1 00:00:00,080 --> 00:00:15,800 Speaker 1: Yeah together, all right. See I am Rapports Stereo podcast 2 00:00:15,960 --> 00:00:23,880 Speaker 1: in prime time p p P Premium prime time podcasting. 3 00:00:23,920 --> 00:00:26,439 Speaker 1: My name is Michael Rappaport, a k. The Gringo man 4 00:00:26,520 --> 00:00:29,000 Speaker 1: Dingo here with G. Moody's las name rhymes with duty. 5 00:00:31,520 --> 00:00:38,960 Speaker 1: I have to share something with you premium podcast subscribers. 6 00:00:39,000 --> 00:00:45,080 Speaker 1: The unthinkable happened earlier today, uh me and G Moody. 7 00:00:46,120 --> 00:00:53,440 Speaker 1: Thirty five minutes deep into this here premium podcast. After 8 00:00:53,520 --> 00:00:57,880 Speaker 1: much ado about a whole bunch of fucking nothing, I 9 00:00:58,000 --> 00:01:04,480 Speaker 1: realized that somehow, some fun sucking way, my recorder, the 10 00:01:04,560 --> 00:01:09,720 Speaker 1: golden Mikes of the Iron Rappard Stereo Podcast, was not recording. 11 00:01:11,360 --> 00:01:14,640 Speaker 1: You fucked up, yo, I think the fucking thing fell out. 12 00:01:16,560 --> 00:01:23,160 Speaker 1: But yes, I fucked up. But we are here to recreate, reimagine, 13 00:01:25,600 --> 00:01:29,640 Speaker 1: and take this premium I am Rappaport Stereo podcast to 14 00:01:29,760 --> 00:01:35,840 Speaker 1: the next fucking level. No gold will be lost. No, no, 15 00:01:36,040 --> 00:01:41,280 Speaker 1: you won't find podcast bones thirty five years ago and 16 00:01:41,319 --> 00:01:48,200 Speaker 1: go oh on September eighteen, here's the lost files. There 17 00:01:48,240 --> 00:01:51,440 Speaker 1: are no loss files. You know why because the files 18 00:01:51,640 --> 00:01:55,040 Speaker 1: were not recorded. You fuck you. And when I say 19 00:01:55,080 --> 00:02:01,280 Speaker 1: you fuck you, I say you fuck you directly to myself. Yeah, 20 00:02:01,920 --> 00:02:07,680 Speaker 1: this heat. But to prove, to prove how fly we are, 21 00:02:08,080 --> 00:02:11,760 Speaker 1: we can just reboot and do it again for motherfucker's 22 00:02:11,800 --> 00:02:14,000 Speaker 1: to let them know, you know, the saying scripted man, 23 00:02:14,360 --> 00:02:16,200 Speaker 1: we're just we funk up, my man, funk up, I 24 00:02:16,280 --> 00:02:19,000 Speaker 1: funk up. All right, let's do it again, saying heat. 25 00:02:20,160 --> 00:02:26,640 Speaker 1: Just flip it on its ass, flip it on its ass, Monettie. 26 00:02:27,480 --> 00:02:29,560 Speaker 1: So we gotta do we gotta fucking do it. We 27 00:02:29,680 --> 00:02:36,280 Speaker 1: gotta do it. Podcasting, it's the premium. It's a fucking 28 00:02:36,360 --> 00:02:39,280 Speaker 1: premium subscribers. These are the best of the best. I 29 00:02:39,280 --> 00:02:42,359 Speaker 1: am Rapports Stereo podcast fans. So when we come at 30 00:02:42,440 --> 00:02:46,720 Speaker 1: you guys like we're speaking and I am wrapping pard language. 31 00:02:46,960 --> 00:02:50,960 Speaker 1: There needs no explanation, no no, uh, there's no like. 32 00:02:51,000 --> 00:02:54,200 Speaker 1: You don't need any like shortcuts or anything. I feel 33 00:02:54,240 --> 00:02:56,639 Speaker 1: like when we are speaking to the premium subscribers, we're 34 00:02:56,639 --> 00:02:58,200 Speaker 1: speaking to the best of the best, the top of 35 00:02:58,240 --> 00:03:01,040 Speaker 1: the top, the cream of the monk fucking crop. When 36 00:03:01,080 --> 00:03:06,840 Speaker 1: it comes to Iron Rapports stereo podcast fans, yeah, hell yeah, 37 00:03:07,040 --> 00:03:10,240 Speaker 1: they know it. We know it. And uh, this is 38 00:03:10,240 --> 00:03:12,480 Speaker 1: like our road work. You know what I'm saying. You 39 00:03:12,560 --> 00:03:16,840 Speaker 1: we put the roadwork in and we do it no problem. 40 00:03:16,880 --> 00:03:19,400 Speaker 1: We like Tyson and Muhammad Ali when we're training on 41 00:03:19,480 --> 00:03:22,200 Speaker 1: the Bullwalk in Atlantic City. That's how we do it. 42 00:03:22,520 --> 00:03:28,880 Speaker 1: Hard work, dedication. Speaking of hard work and dedication. Uh, 43 00:03:29,080 --> 00:03:34,600 Speaker 1: the Canelo Triple G fight from a couple of days ago. 44 00:03:34,680 --> 00:03:39,360 Speaker 1: Did you see the fight, Monettie? Yeah? Yeah, Hennessey invited me. Man, 45 00:03:39,520 --> 00:03:44,440 Speaker 1: I had a viewing party fight party with Victor Cruz, 46 00:03:44,760 --> 00:03:47,480 Speaker 1: former New York Giant hosted it. It was pleasure to 47 00:03:47,520 --> 00:03:49,240 Speaker 1: meet him. Man. So yeah, so it Man, it was 48 00:03:49,240 --> 00:03:50,760 Speaker 1: a good It was a good fight. Where is your 49 00:03:50,800 --> 00:03:55,360 Speaker 1: it's been It's been highly controversial. Uh, yours truly the 50 00:03:55,400 --> 00:04:00,400 Speaker 1: gringo man dingo Uh made headlines from my tweets because 51 00:04:01,920 --> 00:04:04,120 Speaker 1: I thought it was a draw. I don't see how 52 00:04:04,160 --> 00:04:11,760 Speaker 1: the human eye can realistically, um and fairly judge that 53 00:04:11,840 --> 00:04:15,280 Speaker 1: kind of fight. In particular, when these guys are boxing, 54 00:04:15,280 --> 00:04:20,280 Speaker 1: it's such a highly scientific level speed, fast counterpunching. There's movement. 55 00:04:20,520 --> 00:04:23,840 Speaker 1: The judges are sitting there um in the front row. 56 00:04:24,520 --> 00:04:27,240 Speaker 1: Sometimes the referees in the way, sometimes they're blocked by 57 00:04:27,279 --> 00:04:32,640 Speaker 1: the ropes. This is a highly technical, very fast paced fight. 58 00:04:33,560 --> 00:04:38,279 Speaker 1: The fight ends five minutes later. They give a decision. 59 00:04:39,080 --> 00:04:43,599 Speaker 1: This particular decision went to Canelo Alvarez. A lot of 60 00:04:43,600 --> 00:04:45,640 Speaker 1: people are saying it was a draw. A lot of 61 00:04:45,640 --> 00:04:48,600 Speaker 1: people were saying the first time they fight Triple G 62 00:04:48,839 --> 00:04:52,600 Speaker 1: one um Me, personally, I think it's a draw. But 63 00:04:52,800 --> 00:04:57,679 Speaker 1: the fact that boxing in two thousand eighteen is going 64 00:04:57,720 --> 00:05:02,520 Speaker 1: by the same rules regulations, the fact that boxing, the 65 00:05:02,520 --> 00:05:07,800 Speaker 1: sport of boxing, has no unions, it's not sanctioned, the 66 00:05:07,839 --> 00:05:11,279 Speaker 1: fact that boxing doesn't use technology in two thousand eighteen, 67 00:05:11,320 --> 00:05:15,280 Speaker 1: it's basically using the same shit. It's ran by the 68 00:05:15,360 --> 00:05:20,839 Speaker 1: same kind of underbelly vermin as it was during the 69 00:05:20,920 --> 00:05:23,160 Speaker 1: nineteen twenties, and at the end of the day, they 70 00:05:23,160 --> 00:05:27,280 Speaker 1: don't use any technology. After the decision was given to Canelo. 71 00:05:27,440 --> 00:05:30,080 Speaker 1: And again, I'm no boxing expert. I don't care if 72 00:05:30,120 --> 00:05:33,880 Speaker 1: your boxing expert. If you're watching that fight live, there's 73 00:05:33,960 --> 00:05:38,760 Speaker 1: no way you can give that an accurate scoring. It's 74 00:05:38,800 --> 00:05:41,080 Speaker 1: just impossible to do. I don't care how fucking trains 75 00:05:41,120 --> 00:05:44,200 Speaker 1: you are, Teddy Atlas, there's just no way you can 76 00:05:44,279 --> 00:05:47,880 Speaker 1: do it. Right after they do the boxing, right after 77 00:05:47,920 --> 00:05:51,120 Speaker 1: we get the live decision on pay per view, all 78 00:05:51,160 --> 00:05:55,280 Speaker 1: these stats pop up, stats that the judges who are 79 00:05:55,360 --> 00:05:57,960 Speaker 1: who are deciding who won or who lost do not 80 00:05:58,040 --> 00:06:02,880 Speaker 1: get to use so all that pebox fight stats, punch percentage, 81 00:06:02,960 --> 00:06:05,520 Speaker 1: they don't use that. They're just going off the human eye. 82 00:06:06,720 --> 00:06:10,640 Speaker 1: Why it makes no fucking sense to me. Yeah, I 83 00:06:10,680 --> 00:06:13,320 Speaker 1: saw it as a draw. I saw it as it 84 00:06:13,400 --> 00:06:17,159 Speaker 1: was even. There's no there was no definitive winner. It 85 00:06:17,320 --> 00:06:20,919 Speaker 1: was even. It was a draw. Uh. I wish it 86 00:06:21,000 --> 00:06:23,360 Speaker 1: could have been more action, cats going out a little more. 87 00:06:23,400 --> 00:06:25,599 Speaker 1: It was just round to round. But it was a draw. 88 00:06:25,640 --> 00:06:27,320 Speaker 1: You couldn't say, yo, he won or he won. It 89 00:06:27,360 --> 00:06:31,479 Speaker 1: was just a draw. Period. That's it. But it was 90 00:06:31,520 --> 00:06:33,720 Speaker 1: a great fight. Shoutout to Victor Cruz. We're gonna get 91 00:06:33,760 --> 00:06:35,719 Speaker 1: to the New York Giants shortly because they are in 92 00:06:35,800 --> 00:06:40,480 Speaker 1: deep shit again. What isn't a draw is the Eminem verse, 93 00:06:40,560 --> 00:06:44,960 Speaker 1: the world rap beef. Eminem came out with kill Shot 94 00:06:45,080 --> 00:06:48,479 Speaker 1: last Friday, which is now the highest downloaded song in 95 00:06:48,520 --> 00:06:52,400 Speaker 1: the history of or highest listen to song in the 96 00:06:52,440 --> 00:06:56,159 Speaker 1: history of YouTube. Um. He came back with more fire, 97 00:06:56,920 --> 00:07:01,640 Speaker 1: more heat aimed at this kid sen Gun Kelly, who 98 00:07:01,680 --> 00:07:04,839 Speaker 1: I did give props to just for trying to box 99 00:07:04,920 --> 00:07:08,400 Speaker 1: with God. U God referring to Eminem as one of 100 00:07:08,440 --> 00:07:11,560 Speaker 1: the great rappers of all time. Um, he did some 101 00:07:11,720 --> 00:07:17,320 Speaker 1: highly technical, crazy, highly skilled, boombastic crazy shit. I believe 102 00:07:17,360 --> 00:07:22,320 Speaker 1: he took the Machine Gun Kelly song, played it backwards 103 00:07:22,520 --> 00:07:26,520 Speaker 1: and just flip the whole thing on its head. Uh 104 00:07:26,600 --> 00:07:28,960 Speaker 1: it's over. Um, I don't think we're gonna be hearing 105 00:07:29,000 --> 00:07:33,800 Speaker 1: more from Machine Gun Kelly and the former rap. It's been. Uh, 106 00:07:33,960 --> 00:07:36,160 Speaker 1: it's been. It came out that eat Machine Gun Kelly 107 00:07:36,200 --> 00:07:38,800 Speaker 1: didn't even write his this song towards Eminem. How then 108 00:07:38,840 --> 00:07:40,360 Speaker 1: are you gonna do with this song? And you didn't 109 00:07:40,360 --> 00:07:44,400 Speaker 1: even write the thing by yourself? Come on, man, oh man, damn. 110 00:07:45,000 --> 00:07:47,200 Speaker 1: But that's what that's what this climate is out here. 111 00:07:47,480 --> 00:07:50,160 Speaker 1: They're not you know, these these kids, they don't write right. 112 00:07:50,160 --> 00:07:51,920 Speaker 1: And it's not a big it's not a big deal. 113 00:07:52,360 --> 00:07:54,160 Speaker 1: But when we was coming up, everybody, you know, you 114 00:07:54,160 --> 00:07:56,880 Speaker 1: thought everybody wrote that that was the thing. So they 115 00:07:56,880 --> 00:07:59,080 Speaker 1: don't care about that. Anybody could write it and they 116 00:07:59,080 --> 00:08:02,840 Speaker 1: will say, yeah, I did it. And the fact that uh, 117 00:08:02,880 --> 00:08:05,720 Speaker 1: people are still talking about Eminem really makes me think 118 00:08:05,760 --> 00:08:09,720 Speaker 1: that they must have forgot, don't care, or never knew 119 00:08:10,040 --> 00:08:13,720 Speaker 1: that this is a white battle rapper who came up 120 00:08:13,760 --> 00:08:16,880 Speaker 1: in the nineties. Do you understand that if you're a 121 00:08:16,920 --> 00:08:20,720 Speaker 1: battle rapper, let alone a white battle rapper from Detroit 122 00:08:21,640 --> 00:08:25,000 Speaker 1: in the nineties, like you, you, you have to have 123 00:08:25,280 --> 00:08:29,680 Speaker 1: a vicious skill set and a vicious tongue. He made 124 00:08:29,800 --> 00:08:33,440 Speaker 1: his fucking bones talking shit about motherfucker's That's how that 125 00:08:33,520 --> 00:08:37,079 Speaker 1: whole slim shady. He was talking about people that didn't 126 00:08:37,440 --> 00:08:40,880 Speaker 1: that didn't even deserve it. Yeah. Yeah, there was no 127 00:08:41,280 --> 00:08:45,480 Speaker 1: diversity initiatives. He came in on his own merit and talent. 128 00:08:45,920 --> 00:08:48,160 Speaker 1: There's no oh, because there's not a lot of white 129 00:08:48,240 --> 00:08:50,480 Speaker 1: rappers we need. We just need to have one. No, 130 00:08:50,920 --> 00:08:54,720 Speaker 1: this guy came in saying, Yo, I'm nice, I got talent. 131 00:08:55,440 --> 00:08:58,520 Speaker 1: Check it out. So, like you said, he made his 132 00:08:58,640 --> 00:09:03,400 Speaker 1: bones with his talent. And that's what's dope about eminem. 133 00:09:03,440 --> 00:09:07,040 Speaker 1: You can't really dispute that this dude has a respect 134 00:09:07,080 --> 00:09:10,959 Speaker 1: for hip hop, a healthy respect for it, and he's like, uh, 135 00:09:10,960 --> 00:09:14,240 Speaker 1: he's knowledgeable about it. So it's not a game. So 136 00:09:14,280 --> 00:09:16,800 Speaker 1: when these little kids come at him, are you You're 137 00:09:16,840 --> 00:09:19,760 Speaker 1: supposed to spit at him and then that's it. Let 138 00:09:19,880 --> 00:09:22,160 Speaker 1: let him let him do that thing. But let him know, Yo, 139 00:09:22,600 --> 00:09:24,959 Speaker 1: you can't funk with me on this man, come on this. 140 00:09:26,559 --> 00:09:29,680 Speaker 1: I watched this interview with him in sway he said, 141 00:09:29,679 --> 00:09:33,160 Speaker 1: he writes every day like this guy. Like yo, he's 142 00:09:33,160 --> 00:09:36,240 Speaker 1: a he's a natural born writer. He writes every day, 143 00:09:36,360 --> 00:09:40,040 Speaker 1: whether it's in rhymes, fucking stories, or whatever. Like Yo. 144 00:09:40,200 --> 00:09:42,520 Speaker 1: There's a lot of great mcs that don't write every 145 00:09:42,559 --> 00:09:45,040 Speaker 1: day like he's about this ship. He has a thorough 146 00:09:45,160 --> 00:09:48,720 Speaker 1: respect and understanding of the craft and history of all 147 00:09:48,800 --> 00:09:53,760 Speaker 1: things hip hop. You think some little ship talking nobody, nothing, 148 00:09:54,320 --> 00:09:57,320 Speaker 1: no skill set, motherfucker's gonna take down one of the 149 00:09:57,320 --> 00:10:00,840 Speaker 1: greatest of all time. Yeah, And what's the irony of 150 00:10:00,880 --> 00:10:04,360 Speaker 1: this is you? These these machine gun Kelly and on 151 00:10:04,480 --> 00:10:07,280 Speaker 1: these other white dudes. The only reason why you rhyme 152 00:10:07,400 --> 00:10:11,679 Speaker 1: is because of Eminem. That's it. That's the only reason 153 00:10:11,679 --> 00:10:15,959 Speaker 1: why you you you in this game period. He's the 154 00:10:16,120 --> 00:10:23,320 Speaker 1: jack Robinson, He's the Jackie Robinson of rappings white. This 155 00:10:23,360 --> 00:10:26,080 Speaker 1: little chick Iggy Azalea. Let me tell you something, Let 156 00:10:26,120 --> 00:10:30,640 Speaker 1: me tell you something, booboo. Don't speak on music, don't 157 00:10:30,679 --> 00:10:35,440 Speaker 1: speak on art, don't speak on philosophy. Uh, and don't 158 00:10:35,440 --> 00:10:38,920 Speaker 1: speak on music, specifically hip hop. She she was upset 159 00:10:38,960 --> 00:10:43,440 Speaker 1: that Eminem name dropped her He basically compared Machine Gun 160 00:10:43,520 --> 00:10:48,640 Speaker 1: Kelly to Iggy Azalea. Iggy Azalea, you are a white 161 00:10:48,720 --> 00:10:54,640 Speaker 1: chick with a fat ass that's not even real and 162 00:10:54,640 --> 00:10:57,280 Speaker 1: and a fake Southern black accent. Yeah, you have a 163 00:10:57,280 --> 00:11:01,120 Speaker 1: fake Southern Black accent and you're from mo Utilia. You 164 00:11:01,200 --> 00:11:04,920 Speaker 1: have barely any talent. Be happy that you made it 165 00:11:05,000 --> 00:11:08,280 Speaker 1: this far, sweetheart. If Eminem name drops you, you should 166 00:11:08,320 --> 00:11:10,480 Speaker 1: be doing fucking jumping Jackson. You should put on a 167 00:11:10,559 --> 00:11:16,839 Speaker 1: Dallas Cowboys cheerleader out fit and thank him. Thanks, slip shape, 168 00:11:17,000 --> 00:11:19,840 Speaker 1: don't complain about it. You don't even write your own 169 00:11:19,880 --> 00:11:22,679 Speaker 1: fucking songs, and you're talking about what he should do, 170 00:11:22,840 --> 00:11:26,680 Speaker 1: what he shouldn't do. Yeah, exactly. You don't even write. 171 00:11:27,080 --> 00:11:30,360 Speaker 1: You're you're you're basically a puppet. You don't write your words. 172 00:11:30,640 --> 00:11:33,360 Speaker 1: Somebody else writes him. It tells you the cadence and 173 00:11:33,440 --> 00:11:37,000 Speaker 1: how to say it. What the funk are you there for? 174 00:11:39,880 --> 00:11:42,679 Speaker 1: You said you watched the fight at the Victor Cruz 175 00:11:43,040 --> 00:11:47,200 Speaker 1: Hennessey party. Yeah, Victor Cruse, former New York Giant who 176 00:11:47,280 --> 00:11:51,120 Speaker 1: is now a broadcaster and analyst. The New York Giants 177 00:11:51,120 --> 00:11:54,439 Speaker 1: are in deep shit. They are owing to of course, 178 00:11:54,480 --> 00:11:58,040 Speaker 1: they have the million dollar man with sixty five guaranteed 179 00:11:58,080 --> 00:12:01,880 Speaker 1: Odell Beckham. They have second pick in the draft. He 180 00:12:01,960 --> 00:12:04,480 Speaker 1: second pick in the first round. Uh from the beginning 181 00:12:04,520 --> 00:12:07,040 Speaker 1: on Bronx Kwon Barkley. They have Evan Ingram, who's a 182 00:12:07,160 --> 00:12:10,280 Speaker 1: beast tight end. They have Sterling Shepard and a lot 183 00:12:10,559 --> 00:12:15,880 Speaker 1: of formidable offensive skill position talent. Yet they are oh into. 184 00:12:16,080 --> 00:12:20,959 Speaker 1: Their offensive line stinks. Ben McAdoo, the fucking whacka do 185 00:12:21,120 --> 00:12:23,520 Speaker 1: he bench the Eli. Last year I was on the 186 00:12:23,520 --> 00:12:26,800 Speaker 1: front line saying fuck you, Ben McAdoo. Eli Manning cried, 187 00:12:30,040 --> 00:12:33,080 Speaker 1: things are not getting any better. Freeli Manning and the 188 00:12:33,120 --> 00:12:36,040 Speaker 1: New York Giants now that are oh into. And I 189 00:12:36,080 --> 00:12:39,960 Speaker 1: am suggesting right now, based on the information that I know, 190 00:12:40,280 --> 00:12:43,800 Speaker 1: Colin Kaepernick is in shape, working out every day and 191 00:12:44,040 --> 00:12:47,560 Speaker 1: in New York, I demand that the New York Giants 192 00:12:48,520 --> 00:12:54,120 Speaker 1: give him a tryout for quarterback because because Mr Moody, 193 00:12:54,360 --> 00:12:57,040 Speaker 1: there will be no passing. I don't care if you 194 00:12:57,120 --> 00:13:02,559 Speaker 1: can Fran Tarkington, Joe Montana, I'm Brady, Joe, Willie Nameeth, 195 00:13:05,080 --> 00:13:07,120 Speaker 1: I don't care who the funk you put behind there. 196 00:13:08,200 --> 00:13:12,280 Speaker 1: Nobody can pass the ball with that short of a 197 00:13:12,360 --> 00:13:16,480 Speaker 1: period and no protection. So I say get Kaepernick out 198 00:13:16,480 --> 00:13:18,040 Speaker 1: there for at least some of the places. I'm not 199 00:13:18,080 --> 00:13:20,680 Speaker 1: saying bench Eli Manning. I don't want this fucking guy 200 00:13:20,960 --> 00:13:23,280 Speaker 1: to break down and cry like he did last year. 201 00:13:23,600 --> 00:13:26,960 Speaker 1: Get Kaepernick out there for some of the offensive plays 202 00:13:27,000 --> 00:13:30,320 Speaker 1: so he could run for his fucking life. Because no 203 00:13:30,559 --> 00:13:33,840 Speaker 1: quarterback who cannot run and I'm saying not even Kaepernick 204 00:13:33,920 --> 00:13:36,200 Speaker 1: or Michael Vicken his prime, are gonna be able to 205 00:13:36,200 --> 00:13:39,200 Speaker 1: do much. But at least if a quarterback can take off, 206 00:13:39,480 --> 00:13:42,480 Speaker 1: and that the the option and the threat of him 207 00:13:42,480 --> 00:13:45,880 Speaker 1: being able to take off, we can hopefully use some 208 00:13:45,960 --> 00:13:49,240 Speaker 1: of the offensive skill position weapons that I just mentioned. 209 00:13:49,800 --> 00:13:51,880 Speaker 1: I think that the Five Boroughs, and I know New 210 00:13:51,960 --> 00:13:54,280 Speaker 1: York Giants fans are not just the five boroughs of 211 00:13:54,320 --> 00:13:57,720 Speaker 1: New York City. They're in Jersey, They're in Connecticut in 212 00:13:57,720 --> 00:14:00,640 Speaker 1: the Tri state area. But I think the five boroughs 213 00:14:00,679 --> 00:14:03,240 Speaker 1: of New York City will embrace and be excited about 214 00:14:03,280 --> 00:14:06,840 Speaker 1: Colin Kaeprick because we are going into Week three playing 215 00:14:06,880 --> 00:14:10,600 Speaker 1: the Houston Texans with my guy Tyron Matthew, friend of 216 00:14:10,600 --> 00:14:15,040 Speaker 1: the Iron Rap Coors Stereo podcast, The Honey Badger, Jadeveon Clowney, 217 00:14:15,040 --> 00:14:18,880 Speaker 1: and j J fucking Watt. They're going to be coming 218 00:14:18,960 --> 00:14:25,480 Speaker 1: after Eli Manning with reckless, abandoned oh and three, another 219 00:14:25,560 --> 00:14:30,480 Speaker 1: head coach will be o in three another season. Man, 220 00:14:30,880 --> 00:14:34,400 Speaker 1: they gave Odell all that money and you didn't address 221 00:14:34,560 --> 00:14:38,640 Speaker 1: the offensive line, and that's where things start. So now, 222 00:14:39,360 --> 00:14:41,120 Speaker 1: oh and three, and when once you go with three, 223 00:14:41,160 --> 00:14:43,920 Speaker 1: it's a rat. You ain't good enough to go to 224 00:14:44,240 --> 00:14:47,200 Speaker 1: win all the games. You can't even win fucking three games. 225 00:14:47,360 --> 00:14:51,120 Speaker 1: It's over, y'all. After this game, it's over now. And 226 00:14:51,200 --> 00:14:55,680 Speaker 1: now I am saying, bring Kaepernick in as a second 227 00:14:56,120 --> 00:14:59,560 Speaker 1: third string quarterback. At least give him a shot, because, 228 00:14:59,640 --> 00:15:02,080 Speaker 1: like I said, I don't care who you put back there. 229 00:15:03,920 --> 00:15:09,120 Speaker 1: Fucking Peyton Manning, what the fun was his name, Archie Manning, 230 00:15:09,960 --> 00:15:14,120 Speaker 1: any of the Manning brothers, their cousins and sisters, Randall Cunningham, 231 00:15:14,160 --> 00:15:19,280 Speaker 1: I don't give a funk. Terry Bradshaw, Kenny the snake stabler, 232 00:15:19,360 --> 00:15:24,280 Speaker 1: nobody can escape when there's absolutely no resistance from the 233 00:15:24,320 --> 00:15:28,520 Speaker 1: offensive line. Bringing fucking Colin Kaepernick for a workout, see 234 00:15:28,520 --> 00:15:32,480 Speaker 1: what he's got. It'll bring some excitement. It'll bring some 235 00:15:32,600 --> 00:15:34,880 Speaker 1: much needed energy to the New York Giants, because I 236 00:15:34,920 --> 00:15:39,800 Speaker 1: am frightened for the health of Eli Manning. He looks skinny. 237 00:15:40,080 --> 00:15:42,080 Speaker 1: I think he lost weight during the off season to 238 00:15:42,120 --> 00:15:45,000 Speaker 1: preserve his back and his knees. He looks frail, and 239 00:15:45,080 --> 00:15:48,440 Speaker 1: as always, whether he's winning or losing, he looks confused. 240 00:15:49,920 --> 00:15:51,560 Speaker 1: Did you see that shot at him on the back 241 00:15:51,560 --> 00:15:55,160 Speaker 1: page of the New York Daily News the other day? Yeah? Yeah, 242 00:15:55,560 --> 00:16:01,000 Speaker 1: that that's Eli man Eli always has that stick look 243 00:16:01,160 --> 00:16:04,640 Speaker 1: on his face, whether whether he's throwing the game winning 244 00:16:04,720 --> 00:16:07,080 Speaker 1: touchdown in the Super Bowl or just what you saw 245 00:16:07,080 --> 00:16:10,720 Speaker 1: on the back of uh the press. But hey, I say, yo, 246 00:16:11,000 --> 00:16:14,200 Speaker 1: bring kaepern again. Man Hey, you never know, Well, what 247 00:16:14,240 --> 00:16:19,920 Speaker 1: could happen the fans. Ain't no fans showing up though. Um, 248 00:16:19,960 --> 00:16:23,280 Speaker 1: that's real life football. In fantasy football, I beat the 249 00:16:23,400 --> 00:16:27,080 Speaker 1: dog ship Joe Button. He's one of the people that 250 00:16:27,160 --> 00:16:30,560 Speaker 1: also Eminem named again in his kill shot song. He said, 251 00:16:30,640 --> 00:16:34,640 Speaker 1: Joe Button, you can get it also. I played Joe 252 00:16:34,680 --> 00:16:37,800 Speaker 1: Button and he got it also from me, White Mike, 253 00:16:38,520 --> 00:16:41,400 Speaker 1: you don't need to worry about Slim Shady, don't worry 254 00:16:41,400 --> 00:16:43,960 Speaker 1: about Eminem, worry about me, Joe Button. I beat his 255 00:16:44,120 --> 00:16:49,120 Speaker 1: ass my kicker Greg with the third leg. Zerlin got 256 00:16:49,160 --> 00:16:52,280 Speaker 1: injured and this isn't just some ordinary kicker, He's double 257 00:16:52,360 --> 00:16:56,920 Speaker 1: digit machine. So friends of the Iron Rapports Stereo Podkats, 258 00:16:57,000 --> 00:17:00,480 Speaker 1: Premium subscribers of the Iron Rapports Stereo Podcats feel free 259 00:17:00,560 --> 00:17:04,840 Speaker 1: to tweet and instagram Joe Button antagonize him and say, 260 00:17:04,920 --> 00:17:09,040 Speaker 1: Joe Button, how did your game go against Michael rapport 261 00:17:09,040 --> 00:17:10,840 Speaker 1: a k the gren ol Man Diggle. We're just checking 262 00:17:10,840 --> 00:17:14,120 Speaker 1: in to see how that went. Please, Because he will 263 00:17:14,160 --> 00:17:16,359 Speaker 1: not respond to my tweets and he will not respond 264 00:17:16,400 --> 00:17:19,280 Speaker 1: to my personal text, so we have to smoke him out. 265 00:17:19,320 --> 00:17:24,240 Speaker 1: To quote George Bush. Please, I believe his social media 266 00:17:24,320 --> 00:17:27,639 Speaker 1: is old. Joe Button smoked him out. I will not 267 00:17:27,760 --> 00:17:30,399 Speaker 1: be ignored. You can't put baby in the corner. Also 268 00:17:30,480 --> 00:17:33,760 Speaker 1: in Stern Show Fantasy Football, I beat the fucking dogshit 269 00:17:34,440 --> 00:17:40,240 Speaker 1: out of Jason Kaplan, the unfriendly dirty elephant. I beat 270 00:17:40,320 --> 00:17:44,159 Speaker 1: him so good gee that in Layman's terms, if we 271 00:17:44,160 --> 00:17:48,320 Speaker 1: were running track, I got so far ahead of him. 272 00:17:48,320 --> 00:17:52,200 Speaker 1: I came up from behind him, banged him in the dumper, 273 00:17:54,359 --> 00:17:58,280 Speaker 1: fucked him in the ass, and kept running. I laughed, 274 00:17:58,400 --> 00:18:00,800 Speaker 1: fuck them. I beat him by almost the hundred points. 275 00:18:00,800 --> 00:18:05,080 Speaker 1: I laughed, fucked Jason Kaplan. In Stern Show fantasy football. 276 00:18:05,359 --> 00:18:12,360 Speaker 1: It was gorgeous. That's what's up. UM, Monday Night Football 277 00:18:14,480 --> 00:18:16,520 Speaker 1: needs to be fixed. A S A P. I watched 278 00:18:16,520 --> 00:18:19,680 Speaker 1: the Seattle Seahawks play the Chicago Bears the other day. 279 00:18:20,119 --> 00:18:22,760 Speaker 1: Did you see this game? Mr Moody? Yeah, I saw 280 00:18:22,800 --> 00:18:25,120 Speaker 1: it up to halftime. Then I had to scurry away, 281 00:18:25,240 --> 00:18:28,040 Speaker 1: had to do something, so I missed the highlights. I 282 00:18:28,080 --> 00:18:30,720 Speaker 1: was looking forward to seeing the highlights because I love 283 00:18:30,760 --> 00:18:33,119 Speaker 1: those things, like oh no, no, no, there's there's there's. 284 00:18:33,160 --> 00:18:37,080 Speaker 1: There's no highlights anymore in Monday Night football. UM. The 285 00:18:37,160 --> 00:18:41,600 Speaker 1: golden era of Howard co Sell reading the highlights or 286 00:18:41,720 --> 00:18:46,240 Speaker 1: doing the highlight narrating the highlights off the cuff totally improved. 287 00:18:46,640 --> 00:18:51,800 Speaker 1: They're done. Those were some great days of football, Howard 288 00:18:51,880 --> 00:18:57,720 Speaker 1: co Sell's unique voice going freestyle, breaking down the highlights 289 00:18:57,720 --> 00:18:59,919 Speaker 1: of the week. Chris Berman used to do the same thing. 290 00:19:00,080 --> 00:19:03,359 Speaker 1: Believe on Sunday night. That doesn't happen anymore. I turned 291 00:19:03,359 --> 00:19:06,480 Speaker 1: on the game, I was flipping back and forth between 292 00:19:06,520 --> 00:19:08,439 Speaker 1: the game and the Emmys, which I'll get to after this, 293 00:19:08,480 --> 00:19:11,960 Speaker 1: which we're embarrassing. I'm a sad person. I have Screen 294 00:19:12,000 --> 00:19:15,960 Speaker 1: Actors Guild Health Insurance. UM, Monday Night Football does not 295 00:19:16,040 --> 00:19:19,680 Speaker 1: show highlights at halftime. They had some band I don't 296 00:19:19,680 --> 00:19:23,600 Speaker 1: know who the funk they were. They showed a video. Now, 297 00:19:23,640 --> 00:19:27,400 Speaker 1: this is not NTV the grind, this is not b ET, 298 00:19:28,000 --> 00:19:31,080 Speaker 1: it's not YouTube. When I am watching Monday Night Football, 299 00:19:31,119 --> 00:19:34,280 Speaker 1: I am near to see football and all football only. 300 00:19:35,640 --> 00:19:40,720 Speaker 1: I don't want to watch some goofballs at halftime performing 301 00:19:40,760 --> 00:19:42,800 Speaker 1: outside in the parking lot. I don't care who the 302 00:19:42,840 --> 00:19:47,000 Speaker 1: funk they are. No disrespected the band that performed. I 303 00:19:47,000 --> 00:19:49,640 Speaker 1: don't care who you are. I am there. You see 304 00:19:49,680 --> 00:19:51,480 Speaker 1: the fucking highlights. And if you're not gonna show the 305 00:19:51,560 --> 00:19:54,720 Speaker 1: highlights from two thousand and eighteen, maybe they think, well, 306 00:19:54,760 --> 00:19:57,240 Speaker 1: people have already seen so many highlights. It's not the eighties. 307 00:19:57,680 --> 00:19:59,480 Speaker 1: People have watched it so much on their phone, and 308 00:19:59,520 --> 00:20:03,119 Speaker 1: so then replay Howard Cosell highlights from the eighties. Do 309 00:20:03,280 --> 00:20:07,320 Speaker 1: that that would be more exciting than watching some fucking 310 00:20:07,520 --> 00:20:12,639 Speaker 1: bands perform at halftime during Monday Night football. Oh damn. 311 00:20:12,680 --> 00:20:17,680 Speaker 1: So Monday Night Football had a halftime show. And when 312 00:20:17,680 --> 00:20:19,879 Speaker 1: you say show, I hope you did it in air quotes? 313 00:20:19,960 --> 00:20:22,600 Speaker 1: Did you did you do aircast? So they replaced the 314 00:20:22,680 --> 00:20:28,600 Speaker 1: highlights with some obscure band. The word obscure should be capitalized. 315 00:20:29,320 --> 00:20:32,320 Speaker 1: This is terrible, this is I'm glad I fucking missed it. 316 00:20:32,480 --> 00:20:34,960 Speaker 1: I'm glad I went to the store. This is stupid. 317 00:20:35,280 --> 00:20:38,320 Speaker 1: What happened to the fucking highlights? And why have the 318 00:20:38,440 --> 00:20:43,040 Speaker 1: highlights been replaced? And who green lit this bullshit? What 319 00:20:43,160 --> 00:20:45,560 Speaker 1: the fund is happening? What was wrong with the highlights? 320 00:20:47,680 --> 00:20:50,200 Speaker 1: I'm a fan. I want to be informed. Maybe I 321 00:20:50,240 --> 00:20:52,679 Speaker 1: didn't watch it on my phone. Damn shouldn't want to 322 00:20:52,680 --> 00:20:56,400 Speaker 1: see this motherfucker who is he? Or show some highlights 323 00:20:56,480 --> 00:20:58,840 Speaker 1: with some sound. Everybody loves it when they have the 324 00:20:58,880 --> 00:21:01,320 Speaker 1: players miked up. Take the best of the micd up 325 00:21:01,400 --> 00:21:03,960 Speaker 1: stuff from Sunday night and do that during the Monday 326 00:21:04,040 --> 00:21:06,679 Speaker 1: night highlights. Figure it out, guys. No one wants to 327 00:21:06,680 --> 00:21:11,480 Speaker 1: see a fucking band up there during Monday night football. 328 00:21:11,520 --> 00:21:15,159 Speaker 1: There's plenty of other options. Yeah, especially it's one that 329 00:21:15,240 --> 00:21:22,400 Speaker 1: nobody fucking knows, the funk man. As I mentioned, Monday night. 330 00:21:22,600 --> 00:21:25,880 Speaker 1: They also uh put on the Oscar the Emmys, which 331 00:21:25,960 --> 00:21:29,960 Speaker 1: usually come on Sunday night. The Emmy's Uh. This year's 332 00:21:29,960 --> 00:21:35,960 Speaker 1: Emmy's two thousand eighteen Emmy's was the lowest rated Emmy 333 00:21:36,080 --> 00:21:41,920 Speaker 1: television broadcast ever and listen. This is my business, Okay. 334 00:21:41,920 --> 00:21:44,240 Speaker 1: I want my business to thrive. Whether I like the show, 335 00:21:44,280 --> 00:21:49,119 Speaker 1: don't like the show, whether I'm in it not in it. 336 00:21:49,320 --> 00:21:53,040 Speaker 1: I want everybody to succeed. This is my business. I 337 00:21:53,040 --> 00:21:56,119 Speaker 1: don't want to shoot on anybody in terms of seeing 338 00:21:56,160 --> 00:21:58,640 Speaker 1: them not do well. I want the Emmys to do good. 339 00:21:58,640 --> 00:22:01,680 Speaker 1: But I can tell you why the Emmys did not 340 00:22:02,160 --> 00:22:07,600 Speaker 1: do good. They are stuffing diversity down our fucking throat 341 00:22:07,960 --> 00:22:10,800 Speaker 1: every two seconds. And this has nothing to do with 342 00:22:10,960 --> 00:22:15,400 Speaker 1: snow flakes, Democrats, Republicans, This has nothing to do with that. 343 00:22:16,160 --> 00:22:21,520 Speaker 1: This has nothing to do with uh, conservatives, liberals, Joe Schmo, 344 00:22:21,720 --> 00:22:25,160 Speaker 1: regular person, no matter what your political beliefs are, they 345 00:22:25,440 --> 00:22:31,280 Speaker 1: don't give a fuck. Every single joke was about diversity. 346 00:22:31,480 --> 00:22:35,200 Speaker 1: There was like twenty jokes made by white men insulting 347 00:22:35,400 --> 00:22:42,320 Speaker 1: themselves about being white men. Fucking bulls. It's like they're 348 00:22:42,440 --> 00:22:47,960 Speaker 1: racist against themselves. They're like internalizing racism. They just it's 349 00:22:48,040 --> 00:22:53,600 Speaker 1: it's it's wild, it's fucking it's wild to see they 350 00:22:53,600 --> 00:22:57,720 Speaker 1: feel so guilty. You got TV people who can't make 351 00:22:57,760 --> 00:23:04,960 Speaker 1: a dope TV show about TV bringing this is what 352 00:23:05,000 --> 00:23:06,760 Speaker 1: it was. And I could, I could I could just 353 00:23:06,800 --> 00:23:10,240 Speaker 1: put it in a nutshell, Mr Moody. The first award 354 00:23:10,320 --> 00:23:18,800 Speaker 1: went to Best Supporting Actor in a Show Icon the 355 00:23:18,880 --> 00:23:25,560 Speaker 1: Great Henry Winkler, who played Arthur Fonzarelli on Happy Days. 356 00:23:26,560 --> 00:23:30,720 Speaker 1: Arthur Fonzarelli The Fons wins the first award of the night. 357 00:23:32,000 --> 00:23:35,480 Speaker 1: He never won an award playing Fonzie. He was nominated, 358 00:23:35,560 --> 00:23:39,600 Speaker 1: he never won. He gets on stage and they fucking 359 00:23:39,720 --> 00:23:42,000 Speaker 1: they've brisked him off stage. He gives a quick speech 360 00:23:42,080 --> 00:23:46,680 Speaker 1: and they run him the funk off the stage. Fonzi, Fonzie. 361 00:23:46,720 --> 00:23:51,240 Speaker 1: This is why we watch television because of people like Fronzie. 362 00:23:51,560 --> 00:23:56,359 Speaker 1: They rushed the fucking Fons off stage. He's in a 363 00:23:56,400 --> 00:24:00,880 Speaker 1: great show on HBO called Barry. He finally wins his Emmy. 364 00:24:00,920 --> 00:24:03,399 Speaker 1: A guy who's one of the most beloved people in 365 00:24:03,400 --> 00:24:06,640 Speaker 1: show business, not just because he's Fonzie, because he's like 366 00:24:06,800 --> 00:24:11,720 Speaker 1: he has a reputation for being a great, nice, loving, generous, 367 00:24:11,760 --> 00:24:16,000 Speaker 1: sweet good person. They rush this fucking guy. This icon. 368 00:24:16,080 --> 00:24:21,360 Speaker 1: There's a statue of the Fons in Wisconsin. Television icon. 369 00:24:21,960 --> 00:24:26,480 Speaker 1: Fonzie was the biggest television star our. Henry Winkler was 370 00:24:26,520 --> 00:24:29,200 Speaker 1: the biggest star in the world during his runs Fonzie, 371 00:24:29,440 --> 00:24:32,640 Speaker 1: you rush him off the stage after he finally wins 372 00:24:32,880 --> 00:24:35,800 Speaker 1: and Emmy. This is why nobody gives a shit about 373 00:24:35,800 --> 00:24:40,119 Speaker 1: the show, because you're doing all these fucking bullshit. Shove 374 00:24:40,160 --> 00:24:42,320 Speaker 1: it down their throats. Okay, you can make a few 375 00:24:42,320 --> 00:24:44,960 Speaker 1: diversity jokes. I don't have a problem with diversity jokes. 376 00:24:44,960 --> 00:24:51,240 Speaker 1: But the entire broadcast is diversity jokes, gay jokes, inclusion jokes, 377 00:24:51,560 --> 00:24:55,639 Speaker 1: and white people hating white people jokes. That's it, and 378 00:24:55,720 --> 00:25:00,360 Speaker 1: you rush off Fonzie. An hour later. A director who 379 00:25:00,359 --> 00:25:04,080 Speaker 1: wins an Emmy for Best Direction of a Variety programming. 380 00:25:04,119 --> 00:25:08,080 Speaker 1: A variety programming could be anything from the Academy Awards 381 00:25:08,200 --> 00:25:12,840 Speaker 1: to a special to anything anything like that variety show. 382 00:25:13,720 --> 00:25:18,040 Speaker 1: The director of the director who won Best Emmy for 383 00:25:18,359 --> 00:25:21,800 Speaker 1: directing a variety show gets up on stage. No disrespect 384 00:25:21,800 --> 00:25:25,320 Speaker 1: to any director director is important. Nobody knows who the 385 00:25:25,320 --> 00:25:30,480 Speaker 1: funk this guy is. He's uh, has a very noticeable 386 00:25:30,800 --> 00:25:36,400 Speaker 1: and excessively receding head of hair and long black hair 387 00:25:36,480 --> 00:25:39,760 Speaker 1: down to past his shoulders. He looks like ship and 388 00:25:39,800 --> 00:25:43,240 Speaker 1: black horn rim classes. The guy looks like shit. He 389 00:25:43,359 --> 00:25:47,320 Speaker 1: gets up on stage starts punctificating about the love that 390 00:25:47,400 --> 00:25:50,080 Speaker 1: he has the love of his life, his girlfriend, who's 391 00:25:50,080 --> 00:25:53,119 Speaker 1: another nobody. And I don't mean nobody in terms of 392 00:25:53,920 --> 00:25:55,680 Speaker 1: what she used as a person or what she might 393 00:25:55,720 --> 00:25:59,040 Speaker 1: mean to this fucking nobody. And I think she works 394 00:25:59,040 --> 00:26:01,800 Speaker 1: in show business. That being said, there's not one person 395 00:26:01,840 --> 00:26:04,879 Speaker 1: in the world watching this show who knows who this 396 00:26:05,280 --> 00:26:08,639 Speaker 1: director is or his girlfriend. He starts going on about 397 00:26:08,640 --> 00:26:10,199 Speaker 1: I love her, I love her, She's the love of 398 00:26:10,200 --> 00:26:16,159 Speaker 1: my life. And then this motherfucker brings up his girlfriend 399 00:26:16,320 --> 00:26:20,960 Speaker 1: on stage, gets on his fucking knees, starts talking about 400 00:26:21,040 --> 00:26:23,879 Speaker 1: the ring that he's about to give his girlfriend and 401 00:26:23,920 --> 00:26:27,520 Speaker 1: how it belonged to her father, and and and and 402 00:26:27,680 --> 00:26:30,480 Speaker 1: how his father and his mother are watching down and 403 00:26:30,520 --> 00:26:34,840 Speaker 1: he asked this nobody while millions of people are watching 404 00:26:34,840 --> 00:26:37,480 Speaker 1: it a home board out of their fucking mind, clipping 405 00:26:37,520 --> 00:26:42,159 Speaker 1: their fucking toenails and eating pizza to marry her. This 406 00:26:42,200 --> 00:26:45,679 Speaker 1: whole thing is taking five, six, seven minutes long. And 407 00:26:45,720 --> 00:26:52,120 Speaker 1: you wonder why nobody watches the fucking Emmy's Nobody gives 408 00:26:52,119 --> 00:26:56,520 Speaker 1: a ship about your fairy tale proposal. Nobody cares. Nobody 409 00:26:56,640 --> 00:26:58,800 Speaker 1: came for that ship. We came to see the fucking 410 00:26:58,880 --> 00:27:04,639 Speaker 1: Fonds Duke. Keep the show moving. Yo. The producers, we 411 00:27:04,720 --> 00:27:07,480 Speaker 1: don't care. We we care about the awards. We care 412 00:27:07,520 --> 00:27:10,920 Speaker 1: about the shows, yo. Don't. Don't come with the diversity 413 00:27:10,960 --> 00:27:14,640 Speaker 1: initiatives and all that. That's not what the show is about. 414 00:27:15,000 --> 00:27:20,879 Speaker 1: It's celebrating the arts. It's celebrating your work. You're not 415 00:27:21,080 --> 00:27:24,680 Speaker 1: fucking Gandhi. You're not Martin Luther King. Shut the funk up, 416 00:27:25,000 --> 00:27:27,480 Speaker 1: take the award and get the funk off stage. This 417 00:27:27,560 --> 00:27:32,240 Speaker 1: ain't a telethon money, ain't Jerry Lewis. Get your award 418 00:27:32,280 --> 00:27:35,360 Speaker 1: and get the funk off stage. Man. That's it, yo, 419 00:27:35,440 --> 00:27:37,680 Speaker 1: my man, Get your fucking award and get the funk 420 00:27:37,720 --> 00:27:39,840 Speaker 1: off the stage. Dude, we don't give a funk about 421 00:27:39,840 --> 00:27:41,680 Speaker 1: none of this ship you're talking about. I don't give 422 00:27:41,680 --> 00:27:43,639 Speaker 1: a funk to how much you love this chick. I 423 00:27:43,640 --> 00:27:46,280 Speaker 1: don't give a funk that the the the the ring 424 00:27:46,600 --> 00:27:49,040 Speaker 1: that you're holding belonged to your mother. I don't give 425 00:27:49,040 --> 00:27:51,040 Speaker 1: an about any of that ship. And you know what, 426 00:27:51,359 --> 00:27:53,359 Speaker 1: the rest of the country doesn't give a funk about 427 00:27:53,359 --> 00:27:55,800 Speaker 1: it either. You had an opportunity to celebrate one of 428 00:27:55,800 --> 00:27:58,760 Speaker 1: the greatest television stars of all time. You fucking turn 429 00:27:58,840 --> 00:28:00,760 Speaker 1: the music up for him and kicked them the funk 430 00:28:00,800 --> 00:28:03,520 Speaker 1: off the stage. The Finds is now seventy two years old. 431 00:28:03,840 --> 00:28:07,760 Speaker 1: Shame on you fuck. Shame on those producers. Shame on you, 432 00:28:07,760 --> 00:28:10,200 Speaker 1: you fuck. The fines is seventy two years old. One 433 00:28:10,200 --> 00:28:13,919 Speaker 1: of the most beloved people, Henry Winkler and show business. 434 00:28:13,960 --> 00:28:16,719 Speaker 1: You rushed him off stage and you got this fucking 435 00:28:16,760 --> 00:28:20,800 Speaker 1: weirdo proposing to his weirdo girlfriend. Yeah, I think how 436 00:28:20,840 --> 00:28:25,040 Speaker 1: backwards that is. The icons get pushed aside and some 437 00:28:25,200 --> 00:28:27,800 Speaker 1: no name motherfucker would ugly ass wife. He want to 438 00:28:27,800 --> 00:28:29,879 Speaker 1: come up here and say, Yo, we're gonna do all this. 439 00:28:30,240 --> 00:28:32,280 Speaker 1: Two producers, it's your fault. He's supposed to say, no, 440 00:28:32,400 --> 00:28:34,680 Speaker 1: you're not doing that. Man. We got other people that 441 00:28:34,680 --> 00:28:37,479 Speaker 1: that getting awards. The funk you want to do now? 442 00:28:37,560 --> 00:28:39,760 Speaker 1: They turned into music a fucking wedding up up here 443 00:28:39,760 --> 00:28:43,120 Speaker 1: on stage. You know we got time restraints. Man, that's it. 444 00:28:43,680 --> 00:28:47,720 Speaker 1: I have some balls, Like you said, man ship, get 445 00:28:47,760 --> 00:28:50,040 Speaker 1: the funk off the stage. Money. They're sucking up the 446 00:28:50,080 --> 00:28:51,959 Speaker 1: show man. People are turning off the show. We got 447 00:28:52,040 --> 00:28:54,160 Speaker 1: a lot of options. People have a lot of options 448 00:28:54,200 --> 00:28:57,080 Speaker 1: with that remote control. Yeah, there's a lot of things 449 00:28:57,120 --> 00:28:59,760 Speaker 1: to watch. That time is precious. Nobody wants to see 450 00:28:59,760 --> 00:29:02,719 Speaker 1: you and your whiz up there. You know, no one 451 00:29:02,720 --> 00:29:03,840 Speaker 1: wants to see any of that. I don't do a 452 00:29:03,880 --> 00:29:06,480 Speaker 1: fuck that. That ring is sixty three years old talking 453 00:29:06,520 --> 00:29:10,360 Speaker 1: about all this ship. Yeah, you know, and motherfucker's didn't 454 00:29:10,360 --> 00:29:13,120 Speaker 1: really watching TV no more. You ain't got time for that. 455 00:29:13,280 --> 00:29:15,520 Speaker 1: People on their phones, they cut the cord. You're lucky 456 00:29:15,840 --> 00:29:22,640 Speaker 1: that people aren't even watching a chip. The icons Ernie 457 00:29:22,680 --> 00:29:25,680 Speaker 1: and Burton Burton Ernie, Yeah, Sesame Street. You know you 458 00:29:26,120 --> 00:29:29,920 Speaker 1: know the puppets, Yes, man, I've watched them children Television's workshop, 459 00:29:30,040 --> 00:29:33,600 Speaker 1: Sesame Street. Of course they were caught up in a 460 00:29:33,680 --> 00:29:41,800 Speaker 1: controversy yesterday. A former writer on The Sesame Street Show said, 461 00:29:42,160 --> 00:29:48,240 Speaker 1: this is his opinion. I always treated Burton Ernie as 462 00:29:48,280 --> 00:29:53,800 Speaker 1: if they were gay. Ah. I looked at them as 463 00:29:53,800 --> 00:29:58,920 Speaker 1: gay characters as a writer. Um Um. Social media went crazy, 464 00:30:00,280 --> 00:30:05,280 Speaker 1: l g b t Q community went fucking nuts, People 465 00:30:05,320 --> 00:30:09,960 Speaker 1: in general went nuts. I have nothing but respect, love, admiration, 466 00:30:11,120 --> 00:30:15,000 Speaker 1: and really disrespect for the LGBT community. Um grew up 467 00:30:15,000 --> 00:30:17,160 Speaker 1: in New York City. I don't think twice about none 468 00:30:17,200 --> 00:30:18,680 Speaker 1: of that. I know that it could be hard for 469 00:30:18,720 --> 00:30:21,920 Speaker 1: a lot of people, but it ain't nothing new to me, 470 00:30:21,960 --> 00:30:23,920 Speaker 1: I know, for g. Moody, we're not new to this. 471 00:30:23,960 --> 00:30:27,120 Speaker 1: With true to this, uh, straight people and gay people, 472 00:30:27,720 --> 00:30:30,680 Speaker 1: cis gender trans All sorts of people came out saying 473 00:30:30,720 --> 00:30:34,520 Speaker 1: I knew it. I knew that they were gay. I 474 00:30:34,600 --> 00:30:36,680 Speaker 1: knew that they were And then and then those people 475 00:30:37,120 --> 00:30:39,560 Speaker 1: started getting into arguments with other people who said, well, 476 00:30:39,600 --> 00:30:41,160 Speaker 1: I never looked at them as gay. I looked at 477 00:30:41,200 --> 00:30:45,240 Speaker 1: them as two straight men who were best friends. And 478 00:30:45,280 --> 00:30:48,240 Speaker 1: then Sesame Street to sort of cool things now because 479 00:30:48,760 --> 00:30:53,040 Speaker 1: Ernie and Bert, for some fucking reason, we're both separately, 480 00:30:53,240 --> 00:30:57,400 Speaker 1: not even together, Bird and Ernie, Ernie and Burt individually 481 00:30:57,680 --> 00:31:00,720 Speaker 1: were trending on Twitter at number were one. This was 482 00:31:00,760 --> 00:31:10,320 Speaker 1: the most disgusted thing the entire afternoon. Say, Sesame Street 483 00:31:10,360 --> 00:31:13,040 Speaker 1: came out and said this statement, and I don't fact check, 484 00:31:13,120 --> 00:31:15,960 Speaker 1: but I want to get this right. As always, we 485 00:31:16,040 --> 00:31:19,000 Speaker 1: have said that Burton Earnie are best friends. They were 486 00:31:19,040 --> 00:31:24,080 Speaker 1: created to teach preschoolers, not adults, you fucking freaks, preschoolers 487 00:31:24,120 --> 00:31:28,920 Speaker 1: that people can be good friends with those who are 488 00:31:29,080 --> 00:31:33,600 Speaker 1: very different from themselves, even though they are are identified 489 00:31:33,680 --> 00:31:39,160 Speaker 1: as male characters and possess many human traits and characteristics 490 00:31:39,400 --> 00:31:47,760 Speaker 1: as most Sesame Street muppets too. They remain puppets. Yea, 491 00:31:49,440 --> 00:31:56,480 Speaker 1: they remain puppets and do not have any sexual orientation. 492 00:31:56,920 --> 00:32:01,120 Speaker 1: The creators of Sesame Street Workshop had to issue this statement, 493 00:32:01,360 --> 00:32:05,720 Speaker 1: this is a sad day, September eighteen, two thou eighteen. 494 00:32:06,080 --> 00:32:10,480 Speaker 1: Then the actual person who stitched together created the voices 495 00:32:11,040 --> 00:32:16,800 Speaker 1: for Burton Arnie, the Great Frank Oz, legendary puppeteer, issued 496 00:32:16,840 --> 00:32:21,640 Speaker 1: another statement. This guy's like seventies something years old. He said, 497 00:32:21,800 --> 00:32:26,560 Speaker 1: I created Burton Earnie. I am the mastermind behind Burton Ernie, 498 00:32:26,800 --> 00:32:30,600 Speaker 1: and I too, will tell you this. They are not gay. 499 00:32:31,640 --> 00:32:37,160 Speaker 1: I issued my two cents on Instagram. Miles please play 500 00:32:37,160 --> 00:32:41,000 Speaker 1: that they got motherfucking Ernie and Burt trending on Twitter 501 00:32:41,800 --> 00:32:46,800 Speaker 1: because grown ass sick lunatics are worried about the sexual 502 00:32:46,800 --> 00:32:51,880 Speaker 1: orientation of puppets made for teaching and entertaining children. That 503 00:32:52,080 --> 00:32:54,520 Speaker 1: Ernie and Burt rests. They've been doing this ship for 504 00:32:54,560 --> 00:32:56,920 Speaker 1: a long time. They don't need to be trending on Twitter. 505 00:32:57,520 --> 00:33:00,280 Speaker 1: Why can't they just be friends, good friends? Why are 506 00:33:00,280 --> 00:33:04,280 Speaker 1: you friend shaming them now? Sesame Street had to issue 507 00:33:04,520 --> 00:33:08,640 Speaker 1: the following statement. I'm paraphrasing, but Sesame Street had to 508 00:33:08,680 --> 00:33:11,600 Speaker 1: issue a statement saying, even though Ernie and burg are 509 00:33:11,600 --> 00:33:17,000 Speaker 1: identified as male characters and possessed many human traits and characteristics, 510 00:33:17,520 --> 00:33:22,000 Speaker 1: they remain puppets. You sick fox, You you got that? 511 00:33:22,000 --> 00:33:26,600 Speaker 1: That means that Ernie and burd are in hantero sexual, homosexual, bisexual, 512 00:33:26,760 --> 00:33:31,680 Speaker 1: pan sexual, cis gender, bi, curious, polysexual, or any of 513 00:33:31,720 --> 00:33:36,080 Speaker 1: that ship the fucking puppets. It ain't that serious and 514 00:33:36,160 --> 00:33:40,240 Speaker 1: low and behold moody. They came for me. Oh I 515 00:33:40,320 --> 00:33:44,120 Speaker 1: was under attack, so Sesame Street was under attack after 516 00:33:44,160 --> 00:33:47,520 Speaker 1: they issued their statement. How dare you? How dare you 517 00:33:47,560 --> 00:33:51,120 Speaker 1: say that these puppets are not gay? That that offended them, 518 00:33:51,160 --> 00:33:57,360 Speaker 1: that they weren't gay. Wow, that's offensive. Uh, I'm offended 519 00:33:57,400 --> 00:34:01,360 Speaker 1: that you, as a grown ass man woman of any 520 00:34:01,400 --> 00:34:06,160 Speaker 1: sexual orientation or given sexuality, the puppets that are there 521 00:34:07,160 --> 00:34:10,600 Speaker 1: for young people to learn and to be entertained. Why 522 00:34:10,600 --> 00:34:13,560 Speaker 1: are you sexualizing Burton Ernie Dupe facts want with you? 523 00:34:13,719 --> 00:34:26,719 Speaker 1: Miles Jordan turned on that. Willie Hutcho. Bravo Bravo for 524 00:34:27,000 --> 00:34:32,239 Speaker 1: Sesime Street, Bravo for Frank for coming out y'all? Why 525 00:34:32,360 --> 00:34:35,960 Speaker 1: are they sexualizing? Why are you looking at puppets in 526 00:34:36,000 --> 00:34:40,920 Speaker 1: that manner. Your mind is fucking filthy in garbage. Proceed 527 00:34:42,680 --> 00:34:50,520 Speaker 1: you hear that, Willie? No, you think these puppets are real? 528 00:34:50,600 --> 00:34:59,600 Speaker 1: Duke Damn real Burt, Ernie, the Count Oscar, the motherfucking 529 00:34:59,640 --> 00:35:05,800 Speaker 1: Crouch big Birthday Ship. They ain't nothing without a hand 530 00:35:06,080 --> 00:35:09,840 Speaker 1: up their ass, their puppets. You're worried about the sexual 531 00:35:09,880 --> 00:35:13,040 Speaker 1: orientation when the motherfucking puppet teer leaves them in a 532 00:35:13,160 --> 00:35:18,680 Speaker 1: closet alone. Do you think Bert and Ernie and Miss 533 00:35:18,719 --> 00:35:21,880 Speaker 1: Piggy and Kermit are sitting there going, oh, you know 534 00:35:21,920 --> 00:35:24,800 Speaker 1: why they do us like that? They have no sexual 535 00:35:25,600 --> 00:35:30,560 Speaker 1: luff kisses in the closet saying Yo, I'm hungry. Why 536 00:35:30,640 --> 00:35:33,800 Speaker 1: y'all do us like that? They're puppets. They're not fucking nothing. 537 00:35:34,840 --> 00:35:37,680 Speaker 1: You You you actually think that when Miss Piggy and 538 00:35:37,800 --> 00:35:41,560 Speaker 1: Kermit flap it all got married on the Muppets that 539 00:35:41,640 --> 00:35:44,600 Speaker 1: they were fucking You think that my man Kermit was 540 00:35:44,760 --> 00:35:47,719 Speaker 1: sugar dickens Miss Piggy. That didn't happen. Why are you 541 00:35:47,800 --> 00:35:52,359 Speaker 1: sexualizing these motherfucking puppets? You think Kermit kind of green? Did? 542 00:35:53,320 --> 00:35:57,360 Speaker 1: It didn't happen? And people are coming to me saying, 543 00:35:57,480 --> 00:36:00,280 Speaker 1: how dare you take this away from us. There's saying 544 00:36:00,280 --> 00:36:04,800 Speaker 1: this to me. They're saying to me, people need puppets 545 00:36:04,840 --> 00:36:07,719 Speaker 1: and role models to identify And I say this, dude, 546 00:36:08,200 --> 00:36:11,319 Speaker 1: you're grown ass motherfucker with a Twitter account. If you 547 00:36:11,440 --> 00:36:14,680 Speaker 1: need a puppet to identify with, you got more problems 548 00:36:14,719 --> 00:36:17,239 Speaker 1: than the gren old Man thing. Don't don't come from 549 00:36:17,239 --> 00:36:20,799 Speaker 1: me because I'm not. I'm not backing away. Them's puppets, Dude, 550 00:36:20,920 --> 00:36:24,680 Speaker 1: what the fund are you talking? He's talking about puppets. 551 00:36:24,800 --> 00:36:30,000 Speaker 1: He's sick. They're sick puppets. To quote the Great Alan 552 00:36:30,040 --> 00:36:38,360 Speaker 1: iverson puppets, we're talking about puppets. Puppet. I'm the franchise 553 00:36:38,400 --> 00:36:42,200 Speaker 1: player and we're up here talking about puppets. Puppets. Damn 554 00:36:43,560 --> 00:36:48,320 Speaker 1: cut the Willie off. They think the Muppets had sexual organs, 555 00:36:49,040 --> 00:36:52,200 Speaker 1: that is that? Just just think of that. They think 556 00:36:52,239 --> 00:36:55,480 Speaker 1: that Almo is skating. Yeah, they think Elmo has the 557 00:36:55,520 --> 00:37:01,839 Speaker 1: ability to ski. They think Elmo is real amazing. They 558 00:37:01,840 --> 00:37:05,720 Speaker 1: shouldn't be regarded And they're actually offended. They're saying, uh, 559 00:37:05,719 --> 00:37:08,560 Speaker 1: why why can't they? You know, you know, people of 560 00:37:08,600 --> 00:37:12,040 Speaker 1: all shapes, colors and sexualities need things to identify with. 561 00:37:12,200 --> 00:37:16,480 Speaker 1: Then I say, then make cis gender, transgender, any kind 562 00:37:16,480 --> 00:37:19,840 Speaker 1: of gender puppets you want. My man Frank Oz and 563 00:37:19,920 --> 00:37:24,040 Speaker 1: Sesame Street. They just said that these particular puppets are 564 00:37:24,040 --> 00:37:26,560 Speaker 1: not gay. I don't have a problem with the puppets. 565 00:37:26,600 --> 00:37:30,279 Speaker 1: If they said they were gays, then, but they said 566 00:37:30,320 --> 00:37:34,200 Speaker 1: the creator of the motherfucking puppet didn't have that. He said, then, 567 00:37:34,600 --> 00:37:38,719 Speaker 1: and you know what, Unfortunately, you sick fox. The puppets 568 00:37:38,760 --> 00:37:42,840 Speaker 1: don't have minds of their own. Fank oys created the puppets. 569 00:37:42,880 --> 00:37:45,759 Speaker 1: So if the person who created Harry Potter said I 570 00:37:45,800 --> 00:37:48,560 Speaker 1: created the character, and the character and gay, then you 571 00:37:48,680 --> 00:37:51,839 Speaker 1: can't be mad at the person who created Harry Potter. Duke. 572 00:37:52,160 --> 00:37:56,359 Speaker 1: If my man George Lucas says that CP three oh 573 00:37:56,400 --> 00:37:59,160 Speaker 1: ain't gay, you're gonna be mad at George Lucas. What 574 00:37:59,239 --> 00:38:01,560 Speaker 1: are you gonna boycot Star Wars? Fun you want to 575 00:38:01,560 --> 00:38:07,319 Speaker 1: do it? Make your own gay puppets. If the creator says, yo, 576 00:38:07,360 --> 00:38:08,840 Speaker 1: I didn't have that, but I didn't have that in 577 00:38:08,880 --> 00:38:11,400 Speaker 1: mind when I was creating his ship, then that's what 578 00:38:11,480 --> 00:38:13,799 Speaker 1: it is. He didn't say, yo, I don't funk with that. 579 00:38:14,160 --> 00:38:16,640 Speaker 1: He said, yo, nah, they have no sexual orientation. He's 580 00:38:16,640 --> 00:38:20,280 Speaker 1: it for kids. This is a grown up getting mad 581 00:38:20,560 --> 00:38:24,920 Speaker 1: that they're not gay. That guy needs help. It's not 582 00:38:25,000 --> 00:38:34,239 Speaker 1: anybody else he needs help. He's sick. Podcast. Finally, I 583 00:38:34,280 --> 00:38:37,040 Speaker 1: know where your head is gonna be at this. Uh listen, 584 00:38:38,239 --> 00:38:41,000 Speaker 1: I haven't. I haven't really said much about uh fellow 585 00:38:41,040 --> 00:38:45,160 Speaker 1: actor Terry Crews, who I know as a good guy. 586 00:38:45,680 --> 00:38:49,040 Speaker 1: I've known Terry for a while. He was in the 587 00:38:49,080 --> 00:38:51,680 Speaker 1: movie The Sixth Day, What the funk happened? Now? Not 588 00:38:51,719 --> 00:38:56,319 Speaker 1: a good movie. I was a no well. Terry Crews 589 00:38:57,200 --> 00:39:03,279 Speaker 1: got a apology letter from the guy who uh sexually 590 00:39:03,960 --> 00:39:05,960 Speaker 1: I guess assaulted him. Because we have to, we have 591 00:39:06,040 --> 00:39:08,160 Speaker 1: to give that. We have to say that without any jokes. 592 00:39:09,880 --> 00:39:15,360 Speaker 1: The agent William Morris's Adam Bennett sent Terry Crews a 593 00:39:15,440 --> 00:39:20,920 Speaker 1: letter apologizing, saying that I know what I did was wrong. 594 00:39:21,719 --> 00:39:25,440 Speaker 1: Um it is true, yo, Greg, coming going up to 595 00:39:25,480 --> 00:39:28,640 Speaker 1: somebody doing that, of course, totally true. So he sent 596 00:39:28,719 --> 00:39:31,719 Speaker 1: him this whole letter saying, I apologize and this has 597 00:39:31,760 --> 00:39:35,880 Speaker 1: been a humongous learning experience for me. I hope to 598 00:39:35,920 --> 00:39:40,799 Speaker 1: grow better myself. Very sincere letter. The Terry Crews took 599 00:39:40,840 --> 00:39:45,359 Speaker 1: the letter and posted it on Twitter, and he said 600 00:39:45,400 --> 00:39:52,200 Speaker 1: this will be accepted with his resignation September two. And 601 00:39:52,280 --> 00:39:57,120 Speaker 1: I say this, Terry Crews, this man apologized to you. 602 00:39:58,440 --> 00:40:02,359 Speaker 1: Obviously he knows he fucked up. Obviously what he did 603 00:40:02,440 --> 00:40:06,080 Speaker 1: was unacceptable, whether it's male on mail, woman on women, 604 00:40:06,600 --> 00:40:10,200 Speaker 1: mail on woman. But he sent you that letter as 605 00:40:10,200 --> 00:40:12,520 Speaker 1: a man. He apologized. Why the funk you putting that 606 00:40:12,560 --> 00:40:16,799 Speaker 1: ship on Twitter? Yeah? Why? Why? Why? Why are you 607 00:40:16,880 --> 00:40:20,799 Speaker 1: highlighting that? I mean, I believed you, you know that 608 00:40:20,800 --> 00:40:24,680 Speaker 1: that happened. And for a guy to write a letter apologizing, 609 00:40:24,880 --> 00:40:27,720 Speaker 1: I mean for grabbing a dude like that and grabbing 610 00:40:27,760 --> 00:40:30,799 Speaker 1: his pipe and all that, I'd just be like, your 611 00:40:30,800 --> 00:40:34,040 Speaker 1: funk your letter, man, Yo, funk that letter. I wouldn't 612 00:40:34,040 --> 00:40:36,040 Speaker 1: put it up for the world to see, but I 613 00:40:36,040 --> 00:40:38,960 Speaker 1: would be like, you know, we gotta do something man, 614 00:40:39,080 --> 00:40:43,000 Speaker 1: not not physical, but Yo, it's just it's just terrible. Man. 615 00:40:43,520 --> 00:40:45,879 Speaker 1: It's just terrible that that guy would actually do that 616 00:40:46,440 --> 00:40:48,560 Speaker 1: and then write a letter like, Yo, I'm sorry, I 617 00:40:48,600 --> 00:40:51,239 Speaker 1: hope to grow you. Oh you don't know. You can't 618 00:40:51,280 --> 00:40:54,279 Speaker 1: grab motherfucker's cox in public. You don't know that you 619 00:40:54,360 --> 00:40:56,960 Speaker 1: need to be the point is My point is is 620 00:40:56,960 --> 00:40:59,839 Speaker 1: that what more does Terry Crews want the dude to do? 621 00:41:00,080 --> 00:41:04,319 Speaker 1: Were he apologized. People do fucked up ship Like, what 622 00:41:04,360 --> 00:41:06,200 Speaker 1: do you want the guy to do? He said he 623 00:41:06,239 --> 00:41:09,360 Speaker 1: seeked help, he said he did all that. There's sick 624 00:41:09,440 --> 00:41:13,120 Speaker 1: fox out of here. I mentioned this last week and 625 00:41:13,200 --> 00:41:18,200 Speaker 1: today it's actually official. Talk about sick fuck talk about 626 00:41:18,239 --> 00:41:21,000 Speaker 1: someone who did something really serious that really deserves to 627 00:41:21,000 --> 00:41:27,200 Speaker 1: be punished. Wanda bars I mentioned this last week. The 628 00:41:27,280 --> 00:41:30,960 Speaker 1: woman who was one of the kidnappers from Elizabeth Smart. 629 00:41:31,040 --> 00:41:34,919 Speaker 1: She kidnapped that girl, Elizabeth Smart in Utah. She's been 630 00:41:34,960 --> 00:41:39,280 Speaker 1: released from prison after fifteen years behind bars. This bitch 631 00:41:40,120 --> 00:41:43,520 Speaker 1: is out free. She kidnapped this woman, watched this little 632 00:41:43,560 --> 00:41:49,000 Speaker 1: girl get raped, brutalized for for years. She did fifteen 633 00:41:49,080 --> 00:41:53,560 Speaker 1: years in prison. Now she's out of jail. There's people 634 00:41:53,640 --> 00:41:58,080 Speaker 1: that non violent drug offenders that are in jail today 635 00:41:58,120 --> 00:42:02,880 Speaker 1: doing life. This woman did, heyne is unforgivable, unacceptable crime. 636 00:42:03,640 --> 00:42:06,160 Speaker 1: And she's out. She's gone. She's out right now. She's 637 00:42:06,200 --> 00:42:11,160 Speaker 1: eating McDonald's, she's doing whatever the funk she pleases right now. Unbelievable, man, 638 00:42:12,000 --> 00:42:18,040 Speaker 1: it's terrible. Fuck. Miles Jordan's let me get the sick 639 00:42:18,040 --> 00:42:19,640 Speaker 1: funk of the week music. We're gonna jump into this 640 00:42:19,719 --> 00:42:24,000 Speaker 1: real quick. Yeah, this award is earned, not given. It's 641 00:42:24,000 --> 00:42:27,840 Speaker 1: called the sick fucking a week. This guy is really sick. 642 00:42:28,320 --> 00:42:31,319 Speaker 1: Lock him up? How could you do it? Don't let 643 00:42:31,360 --> 00:42:35,200 Speaker 1: him out? Damn fun the door? You want to fuck 644 00:42:35,280 --> 00:42:38,120 Speaker 1: the door? Why would you fuck the dog? Why would 645 00:42:38,120 --> 00:42:42,240 Speaker 1: you fuck your girlfriend's dog? What sick fuck? The sick 646 00:42:42,400 --> 00:42:46,319 Speaker 1: funck of the week. It's earned and not giving. You 647 00:42:46,400 --> 00:42:55,640 Speaker 1: did what? No, no, no. Sick funk of the week 648 00:42:55,800 --> 00:42:57,640 Speaker 1: is an award winning segment that it goes to a 649 00:42:57,640 --> 00:42:59,719 Speaker 1: certain person when a certainly going to say qua, not 650 00:42:59,760 --> 00:43:01,400 Speaker 1: every but he has qualified for the sick funk of 651 00:43:01,440 --> 00:43:04,799 Speaker 1: the week is the word that has earned, not given. 652 00:43:04,800 --> 00:43:07,200 Speaker 1: It is an award that has earned, not given. First 653 00:43:07,200 --> 00:43:09,920 Speaker 1: sick funk of the week. A Missouri mom, a Missouri 654 00:43:09,960 --> 00:43:15,759 Speaker 1: mom who looks like a sick fuck, was arrested from 655 00:43:15,840 --> 00:43:22,040 Speaker 1: stealing the prescription drugs from her very actually physically sick, 656 00:43:23,200 --> 00:43:27,560 Speaker 1: terminally ill daughter and using them for herself. This is 657 00:43:27,600 --> 00:43:32,040 Speaker 1: all things sick fuck. Her daughter is terminally ill, she 658 00:43:32,080 --> 00:43:35,440 Speaker 1: has pain medication. The mother who's whacked out of her 659 00:43:35,480 --> 00:43:39,560 Speaker 1: tree was stealing the opioids that her daughter uses for 660 00:43:39,600 --> 00:43:45,719 Speaker 1: pain medication using them for herself. That right there is 661 00:43:45,760 --> 00:43:50,359 Speaker 1: the true essence. If a sick sick fuck, I got 662 00:43:50,360 --> 00:43:51,920 Speaker 1: one for you, man, that's gonna bug you out. I 663 00:43:51,920 --> 00:43:54,080 Speaker 1: don't know if you heard it, but it's a sick fuck. 664 00:43:54,160 --> 00:43:56,200 Speaker 1: It's a slew. It's a like a group of six 665 00:43:56,239 --> 00:43:59,960 Speaker 1: funcks in the market in a Tomahan, Indonesia. This is a 666 00:43:59,920 --> 00:44:04,799 Speaker 1: a group of six vendors a market in Indonesia. Have 667 00:44:05,000 --> 00:44:10,280 Speaker 1: called for the stopping of these vendors for sledge hammering 668 00:44:10,400 --> 00:44:13,480 Speaker 1: kittens and dogs and blow torching them in the street 669 00:44:13,760 --> 00:44:18,880 Speaker 1: for customers. You can have freshly blow towards barbecue kittens. 670 00:44:19,840 --> 00:44:23,920 Speaker 1: And the government in Indonesia is pleading with these vendors 671 00:44:24,320 --> 00:44:29,200 Speaker 1: to stop doing that, stop Jesus, and they have refused 672 00:44:29,600 --> 00:44:34,480 Speaker 1: and they are continuing. Two have on the menus barbecued 673 00:44:34,560 --> 00:44:38,920 Speaker 1: cats and barbecue dogs right right there, right there. You 674 00:44:38,960 --> 00:44:41,879 Speaker 1: can watch this being done. So these are the sick 675 00:44:41,960 --> 00:44:44,560 Speaker 1: funks of the week and it's still going on. They 676 00:44:44,640 --> 00:44:47,360 Speaker 1: can't stop them, but it's people are lined up to 677 00:44:47,400 --> 00:44:53,520 Speaker 1: get these delicacies, so to speak. Wow. Um, we talk 678 00:44:53,600 --> 00:44:56,920 Speaker 1: a lot on this show about the wonder bread bag 679 00:44:56,960 --> 00:45:01,040 Speaker 1: and olive oil treatment. Um, this is way beyond the 680 00:45:01,080 --> 00:45:05,920 Speaker 1: wonder bread bag and olive oiled treatment. A Florida inmate 681 00:45:05,960 --> 00:45:13,520 Speaker 1: who he's locked up in Florida reportedly strangled his cell mate, 682 00:45:15,760 --> 00:45:22,959 Speaker 1: carved out his eyeballs, then walked into the prisons cafeteria 683 00:45:23,040 --> 00:45:26,359 Speaker 1: wearing one of his eyes on a necklace before officers 684 00:45:26,800 --> 00:45:33,000 Speaker 1: noticed any thing was wrong. He then left the eyeballs 685 00:45:33,040 --> 00:45:39,040 Speaker 1: in a cup. More charges are obviously being pressed. This 686 00:45:39,160 --> 00:45:45,399 Speaker 1: happened in the Columbia, Florida Correctional Institution facility. I mean, 687 00:45:45,640 --> 00:45:48,160 Speaker 1: you'd be happy to walk away with just the wonderbread 688 00:45:48,160 --> 00:45:51,400 Speaker 1: bag and olive oiled treatment, let alone getting strangled to 689 00:45:51,440 --> 00:45:54,560 Speaker 1: death and your eyeballs plucked out for some guy to 690 00:45:54,640 --> 00:45:59,200 Speaker 1: wear around his neck on a string. Now this guy, 691 00:45:59,560 --> 00:46:02,440 Speaker 1: what do you do with a guy like this? Oh? Immediate, 692 00:46:03,360 --> 00:46:05,960 Speaker 1: First you're going the hole, and then we determine when 693 00:46:06,000 --> 00:46:08,279 Speaker 1: you're going to be executed, because if you could do 694 00:46:08,400 --> 00:46:11,480 Speaker 1: something like that, you really don't need to be to 695 00:46:11,600 --> 00:46:14,400 Speaker 1: be living. There's no I don't see any redeemable value 696 00:46:14,400 --> 00:46:16,799 Speaker 1: with this person. We're gonna kill him. Yeah, I mean, 697 00:46:17,120 --> 00:46:19,680 Speaker 1: you got a hannibal lecter. This fucking guy just just 698 00:46:20,200 --> 00:46:23,640 Speaker 1: some human beings don't deserve to be on his beautiful planet. 699 00:46:23,960 --> 00:46:29,800 Speaker 1: Execution and no one would be fucking upset. Finally, in St. Alban's, 700 00:46:29,840 --> 00:46:33,719 Speaker 1: West Virginia, a West Virginia man beat his mother with 701 00:46:33,800 --> 00:46:38,080 Speaker 1: a spatchelor. H. He didn't kill her, he injured her seriously. 702 00:46:38,080 --> 00:46:41,280 Speaker 1: He's a thirty year old sick funck named Glenn Alan 703 00:46:41,640 --> 00:46:46,000 Speaker 1: Castorff of St. Alban's, West Virginia. He was arrested after 704 00:46:46,120 --> 00:46:48,640 Speaker 1: beating his mother with a spatlor. He had paint all 705 00:46:48,680 --> 00:46:51,879 Speaker 1: over his face. They put the pieces together. This sick 706 00:46:51,960 --> 00:46:54,879 Speaker 1: funck had been huffing paint. He had paint all over 707 00:46:54,920 --> 00:46:57,160 Speaker 1: his nose, all over his mouth, all in his beard. 708 00:46:57,160 --> 00:46:59,640 Speaker 1: He's red haired. It was all in his red hair. 709 00:47:00,120 --> 00:47:04,440 Speaker 1: He was huffing paint. Got so whacked out of his 710 00:47:04,480 --> 00:47:11,560 Speaker 1: tree that he beat his mom with a silver spatchelor. Uh. 711 00:47:11,680 --> 00:47:15,520 Speaker 1: Police arrested this lunatic and his mother fortunately made it 712 00:47:15,560 --> 00:47:19,920 Speaker 1: through the assault with a couple of head wounds. Um, 713 00:47:20,000 --> 00:47:22,920 Speaker 1: listen this guy. If you look him up, please do 714 00:47:23,120 --> 00:47:25,120 Speaker 1: feel free. If you do not believe me, look up 715 00:47:25,200 --> 00:47:30,239 Speaker 1: Glenn Allen Kasdorf C A S d O r pH 716 00:47:30,360 --> 00:47:34,280 Speaker 1: of St. Albans, West Virginia. He is a top five 717 00:47:34,600 --> 00:47:39,120 Speaker 1: poster child for the two thousand nineteen sick funk of 718 00:47:39,160 --> 00:47:41,920 Speaker 1: the Week calendar, which I think we're gonna be putting 719 00:47:41,920 --> 00:47:44,440 Speaker 1: out now. They used to do calendars. They'd have like 720 00:47:44,960 --> 00:47:48,040 Speaker 1: the Playboy Playmate of the Month or the Fireman calendar. 721 00:47:48,440 --> 00:47:51,160 Speaker 1: I believe the Iron Rapports Stereo podcast should do the 722 00:47:51,239 --> 00:47:55,200 Speaker 1: sick fuck of the Week calendar and rest Shore Glenn 723 00:47:55,280 --> 00:47:59,960 Speaker 1: Allen Kasdorf will be featured. Listen. We were under durest 724 00:48:00,840 --> 00:48:03,560 Speaker 1: We got it all together. I apologized Moody for the 725 00:48:03,640 --> 00:48:07,799 Speaker 1: flubb earlier. That was soul crushing, but we bounced back. 726 00:48:08,560 --> 00:48:14,040 Speaker 1: This is a prime time premium podcast p p P 727 00:48:14,239 --> 00:48:17,719 Speaker 1: The Iron Rappaport Stereo Podcast in prime time. My name 728 00:48:17,800 --> 00:48:21,360 Speaker 1: is Michael Rappaport G. Moody. His last name rhymes with 729 00:48:21,440 --> 00:48:25,400 Speaker 1: duty right off the tongue. H three time podcast co 730 00:48:25,520 --> 00:48:29,759 Speaker 1: host of the Year CHAMPIONEE three p um What can 731 00:48:29,800 --> 00:48:33,680 Speaker 1: I say? What can I say? Uh? Myles Jordan's take 732 00:48:33,760 --> 00:48:36,520 Speaker 1: us out of here with something real nice, real proper, real, funky, 733 00:48:36,800 --> 00:48:40,560 Speaker 1: fantastic job. Way to recover Moody And again I apologize 734 00:48:40,600 --> 00:48:43,840 Speaker 1: about that flub that was that was like a body blow, 735 00:48:43,960 --> 00:48:45,680 Speaker 1: that was a kidney shot. But we we we got 736 00:48:45,680 --> 00:48:47,959 Speaker 1: it all together. Road work