1 00:00:03,000 --> 00:00:06,720 Speaker 1: Kira Knightly has the same speaking voice as Sean Connery, 2 00:00:07,480 --> 00:00:11,280 Speaker 1: so it's like she's Sean Connery on HRT. It's like, 3 00:00:11,560 --> 00:00:22,720 Speaker 1: you have no shunch, you have no decency. My timbers 4 00:00:23,280 --> 00:00:31,320 Speaker 1: are shivering, My timbers shivering, my deck pooped, my boot strapped, 5 00:00:36,520 --> 00:00:45,000 Speaker 1: blank wad mama. Okay, not that I'm so mad at that. 6 00:00:45,479 --> 00:00:48,600 Speaker 1: Everyone grab an orange so you don't get scurvy. Because 7 00:00:48,640 --> 00:00:54,080 Speaker 1: today we're talking all things pirates, specifically the iconic film 8 00:00:54,080 --> 00:00:57,440 Speaker 1: franchise Pirates of the Caribbean, and we're gonna be talking 9 00:00:57,480 --> 00:01:02,080 Speaker 1: all about Kira Knightley, Orlando Loom and like kind of 10 00:01:02,200 --> 00:01:05,560 Speaker 1: Johnny Depp even though we don't support him obviously, and 11 00:01:05,560 --> 00:01:09,120 Speaker 1: we're going to talk all about pirate culture adventure movies 12 00:01:09,160 --> 00:01:11,880 Speaker 1: of the early two thousands and give you all of 13 00:01:11,880 --> 00:01:14,280 Speaker 1: our opinions at hot takes, because this is like a 14 00:01:14,360 --> 00:01:17,760 Speaker 1: Virgin the show where we give yesterday's pop culture today's takes. 15 00:01:17,880 --> 00:01:21,480 Speaker 1: I'm ros damn you, and I'm Fran Toronto. Yes, I 16 00:01:21,520 --> 00:01:23,680 Speaker 1: know we said that we were taking a break for 17 00:01:23,760 --> 00:01:27,120 Speaker 1: two weeks, um, but then we decided that, you know, 18 00:01:27,200 --> 00:01:32,400 Speaker 1: we wanted to go pirate around and pillage a little 19 00:01:32,400 --> 00:01:35,280 Speaker 1: bit longer, just a little longer, So hang in there. 20 00:01:35,360 --> 00:01:38,840 Speaker 1: So this week's episode will not have a news segment. 21 00:01:38,959 --> 00:01:42,319 Speaker 1: That's fine, just like contemporary of them. Yeah, just go 22 00:01:42,400 --> 00:01:46,560 Speaker 1: on Twitter and see what's going on. Yeah, and we'll 23 00:01:46,600 --> 00:01:50,040 Speaker 1: be back with regular episode format sooner than you know 24 00:01:50,120 --> 00:01:55,080 Speaker 1: it next week. And barring unforeseen circumstances, well, you know, 25 00:01:55,440 --> 00:01:57,680 Speaker 1: let's make any promises we can't keep. Yeah, I mean, 26 00:01:57,960 --> 00:02:03,000 Speaker 1: you know, yeah, our dean man on a dead them 27 00:02:03,360 --> 00:02:14,880 Speaker 1: stressed fifteen loads on a dead thus stressed more like Rose. 28 00:02:15,400 --> 00:02:20,079 Speaker 1: You have said, as you often say about many, many, 29 00:02:20,160 --> 00:02:26,760 Speaker 1: many films, this is today to today. Shut up, shut up, 30 00:02:27,680 --> 00:02:31,280 Speaker 1: you're so predicted. Today we are today. We are discussing 31 00:02:31,400 --> 00:02:35,880 Speaker 1: day were the greatest movie ever created, ever made, According 32 00:02:35,919 --> 00:02:40,200 Speaker 1: to Kay, the greatest movie. You know exactly what I 33 00:02:40,240 --> 00:02:42,520 Speaker 1: was going to say, I know, who did I say 34 00:02:42,560 --> 00:02:46,240 Speaker 1: a lot? That's something something we're talking about is the 35 00:02:46,280 --> 00:02:48,120 Speaker 1: best movie ever made, the best you know what? You 36 00:02:48,160 --> 00:02:50,080 Speaker 1: also say a lot of this. You know what, you 37 00:02:50,120 --> 00:02:53,480 Speaker 1: also say a lot this clarification around the greatest movie 38 00:02:53,520 --> 00:02:58,360 Speaker 1: ever the movie, the movie we are discussing today is 39 00:02:58,480 --> 00:03:02,640 Speaker 1: legitimately in my list of my top ten films of 40 00:03:02,680 --> 00:03:05,720 Speaker 1: all time. I know that I know that much as true. 41 00:03:05,760 --> 00:03:07,840 Speaker 1: But that's not what you say. You say that this 42 00:03:07,919 --> 00:03:11,680 Speaker 1: is the greatest film ever made. Yeah, well, like is 43 00:03:11,919 --> 00:03:14,080 Speaker 1: you know, I wouldn't argue with well, like, Pirates of 44 00:03:14,120 --> 00:03:18,160 Speaker 1: the Caribbean. Curse of the Black Pearl is better than 45 00:03:18,720 --> 00:03:21,800 Speaker 1: Gone with the Wind, better than Citizen Kane, better than Casablanca. 46 00:03:22,280 --> 00:03:24,400 Speaker 1: But I don't think anybody would argue with that, better 47 00:03:24,560 --> 00:03:30,960 Speaker 1: than Titanic. Maybe all those movies are very I mean, okay, 48 00:03:31,120 --> 00:03:32,679 Speaker 1: name a movie and I'll tell you those. Pirates of 49 00:03:32,720 --> 00:03:37,400 Speaker 1: the Caribbean's better. Um Schindler's list. I knew you were 50 00:03:37,440 --> 00:03:42,560 Speaker 1: inn Sationler's Lists of the Caribbean's Okay, twelve years of 51 00:03:42,600 --> 00:03:48,600 Speaker 1: Slave better, I've never seen it. Pirates is the best 52 00:03:48,600 --> 00:03:51,400 Speaker 1: Holocaust movie ever made, the best disaster movie ever made, 53 00:03:52,000 --> 00:03:55,120 Speaker 1: the best social justice movie ever made, the best movie 54 00:03:55,120 --> 00:03:58,680 Speaker 1: ever made about general conforming people. Truly. Okay, I want 55 00:03:58,680 --> 00:04:03,080 Speaker 1: to be clear about some thing. We are talking about 56 00:04:03,160 --> 00:04:06,880 Speaker 1: the Pirates of the Caribbean franchise, but we are mostly 57 00:04:06,920 --> 00:04:09,280 Speaker 1: talking about the first film, which is like kind of 58 00:04:09,320 --> 00:04:13,120 Speaker 1: like the only film that I recognize. Wow, so you 59 00:04:13,160 --> 00:04:17,960 Speaker 1: don't love that. I do like the second one, the 60 00:04:17,960 --> 00:04:20,839 Speaker 1: fourth one, sucks. The fifth one we will not discuss. 61 00:04:21,160 --> 00:04:23,040 Speaker 1: I don't even know there was a fifth one. Also, 62 00:04:23,080 --> 00:04:25,440 Speaker 1: I want to give you know, the caveat that. I 63 00:04:25,480 --> 00:04:29,360 Speaker 1: understand it's very complicated to talk about Johnny Depp in two. 64 00:04:30,040 --> 00:04:34,279 Speaker 1: We do not support him, but this is his best performance. 65 00:04:34,320 --> 00:04:37,280 Speaker 1: But this is, yeah, one of his best performances. You 66 00:04:37,279 --> 00:04:40,600 Speaker 1: wouldn't say his best performance. What would be a contender 67 00:04:40,640 --> 00:04:46,520 Speaker 1: for Johnny Edwards. I like acquieter Johnny depp performance, but 68 00:04:46,600 --> 00:04:48,520 Speaker 1: that is a it's a great role. But you know, 69 00:04:48,680 --> 00:04:51,520 Speaker 1: art from the artist, as we always say, not not 70 00:04:51,600 --> 00:04:54,480 Speaker 1: what we're talking about Johnny Depp. Johnny Depp sucks, but 71 00:04:54,520 --> 00:04:56,719 Speaker 1: we will be talking about him a lot. But but 72 00:04:56,839 --> 00:04:59,560 Speaker 1: his art as an actor is I think, you know, 73 00:04:59,640 --> 00:05:03,160 Speaker 1: chuckle lot Ross, you know, oh my god, I really 74 00:05:03,160 --> 00:05:06,200 Speaker 1: want to watch a lot. I need someone to watch 75 00:05:06,360 --> 00:05:08,280 Speaker 1: a lot with me. I can't watch alone. You want 76 00:05:08,279 --> 00:05:10,560 Speaker 1: to watch I bring it up every time we hang out. 77 00:05:10,640 --> 00:05:14,440 Speaker 1: Every time hang out or go on vacation, You're like, 78 00:05:14,560 --> 00:05:17,000 Speaker 1: what do we woke a lot? Do you want to 79 00:05:17,000 --> 00:05:21,440 Speaker 1: be bad? Like we could be like one? But I 80 00:05:21,480 --> 00:05:25,320 Speaker 1: think that's actually happened when we were like we're okay, 81 00:05:25,360 --> 00:05:30,920 Speaker 1: and you're like let's watch choke a lot. Yeah, okay, 82 00:05:31,000 --> 00:05:34,080 Speaker 1: so let's just like go back here to talk about 83 00:05:35,000 --> 00:05:39,880 Speaker 1: what are this is a very our generation movie. In fact, 84 00:05:39,960 --> 00:05:42,200 Speaker 1: I would say that Pirates of the Caribbean is like 85 00:05:42,400 --> 00:05:47,600 Speaker 1: one of the movies to define millennial early as culture 86 00:05:47,800 --> 00:05:52,560 Speaker 1: and everything that would follow in action franchises and the 87 00:05:52,680 --> 00:05:54,920 Speaker 1: care nightly of it all, in the Orlando bloom of 88 00:05:55,000 --> 00:05:57,919 Speaker 1: it all. And honestly, like I do feel like it 89 00:05:58,040 --> 00:06:03,000 Speaker 1: played a major part in was my uh I guess, 90 00:06:03,000 --> 00:06:05,240 Speaker 1: like like most people growing up on Tumbler in the 91 00:06:05,240 --> 00:06:10,719 Speaker 1: early odds, my obsession with nautical adventure culture and stories um, 92 00:06:10,960 --> 00:06:15,520 Speaker 1: and I feel like that escapism that came with Pirates 93 00:06:15,680 --> 00:06:18,680 Speaker 1: being at sea and all that jazz was something that 94 00:06:18,880 --> 00:06:22,279 Speaker 1: has always been a part of my ethos. And you know, 95 00:06:22,400 --> 00:06:26,440 Speaker 1: funnily enough, Pirates were never really a thing for me 96 00:06:26,560 --> 00:06:30,400 Speaker 1: growing up except m a Treasure Island, which we will 97 00:06:30,680 --> 00:06:35,479 Speaker 1: discuss later on in the episode. But the Pirates of 98 00:06:35,480 --> 00:06:38,520 Speaker 1: the Caribbean ride at Disney is one of my favorite 99 00:06:38,520 --> 00:06:41,400 Speaker 1: Disney rides. And we have to, you know, to put 100 00:06:41,400 --> 00:06:44,599 Speaker 1: this woman context, Like, we have to talk about the 101 00:06:44,600 --> 00:06:47,599 Speaker 1: fact that it is a movie that is based on 102 00:06:47,640 --> 00:06:50,600 Speaker 1: a ride at a theme park, which I did not know. 103 00:06:50,880 --> 00:06:53,239 Speaker 1: You broke that news to me. I had no idea. 104 00:06:53,480 --> 00:06:56,120 Speaker 1: Crazy that you didn't know that I had never been 105 00:06:56,160 --> 00:06:59,200 Speaker 1: to disney Land World. I had I had like only 106 00:06:59,240 --> 00:07:01,520 Speaker 1: as a kid, like as like a five or six 107 00:07:01,600 --> 00:07:03,359 Speaker 1: year old, had I been And I couldn't go on 108 00:07:03,400 --> 00:07:06,000 Speaker 1: this scary ride. So I had no idea. And yeah, 109 00:07:06,080 --> 00:07:09,400 Speaker 1: parts of the so parts of the Caribbean the ride is, um, 110 00:07:09,640 --> 00:07:13,000 Speaker 1: what are um? You know? Our theme park expert Matt 111 00:07:13,080 --> 00:07:16,680 Speaker 1: Rogers would call it dark ride, UM where you're like 112 00:07:16,880 --> 00:07:22,040 Speaker 1: in a moving vehicle and going through like different kind 113 00:07:22,040 --> 00:07:26,480 Speaker 1: of dioramas and like little scene jump scares. And the 114 00:07:26,560 --> 00:07:31,320 Speaker 1: ride opened in nineteen seven and the movie sixty seven. 115 00:07:31,720 --> 00:07:34,720 Speaker 1: The film premiered in two thousand three, So it took 116 00:07:34,720 --> 00:07:42,560 Speaker 1: about thirty five years to make this movie. Um, And 117 00:07:42,600 --> 00:07:45,920 Speaker 1: where were we culturally when Pirates of the Caribbean came out? 118 00:07:45,920 --> 00:07:48,480 Speaker 1: So I guess like this is the era of the 119 00:07:48,480 --> 00:07:55,480 Speaker 1: Harry Potter movies coming out, rampant, big franchises, big. This 120 00:07:55,640 --> 00:08:00,200 Speaker 1: was definitely the era of kind of the the boom 121 00:08:00,280 --> 00:08:07,240 Speaker 1: in blockbuster movie franchises, fantasies specifically right like Chronicles and 122 00:08:07,320 --> 00:08:09,960 Speaker 1: Narnia Skyrocket and up like, I mean they saw a 123 00:08:10,000 --> 00:08:11,720 Speaker 1: Lord of the Rings, they were like, get Chronicles a 124 00:08:11,800 --> 00:08:16,000 Speaker 1: Narnia out there. Immediately. Disney probably wanted to get in 125 00:08:16,080 --> 00:08:18,720 Speaker 1: on the action in some way, and so they looked 126 00:08:18,720 --> 00:08:20,880 Speaker 1: at their existing I P. And we're like, what can 127 00:08:20,920 --> 00:08:23,480 Speaker 1: we adopt as we are as they are want to do? 128 00:08:23,560 --> 00:08:26,240 Speaker 1: You know? Every quarter they're like, let's look at old 129 00:08:26,240 --> 00:08:28,360 Speaker 1: things we've already done. And I don't think this thing 130 00:08:28,640 --> 00:08:32,080 Speaker 1: of adapting a theme park attraction into a film had 131 00:08:32,120 --> 00:08:36,559 Speaker 1: ever been done before. I wonder like what came first, 132 00:08:36,600 --> 00:08:39,000 Speaker 1: the chicken or the egg? I wonder if they were like, oh, 133 00:08:39,080 --> 00:08:41,280 Speaker 1: what if we did a Pirates movie? What if it's 134 00:08:41,320 --> 00:08:45,240 Speaker 1: based on our really popular ride, or if they were like, 135 00:08:45,480 --> 00:08:47,640 Speaker 1: what if we make a movie out of a ride, 136 00:08:47,840 --> 00:08:53,600 Speaker 1: Let's do a Pirate movie. So who knows, but Pirates 137 00:08:53,640 --> 00:08:56,520 Speaker 1: of the Caribbean The Curse of the Black Pearl is, 138 00:08:57,480 --> 00:09:01,880 Speaker 1: to my mind, a perfect film. M H. I agreed. 139 00:09:01,960 --> 00:09:04,680 Speaker 1: I actually agree it is a perfect film. And um, 140 00:09:04,720 --> 00:09:08,600 Speaker 1: it cannot be understated that it is a staple in 141 00:09:08,800 --> 00:09:14,439 Speaker 1: bisexual culture, specifically because if because if you're by you 142 00:09:14,559 --> 00:09:17,680 Speaker 1: have no choice but to be attracted to both Orlando 143 00:09:17,720 --> 00:09:21,000 Speaker 1: Bloom and care Knightley as I was and still am 144 00:09:21,240 --> 00:09:24,280 Speaker 1: as I wasn't still am. I mean, Orlando Bloom is 145 00:09:24,320 --> 00:09:28,400 Speaker 1: aging so well. I mean, he looks so good right now, 146 00:09:28,400 --> 00:09:33,080 Speaker 1: and Katy Perry is a lucky man um woman. Oh 147 00:09:33,080 --> 00:09:40,079 Speaker 1: my god, Katy Woman. Like, yeah, Orlando Bloom looks just 148 00:09:40,160 --> 00:09:42,480 Speaker 1: as good in this movie as he does, know and 149 00:09:42,559 --> 00:09:47,280 Speaker 1: like in very different ways obviously, Like in this movie 150 00:09:47,360 --> 00:09:51,800 Speaker 1: he's giving swashbuckling waif vibes and now he's like, that's 151 00:09:51,800 --> 00:09:55,200 Speaker 1: a man, Marie, and it's all working for me. I 152 00:09:55,240 --> 00:09:57,800 Speaker 1: really feel like he is like one of the last 153 00:09:58,160 --> 00:10:01,720 Speaker 1: great heart throbs of the Lady nineties early ads, like 154 00:10:01,960 --> 00:10:04,200 Speaker 1: because you have the one to punch of this and 155 00:10:04,280 --> 00:10:08,640 Speaker 1: Lord of the Rings kind of at the same time. Yeah, 156 00:10:08,720 --> 00:10:12,800 Speaker 1: And honestly, like heart because of social media, like everyone's 157 00:10:12,800 --> 00:10:14,800 Speaker 1: a heartthrob now and therefore no one is, so we 158 00:10:14,840 --> 00:10:19,200 Speaker 1: don't have that kind of concentration around that. The most 159 00:10:19,320 --> 00:10:22,640 Speaker 1: suit point. I actually I've been seeing a lot of 160 00:10:22,640 --> 00:10:28,559 Speaker 1: conversation about that in terms of fashion and like trends, 161 00:10:28,720 --> 00:10:31,439 Speaker 1: about how everything is trending right now, so that means 162 00:10:31,520 --> 00:10:34,320 Speaker 1: nothing is trending, And I think you're right and that 163 00:10:34,400 --> 00:10:39,080 Speaker 1: it applies to people too, and that like, you know, 164 00:10:39,200 --> 00:10:41,960 Speaker 1: we obviously they're still like we have like the Twitter 165 00:10:42,000 --> 00:10:44,280 Speaker 1: white boy of the months, like currently it's that guy 166 00:10:44,400 --> 00:10:50,480 Speaker 1: from the Bear right right, But those are not It's 167 00:10:50,559 --> 00:10:55,440 Speaker 1: not the same level. Orlando Bloom was an institution in 168 00:10:55,520 --> 00:10:58,720 Speaker 1: pop culture in a way that like men simply are 169 00:10:58,760 --> 00:11:02,520 Speaker 1: not now. I think maybe someone now, Harry Styles comes close, 170 00:11:02,640 --> 00:11:06,360 Speaker 1: But like I was just about to say, I feel, yeah, 171 00:11:06,400 --> 00:11:08,840 Speaker 1: like they don't make them like the Jonathan Taylor Thomas 172 00:11:08,920 --> 00:11:13,240 Speaker 1: is of the world anymore. And I you know, I 173 00:11:13,280 --> 00:11:19,040 Speaker 1: think Orlando was like the direct successor to Leomania. Yeah, 174 00:11:19,120 --> 00:11:22,199 Speaker 1: I wonder. I do agree that Harry Styles is the 175 00:11:22,280 --> 00:11:26,560 Speaker 1: only person in my mind that is reminiscent of like 176 00:11:26,679 --> 00:11:29,480 Speaker 1: you know, Tiger Beat era heartthrob culture. The only one, 177 00:11:29,640 --> 00:11:30,840 Speaker 1: the only the one I could think of was like 178 00:11:30,840 --> 00:11:34,000 Speaker 1: Shawn Mendez. But he feels I mean, I just don't 179 00:11:34,040 --> 00:11:36,160 Speaker 1: think there's anything sexy about him at all. And I 180 00:11:36,200 --> 00:11:39,920 Speaker 1: also don't think that he has the same Yeah, I 181 00:11:39,960 --> 00:11:42,200 Speaker 1: don't think he has the same appeal either. Um, but 182 00:11:42,280 --> 00:11:45,040 Speaker 1: Harry still has exactly what we look for in a 183 00:11:45,120 --> 00:11:48,960 Speaker 1: heartthrob um. And Orlando, I mean, this is his legacy 184 00:11:49,000 --> 00:11:50,800 Speaker 1: and I want him to be in more movies like 185 00:11:51,280 --> 00:11:54,920 Speaker 1: where did He Go? Why he? He actually was in 186 00:11:55,120 --> 00:12:01,200 Speaker 1: this Amazon series called Carnival. Oh, I want to say, 187 00:12:01,760 --> 00:12:06,480 Speaker 1: Miss Carney. No, it's him and Kara Delavine Jumped scare 188 00:12:07,120 --> 00:12:11,120 Speaker 1: Um and it's a fantasy show where Kara Delavine's a 189 00:12:11,200 --> 00:12:17,600 Speaker 1: fairy um and he's like a detected It's it was 190 00:12:17,640 --> 00:12:20,720 Speaker 1: actually pretty good. I I liked it, but I don't 191 00:12:20,760 --> 00:12:24,080 Speaker 1: think it's I think it was renewed, but I doubt 192 00:12:24,120 --> 00:12:32,680 Speaker 1: a second season is getting made. I do want to say, 193 00:12:32,720 --> 00:12:35,120 Speaker 1: like I instantly loved this movie when it came out, 194 00:12:35,240 --> 00:12:37,800 Speaker 1: and like loved seeing it in theaters. But where this 195 00:12:37,840 --> 00:12:41,840 Speaker 1: movie really sunk its teeth into me was when it 196 00:12:41,880 --> 00:12:47,680 Speaker 1: came out on DVD, because I this is something sick 197 00:12:47,760 --> 00:12:52,240 Speaker 1: and twisted that I did I And I think I 198 00:12:52,320 --> 00:12:54,480 Speaker 1: talked about this before that, like when when I was 199 00:12:54,520 --> 00:12:56,920 Speaker 1: a teenager, because this is kind of like how I 200 00:12:57,000 --> 00:12:59,559 Speaker 1: was conditioned. Like my mom always fell asleep with the 201 00:12:59,600 --> 00:13:02,480 Speaker 1: TV on, so like that's kind of how I used 202 00:13:02,520 --> 00:13:05,760 Speaker 1: to fall asleep when I was a teenager too, And 203 00:13:05,800 --> 00:13:09,800 Speaker 1: like I've suffered like a life not long battle with 204 00:13:09,960 --> 00:13:12,920 Speaker 1: insomnia and so like having the TV on was just 205 00:13:13,000 --> 00:13:16,760 Speaker 1: kind of like a distraction, and for I would say 206 00:13:16,800 --> 00:13:20,560 Speaker 1: probably like a year, I fell asleep with Pirates of 207 00:13:20,559 --> 00:13:26,440 Speaker 1: the Caribbean on every night, and not just Pirates of 208 00:13:26,440 --> 00:13:33,600 Speaker 1: the Caribbean, but specifically the DVD commentary track with with 209 00:13:33,920 --> 00:13:41,640 Speaker 1: herea Nightly and the guy who plays Norrington Jack Davenport, 210 00:13:41,840 --> 00:13:47,160 Speaker 1: who I'm pretty sure is gay, I r L maybe 211 00:13:47,400 --> 00:13:49,320 Speaker 1: or at least no, you know what, it's not that 212 00:13:49,360 --> 00:13:53,880 Speaker 1: he's gay, it's that he played, which I found out 213 00:13:53,960 --> 00:13:57,120 Speaker 1: later when I finally watched it, Matt Damon's love interest 214 00:13:57,160 --> 00:13:59,040 Speaker 1: in the talented Mr Ripley, so he has kind of 215 00:13:59,040 --> 00:14:02,760 Speaker 1: a gay vibe, and he and Kira in this DVD 216 00:14:02,840 --> 00:14:06,200 Speaker 1: commentary track, which like, I need to find some way 217 00:14:06,280 --> 00:14:08,720 Speaker 1: to watch it with that again because like obviously I 218 00:14:08,720 --> 00:14:11,240 Speaker 1: don't have DVDs. I like, I don't have a disk 219 00:14:11,320 --> 00:14:14,640 Speaker 1: drive anywhere, but he and Kira just have this very 220 00:14:14,679 --> 00:14:18,280 Speaker 1: really like really good banter on this commentary track, and 221 00:14:18,320 --> 00:14:20,360 Speaker 1: it was so soothing. I guess it was kind of 222 00:14:20,400 --> 00:14:22,320 Speaker 1: like listening to a podcast in a way I was 223 00:14:22,360 --> 00:14:24,840 Speaker 1: gonna I was just about to say, it's very like 224 00:14:24,880 --> 00:14:27,160 Speaker 1: a SMR podcast. A lot of people use podcast to 225 00:14:27,200 --> 00:14:29,200 Speaker 1: fall asleep these days because you know, they're so bar 226 00:14:29,360 --> 00:14:32,720 Speaker 1: I did last night r I P DVD commentary like, 227 00:14:32,840 --> 00:14:35,880 Speaker 1: oh my god, he was married to Michelle Gomez, so 228 00:14:36,040 --> 00:14:41,680 Speaker 1: he wasn't gay, not gay allegedly I missed DVD commentary. 229 00:14:41,960 --> 00:14:44,640 Speaker 1: I I think, I you know, in the long run, 230 00:14:44,680 --> 00:14:47,440 Speaker 1: I'm like, you know, art doesn't need to be It's 231 00:14:47,520 --> 00:14:50,720 Speaker 1: kind of distracting. It might not be necessarily true to 232 00:14:50,720 --> 00:14:52,880 Speaker 1: the art to like have all that context around it. 233 00:14:52,880 --> 00:14:54,800 Speaker 1: It's kind of like cheating to me. But I do 234 00:14:54,920 --> 00:14:58,080 Speaker 1: think that we should as a culture find a way 235 00:14:58,120 --> 00:15:01,320 Speaker 1: to do a version of that in contemporary times. I'm 236 00:15:01,400 --> 00:15:05,320 Speaker 1: thinking about the well podcasts do that, Like now there's 237 00:15:05,360 --> 00:15:09,640 Speaker 1: this whole boom right now of the stars of old 238 00:15:09,680 --> 00:15:13,640 Speaker 1: TV shows going back and rewatching them and doing podcast 239 00:15:13,680 --> 00:15:16,880 Speaker 1: episodes about them or movies like two of the Twilight 240 00:15:16,960 --> 00:15:20,440 Speaker 1: stars have a podcast where they talk about Twilight. Um, 241 00:15:20,480 --> 00:15:22,880 Speaker 1: I know they're like One Tree Hill. Isn't there a 242 00:15:22,920 --> 00:15:27,600 Speaker 1: Redcap podcast that you've talked about before? That Sophia book? Anyways, 243 00:15:27,640 --> 00:15:32,000 Speaker 1: back to the Kira of it all. She is seventeen 244 00:15:33,040 --> 00:15:35,080 Speaker 1: when she was she was seventeen when she was Cash. 245 00:15:35,160 --> 00:15:39,440 Speaker 1: She's eighteen in this film. She looks thirty four. Like 246 00:15:39,520 --> 00:15:44,320 Speaker 1: she she is. Look I'm not sure she has always 247 00:15:44,400 --> 00:15:46,560 Speaker 1: looked yes, I'm not saying that as an insult. She 248 00:15:46,640 --> 00:15:51,000 Speaker 1: has always looked like a full grown woman. It's so 249 00:15:51,160 --> 00:15:54,800 Speaker 1: jarring to me to learn that she was eighteen. Um, 250 00:15:54,840 --> 00:16:00,760 Speaker 1: but she in this and she's good. She's perfect for 251 00:16:00,800 --> 00:16:04,800 Speaker 1: the genre. She is Queen of Courset's she is and 252 00:16:04,840 --> 00:16:07,640 Speaker 1: I love how much is like part of the plot 253 00:16:08,120 --> 00:16:10,520 Speaker 1: because the whole reason that she faints and falls into 254 00:16:10,560 --> 00:16:14,240 Speaker 1: the ocean and like jump starts the plot of the 255 00:16:14,240 --> 00:16:17,480 Speaker 1: movie is because of corset is too tight. We like 256 00:16:17,520 --> 00:16:24,040 Speaker 1: a virgin, love any corset, poline. My favorite sequence in 257 00:16:24,080 --> 00:16:28,480 Speaker 1: the film is, I mean, obviously it's are you best 258 00:16:28,480 --> 00:16:30,880 Speaker 1: to start believing in ghost stories? You're in one? Like 259 00:16:31,000 --> 00:16:34,200 Speaker 1: that whole scene where she's like having dinner with Barbosa 260 00:16:34,320 --> 00:16:36,680 Speaker 1: and then she runs out and sees the pirates, Like 261 00:16:36,720 --> 00:16:40,560 Speaker 1: turning in the moonlight is the best part of the movie, 262 00:16:40,640 --> 00:16:45,440 Speaker 1: and like it gives me chills every time the graphics 263 00:16:45,480 --> 00:16:50,120 Speaker 1: at the time, like I was terrified. Also the scene 264 00:16:50,120 --> 00:16:52,240 Speaker 1: where they I think towards the end of the movie 265 00:16:52,520 --> 00:16:55,480 Speaker 1: where they're like sneaking up on the like armada and 266 00:16:55,520 --> 00:16:59,120 Speaker 1: so they're walking on the ocean floor at Skeletons so good, 267 00:17:00,160 --> 00:17:05,320 Speaker 1: so compelling, so creative cinematic invention, and like one of 268 00:17:05,359 --> 00:17:09,600 Speaker 1: my favorite sequences is um the first sword fight between 269 00:17:09,840 --> 00:17:13,679 Speaker 1: Orlando and Captain Jack Sparrow in the Blacksmith's kind of 270 00:17:13,720 --> 00:17:18,120 Speaker 1: like Barn. It is such a well choreographed fight. It's 271 00:17:18,160 --> 00:17:20,959 Speaker 1: like so in the canon of like you know that 272 00:17:21,080 --> 00:17:24,520 Speaker 1: kind of action movie, and damn, it's just like I 273 00:17:24,600 --> 00:17:28,359 Speaker 1: kind of I mean, it's almost like I think a 274 00:17:28,359 --> 00:17:32,760 Speaker 1: lot about like what happened to action movies because they 275 00:17:32,800 --> 00:17:37,000 Speaker 1: are every summer, the blockbusters that we go out to see, 276 00:17:37,119 --> 00:17:39,359 Speaker 1: and yet every time I walk out of the theater 277 00:17:39,440 --> 00:17:42,040 Speaker 1: of an action movie, with some exceptions, like something like 278 00:17:42,119 --> 00:17:45,280 Speaker 1: everything everywhere all at once, it's like I am really 279 00:17:45,359 --> 00:17:50,199 Speaker 1: desensitized to the action. I'm exhausted by the repetitiveness or 280 00:17:50,240 --> 00:17:54,480 Speaker 1: the formulaic nature of actions, especially if they come from 281 00:17:54,920 --> 00:17:58,280 Speaker 1: the m c u I, and like there's no it's 282 00:17:58,320 --> 00:18:03,239 Speaker 1: there's no way to track things, and it all just 283 00:18:03,320 --> 00:18:08,800 Speaker 1: becomes this sort of like like splat of of things 284 00:18:08,840 --> 00:18:11,160 Speaker 1: going on on the screen and none of it has 285 00:18:11,280 --> 00:18:15,080 Speaker 1: any like weight or like there's no like tactle nous 286 00:18:15,240 --> 00:18:19,480 Speaker 1: to it, and so seeing people like real people fighting 287 00:18:19,480 --> 00:18:21,639 Speaker 1: with swords. Like there is just something I think that 288 00:18:21,680 --> 00:18:26,480 Speaker 1: will always be more compelling than the biggest you know 289 00:18:26,680 --> 00:18:29,840 Speaker 1: c g I fight scene because like the you know, 290 00:18:29,880 --> 00:18:33,040 Speaker 1: the end of Avengers end game is just like all 291 00:18:33,240 --> 00:18:35,560 Speaker 1: green screen, and so because of that, it just like 292 00:18:36,520 --> 00:18:39,720 Speaker 1: it's so easy to zone out during it because it 293 00:18:39,760 --> 00:18:42,639 Speaker 1: almost has this like hypnotic quality, like it's like playing 294 00:18:42,720 --> 00:18:45,960 Speaker 1: video game. Yeah. And something else is like a lot 295 00:18:45,960 --> 00:18:48,800 Speaker 1: of action movies these days are all based on you 296 00:18:48,800 --> 00:18:52,679 Speaker 1: know existing I P and you know that's the Pirates 297 00:18:52,680 --> 00:18:55,920 Speaker 1: of the Caribbean. Well, I was gonna say it's usually 298 00:18:56,000 --> 00:18:58,320 Speaker 1: like based on another movie, like a movie that came 299 00:18:58,320 --> 00:19:00,680 Speaker 1: out ten years ago, or another TV show or what ever. Um, 300 00:19:00,720 --> 00:19:06,000 Speaker 1: but because they had to fully fabricate a plot, characters 301 00:19:06,119 --> 00:19:08,760 Speaker 1: like set up, it is an original film, you know 302 00:19:08,840 --> 00:19:12,359 Speaker 1: what I mean. And there the ride like there's a 303 00:19:12,359 --> 00:19:15,280 Speaker 1: little there's a little Easter eggs, but you know, they 304 00:19:15,359 --> 00:19:19,480 Speaker 1: invented this story and it's actually like a really interesting 305 00:19:19,600 --> 00:19:22,800 Speaker 1: compelling story of you know, like the stolen gold and 306 00:19:22,880 --> 00:19:25,600 Speaker 1: the curse and like you know they have to get 307 00:19:25,680 --> 00:19:28,360 Speaker 1: the like you know that Orlando is like the son 308 00:19:28,400 --> 00:19:32,359 Speaker 1: of a pirate, and um, it's I think it's just 309 00:19:32,600 --> 00:19:37,080 Speaker 1: such a it's such a good story. It's like very 310 00:19:37,119 --> 00:19:43,880 Speaker 1: simple but twisty and funny and scary and spooky, spooky, 311 00:19:43,880 --> 00:19:49,760 Speaker 1: spooky spook. They're all they actually should be. These pirates 312 00:19:49,760 --> 00:19:53,040 Speaker 1: should should find, should find support ed, durry, it's homeless, 313 00:19:53,040 --> 00:19:57,280 Speaker 1: not toothless charity events. Um, there's some gay representation in 314 00:19:57,280 --> 00:20:00,320 Speaker 1: the movie. And of course I'm talking about pin Tell 315 00:20:00,400 --> 00:20:03,560 Speaker 1: and Righetti. Who are the two pirates who like very 316 00:20:03,640 --> 00:20:09,720 Speaker 1: obviously our boyfriends, you know I do. Don't they become 317 00:20:09,800 --> 00:20:11,920 Speaker 1: gay and like the third one or something like that. 318 00:20:11,960 --> 00:20:15,680 Speaker 1: Disney would never let them happen. Um, but well, I 319 00:20:15,720 --> 00:20:19,240 Speaker 1: don't know what they to me, they are queer icons, Okay, yeah, 320 00:20:19,400 --> 00:20:22,120 Speaker 1: I mean honestly, any any time there are two male 321 00:20:22,240 --> 00:20:24,560 Speaker 1: characters in a film that are standing next to each 322 00:20:24,560 --> 00:20:26,639 Speaker 1: other and talking, we we as an audience, have no 323 00:20:26,760 --> 00:20:29,959 Speaker 1: choice but to presume them, especially if they're pirates, like 324 00:20:30,040 --> 00:20:33,400 Speaker 1: but pirates, yeah, and like back in the day, like 325 00:20:33,600 --> 00:20:37,040 Speaker 1: I don't know, like it's it's c law, maritime law. Well, 326 00:20:37,119 --> 00:20:39,440 Speaker 1: pirates do whatever the funk they will, Like I have read, 327 00:20:39,800 --> 00:20:43,960 Speaker 1: I have read enough pirate fan fiction to know that 328 00:20:44,080 --> 00:20:48,639 Speaker 1: women were not allowed on boats because like superstition. I 329 00:20:48,680 --> 00:20:52,600 Speaker 1: guess like they explore that in in the film. They do. 330 00:20:53,160 --> 00:20:56,639 Speaker 1: And because of that, obviously the pirates were fucking and sucking. 331 00:20:57,920 --> 00:21:01,240 Speaker 1: Oh yeah, I mean that's the only outlet they I mean, 332 00:21:01,760 --> 00:21:05,600 Speaker 1: now I'm thinking once again of those teeth. Yeah, well, 333 00:21:05,600 --> 00:21:09,000 Speaker 1: because once you lose enough teeth, you know you are 334 00:21:09,080 --> 00:21:15,320 Speaker 1: able to better gum up a dick, not come up 335 00:21:17,400 --> 00:21:25,439 Speaker 1: those gums along Phoeie. Phoeie's losing it. Also, just like 336 00:21:25,600 --> 00:21:33,040 Speaker 1: im like, imagine the nasty nastiness of like having anal sex, 337 00:21:33,520 --> 00:21:36,280 Speaker 1: like when you've been at sea for six months. And 338 00:21:36,800 --> 00:21:39,440 Speaker 1: here's the thing. All these girls got gang green. All 339 00:21:39,480 --> 00:21:44,200 Speaker 1: these girls got scurvy, they've heard, they've got fleas, they've 340 00:21:44,240 --> 00:21:50,600 Speaker 1: got lice, they've got dreads. They're white people with dreadlocks. Inappropriate. 341 00:21:51,160 --> 00:21:55,000 Speaker 1: Um it is. It is just it does not up. 342 00:21:57,520 --> 00:22:01,160 Speaker 1: You go into, you go in from it. Piss. There 343 00:22:01,280 --> 00:22:05,199 Speaker 1: is a thin layer of brine piss. And this is 344 00:22:05,359 --> 00:22:08,720 Speaker 1: an errand and chip residue. This is an era where 345 00:22:08,720 --> 00:22:13,360 Speaker 1: people who lived on land we're only bathing like once 346 00:22:13,760 --> 00:22:17,959 Speaker 1: a sea then, so imagine what people at sea without 347 00:22:18,000 --> 00:22:36,080 Speaker 1: access to running water we're doing. Okay, if you were 348 00:22:36,200 --> 00:22:39,199 Speaker 1: on a ship rose, Like, what what role do you 349 00:22:39,240 --> 00:22:42,800 Speaker 1: think you would have liked? Are you looking on the captain? 350 00:22:43,480 --> 00:22:47,080 Speaker 1: Do you really think, yeah, that's I'm either the captain 351 00:22:47,200 --> 00:22:49,399 Speaker 1: or I'm dead. You wouldn't want to be like you 352 00:22:49,440 --> 00:22:54,879 Speaker 1: know first, you wouldn't. You wouldn't you wouldn't want to 353 00:22:54,880 --> 00:22:58,560 Speaker 1: be the coach. No, No, I'm management. I am management. 354 00:22:58,640 --> 00:23:01,760 Speaker 1: I'm white collar. I I don't know. I I feel 355 00:23:01,760 --> 00:23:05,159 Speaker 1: like I was really Uh, I was really obsessed with 356 00:23:05,160 --> 00:23:08,960 Speaker 1: like nautical culture as a kid or not as a kid. Yeah, 357 00:23:09,040 --> 00:23:11,440 Speaker 1: Like I mean my first tattoo is is like this 358 00:23:11,480 --> 00:23:15,359 Speaker 1: like nautical phrase hold fast. Um. Like I, I, you know, 359 00:23:15,400 --> 00:23:17,919 Speaker 1: wrote an entire novel that was like a queer nautical 360 00:23:17,920 --> 00:23:22,160 Speaker 1: adventure novel. I wrote my senior year thesis in college 361 00:23:22,200 --> 00:23:25,040 Speaker 1: about the inclusion of gay characters and adventure narratives and 362 00:23:25,080 --> 00:23:28,280 Speaker 1: talked a lot about nautical adventures. Like I was a 363 00:23:28,359 --> 00:23:30,440 Speaker 1: stand and I I used to tell people that Moby 364 00:23:30,480 --> 00:23:32,840 Speaker 1: Dick was like my favorite book. Um, even though it 365 00:23:32,880 --> 00:23:35,960 Speaker 1: wasn't that well, no one should read that book. That 366 00:23:36,000 --> 00:23:39,840 Speaker 1: book needed an editor, and it's actually says a lot 367 00:23:39,920 --> 00:23:42,119 Speaker 1: about um. The fact that like I think one of 368 00:23:42,160 --> 00:23:45,000 Speaker 1: the only people that really reviewed it was his like 369 00:23:45,160 --> 00:23:49,399 Speaker 1: kind of Herman Melville's like boy crush, Nathaniel Hawthorne and 370 00:23:49,480 --> 00:23:52,119 Speaker 1: you I mean talk about second and fucking those girls 371 00:23:52,119 --> 00:23:55,040 Speaker 1: were going at it. But you know that, like you 372 00:23:55,160 --> 00:24:01,240 Speaker 1: know that Herman Melville like gave this like yeah, gay 373 00:24:01,600 --> 00:24:05,280 Speaker 1: Herman Melville. Okay, this sounds a little bit too much 374 00:24:05,320 --> 00:24:08,840 Speaker 1: like brand Y Melville. I don't know, You've got a 375 00:24:08,880 --> 00:24:11,680 Speaker 1: lot of l's in that name. He must be gay. Um, yeah, 376 00:24:11,720 --> 00:24:15,200 Speaker 1: I feel like Herman you know, handed this nine page 377 00:24:15,240 --> 00:24:18,440 Speaker 1: manuscript to his crush and was like do you like 378 00:24:18,640 --> 00:24:21,320 Speaker 1: get you know what I mean? Like and Nathaniel Hoffin 379 00:24:21,440 --> 00:24:24,280 Speaker 1: was like sure, like whatever, and then he like published, 380 00:24:24,320 --> 00:24:28,640 Speaker 1: like what are passages upon passages upon passages that are 381 00:24:28,680 --> 00:24:34,800 Speaker 1: basically like marine biology textbooks, like entire paragraphs about whale 382 00:24:34,880 --> 00:24:38,840 Speaker 1: semen and making it into candles like she needed an editor. 383 00:24:39,359 --> 00:24:43,440 Speaker 1: The kid I really wanted to be a marine biologist. 384 00:24:44,320 --> 00:24:47,200 Speaker 1: Every kid wanted to be a marine biology You were 385 00:24:47,240 --> 00:24:51,359 Speaker 1: you like obsessed with the ocean as a child, Yes, 386 00:24:51,560 --> 00:24:54,400 Speaker 1: I think my notven though you were landlocked. Even though 387 00:24:54,400 --> 00:24:57,560 Speaker 1: I was landlocked, I was obsessed with the ocean. Um. 388 00:24:57,600 --> 00:25:00,800 Speaker 1: But now in present day, the d see is one 389 00:25:00,800 --> 00:25:03,040 Speaker 1: of my greatest fear mine too. The deep sea in 390 00:25:03,080 --> 00:25:07,480 Speaker 1: outer space, I don't think, and honestly, the ocean is scarier. 391 00:25:07,640 --> 00:25:11,800 Speaker 1: I don't think there's anything in the known universe as 392 00:25:11,800 --> 00:25:15,480 Speaker 1: scary as the ocean because it's not known, and also 393 00:25:15,600 --> 00:25:18,679 Speaker 1: it's very close to us. It's right there outer space, 394 00:25:19,080 --> 00:25:23,399 Speaker 1: very far away. Famously, are you gonna get there? How 395 00:25:23,440 --> 00:25:25,320 Speaker 1: are you gonna get I don't have to worry about 396 00:25:26,040 --> 00:25:29,159 Speaker 1: you speak of, you know, but exactly could literally go 397 00:25:29,280 --> 00:25:32,119 Speaker 1: fall into the ocean. Yeah, if if you want to 398 00:25:32,160 --> 00:25:35,080 Speaker 1: threaten me, Uh, Mama, you're hundreds of years away. I'm 399 00:25:35,080 --> 00:25:36,560 Speaker 1: going to be dead by the time you get here, 400 00:25:36,560 --> 00:25:38,919 Speaker 1: and this planet will be destroyed. Second of all. But 401 00:25:39,000 --> 00:25:41,680 Speaker 1: like the deep sea right under our fingertips, and like 402 00:25:41,840 --> 00:25:44,760 Speaker 1: what the thought of like getting on a boat and 403 00:25:44,800 --> 00:25:48,639 Speaker 1: being like, I'm going to go explore this vast world 404 00:25:48,680 --> 00:25:51,600 Speaker 1: full of monsters that want to kill me. No no, no, 405 00:25:51,600 --> 00:25:56,280 Speaker 1: no no, and pirates like kind of capitalizes on that fear, right, 406 00:25:56,320 --> 00:25:58,639 Speaker 1: But like we have I mean, let's talk about the 407 00:25:58,680 --> 00:26:03,720 Speaker 1: kraken and we move exactly. We had a photo like 408 00:26:04,920 --> 00:26:07,479 Speaker 1: in a people's history, we had a photo of the 409 00:26:07,520 --> 00:26:10,840 Speaker 1: moon before we had a full photo of a humpback whale. 410 00:26:11,160 --> 00:26:14,399 Speaker 1: Like that is like the sea is the bottom of 411 00:26:14,400 --> 00:26:18,120 Speaker 1: the ocean. Just like the thought of it gives me chills. 412 00:26:18,440 --> 00:26:24,000 Speaker 1: It is so terrifying, like the darkness and the pressure, 413 00:26:24,040 --> 00:26:28,840 Speaker 1: not even the creatures, which like obviously are terrifying. You know. 414 00:26:28,880 --> 00:26:30,840 Speaker 1: What is one of the scariest things to me from 415 00:26:30,880 --> 00:26:34,719 Speaker 1: my childhood, UM that haunts me to this day is 416 00:26:35,840 --> 00:26:38,760 Speaker 1: my favorite museum is the Natural History Museum in New 417 00:26:38,840 --> 00:26:41,679 Speaker 1: York City. UM. And my favorite part of that museum 418 00:26:41,720 --> 00:26:43,679 Speaker 1: is obviously the Hall of Marine Life where they have 419 00:26:43,720 --> 00:26:47,720 Speaker 1: all the different dioramas of like different like nautical landscapes, 420 00:26:48,119 --> 00:26:51,159 Speaker 1: and there's one it's like in the back in the 421 00:26:51,200 --> 00:26:53,719 Speaker 1: corner and it's of the bottom of the ocean and 422 00:26:53,960 --> 00:26:57,440 Speaker 1: like a giant squid wrappedor on a whale. And even 423 00:26:57,480 --> 00:27:01,920 Speaker 1: just like standing there used to terrify me as a child, 424 00:27:02,000 --> 00:27:04,879 Speaker 1: but also like kind of excited me. Like you know, 425 00:27:05,080 --> 00:27:06,960 Speaker 1: it's like it was like pushing a bruise. It was 426 00:27:07,000 --> 00:27:11,400 Speaker 1: like it hurts, but in a good way. UM. But truly, 427 00:27:11,520 --> 00:27:14,600 Speaker 1: like if I, like if I was like a pirate 428 00:27:14,720 --> 00:27:18,920 Speaker 1: and like fell overboard into the ocean, I would take 429 00:27:18,960 --> 00:27:23,399 Speaker 1: out my my dagger, my sword and just slip my 430 00:27:23,440 --> 00:27:29,240 Speaker 1: throat like it's it's it's over. It's over for me over. Yeah, 431 00:27:29,359 --> 00:27:33,159 Speaker 1: do not invite me on your deep sea coral reef adventure. Okay, 432 00:27:33,160 --> 00:27:35,320 Speaker 1: scuba diving, no, maam, I don't want to see it. 433 00:27:35,400 --> 00:27:38,240 Speaker 1: Have you spent a lot of time on boats? I 434 00:27:38,240 --> 00:27:41,960 Speaker 1: I love boats because they protect me from what, you know, 435 00:27:42,000 --> 00:27:44,399 Speaker 1: whatever is inside the ocean. I do not like going 436 00:27:44,560 --> 00:27:47,520 Speaker 1: into the ocean. Have you ever, like I think this 437 00:27:47,600 --> 00:27:53,439 Speaker 1: is one of the most one of the things you 438 00:27:53,440 --> 00:27:55,280 Speaker 1: can do as a human to feel the most like 439 00:27:55,880 --> 00:27:59,680 Speaker 1: small is like um, being on a boat out at sea, 440 00:28:00,240 --> 00:28:05,200 Speaker 1: and like jumping into the ocean is who I've only 441 00:28:05,280 --> 00:28:07,280 Speaker 1: done it a few times in my life when I 442 00:28:07,320 --> 00:28:10,240 Speaker 1: was when I was a teenager, my family we had 443 00:28:10,240 --> 00:28:12,440 Speaker 1: a boat and we used to like go out into 444 00:28:12,480 --> 00:28:14,399 Speaker 1: the ocean, and there were only a couple of times 445 00:28:14,400 --> 00:28:17,160 Speaker 1: that I like, it's one thing to sort of like 446 00:28:17,520 --> 00:28:18,879 Speaker 1: you're out with a bunch of people and you like 447 00:28:18,920 --> 00:28:20,520 Speaker 1: get off the boat and kind of like paddle around 448 00:28:20,560 --> 00:28:23,000 Speaker 1: the ocean. But to like jump off and you have 449 00:28:23,119 --> 00:28:27,520 Speaker 1: that feeling where like you sink down and it takes 450 00:28:27,560 --> 00:28:30,280 Speaker 1: a second for like the air to lift you back up, 451 00:28:30,640 --> 00:28:33,160 Speaker 1: and like you can get turned around and you don't 452 00:28:33,160 --> 00:28:35,560 Speaker 1: know which ways up and which ways down. Oh my god, 453 00:28:35,680 --> 00:28:39,440 Speaker 1: just like just thinking about it, it's like terrifying. Drowning 454 00:28:39,480 --> 00:28:42,880 Speaker 1: would be the worst way to go. Um, if you 455 00:28:43,120 --> 00:28:46,400 Speaker 1: if you were Okay, let's say let's say you and 456 00:28:46,440 --> 00:28:50,520 Speaker 1: I are are on a pirate ship. Okay, you are 457 00:28:50,520 --> 00:28:53,000 Speaker 1: not the captain. Neither of us are the captain. We 458 00:28:53,160 --> 00:28:58,160 Speaker 1: but we we feel like they're so well I'm saying that, 459 00:28:58,200 --> 00:29:01,240 Speaker 1: like there's mismanagement a foot, like we don't really believe in. 460 00:29:03,040 --> 00:29:04,960 Speaker 1: I was gonna say, we are going to stage a mutiny. 461 00:29:05,000 --> 00:29:08,320 Speaker 1: How would we do it? Um? I think one of 462 00:29:08,400 --> 00:29:14,320 Speaker 1: us we canceled the captain, We judge up some tea. 463 00:29:14,840 --> 00:29:17,600 Speaker 1: We find their old tweets, No, we find their old 464 00:29:17,920 --> 00:29:22,720 Speaker 1: I mean what an old timing. We find their old letters. Yeah, yeah, 465 00:29:22,760 --> 00:29:27,160 Speaker 1: you're like, um, well in eighteen sixty seven. No, honestly, 466 00:29:27,280 --> 00:29:30,680 Speaker 1: like we fully kill them. We like, okay, so we're 467 00:29:30,800 --> 00:29:34,240 Speaker 1: this is okay, this is so we are the ship. 468 00:29:34,280 --> 00:29:38,320 Speaker 1: We are the horrors of the ship. We're like we 469 00:29:38,320 --> 00:29:41,400 Speaker 1: are the like were they were like the painted eunuchs 470 00:29:41,440 --> 00:29:44,680 Speaker 1: of the ship. Um or actually, as they would say, 471 00:29:44,680 --> 00:29:49,560 Speaker 1: Harlot's hussy I think they would say, horrse um, we 472 00:29:49,680 --> 00:29:53,720 Speaker 1: are the we are the bum boys trumpets if you 473 00:29:53,800 --> 00:29:57,760 Speaker 1: love the ship trumpet. So what we do is like 474 00:29:57,840 --> 00:30:01,280 Speaker 1: one by one we're like lowering different crew members who 475 00:30:01,320 --> 00:30:03,800 Speaker 1: we who we want off. We're like luring them to 476 00:30:03,840 --> 00:30:05,800 Speaker 1: like a secluded part of the ship for a little 477 00:30:05,840 --> 00:30:09,080 Speaker 1: a little like you know, a little tickle tickle the 478 00:30:09,200 --> 00:30:12,280 Speaker 1: little sucker, and then off and killing them. We like 479 00:30:12,320 --> 00:30:15,960 Speaker 1: throw them over, split their throats, whatever, and so honestly, 480 00:30:16,160 --> 00:30:18,440 Speaker 1: so we've gotten sort of like we start out with 481 00:30:18,480 --> 00:30:20,440 Speaker 1: like the lower level people, than work our way up 482 00:30:20,440 --> 00:30:24,680 Speaker 1: to the mid level people, and then finally we're like, um, oh, hey, captain, 483 00:30:24,960 --> 00:30:27,120 Speaker 1: like do you want both of us at the same time? 484 00:30:28,920 --> 00:30:31,200 Speaker 1: So we like are in the captain's chambers, we like 485 00:30:31,280 --> 00:30:33,920 Speaker 1: put on a show, and then like at the moment 486 00:30:33,920 --> 00:30:37,240 Speaker 1: gets a private dance, gets private private dance, and then 487 00:30:37,600 --> 00:30:41,320 Speaker 1: at the moment of his climax, we tear our wigs 488 00:30:41,320 --> 00:30:46,800 Speaker 1: off because obviously we're wearing wigs. I tear my wig off, 489 00:30:46,880 --> 00:30:49,680 Speaker 1: and I am in non binary I'm half half because 490 00:30:50,200 --> 00:30:54,720 Speaker 1: a reveal off, and we're wearing shorter wigs that are 491 00:30:54,800 --> 00:30:57,680 Speaker 1: just like a little bit more unclosed, little little kitty 492 00:30:57,720 --> 00:31:01,040 Speaker 1: cat wigs, little bus driver kitty catwigs. And then we 493 00:31:01,560 --> 00:31:05,479 Speaker 1: killed the captain m and then we parade his corpse 494 00:31:05,480 --> 00:31:09,080 Speaker 1: out to the remaining crew, who we also have gotten 495 00:31:09,160 --> 00:31:14,280 Speaker 1: onto our side with sexual favors um and then we're 496 00:31:14,280 --> 00:31:18,240 Speaker 1: the new captain. We're co captains. But then, unfortunately, six 497 00:31:18,280 --> 00:31:22,520 Speaker 1: months later, I do kill you because I know that 498 00:31:22,640 --> 00:31:26,120 Speaker 1: if your ambition was able to get you to the 499 00:31:26,240 --> 00:31:29,160 Speaker 1: level where you enacted this plan with me, I can't 500 00:31:29,160 --> 00:31:31,239 Speaker 1: have you on the ship because you're going to call 501 00:31:31,360 --> 00:31:34,760 Speaker 1: for me eventually. The jokes on you because I made 502 00:31:34,760 --> 00:31:37,120 Speaker 1: a deal with a seawitch right before I got on, 503 00:31:37,240 --> 00:31:41,880 Speaker 1: and killing me will then curse you for eternity, and 504 00:31:41,920 --> 00:31:44,720 Speaker 1: then I get to have my ship for eternity. Yeah, 505 00:31:44,760 --> 00:31:46,280 Speaker 1: you get to have your ship for eternity. But then 506 00:31:46,320 --> 00:31:48,200 Speaker 1: you'll be you'll never be sexually And I have an 507 00:31:48,200 --> 00:31:51,360 Speaker 1: octopus face, just like and you have an octopus face, 508 00:31:51,560 --> 00:31:55,560 Speaker 1: which you know he was hot? Oh absolutely, what was 509 00:31:55,560 --> 00:31:59,720 Speaker 1: his name again, Davy Jones? Davy Jones? Yeah, hot? I 510 00:31:59,760 --> 00:32:05,440 Speaker 1: mean you know that he are you? No, I can 511 00:32:05,520 --> 00:32:10,560 Speaker 1: funk with it literally occasionally. There is some you know, 512 00:32:10,960 --> 00:32:15,120 Speaker 1: kind of alien porn that I've seen where I'm like, not, no, 513 00:32:15,320 --> 00:32:19,480 Speaker 1: I'm into like I'm into like a tentacle face tentacle dicks. 514 00:32:20,520 --> 00:32:26,720 Speaker 1: I'm not sure about like multiple wriggling flesh colored dicks. No, no, no, 515 00:32:27,040 --> 00:32:29,200 Speaker 1: not for me, not for me. But I would never 516 00:32:29,280 --> 00:32:45,400 Speaker 1: yuck anyone's young. I would. So being a pirate is 517 00:32:45,440 --> 00:32:50,800 Speaker 1: like I would say six about eyeliner. What eyeliner do 518 00:32:50,920 --> 00:32:54,600 Speaker 1: you think they're wearing? I mean it's I would be 519 00:32:54,640 --> 00:32:57,160 Speaker 1: too obvious to say a Pat McGrath moment, And honestly, 520 00:32:57,160 --> 00:32:59,320 Speaker 1: it's a little too dirty for Pat. I feel like 521 00:32:59,360 --> 00:33:02,360 Speaker 1: it's kind of an Nick's moment. It's kind of like 522 00:33:02,400 --> 00:33:07,320 Speaker 1: a clumpy Nick's mascara. It's like a smudge. It's like 523 00:33:07,320 --> 00:33:10,960 Speaker 1: a smudge. I would actually say, it's more it's maybe 524 00:33:11,000 --> 00:33:16,400 Speaker 1: Mac like a Max smoky smudged eyeliner vibe. Well there's 525 00:33:16,440 --> 00:33:19,880 Speaker 1: also you know, bandanas and and and earrings. Oh my god, 526 00:33:19,880 --> 00:33:23,080 Speaker 1: I'm literally wearing a bang and I was. I don't 527 00:33:23,120 --> 00:33:26,520 Speaker 1: want to say it because it felt a little too 528 00:33:26,520 --> 00:33:28,920 Speaker 1: on the nose, but like a little you are giving 529 00:33:28,960 --> 00:33:32,800 Speaker 1: a little pirate right now, I am. I am. You 530 00:33:32,880 --> 00:33:36,200 Speaker 1: know all these yohoho, indeed, all these pirates, though we're 531 00:33:36,320 --> 00:33:39,120 Speaker 1: kind of giving like a little general informing drag. I 532 00:33:39,160 --> 00:33:41,479 Speaker 1: mean like they were like they were going too the 533 00:33:41,480 --> 00:33:46,840 Speaker 1: famous sample sale. Oh yeah, I mean I feel like, um, 534 00:33:46,960 --> 00:33:50,880 Speaker 1: Johnny probably like had sex with a man as like 535 00:33:51,440 --> 00:33:53,440 Speaker 1: you research for the role. Like I feel like you 536 00:33:53,560 --> 00:33:58,680 Speaker 1: had to step into many men for quote unquote research. Yeah, 537 00:33:58,760 --> 00:34:00,600 Speaker 1: but I don't know. I actually want to be clear, 538 00:34:00,680 --> 00:34:02,560 Speaker 1: I don't think Johnny Devi is gay. And I just 539 00:34:02,680 --> 00:34:05,840 Speaker 1: think that he, you know, because he's very rock starry, 540 00:34:05,960 --> 00:34:09,480 Speaker 1: like I mean, I think you've a certain level of fame. 541 00:34:09,560 --> 00:34:13,799 Speaker 1: You're just like sex is only about power, and like 542 00:34:14,000 --> 00:34:16,879 Speaker 1: you just use sex as a tool to feel more 543 00:34:16,920 --> 00:34:19,680 Speaker 1: powerful than people, right right, And I mean he did 544 00:34:19,719 --> 00:34:25,720 Speaker 1: famously base this character off of Nick Jagger and Pepper 545 00:34:26,000 --> 00:34:30,800 Speaker 1: Hugh and Jagger is in one of the later films 546 00:34:30,840 --> 00:34:35,520 Speaker 1: as Jack Sparrow's father, Right, was he Is he an abuser? 547 00:34:36,480 --> 00:34:40,960 Speaker 1: Mick Jagger probably probably? I mean Peppo Lapphu definitely was. 548 00:34:41,040 --> 00:34:45,400 Speaker 1: Pepper lap known abuser. Absolutely never asked for kinsentce. You 549 00:34:45,400 --> 00:34:48,319 Speaker 1: know it used to be one of my recurring sexual fantasies. 550 00:34:48,680 --> 00:34:52,040 Speaker 1: Um in college, was there you were getting fucked by 551 00:34:52,040 --> 00:34:58,319 Speaker 1: Peppo lap Yes? No, there's a photo of there's like 552 00:34:58,320 --> 00:35:00,600 Speaker 1: a very famous photo of Mick Jagger and David Bowie. 553 00:35:00,760 --> 00:35:03,040 Speaker 1: They're kind of like all over each other and I 554 00:35:03,200 --> 00:35:06,000 Speaker 1: used to like think about them hooking up all the time. 555 00:35:06,160 --> 00:35:08,840 Speaker 1: And you still like park off to it. That's hot. 556 00:35:08,960 --> 00:35:11,879 Speaker 1: I mean that those are like the Golden Ad. I'm 557 00:35:11,960 --> 00:35:15,800 Speaker 1: sure that it happened. Yeah, I believe it. Yeah, David 558 00:35:15,800 --> 00:35:18,720 Speaker 1: Bowie can't make music like that without sucking and sucking. 559 00:35:18,880 --> 00:35:21,239 Speaker 1: There's a David Bowie movie coming out that I really 560 00:35:21,280 --> 00:35:26,600 Speaker 1: want to see. It's like a documentary slush concert film. 561 00:35:26,840 --> 00:35:29,200 Speaker 1: Um oh, I don't want that, not like not like 562 00:35:29,320 --> 00:35:32,680 Speaker 1: concert film, but it's like like his concert. Yeah, it 563 00:35:32,840 --> 00:35:36,600 Speaker 1: like it like rebuilds like performances of his I think 564 00:35:36,840 --> 00:35:41,240 Speaker 1: I'm very excited for that. I am Bowie is definitely 565 00:35:41,239 --> 00:35:43,880 Speaker 1: one of my cultural blind spots. I think all of 566 00:35:43,960 --> 00:35:49,560 Speaker 1: my knowledge and came from perks of being a wallflower. Yeah, 567 00:35:49,640 --> 00:35:52,319 Speaker 1: let's do it. I would love I love Bowie. You, 568 00:35:52,840 --> 00:35:56,879 Speaker 1: I will I will um tonight. I will masturbate thinking 569 00:35:56,880 --> 00:35:59,600 Speaker 1: about getting sucked to, like by Peppi La Pew. Let's 570 00:35:59,600 --> 00:36:04,400 Speaker 1: talk about some other pirate media. Treasure Island so the 571 00:36:04,480 --> 00:36:08,640 Speaker 1: best Muppets movie to have ever been crane. I I 572 00:36:08,640 --> 00:36:11,880 Speaker 1: I slightly agree. I slightly disagree because I love Muppet 573 00:36:11,920 --> 00:36:15,600 Speaker 1: State Manhattan, and I thought you were going to say Christmas, Carol. 574 00:36:15,920 --> 00:36:18,440 Speaker 1: I mean, obviously I love all Muppet movies. I love 575 00:36:18,440 --> 00:36:21,880 Speaker 1: all classic Muppet movies, but Muppet State Manhattan. When Kermit 576 00:36:21,960 --> 00:36:24,880 Speaker 1: gets hit by the car I have never cried so 577 00:36:24,920 --> 00:36:28,520 Speaker 1: hard while watching a movie before Muppa Treasure Island. To 578 00:36:28,560 --> 00:36:32,600 Speaker 1: have a very visceral memory of receiving the VHS of 579 00:36:32,640 --> 00:36:37,320 Speaker 1: it for Hanaka. One year was one night I received 580 00:36:38,440 --> 00:36:41,000 Speaker 1: a Muppa Treasure Island, a sketch book and like one 581 00:36:41,000 --> 00:36:44,960 Speaker 1: of those huge packages of like crans and markers and 582 00:36:45,000 --> 00:36:46,520 Speaker 1: paints that you know kind of like all used to 583 00:36:46,560 --> 00:36:50,879 Speaker 1: come together in one like artist's palette, and I just 584 00:36:50,960 --> 00:36:56,839 Speaker 1: like spent that winter break like drawing Kermit and Miss Picky. Um. 585 00:36:56,880 --> 00:36:59,439 Speaker 1: I don't meant for a lot about Muppet Treasure Island 586 00:36:59,480 --> 00:37:03,040 Speaker 1: because I truly have not watched it in maybe twenty years. Wait, 587 00:37:03,160 --> 00:37:06,319 Speaker 1: we need to watch because it is Miss Piggy's best work. 588 00:37:06,440 --> 00:37:10,360 Speaker 1: In my opinion. I I think it's the best Muppets film. 589 00:37:10,440 --> 00:37:12,600 Speaker 1: Although I mean, I know you're a traditionalist, but I 590 00:37:12,640 --> 00:37:16,920 Speaker 1: actually think the first new One with Tina Fey and 591 00:37:17,000 --> 00:37:20,239 Speaker 1: Jason Siegel is really beautiful. It made me cry, like 592 00:37:20,280 --> 00:37:26,240 Speaker 1: it was so good and remember liking it. And Fiona 593 00:37:26,280 --> 00:37:29,920 Speaker 1: Apple is famously in it for like seven seconds her 594 00:37:30,040 --> 00:37:33,680 Speaker 1: voice is I think ms Piggy said, oh my god, 595 00:37:34,120 --> 00:37:39,640 Speaker 1: I'm sorry Fiona Apple isn't and it Joanna Newsom, Joanna Newsom? 596 00:37:39,640 --> 00:37:44,560 Speaker 1: Why n Joanna Newsom and Fiona Apple are not the 597 00:37:44,600 --> 00:37:48,160 Speaker 1: same person? I have you seen them in the same 598 00:37:48,239 --> 00:37:52,720 Speaker 1: room before? Have you ever? No? I haven't, But but actually, 599 00:37:52,800 --> 00:37:55,120 Speaker 1: but do you? Were you at Joanna Newsom stan I 600 00:37:55,680 --> 00:37:59,680 Speaker 1: because she does fall into the echelon of Caucasian you know, 601 00:38:00,160 --> 00:38:02,840 Speaker 1: I like, I liked her first couple of albums for sure. 602 00:38:03,480 --> 00:38:05,840 Speaker 1: I think a problem with her. And this kind of 603 00:38:05,880 --> 00:38:08,680 Speaker 1: goes back to our conversation about Kim Petris before. I 604 00:38:08,760 --> 00:38:10,520 Speaker 1: mostly like don't listen to her a lot because her 605 00:38:10,600 --> 00:38:12,480 Speaker 1: music is not on Spotify and like, if it's not 606 00:38:12,520 --> 00:38:15,840 Speaker 1: easy for me to access, I'm not gonna listen to it. Yeah, 607 00:38:16,000 --> 00:38:18,120 Speaker 1: it's not. But proud of her for sticking to her 608 00:38:18,120 --> 00:38:21,520 Speaker 1: guns and fading into relevant. But you know what, to me, 609 00:38:21,719 --> 00:38:24,279 Speaker 1: the most iconic thing Joanna Newsom has ever done was 610 00:38:24,320 --> 00:38:28,839 Speaker 1: have that song beaten the trailer for that movie The Strangers, 611 00:38:29,560 --> 00:38:33,920 Speaker 1: and so oh yeah, it's a very effective moment in 612 00:38:33,920 --> 00:38:39,040 Speaker 1: the trailer. Okay, other pirate stuff obviously, Captain Hookum in 613 00:38:39,080 --> 00:38:42,839 Speaker 1: both Peter Pan and the movie Hook, which I kind 614 00:38:42,880 --> 00:38:46,960 Speaker 1: of only realized recently. Like, to me, it's like one 615 00:38:47,000 --> 00:38:48,719 Speaker 1: of the most important movies ever made because it was 616 00:38:48,760 --> 00:38:51,040 Speaker 1: such a huge part of my childhood. But I think 617 00:38:51,160 --> 00:38:54,480 Speaker 1: you're cook But I think Hook is like a flop. 618 00:38:55,200 --> 00:38:59,719 Speaker 1: I think it's like considered a bad movie. What by 619 00:39:00,120 --> 00:39:03,719 Speaker 1: really culture at large? Yeah, oh my god, I have 620 00:39:03,920 --> 00:39:06,880 Speaker 1: never heard that before. I feel like it's so belood. 621 00:39:06,920 --> 00:39:10,880 Speaker 1: Like if if I mentioned Hook at at any you know, 622 00:39:11,080 --> 00:39:14,080 Speaker 1: house party where millennials are present, everyone starts talking about 623 00:39:14,080 --> 00:39:16,319 Speaker 1: immediately because I feel like it was so formative to us. 624 00:39:16,560 --> 00:39:18,680 Speaker 1: I didn't know it was. It was a success. No, 625 00:39:19,200 --> 00:39:22,080 Speaker 1: it made three million dollars. Maybe you're thinking about the 626 00:39:22,120 --> 00:39:27,160 Speaker 1: one where Rooney Mara. No, No, it's a it's a 627 00:39:27,320 --> 00:39:30,560 Speaker 1: it's a critical flop. It got really bad reviews and 628 00:39:31,040 --> 00:39:34,480 Speaker 1: what Yeah, but you know what, those reviews are wrong. 629 00:39:34,640 --> 00:39:39,160 Speaker 1: They don't they don't get it. They can't see the vision. Um. 630 00:39:39,200 --> 00:39:43,000 Speaker 1: I have never seen the Peter Pan movie where Rooney 631 00:39:43,000 --> 00:39:46,040 Speaker 1: Marrow plays Tiger Lily, because why would I. But I 632 00:39:46,080 --> 00:39:50,600 Speaker 1: do know that there's a live action Peter Pan coming 633 00:39:51,000 --> 00:39:56,960 Speaker 1: where Jude Law plays Captain Hook, which I'm very excited for. 634 00:39:57,960 --> 00:40:03,120 Speaker 1: I um, I was really let down by Jude Law 635 00:40:03,960 --> 00:40:06,560 Speaker 1: and the Harry Potter movies, and so I'm therefore not 636 00:40:06,719 --> 00:40:10,800 Speaker 1: really excited. But maybe if he's going to throw himself 637 00:40:10,840 --> 00:40:13,359 Speaker 1: into it, he better he better give us something really new, 638 00:40:13,440 --> 00:40:16,719 Speaker 1: Like I want full character invention. I don't want to 639 00:40:16,760 --> 00:40:20,640 Speaker 1: see Dustin Hoffman's hook. I don't want to see Disney's hook. 640 00:40:20,680 --> 00:40:22,799 Speaker 1: I don't want to see any other hook. I want 641 00:40:22,840 --> 00:40:25,640 Speaker 1: to see, you know, his hook. I would like to 642 00:40:25,680 --> 00:40:29,239 Speaker 1: see an actual, like kind of scary, villainous hook rather 643 00:40:29,320 --> 00:40:33,319 Speaker 1: than a camp be over the top faggotty hook. Yes, 644 00:40:33,400 --> 00:40:37,400 Speaker 1: but the faggoty I mean, Dustin Hoffman's faggoty hook is incredible, 645 00:40:37,520 --> 00:40:41,480 Speaker 1: like it's so so faggy um and also a wait, 646 00:40:41,560 --> 00:40:44,640 Speaker 1: it's it must be stated for the Virgins that Glenn 647 00:40:44,840 --> 00:40:47,280 Speaker 1: I'm do you know this? Glenn Close has an iconic 648 00:40:47,360 --> 00:40:49,759 Speaker 1: cameo in Hook? Did you know this? Who is she? 649 00:40:50,040 --> 00:40:52,640 Speaker 1: Glenn plays the pirate that gets thrown into the Boo Box. 650 00:40:52,840 --> 00:40:56,239 Speaker 1: Oh my god, Wow, she has a full beard, full prosthetic. 651 00:40:59,480 --> 00:41:03,279 Speaker 1: Yes she we we do not talk enough about the 652 00:41:03,280 --> 00:41:06,600 Speaker 1: fact that Julia Roberts was Tinkerbell and Hook. I mean, 653 00:41:06,680 --> 00:41:09,600 Speaker 1: and she's gorgeous in it. I mean it's so funny too. 654 00:41:09,840 --> 00:41:13,160 Speaker 1: It's like a very Spielbergian thing to be like, Peter 655 00:41:13,320 --> 00:41:16,440 Speaker 1: and tinker Bell were fucking right. But a hook as 656 00:41:16,640 --> 00:41:20,479 Speaker 1: was definitely also extremely important to me, and I would 657 00:41:20,520 --> 00:41:24,080 Speaker 1: I think some of the Virgins have requested a Hook episode. 658 00:41:24,160 --> 00:41:29,240 Speaker 1: Maybe There's more was one of the movies I rewatched 659 00:41:30,360 --> 00:41:33,239 Speaker 1: over and over again. You know, Maggie Smith is in it. 660 00:41:33,280 --> 00:41:36,640 Speaker 1: I'm just looking at the cast now. Maggie Smith is old, Wendy, 661 00:41:36,800 --> 00:41:41,719 Speaker 1: Gwyneth Paltrow is young Wendy. Yeah, and George Lucas and 662 00:41:42,000 --> 00:41:46,480 Speaker 1: m Carrie Fisher have cameos as faceless people kissing on 663 00:41:46,520 --> 00:41:50,080 Speaker 1: a a memory montage. I remember. One of the sexiest 664 00:41:50,080 --> 00:41:52,040 Speaker 1: parts of the movie is when at the beginning when 665 00:41:52,080 --> 00:41:54,080 Speaker 1: Robin Williams gets thrown into the ocean and all the 666 00:41:54,080 --> 00:41:58,279 Speaker 1: mermaids come and like kiss him to give him air. 667 00:41:59,040 --> 00:42:04,400 Speaker 1: The movie is so really erotic in several places. I 668 00:42:04,440 --> 00:42:07,680 Speaker 1: know that Rufio is like a big first movie crush 669 00:42:07,760 --> 00:42:12,320 Speaker 1: for a lot of people. I didn't seem for them, Queen. 670 00:42:12,640 --> 00:42:15,560 Speaker 1: I mean like the little belly shirt, quing, the little 671 00:42:15,560 --> 00:42:18,000 Speaker 1: belly shirt, the little mohawk. That's like basically what people 672 00:42:18,200 --> 00:42:20,840 Speaker 1: dress up as when they like go to a Suzanmbarsh party. 673 00:42:21,160 --> 00:42:25,120 Speaker 1: I mean, well, I'll, I do want to say something, 674 00:42:25,160 --> 00:42:28,440 Speaker 1: and I don't think I'm being rude and saying this. 675 00:42:29,320 --> 00:42:33,400 Speaker 1: Everyone who falls on the non binary spectrum is giving 676 00:42:33,440 --> 00:42:38,640 Speaker 1: pirate in some way. Well, Pirates were the first nin 677 00:42:38,680 --> 00:42:43,600 Speaker 1: binary is a huge overlap between non binary presentation and 678 00:42:44,160 --> 00:42:47,960 Speaker 1: pirate presentation. Yeah, I can't wait for you and I 679 00:42:48,239 --> 00:42:52,560 Speaker 1: to um lead a mutiny on a pirate ship covered 680 00:42:52,560 --> 00:42:57,960 Speaker 1: and come for some reason with tentacles consent cales because 681 00:42:58,320 --> 00:43:08,759 Speaker 1: you have to consent. We'll see you next week. In 682 00:43:08,800 --> 00:43:12,200 Speaker 1: the meantime, tag us slide into our d m. Yes, 683 00:43:12,480 --> 00:43:16,800 Speaker 1: you can tag us at like a virgin for on Instagram, 684 00:43:16,840 --> 00:43:19,200 Speaker 1: and you can of course leave us a review on 685 00:43:19,280 --> 00:43:22,840 Speaker 1: Apple Podcasts. It really helps us out. I'm your co 686 00:43:22,960 --> 00:43:25,560 Speaker 1: host Rose Damn You. You can find me anywhere online 687 00:43:25,640 --> 00:43:28,239 Speaker 1: at Rose Damn You. And I'm fran you can find 688 00:43:28,239 --> 00:43:31,399 Speaker 1: me at Franz Squish co anywhere you want. You can 689 00:43:31,520 --> 00:43:34,200 Speaker 1: subscribe to Like a Virgin anywhere you listen to podcasts. 690 00:43:34,960 --> 00:43:39,600 Speaker 1: Rate us on Spotify, leaver review on Apple Podcasts. Um 691 00:43:39,600 --> 00:43:42,680 Speaker 1: Like Virgin is an I Heart Radio production our producers 692 00:43:42,680 --> 00:43:46,520 Speaker 1: Phoebe Unter, with support from Lindsay Hoffman, Julian Weller, Jess 693 00:43:46,520 --> 00:43:50,359 Speaker 1: Crane Chitch and Nikki Etour. Until next week, you better 694 00:43:50,400 --> 00:43:53,919 Speaker 1: start believing in ghost stories, miss Turner. You're in one 695 00:43:54,960 --> 00:43:59,600 Speaker 1: that was pretty good. That's a good Jeffrey rush By