WEBVTT - Minnie Driver

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<v Speaker 1>Hey, everybody, thanks for pulling up a chair today on

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<v Speaker 1>Table for two. This is Bruce on a beautiful, hot,

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<v Speaker 1>so cool day, and we are not in Hollywood.

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<v Speaker 2>We are by the beach.

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<v Speaker 1>We're having lunch today in Santa Monica at the Shutters Hotel.

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<v Speaker 3>We so have a drink.

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<v Speaker 4>I wasn't getting it, but I've got to struggle all

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<v Speaker 4>the way back to Malibron, probably says again under the

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<v Speaker 4>full moon.

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<v Speaker 1>Today, we're having lunch with an actress that you all know.

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<v Speaker 1>She's not from the United States. She's actually from across

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<v Speaker 1>the Atlantic Ocean. You probably know her best from her

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<v Speaker 1>role in Goodwill Hunting, which is like quite the cult

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<v Speaker 1>classic at this point.

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<v Speaker 5>But she's busy.

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<v Speaker 1>She has two films opening in the Toronto Film Festival.

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<v Speaker 1>She's got an incredible podcast, she's written a memoir.

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<v Speaker 3>Oh wait a minute, No, you know what I want you?

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<v Speaker 3>I get a share the time.

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<v Speaker 2>That is sweetest drength.

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<v Speaker 1>Anyone's I'm able. We're having lunch today with Mini Driver.

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<v Speaker 1>Pull up a chair, enjoy, grab a glass rose on

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<v Speaker 1>this hot summer day, and.

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<v Speaker 2>We'll be back with Miss Driver.

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<v Speaker 5>I'm Bruce Bozzi and this is my podcast Table for Two.

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<v Speaker 1>Well, okay, if you've joined us today, if you've pulled

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<v Speaker 1>up a chair on Table for two today, we're in

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<v Speaker 1>a completely new space. We're at the Shutter's Hotel in

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<v Speaker 1>by the Beach, very fitting, as you will all find out.

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<v Speaker 1>An incredibly beautiful actress, woman, singer, writer. Your podcast blows

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<v Speaker 1>me away. We are having lunch with miss Minnie Driver.

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<v Speaker 1>Welcome to Table for two.

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<v Speaker 4>Thank you for having me, brit Oh my god, it's

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<v Speaker 4>a pleasure, lovely to be here.

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<v Speaker 2>Thank you. Okay, your surfer, Yeah, every day surfing.

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<v Speaker 3>When I'm here. Yeah, yeah.

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<v Speaker 4>And today we went out early because I was coming

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<v Speaker 4>here and my best friends Cameron, Cameron Richardson.

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<v Speaker 3>And Mini Mortimer.

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<v Speaker 4>I know, we never get surfed with each other because

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<v Speaker 4>everyone's the minute school goes back, everyone's blown to the winds.

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<v Speaker 3>So we went super early. I was up at six.

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<v Speaker 4>It is the most beautiful day, like those these kind

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<v Speaker 4>of dog days of summer.

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<v Speaker 3>The ocean is glassy, the air is like silk.

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<v Speaker 4>It's it's beautiful, pinky blue light that early in the morning,

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<v Speaker 4>and it was just us just trading waves.

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<v Speaker 2>And what is surfing? What feelings does it evoke for you?

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<v Speaker 2>It draws you to.

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<v Speaker 3>There is something about the confluence of.

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<v Speaker 4>Your body and your soul, the active feeling of the

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<v Speaker 4>strength that you need to have when you're surfing, the

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<v Speaker 4>wonder of your body as you're.

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<v Speaker 3>Flying down the face of this wave in harmony with

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<v Speaker 3>this unbelievably powerful ancient ocean.

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<v Speaker 4>That's as close as I've got to feeling my soul,

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<v Speaker 4>I mean, apart from honesty when my.

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<v Speaker 3>Son was born.

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<v Speaker 4>Those are the two great moments where I feel the

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<v Speaker 4>presence of something else.

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<v Speaker 2>Yeah, when I'm learning about you, where I've seen in

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<v Speaker 2>your eyes.

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<v Speaker 1>Is the importance of connection that you have with people

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<v Speaker 1>that you have.

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<v Speaker 2>And I don't surf for some reason. I have a

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<v Speaker 2>fear of it. I never learned it. I think, how

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<v Speaker 2>did you What was the first time You're like, I

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<v Speaker 2>want to do this. So you grew up in Great

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<v Speaker 2>Britain unit surfing the.

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<v Speaker 4>Well, the thing is, I actually I grew up a

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<v Speaker 4>lot in Barbados in the Caribbean, so I was in

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<v Speaker 4>the water, like genuinely before I could walk, I could swim,

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<v Speaker 4>and I have never had a fear of the water

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<v Speaker 4>and was so comfortable there.

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<v Speaker 3>From a really early age.

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<v Speaker 4>I was a big water skier, when I was a kid,

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<v Speaker 4>the surf was on the other side of the island,

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<v Speaker 4>so I never surfed. But I when I moved to California,

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<v Speaker 4>I began, not right away, but probably five or six

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<v Speaker 4>years after I moved here, and I've been surfing a.

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<v Speaker 3>Really long time. I am okay. I'm not even good.

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<v Speaker 4>I'm okay. I can hand on myself. I don't know

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<v Speaker 4>a huge amount about the full moon, but it's special.

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<v Speaker 2>I know.

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<v Speaker 1>I was going to do a little research today about

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<v Speaker 1>because you know, with your astrological sign, and.

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<v Speaker 3>I'm an aquarian, so it's an aquarius. This is an

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<v Speaker 3>aquarium full moon.

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<v Speaker 4>This is why, Yes, that's why I surfed last night

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<v Speaker 4>in the full moon and this morning, and why I'm

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<v Speaker 4>feeling a little bit like maybe I took mushrooms, like

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<v Speaker 4>a little tiny bit high in the most loving, beautiful,

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<v Speaker 4>existential way. I can only think that it is the

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<v Speaker 4>moon because normally I'm a little more harassed, and you.

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<v Speaker 1>Have no fear of being in the water in the

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<v Speaker 1>lat moon is going to make the water so right.

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<v Speaker 4>But we're going to wear glow sticks around our necks,

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<v Speaker 4>but it will be so light you sort of look

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<v Speaker 4>for the sliver of silver along the top of the wave,

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<v Speaker 4>so you can see it lining up when there's a

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<v Speaker 4>set coming and.

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<v Speaker 3>There's a huge amount of letting.

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<v Speaker 4>Go and just trusting, which I don't know, but I

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<v Speaker 4>think that having the opportunity to do that when it

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<v Speaker 4>presents itself, if I can do that, maybe it's like

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<v Speaker 4>mitigated risk.

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<v Speaker 3>But now my heart will be beating really fast.

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<v Speaker 1>You know, you've had such an interesting career. Your life

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<v Speaker 1>is very it's really interesting, and you've got you've been

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<v Speaker 1>through a lot. What was the path that sort of

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<v Speaker 1>kept leading you with a light that's sort of bringing

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<v Speaker 1>you forward to eventually becoming a successful, very successful actors.

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<v Speaker 4>I went to a school and I grew up in

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<v Speaker 4>a place that helped me because I was not an

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<v Speaker 4>easy child.

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<v Speaker 3>I think I was hugely emotional and had.

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<v Speaker 4>A tough time focusing, needed to be physical all the time,

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<v Speaker 4>and this channel of creativity when I discovered that I

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<v Speaker 4>could write, and I had a teacher who supported that

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<v Speaker 4>hugely from the very beginning, from like nine ten years

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<v Speaker 4>old and acting and being in every play and music

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<v Speaker 4>and when I couldn't do math, my math teacher was

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<v Speaker 4>so extraordinary and he said, don't sit here, struggling, You're

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<v Speaker 4>going to suck all the attention from the rest of

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<v Speaker 4>the class. Go to the music school. I play music.

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<v Speaker 4>It's the same part of your brain. And then we'll

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<v Speaker 4>figure this out later.

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<v Speaker 2>Oh my god, I'm lucky you It helped.

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<v Speaker 4>Yeah, Suddenly there were these avenues that all of the

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<v Speaker 4>difficult things could be funneled into. And that's not to

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<v Speaker 4>say that they didn't remain difficult. But you can't stop

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<v Speaker 4>the hurricane, but you can know how to build a shelter.

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<v Speaker 4>So that and I was always aware of what an

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<v Speaker 4>unbelievable gift.

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<v Speaker 3>And opportunity it was.

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<v Speaker 4>No one can prepare you, because nobody really knows what

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<v Speaker 4>devastation lies ahead as well, and the price that you

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<v Speaker 4>will pay, and like what you're willing to sacrifice. And

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<v Speaker 4>in those moments of real turmoil and like huge slumps,

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<v Speaker 4>like in I suppose what is perceived success, those were

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<v Speaker 4>the moments of like incredible growing. And I think because

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<v Speaker 4>of the way that I was raised and my school,

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<v Speaker 4>even when I was in this agony of unemployment or

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<v Speaker 4>a broken heart or whatever, yeah, I knew I could

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<v Speaker 4>find my way out. Making things has always been.

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<v Speaker 3>Part of that.

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<v Speaker 4>Like I don't separate out like writing a book, from

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<v Speaker 4>like having the most incredible role in a TV show

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<v Speaker 4>or a movie, or writing music or performing music, like

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<v Speaker 4>it's all from the same crucible. Finding this tiny little

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<v Speaker 4>place by the beach in Malibu, my little tiny cottage

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<v Speaker 4>and surfing every day became a way of resetting all

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<v Speaker 4>of the other stuff that was asked of me as

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<v Speaker 4>a person with.

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<v Speaker 3>A profile that has to be maintained in a certain way.

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<v Speaker 2>Yeah, sure, your cottage. When you refer to your cottage,

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<v Speaker 2>I found this you're happy place.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, And that's where a lot of people never find it.

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<v Speaker 2>They keep searching for it. Did you know when you

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<v Speaker 2>saw it? Yes.

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<v Speaker 4>I has to get up super early, like you know,

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<v Speaker 4>four fifteen in the morning to be out first light

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<v Speaker 4>surf in the dark of Malibu when there was no

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<v Speaker 4>one out, and then maybe get like twenty or thirty

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<v Speaker 4>minutes in before the guys came out and I couldn't

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<v Speaker 4>get any more waves. And then really early I'd go

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<v Speaker 4>into Malibu and there was still overrun by insane stores

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<v Speaker 4>and oh yeah, change now.

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<v Speaker 3>But it was there used to be a lot of

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<v Speaker 3>mom and power. There was this lovely girl who was

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<v Speaker 3>working in this shop.

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<v Speaker 4>It was like a boutique, and I just went in

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<v Speaker 4>there in my swimsuit and we were chatting, and I said,

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<v Speaker 4>how does someone who doesn't have sixty million dollars that's

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<v Speaker 4>how much they cost back there.

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<v Speaker 3>Now they're double that. What do you do? And she went, oh,

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<v Speaker 3>you can do it. My parents live up the way

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<v Speaker 3>and they live in this place, and you can come up.

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<v Speaker 3>My dad's going up with me. I'll show you.

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<v Speaker 4>We went up to this place, and the minute I

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<v Speaker 4>got out of the car, I know that there is

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<v Speaker 4>a lot of sacred land like in California and Native land,

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<v Speaker 4>and I know there's a lot of power in the land.

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<v Speaker 4>I can only tell you that it's such a house

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<v Speaker 4>that was this place, and I just rented their house.

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<v Speaker 4>They wanted to go on a cruise or something, these

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<v Speaker 4>friends of this girl who worked in the store, and

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<v Speaker 4>I rented their place for a couple months and was

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<v Speaker 4>crying when I left, and just said, look, if you

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<v Speaker 4>ever want to sell this place, or if you ever

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<v Speaker 4>hear of any body that wants to sell their place,

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<v Speaker 4>will you just call me and let me know.

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<v Speaker 3>But at that time, everyone who.

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<v Speaker 4>Lived in this little community I live in, like lived

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<v Speaker 4>there like thirty forty fifty years.

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<v Speaker 3>You didn't sell them. They weren't. Like when I bought

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<v Speaker 3>my place.

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<v Speaker 4>I remember Jay Lenno making fun of me on his

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<v Speaker 4>talk shirt because I live in this place, and I

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<v Speaker 4>just remember laughing and going, sure, this is going to

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<v Speaker 4>keep everybody away. No one's gonna I was like, yeah, sure,

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<v Speaker 4>it's it sucks, it's terrible, it's not swanky, and it's

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<v Speaker 4>not You're absolutely right, nobody should come and live there.

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<v Speaker 3>And kept them away for a while. And now, oh

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<v Speaker 3>my god, studio heads.

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<v Speaker 4>And directors and it's just bananas.

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<v Speaker 2>Now.

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<v Speaker 3>I guess they're the and I'm sure it makes money,

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<v Speaker 3>and the first are incredibly high.

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<v Speaker 4>But what we've lost is this community that we used

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<v Speaker 4>to have around the actual lumberyard, around the movie theater,

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<v Speaker 4>around the ice cream store.

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<v Speaker 3>There was a skate park. It's now a whole foods like.

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<v Speaker 4>It's so it's it's so difficult if you don't defend

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<v Speaker 4>the things that actually keep your new together societally.

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<v Speaker 3>And I'm a huge believer in community. I've seen what

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<v Speaker 3>it does to people in terms of.

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<v Speaker 4>Rehabilitating individuals and families and keeping us kind of you're

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<v Speaker 4>right connected and that.

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<v Speaker 3>The minute you.

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<v Speaker 4>Get rid of that's when you get so much dissolutions

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<v Speaker 4>and division, and these schisms are created where you're just

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<v Speaker 4>reacting to somebody.

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<v Speaker 3>Because of the amount of money they have, not because of.

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<v Speaker 4>The conversation you had completely, you know, standing outside the coffee.

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<v Speaker 1>Shop, right, completely and inevitably, And what's so horrible about that?

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<v Speaker 1>In Malibu and I've seen it, you know, we would

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<v Speaker 1>go out. I grew up on the East Coast, but

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<v Speaker 1>like in the early seventies, they were all five, five

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<v Speaker 1>and dime shops and it was one big movie theater.

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<v Speaker 2>It was like drive ins and all that stuff.

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<v Speaker 1>And over time, of course, that's all gone away, very

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<v Speaker 1>very similar. Prices are exorbitant, can't afford it, The people

0:11:57.520 --> 0:11:59.440
<v Speaker 1>that grew up there can't live there. But you use

0:11:59.720 --> 0:12:04.920
<v Speaker 1>the specialness of that walking across the street going to

0:12:05.000 --> 0:12:07.360
<v Speaker 1>the ice cream parlor, knowing the guy that owns it,

0:12:07.440 --> 0:12:09.600
<v Speaker 1>the multi generational family that.

0:12:09.600 --> 0:12:12.360
<v Speaker 2>Has has that can and and I.

0:12:12.320 --> 0:12:15.920
<v Speaker 1>Think that's a huge issue here that we're having as

0:12:15.920 --> 0:12:18.920
<v Speaker 1>far as community and in America.

0:12:18.720 --> 0:12:20.760
<v Speaker 3>It's a microlo exactly that, right.

0:12:20.840 --> 0:12:22.720
<v Speaker 1>I always keep saying that it has to be a pivot,

0:12:22.760 --> 0:12:25.320
<v Speaker 1>There has to be a pivot. So yes, many, I

0:12:25.360 --> 0:12:28.480
<v Speaker 1>think keep on wanting to call you a million. You

0:12:28.480 --> 0:12:34.959
<v Speaker 1>can so beautiful a million. Dad calls really okay, so

0:12:34.960 --> 0:12:37.679
<v Speaker 1>I'm gonna call you a million, so Amelia. So I

0:12:37.720 --> 0:12:42.320
<v Speaker 1>think it comes down now to individual choices that you're

0:12:42.360 --> 0:12:44.600
<v Speaker 1>going to live a life that you're gonna get as

0:12:44.600 --> 0:12:47.560
<v Speaker 1>close to that as you can. It's just you have

0:12:47.800 --> 0:12:52.640
<v Speaker 1>your cottage, your relationship with the people in your life,

0:12:52.760 --> 0:12:55.880
<v Speaker 1>and you just have to we have to just bring

0:12:55.920 --> 0:12:58.600
<v Speaker 1>it into our own lives because it's gone. We can't

0:12:58.600 --> 0:13:01.040
<v Speaker 1>get back because that lumber yard is now that or

0:13:01.120 --> 0:13:15.360
<v Speaker 1>that thing is now condoms.

0:13:24.080 --> 0:13:27.480
<v Speaker 5>Thanks for joining us on Table for two. Our guest,

0:13:27.679 --> 0:13:31.440
<v Speaker 5>Mini Driver, is very busy these days. She has two

0:13:31.480 --> 0:13:35.880
<v Speaker 5>movies premiering in September, an amazing podcast called Many Questions,

0:13:36.000 --> 0:13:39.200
<v Speaker 5>and is playing Queen Elizabeth on the second season of

0:13:39.280 --> 0:13:43.160
<v Speaker 5>The Serpent Queen. I'm curious what true her to playing

0:13:43.240 --> 0:13:45.280
<v Speaker 5>a character from history.

0:13:45.640 --> 0:13:49.240
<v Speaker 1>You're very busy, honestly, I know that The Surper Queen

0:13:49.559 --> 0:13:53.360
<v Speaker 1>dropped season two, Dar, so you have that, but like

0:13:53.480 --> 0:13:56.200
<v Speaker 1>you know, you make reference to wanting to play Queen

0:13:56.200 --> 0:14:01.040
<v Speaker 1>Elizabeth and in your family to that the family play role.

0:14:01.320 --> 0:14:02.280
<v Speaker 2>Was there anything that.

0:14:03.400 --> 0:14:06.040
<v Speaker 3>It was interesting my dad. I mean, yeah, they did.

0:14:06.760 --> 0:14:11.480
<v Speaker 4>And my dad used to play polo with King Charles

0:14:11.520 --> 0:14:14.840
<v Speaker 4>because my dad had a polo teach, so I knew

0:14:14.880 --> 0:14:18.280
<v Speaker 4>him that the polo. I knew this very nice, lovely,

0:14:18.400 --> 0:14:23.280
<v Speaker 4>polite gentleman who I knew was somebody important. The royal

0:14:23.280 --> 0:14:25.800
<v Speaker 4>family is very present in the UK, like when you're

0:14:25.840 --> 0:14:28.480
<v Speaker 4>growing up, and no matter if your dad plays a

0:14:28.600 --> 0:14:31.760
<v Speaker 4>rarefied sport with the future King of England, you were

0:14:31.800 --> 0:14:36.160
<v Speaker 4>aware of them all the time, And certainly with Queen Elizabeth.

0:14:36.280 --> 0:14:39.480
<v Speaker 4>I remember when we learned about her in school when

0:14:39.520 --> 0:14:42.800
<v Speaker 4>I was around seven or eight years old. I couldn't

0:14:42.800 --> 0:14:46.920
<v Speaker 4>believe that we were talking about a queen who was

0:14:47.280 --> 0:14:49.360
<v Speaker 4>so long ago. And I remember my teacher. I was like,

0:14:49.360 --> 0:14:52.120
<v Speaker 4>why are we still talking about her? And she was like,

0:14:52.280 --> 0:14:57.400
<v Speaker 4>I know, right, because she's that powerful and that cool.

0:14:58.000 --> 0:15:00.040
<v Speaker 4>And I became a little bit obsessed with her.

0:15:00.280 --> 0:15:02.840
<v Speaker 2>Right, that's some way to look at it. Why are

0:15:02.840 --> 0:15:05.040
<v Speaker 2>we still talking about her? And then you're teaching me

0:15:05.120 --> 0:15:06.120
<v Speaker 2>like can you believe?

0:15:06.280 --> 0:15:08.880
<v Speaker 4>By the way, that was essentially what my English teachers

0:15:08.880 --> 0:15:12.400
<v Speaker 4>said about Shakespeare when it was always on the curriculum

0:15:12.440 --> 0:15:13.320
<v Speaker 4>for all of our exams.

0:15:13.320 --> 0:15:15.040
<v Speaker 3>I was like, why is it always Shakespeare? Why is

0:15:15.080 --> 0:15:16.280
<v Speaker 3>it not you.

0:15:16.200 --> 0:15:19.560
<v Speaker 4>Know, Ben Johnson, why are him? And he was like,

0:15:19.840 --> 0:15:21.200
<v Speaker 4>because he's so fucking good.

0:15:21.880 --> 0:15:24.360
<v Speaker 3>There's nobody better. That's why.

0:15:25.000 --> 0:15:26.720
<v Speaker 2>What did you love about playing? Like when you got

0:15:26.760 --> 0:15:27.880
<v Speaker 2>the opportunity to play.

0:15:27.720 --> 0:15:30.880
<v Speaker 4>Her, I just love the way they said. Justin Hayes

0:15:31.440 --> 0:15:34.560
<v Speaker 4>honestly is for me, one of the great writers working today.

0:15:34.600 --> 0:15:38.280
<v Speaker 4>He is a genius writer. And his take on Elizabeth,

0:15:38.280 --> 0:15:42.080
<v Speaker 4>on this idea of these powerful women. Have to remember

0:15:42.120 --> 0:15:45.720
<v Speaker 4>that at that period in history, women couldn't even own

0:15:46.320 --> 0:15:48.360
<v Speaker 4>own anything, not just property.

0:15:48.360 --> 0:15:51.480
<v Speaker 2>They couldn't in nineteen seventy five.

0:15:51.800 --> 0:15:59.200
<v Speaker 4>Exactly, it's banana. It's like the because women themselves were chattel.

0:15:59.800 --> 0:16:02.560
<v Speaker 4>So first of all, there's like this whole female experience,

0:16:02.640 --> 0:16:05.520
<v Speaker 4>and then you suddenly have these queens. You have Captain

0:16:05.520 --> 0:16:08.080
<v Speaker 4>de Medici in France and you have Queen Elizabeth in England,

0:16:08.160 --> 0:16:12.480
<v Speaker 4>and they were friends over letters, even though apparently they

0:16:12.560 --> 0:16:14.320
<v Speaker 4>never met, but we don't know for sure. There was

0:16:14.360 --> 0:16:18.680
<v Speaker 4>something about the unicornness of a woman being in that

0:16:18.800 --> 0:16:23.160
<v Speaker 4>position and the fact that she had the longest reign

0:16:23.320 --> 0:16:27.800
<v Speaker 4>until Elizabeth. Second, how she did that? Like who that

0:16:27.880 --> 0:16:30.040
<v Speaker 4>person is? What you have to do, and the idea

0:16:30.120 --> 0:16:33.120
<v Speaker 4>that she wasn't a sexual creature, the idea that she

0:16:33.360 --> 0:16:37.320
<v Speaker 4>wasn't you know who this woman was. I've started to

0:16:37.360 --> 0:16:41.000
<v Speaker 4>become really interested in who the woman is behind the crown,

0:16:41.040 --> 0:16:44.680
<v Speaker 4>because we all know the crown is a thing, it's

0:16:44.720 --> 0:16:47.960
<v Speaker 4>an entity, it's an emblem, and it's a duty, and

0:16:48.040 --> 0:16:50.800
<v Speaker 4>it's a facade. So we became really interested in what

0:16:50.960 --> 0:16:54.200
<v Speaker 4>was behind that, and Justin Haige was really interested in

0:16:54.240 --> 0:17:00.080
<v Speaker 4>exploring what the public face of her looked like and

0:16:59.800 --> 0:17:03.960
<v Speaker 4>then starting to get into what the woman behind that was.

0:17:04.040 --> 0:17:06.240
<v Speaker 4>And I wish I could have done it for a

0:17:06.240 --> 0:17:07.919
<v Speaker 4>lot longer because I feel like we were just getting

0:17:07.960 --> 0:17:11.639
<v Speaker 4>started to really start seeing. She has this great speech

0:17:11.680 --> 0:17:13.679
<v Speaker 4>at the end of one of the scenes with Captain

0:17:13.720 --> 0:17:19.600
<v Speaker 4>Medicci where she's I'm paraphrasing, but she's like, look, we

0:17:19.720 --> 0:17:23.479
<v Speaker 4>are brands, right. I must pose as a virgin and

0:17:23.520 --> 0:17:25.240
<v Speaker 4>you as a witch to get what we want.

0:17:25.840 --> 0:17:29.320
<v Speaker 3>This is just fucking business. This is how it is.

0:17:29.400 --> 0:17:31.680
<v Speaker 2>It's amazing awareness of that.

0:17:32.480 --> 0:17:35.560
<v Speaker 4>Then, yeah, of course there was stuff going on behind

0:17:35.600 --> 0:17:36.120
<v Speaker 4>the scenes.

0:17:36.240 --> 0:17:37.119
<v Speaker 3>Of course there was.

0:17:38.760 --> 0:17:42.960
<v Speaker 4>It really is, and this idea that it's also persisted,

0:17:43.200 --> 0:17:45.639
<v Speaker 4>the idea that you can't have sex unless you're married.

0:17:45.840 --> 0:17:47.480
<v Speaker 4>Because she never got married, she must have been a

0:17:47.560 --> 0:17:50.919
<v Speaker 4>virgin queen. It's no So I love evolving that idea.

0:17:51.280 --> 0:17:54.080
<v Speaker 4>I love the exploration of Elizabeth as a woman, and

0:17:54.160 --> 0:17:55.400
<v Speaker 4>I know it can only be.

0:17:57.200 --> 0:17:58.600
<v Speaker 3>Imagined because we don't know.

0:18:07.800 --> 0:18:08.280
<v Speaker 2>Pivoting.

0:18:09.760 --> 0:18:11.800
<v Speaker 1>I want to talk about your podcast because I think

0:18:11.840 --> 0:18:13.640
<v Speaker 1>it's such a joy to listen to you if you're

0:18:13.680 --> 0:18:19.840
<v Speaker 1>not listening to Mini's podcast. You've picked seven questions that

0:18:19.880 --> 0:18:22.160
<v Speaker 1>you've consistently asked your guests on your show.

0:18:22.640 --> 0:18:24.879
<v Speaker 2>So one is how do you pick a guest?

0:18:25.480 --> 0:18:29.679
<v Speaker 1>And then has there been a consistent sort of human

0:18:29.760 --> 0:18:34.160
<v Speaker 1>behavior that you've seen that we share even though we're

0:18:34.200 --> 0:18:35.440
<v Speaker 1>all different.

0:18:35.760 --> 0:18:40.760
<v Speaker 4>Yeah, well, essentially that what you said, because what I

0:18:40.920 --> 0:18:44.399
<v Speaker 4>like is the.

0:18:42.840 --> 0:18:45.320
<v Speaker 3>The idea if you create.

0:18:46.640 --> 0:18:50.080
<v Speaker 4>A sort of constricted environment, which the same seven questions

0:18:50.280 --> 0:18:54.320
<v Speaker 4>is a particular discipline. So what that does is it

0:18:54.320 --> 0:18:58.000
<v Speaker 4>it makes people feel safe, and then it also makes

0:18:58.000 --> 0:19:02.159
<v Speaker 4>them feel like they're in control. I've noticed is the

0:19:02.240 --> 0:19:04.560
<v Speaker 4>thing amount of people is. That's a really good place

0:19:04.600 --> 0:19:09.240
<v Speaker 4>to begin from. But those questions, I realized they're just

0:19:09.400 --> 0:19:13.280
<v Speaker 4>tinder to ignite that the way someone thinks about the world,

0:19:13.320 --> 0:19:17.040
<v Speaker 4>And so there's so much that's revealed. But it's a

0:19:17.040 --> 0:19:18.920
<v Speaker 4>great place to begin because people feel I think it's

0:19:19.040 --> 0:19:21.560
<v Speaker 4>very manageable, which is why they they've had had some.

0:19:24.080 --> 0:19:25.560
<v Speaker 3>Really truly, because it doesn't.

0:19:25.320 --> 0:19:29.919
<v Speaker 4>Matter how much somebody prepares your selfdom seeps out. So

0:19:30.080 --> 0:19:33.320
<v Speaker 4>someone will answer their question and then I'll ask a

0:19:33.400 --> 0:19:36.159
<v Speaker 4>follow up and then suddenly.

0:19:36.400 --> 0:19:37.199
<v Speaker 3>All is revealed.

0:19:37.520 --> 0:19:41.080
<v Speaker 4>Or some people don't like to see the questions beforehand,

0:19:41.119 --> 0:19:44.320
<v Speaker 4>and I'll ask a question and out will bubble. This

0:19:44.840 --> 0:19:47.639
<v Speaker 4>amazing response has been triggered by something that happened that

0:19:47.800 --> 0:19:48.200
<v Speaker 4>very day.

0:19:49.800 --> 0:19:51.199
<v Speaker 3>But the essential idea of.

0:19:51.200 --> 0:19:54.040
<v Speaker 4>The show I think makes people feel it's completely manageable.

0:19:54.840 --> 0:19:56.159
<v Speaker 4>I don't have to sit there and they're not going

0:19:56.200 --> 0:19:57.719
<v Speaker 4>to ask me about my love life. They're not going

0:19:57.760 --> 0:19:59.920
<v Speaker 4>to ask me about this there or the other.

0:20:00.160 --> 0:20:00.639
<v Speaker 3>I don't know.

0:20:00.920 --> 0:20:03.399
<v Speaker 4>I guess I always felt Q and as I loved

0:20:03.440 --> 0:20:05.359
<v Speaker 4>doing those kind of interviews, I was like, send me

0:20:05.359 --> 0:20:08.200
<v Speaker 4>a set of questions that I can sit and think back.

0:20:08.320 --> 0:20:08.840
<v Speaker 2>Yeah.

0:20:09.280 --> 0:20:13.080
<v Speaker 1>The reason that I why I launched a lunch that's

0:20:13.200 --> 0:20:14.000
<v Speaker 1>we're in person.

0:20:14.520 --> 0:20:17.480
<v Speaker 2>It's because I feel like because it's basically the same thing.

0:20:17.560 --> 0:20:22.280
<v Speaker 1>There's a romance in a meal, there's a intimacy with

0:20:22.440 --> 0:20:26.800
<v Speaker 1>eye contact, and inevitably I might definitely know, like, oh

0:20:26.840 --> 0:20:29.800
<v Speaker 1>I want to hear about your films coming out in Toronto.

0:20:29.840 --> 0:20:32.480
<v Speaker 2>I'm gonna throw out the Serpent Queens, you know, season two.

0:20:32.520 --> 0:20:34.760
<v Speaker 2>You know you have put the professional pieces of you.

0:20:35.400 --> 0:20:41.520
<v Speaker 1>But inevitably we are talking about other things because we

0:20:41.600 --> 0:20:45.639
<v Speaker 1>have taken the time to connect is to humans for

0:20:45.800 --> 0:20:50.560
<v Speaker 1>this moment, and I think that's things are revealed that

0:20:50.640 --> 0:20:56.680
<v Speaker 1>are beautiful or kind or emotional, and that's really that's

0:20:56.720 --> 0:20:57.280
<v Speaker 1>all we got.

0:20:58.040 --> 0:20:58.840
<v Speaker 3>It really is.

0:21:07.840 --> 0:21:11.680
<v Speaker 1>You've had such a career and if you're looking at

0:21:13.160 --> 0:21:17.840
<v Speaker 1>Famelia now looking back, how have you navigated this decade

0:21:17.880 --> 0:21:20.520
<v Speaker 1>of our life? I happened things are very important and

0:21:20.560 --> 0:21:21.920
<v Speaker 1>an incredible decade.

0:21:22.600 --> 0:21:26.520
<v Speaker 4>It is like the big And I always used to

0:21:26.520 --> 0:21:30.560
<v Speaker 4>think whenever I would hear people talking about their fifties,

0:21:30.640 --> 0:21:33.040
<v Speaker 4>I always felt like, oh, yeah, you're just trying to

0:21:33.119 --> 0:21:33.960
<v Speaker 4>spin being.

0:21:34.760 --> 0:21:37.720
<v Speaker 3>A yeah yeah, yeah yeah, or your wisdom.

0:21:37.760 --> 0:21:38.119
<v Speaker 4>Sure.

0:21:39.320 --> 0:21:42.280
<v Speaker 3>And I really did think that in my thirties and

0:21:42.440 --> 0:21:45.440
<v Speaker 3>actually maybe even my forties. And the reality is.

0:21:47.080 --> 0:21:51.560
<v Speaker 4>I felt like it is the most extraordinarily clarifying moment.

0:21:51.800 --> 0:21:54.399
<v Speaker 4>All of the wisdom, all the threads that I could

0:21:54.520 --> 0:21:58.880
<v Speaker 4>never quite weave together. I feel like I actually am.

0:21:59.040 --> 0:22:03.679
<v Speaker 4>I'm braiding myself, I am weaving them. I was constantly

0:22:03.680 --> 0:22:07.159
<v Speaker 4>grabbing for different bits and modalities and this thing and

0:22:07.240 --> 0:22:10.080
<v Speaker 4>is it this thing, and mastering some of it and

0:22:10.119 --> 0:22:14.119
<v Speaker 4>not mastering other bits. And suddenly now it's like I

0:22:14.119 --> 0:22:20.560
<v Speaker 4>could see it all so much clearer. Stuff that just

0:22:20.680 --> 0:22:23.800
<v Speaker 4>doesn't matter, which is really what we're talking about completely.

0:22:23.880 --> 0:22:27.359
<v Speaker 4>It's the stuff that you chased and kept chasing because

0:22:27.400 --> 0:22:29.240
<v Speaker 4>you either were told it was important, or that other

0:22:29.280 --> 0:22:31.239
<v Speaker 4>people were telling you it was important, or you were

0:22:31.280 --> 0:22:33.240
<v Speaker 4>watching other people do that, and so you went along

0:22:33.320 --> 0:22:36.439
<v Speaker 4>with it. And now I don't know if it's just

0:22:36.440 --> 0:22:40.719
<v Speaker 4>a function of just being tired and my energy is

0:22:40.720 --> 0:22:42.720
<v Speaker 4>for the things I really wanted because.

0:22:42.520 --> 0:22:43.520
<v Speaker 3>I don't have as much as I use.

0:22:43.720 --> 0:22:44.440
<v Speaker 2>I think that's true.

0:22:44.480 --> 0:22:48.080
<v Speaker 1>I think there is the sort of laser focus and

0:22:48.800 --> 0:22:49.800
<v Speaker 1>this is what I want to do.

0:22:49.840 --> 0:22:51.920
<v Speaker 2>I know what I want to do. And we've gone.

0:22:51.800 --> 0:22:54.160
<v Speaker 1>Through the twenties and thirties and forties, and each one

0:22:54.240 --> 0:22:55.639
<v Speaker 1>is you can see say.

0:22:55.520 --> 0:22:57.160
<v Speaker 3>They're all beautiful, and they all have.

0:22:57.200 --> 0:23:02.119
<v Speaker 1>That completely and necessarily to get to messiness or the

0:23:02.200 --> 0:23:05.320
<v Speaker 1>loves of the twenties and the youth and all that

0:23:05.400 --> 0:23:07.920
<v Speaker 1>to lead you to your thirties to begin your We

0:23:08.000 --> 0:23:09.680
<v Speaker 1>both had children in our forties.

0:23:09.720 --> 0:23:10.680
<v Speaker 2>I believe.

0:23:12.359 --> 0:23:14.560
<v Speaker 1>The podcast is amazing because when you listen to you

0:23:15.480 --> 0:23:18.400
<v Speaker 1>answer and you share, which is also very beautiful, which

0:23:18.440 --> 0:23:20.919
<v Speaker 1>I love, because you make it's a conversation. It's not

0:23:20.960 --> 0:23:23.679
<v Speaker 1>like I'm going to ask you questions and you're just

0:23:23.680 --> 0:23:28.400
<v Speaker 1>gonna I really did love the Debbie Harry one. She's

0:23:28.440 --> 0:23:30.840
<v Speaker 1>something else and there was something about her too when

0:23:30.920 --> 0:23:32.720
<v Speaker 1>she answered the questions. I was almost like a little

0:23:32.760 --> 0:23:35.200
<v Speaker 1>intimidated by actually, yeah, yeah, yeah.

0:23:35.440 --> 0:23:37.920
<v Speaker 2>You asked me. Okay, I guess that's all answer.

0:23:38.640 --> 0:23:41.320
<v Speaker 3>By the way, I've really learned that.

0:23:43.160 --> 0:23:47.760
<v Speaker 4>Sometimes someone's no is it's revealing about them as a person,

0:23:47.880 --> 0:23:49.760
<v Speaker 4>and they they should be allowed to have that.

0:23:49.800 --> 0:23:51.560
<v Speaker 3>So when someone just goes yeah.

0:23:53.080 --> 0:23:56.359
<v Speaker 4>Or no to a question that I've asked, instead of

0:23:56.359 --> 0:23:59.240
<v Speaker 4>getting flustered, I now start to chuckle, going.

0:23:59.160 --> 0:24:02.560
<v Speaker 3>Oh wow, all right, that's okay. I wonder what it

0:24:02.680 --> 0:24:03.960
<v Speaker 3>is around that.

0:24:04.000 --> 0:24:06.919
<v Speaker 4>And sometimes I'll even ask and go, that was really definitive,

0:24:07.080 --> 0:24:09.560
<v Speaker 4>that no, or that yeah was really definitive.

0:24:09.920 --> 0:24:11.240
<v Speaker 3>And it's often about.

0:24:11.119 --> 0:24:14.560
<v Speaker 4>Quick thinking and going is that speaking to a larger

0:24:14.600 --> 0:24:17.000
<v Speaker 4>issue around whatever it is that they've said no or

0:24:17.080 --> 0:24:20.840
<v Speaker 4>yes to you don't judge someone on their reactions, which

0:24:20.880 --> 0:24:23.360
<v Speaker 4>is very difficult to do on a podcast.

0:24:23.400 --> 0:24:25.920
<v Speaker 3>I can do it. I'm just gonna I'm gonna listen if.

0:24:25.840 --> 0:24:29.480
<v Speaker 1>It's over, if it's in it's completion, which is another

0:24:29.520 --> 0:24:31.840
<v Speaker 1>thing when you like, have you found that in life?

0:24:32.080 --> 0:24:35.080
<v Speaker 1>We have all these ideas that things are going to

0:24:35.160 --> 0:24:38.480
<v Speaker 1>be forever and then they end, whether it's whether it's

0:24:38.760 --> 0:24:40.120
<v Speaker 1>that was it's forever.

0:24:41.320 --> 0:24:43.720
<v Speaker 2>I did think everything was forever. I gotta tell you

0:24:43.720 --> 0:24:45.399
<v Speaker 2>you do. I did if it was like if you

0:24:45.440 --> 0:24:45.800
<v Speaker 2>fell in.

0:24:45.720 --> 0:24:47.600
<v Speaker 3>Love, it was going to be you were going to

0:24:47.640 --> 0:24:48.320
<v Speaker 3>be with them forever?

0:24:48.480 --> 0:24:51.280
<v Speaker 1>And then did you When I was in my twenties,

0:24:51.600 --> 0:24:54.119
<v Speaker 1>ually like year one was great, Year two.

0:24:54.119 --> 0:24:55.199
<v Speaker 2>Was like how do I get out of this?

0:24:55.400 --> 0:24:56.679
<v Speaker 4>And then terrible?

0:24:56.760 --> 0:24:58.520
<v Speaker 2>How did you say you have the same sort of rhythm?

0:24:59.160 --> 0:25:01.960
<v Speaker 4>I list, Yeah, Honestly, this is the longest relationship I've

0:25:02.000 --> 0:25:04.960
<v Speaker 4>ever been in and we're like in year six. So

0:25:05.760 --> 0:25:10.320
<v Speaker 4>he's the greatest, And I'm so funny because that's the

0:25:10.359 --> 0:25:13.600
<v Speaker 4>other thing that I think I realized or again using

0:25:13.600 --> 0:25:17.439
<v Speaker 4>that word clarified in my book, which was all of

0:25:17.480 --> 0:25:21.240
<v Speaker 4>those relationships that in quotes didn't work out, they were

0:25:21.320 --> 0:25:24.760
<v Speaker 4>a version of life working out. It's just not the

0:25:24.760 --> 0:25:27.199
<v Speaker 4>bells and whistles version of romance and love that I

0:25:27.240 --> 0:25:29.160
<v Speaker 4>had been sold as a kid, which is that you're

0:25:29.200 --> 0:25:30.760
<v Speaker 4>with someone, they love you, then you're going to get married,

0:25:30.760 --> 0:25:31.280
<v Speaker 4>you and have kids.

0:25:31.280 --> 0:25:33.040
<v Speaker 3>It's going to all work out, for sure.

0:25:34.040 --> 0:25:35.840
<v Speaker 4>It took a long time for me to let go

0:25:35.960 --> 0:25:40.960
<v Speaker 4>of that expectation that this person had to be the one.

0:25:41.200 --> 0:25:43.639
<v Speaker 2>Well, I also think each one of those brings you

0:25:43.680 --> 0:25:44.080
<v Speaker 2>to him.

0:25:44.280 --> 0:25:47.920
<v Speaker 1>Yeah, definitely, because without any of all of that, without

0:25:47.960 --> 0:25:50.320
<v Speaker 1>any of all the years that we've lived. Like someone

0:25:50.480 --> 0:25:52.560
<v Speaker 1>once said, I'm fifty eight years old, but still there's

0:25:52.600 --> 0:25:54.720
<v Speaker 1>a seventeen year old is still in me.

0:25:55.119 --> 0:25:56.720
<v Speaker 2>That piece of you doesn't go all the way.

0:25:56.840 --> 0:25:57.480
<v Speaker 3>No, exactly.

0:26:18.040 --> 0:26:20.880
<v Speaker 5>Welcome back to Table for two. A couple of years ago,

0:26:21.040 --> 0:26:25.240
<v Speaker 5>Many released her memoir Managing Expectations. The essays in the

0:26:25.240 --> 0:26:28.880
<v Speaker 5>book are both funny and honest, and I'm curious how

0:26:28.920 --> 0:26:30.840
<v Speaker 5>she went about the writing process.

0:26:33.640 --> 0:26:39.000
<v Speaker 1>And just so you know, Minnie's book is called Managing Expectations,

0:26:39.080 --> 0:26:41.119
<v Speaker 1>a memoir and essays, and it's beautiful.

0:26:41.400 --> 0:26:44.800
<v Speaker 2>What was that process? And that's not easy, that's a

0:26:44.960 --> 0:26:46.400
<v Speaker 2>very emotional thing to do.

0:26:46.680 --> 0:26:52.320
<v Speaker 4>Yeah, yeah, definitely, it was a function. The actually getting

0:26:52.359 --> 0:26:54.320
<v Speaker 4>it done was a function of COVID, you know, on

0:26:54.400 --> 0:27:01.320
<v Speaker 4>like day three, so like March fifteenth or sixteenth, man Jason,

0:27:01.320 --> 0:27:03.439
<v Speaker 4>who is a very old friend of mine in addition

0:27:03.480 --> 0:27:05.800
<v Speaker 4>to being my manager, he called me.

0:27:05.800 --> 0:27:07.040
<v Speaker 3>And he was like this, you got all this time.

0:27:07.040 --> 0:27:07.639
<v Speaker 3>What are you going to do?

0:27:08.240 --> 0:27:11.280
<v Speaker 4>I started the podcast and he said, if you were

0:27:11.280 --> 0:27:12.840
<v Speaker 4>going to write a book, what would it look like?

0:27:13.680 --> 0:27:15.600
<v Speaker 3>So I wrote as if he were a.

0:27:15.520 --> 0:27:19.080
<v Speaker 4>Teacher at my school giving me an assignment. We talked

0:27:19.080 --> 0:27:21.879
<v Speaker 4>about it at dinner my son, Addison, my boyfriend, and

0:27:21.960 --> 0:27:24.320
<v Speaker 4>me that night and I was like, okay, so I

0:27:24.440 --> 0:27:27.560
<v Speaker 4>want to write a book, and my son went, well,

0:27:27.600 --> 0:27:31.200
<v Speaker 4>it would be your stories. Because he's now lived long

0:27:31.280 --> 0:27:33.720
<v Speaker 4>enough to see that there is very little I love

0:27:33.880 --> 0:27:39.120
<v Speaker 4>more than telling stories. And my favorite thing is telling

0:27:39.160 --> 0:27:41.720
<v Speaker 4>stories that I know people have heard before, but telling

0:27:41.760 --> 0:27:43.760
<v Speaker 4>them again in a different way and getting a new

0:27:43.920 --> 0:27:45.080
<v Speaker 4>laugh out of them.

0:27:45.520 --> 0:27:47.600
<v Speaker 3>I find that incredibly satisfying.

0:27:48.440 --> 0:27:50.240
<v Speaker 4>The next day, I went, okay, I'm just going to

0:27:50.359 --> 0:27:53.800
<v Speaker 4>start with the stories that I maybe three stories that

0:27:53.840 --> 0:27:59.240
<v Speaker 4>I know I've told that are so hardwired into my life.

0:27:59.359 --> 0:28:02.480
<v Speaker 3>And I began there. I wrote this proposal of what

0:28:02.520 --> 0:28:04.640
<v Speaker 3>these stories might look like. And we then went out

0:28:04.680 --> 0:28:05.280
<v Speaker 3>and sold.

0:28:06.119 --> 0:28:07.879
<v Speaker 4>I already said, look at this is not going to

0:28:07.920 --> 0:28:10.520
<v Speaker 4>be a tell or it was never going to be

0:28:10.560 --> 0:28:14.360
<v Speaker 4>a celebrity memoir. So then I started with these stories.

0:28:14.720 --> 0:28:18.440
<v Speaker 4>And when we sold the book and I then had

0:28:18.440 --> 0:28:21.840
<v Speaker 4>to write them, what you realize is that in telling

0:28:21.880 --> 0:28:26.400
<v Speaker 4>the stories, you're actually going back and not just telling them,

0:28:26.400 --> 0:28:30.640
<v Speaker 4>but you're healing the bits that were really hard because

0:28:30.680 --> 0:28:35.200
<v Speaker 4>I didn't realize how tragic bits of my stories were,

0:28:35.240 --> 0:28:37.320
<v Speaker 4>like being put on an aeroplane when I was eleven

0:28:37.400 --> 0:28:39.680
<v Speaker 4>years old because I had a fight with my dad.

0:28:40.800 --> 0:28:43.600
<v Speaker 4>When I was writing it, I was like, Jesus Christ,

0:28:43.680 --> 0:28:45.880
<v Speaker 4>this is actually awful and painful.

0:28:46.680 --> 0:28:49.080
<v Speaker 3>But there was so much humor in it as well.

0:28:49.840 --> 0:28:52.880
<v Speaker 1>Telling and we have a story like that, we're at

0:28:52.920 --> 0:28:56.640
<v Speaker 1>eleven years old, you're traveling alone, and you can look

0:28:56.640 --> 0:28:57.920
<v Speaker 1>at it and you can see the humor in it,

0:28:57.920 --> 0:29:01.600
<v Speaker 1>but you can also see, well, like, this is insane.

0:29:01.880 --> 0:29:06.080
<v Speaker 3>Yeah it was insane. It was and devastating, but it was.

0:29:07.440 --> 0:29:11.160
<v Speaker 4>You then start going that created a level of independence

0:29:11.640 --> 0:29:14.880
<v Speaker 4>and the fact that everything was fine and I was fine,

0:29:14.920 --> 0:29:20.760
<v Speaker 4>and I did go on this bizarre adventure that was

0:29:20.840 --> 0:29:24.000
<v Speaker 4>part of the infrastructure of how I think I moved

0:29:24.040 --> 0:29:26.720
<v Speaker 4>to Hollywood when I was twenty five years twenty four

0:29:26.800 --> 0:29:29.560
<v Speaker 4>years old. I could move seven thousand miles away from home,

0:29:30.400 --> 0:29:33.120
<v Speaker 4>still loving my family and not wanting to and have

0:29:34.160 --> 0:29:36.120
<v Speaker 4>the best time, knowing no one.

0:29:36.400 --> 0:29:38.440
<v Speaker 2>Right. Well, I think that all that.

0:29:40.600 --> 0:29:43.360
<v Speaker 1>Develops the strength of character that brings you into the room,

0:29:43.400 --> 0:29:46.840
<v Speaker 1>because you also chose a very tough profession and you

0:29:46.840 --> 0:29:49.520
<v Speaker 1>you know, you mentioned you know, goodwill hunting and what

0:29:49.560 --> 0:29:50.320
<v Speaker 1>that did, and.

0:29:50.240 --> 0:29:51.200
<v Speaker 2>That was that's become.

0:29:51.280 --> 0:29:54.240
<v Speaker 1>This was not only an incredible movie where it came out,

0:29:54.280 --> 0:29:55.560
<v Speaker 1>but it's still amazing.

0:29:55.640 --> 0:29:58.680
<v Speaker 2>It's a cult classic. It's an amazing film that you did.

0:30:00.120 --> 0:30:03.760
<v Speaker 1>Some movies just they age out, you're like, oh my god,

0:30:03.760 --> 0:30:04.320
<v Speaker 1>I love that.

0:30:04.240 --> 0:30:07.400
<v Speaker 2>Movie when I saw but it's just not other, but

0:30:07.720 --> 0:30:10.880
<v Speaker 2>definitely that movie no matter what age you are.

0:30:11.000 --> 0:30:13.440
<v Speaker 3>Now, we made a classic. And it's very rare to

0:30:13.520 --> 0:30:16.480
<v Speaker 3>make those kinds of films. It's very difficult to keep

0:30:16.520 --> 0:30:17.560
<v Speaker 3>making good films.

0:30:18.480 --> 0:30:21.200
<v Speaker 4>So much has to come into alignment for movies to

0:30:21.240 --> 0:30:24.720
<v Speaker 4>be good on all the levels. Received well, I have

0:30:24.800 --> 0:30:29.400
<v Speaker 4>a timeless quality, great performances, wonderful time on set.

0:30:30.040 --> 0:30:32.640
<v Speaker 3>It was the happiest experience shooting that movie.

0:30:33.160 --> 0:30:36.440
<v Speaker 4>The movie has touched people for now twenty five years

0:30:36.520 --> 0:30:40.320
<v Speaker 4>or whatever it's been like there was. That's very special,

0:30:40.720 --> 0:30:43.479
<v Speaker 4>and it's the very beginning of these two extraordinary careers

0:30:43.520 --> 0:30:47.280
<v Speaker 4>of Matt and Ben. This beautiful performance of an icon

0:30:47.320 --> 0:30:48.280
<v Speaker 4>in Robin Williams.

0:30:49.440 --> 0:30:52.880
<v Speaker 3>Everyone who is in it, everyone, but it was very lowcly.

0:30:52.680 --> 0:30:53.680
<v Speaker 4>I mean turn.

0:31:03.400 --> 0:31:05.720
<v Speaker 2>So speaking of movies, so you have two films that

0:31:05.760 --> 0:31:07.400
<v Speaker 2>are going to be in the film.

0:31:07.760 --> 0:31:09.400
<v Speaker 3>Yeah, very different films.

0:31:09.440 --> 0:31:11.680
<v Speaker 2>Yeah, it's kind of wild.

0:31:12.120 --> 0:31:12.280
<v Speaker 3>Yeah.

0:31:12.400 --> 0:31:18.240
<v Speaker 4>One is this extraordinary film that stars Alusia Vikander and

0:31:18.680 --> 0:31:20.560
<v Speaker 4>Elizabeth Olsen and Himesh Patel.

0:31:20.840 --> 0:31:24.560
<v Speaker 3>It's a kind of dystopian future where if you want.

0:31:24.400 --> 0:31:27.560
<v Speaker 4>To have a child, you have to be assessed by

0:31:27.680 --> 0:31:32.680
<v Speaker 4>an assessor. It's called the Assessment, and Elusivikanda plays the

0:31:32.760 --> 0:31:39.320
<v Speaker 4>assessor and it is this extraordinary journey into I think,

0:31:39.600 --> 0:31:41.720
<v Speaker 4>what it means to be a parent or what it

0:31:41.760 --> 0:31:44.600
<v Speaker 4>means to want to have a child, but set against

0:31:44.640 --> 0:31:46.520
<v Speaker 4>in a very Alex Garland way in a way, this

0:31:46.640 --> 0:31:49.720
<v Speaker 4>dystopian idea of the future. We all take this drug

0:31:49.880 --> 0:31:53.520
<v Speaker 4>to remain looking young called synoxin, and I think I'm

0:31:53.560 --> 0:31:55.920
<v Speaker 4>one hundred and eighty three years old in it, but

0:31:56.040 --> 0:31:58.360
<v Speaker 4>like I look like I do. And it's pretty stark

0:31:58.440 --> 0:32:03.120
<v Speaker 4>and it's it's just so brilliant. This amazing French female

0:32:03.160 --> 0:32:07.040
<v Speaker 4>director is her first film she's called Flur fourteen amazing.

0:32:08.080 --> 0:32:11.920
<v Speaker 4>And then the other movie same brilliant writers, brilliant acting.

0:32:11.960 --> 0:32:14.840
<v Speaker 4>But it's a Edward Burns movie. I mean, Eddie's been

0:32:14.840 --> 0:32:17.960
<v Speaker 4>making movies for thirty years now. I think it's almost

0:32:18.080 --> 0:32:21.040
<v Speaker 4>the Brothers mcmullon, I think is thirty years in January.

0:32:21.160 --> 0:32:27.440
<v Speaker 1>Wow, I forgot about that sum Yeah.

0:32:26.000 --> 0:32:28.320
<v Speaker 4>And so that is this movie that we made, which

0:32:28.360 --> 0:32:33.000
<v Speaker 4>is an ensemble piece with Patrick Wilson, Julianna Marguley's.

0:32:32.600 --> 0:32:36.920
<v Speaker 3>Benjamin Bratt, Rishian Mare, Campbell, Scott Eddie.

0:32:37.200 --> 0:32:40.880
<v Speaker 4>Amazing, amazing and a very sort of adult grown up

0:32:41.680 --> 0:32:42.880
<v Speaker 4>movie about relationships.

0:32:43.800 --> 0:32:44.840
<v Speaker 2>What do you love about me?

0:32:45.640 --> 0:32:46.200
<v Speaker 3>Oh my god?

0:32:47.320 --> 0:32:50.880
<v Speaker 4>Honestly, from like the cables snaking across the floor to

0:32:50.960 --> 0:32:53.840
<v Speaker 4>the kind of harod ads with their ear pieces in.

0:32:55.720 --> 0:32:59.080
<v Speaker 3>The quiet on set, I don't know what it is,

0:32:59.120 --> 0:33:02.720
<v Speaker 3>but it feels like home. It's this idea of like.

0:33:04.280 --> 0:33:08.840
<v Speaker 4>You're playing you're literally playing make believe and everyone's taking

0:33:08.880 --> 0:33:11.640
<v Speaker 4>it really seriously and you know that it's going to

0:33:11.680 --> 0:33:14.320
<v Speaker 4>be metabolized in a way that makes people feel a

0:33:14.360 --> 0:33:18.160
<v Speaker 4>whole other thing, Like, it's such a beautiful con for

0:33:18.240 --> 0:33:22.240
<v Speaker 4>people to be to enjoy themselves watching you play that.

0:33:22.280 --> 0:33:24.680
<v Speaker 3>They're called movies not because it's a moving image, but

0:33:24.720 --> 0:33:27.280
<v Speaker 3>because they move people, They move you.

0:33:27.320 --> 0:33:30.640
<v Speaker 4>And you get to be like a conduit for all

0:33:30.680 --> 0:33:32.520
<v Speaker 4>the things that people they don't want to feel, those

0:33:32.520 --> 0:33:35.000
<v Speaker 4>big emotions in their life, they want to.

0:33:35.000 --> 0:33:35.840
<v Speaker 3>Watch you do that.

0:33:36.400 --> 0:33:40.240
<v Speaker 4>And particularly if you don't find that difficult to do.

0:33:41.280 --> 0:33:42.880
<v Speaker 4>I mean, perhaps it's difficult to do well.

0:33:43.080 --> 0:33:44.560
<v Speaker 2>No, I think it is. I think you have to

0:33:44.600 --> 0:33:47.680
<v Speaker 2>be talented like yourself. Not everyone can do it, and

0:33:47.720 --> 0:33:48.920
<v Speaker 2>a lot of things have to come together.

0:33:49.040 --> 0:33:53.760
<v Speaker 3>But yeah, it's funny. I don't know what is that.

0:33:55.880 --> 0:33:58.360
<v Speaker 4>I know certain things that make a great actor in

0:33:58.400 --> 0:34:04.000
<v Speaker 4>my opinion, but there is this kind of special there

0:34:04.040 --> 0:34:08.200
<v Speaker 4>is this special something that is really unquantifiable that certain

0:34:08.239 --> 0:34:08.839
<v Speaker 4>actors have.

0:34:10.480 --> 0:34:11.760
<v Speaker 3>I've been actually looking recently.

0:34:11.800 --> 0:34:14.360
<v Speaker 4>I've been watching movies and thinking about that, and watching

0:34:14.400 --> 0:34:15.319
<v Speaker 4>movies with people that.

0:34:15.320 --> 0:34:17.440
<v Speaker 2>I just I was about to ask, who are the

0:34:17.520 --> 0:34:18.040
<v Speaker 2>people that.

0:34:19.520 --> 0:34:25.080
<v Speaker 4>So Isabel Lupere is my I can watch Emma Stone

0:34:25.480 --> 0:34:31.200
<v Speaker 4>all day long, Michael Fassbender, Alicia the Canada, Sean Penn

0:34:32.840 --> 0:34:35.920
<v Speaker 4>and Dan day lewis probably being the I think he

0:34:36.080 --> 0:34:36.920
<v Speaker 4>was the king.

0:34:36.840 --> 0:34:42.080
<v Speaker 3>Of all of them. I love watching them. I actually love.

0:34:41.960 --> 0:34:45.719
<v Speaker 4>Watching Margot Robbie work because it's also she's such a

0:34:45.760 --> 0:34:47.799
<v Speaker 4>fine actress, and it's like, in a way, it's like,

0:34:47.880 --> 0:34:49.000
<v Speaker 4>don't be taken in by her.

0:34:49.040 --> 0:34:49.840
<v Speaker 3>Beautiful she is.

0:34:50.600 --> 0:34:57.120
<v Speaker 4>She is so finely tuned to emotion, and she holds

0:34:57.160 --> 0:35:00.920
<v Speaker 4>her space so brilliantly and doesn't incroach on other people's

0:35:00.920 --> 0:35:05.400
<v Speaker 4>There's something incredibly delicate and very powerful about that.

0:35:06.200 --> 0:35:08.560
<v Speaker 2>I agree she has a very special quality.

0:35:09.200 --> 0:35:10.200
<v Speaker 3>I think she's magical.

0:35:10.360 --> 0:35:11.440
<v Speaker 2>Yeah, she really is.

0:35:11.920 --> 0:35:13.880
<v Speaker 1>I've had such a great time having much of you,

0:35:14.280 --> 0:35:16.160
<v Speaker 1>and there's so many things.

0:35:16.239 --> 0:35:17.879
<v Speaker 2>If you've pulled up a chair with.

0:35:18.160 --> 0:35:21.319
<v Speaker 1>Missing me driver, I'm just staring at you because you're

0:35:21.400 --> 0:35:24.759
<v Speaker 1>you're mesmerizing, just so you know, you're mesmerizing you and

0:35:24.800 --> 0:35:26.920
<v Speaker 1>you're a doer and you and I can feel it.

0:35:27.040 --> 0:35:30.759
<v Speaker 1>You've inspired me today, which is I think right is

0:35:30.800 --> 0:35:35.280
<v Speaker 1>all about thank you for taking the time wow today.

0:35:36.040 --> 0:35:37.360
<v Speaker 3>Thank you so much for having me.

0:35:37.400 --> 0:35:40.640
<v Speaker 4>It was really delicious and it was really lovely talking

0:35:40.640 --> 0:35:40.840
<v Speaker 4>to you.

0:35:41.000 --> 0:35:41.239
<v Speaker 2>Good.

0:35:41.320 --> 0:35:43.440
<v Speaker 1>Thank you, Thank you everyone, Thank you for falling up

0:35:43.480 --> 0:35:44.680
<v Speaker 1>at chair and have a great dead.

0:35:52.719 --> 0:35:54.279
<v Speaker 2>Thank you for pulling up a chair.

0:35:54.880 --> 0:35:59.040
<v Speaker 6>I love our lunches and never forget the romance of

0:35:59.080 --> 0:36:01.880
<v Speaker 6>a meal. If you enjoy the show, please tell a

0:36:01.920 --> 0:36:05.800
<v Speaker 6>friend and rate and review us on Apple podcast. Table

0:36:05.800 --> 0:36:08.799
<v Speaker 6>for two with Bruce Bozzi is produced by iHeartRadio seven

0:36:08.880 --> 0:36:13.040
<v Speaker 6>three seven Park and Airmail. Our executive producers are Bruce

0:36:13.080 --> 0:36:17.560
<v Speaker 6>Bosi and Nathan King. Our supervising producer Dylan Fagan. Our

0:36:17.719 --> 0:36:22.120
<v Speaker 6>editors are Vincent to Johnny and Cas b Bias. Table

0:36:22.160 --> 0:36:25.839
<v Speaker 6>for two is researched and written by Jack Sullivan. Our

0:36:25.880 --> 0:36:30.160
<v Speaker 6>sound engineers are Meel B. Klein, Jess Krainich, Evan Taylor.

0:36:30.040 --> 0:36:34.239
<v Speaker 2>And Jesse Funk. Our music supervisor is Randall Poster. Our

0:36:34.280 --> 0:36:36.240
<v Speaker 2>talent booking is done by Jane Sarkin.

0:36:36.680 --> 0:36:40.440
<v Speaker 5>Table for Two's social media manager is Gracie Wiener. Special

0:36:40.480 --> 0:36:45.320
<v Speaker 5>thanks to Amy Sugarman, Uni Scherer, Kevin Yvane, Bobby Bauer,

0:36:45.760 --> 0:36:49.800
<v Speaker 5>Alison Kanter, Graber, Barbara Jen, Jeff Klein, and the staff.

0:36:49.400 --> 0:36:53.360
<v Speaker 1>At the Tower Bar in the world famous Sunset Tower Hotel.

0:36:53.840 --> 0:36:59.120
<v Speaker 5>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcast,

0:36:59.600 --> 0:37:02.640
<v Speaker 5>or we'rever you listen to your favorite shows