WEBVTT - One on One: Elisabeth Abbott

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<v Speaker 1>I am all In.

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<v Speaker 2>I Am all in with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I'm all in podcast, one on

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<v Speaker 1>one Interview, one eleven productions. iHeartRadio, iHeart Media, iHeart Podcasts.

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<v Speaker 1>I'm joined by Susanne French. Hello Suzanne, and we are

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<v Speaker 1>gonna talk to Elizabeth Abbott. Elizabeth, thank you so much

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<v Speaker 1>for joining us. Let me get into a little bit

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<v Speaker 1>of who you are and what you're about. You portrayed

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<v Speaker 1>Rosemary four episodes and Rosemary is one of the ladies

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<v Speaker 1>who hangs out with Finn Life of Death Brigade. You

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<v Speaker 1>were an actress for best known for this role and

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<v Speaker 1>also for making a few TV appearances Young and Restless

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<v Speaker 1>and I Carly no longer acting. But you're a licensed

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<v Speaker 1>marriage and Family therapist, a master level psychotherapist who work

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<v Speaker 1>with adults and teens who are dealing with mental health issues, relationships,

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<v Speaker 1>or life transitions. How fascinating. Welcome to the podcast. So

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<v Speaker 1>great to have you, Elizabeth. First off, tell us how

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<v Speaker 1>you first got the role on Gilmore.

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<v Speaker 3>Well, first of all, thank you for having me. This

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<v Speaker 3>is really fun. So I had been in LA for

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<v Speaker 3>just a couple of years, and had done a bunch

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<v Speaker 3>of commercials and had an agent and a manager, and

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<v Speaker 3>we were just, you know, grinding all the auditions as

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<v Speaker 3>one does. And when the audition for Gilmore Girls just

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<v Speaker 3>came up, and I wanted it so badly, and I

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<v Speaker 3>had to act so cool, like I didn't want it

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<v Speaker 3>that badly, but I really wanted it. Was it ended

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<v Speaker 3>up being my first TV job.

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<v Speaker 1>You were smart. You were smart, Sorry, but you were

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<v Speaker 1>smart to act that like you didn't want it. Yeah,

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<v Speaker 1>because that shows that you understand the psychology in that

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<v Speaker 1>that works against you if you want it too badly.

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<v Speaker 3>Exactly. I played it. I played it so cool.

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<v Speaker 4>So you were already familiar with the show when you auditioned.

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<v Speaker 3>I was. I was a fan of the show. It

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<v Speaker 3>had debuted when I was in college, and my my

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<v Speaker 3>mom is a single mom, divorced mom. I'm an only daughter,

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<v Speaker 3>and so it's sort of it was sort of our show.

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<v Speaker 3>She would this like dates me, but she would tape

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<v Speaker 3>the episodes on VHS tapes and either mail them to

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<v Speaker 3>me at college or or she just saved them up

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<v Speaker 3>for when we had watched together when I would be

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<v Speaker 3>at home.

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<v Speaker 1>So yeah, yeah, that's fantastic. Did you know that it

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<v Speaker 1>would be a recurring role when you when you booked

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<v Speaker 1>that first one.

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<v Speaker 3>Nope, Uh, it was supposed to be just a co star,

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<v Speaker 3>and then they just the next one was a guest star,

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<v Speaker 3>and they just kept bringing us back. And I felt like,

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<v Speaker 3>you know, I won the latto every time because it

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<v Speaker 3>was unexpected.

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<v Speaker 1>But yeah, so what was it like working with Alexis Bdell?

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<v Speaker 3>Alexis was lovely. I was so nervous that the first uh,

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<v Speaker 3>I mean the first scene that we filmed was in

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<v Speaker 3>the Chinese restaurant. I don't know if you remember, but uh,

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<v Speaker 3>and it was Alexis and Matt Zukri and Alan and

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<v Speaker 3>Tank and his name was Wayne I think, who played Marty,

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<v Speaker 3>and of course Ricky Lyndholm. Ricky and I were always together,

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<v Speaker 3>and uh, they had all filmed, I mean so much together,

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<v Speaker 3>and I was, you know, I was really nervous that

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<v Speaker 3>we wouldn't get in and click right away. But Alexis

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<v Speaker 3>and Matt and all the guys were so welcoming right

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<v Speaker 3>off the bat and made us feel right at home,

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<v Speaker 3>and you know, it started clicking.

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<v Speaker 5>Mm hm.

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<v Speaker 1>Yes, Finn was always trying to get with your character

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<v Speaker 1>wasn't he he was.

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<v Speaker 3>There was a there was a point where I think

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<v Speaker 3>I was like, not that too, not too opposed to

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<v Speaker 3>it as well.

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<v Speaker 1>So when was the last time you watched an actual episode?

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<v Speaker 3>Well, I revisited an episode last night in preparation for

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<v Speaker 3>this because I hadn't I hadn't seen it in quite

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<v Speaker 3>a while, and I was like, what what was that?

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<v Speaker 5>Like?

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<v Speaker 3>It's really fun, it's really fun to watch.

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<v Speaker 1>And remember, do you get recognized for role?

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<v Speaker 3>I don't get recognized, you know, randomly on the street,

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<v Speaker 3>but in the work that I do now as a therapist.

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<v Speaker 3>So many people have this show as their comfort show

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<v Speaker 3>that they watch over and over again. And a lot

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<v Speaker 3>of what we do is we talk about resources, you know,

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<v Speaker 3>the things in your life that make you feel a

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<v Speaker 3>little bit safer, a little bit calmer. And so people

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<v Speaker 3>are always coming. So I was rewatching Gilmore Girls, and

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<v Speaker 3>is there something you want to tell me?

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<v Speaker 1>Right right, right right?

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<v Speaker 3>You know, I had one client several years ago who

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<v Speaker 3>was mad that they hadn't known beforehand. So now if

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<v Speaker 3>I have a new client who mentions that they like

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<v Speaker 3>the show, I say, okay, don't be weirded out. But

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<v Speaker 3>you know, season's five and six are going to see

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<v Speaker 3>me pomp up. We can talk about it.

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<v Speaker 1>Or not whatever, but yeah, that's fascinating. We're going to

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<v Speaker 1>talk a little bit more about what you do now

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<v Speaker 1>a little bit later on the interview. But that's that's

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<v Speaker 1>I have a lot of stories about that as well. Yeah,

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<v Speaker 1>when I meet people. Yeah, so did you lie? Did

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<v Speaker 1>you see the episodes in Netflix? The episodes? Do you

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<v Speaker 1>like how they brought the Life and Death Brigade back?

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<v Speaker 5>Oh?

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<v Speaker 3>The new ones? I have to admit I didn't watch them.

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<v Speaker 3>I haven't watched them yet because I don't know if

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<v Speaker 3>I loved my experience in seasons five and six so

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<v Speaker 3>much that I just kind of I kind of wanted

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<v Speaker 3>to let it be what it was. Sure, maybe I'll

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<v Speaker 3>go back now.

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<v Speaker 1>And you did a few more TV gigs with Young

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<v Speaker 1>and the rest as I Carly, When did you decide

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<v Speaker 1>to leave acting?

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<v Speaker 3>I had, you know, as an actor, there's a lot

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<v Speaker 3>of downtime. It's incredible when you're working or when you're auditioning.

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<v Speaker 3>But I had a lot of time where I needed

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<v Speaker 3>I felt like I needed something a little bit more. So.

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<v Speaker 3>I had gone back to grad school, was doing that

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<v Speaker 3>on nights and weekends just for the sort of education

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<v Speaker 3>of it. And I had also had a lot of therapy.

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<v Speaker 3>You need a lot of therapy when you're an actress

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<v Speaker 3>in your twenties in Los Angeles. And I just loved

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<v Speaker 3>going to her office every week so much that I

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<v Speaker 3>was like, I maybe I can do this. So I

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<v Speaker 3>tried to stuggle both for a while. I was doing

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<v Speaker 3>both for a while, and then there came a point

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<v Speaker 3>where I just had to, you know, fully commit to

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<v Speaker 3>building a private practice, and you know, I found it

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<v Speaker 3>really really fulfilling.

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<v Speaker 1>Was there was there a moment for you that you

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<v Speaker 1>recall that were you made that decision to leave acting.

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<v Speaker 1>Was it a specific incident, was it just a moment

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<v Speaker 1>that you remember.

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<v Speaker 3>I don't know if I ever made the decision to

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<v Speaker 3>leave acting, Like, honestly, if something came along now, I

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<v Speaker 3>would love to to, you know, I'd love to act again.

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<v Speaker 3>So I feel like it was less leaving acting and

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<v Speaker 3>more finding psychotherapy, finding this other passion right and.

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<v Speaker 1>And and why you say you were in therapy. You

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<v Speaker 1>sought out therapy in your twenties being an actress in

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<v Speaker 1>LA Why did you seek therapy If I'm not getting

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<v Speaker 1>too personal if you want to talk about it, know that.

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<v Speaker 3>I mean I'm biased. I think that everyone should have

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<v Speaker 3>stuff to work out in therapy.

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<v Speaker 5>Yeah.

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<v Speaker 1>Actually I actually feel the same way. I think everybody

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<v Speaker 1>can benefit from therapy absolutely.

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<v Speaker 3>You know, it was it was a time of a

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<v Speaker 3>lot of changes, a lot of transitions, also coping with

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<v Speaker 3>all the stuff that you know, actors and artists go through,

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<v Speaker 3>you know, the rejection and the procrastination, and the sort

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<v Speaker 3>of financial ups and downs and the effect on your

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<v Speaker 3>relationships and all those things. And it was so.

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<v Speaker 1>It's a lot.

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<v Speaker 3>And I just it felt so well. And you know,

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<v Speaker 3>there's always like family of origin stuff as well. You know,

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<v Speaker 3>we've all got our stuff. So it was just such

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<v Speaker 3>an enormously healing and supportive space for me. For several

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<v Speaker 3>years there, I kind of wanted to kind of wanted

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<v Speaker 3>to create my own space to be able to do

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<v Speaker 3>that for other people.

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<v Speaker 1>All Right, So you get your bachelor's in science and

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<v Speaker 1>your master's in psychology. When did your interest in mental

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<v Speaker 1>health begin? Was it when you were getting into therapy?

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<v Speaker 1>Before that?

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<v Speaker 3>I think, well, I had always been a theater kid,

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<v Speaker 3>and you know, you know, I was a journalism major

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<v Speaker 3>in college, but I was also in this three year

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<v Speaker 3>acting class and did theater in college and things like that,

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<v Speaker 3>and acting and psychology are not at all, not at

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<v Speaker 3>all different. I mean, the way that you know I

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<v Speaker 3>was taught and I learned to approach a character as

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<v Speaker 3>an actor is very much what we do. You know,

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<v Speaker 3>you're you're thinking about why this character is the way

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<v Speaker 3>that they are, What has happened in their life that

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<v Speaker 3>makes them the way that they are, and that way

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<v Speaker 3>of thinking. Also just the listening and being with someone

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<v Speaker 3>and connecting and all of those things. It was such

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<v Speaker 3>a natural, kind of organic transition that I found myself always,

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<v Speaker 3>you know, already thinking that way through the acting training.

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<v Speaker 1>Yes, in the training that you draw up a psychological

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<v Speaker 1>probi file for your character. You fill it out in

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<v Speaker 1>detail if you can. Here's a question for you, and

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<v Speaker 1>it's a personal question because I've experienced this. I'm sure

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<v Speaker 1>you've experienced every actor experiences this. How do you take

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<v Speaker 1>on the persona or the psychology of another character the

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<v Speaker 1>day ends, you go home? What do you do to

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<v Speaker 1>flush your brain out and to flush your soul? What

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<v Speaker 1>is what are the best techniques that you have found

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<v Speaker 1>to help people do that? Is it meditation, Is it

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<v Speaker 1>taking a hot bath? What is it?

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<v Speaker 3>For me? It was always had to get back into

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<v Speaker 3>my body, into my physicality, and you know the hot shower,

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<v Speaker 3>sure movement of some kind. And then also you know,

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<v Speaker 3>connecting with the people who I love in my life,

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<v Speaker 3>you know, having a partner or a friend to come

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<v Speaker 3>home to and debrief at the end of the day.

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<v Speaker 1>So what happens to the actor that is isolated away

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<v Speaker 1>from their family, playing a hugely demanding role emotionally speaking,

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<v Speaker 1>and then comes home to an empty condo?

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<v Speaker 3>I mean, that's what what what weren't.

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<v Speaker 1>What kind of uh, what kind of issues would that

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<v Speaker 1>actor or actress be dealing with if they were doing

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<v Speaker 1>that over the film home?

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<v Speaker 5>Shoot?

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<v Speaker 1>Oh god, what would they be facing? What dangers could

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<v Speaker 1>they be facing? I mean, can it get dangerous? Can

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<v Speaker 1>it get you know, really impairing.

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<v Speaker 3>I'm sure it could get really dangerous. Loneliness is I

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<v Speaker 3>feel like the artist is lonely. A lot of the time,

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<v Speaker 3>it seemed. Loneliness seems to be whether it's somebody who's

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<v Speaker 3>out of town working on something, or even you know,

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<v Speaker 3>in a cast of other people. That's one of the

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<v Speaker 3>things that keeps coming up over and over again when

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<v Speaker 3>I'm working with actors and artists. So for me, it's

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<v Speaker 3>about building a community of supportive, present individuals, whether that's

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<v Speaker 3>through face time, calls back home, or whether that's debriefing

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<v Speaker 3>with your you know, with your cast made, with your

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<v Speaker 3>scene partner, taking the time to I mean it's if

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<v Speaker 3>you're working on something out of town, it's an exhausting,

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<v Speaker 3>you know, twelve sixteen hour day, maybe it's been a

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<v Speaker 3>night shoot. You're exhausted. But taking the time to, you know,

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<v Speaker 3>debrief with someone, with the people you've been working with

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<v Speaker 3>over dinner or breakfast or whatever it is afterwards, that

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<v Speaker 3>connection and support I think can be really essential, right.

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<v Speaker 1>Is So what's your perspective on the psychological aspects of

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<v Speaker 1>the the laurel I and Rory relationship?

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<v Speaker 3>Oh, let's un back it. Yeah, mother daughter relationships are complex,

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<v Speaker 3>I think, kind of almost universally complex. There can be

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<v Speaker 3>the most love and support and understanding, and also mothers

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<v Speaker 3>and daughter push each other's buttons like nobody else.

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<v Speaker 1>Would you think that Lorelei and Rory could have benefited

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<v Speaker 1>from some therapy individual or group therapy together? And if so,

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<v Speaker 1>what do you think their issues are?

0:15:23.720 --> 0:15:29.840
<v Speaker 3>I think Lorelei and Rory would have loved therapy, you

0:15:29.920 --> 0:15:32.720
<v Speaker 3>know they they would with all the fast talking, they

0:15:32.760 --> 0:15:36.040
<v Speaker 3>would make that fifty minutes last. They really would get

0:15:36.040 --> 0:15:36.640
<v Speaker 3>a lot.

0:15:36.480 --> 0:15:36.960
<v Speaker 5>Out of it.

0:15:37.120 --> 0:15:40.760
<v Speaker 1>There's the spinoff right there. Lorelei and Rory go to therapy.

0:15:40.880 --> 0:15:46.200
<v Speaker 3>Oh my gosh, Amy call me. Yeah, No, I mean

0:15:46.200 --> 0:15:51.360
<v Speaker 3>we're talking intergenerational trauma when we bring Emily into it,

0:15:52.560 --> 0:15:58.200
<v Speaker 3>all of these expectations and bucking the expectation, and each

0:15:58.240 --> 0:16:01.920
<v Speaker 3>generation wanting to be their own person, but also really

0:16:02.000 --> 0:16:06.560
<v Speaker 3>wanting and needing the approval of their mother. Again, all

0:16:06.960 --> 0:16:07.840
<v Speaker 3>the generations.

0:16:09.000 --> 0:16:12.600
<v Speaker 1>Yeah, do you think do you think laurel I smothered Rory?

0:16:13.120 --> 0:16:18.160
<v Speaker 3>Do I think she? I don't think she smothered Rory.

0:16:19.120 --> 0:16:25.800
<v Speaker 3>It seemed to be a pretty mutual relationship for most

0:16:25.840 --> 0:16:30.000
<v Speaker 3>of it. They really went through it when you know,

0:16:30.200 --> 0:16:33.080
<v Speaker 3>Rory was going through it on her own during the

0:16:33.720 --> 0:16:40.800
<v Speaker 3>during the Yale seasons. But they were able always to repair.

0:16:42.440 --> 0:16:45.480
<v Speaker 3>And again that's the most important part, right. It's not

0:16:45.600 --> 0:16:48.560
<v Speaker 3>about whether we're talking about a mother daughter relationship or

0:16:48.600 --> 0:16:53.080
<v Speaker 3>we're talking about, you know, a romantic partnership. It's not

0:16:53.200 --> 0:16:56.920
<v Speaker 3>about do you have conflict do you fight? Right, It's

0:16:56.960 --> 0:17:00.960
<v Speaker 3>about how do you repair Do you turn away from

0:17:01.000 --> 0:17:03.040
<v Speaker 3>each other or do you turn toward each other?

0:17:03.600 --> 0:17:07.760
<v Speaker 1>Right? Right, right? Right? What do you think about the

0:17:07.840 --> 0:17:12.680
<v Speaker 1>Rory Logan relationship and Rory losing somewhat of her personality

0:17:12.840 --> 0:17:17.320
<v Speaker 1>within that relationship and being in you know, very murky

0:17:17.359 --> 0:17:20.399
<v Speaker 1>deep waters with that relationship. To talk about that a

0:17:20.440 --> 0:17:23.360
<v Speaker 1>little bit, Why is she in that relationship?

0:17:23.960 --> 0:17:27.360
<v Speaker 3>Why is she in that relationship? I mean, look, as

0:17:27.359 --> 0:17:30.800
<v Speaker 3>a fan, I was always team Jess. I'm going to

0:17:30.880 --> 0:17:37.440
<v Speaker 3>be honest, but Matzi Freeze so lovely. I can absolutely

0:17:37.480 --> 0:17:41.040
<v Speaker 3>see how everyone has fallen for a Logan, including Rory.

0:17:41.160 --> 0:17:48.439
<v Speaker 3>But I I kind of think that if whether or

0:17:48.480 --> 0:17:53.680
<v Speaker 3>not there was a Logan, I think Rory was kind

0:17:53.720 --> 0:17:59.480
<v Speaker 3>of destined to lose her you know what, during college anyway.

0:18:00.840 --> 0:18:05.560
<v Speaker 3>It was such a massive change for her, being in

0:18:05.600 --> 0:18:09.960
<v Speaker 3>an environment with with a lot of folks, a very

0:18:10.000 --> 0:18:13.879
<v Speaker 3>different background, being away from her mother, and this you know,

0:18:14.000 --> 0:18:17.239
<v Speaker 3>sort of magical talent that she had had grown up

0:18:17.280 --> 0:18:22.119
<v Speaker 3>in trying to find her place there no longer being

0:18:22.280 --> 0:18:28.760
<v Speaker 3>the best at everything. Boy, that's a really really common thing, right.

0:18:28.640 --> 0:18:33.400
<v Speaker 1>For the right everybody's gifted here.

0:18:36.359 --> 0:18:39.160
<v Speaker 3>I think, yeah, I think I think she was gonna

0:18:39.600 --> 0:18:43.040
<v Speaker 3>need to act out a little bit in order to

0:18:43.400 --> 0:18:45.639
<v Speaker 3>find who the heck she was.

0:18:46.840 --> 0:18:50.920
<v Speaker 4>Going back to your own experience, do you have any

0:18:51.160 --> 0:18:55.520
<v Speaker 4>like good stories or your favorite memories from being on set,

0:18:55.680 --> 0:18:58.320
<v Speaker 4>Like any moments that really stood out to you from

0:18:58.400 --> 0:18:59.560
<v Speaker 4>the episodes that you were in.

0:19:01.160 --> 0:19:04.240
<v Speaker 3>I mean, every time hanging out with the guys, the

0:19:04.640 --> 0:19:07.880
<v Speaker 3>Life and Death Brigade guys, and Ricky of course, who

0:19:07.880 --> 0:19:13.120
<v Speaker 3>played Juliette. We just had so much fun. It was

0:19:13.720 --> 0:19:16.800
<v Speaker 3>I mean, of course it was my first TV job.

0:19:16.920 --> 0:19:18.840
<v Speaker 3>Prussia was on You've got to talk very fast, it

0:19:18.880 --> 0:19:21.080
<v Speaker 3>had to be dead letter perfect, all of those things.

0:19:21.640 --> 0:19:25.719
<v Speaker 3>But hanging out with that crew, it was a party.

0:19:26.000 --> 0:19:29.160
<v Speaker 3>It was a party every time. And at least two

0:19:29.240 --> 0:19:34.439
<v Speaker 3>of the episodes they were night shoots, and I remember

0:19:34.560 --> 0:19:37.320
<v Speaker 3>during one of them, somebody had set up a karaoke

0:19:37.480 --> 0:19:42.959
<v Speaker 3>machine off the set, and so people were just getting

0:19:43.240 --> 0:19:47.240
<v Speaker 3>silly and in the middle of the night, and it

0:19:47.359 --> 0:19:49.120
<v Speaker 3>was just a really, really fun environment.

0:19:49.440 --> 0:19:55.600
<v Speaker 1>Yeah, that's great. Okay, back to the psychology. Do you

0:19:55.640 --> 0:19:59.760
<v Speaker 1>think that do you think Emily damaged?

0:20:03.200 --> 0:20:10.840
<v Speaker 3>Damage is a really loaded word. I think that she

0:20:11.000 --> 0:20:19.359
<v Speaker 3>had incredibly specific and high expectations and Laura I wanted

0:20:19.400 --> 0:20:23.879
<v Speaker 3>something different and neither one of them could meet in

0:20:23.920 --> 0:20:27.040
<v Speaker 3>the middle. Do I think there's trauma there between the

0:20:27.080 --> 0:20:31.400
<v Speaker 3>two of them, Absolutely, just like there is between Laura,

0:20:31.480 --> 0:20:36.919
<v Speaker 3>l I and Rory and Emily and Rory, and do

0:20:37.119 --> 0:20:42.720
<v Speaker 3>I think gets unsalvageable? Absolutely not. Man, if those two

0:20:42.880 --> 0:20:49.440
<v Speaker 3>would have just talked a little bit, you know again,

0:20:49.480 --> 0:20:52.080
<v Speaker 3>I'm just pushing therapy. It's such a pusher. But if

0:20:52.080 --> 0:20:58.040
<v Speaker 3>they had gotten into it, into an office where Emily

0:20:58.080 --> 0:21:03.160
<v Speaker 3>didn't hold the sort of ultimate status and they could

0:21:03.400 --> 0:21:09.080
<v Speaker 3>just talk with each other like humans, like mothers, I

0:21:09.119 --> 0:21:10.439
<v Speaker 3>don't know, things might have been different.

0:21:11.160 --> 0:21:13.760
<v Speaker 1>Where do you practice you practice in La or where

0:21:13.760 --> 0:21:15.000
<v Speaker 1>do you practice in La?

0:21:15.200 --> 0:21:19.400
<v Speaker 3>I see clients all across California, But I live in Burbank,

0:21:19.480 --> 0:21:23.160
<v Speaker 3>and before I went telehealth just a few months ago,

0:21:23.359 --> 0:21:27.520
<v Speaker 3>my office was on Riverside Drive, looking right over the

0:21:27.640 --> 0:21:28.280
<v Speaker 3>Warner Bros.

0:21:28.320 --> 0:21:28.560
<v Speaker 5>Lot.

0:21:28.760 --> 0:21:29.800
<v Speaker 3>Can't escape that lot.

0:21:40.119 --> 0:21:43.960
<v Speaker 1>We're going to play a little game called rapid fire.

0:21:44.040 --> 0:21:47.320
<v Speaker 1>Doesn't mean you have to answer the questions quickly. Uh,

0:21:47.920 --> 0:21:49.800
<v Speaker 1>We'll just called it rapid fire. How do you like

0:21:49.840 --> 0:21:51.320
<v Speaker 1>your coffee, Elizabeth?

0:21:52.200 --> 0:21:57.359
<v Speaker 3>I like with oat milk and a lot of it,

0:21:57.520 --> 0:21:58.320
<v Speaker 3>really a lot of it.

0:21:58.640 --> 0:22:02.400
<v Speaker 1>Okay, are you what we already answered this one your team?

0:22:02.560 --> 0:22:06.320
<v Speaker 1>Just who is your favorite Gilmore girls couple? Luke and

0:22:06.359 --> 0:22:08.119
<v Speaker 1>Laurel I or Emily and Richard?

0:22:10.000 --> 0:22:17.000
<v Speaker 3>Oh gosh, so different? So different? Is it really insulting

0:22:17.119 --> 0:22:20.000
<v Speaker 3>if I? If I choose Emily and Richard, they're just

0:22:20.119 --> 0:22:20.520
<v Speaker 3>such a.

0:22:20.520 --> 0:22:24.199
<v Speaker 1>Delight personally insulting If it feels like you're attacking me,

0:22:25.240 --> 0:22:29.240
<v Speaker 1>I'm stunned. What about Luke and Laurel? I talk about

0:22:29.320 --> 0:22:30.720
<v Speaker 1>Luke and Laurel I a little bit?

0:22:31.800 --> 0:22:32.000
<v Speaker 5>Why?

0:22:32.200 --> 0:22:34.560
<v Speaker 1>Why? Go ahead? Sorry, go ahead?

0:22:34.920 --> 0:22:37.679
<v Speaker 3>Talk about a couple who needed to talk and to

0:22:37.840 --> 0:22:45.160
<v Speaker 3>improve their communications skill, such a such love and such support,

0:22:45.359 --> 0:22:47.879
<v Speaker 3>and every time it went wrong it was because of

0:22:48.840 --> 0:22:51.919
<v Speaker 3>something that could have been sorted out with just a

0:22:51.920 --> 0:22:54.520
<v Speaker 3>little bit of a little bit of communication.

0:22:55.040 --> 0:22:59.320
<v Speaker 1>Yeah, he wasn't famous for his communication skills, and nor

0:22:59.400 --> 0:23:00.880
<v Speaker 1>was she, but I think she was a little better

0:23:00.920 --> 0:23:03.159
<v Speaker 1>at it a little.

0:23:03.400 --> 0:23:05.639
<v Speaker 3>But also, you know, she had a lot of pride.

0:23:05.680 --> 0:23:08.199
<v Speaker 3>She was at Gilmour after all, a lot of pride.

0:23:08.640 --> 0:23:13.960
<v Speaker 1>Right, Okay, would you rather work with Michelle or Kirk?

0:23:14.720 --> 0:23:18.520
<v Speaker 3>Well, they're both so efficient in their own ways. I

0:23:18.560 --> 0:23:21.040
<v Speaker 3>but I think Michelle and I would really would really

0:23:21.040 --> 0:23:21.520
<v Speaker 3>get along.

0:23:21.920 --> 0:23:25.840
<v Speaker 1>Really. Yeah, Well, why do you why Michelle.

0:23:27.080 --> 0:23:30.560
<v Speaker 3>He makes me laugh every time he comes on screen,

0:23:30.600 --> 0:23:34.159
<v Speaker 3>so I imagine, but he would do the same in an

0:23:34.160 --> 0:23:35.000
<v Speaker 3>office environment.

0:23:35.960 --> 0:23:37.920
<v Speaker 1>What would you order at Luke Steiner?

0:23:39.800 --> 0:23:42.800
<v Speaker 3>Coffee of course, and more coffee.

0:23:45.080 --> 0:23:49.160
<v Speaker 1>Who would you rather hang out with? Paris or Lane?

0:23:49.440 --> 0:23:52.919
<v Speaker 3>I would probably want to go to the rock Show.

0:23:52.960 --> 0:23:57.719
<v Speaker 1>With Lane, but didn't have Paris as a patient.

0:24:01.240 --> 0:24:05.280
<v Speaker 3>Paris would be a difficult patient because she would really

0:24:05.280 --> 0:24:07.520
<v Speaker 3>want to control the whole session. But here's the thing.

0:24:08.720 --> 0:24:10.360
<v Speaker 3>I got a little bit of Paris in me too,

0:24:10.400 --> 0:24:13.160
<v Speaker 3>so maybe we would be fast friends. Is that right?

0:24:13.400 --> 0:24:15.679
<v Speaker 1>But what part of Paris do you have in you?

0:24:15.920 --> 0:24:17.160
<v Speaker 1>What part would that be?

0:24:17.920 --> 0:24:20.440
<v Speaker 3>I mean, I really like things the way that I

0:24:20.600 --> 0:24:28.800
<v Speaker 3>like things. I have learned to be so much more flexible. Right.

0:24:29.240 --> 0:24:31.400
<v Speaker 1>Are you happier as a result of that?

0:24:32.520 --> 0:24:33.240
<v Speaker 3>Absolutely?

0:24:33.640 --> 0:24:37.960
<v Speaker 1>Yeah? Harvard or Yale or drop out and live in the.

0:24:37.960 --> 0:24:42.639
<v Speaker 3>Poolhouse Northwestern University?

0:24:42.720 --> 0:24:45.440
<v Speaker 1>There you go? Is that where you went?

0:24:46.280 --> 0:24:46.560
<v Speaker 3>I went?

0:24:46.680 --> 0:24:46.840
<v Speaker 2>Yeah?

0:24:46.840 --> 0:24:53.240
<v Speaker 1>I would you rather attend a daar event with Emily

0:24:53.440 --> 0:24:55.360
<v Speaker 1>or a town meeting with Taylor?

0:24:56.200 --> 0:24:57.160
<v Speaker 3>Town meeting one?

0:25:00.440 --> 0:25:04.119
<v Speaker 1>You must like to sweat for fourteen solid hours and

0:25:04.240 --> 0:25:05.719
<v Speaker 1>winter clothes in summer.

0:25:06.320 --> 0:25:09.080
<v Speaker 3>Oh, you got to remember, I was always part of

0:25:09.119 --> 0:25:11.520
<v Speaker 3>the Yale crew. I never got to visit Stars Hollow

0:25:11.760 --> 0:25:13.120
<v Speaker 3>never so sad.

0:25:13.920 --> 0:25:20.680
<v Speaker 1>Yeah, Gilmore Girl's character you would want as a roommate.

0:25:23.920 --> 0:25:29.080
<v Speaker 3>Paris really very clean, yes really yeah, would keep things

0:25:29.280 --> 0:25:31.240
<v Speaker 3>very clean and orderly. And you know what she is

0:25:31.320 --> 0:25:34.920
<v Speaker 3>a ride or die. She will have your.

0:25:34.840 --> 0:25:40.720
<v Speaker 1>Back, huh something in your life. You are all in.

0:25:40.720 --> 0:25:42.240
<v Speaker 5>On m.

0:25:44.200 --> 0:25:49.880
<v Speaker 3>My family they're great. I really like them, and also

0:25:49.960 --> 0:25:54.440
<v Speaker 3>my private practice. I also really not in a weird way,

0:25:54.520 --> 0:25:57.159
<v Speaker 3>but I really love and respect and admire all of

0:25:57.200 --> 0:25:58.159
<v Speaker 3>my clients.

0:26:00.240 --> 0:26:04.280
<v Speaker 1>Okay, so how would prospective patients get in touch?

0:26:06.400 --> 0:26:08.600
<v Speaker 3>They can get in touch through my website which is

0:26:08.640 --> 0:26:13.800
<v Speaker 3>fulfillinglifetherapy dot com and I'm on you know, Instagram and

0:26:14.000 --> 0:26:17.640
<v Speaker 3>TikTok talking about mental health a little bit, so they

0:26:17.680 --> 0:26:19.800
<v Speaker 3>can look me up on my on not too.

0:26:21.119 --> 0:26:25.719
<v Speaker 1>Excellent, Elizabeth. It has been an intense pleasure talking to you.

0:26:25.760 --> 0:26:27.200
<v Speaker 1>Good luck with your practice.

0:26:27.680 --> 0:26:28.119
<v Speaker 5>Thank you.

0:26:28.240 --> 0:26:32.360
<v Speaker 1>Yeah, maybe we'll see you back on the boards as

0:26:32.359 --> 0:26:37.879
<v Speaker 1>it were, inhabiting another role. But it was a pleasure

0:26:37.920 --> 0:26:39.400
<v Speaker 1>talk and you getting to tell you a little bit

0:26:40.320 --> 0:26:45.760
<v Speaker 1>and sharing your thoughts on your experiences on Gilmore Girls.

0:26:44.720 --> 0:26:47.960
<v Speaker 1>All you too, Thank.

0:26:47.760 --> 0:27:18.080
<v Speaker 5>You, hey everybody, and to forget.

0:27:18.119 --> 0:27:22.160
<v Speaker 1>Follow us on Instagram at i Am all In Podcast,

0:27:22.240 --> 0:27:35.280
<v Speaker 1>and email us at Gilmore at iHeartRadio dot com.