WEBVTT - #16 - MC Eiht

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<v Speaker 1>That's right, ladies and gentlemen, it is that time. I'm

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<v Speaker 1>trying to remember what episode we're on, Episode number sixteen,

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<v Speaker 1>I believe of the bootleg Head Podcast. Is that terrible

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<v Speaker 1>that I don't even remember what episode we're on? They're

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<v Speaker 1>flying by though, episode sixteen. That is correct. Welcome to

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<v Speaker 1>the bootleg Head Podcast. Just want to say shout out

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<v Speaker 1>to everybody locked in. Man, we are gonna start kind

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<v Speaker 1>of ramping up the quantity of episodes moving forward. There's

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<v Speaker 1>a lot of dope stuff on deck. We got an

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<v Speaker 1>interview with Blast, who's probably the hottest artist out of

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<v Speaker 1>LA We got an interview with Sada Baby, who's from

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<v Speaker 1>Detroit and who was so high off of Leen during

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<v Speaker 1>our interview that I had to cut it short because

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<v Speaker 1>he was falling asleep and it was kind of pointless. Yeah.

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<v Speaker 1>Interesting nonetheless, Also, Action Bronson will be on the podcast

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<v Speaker 1>next week. Bam, bam, He'll be on the podcast. And yeah, man,

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<v Speaker 1>so much stuff going on. I really just want to

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<v Speaker 1>shout out to uh. You know, I'm a I'm a

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<v Speaker 1>I'm a sports gambler and I've just been extremely excited

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<v Speaker 1>that football's back. I just went to Vegas over the

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<v Speaker 1>weekend with my best friend David and uh just watched

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<v Speaker 1>football and got drunk and gambled. It was amazing. It

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<v Speaker 1>was like literally like it was Euphoriak. But I got

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<v Speaker 1>a shout out my Arizona Cardinals for winning me a

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<v Speaker 1>shit ton of money over the weekend. Yeah. I'm trying

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<v Speaker 1>to think of the new hip hop I'm listening to

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<v Speaker 1>right now. I don't know if there's anything new but

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<v Speaker 1>the new Marquel Del Juan and Tony Talk EP that

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<v Speaker 1>just dropped that is actually off of Ready Set, the label,

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<v Speaker 1>which people don't know that's my record label. So shout

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<v Speaker 1>Markel and Tony Chalk. Go support their EP if you

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<v Speaker 1>don't mind. Also, Berner's new project is out. Yeah, there's

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<v Speaker 1>some dope new wrapout, so you know, go dibble and dabble.

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<v Speaker 1>I'm still off that Big Sean and that Conway. Both

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<v Speaker 1>of those albums are still in full rotation for me.

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<v Speaker 1>Shout out to Conway, Shout out to Big Sean. Both

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<v Speaker 1>albums are crazy. This week's episode, we have got a legend,

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<v Speaker 1>a Compton legend MC eight the og. Now, when I

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<v Speaker 1>was a kid man, I remember first kind of hearing

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<v Speaker 1>of MC eight. Obviously, Compton's Most Wanted and his beef

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<v Speaker 1>with DJ Quick. I remember DJ Quick dissing him on

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<v Speaker 1>Safe and Sound saying, ei h T should I continue?

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<v Speaker 1>You left out the G because the G eight in

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<v Speaker 1>you and as a kid, that was kind of how

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<v Speaker 1>I first got super familiar with this guy, but a legend,

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<v Speaker 1>and we had a really dope conversation. He's got a

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<v Speaker 1>new album that's out right now officially that's Dope. Super

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<v Speaker 1>Fire features on their Primos, on their Davies Conway Go

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<v Speaker 1>tap in with his new album. And of course before

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<v Speaker 1>we get to the interview, got a shout out our sponsors.

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<v Speaker 1>to our other sponsor, Vapin. All right, shalute, shalute, shalute

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<v Speaker 1>to the homies at vapin. Vapin is an amazing company

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<v Speaker 1>vapincbd dot com. Let's get to this interview. God damn it, listen.

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<v Speaker 1>MC eight is on the motherfucking podcast. Let's get to it,

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<v Speaker 1>Boutlet Cap Podcast number sixteenth. Come on, we're here with

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<v Speaker 1>the legend right now. Man MC eight was cracking, kid.

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<v Speaker 1>I'm chilling, bro. I gotta tell you. When I was

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<v Speaker 1>a kid, I had a big cousin who had all

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<v Speaker 1>you know, the CD books used to be the shit,

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<v Speaker 1>right right, get all your shit comped his most wanted shit,

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<v Speaker 1>and I kind of got introduced, I want to say,

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<v Speaker 1>as a child, you and quicks Beef was my first

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<v Speaker 1>introduction to like rap beef. Right. I was probably like,

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<v Speaker 1>I don't know, like ten or eleven, and uh, you know,

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<v Speaker 1>you guys had a legendary back and forth. But man,

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<v Speaker 1>it's it's so dope to talk to you. I've obviously

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<v Speaker 1>I've been in LA for like three or four years.

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<v Speaker 1>The first time you met man d Y some d

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<v Speaker 1>you got your new album that How long have you

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<v Speaker 1>been working on this new album? Since I've been working

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<v Speaker 1>on it for about a year and a half, you know,

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<v Speaker 1>just trying to get the right music together, you know,

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<v Speaker 1>try to get a couple of features whatever. You know,

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<v Speaker 1>I don't really be big on features. I just try

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<v Speaker 1>to do what I do. You know, when I start

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<v Speaker 1>recording a project, I usually just go into the studio.

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<v Speaker 1>I get about three four producers, and I just have

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<v Speaker 1>them just send me beat after beat after beat after beat.

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<v Speaker 1>So I might record up to sixty songs, right, and

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<v Speaker 1>then from there, I just you know, being in the

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<v Speaker 1>game a while and having relationships with certain cats, it

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<v Speaker 1>enables me to pick up the phone and be like, hey,

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<v Speaker 1>you know, I need a verse, I need a beat.

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<v Speaker 1>So always Primo, always New York cats, you know, you know,

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<v Speaker 1>I kind of you know, extend their hand as far

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<v Speaker 1>as as far as my, my, my, my, I want

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<v Speaker 1>to say my contribution to hip hop. It's been so long,

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<v Speaker 1>so dude, or just you know, send me versus send

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<v Speaker 1>me beat. So I've been recording this record for about

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<v Speaker 1>a year and a half, and I try to do

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<v Speaker 1>a lot of songs, and then I'll out of the

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<v Speaker 1>sixty songs, I might pick thirty and then I'll send

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<v Speaker 1>them to Primo, and then Primo will be like yeah no, yeah, no,

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<v Speaker 1>yeah no. And then from there, I just basically just

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<v Speaker 1>try to put whatever. It don't even matter on the

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<v Speaker 1>amount of songs I record. If it's twenty songs, we

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<v Speaker 1>put twenty songs out. If it's fifteen, we do fifteen,

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<v Speaker 1>if it's twelve, if it's twenty seven. I mean, I

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<v Speaker 1>just try to do a gang of songs, so at

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<v Speaker 1>least it'll go around the board and have everybody or

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<v Speaker 1>something a little flavor for everybody. You and a Primo,

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<v Speaker 1>give me the roots of your guys' relationship because obviously

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<v Speaker 1>you being from La Primos, you know, originally from Texas,

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<v Speaker 1>but we are associated with New York. Talk about y'all's

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<v Speaker 1>relationship and you know where it started. I started rapping

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<v Speaker 1>the man back in the day days, you know, uh,

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<v Speaker 1>p Roxeal, Smooth, e Z, ice Cube, Tone, Low School

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<v Speaker 1>e D So I was being around for a while.

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<v Speaker 1>So back in my days, record companies was big on

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<v Speaker 1>promotional tours. You had to go out, you had to

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<v Speaker 1>go do end store, sign all the graphs. So around

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<v Speaker 1>the time I first got started, Primo in them had

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<v Speaker 1>first got started with Gangstar, him and Rest in Peace Guru.

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<v Speaker 1>I used to see him a lot on the road

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<v Speaker 1>promo tours, and one of my first major concerts was

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<v Speaker 1>with Gangstar at the Celebrity Theater and oh no, there's

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<v Speaker 1>a Celebrity Theater in Phoenix too. Yeah, it was a

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<v Speaker 1>Celebrity Theater at Anaheim and my first major show was

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<v Speaker 1>Low Profile Wow, Above the Law, Okay CMW and Gang

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<v Speaker 1>Star so that's like such a gigster as West Coast lineup.

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<v Speaker 1>And then Gangstar and the Gang Star so you know,

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<v Speaker 1>they was hot with the Manifest record, so I used

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<v Speaker 1>to bump into him, and a lot of my early gigs,

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<v Speaker 1>you know, when I start touring was with Gangstar, whether

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<v Speaker 1>it was Texas or Chicago, Cleveland. Always used to bump

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<v Speaker 1>into Premo on them, so we got cool like that.

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<v Speaker 1>And then me being signed to Sony. You know, a

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<v Speaker 1>lot of my deals in construction, I had to go

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<v Speaker 1>to New York deal with the suit heeads. So I

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<v Speaker 1>used to call Primo up every time, you know, Premo

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<v Speaker 1>on coming into town. He picked me up from the airport.

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<v Speaker 1>We go to his crew, just hang out like homies,

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<v Speaker 1>and we've kept that relationship over the years. You know.

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<v Speaker 1>He used to remix my records when I was over

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<v Speaker 1>at Sony, over at Epic, so we just kept a connection,

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<v Speaker 1>you know, and Premo used to take me around all

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<v Speaker 1>the shows, the gigs. You know, I got introduced to

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<v Speaker 1>nas early and bust the rhymes and Tretch and a

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<v Speaker 1>lot of them cats Man, we used to just chill.

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<v Speaker 1>So we've built that rapport over the years as too.

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<v Speaker 1>I can hit Primo up man anytime a day, anytime

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<v Speaker 1>a day, night, whatever, and it's it's always a given,

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<v Speaker 1>you know, Premo, I need a beat or sometimes I

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<v Speaker 1>just want them to listen to shit to make sure

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<v Speaker 1>I'm on the right track. Because as a producer, goddamn right,

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<v Speaker 1>he got that ear and being a and you know,

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<v Speaker 1>producing for everybody from me to Jill Scott, jay Z,

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<v Speaker 1>jay Z, Christina Biggie, you know, so he's had that,

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<v Speaker 1>he's had that track record where he has that good ear.

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<v Speaker 1>So me and Primo has been knowing each other for

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<v Speaker 1>a long time and I respect that friendship relationship outside

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<v Speaker 1>of just the music. You know, somebody you would cross

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<v Speaker 1>paths with at a concert or show or whatever, that's

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<v Speaker 1>the best. And yeah, I had one conversation with Primo

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<v Speaker 1>and it was it was the best. It was like

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<v Speaker 1>when you meet your idols, Yeah, and it like they

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<v Speaker 1>don't they don't fuck up, you know, because sometimes you

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<v Speaker 1>meet somebody who you grow up loving and and then

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<v Speaker 1>you meet him and or you interviews is like Dann

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<v Speaker 1>you're disappointed. But with Primo, we just talked hip hop

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<v Speaker 1>and porn stars and all kinds of wild Yeah, yeah,

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<v Speaker 1>that's pre Wo. That's Primo. N Primo can talk you

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<v Speaker 1>around everything, every subject, every anything, you know. And like

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<v Speaker 1>I said, that's from being as being a diverse human

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<v Speaker 1>being that Primo is being and a good nigga. He's

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<v Speaker 1>always been that for sure. Let's go back to kind

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<v Speaker 1>of how you got started, man, Like obviously being from Compton,

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<v Speaker 1>being involved in the gang ship. At what point in

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<v Speaker 1>time did you decide to take hip hop serious and

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<v Speaker 1>realize that it might be like a way out of

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<v Speaker 1>the other ship that was going on. Well, you know,

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<v Speaker 1>like I said, I started in the height of you know,

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<v Speaker 1>not just saying that, you know, gang Bang still exists

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<v Speaker 1>and it's still out there whatever, but I started in

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<v Speaker 1>the height of the area around Iced Tea with Colors

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<v Speaker 1>and NWA and Easy with boys in the hood and

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<v Speaker 1>straight out of Compton, and then Ice Tea was six

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<v Speaker 1>in the morning, King T. You know what I'm saying,

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<v Speaker 1>shout out to the liquid crew man. King T and

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<v Speaker 1>Iced Tea are two guys who don't get enough praise

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<v Speaker 1>for what they did. Definitely my dude, Tila Tela was man.

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<v Speaker 1>I mean every every record that came out from Tela

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<v Speaker 1>in that time was just you know, payback some mother

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<v Speaker 1>and you better bring a gun and all that shit. Man.

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<v Speaker 1>He was the forefront of what everybody could say was

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<v Speaker 1>what started Compton hip hop. No disrespect to my nigga,

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<v Speaker 1>Taddy Ta and mixed Master Spade, but as far as

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<v Speaker 1>records could went, Tila was that dude. So I was

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<v Speaker 1>just a young cat, you know, trying to bang in

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<v Speaker 1>the neighborhood whatever. And Todd was from my neighborhood. Totty

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<v Speaker 1>t shout out Totty T. Todd came out with a

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<v Speaker 1>song called the Battle Round. You know, Battle Around was

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<v Speaker 1>a neighborhood jam, you know, the Daryl Gates police drug

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<v Speaker 1>sales whatever. So that kind of peaked my interest of

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<v Speaker 1>getting into the rap game. And then I took a

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<v Speaker 1>summer vacation, you know, the Mississippi, and my cousin being

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<v Speaker 1>in Mississippi was more East coast in Cline. So that's

0:13:30.960 --> 0:13:34.760
<v Speaker 1>when I start hearing rap music. You get me Eric Bing,

0:13:34.880 --> 0:13:38.720
<v Speaker 1>Rock Him and fucking Utfo and Rock Sanne Shine, Te

0:13:40.080 --> 0:13:44.560
<v Speaker 1>Treacherous Threeses, Grandmaster Flash, so I'm like, oh, shit like

0:13:44.760 --> 0:13:47.280
<v Speaker 1>So it piqued my interests to want to take it

0:13:47.280 --> 0:13:50.640
<v Speaker 1>to a different level as to just going home and

0:13:50.720 --> 0:13:53.760
<v Speaker 1>rapping about the block, because that's what I did. I

0:13:53.800 --> 0:13:56.920
<v Speaker 1>wanted to be a Toddy t or Spade. I wanted

0:13:56.960 --> 0:14:01.199
<v Speaker 1>to rap about tragnu. I want to talk about the

0:14:00.200 --> 0:14:04.280
<v Speaker 1>the police harassment and who we had beef with and

0:14:04.400 --> 0:14:07.400
<v Speaker 1>whatever whatever. But then when I got introduced to like

0:14:07.440 --> 0:14:10.480
<v Speaker 1>I said, rock him and Eric be as president. When

0:14:10.480 --> 0:14:13.440
<v Speaker 1>you hear shit like that or EPMD, you got to chill.

0:14:14.000 --> 0:14:16.560
<v Speaker 1>You start going wild, like it's something else to this

0:14:16.640 --> 0:14:20.720
<v Speaker 1>shit than just speaking on what'd you see exactly. So

0:14:21.040 --> 0:14:23.720
<v Speaker 1>from that I just took the skills and what I've

0:14:23.800 --> 0:14:26.680
<v Speaker 1>learned from the East Coast rappers of learning how to

0:14:26.920 --> 0:14:30.640
<v Speaker 1>put together versus in a perfect song and to rap

0:14:30.680 --> 0:14:35.600
<v Speaker 1>about shit outside of Compton, you know. So that's what

0:14:35.760 --> 0:14:38.480
<v Speaker 1>sparked my real interest and want to turn from just

0:14:38.560 --> 0:14:44.040
<v Speaker 1>a little mixtape or TDK selling talking about we this

0:14:44.200 --> 0:14:46.720
<v Speaker 1>and we that and we bang or this is our hood,

0:14:47.040 --> 0:14:49.280
<v Speaker 1>and it wanted me to take it further. The songs

0:14:49.320 --> 0:14:51.920
<v Speaker 1>like growing up in the Hood or drive by Miss

0:14:52.040 --> 0:14:55.880
<v Speaker 1>Daisy or to get more you know, personal with the rap.

0:14:56.000 --> 0:15:00.320
<v Speaker 1>So it started around when I started listening to East

0:15:00.320 --> 0:15:02.960
<v Speaker 1>Coast Rap. I mean, I mean East Coast Rap was

0:15:02.960 --> 0:15:05.760
<v Speaker 1>big for me, man, real talk. Yeah, I mean I

0:15:05.800 --> 0:15:07.600
<v Speaker 1>think that that was always kind of prevalent in your

0:15:07.640 --> 0:15:11.920
<v Speaker 1>ship like that, because I you know, I mean, even

0:15:11.960 --> 0:15:14.120
<v Speaker 1>if we can fast forward to now, you know, your

0:15:14.160 --> 0:15:18.520
<v Speaker 1>first singles got Conway exactly by Primo definitely. But I

0:15:18.560 --> 0:15:22.240
<v Speaker 1>do think that if you think back to that era

0:15:22.320 --> 0:15:24.880
<v Speaker 1>of like West Coast hip hop, like how even even

0:15:24.920 --> 0:15:27.280
<v Speaker 1>Ice Cube, you know, with America's Most Wanted, which I

0:15:27.320 --> 0:15:30.880
<v Speaker 1>think is his best body of work, was heavily influenced

0:15:30.880 --> 0:15:35.040
<v Speaker 1>by by by by New York with the Bomb Squad

0:15:35.120 --> 0:15:40.200
<v Speaker 1>definitely and Chuck d and all that. What at what

0:15:40.280 --> 0:15:44.320
<v Speaker 1>age did you initially get involved in gang banging? Because

0:15:44.560 --> 0:15:48.000
<v Speaker 1>I do feel like we, like you said, it's it's

0:15:48.000 --> 0:15:51.280
<v Speaker 1>still around, but when you were growing up, it was

0:15:51.400 --> 0:15:55.520
<v Speaker 1>kind of it was it was it was new. I'm

0:15:55.560 --> 0:15:58.240
<v Speaker 1>just saying it was new to the world exactly right,

0:15:58.440 --> 0:16:03.480
<v Speaker 1>exactly like the Cripson blood shit was something that was

0:16:03.520 --> 0:16:06.920
<v Speaker 1>starting to become like a mainstream thing. But now we

0:16:06.960 --> 0:16:09.200
<v Speaker 1>all know what Cripson bloods are, right. I mean, as

0:16:09.240 --> 0:16:11.400
<v Speaker 1>a young kid, I was naive to it. I mean

0:16:11.440 --> 0:16:13.160
<v Speaker 1>I lived in the center of it and didn't know

0:16:13.200 --> 0:16:17.040
<v Speaker 1>shit about it. As a fucking five six seven year

0:16:17.080 --> 0:16:21.280
<v Speaker 1>old kid, all I knew was Saturday morning cartoons, riding

0:16:21.320 --> 0:16:23.640
<v Speaker 1>my bike up and down the street, and not knowing

0:16:23.640 --> 0:16:26.240
<v Speaker 1>that the dudes right down the block was claiming shit

0:16:26.360 --> 0:16:29.560
<v Speaker 1>and selling drugs. And I was naive to it. But

0:16:29.680 --> 0:16:33.640
<v Speaker 1>as you grow and you start seeing and you start

0:16:33.640 --> 0:16:36.920
<v Speaker 1>adapting to your environment, and you seeing the dudes hanging

0:16:37.000 --> 0:16:40.760
<v Speaker 1>on the corners and dudes your age riding around and

0:16:40.920 --> 0:16:45.720
<v Speaker 1>fancy cars and whatever. So my introduction to that was

0:16:45.760 --> 0:16:49.040
<v Speaker 1>around you know, twelve thirteen years old. What year was

0:16:49.080 --> 0:16:52.480
<v Speaker 1>this shit? This had to be like eighty five, eighty six.

0:16:53.040 --> 0:16:56.160
<v Speaker 1>You know, it was treacherous around here. You know, I

0:16:56.320 --> 0:16:58.720
<v Speaker 1>was go I would go to the bus stop, getting

0:16:58.720 --> 0:17:00.560
<v Speaker 1>ready to go to school, and then I start getting

0:17:00.600 --> 0:17:03.200
<v Speaker 1>introduced to nigga sweating you, and shit, I didn't know

0:17:03.240 --> 0:17:05.359
<v Speaker 1>what the fuck that was about it. I'm sitting at

0:17:05.359 --> 0:17:07.119
<v Speaker 1>the bus stop getting ready to go to school, and

0:17:07.160 --> 0:17:09.119
<v Speaker 1>it's like, Nigga, where the fuck are you from and

0:17:09.160 --> 0:17:11.359
<v Speaker 1>what you're doing over here? And while you got that

0:17:11.520 --> 0:17:13.880
<v Speaker 1>on and what you're wearing that hat for? And while

0:17:13.920 --> 0:17:16.800
<v Speaker 1>you got there and I'm looking like, god damn this

0:17:17.040 --> 0:17:20.119
<v Speaker 1>and that was the reality of it. So and as

0:17:20.160 --> 0:17:24.399
<v Speaker 1>at that age, it's funny because before that I dealt

0:17:24.400 --> 0:17:29.159
<v Speaker 1>with none of that. But then once you once you

0:17:29.240 --> 0:17:32.320
<v Speaker 1>hit that age next, it's just like a common thing.

0:17:32.800 --> 0:17:35.720
<v Speaker 1>You either getting sweated or you sweating a motherfucker or

0:17:35.800 --> 0:17:39.040
<v Speaker 1>y'all jumping out on motherfuckers. And that's like I said,

0:17:39.080 --> 0:17:41.520
<v Speaker 1>it was the product of my environment, is what I

0:17:41.560 --> 0:17:46.120
<v Speaker 1>adapted to when I was able to understand and know

0:17:46.200 --> 0:17:48.879
<v Speaker 1>what gang banging was about and trying to grow up

0:17:48.920 --> 0:17:51.719
<v Speaker 1>in a section and trying to protect your section and

0:17:51.800 --> 0:17:55.120
<v Speaker 1>represent and it's about you and the homies and whatever.

0:17:55.280 --> 0:17:58.080
<v Speaker 1>So it was a transition, I think, growing up on

0:17:58.119 --> 0:18:01.720
<v Speaker 1>the West and being in that environment, because if I

0:18:01.800 --> 0:18:03.840
<v Speaker 1>probably grew up somewhere else, it had probably been a

0:18:03.880 --> 0:18:05.880
<v Speaker 1>different thing. Do you think that you're having to deal

0:18:05.920 --> 0:18:08.199
<v Speaker 1>with that shit where people would bang on you or

0:18:08.240 --> 0:18:10.159
<v Speaker 1>sweat you, Like you said, like, did that kind of

0:18:10.200 --> 0:18:12.600
<v Speaker 1>force you to like figure out like I need to

0:18:12.640 --> 0:18:15.919
<v Speaker 1>I need to have something to say, Well, yeah, I

0:18:15.960 --> 0:18:18.800
<v Speaker 1>mean you either gonna get down or lay down at

0:18:18.800 --> 0:18:22.320
<v Speaker 1>that aspect, So it's either you gonna belong you gonna

0:18:22.359 --> 0:18:25.320
<v Speaker 1>belong to something and represent something, or you gonna be

0:18:25.920 --> 0:18:29.239
<v Speaker 1>a motherfucker out there who's probably gonna end up at

0:18:29.280 --> 0:18:31.960
<v Speaker 1>the like belly of the beast because there was no

0:18:32.000 --> 0:18:34.399
<v Speaker 1>saving I don't give a fuck. You could say you

0:18:34.560 --> 0:18:37.320
<v Speaker 1>wasn't from nowhere, and then the motherfucker sweat you harder.

0:18:37.640 --> 0:18:42.280
<v Speaker 1>So it's best to be loan then to not and

0:18:42.320 --> 0:18:44.600
<v Speaker 1>get caught up in the world of bullshit that you

0:18:44.640 --> 0:18:48.800
<v Speaker 1>can't handle. So that was my thing about, you know,

0:18:48.920 --> 0:18:52.479
<v Speaker 1>the gang banging shit and claiming the hood or getting

0:18:52.640 --> 0:18:56.000
<v Speaker 1>corded in or whatever. It was the sense of feeling

0:18:56.119 --> 0:18:59.280
<v Speaker 1>like I belonged and represented, you know what I'm saying.

0:18:59.640 --> 0:19:05.160
<v Speaker 1>And I had fifteen twenty thirty other niggas who was representing,

0:19:05.200 --> 0:19:07.480
<v Speaker 1>and we all for the protection of whatever, and if

0:19:07.600 --> 0:19:10.359
<v Speaker 1>niggas didn't like it, then we handle that accordingly to

0:19:10.440 --> 0:19:12.880
<v Speaker 1>why we did it. But like I said, I think

0:19:12.920 --> 0:19:16.399
<v Speaker 1>it's it's not a choice. It's being in a situation,

0:19:16.600 --> 0:19:19.000
<v Speaker 1>in an environment that we grew up in. It's like,

0:19:19.480 --> 0:19:22.280
<v Speaker 1>that's what you did. Yeah, it's funny because I just

0:19:22.320 --> 0:19:24.920
<v Speaker 1>had this conversation with somebody. I had a cousin who

0:19:25.520 --> 0:19:29.439
<v Speaker 1>did like fifteen years in prison, right right. I have

0:19:29.480 --> 0:19:31.800
<v Speaker 1>two cousins. One of them is half Mexican, half white.

0:19:32.160 --> 0:19:36.240
<v Speaker 1>He's in the Mexican mafia. My other cousin who actually

0:19:36.280 --> 0:19:41.160
<v Speaker 1>passed away in prison recently. Not a racist guy, big

0:19:41.240 --> 0:19:44.280
<v Speaker 1>hip hop head, but literally was in for twenty years

0:19:44.440 --> 0:19:48.360
<v Speaker 1>and he join the Arian Nation. It's a survival thing.

0:19:48.400 --> 0:19:51.840
<v Speaker 1>It's like definitely, it's like you know, I remember he

0:19:51.880 --> 0:19:53.280
<v Speaker 1>got out for a couple of years and I took

0:19:53.359 --> 0:19:55.439
<v Speaker 1>him to a Bust of Rhymes concert and it was

0:19:55.440 --> 0:19:57.320
<v Speaker 1>like the best night of his life. But this motherfucker,

0:19:57.680 --> 0:20:00.639
<v Speaker 1>I like, you gotta wear long sleeve shirts, bruh. But

0:20:00.720 --> 0:20:02.840
<v Speaker 1>like you said, it's like, yo, it's what your It's like,

0:20:02.880 --> 0:20:05.240
<v Speaker 1>you gotta adapt. You have to down and lay down.

0:20:05.320 --> 0:20:07.600
<v Speaker 1>I mean, you have to adapt to certain situations that

0:20:07.640 --> 0:20:10.680
<v Speaker 1>were put in, especially if you want of those young

0:20:11.160 --> 0:20:15.960
<v Speaker 1>young men who grow who grew up or got tossed

0:20:15.960 --> 0:20:19.040
<v Speaker 1>in the situation to where it's either gone. You either

0:20:19.200 --> 0:20:21.960
<v Speaker 1>a part of this and gonna belong, or you're gonna

0:20:22.000 --> 0:20:25.280
<v Speaker 1>represent and you're gonna up. You're gonna uphold this ship

0:20:25.359 --> 0:20:27.040
<v Speaker 1>to the best of your ability, or you're gonna be

0:20:27.119 --> 0:20:28.919
<v Speaker 1>like I said, You're gonna be a sheep to the Lions.

0:20:29.240 --> 0:20:32.320
<v Speaker 1>What are your thoughts on on now? Because I do

0:20:32.359 --> 0:20:36.560
<v Speaker 1>feel like it's just interesting that like there's people who

0:20:36.640 --> 0:20:38.960
<v Speaker 1>move to l A, like artists who moved to LA

0:20:39.080 --> 0:20:42.360
<v Speaker 1>and then you know, all of a sudden they're affiliated

0:20:42.400 --> 0:20:45.320
<v Speaker 1>with certain sets and and and they got big homies

0:20:45.320 --> 0:20:49.560
<v Speaker 1>and I don't know how like you know, there's like

0:20:49.680 --> 0:20:52.040
<v Speaker 1>R and B singers and shit that are like banging

0:20:52.119 --> 0:20:54.119
<v Speaker 1>like hard as fuck, and it's like, wait a minute,

0:20:54.160 --> 0:20:56.720
<v Speaker 1>like you know, like what are your thoughts on kind

0:20:56.760 --> 0:21:02.280
<v Speaker 1>of how how gang banging has evolve currently? Because I

0:21:02.280 --> 0:21:07.320
<v Speaker 1>do feel like there's a lot of there's a lot

0:21:07.400 --> 0:21:10.159
<v Speaker 1>like like there's a lot of faces to certain you know,

0:21:10.320 --> 0:21:13.840
<v Speaker 1>sets that are like that aren't from here. You know

0:21:13.880 --> 0:21:17.000
<v Speaker 1>what I'm saying, Well, I'll take that. I look at

0:21:17.040 --> 0:21:23.879
<v Speaker 1>that as a lot of people get into situations to

0:21:23.920 --> 0:21:29.000
<v Speaker 1>where they feel like it's just like if a dude

0:21:29.160 --> 0:21:31.439
<v Speaker 1>joined the Cup scout so went out and joined the

0:21:31.480 --> 0:21:36.000
<v Speaker 1>football team or whatever. The aspect of that is to

0:21:36.000 --> 0:21:39.199
<v Speaker 1>toughen up or make you seem like, you know, you

0:21:39.320 --> 0:21:42.840
<v Speaker 1>protect it or being something that you ain't. Some dudes

0:21:42.880 --> 0:21:45.639
<v Speaker 1>have to adapt to that situation. Some dudes have to

0:21:45.760 --> 0:21:51.439
<v Speaker 1>feel like you know, that's my that's my foundation of

0:21:51.440 --> 0:21:56.120
<v Speaker 1>what I've seen or what I've wanted to become. If

0:21:56.359 --> 0:21:59.359
<v Speaker 1>for dudes like me who grew up here and first

0:21:59.440 --> 0:22:03.680
<v Speaker 1>hand withinessed Gang Banyon and grew up in it, there

0:22:03.760 --> 0:22:06.879
<v Speaker 1>was a certain way and cold that you belonged or

0:22:06.920 --> 0:22:11.920
<v Speaker 1>you got put on a neighborhood. You know. The New

0:22:12.040 --> 0:22:15.960
<v Speaker 1>Days quote of Gang Banyon is to each his own

0:22:16.440 --> 0:22:18.840
<v Speaker 1>is what I say. It's what is accepted and what

0:22:18.920 --> 0:22:23.480
<v Speaker 1>ain't accepted from whatever gang feels like. This is what

0:22:23.520 --> 0:22:26.120
<v Speaker 1>they do. I mean, I don't know. Sometime it might

0:22:26.119 --> 0:22:29.200
<v Speaker 1>be a popularity contest, or it might be a Hey,

0:22:29.280 --> 0:22:33.399
<v Speaker 1>I've always wanted to be a part. So is it

0:22:33.440 --> 0:22:35.919
<v Speaker 1>a backward step to me? I think it is. But

0:22:36.160 --> 0:22:38.360
<v Speaker 1>like I said, some dudes is to each his own

0:22:38.400 --> 0:22:40.760
<v Speaker 1>and they feel like that they have to have that

0:22:42.160 --> 0:22:46.639
<v Speaker 1>background to make them official. You feel me. So I

0:22:46.680 --> 0:22:49.200
<v Speaker 1>don't really speak on it because then we don't want

0:22:49.200 --> 0:22:52.439
<v Speaker 1>to get entangled in the situation of telling people that

0:22:52.480 --> 0:22:55.640
<v Speaker 1>they not original or whatever. Because if you feel that's you,

0:22:55.760 --> 0:23:00.680
<v Speaker 1>that's you myself. I know the certain codes coming from

0:23:00.720 --> 0:23:04.600
<v Speaker 1>Compton at twelve thirteen years old, knowing what it took

0:23:04.760 --> 0:23:08.320
<v Speaker 1>or what what had to be done to be initiated

0:23:08.359 --> 0:23:12.600
<v Speaker 1>into a game as to nowadays, it's just like, hey,

0:23:12.800 --> 0:23:17.840
<v Speaker 1>you're down, you down show it's lead and it's all good.

0:23:17.960 --> 0:23:20.680
<v Speaker 1>So it's different codes, like I said, at different times.

0:23:20.720 --> 0:23:23.560
<v Speaker 1>I mean, gang banging is commercialized now. Back in my

0:23:23.680 --> 0:23:27.400
<v Speaker 1>days when we didn't glorify it. I mean, people knew

0:23:27.400 --> 0:23:29.760
<v Speaker 1>where we were from where we represented, but there was

0:23:29.800 --> 0:23:33.200
<v Speaker 1>no way in fuck like on the hit yeah it.

0:23:33.840 --> 0:23:37.480
<v Speaker 1>Like I remember when there was the Crips Versus or

0:23:37.560 --> 0:23:40.520
<v Speaker 1>the Cripson Blood's album Banging on Wax right, and I

0:23:40.600 --> 0:23:46.000
<v Speaker 1>was like, wait what, Yeah, it started to become commercialized

0:23:46.080 --> 0:23:51.920
<v Speaker 1>because record labels looked at it as as a promotional

0:23:52.000 --> 0:23:56.000
<v Speaker 1>tool to sell references. I mean, honestly, we couldn't do

0:23:56.040 --> 0:23:58.280
<v Speaker 1>that shit back in my days when I got signed

0:23:58.280 --> 0:24:01.640
<v Speaker 1>to Sony and I was on Epic Records, the home

0:24:01.720 --> 0:24:04.760
<v Speaker 1>of Michael Jackson and shar Day, No way in fuck

0:24:04.800 --> 0:24:08.080
<v Speaker 1>you're finna put bandanas on a video and you're finna

0:24:08.080 --> 0:24:10.480
<v Speaker 1>be on the record talking about you a crip from

0:24:10.520 --> 0:24:12.639
<v Speaker 1>so and so. The way we did it is we

0:24:12.680 --> 0:24:16.400
<v Speaker 1>did it with our color symbolizations. Or niggas will wear

0:24:16.440 --> 0:24:19.240
<v Speaker 1>blue in their videos. The Bloods will wear red and

0:24:19.280 --> 0:24:23.200
<v Speaker 1>they videos and we left it at that. Now that

0:24:23.400 --> 0:24:28.480
<v Speaker 1>record labels see that it's influenced by all shit, So

0:24:28.760 --> 0:24:31.880
<v Speaker 1>he's saying he is. Now you got a million fans

0:24:32.040 --> 0:24:35.000
<v Speaker 1>who buy in this product because he representing what. We're

0:24:35.000 --> 0:24:37.639
<v Speaker 1>not gonna stop that and then claim whatever you want to.

0:24:37.800 --> 0:24:41.200
<v Speaker 1>You want more blue bandanas, you want more red bandannas,

0:24:41.640 --> 0:24:45.520
<v Speaker 1>get them. The more the merrier, because it's now commercialized

0:24:45.600 --> 0:24:49.399
<v Speaker 1>and people ain't scared of the situation no more. Not

0:24:49.480 --> 0:24:52.560
<v Speaker 1>to say gang banging ain't official, but like I said,

0:24:52.680 --> 0:24:56.360
<v Speaker 1>back in our days, motherfuckers have security in the lobbies

0:24:56.359 --> 0:24:58.720
<v Speaker 1>of record labels because they were scared of niggas walking

0:24:58.800 --> 0:25:03.440
<v Speaker 1>in them. You like, bring all your crew in ship,

0:25:03.520 --> 0:25:06.480
<v Speaker 1>you get So it's just the way that motherfuckers have

0:25:06.640 --> 0:25:10.440
<v Speaker 1>monetized it and made it to where we can put

0:25:10.440 --> 0:25:13.600
<v Speaker 1>it on film, you can claim it, and then there

0:25:13.640 --> 0:25:15.639
<v Speaker 1>it is. Fuck it long as we making a dollar

0:25:15.720 --> 0:25:19.520
<v Speaker 1>off of it, we don't. Really, we're not intimidating. Will

0:25:19.520 --> 0:25:22.160
<v Speaker 1>turn the other cheek, will turn the other cheeks. Yes,

0:25:23.000 --> 0:25:25.040
<v Speaker 1>I wanted to ask you about something specific that I

0:25:25.040 --> 0:25:27.199
<v Speaker 1>just wanted to get your take on, and that's the

0:25:27.240 --> 0:25:30.400
<v Speaker 1>six nine situation. He just was out in l A. Yeah,

0:25:30.600 --> 0:25:34.200
<v Speaker 1>for like three or four days obviously, just out here

0:25:34.600 --> 0:25:38.760
<v Speaker 1>being very disrespectful, trolling the ship out of everybody. He

0:25:38.840 --> 0:25:43.920
<v Speaker 1>pulled up to Nipsey's memorial, you know, at the next

0:25:43.960 --> 0:25:49.560
<v Speaker 1>Nipsey store. I had heard, Well, first of all, you know,

0:25:50.920 --> 0:25:52.760
<v Speaker 1>what are your what is your take on like on

0:25:52.840 --> 0:25:55.800
<v Speaker 1>that specific like like him coming out to l A

0:25:55.840 --> 0:25:57.480
<v Speaker 1>and kind of just showing out. I know he's got

0:25:57.720 --> 0:25:59.240
<v Speaker 1>And then I wanted to ask you a follow up?

0:25:59.280 --> 0:26:07.000
<v Speaker 1>Did I just wanted to get your initials. It's expected

0:26:07.720 --> 0:26:21.200
<v Speaker 1>for dudes who are looking for the limelight. Promotional tactic

0:26:21.320 --> 0:26:30.080
<v Speaker 1>and stunts are heavy. Real niggas don't move like bullshit.

0:26:30.200 --> 0:26:35.160
<v Speaker 1>Real niggas move like real niggas move. So that situation,

0:26:35.480 --> 0:26:42.040
<v Speaker 1>to me, is all about numbers. It's all about promotion.

0:26:43.200 --> 0:26:47.000
<v Speaker 1>It's all about controversy, and when you got them three things,

0:26:47.520 --> 0:26:52.040
<v Speaker 1>you'll stay in a motherfucker's mouth all day. Whether it's

0:26:52.119 --> 0:26:56.440
<v Speaker 1>good or bad. They don't give a fuck. I've always

0:26:56.480 --> 0:27:01.320
<v Speaker 1>been told promotion is promotion, whether it's good or bad.

0:27:01.680 --> 0:27:06.119
<v Speaker 1>Motherfuckers is talking about you. Yeah, there's that cliche, bad

0:27:06.160 --> 0:27:13.159
<v Speaker 1>press none none. So So look he comes out and

0:27:13.200 --> 0:27:18.960
<v Speaker 1>he's the talk of the town. Now, nobody's really real

0:27:19.040 --> 0:27:23.119
<v Speaker 1>niggas are not worried about that situation. You got a

0:27:23.160 --> 0:27:29.399
<v Speaker 1>lot of motherfucking people who feel that it's disrespectful whatever whatever.

0:27:29.600 --> 0:27:33.120
<v Speaker 1>But on a real day, he's not gonna do that

0:27:33.200 --> 0:27:36.879
<v Speaker 1>type of shit knowing that it's real niggas standing ground.

0:27:37.160 --> 0:27:39.439
<v Speaker 1>I hear at like seven in the morning. Of course

0:27:39.920 --> 0:27:42.680
<v Speaker 1>you do it. Like I said, it's all publicity, and I,

0:27:42.720 --> 0:27:44.960
<v Speaker 1>like I said, I don't have nothing to say about dude.

0:27:45.200 --> 0:27:47.840
<v Speaker 1>Dude do what he do. He try and make his money,

0:27:47.920 --> 0:27:50.600
<v Speaker 1>that's his thing. It's all about the money. Let's let's

0:27:50.640 --> 0:27:53.680
<v Speaker 1>face it. It's all about the money with certain cats.

0:27:54.200 --> 0:27:58.160
<v Speaker 1>It's not about being you know, lawyer or true or whatever.

0:27:58.560 --> 0:28:01.680
<v Speaker 1>So I don't understand while a lot of motherfuckers are

0:28:01.720 --> 0:28:05.560
<v Speaker 1>tripping off of the cat because it's all been that

0:28:05.960 --> 0:28:11.200
<v Speaker 1>gimmeicky situation from the gate. From the gate, So don't

0:28:11.240 --> 0:28:14.359
<v Speaker 1>be shocked by the antics you give me. It's just

0:28:14.400 --> 0:28:17.040
<v Speaker 1>like a motherfucker who want to promote a movie and

0:28:17.160 --> 0:28:20.960
<v Speaker 1>go downtown and sky dive off of the tallest building

0:28:21.080 --> 0:28:24.679
<v Speaker 1>or tight rope across or anything for promotion. Is to

0:28:24.720 --> 0:28:29.720
<v Speaker 1>keep a motherfucker's name in people's mouths because the quieted

0:28:29.880 --> 0:28:33.400
<v Speaker 1>you are and you don't talk about it, motherfucker gonna

0:28:33.440 --> 0:28:35.760
<v Speaker 1>die away in the wind. So I have to keep

0:28:35.800 --> 0:28:38.360
<v Speaker 1>my name in the public. So you do certain shit,

0:28:38.480 --> 0:28:41.880
<v Speaker 1>you do dumb shit. Yeah, I was gonna say, because

0:28:42.360 --> 0:28:45.800
<v Speaker 1>with someone like him coming to la obviously he's got

0:28:45.800 --> 0:28:49.560
<v Speaker 1>a lot of security. Of course, I'm not sure if

0:28:49.560 --> 0:28:52.200
<v Speaker 1>he had, like had to pay for any protection out

0:28:52.240 --> 0:28:58.440
<v Speaker 1>here or not. But do you think that like a

0:28:58.440 --> 0:29:00.240
<v Speaker 1>lot of people, I know, I've spoken with a lot

0:29:00.240 --> 0:29:03.479
<v Speaker 1>of a lot of homies that are are from out here.

0:29:03.720 --> 0:29:06.160
<v Speaker 1>Who are you know some g's that like like six

0:29:06.320 --> 0:29:08.160
<v Speaker 1>n kind of like do you think he kind of

0:29:08.160 --> 0:29:12.040
<v Speaker 1>cracked the street code or maybe just it? I think

0:29:12.080 --> 0:29:15.640
<v Speaker 1>he's the first person to like do what he's doing openly.

0:29:15.760 --> 0:29:18.920
<v Speaker 1>There's been other snitches that are of course of course people,

0:29:19.320 --> 0:29:21.640
<v Speaker 1>but like for him to be so outward with it,

0:29:21.680 --> 0:29:25.840
<v Speaker 1>do you think he kind of cracked the street code?

0:29:26.240 --> 0:29:29.840
<v Speaker 1>And and do you think that like there's a way

0:29:29.920 --> 0:29:33.760
<v Speaker 1>to move forward where because the snitch thing has always

0:29:33.800 --> 0:29:37.720
<v Speaker 1>been that one code that is the unbreakable thing, right

0:29:38.000 --> 0:29:40.959
<v Speaker 1>and still successful. He's calling people out like I mean,

0:29:41.000 --> 0:29:43.720
<v Speaker 1>it's it's it's it's kind of crazy. But but you

0:29:43.800 --> 0:29:48.160
<v Speaker 1>have to understand the snitch code. The snitch code stands

0:29:48.160 --> 0:29:52.280
<v Speaker 1>for real niggas, right, it only stands for real niggas.

0:29:52.360 --> 0:29:54.440
<v Speaker 1>Being glasses alone talked about that, like if you're like

0:29:54.520 --> 0:29:56.760
<v Speaker 1>a civilian, if you're a if you're not mixed up

0:29:56.800 --> 0:29:59.760
<v Speaker 1>and ship, you should snitch. And then like if if

0:29:59.800 --> 0:30:02.400
<v Speaker 1>something happens to you or you're a normal person, call

0:30:02.440 --> 0:30:06.800
<v Speaker 1>the police. But if you're you know, g Malone, like, Nah,

0:30:06.800 --> 0:30:08.600
<v Speaker 1>I'm not calling the police. I'm gonna handle my shit

0:30:08.640 --> 0:30:10.960
<v Speaker 1>the way I handle my shit because because I this

0:30:11.000 --> 0:30:14.480
<v Speaker 1>is my life, this is exactly your reputation is. Your

0:30:14.480 --> 0:30:16.680
<v Speaker 1>life is at stake and your word is at stake.

0:30:17.160 --> 0:30:24.680
<v Speaker 1>But why are people so like adamant to put the

0:30:24.840 --> 0:30:30.320
<v Speaker 1>snitch jacket on motherfuckers who never was real from the

0:30:30.480 --> 0:30:35.600
<v Speaker 1>first place. That's where you getting shit confused. Don't give

0:30:35.600 --> 0:30:40.160
<v Speaker 1>a fuck it. Stop looking at the money, the chains,

0:30:40.800 --> 0:30:45.080
<v Speaker 1>the fucking streams and all that. Stop looking at that shit.

0:30:45.560 --> 0:30:49.720
<v Speaker 1>A nigga was never real from the gate, So how

0:30:49.760 --> 0:30:53.360
<v Speaker 1>can you put the code of you should follow it?

0:30:53.400 --> 0:30:56.920
<v Speaker 1>Why because a motherfucker was hanging with street niggas and

0:30:57.000 --> 0:30:59.760
<v Speaker 1>because a motherfucker was rapping what and they allowed that

0:30:59.800 --> 0:31:03.560
<v Speaker 1>guy him. I mean, if you're gonna pay a motherfucker,

0:31:03.760 --> 0:31:06.840
<v Speaker 1>then fine, if they gonna you know I and this

0:31:06.880 --> 0:31:12.240
<v Speaker 1>is coming from the niggas. Hell, Yeah, we're gonna let

0:31:12.280 --> 0:31:14.959
<v Speaker 1>that nigga hang around us. If he's kicking up one

0:31:15.040 --> 0:31:18.400
<v Speaker 1>hundred and fifty two hundred grand, we we think we

0:31:18.560 --> 0:31:24.600
<v Speaker 1>not motherfucker, come hang, we benefiting from that's getting paid. Okay.

0:31:24.800 --> 0:31:31.160
<v Speaker 1>But you gotta understand when you put a motherfucker in

0:31:31.160 --> 0:31:35.000
<v Speaker 1>a situation and he's not real from the gate, it's

0:31:35.040 --> 0:31:39.479
<v Speaker 1>gonna backfire. He's gonna tell on you. I mean, are

0:31:39.520 --> 0:31:46.080
<v Speaker 1>you shouldn't be You get me, Just like with with

0:31:46.080 --> 0:31:51.080
<v Speaker 1>with my man George Floyd and the police brutality. Motherfucker's

0:31:51.080 --> 0:31:55.200
<v Speaker 1>been doing that shit forever, okay, And I get it,

0:31:55.280 --> 0:31:57.760
<v Speaker 1>and it's fucked up that my boy had to lose

0:31:57.800 --> 0:32:03.040
<v Speaker 1>his life in that situation. But you shouldn't be surprised.

0:32:04.480 --> 0:32:07.840
<v Speaker 1>And that's what gets me sometimes is when motherfucker's gone,

0:32:07.880 --> 0:32:11.760
<v Speaker 1>oh no, I can't believe it. How you can't? This

0:32:11.800 --> 0:32:14.120
<v Speaker 1>shit just happened last week around the corner, But it

0:32:14.200 --> 0:32:20.880
<v Speaker 1>wasn't onna film. Mo. Fucker's never been real. Never, let

0:32:20.960 --> 0:32:22.960
<v Speaker 1>me tell you some and this has been going on

0:32:23.200 --> 0:32:26.880
<v Speaker 1>since hip hopping money has been around. The more money

0:32:26.960 --> 0:32:30.440
<v Speaker 1>you got, the more fucking courageous you feel. And that

0:32:30.520 --> 0:32:33.280
<v Speaker 1>go with every fucking rapper. I don't give a fuck

0:32:33.640 --> 0:32:36.760
<v Speaker 1>if you're a street rapper, and whether you a real

0:32:36.880 --> 0:32:40.640
<v Speaker 1>motherfucker or you was the point dexter nigga in the crew.

0:32:41.120 --> 0:32:44.320
<v Speaker 1>The minute you get bread in your pocket and chains

0:32:44.440 --> 0:32:47.400
<v Speaker 1>and whatever and you fuck a couple of bitches, you're

0:32:47.400 --> 0:32:50.920
<v Speaker 1>gonna start feeling like mighty man. I'm untouchable. I'm the

0:32:51.000 --> 0:32:53.719
<v Speaker 1>hardest nigg on the block. I'm the hardest nigga. But

0:32:53.760 --> 0:32:57.440
<v Speaker 1>the first time a nigga tests your hardness, you fold.

0:32:57.800 --> 0:33:01.800
<v Speaker 1>You're gonna tell. So we shouldn't be confused by the

0:33:01.960 --> 0:33:07.960
<v Speaker 1>fact of what that situation is. You shouldn't. He's not

0:33:08.520 --> 0:33:12.640
<v Speaker 1>he's not a niggas rapper. He's not my rapper. He's

0:33:12.640 --> 0:33:15.240
<v Speaker 1>not your rapper, he's not whatever. Now he's like thirteen

0:33:15.320 --> 0:33:18.080
<v Speaker 1>year old kids who like TikTok. Thank you. Yeah, Okay,

0:33:18.880 --> 0:33:22.080
<v Speaker 1>don't get it confused, because a lot of motherfuckers are going,

0:33:22.160 --> 0:33:25.320
<v Speaker 1>so what he told? So what that's your kid in

0:33:25.400 --> 0:33:28.160
<v Speaker 1>there vouching for him, because let me tell you, if

0:33:28.160 --> 0:33:31.480
<v Speaker 1>you're a grown ass motherfucker and you banging that shit.

0:33:31.720 --> 0:33:36.760
<v Speaker 1>Something is physically wrong. Something is physically wrong. Now, I

0:33:36.840 --> 0:33:42.960
<v Speaker 1>get it. The little girls, the little the strip club

0:33:43.040 --> 0:33:46.440
<v Speaker 1>girls who dance into his music, and the little kids

0:33:46.480 --> 0:33:49.760
<v Speaker 1>who like the colorful and the hair, and I get it.

0:33:50.680 --> 0:33:54.240
<v Speaker 1>I get it. But let's not be confused for a

0:33:54.320 --> 0:33:59.080
<v Speaker 1>dude like me or a nip or you or whoever.

0:34:00.080 --> 0:34:06.680
<v Speaker 1>It's not my music, So let's not get confused about

0:34:06.720 --> 0:34:10.399
<v Speaker 1>who vouches for my men. You give me a lot

0:34:10.440 --> 0:34:13.440
<v Speaker 1>of youth, a lot of a lot of kids bumped that.

0:34:14.440 --> 0:34:17.040
<v Speaker 1>And that's where you know, because you pick up your

0:34:17.080 --> 0:34:21.320
<v Speaker 1>phone as a fifteen year old kid and go bingo.

0:34:23.320 --> 0:34:26.279
<v Speaker 1>Because me now, as a grown ass man, I'm not

0:34:26.360 --> 0:34:28.919
<v Speaker 1>picking up my phone going I'm finna download this shit

0:34:29.000 --> 0:34:32.000
<v Speaker 1>and bumping in my car. Right, it's for the So

0:34:32.280 --> 0:34:35.239
<v Speaker 1>you you have to you have to understand what the

0:34:35.280 --> 0:34:40.840
<v Speaker 1>situation is. And that's what I say about that. Disrespectful. Yeah,

0:34:41.280 --> 0:34:46.240
<v Speaker 1>but you probably should expect that from those type of motherfuckers.

0:34:46.520 --> 0:34:49.319
<v Speaker 1>You brought out the George Floyd thing you came up

0:34:49.320 --> 0:34:52.440
<v Speaker 1>in La probably at the peak of like the lapd

0:34:52.600 --> 0:34:57.440
<v Speaker 1>being just the worst, right, Obviously, what happened with Ronnie

0:34:57.480 --> 0:35:00.040
<v Speaker 1>King kind of highlighted that on a bigger scale, But

0:35:00.080 --> 0:35:02.319
<v Speaker 1>there was you know, like you said, that happened so

0:35:02.440 --> 0:35:05.880
<v Speaker 1>much that people just didn't see. What are some of

0:35:05.920 --> 0:35:09.480
<v Speaker 1>your experiences growing up in Compton with the police, because

0:35:09.560 --> 0:35:14.680
<v Speaker 1>I just remember watching uh boys in the hood or

0:35:14.760 --> 0:35:18.520
<v Speaker 1>was it a menace? It was menace, but the cops

0:35:18.520 --> 0:35:20.200
<v Speaker 1>were just pieces of ship in there, and I was

0:35:20.440 --> 0:35:24.600
<v Speaker 1>definitely I mean, but ever since the days I could

0:35:24.640 --> 0:35:30.400
<v Speaker 1>remember being a young cat growing up in Compton, it

0:35:30.480 --> 0:35:34.520
<v Speaker 1>was normal. It was normal to the fact that you

0:35:34.800 --> 0:35:38.960
<v Speaker 1>sort of expected it whenever you saw the police hit

0:35:39.000 --> 0:35:42.040
<v Speaker 1>your corner. If we were if we were hanging out

0:35:42.320 --> 0:35:45.440
<v Speaker 1>in the neighborhood at the hood house and chilling and

0:35:45.480 --> 0:35:49.920
<v Speaker 1>the police hit the block nine times out of ten,

0:35:49.920 --> 0:35:52.520
<v Speaker 1>and they finna stop. You're finna be sitting on the

0:35:52.600 --> 0:35:55.239
<v Speaker 1>curve and two or three of you is finna be

0:35:55.239 --> 0:35:58.560
<v Speaker 1>going to jail for who knows what right? And then

0:35:58.960 --> 0:36:01.600
<v Speaker 1>you might get punched up, You might get kicked up,

0:36:01.800 --> 0:36:04.160
<v Speaker 1>you might wompy, won't you get thrown in the car?

0:36:04.320 --> 0:36:06.960
<v Speaker 1>You go down to the holding tank, they hold you

0:36:07.040 --> 0:36:09.000
<v Speaker 1>to two three o'clock in the morning, and they let

0:36:09.040 --> 0:36:13.960
<v Speaker 1>you go it's been going on ever since. You riding

0:36:14.040 --> 0:36:17.800
<v Speaker 1>down Compton Boulevard and you pass them and they coming

0:36:17.840 --> 0:36:20.279
<v Speaker 1>out of parking lot of off another street. As soon

0:36:20.320 --> 0:36:23.799
<v Speaker 1>as you make that eye contact, they finna pull you over.

0:36:24.960 --> 0:36:28.200
<v Speaker 1>Don't know shit, ain't ran a plate, don't know if

0:36:28.239 --> 0:36:31.480
<v Speaker 1>you coming from work or school or whatever matter. If

0:36:31.520 --> 0:36:35.720
<v Speaker 1>you fit the profile of niggas in Compton who gang

0:36:35.840 --> 0:36:40.040
<v Speaker 1>bang from these neighborhoods, we're gonna pull you over. We're

0:36:40.080 --> 0:36:44.040
<v Speaker 1>gonna harass jack, fuck you up, do whatever. And it's

0:36:44.080 --> 0:36:47.560
<v Speaker 1>a daily routine. So we might you might have had

0:36:47.560 --> 0:36:51.640
<v Speaker 1>a billion complaints, but who gave a fuck? You get me,

0:36:51.840 --> 0:36:54.280
<v Speaker 1>who gave a fuck Because we were just young niggas

0:36:54.280 --> 0:36:57.400
<v Speaker 1>in Compton and we were in our own world and

0:36:57.680 --> 0:37:01.439
<v Speaker 1>nobody gave a fuck outside of Compton what Compton PD

0:37:01.680 --> 0:37:04.719
<v Speaker 1>did or whatever. It's something that we lived with and

0:37:04.760 --> 0:37:08.279
<v Speaker 1>we dealt with. Was it wrong? Was it fucked up?

0:37:08.520 --> 0:37:11.200
<v Speaker 1>Of course, but you just accepted it as the normal.

0:37:11.640 --> 0:37:14.960
<v Speaker 1>It's normal. It's just as normal as a motherfucker standing

0:37:15.000 --> 0:37:17.200
<v Speaker 1>outside on this porch and a nigga hitting the block

0:37:17.239 --> 0:37:21.360
<v Speaker 1>to do a drive by. It happens. Look where we had.

0:37:21.920 --> 0:37:24.799
<v Speaker 1>It happens, which we got what we in Compton in

0:37:24.800 --> 0:37:28.280
<v Speaker 1>this small little section and got about thirty different motherfucking gangs,

0:37:28.640 --> 0:37:33.320
<v Speaker 1>niggas banging on every different street block, Park Avenue corner

0:37:33.960 --> 0:37:39.080
<v Speaker 1>on top of that selling drugs. Yeah, so police dealt

0:37:39.120 --> 0:37:43.040
<v Speaker 1>with us, how they dealt with us these everybody banging,

0:37:43.480 --> 0:37:47.520
<v Speaker 1>everybody selling drugs. So we're gonna go from neighborhood to

0:37:47.719 --> 0:37:52.080
<v Speaker 1>neighborhood and we just fucking with niggas. That's what it took.

0:37:52.760 --> 0:37:56.560
<v Speaker 1>Talk about how did you end up becoming involved with

0:37:56.600 --> 0:38:02.000
<v Speaker 1>Minister Society One of the best, you know, just one

0:38:02.040 --> 0:38:04.040
<v Speaker 1>of one of my favorite movies ever, but obviously one

0:38:04.040 --> 0:38:07.080
<v Speaker 1>of the the best, you know, movies that kind of

0:38:07.280 --> 0:38:14.600
<v Speaker 1>depicted exactly we had just came off of Colors, you know,

0:38:14.840 --> 0:38:18.760
<v Speaker 1>Ice Tea Colors and whatever, and then Cube did Boys

0:38:18.800 --> 0:38:22.240
<v Speaker 1>in the Hood. Then they had South Central with Glenn Plummer,

0:38:22.680 --> 0:38:27.880
<v Speaker 1>and then Tupac had went over and did fucking Juice.

0:38:28.320 --> 0:38:31.480
<v Speaker 1>So those movies were going around. So you had two

0:38:31.520 --> 0:38:35.240
<v Speaker 1>young cats out of La the Hughes brothers who wrote

0:38:35.280 --> 0:38:37.920
<v Speaker 1>this movie. You know, they went to film school all that,

0:38:38.600 --> 0:38:41.799
<v Speaker 1>they had did a lot of Tupac's videos. Brenda had

0:38:41.800 --> 0:38:43.640
<v Speaker 1>a baby holler if you hear me a lot of

0:38:43.640 --> 0:38:47.600
<v Speaker 1>his first videos, the Hughes brothers did, so they got

0:38:47.600 --> 0:38:50.840
<v Speaker 1>this script. They took it to New Line. New Line

0:38:51.080 --> 0:38:56.920
<v Speaker 1>liked it. Knewing they had a relationship with Pac. You know,

0:38:57.040 --> 0:39:02.560
<v Speaker 1>they felt like, okay, y'all pop bingo, there's minutes to

0:39:02.680 --> 0:39:06.360
<v Speaker 1>Society and uh, you know, shit happened with Pac whatever.

0:39:06.520 --> 0:39:09.360
<v Speaker 1>He didn't make the film, but it was still a

0:39:09.400 --> 0:39:13.480
<v Speaker 1>good film. Uh. They called me up like, hey, we

0:39:13.520 --> 0:39:15.799
<v Speaker 1>was looking for a character. I think they were trying

0:39:15.800 --> 0:39:19.680
<v Speaker 1>to get Wren to do it too. Soren had read.

0:39:19.960 --> 0:39:23.520
<v Speaker 1>I read for it. I guess they liked it, you

0:39:23.600 --> 0:39:27.000
<v Speaker 1>know my reading. They called me back. I didn't really

0:39:27.080 --> 0:39:29.440
<v Speaker 1>think of it. Like I said, I'm still a niggah

0:39:29.880 --> 0:39:33.520
<v Speaker 1>in the neighborhood. I think I just dropped music to

0:39:33.600 --> 0:39:37.160
<v Speaker 1>drive by. So I was still on my banging shit

0:39:37.320 --> 0:39:39.880
<v Speaker 1>with the music and the records and whatever. So I

0:39:39.920 --> 0:39:43.319
<v Speaker 1>really didn't think nothing about it. And then movies, I'm like,

0:39:43.400 --> 0:39:47.239
<v Speaker 1>that's Cube and Tupac shit. And then Reren was n

0:39:47.400 --> 0:39:50.560
<v Speaker 1>w A, I'm just MC eight from compus most wanted

0:39:51.000 --> 0:39:53.319
<v Speaker 1>I'm here, you know, So I'm like, the niggas ain't

0:39:53.320 --> 0:39:56.400
<v Speaker 1>gonna give me no part. And then my motherfucking manager

0:39:56.480 --> 0:39:59.440
<v Speaker 1>called me one day and say because I was on tour,

0:40:00.080 --> 0:40:01.600
<v Speaker 1>he called me and said, you gotta come back to

0:40:01.719 --> 0:40:04.120
<v Speaker 1>La because they gave you the part. And then that's

0:40:04.160 --> 0:40:07.520
<v Speaker 1>when I met Jada and Tyrant and Lorenz and like

0:40:07.560 --> 0:40:09.560
<v Speaker 1>I said, Pak was there in the first couple of

0:40:09.600 --> 0:40:12.440
<v Speaker 1>reasons because he was still in the movie. So it

0:40:12.560 --> 0:40:16.839
<v Speaker 1>was a good career lifter for me, and for the

0:40:16.880 --> 0:40:20.960
<v Speaker 1>fact that it dealt with actual shit that was going

0:40:21.000 --> 0:40:25.799
<v Speaker 1>on in La Compton. So I think that movie kind

0:40:25.800 --> 0:40:30.000
<v Speaker 1>of generated a following to where it was a good

0:40:30.080 --> 0:40:32.640
<v Speaker 1>coat classic because it really showed what was going on

0:40:32.760 --> 0:40:35.640
<v Speaker 1>niggas in the projects or whatever. And then for me,

0:40:36.320 --> 0:40:40.719
<v Speaker 1>who had been in similar situations, it just kind of

0:40:40.960 --> 0:40:43.320
<v Speaker 1>it just kind of kind of meshed, you know what

0:40:43.360 --> 0:40:47.719
<v Speaker 1>I'm saying. Yeah, it's crazy too because obviously your role

0:40:47.719 --> 0:40:50.600
<v Speaker 1>in that movie was kind of like the down ass

0:40:50.600 --> 0:40:54.879
<v Speaker 1>big homie. Yeah, the motherfucker who doesn't been there, don't

0:40:54.880 --> 0:40:56.920
<v Speaker 1>seen it. I dodnet been in and out of jail.

0:40:57.040 --> 0:40:59.640
<v Speaker 1>I done grew up in the neighborhood, so I know

0:40:59.800 --> 0:41:03.919
<v Speaker 1>that shit to get in and not into. And it's

0:41:04.000 --> 0:41:06.880
<v Speaker 1>just like any any niggas neighborhood who grow up and

0:41:06.880 --> 0:41:10.360
<v Speaker 1>who's claiming the neighborhood. You always got that one motherfucker

0:41:10.719 --> 0:41:13.319
<v Speaker 1>that's been through a lot of shit and who could

0:41:13.320 --> 0:41:15.680
<v Speaker 1>tell you a lot of shit about being from the

0:41:15.760 --> 0:41:20.120
<v Speaker 1>neighborhood and representing and whatnot in the pitfalls of it.

0:41:20.239 --> 0:41:23.120
<v Speaker 1>So a lot of people don't know Tupac's original like, like,

0:41:24.120 --> 0:41:27.160
<v Speaker 1>you know, suppose supposed to be involvement in that movie.

0:41:27.280 --> 0:41:29.480
<v Speaker 1>What was like he was supposed to be in the movie.

0:41:29.480 --> 0:41:35.680
<v Speaker 1>Originally Tupac was supposed to play Sharif. Okay, so my

0:41:35.760 --> 0:41:39.080
<v Speaker 1>boy Vonte Sweet ended up playing them. But that's the

0:41:39.200 --> 0:41:43.600
<v Speaker 1>role that they wanted him to play. And he didn't,

0:41:44.239 --> 0:41:48.160
<v Speaker 1>you know, POC coming off of Juice and Poetic Justice

0:41:48.280 --> 0:41:51.360
<v Speaker 1>and then you know his records or whatever, he was

0:41:51.360 --> 0:41:54.759
<v Speaker 1>a very vocal, you know, up front motherfucker. Pop was

0:41:55.040 --> 0:41:57.480
<v Speaker 1>wasn't the type of nigga to play the back role

0:41:57.920 --> 0:42:02.319
<v Speaker 1>or to play to just innocent bystand or the conservative nigga.

0:42:02.400 --> 0:42:05.680
<v Speaker 1>He was the forefront and he wanted to express that.

0:42:06.080 --> 0:42:10.920
<v Speaker 1>So he wanted to kind of express why he was

0:42:11.040 --> 0:42:15.600
<v Speaker 1>being the Muslim kid or the one the voice of reason.

0:42:16.200 --> 0:42:19.360
<v Speaker 1>He wanted to depict that and show why. And I

0:42:19.400 --> 0:42:22.840
<v Speaker 1>don't think they wanted to show that, and that's what

0:42:23.000 --> 0:42:26.320
<v Speaker 1>made the movie for his situation kind of fall apart,

0:42:26.400 --> 0:42:29.040
<v Speaker 1>because you know, Pak's very adamant. I don't give a fuck.

0:42:29.480 --> 0:42:33.320
<v Speaker 1>I need motherfuckers to know why I turned into the

0:42:35.440 --> 0:42:37.920
<v Speaker 1>well I do kill a bunch of niggas or somebody

0:42:38.040 --> 0:42:40.520
<v Speaker 1>killed my mama and I went chopped they head off

0:42:40.520 --> 0:42:43.799
<v Speaker 1>of some shit show why I'm this person now? And

0:42:43.840 --> 0:42:45.759
<v Speaker 1>they didn't want to do it, so it kind of

0:42:45.840 --> 0:42:49.560
<v Speaker 1>went to a bumping head situation to where you know,

0:42:49.840 --> 0:42:52.440
<v Speaker 1>everybody know what happened with him and the Huge brothers,

0:42:52.520 --> 0:42:55.759
<v Speaker 1>and that was the result of the bumping heads at

0:42:55.760 --> 0:42:59.879
<v Speaker 1>the fucking table. Did you and Poc have a solid relationship?

0:43:00.040 --> 0:43:01.840
<v Speaker 1>I was cool with Pap. We did a couple of

0:43:01.840 --> 0:43:05.720
<v Speaker 1>shows together. You know, he used to bang my records

0:43:05.719 --> 0:43:08.759
<v Speaker 1>when he was, you know, locked up, So we had

0:43:08.760 --> 0:43:11.279
<v Speaker 1>a relationship to where when we saw each other it

0:43:11.320 --> 0:43:14.560
<v Speaker 1>was mutual respect. You feel me, yo, You you know

0:43:14.600 --> 0:43:17.239
<v Speaker 1>what Compton's most wanted music to drive By obviously a

0:43:17.280 --> 0:43:21.080
<v Speaker 1>West Coast classic. Talk about like, I feel like there

0:43:21.160 --> 0:43:25.719
<v Speaker 1>was the culture of the drive By shooting back then, right,

0:43:25.880 --> 0:43:28.640
<v Speaker 1>I feel like that's something that really became prevalent in

0:43:28.760 --> 0:43:31.880
<v Speaker 1>La and oh definitely was related to directly related to

0:43:31.920 --> 0:43:33.800
<v Speaker 1>the gang shit that was going on during that time.

0:43:34.680 --> 0:43:36.919
<v Speaker 1>Do you remember like when that started to become something

0:43:36.960 --> 0:43:41.280
<v Speaker 1>to really worry about, because I'm assuming it it became

0:43:41.440 --> 0:43:43.279
<v Speaker 1>like it seemed like at a certain point in time,

0:43:43.280 --> 0:43:45.200
<v Speaker 1>it was just kind of the normal, right like yeah,

0:43:45.680 --> 0:43:48.719
<v Speaker 1>like you said earlier, it was kind of between Like

0:43:48.920 --> 0:43:52.680
<v Speaker 1>for me, I I just know that in between the

0:43:52.840 --> 0:43:59.520
<v Speaker 1>period of like eighty nine and like ninety three, niggas

0:43:59.560 --> 0:44:05.319
<v Speaker 1>was game hard, like hard hard like even before then,

0:44:05.400 --> 0:44:08.400
<v Speaker 1>if you want to say, like eighty seven eighty six,

0:44:09.560 --> 0:44:13.200
<v Speaker 1>everybody was gang and it was rough gang banging, like

0:44:13.640 --> 0:44:16.920
<v Speaker 1>it wasn't like, oh okay, now you'll see crips and

0:44:16.960 --> 0:44:20.160
<v Speaker 1>bloods in the same place, shaking hands, getting money together.

0:44:20.680 --> 0:44:23.400
<v Speaker 1>And not that niggas wasn't doing it. Back then. You

0:44:23.440 --> 0:44:26.640
<v Speaker 1>had certain niggas who could do that. You had certain

0:44:26.760 --> 0:44:30.879
<v Speaker 1>OG's who could maybe pull up in a blood neighborhood

0:44:30.920 --> 0:44:33.920
<v Speaker 1>and get out and talk to niggas like that. But

0:44:34.760 --> 0:44:38.839
<v Speaker 1>for me, niggas was on the kill war path back then.

0:44:39.239 --> 0:44:44.919
<v Speaker 1>So drive bys was real heavy around that time, like shit,

0:44:45.000 --> 0:44:48.680
<v Speaker 1>maybe every other day niggas was getting smoked. And then

0:44:48.880 --> 0:44:52.360
<v Speaker 1>everybody had pistols back in. Niggas is breaking in the

0:44:52.440 --> 0:44:57.320
<v Speaker 1>gun shops and surtpluses instilling. Especially when the raid happened,

0:44:57.520 --> 0:45:00.760
<v Speaker 1>Niggas is breaking in the surtplus stores and dealing guns.

0:45:00.760 --> 0:45:07.359
<v Speaker 1>So now everybody weapons, and when everybody got guns, I'm

0:45:07.400 --> 0:45:09.800
<v Speaker 1>talking about it. Don't even need to motherfucker do a

0:45:09.880 --> 0:45:12.200
<v Speaker 1>drive by by itself. And I've known a lot of

0:45:12.280 --> 0:45:14.480
<v Speaker 1>niggas who do it. Fuck it, I think I'm getting

0:45:14.480 --> 0:45:15.960
<v Speaker 1>in my car at night and going to hit them

0:45:16.040 --> 0:45:19.239
<v Speaker 1>niggas like it was. It was just not to say

0:45:19.280 --> 0:45:22.560
<v Speaker 1>it was the thing, but it was happening to where

0:45:23.320 --> 0:45:26.760
<v Speaker 1>mama's was sleeping on the floors and putting their kids

0:45:26.800 --> 0:45:31.439
<v Speaker 1>on the floors at night because guaranteed somebody's getting drawn

0:45:31.800 --> 0:45:37.400
<v Speaker 1>somebody coming through tonight, definitely, And it was a you know,

0:45:37.480 --> 0:45:40.160
<v Speaker 1>niggas didn't just shoot up innocently. But like I said,

0:45:40.719 --> 0:45:44.520
<v Speaker 1>drive bys was very heavy around that time. I think too,

0:45:44.600 --> 0:45:46.920
<v Speaker 1>something from the outside looking in. If someone's watching this

0:45:47.000 --> 0:45:48.640
<v Speaker 1>that isn't from LA and doesn't understand the way that

0:45:48.800 --> 0:45:52.680
<v Speaker 1>LA politics work. A lot of people just always associate

0:45:52.760 --> 0:45:55.879
<v Speaker 1>crips and bloods is beefing right, right, But it's more

0:45:55.880 --> 0:45:59.319
<v Speaker 1>of a neighborhood thing. Yeah, I mean because there's there's

0:45:59.400 --> 0:46:02.240
<v Speaker 1>crip sets beef with each other. Yeah, you got crips.

0:46:02.239 --> 0:46:05.640
<v Speaker 1>And then especially if you have large sets, you know,

0:46:06.400 --> 0:46:09.280
<v Speaker 1>especially if you have large crip sets who have multiple

0:46:09.360 --> 0:46:13.080
<v Speaker 1>streets and multiple blocks, so you know, you got crips

0:46:13.080 --> 0:46:15.520
<v Speaker 1>from this block who might not get along with the

0:46:15.600 --> 0:46:19.000
<v Speaker 1>crips ten blocks down, even though they're all from the

0:46:19.040 --> 0:46:23.720
<v Speaker 1>same neighborhood. I mean even even where I represent it from,

0:46:24.640 --> 0:46:28.160
<v Speaker 1>there were different streets. You had this, you had thick Coradon,

0:46:28.280 --> 0:46:30.760
<v Speaker 1>you had one hundred and fifty third, you had bar Clay,

0:46:30.920 --> 0:46:34.839
<v Speaker 1>you had Taper. All these streets are in one neighborhood,

0:46:35.360 --> 0:46:40.359
<v Speaker 1>but different crews hang on these different streets, so you

0:46:40.400 --> 0:46:43.360
<v Speaker 1>could have beef with a nigga from across the street

0:46:43.520 --> 0:46:46.680
<v Speaker 1>who's from your same neighborhood. A lot of that went on.

0:46:46.719 --> 0:46:49.120
<v Speaker 1>Then you had crips who beefed with crips, you know,

0:46:49.560 --> 0:46:53.000
<v Speaker 1>crip sets who beef with other crip sets and so on.

0:46:53.160 --> 0:46:55.319
<v Speaker 1>So how big of a deal was it? Because I know,

0:46:55.680 --> 0:46:58.560
<v Speaker 1>you know, when Nipsey died, it just it really fucked man,

0:46:58.600 --> 0:47:01.080
<v Speaker 1>fucked me up. I'm gon Nippur. Since so nine and

0:47:01.719 --> 0:47:07.000
<v Speaker 1>you know, but when he passed away, big U had

0:47:07.080 --> 0:47:09.839
<v Speaker 1>kind of helped put together that day of unification where

0:47:09.840 --> 0:47:14.520
<v Speaker 1>everybody pulled up, you know, on that intersection, and it

0:47:14.680 --> 0:47:19.480
<v Speaker 1>was like it was I didn't realize the significance of

0:47:19.520 --> 0:47:21.160
<v Speaker 1>how big of a deal it was that a lot

0:47:21.239 --> 0:47:23.239
<v Speaker 1>of those people were in the same place in a

0:47:23.280 --> 0:47:25.640
<v Speaker 1>peaceful manner because a lot of a lot of neighborhoods

0:47:25.680 --> 0:47:29.640
<v Speaker 1>beef and have been beefing for decades, like and I

0:47:29.800 --> 0:47:32.880
<v Speaker 1>put it to the motherfucking analysis of the hat Fields

0:47:32.920 --> 0:47:36.000
<v Speaker 1>and the McCoy's right, you go, you got niggas who

0:47:36.280 --> 0:47:38.840
<v Speaker 1>was beefing before you was even born. So it's that

0:47:39.000 --> 0:47:43.680
<v Speaker 1>tradition of beefing. And it's just like, damn y'all was

0:47:43.840 --> 0:47:46.960
<v Speaker 1>standing in the same spot as them niggas. Y'all ain't

0:47:47.040 --> 0:47:51.040
<v Speaker 1>killing them niggas for decades, you get me, and vice versa.

0:47:51.680 --> 0:47:58.640
<v Speaker 1>So that basically Nips pass and sort of represented trying

0:47:58.680 --> 0:48:03.320
<v Speaker 1>to unify a right niggas on the aspect of not

0:48:03.719 --> 0:48:06.239
<v Speaker 1>just are you from over here, I'm from over here.

0:48:06.520 --> 0:48:10.080
<v Speaker 1>Fuck you, fuck you? You know it kind of it

0:48:10.280 --> 0:48:12.800
<v Speaker 1>kind of led to the to the place of trying

0:48:12.920 --> 0:48:17.840
<v Speaker 1>to show that niggas don't have to kill niggas just

0:48:18.000 --> 0:48:23.040
<v Speaker 1>over bullshit. I get it. Y'all represent there, we represent here.

0:48:23.760 --> 0:48:29.239
<v Speaker 1>But this was a dude who basically tried to fuck

0:48:29.280 --> 0:48:32.080
<v Speaker 1>with everybody, whether it was crip, whether it was blood,

0:48:32.160 --> 0:48:35.239
<v Speaker 1>whether you was from the enemy neighborhood from fifteen years ago,

0:48:35.440 --> 0:48:39.400
<v Speaker 1>or whether whatever. I tried to fuck with everyone. So

0:48:39.760 --> 0:48:42.640
<v Speaker 1>that's to me what that represent as far as big

0:48:42.760 --> 0:48:46.200
<v Speaker 1>you and nipping them and him passing and everybody trying

0:48:46.239 --> 0:48:50.400
<v Speaker 1>to show unification together, it was to show that the

0:48:50.520 --> 0:48:54.359
<v Speaker 1>outside world sees is just vicious motherfuckers, gang banging ass

0:48:54.480 --> 0:48:58.600
<v Speaker 1>vicious drive by killing motherfuckers, and it's bigger than that,

0:48:58.920 --> 0:49:03.320
<v Speaker 1>or it's what it's beyond. So coming together shows people

0:49:03.840 --> 0:49:08.480
<v Speaker 1>that these motherfuckers that y'all look at as these vicious

0:49:08.560 --> 0:49:12.720
<v Speaker 1>motherfuckers can can set aside their beasts from long standing.

0:49:12.800 --> 0:49:15.320
<v Speaker 1>And some niggas might not even know why we beef.

0:49:15.600 --> 0:49:18.400
<v Speaker 1>You get me. I just started gaging backing, and I

0:49:18.560 --> 0:49:21.520
<v Speaker 1>know we hate them niggas over there. I'm not old

0:49:21.680 --> 0:49:24.480
<v Speaker 1>enough to know what we beefing about. But all I

0:49:24.640 --> 0:49:27.040
<v Speaker 1>know is the minute I started claiming over here, we

0:49:27.239 --> 0:49:30.080
<v Speaker 1>cross out them niggas and we say fuck them and

0:49:30.239 --> 0:49:34.000
<v Speaker 1>the funny thing about it is six years ago, I

0:49:34.120 --> 0:49:37.080
<v Speaker 1>was in the same class as that motherfucker nigga. We

0:49:37.239 --> 0:49:41.680
<v Speaker 1>was playing kickball together outside and whatever. So it just

0:49:41.800 --> 0:49:45.319
<v Speaker 1>showed that we can set aside bullshit for a mother

0:49:45.600 --> 0:49:51.160
<v Speaker 1>for my nigga who was already on that aspect, like

0:49:51.360 --> 0:49:53.920
<v Speaker 1>I got. I know where I'm from, but I got

0:49:54.000 --> 0:49:56.359
<v Speaker 1>no problem with you, my nigga. If you ain't got

0:49:56.400 --> 0:49:58.799
<v Speaker 1>no problem with me. I understand what happened back then,

0:49:59.280 --> 0:50:01.320
<v Speaker 1>and I would never to live that ship down and

0:50:01.400 --> 0:50:05.799
<v Speaker 1>I will always know where I come from. But motherfucker,

0:50:05.840 --> 0:50:08.200
<v Speaker 1>if you want to give me on the song your blood,

0:50:08.280 --> 0:50:10.719
<v Speaker 1>hell yeah, let's do it right. You want me, you

0:50:10.800 --> 0:50:12.560
<v Speaker 1>want to beat from me, or want me to come

0:50:12.600 --> 0:50:14.600
<v Speaker 1>to your video, or we know how to get money,

0:50:14.760 --> 0:50:17.160
<v Speaker 1>or we can do this together. Man, that's gonna be

0:50:17.239 --> 0:50:18.920
<v Speaker 1>better for you and me in the long run. You

0:50:19.040 --> 0:50:23.840
<v Speaker 1>give me talk about a lot of newer rap fans

0:50:24.400 --> 0:50:25.800
<v Speaker 1>might have just heard you for the first time on

0:50:25.920 --> 0:50:28.080
<v Speaker 1>Good Kid, Mad City Right, which is one of the

0:50:28.120 --> 0:50:31.160
<v Speaker 1>greatest hip hop albums ever. Shout out to Kendrick, Shout

0:50:31.200 --> 0:50:33.160
<v Speaker 1>out to Shout out to Kendrick, Shout out to Kendrick,

0:50:33.239 --> 0:50:37.520
<v Speaker 1>Shout out the top Dog Dre. Just that that record

0:50:37.719 --> 0:50:39.640
<v Speaker 1>is like just the way it switches up and then

0:50:39.680 --> 0:50:42.120
<v Speaker 1>you come in it's like, oh yeah, that was that man.

0:50:42.200 --> 0:50:44.080
<v Speaker 1>That was probably one of the things that was probably

0:50:44.120 --> 0:50:47.759
<v Speaker 1>one of the best, you know, guest appearances I've done,

0:50:47.920 --> 0:50:53.600
<v Speaker 1>or working with Kendrick, because my dude know what he wanted,

0:50:53.920 --> 0:50:56.920
<v Speaker 1>he ad, he sees his vision, he sees his direction,

0:50:57.800 --> 0:51:00.080
<v Speaker 1>and he came about it a different approach than what

0:51:00.200 --> 0:51:02.880
<v Speaker 1>we usually used to as far as West Coast artists

0:51:03.080 --> 0:51:07.680
<v Speaker 1>who come from that situation, you know, poverty, you know,

0:51:07.920 --> 0:51:13.360
<v Speaker 1>gang banging. We usually turn out the cmw's, the NWA's,

0:51:13.560 --> 0:51:19.359
<v Speaker 1>the cubes, the whatever, and he was able to take

0:51:19.400 --> 0:51:22.200
<v Speaker 1>it to a different level, almost like from the perspective

0:51:22.239 --> 0:51:24.040
<v Speaker 1>of the kid who grows up in that I grew

0:51:24.120 --> 0:51:27.879
<v Speaker 1>up everybody know anything around me. Everybody's selling dope, my brother,

0:51:28.000 --> 0:51:31.919
<v Speaker 1>my uncle mat shit, and I am the straightforward kid.

0:51:32.160 --> 0:51:36.560
<v Speaker 1>But I'm still here so I get to witness everything.

0:51:36.719 --> 0:51:39.200
<v Speaker 1>Not that I'm a part of it, because even though

0:51:39.560 --> 0:51:42.200
<v Speaker 1>I don't have to say it, they gonna protect me

0:51:42.440 --> 0:51:45.120
<v Speaker 1>or they gonna affiliate me with over here or whatever.

0:51:45.640 --> 0:51:47.839
<v Speaker 1>But I'm just a kid on the straight path who

0:51:47.960 --> 0:51:51.000
<v Speaker 1>see the pitfalls and I'm trying to avoid that. So

0:51:51.920 --> 0:51:53.759
<v Speaker 1>soon as I hooked up with him, he knew what

0:51:53.880 --> 0:51:56.000
<v Speaker 1>he wanted, he knew where he wanted to go. How

0:51:56.080 --> 0:51:57.960
<v Speaker 1>I wonder he was telling me, shit, I want you

0:51:58.040 --> 0:51:59.520
<v Speaker 1>to do this, I want you to do this, I

0:51:59.640 --> 0:52:01.680
<v Speaker 1>want you to do that, and you gotta respect the

0:52:01.760 --> 0:52:04.440
<v Speaker 1>motherfucker like that. He didn't come into the game playing

0:52:04.520 --> 0:52:06.560
<v Speaker 1>with nothing. I'm not gonna play around with this shit.

0:52:06.920 --> 0:52:09.200
<v Speaker 1>Were you like aware, because obviously at that point in time,

0:52:09.280 --> 0:52:12.320
<v Speaker 1>Kendrick was definitely buzzing Drea. He a Section eighty already

0:52:12.320 --> 0:52:14.160
<v Speaker 1>came out. I wasn't aware of Kendrick at all, So

0:52:14.280 --> 0:52:16.920
<v Speaker 1>you weren't aware of like the magnitude of like, yo,

0:52:17.040 --> 0:52:23.080
<v Speaker 1>this shit is. I started fucking with Kendrick because my

0:52:23.280 --> 0:52:27.520
<v Speaker 1>son's sister knew of him, and she called me and

0:52:27.680 --> 0:52:29.759
<v Speaker 1>said they were trying to get in contact with me.

0:52:30.120 --> 0:52:32.600
<v Speaker 1>I didn't know anything about Kendrick. I didn't know about

0:52:32.640 --> 0:52:34.560
<v Speaker 1>Section eighty, none of that of that shit. And it

0:52:34.680 --> 0:52:37.920
<v Speaker 1>was just like, I mean, my son's sister called me

0:52:38.080 --> 0:52:41.960
<v Speaker 1>and said, eight, this guy named Kendrick, he's messing with

0:52:42.120 --> 0:52:44.600
<v Speaker 1>Dre blah blah blah. They want to get you on

0:52:44.680 --> 0:52:47.239
<v Speaker 1>the song, and I was like, yeah, okay, what was

0:52:47.320 --> 0:52:51.160
<v Speaker 1>it that did, because you know, there's so many iconograppers

0:52:51.239 --> 0:52:53.120
<v Speaker 1>from Compton, but I thought it was so dope that

0:52:53.200 --> 0:52:57.080
<v Speaker 1>he put you on that record because it wasn't like expected,

0:52:57.440 --> 0:52:59.560
<v Speaker 1>and it was very like I'm pretty sure it wasn't

0:52:59.600 --> 0:53:02.719
<v Speaker 1>expected from anyone. I remember I saw that. I was like,

0:53:02.800 --> 0:53:06.280
<v Speaker 1>oh shit, this got MC eight on the fucking album

0:53:06.360 --> 0:53:10.480
<v Speaker 1>about Copton, like Jesus Christ. Like I said, I didn't even,

0:53:11.200 --> 0:53:15.359
<v Speaker 1>I didn't even I put nothing to it when I came.

0:53:15.400 --> 0:53:17.400
<v Speaker 1>When I showed up at the studio, I mean, we

0:53:17.520 --> 0:53:21.120
<v Speaker 1>recorded the song in Carson, right at the spot. So

0:53:21.760 --> 0:53:24.400
<v Speaker 1>I just looked at it as my niggas one of

0:53:24.440 --> 0:53:28.439
<v Speaker 1>these up and coming rappers. He got skills and blah blah.

0:53:28.840 --> 0:53:32.880
<v Speaker 1>And then I think the minute after I recorded the song,

0:53:33.680 --> 0:53:38.440
<v Speaker 1>I went home that night and then everything was Kendrick, Kendrick, Kendrick,

0:53:39.160 --> 0:53:42.200
<v Speaker 1>whoa damn. I'm like, oh, he signed to Dre and

0:53:42.400 --> 0:53:45.480
<v Speaker 1>kunti wom And then next day, you know, Aftermath hit

0:53:45.640 --> 0:53:49.000
<v Speaker 1>me and Top Dog and Punch and niggas was like hey,

0:53:49.680 --> 0:53:51.560
<v Speaker 1>and I was like, they was like, you know, you

0:53:51.680 --> 0:53:54.560
<v Speaker 1>the only motherfucker who got to be on the record.

0:53:54.760 --> 0:53:57.600
<v Speaker 1>You Drake, and I think Mary J. That was it.

0:53:58.120 --> 0:54:00.440
<v Speaker 1>They didn't let anybody else on the record, so I

0:54:00.600 --> 0:54:03.840
<v Speaker 1>was like, whoa, okay, so good look. That's why I

0:54:03.880 --> 0:54:08.080
<v Speaker 1>said good looking Drake td all that, because he could

0:54:08.120 --> 0:54:11.320
<v Speaker 1>have chose anybody, especially with Dre behind him. You know,

0:54:11.480 --> 0:54:14.880
<v Speaker 1>Dre would be like, I don't want that motherfucker. Wont that.

0:54:15.040 --> 0:54:18.600
<v Speaker 1>But when they said Dre said fuck it cool. I

0:54:18.760 --> 0:54:21.319
<v Speaker 1>just looked at it as they looked at it, as

0:54:22.520 --> 0:54:26.840
<v Speaker 1>I was a nigga coming from Compton who my whole career,

0:54:27.440 --> 0:54:30.080
<v Speaker 1>I was just one path. I didn't try to go here,

0:54:30.320 --> 0:54:32.879
<v Speaker 1>hear come here or here. I just stuck to see

0:54:32.920 --> 0:54:36.120
<v Speaker 1>him w type of shit, the neighborhood whatever. So that

0:54:36.360 --> 0:54:39.520
<v Speaker 1>song was perfect to try to throw me on. I

0:54:39.600 --> 0:54:41.920
<v Speaker 1>also feel like it was a dope homage to your

0:54:42.160 --> 0:54:48.080
<v Speaker 1>career because you're somebody who is very underappreciated in the

0:54:48.160 --> 0:54:50.960
<v Speaker 1>grand scheme of when we discussed West Coast hip hop.

0:54:51.040 --> 0:54:57.120
<v Speaker 1>Oh definitely, you're very underrated. Your catalog is you know, fire,

0:54:57.320 --> 0:55:00.359
<v Speaker 1>and I feel like that was a dope like tip

0:55:00.480 --> 0:55:03.920
<v Speaker 1>to what you've been doing. I took that from his

0:55:04.160 --> 0:55:07.439
<v Speaker 1>point of view as well. I looked at it as

0:55:07.760 --> 0:55:13.200
<v Speaker 1>you know, he respected true West Coast hip hop, and

0:55:13.400 --> 0:55:16.960
<v Speaker 1>coming from Compton, you know we got Dre. We got

0:55:17.600 --> 0:55:21.960
<v Speaker 1>you know, quick as there, you know. So I'm like,

0:55:22.880 --> 0:55:25.840
<v Speaker 1>but I've always stuck to that, you've been I've always

0:55:25.880 --> 0:55:30.320
<v Speaker 1>been consistent with what I do. So coming from Compton

0:55:30.520 --> 0:55:33.400
<v Speaker 1>to pay, I'm like, he's already fucking with Dre, you

0:55:33.520 --> 0:55:36.399
<v Speaker 1>know what I'm saying. So I just looked at it like, yeah,

0:55:36.840 --> 0:55:40.480
<v Speaker 1>let's get somebody that we feel has always represented the

0:55:40.560 --> 0:55:44.640
<v Speaker 1>city of Compton, always been consistent and like you said,

0:55:44.840 --> 0:55:48.040
<v Speaker 1>underrated and don't get that much shine and pay a mont.

0:55:48.160 --> 0:55:51.520
<v Speaker 1>So I didn't even I didn't even question money or

0:55:51.560 --> 0:55:54.239
<v Speaker 1>anything when they hit me up. I just went to

0:55:54.320 --> 0:55:57.239
<v Speaker 1>the studio. I wasn't like, oh, well he signed to Dre,

0:55:57.440 --> 0:55:59.279
<v Speaker 1>how much y'all going to pay me? And all that.

0:55:59.640 --> 0:56:02.120
<v Speaker 1>I went to the studio, dropped the verse, shook my

0:56:02.239 --> 0:56:05.480
<v Speaker 1>nigga hand, and we bounced, and I think I heard

0:56:05.520 --> 0:56:07.480
<v Speaker 1>from them like three months later, and they was like

0:56:07.719 --> 0:56:10.840
<v Speaker 1>Dre and aftermath, and I was like, whoa, this is

0:56:10.880 --> 0:56:14.960
<v Speaker 1>gonna be some big ship fire. So we're gonna do

0:56:15.000 --> 0:56:17.280
<v Speaker 1>the very first bathroom break in the blutleg Cap podcast

0:56:17.320 --> 0:56:20.239
<v Speaker 1>history because I'm about to piss on myself. I'm gonna

0:56:20.280 --> 0:56:23.200
<v Speaker 1>hit this restaurant real quick. Back at it, you know,

0:56:23.280 --> 0:56:26.279
<v Speaker 1>shout out to you for not smoking Backwoods like everybody else. Right,

0:56:26.360 --> 0:56:29.000
<v Speaker 1>Oh yeah, man, Backwoods fucked me up. Man, I don't

0:56:29.040 --> 0:56:34.160
<v Speaker 1>know why niggas got on the backwoods the fucking wave now, yeah,

0:56:34.200 --> 0:56:37.399
<v Speaker 1>that everybody smoking Backwoods. I'm like, I can't do it, man,

0:56:37.640 --> 0:56:42.040
<v Speaker 1>I can't. You talked about obviously Dre being involved in

0:56:42.080 --> 0:56:46.160
<v Speaker 1>Good Kid, Mad City, Dre being the you know, the

0:56:46.280 --> 0:56:49.560
<v Speaker 1>consensus Compton guy across the country. You know when we

0:56:49.640 --> 0:56:51.840
<v Speaker 1>think of Compton, like he's probably the first rapper that

0:56:52.360 --> 0:56:54.640
<v Speaker 1>the world thinks. So did you and Dre ever have

0:56:54.760 --> 0:56:57.840
<v Speaker 1>any sort of dialogue or like, what was y'all's dynamic

0:56:57.960 --> 0:57:00.960
<v Speaker 1>coming up? Because obviously you were a factor and he

0:57:01.200 --> 0:57:05.719
<v Speaker 1>was Dra that guy Dre was. Dre has always has

0:57:05.760 --> 0:57:08.799
<v Speaker 1>been a cool motherfucker to me. I mean, I've never,

0:57:09.400 --> 0:57:12.960
<v Speaker 1>you know, had the pleasure outside of fucking with Kendrick,

0:57:13.360 --> 0:57:17.400
<v Speaker 1>of fucking with Dre big mad respect, because you know,

0:57:17.760 --> 0:57:21.160
<v Speaker 1>he's one of the he's he's as the best motherfucker

0:57:21.960 --> 0:57:24.360
<v Speaker 1>as far as what he do. You get me, shaw,

0:57:25.400 --> 0:57:30.400
<v Speaker 1>anybody who would be you know, gifted with a dre

0:57:30.640 --> 0:57:34.520
<v Speaker 1>track or just fucking emphasis or just the input of

0:57:34.680 --> 0:57:37.919
<v Speaker 1>telling you which way to go would be a motherfucking

0:57:38.240 --> 0:57:42.560
<v Speaker 1>the greatest. But uh, we've always had good report I

0:57:42.680 --> 0:57:45.760
<v Speaker 1>mean every time I would see him out in public

0:57:45.880 --> 0:57:49.160
<v Speaker 1>or go to parties or whatever whatever, we've always laughed

0:57:49.200 --> 0:57:53.000
<v Speaker 1>and chuckled and been cool, you know. So you know,

0:57:53.720 --> 0:57:56.360
<v Speaker 1>Primo fucked with him a lot, you know, so he

0:57:56.600 --> 0:57:58.959
<v Speaker 1>Primo would go over and tell him, you know, fucking

0:57:59.000 --> 0:58:01.760
<v Speaker 1>with eight and we worked and so always good shit,

0:58:02.040 --> 0:58:06.080
<v Speaker 1>always good shit talk about So the new album is

0:58:06.200 --> 0:58:11.680
<v Speaker 1>Primo the executive producer. Essentially Primo executive produced record. We

0:58:11.760 --> 0:58:14.240
<v Speaker 1>did a record two years ago called which Way Is

0:58:14.280 --> 0:58:19.120
<v Speaker 1>West Right? He executive produced. He you know, had a

0:58:19.200 --> 0:58:23.320
<v Speaker 1>lot of input, you know, his label. So on this

0:58:23.600 --> 0:58:27.320
<v Speaker 1>record it was basically the focus on me trying to

0:58:27.360 --> 0:58:30.280
<v Speaker 1>get you know, ride the wave of trying to you know,

0:58:30.480 --> 0:58:34.000
<v Speaker 1>continue what I've been doing for shit the last twenty years.

0:58:34.720 --> 0:58:38.400
<v Speaker 1>So he's been a consultant on the record, you know,

0:58:38.520 --> 0:58:40.440
<v Speaker 1>Like I said, I sent him all the beats, I

0:58:40.520 --> 0:58:43.720
<v Speaker 1>sent him all the tracks. He listens to him, you know,

0:58:43.960 --> 0:58:47.320
<v Speaker 1>gives me advice on what not to do or maybe

0:58:47.400 --> 0:58:49.360
<v Speaker 1>you need to do this or maybe do this one.

0:58:49.400 --> 0:58:53.120
<v Speaker 1>On his song, he mixes the song, so he always

0:58:53.240 --> 0:58:56.919
<v Speaker 1>has an input. When I put out records, I try

0:58:56.960 --> 0:58:59.600
<v Speaker 1>to include him because, like you said, he's one of

0:58:59.640 --> 0:59:02.400
<v Speaker 1>the great producers. He's dealt with a lot of different

0:59:02.480 --> 0:59:07.480
<v Speaker 1>diverse artists, so he has a great ear. So yeah,

0:59:07.520 --> 0:59:11.080
<v Speaker 1>one of the best years ever. And and it's crazy

0:59:11.120 --> 0:59:14.920
<v Speaker 1>because working with like I feel like Griselda and what

0:59:15.120 --> 0:59:17.880
<v Speaker 1>Conway and Westside Gun and Benny are doing right now

0:59:18.080 --> 0:59:20.720
<v Speaker 1>is like some of my favorite shit going on in

0:59:20.800 --> 0:59:23.680
<v Speaker 1>hip hop. Like they're doing that traditional shit. Yeah. How

0:59:23.720 --> 0:59:29.160
<v Speaker 1>do you think a traditional greedy rap and grimy shit? Yeah,

0:59:29.760 --> 0:59:32.320
<v Speaker 1>that's what you hear when you hear them. Yeah. Now,

0:59:32.320 --> 0:59:34.840
<v Speaker 1>I was gonna say, like, how how tapped in are

0:59:34.840 --> 0:59:36.960
<v Speaker 1>you with the new ship that's happening, because obviously I

0:59:37.160 --> 0:59:39.040
<v Speaker 1>listened to a lot. Like I said, I got sixteen

0:59:39.080 --> 0:59:44.200
<v Speaker 1>year old son, right shout out. Karan plays football quarterback.

0:59:45.320 --> 0:59:48.760
<v Speaker 1>He always he Now he be up on all y'all shit, right,

0:59:49.160 --> 0:59:52.360
<v Speaker 1>I tell him I'm going to bootleg cav Oh my god,

0:59:52.480 --> 0:59:56.600
<v Speaker 1>I got to go take me. So he's a sixteen

0:59:56.680 --> 0:59:58.600
<v Speaker 1>year old kid, so he's up on all the new ship.

0:59:58.760 --> 1:00:06.280
<v Speaker 1>I mean, what a young boy, little Dirk fucking g

1:00:06.520 --> 1:00:10.800
<v Speaker 1>Herbo right right, he listens to it all and he

1:00:10.920 --> 1:00:13.680
<v Speaker 1>loves it. Yo' It's dope too because you actually you

1:00:13.880 --> 1:00:17.240
<v Speaker 1>d m me your ship. Not a lot of artists

1:00:17.280 --> 1:00:19.640
<v Speaker 1>are like on top of their ship, like I was like,

1:00:19.720 --> 1:00:24.760
<v Speaker 1>oh ship, of course, Like I'm one motherfucker who And

1:00:24.880 --> 1:00:26.800
<v Speaker 1>I know a lot of people don't do it because

1:00:26.800 --> 1:00:29.160
<v Speaker 1>they bought people on the side. And I even got people,

1:00:29.360 --> 1:00:31.680
<v Speaker 1>you know, sometimes you got to get people on your

1:00:31.720 --> 1:00:35.440
<v Speaker 1>team that and whatever. But I'm a type of motherfucker

1:00:35.480 --> 1:00:37.960
<v Speaker 1>that I hit you up personally. I don't I don't

1:00:38.000 --> 1:00:40.840
<v Speaker 1>play that all. You know, it's just somebody running your

1:00:40.920 --> 1:00:45.640
<v Speaker 1>page or I handle all my ship. I answer all

1:00:45.720 --> 1:00:48.520
<v Speaker 1>my fans, I deal with you know. That's how I

1:00:48.560 --> 1:00:52.280
<v Speaker 1>stay working. I mean, I do a million verses a

1:00:52.400 --> 1:00:56.479
<v Speaker 1>week because I'm able to connect with motherfuckers. I don't

1:00:56.680 --> 1:00:59.120
<v Speaker 1>just be like, oh, I got my cousin running my

1:00:59.280 --> 1:01:03.640
<v Speaker 1>page and whatever. Dude, send me emails, respond, dude, send

1:01:03.680 --> 1:01:07.520
<v Speaker 1>me dms if it's business or even sometimes motherfuckers just

1:01:07.600 --> 1:01:10.200
<v Speaker 1>want to say hey, y'all. Get a lot of motherfuckers

1:01:10.240 --> 1:01:12.240
<v Speaker 1>that just be like, man, I just wanted to tell

1:01:12.320 --> 1:01:15.640
<v Speaker 1>you you you the shit or I love your shit,

1:01:15.760 --> 1:01:18.800
<v Speaker 1>and I'll respond right back jeh or cool or good

1:01:18.880 --> 1:01:21.360
<v Speaker 1>looking or whatever. And I ain't trying to hold a

1:01:21.400 --> 1:01:24.840
<v Speaker 1>conversation with you. But I have the enough respect for

1:01:25.000 --> 1:01:28.680
<v Speaker 1>fans to at least give them that, you know what

1:01:28.720 --> 1:01:30.720
<v Speaker 1>I'm saying, a lot of dudes, I get it. They

1:01:30.760 --> 1:01:34.080
<v Speaker 1>don't want to deal with motherfuckers. You know, I'm too big,

1:01:34.640 --> 1:01:37.000
<v Speaker 1>I don't want to respond whatever, whatever. But me, I

1:01:37.000 --> 1:01:39.520
<v Speaker 1>don't give a fuck how big you are. You gotta

1:01:39.640 --> 1:01:43.280
<v Speaker 1>connect with the motherfuckers that're spending their money. Yeah, that's

1:01:43.320 --> 1:01:45.800
<v Speaker 1>They're the reason why you have a man. Come on, man,

1:01:46.000 --> 1:01:49.920
<v Speaker 1>you gotta connect with the motherfuckers whether and I get it.

1:01:50.200 --> 1:01:54.480
<v Speaker 1>Some motherfuckers be irritating too, Definitely. Some motherfuckers be irritating.

1:01:54.480 --> 1:01:57.360
<v Speaker 1>They ask the stupidest questions and just shit, and you

1:01:57.600 --> 1:02:01.440
<v Speaker 1>have to sit there sometime and be like, but I

1:02:01.560 --> 1:02:04.400
<v Speaker 1>still deal with it. It's it's the situation that I

1:02:04.480 --> 1:02:08.080
<v Speaker 1>put myself in, so to speak. I had to tell

1:02:08.160 --> 1:02:10.600
<v Speaker 1>I had to gift to right and and whatever and

1:02:10.800 --> 1:02:13.160
<v Speaker 1>make records and whatever. And with that, you were you're

1:02:13.240 --> 1:02:18.680
<v Speaker 1>gain fans. Let me ask you something. You're you're beef

1:02:18.760 --> 1:02:22.080
<v Speaker 1>with Quick, which I know you've talked about to the

1:02:22.200 --> 1:02:26.320
<v Speaker 1>Death Right. Anybody who wants to kind of dive into that.

1:02:26.600 --> 1:02:28.800
<v Speaker 1>There's plenty of content out there of you talking about

1:02:28.800 --> 1:02:34.080
<v Speaker 1>what happened. Do you think that you and and Quick's

1:02:34.200 --> 1:02:38.400
<v Speaker 1>beef resulted in because every time something like that happens,

1:02:39.440 --> 1:02:42.800
<v Speaker 1>people choose sides like do you think it it resulted

1:02:42.840 --> 1:02:46.640
<v Speaker 1>in you losing any opportunities or like you losing out

1:02:46.720 --> 1:02:50.160
<v Speaker 1>on anything because people might have like chosen up or

1:02:50.640 --> 1:02:53.120
<v Speaker 1>perceived you a certain way during that during that period.

1:02:54.360 --> 1:02:56.840
<v Speaker 1>I've never looked at it like that because I've always

1:02:56.880 --> 1:03:01.160
<v Speaker 1>looked at myself as the underground kid. I've never looked

1:03:01.200 --> 1:03:05.360
<v Speaker 1>at myself as the kid that the motherfuckers would want

1:03:05.400 --> 1:03:09.040
<v Speaker 1>to come to period. And I always accepted that and

1:03:09.360 --> 1:03:15.040
<v Speaker 1>erased it. I never felt like, oh shit, this motherfucker

1:03:15.160 --> 1:03:18.560
<v Speaker 1>getting this and I ain't getting it. I've never felt that, never,

1:03:18.840 --> 1:03:23.200
<v Speaker 1>because at the end of the day, I can make

1:03:23.280 --> 1:03:27.160
<v Speaker 1>some money. I love to write and do hip hop.

1:03:28.960 --> 1:03:33.560
<v Speaker 1>My bills is paid, boom, my kids ain't starving and

1:03:33.640 --> 1:03:39.080
<v Speaker 1>ain't struggling and don't have fucking holy shoes and looking

1:03:39.160 --> 1:03:45.280
<v Speaker 1>for a handout. I'm fine. I've had opportunities that came

1:03:45.360 --> 1:03:48.200
<v Speaker 1>along that fit me. I mean, I had the Boys

1:03:48.240 --> 1:03:51.520
<v Speaker 1>in the Hood soundtrack, I had Minister so Society and

1:03:51.600 --> 1:03:55.520
<v Speaker 1>a role Thicker than Water with mac Tin came along.

1:03:56.680 --> 1:04:00.800
<v Speaker 1>Forgot about that. I was nominated for a Grammy with

1:04:01.000 --> 1:04:06.840
<v Speaker 1>with Kendrick for the song should have won that Grammy. Yeah, yeah,

1:04:06.880 --> 1:04:09.000
<v Speaker 1>but you get but you get it, you know. But

1:04:09.920 --> 1:04:16.160
<v Speaker 1>I've always embraced my position in hip hop and I'm cool. Well,

1:04:16.200 --> 1:04:18.840
<v Speaker 1>when you when you with anything right, when you look

1:04:18.880 --> 1:04:21.560
<v Speaker 1>at other people and you try to judge your own

1:04:21.600 --> 1:04:24.840
<v Speaker 1>happiness based on what other people are doing, that's where

1:04:24.840 --> 1:04:27.440
<v Speaker 1>you get fucked up. Man. That's how motherfuckers become depressed

1:04:27.480 --> 1:04:29.640
<v Speaker 1>and they become on sure them, you come up if

1:04:29.680 --> 1:04:32.520
<v Speaker 1>you do that. If I start going damn, how come

1:04:32.600 --> 1:04:36.320
<v Speaker 1>I ain't like Snoop or how come Snoops rapped the

1:04:36.400 --> 1:04:38.840
<v Speaker 1>same ship I was rapping, Or how come I'm not

1:04:39.120 --> 1:04:42.520
<v Speaker 1>like Kendrick or Quick, or I've never done that because

1:04:42.520 --> 1:04:47.200
<v Speaker 1>I never felt like that when you heard uh, man,

1:04:47.240 --> 1:04:49.720
<v Speaker 1>I'm not gonna lie. Some of those Quick records were

1:04:49.800 --> 1:04:52.800
<v Speaker 1>vicious on some on some rapping ship, like when He's

1:04:53.200 --> 1:04:55.040
<v Speaker 1>the one line that stuck out to me when I

1:04:55.320 --> 1:04:57.760
<v Speaker 1>was the E. I h T Now should I continue?

1:04:57.800 --> 1:04:59.600
<v Speaker 1>You left out the G because the G EIGHTN you

1:05:00.000 --> 1:05:02.160
<v Speaker 1>you heard that? What was were you like, man, fuck

1:05:02.240 --> 1:05:05.000
<v Speaker 1>this for? Were you like it's hip hop? Were you like, yo,

1:05:05.120 --> 1:05:06.840
<v Speaker 1>that was a nice bar you have to come with

1:05:06.960 --> 1:05:09.120
<v Speaker 1>good lines and hip hop. Did you at least like

1:05:09.240 --> 1:05:13.280
<v Speaker 1>respect his like like, I don't think when you beefing

1:05:13.360 --> 1:05:16.280
<v Speaker 1>with cats that you look at him as far as

1:05:16.960 --> 1:05:22.160
<v Speaker 1>oh whatever, you know? But I was never like, oh,

1:05:22.240 --> 1:05:25.200
<v Speaker 1>I'm finna just blow the fuck up because a motherfucker

1:05:25.240 --> 1:05:27.600
<v Speaker 1>I looked at it this hip hop banter. Could you

1:05:27.640 --> 1:05:31.120
<v Speaker 1>at least acknowledge like, okay, quick, I got something for you,

1:05:31.400 --> 1:05:33.880
<v Speaker 1>or like, yeah, that line was kind of That was

1:05:33.920 --> 1:05:36.960
<v Speaker 1>a cool line. I've always felt like in a hip

1:05:37.000 --> 1:05:40.320
<v Speaker 1>hop perspective, I've always felt that's just like a motherfucker

1:05:40.400 --> 1:05:45.560
<v Speaker 1>saying that I don't think I'm number one, I'm number

1:05:45.600 --> 1:05:48.680
<v Speaker 1>two or number two. You always give yourself the credit

1:05:48.800 --> 1:05:53.160
<v Speaker 1>of whatever. So in a hip hop world, because I

1:05:53.280 --> 1:05:56.560
<v Speaker 1>never took shit on record personally, so yeah, good line.

1:05:56.640 --> 1:05:58.919
<v Speaker 1>When niggas would be like, oh that was womty womb

1:05:59.000 --> 1:06:00.840
<v Speaker 1>I said from hip hop respective yeah, it was a

1:06:00.880 --> 1:06:04.080
<v Speaker 1>good line. I mean just like motherfuckers would say, oh,

1:06:04.160 --> 1:06:07.240
<v Speaker 1>what you said was all killer or whatever whatever, and

1:06:07.360 --> 1:06:09.040
<v Speaker 1>I say, it's all in the aspect of trying to

1:06:09.080 --> 1:06:12.400
<v Speaker 1>be clever. When you trying to dis some motherfucker, you

1:06:12.480 --> 1:06:14.360
<v Speaker 1>can't dis some motherfuck on the weak shit. I tell

1:06:14.480 --> 1:06:17.560
<v Speaker 1>niggas today, I've been dissed by some of the best niggas.

1:06:17.600 --> 1:06:19.240
<v Speaker 1>So if you're gonna dis me, you at least got

1:06:19.280 --> 1:06:22.480
<v Speaker 1>to come with something correct. Don't come with no weak shit,

1:06:22.600 --> 1:06:26.040
<v Speaker 1>because then what's the point, right, that's facts? Man. Yeah,

1:06:26.160 --> 1:06:28.920
<v Speaker 1>Now we're just people just make Instagram videos about each other.

1:06:29.160 --> 1:06:31.760
<v Speaker 1>I mean, shit, motherfucker make an Instagram video or do

1:06:31.920 --> 1:06:34.800
<v Speaker 1>some dumb shit or whatever. But like I said, we

1:06:35.000 --> 1:06:41.200
<v Speaker 1>came from the class of writing was everything. Man, your

1:06:41.240 --> 1:06:43.480
<v Speaker 1>pen game. Man, you're a fuck about to beat man,

1:06:43.520 --> 1:06:45.760
<v Speaker 1>you gotta write some shit because let's face, a lot

1:06:45.800 --> 1:06:48.520
<v Speaker 1>of niggas had some whack ass motherfucking tracks back in

1:06:48.600 --> 1:06:51.920
<v Speaker 1>the days too, but they fucking penmanshit was just great.

1:06:52.160 --> 1:06:55.520
<v Speaker 1>Like you'd be like, God, damn man, how do he

1:06:55.600 --> 1:06:59.400
<v Speaker 1>come up with that shit? So we prided ourselves on writing,

1:06:59.680 --> 1:07:01.800
<v Speaker 1>so you had to come up with clever ship who

1:07:01.840 --> 1:07:04.360
<v Speaker 1>else on the new album? Outside we know Conway Primo,

1:07:04.560 --> 1:07:10.640
<v Speaker 1>who else? Conway Primo, Dave East Uh, Tahaled is on

1:07:10.760 --> 1:07:15.320
<v Speaker 1>the new album Havoc, my deepest on the new album,

1:07:16.080 --> 1:07:24.200
<v Speaker 1>Uh Corrupt, Uh Noble from the Outlaws, Uh Cocaine, Coe

1:07:24.400 --> 1:07:28.600
<v Speaker 1>Yup Mouth, Mitchie Slick shout out to San Diego man.

1:07:29.240 --> 1:07:32.840
<v Speaker 1>Who else we got my girl Cherrell, Terry Chill from

1:07:32.880 --> 1:07:37.919
<v Speaker 1>CEM dub who else is on the record? Be Real?

1:07:38.480 --> 1:07:40.520
<v Speaker 1>A lot of legends on this. Yeah, that's what I

1:07:40.960 --> 1:07:45.120
<v Speaker 1>try to do, a mix, you know, Conway, Dave East, Uh,

1:07:45.400 --> 1:07:49.760
<v Speaker 1>and then I, you know, go back to people I admired, Havoc, Corrupt,

1:07:50.120 --> 1:07:54.120
<v Speaker 1>fucking Noble, be Real. Me and be Real have done songs,

1:07:55.120 --> 1:07:57.320
<v Speaker 1>you know, as far as back to prelude to a

1:07:57.400 --> 1:08:00.120
<v Speaker 1>come up on the Cypress Hill record, and then me

1:08:00.160 --> 1:08:04.040
<v Speaker 1>and mugs used to fuck around soul assassins whatever. So again,

1:08:04.280 --> 1:08:06.120
<v Speaker 1>be Real. I feel like there's like a class of

1:08:06.280 --> 1:08:09.520
<v Speaker 1>just West Coast guys who don't get enough acknowledgment. B

1:08:09.640 --> 1:08:11.680
<v Speaker 1>Real is one of them. You're one of them, Spice One,

1:08:11.800 --> 1:08:14.320
<v Speaker 1>Like there's a lot of guys. Yeah, definitely Spice One.

1:08:14.440 --> 1:08:17.280
<v Speaker 1>Brother Lynch hung shout out, Brother Lynch, shout out to Uh.

1:08:17.600 --> 1:08:20.519
<v Speaker 1>We talked about King t earlier Exactly, there's a lot

1:08:20.600 --> 1:08:24.639
<v Speaker 1>of the licks alcohol alcohol. It's a lot of underground

1:08:24.680 --> 1:08:27.720
<v Speaker 1>heroes here as far as West Coast is concerned. And

1:08:27.880 --> 1:08:30.680
<v Speaker 1>you know, not to take away from nothing from Dre

1:08:31.080 --> 1:08:34.920
<v Speaker 1>or Snoop or Cube because that helps us as far

1:08:34.960 --> 1:08:37.320
<v Speaker 1>as the West Coast is concerned. People stayed with the

1:08:37.439 --> 1:08:39.519
<v Speaker 1>identity of WEG Coast. But we've had a lot of

1:08:40.280 --> 1:08:42.519
<v Speaker 1>We've had a lot of motherfuckers also too. Like even

1:08:43.000 --> 1:08:45.320
<v Speaker 1>in the in the two early two thousands, there was

1:08:45.400 --> 1:08:47.920
<v Speaker 1>just like a whole other offshoot of underground hip hop

1:08:47.960 --> 1:08:51.400
<v Speaker 1>coming out of LA that wasn't like dilated people's exactly,

1:08:51.479 --> 1:08:58.200
<v Speaker 1>Jurassic five, Uh shout out to uh Plant Planet Asia, Roscoe,

1:08:58.560 --> 1:09:02.040
<v Speaker 1>Cali Agents. There was like there was like a whole dope.

1:09:02.720 --> 1:09:05.160
<v Speaker 1>I just remember, like I call it the fat beat shit,

1:09:05.560 --> 1:09:08.240
<v Speaker 1>right right right, Yeah, the fat Beat shit. Yeah. We

1:09:08.400 --> 1:09:10.479
<v Speaker 1>had a lot of But like I said, we don't

1:09:10.520 --> 1:09:13.960
<v Speaker 1>get a lot of recognition over in the West Coast,

1:09:14.400 --> 1:09:18.040
<v Speaker 1>which is sad, but we have cats who will still

1:09:18.200 --> 1:09:21.639
<v Speaker 1>love hip hop. Yeah, and they still no matter where

1:09:21.760 --> 1:09:25.280
<v Speaker 1>you are on that totem pole, just keep fucking climbing.

1:09:25.360 --> 1:09:27.720
<v Speaker 1>That's how I look at it. Fuck it if you old,

1:09:27.800 --> 1:09:29.840
<v Speaker 1>if you ain't old enough and you get no back

1:09:29.880 --> 1:09:33.040
<v Speaker 1>spasms and shit, and your legs ain't cramping up, fucking

1:09:33.160 --> 1:09:35.080
<v Speaker 1>keep climbing the pole and shit. Because there's a lot

1:09:35.120 --> 1:09:37.400
<v Speaker 1>of good music that's being offered. Would you ever do

1:09:37.479 --> 1:09:40.799
<v Speaker 1>another compious most wanted album? Yeah? I did a conscience

1:09:40.880 --> 1:09:43.360
<v Speaker 1>most one. Me and Chill did a record. We put

1:09:43.400 --> 1:09:47.000
<v Speaker 1>it out independently. Last I want to say September. It's

1:09:47.080 --> 1:09:49.840
<v Speaker 1>called Gangster Business. Okay, if you ain't heard about it,

1:09:50.720 --> 1:09:53.519
<v Speaker 1>go peep it out. Some nice songs on there for sure.

1:09:53.680 --> 1:09:56.240
<v Speaker 1>Just trying to warn people back up to getting back

1:09:56.320 --> 1:09:58.679
<v Speaker 1>out there. So you've been active, man, Like I remember

1:09:58.720 --> 1:10:01.200
<v Speaker 1>the premo shit, and then I mean how many? How

1:10:01.240 --> 1:10:03.800
<v Speaker 1>many songs are on this album? Twenty twenty is a

1:10:03.920 --> 1:10:06.400
<v Speaker 1>little twenty piece. I got a record I just dropped

1:10:06.479 --> 1:10:11.360
<v Speaker 1>in February called Official. It's a double album, twenty seven songs.

1:10:12.000 --> 1:10:14.759
<v Speaker 1>So that's got a song on there with exhibiting problem

1:10:15.520 --> 1:10:19.280
<v Speaker 1>called Profiles. I've just been working, man, I've been working,

1:10:19.400 --> 1:10:21.800
<v Speaker 1>just trying to stay working, stay active. We know what

1:10:21.880 --> 1:10:24.599
<v Speaker 1>the coronavirus bullshit. They shut a lot of shit down,

1:10:24.760 --> 1:10:28.280
<v Speaker 1>but it's the perfect time for cats. Like myself to

1:10:29.000 --> 1:10:32.600
<v Speaker 1>stay active and working. You know, we wasn't big on

1:10:32.760 --> 1:10:36.400
<v Speaker 1>touring anyway and whatever, So this is the perfect time

1:10:36.560 --> 1:10:40.000
<v Speaker 1>to be reintroduced to some of those younger fans or

1:10:40.120 --> 1:10:42.280
<v Speaker 1>some of the people who just appreciate good hip hop

1:10:42.360 --> 1:10:44.599
<v Speaker 1>fucking music. You give me and the album comes out

1:10:44.640 --> 1:10:52.040
<v Speaker 1>win September nineteenth eighteenth. Lessons lessens, the album, lessens the album.

1:10:52.280 --> 1:10:55.919
<v Speaker 1>The single Hancho should be touching down next week. Videos

1:10:55.960 --> 1:11:00.759
<v Speaker 1>done you shout video videos done to Hancho with Conway

1:11:00.960 --> 1:11:03.879
<v Speaker 1>and we shot a video to the song called Cordy

1:11:03.960 --> 1:11:07.320
<v Speaker 1>and with Davies. Shout out to Davis Man and shout

1:11:07.400 --> 1:11:11.960
<v Speaker 1>hey man, I appreciate you for pulling up and go

1:11:12.080 --> 1:11:14.280
<v Speaker 1>get the album official. Perfect