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Speaker 1: Who taint cream Na, I ain't all to tell rait

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Speaker 1: Que's caucerated Scarffe public enemy featuring ice Cube. Big Daddy

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Speaker 1: can't burn Hollywood burn?

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Speaker 2: Yeah, yeah, what up? Yard'st don Cardagina, your boy Jada kiss.

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Speaker 3: You know what it is that Joe and Jada show

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Speaker 3: every one of our shows his legendary and iconic.

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Speaker 2: And all of that. So we don't even neither hear

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Speaker 2: nor this.

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Speaker 3: But once again, today, ladies and gentlemen, animals of all kinds,

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Speaker 3: make some noise for our big brother uncle slash mentor

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Speaker 3: slash every think to the culture. Ralph mcdad you salute, salute, salute.

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Speaker 4: Joe and Jada the streetsman talking, They said, I need

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Speaker 4: to be on this show from here.

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Speaker 3: We give you flowers every all the time, almost every show,

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Speaker 3: every other show, we make sure we present you with

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Speaker 3: some flowers.

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Speaker 5: Uncle, Ralph, I hear, I hear this is what I said.

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Speaker 5: I said, Okay, I mean those are my peoples. Why

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Speaker 5: not I need to be there.

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Speaker 4: You know, Ralph from the down, Yes, of course. Yeah,

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Speaker 4: well hold up, no, captain that you're my friend. Listen,

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Speaker 4: you're rock. You ain't let me do it. You ain't

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Speaker 4: let me right, all right, I'm the Dawn. So wherever

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Speaker 4: I go, I run ship. I don't care who I

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Speaker 4: deal with.

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Speaker 2: It is what it is. I'm a ball summer Dawn.

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Speaker 4: I was coming and I said to myself, there's only one,

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Speaker 4: possibly one man on the earth I could call my

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Speaker 4: big home, and that.

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Speaker 2: Would be thank you, thank you you are to have done

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Speaker 2: or this whole shit.

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Speaker 4: And if even though your documentary went super platinum, if

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Speaker 4: they're not in tune, but we do is we do

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Speaker 4: it for the love of the culture. This is the

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Speaker 4: man who basically created the whole video concept of the culture.

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Speaker 4: If you see rap videos, the only place to see

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Speaker 4: it on the earth was video music by They should

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Speaker 4: have had me on the b et. It wasn't able

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Speaker 4: to cancel it. If you ever try to work something

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Speaker 4: out with them, I'm sure my name has come up

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Speaker 4: mallion times, but I would love to do to work

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Speaker 4: with work with them, because you know, you can have

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Speaker 4: the stars of that, you got to have the street

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Speaker 4: there too.

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Speaker 2: Got to balance it out.

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Speaker 5: You can have big, big names and nobody comes and

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Speaker 5: they but then we need to have the locks on

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Speaker 5: that show. We need to have we need to have

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Speaker 5: the real, real streets, and you gotta balance it out, man,

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Speaker 5: and hip hop sometimes be a little bit o with

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Speaker 5: the top, and so you gotta gotta bounce it out.

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Speaker 2: And I think we did a good job of that.

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Speaker 4: Forty two years of Video Music Box still rocking and rolling,

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Speaker 4: the longest bunny show world is.

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Speaker 2: Yo.

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Speaker 4: My my mom just passed away a couple of months ago.

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Speaker 4: My moms watched Video Music Box.

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Speaker 2: She would tell me everything.

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Speaker 4: She was like, Ralph is still going, Joe, he had

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Speaker 4: this one up there, he had that one up there.

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Speaker 2: It's like, you're on.

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Speaker 4: I've seen the City Islands. You know everything about hip hop.

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Speaker 4: She's a big fan of video music. I was at

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Speaker 4: City Island Friday. I go once once the summer just

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Speaker 4: for the vibe, because it's a vibe when you go

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Speaker 4: to at the end, not at the little fancy.

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Speaker 3: You go to them to the end. That's the first

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Speaker 3: in the first place city you really get, chiefly cities

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Speaker 3: like Johnny's and Frank Johnny. That's the real ship. That's

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Speaker 3: the shout out, the live style house.

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Speaker 2: I go there too.

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Speaker 5: I sit down in there and people come from all

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Speaker 5: over from from fifty to sixty to twenty.

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Speaker 2: Yo.

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Speaker 5: Thank you Ralph, thank you still doing it. And I'm like, oh,

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Speaker 5: this is what I just go for the vibe. You know,

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Speaker 5: you see the young people coming out and they still

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Speaker 5: know why. I'm like, oh, I didn't even know. Y'all

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Speaker 5: knew what was what I'm watching now, watched Saturday night.

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Speaker 5: I'm like, oh, all right, I gotta play some some

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Speaker 5: young stuff.

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Speaker 2: Did you think it was it was going to have

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Speaker 2: that effect? But did you think it? Did you think

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Speaker 2: you was going to change the world? Can you change

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Speaker 2: the world? Yeah?

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Speaker 5: No, I didn't know it was going to be like that,

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Speaker 5: just like hip hop. I didn't know it was going

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Speaker 5: to be like what it is today. Look here we

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Speaker 5: got all this going on. But I knew it was

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Speaker 5: going to be important for the people who loved the music.

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Speaker 2: I love the music.

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Speaker 5: If you love music like I love music, you're gonna

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Speaker 5: like this because I'm putting my heart into it and

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Speaker 5: I think that you're gonna dig what I like.

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Speaker 2: And that was the beginning of it. And then one

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Speaker 2: day I.

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Speaker 5: Tell it in my documentary, I'm on the train and

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Speaker 5: like the thug, you know, on the train.

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Speaker 2: Back in the eighties you could get.

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Speaker 4: Still they still throwing people in front of They threw

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Speaker 4: somebody in front of the train last night. Right, it's

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Speaker 4: still very violent. Yeah, you gotta be keep your eyes,

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Speaker 4: keep you aware. But this is all right, Well you

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Speaker 4: can get all he's telling you the same shit. So

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Speaker 4: I'm sitting there and these dudes is like boom. I'm

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Speaker 4: in Brooklyn, deep in Flatbush. I lived in flatbos Brooklyn.

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Speaker 4: First train, I'm like this. They looking at me like

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Speaker 4: mean mugging.

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Speaker 5: I'm like this, okay, So either I get off at

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Speaker 5: the next stop and punk it out or I just

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Speaker 5: see what happens.

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Speaker 2: Let's just see what happens.

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Speaker 4: So they're talking, but every once in a while, the

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Speaker 4: energy keeps coming my way, so I think they're waiting

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Speaker 4: for the moment to get me.

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Speaker 5: So nothing happens. I get like ten twelve stops. I

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Speaker 5: get ready to get off to go to the video

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Speaker 5: I was going to the office and they say, yo,

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Speaker 5: you the dude that be doing a video show. And

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Speaker 5: I said, yeah, we like that shit.

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Speaker 2: By your niggers.

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Speaker 5: Ain't say this shit like twelve stots ago. I'm like this,

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Speaker 5: But that's New York. You know, you never know because

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Speaker 5: we're gonna look at you a certain way. You know,

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Speaker 5: and the streets is going to be you know, you

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Speaker 5: can either go left or right. You don't know, you

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Speaker 5: have no idea.

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Speaker 4: No, but you controlled the streets and and you said

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Speaker 4: what was HoTT No, No, you always thank god, you

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Speaker 4: always kept the camp. But you always set the tone.

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Speaker 4: If you went to a spot, the ship was sold down.

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Speaker 4: Everybody wanted to shout out. You know, you created shout out.

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Speaker 4: That was that was a life back in the days.

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Speaker 4: That was like, uh, you know you was involved in

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Speaker 4: the shout out right, and I played it. That was

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Speaker 4: Trump might be everybody nobody just saying them through the

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Speaker 4: joint skis off the white you know, Donald Trump Junior

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Speaker 4: posted the joints you know what's going on? W n

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Speaker 4: B A they throwing Oh yes, green Fildo's Trump did that?

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Speaker 4: Trump Junior through the that.

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Speaker 2: He had a video of Trump joint sky off the white. Yo,

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Speaker 2: this ship is crazy. Trump juniors do a joints ski

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Speaker 2: off the white.

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Speaker 4: So he showed Trump throwing the fucking some some joint

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Speaker 4: ski and like the ship now it's out of control.

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Speaker 4: I'm sorry about that, but he definitely Donald Trump definitely.

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Speaker 2: Said, yo, let me get a shout out. Oh yeah,

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Speaker 2: absolutely he might have been on on the shield for

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Speaker 2: a shout out with joint Ski. That was the most

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Speaker 2: hilarious shiite tell them, man, thank god, you're my partner

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Speaker 2: and you're winny and you're funny. I was yo with you.

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Speaker 2: You envision ship like this for me.

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Speaker 4: You gave me opportunity when I was a kid, and

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Speaker 4: you let me host video music bugs. So kiss, let

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Speaker 4: me tell you the story about this guy right here,

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Speaker 4: right he comes to my office, my office on thirty

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Speaker 4: first floors wield the.

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Speaker 2: Elevator never worked, and I fat that he was real

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Speaker 2: fat Joe. How much I wanted it.

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Speaker 5: All the time I was walking there was a Puerto

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Speaker 5: Rican lady who was the security guards.

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Speaker 2: I figured it out.

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Speaker 4: They started talking Spanish and he's going getting in. I

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Speaker 4: was on the mummy, but you put me the host

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Speaker 4: and changed my life. Started taking me serious. It was

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Speaker 4: like a right, he's really gonna rap.

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Speaker 2: He's literally gonna do something. And how'd you lead to

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Speaker 2: do that? When he got up, I told I never

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Speaker 2: heard Joe REGGI get up there. Yo.

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Speaker 4: I remember if you could ever remember the scene in

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Speaker 4: call Leido's Way when the fat dudes and I would

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Speaker 4: use by the time I got up there, my ship

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Speaker 4: was like.

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Speaker 2: Ralph, he'd be like, where you going today? Like I

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Speaker 2: don't know. He said, I want to go wherever you're going.

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Speaker 2: And that's what we did. And we took him to wherever.

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Speaker 5: You know, I'm hosting something, we're doing whatever, video music

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Speaker 5: box somewhere we took Remember in New Jerseys they boot you.

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Speaker 5: You have you remember right if you wasn't from Jersey,

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Speaker 5: they hated you.

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Speaker 4: I don't care who came there. And Joe got on

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Speaker 4: and before he could get two words out, that happened

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Speaker 4: to me in La Too. Two weeks later, Flow Joe

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Speaker 4: comes out. Everybody's happier, and I told him that. I said,

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Speaker 4: wait till your record drops, it's going to be different.

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Speaker 4: Once that Flow Joe hit that that rick to scale, Yeah,

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Speaker 4: you know what the fix was it? You know Ralph

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Speaker 4: ran this, He ran all of it. You know that

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Speaker 4: Flow Joe was on every day was you know, I'm

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Speaker 4: a worker of video music. Imagine your worker puts out

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Speaker 4: a heat rock. He had that ship ringing.

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Speaker 2: All This is Flow Joe by.

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Speaker 4: Fat Joe on video Music. And I hear him tell

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Speaker 4: that the cap stories. He exaggerates a little bit a

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Speaker 4: little bit, a little bit, a little bit. I was

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Speaker 4: there for some of those things when it happened, so

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Speaker 4: I know some of it is true.

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Speaker 2: I know a majority of it is true. Bust of

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Speaker 2: it is true.

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Speaker 4: If I tell you one hundred guys, it might have

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Speaker 4: been twenty five, I'm gonna keep it a fuck. But

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Speaker 4: that's about the only thing I can see with Katka.

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Speaker 4: All my sh it is backed up on the receipts

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Speaker 4: I got. There's a lot of guys who took smacks

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Speaker 4: to the face out there that y'all call the biggest

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Speaker 4: legends in the world, that they wearing it well, and

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Speaker 4: they're looking at this show and they're like, that boy

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Speaker 4: is not one. I'm telling you the truth. There's a

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Speaker 4: somebody had to get punished. If I'm telling you these stories.

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Speaker 4: I propped the gym, I punished this one at this

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Speaker 4: somebody's father was punished out there and knows.

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Speaker 2: It, knows it, knows it. You know I had to

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Speaker 2: go to yonkers one time. You heard you hurt out

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Speaker 2: through the whole flock on the floor. Don't the whole

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Speaker 2: block on the floor, the whole the floor, you know,

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Speaker 2: gonna no, no, I'm not gonna say it's the truth. Though.

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Speaker 2: I love the whole block on the floor because when

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Speaker 2: I turned around, Raoul and them boys had some things

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Speaker 2: out and the whole block was on the floor. While

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Speaker 2: he was just saying I.

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Speaker 4: Took a guy and punishing them. Man thing her true story.

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Speaker 4: But the guy's more. He's trying to he's trying to

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Speaker 4: get away, right, So he's trying to climb the wall, right,

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Speaker 4: right right and get help. A car pulls up, the

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Speaker 4: door opens. No, let me tell you about this, right

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Speaker 4: because I gotta listen here. Look, I got a lot

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Speaker 4: of friends in young Listen, I love you.

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Speaker 1: I'm not thirty some years, you know header I know

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Speaker 1: all of it to.

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Speaker 2: This, I'm gonna tell you. I'm gonna tell you. If

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Speaker 2: they ain't paint the picture for you, I'm gonna tell you.

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Speaker 2: So we go out there, I get busy. Immediately, I'm like,

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Speaker 2: who they like him? It's on, there's nothing to talk about.

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Speaker 2: Hold on, hold on half his size though feet tall.

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Speaker 2: I didn't look like you. Gotta let the people know

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Speaker 2: what talking about. It's a whole block looked like a

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Speaker 2: big drug block in the hall and elliott A. This

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Speaker 2: ain't a car, okay, But the pink.

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Speaker 4: The picture I'm trying to pink to you is I'm

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Speaker 4: on this guy, a guy trying to get away, right,

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Speaker 4: he fast boom. When I turned around, the whole block

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Speaker 4: is on the floor. Raoul and my man rested.

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Speaker 2: Peace. Well, both of them passed away. They got them

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Speaker 2: things out them.

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Speaker 4: Actually out in the middle of everybody on the street,

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Speaker 4: going yo, this fucked up, man, this sucked up.

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Speaker 2: Then the car come.

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Speaker 4: And the door opened, and the car is so low

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Speaker 4: when the guy got out because I'm trying to I'm

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Speaker 4: trying to get him right, the guys trying to climb

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Speaker 4: over the gate.

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Speaker 2: I don't even know this right. I turned around the

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Speaker 2: shadow this big pun with a fucking bat in his hand.

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Speaker 4: At me, a bat looked like a tooth pick. That's

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Speaker 4: how fucking big Pun was.

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Speaker 2: And the ship he twirling the fucking bat and he

257
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Speaker 2: going like this, and the whole block set. Oh shit.

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Speaker 2: He wasn't rapping.

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Speaker 4: Yet, like he wasn't rapping big but this was like monsy,

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Speaker 4: button your lip, like this was some movie. Ship can

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Speaker 4: jump out the car you five hundred pounds with a bat.

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Speaker 4: When they was already on the floor when they seen Punt,

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Speaker 4: the whole fucking block set. Oh shit, And the kid

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Speaker 4: is trying to get away from the on the gate

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Speaker 4: and pun hits him. He goes, I pun hits him

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Speaker 4: on the other side. But anyway, that's not cock. Guys,

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Speaker 4: by the way, we'll find out soon.

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Speaker 2: Well, you know, they get a lot of calls. They're

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Speaker 2: gonna tell you they know the truth. They know the truth,

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Speaker 2: and that it is just one of ten thousand.

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Speaker 4: You threw a lot of parties, man, that could have

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Speaker 4: got really, really violent.

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Speaker 5: I was righting it as soon as I seeing you,

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Speaker 5: and I could tell the energy was getting ready to happen.

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Speaker 4: I turned that light on it. You're gonna do a

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Speaker 4: shout out right now, we're gonna do interviewing.

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Speaker 2: Joe's like, what kill it? You know what's crazy is

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Speaker 2: this industry basically.

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00:14:15,520 --> 00:14:19,480
Speaker 4: Commercialized in front of your eyes, sir. So Like when

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Speaker 4: you got footage in your documentary of Mary seventeen bro

281
00:14:25,040 --> 00:14:29,200
Speaker 4: where what's that show? When Yonkers I was in Brooklyn because.

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Speaker 3: We was never on it. You know, as much as

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00:14:31,600 --> 00:14:34,160
Speaker 3: we went home and watched it, I saw your video,

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Speaker 3: so I saw you. I saw your video.

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Speaker 6: Me.

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00:14:37,720 --> 00:14:40,400
Speaker 2: I never gave a shout out on video, No no, No,

287
00:14:40,440 --> 00:14:44,600
Speaker 2: I've seen your video something see myself kissing. You're gonna

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Speaker 2: pull out out. I'm going into the archives. Kiss.

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00:14:47,280 --> 00:14:50,640
Speaker 5: I'm gonna prove you wrong. Kiss wrong. It better not

290
00:14:50,800 --> 00:14:56,760
Speaker 5: be in the ancient town. Everything is ancient from back then.

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00:14:57,120 --> 00:15:00,840
Speaker 5: It can't it, So it gotta be this. Don't pull out.

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00:15:00,880 --> 00:15:02,680
Speaker 4: Three months ago, I bet you was like at a

293
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Speaker 4: basketball game or something.

294
00:15:04,320 --> 00:15:07,160
Speaker 2: You wanna You're gonna be going. We did no beef

295
00:15:07,280 --> 00:15:10,120
Speaker 2: ever in my life for Rothley Daniels, I'm here, my love,

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00:15:10,200 --> 00:15:12,000
Speaker 2: his family is one beef.

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00:15:12,240 --> 00:15:14,840
Speaker 4: My wife, My wife says just before you saw it,

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00:15:15,280 --> 00:15:17,000
Speaker 4: he loves you before I came to see you today

299
00:15:17,000 --> 00:15:18,000
Speaker 4: and my daughter came today.

300
00:15:18,280 --> 00:15:19,920
Speaker 2: I love wat Kim.

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00:15:19,960 --> 00:15:22,360
Speaker 3: I got your tickets for the show that got post Pole.

302
00:15:22,920 --> 00:15:25,720
Speaker 3: Uncle kiss got you with even better VI. I PC

303
00:15:26,360 --> 00:15:29,320
Speaker 3: for the cash money tour that got postpone, that got

304
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Speaker 3: She done it.

305
00:15:29,920 --> 00:15:31,760
Speaker 2: She had, she had already done her nails. He was

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00:15:31,760 --> 00:15:32,400
Speaker 2: ready to sw.

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Speaker 4: But let me but let me ask you, right, what's

308
00:15:36,360 --> 00:15:40,680
Speaker 4: so beef beef is? I feel like I don't know.

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00:15:40,680 --> 00:15:43,960
Speaker 4: If it's a financial thing, yes, but I don't know.

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00:15:44,000 --> 00:15:47,920
Speaker 2: If you order the film like you're you're like the

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00:15:47,960 --> 00:15:51,080
Speaker 2: original Johnny Nunez. You know we never see the pictures.

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00:15:51,720 --> 00:15:52,360
Speaker 2: Where is y'all?

313
00:15:52,640 --> 00:15:56,480
Speaker 4: He got footage of Biggie and Nas rapping this and that, that,

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Speaker 4: that that water.

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00:15:57,680 --> 00:15:59,400
Speaker 2: Are you gonna do it? He should do something with

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00:15:59,520 --> 00:16:01,840
Speaker 2: rock Nation being there. We you know, we were moving

317
00:16:01,880 --> 00:16:03,520
Speaker 2: like that. Let's do it. Let's do it the big way.

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00:16:04,160 --> 00:16:07,120
Speaker 2: Let's do it. I'll get it done. I walk up

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00:16:07,160 --> 00:16:10,040
Speaker 2: right after this. Let's let's let's do that. I walk

320
00:16:10,200 --> 00:16:13,000
Speaker 2: right up you and kiss yo, one million percent. I

321
00:16:13,040 --> 00:16:15,000
Speaker 2: want you see kiss and got you in the mix.

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00:16:15,080 --> 00:16:16,800
Speaker 2: You know what I'm saying. You gotta do that. You

323
00:16:16,800 --> 00:16:18,160
Speaker 2: gotta do this, You gotta do that.

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00:16:18,240 --> 00:16:26,040
Speaker 4: You know, even Ralph me take the ship because of me.

325
00:16:26,080 --> 00:16:29,120
Speaker 4: I watched Ralpha interviews. They be asking me like, oh man,

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00:16:29,160 --> 00:16:31,080
Speaker 4: why they had to go there with Raph? Yo, tell

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00:16:31,120 --> 00:16:32,280
Speaker 4: me about Fat Joe ship?

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00:16:32,320 --> 00:16:32,760
Speaker 2: Really not?

329
00:16:33,240 --> 00:16:35,080
Speaker 4: He'd be like, you know, it's real. You know this

330
00:16:35,240 --> 00:16:39,120
Speaker 4: this kiss? I would hate to be him with Fat Joe.

331
00:16:39,240 --> 00:16:40,520
Speaker 4: He's my business, fucker.

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00:16:40,600 --> 00:16:43,680
Speaker 2: What kind of ship you hearing on the streets bout

333
00:16:43,720 --> 00:16:45,840
Speaker 2: Fat Joe? They go they love you, man, they love

334
00:16:45,920 --> 00:16:48,360
Speaker 2: you Joe.

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00:16:48,400 --> 00:16:51,200
Speaker 3: Look, you know you manufact shot out to my man,

336
00:16:51,240 --> 00:16:52,360
Speaker 3: baby face Rade.

337
00:16:52,160 --> 00:16:54,680
Speaker 2: From the d He hit me like a week ago. Yo, fat,

338
00:16:54,760 --> 00:16:57,040
Speaker 2: Joe is the best human being in the world. Oh

339
00:16:57,280 --> 00:16:59,200
Speaker 2: ship baby face was good dad.

340
00:16:59,600 --> 00:17:02,440
Speaker 4: Real The real deal is for those who want to say,

341
00:17:02,480 --> 00:17:04,240
Speaker 4: oh this about Joe, this is about whoever.

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00:17:04,920 --> 00:17:07,680
Speaker 2: If you wasn't there, how can you say that? How

343
00:17:07,680 --> 00:17:08,280
Speaker 2: can you see?

344
00:17:08,440 --> 00:17:13,119
Speaker 6: That's his pointy voting point, that's his he stands on

345
00:17:13,280 --> 00:17:14,080
Speaker 6: that home point.

346
00:17:14,160 --> 00:17:16,159
Speaker 2: He got no right to say none of that. You

347
00:17:16,359 --> 00:17:19,400
Speaker 2: was I was dead. You wasn't there. And my thing

348
00:17:19,600 --> 00:17:23,840
Speaker 2: is if you were there and you know you so

349
00:17:24,160 --> 00:17:28,680
Speaker 2: recipes ray this yall. We went out to the funeral, right,

350
00:17:29,560 --> 00:17:32,280
Speaker 2: everybody there I knew right right, and everybody playing the

351
00:17:32,400 --> 00:17:34,840
Speaker 2: point of hip hop, whether they danced or it was

352
00:17:34,920 --> 00:17:37,720
Speaker 2: beasts or it was this or this. So if you

353
00:17:37,880 --> 00:17:41,760
Speaker 2: play the game in hip hop coming up, I know you.

354
00:17:41,840 --> 00:17:44,240
Speaker 4: I knew D M Y when they introduced me to you,

355
00:17:44,800 --> 00:17:48,720
Speaker 4: anybody who played any type of ship. It could be exclan,

356
00:17:48,840 --> 00:17:51,360
Speaker 4: it could be this fact. Joe was everywhere.

357
00:17:51,400 --> 00:17:53,760
Speaker 2: I knew them all. So when you called of rap

358
00:17:53,760 --> 00:17:56,320
Speaker 2: and do no, no, he was before my time.

359
00:17:56,760 --> 00:18:01,120
Speaker 4: But if the man is so, if you talking shit

360
00:18:01,200 --> 00:18:04,720
Speaker 4: about hip hop, the birthplace to this, to that and

361
00:18:04,760 --> 00:18:09,240
Speaker 4: you live in Seattle, my man, you not validing this ship.

362
00:18:09,440 --> 00:18:11,840
Speaker 2: You want not there. We just gonna throw a shot

363
00:18:11,880 --> 00:18:14,520
Speaker 2: at Seattle. No, I don't miss. We love Seattle.

364
00:18:14,640 --> 00:18:16,960
Speaker 4: I'm trying to tell you is that the people, the

365
00:18:17,000 --> 00:18:20,000
Speaker 4: people who lead these claims, these false claims, that they're

366
00:18:20,040 --> 00:18:22,200
Speaker 4: not from the here kiss, is what I'm trying to say.

367
00:18:22,200 --> 00:18:24,480
Speaker 5: It's like me saying something about Atlanta and I don't

368
00:18:24,480 --> 00:18:27,359
Speaker 5: really be there. I don't know, And I'm sure there's

369
00:18:27,400 --> 00:18:30,400
Speaker 5: fun things about Atlanta that are unique to Atlanta, and

370
00:18:30,520 --> 00:18:33,320
Speaker 5: that's it New York. New York got its own thing,

371
00:18:33,600 --> 00:18:35,880
Speaker 5: you know. It's and every city got their own thing,

372
00:18:36,240 --> 00:18:38,159
Speaker 5: you know. And you when y'all go there, y'all know that.

373
00:18:38,760 --> 00:18:39,680
Speaker 5: But we're gonna miss.

374
00:18:40,240 --> 00:18:43,560
Speaker 2: They always hold a grudge against us, though he got.

375
00:18:43,800 --> 00:18:46,400
Speaker 2: I don't know what that. I don't know what we did.

376
00:18:46,840 --> 00:18:49,120
Speaker 2: You know, what happened before our times?

377
00:18:49,359 --> 00:18:53,240
Speaker 4: What happened here that didn't happen and everywhere else was

378
00:18:53,320 --> 00:18:58,280
Speaker 4: Latinos and blacks grew outside by side facts next door

379
00:18:58,400 --> 00:19:01,720
Speaker 4: five E. I go to Miss LaVerne's apartment to go

380
00:19:01,760 --> 00:19:04,760
Speaker 4: get the batter to salt the district. So when you

381
00:19:04,920 --> 00:19:09,520
Speaker 4: got racism and segregation around this country, what they just

382
00:19:09,600 --> 00:19:13,640
Speaker 4: don't get how New York Latinos and blacks just grew

383
00:19:13,720 --> 00:19:18,000
Speaker 4: up together, family, integrated all that. So they looking from

384
00:19:18,040 --> 00:19:20,520
Speaker 4: somewhere else from a different lens, and they're like.

385
00:19:20,600 --> 00:19:22,159
Speaker 2: That's why they don't understand it.

386
00:19:22,400 --> 00:19:25,200
Speaker 4: That's why this country is in the state that is

387
00:19:25,240 --> 00:19:26,800
Speaker 4: in right now because of.

388
00:19:27,600 --> 00:19:28,720
Speaker 2: Putting people over here.

389
00:19:28,720 --> 00:19:31,880
Speaker 4: You're putting immigrants over here, You're putting white folks over here,

390
00:19:31,880 --> 00:19:33,360
Speaker 4: You're putting Asian people over here.

391
00:19:33,359 --> 00:19:35,000
Speaker 5: What are you talking about. We all live in the

392
00:19:35,040 --> 00:19:37,720
Speaker 5: same spot. What are you talking about. That's why the

393
00:19:37,720 --> 00:19:39,840
Speaker 5: countries in the situation that it's in. It's got to

394
00:19:39,920 --> 00:19:44,040
Speaker 5: change because we're going to continue to see bad things

395
00:19:44,080 --> 00:19:45,520
Speaker 5: happen to an economy in New.

396
00:19:45,560 --> 00:19:49,800
Speaker 4: York, in la in Arizona, wherever it's going to be.

397
00:19:50,000 --> 00:19:51,840
Speaker 4: We have to come together because and New York has

398
00:19:51,880 --> 00:19:52,159
Speaker 4: done that.

399
00:19:52,200 --> 00:19:54,560
Speaker 2: We don't. We don't have no problem with that, but

400
00:19:55,080 --> 00:20:07,439
Speaker 2: it's got to change. Let's took the wires, hold up.

401
00:20:07,560 --> 00:20:09,679
Speaker 2: I never got an answer, never got a straight answer.

402
00:20:09,920 --> 00:20:11,680
Speaker 2: Oh you, let's put it on him. We're going to

403
00:20:11,720 --> 00:20:12,320
Speaker 2: put that right.

404
00:20:12,400 --> 00:20:16,920
Speaker 4: No, no, he get this stuff.

405
00:20:17,200 --> 00:20:18,119
Speaker 2: Laurie heard this.

406
00:20:19,160 --> 00:20:22,119
Speaker 7: That's Luri lo. Laurie makes it. Lorry let's make it happen.

407
00:20:22,520 --> 00:20:26,080
Speaker 7: I'm telling you, Glory's Laurie. It's the Bible of fifty

408
00:20:26,560 --> 00:20:29,679
Speaker 7: cut me in Lory Laurie.

409
00:20:29,880 --> 00:20:31,760
Speaker 4: You can't get no better than you know, this guy

410
00:20:31,760 --> 00:20:34,240
Speaker 4: don't even talk if he said definitely the bible.

411
00:20:35,040 --> 00:20:37,119
Speaker 2: You know what it is, it gotta go down. Twenty

412
00:20:37,200 --> 00:20:41,080
Speaker 2: thousand hours of video. I was in twenty thousand hours. Yeah,

413
00:20:41,080 --> 00:20:42,200
Speaker 2: but they were saying cap.

414
00:20:42,560 --> 00:20:47,960
Speaker 4: I was in events where he filmed it clean and everybody'd.

415
00:20:47,320 --> 00:20:50,399
Speaker 2: Be like, yo, you cap, you Cap, And I'm like, nod,

416
00:20:50,600 --> 00:20:53,280
Speaker 2: he grabbed the mic and no, just grabbed the mic.

417
00:20:53,760 --> 00:20:56,800
Speaker 2: And then I'm in the crowd a fan. I'm like,

418
00:20:57,320 --> 00:20:59,920
Speaker 2: but we never get to see these things he got.

419
00:21:00,400 --> 00:21:04,280
Speaker 4: So I wanted to digitize everything, from analog to digital.

420
00:21:04,320 --> 00:21:06,560
Speaker 4: We digitize everything. Now it's part of the Video Music

421
00:21:06,640 --> 00:21:09,719
Speaker 4: Box Collection. I look at it as the Rockefeller Collection

422
00:21:10,040 --> 00:21:12,320
Speaker 4: because this is the history of hip hop. You know,

423
00:21:12,400 --> 00:21:14,280
Speaker 4: it's not everything, of course, because it was just from

424
00:21:14,280 --> 00:21:18,880
Speaker 4: my lens, but it's nineteen eighty three, from nineteen eighty

425
00:21:18,920 --> 00:21:22,359
Speaker 4: three to present. You know, I was in Stand Island

426
00:21:22,480 --> 00:21:25,480
Speaker 4: last night. We rock in doing the party, still still

427
00:21:25,520 --> 00:21:29,159
Speaker 4: taping this stuff, and so we had to digitize it

428
00:21:29,160 --> 00:21:30,840
Speaker 4: because I had to have it in digital phonk because

429
00:21:30,840 --> 00:21:32,840
Speaker 4: that's the only way we can pass it around.

430
00:21:33,280 --> 00:21:35,560
Speaker 2: And so now it's archiving it. It's a lot of work.

431
00:21:35,600 --> 00:21:40,359
Speaker 5: It's like a real librarrian archivist work. But we're doing

432
00:21:40,400 --> 00:21:42,680
Speaker 5: it and it's and it's happened. But do we need help?

433
00:21:43,040 --> 00:21:46,400
Speaker 5: Absolutely absolutely we need help. So we're running it.

434
00:21:46,359 --> 00:21:49,760
Speaker 2: Up slory right after this glory. We need it, we

435
00:21:49,840 --> 00:21:52,199
Speaker 2: need it. I'm walking in broth. I don't do that

436
00:21:52,240 --> 00:21:53,480
Speaker 2: for now. I lost friends.

437
00:21:54,040 --> 00:21:56,680
Speaker 4: I lost I lost friends selling me Yo, I gotta

438
00:21:56,720 --> 00:21:57,600
Speaker 4: sit down with jay Z.

439
00:21:57,760 --> 00:22:01,320
Speaker 2: I said, fuck you gonna sit down Jess, motherfucker.

440
00:22:01,480 --> 00:22:03,879
Speaker 4: I ain't bringing you to jay Z for shit. I

441
00:22:03,960 --> 00:22:06,240
Speaker 4: tell you telling you I'm going up there. I tell

442
00:22:06,280 --> 00:22:09,280
Speaker 4: you like this, when when when I did my documentary,

443
00:22:09,840 --> 00:22:11,440
Speaker 4: I said I have to have jay Z in the

444
00:22:11,560 --> 00:22:12,760
Speaker 4: in the documentary.

445
00:22:12,840 --> 00:22:16,000
Speaker 5: And the people that I was working with at showtime

446
00:22:16,000 --> 00:22:18,040
Speaker 5: were like, well, you know jay Z. You know, if

447
00:22:18,080 --> 00:22:20,360
Speaker 5: he's not involved in it, he probably won't do it.

448
00:22:20,480 --> 00:22:23,439
Speaker 5: I said, I know him, I actually know, so they

449
00:22:23,440 --> 00:22:26,040
Speaker 5: were like, well you know. So then the day I

450
00:22:26,080 --> 00:22:30,320
Speaker 5: booked it, they were like your interviewing Jays. They called

451
00:22:30,359 --> 00:22:32,960
Speaker 5: me while I was sitting down with Jay here and

452
00:22:33,040 --> 00:22:35,960
Speaker 5: so I was like, yeah, well, why didn't you tell

453
00:22:36,000 --> 00:22:37,600
Speaker 5: us you guys didn't want to have anything to do?

454
00:22:37,640 --> 00:22:39,439
Speaker 5: You said he wouldn't do it, And I said, if

455
00:22:39,480 --> 00:22:41,320
Speaker 5: I didn't tell Jay that I was doing this, he'd

456
00:22:41,320 --> 00:22:42,720
Speaker 5: have been pissed off. And me like, why you didn't

457
00:22:42,760 --> 00:22:44,080
Speaker 5: ask me to be I'd like to have been part

458
00:22:44,080 --> 00:22:46,760
Speaker 5: of it. It's been disrespectful. He's part of this story,

459
00:22:47,119 --> 00:22:49,960
Speaker 5: you know, from day one. So these are the interview

460
00:22:50,040 --> 00:22:52,639
Speaker 5: These are the relationships that I have that you know,

461
00:22:52,840 --> 00:22:55,200
Speaker 5: people come and say, like, you guys always love.

462
00:22:55,720 --> 00:22:59,719
Speaker 2: I'm called Jada locks Yo, I gotta show what can

463
00:22:59,760 --> 00:23:00,399
Speaker 2: you do? All right?

464
00:23:00,480 --> 00:23:05,080
Speaker 5: Ralph, we got you, Joe always anytime. Just a fact,

465
00:23:05,160 --> 00:23:07,320
Speaker 5: Joe weird.

466
00:23:07,720 --> 00:23:12,080
Speaker 2: You know. Crazy question is do you ever look at

467
00:23:12,080 --> 00:23:14,720
Speaker 2: the success of hip hop and you know you paid

468
00:23:14,720 --> 00:23:19,080
Speaker 2: the way for so many people and you see everybody millionaires, billionaires?

469
00:23:19,080 --> 00:23:21,800
Speaker 4: Did you ever think that should have been not a

470
00:23:21,880 --> 00:23:25,600
Speaker 4: go fund me? But uh w mc daniel fund it's

471
00:23:25,680 --> 00:23:26,080
Speaker 4: out out.

472
00:23:26,119 --> 00:23:27,960
Speaker 5: So last night I was thinking about when I was

473
00:23:28,000 --> 00:23:30,560
Speaker 5: gonna see you guys, maybe they're gonna give me like

474
00:23:30,600 --> 00:23:31,760
Speaker 5: a million dollars When I.

475
00:23:31,680 --> 00:23:36,399
Speaker 2: Get they're like that.

476
00:23:36,520 --> 00:23:38,919
Speaker 4: You know, like we're getting you a deal. If I

477
00:23:38,960 --> 00:23:41,240
Speaker 4: went everywhere I went and I got a million dollars,

478
00:23:41,280 --> 00:23:43,879
Speaker 4: O know, you be out of control, you'd be a billionaire.

479
00:23:44,600 --> 00:23:45,640
Speaker 4: You gotta put this thing.

480
00:23:45,800 --> 00:23:48,920
Speaker 3: You gotta help them do this thing, Laurie. We're doing

481
00:23:49,000 --> 00:23:52,119
Speaker 3: it going upstairs the moments. You can't replace me. But

482
00:23:52,160 --> 00:23:54,359
Speaker 3: it's history. And I didn't get into it for the

483
00:23:54,400 --> 00:23:56,320
Speaker 3: money at first. I got into it because I just

484
00:23:56,400 --> 00:23:59,639
Speaker 3: loved music. I realized that you could make money out

485
00:23:59,640 --> 00:24:03,119
Speaker 3: of this thing later, But the history is super important

486
00:24:03,160 --> 00:24:07,040
Speaker 3: to me because currently, right now, this administration is cutting

487
00:24:07,040 --> 00:24:08,879
Speaker 3: off a lot of the stuff that is our story,

488
00:24:08,920 --> 00:24:10,399
Speaker 3: and we can't like it's for everybody.

489
00:24:10,440 --> 00:24:12,200
Speaker 4: It's not just for us. We didn't make You don't

490
00:24:12,200 --> 00:24:14,679
Speaker 4: make music just for black people all you know, you

491
00:24:14,680 --> 00:24:17,080
Speaker 4: don't make music with just for Latinos. And we make

492
00:24:17,119 --> 00:24:19,520
Speaker 4: it for whoever loves it. That's whoever loves hip hop.

493
00:24:19,880 --> 00:24:20,600
Speaker 2: That was the thing.

494
00:24:20,640 --> 00:24:22,600
Speaker 5: When I first went to the Fresh Vest in nineteen

495
00:24:22,640 --> 00:24:27,040
Speaker 5: eighty five, I walked in the National Coliseum and it

496
00:24:27,200 --> 00:24:31,200
Speaker 5: was everybody. It was Blacks, Asians, Latinos, everybody singing along

497
00:24:31,240 --> 00:24:34,840
Speaker 5: to Houdini, singing along to run DMC grand Master Flash,

498
00:24:34,880 --> 00:24:39,080
Speaker 5: Furious Five Fat Boys, and I was like, everybody loves this.

499
00:24:40,520 --> 00:24:43,160
Speaker 5: Everybody loves this. This is a big thing. You didn't

500
00:24:43,160 --> 00:24:44,320
Speaker 5: have to tell me nothing. After that.

501
00:24:45,040 --> 00:24:46,280
Speaker 2: You want to know what's crazy?

502
00:24:46,520 --> 00:24:50,160
Speaker 4: I go, uh, when I don't have no time, whatever,

503
00:24:50,160 --> 00:24:55,399
Speaker 4: I gotta cut today. I love these guys on YouTube

504
00:24:55,560 --> 00:24:59,160
Speaker 4: that go to Peru, go to China, go to Cuba,

505
00:24:59,560 --> 00:25:01,439
Speaker 4: go to the were just regular guys and they go

506
00:25:01,480 --> 00:25:04,720
Speaker 4: into the dangerous neighborhoods, they go into everything. And today

507
00:25:05,200 --> 00:25:08,040
Speaker 4: I was looking at Thailand and he showed all that shit.

508
00:25:08,119 --> 00:25:10,600
Speaker 4: Then he went to the club and it was Thailand.

509
00:25:10,680 --> 00:25:14,800
Speaker 4: People singing day dollar every word of day, not like

510
00:25:14,920 --> 00:25:19,040
Speaker 4: us in fucking Thailand, and they knew every fucking word.

511
00:25:19,080 --> 00:25:23,280
Speaker 4: And that's how I was taught from the from the

512
00:25:23,400 --> 00:25:26,960
Speaker 4: ancestors of hip hop, meaning that Africa band Bodies, grand

513
00:25:27,000 --> 00:25:31,480
Speaker 4: Master Flashes, the bel These guys taught me that hip

514
00:25:31,520 --> 00:25:36,000
Speaker 4: hop is almost like a religion, right, It's almost like

515
00:25:36,040 --> 00:25:36,640
Speaker 4: a religion.

516
00:25:37,240 --> 00:25:39,439
Speaker 2: And if you're true to it and you love it,

517
00:25:39,560 --> 00:25:41,280
Speaker 2: love it, love it, whether you dance.

518
00:25:41,160 --> 00:25:45,120
Speaker 8: Or you just listen to anything, you're part of the culture.

519
00:25:46,080 --> 00:25:46,600
Speaker 2: You're stuck.

520
00:25:48,000 --> 00:25:51,160
Speaker 4: Yeah, But that's how I was taught and so now

521
00:25:51,240 --> 00:25:54,680
Speaker 4: with segregation and all types of shit they try they

522
00:25:54,720 --> 00:25:56,879
Speaker 4: try to break shit up into that. The way I

523
00:25:57,119 --> 00:26:00,480
Speaker 4: was taught where is if you're part of the culture

524
00:26:00,560 --> 00:26:04,400
Speaker 4: and you love this culture, then you valid and you're part.

525
00:26:04,160 --> 00:26:04,960
Speaker 2: Of our family.

526
00:26:05,960 --> 00:26:09,440
Speaker 5: There has no color on it, there has no status

527
00:26:09,480 --> 00:26:13,320
Speaker 5: on the richest people in the world love it.

528
00:26:13,520 --> 00:26:16,720
Speaker 2: Come on, yo, it's crazy, right, I'll tell you something,

529
00:26:16,720 --> 00:26:18,719
Speaker 2: and I'm gonna let you talk ji because at this

530
00:26:18,760 --> 00:26:22,679
Speaker 2: point I think I'm talking too much. But I had

531
00:26:22,720 --> 00:26:25,080
Speaker 2: a friend of mine who was a rapper and he

532
00:26:25,200 --> 00:26:28,359
Speaker 2: was struggling, and I used to try to get them

533
00:26:28,359 --> 00:26:29,480
Speaker 2: shows and they wouldn't book them.

534
00:26:29,520 --> 00:26:32,879
Speaker 4: I'm talking about the legend, right. I would be like, Yo,

535
00:26:33,000 --> 00:26:35,040
Speaker 4: could you book such and such with me? You know

536
00:26:35,080 --> 00:26:37,880
Speaker 4: they booked me? Who is no, no, no, we can't do that.

537
00:26:38,280 --> 00:26:41,560
Speaker 4: But he was at a moment.

538
00:26:42,880 --> 00:26:48,640
Speaker 2: Where he was struggling and somebody invited me to meet

539
00:26:48,720 --> 00:26:53,600
Speaker 2: somebody having business or whatever with this billionaire dude in Mallible.

540
00:26:54,240 --> 00:26:55,560
Speaker 2: So the house.

541
00:26:56,760 --> 00:26:59,160
Speaker 4: It takes like five minutes to even get up there.

542
00:26:59,160 --> 00:27:01,080
Speaker 4: It's on the top of this shit over the This

543
00:27:01,160 --> 00:27:04,320
Speaker 4: ship was like a hundred million dollars, right, I get

544
00:27:04,359 --> 00:27:09,800
Speaker 4: in there, the man won't turn my guy's songs. Well,

545
00:27:09,960 --> 00:27:12,879
Speaker 4: yoh know, this is your guy, my favorite in the world.

546
00:27:13,240 --> 00:27:16,160
Speaker 4: This is the greatest guy. This is the best guy.

547
00:27:16,600 --> 00:27:17,800
Speaker 4: No one's better than him.

548
00:27:18,080 --> 00:27:20,760
Speaker 2: Oh my god. When I was in college and he just.

549
00:27:20,800 --> 00:27:25,520
Speaker 4: Kept playing this dude's shit and meanwhile I'm sitting there

550
00:27:25,560 --> 00:27:27,560
Speaker 4: and I'm like, yo, I can't get this guy five

551
00:27:27,680 --> 00:27:31,320
Speaker 4: grand and it's a billionaire ringing.

552
00:27:31,040 --> 00:27:34,960
Speaker 2: His ship every fucking album. He wouldn't turn the ship.

553
00:27:35,000 --> 00:27:36,800
Speaker 4: And I said, man, I wish I could tell him

554
00:27:37,160 --> 00:27:39,720
Speaker 4: that this guy fucked up. Maybe you're throwing a check

555
00:27:39,840 --> 00:27:42,040
Speaker 4: or some shit, but that's how him.

556
00:27:42,280 --> 00:27:44,359
Speaker 2: No, I can't. You know, I ain't gonna tell nobody

557
00:27:44,480 --> 00:27:45,240
Speaker 2: business like that.

558
00:27:45,720 --> 00:27:50,120
Speaker 1: You block them why he didn't tell the God about him?

559
00:27:50,160 --> 00:27:52,840
Speaker 2: They needed and he needed that. Keep that in mind, you,

560
00:27:52,960 --> 00:27:55,840
Speaker 2: my partner, that you might go some flyshing with they

561
00:27:55,880 --> 00:27:58,080
Speaker 2: keep playing fat Joe. You were like, yo, maybe you want.

562
00:27:57,920 --> 00:28:01,679
Speaker 6: To know he's like like this, you won one of

563
00:28:01,720 --> 00:28:02,919
Speaker 6: these paintings.

564
00:28:03,440 --> 00:28:05,399
Speaker 2: Like all they gotta do is give me a painting.

565
00:28:05,480 --> 00:28:09,040
Speaker 2: I don't get gifts right now, even on my birthday,

566
00:28:10,000 --> 00:28:15,040
Speaker 2: boxes screwdrivers and you know what's the wacky ship? Yo?

567
00:28:15,240 --> 00:28:17,359
Speaker 2: Guy got everything? What could I give you you a

568
00:28:17,440 --> 00:28:19,440
Speaker 2: fit excu that's the excuse.

569
00:28:19,480 --> 00:28:22,080
Speaker 4: They but that's just that's that's not you first. That's

570
00:28:22,080 --> 00:28:24,720
Speaker 4: all man, that's all men. They do that too, right.

571
00:28:25,160 --> 00:28:26,840
Speaker 4: It's like it was Father's Day.

572
00:28:26,880 --> 00:28:28,520
Speaker 2: He was like, Yo, all I got is a pair

573
00:28:28,560 --> 00:28:30,560
Speaker 2: of boxers turkey.

574
00:28:31,320 --> 00:28:34,920
Speaker 9: I got two turkey bacons. You got two turkey bacons too.

575
00:28:35,840 --> 00:28:36,080
Speaker 2: You know.

576
00:28:36,119 --> 00:28:38,960
Speaker 4: I had to talk with my family about chilling, like

577
00:28:39,200 --> 00:28:42,320
Speaker 4: stop spending. I had to go back with my daughter

578
00:28:42,360 --> 00:28:44,720
Speaker 4: first in this month, said, yo, the boxes is coming

579
00:28:44,800 --> 00:28:46,560
Speaker 4: back up, like I keep seeing the.

580
00:28:46,560 --> 00:28:49,000
Speaker 2: Boxes like I thought.

581
00:28:49,040 --> 00:28:52,840
Speaker 4: We had this conversation like this ship this bing bong,

582
00:28:53,080 --> 00:28:56,040
Speaker 4: three new boxes, fredix this this like yo, this kid

583
00:28:56,520 --> 00:29:00,560
Speaker 4: be the same conversation we had last month because starting

584
00:29:00,600 --> 00:29:03,880
Speaker 4: to ring off, you know, I mean that's where it's that.

585
00:29:04,040 --> 00:29:07,040
Speaker 2: Let me so you shot videos.

586
00:29:07,080 --> 00:29:09,760
Speaker 4: You went from putting the videos on and then you

587
00:29:09,840 --> 00:29:11,680
Speaker 4: started shooting all the video.

588
00:29:11,840 --> 00:29:15,280
Speaker 2: Hello ladies and gentlemen. How did he do how does

589
00:29:15,320 --> 00:29:20,120
Speaker 2: he do this? How did his go for it? We wait?

590
00:29:21,560 --> 00:29:25,360
Speaker 2: Cutting my next question off? You got it right? Answer

591
00:29:25,400 --> 00:29:28,640
Speaker 2: me that question, Jada was amazing. How you do it?

592
00:29:29,880 --> 00:29:33,920
Speaker 2: I'm in these dangers away, I'm Joey McDaniels. I'm in

593
00:29:33,960 --> 00:29:39,480
Speaker 2: to McDaniels. Tamp okay, I'm in the fucking family. I

594
00:29:39,520 --> 00:29:45,680
Speaker 2: see the meme already. I know I didn't. I didn't

595
00:29:45,760 --> 00:29:48,760
Speaker 2: happen for them all. I didn't. They're gonna sit for

596
00:29:48,840 --> 00:29:49,400
Speaker 2: this interview.

597
00:29:49,400 --> 00:29:52,000
Speaker 1: You're gonna see you and him in one thing on

598
00:29:52,080 --> 00:29:53,240
Speaker 1: the Instagram, lady.

599
00:29:53,400 --> 00:29:55,680
Speaker 2: I didn't prepare for this interview.

600
00:29:56,040 --> 00:30:00,520
Speaker 9: You know, I just got music in video direction career, Yes, sir,

601
00:30:00,720 --> 00:30:03,640
Speaker 9: in some incredible historic video.

602
00:30:04,000 --> 00:30:08,600
Speaker 1: Who dang cream nahs ain't all to tell raight one.

603
00:30:08,720 --> 00:30:13,800
Speaker 1: It's caut your weighted scoffee, Public Enemy featured ice Cube,

604
00:30:13,800 --> 00:30:16,600
Speaker 1: Big Daddy k Burn, Hollywood Burn.

605
00:30:17,120 --> 00:30:21,840
Speaker 2: What this tell us it? Let's see it. Let's start

606
00:30:21,920 --> 00:30:24,600
Speaker 2: with Wolang. So, for folks, this is the learning moment.

607
00:30:24,840 --> 00:30:27,320
Speaker 2: Williams was your intern. It was my intern.

608
00:30:28,480 --> 00:30:35,280
Speaker 4: So so in the beginning of hip hop, you didn't

609
00:30:35,280 --> 00:30:36,480
Speaker 4: necessarily get a video.

610
00:30:37,320 --> 00:30:39,120
Speaker 2: You didn't go in guarantee videos.

611
00:30:39,120 --> 00:30:41,960
Speaker 5: In the beginning, right, there were songs that were hit

612
00:30:42,040 --> 00:30:45,880
Speaker 5: records no video because nobody believed that it was gonna

613
00:30:45,920 --> 00:30:49,280
Speaker 5: go in further. Video was like an added a thing

614
00:30:49,640 --> 00:30:53,080
Speaker 5: at all. Right, So we used to sit around be like,

615
00:30:53,080 --> 00:30:55,360
Speaker 5: how is no video for this, were like, we need

616
00:30:55,360 --> 00:30:57,320
Speaker 5: to do a video for it. We got cameras and stuff,

617
00:30:57,400 --> 00:30:59,760
Speaker 5: Let's just do a video. So the first video I

618
00:30:59,800 --> 00:31:01,680
Speaker 5: did was for Roxane Chante.

619
00:31:02,080 --> 00:31:08,680
Speaker 4: Wow, Roxanne Roxanne, and I say rightly and I said,

620
00:31:09,960 --> 00:31:12,080
Speaker 4: this is an opportunity for us to have advantage.

621
00:31:12,320 --> 00:31:14,040
Speaker 5: Now people are going to still watch the show more

622
00:31:14,200 --> 00:31:16,160
Speaker 5: because they're going to see the rock Sanne Roxanne video

623
00:31:16,560 --> 00:31:17,160
Speaker 5: doesn't exist.

624
00:31:17,200 --> 00:31:20,320
Speaker 4: It's a record Mister Magic Molly mal They playing it

625
00:31:20,360 --> 00:31:21,840
Speaker 4: every week playing the where's.

626
00:31:21,480 --> 00:31:23,600
Speaker 2: Your So got a video? Now?

627
00:31:23,640 --> 00:31:26,440
Speaker 5: Boom, so a video comes out, so little moments like that.

628
00:31:26,880 --> 00:31:30,600
Speaker 5: From that, I meet Biz Marquis, we do Bismarcky videos.

629
00:31:30,640 --> 00:31:32,800
Speaker 5: From that, I meet Big Daddy Kane, we do Big

630
00:31:32,920 --> 00:31:35,120
Speaker 5: Daddy Camee videos. So now it's starting to grow. Then

631
00:31:35,160 --> 00:31:37,160
Speaker 5: we do Coogie Wrap, Then we do all these different

632
00:31:37,240 --> 00:31:39,320
Speaker 5: artists and culting. We did almost all the co chilling

633
00:31:39,400 --> 00:31:43,720
Speaker 5: videos x Clan. Then we did you know, it just grew.

634
00:31:44,080 --> 00:31:46,520
Speaker 4: But the reason why we did it is because there

635
00:31:46,600 --> 00:31:49,520
Speaker 4: was these videos didn't exist, and I would do it

636
00:31:50,240 --> 00:31:52,080
Speaker 4: with my equipment, so it helped the artist.

637
00:31:52,160 --> 00:31:54,040
Speaker 2: It was a little bit lower in price at that time.

638
00:31:54,080 --> 00:31:56,440
Speaker 5: Remember videos used to be one hundred and two hundred

639
00:31:56,480 --> 00:31:59,720
Speaker 5: thousand dollars to do. Now you could have an iPhone

640
00:31:59,720 --> 00:32:04,040
Speaker 5: and do it for ten dollars. So back then we

641
00:32:04,200 --> 00:32:06,520
Speaker 5: just wanted to get the videos out and our company

642
00:32:06,600 --> 00:32:07,600
Speaker 5: is called Classic Concept.

643
00:32:07,680 --> 00:32:11,920
Speaker 4: My partner Lino vid kid on Vig. We did all

644
00:32:11,960 --> 00:32:13,800
Speaker 4: those videos. We did over four hundred videos. We did

645
00:32:13,840 --> 00:32:16,080
Speaker 4: all of the Boys to Men first album that.

646
00:32:16,240 --> 00:32:18,680
Speaker 2: You fucked me up man, because that was my next question.

647
00:32:19,440 --> 00:32:21,320
Speaker 2: I get Devo Poison.

648
00:32:21,720 --> 00:32:24,800
Speaker 4: Oh my god, he did POI he said, but you

649
00:32:24,920 --> 00:32:27,440
Speaker 4: know the one I liked, the one y'all did the

650
00:32:27,560 --> 00:32:30,280
Speaker 4: new addition, Uh, Poison was the best.

651
00:32:30,360 --> 00:32:32,920
Speaker 2: But thought it was me. Yeah, I thought it was me.

652
00:32:33,160 --> 00:32:35,440
Speaker 2: I remember they had a party in the mansion and

653
00:32:36,360 --> 00:32:43,959
Speaker 2: oh y'all shot. Oh that was shit. Oh shit, all

654
00:32:44,040 --> 00:32:44,200
Speaker 2: of this.

655
00:32:44,600 --> 00:32:47,760
Speaker 4: So I'm meeting all of these guys, meeting actors. Nia

656
00:32:47,840 --> 00:32:50,040
Speaker 4: Long was in one of the BBDJ I never saw

657
00:32:50,080 --> 00:32:52,520
Speaker 4: me along on nothing before that. She's in the in

658
00:32:52,600 --> 00:32:55,200
Speaker 4: that in that big BBD video. She's a friend of

659
00:32:55,240 --> 00:32:58,080
Speaker 4: Mike Divs and we just well the people that were

660
00:32:58,120 --> 00:33:00,600
Speaker 4: making the videos. And I was also I did the

661
00:33:00,640 --> 00:33:03,640
Speaker 4: same as a Wu Tang commercial I was in. I

662
00:33:03,720 --> 00:33:06,560
Speaker 4: was in stanting Island last night and I was like this,

663
00:33:06,720 --> 00:33:08,400
Speaker 4: young guys with me, take us to park Hill. I

664
00:33:08,480 --> 00:33:10,120
Speaker 4: was like, bro, Saturday night, you.

665
00:33:11,040 --> 00:33:13,840
Speaker 2: Might you might not want said we'll ride through there

666
00:33:13,880 --> 00:33:15,440
Speaker 2: real quick. And I got to the block.

667
00:33:15,480 --> 00:33:17,920
Speaker 4: It was dark and it was Waiians on one on

668
00:33:18,000 --> 00:33:21,000
Speaker 4: each side said no, we're not doing that. But I

669
00:33:21,040 --> 00:33:23,840
Speaker 4: took him over to where the Wu Tang District is.

670
00:33:23,840 --> 00:33:25,880
Speaker 4: They got like a little areas called the Woo Tang District.

671
00:33:26,040 --> 00:33:27,000
Speaker 2: Damn took them over.

672
00:33:27,160 --> 00:33:29,800
Speaker 4: Yeah, yeah, yeah, it's it's it's like a designated you know,

673
00:33:30,280 --> 00:33:32,600
Speaker 4: a place for tourists. And I took him over there

674
00:33:32,600 --> 00:33:34,320
Speaker 4: and right across the street is where we shot the

675
00:33:36,040 --> 00:33:40,960
Speaker 4: video the commercial for UH say you know it's crazy.

676
00:33:41,000 --> 00:33:43,480
Speaker 4: I just pulled up to day. I was a little

677
00:33:43,560 --> 00:33:47,440
Speaker 4: late as I went to uh fat Man's scoops block. Yes,

678
00:33:47,640 --> 00:33:51,000
Speaker 4: shout out the fat Man, somebody I really really loved. Yes,

679
00:33:51,840 --> 00:33:54,160
Speaker 4: they give him a city block and this to see

680
00:33:54,600 --> 00:33:56,920
Speaker 4: just to see. It was yesterday, you know, so they

681
00:33:57,280 --> 00:33:58,960
Speaker 4: you know, they both. But I pulled up to that

682
00:33:59,080 --> 00:34:01,160
Speaker 4: Fat Man. I didn't even feel right. I was in

683
00:34:01,320 --> 00:34:03,840
Speaker 4: Vegas at of show. I was really upset.

684
00:34:03,880 --> 00:34:04,520
Speaker 2: I couldn't be love.

685
00:34:04,680 --> 00:34:07,040
Speaker 4: Yeah, I know, I used to listen to that overnights

686
00:34:07,080 --> 00:34:09,800
Speaker 4: on high Night memories, Overnights on Hot Now overnight so

687
00:34:09,920 --> 00:34:12,359
Speaker 4: high night, he said, Yo, I used to love fat Man.

688
00:34:12,480 --> 00:34:14,480
Speaker 4: I do love fat Man. It's cool, you know, and

689
00:34:15,440 --> 00:34:18,439
Speaker 4: whatever times I could share with him. Uh So, Nia

690
00:34:18,560 --> 00:34:19,840
Speaker 4: Long became a superstar.

691
00:34:19,960 --> 00:34:20,120
Speaker 6: You know.

692
00:34:20,200 --> 00:34:22,760
Speaker 4: It was a lot of girls that was like, featured

693
00:34:22,800 --> 00:34:26,080
Speaker 4: in my video. I had one girl featured in my video. No,

694
00:34:26,120 --> 00:34:29,520
Speaker 4: I'm telling you a true story. One girl featured in

695
00:34:29,600 --> 00:34:33,800
Speaker 4: my video one of my last videos. All right, I

696
00:34:33,840 --> 00:34:35,279
Speaker 4: don't want to tell her business.

697
00:34:35,080 --> 00:34:38,320
Speaker 8: Like this, but you gotta start saying the names. No, No,

698
00:34:38,560 --> 00:34:44,040
Speaker 8: she's beautiful, right, beyond beautiful. But she was a hairstylest.

699
00:34:45,160 --> 00:34:48,680
Speaker 8: She does the Fat Joe video. When I tell you

700
00:34:50,120 --> 00:34:53,479
Speaker 8: not a week later she so you stop?

701
00:34:54,520 --> 00:34:58,560
Speaker 2: Really, she ain't stopped being on private planes with Burkins,

702
00:34:58,680 --> 00:35:03,800
Speaker 2: with Egypt, with Afriker, would do bide like that video.

703
00:35:04,160 --> 00:35:08,560
Speaker 2: That ain't the girl's life like I've never seen beautiful.

704
00:35:08,680 --> 00:35:11,320
Speaker 2: My mother gave her that right. She went from.

705
00:35:11,280 --> 00:35:16,840
Speaker 4: Hairstylists to shot the Fat Joe video, and she won't

706
00:35:17,280 --> 00:35:19,640
Speaker 4: stop the jurry.

707
00:35:19,440 --> 00:35:23,120
Speaker 2: The bags, the flowers, the roses, the privates that this.

708
00:35:23,360 --> 00:35:24,440
Speaker 2: How don't you think she flies.

709
00:35:24,480 --> 00:35:27,680
Speaker 4: Commercial videos would have placed up before a movie, before

710
00:35:27,719 --> 00:35:30,000
Speaker 4: you got Before you got a movie, you could be.

711
00:35:30,040 --> 00:35:30,520
Speaker 2: In the video.

712
00:35:30,719 --> 00:35:33,600
Speaker 4: I'm sure's plenty of videos at the locksteps. Somebody could

713
00:35:33,600 --> 00:35:36,000
Speaker 4: be in the video, actor or somebody. The next thing,

714
00:35:36,040 --> 00:35:39,319
Speaker 4: you know, Booney in the movie Kevin Hart lean Back. Yeah, really,

715
00:35:39,719 --> 00:35:40,279
Speaker 4: I told you this.

716
00:35:40,719 --> 00:35:44,080
Speaker 2: He shot a two dollars movie somewhere in Philly before that.

717
00:35:44,560 --> 00:35:45,040
Speaker 2: Proud of that.

718
00:35:45,239 --> 00:35:47,719
Speaker 4: I met him, thought he was funny. I put him

719
00:35:47,760 --> 00:35:50,080
Speaker 4: in lean Back. He's the guy at the front door,

720
00:35:50,239 --> 00:35:52,080
Speaker 4: right right right, right right here, John and them, y'all

721
00:35:52,120 --> 00:35:52,840
Speaker 4: can't get in this.

722
00:35:53,040 --> 00:35:57,399
Speaker 2: This that. After that, I'm not taking credit for a shit,

723
00:35:57,440 --> 00:36:00,680
Speaker 2: but that was the lean Back. After that was soul Play.

724
00:36:01,640 --> 00:36:04,640
Speaker 4: No, after that he got popping. It was It's his

725
00:36:04,840 --> 00:36:08,360
Speaker 4: first big look. It's nowhere around it. There's nothing he

726
00:36:08,440 --> 00:36:10,920
Speaker 4: could say about it. It's nothing anybody could say about music.

727
00:36:11,040 --> 00:36:12,080
Speaker 2: Videos are like a movie.

728
00:36:12,360 --> 00:36:15,920
Speaker 3: Since we're talking about that, you co produced the cold

729
00:36:16,200 --> 00:36:17,520
Speaker 3: classic Juice.

730
00:36:18,440 --> 00:36:20,520
Speaker 2: Assoi hell did you do that? So?

731
00:36:20,680 --> 00:36:22,800
Speaker 4: Juice was the first movie I worked on, So I

732
00:36:22,920 --> 00:36:26,680
Speaker 4: worked with I never worked with Ernest Dickerson. He directed

733
00:36:26,760 --> 00:36:31,960
Speaker 4: Bless You and but the producer Moretz, the guy's last name.

734
00:36:32,040 --> 00:36:34,680
Speaker 4: He also went on to do like amazing movies. He

735
00:36:34,800 --> 00:36:37,320
Speaker 4: came to me and he said, look, nobody's responded. This

736
00:36:37,400 --> 00:36:38,160
Speaker 4: is early nineties.

737
00:36:38,239 --> 00:36:40,600
Speaker 5: Nobody's responded to me because kip Hop Movies was kind

738
00:36:40,640 --> 00:36:44,120
Speaker 5: of whack in the early nineties calling people. Nobody's called.

739
00:36:44,120 --> 00:36:48,239
Speaker 5: He might have called you good, were good. So he goes,

740
00:36:48,320 --> 00:36:50,320
Speaker 5: we got we got this movie. Can you come help it?

741
00:36:50,360 --> 00:36:52,440
Speaker 5: Can you rewrite it? I go to the office. It's

742
00:36:52,480 --> 00:36:56,440
Speaker 5: called Juice. I'm helping him rewrite it. The only person

743
00:36:56,520 --> 00:36:59,239
Speaker 5: we've cast it is this guy named Tupac. Tupac's not

744
00:36:59,320 --> 00:36:59,839
Speaker 5: out yet.

745
00:36:59,880 --> 00:37:01,600
Speaker 4: He's in quart of Digital Underground, but he's not like

746
00:37:01,680 --> 00:37:03,320
Speaker 4: people don't know him, kind of know his name, but

747
00:37:03,360 --> 00:37:07,439
Speaker 4: I don't know him. Like I'm going there. I said,

748
00:37:07,440 --> 00:37:09,800
Speaker 4: all right, I'll help you rewrite it. Called Queen Latifa

749
00:37:09,840 --> 00:37:12,520
Speaker 4: on the phone. Look, they're trying to get in contact

750
00:37:12,600 --> 00:37:12,759
Speaker 4: with you.

751
00:37:13,760 --> 00:37:14,319
Speaker 2: This is legit.

752
00:37:14,480 --> 00:37:16,120
Speaker 5: She said, you're working with him? I said, yeah, it

753
00:37:16,160 --> 00:37:19,040
Speaker 5: was all right, we'll see what's going on. She shows

754
00:37:19,120 --> 00:37:22,160
Speaker 5: up next thing, you know, Tretch shows up, next thing.

755
00:37:22,239 --> 00:37:24,600
Speaker 2: You know. All these different people start showing up just

756
00:37:24,680 --> 00:37:25,239
Speaker 2: because of.

757
00:37:25,360 --> 00:37:28,880
Speaker 5: You, validating validated, And I said, it's legit and that

758
00:37:29,080 --> 00:37:33,040
Speaker 5: was it, and it became, you know, a cold classic.

759
00:37:33,120 --> 00:37:34,719
Speaker 2: We didn't know when we was shooting you you don't know,

760
00:37:35,320 --> 00:37:37,320
Speaker 2: but it became a cold classic. All of the guys

761
00:37:37,360 --> 00:37:39,680
Speaker 2: in it. I got interviews behind the scenes. We haven't

762
00:37:39,680 --> 00:37:44,239
Speaker 2: put that out yet of juice. Why Torrero Brothers is there?

763
00:37:44,320 --> 00:37:45,879
Speaker 2: You know what. Therrero Brothers was there.

764
00:37:46,000 --> 00:37:46,800
Speaker 3: They was with me.

765
00:37:47,160 --> 00:37:48,359
Speaker 2: Yeah, there was a rod mess.

766
00:37:48,440 --> 00:37:51,239
Speaker 4: You know, we kind of like hate social media even though,

767
00:37:52,120 --> 00:37:53,920
Speaker 4: you know, because we came up at a time where

768
00:37:53,920 --> 00:37:55,040
Speaker 4: there was no social media.

769
00:37:55,120 --> 00:37:57,279
Speaker 2: But through social media, I learned a lot of things

770
00:37:57,360 --> 00:37:58,080
Speaker 2: I never knew.

771
00:37:58,760 --> 00:38:02,440
Speaker 4: Tupac walked all the ship we big enough ASoP Rocky

772
00:38:02,520 --> 00:38:04,759
Speaker 4: and all these guys for right now, Tupac was in

773
00:38:04,840 --> 00:38:12,279
Speaker 4: the Versace show walking the runway, and and uh, it's that.

774
00:38:12,640 --> 00:38:13,600
Speaker 2: He walked up in the show.

775
00:38:13,640 --> 00:38:16,400
Speaker 4: He had you know, of course Quincy Jones' daughter, Cadata,

776
00:38:16,920 --> 00:38:20,160
Speaker 4: which was his fiance, She must have plugged the men.

777
00:38:20,239 --> 00:38:23,839
Speaker 4: But he was there earlier than anybody. And Tupac when

778
00:38:23,880 --> 00:38:27,279
Speaker 4: he was Tupac was walking the runway. He was out

779
00:38:27,320 --> 00:38:29,879
Speaker 4: there in France, and they said people couldn't get enough

780
00:38:29,920 --> 00:38:31,640
Speaker 4: of it. He was he was a serious guy and

781
00:38:31,880 --> 00:38:35,120
Speaker 4: and when we shot the Juice. You know you have

782
00:38:35,280 --> 00:38:39,000
Speaker 4: the win a bago the thing. Girls are lined up

783
00:38:39,840 --> 00:38:44,359
Speaker 4: outside doing them. It's crazy. I'm like this, I want

784
00:38:44,880 --> 00:38:46,920
Speaker 4: you see women that you know. You're like, really, that's

785
00:38:46,960 --> 00:38:47,399
Speaker 4: what you're doing?

786
00:38:50,280 --> 00:38:53,759
Speaker 2: You know? Uh? I went to a concert the Big

787
00:38:53,840 --> 00:38:56,399
Speaker 2: Daddy Kinge was performing. How about this one? You want

788
00:38:56,440 --> 00:38:59,680
Speaker 2: to cap one? You want to yo yo yo. But

789
00:38:59,800 --> 00:39:03,759
Speaker 2: this this story been verified by Big Daddy Came. So

790
00:39:03,800 --> 00:39:05,239
Speaker 2: I'm just in the crowd as a fan.

791
00:39:05,360 --> 00:39:09,640
Speaker 4: It was one of them Buttwise and Superfest and the

792
00:39:09,800 --> 00:39:16,120
Speaker 4: crowd start going crazy and through the crowd Tupac should call.

793
00:39:16,040 --> 00:39:19,840
Speaker 2: From Juice the Juices out of redon Tupac walking with

794
00:39:19,920 --> 00:39:24,840
Speaker 2: the test You was dere wow, Oh, I'm there. I

795
00:39:24,880 --> 00:39:28,839
Speaker 2: know you're talking there. So I go. He walking through

796
00:39:29,880 --> 00:39:33,680
Speaker 2: and he's walking with Biggie Smalls. How about that.

797
00:39:34,760 --> 00:39:38,000
Speaker 4: The fucking garden is losing a fucking mind. I'm just

798
00:39:38,160 --> 00:39:41,239
Speaker 4: in the crowd watching Big Daddy Came before he.

799
00:39:41,400 --> 00:39:46,640
Speaker 2: Stops, yo crack. Come on, all I got out is

800
00:39:46,680 --> 00:39:48,719
Speaker 2: Flow Joe Flow Joe number one at the time, by

801
00:39:48,760 --> 00:39:52,719
Speaker 2: the way, to this party in bullshit Biggie Right, we

802
00:39:52,880 --> 00:39:53,800
Speaker 2: go on stage.

803
00:39:55,160 --> 00:39:59,760
Speaker 4: Evan MC eleven seven mc eleven's I'm standing on stage

804
00:40:00,120 --> 00:40:03,680
Speaker 4: next to them. That's crazy, Okay, I'm on stage in

805
00:40:03,800 --> 00:40:07,440
Speaker 4: Madison Square Garden with them. I remember Tupac pulling me

806
00:40:07,880 --> 00:40:11,319
Speaker 4: up on the stage. Biggie, but I got seven mecha

807
00:40:11,320 --> 00:40:16,560
Speaker 4: eleven's about eight. Tupac even saying yo, Fat Joe passing

808
00:40:16,600 --> 00:40:21,480
Speaker 4: the mic. Big Daddy came was like, not enough time, guys,

809
00:40:21,719 --> 00:40:25,880
Speaker 4: not enough time, shut Joe crackdown, not enough times?

810
00:40:26,440 --> 00:40:29,600
Speaker 2: This, this, that, this, this, It's cool because I knew

811
00:40:29,680 --> 00:40:32,480
Speaker 2: for a fact I wasn't as good as Tupac or Bis,

812
00:40:33,160 --> 00:40:34,120
Speaker 2: so I was cool.

813
00:40:34,200 --> 00:40:36,279
Speaker 4: They gave me a thick but Big Daddy came shut

814
00:40:36,360 --> 00:40:39,239
Speaker 4: it down, right, and that's the infamous.

815
00:40:39,320 --> 00:40:41,880
Speaker 2: I got seven mecha and no want niggas in the

816
00:40:41,960 --> 00:40:43,919
Speaker 2: pens free say nothing.

817
00:40:44,239 --> 00:40:44,840
Speaker 8: So now.

818
00:40:46,280 --> 00:40:49,360
Speaker 4: Years later I tell that story, right, and they that

819
00:40:49,719 --> 00:40:51,960
Speaker 4: might have started cap Heaven for Fat Joe.

820
00:40:51,920 --> 00:40:58,760
Speaker 2: Oh full of shit water this guy not him again,

821
00:40:59,440 --> 00:41:02,560
Speaker 2: But Big Daddy Kane went up to drink Champs and

822
00:41:02,680 --> 00:41:05,279
Speaker 2: Norrie asked him. You said, yeah, it's true, Joe was dead.

823
00:41:05,360 --> 00:41:05,520
Speaker 2: You know.

824
00:41:05,600 --> 00:41:07,920
Speaker 4: I was running out of time. I was headlining, so

825
00:41:08,000 --> 00:41:10,600
Speaker 4: I had to get to the hits. I said, Big

826
00:41:10,680 --> 00:41:12,680
Speaker 4: Daddy can't no, Fat Joe was going to be that

827
00:41:12,840 --> 00:41:15,839
Speaker 4: lean back fat Joe. No, he probably knew, he knew,

828
00:41:15,840 --> 00:41:16,600
Speaker 4: he knew who he was.

829
00:41:17,360 --> 00:41:19,239
Speaker 2: I didn't know I was gonna be the lean back

830
00:41:19,320 --> 00:41:22,600
Speaker 2: fat Joe or the Joey crack crack crack crack crack.

831
00:41:22,719 --> 00:41:26,120
Speaker 5: So Biggie was a fan of Big Daddy Kane. I

832
00:41:26,239 --> 00:41:30,200
Speaker 5: have footage of Kane of Kane performing in Deep in Brooklyn,

833
00:41:30,280 --> 00:41:33,720
Speaker 5: Food and Street the Hood, and Biggie's like a kid watching,

834
00:41:34,760 --> 00:41:36,160
Speaker 5: like studying everything that he did.

835
00:41:36,400 --> 00:41:38,560
Speaker 4: You know, he was everybody's face. He was a Big

836
00:41:38,640 --> 00:41:42,719
Speaker 4: Pun's favorite too. Yes, Big Big Pun love Kougie Rap

837
00:41:43,440 --> 00:41:46,040
Speaker 4: and Big Daddy Kane. They was his favorite. Like I

838
00:41:46,120 --> 00:41:48,120
Speaker 4: broke down the tears when he was at the funeral

839
00:41:48,200 --> 00:41:51,920
Speaker 4: and Koujie Rap walked up. I was just like because

840
00:41:51,960 --> 00:41:55,399
Speaker 4: I knew how much he earned g rapping and Big

841
00:41:55,520 --> 00:41:58,560
Speaker 4: Daddy King. Then you know it goes on to eminem

842
00:41:58,680 --> 00:42:02,400
Speaker 4: that whole kdence, that whole flow. You know what I'm saying,

843
00:42:02,760 --> 00:42:16,200
Speaker 4: Great ones, the greatest one. Yes, from what you think

844
00:42:16,280 --> 00:42:19,120
Speaker 4: is the best era in the hip hop, I'm nineties

845
00:42:19,160 --> 00:42:21,799
Speaker 4: early nineties, So from ninety to ninety five is when

846
00:42:21,880 --> 00:42:23,640
Speaker 4: I really was loving him so.

847
00:42:23,880 --> 00:42:26,440
Speaker 2: Nas jay z all that I felt. So you not

848
00:42:26,600 --> 00:42:30,839
Speaker 2: go you not ll Salt and Peppa Lati. No, I'm

849
00:42:30,960 --> 00:42:33,880
Speaker 2: I'm I'm ll Salt Pepper Lot. I know you love ll.

850
00:42:34,000 --> 00:42:37,160
Speaker 4: I have the footage at the FEVA when you had

851
00:42:37,200 --> 00:42:40,600
Speaker 4: them on stage. Joe was a promoter. It really helped

852
00:42:40,640 --> 00:42:43,279
Speaker 4: me out with this cap Centennaio. They got going on

853
00:42:43,480 --> 00:42:46,399
Speaker 4: with me because you got the proof rout. That's why

854
00:42:46,440 --> 00:42:49,120
Speaker 4: we got to make the documentary. You saw him come

855
00:42:49,200 --> 00:42:52,520
Speaker 4: up in the FEVA. Yeah, and that was it, Ja

856
00:42:52,760 --> 00:42:53,960
Speaker 4: and did he was his money and you.

857
00:42:54,040 --> 00:42:56,080
Speaker 2: Got the start. You said the same thing. You invited

858
00:42:56,120 --> 00:42:59,800
Speaker 2: Biggie to your birthday and he showed up and it

859
00:42:59,880 --> 00:43:02,040
Speaker 2: was the last thing you thought was gonna happen, and

860
00:43:02,040 --> 00:43:03,600
Speaker 2: he came up hung out all that correct.

861
00:43:04,920 --> 00:43:07,440
Speaker 4: Oh, No, same thing happened to me with Llo cool J.

862
00:43:07,719 --> 00:43:11,520
Speaker 4: Was like he hates when you say this. Well, he

863
00:43:11,719 --> 00:43:15,520
Speaker 4: was like justin Bieber, you know, no, it's the truth.

864
00:43:15,920 --> 00:43:19,239
Speaker 4: We never saw Llo cool J in the hood. He

865
00:43:19,400 --> 00:43:22,600
Speaker 4: got his stories, we never saw him. So when I

866
00:43:22,680 --> 00:43:24,160
Speaker 4: met him for the first time, I told him he

867
00:43:24,280 --> 00:43:27,799
Speaker 4: was my idol. I shot my shot and I said,

868
00:43:27,800 --> 00:43:29,800
Speaker 4: you know, by the way, you know I'm having my

869
00:43:29,920 --> 00:43:31,160
Speaker 4: birthday party.

870
00:43:30,960 --> 00:43:34,000
Speaker 2: Saturday at the Fever. Yeah.

871
00:43:34,080 --> 00:43:36,919
Speaker 4: He was like that place still open. I said, yeah,

872
00:43:36,960 --> 00:43:41,160
Speaker 4: it's open. He was like, Saturday this this we Yo, listen, bro.

873
00:43:42,880 --> 00:43:45,080
Speaker 4: I woke up that Saturday and I was like, the

874
00:43:45,360 --> 00:43:48,120
Speaker 4: last thing I thought was gonna happen was LL show up.

875
00:43:49,280 --> 00:43:51,239
Speaker 2: But I was praying for him to show up.

876
00:43:51,760 --> 00:43:54,840
Speaker 5: There was some real mcs on that stage. Yoh waited,

877
00:43:55,040 --> 00:43:58,040
Speaker 5: he waited, KRS One, he waited. He was like this, okay,

878
00:43:58,800 --> 00:44:02,319
Speaker 5: christ One was terror in the paint off. That motherfucker

879
00:44:03,120 --> 00:44:06,799
Speaker 5: caris won. We had rage, we had Lord Treik, beat

880
00:44:06,840 --> 00:44:07,240
Speaker 5: the guns.

881
00:44:07,280 --> 00:44:10,000
Speaker 4: We had a gangstall, we had the nast we had

882
00:44:10,120 --> 00:44:13,600
Speaker 4: the whole rap world was at the Fever. And then

883
00:44:13,680 --> 00:44:16,759
Speaker 4: all of a sudden, I hear girls screaming like yeah,

884
00:44:17,600 --> 00:44:19,719
Speaker 4: at like two three in the morning, you see the

885
00:44:19,840 --> 00:44:20,839
Speaker 4: red baseball cap.

886
00:44:21,120 --> 00:44:24,600
Speaker 2: The man walked up on that stage. I was like, Yo,

887
00:44:25,960 --> 00:44:29,960
Speaker 2: this is impossible to man kay the much shit. Nah,

888
00:44:30,080 --> 00:44:32,040
Speaker 2: that was the night you got it on film, got

889
00:44:32,080 --> 00:44:35,920
Speaker 2: it on films, got I phone, let it go. No, no, no,

890
00:44:37,000 --> 00:44:38,840
Speaker 2: your gutans will make it happen. Oh No.

891
00:44:39,000 --> 00:44:42,320
Speaker 3: We did pop Hall of Fame Award reship me in

892
00:44:42,560 --> 00:44:46,360
Speaker 3: nineteen ninety one. One of the earliest formal recognitions of

893
00:44:46,560 --> 00:44:48,120
Speaker 3: hip hop Right and Nicks.

894
00:44:47,920 --> 00:44:50,000
Speaker 4: Could have been I don't I don't even remember nineteen

895
00:44:50,080 --> 00:44:53,960
Speaker 4: that Oh you know what, Yes, okay, so that was me,

896
00:44:54,280 --> 00:44:55,760
Speaker 4: Molly Ma and Red Alert.

897
00:44:56,840 --> 00:44:57,640
Speaker 2: We got the award.

898
00:44:58,239 --> 00:45:02,400
Speaker 5: That's the same night NAS performs live at the barbecue

899
00:45:02,560 --> 00:45:05,280
Speaker 5: with Main Source. So if you ever say that footage,

900
00:45:05,719 --> 00:45:07,719
Speaker 5: that footage that was that night, that was that night,

901
00:45:07,800 --> 00:45:11,600
Speaker 5: it's like that, y'all, that large main Source comes out.

902
00:45:12,000 --> 00:45:19,000
Speaker 2: We got to wrap a nods fatal mocking Elly's crazy.

903
00:45:19,440 --> 00:45:23,440
Speaker 4: No, that ship, that energy right there, you know that

904
00:45:23,680 --> 00:45:27,000
Speaker 4: energy that's legendary energy.

905
00:45:27,280 --> 00:45:31,440
Speaker 2: Yeah, you know all that set it off when when

906
00:45:31,480 --> 00:45:33,720
Speaker 2: when I was twelve, I went to hellth snuff of Jesus.

907
00:45:33,760 --> 00:45:36,399
Speaker 2: That was that was like in your ass?

908
00:45:36,480 --> 00:45:40,160
Speaker 4: Could you played yourself? There's certain that was it that

909
00:45:40,320 --> 00:45:44,120
Speaker 4: will live forever? Right, yes, I'm thinking right now while

910
00:45:44,160 --> 00:45:48,240
Speaker 4: I'm looking at you. You a treasure chest of of moments.

911
00:45:48,680 --> 00:45:51,919
Speaker 4: But tell us about that moment where Karl Ka nine

912
00:45:52,040 --> 00:45:54,960
Speaker 4: had his ship going on. They had the Sean John

913
00:45:55,040 --> 00:45:56,480
Speaker 4: at this I knew I used to go to all

914
00:45:56,520 --> 00:45:59,560
Speaker 4: these events, had the fashion shows, a fashion show, so

915
00:45:59,680 --> 00:46:02,359
Speaker 4: people he used to what are y'all doing doing fashion shows?

916
00:46:02,360 --> 00:46:05,400
Speaker 2: I'm like, yo, this is before this hip hop. You know.

917
00:46:05,480 --> 00:46:07,680
Speaker 4: We was just going to to to the to the

918
00:46:08,040 --> 00:46:10,280
Speaker 4: to the store and buying some sneakers and some jeans,

919
00:46:10,680 --> 00:46:11,440
Speaker 4: and that was hip hop.

920
00:46:11,600 --> 00:46:14,040
Speaker 5: Okay, we're good. Got some air Force one, some Adidas

921
00:46:14,239 --> 00:46:17,040
Speaker 5: whatever it is, Bob, we got outfit. Now they're starting

922
00:46:17,080 --> 00:46:20,920
Speaker 5: to bring stylists into the game. Somebody addressed you bringing

923
00:46:20,960 --> 00:46:23,760
Speaker 5: you clothes. Carcani shows up, He lays out his clothes

924
00:46:23,800 --> 00:46:24,000
Speaker 5: for you.

925
00:46:24,080 --> 00:46:27,040
Speaker 2: What you want? Take him all? Karlca and I was

926
00:46:27,040 --> 00:46:30,680
Speaker 2: the best. He gave everybody stuff. Yes, still to this day.

927
00:46:31,040 --> 00:46:35,120
Speaker 5: And then came Fugle Fub comes to me, Damon John

928
00:46:36,080 --> 00:46:38,319
Speaker 5: and my man Keith that this four guys in food.

929
00:46:38,520 --> 00:46:41,840
Speaker 5: It comes to my office with the shirt, says, fub

930
00:46:42,080 --> 00:46:42,279
Speaker 5: want it?

931
00:46:42,840 --> 00:46:46,800
Speaker 2: What does that mean for us? By us? What's the

932
00:46:46,960 --> 00:46:48,880
Speaker 2: best thing I ever heard in my bread ship to this?

933
00:46:49,000 --> 00:46:54,279
Speaker 4: They reincordinated that ship every president, Yeah, everybody.

934
00:46:54,640 --> 00:46:57,720
Speaker 2: I said, yo, man, how many y'all got mad clothes?

935
00:46:57,840 --> 00:47:01,040
Speaker 2: He's like, this is it? We got we got ten shirts?

936
00:47:01,440 --> 00:47:01,839
Speaker 4: Is it? Right?

937
00:47:01,920 --> 00:47:01,960
Speaker 2: In?

938
00:47:02,400 --> 00:47:03,879
Speaker 5: I said, you'll make it some more because when y'all

939
00:47:04,040 --> 00:47:06,040
Speaker 5: be on video music box, it's gonna be off the hook,

940
00:47:06,760 --> 00:47:08,040
Speaker 5: and so Damon goes all right.

941
00:47:08,800 --> 00:47:10,960
Speaker 4: Next day they were like, we got to get a

942
00:47:11,000 --> 00:47:14,160
Speaker 4: distribution company. We need more people. And so that's how

943
00:47:14,960 --> 00:47:16,600
Speaker 4: that that company moves forward.

944
00:47:16,840 --> 00:47:18,919
Speaker 2: You know. I was the first person to sell fool

945
00:47:18,920 --> 00:47:19,680
Speaker 2: Boy in the Bronx.

946
00:47:20,160 --> 00:47:23,880
Speaker 4: Really in my in my clothing store was named was

947
00:47:24,040 --> 00:47:27,120
Speaker 4: named store Halftime halftime right, heyman, John pulled up.

948
00:47:27,080 --> 00:47:29,880
Speaker 2: In the Hootie. It was missing two fucking tires. It

949
00:47:30,000 --> 00:47:32,800
Speaker 2: was in the fucking big They had two donuts and

950
00:47:33,160 --> 00:47:37,359
Speaker 2: ship you have the donuts. He tells this story. Yes, loirk,

951
00:47:37,480 --> 00:47:39,439
Speaker 2: he pulls up. Yo, we got a clothing line.

952
00:47:39,480 --> 00:47:41,160
Speaker 4: I was the first to sell food Boy in the

953
00:47:41,200 --> 00:47:45,280
Speaker 4: Bronx and had Clue tapes, Brother tapes, mixtape.

954
00:47:45,280 --> 00:47:48,120
Speaker 2: Oh yeah, because that was the both of them, I

955
00:47:48,239 --> 00:47:50,960
Speaker 2: mean the first seven. And I made him take me

956
00:47:51,120 --> 00:47:55,080
Speaker 2: to a baseball game. I had a softball game.

957
00:47:55,120 --> 00:47:56,880
Speaker 4: And they would be like, yo, you just jumped in

958
00:47:56,960 --> 00:47:59,440
Speaker 4: the Hootie. Used got Joe already and you just were

959
00:47:59,480 --> 00:48:01,399
Speaker 4: I was like, fuck that. He said, you was saying

960
00:48:01,440 --> 00:48:05,040
Speaker 4: what's up to everybody out the HOOTI with the donuts, Yo, yo,

961
00:48:05,200 --> 00:48:09,920
Speaker 4: yo yo, but shout out the fooble go in the

962
00:48:10,040 --> 00:48:10,560
Speaker 4: round along.

963
00:48:10,960 --> 00:48:13,040
Speaker 2: Yeah, yeah, that was the thing, you know, so now

964
00:48:13,080 --> 00:48:14,400
Speaker 2: you got sorry.

965
00:48:15,000 --> 00:48:18,240
Speaker 4: I remember I saw one fashion show with Tyson Bedford.

966
00:48:18,280 --> 00:48:20,560
Speaker 4: Shout out Tyson Bedford. He got to rewind the tome,

967
00:48:20,640 --> 00:48:24,600
Speaker 4: you know. Bef was was the first one three while

968
00:48:24,640 --> 00:48:27,560
Speaker 4: you could be forty two, forty two when you could.

969
00:48:27,360 --> 00:48:28,160
Speaker 2: Be thirty one.

970
00:48:28,440 --> 00:48:32,800
Speaker 4: He was meeting mister shot, mister raff lurenn. He was

971
00:48:33,080 --> 00:48:36,399
Speaker 4: the only black person in the rafflerenn As. You want

972
00:48:36,440 --> 00:48:38,360
Speaker 4: to know what's crazy is I went to one of

973
00:48:38,440 --> 00:48:38,880
Speaker 4: them shows.

974
00:48:38,920 --> 00:48:39,920
Speaker 2: I don't know what you was.

975
00:48:40,040 --> 00:48:42,600
Speaker 4: I think of Jacob Javis and the man came out

976
00:48:42,760 --> 00:48:47,360
Speaker 4: into like a potato sack and was like hopping on

977
00:48:47,520 --> 00:48:50,120
Speaker 4: the ruck. This ship was an exciting time, bro, this

978
00:48:50,400 --> 00:48:53,560
Speaker 4: all no, I'm telling you. It was an exciting time

979
00:48:53,640 --> 00:48:56,160
Speaker 4: when they had the clothing brands and all that were

980
00:48:56,200 --> 00:48:59,320
Speaker 4: you at April walk up Naughty by Nature.

981
00:48:59,480 --> 00:49:00,520
Speaker 2: Everybody had a line.

982
00:49:01,480 --> 00:49:03,800
Speaker 5: Everybody had a line and it was and it was

983
00:49:03,880 --> 00:49:07,920
Speaker 5: working walk away wool with yeah, all of that. When

984
00:49:07,960 --> 00:49:10,600
Speaker 5: the wou did it, they had a store, Naughty by

985
00:49:10,719 --> 00:49:15,200
Speaker 5: Nature had a store all naughtied out, woos all wooed out.

986
00:49:15,520 --> 00:49:18,239
Speaker 2: It's crazy, man, that's the crazy. Who do you think?

987
00:49:18,719 --> 00:49:20,120
Speaker 2: Who would you say? A couple.

988
00:49:20,280 --> 00:49:21,800
Speaker 4: I'm not gonna put you on the spot like I

989
00:49:21,920 --> 00:49:27,040
Speaker 4: do Jada of unsung heroes like like rappers that should

990
00:49:27,080 --> 00:49:30,000
Speaker 4: have got more recognition than they did.

991
00:49:30,520 --> 00:49:33,080
Speaker 5: Wow, I think he gets it now. I think that

992
00:49:33,239 --> 00:49:35,279
Speaker 5: Noidy played a good role in for the Ground, for

993
00:49:35,360 --> 00:49:40,080
Speaker 5: the Underground with CNN. You know, I mean clearly I'm

994
00:49:40,120 --> 00:49:43,120
Speaker 5: a queen's guy, but I love you know, Mob Deep.

995
00:49:43,360 --> 00:49:46,279
Speaker 5: You know, just just the body of work is just

996
00:49:46,640 --> 00:49:49,920
Speaker 5: you know, the consistency, Like to me, it's like the Locks,

997
00:49:51,120 --> 00:49:55,440
Speaker 5: Mob Deep, you know, like blue collar hip hop to me.

998
00:49:55,560 --> 00:49:57,920
Speaker 5: And I I'm not trying to say that that's less then,

999
00:49:58,320 --> 00:50:00,759
Speaker 5: I'm just saying that's like work. And every time you

1000
00:50:00,840 --> 00:50:02,319
Speaker 5: hear it, you could feel the work, and you could

1001
00:50:02,320 --> 00:50:04,640
Speaker 5: hear the work. You can hear the work in kiss voice,

1002
00:50:04,840 --> 00:50:06,719
Speaker 5: you know, you can hear the work in styles. You

1003
00:50:06,760 --> 00:50:09,279
Speaker 5: can hear the work and styles you know. You know,

1004
00:50:09,400 --> 00:50:12,480
Speaker 5: it just goes on forever. And I think I've always

1005
00:50:12,520 --> 00:50:14,600
Speaker 5: been stuck in that lane of that type of music.

1006
00:50:14,840 --> 00:50:17,320
Speaker 5: Like I can tell when it's commercial, like I feel like,

1007
00:50:17,719 --> 00:50:19,200
Speaker 5: you know, okay, they're going.

1008
00:50:19,080 --> 00:50:21,400
Speaker 2: For the radio with this one. But I'm good with

1009
00:50:21,520 --> 00:50:24,120
Speaker 2: the third or fourth cut on the album. I'm good

1010
00:50:24,160 --> 00:50:24,960
Speaker 2: with that right there.

1011
00:50:25,760 --> 00:50:28,040
Speaker 4: You know, I felt you was gonna say somebody I

1012
00:50:28,520 --> 00:50:31,160
Speaker 4: saw you used to play what was that man's name?

1013
00:50:31,239 --> 00:50:33,520
Speaker 2: What was the guy's name? You played a lot of

1014
00:50:33,680 --> 00:50:39,120
Speaker 2: you put me on the reggae music. What was my man? Oh?

1015
00:50:39,239 --> 00:50:40,080
Speaker 2: Jamal skit.

1016
00:50:43,400 --> 00:50:43,680
Speaker 3: Buddy?

1017
00:50:44,200 --> 00:50:44,399
Speaker 2: Yeah.

1018
00:50:45,080 --> 00:50:47,120
Speaker 4: I thought you're gonna say, lock him ship bat you

1019
00:50:47,400 --> 00:50:50,600
Speaker 4: lock him Chappez Yeah, yeah, tru yest like, yeah, there's

1020
00:50:50,600 --> 00:50:51,919
Speaker 4: a lot of I was sawing un.

1021
00:50:54,480 --> 00:50:58,080
Speaker 2: All set us rich by the way they underground were rich.

1022
00:50:58,480 --> 00:51:01,280
Speaker 2: I was waiting for you to say something unsung souper

1023
00:51:01,560 --> 00:51:03,600
Speaker 2: so many I just I guess can't. So there's so

1024
00:51:03,680 --> 00:51:06,520
Speaker 2: many of them that over the years we've worked with

1025
00:51:06,960 --> 00:51:09,160
Speaker 2: So maybe you know the story. We got an episode

1026
00:51:09,239 --> 00:51:10,520
Speaker 2: on what we was talking about.

1027
00:51:10,640 --> 00:51:15,480
Speaker 4: Jersey, Yes, right, so Chill, rob G and Snap remember

1028
00:51:15,560 --> 00:51:18,160
Speaker 4: you played them both they had the same I was

1029
00:51:18,200 --> 00:51:19,120
Speaker 4: mad at the same time.

1030
00:51:19,440 --> 00:51:21,919
Speaker 2: How does it happen? I don't know, and I asked

1031
00:51:21,960 --> 00:51:23,280
Speaker 2: you happened?

1032
00:51:23,400 --> 00:51:25,959
Speaker 5: I think that you know, like back in the days,

1033
00:51:26,000 --> 00:51:29,640
Speaker 5: you would get they would license your music over to UK,

1034
00:51:30,239 --> 00:51:33,719
Speaker 5: or to Germany or to Japan or wherever. So it's

1035
00:51:34,120 --> 00:51:37,920
Speaker 5: a new version here, but they licensed it and put

1036
00:51:37,960 --> 00:51:41,560
Speaker 5: a whole nother artist on the record, and Snap comes

1037
00:51:41,600 --> 00:51:44,560
Speaker 5: out with this ding fucking record. I never understood, so

1038
00:51:44,719 --> 00:51:45,680
Speaker 5: they both us hits.

1039
00:51:45,760 --> 00:51:48,320
Speaker 4: Yet three years ago, I meet the guy Turbo that

1040
00:51:48,440 --> 00:51:50,360
Speaker 4: was the guy who was the rapper on the Snap record,

1041
00:51:51,080 --> 00:51:53,200
Speaker 4: and I met him in the in Wyo.

1042
00:51:53,440 --> 00:51:56,480
Speaker 5: It was a B boy contest or something. He was in, Yeah,

1043
00:51:56,600 --> 00:51:57,960
Speaker 5: and I went through the thing and they were like

1044
00:51:58,040 --> 00:52:01,160
Speaker 5: Turbos from Snappers here and I was like rude like that.

1045
00:52:02,200 --> 00:52:04,800
Speaker 5: He's looking at me like like, you know, don't have

1046
00:52:04,880 --> 00:52:05,480
Speaker 5: no beef with me.

1047
00:52:05,560 --> 00:52:07,319
Speaker 2: I'm it was a long time ago. I don't care.

1048
00:52:07,840 --> 00:52:10,239
Speaker 2: So we start talking and he was like, yeah, you know,

1049
00:52:10,400 --> 00:52:12,960
Speaker 2: he's like a big dude too. Oh no, he was

1050
00:52:13,040 --> 00:52:15,560
Speaker 2: big then. Just you look like, yeah, he was a

1051
00:52:15,600 --> 00:52:16,719
Speaker 2: big dude that, but I was.

1052
00:52:17,320 --> 00:52:19,239
Speaker 5: I played Jill rob G because that was the first

1053
00:52:19,239 --> 00:52:21,480
Speaker 5: one I had. I couldn't do that, you know, like

1054
00:52:21,560 --> 00:52:23,880
Speaker 5: and that that happens in the music business. You played

1055
00:52:23,880 --> 00:52:27,239
Speaker 5: the Snap too, not as much, not as much. He

1056
00:52:27,360 --> 00:52:30,040
Speaker 5: wasn't feeling it like that. I just felt like the principal,

1057
00:52:31,040 --> 00:52:34,440
Speaker 5: you know, like how we tea just passed away? What

1058
00:52:34,680 --> 00:52:37,640
Speaker 5: kind of Fuck Legends first video.

1059
00:52:37,960 --> 00:52:39,440
Speaker 4: One of the first people asked me it was the

1060
00:52:39,440 --> 00:52:41,719
Speaker 4: first hip hop video he played on videos, And I

1061
00:52:41,719 --> 00:52:44,480
Speaker 4: always say CD three Get Tough, and Howie T was

1062
00:52:44,520 --> 00:52:45,000
Speaker 4: in that group.

1063
00:52:45,040 --> 00:52:47,880
Speaker 2: I didn't know the world is rough, yeah tough. How

1064
00:52:47,960 --> 00:52:50,160
Speaker 2: we name all the world that roughs to get tough.

1065
00:52:51,440 --> 00:52:53,719
Speaker 2: I didn't know he was guy him as a coming up.

1066
00:52:54,320 --> 00:52:56,640
Speaker 2: Ain't got a problem with it. I look beautiful. I'm

1067
00:52:56,719 --> 00:52:59,760
Speaker 2: rewinded up legs. Get If I want to get.

1068
00:52:59,719 --> 00:53:02,560
Speaker 4: Drunk, I drink the so least my leg is getting strung.

1069
00:53:02,760 --> 00:53:05,439
Speaker 4: You know what I decided, I'm going into the gym.

1070
00:53:06,200 --> 00:53:08,400
Speaker 4: I'm gonna start working on my legs. You know what

1071
00:53:08,440 --> 00:53:12,319
Speaker 4: I'm saying, get them cock diesel, strong guy.

1072
00:53:12,400 --> 00:53:18,080
Speaker 2: You hear this guy God? But yeah, oh that was

1073
00:53:18,160 --> 00:53:18,560
Speaker 2: the time.

1074
00:53:18,640 --> 00:53:22,480
Speaker 4: But all that money talks, money talk, Yeah yeah, and

1075
00:53:22,600 --> 00:53:23,439
Speaker 4: you would play ship.

1076
00:53:23,520 --> 00:53:25,480
Speaker 2: I play a little freestyle, you know, because that was

1077
00:53:25,560 --> 00:53:25,919
Speaker 2: New York.

1078
00:53:26,440 --> 00:53:29,320
Speaker 5: You know, I'm gonna play you know, Sweet Sensation and

1079
00:53:29,440 --> 00:53:32,480
Speaker 5: the cover Girls and that kind of vibe because I

1080
00:53:32,640 --> 00:53:35,560
Speaker 5: was going to those spots ten eighteen, the rock Seeds,

1081
00:53:35,640 --> 00:53:37,359
Speaker 5: they was playing that. You know, you had to play,

1082
00:53:37,960 --> 00:53:42,200
Speaker 5: you know, certain records like that record So Hot that record, right,

1083
00:53:42,640 --> 00:53:46,880
Speaker 5: But the same dude who's producing for karras One produced

1084
00:53:46,960 --> 00:53:49,120
Speaker 5: that record, Like that dude.

1085
00:53:48,960 --> 00:53:52,719
Speaker 4: Who's like, there wasn't no no, there was nothing underground,

1086
00:53:53,239 --> 00:53:57,200
Speaker 4: you know what. I was with Spike in Brooklyn, Spike Lee. Yes,

1087
00:53:57,560 --> 00:54:01,520
Speaker 4: let me not say that lightly, but I'm with Spike

1088
00:54:01,680 --> 00:54:04,279
Speaker 4: Lee and he throws a party in Brooklyn. I going

1089
00:54:04,360 --> 00:54:06,959
Speaker 4: there and Homeboy was in there, the guy who may.

1090
00:54:07,000 --> 00:54:09,839
Speaker 2: Set it off. Oh straight, he performed set it off

1091
00:54:09,960 --> 00:54:13,080
Speaker 2: on the love y'all set it off. I was like,

1092
00:54:13,400 --> 00:54:14,640
Speaker 2: what the fuck?

1093
00:54:15,160 --> 00:54:17,919
Speaker 4: Hold on, hold on, hold on, Joe. So this he's

1094
00:54:18,000 --> 00:54:21,160
Speaker 4: part of my video music Box experience and I bought

1095
00:54:21,200 --> 00:54:23,200
Speaker 4: you guys something, So I think it's a good time

1096
00:54:23,360 --> 00:54:23,840
Speaker 4: to bring it.

1097
00:54:24,360 --> 00:54:24,920
Speaker 2: Bring it out.

1098
00:54:25,600 --> 00:54:27,960
Speaker 5: The video music Box Experiences of there's a party that

1099
00:54:28,080 --> 00:54:30,480
Speaker 5: we do with all different types of artists.

1100
00:54:30,520 --> 00:54:36,440
Speaker 2: So Straf is one of the main people. You got

1101
00:54:36,480 --> 00:54:39,040
Speaker 2: the suit in there. You're looking at a fat rack

1102
00:54:41,440 --> 00:54:45,600
Speaker 2: like a fat no, I got that question.

1103
00:54:46,239 --> 00:54:49,200
Speaker 5: It's called a video music Box experience. It's a party

1104
00:54:49,760 --> 00:54:52,920
Speaker 5: from all different generations. So we'll have last last time

1105
00:54:52,960 --> 00:54:56,319
Speaker 5: we had group Home. Oh I love them.

1106
00:54:56,719 --> 00:55:03,359
Speaker 4: They was at his birthday party right day was group

1107
00:55:03,400 --> 00:55:06,000
Speaker 4: Home in years Yeah, I love those guys. That was

1108
00:55:06,040 --> 00:55:11,880
Speaker 4: wife Donald, Little dapt Malaka. They came through little Dappers

1109
00:55:12,200 --> 00:55:15,799
Speaker 4: did he bopping it ship? That's real hip hop.

1110
00:55:16,120 --> 00:55:18,399
Speaker 2: That was the real hip hop ship right there. Yeah

1111
00:55:19,160 --> 00:55:21,680
Speaker 2: Malachi that Yeah, I love those guys.

1112
00:55:21,760 --> 00:55:25,560
Speaker 4: A big sugar and anything that Premo has something to

1113
00:55:25,640 --> 00:55:29,680
Speaker 4: do with, shout out the Pange everybody, everything, Primo.

1114
00:55:29,440 --> 00:55:30,680
Speaker 2: Has to do what it was like.

1115
00:55:30,840 --> 00:55:33,879
Speaker 5: Premo said that was one of his favorite albums because

1116
00:55:33,880 --> 00:55:35,440
Speaker 5: he did most of the album and he felt like

1117
00:55:35,480 --> 00:55:36,560
Speaker 5: that was one of his best words.

1118
00:55:37,239 --> 00:55:38,080
Speaker 2: That group Home album.

1119
00:55:39,640 --> 00:55:45,560
Speaker 4: Them beats on his timeless so time disgusted. Yeah, yeah,

1120
00:55:46,040 --> 00:55:48,440
Speaker 4: anytime you hear about videos, boxing is a vibe.

1121
00:55:48,680 --> 00:55:52,799
Speaker 5: It's fun. It's for all ages. People sing along, they

1122
00:55:53,080 --> 00:55:57,480
Speaker 5: rap along, they dancing. And I've been seeing him sold out.

1123
00:55:57,640 --> 00:55:59,959
Speaker 5: All the parties you've been throwing is sold out. Crazy

1124
00:56:00,040 --> 00:56:02,239
Speaker 5: big up late development my partner. You know, I work

1125
00:56:02,280 --> 00:56:02,799
Speaker 5: a lot man.

1126
00:56:02,880 --> 00:56:04,640
Speaker 4: Every time I try to sneak up in there to

1127
00:56:04,760 --> 00:56:07,480
Speaker 4: give you a little fat yo I'm watching from like

1128
00:56:07,640 --> 00:56:11,120
Speaker 4: Vegas or La or some ship like that, I'm like, damn, you.

1129
00:56:11,160 --> 00:56:13,719
Speaker 2: Always been there. That gotta be for fun. Yeah, yeah,

1130
00:56:13,880 --> 00:56:16,439
Speaker 2: I'm always be there. Yes, sir, you know what I'm saying,

1131
00:56:16,520 --> 00:56:18,320
Speaker 2: you know, I pulled up in Brooklyn. You know what

1132
00:56:18,360 --> 00:56:20,840
Speaker 2: I'm saying. Right Coney Island, Remember, heyb.

1133
00:56:21,120 --> 00:56:25,439
Speaker 4: Here, Coney Island was sick, crazy, I like that last

1134
00:56:25,480 --> 00:56:28,240
Speaker 4: week in Brooklyn to the to the to the funeral,

1135
00:56:28,320 --> 00:56:30,440
Speaker 4: and I just I felt like I had to be there.

1136
00:56:30,800 --> 00:56:34,640
Speaker 4: I felt like, you know, everybody, So my my brother

1137
00:56:34,760 --> 00:56:37,920
Speaker 4: Raises Ony Ray was you know, you deal with somebody

1138
00:56:38,000 --> 00:56:42,120
Speaker 4: for ship almost thirty five years, me and him doing

1139
00:56:42,160 --> 00:56:44,600
Speaker 4: stuff raise the kind of person with cold.

1140
00:56:44,920 --> 00:56:47,000
Speaker 5: You gotta get Jada kissed today, he's got to be

1141
00:56:47,080 --> 00:56:48,640
Speaker 5: on the show. And I'm like, and then it was

1142
00:56:48,680 --> 00:56:50,920
Speaker 5: standing in front of me, so you're waiting for me

1143
00:56:51,000 --> 00:56:52,719
Speaker 5: to call him right now, Like I have to do

1144
00:56:52,840 --> 00:56:55,520
Speaker 5: that right now, you know, like he'd be pressuring me

1145
00:56:55,960 --> 00:56:58,440
Speaker 5: because he just he's Jada loves you, Ralph. And I'm like,

1146
00:56:58,800 --> 00:57:01,279
Speaker 5: but Jada has no life, bro, I just can't turn

1147
00:57:01,400 --> 00:57:04,319
Speaker 5: up then do something. I can't ask Joe. But he's

1148
00:57:04,360 --> 00:57:05,560
Speaker 5: that kind of He's that guy.

1149
00:57:06,000 --> 00:57:08,440
Speaker 2: You know, without that energy, there never would have been

1150
00:57:08,480 --> 00:57:10,200
Speaker 2: a DJ Khaled. Wow.

1151
00:57:10,360 --> 00:57:13,960
Speaker 4: There's stories of Calid climbing over gates for certain artists

1152
00:57:14,040 --> 00:57:14,960
Speaker 4: to get on the songs.

1153
00:57:15,880 --> 00:57:19,520
Speaker 2: He he made me get Eminem on the Lean Back Remax.

1154
00:57:20,000 --> 00:57:21,560
Speaker 2: He was like, you can get the white boy, you

1155
00:57:21,600 --> 00:57:23,920
Speaker 2: could get him. I said, Bro, that man is not

1156
00:57:24,200 --> 00:57:26,680
Speaker 2: thinking about me. Bro. He was like, get him, get

1157
00:57:26,720 --> 00:57:28,840
Speaker 2: the white boy, get the white He put the battery

1158
00:57:28,920 --> 00:57:32,440
Speaker 2: in my back so much that I threw out the kite. Yo,

1159
00:57:32,560 --> 00:57:35,040
Speaker 2: you think you want to get on this song? And

1160
00:57:35,160 --> 00:57:38,080
Speaker 2: he said yes, I ain't never gonna forget Eminem.

1161
00:57:38,280 --> 00:57:41,120
Speaker 4: He broke his promise because when he got on that song,

1162
00:57:41,160 --> 00:57:44,400
Speaker 4: he said, you got one favorite, Joe, So I getting

1163
00:57:44,400 --> 00:57:47,000
Speaker 4: on the remix on the Name Back and then he got.

1164
00:57:46,920 --> 00:57:49,160
Speaker 2: Back on my album a couple of years later. So

1165
00:57:49,320 --> 00:57:52,360
Speaker 2: he did two for me. But it's guys like that.

1166
00:57:52,560 --> 00:57:57,400
Speaker 4: So when you got when you got nas, you got

1167
00:57:57,560 --> 00:58:00,680
Speaker 4: jay Z on your documentary, you know this is my

1168
00:58:00,840 --> 00:58:01,480
Speaker 4: one favorite.

1169
00:58:01,480 --> 00:58:06,600
Speaker 2: I gotta ask, yeah, this is it? Oh yass? I

1170
00:58:06,760 --> 00:58:08,680
Speaker 2: pulled I went to him. I went and got him

1171
00:58:08,720 --> 00:58:10,680
Speaker 2: in Miami. I pulled up.

1172
00:58:11,160 --> 00:58:14,439
Speaker 4: I was dead, and they know what Cali caught Cold

1173
00:58:14,560 --> 00:58:15,320
Speaker 4: caught Covid.

1174
00:58:15,400 --> 00:58:16,720
Speaker 2: Nobody wanted to say what it was.

1175
00:58:16,960 --> 00:58:18,800
Speaker 4: None of he caught Covid that ship. He was the

1176
00:58:18,880 --> 00:58:20,880
Speaker 4: only person that that shit was like the ant told

1177
00:58:20,920 --> 00:58:24,560
Speaker 4: nobody we got COVID. He said, this guy calend is

1178
00:58:24,600 --> 00:58:26,000
Speaker 4: in the house all the time. How the hell did

1179
00:58:26,040 --> 00:58:29,040
Speaker 4: he get COVID? Yo, bros in the house the man

1180
00:58:29,280 --> 00:58:32,240
Speaker 4: Calic one time and and and this is all love,

1181
00:58:33,640 --> 00:58:35,400
Speaker 4: but w it's the COVID.

1182
00:58:35,520 --> 00:58:37,880
Speaker 2: Right, I'm one of the only guys. They test everybody.

1183
00:58:38,200 --> 00:58:41,440
Speaker 2: We need to walk in his house. You gotta get tested.

1184
00:58:41,680 --> 00:58:44,840
Speaker 4: The barber was wearing like one of them fucking spacesuits

1185
00:58:45,520 --> 00:58:48,120
Speaker 4: like like this. One day he almost fainted. The barber,

1186
00:58:49,000 --> 00:58:51,360
Speaker 4: no send, the barber did like this. We had to

1187
00:58:51,400 --> 00:58:53,000
Speaker 4: grab him. I was like, yo, this ship was like

1188
00:58:53,080 --> 00:58:55,400
Speaker 4: it was in Miami a thousand degrees and he was

1189
00:58:55,480 --> 00:58:57,720
Speaker 4: cutting his ship outside because he couldn't go in the house.

1190
00:58:57,920 --> 00:59:02,160
Speaker 4: He had a space suit. Right, I'm like your Calid

1191
00:59:02,200 --> 00:59:05,360
Speaker 4: man getting get a mess of water something. So when

1192
00:59:05,400 --> 00:59:09,760
Speaker 4: he caught bro Calid was one of the most paranoid

1193
00:59:09,840 --> 00:59:11,560
Speaker 4: guys with COVID in the world.

1194
00:59:12,080 --> 00:59:15,240
Speaker 2: And so I remember when he caught COVID. I'm looking

1195
00:59:15,280 --> 00:59:17,400
Speaker 2: at and you know what else? Color did KLi. You know,

1196
00:59:19,160 --> 00:59:21,480
Speaker 2: we all got brothers that we love, but some of

1197
00:59:21,520 --> 00:59:22,520
Speaker 2: them is pretty weird.

1198
00:59:22,640 --> 00:59:22,760
Speaker 4: Right.

1199
00:59:23,400 --> 00:59:26,560
Speaker 2: Not only did Calech catch COVID, but.

1200
00:59:26,640 --> 00:59:30,760
Speaker 4: He made everybody take a COVID test, not because they

1201
00:59:30,800 --> 00:59:31,520
Speaker 4: could have COVID.

1202
00:59:31,760 --> 00:59:34,920
Speaker 2: He wanted to know where he got COVID from. He

1203
00:59:34,960 --> 00:59:35,440
Speaker 2: wanted to know.

1204
00:59:35,480 --> 00:59:38,880
Speaker 4: If I gave him covidor this one gave him COVID.

1205
00:59:39,000 --> 00:59:42,880
Speaker 2: The barber he made all of it. No, no, but

1206
00:59:43,040 --> 00:59:46,560
Speaker 2: he made us go to the real doctor. Urgent can't

1207
00:59:46,680 --> 00:59:49,680
Speaker 2: get COVID tests because he wanted to know who gave

1208
00:59:49,760 --> 00:59:52,040
Speaker 2: it to him. Did you ever find No? But I

1209
00:59:52,160 --> 00:59:55,560
Speaker 2: was talking to him out the window. He's like he

1210
00:59:55,680 --> 00:59:59,080
Speaker 2: had doctors twenty four hours, like you know you got

1211
00:59:59,600 --> 01:00:03,240
Speaker 2: he's It was like, look, Kelly's pretty upsetsive gotta get

1212
01:00:03,280 --> 01:00:05,400
Speaker 2: it rough me tell him, you gotta get with him.

1213
01:00:05,440 --> 01:00:07,600
Speaker 2: And he was like, yo, I got COVID. I went

1214
01:00:07,680 --> 01:00:10,400
Speaker 2: to his house to nick Man. They had him like

1215
01:00:11,440 --> 01:00:13,640
Speaker 2: like when Trump caught COVID. You know how they took

1216
01:00:13,680 --> 01:00:17,360
Speaker 2: him to the special doctor. That man had doctors in there.

1217
01:00:17,520 --> 01:00:19,960
Speaker 2: Like it was like he was aye, like you could

1218
01:00:20,000 --> 01:00:24,720
Speaker 2: tell he was gonna be a cod huh oh no,

1219
01:00:24,840 --> 01:00:27,000
Speaker 2: no no. At that time, it was like you caught COVID.

1220
01:00:27,800 --> 01:00:28,600
Speaker 2: People were dying.

1221
01:00:28,640 --> 01:00:30,560
Speaker 4: It was a very he caught it, like at the

1222
01:00:30,840 --> 01:00:32,960
Speaker 4: serious time where everybody was dying.

1223
01:00:33,120 --> 01:00:36,640
Speaker 2: This this that it wasn't COVID. Later, you know what

1224
01:00:36,720 --> 01:00:37,360
Speaker 2: I'm saying.

1225
01:00:37,120 --> 01:00:40,480
Speaker 10: It's only serious and if something, he won't I knew

1226
01:00:40,520 --> 01:00:44,520
Speaker 10: a guy that worked for Nike man such a beautiful guy,

1227
01:00:44,880 --> 01:00:47,160
Speaker 10: and he's one of the first guys that caught COVID.

1228
01:00:47,400 --> 01:00:48,680
Speaker 2: It was a beautiful guy.

1229
01:00:49,600 --> 01:00:51,520
Speaker 4: And when he went to the hospital, I think he

1230
01:00:51,600 --> 01:00:55,880
Speaker 4: went in there by himself. You know, your family can't.

1231
01:00:55,760 --> 01:00:58,160
Speaker 2: Go in there. And they had everybody dead in like

1232
01:00:58,280 --> 01:01:00,560
Speaker 2: the hallways and all that, and I think he died

1233
01:01:00,640 --> 01:01:03,240
Speaker 2: scared to death. He had COVID. Facts.

1234
01:01:03,600 --> 01:01:07,160
Speaker 4: No, I'm just a very serious I'm not being funny.

1235
01:01:07,200 --> 01:01:09,800
Speaker 4: I'm just saying, you know, if they take you in

1236
01:01:09,880 --> 01:01:14,400
Speaker 4: the hospital, if it's funny, I'm gonna erase them this ship.

1237
01:01:14,520 --> 01:01:15,840
Speaker 4: I don't want to be I don't want this to

1238
01:01:15,920 --> 01:01:18,880
Speaker 4: be funny. I'm just saying, if they take you in there,

1239
01:01:19,800 --> 01:01:22,000
Speaker 4: you sick, and everybody's.

1240
01:01:21,560 --> 01:01:28,040
Speaker 2: Dad in the hallways and we've seen it. He had COVID. No, No,

1241
01:01:28,160 --> 01:01:30,240
Speaker 2: you couldn't leave once you went in there. I can't

1242
01:01:30,520 --> 01:01:31,880
Speaker 2: I go with so where's mad?

1243
01:01:32,000 --> 01:01:37,320
Speaker 4: Dead body's But people like like especially the older family,

1244
01:01:37,440 --> 01:01:38,880
Speaker 4: topped me up the back and all.

1245
01:01:40,160 --> 01:01:42,080
Speaker 2: But the older people thought, you know, they believe in

1246
01:01:42,120 --> 01:01:45,160
Speaker 2: whatever the doctor says. Go in somewhere. I don't care

1247
01:01:45,240 --> 01:01:48,000
Speaker 2: if you could walk and talk it slid, drag your

1248
01:01:48,080 --> 01:01:51,400
Speaker 2: foot and you see mad dead body. Drag your head

1249
01:01:52,000 --> 01:01:54,680
Speaker 2: out the door again. It listens, listen to kiss.

1250
01:01:55,160 --> 01:01:59,520
Speaker 1: It's three uncles in it, Uncle Luke, his uncle Snoop

1251
01:01:59,800 --> 01:02:01,040
Speaker 1: and his uncle Ralph.

1252
01:02:01,640 --> 01:02:07,560
Speaker 2: You the you they uncle reg So you can't figure here,

1253
01:02:07,640 --> 01:02:13,800
Speaker 2: We can't. We can't leave you out on you. Everybody's uncle.

1254
01:02:14,200 --> 01:02:17,600
Speaker 2: You've been uncle before, you was oup. How you feel

1255
01:02:17,600 --> 01:02:20,080
Speaker 2: about it? I mean you look, look, Red is the

1256
01:02:20,160 --> 01:02:22,439
Speaker 2: one who made me Uncle Ralph. He called me uncle Ralph.

1257
01:02:22,520 --> 01:02:26,400
Speaker 5: So he said, he said, look, go see Ralph, because

1258
01:02:26,440 --> 01:02:28,520
Speaker 5: he's going to tell you and give you the plug

1259
01:02:28,640 --> 01:02:30,360
Speaker 5: to the next move that you gotta make.

1260
01:02:30,840 --> 01:02:33,120
Speaker 2: So that's what your uncle's supposed to do. Hook you up,

1261
01:02:33,600 --> 01:02:34,280
Speaker 2: all right? I got you.

1262
01:02:34,400 --> 01:02:36,960
Speaker 4: Go over here, Go see Joe, Go see Jada, go

1263
01:02:37,040 --> 01:02:38,640
Speaker 4: see whoever. And they were going to tell you what

1264
01:02:38,760 --> 01:02:41,000
Speaker 4: to do next. I don't know, go see them. And

1265
01:02:41,680 --> 01:02:43,560
Speaker 4: when they come, Jada goes, yeah, I got you both.

1266
01:02:43,760 --> 01:02:45,800
Speaker 4: And that was what the uncle thing was, just to

1267
01:02:45,920 --> 01:02:49,800
Speaker 4: pass it on the information. No, no, no blocking, no

1268
01:02:50,120 --> 01:02:53,280
Speaker 4: you know, no no gateholding. You know, just come on, man,

1269
01:02:53,360 --> 01:02:54,720
Speaker 4: we all want to win. You know, as long as

1270
01:02:54,720 --> 01:02:57,360
Speaker 4: he's not gonna get you in no trouble, that's awesome.

1271
01:02:58,480 --> 01:03:01,840
Speaker 2: Listen, man, this is the legendary. I don't know how

1272
01:03:01,840 --> 01:03:02,720
Speaker 2: to explain it to you.

1273
01:03:02,960 --> 01:03:05,080
Speaker 4: If you from outside of New York City and you

1274
01:03:05,240 --> 01:03:08,960
Speaker 4: don't quite understand, uh, I say, what's the name of

1275
01:03:09,000 --> 01:03:09,840
Speaker 4: the documentary?

1276
01:03:10,440 --> 01:03:10,680
Speaker 2: Ralph?

1277
01:03:11,040 --> 01:03:15,400
Speaker 4: You're watching video music Boxes directed by NAS and it's

1278
01:03:15,520 --> 01:03:16,320
Speaker 4: on showtime.

1279
01:03:16,720 --> 01:03:19,200
Speaker 2: You can watch it still. Now, you can't get a

1280
01:03:19,280 --> 01:03:22,800
Speaker 2: guy like Nas to go direct ship. I just wanted

1281
01:03:22,840 --> 01:03:25,240
Speaker 2: to do it. I know he did. Ja wanted to

1282
01:03:25,320 --> 01:03:28,640
Speaker 2: do it. I wanted to everybody wanted to do it.

1283
01:03:28,720 --> 01:03:29,920
Speaker 2: And when you call you get this.

1284
01:03:30,520 --> 01:03:34,520
Speaker 3: You probably wanted to people that can call anybody that

1285
01:03:34,720 --> 01:03:39,240
Speaker 3: get a yes when you get a first ring ante

1286
01:03:39,360 --> 01:03:40,680
Speaker 3: and you get a yes when you.

1287
01:03:40,760 --> 01:03:43,480
Speaker 2: Ask for whatever you act for, how does that fit? Yes?

1288
01:03:44,320 --> 01:03:47,200
Speaker 2: Some of the most people coaching.

1289
01:03:47,760 --> 01:03:49,520
Speaker 5: Look, you know, I was I was on stage with

1290
01:03:49,680 --> 01:03:53,600
Speaker 5: with DJ Technician last night and I said, and I said,

1291
01:03:54,320 --> 01:03:56,120
Speaker 5: and I said, I said, your.

1292
01:03:56,120 --> 01:04:01,640
Speaker 2: Luck from the Fromide and he just kicked in like that.

1293
01:04:01,680 --> 01:04:03,720
Speaker 2: I was like, no, good, no rock.

1294
01:04:03,800 --> 01:04:06,600
Speaker 4: You know these guys, man, people don't realize you give

1295
01:04:06,680 --> 01:04:09,640
Speaker 4: him a shot out in the run like like like

1296
01:04:09,800 --> 01:04:12,360
Speaker 4: I tell rich player all the time, whether good or bad,

1297
01:04:12,440 --> 01:04:15,040
Speaker 4: when you get that perfect shout out, like you know

1298
01:04:15,200 --> 01:04:17,680
Speaker 4: to me, you know what jay Z said your OG

1299
01:04:18,400 --> 01:04:20,520
Speaker 4: I made you hot on New York.

1300
01:04:22,240 --> 01:04:25,120
Speaker 2: This shit took over Franks and Nat your like on

1301
01:04:25,280 --> 01:04:28,160
Speaker 2: that big so on your o G. I made you hot. Yeah,

1302
01:04:28,200 --> 01:04:29,760
Speaker 2: I'm up and there hin it?

1303
01:04:29,960 --> 01:04:32,640
Speaker 4: Like I mean, like, that's a fucking shout out, Like

1304
01:04:32,800 --> 01:04:35,280
Speaker 4: you know, shoutouts could change your life.

1305
01:04:35,760 --> 01:04:38,000
Speaker 5: Hey, look, I'm on the Jayson mentioned my name on

1306
01:04:38,040 --> 01:04:39,960
Speaker 5: the album. I'm like this, like what I know you

1307
01:04:40,000 --> 01:04:42,840
Speaker 5: didn't just say my name? So look, I appreciate it

1308
01:04:42,920 --> 01:04:45,960
Speaker 5: and I get it. Shoutouts are important.

1309
01:04:45,880 --> 01:04:49,800
Speaker 2: No they you feel good invent shout out? You invent

1310
01:04:49,880 --> 01:04:51,440
Speaker 2: the shout out? What else you invented?

1311
01:04:51,840 --> 01:04:55,000
Speaker 4: Hey look, I think that for me is just appealing

1312
01:04:55,120 --> 01:04:58,120
Speaker 4: to the street. The blue collar guy who goes to

1313
01:04:58,200 --> 01:05:00,360
Speaker 4: work every day. He loves this coach, he loves hip hop,

1314
01:05:00,680 --> 01:05:03,160
Speaker 4: he loves to get fly on the weekends, he pops

1315
01:05:03,200 --> 01:05:04,720
Speaker 4: some bottles and does whatever he does.

1316
01:05:05,120 --> 01:05:07,800
Speaker 2: He works, he does his thing. I love them. I

1317
01:05:07,880 --> 01:05:09,880
Speaker 2: love them, the sisters that love it too. So that's

1318
01:05:09,920 --> 01:05:10,560
Speaker 2: that's my Listen.

1319
01:05:10,640 --> 01:05:12,840
Speaker 4: The hip hop game would not be what it is

1320
01:05:13,640 --> 01:05:19,520
Speaker 4: if it wasn't for Ralph McDaniels. Uh, living legend icon.

1321
01:05:19,760 --> 01:05:22,160
Speaker 4: They gotta they gotta think of other words.

1322
01:05:22,200 --> 01:05:22,320
Speaker 3: You know.

1323
01:05:22,400 --> 01:05:24,560
Speaker 4: The other day, with no disrespect, we did a little

1324
01:05:24,600 --> 01:05:27,560
Speaker 4: trivia and the guy asked us, guys call up and

1325
01:05:27,640 --> 01:05:28,280
Speaker 4: answer the question.

1326
01:05:28,440 --> 01:05:35,000
Speaker 2: They say, Yo, rap City or MTV? No, who was

1327
01:05:35,040 --> 01:05:38,080
Speaker 2: this rap City or your m TV the basement? We said,

1328
01:05:38,240 --> 01:05:40,920
Speaker 2: neither own music.

1329
01:05:41,160 --> 01:05:42,880
Speaker 4: Yeah, that's what the streets, The streets told me that

1330
01:05:43,440 --> 01:05:46,280
Speaker 4: the streets they told you, or the streets staff didn't.

1331
01:05:46,080 --> 01:05:50,360
Speaker 5: Immediately Yo, Joe and Jada just bicked you up. I said, legends, yes,

1332
01:05:51,800 --> 01:05:55,200
Speaker 5: you know, look we would. It had to start somewhere,

1333
01:05:55,360 --> 01:05:59,480
Speaker 5: like did he said in my documentary there was Moses first.

1334
01:06:00,280 --> 01:06:01,040
Speaker 2: So I'm Moses.

1335
01:06:02,200 --> 01:06:04,920
Speaker 4: Now you are brother. We love you, man, and thank you.

1336
01:06:05,760 --> 01:06:08,640
Speaker 4: Shout out to the wife, your daughter, your whole entire family.

1337
01:06:08,760 --> 01:06:11,280
Speaker 2: I love you guys. Like I said, I am Joey

1338
01:06:11,400 --> 01:06:15,960
Speaker 2: McDaniels for life. You stuck with me, y'all. Y'all, y'o, Ralph,

1339
01:06:16,040 --> 01:06:19,040
Speaker 2: you stuck with me. I'm Joey McDaniels. Sick up to

1340
01:06:19,120 --> 01:06:21,720
Speaker 2: your family bro, this is this, This is the Joe

1341
01:06:21,800 --> 01:06:25,280
Speaker 2: and Jada that ain't this and this ain't that. Ain't

1342
01:06:25,280 --> 01:06:27,280
Speaker 2: got a non for profit that we got to shout

1343
01:06:27,320 --> 01:06:27,600
Speaker 2: out here?

1344
01:06:27,600 --> 01:06:29,560
Speaker 5: Oh yeah yeah, yeah, yeah yeah oh the video Measy

1345
01:06:29,560 --> 01:06:33,600
Speaker 5: Watch collection dot org support it, Video body Collection dot org.

1346
01:06:34,000 --> 01:06:36,040
Speaker 5: All the people that love hip hop, the rich people

1347
01:06:36,080 --> 01:06:37,640
Speaker 5: that love hip hop and when if you got five

1348
01:06:37,680 --> 01:06:41,080
Speaker 5: dollars or ten dollars. Video Music Box Collection dot org

1349
01:06:41,280 --> 01:06:44,760
Speaker 5: is per preserving the culture, archiving it and making it

1350
01:06:44,840 --> 01:06:48,480
Speaker 5: available so that the next Jadakiss and Joe and Ralph

1351
01:06:48,560 --> 01:06:50,240
Speaker 5: McDaniels can go out and see it.

1352
01:06:50,520 --> 01:06:53,880
Speaker 2: So, now with that being said, that ain't this this,

1353
01:06:54,080 --> 01:06:58,560
Speaker 2: ain't that, it's kissing crack. Make some noise for Uncle Ralph.