WEBVTT - BONUS EP* Conversations About Ducker Carlson aka J. Cole

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealer's podcast with your host. Now fuck that with your

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<v Speaker 1>load glasses alone, He dug.

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<v Speaker 2>My, man, what's happening?

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<v Speaker 1>Woh crazy? I'm on three hours, three hours, three and

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<v Speaker 1>a half hours of sleep. What happened? I I had

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<v Speaker 1>this idea for a film about ninety days ago, and

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<v Speaker 1>somebody else was supposed to write it. Got you shout

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<v Speaker 1>out to unc' unc was supposed to write it and

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<v Speaker 1>he never wrote it. So the idea just start coming

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<v Speaker 1>to me last night. And you know what I mean,

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<v Speaker 1>I just was flooding it out and writing it as

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<v Speaker 1>a synopsis and getting through it. And I looked up.

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<v Speaker 1>You know what I'm saying. It was five thirty in

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<v Speaker 1>the morning, five o'clock or something like that. Man, it

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<v Speaker 1>was crazy. So I was just up, up, up, up,

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<v Speaker 1>up up, writing, writing, writing in my phone, and I

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<v Speaker 1>came out with some dope. I mean, I really liked

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<v Speaker 1>what I came out with, So I ain't got no complaints.

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<v Speaker 1>A good deal, That's that's all that matters. I ain't

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<v Speaker 1>got no complaints. Uh crazy, right, because I'm talking to

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<v Speaker 1>the homie right this morning, right, And this kind of

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<v Speaker 1>slowed me down because I had to get in the shower.

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<v Speaker 1>I had to get in the shower, and I'm talking

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<v Speaker 1>to the little homie.

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<v Speaker 3>Key Veil.

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<v Speaker 1>Shout out to KIVI uh, shout out to rontal. I'm

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<v Speaker 1>talking to Ronald, and Ronald is like this huge like

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<v Speaker 1>Tupac fan, Like I mean, die hard Tupac fan. You know,

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<v Speaker 1>everybody love a dead nigga, man, you know what I'm saying.

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<v Speaker 1>They all love a dead nigga, and they love a

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<v Speaker 1>man that passed away, and it's easy to follow him,

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<v Speaker 1>you know what I mean. Like yeah, yeah, like Jesus,

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<v Speaker 1>you know what I'm saying, Like, people love when you die,

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<v Speaker 1>and then they could just kind of make what they

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<v Speaker 1>want to out of your legacy exactly.

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<v Speaker 2>They could. They could. They could make you do whatever

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<v Speaker 2>they want and you aren't there to dispute them.

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<v Speaker 1>Yeah right, So Ron does this right? So I got

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<v Speaker 1>a group chat with Ron is is is I consider

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<v Speaker 1>Ron a friend?

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<v Speaker 4>You know?

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<v Speaker 1>I mean he like him? And Chuck Dizzel Shout out

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<v Speaker 1>to Chuck Dizzel. But Ron and Chuck Dizzel are cousins.

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<v Speaker 1>Chuck Dizzel is my man, honey, grand you feel me?

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<v Speaker 1>That's head man, so that's my man. I ain't hear

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<v Speaker 1>it to Chuck Dizzel, that's my man. Right, So I'm

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<v Speaker 1>I'm I always be telling Ron like the truth, Like

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<v Speaker 1>I'm like, look, man, this is what this is the

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<v Speaker 1>story coming from the people involved. Like so if we

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<v Speaker 1>talked about Tupac, I'm like, yeah, this is like I've

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<v Speaker 1>I've confronted you know what I mean. And I don't

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<v Speaker 1>use it. I don't like the term confront because it

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<v Speaker 1>has a negative connotation. But I've confronted Jimmy Henchman. Game

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<v Speaker 1>will tell you. Game was right there, big faces, right there.

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<v Speaker 1>G Rod was right there. I confronted Jimmy Hinchman on

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<v Speaker 1>Brazil in Compton about his situation with Pop. I remember,

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<v Speaker 1>Chuck looked at me. Game looked at me crazy, like

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<v Speaker 1>why would you ask this man this? You know what

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<v Speaker 1>I'm saying. But it was going to bother me, you

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<v Speaker 1>know what I mean, because we grew up on poc lure,

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<v Speaker 1>So it would bother me if I didn't ask, you know,

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<v Speaker 1>this man, who this guy I've listened to pretty much

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<v Speaker 1>coming into my whole adult life what he was saying

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<v Speaker 1>about him? And I would tell Ron the information and

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<v Speaker 1>I could tell coming from Jimmy, Like Jimmy was thorough

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<v Speaker 1>about it. He wasn't making it tougher or weaker or

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<v Speaker 1>none of what it had to be. I knew Jimmy

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<v Speaker 1>Henchman was telling me the truth.

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<v Speaker 2>At this time.

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<v Speaker 1>Jimmy Hinchman is managing the game. You know what I'm saying.

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<v Speaker 1>Jimmy Hinchman and Delaney McGill, they're managing Gang, They're managing Chuck.

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<v Speaker 1>So I asked him and he broke it down. And

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<v Speaker 1>I would pass this information to Ron because I know

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<v Speaker 1>Ron is a die hard Tupac stand right here, a fan,

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<v Speaker 1>he a stand and even like somebody like Haitian Jack,

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<v Speaker 1>like I met Haitian Jack when I first got in

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<v Speaker 1>the business, because real street dudes connect soon as like

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<v Speaker 1>soon as you get into business and people verify that

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<v Speaker 1>you really from the soil, you know what I'm saying,

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<v Speaker 1>people connect with you like so like Haitian Jack was

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<v Speaker 1>one of the first people. Haitian Jack linked me with

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<v Speaker 1>White Cliffs, you know what I mean, like like and

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<v Speaker 1>it was all love. And I was able to ask

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<v Speaker 1>Haitian Jack straight up, like Nigga, I had to know

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<v Speaker 1>because you know what I mean, I'm from Los Angeles,

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<v Speaker 1>I'm from California. Tupockets is the president around this motherfucker

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<v Speaker 1>to some degree, you know what I'm saying. So to

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<v Speaker 1>hear their stories, and you could tell, Bro, I've been

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<v Speaker 1>in the streets long enough, even back then, to know

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<v Speaker 1>when somebody's putting extras on, when they line, when they hide.

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<v Speaker 1>They were telling the truth, and a lot of the

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<v Speaker 1>stuff that was happening was really misunderstandings. And to me,

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<v Speaker 1>more of Potner's being a bit young and naive to things,

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<v Speaker 1>you know what I mean, Like he was he was

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<v Speaker 1>a baby. He was like he won, you know what

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<v Speaker 1>I'm saying. He was a little dude. Yeah, And I

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<v Speaker 1>would pass the information to run even the shit that

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<v Speaker 1>happened with Pop dying, you know what I'm saying, Even

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<v Speaker 1>with what happened with Pop dying, right, and the whole

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<v Speaker 1>situation with the south Side is getting into it with

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<v Speaker 1>some of the hommies and all of that, like different hummies.

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<v Speaker 1>And I told Ron, like out of Freaky Dre restling,

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<v Speaker 1>Peace shout out to Dre Dre. So they called him

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<v Speaker 1>Big Dre, But niggas in the streets was calling him

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<v Speaker 1>freaky j I don't know if he changes, but that's

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<v Speaker 1>what niggas called him. Dre was a ball and ass

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<v Speaker 1>nigga from South and he was a solid dude. Dre

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<v Speaker 1>booked me for like my fifth show ever in my

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<v Speaker 1>rap career, you know what I'm saying, Like when I

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<v Speaker 1>was trying to change my life. He gave me four

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<v Speaker 1>thousand dollars to come perform at a house party, you know,

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<v Speaker 1>in Compton at these mansions, right, So it was Hella

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<v Speaker 1>dope And I remember asking Drake. You know, I just

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<v Speaker 1>grew up around some dudes where you asked what you

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<v Speaker 1>want to know? I don't fuck who it was, So

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<v Speaker 1>I was able to ask these dudes. I knew who

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<v Speaker 1>Keithy was. My mom knew who Keify was, you know

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<v Speaker 1>what I'm saying. So I was able to you know,

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<v Speaker 1>and then being a gang banger at the time, like

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<v Speaker 1>you knew what happened. So to make a long story short,

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<v Speaker 1>I'm passing the information to Run. I'm like Ron, you know,

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<v Speaker 1>here's the information, bro, Like you know what I mean?

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<v Speaker 1>Like here it is like we you know, everybody knows

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<v Speaker 1>what happened to Tupac at this point, Like there's no secret,

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<v Speaker 1>you know, it's the information is out there. Yeah, there's

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<v Speaker 1>a lot of conspiracy theories, you know what I'm saying.

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<v Speaker 1>It's a lot of conspiracy theories. But we all know

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<v Speaker 1>what happened to Tupac, you know what I'm saying, And

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<v Speaker 1>it's up to you to think if he was right

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<v Speaker 1>or wrong. I personally think he was right. If you

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<v Speaker 1>ride with the people, with these people, your friends, especially

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<v Speaker 1>in his situation where them people got him out of

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<v Speaker 1>jail and they embraced him and he embraced them. I

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<v Speaker 1>do not think of nothing is wrong with Tupac jumping

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<v Speaker 1>off the ledge, you know what I mean, jumping off

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<v Speaker 1>the ledge, like if somebody that looked out for me

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<v Speaker 1>that I was a friend of mine and I don't

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<v Speaker 1>care if I know him for ninety days, who I

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<v Speaker 1>am is who I am. And I felt like that

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<v Speaker 1>was the same thing about Pac, where he was who

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<v Speaker 1>he was. It wasn't about nothing else besides he embracing

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<v Speaker 1>this dude in these in this movement, and he's like, Yo,

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<v Speaker 1>this dude did what to you. Let me go. I'm

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<v Speaker 1>finna go get at him. That's that's a rider thing

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<v Speaker 1>to do. That's a rider thing to do. Bro, That's

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<v Speaker 1>hell a rider. So I got the utmost respect for Pop.

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<v Speaker 1>Now Ron feels like Pop was too smart, like, oh,

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<v Speaker 1>he would have never not involved in that, And I'm like,

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<v Speaker 1>the problem is and with that, when you see gangs

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<v Speaker 1>as this silly, dumb thing, the relationship you know amongst

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<v Speaker 1>poor people, that camaraderie, if you see it as stupid,

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<v Speaker 1>then no, you will never understand what Pop did because

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<v Speaker 1>in most human beings minds, because they cowards and their

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<v Speaker 1>chicken shit, they felt like us Pac had money or

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<v Speaker 1>you know, he was worth money, that he should have

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<v Speaker 1>never said nothing involved. That ain't how it worked when

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<v Speaker 1>you come up from these ghettos and you really so,

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<v Speaker 1>I think Pak was genuinely doing what he was supposed

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<v Speaker 1>to do. And I also understand that, you know, they

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<v Speaker 1>gotta protect their reputation too. I totally understand, and it's

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<v Speaker 1>an unfortunate situation. That's the truth. But I'm telling Ron,

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<v Speaker 1>and Ron is telling me he bene made up in

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<v Speaker 1>his mind that yeah, well you know, they said, baby,

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<v Speaker 1>they ain't try to snatch his chain outside the casino

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<v Speaker 1>like another chain. And I'm like, bro, like, you gotta

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<v Speaker 1>stop making shit up. And that's the whole point of

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<v Speaker 1>this conversation about j Cole Duck and the smoke, like

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<v Speaker 1>I am tired of niggas making shit up. Like I

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<v Speaker 1>get it. We are in the entertainment business. We are entertaining,

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<v Speaker 1>and that's true and entertainment, bro, people will tell phibs.

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<v Speaker 1>They will tell phibs. That's part of entertaining. But when

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<v Speaker 1>you tell phibs that are rooted in reality, it can

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<v Speaker 1>have dire consequence. Dire consequence, like I'm telling him, like

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<v Speaker 1>you're saying, first off, if he takes POC, if he

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<v Speaker 1>attempts to take Pot's jury outside of the casino and

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<v Speaker 1>Pot got people who stopped him the first time, they

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<v Speaker 1>would have jumped on him the first time. But it's

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<v Speaker 1>just stuff that don't make sense. But they create this YouTube, lord,

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<v Speaker 1>in this conspiracy theory, you feel me, and people live

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<v Speaker 1>and die by it. They don't even care about what

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<v Speaker 1>makes sense. He don't even care. It just bothers him

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<v Speaker 1>that Pot could have lost his life and something that

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<v Speaker 1>he feels is stupid. And I get it, you know

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<v Speaker 1>what I mean. It does gang banging on the outside

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<v Speaker 1>pe to people who don't know even you know, you

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<v Speaker 1>have been closer. You got me, you got Malcolm, you

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<v Speaker 1>got people that can articulate the real relationship outside of you,

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<v Speaker 1>and enough you know, you hung around to see why

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<v Speaker 1>people fuck with each other. Yeah, but there's a weird space,

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<v Speaker 1>bro where people don't get that. They just really feel

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<v Speaker 1>like it's about some colors or some bandanas or some

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<v Speaker 1>you know, street sign or property people don't own.

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<v Speaker 5>Yeah, And I think also like with this, people look

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<v Speaker 5>at it like, you know, because of the position that

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<v Speaker 5>he's in, that that the two.

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<v Speaker 2>Things aren't as closely bound to one another. So like, yeah,

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<v Speaker 2>you have say the world by the tail, you know,

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<v Speaker 2>so to speak. You're young, rich and famous, so you

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<v Speaker 2>have options, you know, choices are at your discretion at

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<v Speaker 2>that point. But what in it's basic you know, Cornerstone

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<v Speaker 2>got you young, rich and famous. You know, it's who

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<v Speaker 2>you are and how you were shaped and what's around

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<v Speaker 2>you and your ability to be a part of be

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<v Speaker 2>associated with the culture and that lifestyle enough to be

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<v Speaker 2>able to transmit it artistically to masses. And we're back

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<v Speaker 2>in the circle again, you know what I mean. So

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<v Speaker 2>it's like it's not too dissimilar to like when you

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<v Speaker 2>would see like a boxer get into a fight somewhere well,

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<v Speaker 2>he's famous as being a boxer because he fights. Yes,

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<v Speaker 2>he's good at fighting. He was good at fighting and

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<v Speaker 2>that's probably, honestly maybe part of how he got into box.

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<v Speaker 1>Oh man. And so just telling people bringing clarity because

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<v Speaker 1>you really have to, like you're fighting their ignorance, right,

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<v Speaker 1>even somebody like Ron who grew up right smack dead

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<v Speaker 1>in the center of the culture. Sure you know what

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<v Speaker 1>I mean, but he wasn't a part of it. I

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<v Speaker 1>go through this with problem. Like I was talking about

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<v Speaker 1>last live stream again, this is No Seilings Live the

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<v Speaker 1>lunch hour Monday, Wednesday and Friday right here noon specific

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<v Speaker 1>standard time.

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<v Speaker 4>Click the like.

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<v Speaker 1>Button in the caption. The reason we do this live

0:12:41.240 --> 0:12:45.600
<v Speaker 1>stream is to support No Seilings the podcast. Click the

0:12:45.679 --> 0:12:49.120
<v Speaker 1>link below in the description. Subscribe to No Seilings the

0:12:49.160 --> 0:12:53.120
<v Speaker 1>podcasts on Apple Podcasts or anywhere else that you get

0:12:53.160 --> 0:12:57.000
<v Speaker 1>your podcasts right. So, again we're gonna get into this

0:12:57.120 --> 0:12:58.920
<v Speaker 1>j Cole thing, but just bear with me because I

0:12:58.920 --> 0:13:03.319
<v Speaker 1>gotta show you why that's important that we have these conversations.

0:13:03.360 --> 0:13:05.360
<v Speaker 1>And even with my young homie Ron, shout out to

0:13:05.400 --> 0:13:07.920
<v Speaker 1>everybody in the chat, shout out to do be twying Max,

0:13:07.920 --> 0:13:10.440
<v Speaker 1>Shout out to steal who haven't Internet problems he can't

0:13:10.480 --> 0:13:13.800
<v Speaker 1>get on. Shout out to leather Face, Shout out to

0:13:13.880 --> 0:13:16.720
<v Speaker 1>Dee what's having his squishy Welcome back. I love you, sister.

0:13:16.760 --> 0:13:18.920
<v Speaker 1>We are glad you here. We will definitely have a

0:13:18.920 --> 0:13:22.520
<v Speaker 1>barbecue just because you be here. My boy kiv Our

0:13:22.600 --> 0:13:27.080
<v Speaker 1>Burden was heading west La special Ed was cracking name brand,

0:13:27.120 --> 0:13:30.640
<v Speaker 1>Thank you for coming back. My boy Sean was haddening. Yes,

0:13:30.720 --> 0:13:36.720
<v Speaker 1>we back up in this thing, cuz so long story short.

0:13:37.679 --> 0:13:41.440
<v Speaker 1>I'm telling Ron and I'm like Ryan, bro like, ignore

0:13:41.640 --> 0:13:45.280
<v Speaker 1>all of that silliness going on, bro, Like, stop looking

0:13:45.360 --> 0:13:47.240
<v Speaker 1>at that. I don't give a fuck with none of them.

0:13:47.400 --> 0:13:52.720
<v Speaker 1>I'm telling you exactly what happened. Like, I'm telling you

0:13:53.160 --> 0:13:58.080
<v Speaker 1>insight from the people that it happened with. I'm outside

0:13:58.080 --> 0:14:00.520
<v Speaker 1>of the fact that's my era. I'm inhigh school when

0:14:00.480 --> 0:14:03.440
<v Speaker 1>I'm gangbanging in nineteen ninety five and ninety six. Right,

0:14:03.720 --> 0:14:06.400
<v Speaker 1>I'm off the porch. I mean, I'm still high school,

0:14:06.400 --> 0:14:09.000
<v Speaker 1>but I'm active. So you're hearing the gang the thing

0:14:09.040 --> 0:14:11.880
<v Speaker 1>about being a gang members. You hear about what's going

0:14:11.960 --> 0:14:15.880
<v Speaker 1>on in everybody else's community. You know what I'm saying,

0:14:16.000 --> 0:14:19.160
<v Speaker 1>And most people don't know this. Yeah, I'm from Seventh Street,

0:14:19.160 --> 0:14:22.320
<v Speaker 1>Wats and my father raised me and watched. But my

0:14:22.400 --> 0:14:25.320
<v Speaker 1>mother also raised me in Compton. I lived in Compton

0:14:25.560 --> 0:14:28.600
<v Speaker 1>half of my life, so my ties there are deep,

0:14:28.800 --> 0:14:31.800
<v Speaker 1>but gang bagging travels. So all of this stuff was

0:14:31.840 --> 0:14:34.560
<v Speaker 1>happening in real time. Like the squab we at the

0:14:34.640 --> 0:14:38.600
<v Speaker 1>Lakewood Mall. We knew about that right after it happened. Everybody.

0:14:38.600 --> 0:14:41.000
<v Speaker 1>We used to call the Lakewood Mall the terror Dome

0:14:41.160 --> 0:14:45.320
<v Speaker 1>because different gangs would go there pete to get in fights.

0:14:45.920 --> 0:14:49.360
<v Speaker 1>It was all about proving again, poor people try to

0:14:49.440 --> 0:14:53.400
<v Speaker 1>prove superiority at the most primitive levels. And it's a fight,

0:14:53.840 --> 0:14:57.280
<v Speaker 1>you know what I'm saying. So people was fighting, and

0:14:57.360 --> 0:15:00.000
<v Speaker 1>so we heard about the fight, how the fight happened.

0:15:00.320 --> 0:15:05.640
<v Speaker 1>People think the fight, you know that that stimulated the

0:15:05.680 --> 0:15:09.040
<v Speaker 1>situation that Tupac died over was over a chain. That's

0:15:09.080 --> 0:15:13.640
<v Speaker 1>not true. It was over a misunderstanding in a situation

0:15:13.760 --> 0:15:16.600
<v Speaker 1>between two separate gangs. The chain is just in that

0:15:16.760 --> 0:15:19.280
<v Speaker 1>lay thing. Any of y'all in this chaff from La

0:15:19.640 --> 0:15:21.480
<v Speaker 1>y'all know, if you get into a fight, y'all haven't

0:15:21.520 --> 0:15:23.680
<v Speaker 1>been to the clubs in Hollywood. You get into a

0:15:23.720 --> 0:15:26.680
<v Speaker 1>fight with enough people, the first thing people do in

0:15:26.720 --> 0:15:29.040
<v Speaker 1>the middle of that fight is start reaching for jury.

0:15:30.600 --> 0:15:33.400
<v Speaker 1>I don't know why. It's just an LA thing to do.

0:15:34.840 --> 0:15:37.560
<v Speaker 1>It's just an LA thing to do. Like you be

0:15:37.640 --> 0:15:40.040
<v Speaker 1>fighting and next thing you know, somebody reaching for your jury.

0:15:40.080 --> 0:15:42.640
<v Speaker 1>That's one of the reasons I don't wear jury. Way

0:15:42.760 --> 0:15:44.400
<v Speaker 1>before I was a rapper and was getting to some

0:15:44.480 --> 0:15:47.680
<v Speaker 1>millions of dollars, I wasn't wearing no jury because where

0:15:48.200 --> 0:15:50.640
<v Speaker 1>I'm from, that's the first thing everybody reached for in

0:15:50.680 --> 0:15:54.000
<v Speaker 1>the middle of a fight. So I'm not giving nobody nothing,

0:15:54.520 --> 0:15:58.520
<v Speaker 1>not a damn thing. But the point I'm making is

0:15:58.560 --> 0:16:01.840
<v Speaker 1>back to Ron. I'm telling man, I'm like, Ron, look, Bro,

0:16:02.000 --> 0:16:05.240
<v Speaker 1>this is what happened. I get it, and you want

0:16:05.280 --> 0:16:08.520
<v Speaker 1>to in your mind, you believe pac was superior and

0:16:08.560 --> 0:16:11.000
<v Speaker 1>he was the greatest thinker, and he would dare not

0:16:11.520 --> 0:16:14.120
<v Speaker 1>be a part of this community and press this line

0:16:14.160 --> 0:16:16.800
<v Speaker 1>and it's like you wrong, bro, pressing lines. He was

0:16:16.840 --> 0:16:20.640
<v Speaker 1>a line presser. Pak was an habitual line presser. He

0:16:20.840 --> 0:16:25.120
<v Speaker 1>pressed lines for whoever he was with. Anybody like that's

0:16:25.200 --> 0:16:27.520
<v Speaker 1>what a solid one? Do you press your line? If

0:16:27.520 --> 0:16:30.080
<v Speaker 1>I'm with some of my partners from West La I'm

0:16:30.120 --> 0:16:33.240
<v Speaker 1>a press a line. If we together, Bro, I'm anna

0:16:33.240 --> 0:16:34.720
<v Speaker 1>press a line. I don't give a fuck if it

0:16:34.760 --> 0:16:38.520
<v Speaker 1>don't got nothing to do. We together. Now, some you know,

0:16:38.640 --> 0:16:41.080
<v Speaker 1>suburban people think that's ignorance, Pete. If me and you

0:16:41.200 --> 0:16:44.120
<v Speaker 1>somewhere Newport Beach, bro, and a man and a couple

0:16:44.160 --> 0:16:45.960
<v Speaker 1>of men get up in your face doing too much,

0:16:46.280 --> 0:16:48.200
<v Speaker 1>I don't give a fuck if they from Huntington Beach

0:16:48.280 --> 0:16:51.560
<v Speaker 1>or if they from Coast Amazon, they getting punched. That's

0:16:51.640 --> 0:16:54.760
<v Speaker 1>just how these streets raise us. To press a line

0:16:54.800 --> 0:16:58.040
<v Speaker 1>with the people you with, standing with the people you with.

0:16:58.280 --> 0:17:01.240
<v Speaker 1>So if we're somewhere somewhere Newport Beach, you better tell

0:17:01.320 --> 0:17:03.240
<v Speaker 1>me they family. You better be like g you know what,

0:17:03.320 --> 0:17:06.919
<v Speaker 1>don't punch them. I know we arguing, don't because I

0:17:07.000 --> 0:17:11.560
<v Speaker 1>am looking to punch them niggas. That's how Pluck raised me,

0:17:11.600 --> 0:17:13.879
<v Speaker 1>That's how Shady raised me. That's how Moon raised me.

0:17:14.280 --> 0:17:19.119
<v Speaker 1>Punched them niggas. So again, I'm sure Tupac has the

0:17:19.119 --> 0:17:21.480
<v Speaker 1>same raising. You don't got to be from a crip

0:17:21.600 --> 0:17:24.520
<v Speaker 1>or pi root gang to be raised that way. You

0:17:24.720 --> 0:17:27.000
<v Speaker 1>just raised the streets, you with the people you with.

0:17:27.480 --> 0:17:30.000
<v Speaker 1>Pop was with them and them dudes just got him

0:17:30.000 --> 0:17:31.520
<v Speaker 1>out of jail. Sug just got him out of.

0:17:31.560 --> 0:17:36.399
<v Speaker 2>Jail, and that I don't even blame Sugar. To me,

0:17:36.480 --> 0:17:40.879
<v Speaker 2>that is the only hypothetical party that ourl Monday Morning

0:17:40.960 --> 0:17:46.240
<v Speaker 2>quarterback is the executive group, which was still young guys.

0:17:46.359 --> 0:17:52.000
<v Speaker 2>You know what I like, retrospectively speaking like Sug and

0:17:52.080 --> 0:17:55.600
<v Speaker 2>whoever else is in that sea level suite quote unquote

0:17:56.760 --> 0:17:59.200
<v Speaker 2>needed to do a better job of defying that line

0:17:59.320 --> 0:18:03.919
<v Speaker 2>rigidly and say, hey, you guys, you're here because of

0:18:03.960 --> 0:18:07.480
<v Speaker 2>what we have going on. Make sure that he doesn't

0:18:07.480 --> 0:18:09.080
<v Speaker 2>start to think he's a part of what you have

0:18:09.240 --> 0:18:09.640
<v Speaker 2>going on.

0:18:12.520 --> 0:18:16.000
<v Speaker 1>I'm gonna tell you why. I don't think that makes sense.

0:18:16.160 --> 0:18:18.600
<v Speaker 1>And this is being signed to cash money, right, I

0:18:18.640 --> 0:18:21.160
<v Speaker 1>get I'm all in right, I totally get it. I'm

0:18:21.200 --> 0:18:23.840
<v Speaker 1>not acting like I don't get it. I'm not acting

0:18:23.920 --> 0:18:28.280
<v Speaker 1>like I don't get it right. I totally understand said

0:18:28.359 --> 0:18:33.640
<v Speaker 1>point right, But what happens is right. What happens is

0:18:36.200 --> 0:18:40.080
<v Speaker 1>what happens is right. Is like when I'm with Baby,

0:18:40.400 --> 0:18:42.600
<v Speaker 1>I'm signed to cash money records right in my prime,

0:18:42.880 --> 0:18:45.520
<v Speaker 1>I'm a gang banging I'm in my prime. I didn't

0:18:45.560 --> 0:18:48.040
<v Speaker 1>bust niggas head fuck with Baby I was trying to

0:18:48.119 --> 0:18:51.399
<v Speaker 1>rush other niggas fucking with baby because we're together. So

0:18:51.480 --> 0:18:54.720
<v Speaker 1>if something happens to you, it makes me look crazy.

0:18:55.119 --> 0:18:59.120
<v Speaker 1>Like when that situation happened in Hollywood. You know what I mean,

0:18:59.200 --> 0:19:01.399
<v Speaker 1>what a homies ran up on their car, spotted and

0:19:01.560 --> 0:19:03.600
<v Speaker 1>ran up on their car. That made me look stupid

0:19:04.840 --> 0:19:08.520
<v Speaker 1>because you with me, asks how the streets raise you.

0:19:08.600 --> 0:19:13.640
<v Speaker 1>That's the that's the level of you know, of pride.

0:19:13.640 --> 0:19:16.200
<v Speaker 1>You carry yourself when you come from the corner, you

0:19:16.240 --> 0:19:20.280
<v Speaker 1>look at it like you know what the streets raised you? Right,

0:19:20.320 --> 0:19:22.720
<v Speaker 1>So you you you, you do your thing. And and

0:19:23.080 --> 0:19:28.000
<v Speaker 1>there was times that I understood that I can't let

0:19:28.040 --> 0:19:30.520
<v Speaker 1>them look bad. Them dudes are street dudes just like me.

0:19:30.560 --> 0:19:32.600
<v Speaker 1>They've just been millionaires a lot longer than I.

0:19:32.560 --> 0:19:36.520
<v Speaker 3>Had way, yes, I remember, right, And so I got

0:19:36.560 --> 0:19:37.280
<v Speaker 3>to go with a gun.

0:19:37.320 --> 0:19:39.919
<v Speaker 1>My hommy's going and I'm tripping, and if bird doesn't

0:19:39.920 --> 0:19:42.040
<v Speaker 1>calm me down, then you know what I mean, It's

0:19:42.080 --> 0:19:44.560
<v Speaker 1>a different situation because them, the dudes that did it,

0:19:44.600 --> 0:19:47.919
<v Speaker 1>is my partners. But it's like y'all making me look stupid,

0:19:48.000 --> 0:19:50.720
<v Speaker 1>and you can't make me look weak. That's how you

0:19:50.800 --> 0:19:53.960
<v Speaker 1>carry yourself in the streets and POC had that lesson.

0:19:54.840 --> 0:19:57.080
<v Speaker 1>Don't have nothing to do with him being from my

0:19:57.280 --> 0:19:59.960
<v Speaker 1>piru or like that was another argument. I'm like, course

0:20:00.000 --> 0:20:02.280
<v Speaker 1>he was banging the mob. Of course he was pressing

0:20:02.280 --> 0:20:04.720
<v Speaker 1>them up. He got songs saying long Beach and Rosecrans.

0:20:05.000 --> 0:20:07.680
<v Speaker 1>He started saying map like, of course he with them.

0:20:07.920 --> 0:20:10.640
<v Speaker 1>They just got him out of prison. He's triple platinum

0:20:10.800 --> 0:20:13.480
<v Speaker 1>these niggas, is my guys. I'm finna go all the

0:20:13.520 --> 0:20:16.520
<v Speaker 1>way for these dudes. What do you I was just

0:20:16.520 --> 0:20:20.399
<v Speaker 1>sitting in prison eight months ago. Yeah, I'm finna go.

0:20:21.080 --> 0:20:23.440
<v Speaker 1>Twan shout out to my boy Twin Mat shout out

0:20:23.480 --> 0:20:26.359
<v Speaker 1>to Still who just entered No Ceilings Live the Lunch

0:20:26.440 --> 0:20:31.400
<v Speaker 1>Hour every Monday, Wednesday and Friday noon. To subscribe, subscribe

0:20:31.400 --> 0:20:33.480
<v Speaker 1>to the No Senters podcast below. Click the like button

0:20:33.480 --> 0:20:37.920
<v Speaker 1>on this video. Twan, if I make you a millionaire, Twin,

0:20:38.080 --> 0:20:40.560
<v Speaker 1>you my boy, Twin, thank you for coming back on

0:20:40.560 --> 0:20:45.760
<v Speaker 1>this Friday. Twin, I'll make you right you twying you up.

0:20:46.119 --> 0:20:49.879
<v Speaker 1>You got a whole movement built on positivity. It's a

0:20:50.040 --> 0:20:53.240
<v Speaker 1>dulkin temporary hip hop. You don't even it ain't even

0:20:53.240 --> 0:20:55.760
<v Speaker 1>the music, You're like, nah gee, the messaging even gotta

0:20:55.800 --> 0:20:58.280
<v Speaker 1>make some sense. I can't just let these dudes get

0:20:58.359 --> 0:21:01.439
<v Speaker 1>up in here with this music, right, and then the

0:21:01.600 --> 0:21:04.600
<v Speaker 1>messaging don't make sense. Like that's how stringeent you are

0:21:04.600 --> 0:21:08.160
<v Speaker 1>on behavior, kwan. If I make you a millionaire, imagine twine,

0:21:08.200 --> 0:21:10.200
<v Speaker 1>you get caught up as shit. You got ten years,

0:21:10.520 --> 0:21:14.600
<v Speaker 1>I come bail you out, give you a triple platinum album.

0:21:14.960 --> 0:21:17.000
<v Speaker 1>Now you're getting one hundred two hundred thousand a month.

0:21:17.080 --> 0:21:21.000
<v Speaker 1>You on fire. We in a we somewhere in a mall.

0:21:22.119 --> 0:21:24.400
<v Speaker 1>Let's say your hits, funks and everything, find you back

0:21:24.440 --> 0:21:26.360
<v Speaker 1>to normal. And I'm like, man, that was a dude

0:21:26.400 --> 0:21:28.600
<v Speaker 1>that jumped me. You don't think you gonna move.

0:21:30.080 --> 0:21:32.359
<v Speaker 4>First of all, shouts out to Peak, shouts out still,

0:21:32.440 --> 0:21:37.840
<v Speaker 4>shouts out to Seventh Street that pot thank you. But yeah,

0:21:38.000 --> 0:21:40.880
<v Speaker 4>we gotta saying. We gotta saying in Milwaukee TTG train

0:21:40.960 --> 0:21:41.159
<v Speaker 4>to go.

0:21:41.240 --> 0:21:43.040
<v Speaker 1>Bro dam Like say that too.

0:21:43.200 --> 0:21:45.080
<v Speaker 4>We're gonna get get on when you get mad at bro.

0:21:45.200 --> 0:21:47.760
<v Speaker 4>Like if you you you playing game with somebody that

0:21:47.840 --> 0:21:49.919
<v Speaker 4>I love and you putting them in a in a

0:21:50.040 --> 0:21:52.760
<v Speaker 4>in a a in a strange situation, and there's another

0:21:52.760 --> 0:21:55.080
<v Speaker 4>thing that we say, whether you're right or wrong, we'll

0:21:55.119 --> 0:21:55.840
<v Speaker 4>deal with that later.

0:21:56.160 --> 0:22:00.160
<v Speaker 1>That's later. Still, still, we've been boys for twenty years.

0:22:00.560 --> 0:22:04.000
<v Speaker 1>I've been your little brok twenty years. Imagine over the

0:22:04.040 --> 0:22:08.720
<v Speaker 1>next nine months, I gotta go. Imagine over the next

0:22:08.800 --> 0:22:13.000
<v Speaker 1>nine months, I make you a millionaire, Like the idea

0:22:13.040 --> 0:22:17.800
<v Speaker 1>comes to and now you're a millionaire or you up rightonaire,

0:22:17.880 --> 0:22:20.920
<v Speaker 1>I'm not, but I'm saying mine is just our real relationship.

0:22:21.200 --> 0:22:24.280
<v Speaker 1>I make you a millionaire too, Like it's pp it,

0:22:25.119 --> 0:22:29.080
<v Speaker 1>I make you a millionaire. Somebody that we were in

0:22:29.119 --> 0:22:31.840
<v Speaker 1>the mall and somebody just brush what you gonna do?

0:22:34.880 --> 0:22:37.640
<v Speaker 1>It's on and crack, yeah it gotta be. We're gonna

0:22:37.640 --> 0:22:40.240
<v Speaker 1>talk about that later. Bro, your life. I don't know

0:22:40.240 --> 0:22:43.359
<v Speaker 1>if this dude I'm close. I don't been in situations

0:22:43.359 --> 0:22:45.520
<v Speaker 1>where dude didn't even know that I was with him

0:22:45.920 --> 0:22:47.280
<v Speaker 1>and he started reaching.

0:22:47.200 --> 0:22:50.040
<v Speaker 4>And I'm like, bro, don't like, don't do that.

0:22:50.320 --> 0:22:51.560
<v Speaker 1>Want to get real bad?

0:22:51.680 --> 0:22:54.240
<v Speaker 4>Don't do that. Bro Like, don't don't do that. Man Like, please,

0:22:54.280 --> 0:22:56.520
<v Speaker 4>don't do that. The whole time, I'm thinking about going

0:22:56.560 --> 0:22:58.600
<v Speaker 4>back to the joint. But then the whole time, I'm

0:22:58.640 --> 0:23:01.159
<v Speaker 4>thinking he might up, he might up a switch and

0:23:01.240 --> 0:23:03.200
<v Speaker 4>kill all of us. So I gotta get to him first,

0:23:03.760 --> 0:23:04.560
<v Speaker 4>So shout out.

0:23:04.400 --> 0:23:06.160
<v Speaker 1>To the homie. Everybody in the chat, make sure y'all

0:23:06.240 --> 0:23:07.800
<v Speaker 1>check in so I know you in there West of

0:23:07.880 --> 0:23:10.840
<v Speaker 1>Lake specially thanks for rocking fast. What's having it, Claire?

0:23:11.200 --> 0:23:14.440
<v Speaker 1>I see you in here, Sean, everybody. So again, back

0:23:14.440 --> 0:23:17.240
<v Speaker 1>to the point I'm making with Ron before it leads

0:23:17.240 --> 0:23:20.520
<v Speaker 1>into the conversation that we're supposed to have. That's the

0:23:20.640 --> 0:23:25.119
<v Speaker 1>point where where when people are allowed to redirect the

0:23:25.280 --> 0:23:30.360
<v Speaker 1>narrative with silly shit, like where the homie is like, well, yeah,

0:23:30.520 --> 0:23:33.560
<v Speaker 1>you know, baby, they ain't tried to snatch Tupac's chain

0:23:33.600 --> 0:23:36.199
<v Speaker 1>out in front of the casino. I'm like, bro, that

0:23:36.280 --> 0:23:39.080
<v Speaker 1>did not happen. First off, they were the rusting right

0:23:39.119 --> 0:23:42.919
<v Speaker 1>then and there. It's a different conversation. But because he

0:23:43.040 --> 0:23:48.360
<v Speaker 1>struggles to understand why Pop reacted with that sense of loyalty,

0:23:48.440 --> 0:23:52.879
<v Speaker 1>which which makes me realize how many people now my man,

0:23:52.960 --> 0:23:55.879
<v Speaker 1>Ron ain't no pussy. But again when he acts like

0:23:55.920 --> 0:23:58.040
<v Speaker 1>he don't get it, it makes me think weird, Like,

0:23:58.480 --> 0:24:02.359
<v Speaker 1>so you don't understand why Tupac just was in prison

0:24:02.480 --> 0:24:08.840
<v Speaker 1>at that time, probably eleven months ago, like in prison

0:24:09.200 --> 0:24:12.400
<v Speaker 1>with a double platinum record in prison. Now he's out

0:24:12.400 --> 0:24:15.200
<v Speaker 1>with the biggest records of his career and everything and

0:24:15.560 --> 0:24:17.800
<v Speaker 1>an army and you don't think he gonna sold your

0:24:17.880 --> 0:24:21.919
<v Speaker 1>up for this. You crazy these dudes everything, but but

0:24:21.920 --> 0:24:23.480
<v Speaker 1>but let me, let me, let me, let me, let me,

0:24:23.600 --> 0:24:25.960
<v Speaker 1>let me finish. I got you still drivers right there.

0:24:26.240 --> 0:24:28.280
<v Speaker 1>So I'm like, you don't get it. But when he

0:24:28.440 --> 0:24:32.879
<v Speaker 1>redirected the narrative of like, oh well, no he tried to,

0:24:32.960 --> 0:24:36.280
<v Speaker 1>and I'm like, you don't need to do that, right,

0:24:36.320 --> 0:24:38.679
<v Speaker 1>You don't need to redirect the narrative. You can have

0:24:38.800 --> 0:24:41.879
<v Speaker 1>this narrative and it still makes sense. And that's my

0:24:42.040 --> 0:24:46.080
<v Speaker 1>issue with j Cole. Bro don't get on these fucking

0:24:46.200 --> 0:24:49.399
<v Speaker 1>records were twenty five minutes in. Still don't get on

0:24:49.480 --> 0:24:54.480
<v Speaker 1>these records, right, don't get on these records and start lying.

0:24:54.800 --> 0:24:57.840
<v Speaker 1>Stop acting like you were so worried about losing your friend.

0:24:58.359 --> 0:25:00.359
<v Speaker 1>Don't get on these records acting like you would win

0:25:00.400 --> 0:25:03.480
<v Speaker 1>a battle with these two dudes, either one of these dudes.

0:25:03.680 --> 0:25:06.960
<v Speaker 1>Don't get on these records trying to redirect the narrative.

0:25:08.520 --> 0:25:12.240
<v Speaker 1>You didn't want to stroke. I don't give a fuck

0:25:12.320 --> 0:25:16.520
<v Speaker 1>what it was. Ja Cole could always wrap, but don't

0:25:16.560 --> 0:25:19.240
<v Speaker 1>try to put vinegar in your pin. When ain't nobody

0:25:19.240 --> 0:25:22.200
<v Speaker 1>cooking greens no more? They was just cooking greens.

0:25:22.680 --> 0:25:23.000
<v Speaker 4>Damn.

0:25:23.480 --> 0:25:25.320
<v Speaker 1>Now you now you got vinegar in your pin. Your

0:25:25.359 --> 0:25:28.879
<v Speaker 1>pin af spicy. You just had a moment that you infused.

0:25:28.960 --> 0:25:31.920
<v Speaker 1>You was a part of the reason that this moment happened.

0:25:32.480 --> 0:25:34.480
<v Speaker 1>You was the reason that they was in the kitchen

0:25:34.720 --> 0:25:36.840
<v Speaker 1>having a green cook off in the first place. And

0:25:36.880 --> 0:25:38.720
<v Speaker 1>it was time to let the vinegar come out of

0:25:38.720 --> 0:25:41.399
<v Speaker 1>your pin. Bro it was time to let the vinegar

0:25:41.520 --> 0:25:42.520
<v Speaker 1>come out. Get spicy.

0:25:42.760 --> 0:25:44.160
<v Speaker 4>But what do you have to add though?

0:25:44.320 --> 0:25:46.840
<v Speaker 2>What Jake call is a sugar greens kind of guy.

0:25:46.880 --> 0:25:50.000
<v Speaker 2>Though he just needs to understand that he's a cabbage.

0:25:50.160 --> 0:25:51.560
<v Speaker 4>He puts sugar on gricks.

0:25:52.720 --> 0:25:54.600
<v Speaker 1>She got everybody puts sugar on It's the only way

0:25:54.640 --> 0:26:02.120
<v Speaker 1>the grisly season grits only season grids with salt and pepper.

0:26:03.320 --> 0:26:06.200
<v Speaker 3>Maybe y'all know, Maybe it's something what he done and

0:26:06.680 --> 0:26:07.560
<v Speaker 3>j Cole good.

0:26:07.359 --> 0:26:12.679
<v Speaker 1>Friends, d It's not the point again, being friends in

0:26:12.720 --> 0:26:16.400
<v Speaker 1>a battle is not the point. J Cole has a

0:26:16.480 --> 0:26:21.320
<v Speaker 1>history of saying shit about wanting to compete. He has

0:26:21.359 --> 0:26:23.920
<v Speaker 1>a history of talking about what his pen would do

0:26:24.040 --> 0:26:27.960
<v Speaker 1>to other MC's. That's how you found these twin Is

0:26:27.960 --> 0:26:30.159
<v Speaker 1>is exactly the opposite. Twan is not talking in his

0:26:30.280 --> 0:26:33.680
<v Speaker 1>raps about wrapping against other gods. J Cole's whole premise

0:26:33.880 --> 0:26:35.639
<v Speaker 1>is built on rapping against other gods.

0:26:36.080 --> 0:26:41.199
<v Speaker 2>This is the perfect meme opportunity. We need to put

0:26:41.800 --> 0:26:45.480
<v Speaker 2>Kendrick's face on Deebo's body, and then the guy who

0:26:45.520 --> 0:26:47.840
<v Speaker 2>gets punched in the face is Drake, and then j

0:26:48.040 --> 0:26:50.000
<v Speaker 2>Coles the guy who picks up I don't know how

0:26:50.040 --> 0:26:52.040
<v Speaker 2>you come down here messing around with these people and

0:26:52.200 --> 0:26:53.520
<v Speaker 2>puts the back of the car and drops.

0:26:53.560 --> 0:26:55.320
<v Speaker 1>So that's what should have been. That should have been

0:26:55.320 --> 0:27:00.680
<v Speaker 1>the thumb nail anyway. So I'm like, okay, Like, I look,

0:27:01.520 --> 0:27:04.480
<v Speaker 1>I am not one that tries to watch and fight.

0:27:04.560 --> 0:27:07.080
<v Speaker 1>I do not encourage people to fight. I do not

0:27:07.520 --> 0:27:10.119
<v Speaker 1>encourage people to fight. If you are not a fighter,

0:27:10.119 --> 0:27:12.119
<v Speaker 1>I'll be like, look, stand up for yourself or go

0:27:12.240 --> 0:27:15.280
<v Speaker 1>the other way. Right. So I'm not saying I want

0:27:15.320 --> 0:27:18.879
<v Speaker 1>to see rappers rap against each other. You feel me.

0:27:19.160 --> 0:27:22.280
<v Speaker 1>I do not say I want to see rappers rap

0:27:22.320 --> 0:27:25.199
<v Speaker 1>against each other. Bro. That don't even make sense. That

0:27:25.240 --> 0:27:30.000
<v Speaker 1>ain't my style, bro, I'm not tripping. What my issue

0:27:30.200 --> 0:27:35.520
<v Speaker 1>is is when you keep talking spicy when everything you

0:27:35.680 --> 0:27:41.560
<v Speaker 1>are doing is spicy, Why are you talking spicy? Okay,

0:27:41.720 --> 0:27:44.240
<v Speaker 1>before the battle start? You on a first person shooter

0:27:44.520 --> 0:27:50.600
<v Speaker 1>that starts the battle, that actually orchestrates the battle, right,

0:27:50.640 --> 0:27:54.560
<v Speaker 1>that orchestrates the battle? You talking spicy? You ain't you

0:27:54.680 --> 0:27:56.920
<v Speaker 1>tired of being two and three? First off? Why would

0:27:56.960 --> 0:28:00.720
<v Speaker 1>you say that to you know that it's a competitive

0:28:00.720 --> 0:28:04.359
<v Speaker 1>thing to say you you're talking competitively, right. Then you

0:28:04.400 --> 0:28:08.119
<v Speaker 1>say something, you say somebody of line ship. The homies

0:28:08.200 --> 0:28:10.960
<v Speaker 1>hear you saying somebody of line ship. So he give

0:28:11.040 --> 0:28:15.800
<v Speaker 1>you a love You know, I'm shit. He gives you

0:28:15.840 --> 0:28:19.119
<v Speaker 1>a love on like that. You don't want to play

0:28:19.240 --> 0:28:23.520
<v Speaker 1>like that. This ain't what you want cold, This ain't

0:28:23.520 --> 0:28:25.840
<v Speaker 1>what you want, Tim Duncan. This is different.

0:28:26.040 --> 0:28:28.000
<v Speaker 4>Why you gotta bring big fundamentals into this?

0:28:28.240 --> 0:28:31.000
<v Speaker 1>That's big, he's that, he's that great. Jake Cole is

0:28:31.040 --> 0:28:33.760
<v Speaker 1>one of the greatest. He's an A plus rapper.

0:28:34.080 --> 0:28:36.320
<v Speaker 4>But big fundamentals in there. I used to poke the bear.

0:28:38.600 --> 0:28:41.200
<v Speaker 1>A little small shit and do ship man, big fund

0:28:41.640 --> 0:28:43.440
<v Speaker 1>just say it and say ship like off the glass

0:28:43.760 --> 0:28:54.600
<v Speaker 1>good ship again. Fundamentally he is Tim Duncan. Fundamentally it's nice, right,

0:28:54.680 --> 0:28:56.920
<v Speaker 1>But listen that's not the point. You made me look

0:28:57.240 --> 0:29:02.959
<v Speaker 1>so but you popping it, You popping it. You popping

0:29:03.040 --> 0:29:06.080
<v Speaker 1>it at another level, you can't say he not that

0:29:06.160 --> 0:29:10.040
<v Speaker 1>type of rapper if you popping it. If you popping it,

0:29:10.120 --> 0:29:12.400
<v Speaker 1>you that type of rapper. So then like that, he

0:29:12.520 --> 0:29:17.360
<v Speaker 1>returns the competitive love, right, the competitive love you asked for.

0:29:17.840 --> 0:29:22.000
<v Speaker 1>And you go four flaged missiles, guns blazing, You pull

0:29:22.000 --> 0:29:26.160
<v Speaker 1>out the seven minute drill. Then you put out the

0:29:26.240 --> 0:29:28.640
<v Speaker 1>Pie Song, which is really a disc and you were

0:29:28.760 --> 0:29:31.680
<v Speaker 1>slick and deban because you wouldn't put some of his

0:29:31.800 --> 0:29:34.280
<v Speaker 1>old friends on there. You wouldn't put soul on there,

0:29:34.520 --> 0:29:37.360
<v Speaker 1>you wouldn't put you feel Me Daylight on there. See it.

0:29:37.800 --> 0:29:40.160
<v Speaker 1>Everybody in the MC enough to know what you're doing.

0:29:40.360 --> 0:29:42.320
<v Speaker 1>I know what you're doing. When you did Pie, I

0:29:42.400 --> 0:29:44.320
<v Speaker 1>hear what you're saying. Nigga, I know what you're doing.

0:29:45.120 --> 0:29:48.720
<v Speaker 1>Like I get it. So you was popping it and

0:29:48.760 --> 0:29:53.520
<v Speaker 1>then you realize this ain't what I want. And you

0:29:53.640 --> 0:29:57.160
<v Speaker 1>know why this ain't what you want because in the

0:29:57.240 --> 0:29:59.800
<v Speaker 1>back of your mind, there's a chance somebody gonna say

0:29:59.800 --> 0:30:06.800
<v Speaker 1>something that's devastating. Yeah, that's devastating. They're gonna say something

0:30:06.840 --> 0:30:09.440
<v Speaker 1>to you that's devastating.

0:30:08.800 --> 0:30:11.080
<v Speaker 4>Because the gloves is off, it's all.

0:30:11.920 --> 0:30:15.840
<v Speaker 1>And so once you hit me in my face, you

0:30:15.960 --> 0:30:18.240
<v Speaker 1>touched it. Oh man, I don't want to fight. I

0:30:18.240 --> 0:30:21.480
<v Speaker 1>don't want to fight. And the homie like after you

0:30:21.600 --> 0:30:23.320
<v Speaker 1>hit him in the face with the punch, and you

0:30:23.400 --> 0:30:26.400
<v Speaker 1>did that little dog ass, dirty ass sneak shit by

0:30:26.440 --> 0:30:28.280
<v Speaker 1>dissing the homie on the song and they're putting the

0:30:28.320 --> 0:30:31.480
<v Speaker 1>homies on the song with a little piece of shit ass. Jay,

0:30:32.200 --> 0:30:33.400
<v Speaker 1>you know what you did, nigga.

0:30:33.400 --> 0:30:33.760
<v Speaker 4>I know it.

0:30:33.840 --> 0:30:36.400
<v Speaker 1>You adult nigga, So I know what you're doing. Well,

0:30:36.440 --> 0:30:38.160
<v Speaker 1>you don't think soling them with a new that when

0:30:38.160 --> 0:30:40.640
<v Speaker 1>they go no, because they not tripping. They they his

0:30:40.800 --> 0:30:43.400
<v Speaker 1>verses was on the song. They he did his verse last.

0:30:43.600 --> 0:30:45.440
<v Speaker 1>You know, I got at the homies and ask them

0:30:45.520 --> 0:30:47.480
<v Speaker 1>shut at to a soul who got an amazing song

0:30:47.520 --> 0:30:49.720
<v Speaker 1>that dropped today. Make sure y'all check that out. I

0:30:49.840 --> 0:30:51.880
<v Speaker 1>got it then, like I asked the homies and they

0:30:51.880 --> 0:30:54.240
<v Speaker 1>didn't hear his verse. So you did it on some

0:30:54.400 --> 0:30:59.600
<v Speaker 1>chicken shit shit. That was really some chicken shit shit, Jay, Jermaine,

0:30:59.600 --> 0:31:02.360
<v Speaker 1>that was chicken shit. And then once you hit the

0:31:02.400 --> 0:31:05.600
<v Speaker 1>hommy in his face or behind his back, like how

0:31:05.680 --> 0:31:07.800
<v Speaker 1>you did it, you pulled it back. It was like, no,

0:31:07.880 --> 0:31:14.640
<v Speaker 1>I'm sorry, went on the stage. I'm sorry, I'm sorry. Okay,

0:31:15.280 --> 0:31:18.480
<v Speaker 1>Really everybody should have called you a buster ass nigga

0:31:18.560 --> 0:31:21.040
<v Speaker 1>right when it happened, because I was some buster ass shit.

0:31:21.320 --> 0:31:23.040
<v Speaker 1>You hit a nigga, then you don't want him to

0:31:23.080 --> 0:31:26.600
<v Speaker 1>hit you back, right, that's just some buster shit. It

0:31:26.600 --> 0:31:28.920
<v Speaker 1>ain't saying you ain't dope. It ain't said J Cole.

0:31:28.960 --> 0:31:30.800
<v Speaker 1>You ain't don't want to do with that, none of that.

0:31:30.920 --> 0:31:34.360
<v Speaker 1>Cause you still nice, bro, You still dope. You still

0:31:34.360 --> 0:31:37.960
<v Speaker 1>wanted the best. But you also a sucker for that, right,

0:31:38.000 --> 0:31:41.640
<v Speaker 1>and and and all the people who love you, right,

0:31:41.760 --> 0:31:44.160
<v Speaker 1>all the people who love you start making excuses cause

0:31:44.240 --> 0:31:46.880
<v Speaker 1>ain't like, oh, well you know he's bigger than that,

0:31:47.040 --> 0:31:49.920
<v Speaker 1>he wouldn't do that. That's not him. No, no, yes, no,

0:31:50.040 --> 0:31:53.040
<v Speaker 1>he's not this nigga, a regular nigga. He fucked bitches

0:31:53.120 --> 0:31:55.440
<v Speaker 1>like every other nigga would have. Dick ain't nothing no

0:31:55.560 --> 0:31:59.320
<v Speaker 1>different than cuz. Right. So but anyway, we let you

0:31:59.400 --> 0:32:02.040
<v Speaker 1>have that, niggas, let your name go. And then them

0:32:02.120 --> 0:32:05.040
<v Speaker 1>two Titans went at it, and my young Waye put

0:32:05.080 --> 0:32:07.560
<v Speaker 1>hands on Drake, beating like he stole something like he

0:32:07.680 --> 0:32:10.320
<v Speaker 1>was supposed to, Like he's been taught his whole life to.

0:32:11.080 --> 0:32:13.800
<v Speaker 1>That's what that would have been prepared for this moment.

0:32:15.800 --> 0:32:18.280
<v Speaker 1>They had one good record. He got his ass whooked

0:32:18.880 --> 0:32:22.000
<v Speaker 1>and like he's opposed to and like he's opposed to

0:32:22.360 --> 0:32:25.520
<v Speaker 1>because this little nigga been training. We've been sparred verbally

0:32:25.840 --> 0:32:28.320
<v Speaker 1>this whole time. He been doing it before I met

0:32:28.440 --> 0:32:29.960
<v Speaker 1>him and said, tinyo. He was doing it when I

0:32:29.960 --> 0:32:32.960
<v Speaker 1>met him, when he graduated. He's been preparing for this

0:32:33.120 --> 0:32:34.800
<v Speaker 1>moment his whole.

0:32:34.520 --> 0:32:38.320
<v Speaker 3>Life, you know what, that whole life, bro. I think

0:32:38.480 --> 0:32:40.520
<v Speaker 3>that for him, this was a fantasy come true.

0:32:41.160 --> 0:32:43.480
<v Speaker 1>Yes, I get to prove it. I get to prove

0:32:43.480 --> 0:32:47.080
<v Speaker 1>I'm better than everybody. This is what this little nigga does. Okay,

0:32:47.240 --> 0:32:50.720
<v Speaker 1>so move forward, right, So they squab it out. We

0:32:50.840 --> 0:32:53.480
<v Speaker 1>forget you had something to do with it. They squabble

0:32:53.520 --> 0:32:56.000
<v Speaker 1>it out like you didn't start it, or like you

0:32:56.080 --> 0:32:57.960
<v Speaker 1>didn't hit Cuds in the head in the middle of

0:32:57.960 --> 0:33:01.160
<v Speaker 1>a fight. But we let you get it off. Then

0:33:01.200 --> 0:33:04.040
<v Speaker 1>you try to wait after the fight, you put out

0:33:04.040 --> 0:33:06.480
<v Speaker 1>a couple other records and realize them records ain't working

0:33:06.480 --> 0:33:08.920
<v Speaker 1>because we really the jig is up. On your bullshit,

0:33:09.400 --> 0:33:11.840
<v Speaker 1>and then you try to come back and talk spicy.

0:33:13.400 --> 0:33:15.880
<v Speaker 1>Then you tried to come back and talk spicy like

0:33:15.960 --> 0:33:17.600
<v Speaker 1>what you would have did if you would have you

0:33:17.600 --> 0:33:18.480
<v Speaker 1>would have did ship.

0:33:19.400 --> 0:33:23.520
<v Speaker 3>But maybe.

0:33:23.120 --> 0:33:25.480
<v Speaker 1>I don't care. I hate that stupid I hate Noah.

0:33:25.520 --> 0:33:31.560
<v Speaker 1>Let Now you're a grown ass man nigga. That's some

0:33:31.640 --> 0:33:36.680
<v Speaker 1>buster assh you You let North Carolina damn doing that

0:33:36.760 --> 0:33:39.000
<v Speaker 1>punk ass ship, and then you come back with the

0:33:39.080 --> 0:33:43.120
<v Speaker 1>song and you're trying to read write the narrative. You're

0:33:43.200 --> 0:33:45.800
<v Speaker 1>trying to rewrite the narrative. You trying to act like

0:33:45.840 --> 0:33:47.800
<v Speaker 1>you didn't do the ship. You did, like you took

0:33:47.800 --> 0:33:49.600
<v Speaker 1>the high road. You didn't take the high road. You

0:33:49.680 --> 0:33:53.120
<v Speaker 1>realize you could get your ass whooped in this fight.

0:33:53.880 --> 0:33:57.680
<v Speaker 1>That's what it is, and I'm not going to let

0:33:57.720 --> 0:34:00.360
<v Speaker 1>you rewrite the narrative. Shout out to everybody in the

0:34:00.440 --> 0:34:03.760
<v Speaker 1>chats blowing that ship up. Marcel's sub Vine was heading

0:34:04.440 --> 0:34:07.680
<v Speaker 1>Scherise was haddening west of l a special led two

0:34:07.760 --> 0:34:11.280
<v Speaker 1>K grind. Frank, what's Hadden in? Coach Frank? These niggas

0:34:11.320 --> 0:34:16.040
<v Speaker 1>is trying to rewrite the narrative, and I'm not going

0:34:16.120 --> 0:34:18.680
<v Speaker 1>to let him. I don't give a fuck the homie

0:34:18.719 --> 0:34:20.840
<v Speaker 1>Pun shout out to a boy Pun who do the

0:34:20.840 --> 0:34:24.239
<v Speaker 1>community right and and and Ace boys worldwide tonight one

0:34:24.280 --> 0:34:25.960
<v Speaker 1>of the best streams out the West ever. I'm so

0:34:26.040 --> 0:34:28.680
<v Speaker 1>proud of them. Niggas. He tried to tell me that

0:34:28.760 --> 0:34:31.200
<v Speaker 1>Cole was dope. Send me the song. Cole is dope.

0:34:31.440 --> 0:34:35.479
<v Speaker 1>I put. I don't know why you front. I'm not front.

0:34:35.960 --> 0:34:38.520
<v Speaker 1>I'm not front j Cole Ben taty Ti. We passed that,

0:34:38.680 --> 0:34:43.160
<v Speaker 1>but yes, what I see was back. I'm not biased.

0:34:43.800 --> 0:34:46.440
<v Speaker 1>Sitting in his own I love, but I'm a real

0:34:46.560 --> 0:34:49.479
<v Speaker 1>don't have none to do with He's a fucking duck.

0:34:50.440 --> 0:34:53.000
<v Speaker 3>I'm gonna I'm gonna hip hop. I'm hip hop anlys yeh.

0:34:53.600 --> 0:34:55.400
<v Speaker 3>I thought it was some such ship him dugging out

0:34:55.440 --> 0:34:58.440
<v Speaker 3>the battle. But the new record is dope. Though it

0:34:58.440 --> 0:35:00.520
<v Speaker 3>ain't dope because you lying on the record.

0:35:00.800 --> 0:35:03.160
<v Speaker 1>You acting like you was on some schmoke or you

0:35:03.280 --> 0:35:05.359
<v Speaker 1>or you got vinegar in your pincus when it ain't

0:35:05.400 --> 0:35:08.560
<v Speaker 1>nothing in there but kool aid. Bro. Don't do that now,

0:35:09.880 --> 0:35:13.640
<v Speaker 1>be the same uprighteous nigga you was after you punched

0:35:13.640 --> 0:35:15.080
<v Speaker 1>the home in the back of his head. Try to

0:35:15.080 --> 0:35:17.359
<v Speaker 1>act like you didn't. Don't try to give them back

0:35:17.600 --> 0:35:21.160
<v Speaker 1>when no motherfucking with no motherfucker vinegar and your pen now, bro,

0:35:21.200 --> 0:35:23.719
<v Speaker 1>because when it was time to season the greens, your

0:35:23.800 --> 0:35:31.400
<v Speaker 1>whole ass back up. I'm not killing him, not what

0:35:31.440 --> 0:35:35.400
<v Speaker 1>I mean, because he's not a whole and and and

0:35:35.440 --> 0:35:38.600
<v Speaker 1>I'm passionate forgive me. They go crazy the chat glasses,

0:35:38.800 --> 0:35:42.400
<v Speaker 1>they're both for them. I don't. I'm not trying to

0:35:42.440 --> 0:35:48.359
<v Speaker 1>disrespect you because I'm not calling you your actions. Your

0:35:48.520 --> 0:35:53.960
<v Speaker 1>actions are disrespectable. He he's a he's a respectable talent.

0:35:54.200 --> 0:35:58.080
<v Speaker 1>He's an incredible talent. He's better than me, Bro Like

0:35:58.200 --> 0:36:03.000
<v Speaker 1>he's an incredible talent. He's dope. But that's some buster

0:36:03.080 --> 0:36:06.000
<v Speaker 1>or ass shit to do. How you do that bust

0:36:06.080 --> 0:36:07.680
<v Speaker 1>or ass shit with?

0:36:07.840 --> 0:36:08.520
<v Speaker 4>Just say glasses?

0:36:08.520 --> 0:36:13.239
<v Speaker 1>He went like this, No that what's crazy is he

0:36:13.440 --> 0:36:16.480
<v Speaker 1>really punched cousin the back of his head, got his

0:36:16.560 --> 0:36:20.640
<v Speaker 1>homies to pack him out. Really wentn't lied to the

0:36:20.640 --> 0:36:23.319
<v Speaker 1>homie like you did some all the way sucker shit,

0:36:23.920 --> 0:36:25.759
<v Speaker 1>even going to put them boys on the song that

0:36:25.800 --> 0:36:28.520
<v Speaker 1>you're talking about the homie with, trying to cause dissension

0:36:28.520 --> 0:36:32.520
<v Speaker 1>amongst us. You know what I'm saying. I didn't. I

0:36:32.640 --> 0:36:36.600
<v Speaker 1>know what you did I know what you I know

0:36:36.680 --> 0:36:38.239
<v Speaker 1>what he was doing. Still I'm not gonna lie and

0:36:38.239 --> 0:36:40.120
<v Speaker 1>I'm not gonna lie on that man. I say I

0:36:40.600 --> 0:36:43.400
<v Speaker 1>care for my words, like like, I don't want to

0:36:43.440 --> 0:36:47.239
<v Speaker 1>reference him as a whole ass man. That action is

0:36:47.280 --> 0:36:50.360
<v Speaker 1>some whole ass shit. You then did all of this shit.

0:36:50.680 --> 0:36:53.080
<v Speaker 1>You didn't got all this punk ass shit going. You

0:36:53.200 --> 0:36:55.040
<v Speaker 1>try to take off on a homie and do all

0:36:55.040 --> 0:36:57.520
<v Speaker 1>this show bullshit, and then when it was time for

0:36:57.560 --> 0:36:59.799
<v Speaker 1>you to stand there with throw you apologize and people

0:36:59.840 --> 0:37:02.080
<v Speaker 1>try to act like you was honorable. You not, bro,

0:37:03.120 --> 0:37:05.000
<v Speaker 1>But we let you get that off and I let

0:37:05.080 --> 0:37:09.600
<v Speaker 1>it go. I let it go. I let it go, bro,

0:37:10.080 --> 0:37:14.680
<v Speaker 1>I let it go until today until right now where

0:37:14.680 --> 0:37:16.600
<v Speaker 1>you trying to come back and act like you got

0:37:16.719 --> 0:37:17.880
<v Speaker 1>vinegar in your pen.

0:37:17.800 --> 0:37:20.919
<v Speaker 3>For you know what the problem is, man, I'm gonna

0:37:20.960 --> 0:37:22.719
<v Speaker 3>tell you what the problem is. The problem is you

0:37:22.760 --> 0:37:23.600
<v Speaker 3>let nas down.

0:37:24.280 --> 0:37:25.120
<v Speaker 4>I'm done with you.

0:37:25.480 --> 0:37:29.919
<v Speaker 1>I'm done. Ain't you know what problem is? I'm done

0:37:29.960 --> 0:37:36.719
<v Speaker 1>with you? Still shout out then Dollards on the super

0:37:36.800 --> 0:37:39.360
<v Speaker 1>Chat that's player Geno. I love you, counted in the house.

0:37:39.160 --> 0:37:40.279
<v Speaker 4>Baby type shit.

0:37:40.480 --> 0:37:44.799
<v Speaker 1>Appreciate that dog. So I'm really careful with why I

0:37:44.840 --> 0:37:50.080
<v Speaker 1>handle that man legacy. I'm not trying to just insult him,

0:37:50.239 --> 0:37:53.680
<v Speaker 1>but I am definitely not going to let him rewrite

0:37:53.719 --> 0:37:59.080
<v Speaker 1>the narrative. You're not going to rewrite the narrative. You

0:37:59.239 --> 0:38:01.399
<v Speaker 1>not gonna act like you could fuck with either one

0:38:01.400 --> 0:38:04.200
<v Speaker 1>of these two niggas. You can't fuck with the karate

0:38:04.360 --> 0:38:07.040
<v Speaker 1>Master or the Owl because because when it was time

0:38:07.320 --> 0:38:11.400
<v Speaker 1>to let the vinegar leak out your pen, feel me,

0:38:11.719 --> 0:38:14.120
<v Speaker 1>you got the sugar. You picked up the sugar and

0:38:14.160 --> 0:38:16.800
<v Speaker 1>start pouring sugar in the dreaming and everybody trying to

0:38:16.800 --> 0:38:19.439
<v Speaker 1>eat it. Tell me, I taste sugar and greens don't work.

0:38:19.520 --> 0:38:23.879
<v Speaker 1>Don't why sugars do work though?

0:38:24.560 --> 0:38:24.759
<v Speaker 4>Don't?

0:38:25.920 --> 0:38:26.640
<v Speaker 2>That's terrible.

0:38:29.960 --> 0:38:33.760
<v Speaker 3>You gotta put teapoons sugar steal?

0:38:34.400 --> 0:38:39.360
<v Speaker 2>Can you get steel out of their place? In coherence? Obviously?

0:38:39.800 --> 0:38:43.760
<v Speaker 1>Well, I'm just doing the homie saying stuff. There's nothing

0:38:44.040 --> 0:38:46.400
<v Speaker 1>he tried to pour. He tried to put sugar instead

0:38:46.440 --> 0:38:47.000
<v Speaker 1>of vinegar.

0:38:48.360 --> 0:38:50.799
<v Speaker 3>You're supposed to had a couple of teaspoons of sugar in, yeah, but.

0:38:50.800 --> 0:38:53.000
<v Speaker 1>You ain't supposed to have a bunch of sugar.

0:38:53.200 --> 0:38:55.400
<v Speaker 2>His greens is sweet, not supposed to be sweet.

0:38:55.719 --> 0:38:56.920
<v Speaker 4>I'm gonna take now.

0:38:56.920 --> 0:38:58.560
<v Speaker 3>If you taste the sugar, you did something wrong.

0:38:58.760 --> 0:39:01.160
<v Speaker 4>I'm gonna take an excerpt of this of this podcast.

0:39:01.400 --> 0:39:03.920
<v Speaker 4>We're still say I know where he went wrong. He

0:39:04.040 --> 0:39:04.919
<v Speaker 4>let Noads down.

0:39:05.200 --> 0:39:10.360
<v Speaker 1>That's the fucking clip. But the point I'm saying, like

0:39:10.400 --> 0:39:14.239
<v Speaker 1>that man and he still hold the straight.

0:39:16.440 --> 0:39:17.319
<v Speaker 4>Still because that was.

0:39:20.560 --> 0:39:22.640
<v Speaker 1>Look. I'm upset with his action, but I'm not for

0:39:22.719 --> 0:39:25.719
<v Speaker 1>to do it still doing. Let me focus on the action.

0:39:26.480 --> 0:39:29.200
<v Speaker 1>I didn't like that letting nods damn song. That ship

0:39:29.239 --> 0:39:31.439
<v Speaker 1>was lame as fuck to me. But you know that's

0:39:31.480 --> 0:39:33.719
<v Speaker 1>that suburban sho I don't know what the fuck is

0:39:33.760 --> 0:39:36.879
<v Speaker 1>going on. I don't give scar Face is my hero,

0:39:37.000 --> 0:39:38.640
<v Speaker 1>but I don't give a fuck. If I let Cus

0:39:38.719 --> 0:39:42.600
<v Speaker 1>down Seventh Street. Feel me like, I'm not making no song.

0:39:42.640 --> 0:39:44.719
<v Speaker 1>I let Face down, I let Jake down, I let

0:39:44.800 --> 0:39:45.640
<v Speaker 1>Dog down.

0:39:46.000 --> 0:39:51.480
<v Speaker 4>Nigga glasses. I'm a big fan of a of a

0:39:51.520 --> 0:39:56.359
<v Speaker 4>TV series, Boardwalk Empire. It's about It's about I love

0:39:56.360 --> 0:39:59.040
<v Speaker 4>that show. It's about Lucky al Capone when they was

0:39:59.120 --> 0:40:01.479
<v Speaker 4>just babies. It it takes you back to when Arnold

0:40:01.520 --> 0:40:04.320
<v Speaker 4>Rothstein actually fixed the nineteen nineteen World series. All I

0:40:04.320 --> 0:40:06.120
<v Speaker 4>have to say this is the main character is a dude

0:40:06.160 --> 0:40:09.040
<v Speaker 4>named Nuckie Thompson e Enough Thompson, and he had an

0:40:09.080 --> 0:40:12.600
<v Speaker 4>understudy named Jimmy Dormidy. And Jimmy Dormody told h because

0:40:12.640 --> 0:40:15.759
<v Speaker 4>Nucky wanted to be the city treasurer for Atlantic City,

0:40:15.800 --> 0:40:17.520
<v Speaker 4>but then he wanted to be a gangster too, and

0:40:17.600 --> 0:40:19.520
<v Speaker 4>he wound up falling off into against the world. But

0:40:19.560 --> 0:40:21.680
<v Speaker 4>there was a point when Jimmy Darmody toldy man, you

0:40:21.719 --> 0:40:24.080
<v Speaker 4>can't be half a gangster man. You can't be half

0:40:24.080 --> 0:40:26.880
<v Speaker 4>a gangster. And in this case with j Cole, you

0:40:26.920 --> 0:40:29.920
<v Speaker 4>can't stick your toe in the water and act like

0:40:29.960 --> 0:40:32.040
<v Speaker 4>you're swimming and then when the piranhas come to the

0:40:32.120 --> 0:40:33.960
<v Speaker 4>edge and come bite your motherfucker toe off. Now all

0:40:33.960 --> 0:40:35.439
<v Speaker 4>of a sudden you want to be back on dry

0:40:35.520 --> 0:40:36.040
<v Speaker 4>land again.

0:40:36.440 --> 0:40:42.600
<v Speaker 2>Put for all la cinematic historians out there, you can't

0:40:42.680 --> 0:40:46.120
<v Speaker 2>ask to get out of the car after you shoot

0:40:46.239 --> 0:40:46.919
<v Speaker 2>out of the car.

0:40:47.320 --> 0:40:52.440
<v Speaker 1>Yeah no, he didn't. Well, I'm gonna tell you and

0:40:52.440 --> 0:40:53.840
<v Speaker 1>I'm not gonna let you get that. Shout out to

0:40:53.920 --> 0:40:57.200
<v Speaker 1>Quishy to squeeze crush Field nine ninety nine on that

0:40:57.239 --> 0:40:59.839
<v Speaker 1>super chat much love, please y'all hit them super chats

0:41:00.040 --> 0:41:03.680
<v Speaker 1>if you thank you lunch on Pete, we were eating today.

0:41:03.800 --> 0:41:06.799
<v Speaker 1>That's what I'm talking about. Still, I'm not going to

0:41:06.880 --> 0:41:10.160
<v Speaker 1>let you do that. I'm gonna tell you why, because

0:41:10.200 --> 0:41:14.080
<v Speaker 1>if he didn't shoot the gun, if he didn't shoot

0:41:14.080 --> 0:41:17.920
<v Speaker 1>the gun, I would agree with you if he would have,

0:41:18.120 --> 0:41:20.600
<v Speaker 1>if he would have showed and was like, you know what,

0:41:21.280 --> 0:41:24.400
<v Speaker 1>I'm not finna get on this, nigga like that, I'm not.

0:41:26.239 --> 0:41:29.480
<v Speaker 2>He drove the car to the parking lot by the

0:41:29.520 --> 0:41:30.239
<v Speaker 2>crush off Mall.

0:41:30.440 --> 0:41:33.960
<v Speaker 1>They already got asked to get out of the car. No,

0:41:34.200 --> 0:41:35.920
<v Speaker 1>they already shot the guns.

0:41:36.160 --> 0:41:37.399
<v Speaker 4>That's what they.

0:41:38.880 --> 0:41:40.800
<v Speaker 2>Let me out on the way back.

0:41:41.120 --> 0:41:42.480
<v Speaker 4>They hadn't killed anybody yet.

0:41:43.200 --> 0:41:45.000
<v Speaker 1>Of course he shot the gun. What are you talking?

0:41:45.120 --> 0:41:45.960
<v Speaker 1>They shot got.

0:41:50.680 --> 0:42:00.560
<v Speaker 6>You're right, I was thinking about Trey. It's fan he

0:42:00.640 --> 0:42:04.440
<v Speaker 6>is right now talking about. Oh if you have the

0:42:04.480 --> 0:42:05.680
<v Speaker 6>car after they shot the guy at the.

0:42:05.680 --> 0:42:11.040
<v Speaker 1>Burgers, what you say? It's fans of seven Minute Drill.

0:42:11.080 --> 0:42:14.000
<v Speaker 1>People think like, oh, he shot at him, he hit

0:42:14.120 --> 0:42:17.960
<v Speaker 1>him twice. Seven Minute Drill and Pie are both disrespects.

0:42:18.000 --> 0:42:20.399
<v Speaker 1>Pie is a piece of ship record because you put

0:42:20.480 --> 0:42:22.840
<v Speaker 1>his friends on the record and then you rap the

0:42:22.880 --> 0:42:26.080
<v Speaker 1>song this in him. That's even worse. Nigga. You ain't

0:42:26.600 --> 0:42:29.520
<v Speaker 1>you not kosher, bro, you not a Jewish meal, fool.

0:42:30.800 --> 0:42:33.080
<v Speaker 1>You not kosher. That ship you did ain't kosher. And

0:42:33.120 --> 0:42:37.960
<v Speaker 1>you apologize and ain't kosher. You not kosher? Dog, You

0:42:38.160 --> 0:42:40.879
<v Speaker 1>not kosher. That ship you doing ain't kosher. And then

0:42:40.920 --> 0:42:43.480
<v Speaker 1>you try to put out the record and rewrite the narrative. Nigga,

0:42:43.480 --> 0:42:47.479
<v Speaker 1>you not kosher, bro, you not clean. You think niggas forgot.

0:42:47.560 --> 0:42:50.279
<v Speaker 1>Niggas ain't forgot what you did. How good you?

0:42:50.800 --> 0:42:52.680
<v Speaker 3>That record is doing just what he wanted to do,

0:42:52.760 --> 0:42:53.560
<v Speaker 3>sparking debate.

0:42:54.640 --> 0:42:58.840
<v Speaker 1>It ain't no debate, and you people keep trying to

0:42:58.840 --> 0:43:00.560
<v Speaker 1>tell me you'll dope the record. He is. You know what,

0:43:00.600 --> 0:43:04.040
<v Speaker 1>I hear the record? How ho it is? M that's

0:43:04.040 --> 0:43:06.799
<v Speaker 1>what I hear. How hole it is? I don't hear

0:43:06.840 --> 0:43:09.080
<v Speaker 1>how dope it is. I hear how ho it is.

0:43:09.480 --> 0:43:12.120
<v Speaker 1>I don't give a fuck how dope your bars is, Nigga,

0:43:12.440 --> 0:43:15.520
<v Speaker 1>I don't care about how dope your bars is. When

0:43:15.520 --> 0:43:17.480
<v Speaker 1>you building it on a fake premise.

0:43:17.440 --> 0:43:17.919
<v Speaker 3>Man, he's.

0:43:19.600 --> 0:43:22.560
<v Speaker 4>The dog cut it out and he don't even why.

0:43:22.560 --> 0:43:24.680
<v Speaker 4>You won't even laugh when you say some funny ass

0:43:24.680 --> 0:43:27.399
<v Speaker 4>shit man said the first time.

0:43:28.239 --> 0:43:30.600
<v Speaker 3>Ain't nigga to make songs like that, Dog's go do

0:43:30.640 --> 0:43:31.040
<v Speaker 3>some stuff.

0:43:31.360 --> 0:43:36.680
<v Speaker 1>Shout out to Just Ryan from Nola Glasses. When it

0:43:36.719 --> 0:43:38.520
<v Speaker 1>came down to Drake and culture, Drake is from a

0:43:38.560 --> 0:43:40.880
<v Speaker 1>Jewish culture, and there's a such niggas Jewish mob and

0:43:40.920 --> 0:43:43.560
<v Speaker 1>black hip hop emulated to sell your mob. What is culture?

0:43:44.200 --> 0:43:46.799
<v Speaker 1>So hip hop ain't just culture. I know you hear

0:43:46.880 --> 0:43:49.319
<v Speaker 1>that all the time, just Ruyn that hip hop is

0:43:49.360 --> 0:43:53.000
<v Speaker 1>just culture. Hip hop is street urban culture personified through

0:43:53.000 --> 0:43:55.640
<v Speaker 1>the arts of enement. It's the artistic expression of street

0:43:55.719 --> 0:43:59.759
<v Speaker 1>urban culture. So street urban culture influenced the street urban

0:43:59.800 --> 0:44:05.279
<v Speaker 1>colture across race, across race run. So yes, there are

0:44:05.320 --> 0:44:07.840
<v Speaker 1>black people who are attracted to the white lord of

0:44:07.960 --> 0:44:10.839
<v Speaker 1>Chicago gangsters like al Capone, and they name themselves after

0:44:10.880 --> 0:44:14.319
<v Speaker 1>that the lures of a Spanish of a Spanish dope

0:44:14.360 --> 0:44:16.960
<v Speaker 1>dealer like Scarface, and they will name themselves after that

0:44:17.239 --> 0:44:20.120
<v Speaker 1>Jewish coat figures like like like what's the boy name

0:44:20.360 --> 0:44:24.560
<v Speaker 1>the numbers dude, the Jewish battle Yeah, mayor Lansky, I

0:44:24.640 --> 0:44:29.720
<v Speaker 1>got a homy named dire Lanski. I mean, yeah, street

0:44:29.760 --> 0:44:33.480
<v Speaker 1>guys emulate street guys. That's hip hop and street urban culture.

0:44:33.800 --> 0:44:38.040
<v Speaker 2>Drake is Jewish, that's not Yeah, that's like Drake a

0:44:38.080 --> 0:44:39.920
<v Speaker 2>lot more than Hebrew.

0:44:40.640 --> 0:44:45.640
<v Speaker 1>Drake is regular Jewish culture yamaka culture. Like he's not street.

0:44:45.840 --> 0:44:48.160
<v Speaker 1>That's why he's not hip hop. It's not because he

0:44:48.200 --> 0:44:52.520
<v Speaker 1>doesn't have culture. He's of Jewish culture. Bar Mitzvahs feel me,

0:44:52.840 --> 0:44:58.160
<v Speaker 1>uh markov Backstreet Boys being played at the bar Mitzvah six.

0:44:59.120 --> 0:45:02.600
<v Speaker 1>He's a Jewish co He's not a novel speak coach.

0:45:03.280 --> 0:45:06.759
<v Speaker 1>He don't speak Yeah, he don't speak any slang or

0:45:06.880 --> 0:45:09.759
<v Speaker 1>nothing in real life. He's a regular guy. He has

0:45:09.800 --> 0:45:13.240
<v Speaker 1>a video at roughly eighteen years old talking shit about slang.

0:45:14.560 --> 0:45:16.879
<v Speaker 1>He's sitting at a restaurant with some people saying how

0:45:16.960 --> 0:45:20.279
<v Speaker 1>people in Toronto's slang sounds dumb. So right now he's

0:45:20.400 --> 0:45:21.880
<v Speaker 1>usual transition coming.

0:45:21.920 --> 0:45:23.719
<v Speaker 3>You actually called it when he had the song when

0:45:23.719 --> 0:45:25.719
<v Speaker 3>he said you gonna make me catch your body right now,

0:45:25.800 --> 0:45:26.439
<v Speaker 3>you were so mad.

0:45:26.560 --> 0:45:28.239
<v Speaker 1>I told you that, and y'all was mad because I

0:45:28.280 --> 0:45:29.879
<v Speaker 1>didn't want to mess with him. I'm like, Bro, he's

0:45:29.880 --> 0:45:33.160
<v Speaker 1>going somewhere else that I cannot verify. Shout out to

0:45:33.200 --> 0:45:37.520
<v Speaker 1>the homie, uh Spock, doctor Ramball the song the ten

0:45:37.600 --> 0:45:39.880
<v Speaker 1>dollars super chat. I appreciate you, Spock. We feel he

0:45:40.000 --> 0:45:42.880
<v Speaker 1>good today. Bro, y'all looking out. I appreciate y'all. A

0:45:43.000 --> 0:45:46.080
<v Speaker 1>glass Loan felt like him taking the high road and

0:45:46.120 --> 0:45:48.440
<v Speaker 1>framed it like the battle was about clout being number

0:45:48.440 --> 0:45:51.600
<v Speaker 1>one instead of the culture. And that's my problem. That's

0:45:51.800 --> 0:45:55.719
<v Speaker 1>my problem. That is not what happened, nigga. You put

0:45:55.719 --> 0:45:57.799
<v Speaker 1>out records and this is nigga, and then you try

0:45:57.840 --> 0:46:00.359
<v Speaker 1>to put your hand back up like you didn't hit him,

0:46:01.080 --> 0:46:05.600
<v Speaker 1>type shit. That's the problem. If he would have never

0:46:05.760 --> 0:46:08.399
<v Speaker 1>made any this record, bro, if he would have never

0:46:08.520 --> 0:46:11.680
<v Speaker 1>made any di record, I wouldn't have anything to say.

0:46:12.000 --> 0:46:14.080
<v Speaker 1>I'd be like, man J Cole took the high road.

0:46:14.160 --> 0:46:17.600
<v Speaker 1>I expect j Row J Cole to take the high road.

0:46:17.680 --> 0:46:20.680
<v Speaker 1>That's his brand. But when you go low like he

0:46:20.760 --> 0:46:23.120
<v Speaker 1>went low, the first low thing is one thing to

0:46:23.200 --> 0:46:26.279
<v Speaker 1>keep saying competitively, you want to compete, and then when

0:46:26.280 --> 0:46:29.160
<v Speaker 1>people press you to compete, like this ain't the first

0:46:29.160 --> 0:46:31.040
<v Speaker 1>time I heard like I don't want to get into

0:46:31.080 --> 0:46:33.560
<v Speaker 1>the stuff me and Dot talk about, but like there

0:46:33.600 --> 0:46:35.200
<v Speaker 1>was a time when the Control first came out and

0:46:35.200 --> 0:46:37.520
<v Speaker 1>you felt some kind of way, bro, because you don't

0:46:37.560 --> 0:46:40.920
<v Speaker 1>want to compete that way, So don't act like you do.

0:46:40.920 --> 0:46:43.319
<v Speaker 1>Don't get on these records when you do. Because when

0:46:43.360 --> 0:46:47.560
<v Speaker 1>you started the competition and a young homie responded and

0:46:47.640 --> 0:46:49.799
<v Speaker 1>got at you and let you know what time it was,

0:46:50.400 --> 0:46:54.200
<v Speaker 1>you feel me you didn't want to compete, or I

0:46:54.200 --> 0:46:56.200
<v Speaker 1>take that back, you did want to compete. You came

0:46:56.239 --> 0:46:58.359
<v Speaker 1>out with two records. You came out with that seven

0:46:58.400 --> 0:47:01.360
<v Speaker 1>minute drill, which is med that shit is mean, and

0:47:01.400 --> 0:47:03.760
<v Speaker 1>then you came out with that Poe song, which is fired,

0:47:04.080 --> 0:47:07.080
<v Speaker 1>but it's also underhanded because you went and put his

0:47:07.239 --> 0:47:10.680
<v Speaker 1>friend on the record. You wouldn't put You wouldn't put

0:47:10.680 --> 0:47:12.640
<v Speaker 1>solo on the record. Who has a new single out

0:47:12.640 --> 0:47:14.560
<v Speaker 1>and make sure y'all check that out after this line

0:47:14.600 --> 0:47:17.080
<v Speaker 1>goes off, you wouldn't put solo on the record, and

0:47:17.080 --> 0:47:19.399
<v Speaker 1>you wouldn't put day like knowing that we are all

0:47:19.440 --> 0:47:21.560
<v Speaker 1>in good standings, we are all friends, and then you

0:47:21.600 --> 0:47:23.799
<v Speaker 1>dissed him on the record. We know what you did,

0:47:23.960 --> 0:47:27.520
<v Speaker 1>homey with that nigga draco recipe, say we know the truth, dog,

0:47:28.640 --> 0:47:31.279
<v Speaker 1>And then you pull the songs down because you you

0:47:31.440 --> 0:47:33.279
<v Speaker 1>like you didn't get the response you was thought you

0:47:33.520 --> 0:47:36.440
<v Speaker 1>was people looking at you side on you, not looking

0:47:36.480 --> 0:47:38.319
<v Speaker 1>at the good dude. So you pull the songs down

0:47:38.320 --> 0:47:41.239
<v Speaker 1>and you apologize and really that was too far because

0:47:41.360 --> 0:47:43.000
<v Speaker 1>once you hit the Homy twice, you really should have

0:47:43.000 --> 0:47:45.359
<v Speaker 1>been in the squad. So Homy still should have took

0:47:45.360 --> 0:47:47.040
<v Speaker 1>off on you. On God, he should have really gave

0:47:47.080 --> 0:47:50.839
<v Speaker 1>you his work, should actually gave you a pass. Yeah, yeah,

0:47:50.880 --> 0:47:53.319
<v Speaker 1>he really looked out for you. So let's stop right here.

0:47:53.360 --> 0:47:55.160
<v Speaker 1>Like you the good guy and Homie really the good guy,

0:47:55.200 --> 0:47:58.719
<v Speaker 1>the homie look out for you. I'm proud of your kid.

0:47:59.040 --> 0:48:01.879
<v Speaker 1>I'm proud of you, kid. I'm proud of you. I'm

0:48:01.920 --> 0:48:05.000
<v Speaker 1>proud of you for not really doing what you should

0:48:05.000 --> 0:48:07.040
<v Speaker 1>have did to me. I know what you should have

0:48:07.080 --> 0:48:09.320
<v Speaker 1>did to him, if you should have did it to him,

0:48:09.520 --> 0:48:11.759
<v Speaker 1>because he deserved it. But I respect you because he

0:48:11.760 --> 0:48:13.880
<v Speaker 1>said he didn't want it, and like a real player,

0:48:13.880 --> 0:48:16.960
<v Speaker 1>you didn't give it to him. I respect that, feel me,

0:48:17.239 --> 0:48:19.959
<v Speaker 1>But now don't try to come back. After the smoke clear,

0:48:20.280 --> 0:48:22.719
<v Speaker 1>and somebody then died in this battle, and it's our

0:48:22.800 --> 0:48:25.920
<v Speaker 1>blood all over it's our blood all over the walls,

0:48:26.000 --> 0:48:28.480
<v Speaker 1>and this man career look crazy and people don't know

0:48:28.520 --> 0:48:31.359
<v Speaker 1>what's gonna happen, and it's our blood just leaked. All

0:48:31.360 --> 0:48:33.400
<v Speaker 1>the stains. You can see the stains from the battle,

0:48:33.920 --> 0:48:35.680
<v Speaker 1>and it still ain't over because the super Bowl don't

0:48:35.719 --> 0:48:38.160
<v Speaker 1>even make a bigger sting. Don't try to wait till

0:48:38.160 --> 0:48:40.560
<v Speaker 1>the smoke clear come out and be popping it like

0:48:40.600 --> 0:48:43.360
<v Speaker 1>you want some high moral Why you didn't want to

0:48:43.400 --> 0:48:45.399
<v Speaker 1>do it? Ain't that the ultimate? Though?

0:48:45.920 --> 0:48:47.239
<v Speaker 3>You know he gonna have to do They not like

0:48:47.360 --> 0:48:48.240
<v Speaker 3>us at the super Bowl.

0:48:48.760 --> 0:48:51.120
<v Speaker 1>Yes, he don't got to do what he needs to do.

0:48:51.160 --> 0:48:59.360
<v Speaker 1>He shouldn't want to shut out to Jess Ryan from Thenola,

0:48:59.680 --> 0:49:02.200
<v Speaker 1>But you can't discount the Jewish culture on hip hop?

0:49:02.200 --> 0:49:03.920
<v Speaker 1>Then so is it about how gangster you could be?

0:49:03.920 --> 0:49:07.200
<v Speaker 1>Because Hitler eventually became pretty gangster, but was he street? No,

0:49:07.360 --> 0:49:10.360
<v Speaker 1>hip hop is about street urban culture. It's not just

0:49:10.440 --> 0:49:12.960
<v Speaker 1>about gangster gangster.

0:49:15.440 --> 0:49:17.399
<v Speaker 3>Jewish culture is not hip hop, and no.

0:49:17.360 --> 0:49:19.960
<v Speaker 1>It's not because there's a ton of cultures. The Mexican

0:49:20.000 --> 0:49:24.000
<v Speaker 1>culture is that crazy culture could be hip hop. Street

0:49:24.440 --> 0:49:28.040
<v Speaker 1>bread culture is where hip hop is that street where

0:49:28.080 --> 0:49:32.200
<v Speaker 1>crime develops. The culture, the lingo, the style, the fashion, poverty,

0:49:32.280 --> 0:49:35.680
<v Speaker 1>all these things create style that we call hip hop.

0:49:35.920 --> 0:49:38.600
<v Speaker 1>And yes, it's been the same in street Jewish culture.

0:49:38.640 --> 0:49:41.880
<v Speaker 1>It's been the same in Italian street urban culture, Irish

0:49:41.880 --> 0:49:45.239
<v Speaker 1>street urban culture, all of those things impact. There's a

0:49:45.360 --> 0:49:47.160
<v Speaker 1>rapper out there probably named after White E.

0:49:47.200 --> 0:49:47.560
<v Speaker 4>Boger.

0:49:47.960 --> 0:49:50.840
<v Speaker 1>So again, it's not about race, it's not about mixed

0:49:50.960 --> 0:49:51.680
<v Speaker 1>mixed breeds.

0:49:51.719 --> 0:49:54.680
<v Speaker 2>It's about that was my track.

0:49:54.960 --> 0:49:59.040
<v Speaker 1>White E. Boger, Right, So again you know what I mean,

0:49:59.360 --> 0:50:01.640
<v Speaker 1>you popp up shut out the only name brand him

0:50:01.680 --> 0:50:03.000
<v Speaker 1>calling niggas.

0:50:02.600 --> 0:50:07.000
<v Speaker 2>Ignorant and even like we the gentleman lady for I

0:50:07.000 --> 0:50:09.200
<v Speaker 2>just remember the nola part. I remember the first it was,

0:50:09.239 --> 0:50:13.720
<v Speaker 2>but like that was crazy that now we're defining anything

0:50:13.920 --> 0:50:18.960
<v Speaker 2>violent as gangster. Hiller is not gangster. That would be

0:50:19.000 --> 0:50:21.280
<v Speaker 2>like saying the Columbine kids were gangster.

0:50:22.360 --> 0:50:25.839
<v Speaker 1>That has nothing to do with street No. And I

0:50:25.880 --> 0:50:28.160
<v Speaker 1>get where that. I get when they hear crime, but

0:50:28.200 --> 0:50:31.920
<v Speaker 1>they don't understand poverty and crime come together to create culture.

0:50:32.239 --> 0:50:34.480
<v Speaker 1>You don't have to be a criminal. It's just you're

0:50:34.520 --> 0:50:36.560
<v Speaker 1>gonna talk the same way as the elements.

0:50:38.160 --> 0:50:40.200
<v Speaker 3>I think that's just hip hop. You know, Cole been

0:50:40.200 --> 0:50:41.680
<v Speaker 3>throwing digs wherever they all have.

0:50:43.360 --> 0:50:45.400
<v Speaker 1>So that you can't hide your hand and act like

0:50:45.440 --> 0:50:47.520
<v Speaker 1>you ain't. You can't try to act like you mature,

0:50:47.840 --> 0:50:48.560
<v Speaker 1>like you didn't.

0:50:49.480 --> 0:50:51.440
<v Speaker 3>But see, you know what, you know what that is

0:50:51.440 --> 0:50:53.480
<v Speaker 3>the greatest because he's been throwing jazz and he's been

0:50:53.560 --> 0:50:54.759
<v Speaker 3>letting you know he throwing the rock.

0:50:55.920 --> 0:50:59.719
<v Speaker 1>No, Doc wants to compete. He's going to tell you

0:51:00.080 --> 0:51:02.200
<v Speaker 1>that's how we came up. Shout out to top Dog,

0:51:02.239 --> 0:51:05.640
<v Speaker 1>because that's how he raised us. In a business, we compete,

0:51:05.880 --> 0:51:08.600
<v Speaker 1>We're gonna compete. I'm gonna get on a song with

0:51:08.680 --> 0:51:11.040
<v Speaker 1>Jay Rock and I'm gonna talk that next level shit

0:51:11.160 --> 0:51:14.160
<v Speaker 1>saying for dobting anybody else. That's what we're supposed to do.

0:51:14.360 --> 0:51:16.600
<v Speaker 1>And if you act like you want to compete, we're

0:51:16.640 --> 0:51:19.799
<v Speaker 1>going to compete. That's what you're supposed to do. If

0:51:19.840 --> 0:51:22.759
<v Speaker 1>that's your thing. Twan, don't do that. Twin ain't talk

0:51:22.800 --> 0:51:24.800
<v Speaker 1>about here if he better than the next m seal.

0:51:25.160 --> 0:51:27.520
<v Speaker 1>If you start talking about you better than other people,

0:51:28.000 --> 0:51:30.799
<v Speaker 1>somebody might want to find out. And that's what I

0:51:30.800 --> 0:51:33.480
<v Speaker 1>don't like about Cole. You can't look at it like,

0:51:33.840 --> 0:51:37.439
<v Speaker 1>oh you know that, blah blah blah. Now people want

0:51:37.440 --> 0:51:39.080
<v Speaker 1>to find out. You know what I'm saying Now they

0:51:39.160 --> 0:51:43.640
<v Speaker 1>wrong or they they immature? No, you popping it, bro, Yeah,

0:51:43.920 --> 0:51:45.720
<v Speaker 1>you popping it now, glasses.

0:51:45.760 --> 0:51:47.960
<v Speaker 4>I do throw a little. I do throw. I do

0:51:48.200 --> 0:51:52.319
<v Speaker 4>still have the bravado of an mc with ego, but

0:51:52.400 --> 0:51:54.520
<v Speaker 4>it's not to the degree that I'm not calling out

0:51:54.560 --> 0:51:56.359
<v Speaker 4>like I ain't in no beef with nobody. I don't

0:51:56.400 --> 0:51:58.960
<v Speaker 4>care about beefing. I don't care about competing with nobody.

0:51:59.000 --> 0:51:59.799
<v Speaker 4>I just want to make you.

0:51:59.800 --> 0:52:03.480
<v Speaker 1>Say you're the best. Now you're asking for work, so

0:52:03.520 --> 0:52:06.600
<v Speaker 1>stop saying that. Yes, you don't want you smoke.

0:52:06.960 --> 0:52:10.400
<v Speaker 3>Don't always trying to bust somebody's ass. I don't care

0:52:10.440 --> 0:52:11.719
<v Speaker 3>who I do a song with. If I do a

0:52:11.800 --> 0:52:13.719
<v Speaker 3>song with you, g I'm trying to tear your head off.

0:52:14.080 --> 0:52:16.000
<v Speaker 2>But everybody, how are you trying to do that? You're

0:52:16.000 --> 0:52:19.400
<v Speaker 2>trying to tear his head off by by saying every

0:52:19.880 --> 0:52:24.879
<v Speaker 2>rhyme about him are your thing.

0:52:25.239 --> 0:52:26.759
<v Speaker 4>You're just gonna make sure that your pen is at

0:52:26.760 --> 0:52:31.440
<v Speaker 4>the top of it to manifest showing it's not manifesting

0:52:31.480 --> 0:52:33.239
<v Speaker 4>into an attack on him.

0:52:34.360 --> 0:52:36.239
<v Speaker 1>I'm not gonna gee, I'm not gonna this them, but

0:52:36.280 --> 0:52:38.600
<v Speaker 1>I'm gonna try to have a hotter version. You're gonna.

0:52:40.239 --> 0:52:41.560
<v Speaker 4>You're gonna put your best foot forward.

0:52:41.920 --> 0:52:44.719
<v Speaker 3>It's like on the song, he's gonna try to some

0:52:44.840 --> 0:52:46.680
<v Speaker 3>of them features that you do some of these dudes

0:52:46.680 --> 0:52:48.640
<v Speaker 3>and tearing their heads off of the records.

0:52:49.040 --> 0:52:51.200
<v Speaker 1>Shout out to the Mac Mizzle Show. Seven minute drill

0:52:51.320 --> 0:52:53.759
<v Speaker 1>was pure bars, no personal land ship. I agree it

0:52:53.840 --> 0:52:55.600
<v Speaker 1>was very much Bars. But the fact is, when you

0:52:55.680 --> 0:53:00.360
<v Speaker 1>start calling another man's work trash, you asking for problem.

0:53:00.760 --> 0:53:03.480
<v Speaker 1>You're asking for a problem. So don't try to act

0:53:03.560 --> 0:53:06.719
<v Speaker 1>like it's personal land ship or dope shit when it's not. Bro,

0:53:07.120 --> 0:53:09.440
<v Speaker 1>you gotta stand by this ship. That's why I tell

0:53:09.520 --> 0:53:12.279
<v Speaker 1>Twine stop saying you the best. If you say you

0:53:12.400 --> 0:53:15.120
<v Speaker 1>the best, you ask him to compete, because the best

0:53:15.200 --> 0:53:17.520
<v Speaker 1>means who the hell are you better? Then shit?

0:53:18.000 --> 0:53:18.160
<v Speaker 3>Right.

0:53:18.239 --> 0:53:21.359
<v Speaker 1>So if you saying that you can't be walking around

0:53:21.400 --> 0:53:23.200
<v Speaker 1>this motherfucker like you ain't on the smoke.

0:53:23.239 --> 0:53:24.600
<v Speaker 3>You know who do a whole lot of sneak this

0:53:24.760 --> 0:53:28.879
<v Speaker 3>into and on saying nothing about them. Jay Z, he's

0:53:28.920 --> 0:53:29.920
<v Speaker 3>been king sneak this.

0:53:30.320 --> 0:53:33.799
<v Speaker 1>Guess what he gonna he gonna squabble up. He ain't

0:53:33.800 --> 0:53:36.160
<v Speaker 1>finna get out the car. He ain't finnsa this, he

0:53:36.160 --> 0:53:38.000
<v Speaker 1>ain't finna put out takeover and be like I'm sorry.

0:53:39.120 --> 0:53:41.439
<v Speaker 3>And the future other men playing football with your son.

0:53:42.120 --> 0:53:44.480
<v Speaker 1>Shout out to two k grind oh nine Kendrick ain't

0:53:44.520 --> 0:53:46.440
<v Speaker 1>in and no career Stop that boy. You see all

0:53:46.480 --> 0:53:49.280
<v Speaker 1>this our blood. Stop playing. You see all the our blood.

0:53:49.680 --> 0:53:52.160
<v Speaker 1>You see we was barbecuing our We've been barbecuing our

0:53:52.239 --> 0:53:54.360
<v Speaker 1>for weeks. Don't act like you don't see what's happening

0:53:54.400 --> 0:53:55.960
<v Speaker 1>for months. What are you talking about it? Don't act

0:53:56.000 --> 0:53:57.879
<v Speaker 1>like you don't see us eating all this our and shit.

0:53:57.960 --> 0:54:00.160
<v Speaker 1>And you keep seeing these songs going up and them

0:54:00.200 --> 0:54:01.160
<v Speaker 1>songs ain't doing ship.

0:54:02.360 --> 0:54:06.520
<v Speaker 4>You see that ship and be glasses. Who is the

0:54:06.560 --> 0:54:07.479
<v Speaker 4>fun are you talking about?

0:54:07.760 --> 0:54:10.200
<v Speaker 1>I don't know, because I swear I've been eating out

0:54:10.520 --> 0:54:15.720
<v Speaker 1>for the last few months. Our glass, our wings.

0:54:15.800 --> 0:54:18.680
<v Speaker 4>Our breasts, our claws, and our claws.

0:54:19.000 --> 0:54:22.000
<v Speaker 1>I've been making grounded up our. I've been missing tuna.

0:54:23.880 --> 0:54:25.839
<v Speaker 1>But all Drake go do is come up there and go, oh,

0:54:26.080 --> 0:54:27.960
<v Speaker 1>don't do he didn't did it a thousand times and

0:54:28.000 --> 0:54:30.280
<v Speaker 1>it ain't happened, and he's happen.

0:54:30.160 --> 0:54:31.960
<v Speaker 3>And them girls still gonna go buy his record.

0:54:32.000 --> 0:54:34.600
<v Speaker 1>He's still but he don't have the streets though.

0:54:34.640 --> 0:54:37.279
<v Speaker 3>Still he don't have the streets. But I don't ever

0:54:37.360 --> 0:54:38.719
<v Speaker 3>had the streets. He's gonna go up there and go

0:54:38.760 --> 0:54:39.760
<v Speaker 3>tripple look.

0:54:39.920 --> 0:54:42.719
<v Speaker 1>Again again again. That ain't gonna help. And you know

0:54:42.840 --> 0:54:46.359
<v Speaker 1>why it ain't gonna help, because everybody care what we think.

0:54:47.560 --> 0:54:50.120
<v Speaker 1>And that's the problem. Hip hop don't give us itself

0:54:50.280 --> 0:54:53.319
<v Speaker 1>enough credit for it. That's that's what hip hop. Don't

0:54:53.320 --> 0:54:56.879
<v Speaker 1>give us something. He's coming and hey, hey hey, hey, hey,

0:54:56.960 --> 0:55:02.520
<v Speaker 1>hey hey hey, take take your cape off. There's no

0:55:02.760 --> 0:55:07.600
<v Speaker 1>saving shout out to my uncle to me make my point.

0:55:08.400 --> 0:55:12.520
<v Speaker 1>Hold on, there's no saving it. You can't just do that.

0:55:12.640 --> 0:55:14.600
<v Speaker 1>It's the reason why he came over here and tried

0:55:14.640 --> 0:55:16.279
<v Speaker 1>to be with us in the first place, when he

0:55:16.320 --> 0:55:18.000
<v Speaker 1>could have stayed over there with him sync in the

0:55:18.040 --> 0:55:22.040
<v Speaker 1>Backstreet Boys. And if you don't realize our opinion on

0:55:22.280 --> 0:55:25.560
<v Speaker 1>things mean the world. That's why they're not fucking with

0:55:25.680 --> 0:55:28.200
<v Speaker 1>them pop songs. He done put out twelve songs since then,

0:55:28.560 --> 0:55:30.520
<v Speaker 1>they like, oh, if they don't like him, we not

0:55:30.640 --> 0:55:31.279
<v Speaker 1>fucking with him.

0:55:31.760 --> 0:55:35.200
<v Speaker 2>Yeah, Like there was no amount of rom com songs

0:55:35.280 --> 0:55:37.839
<v Speaker 2>that Jau could have done with. Ashanti was gonna save

0:55:37.880 --> 0:55:39.840
<v Speaker 2>his ass after fifty because.

0:55:39.719 --> 0:55:43.239
<v Speaker 1>You're done with him, Like shout out to shout out

0:55:43.239 --> 0:55:46.040
<v Speaker 1>to homie from Atlanta, what's done? Me from Atlanta City?

0:55:46.120 --> 0:55:50.000
<v Speaker 1>Be done with Dre. We done with We done with Dre.

0:55:51.280 --> 0:55:53.919
<v Speaker 1>Draco figured out he's an incredible record maker. He'll be fine,

0:55:53.960 --> 0:55:55.879
<v Speaker 1>he made enough money his whole life him. He'll get

0:55:55.880 --> 0:55:58.920
<v Speaker 1>another record, but it's over and it's supposed to be

0:55:59.080 --> 0:56:01.840
<v Speaker 1>over because you can ain't playing with this street urban culture.

0:56:01.880 --> 0:56:02.759
<v Speaker 1>This ain't no game.

0:56:05.520 --> 0:56:08.480
<v Speaker 4>A lot of people confused. Bro Hey, shouts out to

0:56:08.600 --> 0:56:08.719
<v Speaker 4>m C.

0:56:08.880 --> 0:56:09.000
<v Speaker 3>Light.

0:56:09.040 --> 0:56:10.480
<v Speaker 4>Today is their birthday. We got to shut out.

0:56:10.800 --> 0:56:13.240
<v Speaker 1>Oh my gosh, shot out with Light the true queens

0:56:13.320 --> 0:56:15.200
<v Speaker 1>Man much love, like and I say you got that

0:56:15.320 --> 0:56:18.440
<v Speaker 1>new album. I'm definitely finna get as a run. I'm

0:56:18.520 --> 0:56:20.920
<v Speaker 1>finna play you and glow really today, so female hip

0:56:20.960 --> 0:56:24.120
<v Speaker 1>hop for today, so much love. Shout out to West

0:56:24.239 --> 0:56:26.920
<v Speaker 1>l a special air reality rap hip hop is the truth.

0:56:27.080 --> 0:56:27.600
<v Speaker 1>Yes it is.

0:56:31.880 --> 0:56:33.800
<v Speaker 4>He even made a record with Sexy Red that didn't

0:56:35.000 --> 0:56:35.799
<v Speaker 4>because at the end of.

0:56:35.760 --> 0:56:39.280
<v Speaker 2>The day, now he's ruining her career. She was untouchable.

0:56:38.840 --> 0:56:40.920
<v Speaker 1>Exactly that she started to look funny in life.

0:56:40.960 --> 0:56:46.759
<v Speaker 2>If you go flash Sexy Red, you ain't hard. That's

0:56:46.840 --> 0:56:47.600
<v Speaker 2>the birthday.

0:56:48.239 --> 0:56:51.800
<v Speaker 1>Just wine from Nola. Chinese people make microphones, keyboards, clippers,

0:56:51.840 --> 0:56:54.799
<v Speaker 1>but they not hip hop. Ryan, I eat Chinese food.

0:56:54.840 --> 0:56:59.480
<v Speaker 1>I'm not Chinese tape ship. Simply put, brother, simply put.

0:56:59.640 --> 0:57:03.160
<v Speaker 1>I Chinese food and I am not Chinese. Let's get

0:57:03.160 --> 0:57:04.879
<v Speaker 1>through some of these super chests. We got a couple more.

0:57:05.120 --> 0:57:07.560
<v Speaker 1>Appreciate that, y'all. Y'all keep them coming, man, that's clear.

0:57:07.960 --> 0:57:10.480
<v Speaker 1>Faster Vanilla Gorilla. All love and praise to the dopest

0:57:10.520 --> 0:57:14.040
<v Speaker 1>podcast out my man, Fast. I love you for that spot,

0:57:14.120 --> 0:57:17.600
<v Speaker 1>the doc. Thank you for this five dollars, Fast, Thank

0:57:17.640 --> 0:57:19.800
<v Speaker 1>you for that two dollars spot, Thank you for this

0:57:19.920 --> 0:57:22.040
<v Speaker 1>five How do you think God might precede this Cold

0:57:22.120 --> 0:57:27.800
<v Speaker 1>Song as a disc? As a disc? I know him

0:57:27.840 --> 0:57:29.840
<v Speaker 1>because I know how I'm taking it. And one thing

0:57:29.920 --> 0:57:33.440
<v Speaker 1>I can tell you, we take shit the same. He

0:57:33.640 --> 0:57:36.040
<v Speaker 1>see it like I see it. We both know that

0:57:36.200 --> 0:57:38.000
<v Speaker 1>some old cornball that shit. You then did all this

0:57:38.080 --> 0:57:39.920
<v Speaker 1>old punk as shit and he let you go, and

0:57:40.000 --> 0:57:41.760
<v Speaker 1>then you come back trying to pop it like you

0:57:41.800 --> 0:57:44.480
<v Speaker 1>want Nigga. You not like that, Bro, You not like that.

0:57:44.520 --> 0:57:46.560
<v Speaker 1>Don't try to put vinegar in your pin. Now. Bro,

0:57:46.920 --> 0:57:48.760
<v Speaker 1>you had a chance and you didn't want it. So

0:57:48.840 --> 0:57:51.160
<v Speaker 1>don't try to come back and redirect the narrative and

0:57:51.280 --> 0:57:53.120
<v Speaker 1>make us think that you some kind of because you

0:57:53.160 --> 0:57:56.000
<v Speaker 1>ain't that. That ain't what you is. David Jones, thank

0:57:56.040 --> 0:57:58.600
<v Speaker 1>you for that ten dollars. Cold can wrap his ass

0:57:58.640 --> 0:58:01.520
<v Speaker 1>offt but it doesn't matter if the message is trash facts.

0:58:02.120 --> 0:58:04.240
<v Speaker 1>He only stands on this is when punching down like

0:58:04.320 --> 0:58:07.280
<v Speaker 1>Mumbo Rappers or Kanye while he's already getting dog Pad

0:58:08.080 --> 0:58:10.439
<v Speaker 1>David Jones. I'm glad i am not the only person

0:58:10.520 --> 0:58:14.840
<v Speaker 1>that see it. I'm glad I am not the only

0:58:14.960 --> 0:58:18.560
<v Speaker 1>person who sees it. The mac Minzels show Black coature

0:58:18.600 --> 0:58:20.320
<v Speaker 1>is hip hop? Cut it out, glasses, No, it's not.

0:58:20.440 --> 0:58:23.000
<v Speaker 1>Black culture is much denser than hip hop, and it's

0:58:23.200 --> 0:58:26.040
<v Speaker 1>lazy to call everything in Black coature hip hop. Black

0:58:26.040 --> 0:58:29.360
<v Speaker 1>culture is rock and roll. Black culture is jazz. Black

0:58:29.440 --> 0:58:33.240
<v Speaker 1>culture is a lot more country just hip hop. Black cultures.

0:58:33.800 --> 0:58:35.840
<v Speaker 2>Hip hop is Black culture more than Black culture is

0:58:35.920 --> 0:58:37.000
<v Speaker 2>hip hopes.

0:58:37.080 --> 0:58:40.200
<v Speaker 1>It's not, they're not. Hip Hop is much different than

0:58:40.240 --> 0:58:43.040
<v Speaker 1>black coature. It's a very specific brand that Black people

0:58:43.200 --> 0:58:46.200
<v Speaker 1>have in in hip hop. As for a street urban

0:58:46.240 --> 0:58:49.720
<v Speaker 1>culture's specific. It's niche. It's not everything in hip hop.

0:58:50.240 --> 0:58:53.400
<v Speaker 1>I mean, ain't everything in black culture. Black culture is vast, brother,

0:58:53.640 --> 0:58:57.520
<v Speaker 1>it's vast. So it's just lazy to reference everything as

0:58:57.560 --> 0:58:59.360
<v Speaker 1>Black people do it's hip hop because there's too many

0:58:59.440 --> 0:59:01.800
<v Speaker 1>Black people that ain't hip hop. That's still black people that.

0:59:03.360 --> 0:59:05.840
<v Speaker 3>Listen to Boosy Collins in the earlier rock album is.

0:59:05.840 --> 0:59:11.800
<v Speaker 4>Incredible, maggot brain and all that type shitredible.

0:59:11.880 --> 0:59:14.520
<v Speaker 1>Hold up South Central Boy ninety four e nim is

0:59:14.600 --> 0:59:16.200
<v Speaker 1>hip hop. He ain't black. His his from a street,

0:59:16.280 --> 0:59:19.280
<v Speaker 1>urban setting exactly South Central Boy. I agree, and that

0:59:19.440 --> 0:59:22.560
<v Speaker 1>that's exactly why it is. Marcell, what's happing to think?

0:59:22.640 --> 0:59:25.320
<v Speaker 1>Shout out No Sinners Lie to lunch Hour. Make sure

0:59:25.400 --> 0:59:27.840
<v Speaker 1>y'all click the light button right now. Make sure you're

0:59:27.840 --> 0:59:29.880
<v Speaker 1>going to description. The reason we do this is to

0:59:29.960 --> 0:59:33.360
<v Speaker 1>support the No Sinners podcast, executive produced by Charlomagne to

0:59:33.440 --> 0:59:36.920
<v Speaker 1>God and the Black Effects Network. Right there with iHeart

0:59:37.360 --> 0:59:40.720
<v Speaker 1>click the Lincoln description. Subscribe Our conversations is crazy, and

0:59:40.800 --> 0:59:43.080
<v Speaker 1>we gonna keep turning it up to promote it every

0:59:43.160 --> 0:59:45.960
<v Speaker 1>Monday and Wednesday and Friday right here at noon on

0:59:46.120 --> 0:59:49.240
<v Speaker 1>Digital soap Box. Marcell. People saying he backed out because

0:59:49.280 --> 0:59:51.520
<v Speaker 1>it wasn't strictly raped. You believe that, No, I don't

0:59:51.560 --> 0:59:54.520
<v Speaker 1>believe that it was strictly raped. Ain't nobody got hurt,

0:59:55.360 --> 0:59:58.720
<v Speaker 1>Ain't nobody got hurt, Ain't nobody got hurt.

0:59:59.600 --> 1:00:03.520
<v Speaker 3>This publicity stuns Drake pull by having somebody go to

1:00:03.560 --> 1:00:04.240
<v Speaker 3>shoot at his house.

1:00:05.280 --> 1:00:07.439
<v Speaker 1>Look, that's that's got something that's some whole other ship.

1:00:07.560 --> 1:00:09.760
<v Speaker 1>Name brand. It's like calling someone the bitch. You have

1:00:09.920 --> 1:00:12.200
<v Speaker 1>to make them that now. I agree, name brand or

1:00:12.240 --> 1:00:14.760
<v Speaker 1>you shouldn't be saying that type ship or you should

1:00:14.880 --> 1:00:18.840
<v Speaker 1>not be saying that. Shout out to sports Doc, Oh,

1:00:18.880 --> 1:00:22.840
<v Speaker 1>we got some more super chats. Hold on, how do

1:00:22.920 --> 1:00:25.960
<v Speaker 1>you know Doc got that one? Shout out to Ron Man.

1:00:26.000 --> 1:00:27.160
<v Speaker 1>I appreciate that ten dollars.

1:00:27.280 --> 1:00:27.400
<v Speaker 3>Ron.

1:00:27.480 --> 1:00:31.080
<v Speaker 1>Tupac was Jesus. I'm not mad at that. Tupac definitely

1:00:31.200 --> 1:00:33.520
<v Speaker 1>was Jesus. I can go with that. I think nanchay

1:00:33.560 --> 1:00:34.520
<v Speaker 1>Hussele was Jesus too.

1:00:35.240 --> 1:00:37.760
<v Speaker 3>If Tupac was Jesus, be here walking around and now

1:00:37.800 --> 1:00:39.080
<v Speaker 3>ain't nobody got resurrected.

1:00:39.920 --> 1:00:41.400
<v Speaker 1>Jesus ain't walking around right now?

1:00:41.600 --> 1:00:45.080
<v Speaker 3>He got alive and well what do you mean how

1:00:46.120 --> 1:00:48.640
<v Speaker 3>he's alive? And well you you wasn't right there with

1:00:48.760 --> 1:00:50.840
<v Speaker 3>you every day. He's a testament in my life. Y'all

1:00:50.920 --> 1:00:52.520
<v Speaker 3>killed me, played with playing with Jesus stuff.

1:00:52.520 --> 1:00:55.560
<v Speaker 1>I'm going, are we playing with Jesus? Can't call no

1:00:55.720 --> 1:00:59.360
<v Speaker 1>rap with Jesus. You said Jesus could have been a rapper. No,

1:00:59.600 --> 1:01:00.320
<v Speaker 1>Tupac wasn't.

1:01:00.360 --> 1:01:04.520
<v Speaker 3>No Jesus. Why Jesus, They wasn't Jesus Christ, Jesus Christ.

1:01:04.880 --> 1:01:06.800
<v Speaker 3>Y'all getting Jesus Christ name.

1:01:06.840 --> 1:01:07.920
<v Speaker 1>Ain't even Jesus Christ.

1:01:09.040 --> 1:01:09.840
<v Speaker 3>You know what I'm saying.

1:01:10.440 --> 1:01:12.200
<v Speaker 1>No, I know you're full of it, and I'm tired

1:01:12.200 --> 1:01:16.920
<v Speaker 1>of y'all making a story like I could have been Jesus.

1:01:17.200 --> 1:01:21.440
<v Speaker 1>Hold On, hold on, I could have been Jesus. That's

1:01:21.480 --> 1:01:25.040
<v Speaker 1>not impossible. I think, scarface God, you know, I feel

1:01:26.360 --> 1:01:29.800
<v Speaker 1>just why I'm when I'm familiar with Los Angeles culture,

1:01:30.120 --> 1:01:32.919
<v Speaker 1>how do y'all look at this particular subject. Both Master

1:01:33.000 --> 1:01:35.000
<v Speaker 1>Pier No Limits and Chuck A Big Boy Regulars signed

1:01:35.040 --> 1:01:38.480
<v Speaker 1>like Slim taughtles. Los Angeles culture is vast. There's a

1:01:38.520 --> 1:01:41.240
<v Speaker 1>street culture in Los Angeles where I'm from. It's different.

1:01:41.320 --> 1:01:43.800
<v Speaker 1>Were from the East side, right, So watch counter Loan

1:01:43.880 --> 1:01:47.040
<v Speaker 1>Beach that that part of the one ten freeway gang

1:01:47.160 --> 1:01:50.240
<v Speaker 1>banging is a part of street urban culture on our side.

1:01:50.400 --> 1:01:53.240
<v Speaker 1>But if you go over there on Fairfax where let's

1:01:53.280 --> 1:01:56.800
<v Speaker 1>say our future tired of the Creator, they're skaters. Some

1:01:57.000 --> 1:01:59.040
<v Speaker 1>places in Long Beach have gangs. Some people in Long

1:01:59.120 --> 1:02:02.280
<v Speaker 1>Beach have street urban culture like skating, like Vansas street

1:02:02.400 --> 1:02:05.440
<v Speaker 1>urban culture. You know what I mean Vansas street urban culture.

1:02:05.480 --> 1:02:08.760
<v Speaker 1>My first interview, here's a perfect example. My first interview

1:02:08.800 --> 1:02:14.400
<v Speaker 1>in life came from Thrasher magazine. It wasn't with Double XXL.

1:02:14.880 --> 1:02:19.200
<v Speaker 1>It wasn't with a source. It wasn't. This is my

1:02:19.400 --> 1:02:23.800
<v Speaker 1>first ever right up in this magazine. Right here, Thrasher.

1:02:24.480 --> 1:02:27.800
<v Speaker 1>This is a perfect example the street urban culture. Here's

1:02:27.880 --> 1:02:30.560
<v Speaker 1>my first right up in life. When you crazy, you

1:02:30.600 --> 1:02:32.919
<v Speaker 1>brought it up. This is my first right up in life.

1:02:33.080 --> 1:02:34.560
<v Speaker 4>Why you tear it out? Why do you tear it out?

1:02:34.600 --> 1:02:34.880
<v Speaker 1>The book?

1:02:34.960 --> 1:02:35.120
<v Speaker 4>Man?

1:02:35.240 --> 1:02:36.120
<v Speaker 1>I got five of them.

1:02:36.600 --> 1:02:38.240
<v Speaker 4>Okay, this is the only thing I have.

1:02:40.280 --> 1:02:43.840
<v Speaker 1>I have five of them Thrasher, not in not in

1:02:43.960 --> 1:02:46.680
<v Speaker 1>Double XL, not in the rap magazine, not in the

1:02:46.760 --> 1:02:50.680
<v Speaker 1>gang Banger magazine, and Thrasher because skating in Los Angeles,

1:02:50.760 --> 1:02:54.000
<v Speaker 1>there's a huge portion of it that's street urban culture.

1:02:54.480 --> 1:02:58.400
<v Speaker 1>That's what you gotta understand. So again, Los Angeles culture

1:02:58.440 --> 1:03:01.480
<v Speaker 1>is vast, like Black culture. All some of it ain't street,

1:03:01.640 --> 1:03:03.880
<v Speaker 1>some of it is street, and gang banging ain't the

1:03:04.000 --> 1:03:06.920
<v Speaker 1>only street urban culture in Los Angeles. That's what you

1:03:07.000 --> 1:03:11.560
<v Speaker 1>gotta remember. Jay Z is always ready shout out to

1:03:11.560 --> 1:03:15.240
<v Speaker 1>the homie breeze. Yes, jay Z is ready Uh just

1:03:15.400 --> 1:03:17.240
<v Speaker 1>Ryan for the know your chuck a big boy record.

1:03:17.400 --> 1:03:21.480
<v Speaker 1>Uh wes l a special at jay Z got to

1:03:21.480 --> 1:03:26.480
<v Speaker 1>stop doing that. I can't do this. Noot out to

1:03:26.560 --> 1:03:28.840
<v Speaker 1>Ramy Mature Reno. I just seen you man, much love.

1:03:29.120 --> 1:03:32.640
<v Speaker 1>Cole said he felt like m apology, I lead in.

1:03:32.920 --> 1:03:35.640
<v Speaker 1>Oh he felt like Muhammad A lead and apologize. Ali

1:03:36.040 --> 1:03:38.760
<v Speaker 1>Ali never apologized for picking his beliefs over what they

1:03:39.280 --> 1:03:44.520
<v Speaker 1>the government character sassinated of. I agree, yes, no, no,

1:03:45.160 --> 1:03:48.400
<v Speaker 1>that's no, I don't agree. I'm not riding. Ali went

1:03:48.480 --> 1:03:50.360
<v Speaker 1>it through a punch and apologize if youre gonna start

1:03:50.360 --> 1:03:55.400
<v Speaker 1>a fighting saying yeah no, no, jay Z did it.

1:03:55.440 --> 1:03:57.480
<v Speaker 1>Shout out to Breeze. Jay Z never apologize. He did

1:03:57.560 --> 1:04:00.280
<v Speaker 1>apologize to NAA's baby mine for putting her in the rap,

1:04:00.360 --> 1:04:02.520
<v Speaker 1>so I ain't gonna say that, but that's not the

1:04:02.640 --> 1:04:05.680
<v Speaker 1>same type of apology. A Na's baby mom was somebody

1:04:05.760 --> 1:04:07.640
<v Speaker 1>that had nothing to do with the battle. So jay

1:04:07.680 --> 1:04:09.600
<v Speaker 1>Z felt as a man that that wasn't right. And

1:04:09.720 --> 1:04:11.720
<v Speaker 1>I'm not mad at him for thinking that. That's I

1:04:11.800 --> 1:04:14.600
<v Speaker 1>could respect that. That's some grown up shit. He never apologized.

1:04:14.680 --> 1:04:17.560
<v Speaker 1>Knabs they friends now and he ain't apologized still to

1:04:17.680 --> 1:04:18.040
<v Speaker 1>this day.

1:04:18.400 --> 1:04:19.880
<v Speaker 4>Nas ain't apologized to him.

1:04:20.200 --> 1:04:22.000
<v Speaker 1>Yeah, they don't know they be on show. Shit, they

1:04:22.160 --> 1:04:24.479
<v Speaker 1>still be Yo ain't No Sauce said what I said.

1:04:24.680 --> 1:04:27.840
<v Speaker 1>I meant it at that time. Ronald Green barbecue out

1:04:27.960 --> 1:04:31.880
<v Speaker 1>facts smoking everything. We smoking that shit, Like we've talked

1:04:31.880 --> 1:04:32.520
<v Speaker 1>about it before.

1:04:32.560 --> 1:04:34.240
<v Speaker 2>I go an other topic. But like this is like

1:04:35.080 --> 1:04:37.920
<v Speaker 2>kind of the same vein we've gotten into before, where

1:04:37.920 --> 1:04:42.080
<v Speaker 2>it's like Jay Cole made himself look like the profile

1:04:42.200 --> 1:04:46.000
<v Speaker 2>of somebody that snitches. Ooh, you're you're there for a

1:04:46.120 --> 1:04:49.960
<v Speaker 2>second with it, but then you really don't want the consequences.

1:04:50.200 --> 1:04:50.880
<v Speaker 1>But it was cool.

1:04:51.000 --> 1:04:51.560
<v Speaker 2>It was fun.

1:04:52.680 --> 1:04:55.360
<v Speaker 1>That's exactly what it is. He feel like a person

1:04:55.480 --> 1:05:00.880
<v Speaker 1>that snitch. He felt like a person that snitch. That's

1:05:00.960 --> 1:05:04.320
<v Speaker 1>my problem. He feels like a person that told everything

1:05:04.440 --> 1:05:08.440
<v Speaker 1>about him. Is a person that told. Shout out to

1:05:08.480 --> 1:05:10.560
<v Speaker 1>Shari Steal in the chat. I appreciate you, y'all. Make

1:05:10.560 --> 1:05:15.960
<v Speaker 1>sure I hit them chat. We still see.

1:05:15.960 --> 1:05:16.720
<v Speaker 3>I'm gonna turn the camera.

1:05:16.760 --> 1:05:17.800
<v Speaker 1>I're gonna go move my car.

1:05:17.920 --> 1:05:25.440
<v Speaker 7>Bro Okay, Drake is sixty. Oh man, that's that's my bard.

1:05:25.960 --> 1:05:28.959
<v Speaker 7>I'm not gonna get a bar better than this. Drake

1:05:29.080 --> 1:05:31.560
<v Speaker 7>went flashing with Sexy Red. If you could go flash

1:05:31.600 --> 1:05:33.680
<v Speaker 7>it on the Sexy Red Track In twenty twenty four,

1:05:33.760 --> 1:05:34.560
<v Speaker 7>you ain't hard.

1:05:34.880 --> 1:05:37.440
<v Speaker 1>Shout out to the mac Mizzle Show that Awl got defried.

1:05:37.520 --> 1:05:40.800
<v Speaker 1>Can't lie it was delicious mac Mizzle that I was delayed.

1:05:41.120 --> 1:05:43.560
<v Speaker 1>You know what's funny. I never taste the taste to

1:05:43.640 --> 1:05:47.440
<v Speaker 1>your bird. I never tasted to taste to your bird. Bro.

1:05:47.640 --> 1:05:49.480
<v Speaker 2>So we're doing our Thanksgiving this year.

1:05:49.720 --> 1:05:53.400
<v Speaker 1>You feel me gonna be there, Bram. I need to

1:05:53.440 --> 1:05:56.160
<v Speaker 1>go get some our meat, really cook it. You feel

1:05:56.160 --> 1:05:59.000
<v Speaker 1>me to make sure we rubbed this in. We need

1:05:59.080 --> 1:06:01.480
<v Speaker 1>to rub this in. I mean, look, I think that's

1:06:01.520 --> 1:06:03.520
<v Speaker 1>an husion that like I don't like Drake or something

1:06:03.560 --> 1:06:05.760
<v Speaker 1>that's not true. Bro. I'm competitive, God is my man.

1:06:06.040 --> 1:06:07.880
<v Speaker 1>I love Drake. He was a good dude when he

1:06:07.960 --> 1:06:09.680
<v Speaker 1>came in. It don't matter if I don't think if

1:06:09.880 --> 1:06:13.240
<v Speaker 1>he's a fantastic talent. That's what makes the victory so great.

1:06:13.520 --> 1:06:15.160
<v Speaker 1>But yes, we're gonna rub it in because that's the

1:06:15.240 --> 1:06:20.080
<v Speaker 1>hip hop thing to do to enjoy the victory. Just

1:06:20.280 --> 1:06:22.640
<v Speaker 1>Ryan from the know. Yet, I needed to hear you

1:06:22.880 --> 1:06:24.800
<v Speaker 1>speak outside of Twitter, because on Twitter I get a

1:06:24.800 --> 1:06:27.160
<v Speaker 1>different impression of you and not an ignorant person or

1:06:27.200 --> 1:06:31.000
<v Speaker 1>completely iager egotistical. We disagree on small things. It's only

1:06:31.040 --> 1:06:33.280
<v Speaker 1>one hundred and forty characters. Ryan, Shit, you know you

1:06:33.360 --> 1:06:37.280
<v Speaker 1>gotta Cola. Wayne gave me one of the greatest lessons

1:06:37.320 --> 1:06:38.880
<v Speaker 1>in life. He said, if you really want to be

1:06:38.920 --> 1:06:42.320
<v Speaker 1>a star, Glasses, you have to be okay with being misunderstood.

1:06:43.440 --> 1:06:45.520
<v Speaker 1>And that was like one of the most important things

1:06:45.560 --> 1:06:48.520
<v Speaker 1>I ever formed based off of something Wayne told me.

1:06:48.800 --> 1:06:51.000
<v Speaker 1>So I'm okay when people misunderstand me on Twitter. I

1:06:51.040 --> 1:06:53.480
<v Speaker 1>guess it could look a bit ignorant. Shout out to

1:06:53.560 --> 1:06:55.880
<v Speaker 1>Big Glow, who just dropped her album, and I appreciate

1:06:55.960 --> 1:06:58.840
<v Speaker 1>that specialty. Make sure y'all go listen to Glow. Thriller's

1:06:58.920 --> 1:07:02.120
<v Speaker 1>new album, Got some New Mersy glorious, the whole album,

1:07:02.160 --> 1:07:03.880
<v Speaker 1>the first album that new music.

1:07:03.920 --> 1:07:07.040
<v Speaker 4>That new mersey I love. I love to hear her

1:07:07.120 --> 1:07:11.800
<v Speaker 4>say that ship the best love. I heard closed story

1:07:12.360 --> 1:07:14.600
<v Speaker 4>of how what she went through, bro, and it made

1:07:14.680 --> 1:07:15.840
<v Speaker 4>me I already liked it.

1:07:16.320 --> 1:07:18.680
<v Speaker 1>Man. I love that lady.

1:07:18.720 --> 1:07:18.840
<v Speaker 3>Man.

1:07:18.840 --> 1:07:21.560
<v Speaker 1>I want the best right there. Yeah, she deserves it, Bro,

1:07:21.680 --> 1:07:22.960
<v Speaker 1>I've been saying that for I've been saying that for

1:07:23.040 --> 1:07:25.480
<v Speaker 1>two years. Bro, she deserved everything. I want nothing but

1:07:25.600 --> 1:07:28.600
<v Speaker 1>great things for I'm really a fan of her voice.

1:07:28.840 --> 1:07:31.880
<v Speaker 1>I listened to her female rap. I really appreciate it.

1:07:31.960 --> 1:07:36.160
<v Speaker 1>She makes me appreciate female raps more today than other artists.

1:07:36.320 --> 1:07:38.840
<v Speaker 1>Shout out to another female artist who is very much

1:07:38.880 --> 1:07:42.840
<v Speaker 1>in the Hall of Fame after one album, Cardi B.

1:07:43.040 --> 1:07:45.440
<v Speaker 1>Happy Birthday, Cardi B. Even though you dis cripts, I

1:07:45.480 --> 1:07:47.800
<v Speaker 1>ain't forgot that. You better fix that ship one of

1:07:47.840 --> 1:07:49.760
<v Speaker 1>these days. I know you are blood with you. Yeah,

1:07:49.800 --> 1:07:51.960
<v Speaker 1>you got to get that right. You can't just be disingcrypts.

1:07:52.000 --> 1:07:55.000
<v Speaker 1>I don't. I still didn't like that shit. Uh. Shout

1:07:55.040 --> 1:07:57.520
<v Speaker 1>out to just Ryan. But if they pulled their contributionized

1:07:57.520 --> 1:07:59.840
<v Speaker 1>platform in which hip hop broadcast itself, it wouldn't be

1:08:00.800 --> 1:08:02.959
<v Speaker 1>Maybe not, but again that's your choice.

1:08:04.000 --> 1:08:06.160
<v Speaker 4>If he'll pulled their highest form of I think he's.

1:08:06.000 --> 1:08:08.680
<v Speaker 1>Talking about people like Sony and microphones. They don't do

1:08:08.760 --> 1:08:11.120
<v Speaker 1>it for hip hop. They do it for everybody in music.

1:08:13.320 --> 1:08:16.599
<v Speaker 1>Like vinegar. Vinegar is in greens, but vinegar ain't soul food.

1:08:17.960 --> 1:08:21.439
<v Speaker 1>Chicken Chicken is everybody food, But how we make it is.

1:08:21.479 --> 1:08:23.479
<v Speaker 1>What makes it soulful is how you cook something.

1:08:23.600 --> 1:08:23.760
<v Speaker 2>Ryan.

1:08:23.840 --> 1:08:26.800
<v Speaker 1>It ain't the actual It's very few ingredients that are

1:08:26.920 --> 1:08:31.320
<v Speaker 1>just culture, like everybody wear All Stars, all Star converses, right,

1:08:31.439 --> 1:08:33.519
<v Speaker 1>Chuck Taylor's they call them. But when you flip the

1:08:33.600 --> 1:08:35.840
<v Speaker 1>tongue and you put fat relations through them, that's what

1:08:36.040 --> 1:08:40.360
<v Speaker 1>makes them Lost Angeles street urban culture, Timblands, everybody at

1:08:40.360 --> 1:08:43.160
<v Speaker 1>the construction site and The Winner where timblings you feel me.

1:08:43.240 --> 1:08:45.559
<v Speaker 1>But the way New York guys wear them is the culture.

1:08:45.640 --> 1:08:49.400
<v Speaker 1>Same for Milwaukee, sayn for Chicago. It's how you use

1:08:49.479 --> 1:08:52.560
<v Speaker 1>the material, it's not the material itself. So that's the

1:08:52.640 --> 1:08:57.800
<v Speaker 1>separation of Ryan. That's the only difference. They ain't brand

1:08:57.840 --> 1:09:00.400
<v Speaker 1>even Soul fill away and drop right away saying I'm

1:09:00.439 --> 1:09:03.720
<v Speaker 1>the best because so serious, because if it get to it,

1:09:03.840 --> 1:09:07.559
<v Speaker 1>you're gonna have a problem. Messing with Soul. Your whole problem,

1:09:07.760 --> 1:09:09.360
<v Speaker 1>not going to play with.

1:09:09.479 --> 1:09:11.360
<v Speaker 4>You, the whole problem. He's a whole problem.

1:09:11.920 --> 1:09:15.400
<v Speaker 1>We will Kendrick respond to that j Cole song, Yes,

1:09:15.520 --> 1:09:18.600
<v Speaker 1>but it won't be like he did. Probably for like that.

1:09:18.760 --> 1:09:21.040
<v Speaker 1>He's not gonna go I doubt he goes all out.

1:09:21.080 --> 1:09:23.200
<v Speaker 1>But trust me, Jake Cole gonna know when he's talking

1:09:23.240 --> 1:09:25.400
<v Speaker 1>to him. And that's what I appreciate about the young boy.

1:09:25.720 --> 1:09:29.680
<v Speaker 1>You ain't gonna play with it. Shout out to Raymond Materarino.

1:09:29.720 --> 1:09:31.519
<v Speaker 1>I think I'm glad you still here too, brother. I

1:09:31.640 --> 1:09:34.400
<v Speaker 1>like the show subscribing, Thank you, and why are you subscribing?

1:09:34.520 --> 1:09:37.519
<v Speaker 1>Head over to the No Seilings podcast in the description.

1:09:38.479 --> 1:09:43.200
<v Speaker 1>In the description right click the link on Apple podcast.

1:09:43.200 --> 1:09:45.000
<v Speaker 1>I say, anywhere you get your podcast, Hey, leave a

1:09:45.080 --> 1:09:47.679
<v Speaker 1>comment while you're there too, leave a comment that helps

1:09:47.760 --> 1:09:50.599
<v Speaker 1>move the podcasts up. And we're just working on the podcast.

1:09:51.040 --> 1:09:53.840
<v Speaker 1>Kendrick just said I'm reincardinated. Tell him again name brand

1:09:54.320 --> 1:09:57.000
<v Speaker 1>after getting shot in the back by j Cole Nigga

1:09:57.120 --> 1:09:59.080
<v Speaker 1>Kilty shot him in the back and did all that

1:09:59.120 --> 1:10:01.160
<v Speaker 1>shit use his boy and all that. My nigga popped

1:10:01.240 --> 1:10:03.200
<v Speaker 1>up like the Undertaker on that nigga popped up and

1:10:03.240 --> 1:10:09.160
<v Speaker 1>showed niggas twyinga Am I tripping? Am I really going

1:10:09.240 --> 1:10:09.599
<v Speaker 1>to art?

1:10:09.920 --> 1:10:12.639
<v Speaker 4>Bro? No? Put it like I put it like this, man,

1:10:13.040 --> 1:10:16.439
<v Speaker 4>I don't like. Have you ever been slapboxing? Which with

1:10:16.760 --> 1:10:19.519
<v Speaker 4>like a cousin that was around the same age and

1:10:20.000 --> 1:10:22.439
<v Speaker 4>they messed around. Y'all was slapboxing, but y'all wasn't supposed

1:10:22.439 --> 1:10:24.000
<v Speaker 4>to go too far, but he slapped you and now

1:10:24.040 --> 1:10:26.519
<v Speaker 4>your eye is running. He's like, I'm sorry, man, I'm sorry,

1:10:26.640 --> 1:10:28.479
<v Speaker 4>and you're like, all right, but you know you're gonna

1:10:28.479 --> 1:10:31.120
<v Speaker 4>get him back. You're not. You're not taking that, bro,

1:10:31.280 --> 1:10:33.080
<v Speaker 4>You're not. You're not gonna get off on me like

1:10:33.160 --> 1:10:35.040
<v Speaker 4>that because we was You wasn't supposed to slap me

1:10:35.080 --> 1:10:37.200
<v Speaker 4>in my eye? You know what's supposed to do that

1:10:37.880 --> 1:10:38.080
<v Speaker 4>to me?

1:10:38.320 --> 1:10:40.439
<v Speaker 1>It feels like two people that were slap boxing and

1:10:40.560 --> 1:10:43.040
<v Speaker 1>one person closed their fists and hit them twice. Okay,

1:10:43.160 --> 1:10:46.160
<v Speaker 1>we'll take it there not because it's like nothing.

1:10:46.240 --> 1:10:48.680
<v Speaker 4>But you said you tried, you tried to injure me.

1:10:48.760 --> 1:10:49.840
<v Speaker 4>Then it wasn't.

1:10:51.120 --> 1:10:51.840
<v Speaker 1>That's the problem.

1:10:52.000 --> 1:10:53.680
<v Speaker 4>You said you to do it.

1:10:53.880 --> 1:10:57.920
<v Speaker 1>See that wasn't seven minute drill. Seven minute drill, and

1:10:58.080 --> 1:11:01.680
<v Speaker 1>and and and and and pie aren't accidents, you know?

1:11:02.160 --> 1:11:05.679
<v Speaker 2>Is this is like when it like like the eyeball

1:11:05.800 --> 1:11:09.560
<v Speaker 2>scenario is closer to like when what MC eight was

1:11:09.600 --> 1:11:13.200
<v Speaker 2>saying about the quick track and he meant quick like

1:11:13.360 --> 1:11:16.280
<v Speaker 2>swiftly and quick took it like DJ quick.

1:11:16.680 --> 1:11:22.160
<v Speaker 1>Yes, that's that. Okay, that's that that's where accident goes bad.

1:11:23.120 --> 1:11:26.439
<v Speaker 4>Yeah, I agree, I agree. I just think sometimes it's

1:11:26.479 --> 1:11:30.200
<v Speaker 4>just I sometimes just let's sleeping dogs lie man, like

1:11:30.360 --> 1:11:33.280
<v Speaker 4>don't like if you know you ain't even if you

1:11:33.360 --> 1:11:35.400
<v Speaker 4>got the slightest inkling that you not cut like that,

1:11:35.920 --> 1:11:39.000
<v Speaker 4>and you got two ravenous pit bulls out here. Don't

1:11:39.080 --> 1:11:41.760
<v Speaker 4>run your little ass out here like playing games with

1:11:41.800 --> 1:11:44.040
<v Speaker 4>these dudes, because they it's a blood sport with these dudes.

1:11:44.120 --> 1:11:47.880
<v Speaker 4>Like these dudeses all gloves. The gloves is off. They will, yes,

1:11:48.040 --> 1:11:50.720
<v Speaker 4>they they really they about that life and you are

1:11:50.840 --> 1:11:53.800
<v Speaker 4>still in between wanting to be the people's champ as

1:11:53.840 --> 1:11:56.840
<v Speaker 4>far as like you lyrically sound, nobody's debating the fact

1:11:56.840 --> 1:11:58.800
<v Speaker 4>that you you cold as hell.

1:12:00.160 --> 1:12:04.280
<v Speaker 1>Only is the Nigga a superior MC, He's also a barn,

1:12:04.439 --> 1:12:07.400
<v Speaker 1>top tier record writer, nigga do his own hooks. The

1:12:07.479 --> 1:12:12.360
<v Speaker 1>Nigga's incredible, and honestly, I looked forward to him competing,

1:12:13.560 --> 1:12:14.920
<v Speaker 1>you know what I mean when he dropped the first time,

1:12:15.040 --> 1:12:17.479
<v Speaker 1>like okay, Cole really trying to come for the crown.

1:12:17.960 --> 1:12:20.439
<v Speaker 1>But then when you apologize, I didn't like that. And

1:12:21.040 --> 1:12:24.439
<v Speaker 1>it's not I didn't like the apology as much as

1:12:24.600 --> 1:12:28.519
<v Speaker 1>it just felt disingenuous, like like, Okay, you say you

1:12:28.680 --> 1:12:31.760
<v Speaker 1>mature and you don't want to do this, but you

1:12:31.920 --> 1:12:34.599
<v Speaker 1>kind of did some hain and shit into action, right,

1:12:34.680 --> 1:12:36.720
<v Speaker 1>and it's like okay. And even though I had my

1:12:37.040 --> 1:12:41.040
<v Speaker 1>reserve thoughts on what you're doing, like I had, I

1:12:41.600 --> 1:12:44.560
<v Speaker 1>felt reserve, like I didn't like that I saw what

1:12:44.600 --> 1:12:46.400
<v Speaker 1>you did with pie, how you put like that was

1:12:46.520 --> 1:12:49.760
<v Speaker 1>kind of devious. I wouldn't do that, you know. I mean,

1:12:49.760 --> 1:12:51.760
<v Speaker 1>I wouldn't play like that that. I'm gonna keep it real.

1:12:51.840 --> 1:12:54.240
<v Speaker 1>So you really kind of like you almost giving me

1:12:54.360 --> 1:12:57.920
<v Speaker 1>forty eight Laws of Power vibes. I mean, like you

1:12:58.120 --> 1:13:01.280
<v Speaker 1>like you reading them books and shit, and like I

1:13:01.439 --> 1:13:04.040
<v Speaker 1>really was watching that, bro, that that that mattered to me.

1:13:04.520 --> 1:13:06.720
<v Speaker 1>And then for you to put out this song right

1:13:06.800 --> 1:13:09.479
<v Speaker 1>now where you actually trying to act like it's vinegar

1:13:09.560 --> 1:13:12.160
<v Speaker 1>in your pin, bro, like you trying to reframe the

1:13:12.240 --> 1:13:15.040
<v Speaker 1>narrative as if you didn't chicken shit out. You trying

1:13:15.080 --> 1:13:18.400
<v Speaker 1>to reframe the narrative as if you didn't put out

1:13:18.439 --> 1:13:20.720
<v Speaker 1>to Dish Records. You trying to reframe it like you

1:13:20.880 --> 1:13:24.280
<v Speaker 1>the superior morality, and you're not. You're not bro. You

1:13:24.520 --> 1:13:27.040
<v Speaker 1>just a regular man. So stop popping it like you're

1:13:27.040 --> 1:13:29.760
<v Speaker 1>on another level because you actually did some haint and shit.

1:13:30.960 --> 1:13:32.760
<v Speaker 1>The worst thing to me is when street people talk

1:13:32.840 --> 1:13:35.720
<v Speaker 1>bad about street people. If you want their maturation. That's cool,

1:13:35.760 --> 1:13:37.719
<v Speaker 1>but don't try to call them ignant because we are ignorant.

1:13:37.920 --> 1:13:39.639
<v Speaker 1>Now if you use it ignorant the sense that them

1:13:39.720 --> 1:13:41.720
<v Speaker 1>kids don't know, that's dope. But don't try to look

1:13:41.800 --> 1:13:44.320
<v Speaker 1>down on people that you was once because you because

1:13:44.320 --> 1:13:46.200
<v Speaker 1>it's real quick, you could be reminded who you are.

1:13:47.320 --> 1:13:50.439
<v Speaker 4>Seventh Street, Pete, y'all tell me this is there a

1:13:50.520 --> 1:13:55.479
<v Speaker 4>tad bit of clout chasing in this? Yeah, I mean,

1:13:55.600 --> 1:13:58.320
<v Speaker 4>I mean cloud chasing is you don't need clouts. So

1:13:58.400 --> 1:14:01.240
<v Speaker 4>I'm the reason why I say tad bit because it's

1:14:01.280 --> 1:14:02.920
<v Speaker 4>not like the man. The man got no to writing.

1:14:02.960 --> 1:14:05.439
<v Speaker 4>He's known worldwide even though he can't go to a

1:14:05.520 --> 1:14:08.800
<v Speaker 4>Tesla dealership and get served, right, they tried to kick

1:14:08.880 --> 1:14:11.120
<v Speaker 4>him out of the Tesla dealership in New York like

1:14:11.680 --> 1:14:13.920
<v Speaker 4>it's not electric like that type shit. Okay, I can

1:14:14.000 --> 1:14:16.400
<v Speaker 4>dig that, all right, nice, I like how you want to.

1:14:16.720 --> 1:14:18.080
<v Speaker 4>But I'm saying, like, he don't.

1:14:17.960 --> 1:14:20.040
<v Speaker 1>Need cop but I'm gonna tell you why he does.

1:14:20.120 --> 1:14:21.680
<v Speaker 1>And this is the trick, even like when we had

1:14:21.720 --> 1:14:25.880
<v Speaker 1>a conversation about Drake. Because you will be popular and

1:14:25.960 --> 1:14:28.360
<v Speaker 1>famous and you are rich and you are on top

1:14:28.400 --> 1:14:31.040
<v Speaker 1>of the game. But guess what the culture can question you.

1:14:31.320 --> 1:14:34.160
<v Speaker 1>And when the culture start questioning the money, people will

1:14:34.200 --> 1:14:36.720
<v Speaker 1>stop taking the money. Like remember j Cole put out

1:14:36.760 --> 1:14:40.519
<v Speaker 1>two records since this battle happened, and those two records

1:14:40.560 --> 1:14:42.680
<v Speaker 1>one of those records, and those two records didn't really

1:14:42.760 --> 1:14:46.599
<v Speaker 1>have an impact, not that this records. After he put

1:14:46.640 --> 1:14:48.600
<v Speaker 1>out a record with that one dude, that kind of

1:14:48.680 --> 1:14:51.439
<v Speaker 1>corny shit, I mean, and he put out something else.

1:14:51.920 --> 1:14:54.760
<v Speaker 1>So again he understood this is what we wanted to

1:14:54.880 --> 1:14:57.560
<v Speaker 1>hear from him. He knew he had to address this

1:14:57.800 --> 1:15:00.439
<v Speaker 1>same thing for Drake Drake eventually, if he he wants

1:15:00.760 --> 1:15:02.240
<v Speaker 1>to make a play, I don't want to give him

1:15:02.240 --> 1:15:05.240
<v Speaker 1>the secrets of culture, but you need to address what

1:15:05.439 --> 1:15:07.400
<v Speaker 1>we care about for us to care about what you're

1:15:07.439 --> 1:15:10.120
<v Speaker 1>talking about, because right now this is the space win.

1:15:10.320 --> 1:15:12.040
<v Speaker 1>We want to hear you talk about what we want

1:15:12.080 --> 1:15:12.280
<v Speaker 1>to hear.

1:15:12.880 --> 1:15:13.040
<v Speaker 4>Now.

1:15:13.160 --> 1:15:16.559
<v Speaker 1>We don't care what you think, Drake, like dot beat

1:15:16.640 --> 1:15:18.880
<v Speaker 1>that out of you. What I'm saying, we don't care

1:15:18.960 --> 1:15:20.960
<v Speaker 1>what you think. We care about what you think about this.

1:15:21.840 --> 1:15:23.600
<v Speaker 1>If he came on and made a song where you

1:15:23.640 --> 1:15:26.200
<v Speaker 1>admitted defeat, we would listen to it. If he came

1:15:26.240 --> 1:15:28.280
<v Speaker 1>on talk about how it affected his life. We would

1:15:28.280 --> 1:15:29.640
<v Speaker 1>listen to it. But if you try to make a

1:15:29.720 --> 1:15:32.160
<v Speaker 1>song about Uan Guan Delilah, that's not gonna work. If

1:15:32.160 --> 1:15:33.760
<v Speaker 1>you try to make a song with Saxey, we're talking

1:15:33.760 --> 1:15:35.200
<v Speaker 1>about rit baby, Dady, we don't go to fuck how

1:15:35.280 --> 1:15:36.880
<v Speaker 1>much money you got. If you make a song with

1:15:36.920 --> 1:15:39.200
<v Speaker 1>these niggas talking tough, we know you not tough. We

1:15:39.320 --> 1:15:42.040
<v Speaker 1>saw you just get that work. Were not buying it.

1:15:42.160 --> 1:15:44.880
<v Speaker 1>The jig is up, the vela is off. We see

1:15:44.920 --> 1:15:48.519
<v Speaker 1>your face, you ugly. Now you need to address how

1:15:48.600 --> 1:15:50.400
<v Speaker 1>you look. You need to get us comfortable with you

1:15:50.560 --> 1:15:52.960
<v Speaker 1>and how you look again and make us remember why

1:15:53.040 --> 1:15:54.720
<v Speaker 1>we fuck with you in the first place, because you

1:15:54.800 --> 1:15:56.960
<v Speaker 1>got to a place where you started lying. And Jay

1:15:57.080 --> 1:15:59.760
<v Speaker 1>Cole understood that. So he addressed what we thought he

1:16:00.080 --> 1:16:02.360
<v Speaker 1>we cared about. But I didn't like he tried to

1:16:02.479 --> 1:16:06.320
<v Speaker 1>reframe what happened. And I'm not gonna let you do

1:16:06.439 --> 1:16:08.840
<v Speaker 1>that to the young homie. I'm not gonna let you

1:16:08.960 --> 1:16:11.200
<v Speaker 1>try to take some moral road to some superior space.

1:16:11.280 --> 1:16:11.519
<v Speaker 4>Nigga.

1:16:11.560 --> 1:16:13.720
<v Speaker 1>You not. You're a piece of shit for what you did,

1:16:14.280 --> 1:16:18.920
<v Speaker 1>and you are mark for putting it back. That's a fact, glasses,

1:16:19.479 --> 1:16:21.520
<v Speaker 1>that's true. It's not I'm not calling.

1:16:21.479 --> 1:16:25.360
<v Speaker 4>Cuz you ain't no, you ain't no, you ain't no

1:16:25.520 --> 1:16:26.439
<v Speaker 4>whole ass ninja.

1:16:26.800 --> 1:16:29.320
<v Speaker 1>Yeah, what you did with some whole ass ship. Shout

1:16:29.360 --> 1:16:32.439
<v Speaker 1>out to Jeriz ten dollars. We'll appreciate that right here

1:16:32.560 --> 1:16:36.160
<v Speaker 1>on no ceilings. Kick these convos coming. Will Sean was

1:16:36.200 --> 1:16:38.599
<v Speaker 1>handing we up in here, dog. Shout out to everybody

1:16:38.640 --> 1:16:41.639
<v Speaker 1>still in the chat and tribute and going crazy. Hold

1:16:41.640 --> 1:16:45.240
<v Speaker 1>on one second, South Central boy, I like your questions.

1:16:45.280 --> 1:16:47.599
<v Speaker 1>Please y'all stay in the chat, Ryan killy chats. Don't

1:16:47.600 --> 1:16:50.160
<v Speaker 1>stop killing these chats. They're important. Make sure y'all click

1:16:50.240 --> 1:16:53.360
<v Speaker 1>that light button glasses. So if God took this as this,

1:16:53.760 --> 1:16:55.240
<v Speaker 1>if you were in the shoes, do you address it

1:16:55.320 --> 1:16:57.200
<v Speaker 1>on the next drop leading to the super Bowl or

1:16:57.280 --> 1:16:59.559
<v Speaker 1>the album? I probably put it on the album because

1:16:59.560 --> 1:17:01.120
<v Speaker 1>I know he don't want all the smoke in his

1:17:01.240 --> 1:17:03.120
<v Speaker 1>face and I don't want to look like no bully.

1:17:03.320 --> 1:17:04.840
<v Speaker 1>So I'm gonna give him some work on the song,

1:17:04.920 --> 1:17:07.320
<v Speaker 1>and everybody gonna know who I'm talking to, and more

1:17:07.400 --> 1:17:09.680
<v Speaker 1>than anything, he gonna know who I'm talking to. I'm

1:17:09.680 --> 1:17:11.479
<v Speaker 1>gonna let him know I heard you and I seen

1:17:11.560 --> 1:17:13.640
<v Speaker 1>that buster as shit you did and you're still a

1:17:13.720 --> 1:17:16.280
<v Speaker 1>buster for doing it. Now, I might not give him

1:17:16.680 --> 1:17:19.080
<v Speaker 1>like that that verse off that or or not like

1:17:19.240 --> 1:17:23.479
<v Speaker 1>us as euphoria, but you're finna get something. Shout out

1:17:23.479 --> 1:17:24.880
<v Speaker 1>to just Ryan Fel the know you. But if we

1:17:24.920 --> 1:17:27.400
<v Speaker 1>put everything together, we're saying anybody can be taken from

1:17:27.439 --> 1:17:30.640
<v Speaker 1>the Sicilian culture, which you consider urban street culture or

1:17:30.680 --> 1:17:33.840
<v Speaker 1>people that manufacture the goods. No, only people who came

1:17:33.960 --> 1:17:37.000
<v Speaker 1>up or live in that culture of Sicilian street urban

1:17:37.040 --> 1:17:39.880
<v Speaker 1>culture can be in hip hop, not just Sicilian culture,

1:17:39.880 --> 1:17:42.200
<v Speaker 1>because all Sicilian culture ain't street cultures.

1:17:42.600 --> 1:17:45.200
<v Speaker 2>Old rural country culture.

1:17:45.600 --> 1:17:47.360
<v Speaker 1>Yeah, they have their own cure.

1:17:47.439 --> 1:17:51.320
<v Speaker 2>It's Mississippi type culture of that part of the world.

1:17:52.920 --> 1:17:57.960
<v Speaker 1>Ironically, if y'all don't understand this street urban culture transcends race,

1:17:59.120 --> 1:18:02.439
<v Speaker 1>Like there's a confus using that La guys created drive bys.

1:18:02.920 --> 1:18:05.400
<v Speaker 1>Our component was doing drive bys in like the twenties

1:18:05.439 --> 1:18:09.160
<v Speaker 1>and thirties. Street urban culture is just street urban culture.

1:18:09.160 --> 1:18:12.080
<v Speaker 1>It don't matter the race. You're gonna have Irish people,

1:18:12.360 --> 1:18:15.040
<v Speaker 1>you gonna have Italian people, you're gonna have Black people,

1:18:15.320 --> 1:18:17.439
<v Speaker 1>you're gonna have Meskan people. You go to East LA,

1:18:17.560 --> 1:18:20.960
<v Speaker 1>we're all doing the same thing because that's the culture

1:18:21.080 --> 1:18:24.840
<v Speaker 1>of the streets. It's not about the particular you know,

1:18:25.080 --> 1:18:28.240
<v Speaker 1>nationality or the race. It's really the behavior of how

1:18:28.320 --> 1:18:31.200
<v Speaker 1>the environment breeds you and the rules there. And those

1:18:31.280 --> 1:18:33.880
<v Speaker 1>rules are pretty consistent. No matter if you and the

1:18:33.920 --> 1:18:36.240
<v Speaker 1>gutters of Boston, the gutters of Milwaukee, the gouters of

1:18:36.280 --> 1:18:38.880
<v Speaker 1>Los Angeles, the gutters of East LA, the gutters of Miami,

1:18:39.160 --> 1:18:41.840
<v Speaker 1>it's all the same matter. It don't matter if your

1:18:41.840 --> 1:18:44.599
<v Speaker 1>skin dark as the night or bright as the sky

1:18:44.880 --> 1:18:47.559
<v Speaker 1>or white as the clouds. We all behave the same way.

1:18:47.600 --> 1:18:48.360
<v Speaker 1>And that's the culture.

1:18:48.760 --> 1:18:50.639
<v Speaker 4>Make something out of nothing and get out of the plight.

1:18:51.320 --> 1:18:51.640
<v Speaker 1>That's it.

1:18:52.320 --> 1:18:56.360
<v Speaker 4>That's it, that's really yeah, just makes some soul of it,

1:18:57.520 --> 1:19:00.120
<v Speaker 4>take it even from even taking it from our We

1:19:00.200 --> 1:19:02.880
<v Speaker 4>started at the bottom and now we're here. That's the goal, right.

1:19:05.400 --> 1:19:08.640
<v Speaker 1>I called this, Willie Manchester, that's fire. Yeah, but you

1:19:08.720 --> 1:19:10.160
<v Speaker 1>know what I'm saying, love, you know, I know that

1:19:10.240 --> 1:19:10.559
<v Speaker 1>was fire.

1:19:10.560 --> 1:19:12.479
<v Speaker 4>But I know he called he threw, he threw it,

1:19:14.120 --> 1:19:17.600
<v Speaker 4>he said, Manchester, He threw like a nice look to

1:19:17.680 --> 1:19:22.000
<v Speaker 4>the to the kidney. Willie Manchester, Willy Manchester. Bro, you'd

1:19:22.000 --> 1:19:25.519
<v Speaker 4>be bringing them out, bro, bro, what the you would

1:19:26.080 --> 1:19:27.000
<v Speaker 4>all be bringing them out?

1:19:27.360 --> 1:19:31.599
<v Speaker 1>Got that bastard. Call the cops, honey, No, he ain't

1:19:31.600 --> 1:19:34.240
<v Speaker 1>Willie Manchester because Willy least, at least that boy was

1:19:34.320 --> 1:19:35.200
<v Speaker 1>trying to steal the stereo.

1:19:35.320 --> 1:19:38.599
<v Speaker 4>Willie Manchester. Willie Manchester was not wrong, man.

1:19:39.120 --> 1:19:41.240
<v Speaker 1>Willie Manchester was illegal beating. He was at home with

1:19:41.360 --> 1:19:44.240
<v Speaker 1>his women and little nasty ass kid was looking in

1:19:44.280 --> 1:19:46.120
<v Speaker 1>the window. That little nasty ass trying to steal my

1:19:46.240 --> 1:19:46.839
<v Speaker 1>car stereo.

1:19:47.360 --> 1:19:47.800
<v Speaker 4>Ray Ray.

1:19:48.360 --> 1:19:51.599
<v Speaker 1>Yeah, new house for Ray Ray. You know what's funny

1:19:51.640 --> 1:19:54.639
<v Speaker 1>you saying that I've always wanted to address this publicly.

1:19:55.240 --> 1:19:58.320
<v Speaker 1>Ray Ray wasn't beating them kids. No, he was just

1:19:58.600 --> 1:20:01.240
<v Speaker 1>twenty dollars. If I make eighty dollars property because I

1:20:01.360 --> 1:20:03.320
<v Speaker 1>have to connect, and I give you twenty dollars up front,

1:20:03.320 --> 1:20:05.000
<v Speaker 1>and you don't got to try to set the record.

1:20:05.400 --> 1:20:08.360
<v Speaker 1>Loco actually is the problem. He's the real villain in

1:20:08.479 --> 1:20:10.840
<v Speaker 1>those in South Central If you really think about it,

1:20:10.920 --> 1:20:12.559
<v Speaker 1>Why you say local, why you put it? I'm gonna

1:20:12.560 --> 1:20:16.000
<v Speaker 1>tell you why Loco is the problem, bro, Because Loko dude.

1:20:16.479 --> 1:20:20.000
<v Speaker 1>Because when it was fucked up, guess who put they

1:20:20.080 --> 1:20:21.759
<v Speaker 1>life on the line to protect Loco.

1:20:23.120 --> 1:20:23.599
<v Speaker 4>Type ship.

1:20:24.360 --> 1:20:27.519
<v Speaker 1>Guess who did it? Oh, g badass killer Bobby Johnson

1:20:27.640 --> 1:20:30.840
<v Speaker 1>put his life on the line. Guess what happened when

1:20:31.160 --> 1:20:34.160
<v Speaker 1>when it was just it was Bobby Johnson back to

1:20:34.240 --> 1:20:35.599
<v Speaker 1>the wall. Guess what Loco did?

1:20:36.640 --> 1:20:38.479
<v Speaker 4>Ben was a bitch tape shit.

1:20:38.880 --> 1:20:43.880
<v Speaker 6>J cole is Loco type shito.

1:20:44.840 --> 1:20:46.800
<v Speaker 1>Oh he always good when you're in the car, y'all,

1:20:46.840 --> 1:20:49.080
<v Speaker 1>free y'all. Still you're trying to flay with the prostitutes.

1:20:49.680 --> 1:20:52.759
<v Speaker 1>Oh you, it's all J cole is Loco from South Central.

1:20:53.000 --> 1:20:54.920
<v Speaker 1>But going back to our last going back to our

1:20:55.040 --> 1:20:59.799
<v Speaker 1>to the last, to the last stream, Yeah, last stream.

1:21:01.640 --> 1:21:04.719
<v Speaker 1>Loko was also a victim. He was also addicted.

1:21:04.800 --> 1:21:05.679
<v Speaker 4>He was a shirm head.

1:21:06.040 --> 1:21:08.479
<v Speaker 1>Yeah, but he's not a victim. All right.

1:21:08.520 --> 1:21:09.800
<v Speaker 4>I'm leaving alone. Man, I can't.

1:21:10.120 --> 1:21:12.000
<v Speaker 1>Don't take him a victim. He enjoyed Sherman.

1:21:12.080 --> 1:21:13.360
<v Speaker 4>He jumped in somewhere in here.

1:21:13.400 --> 1:21:14.559
<v Speaker 1>He enjoyed Sherman.

1:21:15.600 --> 1:21:16.760
<v Speaker 4>Help me out, Pete.

1:21:17.160 --> 1:21:21.599
<v Speaker 1>Marcel Jo to get a word of that twice, Jacob

1:21:21.800 --> 1:21:24.040
<v Speaker 1>dis kendrick Man. He wanted people to feel him. Notice

1:21:24.040 --> 1:21:26.120
<v Speaker 1>he hasn't this Drake. He doesn't even want people to

1:21:26.160 --> 1:21:28.960
<v Speaker 1>think it's against Drake. I agree, Marcell, that's the slippery point.

1:21:29.840 --> 1:21:31.760
<v Speaker 1>Shout out to the name Brandon. Don't make sense. He

1:21:31.840 --> 1:21:34.240
<v Speaker 1>competing pro basketball more than Rapp. He don't compete there

1:21:34.240 --> 1:21:39.439
<v Speaker 1>because he has two points. Jo heinous, Yes, it was

1:21:39.600 --> 1:21:42.800
<v Speaker 1>jo is heinous because he made that pie song dis

1:21:42.920 --> 1:21:45.800
<v Speaker 1>and Kendrick, and he didn't play the verse for he

1:21:45.840 --> 1:21:49.080
<v Speaker 1>didn't play the verse for soul or daylight of him

1:21:49.160 --> 1:21:51.600
<v Speaker 1>dising Kendrick. So he distant with on a song to

1:21:51.680 --> 1:21:54.599
<v Speaker 1>try to create chaos and months our camp amongst our

1:21:54.680 --> 1:22:00.720
<v Speaker 1>friends in our circle. That's heinous. It's despicable. Shout out

1:22:00.720 --> 1:22:03.400
<v Speaker 1>to Ronald Green. Definitely agree about Cold Me too, my boy,

1:22:03.640 --> 1:22:04.000
<v Speaker 1>me too.

1:22:05.600 --> 1:22:07.559
<v Speaker 2>So you're saying that he so he took the other

1:22:07.640 --> 1:22:09.960
<v Speaker 2>guy's tracks and recorded him down and put his on

1:22:11.080 --> 1:22:13.320
<v Speaker 2>his verse on the end of the track or put

1:22:13.400 --> 1:22:14.720
<v Speaker 2>it in the song afterwards.

1:22:16.600 --> 1:22:18.679
<v Speaker 1>Yeah, that's what happened. At least that's what they said happened.

1:22:18.960 --> 1:22:22.160
<v Speaker 1>I believe the homies just Ryan from No Yah. I

1:22:22.160 --> 1:22:23.920
<v Speaker 1>don't believe you can say it's okay to take pieces

1:22:23.960 --> 1:22:26.280
<v Speaker 1>from any particular culture with the people that he has

1:22:26.360 --> 1:22:29.760
<v Speaker 1>taken from and can't have anybody listen if this is

1:22:29.840 --> 1:22:32.160
<v Speaker 1>a conversation about Drake, Drake just doesn't.

1:22:33.200 --> 1:22:34.080
<v Speaker 2>Oh he is Drake.

1:22:34.439 --> 1:22:36.880
<v Speaker 1>I think this is a conversation about Drake, where I've

1:22:36.920 --> 1:22:39.240
<v Speaker 1>said Drake is not hip hop because he's not street

1:22:39.280 --> 1:22:42.080
<v Speaker 1>urban culture. He's not. He's just he's a pop artist.

1:22:42.200 --> 1:22:44.479
<v Speaker 1>Pop artists take everything that is sense to the very

1:22:44.560 --> 1:22:46.880
<v Speaker 1>top of culture and then they just take it and

1:22:47.000 --> 1:22:48.880
<v Speaker 1>make it like they take the seasoning out of it.

1:22:49.560 --> 1:22:55.280
<v Speaker 1>Drake is like, Drake is like Taco bell for Mexican food.

1:22:55.960 --> 1:23:00.240
<v Speaker 1>Like imagine, call it Taco Bill Mexican fool. I mean,

1:23:00.320 --> 1:23:03.160
<v Speaker 1>it's not Mexican food. Taco bell Is is based off

1:23:03.200 --> 1:23:07.800
<v Speaker 1>of Mexican cuisine, but it's americanized, mainstream American food. It's

1:23:07.880 --> 1:23:11.760
<v Speaker 1>not Mexican food. You know what I'm saying. That's Drake.

1:23:11.880 --> 1:23:15.479
<v Speaker 1>Drake takes the taco and then he mixes it with

1:23:15.600 --> 1:23:19.040
<v Speaker 1>Doritos and he makes kind of like this version that's digestible,

1:23:19.479 --> 1:23:21.200
<v Speaker 1>you know, he takes the seasoning out for the whole

1:23:21.320 --> 1:23:23.599
<v Speaker 1>nation to eat. That's what being mainstream is all about.

1:23:24.560 --> 1:23:28.240
<v Speaker 4>And then on top of that glasses. I hear what

1:23:28.439 --> 1:23:32.040
<v Speaker 4>I hear Ryan when he say the contributions he's made.

1:23:32.120 --> 1:23:35.799
<v Speaker 4>But in turn, it's been a two way street future

1:23:36.240 --> 1:23:37.240
<v Speaker 4>and every artist that.

1:23:40.439 --> 1:23:44.360
<v Speaker 2>Other people can take from, like like what can who

1:23:44.560 --> 1:23:47.160
<v Speaker 2>is going to be able to utilize what Drake has

1:23:47.280 --> 1:23:52.080
<v Speaker 2>contributed to advanced, you know, with their own thing.

1:23:52.360 --> 1:23:55.120
<v Speaker 4>Let me ask y'all both this real quick. Has Drake

1:23:55.600 --> 1:23:58.000
<v Speaker 4>taught us anything about about about the six.

1:23:58.360 --> 1:24:00.760
<v Speaker 1>No, because they don't even call it. That's another story.

1:24:00.880 --> 1:24:03.680
<v Speaker 4>That's what I'm saying. He has he taught he I've

1:24:03.720 --> 1:24:06.320
<v Speaker 4>seen him do Miami culture, I've seen him do Atlantic culture.

1:24:06.400 --> 1:24:09.160
<v Speaker 4>I've seen him do Houston culture. He's done. He's done.

1:24:09.560 --> 1:24:13.679
<v Speaker 4>He even through He even threw pop uh an Ai

1:24:13.880 --> 1:24:16.400
<v Speaker 4>poc on a disc record to the King, to the

1:24:16.560 --> 1:24:20.320
<v Speaker 4>King of Compton, like you who idolizes pop?

1:24:20.600 --> 1:24:22.880
<v Speaker 1>Like you literally did that. So I'm like, what else?

1:24:22.920 --> 1:24:25.519
<v Speaker 4>What else he taught us about Toronto? I'm asking, I'm asking.

1:24:26.280 --> 1:24:28.760
<v Speaker 2>I'm gonna try to he signed pop con this and

1:24:28.880 --> 1:24:29.639
<v Speaker 2>work with him.

1:24:30.200 --> 1:24:34.160
<v Speaker 1>Okay, which is which is a culture? Which is business?

1:24:34.560 --> 1:24:38.200
<v Speaker 1>That's business. It's it's not advancing the culture. Look, Drake

1:24:38.360 --> 1:24:40.439
<v Speaker 1>is very much of Jewish culture. He's a dope talent,

1:24:40.640 --> 1:24:43.240
<v Speaker 1>just a mainstream pop artist that makes rap song cit

1:24:43.280 --> 1:24:46.519
<v Speaker 1>He's a fantastic talent. Basically, what you're saying in reverse

1:24:46.600 --> 1:24:48.840
<v Speaker 1>is someone takes something from hip hop like Drake. He's

1:24:48.880 --> 1:24:51.040
<v Speaker 1>not hip hop to you. But if Jewish mind were

1:24:51.080 --> 1:24:53.400
<v Speaker 1>to do something acceptable, it can be taken. If someone

1:24:53.479 --> 1:24:56.400
<v Speaker 1>takes something from hip hop like Drake, we didn't. Someone

1:24:56.520 --> 1:24:59.280
<v Speaker 1>takes something from hip hop like Drake, Drake is not.

1:24:59.720 --> 1:25:03.479
<v Speaker 1>We don't don't take anything from Drake. Drake just takes

1:25:03.560 --> 1:25:04.280
<v Speaker 1>from difference.

1:25:04.479 --> 1:25:10.000
<v Speaker 2>The difference is like literally all the stuff that happened

1:25:10.960 --> 1:25:14.719
<v Speaker 2>in the turn of the twentieth century with a massive

1:25:14.920 --> 1:25:19.600
<v Speaker 2>influx of Jewish and Italian immigrants into the heart of

1:25:20.000 --> 1:25:24.920
<v Speaker 2>poor urban New York and what manifested for twenty years

1:25:25.080 --> 1:25:27.800
<v Speaker 2>is people tried to get on their feet. Is the

1:25:27.960 --> 1:25:31.320
<v Speaker 2>exact same thing that has happened with subsequent people who

1:25:31.439 --> 1:25:35.600
<v Speaker 2>moved there afterwards that started hip hop, also in the

1:25:35.720 --> 1:25:39.240
<v Speaker 2>same physical place, doing the same physical things under the

1:25:39.280 --> 1:25:40.680
<v Speaker 2>same physical circumstances.

1:25:41.439 --> 1:25:41.840
<v Speaker 1>I like that.

1:25:42.200 --> 1:25:45.479
<v Speaker 2>And whether or not you pray on Saturday or Sunday,

1:25:46.080 --> 1:25:48.680
<v Speaker 2>or your other language sounded more like you're from the

1:25:48.720 --> 1:25:52.040
<v Speaker 2>Deep South or was Yiddish, it's those other things are

1:25:52.200 --> 1:25:54.800
<v Speaker 2>not the coincidental things. The coincidental things is what was

1:25:54.840 --> 1:25:58.360
<v Speaker 2>happening right there and why and for that period.

1:25:58.320 --> 1:25:59.920
<v Speaker 1>How you had to talk to the people right then.

1:26:00.680 --> 1:26:03.000
<v Speaker 1>We had a great conversation Shout out to you Twine

1:26:03.040 --> 1:26:06.080
<v Speaker 1>for bringing Chuck chill Out on ADHD. Make sure if

1:26:06.160 --> 1:26:09.400
<v Speaker 1>y'all ever download Clubhouse, y'all become a part of the

1:26:09.439 --> 1:26:13.240
<v Speaker 1>ADHD family. Has some incredible hip hop conversations happening there.

1:26:13.240 --> 1:26:15.960
<v Speaker 1>Shout out to my brother Trap everybody over there. It's amazing.

1:26:16.760 --> 1:26:20.000
<v Speaker 1>But Chuck chill Out. Twin brought DJ Chuck chill Out

1:26:20.120 --> 1:26:23.360
<v Speaker 1>on hip Hop and he talked about how there were

1:26:23.520 --> 1:26:26.479
<v Speaker 1>Puerto Rican people who hung with them all the time

1:26:26.600 --> 1:26:28.880
<v Speaker 1>and they didn't know they were Puerto Rican because if

1:26:28.920 --> 1:26:31.439
<v Speaker 1>they went to Puerto Rican neighborhoods, they would get their

1:26:31.680 --> 1:26:36.720
<v Speaker 1>ass whooped. So again, like hip like, like street urban

1:26:36.800 --> 1:26:39.920
<v Speaker 1>culture is pretty much the same no matter what's going

1:26:40.000 --> 1:26:43.760
<v Speaker 1>on inside of your house, But what's going in your

1:26:43.800 --> 1:26:46.840
<v Speaker 1>side of your house doesn't always have to be hip hop. Like,

1:26:46.960 --> 1:26:48.559
<v Speaker 1>you can go inside of your house and it could

1:26:48.640 --> 1:26:51.560
<v Speaker 1>just Puerto Rican culture just be Puerto Rican culture. But

1:26:51.680 --> 1:26:54.799
<v Speaker 1>then there's the thing that everybody in New York street

1:26:54.920 --> 1:26:58.200
<v Speaker 1>life does, and that's the thing that makes it hip hop.

1:26:58.600 --> 1:27:00.360
<v Speaker 2>Like, it's it's you know what it is. It's like

1:27:00.960 --> 1:27:06.040
<v Speaker 2>what's the sun to the solar system? In Puerto Rican culture,

1:27:06.080 --> 1:27:09.920
<v Speaker 2>there are certain things that transcend Puerto Ricans wherever you

1:27:10.080 --> 1:27:13.719
<v Speaker 2>find them, and that's the sun in that solar system.

1:27:13.760 --> 1:27:17.519
<v Speaker 2>Whereas there's certain stuff that everybody in an urban environment does,

1:27:17.600 --> 1:27:20.200
<v Speaker 2>no matter what their background, and that's the center point

1:27:20.320 --> 1:27:21.479
<v Speaker 2>for them exactly.

1:27:22.040 --> 1:27:24.200
<v Speaker 1>Shout out to him, BALI love. The problem is that

1:27:24.360 --> 1:27:27.720
<v Speaker 1>Cole keeps throwing stones and hides his hand, goes on

1:27:27.800 --> 1:27:31.920
<v Speaker 1>a moral superiority, periority. I'm above the phrase stance while

1:27:31.960 --> 1:27:35.320
<v Speaker 1>sneak this and do all fake Totally agree. That's my issue,

1:27:35.320 --> 1:27:38.880
<v Speaker 1>and I will not let him rewrite the narrative. That's

1:27:38.920 --> 1:27:42.200
<v Speaker 1>why I'm here now. Mega sure he doesn't rewrite the narrative.

1:27:42.520 --> 1:27:44.479
<v Speaker 1>Shout out to everybody in the chats man.

1:27:45.280 --> 1:27:46.920
<v Speaker 4>Yeah, they dropping some jewels today?

1:27:47.160 --> 1:27:51.720
<v Speaker 1>Is god? Y'all getting crack in a day? Shout out

1:27:51.760 --> 1:27:52.400
<v Speaker 1>to Anthony T.

1:27:52.520 --> 1:27:52.720
<v Speaker 4>Pork.

1:27:52.720 --> 1:27:54.720
<v Speaker 1>Shout out to everybody in the chat I'm glad y'all

1:27:54.800 --> 1:27:58.280
<v Speaker 1>chilling the chat man. This is so big. He's probably right,

1:27:58.479 --> 1:28:02.479
<v Speaker 1>He's probably right there those yeah glasses. You have to

1:28:02.600 --> 1:28:05.200
<v Speaker 1>cheer with the analogies. No, the analogies get it done you.

1:28:05.720 --> 1:28:07.880
<v Speaker 1>It's how you teach. You gotta be able to communicate.

1:28:09.880 --> 1:28:14.880
<v Speaker 1>Uh gyra Sharie wait, I thought Pie was about Drake somewhat,

1:28:14.960 --> 1:28:18.280
<v Speaker 1>Daylight said, I think no, pie is about Dot. I'm

1:28:18.320 --> 1:28:20.320
<v Speaker 1>sure it got some Drake in there, but it's about Dot.

1:28:22.280 --> 1:28:24.400
<v Speaker 1>Shout out to just Ryan from Nola. Most of you

1:28:24.600 --> 1:28:26.400
<v Speaker 1>have never been in New Orleans, but somehow you were

1:28:26.439 --> 1:28:29.080
<v Speaker 1>cultured and annoying where Marty Grass was. And it's what

1:28:29.439 --> 1:28:31.920
<v Speaker 1>WODI means. But we are. It doesn't mean we're a

1:28:31.960 --> 1:28:35.360
<v Speaker 1>part of New Orleans street urban culture. Like, yeah, just

1:28:35.400 --> 1:28:38.640
<v Speaker 1>because I eat Mexican food, I'm not Mexican. I can

1:28:38.760 --> 1:28:41.160
<v Speaker 1>dress like a cholo. I'm not a cholo. There are

1:28:41.240 --> 1:28:43.960
<v Speaker 1>cultural things that have to take place for that to work.

1:28:44.600 --> 1:28:47.200
<v Speaker 1>There are people outside of Mexican people that are solos.

1:28:47.240 --> 1:28:49.880
<v Speaker 1>There are black people that are soolos. I got homies,

1:28:49.920 --> 1:28:53.920
<v Speaker 1>that's cholos. That's black. So again, it's not race. Culture

1:28:54.040 --> 1:28:57.559
<v Speaker 1>is something that you just live. It's how you live. Well.

1:29:00.280 --> 1:29:04.679
<v Speaker 2>Was peg Leg he was like Eastern European, that's true,

1:29:05.040 --> 1:29:05.200
<v Speaker 2>was he?

1:29:06.360 --> 1:29:06.559
<v Speaker 3>Yeah?

1:29:07.080 --> 1:29:09.559
<v Speaker 4>Hitler wasn't even German exactly, he was Jewish.

1:29:09.640 --> 1:29:12.920
<v Speaker 1>He was Austrian, Yeah, exactly. Cheris Drake is acting, that's it,

1:29:13.040 --> 1:29:15.560
<v Speaker 1>and he's doing a fantastic job. He was, But the

1:29:15.800 --> 1:29:18.839
<v Speaker 1>dig is up. He's out of law in order Toronto.

1:29:19.400 --> 1:29:21.639
<v Speaker 4>Just Ryan is going crazy. Just Ryan is saying some stuff.

1:29:21.680 --> 1:29:25.639
<v Speaker 4>He said Glass, he said, believing, believe this kind of believing.

1:29:25.960 --> 1:29:29.400
<v Speaker 4>Believe in this conversation, we are finding ways to be ostracized.

1:29:29.680 --> 1:29:33.320
<v Speaker 4>This isn't really about inclusion. It's about making something stronger

1:29:33.680 --> 1:29:37.320
<v Speaker 4>than already exists. It exists by excluding. It's not about

1:29:37.400 --> 1:29:40.440
<v Speaker 4>excluding Ryan, at least not from my standpoint.

1:29:40.800 --> 1:29:45.240
<v Speaker 1>Ryan, Listen, listen, Chop jewel on listen. Let me let

1:29:45.280 --> 1:29:46.719
<v Speaker 1>me tell you why this is important.

1:29:46.760 --> 1:29:48.080
<v Speaker 4>And I get it.

1:29:48.200 --> 1:29:51.120
<v Speaker 1>Man, as human beings, we all want to be included.

1:29:52.280 --> 1:29:54.800
<v Speaker 1>I mean, that's just a standard thing, right, You want

1:29:54.840 --> 1:29:57.040
<v Speaker 1>to be a part of something just because you like it.

1:29:58.080 --> 1:29:59.720
<v Speaker 1>But let me tell you what happens, Ryan, when you

1:29:59.840 --> 1:30:00.679
<v Speaker 1>let that happened?

1:30:01.520 --> 1:30:01.640
<v Speaker 4>Right?

1:30:01.840 --> 1:30:04.920
<v Speaker 1>Rock and roll in this country was created by people

1:30:04.960 --> 1:30:07.040
<v Speaker 1>that look like me and Twine.

1:30:07.000 --> 1:30:10.880
<v Speaker 4>Sister, Rosetta Thart. It was a black woman, right, Rosetta Thark.

1:30:11.200 --> 1:30:14.200
<v Speaker 1>And it was something you did, just like jazz was

1:30:14.320 --> 1:30:17.839
<v Speaker 1>created by people that look like me and Twine.

1:30:18.520 --> 1:30:18.640
<v Speaker 4>Right.

1:30:19.520 --> 1:30:22.599
<v Speaker 1>And it's something you did, it's something you live, it's

1:30:22.640 --> 1:30:26.120
<v Speaker 1>something you love and you did it. And guess what

1:30:26.320 --> 1:30:31.120
<v Speaker 1>they financed the business. Right, somebody comes in and say, hey,

1:30:31.200 --> 1:30:34.640
<v Speaker 1>there's some business. You know what I mean, there are

1:30:34.680 --> 1:30:38.920
<v Speaker 1>some things that there's business to be made from this culture, right,

1:30:39.000 --> 1:30:41.519
<v Speaker 1>And then guess what, They start to market it, and

1:30:41.680 --> 1:30:44.200
<v Speaker 1>people love it. They decide I love it, I want

1:30:44.240 --> 1:30:47.639
<v Speaker 1>to consume it, and some people outside of it decide, hey,

1:30:47.680 --> 1:30:49.479
<v Speaker 1>I want to even take part of it. I like

1:30:49.680 --> 1:30:52.800
<v Speaker 1>how it makes me feel listening to it, and I

1:30:52.960 --> 1:30:56.320
<v Speaker 1>feel this way, right, And then those people who don't

1:30:56.400 --> 1:30:58.880
<v Speaker 1>look like me, maybe they look like Pete, maybe they

1:30:58.960 --> 1:31:02.040
<v Speaker 1>look like somebody else, they start to do it. And

1:31:02.160 --> 1:31:05.559
<v Speaker 1>then the national scene or the international scene of people

1:31:06.080 --> 1:31:09.559
<v Speaker 1>start to relate into people that look like because they

1:31:09.680 --> 1:31:12.680
<v Speaker 1>think it could be them. And next thing you know,

1:31:12.840 --> 1:31:15.439
<v Speaker 1>you wake up and now there's nobody that looks like

1:31:15.560 --> 1:31:19.200
<v Speaker 1>me or Twine in rock and roll getting any major budgets.

1:31:19.680 --> 1:31:23.320
<v Speaker 1>There's nobody that looked like me and Twine that can

1:31:23.400 --> 1:31:25.639
<v Speaker 1>get a major budget. In jazz, they have to look

1:31:25.720 --> 1:31:29.479
<v Speaker 1>like Kenny g. That's the reason why you have to

1:31:29.600 --> 1:31:34.120
<v Speaker 1>be careful with just allowing everybody to have anything, because

1:31:34.200 --> 1:31:37.920
<v Speaker 1>there's people who will start to exclude people because of it.

1:31:38.439 --> 1:31:40.920
<v Speaker 1>So you have to exclude to have some level of

1:31:41.080 --> 1:31:44.600
<v Speaker 1>inclusion for the poor people. It was created for it.

1:31:45.720 --> 1:31:48.360
<v Speaker 2>And one thing is interesting, just like observationally about that

1:31:48.680 --> 1:31:54.960
<v Speaker 2>twenty like the twentieth century evolution of musicals, genres and

1:31:55.120 --> 1:31:58.599
<v Speaker 2>styles that like Black culture like really kind of move

1:31:58.680 --> 1:32:00.360
<v Speaker 2>from one to the next to the next the next,

1:32:00.439 --> 1:32:03.439
<v Speaker 2>And hip hop has had the longest lasting sort of phase.

1:32:03.439 --> 1:32:05.719
<v Speaker 2>If you were to go chronologically, jazz is maybe twenty

1:32:05.800 --> 1:32:09.200
<v Speaker 2>thirty years up and out of the like forty plus

1:32:09.439 --> 1:32:11.479
<v Speaker 2>forty five years, you know, without it.

1:32:11.680 --> 1:32:13.759
<v Speaker 1>But if you looking at it, But if you looking

1:32:13.800 --> 1:32:16.519
<v Speaker 1>at it, Pete, look at what's happening. Look at even

1:32:16.560 --> 1:32:20.240
<v Speaker 1>the person we're talking about, sure to look at what's

1:32:20.320 --> 1:32:23.519
<v Speaker 1>going on. You're seeing it slowly slip away because you

1:32:23.560 --> 1:32:27.360
<v Speaker 1>know what happens. No, No, the financial budgets don't make

1:32:27.479 --> 1:32:29.599
<v Speaker 1>sense for people that look like me and Twine no more.

1:32:29.920 --> 1:32:32.000
<v Speaker 1>It makes sense for a Jewish man that can use

1:32:32.080 --> 1:32:36.400
<v Speaker 1>the N word. I get no, no, no, I get

1:32:36.400 --> 1:32:38.920
<v Speaker 1>I know, you get it. I'm just saying, so as

1:32:39.040 --> 1:32:43.520
<v Speaker 1>much as it looked like it's still strong, it's already fractured.

1:32:43.600 --> 1:32:46.080
<v Speaker 1>It's already broken. You see what's going on.

1:32:46.479 --> 1:32:49.680
<v Speaker 2>Yeah, I'm just saying, like it's it's interesting. It's a

1:32:49.880 --> 1:32:55.280
<v Speaker 2>deviation a bit from trend that, like organically, by now

1:32:55.439 --> 1:32:57.800
<v Speaker 2>I would have expected, like if I'm looking at the

1:32:57.880 --> 1:33:03.479
<v Speaker 2>previous cycles, like by now, organically inner city black communities

1:33:03.520 --> 1:33:05.240
<v Speaker 2>would have just like created a whole new genre and

1:33:05.320 --> 1:33:07.240
<v Speaker 2>moved off like.

1:33:09.280 --> 1:33:12.759
<v Speaker 1>They are though stuff happening like Travis. What Travis Scott

1:33:12.840 --> 1:33:16.400
<v Speaker 1>does is not hip hop, you know, I mean, and

1:33:16.520 --> 1:33:18.920
<v Speaker 1>people don't know it shit. It just hasn't spawned its

1:33:18.920 --> 1:33:21.439
<v Speaker 1>own genre. It's like rock and roll from the blues,

1:33:22.360 --> 1:33:26.479
<v Speaker 1>the same but yeah it's different, right, And same thing

1:33:26.520 --> 1:33:29.160
<v Speaker 1>with Liuzzi. Lil Uzzi doesn't make hip hop and they're

1:33:29.280 --> 1:33:33.120
<v Speaker 1>saying it and people won't even classify their records correctly

1:33:33.479 --> 1:33:35.439
<v Speaker 1>because they're so certain. If you look like me a

1:33:35.560 --> 1:33:39.760
<v Speaker 1>twine and you happen to use rap, I mean, then

1:33:39.840 --> 1:33:41.880
<v Speaker 1>you're hip hop. And these guys are saying, no, man,

1:33:41.960 --> 1:33:44.559
<v Speaker 1>we're rocking. One guy saying, hey, I'm a rock star.

1:33:45.360 --> 1:33:50.320
<v Speaker 1>He's making rock music, yes, And he's making music and

1:33:50.439 --> 1:33:52.800
<v Speaker 1>he has a right to define the music he makes.

1:33:54.080 --> 1:33:57.439
<v Speaker 1>He's defining the music he makes. He don't want to

1:33:57.479 --> 1:33:59.840
<v Speaker 1>be put in the box, and people know he did

1:34:00.040 --> 1:34:03.040
<v Speaker 1>wanted to be putting the box. You want to be

1:34:03.040 --> 1:34:05.719
<v Speaker 1>a rock star, and they're putting him in this box

1:34:06.479 --> 1:34:09.040
<v Speaker 1>like they do puff when he puffed, Come on, t back,

1:34:09.120 --> 1:34:11.599
<v Speaker 1>rapper puff. That's the one thing he did to Lisa.

1:34:12.720 --> 1:34:13.160
<v Speaker 3>He was an.

1:34:13.120 --> 1:34:18.160
<v Speaker 1>Executive for years. Why not? Why not the executive puff?

1:34:18.760 --> 1:34:19.439
<v Speaker 4>Rapper puff?

1:34:20.080 --> 1:34:23.160
<v Speaker 1>Why not the executive puff? Liquor executive puff?

1:34:23.360 --> 1:34:24.160
<v Speaker 4>Why is it raped?

1:34:24.160 --> 1:34:26.600
<v Speaker 2>Because it should be the real thing, It should be

1:34:26.920 --> 1:34:29.320
<v Speaker 2>serial entrepreneur comes.

1:34:31.200 --> 1:34:34.920
<v Speaker 1>Not because again, Rapper is nigger.

1:34:36.360 --> 1:34:38.639
<v Speaker 2>I was I was gonna say it a little more softly,

1:34:39.680 --> 1:34:45.280
<v Speaker 2>but I was gonna say rapper is sort of a

1:34:47.000 --> 1:34:50.599
<v Speaker 2>mainstream media way of being like nigger, non.

1:34:53.600 --> 1:35:02.160
<v Speaker 1>Big nigger, nigger puff daddy, nigger puff daddy. Today was

1:35:02.200 --> 1:35:08.200
<v Speaker 1>accused of buying too much pussy bigger nigger puff Daddyeah

1:35:08.200 --> 1:35:09.479
<v Speaker 1>a thousand bottles of loo.

1:35:09.920 --> 1:35:15.120
<v Speaker 2>Not nothing, non classically achieved wealthy black guy Sean Combs.

1:35:16.080 --> 1:35:20.439
<v Speaker 1>That would sound fire. Hey, people know what they're and

1:35:20.560 --> 1:35:22.839
<v Speaker 1>you know why they don't want to do that melody.

1:35:24.120 --> 1:35:28.880
<v Speaker 1>You're possibly not guilty, but if you attach Rapper to it, guilty, that.

1:35:29.040 --> 1:35:31.040
<v Speaker 4>Is that's some crazy ship the boy when you.

1:35:34.960 --> 1:35:35.720
<v Speaker 1>Rapper, that's the.

1:35:39.280 --> 1:35:43.799
<v Speaker 2>Guy who got in between some sting chorus lines. Fifteen,

1:35:43.960 --> 1:35:44.920
<v Speaker 2>twenty five years ago.

1:35:48.479 --> 1:35:52.360
<v Speaker 1>Yeah, guy who Love Daddy wrote, Guy who Biggie wrote

1:35:52.400 --> 1:35:56.240
<v Speaker 1>some Nope songs for Guy who executive. They can't say

1:35:56.560 --> 1:36:02.679
<v Speaker 1>a producer, you know, they don't rapper is nigga career

1:36:05.600 --> 1:36:06.720
<v Speaker 1>because it's hilarious.

1:36:06.920 --> 1:36:09.280
<v Speaker 4>Isn't like therapy for you to say that, you know

1:36:09.400 --> 1:36:11.320
<v Speaker 4>what it is reference ninja.

1:36:11.960 --> 1:36:16.639
<v Speaker 1>It's it's therapeutic to really realize how mainstream America looks

1:36:16.680 --> 1:36:19.040
<v Speaker 1>at us. It always reminds me you just.

1:36:19.080 --> 1:36:20.600
<v Speaker 4>Woke me up when you say that. I knew that

1:36:21.360 --> 1:36:23.960
<v Speaker 4>it was always you just brought it to the front to.

1:36:25.640 --> 1:36:32.640
<v Speaker 1>The court today. That's oh, then, just Ryan for to

1:36:32.680 --> 1:36:35.160
<v Speaker 1>know you want to text somebody excluding other people from

1:36:35.200 --> 1:36:37.160
<v Speaker 1>taking over. No, I just want people to be the

1:36:37.280 --> 1:36:40.479
<v Speaker 1>genuine article. That's all I want. I just want people

1:36:40.479 --> 1:36:43.120
<v Speaker 1>to be the genuine article. That's all I asked for it. No,

1:36:43.760 --> 1:36:46.120
<v Speaker 1>it gotta be the he heart he he are. Because

1:36:46.600 --> 1:36:48.840
<v Speaker 1>we don't say rapper. We say rapper, but they say

1:36:49.360 --> 1:36:53.240
<v Speaker 1>rapper puff. That's just a simple way to say nigga.

1:36:53.280 --> 1:36:57.559
<v Speaker 1>Why they don't say liquor brand exec Because.

1:37:00.560 --> 1:37:02.400
<v Speaker 2>A thing is a whole.

1:37:03.360 --> 1:37:05.960
<v Speaker 4>Yeah, I don't say that, that's a whole broader I

1:37:06.080 --> 1:37:09.519
<v Speaker 4>despise the words. So I've I've divorced the word many.

1:37:10.080 --> 1:37:12.280
<v Speaker 1>No, no, not not not not not not not not

1:37:12.479 --> 1:37:14.080
<v Speaker 1>that I don't have that word.

1:37:14.160 --> 1:37:17.400
<v Speaker 4>Like I just saying the hard e R like eight times,

1:37:17.600 --> 1:37:20.559
<v Speaker 4>and every time you say that you smile. That's really

1:37:20.600 --> 1:37:24.519
<v Speaker 4>how he was, Like like he was that therapy or something.

1:37:24.560 --> 1:37:28.120
<v Speaker 4>He was like bigger that that face right there.

1:37:28.439 --> 1:37:35.080
<v Speaker 1>Maybe like you get excitement from saying that ship you

1:37:35.160 --> 1:37:37.920
<v Speaker 1>know what excites me to really realize this is how

1:37:37.960 --> 1:37:41.160
<v Speaker 1>they feel. That's real, bro, I love to see the truth.

1:37:41.479 --> 1:37:44.240
<v Speaker 1>You broke it up now reminded like, oh you're really

1:37:44.360 --> 1:37:49.120
<v Speaker 1>still be on the bush. Woke it up? Nigger Puff Dog.

1:37:51.160 --> 1:37:51.439
<v Speaker 4>Rapper?

1:37:51.520 --> 1:37:53.960
<v Speaker 1>Puff Daddy'd be like, Puff is not a fucking rapper.

1:37:54.040 --> 1:37:55.800
<v Speaker 1>None of us thinks Puff is a rapper.

1:37:55.920 --> 1:37:58.120
<v Speaker 4>Coincidentally, both of them had to have a hard e

1:37:58.320 --> 1:37:59.080
<v Speaker 4>R at the end of them.

1:37:59.160 --> 1:38:02.920
<v Speaker 1>Rapper, you're what I'm telling you, y'all think I'm tripping

1:38:03.000 --> 1:38:07.599
<v Speaker 1>up standard dancer for sure? You got exactly why didn't

1:38:07.640 --> 1:38:11.960
<v Speaker 1>say ex Dancer puff Daddy because dancer don't work as

1:38:12.040 --> 1:38:13.080
<v Speaker 1>good as rapper?

1:38:13.360 --> 1:38:17.559
<v Speaker 2>How about x X dancer puff daddy Dan?

1:38:18.720 --> 1:38:18.880
<v Speaker 4>Yeah?

1:38:19.040 --> 1:38:21.120
<v Speaker 1>Why not dancer puff Daddy?

1:38:21.360 --> 1:38:23.799
<v Speaker 4>Where do y'all find me? What do y'all find these comebacks?

1:38:24.080 --> 1:38:26.000
<v Speaker 1>What do y'all find I'm just saying, Bro.

1:38:27.080 --> 1:38:27.719
<v Speaker 4>It's Friday.

1:38:27.840 --> 1:38:34.559
<v Speaker 1>Bro, I'm just saying, with a hard y producer, puff

1:38:34.640 --> 1:38:37.920
<v Speaker 1>producer puff sound to Phil Spector, you might get yeah,

1:38:37.920 --> 1:38:41.519
<v Speaker 1>you might get off, you might do. Rapper going to jail.

1:38:41.560 --> 1:38:46.200
<v Speaker 1>It's because because it's constantly being said, like it's constantly

1:38:46.680 --> 1:38:47.360
<v Speaker 1>as a jury.

1:38:47.520 --> 1:38:52.240
<v Speaker 2>Ci rapper did that was murder mistake. He should have

1:38:52.400 --> 1:38:56.559
<v Speaker 2>done murder and not the hard r on murder for sure.

1:38:56.600 --> 1:38:58.600
<v Speaker 2>And then oh he took that way too seriously, like,

1:38:58.680 --> 1:39:00.439
<v Speaker 2>oh my god, of course he did it. This blas

1:39:00.720 --> 1:39:01.640
<v Speaker 2>used a hard r.

1:39:01.880 --> 1:39:06.519
<v Speaker 1>He must not be metaphorical murdered. Yes, he did it.

1:39:06.800 --> 1:39:08.400
<v Speaker 2>His name is wanted us to know.

1:39:08.800 --> 1:39:13.960
<v Speaker 1>That's how that's how the white people really feel crazy murder. Yes,

1:39:14.040 --> 1:39:16.120
<v Speaker 1>he murdered somebody murder.

1:39:16.160 --> 1:39:16.640
<v Speaker 4>Why would you?

1:39:16.920 --> 1:39:19.120
<v Speaker 1>Why else would you artistic?

1:39:19.160 --> 1:39:21.120
<v Speaker 2>It would have been a name, but this is literal.

1:39:22.200 --> 1:39:26.800
<v Speaker 1>Hey, why else would you name yourself murder if you

1:39:26.920 --> 1:39:31.640
<v Speaker 1>don't believe in murder? Yeah, nigger puff, that ship's classic

1:39:32.640 --> 1:39:36.200
<v Speaker 1>coach connection. You're right, Miles Davis hated to turn hated

1:39:37.040 --> 1:39:40.559
<v Speaker 1>every time, just like he didn't name it gainst the rap.

1:39:41.080 --> 1:39:44.000
<v Speaker 4>Yeah, he hated them. He didn't name it against the rap.

1:39:44.080 --> 1:39:48.760
<v Speaker 1>But they put a title Gangster rap exact exactly, like

1:39:48.760 --> 1:39:50.880
<v Speaker 1>we gotta make sure it's gangster. Yeah.

1:39:51.840 --> 1:39:55.479
<v Speaker 4>Again the hard e R bro all these The more

1:39:55.520 --> 1:39:58.280
<v Speaker 4>and more you say these words, the more and more

1:39:58.360 --> 1:40:01.439
<v Speaker 4>we revisit these words. That e R just persistent. Is

1:40:01.520 --> 1:40:07.559
<v Speaker 4>this something about that hard e R? Oh nor hard?

1:40:09.360 --> 1:40:10.240
<v Speaker 1>That's a hard song?

1:40:10.400 --> 1:40:11.120
<v Speaker 4>Hard e R?

1:40:12.080 --> 1:40:14.240
<v Speaker 1>As if there's a thousand p diddies running around, they

1:40:14.240 --> 1:40:17.160
<v Speaker 1>don't really have to preface it with rapper exactly. I

1:40:17.200 --> 1:40:21.960
<v Speaker 1>guess another like it's another motherfucker named Diddy, rapper Diddy.

1:40:22.880 --> 1:40:24.760
<v Speaker 1>They love to drop that rapper in front of me.

1:40:25.120 --> 1:40:27.680
<v Speaker 1>A nigga have one song, they'd be like, rapper this bro,

1:40:27.840 --> 1:40:31.000
<v Speaker 1>he is not a rapper, Bro, he has one rap song. Yeah,

1:40:31.560 --> 1:40:35.000
<v Speaker 1>they like rapper. They love that bro.

1:40:36.720 --> 1:40:40.480
<v Speaker 2>Dog woke it up on Vanilla Musical Journeyman.

1:40:41.800 --> 1:40:48.480
<v Speaker 1>Say that entrepreneur, construction builder, former former former rapper.

1:40:50.439 --> 1:40:53.720
<v Speaker 2>Substance rehabilitated, Vanilla Ice business, Mogil.

1:40:53.680 --> 1:40:55.639
<v Speaker 1>Business, the god for that name.

1:40:55.720 --> 1:40:55.800
<v Speaker 3>Bro.

1:40:58.240 --> 1:40:59.000
<v Speaker 4>I'm done bro.

1:41:02.439 --> 1:41:06.680
<v Speaker 1>Oh for sure, he's gifted from here man. So look, man,

1:41:06.720 --> 1:41:08.200
<v Speaker 1>we foul get up out of here. We're gonna wrap

1:41:08.240 --> 1:41:10.479
<v Speaker 1>it up. Click the link in the bio. Make sure

1:41:10.560 --> 1:41:12.720
<v Speaker 1>y'all click the link in the bio. Subscribe to No

1:41:12.960 --> 1:41:17.400
<v Speaker 1>Silings the podcast on Apple Podcasts or anywhere you get

1:41:17.439 --> 1:41:21.960
<v Speaker 1>your podcasts. Executive produced by Charlemagne to God, Lack Effects

1:41:22.080 --> 1:41:26.880
<v Speaker 1>Network and iHeart the Conglomerate. Yes, the iHeart is financing

1:41:26.960 --> 1:41:29.720
<v Speaker 1>me to talk this way so again. Click the link

1:41:29.760 --> 1:41:32.280
<v Speaker 1>in the bio. We back here Monday at noon. Thank

1:41:32.360 --> 1:41:36.639
<v Speaker 1>you trying again, Squishy Squishy one laugh, oh man, Squishy,

1:41:36.720 --> 1:41:39.160
<v Speaker 1>I love you for that. Shout out to Squishy. Y'all

1:41:39.160 --> 1:41:42.719
<v Speaker 1>got me gone laughing. Go on upside, y'all, Combo man, Squishy,

1:41:42.800 --> 1:41:46.080
<v Speaker 1>Thank y'all for that five dollars. That is Hella player,

1:41:47.080 --> 1:41:50.160
<v Speaker 1>that's hell a player. David Jones, this is a Moondock's episode.

1:41:50.280 --> 1:41:54.040
<v Speaker 1>It really is. Bro Absolutely, Ja co did the right thing.

1:41:54.120 --> 1:41:56.360
<v Speaker 1>He's still better than ninety nine percent of the rappers

1:41:56.400 --> 1:41:59.560
<v Speaker 1>out there, and he's still a duck port. He's a

1:41:59.720 --> 1:42:03.720
<v Speaker 1>duck dusts in the chat for J Cole. Ducks at

1:42:03.760 --> 1:42:07.479
<v Speaker 1>the barbecue. When we leave, y'all fill up the chat

1:42:07.560 --> 1:42:08.679
<v Speaker 1>with ducks for J Cole.

1:42:08.760 --> 1:42:11.600
<v Speaker 2>Please, oh Man at the barbecue or we're gonna have

1:42:11.720 --> 1:42:13.280
<v Speaker 2>to have hard r burgers.

1:42:14.439 --> 1:42:18.400
<v Speaker 4>Bugger. We want to bugger a burger, a burger bugger. Yeah,

1:42:18.520 --> 1:42:21.720
<v Speaker 4>oh was the only kind bugger. Please ducks in the

1:42:21.800 --> 1:42:23.439
<v Speaker 4>chat before we get a body. I need ducks in

1:42:23.479 --> 1:42:24.439
<v Speaker 4>the chat. Shout out to me.

1:42:24.960 --> 1:42:27.680
<v Speaker 1>I agree with everything y'all said on today's show. We're

1:42:27.680 --> 1:42:29.840
<v Speaker 1>trying to make sense. DUTs in the chat before we leave.

1:42:30.120 --> 1:42:32.400
<v Speaker 1>Let's get a bunch of fucking ducks in the chat.

1:42:33.800 --> 1:42:36.360
<v Speaker 1>Chat for J Cole. Ducks in the chat for J Cole.

1:42:36.520 --> 1:42:41.280
<v Speaker 1>Super Chat Ducks for J Cole, Ducks. Ducks. Ducks. Makes

1:42:41.520 --> 1:42:44.439
<v Speaker 1>y'all share them ducks. Make sure y'all share the mother

1:42:44.600 --> 1:42:46.840
<v Speaker 1>fucking ducks. That's all I'm saying.

1:42:47.120 --> 1:42:49.960
<v Speaker 4>In the words of the immortal poet still he let

1:42:50.080 --> 1:42:50.599
<v Speaker 4>NOAs down.

1:42:51.360 --> 1:42:59.000
<v Speaker 1>Yeah, we out looking out for tuning into the No

1:42:59.160 --> 1:43:03.120
<v Speaker 1>Sillers podcast. Please do us a favorite, subscribe, rate commentist share.

1:43:03.560 --> 1:43:05.920
<v Speaker 1>This episode was recorded right here on the West coast

1:43:06.000 --> 1:43:08.959
<v Speaker 1>of the USA and produced about the Black Effect Podcast

1:43:09.080 --> 1:43:11.360
<v Speaker 1>Network and Not Heart Radio. Yeah