WEBVTT - Amanda Seyfried on becoming the unknowable Elizabeth Holmes

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<v Speaker 1>Hi everyone, I'm Katie Curic, and this is next question.

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<v Speaker 1>You know you can't turn on your TV these days

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<v Speaker 1>without being ambushed by a sea of true crime stories,

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<v Speaker 1>not the murder kind that's so pre pandemic. These days

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<v Speaker 1>were obsessed with the silicon scammer, the bad entrepreneur, the

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<v Speaker 1>failing founder from super Pumped about Uber founder Travis Kalenik.

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<v Speaker 1>You are disruptors, because that is what revolution requires. Two

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<v Speaker 1>we crashed about We Work founder Adam Newman. What do

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<v Speaker 1>you think when I say to the dropout about Thereinos

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<v Speaker 1>founder Elizabeth Holmes? The world works in certain ways until

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<v Speaker 1>a new, great idea comes along and changes everything. We

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<v Speaker 1>just can't seem to look away from the heart pounding

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<v Speaker 1>rise and the inevitable gut punching fall of these brilliant, young, white,

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<v Speaker 1>mostly male, and very rich moguls. For me, it's all

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<v Speaker 1>about Elizabeth Holmes. She fascinates me. The voice, the look,

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<v Speaker 1>the burning ambition. A healthcare pioneer is being compared to

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<v Speaker 1>visionaries like Bill Gates and Steve Jobs. She is the

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<v Speaker 1>youngest person to ever get the Horatio Alger Award. Every

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<v Speaker 1>time you create something new, there should be questions and

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<v Speaker 1>to me, that's a sign that you've actually done something

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<v Speaker 1>that it's transformatives in At just thirty years old, Elizabeth

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<v Speaker 1>was one of the youngest self made billionaires thanks to

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<v Speaker 1>her blood testing technology and her biotech startup Paraus. By January,

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<v Speaker 1>Elizabeth was found guilty on four out of eleven federal charges.

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<v Speaker 1>After seven full days of deliberations, the verdicts are in.

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<v Speaker 1>Elizabeth Holmes has been found guilty in this fraud trial.

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<v Speaker 1>Guilty of conspiracy to defraud Paras investors, not guilty of

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<v Speaker 1>conspiracy to defraud the patients. So at one time she

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<v Speaker 1>was compared to Steve Jobs, and now she's a convicted

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<v Speaker 1>felon who was facing up to twenty years behind bars.

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<v Speaker 1>She'll be sentenced this fall. But even after a four

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<v Speaker 1>month trial in which Elizabeth herself took the stand, it's

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<v Speaker 1>still not clear how this woman was such promise, fell

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<v Speaker 1>from grace and massive success in such dramatic fashion. Today

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<v Speaker 1>we find out what it was like to become Elizabeth,

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<v Speaker 1>to embody that enigma. I'm talking to the star of

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<v Speaker 1>the new Hulu series The Dropout, Amanda Cipher. It you

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<v Speaker 1>have to do it. I mean this podcast for crying

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<v Speaker 1>out loud so you have to do it. Well, um,

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<v Speaker 1>it's really hard to get down, but it's actually easier

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<v Speaker 1>is to do the accent, which is it's really just

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<v Speaker 1>an effect, but it's just really the way her mouth moves.

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<v Speaker 1>The thirty six year old after is a familiar face,

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<v Speaker 1>having worked in the movie business since she was fifteen,

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<v Speaker 1>after a decade of coasting through silly but beloved comedies

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<v Speaker 1>from Mean Girls, So here from Africa. Why are you white?

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<v Speaker 1>Oh my god, Karen, you can't just ask people why

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<v Speaker 1>they're white? To Mama Mia, honey, honey, how he thrills me?

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<v Speaker 1>Amanda has become somewhat of a dramatic dark horse, wowing

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<v Speaker 1>critics and David Fincher's film Bank My Exit, what I

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<v Speaker 1>already made My exit and now transforming into Elizabeth Holmes

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<v Speaker 1>for the dropout. Here at theirs, we are developing new technology.

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<v Speaker 1>Here at theres new You're developing new technology. New technology

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<v Speaker 1>is inspiring. Step forward, forward, forward forward, This is inspiring,

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<v Speaker 1>step forward, and she does it all outside of the

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<v Speaker 1>Hollywood spotlight. We should explain, by the way, where you

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<v Speaker 1>are right now, where we're doing this podcast. Yeah, so

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<v Speaker 1>we are thousands of miles apart um I am upstate

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<v Speaker 1>at my main residence before I have to go back

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<v Speaker 1>into the grind of the city, New York City, which

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<v Speaker 1>is two hours away, And um, I do as much

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<v Speaker 1>as I can from here. Why not? Why not? And

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<v Speaker 1>did you guys sort of take up residence there during

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<v Speaker 1>the pandemic or were you always pretty much living most

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<v Speaker 1>of your life for as much as possibly you possibly

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<v Speaker 1>could there that this was way before the pandemic, We just, um,

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<v Speaker 1>we happened to already live full time, and um, my

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<v Speaker 1>daughter already was in school up here, so it was

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<v Speaker 1>it was kind of a everybody seemed to join us

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<v Speaker 1>during the pandemic, so our life was already kind of settled,

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<v Speaker 1>so we didn't. It's not like we missed anything when

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<v Speaker 1>we didn't move up here during the pandemic and missed

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<v Speaker 1>the city. I never missed the city. Are you you're

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<v Speaker 1>a country girl, Yeah, but I was a suberb I

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<v Speaker 1>grew up in suburbia. I don't know. I don't know

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<v Speaker 1>what it is. I think it's just control over a

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<v Speaker 1>space maybe that I didn't have growing up. I am

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<v Speaker 1>so loving this show. You do such a phenomenal job

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<v Speaker 1>of of actually occupying Elizabeth Holmes body and her psyche

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<v Speaker 1>um and I know that you consumed everything that was

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<v Speaker 1>out there about this woman. Tell me first how you

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<v Speaker 1>prepared for the role. I started studying those deposition tapes,

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<v Speaker 1>because when you have that many hours of footage of

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<v Speaker 1>somebody's static with on camera just staring at them, you

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<v Speaker 1>don't miss a thing. I mean, we have all that footage.

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<v Speaker 1>When she's doing her ted talk, I believe the individual

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<v Speaker 1>is the answer to the challenges of healthcare. And when

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<v Speaker 1>she's on stage with Maria Schriber for the Vanity fair thing,

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<v Speaker 1>are you a disruptor? Are you a transformer? Revolutionary? When

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<v Speaker 1>it comes to healthcare? We have a vision and a

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<v Speaker 1>dream for early detection and prevention, and we want to

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<v Speaker 1>change our system in such a way in which early

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<v Speaker 1>detection and prevention can become reality. There's just so many interviews,

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<v Speaker 1>but there's something so like rich in those deposition hours

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<v Speaker 1>that you couldn't get in her performative presence. For you

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<v Speaker 1>the decision maker on behalf of fairness? And did you

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<v Speaker 1>sign the Walgreens contract or the amendment? I did. I

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<v Speaker 1>signed many of the Walgreens rooms. I don't know if

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<v Speaker 1>I signed all of them. Time and yes, I mean

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<v Speaker 1>I'm I'm the CEO and the ultimate decision maker for

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<v Speaker 1>the company. Well, let's get back to Elizabeth, because I

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<v Speaker 1>was wondering, Amanda with the deposition tapes, if you saw

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<v Speaker 1>a different Elizabeth Holmes, as you said, it wasn't as

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<v Speaker 1>performative as you know she was in most arenas. But

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<v Speaker 1>I really enjoyed watching you acting as her during the

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<v Speaker 1>deposition without the red lipstick, kind of much more vulnerable.

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<v Speaker 1>But tell me about the differences between how she appeared

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<v Speaker 1>there versus so many of the other things that you watched.

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<v Speaker 1>There's an innate defensiveness when you're being questioned, when you're

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<v Speaker 1>um choices are being questioned. And I still feel like

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<v Speaker 1>there was a part of her that might have been

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<v Speaker 1>playing a part. I tried to imagine myself in that position,

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<v Speaker 1>and I'm always my my first pogative is to make

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<v Speaker 1>sure that people feel comfortable with me, and that I'm

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<v Speaker 1>not making anyone uncomfortable. And I'll tell the truth, and

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<v Speaker 1>I'll say everything. I I'll give all the information that

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<v Speaker 1>I can give. And I wondered what I'd be like

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<v Speaker 1>in that position, and and and so I thought, you know,

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<v Speaker 1>I could be totally wrong because I'm not in her

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<v Speaker 1>head and I never got to speak to her about this,

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<v Speaker 1>but I do feel like there were levels of there

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<v Speaker 1>was still some maneuvering she was doing. I mean, she

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<v Speaker 1>was still negotiating her way around the questions and and

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<v Speaker 1>it's also a legal environment. I mean, she's got her

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<v Speaker 1>lawyers and she's got these prosecutors, and I just imagine

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<v Speaker 1>it was just really tricky for her. So watching her

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<v Speaker 1>negotiate her way around the questions and her own whatever

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<v Speaker 1>she might have been feeling, and the defensiveness that comes

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<v Speaker 1>along with it for anybody, It's just like it was

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<v Speaker 1>just rich and uncomfortable, and there was just so many

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<v Speaker 1>hours worth that I could just soak get in every

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<v Speaker 1>day watching something new. I mean I can practically quote

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<v Speaker 1>it because I had two and a half months too,

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<v Speaker 1>you know, prepare. And during the deposition, did she cast

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<v Speaker 1>aside some of these affectations that she adopted in order

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<v Speaker 1>to move in the world that she was trying to

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<v Speaker 1>be successful? In other words, did did her voice uh

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<v Speaker 1>you know, did it change a little bit? And was

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<v Speaker 1>it less um kind of BARITONEI ish when she was

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<v Speaker 1>doing the deposition. Oh, that isn't really good. It's a

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<v Speaker 1>real feat to get that low for me, Like, I

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<v Speaker 1>don't like you have a pretty like average sitting like females.

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<v Speaker 1>I mean, I guess you could go either way, like

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<v Speaker 1>you're pretty, I have a pretty I think I have

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<v Speaker 1>a I don't know. I think I have a pretty

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<v Speaker 1>low voice. I guess, I guess maybe maybe I would

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<v Speaker 1>love to know what your measurement is. There's a measurement,

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<v Speaker 1>and I don't remember if it's like frequency desciples. I

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<v Speaker 1>don't know what it is. But someone told me at

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<v Speaker 1>a body language expert told me that Elizabeth her what

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<v Speaker 1>her deepest she was at like a one eighties something,

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<v Speaker 1>and I sit at a two thirty three, and apparently

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<v Speaker 1>like two thirty is an average female where average female

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<v Speaker 1>voice sits. And at her lowest she was one eighty.

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<v Speaker 1>But I think for the deposition, so I think she

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<v Speaker 1>was already I imagine, like muscle memory, I was speaking

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<v Speaker 1>more like her. I'm better at it now because I

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<v Speaker 1>did it for so long. It's muscle memory. And I

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<v Speaker 1>think for her she adapted. I think she adapted to

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<v Speaker 1>that lower register and it was more natural for her

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<v Speaker 1>than it is for me. So I think during the

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<v Speaker 1>Deposition era that's like two thousand seventeen. She was already

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<v Speaker 1>she had already adopted that that baritone that I don't

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<v Speaker 1>think she's ever gonna be rid of. I can't imagine.

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<v Speaker 1>But she didn't put in terms of body language, she

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<v Speaker 1>was much less commanding. I mean, she wasn't she wasn't

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<v Speaker 1>trying to change anyone's mind. She was there was a

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<v Speaker 1>some moments feebleness to her and vulnerability, like you said,

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<v Speaker 1>like and and and it was also really uh, it

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<v Speaker 1>was also easier to relate to her and to feel

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<v Speaker 1>compassion for her in that setting, um, because she does

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<v Speaker 1>seem like she's like kind of stripped of all that

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<v Speaker 1>and you know that the charisma was all just go on.

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<v Speaker 1>I actually met with her when I dropped my daughter

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<v Speaker 1>off at Stanford, and it was sort of at the

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<v Speaker 1>height of her celebrity status, when she was on the

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<v Speaker 1>cover of so many magazines. And when I went to

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<v Speaker 1>visit her in Palo Alto. I went to her office

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<v Speaker 1>and she sat in a in a room with me,

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<v Speaker 1>and she got tears in her eyes when she told

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<v Speaker 1>me how she need to help people with cancer. Of course,

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<v Speaker 1>I think she knew that my husband had died of cancer,

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<v Speaker 1>and I've done so much cancer advocacy work, but she

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<v Speaker 1>seemed to care so deeply, and maybe again that was

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<v Speaker 1>performative for me. But UM, you know she actually I

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<v Speaker 1>thought she was going to start crying and it kind

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<v Speaker 1>of made me get kind of teary. And so do

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<v Speaker 1>you think that was real well or do you think

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<v Speaker 1>that was just playing to an audience? Yet again, I

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<v Speaker 1>don't know. I want to believe. I just always want

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<v Speaker 1>to believe the good no matter what. Um, much like

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<v Speaker 1>she wanted to believe that it was the tech was working. UM,

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<v Speaker 1>I want to believe that she was there with you,

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<v Speaker 1>But I am skeptical because you know, she's powerful. She's

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<v Speaker 1>powerful and she knows it. She's very smart. She's really

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<v Speaker 1>really smart. It's amazing. UM. I don't know. I have

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<v Speaker 1>to ask you about the voice. M you got rid

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<v Speaker 1>of that pretty quickly, but you have to do it.

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<v Speaker 1>I mean this podcast, we're crying out loud, so you

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<v Speaker 1>have to do it. Well. UM, it's really hard to

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<v Speaker 1>get down. But it's more it's it's actually easier is

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<v Speaker 1>to do the accent, which is it's really just an effect,

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<v Speaker 1>but it's just really the way her mouth moves and

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<v Speaker 1>it's hard to get back down there. Um, I had

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<v Speaker 1>a better time. I had an easier time doing it

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<v Speaker 1>after when I was doing a d R, after I

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<v Speaker 1>had COVID for the second time after Christmas, I was

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<v Speaker 1>coughing so much. Then my register was actually much deeper,

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<v Speaker 1>even though it's not great for my vocal cords. It

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<v Speaker 1>was like it was really low, like I can't even

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<v Speaker 1>get there right now. But but it's it's mainly about

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<v Speaker 1>the placement more and which you know you talk. But

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<v Speaker 1>then again, like I'm thinking of you sitting in rooms

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<v Speaker 1>with her, which I never got to do. I would

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<v Speaker 1>have loved to. I would have connected with her. I

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<v Speaker 1>know I would have. I mean it. It would have

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<v Speaker 1>been hard not to, and I I'm so glad I

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<v Speaker 1>didn't because I don't think I would have been able

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<v Speaker 1>to play her. I would have felt bad. Well, let's

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<v Speaker 1>talk about her, because how much license did the writer

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<v Speaker 1>take in terms of her relationship with Sunny, the way

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<v Speaker 1>she interacted with her employees, Um, how much about did

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<v Speaker 1>they have to create to fill in the blank spaces? Well,

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<v Speaker 1>the blank spaces were all very for us. Just when

0:14:47.400 --> 0:14:52.960
<v Speaker 1>she's alone, when she's making these decisions, when she's developing

0:14:53.000 --> 0:14:58.160
<v Speaker 1>the voice like that's all just imagined reality Liz Meriweather's genius,

0:14:58.160 --> 0:15:04.280
<v Speaker 1>sparking brain. Um, we enriched so much of the Sunny

0:15:04.400 --> 0:15:07.880
<v Speaker 1>Elizabeth relationship because I will say it wasn't until halfway

0:15:07.880 --> 0:15:09.880
<v Speaker 1>through we were filming that we got the dump of

0:15:09.880 --> 0:15:13.640
<v Speaker 1>text messages between them, and thank god they said what

0:15:13.720 --> 0:15:15.880
<v Speaker 1>they did, because we were already on that path. Like

0:15:15.920 --> 0:15:23.800
<v Speaker 1>their relationship was um very uh confusing to people and

0:15:24.440 --> 0:15:27.040
<v Speaker 1>kind of fascinating because you knew they were they were tight.

0:15:27.120 --> 0:15:30.040
<v Speaker 1>You knew they had a very special bond um and

0:15:30.080 --> 0:15:32.920
<v Speaker 1>nobody really understood it. So we tried to understand it.

0:15:32.960 --> 0:15:35.920
<v Speaker 1>So that's all imagined. Um. But in terms of the

0:15:36.280 --> 0:15:40.520
<v Speaker 1>goal person, posts were really were set. I mean there

0:15:40.520 --> 0:15:43.720
<v Speaker 1>were lots of conversations that were really truly had the

0:15:43.760 --> 0:15:48.680
<v Speaker 1>way she spoke to her employees, her engineers, that that

0:15:48.760 --> 0:15:55.000
<v Speaker 1>was true. It's it's more truthful than um that I

0:15:55.120 --> 0:15:57.800
<v Speaker 1>that I wanted to be and and there were moments

0:15:57.840 --> 0:15:59.400
<v Speaker 1>where I was just like, I can't believe this was

0:15:59.440 --> 0:16:04.600
<v Speaker 1>said out loud, um, like what behave this way? Like

0:16:05.560 --> 0:16:09.080
<v Speaker 1>the way she fired Ian. He was the chief chemist.

0:16:09.200 --> 0:16:12.000
<v Speaker 1>For people who haven't watched the series yet, he was

0:16:12.080 --> 0:16:16.760
<v Speaker 1>the chief chemist Um he's also a cancer patient at

0:16:16.760 --> 0:16:21.520
<v Speaker 1>the time, devoted to what Elizabeth was trying to do.

0:16:21.760 --> 0:16:24.760
<v Speaker 1>The first engineer on the ground with her really believed

0:16:24.800 --> 0:16:30.480
<v Speaker 1>in her. The the things she had said to Anna

0:16:30.560 --> 0:16:34.480
<v Speaker 1>Aariola and Ave Tavanian, who were worked with apples, she

0:16:34.560 --> 0:16:36.840
<v Speaker 1>took them, they were on her board, they were helping

0:16:36.840 --> 0:16:40.359
<v Speaker 1>her out, and the things that she said to them

0:16:40.400 --> 0:16:44.720
<v Speaker 1>about the technology. It was hard to play certain things

0:16:44.720 --> 0:16:47.240
<v Speaker 1>because I knew how real they were, and I didn't

0:16:47.280 --> 0:16:50.240
<v Speaker 1>want to stop believing in her because as an actor,

0:16:50.320 --> 0:16:52.240
<v Speaker 1>when you when you play somebody that you might not

0:16:52.320 --> 0:16:55.200
<v Speaker 1>agree with, you still have to find the humanity. And

0:16:55.200 --> 0:16:57.280
<v Speaker 1>that's the whole point of the show, really to show

0:16:57.320 --> 0:17:00.480
<v Speaker 1>the humanity but not condoned. Anything she did was tricky,

0:17:00.640 --> 0:17:07.080
<v Speaker 1>but sadly it's mostly true. More with Amanda right after this,

0:17:19.160 --> 0:17:22.680
<v Speaker 1>what is your assessment, Amanda, of Elizabeth Holmes? I mean,

0:17:22.720 --> 0:17:26.680
<v Speaker 1>if someone said, who is Elizabeth Holmes in your view

0:17:27.280 --> 0:17:31.040
<v Speaker 1>and you know what is she all about? What would

0:17:31.040 --> 0:17:36.240
<v Speaker 1>you say? I would say, Elizabeth Holmes is an incredibly smart,

0:17:37.359 --> 0:17:45.160
<v Speaker 1>incredibly passionate woman who it was in over her head.

0:17:45.320 --> 0:17:49.720
<v Speaker 1>I think she you know, her belief led her down.

0:17:49.760 --> 0:17:54.040
<v Speaker 1>This path. You know, she she became very powerful because

0:17:54.040 --> 0:17:56.679
<v Speaker 1>she really believed in something and she was trying to

0:17:56.720 --> 0:18:00.119
<v Speaker 1>make it work. And I think that, um, she just

0:18:00.240 --> 0:18:03.600
<v Speaker 1>ended up making the wrong decisions halfway down the road.

0:18:03.680 --> 0:18:07.639
<v Speaker 1>I think there's definitely there's as incorrect and correct ways

0:18:07.720 --> 0:18:10.320
<v Speaker 1>clear black and white at this point, at the point

0:18:10.359 --> 0:18:12.159
<v Speaker 1>where I'm talking about the fork in the road, and

0:18:12.480 --> 0:18:15.120
<v Speaker 1>she took the wrong way and and she doubled down.

0:18:15.160 --> 0:18:18.320
<v Speaker 1>And I don't know if that's because she believed that

0:18:18.440 --> 0:18:21.920
<v Speaker 1>it was still gonna work and she wanted she would

0:18:21.920 --> 0:18:24.119
<v Speaker 1>do it at any get it done at any cost,

0:18:24.359 --> 0:18:28.440
<v Speaker 1>with you know, lives and then in the balance and

0:18:28.560 --> 0:18:33.359
<v Speaker 1>lies or she just you know, says we don't have it,

0:18:33.800 --> 0:18:36.119
<v Speaker 1>give me some time, and and you know, I I

0:18:36.160 --> 0:18:37.760
<v Speaker 1>feel like a lot of people would be like, why

0:18:37.800 --> 0:18:39.760
<v Speaker 1>didn't you just say you didn't have it? And I

0:18:39.800 --> 0:18:41.600
<v Speaker 1>can't say what I would I can say what I

0:18:41.600 --> 0:18:43.479
<v Speaker 1>would have done, but it probably would have been harder

0:18:44.440 --> 0:18:47.359
<v Speaker 1>at that point that she was at. I really believe

0:18:47.400 --> 0:18:50.680
<v Speaker 1>she had the best of intentions and do do And

0:18:50.720 --> 0:18:52.520
<v Speaker 1>with this show, it gives us a lot of context,

0:18:52.640 --> 0:18:56.359
<v Speaker 1>like maybe these things really did happen. She wasn't great socially.

0:18:57.160 --> 0:19:00.919
<v Speaker 1>She her dad lost his job at Enron, which is

0:19:01.040 --> 0:19:04.439
<v Speaker 1>huge for their family. I mean, she claims she was

0:19:05.400 --> 0:19:08.760
<v Speaker 1>actually assaulted in college. I mean that's not an excuse,

0:19:08.800 --> 0:19:12.800
<v Speaker 1>but that can really that can traumatize somebody in ways

0:19:12.840 --> 0:19:16.960
<v Speaker 1>that make it harder to to function. And the very

0:19:17.040 --> 0:19:20.199
<v Speaker 1>least and where I stand now with hers that like

0:19:20.359 --> 0:19:22.960
<v Speaker 1>she really she really had the best intentions, and she

0:19:23.000 --> 0:19:25.920
<v Speaker 1>made the wrong decision and she made choices that I

0:19:25.800 --> 0:19:28.880
<v Speaker 1>I wish she hadn't for the sake of a lot

0:19:28.920 --> 0:19:33.400
<v Speaker 1>of people. I mean, just being irresponsible with health health care.

0:19:33.440 --> 0:19:35.840
<v Speaker 1>It's just you can't. And if this is a if

0:19:35.880 --> 0:19:39.880
<v Speaker 1>this is a lesson, like a cautionary tale for anybody

0:19:39.880 --> 0:19:44.760
<v Speaker 1>who wants to, you know, take the shortcut developing health

0:19:44.800 --> 0:19:49.120
<v Speaker 1>care technology thing again like science, That's why I love

0:19:49.160 --> 0:19:52.080
<v Speaker 1>in this show. What is episode three or I think

0:19:52.080 --> 0:19:56.400
<v Speaker 1>episode four, Elizabeth says to Ian, her head engineer, where

0:19:56.400 --> 0:20:02.080
<v Speaker 1>she's firing him. She says, um, you don't understand the business,

0:20:02.119 --> 0:20:05.520
<v Speaker 1>and he says, you don't understand the science. And it's

0:20:05.560 --> 0:20:09.080
<v Speaker 1>just like there, it isn't a nutshell. She didn't understand

0:20:09.080 --> 0:20:12.080
<v Speaker 1>the science. But I also think when you look at

0:20:12.119 --> 0:20:14.960
<v Speaker 1>the origin story of theopness, which I think the series

0:20:15.000 --> 0:20:18.480
<v Speaker 1>does really well. You know, it's not as if, at

0:20:18.560 --> 0:20:21.920
<v Speaker 1>least how it's portrayed. It's not as if she came

0:20:22.040 --> 0:20:26.360
<v Speaker 1>up with this idea and said, you know, the blood

0:20:26.440 --> 0:20:29.879
<v Speaker 1>industry needs to be disrupted, we need to have a

0:20:29.920 --> 0:20:33.240
<v Speaker 1>better way, We need to make it easier to diagnose

0:20:33.280 --> 0:20:39.080
<v Speaker 1>the whole host of diseases. It's almost as if it

0:20:39.200 --> 0:20:42.439
<v Speaker 1>was the means to an end. You know, she wanted

0:20:42.560 --> 0:20:47.480
<v Speaker 1>to be this hugely successful entrepreneur. It seems like she

0:20:47.600 --> 0:20:54.240
<v Speaker 1>retrofitted this desire to be of female Steve jobs, perhaps

0:20:54.359 --> 0:20:57.879
<v Speaker 1>because her father had lost her job, perhaps because you know,

0:20:58.160 --> 0:21:00.600
<v Speaker 1>she was looking to find her place in the world.

0:21:00.960 --> 0:21:05.240
<v Speaker 1>But the idea didn't come first. The goal came first.

0:21:06.080 --> 0:21:08.159
<v Speaker 1>It's so funny. I never looked at it that way,

0:21:08.240 --> 0:21:12.240
<v Speaker 1>but it is exactly how we are we're telling the

0:21:12.280 --> 0:21:15.600
<v Speaker 1>story as well. It's just like, yeah, it came she

0:21:15.760 --> 0:21:19.600
<v Speaker 1>was looking for the next idea, and for whatever reason,

0:21:19.640 --> 0:21:22.080
<v Speaker 1>it was going to be in healthcare because she was

0:21:22.160 --> 0:21:24.880
<v Speaker 1>really into micro fluid I. She was taking course she

0:21:25.119 --> 0:21:28.200
<v Speaker 1>you know, she was still in school, and we actually

0:21:28.280 --> 0:21:31.840
<v Speaker 1>show our version of her life. We show her studying

0:21:31.840 --> 0:21:34.760
<v Speaker 1>and trying to come up the next idea. And and

0:21:34.800 --> 0:21:36.840
<v Speaker 1>it is true that she came up with a blood

0:21:36.840 --> 0:21:42.800
<v Speaker 1>with a patch that would um dispense a lot of

0:21:42.840 --> 0:21:46.200
<v Speaker 1>like medicines to make it easier to get medicine. And

0:21:46.440 --> 0:21:49.480
<v Speaker 1>it and it, and it wasn't like Phyllis Gardner at

0:21:49.480 --> 0:21:54.320
<v Speaker 1>Stanford said, it's not actually possible. Try something else. And

0:21:54.720 --> 0:21:57.080
<v Speaker 1>she she kept trying, and she found something else that

0:21:57.200 --> 0:22:02.679
<v Speaker 1>was totally viable. Um, maybe not right now still, but

0:22:04.200 --> 0:22:07.720
<v Speaker 1>I think she was inspired by somebody changing the world.

0:22:07.760 --> 0:22:10.919
<v Speaker 1>And Liz Meryweather wrote a line in the first episode

0:22:10.920 --> 0:22:14.600
<v Speaker 1>where she's telling William H. Macy's character Richard that she

0:22:14.680 --> 0:22:18.720
<v Speaker 1>just wants to be a billionaire someday. And and and

0:22:18.800 --> 0:22:22.200
<v Speaker 1>it is interesting that like that did that gold did

0:22:22.240 --> 0:22:29.440
<v Speaker 1>come first? It did. How was Elizabeth Holmes able to convince, persuade,

0:22:29.520 --> 0:22:35.439
<v Speaker 1>manipulate super intelligent, experienced people like George Schultz and Henry

0:22:35.480 --> 0:22:38.919
<v Speaker 1>Kissinger and General Maddis to invest in her company? I

0:22:38.960 --> 0:22:43.199
<v Speaker 1>mean that to me is just astounding. You know, it

0:22:43.280 --> 0:22:46.399
<v Speaker 1>was interesting to watch George Schault's played by Sam Waterston,

0:22:46.760 --> 0:22:50.639
<v Speaker 1>you know, just get all googly eyed around her. You know,

0:22:50.840 --> 0:22:56.000
<v Speaker 1>she clearly bamboozled him by you know, thank you for

0:22:56.080 --> 0:23:01.040
<v Speaker 1>sharing that story with me. Um that that was really

0:23:01.560 --> 0:23:05.320
<v Speaker 1>profound or whatever she said to him, you know, and

0:23:05.320 --> 0:23:09.120
<v Speaker 1>and to see him sort of fall for her. Ah.

0:23:09.880 --> 0:23:13.359
<v Speaker 1>But it was weird because it was not over sexuality.

0:23:14.200 --> 0:23:18.320
<v Speaker 1>I don't know what it was what how did how

0:23:18.320 --> 0:23:21.959
<v Speaker 1>did she do it? And why why did they do it?

0:23:22.160 --> 0:23:26.040
<v Speaker 1>I'm still I don't think I'll ever understand that. I

0:23:26.080 --> 0:23:29.240
<v Speaker 1>feel like there's got to be a level of fomo. Yeah,

0:23:29.640 --> 0:23:33.120
<v Speaker 1>you know, they're they're they're they're so much older. They're

0:23:33.160 --> 0:23:34.679
<v Speaker 1>not in the tech world like she All of her

0:23:34.680 --> 0:23:39.200
<v Speaker 1>investors weren't tech investors. They weren't Silicon Valley investors. Nobody,

0:23:39.359 --> 0:23:43.840
<v Speaker 1>no VC wanted to go with her because they know better. Um.

0:23:43.880 --> 0:23:45.960
<v Speaker 1>And it's because it's because health care is really hard.

0:23:47.440 --> 0:23:51.560
<v Speaker 1>I mean when she says Mark Zuckerberg said move fast

0:23:51.600 --> 0:23:57.200
<v Speaker 1>and break things. Yeah, that that totally um works when

0:23:57.200 --> 0:24:01.040
<v Speaker 1>you're in the tech but not but io tech, I mean,

0:24:01.600 --> 0:24:05.640
<v Speaker 1>like not human human beings like health She was using

0:24:05.680 --> 0:24:10.480
<v Speaker 1>certain templates in the wrong places. In her template. It

0:24:10.560 --> 0:24:16.119
<v Speaker 1>was get a lot of very powerful people in government

0:24:16.280 --> 0:24:18.639
<v Speaker 1>to to invest, and then the rest will follow. And

0:24:18.640 --> 0:24:22.080
<v Speaker 1>that's exactly what happened. I mean that's another thing, you know.

0:24:22.119 --> 0:24:25.440
<v Speaker 1>I was I was watching. UM. Michael Showalter directed the

0:24:25.440 --> 0:24:28.200
<v Speaker 1>first four episodes of The Dropout. He also directed Tammy

0:24:28.240 --> 0:24:31.919
<v Speaker 1>Fit The Eyes of Tammy Faye wish God willing Jessica

0:24:32.000 --> 0:24:36.160
<v Speaker 1>Chestion wear her oscar for this year UM, and I

0:24:36.200 --> 0:24:38.840
<v Speaker 1>was curious. I actually looked over at my husband we

0:24:38.840 --> 0:24:41.480
<v Speaker 1>were watching it. When Andrew Garfield drives up in the

0:24:41.520 --> 0:24:43.760
<v Speaker 1>car with his new car, She's like, we can't afford

0:24:43.800 --> 0:24:46.439
<v Speaker 1>this car and he's like, fake, do you make it?

0:24:47.480 --> 0:24:52.920
<v Speaker 1>And sorry? But like her whole trajectory was faking it

0:24:53.000 --> 0:24:57.120
<v Speaker 1>until she made it, getting security guards just for that

0:24:57.119 --> 0:25:01.840
<v Speaker 1>that aura, just if you know, people would say she

0:25:01.880 --> 0:25:04.600
<v Speaker 1>has all the security. I mean they must be protecting

0:25:04.640 --> 0:25:08.280
<v Speaker 1>something real, and it's actually no. You build up around

0:25:08.320 --> 0:25:10.760
<v Speaker 1>you and then people will believe whatever you tell them.

0:25:11.040 --> 0:25:14.600
<v Speaker 1>I think it automatically, psychologically makes you think, well, there's

0:25:14.640 --> 0:25:18.040
<v Speaker 1>got to be some there there if all of this

0:25:18.560 --> 0:25:21.679
<v Speaker 1>is around her. And I think she was brilliant at

0:25:22.320 --> 0:25:26.960
<v Speaker 1>at appearances. But it's interesting that you say fomo because

0:25:27.160 --> 0:25:32.640
<v Speaker 1>I think that is so perceptive because George Saltz said,

0:25:32.680 --> 0:25:36.320
<v Speaker 1>I'm ninety years old, and she says, what a vibrant

0:25:36.400 --> 0:25:39.720
<v Speaker 1>ninety year old he is or something. And I think

0:25:39.760 --> 0:25:45.479
<v Speaker 1>it is this clash of old, established business practices and

0:25:45.680 --> 0:25:53.400
<v Speaker 1>success coming up against this brash, new generation of entrepreneurs.

0:25:53.480 --> 0:25:59.520
<v Speaker 1>And I think that makes people feel old, entrenched and

0:25:59.680 --> 0:26:03.000
<v Speaker 1>as my daughter would say, choogy. And I think it's

0:26:03.920 --> 0:26:09.440
<v Speaker 1>it's so well illustrated with the Walgreens guy, right, you

0:26:09.480 --> 0:26:13.239
<v Speaker 1>have the I guess chief medical Operator or whatever he was,

0:26:14.080 --> 0:26:18.479
<v Speaker 1>and he's played so brilliantly by the guy from Ferris Bueller.

0:26:18.560 --> 0:26:22.440
<v Speaker 1>What's his name, Amanda Allan Ruck, Alan Ruck. And it's

0:26:22.480 --> 0:26:26.960
<v Speaker 1>so clear that that this character, this man was going

0:26:27.000 --> 0:26:32.000
<v Speaker 1>through kind of almost a professional midlife crisis, if you will.

0:26:32.119 --> 0:26:36.560
<v Speaker 1>Listening to Katie Perry, you know, singing that song what

0:26:36.760 --> 0:26:41.520
<v Speaker 1>is that UK? You know, this guy just wants to

0:26:41.560 --> 0:26:43.840
<v Speaker 1>be a part of the action. He wants to be

0:26:44.520 --> 0:26:49.320
<v Speaker 1>where business is going. And you know, I think with

0:26:49.359 --> 0:26:53.600
<v Speaker 1>all these business pressures that some of these people saw

0:26:54.520 --> 0:26:59.679
<v Speaker 1>her as this almost messionic figure who was going to

0:26:59.760 --> 0:27:05.520
<v Speaker 1>try transform industry for the better and not really necessarily

0:27:06.480 --> 0:27:11.720
<v Speaker 1>you know, thinking about improving healthcare, but improving the bottom line. Right,

0:27:13.800 --> 0:27:16.720
<v Speaker 1>I do wonder if that's is this how things get done?

0:27:16.720 --> 0:27:19.760
<v Speaker 1>I mean, I thought it was necessary for me to

0:27:19.880 --> 0:27:22.159
<v Speaker 1>be an audience member watching the show because I wanted

0:27:22.200 --> 0:27:25.359
<v Speaker 1>to know what it could have been like inside of

0:27:25.359 --> 0:27:29.440
<v Speaker 1>her head um, and then like being able to play her,

0:27:29.600 --> 0:27:33.520
<v Speaker 1>I really really cared, Like I really wanted there to

0:27:33.560 --> 0:27:40.000
<v Speaker 1>be something good in there. Um, What is good about

0:27:40.000 --> 0:27:46.320
<v Speaker 1>Elizabeth Holmes? Oh? I mean I don't know. People say,

0:27:46.720 --> 0:27:49.280
<v Speaker 1>you know, so what do you think about her? And

0:27:49.359 --> 0:27:55.439
<v Speaker 1>I'm like, I don't really know her. I spent you know,

0:27:55.760 --> 0:27:58.800
<v Speaker 1>seven months of my life playing a version of her,

0:27:58.920 --> 0:28:03.040
<v Speaker 1>my version of her, But the she's a real human

0:28:03.040 --> 0:28:05.879
<v Speaker 1>being and she's out there walking around with a baby

0:28:06.440 --> 0:28:11.400
<v Speaker 1>and a family, and I'm like, I have no idea

0:28:12.320 --> 0:28:16.480
<v Speaker 1>what she could possibly be thinking. Because of all the

0:28:16.600 --> 0:28:20.240
<v Speaker 1>things that she's done, all the things she put into

0:28:20.280 --> 0:28:24.280
<v Speaker 1>play that are really hard to watch and really hard

0:28:24.320 --> 0:28:30.560
<v Speaker 1>to understand and really hard to excuse. You know, she's

0:28:30.600 --> 0:28:35.119
<v Speaker 1>also a real person. So I think what's good about

0:28:35.160 --> 0:28:40.520
<v Speaker 1>her is that she was very disciplined, and I don't

0:28:40.520 --> 0:28:43.520
<v Speaker 1>know she was passionate. I guess that's a good. Well,

0:28:43.520 --> 0:28:45.640
<v Speaker 1>what do you do with it when you have that passion? Like,

0:28:45.760 --> 0:28:47.480
<v Speaker 1>it's it's all about what you do with it, It's

0:28:47.520 --> 0:28:52.000
<v Speaker 1>all about the journey but it's also what motivates that passion, right,

0:28:52.120 --> 0:28:56.280
<v Speaker 1>and that to me is still a gigantic question mark.

0:28:56.880 --> 0:28:58.960
<v Speaker 1>That's the thing, Like what was she afraid of? That's it,

0:28:59.560 --> 0:29:04.080
<v Speaker 1>I think are in our story. She cared about her

0:29:04.080 --> 0:29:09.200
<v Speaker 1>parents and she was afraid of failing them. I was

0:29:09.240 --> 0:29:11.160
<v Speaker 1>able to relate to her because she's also like a

0:29:11.200 --> 0:29:18.680
<v Speaker 1>contemporary of mine. We you know, we're a little socially

0:29:18.720 --> 0:29:20.520
<v Speaker 1>offered to the school. We were on the dance team.

0:29:20.600 --> 0:29:23.480
<v Speaker 1>We you know, listened to probably some of the same music.

0:29:23.920 --> 0:29:27.920
<v Speaker 1>Like that was the easy step to to to relate to.

0:29:28.000 --> 0:29:29.840
<v Speaker 1>But the rest of it, you know, as it is,

0:29:29.840 --> 0:29:32.600
<v Speaker 1>it as more stuff came to light, it's just so

0:29:32.680 --> 0:29:35.480
<v Speaker 1>hard to think about the things that are good. But

0:29:35.600 --> 0:29:43.040
<v Speaker 1>I think she there's got to be something right or

0:29:43.080 --> 0:29:46.920
<v Speaker 1>is that just what I want to believe? We'll be

0:29:47.080 --> 0:30:01.200
<v Speaker 1>right back. I'm wonder if Elizabeth will ever tell her

0:30:01.200 --> 0:30:05.240
<v Speaker 1>own story. So much has been written about her. She

0:30:05.320 --> 0:30:10.680
<v Speaker 1>should like she should, and also like will she see

0:30:10.760 --> 0:30:13.600
<v Speaker 1>the dropout? I don't know she I don't think she

0:30:13.600 --> 0:30:15.800
<v Speaker 1>should watch the show. I really don't. I mean, it's

0:30:16.080 --> 0:30:18.560
<v Speaker 1>there's we made up. We made up. A lot of

0:30:18.600 --> 0:30:22.960
<v Speaker 1>it is imagined reality. It's a TV show. I think

0:30:22.960 --> 0:30:26.640
<v Speaker 1>she should. I mean, everybody deserves to have a a

0:30:26.760 --> 0:30:31.360
<v Speaker 1>chance to speak their minds, right. Um, maybe she's waiting

0:30:33.000 --> 0:30:36.880
<v Speaker 1>to write a memoir, you know, like wouldn't we all

0:30:37.040 --> 0:30:41.560
<v Speaker 1>love to know from her perspective? I mean, we're trying

0:30:41.600 --> 0:30:44.760
<v Speaker 1>to get some perspective here on the show for fans

0:30:44.800 --> 0:30:48.680
<v Speaker 1>of her story. But um, and some of the motivations

0:30:48.680 --> 0:30:50.960
<v Speaker 1>behind her choices, like what she could have been thinking.

0:30:51.000 --> 0:30:53.040
<v Speaker 1>But I want to I want to read that book.

0:30:54.000 --> 0:30:58.320
<v Speaker 1>I want her to be the narrator of her own book.

0:30:58.840 --> 0:31:01.040
<v Speaker 1>But do you think we'll ever hear the real story

0:31:01.080 --> 0:31:06.080
<v Speaker 1>if it's from her perspective? Or she'll continue to manipulate

0:31:06.560 --> 0:31:10.280
<v Speaker 1>an audience? You know, Will we ever get to know

0:31:10.360 --> 0:31:13.120
<v Speaker 1>the real Elizabeth Holmes? I guess is the question? Maybe

0:31:13.160 --> 0:31:16.720
<v Speaker 1>we're not meant to. Maybe that's just one of life's

0:31:16.760 --> 0:31:23.280
<v Speaker 1>like questions. I can tell you for sure, she's inventing

0:31:23.360 --> 0:31:26.920
<v Speaker 1>something new right now. I don't think you can stop her,

0:31:27.920 --> 0:31:31.040
<v Speaker 1>and so maybe we'll never understand that kind of drive.

0:31:32.000 --> 0:31:33.440
<v Speaker 1>You know. I got to go to work every day

0:31:33.440 --> 0:31:37.560
<v Speaker 1>and play this enigma, and then I got to go

0:31:37.600 --> 0:31:46.120
<v Speaker 1>home and my family, you know, So it was it's

0:31:46.160 --> 0:31:48.840
<v Speaker 1>interesting to walk around in her shoes for a minute,

0:31:49.000 --> 0:31:53.760
<v Speaker 1>and I, you know, I don't endy her, and I

0:31:53.760 --> 0:31:56.160
<v Speaker 1>hope she comes up with something that does save the world,

0:31:58.120 --> 0:32:03.440
<v Speaker 1>because we all have to come back, don't we. That

0:32:03.600 --> 0:32:06.200
<v Speaker 1>was Amanda Seyfrid. By the way, you can watch the

0:32:06.280 --> 0:32:09.840
<v Speaker 1>Dropout on Hulu now and it's based on the podcast

0:32:09.920 --> 0:32:13.360
<v Speaker 1>of the same name, which is also excellent, So go

0:32:13.480 --> 0:32:17.680
<v Speaker 1>catch up. The finale airs on April seven, and it's great.

0:32:22.680 --> 0:32:24.920
<v Speaker 1>Next Question with Katie Kurik is a production of I

0:32:25.040 --> 0:32:28.920
<v Speaker 1>Heart Media and Katie Kurik Media. The executive producers are Me,

0:32:29.160 --> 0:32:33.680
<v Speaker 1>Katie Curic, and Courtney Litz. The supervising producer is Lauren Hansen.

0:32:34.000 --> 0:32:38.600
<v Speaker 1>Associate producers Derek Clements and Adriana Fasio. The show is

0:32:38.720 --> 0:32:42.480
<v Speaker 1>edited and mixed by Derrick Clements. For more information about

0:32:42.520 --> 0:32:45.440
<v Speaker 1>today's episode, or to sign up for my morning newsletter,

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<v Speaker 1>Wake Up Paul, go to Katie Currek dot com. You

0:32:48.400 --> 0:32:51.040
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