:03.800 --> 1:04:06.600
<v Speaker 4>You know these guys, man, people don't realize you give

1:04:06.680 --> 1:04:09.640
<v Speaker 4>him a shot out in the run like like like

1:04:09.800 --> 1:04:12.360
<v Speaker 4>I tell rich player all the time, whether good or bad,

1:04:12.440 --> 1:04:15.040
<v Speaker 4>when you get that perfect shout out, like you know

1:04:15.200 --> 1:04:17.680
<v Speaker 4>to me, you know what jay Z said your OG

1:04:18.400 --> 1:04:20.520
<v Speaker 4>I made you hot on New York.

1:04:22.240 --> 1:04:25.120
<v Speaker 2>This shit took over Franks and Nat your like on

1:04:25.280 --> 1:04:28.160
<v Speaker 2>that big so on your o G. I made you hot. Yeah,

1:04:28.200 --> 1:04:29.760
<v Speaker 2>I'm up and there hin it?

1:04:29.960 --> 1:04:32.640
<v Speaker 4>Like I mean, like, that's a fucking shout out, Like

1:04:32.800 --> 1:04:35.280
<v Speaker 4>you know, shoutouts could change your life.

1:04:35.760 --> 1:04:38.000
<v Speaker 5>Hey, look, I'm on the Jayson mentioned my name on

1:04:38.040 --> 1:04:39.960
<v Speaker 5>the album. I'm like this, like what I know you

1:04:40.000 --> 1:04:42.840
<v Speaker 5>didn't just say my name? So look, I appreciate it

1:04:42.920 --> 1:04:45.960
<v Speaker 5>and I get it. Shoutouts are important.

1:04:45.880 --> 1:04:49.800
<v Speaker 2>No they you feel good invent shout out? You invent

1:04:49.880 --> 1:04:51.440
<v Speaker 2>the shout out? What else you invented?

1:04:51.840 --> 1:04:55.000
<v Speaker 4>Hey look, I think that for me is just appealing

1:04:55.120 --> 1:04:58.120
<v Speaker 4>to the street. The blue collar guy who goes to

1:04:58.200 --> 1:05:00.360
<v Speaker 4>work every day. He loves this coach, he loves hip hop,

1:05:00.680 --> 1:05:03.160
<v Speaker 4>he loves to get fly on the weekends, he pops

1:05:03.200 --> 1:05:04.720
<v Speaker 4>some bottles and does whatever he does.

1:05:05.120 --> 1:05:07.800
<v Speaker 2>He works, he does his thing. I love them. I

1:05:07.880 --> 1:05:09.880
<v Speaker 2>love them, the sisters that love it too. So that's

1:05:09.920 --> 1:05:10.560
<v Speaker 2>that's my Listen.

1:05:10.640 --> 1:05:12.840
<v Speaker 4>The hip hop game would not be what it is

1:05:13.640 --> 1:05:19.520
<v Speaker 4>if it wasn't for Ralph McDaniels. Uh, living legend icon.

1:05:19.760 --> 1:05:22.160
<v Speaker 4>They gotta they gotta think of other words.

1:05:22.200 --> 1:05:22.320
<v Speaker 3>You know.

1:05:22.400 --> 1:05:24.560
<v Speaker 4>The other day, with no disrespect, we did a little

1:05:24.600 --> 1:05:27.560
<v Speaker 4>trivia and the guy asked us, guys call up and

1:05:27.640 --> 1:05:28.280
<v Speaker 4>answer the question.

1:05:28.440 --> 1:05:35.000
<v Speaker 2>They say, Yo, rap City or MTV? No, who was

1:05:35.040 --> 1:05:38.080
<v Speaker 2>this rap City or your m TV the basement? We said,

1:05:38.240 --> 1:05:40.920
<v Speaker 2>neither own music.

1:05:41.160 --> 1:05:42.880
<v Speaker 4>Yeah, that's what the streets, The streets told me that

1:05:43.440 --> 1:05:46.280
<v Speaker 4>the streets they told you, or the streets staff didn't.

1:05:46.080 --> 1:05:50.360
<v Speaker 5>Immediately Yo, Joe and Jada just bicked you up. I said, legends, yes,

1:05:51.800 --> 1:05:55.200
<v Speaker 5>you know, look we would. It had to start somewhere,

1:05:55.360 --> 1:05:59.480
<v Speaker 5>like did he said in my documentary there was Moses first.

1:06:00.280 --> 1:06:01.040
<v Speaker 2>So I'm Moses.

1:06:02.200 --> 1:06:04.920
<v Speaker 4>Now you are brother. We love you, man, and thank you.

1:06:05.760 --> 1:06:08.640
<v Speaker 4>Shout out to the wife, your daughter, your whole entire family.

1:06:08.760 --> 1:06:11.280
<v Speaker 2>I love you guys. Like I said, I am Joey

1:06:11.400 --> 1:06:15.960
<v Speaker 2>McDaniels for life. You stuck with me, y'all. Y'all, y'o, Ralph,

1:06:16.040 --> 1:06:19.040
<v Speaker 2>you stuck with me. I'm Joey McDaniels. Sick up to

1:06:19.120 --> 1:06:21.720
<v Speaker 2>your family bro, this is this, This is the Joe

1:06:21.800 --> 1:06:25.280
<v Speaker 2>and Jada that ain't this and this ain't that. Ain't

1:06:25.280 --> 1:06:27.280
<v Speaker 2>got a non for profit that we got to shout

1:06:27.320 --> 1:06:27.600
<v Speaker 2>out here?

1:06:27.600 --> 1:06:29.560
<v Speaker 5>Oh yeah yeah, yeah, yeah yeah oh the video Measy

1:06:29.560 --> 1:06:33.600
<v Speaker 5>Watch collection dot org support it, Video body Collection dot org.

1:06:34.000 --> 1:06:36.040
<v Speaker 5>All the people that love hip hop, the rich people

1:06:36.080 --> 1:06:37.640
<v Speaker 5>that love hip hop and when if you got five

1:06:37.680 --> 1:06:41.080
<v Speaker 5>dollars or ten dollars. Video Music Box Collection dot org

1:06:41.280 --> 1:06:44.760
<v Speaker 5>is per preserving the culture, archiving it and making it

1:06:44.840 --> 1:06:48.480
<v Speaker 5>available so that the next Jadakiss and Joe and Ralph

1:06:48.560 --> 1:06:50.240
<v Speaker 5>McDaniels can go out and see it.

1:06:50.520 --> 1:06:53.880
<v Speaker 2>So, now with that being said, that ain't this this,

1:06:54.080 --> 1:06:58.560
<v Speaker 2>ain't that, it's kissing crack. Make some noise for Uncle Ralph.