1 00:00:01,000 --> 00:00:02,280 Speaker 1: Taking a Walk Nashville. 2 00:00:02,400 --> 00:00:05,840 Speaker 2: Hi everyone, this is Sarah Harrelson, your host of Taking 3 00:00:05,880 --> 00:00:08,720 Speaker 2: a Walk Nashville, and here with me today is Georgia 4 00:00:08,800 --> 00:00:12,640 Speaker 2: native Kiley Hammock. She has built a reputation for bold 5 00:00:12,720 --> 00:00:17,600 Speaker 2: songwriting and powerhouse vocals, earning nearly two and seventy five 6 00:00:17,720 --> 00:00:22,440 Speaker 2: million global streams and winning an ACM Award for Musical 7 00:00:22,520 --> 00:00:25,000 Speaker 2: Event of the Year for Fool the Rounds and Fell 8 00:00:25,000 --> 00:00:28,720 Speaker 2: in Love with Miranda Lambert. Her sophomore album, Be of 9 00:00:28,840 --> 00:00:32,920 Speaker 2: Roses has been praised by Rolling Stone and Billboard as 10 00:00:32,960 --> 00:00:35,600 Speaker 2: one of the best country releases of twenty twenty five, 11 00:00:35,760 --> 00:00:39,479 Speaker 2: and she's taken the storytelling even further with a romance 12 00:00:39,560 --> 00:00:43,240 Speaker 2: novel inspired by the album. Co written with best selling 13 00:00:43,320 --> 00:00:49,000 Speaker 2: author and Carolyn Brown. She shared stages with legends like 14 00:00:49,080 --> 00:00:52,800 Speaker 2: Stevie Nicks, Riva Eric Church. In this fall, she'll be 15 00:00:52,920 --> 00:00:56,440 Speaker 2: joining Brooks and Dunn on their Neon Moon tour. 16 00:00:56,680 --> 00:00:58,800 Speaker 1: We'll be right back with more of the Taken a 17 00:00:58,840 --> 00:01:07,680 Speaker 1: Walk Nashville Podcast. Welcome to Taking a Walk Nashville with 18 00:01:07,760 --> 00:01:10,920 Speaker 1: your hosts singer songwriter Sarah Harrelson Cayley. 19 00:01:11,000 --> 00:01:12,959 Speaker 3: Thank you so much for being here today with me. 20 00:01:13,080 --> 00:01:15,399 Speaker 3: So many exciting things that are happening with you. 21 00:01:15,800 --> 00:01:18,360 Speaker 4: Yeah, and also I'm excited to be here because we 22 00:01:18,440 --> 00:01:21,080 Speaker 4: kind of have a full circle of we met each other. 23 00:01:21,120 --> 00:01:23,440 Speaker 3: I feel like when neither of us had much. 24 00:01:23,280 --> 00:01:25,920 Speaker 4: Going on, you know, and now I'll look at us, 25 00:01:25,959 --> 00:01:27,160 Speaker 4: we're here at CRS. 26 00:01:27,200 --> 00:01:29,080 Speaker 3: We're doing the thing. I know. 27 00:01:29,240 --> 00:01:32,039 Speaker 2: Yeah, it's probably been about like ten years ago when 28 00:01:32,080 --> 00:01:36,319 Speaker 2: I met you during CMA Fest through another promoter here 29 00:01:36,360 --> 00:01:39,640 Speaker 2: in town, and I remember you were singing on Broadway, 30 00:01:40,080 --> 00:01:44,360 Speaker 2: and it's just so much fun to see your career 31 00:01:44,520 --> 00:01:46,679 Speaker 2: journey over the past ten years. 32 00:01:46,680 --> 00:01:48,720 Speaker 3: It's been. Yeah. Now I go down there and I 33 00:01:48,840 --> 00:01:50,840 Speaker 3: just drink and listen to the bands. I don't have 34 00:01:50,880 --> 00:01:52,120 Speaker 3: to work anymore. 35 00:01:52,200 --> 00:01:55,840 Speaker 2: Right, Yeah, oh yeah, it's been so fun to see 36 00:01:55,880 --> 00:01:58,760 Speaker 2: that now. And you know, you went from Broadway to 37 00:01:58,800 --> 00:02:02,120 Speaker 2: now sharing stages of the artists like Stevie Nicks and Riba. 38 00:02:02,600 --> 00:02:04,840 Speaker 3: Was there a moment from one of. 39 00:02:04,800 --> 00:02:07,800 Speaker 2: These shows that have really stuck with you? 40 00:02:08,320 --> 00:02:09,960 Speaker 3: Oh yeah. 41 00:02:10,080 --> 00:02:12,600 Speaker 4: I got a call on a Tuesday that they needed 42 00:02:12,639 --> 00:02:15,600 Speaker 4: me to open up for Stevie Nicks in Atlantic City 43 00:02:15,960 --> 00:02:19,280 Speaker 4: on a Thursday night, and so it was a quick turnaround. 44 00:02:19,280 --> 00:02:21,600 Speaker 4: But when Stevie Nicks, when her manager calls and says, 45 00:02:21,840 --> 00:02:24,880 Speaker 4: Stevie needs you to open for you show up, you know, 46 00:02:25,400 --> 00:02:27,760 Speaker 4: And so we came in there and we played a 47 00:02:27,800 --> 00:02:31,160 Speaker 4: sold out show, and it was just one of those 48 00:02:31,160 --> 00:02:34,239 Speaker 4: situations where I didn't know that she had come out. 49 00:02:34,120 --> 00:02:37,080 Speaker 3: To watch my sound check until afterwards, and that really 50 00:02:37,120 --> 00:02:38,280 Speaker 3: shocked me. That stunned me. 51 00:02:38,480 --> 00:02:41,520 Speaker 4: But it was a moment as she was performing, she 52 00:02:41,560 --> 00:02:45,160 Speaker 4: was singing Landslide, and I just bawled. A side stage 53 00:02:45,160 --> 00:02:48,400 Speaker 4: with my band, we all cried together, because it's just 54 00:02:48,440 --> 00:02:52,040 Speaker 4: a full circle kind of situation, I feel like, especially 55 00:02:52,080 --> 00:02:54,040 Speaker 4: as a young female artist, when you get to open 56 00:02:54,120 --> 00:02:56,880 Speaker 4: up for someone that you never even knew you would 57 00:02:56,880 --> 00:02:59,400 Speaker 4: ever get to meet or even see in concert, you know, 58 00:02:59,480 --> 00:03:02,200 Speaker 4: from the Nose Bleeds one night, that's all I would hope. 59 00:03:02,000 --> 00:03:03,080 Speaker 3: For was Stevie Nicks. 60 00:03:03,120 --> 00:03:06,080 Speaker 4: But she was kind enough to remember my name and 61 00:03:06,200 --> 00:03:08,000 Speaker 4: make sure to make time to talk to me after 62 00:03:08,040 --> 00:03:12,160 Speaker 4: the show and encourage me, and you just it's just 63 00:03:12,200 --> 00:03:15,520 Speaker 4: some moments like that that you think back to what 64 00:03:15,560 --> 00:03:17,760 Speaker 4: would a thirteen year old me say if I told 65 00:03:17,760 --> 00:03:18,880 Speaker 4: her this, and she would. 66 00:03:18,639 --> 00:03:20,040 Speaker 3: Think I'd be a big, fat liar. 67 00:03:20,240 --> 00:03:24,239 Speaker 4: So I'm just still kind of in awe of the 68 00:03:24,280 --> 00:03:25,560 Speaker 4: Stevie Nick shows we did. 69 00:03:25,880 --> 00:03:28,160 Speaker 3: Yeah, what a beautiful and humbling moment. 70 00:03:28,880 --> 00:03:32,240 Speaker 2: And you know you've also won ACM Musical Event of 71 00:03:32,240 --> 00:03:35,920 Speaker 2: the Year with Miranda Lambert or pulled Around and fell 72 00:03:35,960 --> 00:03:39,160 Speaker 2: in Love. What do you remember about being part of 73 00:03:39,160 --> 00:03:40,960 Speaker 2: that collaboration with Miranda? 74 00:03:41,120 --> 00:03:42,040 Speaker 3: Oh, it was so cool. 75 00:03:42,080 --> 00:03:44,560 Speaker 4: It was the first time I'd ever got to hang 76 00:03:44,560 --> 00:03:47,480 Speaker 4: out with some of those girls. And I owe Miranda 77 00:03:47,800 --> 00:03:50,760 Speaker 4: so much credit because she didn't have to do that, 78 00:03:50,960 --> 00:03:52,680 Speaker 4: you know, she didn't have to bring all of us 79 00:03:52,680 --> 00:03:55,400 Speaker 4: together and rally us together to sing and then pay 80 00:03:55,440 --> 00:03:57,400 Speaker 4: to produce it and put it out, you know, under 81 00:03:57,440 --> 00:03:59,960 Speaker 4: her name. She really did a lot for us because 82 00:04:00,320 --> 00:04:03,560 Speaker 4: in that time, I really got to get close with 83 00:04:03,640 --> 00:04:06,000 Speaker 4: Ashton mcgride, I got close to Miranda, I got close 84 00:04:06,080 --> 00:04:08,360 Speaker 4: to Tanil and the other women that sang on it, 85 00:04:08,560 --> 00:04:11,560 Speaker 4: and it just I remember there was a moment that 86 00:04:11,680 --> 00:04:15,640 Speaker 4: day that I'm a huge Randa Lambert fan just because 87 00:04:15,680 --> 00:04:19,960 Speaker 4: of what she stands for and how kind she is 88 00:04:20,000 --> 00:04:22,159 Speaker 4: to all the young female artists that I know. But 89 00:04:22,400 --> 00:04:24,760 Speaker 4: she I had went to pick up my purse. I 90 00:04:24,800 --> 00:04:27,680 Speaker 4: was about to walk out. Her and Ashley are playing 91 00:04:27,760 --> 00:04:30,920 Speaker 4: songs with Jay Joyce there in his studio. Jay had 92 00:04:30,920 --> 00:04:34,800 Speaker 4: produced both of their records, and so, you know, as 93 00:04:34,800 --> 00:04:37,920 Speaker 4: the young artist, I see two older artists that you know, 94 00:04:38,000 --> 00:04:40,560 Speaker 4: they never have free time. They never can just hang 95 00:04:40,600 --> 00:04:43,000 Speaker 4: out with their friends. They're always on the road NonStop. 96 00:04:43,240 --> 00:04:44,400 Speaker 3: And I thought, I'll just. 97 00:04:44,440 --> 00:04:47,000 Speaker 4: Excuse myself and leave so that they can have more 98 00:04:47,040 --> 00:04:49,599 Speaker 4: one on one time without some young artists they don't know, 99 00:04:49,680 --> 00:04:52,479 Speaker 4: kind of hanging about. And as I'm picking up my purse, 100 00:04:52,520 --> 00:04:54,120 Speaker 4: Miranda looked at me and she goes, well, where are 101 00:04:54,160 --> 00:04:56,520 Speaker 4: you going? And I said, I'm just going home. And 102 00:04:56,560 --> 00:04:58,600 Speaker 4: she goes, well, why are you going then? And I said, 103 00:04:58,960 --> 00:05:00,719 Speaker 4: I was just gonna give you all time to hang out. 104 00:05:00,960 --> 00:05:02,720 Speaker 4: She goes, no, you're one of us put your purse 105 00:05:02,760 --> 00:05:05,479 Speaker 4: down or listening to music, And I just I think 106 00:05:05,520 --> 00:05:08,880 Speaker 4: that moments like that are really important when you're kind 107 00:05:08,880 --> 00:05:11,640 Speaker 4: of new in this industry. And I don't know, I 108 00:05:11,680 --> 00:05:14,200 Speaker 4: think Miranda Lambert is a huge champion for women in 109 00:05:14,240 --> 00:05:17,000 Speaker 4: this industry, and Ash McBride is too, and all the 110 00:05:17,000 --> 00:05:19,800 Speaker 4: women that I met through that song, it's just been 111 00:05:21,000 --> 00:05:23,320 Speaker 4: it's just crazy to even be able to call them 112 00:05:23,360 --> 00:05:24,800 Speaker 4: by their first names, you know what I mean. 113 00:05:24,960 --> 00:05:27,159 Speaker 3: Yeah, I'm very grateful for them. It's so wonderful to 114 00:05:27,200 --> 00:05:28,640 Speaker 3: have that community too. 115 00:05:28,920 --> 00:05:32,600 Speaker 4: Very much so the community in country music and especially 116 00:05:32,600 --> 00:05:35,640 Speaker 4: around the artists, the female artist that I have in 117 00:05:35,680 --> 00:05:38,920 Speaker 4: my realm. I feel like those are some of the 118 00:05:38,960 --> 00:05:42,760 Speaker 4: most valuable friendships I've ever had, and I'm just so grateful. 119 00:05:42,760 --> 00:05:44,880 Speaker 4: They're the ones that keep me sane and keep me 120 00:05:44,920 --> 00:05:46,720 Speaker 4: from shaving my head moving to another country. 121 00:05:46,760 --> 00:05:52,560 Speaker 2: Great and your sophomore album, bet of Roses that was 122 00:05:52,640 --> 00:05:55,320 Speaker 2: named one of the best albums of twenty twenty five 123 00:05:55,360 --> 00:05:58,520 Speaker 2: by both Rolling Stone and Billboard. What does it mean 124 00:05:58,560 --> 00:06:01,880 Speaker 2: to see that level of recognition. 125 00:06:01,440 --> 00:06:06,440 Speaker 3: For this record? Unreal? And it really Uh, it was a. 126 00:06:06,400 --> 00:06:10,159 Speaker 4: Really cool situation because I had just left my label. 127 00:06:10,440 --> 00:06:12,120 Speaker 4: I had I had tried to get out a few 128 00:06:12,200 --> 00:06:15,600 Speaker 4: years before, and they wouldn't allow me out, which, you know, 129 00:06:15,760 --> 00:06:20,040 Speaker 4: I get it, it's business. But a few years after that, 130 00:06:20,160 --> 00:06:23,800 Speaker 4: finally Mike Harris came into play at the label, and 131 00:06:24,480 --> 00:06:27,560 Speaker 4: I just I finally was able to get my wish 132 00:06:27,800 --> 00:06:31,000 Speaker 4: and my want of being out because I had noticed 133 00:06:31,000 --> 00:06:33,000 Speaker 4: a lot of my friends their careers were doing better 134 00:06:33,040 --> 00:06:35,440 Speaker 4: once they left the label that they were a small 135 00:06:35,480 --> 00:06:37,760 Speaker 4: fish at, when they were finally able to own their 136 00:06:37,800 --> 00:06:41,440 Speaker 4: own masters and own their own merch and really have 137 00:06:41,560 --> 00:06:44,920 Speaker 4: true control versus having to go through you know, when 138 00:06:44,960 --> 00:06:47,560 Speaker 4: you have eleven chefs in the kitchen, it takes a 139 00:06:47,600 --> 00:06:50,839 Speaker 4: long time to sometimes get approval on things, and by 140 00:06:50,880 --> 00:06:53,440 Speaker 4: the time you get approval, the magic is gone, the 141 00:06:53,480 --> 00:06:56,440 Speaker 4: moment is gone. And so being able to finally walk 142 00:06:56,480 --> 00:06:59,440 Speaker 4: away and be able to do it Indy has just 143 00:06:59,640 --> 00:07:02,720 Speaker 4: made such a difference in my life. 144 00:07:02,839 --> 00:07:05,320 Speaker 3: Also creatively, it's been really spectacular. 145 00:07:05,400 --> 00:07:08,719 Speaker 4: So being able to walk away from that turn around 146 00:07:09,000 --> 00:07:11,960 Speaker 4: and wake up one morning and see articles where Billboard 147 00:07:11,960 --> 00:07:13,880 Speaker 4: and Rolling Stone are saying it's one of the best 148 00:07:13,880 --> 00:07:16,800 Speaker 4: ones of the year. It was such a validating moment 149 00:07:17,080 --> 00:07:20,520 Speaker 4: and a comforting moment of Yes, like when I put 150 00:07:20,520 --> 00:07:22,160 Speaker 4: my mind to it and I put out the music 151 00:07:22,200 --> 00:07:24,960 Speaker 4: that I love and I think is important, other people 152 00:07:25,000 --> 00:07:28,280 Speaker 4: are hearing it too, And yeah, it really did a 153 00:07:28,280 --> 00:07:30,080 Speaker 4: lot for my heart and kind of gave me even 154 00:07:30,080 --> 00:07:33,160 Speaker 4: more comption going into this new kind of realm where 155 00:07:33,160 --> 00:07:37,240 Speaker 4: I have full creative control, not just mostly creative control. 156 00:07:37,480 --> 00:07:40,040 Speaker 2: Yeah, and that could be a scary thing, stepping out 157 00:07:40,120 --> 00:07:42,240 Speaker 2: onto your own but I think a lot of people 158 00:07:42,280 --> 00:07:46,640 Speaker 2: don't realize. You know, everyone sees the glam of signing 159 00:07:46,680 --> 00:07:49,640 Speaker 2: with a big lavepole, but for newer artists that can 160 00:07:49,680 --> 00:07:54,360 Speaker 2: be tough to break out and have creative control. So 161 00:07:55,000 --> 00:07:57,240 Speaker 2: I know, I know it's scary, but it must be 162 00:07:57,240 --> 00:07:59,880 Speaker 2: beautiful being able to do that at the same time. 163 00:08:00,440 --> 00:08:01,280 Speaker 3: A big relief. 164 00:08:01,360 --> 00:08:03,400 Speaker 4: And I think if there was an artist before me 165 00:08:03,560 --> 00:08:06,520 Speaker 4: that were texting me, encouraging me and saying, hey, my 166 00:08:06,560 --> 00:08:09,480 Speaker 4: life got better when I left, those moments were really 167 00:08:09,680 --> 00:08:12,480 Speaker 4: like what helped me I think sometimes. I mean for 168 00:08:12,560 --> 00:08:15,440 Speaker 4: anyone listening, say you're not in the industry, I hope 169 00:08:15,440 --> 00:08:16,480 Speaker 4: that you take something from this. 170 00:08:16,600 --> 00:08:18,480 Speaker 3: Sometimes when you. 171 00:08:18,400 --> 00:08:21,440 Speaker 4: Were able to take off that security blanket, that safety 172 00:08:21,600 --> 00:08:24,840 Speaker 4: that you've blanketed yourself with, you realize it was almost 173 00:08:24,880 --> 00:08:29,080 Speaker 4: suffocating you in certain instances and a lot of I 174 00:08:29,120 --> 00:08:32,720 Speaker 4: think creativity comes from stepping out into the unknown. 175 00:08:32,920 --> 00:08:34,840 Speaker 3: So if you're listening to this and this made you 176 00:08:34,880 --> 00:08:35,600 Speaker 3: think of something in. 177 00:08:35,559 --> 00:08:38,080 Speaker 4: Your life, I hope this is the push to get 178 00:08:38,120 --> 00:08:40,000 Speaker 4: you to make that big jump and make that big leap. 179 00:08:40,679 --> 00:08:42,600 Speaker 3: Yeah, I love that so much. 180 00:08:42,640 --> 00:08:47,600 Speaker 2: And alongside your latest album Better Roses, you decided to 181 00:08:47,600 --> 00:08:51,760 Speaker 2: release a romance novel tied to the Songs with Carolyn Brown. 182 00:08:52,200 --> 00:08:56,079 Speaker 2: How did your idea to create a book that mirrors 183 00:08:56,120 --> 00:08:57,600 Speaker 2: the album come about. 184 00:08:57,800 --> 00:08:59,200 Speaker 3: Yeah, well, mirror the album. 185 00:08:59,280 --> 00:09:02,920 Speaker 4: That's exactly the right phrase for the right term for it. 186 00:09:03,000 --> 00:09:06,480 Speaker 4: I decided the track listing and I'd already sent in 187 00:09:06,520 --> 00:09:08,960 Speaker 4: the approval for it when the idea and the concept 188 00:09:09,000 --> 00:09:11,720 Speaker 4: for the book came to be and I realized I 189 00:09:11,720 --> 00:09:14,520 Speaker 4: cannot change around the track listing, which was perfect because 190 00:09:14,520 --> 00:09:16,960 Speaker 4: it gave me a certain set of parameters in which 191 00:09:17,000 --> 00:09:19,400 Speaker 4: to create in and where. 192 00:09:19,520 --> 00:09:21,079 Speaker 3: You know, when you go to write a book, well, 193 00:09:21,080 --> 00:09:22,240 Speaker 3: what are you going to write it about? 194 00:09:22,840 --> 00:09:25,280 Speaker 4: And so what I did as the concept of the 195 00:09:25,320 --> 00:09:28,240 Speaker 4: book is this album, Bed of Roses is more of 196 00:09:28,280 --> 00:09:32,320 Speaker 4: a sad song centric album. If you listen from top 197 00:09:32,360 --> 00:09:34,920 Speaker 4: to bottom the way that that album plays, you get 198 00:09:34,960 --> 00:09:37,840 Speaker 4: my story. You get my experiences in the past, say 199 00:09:37,880 --> 00:09:41,120 Speaker 4: ten years of my life. But if you take every 200 00:09:41,120 --> 00:09:42,559 Speaker 4: single song on that record. 201 00:09:42,360 --> 00:09:43,880 Speaker 3: In the track listing, you reverse it. 202 00:09:44,320 --> 00:09:47,079 Speaker 4: Every single song is a chapter and it tells the 203 00:09:47,120 --> 00:09:50,160 Speaker 4: story of Sam, the protagonist. So if you need something 204 00:09:50,240 --> 00:09:55,839 Speaker 4: that ventures into the heartfelt, more sad, melancholy side, then 205 00:09:55,920 --> 00:09:57,760 Speaker 4: you can go and listen to just the record from 206 00:09:57,760 --> 00:10:00,199 Speaker 4: top bottom. If you want to be able to in 207 00:10:00,320 --> 00:10:02,480 Speaker 4: the day with a little sweet treat of the happily 208 00:10:02,520 --> 00:10:04,800 Speaker 4: ever after, where things work out and things are going 209 00:10:04,840 --> 00:10:07,000 Speaker 4: to be okay, then you can read the book. I 210 00:10:07,040 --> 00:10:10,160 Speaker 4: think that in a world where we don't get control 211 00:10:10,200 --> 00:10:12,920 Speaker 4: over anything, you know, and anything we think we have 212 00:10:12,960 --> 00:10:16,680 Speaker 4: control over, a lot of that is a mirage. I 213 00:10:16,720 --> 00:10:19,760 Speaker 4: think that being able to write a book that, for me, 214 00:10:19,840 --> 00:10:21,439 Speaker 4: that's what Romances is. 215 00:10:21,720 --> 00:10:23,120 Speaker 3: It's not Nicholas Sparks. 216 00:10:23,160 --> 00:10:25,840 Speaker 4: I ain't killing anyone's grandmama in one of my books. 217 00:10:25,960 --> 00:10:28,200 Speaker 4: I'm not gonna make you weep too hard at the end. 218 00:10:28,520 --> 00:10:31,599 Speaker 4: I love a book where you know everything's going to 219 00:10:31,640 --> 00:10:34,720 Speaker 4: work out okay for that person, and I just wanted 220 00:10:34,720 --> 00:10:37,920 Speaker 4: to be able to kind of give that sweet treat assurance, 221 00:10:37,960 --> 00:10:41,560 Speaker 4: I guess beside the album. And also, I don't know 222 00:10:41,720 --> 00:10:43,360 Speaker 4: if you grew up doing this, but I was a 223 00:10:43,360 --> 00:10:46,360 Speaker 4: fan fiction girly. I was the watt pad kid, and 224 00:10:46,600 --> 00:10:49,520 Speaker 4: anytime my favorite character would die in a book or 225 00:10:49,559 --> 00:10:51,800 Speaker 4: in a movie, I would then go read fan fiction 226 00:10:52,320 --> 00:10:54,520 Speaker 4: that someone wrote that they lived a good life and 227 00:10:54,559 --> 00:10:58,440 Speaker 4: they went on to continue wherever. And every single time 228 00:10:58,600 --> 00:11:01,200 Speaker 4: my favorite fan fictions would have one song at the 229 00:11:01,240 --> 00:11:03,760 Speaker 4: top of every chapter, and it'd be like, go listen 230 00:11:03,800 --> 00:11:06,400 Speaker 4: to this song as you read this chapter. So I 231 00:11:06,480 --> 00:11:09,040 Speaker 4: got to kind of accomplish what thirteen year old needs 232 00:11:09,120 --> 00:11:12,000 Speaker 4: to love and fan fiction is every single out or 233 00:11:12,040 --> 00:11:16,000 Speaker 4: every single chapter has a song that goes with it, 234 00:11:15,880 --> 00:11:17,840 Speaker 4: so it's a listening and reading experience. 235 00:11:18,040 --> 00:11:20,400 Speaker 3: That was Michael. I love how that's correlated. 236 00:11:20,440 --> 00:11:23,960 Speaker 2: And Dolly did the same thing with her Run Rose Run. 237 00:11:24,559 --> 00:11:27,400 Speaker 4: That was really where the idea came from. Well not 238 00:11:27,440 --> 00:11:31,360 Speaker 4: that the idea came from, but that was what assured me, oh, wait, 239 00:11:31,400 --> 00:11:34,960 Speaker 4: you can do this. Someone has done this already, and 240 00:11:35,040 --> 00:11:37,520 Speaker 4: so having Carolyn Brown on it too. The first book 241 00:11:37,559 --> 00:11:39,240 Speaker 4: that I wrote, I knew I was not going to 242 00:11:39,320 --> 00:11:41,600 Speaker 4: be able to do it as quick as I needed to. 243 00:11:41,640 --> 00:11:43,000 Speaker 3: We only had two and a half months. 244 00:11:43,400 --> 00:11:45,160 Speaker 4: And they told me going into it, they said, this 245 00:11:45,200 --> 00:11:46,920 Speaker 4: is a year and a half project normally, but you 246 00:11:46,960 --> 00:11:49,640 Speaker 4: have two and a half months for everything. So what's 247 00:11:49,679 --> 00:11:53,040 Speaker 4: funny is, as a perfectionist, I think it's humorous that 248 00:11:53,360 --> 00:11:57,600 Speaker 4: there's typos, there's spelling errors and grammatical errors in that book. 249 00:11:58,040 --> 00:11:59,800 Speaker 4: Younger me that would drive me up the wall, but 250 00:12:00,040 --> 00:12:03,360 Speaker 4: older me realizes that I accomplished something in such a 251 00:12:03,400 --> 00:12:06,840 Speaker 4: small amount of time that I'm just immensely proud of 252 00:12:07,440 --> 00:12:09,560 Speaker 4: and I can only grow from here. You know, you 253 00:12:09,600 --> 00:12:12,120 Speaker 4: got to put out your first book, and maybe it's good, 254 00:12:12,200 --> 00:12:15,880 Speaker 4: maybe it's bad, but you keep continuing and your skill 255 00:12:16,040 --> 00:12:19,080 Speaker 4: just grows as you grow. And so I'm already working 256 00:12:19,120 --> 00:12:21,079 Speaker 4: on the next book and I'm really enjoying her. 257 00:12:21,400 --> 00:12:22,000 Speaker 3: That's great. 258 00:12:22,080 --> 00:12:24,000 Speaker 2: Yeah, and for your first book, you got to work 259 00:12:24,000 --> 00:12:24,880 Speaker 2: with Carolyn Brown? 260 00:12:24,960 --> 00:12:26,360 Speaker 3: Or was it like working with Carona? 261 00:12:26,679 --> 00:12:28,439 Speaker 4: She heard what I was doing and she reached out, 262 00:12:28,480 --> 00:12:30,240 Speaker 4: said she was willing to come in and help me 263 00:12:30,280 --> 00:12:30,880 Speaker 4: figure it out. 264 00:12:30,960 --> 00:12:31,400 Speaker 3: And cool. 265 00:12:31,920 --> 00:12:35,360 Speaker 4: She's just it's I don't even know how to explain it. 266 00:12:35,400 --> 00:12:38,280 Speaker 4: I'm stuttering because I am in such awe of Carolyn 267 00:12:38,320 --> 00:12:39,240 Speaker 4: Brown as a person. 268 00:12:40,280 --> 00:12:42,600 Speaker 3: This woman writes non stop. 269 00:12:42,800 --> 00:12:45,520 Speaker 4: All her brain is is a vessel for creativity and 270 00:12:45,559 --> 00:12:47,160 Speaker 4: ideas and storytelling. 271 00:12:47,720 --> 00:12:50,360 Speaker 3: And it just was so impressive to work with her. 272 00:12:50,640 --> 00:12:54,240 Speaker 4: What I kind of had her as was this grandmotherly 273 00:12:54,320 --> 00:12:57,880 Speaker 4: figure that echoed the grandmotherly figure in the book. The 274 00:12:57,920 --> 00:13:00,480 Speaker 4: book is really centered around more so and the love 275 00:13:00,520 --> 00:13:04,320 Speaker 4: story itself. It's initially figured around this one woman named 276 00:13:04,320 --> 00:13:06,920 Speaker 4: Sam and this older woman Kathleen. He takes her under 277 00:13:06,960 --> 00:13:10,199 Speaker 4: her arm or her winged and helps her figure out 278 00:13:10,240 --> 00:13:12,480 Speaker 4: who she is and how to be that persons in 279 00:13:12,559 --> 00:13:16,320 Speaker 4: this world. And that's exactly what Carolyn Brown started doing. 280 00:13:16,400 --> 00:13:16,640 Speaker 3: You know. 281 00:13:17,040 --> 00:13:20,120 Speaker 4: She agreed to come on and listen to my idea 282 00:13:20,320 --> 00:13:23,319 Speaker 4: and read what I'd been writing, and she connected with it, 283 00:13:23,360 --> 00:13:25,079 Speaker 4: and she helped me bring it to what it is 284 00:13:25,280 --> 00:13:27,120 Speaker 4: and gave me a lot of encouragement. 285 00:13:27,240 --> 00:13:29,200 Speaker 3: She said, this next book, I challenge you. 286 00:13:29,080 --> 00:13:31,640 Speaker 4: Write it by yourself, because I truly believe you can. 287 00:13:31,920 --> 00:13:35,040 Speaker 4: And now now that I'm here, I can help you edit, 288 00:13:35,200 --> 00:13:37,760 Speaker 4: I can help you know, guide you, but I believe 289 00:13:37,800 --> 00:13:39,320 Speaker 4: that you can do it fully, and I think you 290 00:13:39,360 --> 00:13:41,040 Speaker 4: need to do it at least once, and then you're 291 00:13:41,080 --> 00:13:42,200 Speaker 4: always gonna want to write. 292 00:13:42,240 --> 00:13:43,640 Speaker 3: And it's so true. 293 00:13:44,160 --> 00:13:47,240 Speaker 4: I remember, Sarah. I remember the day after I finished 294 00:13:47,240 --> 00:13:49,640 Speaker 4: writing it. I woke up and I made coffee, and 295 00:13:49,679 --> 00:13:51,360 Speaker 4: I went and put my reading glasses on to sit 296 00:13:51,400 --> 00:13:52,200 Speaker 4: down and keep writing. 297 00:13:52,240 --> 00:13:53,839 Speaker 3: And I realized that there was no more to write. 298 00:13:54,160 --> 00:13:57,040 Speaker 3: And I remember crying because for the first time ever, 299 00:13:57,360 --> 00:13:59,120 Speaker 3: I missed the characters I had written. 300 00:13:59,600 --> 00:14:02,400 Speaker 4: Every day I'm writing a new song about some new character, 301 00:14:02,520 --> 00:14:04,680 Speaker 4: a person in my mind or someone I love. But 302 00:14:05,400 --> 00:14:08,280 Speaker 4: that was months of getting to create these characters to 303 00:14:08,320 --> 00:14:10,640 Speaker 4: the point I knew them so intimately they felt like 304 00:14:10,640 --> 00:14:13,319 Speaker 4: they were my friends, and then I couldn't finish their 305 00:14:13,360 --> 00:14:14,040 Speaker 4: story anymore. 306 00:14:14,160 --> 00:14:15,040 Speaker 3: So that's the. 307 00:14:14,960 --> 00:14:17,440 Speaker 4: Coolest thing of right the next book is I'm just 308 00:14:17,520 --> 00:14:19,280 Speaker 4: continuing their story a little bit further. 309 00:14:19,600 --> 00:14:24,480 Speaker 2: Yeah, yeah, I'm really excited to hear about the next book. 310 00:14:24,520 --> 00:14:27,240 Speaker 2: And I've definitely listened to the Better Roses album. So 311 00:14:27,280 --> 00:14:29,560 Speaker 2: now I gotta do the book and. 312 00:14:29,480 --> 00:14:31,600 Speaker 3: See how you give me your address, I can send 313 00:14:31,600 --> 00:14:33,960 Speaker 3: you a book. Yeah, yeah, I would love to read it. 314 00:14:34,840 --> 00:14:37,680 Speaker 2: So in addition to being an author in your new 315 00:14:37,760 --> 00:14:41,200 Speaker 2: music this ball, you are joining the Neon Moon tour 316 00:14:41,280 --> 00:14:44,440 Speaker 2: with Brooks and Done. Are you excited to be hitting 317 00:14:44,480 --> 00:14:45,400 Speaker 2: the road with them? 318 00:14:45,520 --> 00:14:48,680 Speaker 4: Unreal for people listening right now, I have my Brooks 319 00:14:48,680 --> 00:14:50,400 Speaker 4: and Dundon I'm jacket all. 320 00:14:50,640 --> 00:14:52,480 Speaker 3: I love them. I had to wear it. 321 00:14:53,120 --> 00:14:57,560 Speaker 4: I'd been wearing it constantly chronically since the dates announced. 322 00:14:57,560 --> 00:15:01,120 Speaker 3: But it's such a it's such a cool full circle. 323 00:15:01,320 --> 00:15:03,840 Speaker 4: I've played so much Bricks and Done in my shows, 324 00:15:04,320 --> 00:15:06,600 Speaker 4: Like one of my first big tours was opening up 325 00:15:06,600 --> 00:15:09,120 Speaker 4: for Luke Bryan and I used to play play something 326 00:15:09,160 --> 00:15:13,320 Speaker 4: country and so it's a really cool moment to get 327 00:15:13,320 --> 00:15:15,520 Speaker 4: to go on the road with these guys and see 328 00:15:15,520 --> 00:15:17,880 Speaker 4: them perform and see how they work and get to 329 00:15:17,920 --> 00:15:20,080 Speaker 4: know their crew and stuff. One of my favorite things 330 00:15:20,160 --> 00:15:22,880 Speaker 4: is just wandering around backstage and talking to people about 331 00:15:22,880 --> 00:15:25,440 Speaker 4: their roles on the teams and how all the different 332 00:15:25,480 --> 00:15:29,680 Speaker 4: roles are different. You know, but every single person is 333 00:15:29,720 --> 00:15:34,760 Speaker 4: another limb, another organ in the anatomy of keeping the 334 00:15:34,760 --> 00:15:38,479 Speaker 4: show going on the road, and it's just cool. It's fascinating. 335 00:15:38,560 --> 00:15:40,760 Speaker 4: So I know, I'm probably going to annoy a bunch 336 00:15:40,800 --> 00:15:43,520 Speaker 4: of people on that crew because I ask a lot 337 00:15:43,520 --> 00:15:46,880 Speaker 4: of dumb questions. But you only learn by asking dumb questions. 338 00:15:47,240 --> 00:15:49,920 Speaker 2: Yeah, well, especially when you grew up listening to them. 339 00:15:50,080 --> 00:15:52,280 Speaker 2: It's so iconic to be able to share a tour 340 00:15:52,360 --> 00:15:52,680 Speaker 2: with them. 341 00:15:52,880 --> 00:15:56,280 Speaker 4: I want to know everything, so I'm very grateful for 342 00:15:56,320 --> 00:15:57,120 Speaker 4: them having me out. 343 00:15:57,440 --> 00:16:01,600 Speaker 2: Yeah, people can grab tickets for that upcoming tour. You've 344 00:16:01,600 --> 00:16:05,400 Speaker 2: also performed internationally and we have a lot of listeners 345 00:16:05,440 --> 00:16:06,560 Speaker 2: overseas on taking. 346 00:16:06,400 --> 00:16:07,400 Speaker 3: A walk Nashville. 347 00:16:07,640 --> 00:16:12,600 Speaker 2: How do you think audiences overseas respond differently to country 348 00:16:12,680 --> 00:16:15,240 Speaker 2: music or how they have embraced country music? 349 00:16:16,800 --> 00:16:20,920 Speaker 4: So anyone listening from anywhere in the world outside of 350 00:16:20,960 --> 00:16:23,800 Speaker 4: the US, I would love for you to come up 351 00:16:23,840 --> 00:16:25,640 Speaker 4: to me next time I'm over there, and tell me 352 00:16:25,680 --> 00:16:28,040 Speaker 4: your thoughts on this, because I feel like all of 353 00:16:28,120 --> 00:16:28,800 Speaker 4: us artists, we. 354 00:16:28,720 --> 00:16:29,600 Speaker 3: Have the same answer. 355 00:16:30,040 --> 00:16:34,840 Speaker 4: It is they care more, They listen more adamantly, they 356 00:16:35,280 --> 00:16:39,120 Speaker 4: listen more intently. They in no disrespect to any of 357 00:16:39,160 --> 00:16:41,800 Speaker 4: our US listeners. But what I mean is it's in 358 00:16:41,840 --> 00:16:44,000 Speaker 4: a way that I can't explain unless you've seen it. 359 00:16:44,640 --> 00:16:46,920 Speaker 4: First time I went on stage in Berlin, it was 360 00:16:46,960 --> 00:16:48,960 Speaker 4: my first time ever being on the stage outside of 361 00:16:49,000 --> 00:16:51,640 Speaker 4: the US, and I start into my song. 362 00:16:51,440 --> 00:16:54,000 Speaker 3: And they're very very quiet. And I finished my song. 363 00:16:54,120 --> 00:16:57,240 Speaker 4: The last note rings out, and they're still very very quiet, 364 00:16:57,480 --> 00:16:59,840 Speaker 4: and I thought, oh no, they hate me here, I'm 365 00:17:00,160 --> 00:17:02,680 Speaker 4: their cup of tea. And two or three seconds of 366 00:17:02,720 --> 00:17:06,120 Speaker 4: silence wrung out after the song had finished, before they 367 00:17:06,240 --> 00:17:07,840 Speaker 4: just erupted an applause. 368 00:17:08,240 --> 00:17:10,760 Speaker 3: And what I've learned is and tell me if I'm wrong. 369 00:17:10,840 --> 00:17:13,280 Speaker 4: This is why I'm prompting this to any of you 370 00:17:13,440 --> 00:17:15,320 Speaker 4: when I see you over the next year. We're coming 371 00:17:15,359 --> 00:17:18,119 Speaker 4: to Norway, We're coming back to Germany, We're coming back 372 00:17:18,160 --> 00:17:20,000 Speaker 4: to Scotland and many other different places. 373 00:17:20,040 --> 00:17:23,040 Speaker 3: But that will be announced in a few months. I 374 00:17:23,080 --> 00:17:25,159 Speaker 3: want to know how y'all see it. 375 00:17:25,240 --> 00:17:27,440 Speaker 4: Different because I feel as if you have more of 376 00:17:27,480 --> 00:17:33,399 Speaker 4: a focused belief and passion for country music, then maybe 377 00:17:33,400 --> 00:17:36,479 Speaker 4: you get say in the US, where it's everywhere. You know, 378 00:17:36,640 --> 00:17:39,840 Speaker 4: I think that there's a sacredness almost to country music 379 00:17:39,880 --> 00:17:40,920 Speaker 4: over there, and I. 380 00:17:40,880 --> 00:17:41,600 Speaker 3: Feel it with you. 381 00:17:41,760 --> 00:17:45,120 Speaker 4: I feel the magic y'all create when you give space 382 00:17:45,640 --> 00:17:47,040 Speaker 4: for the music to exist. 383 00:17:47,240 --> 00:17:49,800 Speaker 3: And so it's one of my favorite things in the world. 384 00:17:50,000 --> 00:17:52,800 Speaker 4: Yeah. I last year, I went over and I played 385 00:17:53,040 --> 00:17:56,840 Speaker 4: two different little small headlining stuff. It was in Amsterdam 386 00:17:57,200 --> 00:17:59,800 Speaker 4: and it was just me on a guitar for ninety 387 00:17:59,840 --> 00:18:02,840 Speaker 4: min and one hundred and twenty people showed up. And 388 00:18:03,000 --> 00:18:04,719 Speaker 4: I didn't know if anyone would show up, but one 389 00:18:04,760 --> 00:18:06,120 Speaker 4: hundred and twenty people showed up. 390 00:18:06,400 --> 00:18:07,640 Speaker 3: They stayed through the show, and. 391 00:18:07,600 --> 00:18:10,760 Speaker 4: Almost every single person bought merch and I got to 392 00:18:11,040 --> 00:18:13,000 Speaker 4: hug all these necks and get to know people, and 393 00:18:13,000 --> 00:18:15,960 Speaker 4: people brought me gifts and little things and trinkets that 394 00:18:16,000 --> 00:18:18,720 Speaker 4: I still have that I have, like it almost sounds silly, 395 00:18:18,760 --> 00:18:21,399 Speaker 4: I have almost a shine of all the different things 396 00:18:21,400 --> 00:18:23,359 Speaker 4: that fans had brought me along the way, a little 397 00:18:23,400 --> 00:18:25,960 Speaker 4: mementos that meant something to them and now means something 398 00:18:25,960 --> 00:18:31,600 Speaker 4: to me. And I just I feel so overwhelmingly loved 399 00:18:31,600 --> 00:18:34,600 Speaker 4: and accepted over there in a way that maybe as 400 00:18:34,600 --> 00:18:36,879 Speaker 4: a foreigner you don't always feel. 401 00:18:37,160 --> 00:18:39,280 Speaker 3: And I think it's the love for country music that 402 00:18:39,320 --> 00:18:42,119 Speaker 3: does that. So shout out to anyone outside of the 403 00:18:42,200 --> 00:18:43,320 Speaker 3: US as listening. 404 00:18:43,040 --> 00:18:45,520 Speaker 4: And in the US, come out and go on this 405 00:18:45,680 --> 00:18:46,960 Speaker 4: UK and you're a tour with me. 406 00:18:47,040 --> 00:18:48,439 Speaker 3: Let's have some fun. I love it. 407 00:18:48,560 --> 00:18:51,639 Speaker 2: Yeah, we can look forward to your upcoming shows. Definitely 408 00:18:51,680 --> 00:18:55,880 Speaker 2: something to be said for the listening experience and Europe. 409 00:18:56,200 --> 00:18:56,720 Speaker 3: Kaylee. 410 00:18:57,119 --> 00:18:59,800 Speaker 2: I had one last question for you since we are 411 00:18:59,840 --> 00:19:01,960 Speaker 2: on I'm taking a walk in Nashville. Do you have 412 00:19:02,000 --> 00:19:04,520 Speaker 2: a favorite place that you like to take a walk 413 00:19:04,560 --> 00:19:05,320 Speaker 2: in Nashville? 414 00:19:05,760 --> 00:19:08,400 Speaker 3: Ooh, in Nashville. 415 00:19:08,720 --> 00:19:11,320 Speaker 4: I have many places around the world, but in Nashville 416 00:19:11,400 --> 00:19:15,920 Speaker 4: it would probably be Edwind Warner. I have a song 417 00:19:16,040 --> 00:19:18,840 Speaker 4: called Forge in the Fire that came out, I guess 418 00:19:18,920 --> 00:19:21,320 Speaker 4: in twenty twenty, but it was about a house fire 419 00:19:21,440 --> 00:19:24,840 Speaker 4: in twenty seventeen that I went through and I had 420 00:19:24,920 --> 00:19:28,119 Speaker 4: just recently signed as a staff writer. In twenty seventeen, 421 00:19:28,960 --> 00:19:31,640 Speaker 4: I was on a rider's retreat when what the fire 422 00:19:31,720 --> 00:19:34,640 Speaker 4: chief said was potentially a squirrel got into the attic 423 00:19:34,800 --> 00:19:38,399 Speaker 4: and shoot something and the house caught fire, This little 424 00:19:38,440 --> 00:19:39,359 Speaker 4: tiny house. 425 00:19:39,119 --> 00:19:39,680 Speaker 3: That I had. 426 00:19:40,800 --> 00:19:43,520 Speaker 4: It was in the middle of this nature park Edwin 427 00:19:43,640 --> 00:19:47,280 Speaker 4: and Percy Warner here in Nashville, And instead of paying 428 00:19:47,320 --> 00:19:49,760 Speaker 4: for a gym membership, me and my dog would go 429 00:19:49,840 --> 00:19:52,720 Speaker 4: hiking every day. And I say hiking because it is 430 00:19:52,760 --> 00:19:55,280 Speaker 4: a lot of rolling, you know, hills and stuff. But 431 00:19:55,880 --> 00:19:59,520 Speaker 4: me and my little twelve pound dog, we would go four, five, 432 00:19:59,680 --> 00:20:00,960 Speaker 4: six seven miles a day. 433 00:20:01,560 --> 00:20:05,840 Speaker 3: And having that time outside is just a special special fame. 434 00:20:06,280 --> 00:20:08,720 Speaker 4: And that little area of Nashville and West Nashville, if 435 00:20:08,720 --> 00:20:12,000 Speaker 4: you've ever been it is it's something special. You know, 436 00:20:12,080 --> 00:20:14,639 Speaker 4: you really can be out in the middle of nowhere, 437 00:20:15,119 --> 00:20:17,600 Speaker 4: in the middle of town. And so if you want 438 00:20:17,640 --> 00:20:19,760 Speaker 4: a good walk in Nashville, I head the Edwin and. 439 00:20:19,760 --> 00:20:22,840 Speaker 3: Percy Warren Park and have a good time. 440 00:20:22,880 --> 00:20:26,200 Speaker 4: But make sure you put a location like Penn where 441 00:20:26,240 --> 00:20:26,960 Speaker 4: your parking lot is. 442 00:20:27,000 --> 00:20:28,399 Speaker 3: There's like fifty four parking lots. 443 00:20:28,960 --> 00:20:32,360 Speaker 2: Yeah, I would get lost out there with my husband's 444 00:20:32,359 --> 00:20:34,760 Speaker 2: done those trails so many times, so my buoys rely 445 00:20:34,920 --> 00:20:38,840 Speaker 2: on them. But that's definitely my favorite park in Nashville. 446 00:20:39,040 --> 00:20:42,040 Speaker 2: It's so pretty rate hiking out there. Yeah. Well, Kayley, 447 00:20:42,080 --> 00:20:44,440 Speaker 2: thank you so much for being on Taking a Walk 448 00:20:44,440 --> 00:20:47,040 Speaker 2: in Nashville today. I am looking forward to all of 449 00:20:47,080 --> 00:20:49,320 Speaker 2: your upcoming projects and show. 450 00:20:49,200 --> 00:20:51,280 Speaker 3: Is Thank you, Sarah, you too good to see you. 451 00:20:53,440 --> 00:20:56,800 Speaker 1: Thanks for listening to Taking a Walk Nashville with Sarah Harrelson. 452 00:20:57,200 --> 00:20:59,840 Speaker 1: Please check out our other shows produced by buzz Night 453 00:21:00,000 --> 00:21:05,320 Speaker 1: Media Productions Comedy Save Me and Music Save Me hosted 454 00:21:05,400 --> 00:21:08,920 Speaker 1: by Lynn Hoffman, and Take It a Walk hosted by 455 00:21:08,960 --> 00:21:14,680 Speaker 1: Yours Truly Buzznight. All shows are available on Apple Podcasts, Spotify, 456 00:21:15,000 --> 00:21:17,440 Speaker 1: and are part of the iHeart podcast network