WEBVTT - Pastor T.L. Barrett’s Gospel

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<v Speaker 1>Pushkin. Pastor Teo Barrett's been known on Chicago's South Side

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<v Speaker 1>as a religious and community leader for fifty years, but

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<v Speaker 1>it wasn't until recently that people started to uncover Barrett's

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<v Speaker 1>trove of gospel music. In the nineteen seventies, Barrett began

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<v Speaker 1>making recordings of the music performed in his church. These

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<v Speaker 1>were sermons he turned into songs that sat around for

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<v Speaker 1>years until rappers started sampling them in the last decade,

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<v Speaker 1>people like Kanye West, Ti, DJ Khalin, Alicia Keys. His

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<v Speaker 1>song Nobody Knows was even used in a popular Nike

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<v Speaker 1>commercialist Steph Curry a couple of years ago. All this

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<v Speaker 1>recent attention on aster TiO Barrett has culminated in a

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<v Speaker 1>new box set from the Numero group called I Should

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<v Speaker 1>Wear a Crown, thirty nine tracks of his songs and

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<v Speaker 1>sermons throughout the years. You'll notice in my conversation with

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<v Speaker 1>TiO Barrett that he's a pastor through and through. He

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<v Speaker 1>can't help but breach, and in this episode you'll hear

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<v Speaker 1>a lot of his trademark aphorisms. You'll also hear about

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<v Speaker 1>his distant relation to the Reverend Ceo Franklin, and of

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<v Speaker 1>course his daughter, the great Arita Franklin. Pastor Barrett and

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<v Speaker 1>I also talk about how he went from a high

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<v Speaker 1>school dropout to a community leader, plus what it was

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<v Speaker 1>like for him to have his music discovered so publicly

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<v Speaker 1>after decades. This is broken record liner notes for the

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<v Speaker 1>digital age. I'm justin Richmondtin. Here's my conversation with Pastor

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<v Speaker 1>TiO Barrett. We should start from the beginning. You have

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<v Speaker 1>such a rich, fascinating history and the fact that you

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<v Speaker 1>grew up between Queens in Chicago. Can you tell me

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<v Speaker 1>a little bit about Queens and Chicago when you were

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<v Speaker 1>growing up. Yes, I was born in Jamaica, Queens and

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<v Speaker 1>that was in nineteen forty four. So in nineteen fifty one,

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<v Speaker 1>my father had a leading to come to Chicago, where

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<v Speaker 1>we had relatives of his sisters and his brother, and

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<v Speaker 1>so we moved to Chicago and that's where he started

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<v Speaker 1>his ministry. Moved into them Otobie Welles projects, and that's

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<v Speaker 1>where I grew up and we stayed there until just

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<v Speaker 1>before my father's passing, and I was sixteen years of age.

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<v Speaker 1>It wasn't a very pleasant period in my life because

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<v Speaker 1>all of a sudden I was thrust into the mainstream

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<v Speaker 1>of fending for myself. But I had no kind of

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<v Speaker 1>financial cushion to fall back on. So when he passed

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<v Speaker 1>away shortly after that, I was dismissed from the window

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<v Speaker 1>Phillips High School. And I had barely gotten into high

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<v Speaker 1>school on a summer school program. And the last thing

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<v Speaker 1>that the guidance counselor told me as I was leaving out,

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<v Speaker 1>she said, oh, one more thing, Talbert, come back over here.

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<v Speaker 1>But she shook her well manecute finger in my face

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<v Speaker 1>and said, I just want you to know you will

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<v Speaker 1>never ever amount to anything. Well that really set me

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<v Speaker 1>on a road for discovery for my recovering. My sister

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<v Speaker 1>lived at fifty seventh in Indiana. My parents weren't home

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<v Speaker 1>and my sister was home, so that was the only

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<v Speaker 1>place I could go, And so I went to my

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<v Speaker 1>sister's house. But I made a deal with God. Let's say, God,

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<v Speaker 1>if you come out of that sky and just get

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<v Speaker 1>right into my eye, let me have a very personal

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<v Speaker 1>relationship with you and let me discover the power of

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<v Speaker 1>you from inside. I want you to be personal with me.

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<v Speaker 1>I promised God two things that I would keep my

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<v Speaker 1>body clean, no drugs, no alcoholic beverages, and I would

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<v Speaker 1>work to make my mind keen. Since they wouldn't educate me,

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<v Speaker 1>I'd educate myself. So I walked from thirty ninth in

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<v Speaker 1>Indiana to fifty seventh in Indiana. Well fast forward to today,

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<v Speaker 1>I am sitting in a million dollar plus edifice that

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<v Speaker 1>I in my congregation erected in nineteen eighty two. But

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<v Speaker 1>guess where it sits. Justin It sits on the corner

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<v Speaker 1>of fifty fifth in Indiana, which means I walked across

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<v Speaker 1>this street when I was sixteen years old with an

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<v Speaker 1>ache in my heart, but the determination in my soul

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<v Speaker 1>that what that lady said about me, her negative prognostication,

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<v Speaker 1>would not become a positive fact to me. Today I

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<v Speaker 1>owned this corner. My name is on the street sign

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<v Speaker 1>for six blocks from fifty fifth and Lafayette, which is

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<v Speaker 1>where my old church was to fifty five in Indiana.

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<v Speaker 1>It's called T. L. Barrett Boulevard. So after my father died,

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<v Speaker 1>I went back to New York and that's where I

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<v Speaker 1>got my education. I went to the New York State

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<v Speaker 1>Board of Regents after cramming studying, then they gave me

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<v Speaker 1>my high school deployment. But then I came back to

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<v Speaker 1>Chicago because I wanted to find that lady and make

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<v Speaker 1>her aware of how wrong she was. Did you ever

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<v Speaker 1>come across that guidance counselor again? You know what? For

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<v Speaker 1>years I was on the radio, and for years I

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<v Speaker 1>would send her invitations to come to my church because

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<v Speaker 1>I had a seat reserved for her. I invited her

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<v Speaker 1>to come to my home because I had a guest

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<v Speaker 1>room reserved for her. But I found out from some

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<v Speaker 1>others that she did hear me, but she was too

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<v Speaker 1>ashamed to come forward, so I never heard from her again.

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<v Speaker 1>What was the reason you were kicked out of school?

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<v Speaker 1>Because I was delinquent. I didn't understand then that my

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<v Speaker 1>creativity was causing my anxiety. But I didn't understand it then,

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<v Speaker 1>and I would never do anything that was negatively nefarious.

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<v Speaker 1>In study hall, I would get my trio and we'd

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<v Speaker 1>go behind the curtains in the assembly and we would

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<v Speaker 1>started playing music and have the whole assembly rocking. And

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<v Speaker 1>I get suspended for things like that. So now the

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<v Speaker 1>reason why I'm telling you all of this is to

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<v Speaker 1>show you that some of my music was born out

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<v Speaker 1>of that pathos that I lived through. I felt like

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<v Speaker 1>I was like a ship without a sale, and that's

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<v Speaker 1>a pitiful thing, because ships have cargo, valuable cargo. I

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<v Speaker 1>felt that I had some valuable cargo that could make

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<v Speaker 1>an impressive contribution to the building of a greater society.

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<v Speaker 1>But I didn't have a sale. But I found myself.

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<v Speaker 1>So the song says, but I know we can make it.

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<v Speaker 1>I know we can take it, and no matter what

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<v Speaker 1>burdens are on us, I know we can shake it

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<v Speaker 1>because we are like ships. Don't ever forget that You're

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<v Speaker 1>like a ship. You have cargo, you have valuable cargo.

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<v Speaker 1>And then when I thought about being like a ship

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<v Speaker 1>without a sail, just like a sheep without shame, just

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<v Speaker 1>like a sheep, we same. And I know, but I

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<v Speaker 1>know we can make I know we can't take care.

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<v Speaker 1>I know we can take it, take cad. I know

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<v Speaker 1>we could shake it, sad man. So that began my

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<v Speaker 1>message to the young people. I drew young people to

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<v Speaker 1>my ministry in that little church on a one way

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<v Speaker 1>street going north called Lifiat Avenue, and every Tuesday night,

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<v Speaker 1>young people would come from everywhere, and then celebrity started

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<v Speaker 1>hearing about those young people. People like Donnie Hathaway found

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<v Speaker 1>his way there one night, and then Earthwind and Fire,

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<v Speaker 1>Philip Bailey, who's the lead singer, Andrew Warfolk who's a

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<v Speaker 1>horn player, and Larry Dunn who's a drummer. They all

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<v Speaker 1>came over there that night, and the message that they

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<v Speaker 1>heard touched their hearts, and the young people that they saw,

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<v Speaker 1>that amalgamation of message and meaningful ministry touched their hearts.

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<v Speaker 1>I became the spiritual counselor to Earth Wind and Fire.

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<v Speaker 1>So before sixteen, would you say you grew up were

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<v Speaker 1>you spiritual or were you a believer? Did you grew

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<v Speaker 1>up going to church? My father was a minister. My

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<v Speaker 1>father was a preacher. I already had a strong moral

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<v Speaker 1>compass embedded within me. You know, your dad was a minister.

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<v Speaker 1>There was like an attention or an anxiety that you

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<v Speaker 1>were feeling, And it's almost feels like there was a

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<v Speaker 1>tension maybe between your sort of church religious life, in

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<v Speaker 1>her spiritual life, and between maybe music, which maybe felt

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<v Speaker 1>like a more of a worldly poll. I'm just curious

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<v Speaker 1>where that anxiety was coming from. Where you feel your

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<v Speaker 1>creativity also came from. It was born out of frustration,

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<v Speaker 1>you see, I almost turned against the church. You see,

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<v Speaker 1>I never even graduated from grammar school. They would keep

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<v Speaker 1>us in church almost every night. I'm past midnight, and

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<v Speaker 1>I would be sleeping in school the next day, and

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<v Speaker 1>I remember my teacher said, why are you sleeping? I said,

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<v Speaker 1>because I was at church last night. And then when

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<v Speaker 1>I would tell my father and the church members, they

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<v Speaker 1>would say, well, those people are they don't know God,

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<v Speaker 1>and Jesus is coming back any day now, and you'll

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<v Speaker 1>be ready to go to heaven. And well, as you know,

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<v Speaker 1>Jesus didn't come back. I got left back. So I

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<v Speaker 1>had to fight back and and I said, God, I'm

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<v Speaker 1>not going to teach that kind of theology because it

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<v Speaker 1>doesn't inspire you. If you're going to church and you're

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<v Speaker 1>hearing that any day now Jesus is going to come

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<v Speaker 1>back and take us all the way, then why would

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<v Speaker 1>you struggle with math and and algebra. So when I

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<v Speaker 1>found out that I was being left back, then I

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<v Speaker 1>begin to fight back and I and I just it

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<v Speaker 1>came out in a lot of negative ways, and they

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<v Speaker 1>just put me out of most of the schools on

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<v Speaker 1>the South side of Chicago. But it wasn't until that

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<v Speaker 1>lady told me that I would never amount to nothing

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<v Speaker 1>and that's when the shock of that reality that I'm

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<v Speaker 1>out here by myself hit me and that I'm gonna

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<v Speaker 1>have to seek my own relationship with God. And I did.

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<v Speaker 1>We'll call new thought theology. It's not about a God

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<v Speaker 1>in the sky, It's about a God in your eye,

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<v Speaker 1>just like I'm talking to you right now, I'm talking

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<v Speaker 1>to God. Why not? Why do I say that? Because

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<v Speaker 1>man is the only creature that God created, not living.

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<v Speaker 1>So I teach people to do unto others, not as

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<v Speaker 1>you would have others to do unto you, but do

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<v Speaker 1>unto others that you would do unto God. Not all

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<v Speaker 1>living things have the presence and the energy of God

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<v Speaker 1>in them, But the human beings are the represent tours

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<v Speaker 1>of God. See, every time I get a chance to

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<v Speaker 1>meet another human being, that's my chance to represent God

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<v Speaker 1>to them. And that's why I have to treat you

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<v Speaker 1>like you are a celebrity, even if I don't know

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<v Speaker 1>your name. So if man and woman are representurs of God,

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<v Speaker 1>that's right. Is music with music, with art with dance,

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<v Speaker 1>They're all kinds of ways. And the beautiful part about

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<v Speaker 1>life is God does not discriminate on who that breath,

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<v Speaker 1>that creative breath of God is bequeathed too. That's why

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<v Speaker 1>in our church we don't judge anyone now anything that

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<v Speaker 1>is perverse, yes, but we do not sit in the

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<v Speaker 1>seat of judgment against anyone. I like that. We'll be

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<v Speaker 1>right back with more from Pastor til Barrett. After a

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<v Speaker 1>quick break, we're back with Pastor til Barrett to take

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<v Speaker 1>it back to childhood and music. Yeah, what were you

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<v Speaker 1>listening to? I mean, you're growing up in two hotbeds

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<v Speaker 1>of just beautiful Black American music between New York City

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<v Speaker 1>and Chicago and the forties, fifties and sixties. What are

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<v Speaker 1>you taking in? Man? My father was a guitar player

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<v Speaker 1>and he had a group called the Southern Wonders, a

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<v Speaker 1>gospel singing group, and then he formed us once he

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<v Speaker 1>had us, my brother and my sister myself into a

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<v Speaker 1>group of singers called the Barrett Singers. So we grew

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<v Speaker 1>up listening to and you won't know anything about these

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<v Speaker 1>groups like the Swan Silver Tones. Come on, that's where

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<v Speaker 1>Bridge Over Trouble of Water comes from. Okay, do you remember, Yeah,

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<v Speaker 1>Sam Cook and the Soul Stirs. We grew up listening

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<v Speaker 1>to them. We would travel the circuit with pop Staples

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<v Speaker 1>and the Staples singers. Wow. Yeah, Mavis and I and

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<v Speaker 1>the Staples we were We were very tight when you

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<v Speaker 1>were a kid. Yeah, Pop. Staples and my father were

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<v Speaker 1>very close, and the Staples and the Barrats. Whatever you

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<v Speaker 1>saw the Staples singers, you usually saw the Barretts singers

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<v Speaker 1>until they went totally pop. Then they took off like rockets.

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<v Speaker 1>My father stayed with the church and that genre, so

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<v Speaker 1>I was inspired by that music but also had an

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<v Speaker 1>ear for jazz. I became a jazz pianist. I got

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<v Speaker 1>a gig at the Waldorf Astoria when I was seventeen

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<v Speaker 1>years old. I would play every New Year's Eve. There

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<v Speaker 1>was this group that would hire me to play. I

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<v Speaker 1>was mixing the two, preaching the gospel and you know,

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<v Speaker 1>trying to play jazz music at the same time. And

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<v Speaker 1>it wasn't until I became a pastor that I was

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<v Speaker 1>able to merge the two. And my favorite pianist was

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<v Speaker 1>Eryl Ghanner. I didn't know about Errol Ghanner, but people

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<v Speaker 1>would tell me, said, you remind me of erl Ghanner

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<v Speaker 1>with a syncopated left hand. Well, first of all, I

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<v Speaker 1>didn't know what syncopatient was. I thought I said, there's

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<v Speaker 1>nothing wrong with my hand. That said old. I thought

0:16:02.556 --> 0:16:04.716
<v Speaker 1>they were saying I had a crippled hand or something,

0:16:04.916 --> 0:16:07.796
<v Speaker 1>but it was the rhythmic pattern that he would keep

0:16:07.956 --> 0:16:10.116
<v Speaker 1>with his left hand. I know one of my albums,

0:16:10.156 --> 0:16:11.956
<v Speaker 1>I think it's like a ship. I do a piano

0:16:12.076 --> 0:16:16.236
<v Speaker 1>solo that's call Blessed Quietness and it's kind of a

0:16:16.236 --> 0:16:22.436
<v Speaker 1>parent there. So, Oscar Peterson, Errol Garner very very strong

0:16:22.556 --> 0:16:25.716
<v Speaker 1>influences on my music. Can you can you show us

0:16:25.756 --> 0:16:29.156
<v Speaker 1>what it means to play like Karma like Errol Garner? Okay,

0:16:29.876 --> 0:16:31.396
<v Speaker 1>there was a song you used to play. It's an

0:16:31.396 --> 0:16:34.556
<v Speaker 1>old song called what are you gonna do? You're undecided?

0:16:34.596 --> 0:18:10.316
<v Speaker 1>Now what are you gonna do? Here? Got don who?

0:18:10.716 --> 0:18:12.876
<v Speaker 1>And what's going on that left hand? What's like? What? What?

0:18:12.876 --> 0:18:15.916
<v Speaker 1>What is uh? Is that? I don't know? That's I mean,

0:18:15.916 --> 0:18:19.796
<v Speaker 1>it just came. That's where I started playing, and they

0:18:19.836 --> 0:18:22.196
<v Speaker 1>told me that that was erl Donna stun. Then I

0:18:22.236 --> 0:18:25.996
<v Speaker 1>started listening to him. That's it. I don't know how

0:18:26.756 --> 0:18:28.596
<v Speaker 1>so is that what should be playing at the Waldorf

0:18:28.676 --> 0:18:32.796
<v Speaker 1>Historia as well? That sort of thing? Yeah, well, it

0:18:32.916 --> 0:18:35.876
<v Speaker 1>was all secular music at the wall doorf because you know,

0:18:36.076 --> 0:18:39.236
<v Speaker 1>people celebrating the New Year's Eve, and they wanted to

0:18:39.316 --> 0:18:51.716
<v Speaker 1>hear things like, look at me as a kitten clinging

0:18:51.876 --> 0:19:03.116
<v Speaker 1>to apply. I can't understand. I get misty, holding your hand?

0:19:08.156 --> 0:19:21.596
<v Speaker 1>WHOA my word? And then violins begin to play. Might

0:19:21.716 --> 0:19:29.436
<v Speaker 1>be the sound of yar hello this mute ar? I

0:19:29.636 --> 0:19:46.996
<v Speaker 1>get misty. The more union you know, play songs like that, gorgeous, gorgeous?

0:19:47.876 --> 0:19:52.916
<v Speaker 1>How did you start playing piano? Jealousy. My brother had

0:19:52.996 --> 0:19:57.876
<v Speaker 1>a godmother named Honey Wade, and she loved my brother

0:19:57.996 --> 0:20:00.996
<v Speaker 1>so much because he was a pretty boy. They called

0:20:01.036 --> 0:20:04.956
<v Speaker 1>him pretty boy George, and she sent him to music school.

0:20:05.836 --> 0:20:08.956
<v Speaker 1>But I wasn't very attractive, so nobody would send me

0:20:09.196 --> 0:20:11.996
<v Speaker 1>music school. My mother and father couldn't afford to. So

0:20:12.836 --> 0:20:16.076
<v Speaker 1>I would try to mimic my brother, and I would

0:20:16.076 --> 0:20:18.796
<v Speaker 1>try to play the piano. I couldn't make any harmony,

0:20:19.196 --> 0:20:22.956
<v Speaker 1>just mashing the key, and you couldn't tell me I

0:20:23.036 --> 0:20:32.916
<v Speaker 1>wasn't jamming and I had rhythm, and that's how it

0:20:32.956 --> 0:20:41.636
<v Speaker 1>would sound. So my brother got tired of that and

0:20:41.796 --> 0:20:44.036
<v Speaker 1>he said, Junior. He called me Junior. He said, look,

0:20:44.076 --> 0:20:45.996
<v Speaker 1>if you want to make harmonies, so you're not making

0:20:46.036 --> 0:20:48.476
<v Speaker 1>any harmony. So if you want to make harmony, you

0:20:48.556 --> 0:20:53.556
<v Speaker 1>gotta spread your fingers out and leave a space in between.

0:20:54.836 --> 0:20:58.036
<v Speaker 1>Then I heard the harmony. And when I heard the harmony,

0:20:58.156 --> 0:21:01.596
<v Speaker 1>then I put the rhythm to it. That's how it

0:21:01.676 --> 0:22:17.076
<v Speaker 1>came out. Oh man, We'll be right back in a

0:22:17.156 --> 0:22:24.516
<v Speaker 1>moment with more of my conversation with Pastor Tlberrett. We're

0:22:24.556 --> 0:22:27.676
<v Speaker 1>back with the rest of my conversation with Pastor Tlbert.

0:22:28.476 --> 0:22:32.756
<v Speaker 1>Is it true you have a distant relation to Reverend cl.

0:22:32.836 --> 0:22:37.916
<v Speaker 1>Franklin and Areta Franklin. Yes. My daddy told me that

0:22:38.076 --> 0:22:41.596
<v Speaker 1>he and Reverend Franklin were cousins, and he told me,

0:22:41.676 --> 0:22:43.676
<v Speaker 1>he said that if you ever get a chance to

0:22:43.836 --> 0:22:49.356
<v Speaker 1>meet him, mentioned my name. And so one day I

0:22:49.516 --> 0:22:53.876
<v Speaker 1>was traveling with either Anez Andrews or the Caravans was

0:22:53.956 --> 0:22:56.756
<v Speaker 1>one of those groups I was traveling with, and they

0:22:56.836 --> 0:22:59.036
<v Speaker 1>were on the same program with Reverend C. L. Franklin

0:22:59.196 --> 0:23:03.436
<v Speaker 1>in Brooklyn, New York. So after the performances were over,

0:23:04.156 --> 0:23:07.196
<v Speaker 1>I got a chance to go up to him. I said,

0:23:07.236 --> 0:23:10.836
<v Speaker 1>Reverend Franklin, I'm TL Barrett from Chicago. And my father

0:23:10.996 --> 0:23:13.396
<v Speaker 1>told me that if I ever met you, to tell

0:23:13.476 --> 0:23:17.196
<v Speaker 1>you that he is Tom Barrett. He said, Tom Barrett

0:23:17.956 --> 0:23:20.476
<v Speaker 1>and he said the town from Mississippi. He said, yeah,

0:23:20.956 --> 0:23:23.996
<v Speaker 1>he said, asked my cousin man, I said, well, I'm

0:23:24.116 --> 0:23:30.436
<v Speaker 1>his son. He embraced me, invited me to come to

0:23:30.636 --> 0:23:35.436
<v Speaker 1>Detroit and preach at his church. I invited him to

0:23:35.516 --> 0:23:39.276
<v Speaker 1>come and preach at my church in Chicago, and he came,

0:23:40.156 --> 0:23:43.036
<v Speaker 1>and I went to Detroit and preach at his church,

0:23:43.996 --> 0:23:47.996
<v Speaker 1>and he loved me so much. His mother jumped on

0:23:48.156 --> 0:23:51.996
<v Speaker 1>my back while I was preaching. She was so she

0:23:52.196 --> 0:23:55.396
<v Speaker 1>was full of the Holy Spirit, and we were about

0:23:55.436 --> 0:24:01.556
<v Speaker 1>to establish a tremendous family relationship. He was going to

0:24:01.836 --> 0:24:06.116
<v Speaker 1>bring me into meeting with Rita. But shortly after I

0:24:06.196 --> 0:24:08.716
<v Speaker 1>pre sat his church, there was a break in at

0:24:08.756 --> 0:24:13.076
<v Speaker 1>his house and he was shot, and he stayed in

0:24:13.156 --> 0:24:16.316
<v Speaker 1>a coma for six or eight months and never recovered.

0:24:16.956 --> 0:24:19.596
<v Speaker 1>So I never was able to make that wreck connection

0:24:20.476 --> 0:24:23.956
<v Speaker 1>with me and Aretha. She had heard about me, but

0:24:24.156 --> 0:24:27.356
<v Speaker 1>you know, she traveled so much that we never got

0:24:27.436 --> 0:24:30.636
<v Speaker 1>a chance to connect. She was a wreath by that point, right, Oh, yeah,

0:24:30.796 --> 0:24:33.756
<v Speaker 1>she was. She was a wreathing. What was the gospel

0:24:33.836 --> 0:24:37.276
<v Speaker 1>circuit like at that time? It seems like the sixties

0:24:37.436 --> 0:24:41.116
<v Speaker 1>was a very wonderful time for gospel music. There was

0:24:41.156 --> 0:24:44.956
<v Speaker 1>a lot going on, very colorful time. I'm curious what

0:24:45.676 --> 0:24:48.236
<v Speaker 1>that gospel circuit was like in the sixties. I didn't

0:24:48.236 --> 0:24:52.996
<v Speaker 1>start making records until the mid seventies, but I was

0:24:53.116 --> 0:24:57.716
<v Speaker 1>privileged to be with some of the gospel singers who

0:24:57.756 --> 0:25:02.596
<v Speaker 1>were arcing at that time, such as James Cleveland and

0:25:02.756 --> 0:25:07.356
<v Speaker 1>as Andrews Albertina Walker. So I was able to be

0:25:07.476 --> 0:25:13.876
<v Speaker 1>around them, but I wasn't really part of that because

0:25:13.876 --> 0:25:16.356
<v Speaker 1>I was just a young teenager. Then by the time

0:25:16.396 --> 0:25:19.236
<v Speaker 1>you start making records in the seventies, is the goal

0:25:19.476 --> 0:25:24.436
<v Speaker 1>only to make music for your congregation and congregations you

0:25:24.556 --> 0:25:27.316
<v Speaker 1>might visit, or is the goal to bring the music

0:25:27.396 --> 0:25:30.396
<v Speaker 1>toe a larger audience? Or I mean, is it is

0:25:30.436 --> 0:25:33.356
<v Speaker 1>the goal musical? Is the goal religious in nature? Or

0:25:33.436 --> 0:25:39.196
<v Speaker 1>spiritual in nature? The goal was to bring to fruition

0:25:39.316 --> 0:25:43.876
<v Speaker 1>the promise that I made to those young people. I

0:25:44.076 --> 0:25:47.756
<v Speaker 1>told them that you could become famous, some of you

0:25:47.876 --> 0:25:51.596
<v Speaker 1>can become superstars, and you don't have to live within

0:25:51.796 --> 0:25:57.076
<v Speaker 1>the strictors and the throes of the drug culture. You

0:25:57.196 --> 0:26:01.156
<v Speaker 1>can be the representatus of God and still make it

0:26:01.316 --> 0:26:04.396
<v Speaker 1>in that life. And we have some who who have

0:26:04.876 --> 0:26:07.796
<v Speaker 1>been able to do that. So the goal wasn't necessarily

0:26:07.956 --> 0:26:12.516
<v Speaker 1>only just to make us for the congregation. No, no,

0:26:12.796 --> 0:26:17.356
<v Speaker 1>you're okay with success in the music business, larger music business.

0:26:17.436 --> 0:26:22.516
<v Speaker 1>That was okay with you. And I'm just so grateful

0:26:23.196 --> 0:26:26.116
<v Speaker 1>to God that my music caught the ear of Rob

0:26:26.236 --> 0:26:32.676
<v Speaker 1>Severe and Numero Uno, because just to see some of

0:26:32.716 --> 0:26:37.476
<v Speaker 1>those young people that trusted me, for them to have

0:26:37.756 --> 0:26:41.196
<v Speaker 1>their children and their grandchildren sit down and listen to

0:26:41.516 --> 0:26:46.196
<v Speaker 1>recordings that they were children singing on, It's just an

0:26:46.236 --> 0:26:50.996
<v Speaker 1>awesome reward for me because I told them that this

0:26:51.196 --> 0:26:54.356
<v Speaker 1>day would happen. I just didn't know when or how,

0:26:55.276 --> 0:26:58.276
<v Speaker 1>but it is actually happening for people who don't know.

0:26:58.996 --> 0:27:02.956
<v Speaker 1>You know, your records became very popular after they got

0:27:03.036 --> 0:27:06.396
<v Speaker 1>re released much later in time. You never DIBt of

0:27:06.436 --> 0:27:10.676
<v Speaker 1>the songs, your talent never. Wow, how did it feel

0:27:10.716 --> 0:27:14.556
<v Speaker 1>all those years later? I mean forty years later, Numeral

0:27:14.636 --> 0:27:18.156
<v Speaker 1>Group hit you up to rerelease your records, and you know,

0:27:18.276 --> 0:27:22.116
<v Speaker 1>people start rediscovering your music from forty years ago. When

0:27:22.156 --> 0:27:25.876
<v Speaker 1>when did you first learn that people were finally picking

0:27:25.956 --> 0:27:29.116
<v Speaker 1>up on your records. I think it was when I

0:27:29.276 --> 0:27:33.596
<v Speaker 1>received a call from Rob Severa. That's when I really

0:27:33.716 --> 0:27:37.476
<v Speaker 1>realized that. And then they said, we want to do

0:27:37.636 --> 0:27:41.556
<v Speaker 1>something with your music. I said, wow, They said, but

0:27:41.716 --> 0:27:44.636
<v Speaker 1>we need to have you on the contract. So I

0:27:44.716 --> 0:27:47.916
<v Speaker 1>think I signed a contract for one song. Then it

0:27:48.036 --> 0:27:51.556
<v Speaker 1>became another album. Then I think I became just their artist.

0:27:52.116 --> 0:27:54.076
<v Speaker 1>It seems like all those years ago you knew to

0:27:54.196 --> 0:27:56.716
<v Speaker 1>have faith in your music, but it still must have

0:27:56.756 --> 0:27:59.516
<v Speaker 1>been surprising, just out of the blue one day you

0:27:59.556 --> 0:28:03.076
<v Speaker 1>get in this call no No. I have a theology

0:28:03.196 --> 0:28:11.076
<v Speaker 1>philosophy that says true believers cannot be surprised. You live

0:28:11.316 --> 0:28:17.396
<v Speaker 1>in expectation instead of agitation. Every time the phone rings,

0:28:17.676 --> 0:28:20.476
<v Speaker 1>you're thinking, oh, this is the one. But just living

0:28:20.476 --> 0:28:23.636
<v Speaker 1>in that amount of expectation and believe, is that ever disappointing?

0:28:24.196 --> 0:28:28.396
<v Speaker 1>Of course it's disappointing man forty years believing something for

0:28:28.556 --> 0:28:32.356
<v Speaker 1>forty years, of course it can be disappointing. But if

0:28:32.396 --> 0:28:35.956
<v Speaker 1>you are a true believer, you keep believing. But see,

0:28:36.476 --> 0:28:39.916
<v Speaker 1>the Bible says faith of that works is dead. So

0:28:40.076 --> 0:28:43.276
<v Speaker 1>I teach our people pray like you believe it depends

0:28:43.276 --> 0:28:45.756
<v Speaker 1>on God, but work like you believe it depends on you.

0:28:46.036 --> 0:28:49.596
<v Speaker 1>That's how you get it to work. Because life is

0:28:49.636 --> 0:28:53.836
<v Speaker 1>a joint investment adventure between you and God. Given your

0:28:53.836 --> 0:28:58.236
<v Speaker 1>connections to people like Philip Bailey, Verdine White, Maurice White.

0:28:58.996 --> 0:29:00.956
<v Speaker 1>You mentioned that Donny Hathaway. At some point it come

0:29:01.196 --> 0:29:04.996
<v Speaker 1>through your congregation. You're in Chicago, you know where all

0:29:05.036 --> 0:29:08.436
<v Speaker 1>this great R and B is happening. Did you ever think, well,

0:29:08.476 --> 0:29:11.916
<v Speaker 1>maybe I won't make gospel music, maybe I'll make R

0:29:11.996 --> 0:29:17.636
<v Speaker 1>and B. No, because I did not segregate or label

0:29:18.116 --> 0:29:22.116
<v Speaker 1>my music. I just made music. I mean God's music.

0:29:23.596 --> 0:29:28.596
<v Speaker 1>God's music is gospel, God's music is secular. Just like

0:29:28.716 --> 0:29:32.596
<v Speaker 1>I wrote a song that says it goes like this, Oh,

0:29:32.716 --> 0:29:35.676
<v Speaker 1>I want to be in love with you. Oh, I

0:29:35.756 --> 0:29:38.876
<v Speaker 1>want to be in love with you. Oh I want

0:29:38.916 --> 0:29:41.076
<v Speaker 1>to be in love with you. That's what the Lord

0:29:41.276 --> 0:29:44.516
<v Speaker 1>said to me. Oh, I want to take you by

0:29:44.636 --> 0:29:48.436
<v Speaker 1>your hand while you're living in this evil ladin. All

0:29:48.556 --> 0:29:52.836
<v Speaker 1>you need to do is trust me. Now, that same

0:29:52.956 --> 0:29:59.076
<v Speaker 1>song can be transposed into that's what my man said

0:29:59.156 --> 0:30:01.636
<v Speaker 1>to me, or that's what my lady said to me.

0:30:01.716 --> 0:30:03.316
<v Speaker 1>I want to be in love with you. It's the

0:30:03.396 --> 0:30:07.876
<v Speaker 1>same message I said it long time ago. That's another

0:30:07.916 --> 0:30:10.876
<v Speaker 1>song that I wrote. I said it a long time ago,

0:30:12.356 --> 0:30:16.276
<v Speaker 1>said a long time ago, I love you. So now

0:30:16.556 --> 0:30:20.236
<v Speaker 1>now that can be sung in a nightclub, or it

0:30:20.276 --> 0:30:22.836
<v Speaker 1>can be sung in church. Because God did say a

0:30:22.916 --> 0:30:26.636
<v Speaker 1>long time ago, I love you. I told my wife

0:30:26.916 --> 0:30:29.276
<v Speaker 1>fifty six years ago. We've been married fifty three years.

0:30:29.716 --> 0:30:32.556
<v Speaker 1>I sing that to her. I said it a long

0:30:32.636 --> 0:30:35.356
<v Speaker 1>time ago. Then there's a part in the song saying

0:30:35.556 --> 0:30:40.036
<v Speaker 1>and I am saying the same thing today, the same

0:30:40.076 --> 0:30:41.836
<v Speaker 1>thing I said a long time ago. I'm saying the

0:30:41.876 --> 0:30:45.196
<v Speaker 1>same thing today that I'll still make a way. It's

0:30:45.276 --> 0:30:50.236
<v Speaker 1>not gospel, it's not secular. It's just music. It's God's music.

0:30:50.876 --> 0:30:54.356
<v Speaker 1>That's one reason when my broadcast was so popular, because

0:30:55.396 --> 0:30:58.916
<v Speaker 1>I played Earth Winding Fire on my gospel program. The

0:30:59.076 --> 0:31:03.236
<v Speaker 1>music is very spiritual. Yes, I played keep your Head

0:31:03.316 --> 0:31:07.116
<v Speaker 1>to the Sky. I played you a shining star. No

0:31:07.276 --> 0:31:11.556
<v Speaker 1>matter who you are, God sent you here to sign

0:31:11.756 --> 0:31:15.916
<v Speaker 1>right to see what you can truly be. That's gospel, man,

0:31:16.076 --> 0:31:18.596
<v Speaker 1>Come on. That was bold enough to play it on

0:31:18.756 --> 0:31:21.956
<v Speaker 1>my program. And that's why Earth Win and Fight. When

0:31:21.956 --> 0:31:23.876
<v Speaker 1>they would be traveling, no matter where they were, they

0:31:23.916 --> 0:31:26.556
<v Speaker 1>would call me early in the morning because they knew

0:31:26.556 --> 0:31:30.196
<v Speaker 1>I would be playing their music and Donnie Hathaway's music

0:31:30.916 --> 0:31:34.196
<v Speaker 1>and anybody else who had a message that would uplift mankind,

0:31:34.476 --> 0:31:36.636
<v Speaker 1>How did you first get the idea to record? Like?

0:31:36.796 --> 0:31:39.636
<v Speaker 1>Where did that come from? The desire to make a record?

0:31:40.116 --> 0:31:42.796
<v Speaker 1>So to answer you a question about how did I

0:31:42.876 --> 0:31:46.596
<v Speaker 1>start writing music? I'm looking around and seeing everybody else

0:31:47.916 --> 0:31:50.956
<v Speaker 1>is writing and recording music, so I thought it would

0:31:50.956 --> 0:31:54.156
<v Speaker 1>be good for me to record music too. So I

0:31:54.276 --> 0:31:59.036
<v Speaker 1>went to Paul Serrano at Soronto Studios and said, man,

0:31:59.036 --> 0:32:00.516
<v Speaker 1>I want to make some music. I want to make

0:32:00.516 --> 0:32:03.076
<v Speaker 1>a record. He said, you got some music as a Yeah,

0:32:03.316 --> 0:32:05.676
<v Speaker 1>he heard my music. He said, man, this is fantastic.

0:32:06.236 --> 0:32:09.196
<v Speaker 1>So Paul Santo at P and S Studios record to

0:32:09.396 --> 0:32:12.876
<v Speaker 1>us and we started shopping it around. Stax Records picked

0:32:12.956 --> 0:32:17.836
<v Speaker 1>us up and signed me to a contract. And where

0:32:17.836 --> 0:32:20.556
<v Speaker 1>did the songs on the first record come from? When

0:32:20.596 --> 0:32:22.396
<v Speaker 1>you hadn't made a record yet, you get the idea,

0:32:22.476 --> 0:32:25.436
<v Speaker 1>you go to the studio. I was just writing songs,

0:32:25.636 --> 0:32:28.236
<v Speaker 1>and I just recorded some of those songs that I wrote.

0:32:28.476 --> 0:32:31.396
<v Speaker 1>How long have those songs been around? Older than you are?

0:32:32.556 --> 0:32:35.276
<v Speaker 1>I'm telling you these songs, either the ones that I

0:32:35.396 --> 0:32:38.756
<v Speaker 1>wrote or rearranged. The ones that I rearranged have been

0:32:38.796 --> 0:32:41.956
<v Speaker 1>around for millennia. But the ones that I wrote, I

0:32:42.036 --> 0:32:45.396
<v Speaker 1>wrote them in the late sixties and early seventies with

0:32:45.596 --> 0:32:47.636
<v Speaker 1>the goal of putting them on the record. Or was

0:32:47.716 --> 0:32:50.316
<v Speaker 1>this just I was just writing? But then when I

0:32:50.436 --> 0:32:55.716
<v Speaker 1>decided that I should record too, then I started selecting

0:32:55.796 --> 0:32:58.796
<v Speaker 1>the songs that I wanted to go on the records. Wow,

0:33:00.236 --> 0:33:03.196
<v Speaker 1>are you still writing songs today? Yes, when I feel

0:33:03.276 --> 0:33:07.916
<v Speaker 1>like it, I write more. I write sermons and thoughts

0:33:07.996 --> 0:33:11.716
<v Speaker 1>for the day, just things that make you think that's

0:33:11.796 --> 0:33:15.116
<v Speaker 1>beautiful man. Yeah, so that's what I write now. I

0:33:15.236 --> 0:33:18.036
<v Speaker 1>write sermons, I write thoughts for the day, and you

0:33:18.116 --> 0:33:20.556
<v Speaker 1>can put some of those sermons to music. But that's

0:33:20.756 --> 0:33:23.996
<v Speaker 1>my main focus is writing. I write right, right, right

0:33:24.116 --> 0:33:26.076
<v Speaker 1>all the time. Do you put some of those thoughts

0:33:26.116 --> 0:33:28.756
<v Speaker 1>to music. Yes? When's the last time you put something

0:33:28.796 --> 0:33:31.156
<v Speaker 1>new you wrote down to music? When's the last time

0:33:31.196 --> 0:33:34.396
<v Speaker 1>that happened. I think it was Sunday because I wrote

0:33:34.436 --> 0:33:40.836
<v Speaker 1>the thought that says, let's think deeper before we sink deeper.

0:33:42.796 --> 0:33:46.316
<v Speaker 1>So we're writing a song around that. Would you mind

0:33:46.636 --> 0:33:50.276
<v Speaker 1>showing us how you might work one of your thoughts

0:33:50.356 --> 0:33:53.596
<v Speaker 1>that you have, like think deeper before you sink deeper,

0:33:53.836 --> 0:33:57.396
<v Speaker 1>how you might work that into some music. Okay, let's

0:33:57.396 --> 0:34:25.436
<v Speaker 1>sing you better sink deeper before you sink deeper. You

0:34:25.596 --> 0:34:37.236
<v Speaker 1>might be able to keeper if you think deeper, not

0:34:37.516 --> 0:34:50.956
<v Speaker 1>make up weaker. It's up to you. Sink deeper before

0:34:51.036 --> 0:35:01.076
<v Speaker 1>you sink deeper. Stuff like that. Oh man, that's wonderful.

0:35:01.836 --> 0:35:04.476
<v Speaker 1>I discovered your music, like a lot of people, through

0:35:04.636 --> 0:35:08.276
<v Speaker 1>the algorithm of streaming services like Spotify, So I got

0:35:08.316 --> 0:35:10.156
<v Speaker 1>to your music fell in love with it right away.

0:35:10.196 --> 0:35:12.316
<v Speaker 1>There was just something different in it that I hadn't

0:35:12.356 --> 0:35:13.996
<v Speaker 1>heard in a lot of gospel music. I loved it

0:35:14.916 --> 0:35:18.236
<v Speaker 1>this collection that Numeral Group put together that it was

0:35:18.276 --> 0:35:20.916
<v Speaker 1>the first time I've heard you're preaching. Oh, it's the

0:35:20.956 --> 0:35:23.196
<v Speaker 1>first time I've ever heard it, and I'm glad it's

0:35:23.196 --> 0:35:25.036
<v Speaker 1>going to be on streaming now because it's really interesting

0:35:25.596 --> 0:35:28.196
<v Speaker 1>and one of the sermons, how would you like to

0:35:28.276 --> 0:35:30.756
<v Speaker 1>have a nice Hawaiian punch is the title of it.

0:35:31.556 --> 0:35:33.716
<v Speaker 1>I mean, I was surprised by the fact that you

0:35:33.956 --> 0:35:39.476
<v Speaker 1>were not afraid to be political, and really at the

0:35:39.636 --> 0:35:41.996
<v Speaker 1>local level. I mean, you were talking about getting people

0:35:42.716 --> 0:35:45.756
<v Speaker 1>that you should be registered to vote and hold politicians

0:35:45.836 --> 0:35:49.436
<v Speaker 1>to account. And I'm curious, especially when I speak with

0:35:49.516 --> 0:35:52.276
<v Speaker 1>older black folk who were around lived through the Civil

0:35:52.356 --> 0:35:53.996
<v Speaker 1>rights movement and all that sort of thing. It feels

0:35:54.036 --> 0:35:57.476
<v Speaker 1>like it must have been impossible not to be invested

0:35:57.556 --> 0:36:01.156
<v Speaker 1>in politics. But rarely did I hear in that day

0:36:01.796 --> 0:36:04.276
<v Speaker 1>sermons and be with that kind of politics, unless we're

0:36:04.276 --> 0:36:07.636
<v Speaker 1>talking about doctor King. I suppose, well, you're seeing I

0:36:07.796 --> 0:36:13.876
<v Speaker 1>had the good fortune to be considered unfortunate, not having

0:36:14.636 --> 0:36:18.276
<v Speaker 1>either parent. Just being out here on my own at

0:36:18.356 --> 0:36:22.356
<v Speaker 1>sixteen years of age, I had a chance to see

0:36:23.156 --> 0:36:26.476
<v Speaker 1>what actually makes the world go around. I actually got

0:36:26.516 --> 0:36:30.476
<v Speaker 1>a chance to see that politics plays a great part

0:36:31.276 --> 0:36:36.156
<v Speaker 1>in the living conditions of our people. And the only

0:36:36.236 --> 0:36:43.036
<v Speaker 1>thing that would change that would be political change. And

0:36:43.156 --> 0:36:46.396
<v Speaker 1>so I challenge my people to don't just join the church,

0:36:46.476 --> 0:36:50.316
<v Speaker 1>but join your civic organizations as well. I said, in

0:36:50.476 --> 0:36:52.076
<v Speaker 1>order to be a member of life in the church,

0:36:52.516 --> 0:36:55.276
<v Speaker 1>you have to have a voter registration card as well

0:36:55.356 --> 0:36:57.556
<v Speaker 1>as a membership card, and you got to be an

0:36:57.676 --> 0:37:01.316
<v Speaker 1>active voter. I do not want you to be a

0:37:01.396 --> 0:37:06.196
<v Speaker 1>member of this church and whatever the wind blows your way,

0:37:06.516 --> 0:37:10.116
<v Speaker 1>you're satisfied with join another church. I want people who

0:37:10.876 --> 0:37:17.556
<v Speaker 1>actively participate in the building of their own communities. When

0:37:17.596 --> 0:37:21.236
<v Speaker 1>we got ready to build our church, our people wanted

0:37:21.276 --> 0:37:24.516
<v Speaker 1>to go out into the suburbs. Let's buy a church

0:37:24.556 --> 0:37:27.276
<v Speaker 1>out there. I said, no, let's build our own church

0:37:27.476 --> 0:37:31.996
<v Speaker 1>in the community, and we chose fifty fifth. In Indiana,

0:37:33.116 --> 0:37:38.556
<v Speaker 1>this area was called the Whole, not who l E

0:37:39.516 --> 0:37:45.196
<v Speaker 1>h l E Whole. It was the worst crime area

0:37:45.836 --> 0:37:50.596
<v Speaker 1>in the city of Chicago. We built our church to

0:37:50.676 --> 0:37:53.876
<v Speaker 1>look like a palace, and I call it the Palace

0:37:54.316 --> 0:37:58.076
<v Speaker 1>in the midst of Malice. That's what we did in

0:37:58.196 --> 0:38:02.796
<v Speaker 1>eighty two, and now in two and twenty one, it

0:38:02.996 --> 0:38:08.236
<v Speaker 1>is the most enviable community to live in. People are

0:38:08.316 --> 0:38:14.676
<v Speaker 1>coming back to the community. The Barack Obama Library is

0:38:14.756 --> 0:38:18.836
<v Speaker 1>built in proximity to our community. This is one of

0:38:18.916 --> 0:38:22.916
<v Speaker 1>the most enviable communities in the city of Chicago now

0:38:23.316 --> 0:38:29.516
<v Speaker 1>because we stayed here, we built the Cleo Center here.

0:38:30.356 --> 0:38:33.436
<v Speaker 1>Cleo is named after my daughter who was taken from

0:38:33.516 --> 0:38:39.716
<v Speaker 1>us thirteen years ago by domestic violence in our own community.

0:38:40.116 --> 0:38:42.076
<v Speaker 1>And her name was spelled with the kse. My wife's

0:38:42.156 --> 0:38:44.756
<v Speaker 1>name is spelled with the sea, and so Cleo Stance

0:38:44.796 --> 0:38:47.916
<v Speaker 1>will keep loving each other. That's what she would want

0:38:47.996 --> 0:38:51.436
<v Speaker 1>us to do. And then my son led the community

0:38:51.516 --> 0:38:57.516
<v Speaker 1>and building a residence, the Cleo Resident Building, the first

0:38:58.116 --> 0:39:03.556
<v Speaker 1>totally green building in the city of Chicago. This community

0:39:04.596 --> 0:39:08.756
<v Speaker 1>is a beautiful community now because somebody stayed, not just

0:39:10.276 --> 0:39:14.716
<v Speaker 1>we stayed and we worked and we're still working to

0:39:14.876 --> 0:39:18.156
<v Speaker 1>make this a better community. Man. That's great. Thank you

0:39:18.236 --> 0:39:21.436
<v Speaker 1>so much, Pastor Barrett. Thank you, sir. I appreciate it.

0:39:21.716 --> 0:39:27.756
<v Speaker 1>Thank you, Thanks a Pastor Teale Barrett for taking us

0:39:27.756 --> 0:39:30.716
<v Speaker 1>to church today and sharing God's good word. You can

0:39:30.836 --> 0:39:33.156
<v Speaker 1>check out a playlist of Teale Barrett's new box set

0:39:33.276 --> 0:39:36.836
<v Speaker 1>at broken Record podcast dot com. Be sure to subscribe

0:39:36.876 --> 0:39:40.356
<v Speaker 1>to our YouTube at YouTube dot com slash Broken Record Podcast,

0:39:40.516 --> 0:39:43.436
<v Speaker 1>where you can find all of our newed episodes. You

0:39:43.516 --> 0:39:46.596
<v Speaker 1>can follow us on Twitter at broken Record. Broken Record

0:39:46.676 --> 0:39:50.196
<v Speaker 1>is produced with helpful Lea Rose, Jason Gambrel, Martin Gonzalez,

0:39:50.436 --> 0:39:54.396
<v Speaker 1>Eric Sandler, and Jennifer Sanchez, with engineering health from Nick Chafee.

0:39:54.476 --> 0:39:58.196
<v Speaker 1>Our executive producer is Miila bat Broken Record is production

0:39:58.236 --> 0:40:00.996
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0:40:01.036 --> 0:40:05.156
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0:40:05.316 --> 0:40:08.596
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0:40:08.676 --> 0:40:11.636
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0:40:11.716 --> 0:40:15.956
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0:40:15.996 --> 0:40:18.476
<v Speaker 1>and review us on your podcast. That all Right, The

0:40:18.596 --> 0:40:20.916
<v Speaker 1>Music for a kind of Beats. I'm Justin and Richmond