WEBVTT - 90210mgOmgOmgOmgOmg Ian Ziering

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. Hi everybody, Okay

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<v Speaker 1>this week Tori is not with us, but Amy and

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<v Speaker 1>I are going to do our best move forward. I

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<v Speaker 1>did not sleep last night. I'm not sure. Were you nervous.

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<v Speaker 1>I'm just like overwhelmed by it, because okay, what are

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<v Speaker 1>you talking about? You always you're acting normal? Now is

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<v Speaker 1>something about to happen? That's okay, you guys. Um Steve

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<v Speaker 1>Sanders is going to be on our show, just saying

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<v Speaker 1>he's going to co host with us today and I, okay,

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<v Speaker 1>you guys before he gets off. I didn't want to

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<v Speaker 1>look like I was trying too hard like this has been.

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<v Speaker 1>I have not slept because it's like I want to

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<v Speaker 1>look good what you do, thank you so much, But

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<v Speaker 1>I don't want to look like trying too hard or

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<v Speaker 1>I'm not gonna I'm my shure. It's like a little bit,

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<v Speaker 1>a little bit open, a little bit further than But

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<v Speaker 1>I didn't want to be too weird and I don't

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<v Speaker 1>want to be like creeped out because I still like

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<v Speaker 1>friends with him, so I don't And you're still, yeah,

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<v Speaker 1>you're like still I have a professional relationship, yes, like

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<v Speaker 1>I have to be normal. I literally, for the last

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<v Speaker 1>hour I've been saying to myself, abnormal, abnormal, abnormal, This

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<v Speaker 1>is normal abnormal. Oh my gosh, I can't wait to

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<v Speaker 1>see how this goes. He's so great with that. Let's

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<v Speaker 1>have let's have Iron Zerring join us. What's up, beautiful?

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<v Speaker 1>Oh my gosh, you guys, this is so exciting for me.

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<v Speaker 1>But wait, but it's much much, much, much more exciting

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<v Speaker 1>for Amy. Sugarman. Uh start, don't start, let me back up.

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<v Speaker 1>So everybody, thank you for tuning in for another week

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<v Speaker 1>of nine O two and o MG. We're so excited

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<v Speaker 1>to be with you, and Tori is off this week.

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<v Speaker 1>But we have the ex best thing, if, if there

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<v Speaker 1>is such a thing, we have with almost today I

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<v Speaker 1>almost said better, No, Amy, never better. Well in your eyes,

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<v Speaker 1>maybe I don't know, but we have with us today,

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<v Speaker 1>Iron Searing, filling in as a co host, feeling what's

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<v Speaker 1>going on? Jen? How are you? Amy? Hi? Everybody who's

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<v Speaker 1>watching this completely new. I don't do podcasts, but they're

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<v Speaker 1>they're not watching, they're listening to Hello, they're listening to it. Oh,

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<v Speaker 1>they're listening to it. Okay, Hi, Oh my gosh, I'm giddy.

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<v Speaker 1>To see you. Every time I see you, I'm just

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<v Speaker 1>so happy. You're a smile maker to meet you. Have

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<v Speaker 1>you seen each other since you were on the plane together. No,

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<v Speaker 1>we haven't seen each other since uh one of us

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<v Speaker 1>kicked the other ones duty in the in the don't

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<v Speaker 1>even get you got for not not coming through with

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<v Speaker 1>I dream of Genie. It's like unbelievable. Oh my god,

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<v Speaker 1>let it go, you guys. He's talking about we did

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<v Speaker 1>an episode of uh name that tune. It's coming on

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<v Speaker 1>very soon on Fox in the next couple of weeks,

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<v Speaker 1>so we can't give it away. Who did what? But

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<v Speaker 1>there were mistakes all around I so don't worry about it.

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<v Speaker 1>We we can never live that down in each other's eyes.

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<v Speaker 1>That was embarrassing. This theme song will grant you three wishes,

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<v Speaker 1>Like how many freaking shows? How many theme songs could

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<v Speaker 1>have possibly been? I completely blanked and I said, okay,

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<v Speaker 1>nine notes. I figured I could figure it out nine notes,

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<v Speaker 1>and then you jumped to six. But Jenny, you little

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<v Speaker 1>sneaky bird, you Jenny like before the show is like,

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<v Speaker 1>I don't remember anything. I don't remember anything. I can

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<v Speaker 1>name that tune in two weeks and so she says,

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<v Speaker 1>all right, I can name that tune in six notes.

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<v Speaker 1>So I'm thinking she's trying to flex zombie and I'm like,

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<v Speaker 1>go ahead, named that too, and she busts out I

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<v Speaker 1>dream of Genie and it was a knife in my heart,

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<v Speaker 1>a smack in my face, and a kick in my

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<v Speaker 1>pants all at once. Out. I knew she kicked your ass.

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<v Speaker 1>We knew it. Oh, I don't know. I don't know,

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<v Speaker 1>but you're welcome. I'm sorry. I don't know what to say,

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<v Speaker 1>but I mean, I grew up watching that show, so

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<v Speaker 1>I had to know that watching that show too. It's

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<v Speaker 1>the first belly button I've ever seen on TV. So

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<v Speaker 1>don't even tell me I've got graphic memories of of

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<v Speaker 1>gene your shame. Oh yeah, so we haven't. We haven't

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<v Speaker 1>seen each other caught up since Ireland and that was

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<v Speaker 1>just a great trip. I had so much fun, uh

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<v Speaker 1>pub crawling with you or whatever that was that we did.

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<v Speaker 1>We look out, We laughed our asses off, oh my god,

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<v Speaker 1>as we always do. You know, people think that, you know,

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<v Speaker 1>they're probably not friends anymore, and you know that's not true.

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<v Speaker 1>We're really friendly with the entire cast. It's just geography

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<v Speaker 1>that separates us. We don't have the benefit and joy

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<v Speaker 1>of working, you know, shoulder to shoulder every day. That

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<v Speaker 1>was a ten year event that set the stage for

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<v Speaker 1>a lifelong friendship, and I'm grateful for it. You know,

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<v Speaker 1>I'm so happy to see you. We followed each other's post. Jimmy,

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<v Speaker 1>you can ask on the golf course. I don't know

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<v Speaker 1>you had an ounce of athleticism and now you're like

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<v Speaker 1>smacking the ball like a pro. You never thought I

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<v Speaker 1>had an ounce of athleticism. Did you see my skills

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<v Speaker 1>on the volleyball court in season three? Hello? Didn't you

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<v Speaker 1>have a stand in for that? Oh? Probably? I don't know. No,

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<v Speaker 1>I you know what, We've never done anything like that.

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<v Speaker 1>I mean, yeah, in front of the camera. But you

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<v Speaker 1>know you you're really I've got to tell you. I'm

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<v Speaker 1>impressed with your your golf game. You want to go

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<v Speaker 1>with me? You want to go golf on with me? No?

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<v Speaker 1>I hate golf. I'm good for nine holes for me personally,

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<v Speaker 1>golf is five holes too long around thirteen I'm okay.

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<v Speaker 1>I'm done, me too. Four sleeves of balls, Yeah, I'm great.

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<v Speaker 1>You know when I go I like to play a

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<v Speaker 1>best ball, hits but you play the best ball, quick couple.

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<v Speaker 1>I got a couple of good jokes, and I like

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<v Speaker 1>a nice corn beat sandwich on the night, and I'm

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<v Speaker 1>I like a glass of wine. That's why I go.

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<v Speaker 1>I go wine and nine, No, nine and wine and

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<v Speaker 1>nine and wine. That's that's why I don't love it

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<v Speaker 1>as much. Yeah, you gotta come play with me. Okay, done,

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<v Speaker 1>let's go. Let's go do that. I don't know Amy though,

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<v Speaker 1>but today I was so excited that Iron was coming

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<v Speaker 1>on the show today that I I would I wore

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<v Speaker 1>my tank top. I could hardly sleep last night. I

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<v Speaker 1>had to get Steve Sanders tank top, and I wore

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<v Speaker 1>my Well it's not a belly shirt, but I can

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<v Speaker 1>make it that way. But I also wore I was sure.

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<v Speaker 1>I was. Yes, it was very disappointing. We didn't see

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<v Speaker 1>the shorty short shorts in the episode. No, no, no

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<v Speaker 1>shorts in this wet like a bare middriff and shorts. Yeah,

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<v Speaker 1>you know, you give us a lot of material to

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<v Speaker 1>work with. I with the costumes, I'm sorry. I didn't

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<v Speaker 1>feel like I had a friend to clue me in

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<v Speaker 1>on fashion. Okay, there was no mirror in my dressing room,

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<v Speaker 1>nobody spoke up. Who the hell wears their shirts like this?

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<v Speaker 1>What the hell you do? You do? My friend, and

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<v Speaker 1>you do it? How much input did you have in

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<v Speaker 1>that wardrobe? I care to admit Amy a lot. I

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<v Speaker 1>thought I was being cool. You know you were. There's

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<v Speaker 1>war those shirts. It's a huge mistake, and you had

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<v Speaker 1>big guns like you wanted to show them off. Let's

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<v Speaker 1>be honest, it was. It was all to deflect on

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<v Speaker 1>that I didn't have any talent, so I had to,

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<v Speaker 1>like when we when we did nine O two on

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<v Speaker 1>b H O two on oh, when I had to

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<v Speaker 1>go back and talk to my younger Steve self, I

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<v Speaker 1>had to make sure I know I got something much

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<v Speaker 1>better to warn them about the future. Never to wear

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<v Speaker 1>those belly shirts again. Never throw them out. It's not

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<v Speaker 1>the belly shirts. And it stood out to us so

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<v Speaker 1>much as the shorts that are like underwear. Basically, yeah,

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<v Speaker 1>those those running shorts, but everybody wore them. I mean,

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<v Speaker 1>I'm feel so much of your legs, Oh my god,

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<v Speaker 1>um yeah, thank you. Look, I'm trying to control myself.

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<v Speaker 1>I'm not going to get too like flirty, but you

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<v Speaker 1>you know what a fan, Amy is right, You're like

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<v Speaker 1>my favorite favorite. I'm not gonna thank you. I like

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<v Speaker 1>Jason a lot, but you're my favorite. So you look good,

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<v Speaker 1>like I don't want to make it seem like you

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<v Speaker 1>didn't look good and you look really good now, but

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<v Speaker 1>your fashion isn't good in this show. In this show, yeah,

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<v Speaker 1>you know, Um, it's reflective of the time. It's reflective

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<v Speaker 1>of of Steve Sanders attitude, very a lot of confidence.

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<v Speaker 1>You know, he didn't care what people said. You know,

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<v Speaker 1>that's maybe when he went home and cried to beat

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<v Speaker 1>some of you, but that you know, Steve Sanders was

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<v Speaker 1>very flashy. Uh. He did things with no regard for

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<v Speaker 1>consequences because he always felt that he could possibly buy

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<v Speaker 1>his way out of that. And later he learned through

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<v Speaker 1>his own evolution the value of the friendship and and

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<v Speaker 1>decided to chase respect rather than chase being cool. Uh.

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<v Speaker 1>And now that really was the arc of the character

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<v Speaker 1>that created a lot of facets to Steve. Yeah, but

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<v Speaker 1>in the early years, it was a spoiled rich kid.

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<v Speaker 1>Why would why wouldn't you wear those razor glasses? Had

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<v Speaker 1>you remember those that had like sharp pointy ends, like

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<v Speaker 1>what a you know, me saw kind of a really

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<v Speaker 1>cool side of Steve in the episode the Backstory, because

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<v Speaker 1>you really did you defend your mom and you've gotten

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<v Speaker 1>Michael Cutlet's face in this one. You were like, uh yeah,

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<v Speaker 1>I had to bring game that that episode. That was

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<v Speaker 1>you know a lot of times they would write stuff

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<v Speaker 1>for me that was unexpected. I'm like, oh great, this

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<v Speaker 1>is creates a little depth of character. You know. When

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<v Speaker 1>we first started started doing the show, I hated Steve

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<v Speaker 1>Sanders such a prank you like nobody. I didn't like him.

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<v Speaker 1>I didn't like him. I had a meeting with the

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<v Speaker 1>writers and Rose and like, look, no one's gonna like

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<v Speaker 1>this kid. It's a spoiled, rich kid. He's brash, he's obnoxious.

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<v Speaker 1>We need to find something redeeming about him. Okay, otherwise

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<v Speaker 1>it's one note and it's gonna be a slow death. Wow.

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<v Speaker 1>So they put their heads together and they came up

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<v Speaker 1>with the fact that he was a victim of poor parenting,

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<v Speaker 1>that he was adopted and his mom, who was a celebrity,

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<v Speaker 1>and his father, who was an entrepreneur, really just adopted

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<v Speaker 1>a kid. Me out of love, but more so out

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<v Speaker 1>of like, look at me, I'm a good person. I

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<v Speaker 1>adopted a kid, but never really nurtured him other than

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<v Speaker 1>putting a hundred dollar bills in his pockets and letting

0:11:26.760 --> 0:11:31.040
<v Speaker 1>him figure out his ways uh forward, by himself. It

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<v Speaker 1>wasn't until he met Brandon and Brenda and understood you know,

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<v Speaker 1>greater family values, um that he started to to evolve.

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<v Speaker 1>You know when before the show, the pre life of

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<v Speaker 1>the show was Stephen Kelly, and you know, Steve thought like,

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<v Speaker 1>I got this beautiful Kelly on my arm, and this

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<v Speaker 1>is gonna be the best and where the couple and

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<v Speaker 1>you know, I think Kelly to heloped a sense of

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<v Speaker 1>a greater depth of character in wanting something more, knowing

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<v Speaker 1>that it wasn't with Steve, uh the love that she

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<v Speaker 1>had yearned for, and then when she read Brandon and Delon,

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<v Speaker 1>you know, it took it to a greater level. That

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<v Speaker 1>was that was her journey. Steve's was more about himself.

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<v Speaker 1>He found a family in the Walshes. And I love

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<v Speaker 1>that we all found a family in the Walshes. Yea.

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<v Speaker 1>And it made the family that I had prior to them.

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<v Speaker 1>David Silver was never in Steve Sanders orbit. He was

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<v Speaker 1>a little kid Donna. You know, Kelly and Donna may

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<v Speaker 1>have hung out a little bit, but she was an

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<v Speaker 1>underclassman as well. It just it just pulled the draw

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<v Speaker 1>string a little closer on the group of friends that

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<v Speaker 1>he had interesting once the Walshes were included into that fabric. Yeah,

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<v Speaker 1>I just love the way Steven so always been so

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<v Speaker 1>protective of his mama though, like you, even though she's

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<v Speaker 1>not your birth mom, she's your mom and you the

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<v Speaker 1>character Steve is always there and like ready to fist

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<v Speaker 1>up for her, And I love that about you. Was

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<v Speaker 1>that something that you wanted to play or did they

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<v Speaker 1>bring that to you or do you remember? You know

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<v Speaker 1>it once you read the words, you've got to bring

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<v Speaker 1>your life to those experiences, and it was an easy

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<v Speaker 1>choice for me. Um And I think you know, any

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<v Speaker 1>time that you can uh champion a cause or create

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<v Speaker 1>a situation that you know might be uh not what

0:13:43.160 --> 0:13:47.240
<v Speaker 1>people expect, but have a have more impact than what

0:13:47.280 --> 0:13:50.560
<v Speaker 1>they expect, it is always going to be a better choice.

0:13:52.200 --> 0:13:54.160
<v Speaker 1>That's what the way I approached things as an actor.

0:13:54.200 --> 0:13:58.880
<v Speaker 1>When they brought you know, Steve's mom into the picture

0:13:59.080 --> 0:14:02.439
<v Speaker 1>and then we've found out that he was adopted, it's like,

0:14:03.400 --> 0:14:06.280
<v Speaker 1>you know, I don't know what my thought process was

0:14:06.320 --> 0:14:09.600
<v Speaker 1>at the time. But I think, you know, if I

0:14:09.640 --> 0:14:12.400
<v Speaker 1>look back at it now, if someone goes to the

0:14:12.440 --> 0:14:18.520
<v Speaker 1>trouble of adopting a child, I would think, hopefully ideally

0:14:18.600 --> 0:14:22.280
<v Speaker 1>that child would be imbued with a sense of gratitude

0:14:22.360 --> 0:14:26.880
<v Speaker 1>and appreciation and go worder the mat for someone who

0:14:27.000 --> 0:14:30.240
<v Speaker 1>gave gave up a chunk of their life to share

0:14:30.440 --> 0:14:35.760
<v Speaker 1>and nurture and raise you. So you know there, that

0:14:35.840 --> 0:14:38.960
<v Speaker 1>was the greatest gift that Steve ever got was to

0:14:39.000 --> 0:14:43.440
<v Speaker 1>be adopted by Samantha and Rush even though they were

0:14:43.480 --> 0:14:51.760
<v Speaker 1>screw ups. Rush Sanders, Oh my god, Jenny, Oh my god,

0:14:51.960 --> 0:15:00.600
<v Speaker 1>I know, character never good God. Yeah, you know. And

0:15:00.640 --> 0:15:03.880
<v Speaker 1>then at that time they bought Florence and remember her.

0:15:03.920 --> 0:15:08.680
<v Speaker 1>Oh yeah, I remember Florence. No, you're making stuff up now,

0:15:09.360 --> 0:15:13.000
<v Speaker 1>nothing with me whatever. I'm just trying to point out

0:15:13.000 --> 0:15:16.400
<v Speaker 1>that it made your character more lovable, all right, thank

0:15:16.440 --> 0:15:20.000
<v Speaker 1>you talked about that before Iron where I feel like

0:15:20.240 --> 0:15:24.120
<v Speaker 1>Brandon and Steve because I think maybe, like in the Zeit, guys,

0:15:24.160 --> 0:15:26.800
<v Speaker 1>everyone's always like Brandon and Dylan, Brandon and Dylan they

0:15:26.800 --> 0:15:30.040
<v Speaker 1>were best friends. But I actually really think that Brandon

0:15:30.080 --> 0:15:35.480
<v Speaker 1>and Steve we're best friends, were way closer, especially up

0:15:35.560 --> 0:15:41.040
<v Speaker 1>until this the episodes we've rewatched. Yeah, um yeah, I

0:15:41.080 --> 0:15:45.920
<v Speaker 1>think the opposites of the two characters really created a

0:15:46.000 --> 0:15:49.440
<v Speaker 1>mutual respect and attraction. You know, there was a certain

0:15:49.480 --> 0:15:54.800
<v Speaker 1>sameness to Brandon and Dylan that helped them commune on

0:15:54.800 --> 0:15:59.480
<v Speaker 1>on that level. But what you know, I don't know

0:15:59.560 --> 0:16:04.800
<v Speaker 1>that Brandon and Dylan were right or die buddies. Yeah,

0:16:04.880 --> 0:16:08.480
<v Speaker 1>I don't think. I think they were great friends, best

0:16:08.520 --> 0:16:13.120
<v Speaker 1>friends even But I think, you know, if if there

0:16:13.320 --> 0:16:15.880
<v Speaker 1>was an opportunity to jump in front of a bullet,

0:16:16.720 --> 0:16:20.880
<v Speaker 1>uh to stop it from hitting his buddy, I think

0:16:20.960 --> 0:16:23.400
<v Speaker 1>Steve would have would have done that. I totally agree.

0:16:23.680 --> 0:16:26.880
<v Speaker 1>I totally agree with that Brandon would have done it

0:16:26.960 --> 0:16:29.120
<v Speaker 1>begrudgingly because he knows, like I would never be in

0:16:29.120 --> 0:16:33.359
<v Speaker 1>a situation where his guns in the first place. Um.

0:16:33.400 --> 0:16:36.760
<v Speaker 1>And then, I don't know, I think Brandon Dylan, I

0:16:36.800 --> 0:16:39.400
<v Speaker 1>think instead of either of those guys jumping in front

0:16:39.400 --> 0:16:42.120
<v Speaker 1>of the bullet, I think they maybe would have pushed

0:16:42.160 --> 0:16:44.880
<v Speaker 1>them out of the way kind of thing. So while

0:16:44.880 --> 0:16:50.720
<v Speaker 1>it's still there's still that uh love, it's not the

0:16:50.840 --> 0:16:53.800
<v Speaker 1>kind you would go to the mad for. I don't know,

0:16:53.880 --> 0:16:57.360
<v Speaker 1>that's my opinion. I'm well, I'm welcome I'm welcoming conjecture

0:16:57.440 --> 0:16:59.400
<v Speaker 1>on this. I don't know the truth and this is

0:16:59.440 --> 0:17:05.600
<v Speaker 1>all uh theoretical, But yeah, I think Brandon and Steve

0:17:05.680 --> 0:17:10.600
<v Speaker 1>were true best friends did too, especially just as we're

0:17:10.640 --> 0:17:16.240
<v Speaker 1>rewatching when they really like communicate more like it's Brandon

0:17:16.280 --> 0:17:18.399
<v Speaker 1>will see Dylan like in the hallway, and it's kind

0:17:18.400 --> 0:17:20.720
<v Speaker 1>of like, oh hey, and every once in a while

0:17:20.760 --> 0:17:22.560
<v Speaker 1>they sort of have a moment. And I don't know

0:17:22.600 --> 0:17:24.359
<v Speaker 1>if it's because of Brenda. I mean, I'm getting a

0:17:24.359 --> 0:17:26.119
<v Speaker 1>little bit too in the weeds, Like I don't know

0:17:26.160 --> 0:17:29.280
<v Speaker 1>if you really could be best friends with your sisters, dude,

0:17:30.480 --> 0:17:33.120
<v Speaker 1>But everything I've seen always makes me feel like it's

0:17:33.119 --> 0:17:36.359
<v Speaker 1>Steven Brandon that are really the besties. We'll push it

0:17:36.480 --> 0:17:39.440
<v Speaker 1>twenty five years down the line. You know, are they

0:17:39.440 --> 0:17:44.920
<v Speaker 1>still talking or like? Who which which set of friends

0:17:45.000 --> 0:17:48.280
<v Speaker 1>are still talking? Which set of friends are still friends

0:17:48.280 --> 0:17:51.400
<v Speaker 1>but have grown apart? Like which one of these pairs

0:17:51.800 --> 0:17:55.360
<v Speaker 1>probably talk once or twice a month, Which pair probably

0:17:55.400 --> 0:17:59.520
<v Speaker 1>talks once or twice a year? Right? You know that

0:17:59.640 --> 0:18:05.879
<v Speaker 1>that he focuses for me. Dylan was very independent, very

0:18:05.960 --> 0:18:08.520
<v Speaker 1>much a loaner, very much I'm gonna do it. And

0:18:09.600 --> 0:18:12.680
<v Speaker 1>he was surfing he was off visiting his dad, he

0:18:12.840 --> 0:18:16.159
<v Speaker 1>was off with his girlfriend. He was more of a loner.

0:18:16.440 --> 0:18:20.840
<v Speaker 1>So it doesn't degrade the relationship as much as it

0:18:21.119 --> 0:18:26.200
<v Speaker 1>really shines a light on the closeness, how tight knit

0:18:27.119 --> 0:18:31.280
<v Speaker 1>the companionship was between the two Bats. And that's for

0:18:31.400 --> 0:18:47.800
<v Speaker 1>both Brandon and Steve and for Brandon and Dylon. Okay,

0:18:47.800 --> 0:18:49.639
<v Speaker 1>so you guys know irons with us, and we're going

0:18:49.720 --> 0:18:53.439
<v Speaker 1>to jump into this week's episode because there's a lot

0:18:53.480 --> 0:18:56.440
<v Speaker 1>to talk about and we have him here, so let's

0:18:56.480 --> 0:18:58.680
<v Speaker 1>take advantage of it. Oh my gosh, I'm so excited

0:18:59.119 --> 0:19:03.600
<v Speaker 1>this week. Uh is season three, episode eight. The backstory

0:19:03.720 --> 0:19:10.400
<v Speaker 1>aired on September six nine, And since Tory isn't here, uh, sugarman,

0:19:10.440 --> 0:19:12.679
<v Speaker 1>would you like to read the synopsis? I don't have

0:19:12.720 --> 0:19:17.119
<v Speaker 1>an in front of me. During s A T Week,

0:19:17.400 --> 0:19:21.200
<v Speaker 1>Brenda tries desperately to quit smoking habit. Oh, I gotta

0:19:21.200 --> 0:19:25.399
<v Speaker 1>try it to get hold on starting over good. During

0:19:25.560 --> 0:19:28.240
<v Speaker 1>s A T Week, Brenda tries desperately to quit the

0:19:28.280 --> 0:19:31.439
<v Speaker 1>smoking habit she picked up while in Paris. At the

0:19:31.480 --> 0:19:35.760
<v Speaker 1>same time, she talks a little too openly to Beth Nielsen,

0:19:35.880 --> 0:19:40.000
<v Speaker 1>a tabloid TV reporter, about life in Beverly Hills. Meanwhile,

0:19:40.359 --> 0:19:43.080
<v Speaker 1>Nikky turns her sights on Brandon and tries to win

0:19:43.240 --> 0:19:47.600
<v Speaker 1>his affections, and an academic shortcut tempts Steve when a

0:19:47.680 --> 0:19:52.240
<v Speaker 1>West Beverly alumni b J. Harrison offers him the master

0:19:52.440 --> 0:19:56.560
<v Speaker 1>key to the school. Directed by Bradley Gross, written by

0:19:56.640 --> 0:20:03.200
<v Speaker 1>Karen Rosen and Darren Starr, and starring Irons Eering. Oh

0:20:03.200 --> 0:20:05.879
<v Speaker 1>my god, you guys, can we get Hien's opinion right

0:20:05.920 --> 0:20:12.879
<v Speaker 1>at the top about Jason Slash Brandon's aggressive kissing, Like

0:20:13.359 --> 0:20:15.800
<v Speaker 1>he's an aggressive kiss That is one of my notes

0:20:15.840 --> 0:20:18.520
<v Speaker 1>this week. Amy, I'm like, wait, Brandon just grabs whoever

0:20:18.560 --> 0:20:21.840
<v Speaker 1>he wants and kisses them. He meets a girl, no,

0:20:22.680 --> 0:20:27.000
<v Speaker 1>Jason Brandon. Yeah, he he just grabs their head and

0:20:27.160 --> 0:20:29.960
<v Speaker 1>kisses them in the middle of a sentence whatever, whenever

0:20:30.160 --> 0:20:37.040
<v Speaker 1>the impulse strikes him. Yeah, Jason's very impassioned aggressive. I

0:20:37.080 --> 0:20:40.560
<v Speaker 1>don't know, let's let's go with passion. That's a better word.

0:20:40.920 --> 0:20:44.840
<v Speaker 1>It's a much more politically correct word. I'm not looking

0:20:44.840 --> 0:20:47.840
<v Speaker 1>to get anybody in any trouble, and you can't say

0:20:47.840 --> 0:20:53.680
<v Speaker 1>aggressive these days. Well, pardon me. He's very strong about it. Yeah,

0:20:53.720 --> 0:20:56.879
<v Speaker 1>but don't women like that? Amy. Of course, Hello, that

0:20:57.040 --> 0:21:01.000
<v Speaker 1>is a generalization. Not all women like that to being

0:21:01.040 --> 0:21:04.480
<v Speaker 1>grabbed by the head and pushed into a kiss. When

0:21:04.560 --> 0:21:09.000
<v Speaker 1>he kissed Nicky I was in I'm talking about kissed passionately,

0:21:09.640 --> 0:21:13.719
<v Speaker 1>you know, with intention, looking into her eyes. He holds

0:21:13.720 --> 0:21:18.960
<v Speaker 1>her and he's just so taken he you know, he Well,

0:21:19.160 --> 0:21:22.200
<v Speaker 1>I don't know, Jen, you kissed him more than I did?

0:21:22.280 --> 0:21:24.879
<v Speaker 1>This was that? Did he do that every time you

0:21:24.920 --> 0:21:30.920
<v Speaker 1>guys had that kind of scene? Uh? No, not every time? Yeah,

0:21:31.240 --> 0:21:35.280
<v Speaker 1>how about you? So? Actually never, He's never really grabbed

0:21:35.320 --> 0:21:37.080
<v Speaker 1>me by the hair and kissed me. So if he

0:21:37.160 --> 0:21:38.800
<v Speaker 1>did grab you by the hair back in the day,

0:21:38.800 --> 0:21:41.080
<v Speaker 1>he would have gotten a nice handful with that mullet. Though,

0:21:41.080 --> 0:21:43.480
<v Speaker 1>I want to point out, Yeah, the hair is a

0:21:43.480 --> 0:21:47.600
<v Speaker 1>little shorter now, about forty hairs shorter. But let's move on.

0:21:48.760 --> 0:21:52.480
<v Speaker 1>You look good, You look good. Party in the front.

0:21:52.560 --> 0:21:56.320
<v Speaker 1>What was it? Wait? Hold on, party up front? No

0:21:56.400 --> 0:22:01.399
<v Speaker 1>business upfront, party in the rear? Yeah? Yeah, you had

0:22:01.440 --> 0:22:05.240
<v Speaker 1>as many kisses up until season three, like I wasn't

0:22:05.280 --> 0:22:11.679
<v Speaker 1>kissing anybody. Were you angry about that? I sent? I

0:22:11.720 --> 0:22:15.639
<v Speaker 1>think my first kiss was I think episode fourteen when

0:22:15.840 --> 0:22:19.600
<v Speaker 1>Steve Vett got stolen and when I found out that

0:22:19.640 --> 0:22:23.679
<v Speaker 1>they hired like two playboy playmates to Jay and I

0:22:23.720 --> 0:22:28.440
<v Speaker 1>were like, dude, right, I remember that they were playmates

0:22:28.440 --> 0:22:32.960
<v Speaker 1>and you guys were so stoked. Yeah. Well, but we

0:22:32.960 --> 0:22:38.880
<v Speaker 1>were more concerned that they were good actress and they delivered. Recently,

0:22:38.920 --> 0:22:43.080
<v Speaker 1>saw the kisses with the twins that we yeah, you

0:22:43.080 --> 0:22:46.080
<v Speaker 1>know what when you have the twins swap right? That

0:22:46.200 --> 0:22:49.360
<v Speaker 1>was juicy. You kissed me hello, you don't remember that?

0:22:50.240 --> 0:22:54.640
<v Speaker 1>Oh which which time yet? On the stairs? Or perhaps

0:22:54.840 --> 0:22:56.879
<v Speaker 1>before that in the garage when you made me practice

0:22:56.920 --> 0:23:00.320
<v Speaker 1>it with you? Oh? Yeah? All that you're you know,

0:23:00.480 --> 0:23:02.920
<v Speaker 1>it's it's supposed to be a packet. There's no reason

0:23:02.920 --> 0:23:07.000
<v Speaker 1>to stick your tongue about ear, Jenny. We're rehearsing here.

0:23:07.080 --> 0:23:10.159
<v Speaker 1>I understand passion, but let's move on. You just have

0:23:10.240 --> 0:23:13.800
<v Speaker 1>such hot ears. I can help myself, you know if

0:23:14.640 --> 0:23:17.560
<v Speaker 1>every time I've heard that, Jenny, the romances are a

0:23:17.680 --> 0:23:23.159
<v Speaker 1>great part of the show. Their iconic, So it's like,

0:23:24.160 --> 0:23:27.040
<v Speaker 1>what can you do? Like these relationships you guys have

0:23:27.119 --> 0:23:30.800
<v Speaker 1>are iconic. It's all about that. Well, okay, so this

0:23:30.840 --> 0:23:33.600
<v Speaker 1>week's episode was starts out on the S A T S.

0:23:33.720 --> 0:23:35.760
<v Speaker 1>And everybody's like freaked out about the s A T S.

0:23:35.800 --> 0:23:39.360
<v Speaker 1>And it's okay. I'm just curious what they start out

0:23:39.359 --> 0:23:43.920
<v Speaker 1>when they say scan, discard, select, move on. This is

0:23:44.000 --> 0:23:46.679
<v Speaker 1>the teachings of the guy that's saying this is what

0:23:46.720 --> 0:23:48.240
<v Speaker 1>you need to do to prepare to take the SA

0:23:48.280 --> 0:23:53.320
<v Speaker 1>T S. Is that real? Do they really tell people scan, discard, select,

0:23:53.359 --> 0:23:56.640
<v Speaker 1>move on before they take the SA T S. It's

0:23:56.680 --> 0:24:01.200
<v Speaker 1>probably from the Kaplan School of academic research. It makes

0:24:01.240 --> 0:24:04.119
<v Speaker 1>sense to me. You know, you scan, you look for

0:24:04.200 --> 0:24:06.560
<v Speaker 1>the right answer, and then if you don't know what,

0:24:06.680 --> 0:24:10.520
<v Speaker 1>move on. You narrow down what what doesn't make sense,

0:24:10.960 --> 0:24:13.960
<v Speaker 1>You throw away what doesn't make sense, and then you

0:24:14.080 --> 0:24:16.359
<v Speaker 1>take a look at the choices that are left and

0:24:16.359 --> 0:24:19.120
<v Speaker 1>then and then move on. You know, I never took

0:24:19.160 --> 0:24:21.520
<v Speaker 1>the s A T S. So how did you get

0:24:21.560 --> 0:24:24.760
<v Speaker 1>out of high school without? Did you finish? Yeah? But

0:24:24.800 --> 0:24:26.160
<v Speaker 1>how do you get out of high school without taking

0:24:26.160 --> 0:24:28.080
<v Speaker 1>the s A T S. I don't know. I'm just

0:24:28.160 --> 0:24:31.320
<v Speaker 1>good that way. I took a prep course. You're going

0:24:31.359 --> 0:24:34.760
<v Speaker 1>to college? Yeah, oh yeah, I took a prep course

0:24:34.800 --> 0:24:37.840
<v Speaker 1>and there was something like that. I don't remember exactly

0:24:37.840 --> 0:24:41.119
<v Speaker 1>what that's probably exactly what it was, but yeah, they

0:24:41.400 --> 0:24:43.879
<v Speaker 1>teach you how to take the test. How crazy is

0:24:43.880 --> 0:24:45.600
<v Speaker 1>it now that these kids don't even have to take

0:24:45.640 --> 0:24:47.720
<v Speaker 1>it anymore? Like me, I was ahead of my I

0:24:47.800 --> 0:24:52.240
<v Speaker 1>was ahead of the curve. I knew it wasn't necessary. Yeah,

0:24:52.440 --> 0:24:55.520
<v Speaker 1>they don't take it. My fifth grader had to apply

0:24:55.640 --> 0:24:58.159
<v Speaker 1>to get into middle school. How about that? No, I know,

0:24:59.240 --> 0:25:03.760
<v Speaker 1>it's don't fully a ball at Wait, isn't it? Aren't

0:25:03.760 --> 0:25:06.440
<v Speaker 1>you allowed to go to school? Isn't that compulsory? I've

0:25:06.440 --> 0:25:08.520
<v Speaker 1>got to apply? Yeah, you want to go to here

0:25:08.520 --> 0:25:10.919
<v Speaker 1>in Los Angeles, there's several different schools, and you know,

0:25:10.960 --> 0:25:12.679
<v Speaker 1>if you want to go to a particular school, you

0:25:12.720 --> 0:25:17.119
<v Speaker 1>have to apply a ten page application and there was

0:25:17.160 --> 0:25:19.600
<v Speaker 1>no legacy key and you gotta pay the big bucks.

0:25:20.400 --> 0:25:23.880
<v Speaker 1>Is that a lot of pressure on you, dad? Hell? Yeah,

0:25:24.440 --> 0:25:29.439
<v Speaker 1>it's more on my parents. Yeah. Yeah, especially when they

0:25:29.480 --> 0:25:32.880
<v Speaker 1>asked the child to fill in the last two pages.

0:25:33.000 --> 0:25:36.760
<v Speaker 1>You gotta like hand the form to them to answer

0:25:36.960 --> 0:25:40.800
<v Speaker 1>and say, please, just messed us up, don't screw I'm

0:25:40.800 --> 0:25:43.920
<v Speaker 1>gonna be proof reading your answers before we are listen. Sorry.

0:25:46.240 --> 0:25:47.919
<v Speaker 1>I would love it if you were my dad. I

0:25:47.920 --> 0:25:51.879
<v Speaker 1>think you'd be such a fun dad. Your girls are

0:25:51.920 --> 0:25:56.200
<v Speaker 1>so lucky. Thanks Jenny, I uh, you know, Dad's the

0:25:56.240 --> 0:26:00.200
<v Speaker 1>best role I'll ever play, and I enjoy it. You're

0:26:02.080 --> 0:26:05.760
<v Speaker 1>there's a lot of cigarette smoking in this episode, and

0:26:05.760 --> 0:26:08.800
<v Speaker 1>it really bugged me. Oh my gosh. It was a

0:26:08.840 --> 0:26:12.639
<v Speaker 1>little bit like after School Special. It was perfectly placed

0:26:12.760 --> 0:26:17.000
<v Speaker 1>in every scene and pointed out, and the Kelly's very

0:26:17.080 --> 0:26:19.560
<v Speaker 1>against it. I wonder if that's where, like I developed

0:26:19.560 --> 0:26:24.600
<v Speaker 1>my disdain for smoking, Like I can't stand cigarettes or

0:26:24.680 --> 0:26:26.439
<v Speaker 1>smoking at this point. I don't think I was in

0:26:26.520 --> 0:26:29.240
<v Speaker 1>one scene while they were smoking. You probably wouldn't have

0:26:29.240 --> 0:26:32.280
<v Speaker 1>done it if I know you. First of all, I

0:26:32.320 --> 0:26:34.520
<v Speaker 1>am pore smoking. I can't. Even when I was a

0:26:34.560 --> 0:26:37.720
<v Speaker 1>little kid, my mom had a quit smoking because I

0:26:37.720 --> 0:26:43.840
<v Speaker 1>couldn't breathe. And I've never smoked a cigarette. I mean

0:26:43.880 --> 0:26:46.119
<v Speaker 1>I've held more and faked it in front of the camera,

0:26:46.160 --> 0:26:49.040
<v Speaker 1>but I've never smoked a cigarette. And I like don't

0:26:49.040 --> 0:26:51.480
<v Speaker 1>even like to be in the company of people that

0:26:51.480 --> 0:26:53.920
<v Speaker 1>that do. That doesn't mean I don't like those people,

0:26:53.920 --> 0:26:56.480
<v Speaker 1>It's just I can't breathe. So you think they made

0:26:56.480 --> 0:27:00.240
<v Speaker 1>that a storyline to ultimately make it such a big

0:27:00.240 --> 0:27:02.400
<v Speaker 1>deal to not do it. I mean, it was very

0:27:02.480 --> 0:27:07.400
<v Speaker 1>in your face in this episode. She's smoking in a restaurant.

0:27:08.080 --> 0:27:10.280
<v Speaker 1>Not only in a restaurant, she also goes and smokes

0:27:10.320 --> 0:27:14.879
<v Speaker 1>inside of a winnebago where they where they're editing a

0:27:15.280 --> 0:27:19.439
<v Speaker 1>top story or whatever the backstory show. I'm like that

0:27:19.480 --> 0:27:22.800
<v Speaker 1>poor editor man is sitting there inhaling all her smoke.

0:27:25.200 --> 0:27:27.399
<v Speaker 1>It really was a huge storyline in this episode, like

0:27:27.440 --> 0:27:29.320
<v Speaker 1>it was. But I guess this is it that like

0:27:29.480 --> 0:27:31.960
<v Speaker 1>she's I'm I'm assuming there's gonna be no more smoking

0:27:32.000 --> 0:27:35.080
<v Speaker 1>after this episode. You know, that's one thing about our show.

0:27:35.160 --> 0:27:37.439
<v Speaker 1>They did every once in a while, they throw in

0:27:37.480 --> 0:27:42.160
<v Speaker 1>an episode that was issue oriented, you know, something that

0:27:42.560 --> 0:27:46.160
<v Speaker 1>um was a lesson to be learned. They would slide

0:27:46.160 --> 0:27:49.399
<v Speaker 1>it in there, and you know, it wasn't too heavy handed.

0:27:49.440 --> 0:27:52.119
<v Speaker 1>It was done in a way that was true to

0:27:52.960 --> 0:27:56.800
<v Speaker 1>the the demographic. You know, young kids in high schools,

0:27:56.800 --> 0:28:01.440
<v Speaker 1>they're they're exposed to smoking. They would smoke to be cool. Um.

0:28:01.480 --> 0:28:04.000
<v Speaker 1>I remember there was an episode where he freaked out

0:28:04.080 --> 0:28:07.840
<v Speaker 1>because he had like a skin cancer, and the whole

0:28:07.920 --> 0:28:10.800
<v Speaker 1>damn episode turned into a p s A. It was

0:28:10.880 --> 0:28:14.919
<v Speaker 1>so dumb. I was thinking, someone's being paid. What season

0:28:15.040 --> 0:28:19.720
<v Speaker 1>is this? I don't even remember what's that is it? Later?

0:28:19.840 --> 0:28:22.800
<v Speaker 1>Is it coming up. It's later. Yeah, I haven't seen

0:28:22.840 --> 0:28:26.240
<v Speaker 1>that one yet. Oh, I can't wait to watch it.

0:28:26.240 --> 0:28:30.119
<v Speaker 1>It's it's it's almost too much. I felt. That was

0:28:30.119 --> 0:28:31.919
<v Speaker 1>how I felt about the cigarettes in this one, Like

0:28:31.920 --> 0:28:33.760
<v Speaker 1>I got the point, but it was a little bit

0:28:33.880 --> 0:28:35.919
<v Speaker 1>so like on the nose that you're just like, we

0:28:36.080 --> 0:28:40.040
<v Speaker 1>get it. She smoked. Smoking is bad. Brandon is better

0:28:40.080 --> 0:28:41.920
<v Speaker 1>than Brenda. Like there was a lot of that, like

0:28:41.960 --> 0:28:45.520
<v Speaker 1>where you realize Brandon is the perfect kid and Brenda's

0:28:45.600 --> 0:28:47.960
<v Speaker 1>the f up you know what I mean? That was

0:28:48.480 --> 0:28:54.880
<v Speaker 1>really but they smoked in real life, like Jason, Luke, Shannon,

0:28:55.040 --> 0:28:59.360
<v Speaker 1>they were all smokers, you know. At that ended very quickly,

0:29:00.200 --> 0:29:03.920
<v Speaker 1>uh right after that, but they came to the show

0:29:03.960 --> 0:29:06.640
<v Speaker 1>all being smokers. I think that that was it. I

0:29:06.680 --> 0:29:11.200
<v Speaker 1>don't maybe you know, Brian was smoking for a little bit,

0:29:11.320 --> 0:29:14.600
<v Speaker 1>but you know, he was smoking those beats or whatever

0:29:14.640 --> 0:29:18.320
<v Speaker 1>those clothes things were, and I don't know, nobody smokes.

0:29:18.600 --> 0:29:21.800
<v Speaker 1>What was in those is that wacky tobacky? No, it

0:29:21.920 --> 0:29:24.960
<v Speaker 1>was I think it was clothes or something. Oh, clothes

0:29:25.160 --> 0:29:34.880
<v Speaker 1>right right? Yeah, just like really don't even This was

0:29:34.960 --> 0:29:39.200
<v Speaker 1>also the big legacy key Master Key episode for Steve

0:29:39.960 --> 0:29:43.320
<v Speaker 1>when b j uh picks Steve to carry on the

0:29:43.320 --> 0:29:49.000
<v Speaker 1>tradition of criminal action. But yes, like's it's passed down

0:29:49.040 --> 0:29:53.160
<v Speaker 1>by generations and generations of like breaking into the schools

0:29:53.240 --> 0:29:56.280
<v Speaker 1>like great banks or something. What's a great thing, get

0:29:56.280 --> 0:29:59.680
<v Speaker 1>in and steals tests or do whatever. And it was

0:30:00.040 --> 0:30:02.040
<v Speaker 1>fick for Steve because he's just the kind of guy

0:30:02.040 --> 0:30:03.760
<v Speaker 1>that will take an advantage of the situation where he

0:30:03.760 --> 0:30:07.120
<v Speaker 1>can get over on the man. J did you end

0:30:07.160 --> 0:30:10.000
<v Speaker 1>up taking the key? And I can't think we know yet.

0:30:10.080 --> 0:30:12.239
<v Speaker 1>It's like you don't know if you have it. He

0:30:12.320 --> 0:30:14.240
<v Speaker 1>has the key, but we don't know if you use

0:30:14.360 --> 0:30:17.640
<v Speaker 1>it yet. Yeah. I'm not going to give away any secrets,

0:30:17.720 --> 0:30:20.480
<v Speaker 1>but Steve has a legacy key. What do you think

0:30:20.520 --> 0:30:22.640
<v Speaker 1>he's gonna do with it? Okay, you really don't have

0:30:22.680 --> 0:30:24.800
<v Speaker 1>to think too hard on this one. And okay, did

0:30:24.800 --> 0:30:26.880
<v Speaker 1>you not think that was so? Like? Okay, so b J.

0:30:27.160 --> 0:30:29.920
<v Speaker 1>Harrison or whatever his name was, who I liked, by

0:30:29.920 --> 0:30:32.400
<v Speaker 1>the way, Yeah, he was cute. And that was also

0:30:32.440 --> 0:30:35.920
<v Speaker 1>a little Tiboth. That was Brooke Langton playing SuDS Lipton.

0:30:36.880 --> 0:30:38.680
<v Speaker 1>You guys remember her. She went on to be on

0:30:38.720 --> 0:30:41.600
<v Speaker 1>Melrose Place. Oh, his girlfriend, and her name was She

0:30:41.680 --> 0:30:44.239
<v Speaker 1>was cute. Yea. She went on to do a lot

0:30:44.280 --> 0:30:48.440
<v Speaker 1>of acting. But that guy is so mean to Steve,

0:30:48.640 --> 0:30:50.680
<v Speaker 1>but yet he picked Steve to give him the key.

0:30:50.760 --> 0:30:53.040
<v Speaker 1>It was like so weird. It's like, you're being so

0:30:53.200 --> 0:30:57.480
<v Speaker 1>mean to my Steve, but yet you're choosing him to

0:30:57.640 --> 0:31:00.840
<v Speaker 1>give him this like key. Yeah, you had to bust

0:31:00.840 --> 0:31:07.360
<v Speaker 1>your chops or something. Yeah, no, uh no, attempt to know.

0:31:07.600 --> 0:31:10.520
<v Speaker 1>There was no reason not to bus Steve's chops. I mean,

0:31:11.080 --> 0:31:13.600
<v Speaker 1>there's like he's the only one on the entire cast

0:31:13.680 --> 0:31:18.440
<v Speaker 1>that you can bust chops without Steve. Do you like it?

0:31:18.840 --> 0:31:21.560
<v Speaker 1>Like I want to know. I n feels about Steve,

0:31:21.720 --> 0:31:25.000
<v Speaker 1>Like really, oh Amy, Steve Sanders has been very good

0:31:25.000 --> 0:31:32.479
<v Speaker 1>to me. I like Steve. I appreciate Steve. Steve. You know,

0:31:32.520 --> 0:31:37.600
<v Speaker 1>everywhere I go, literally in the world, I'm reminded how

0:31:37.640 --> 0:31:41.680
<v Speaker 1>much I appreciate Steve because of the the joy and

0:31:41.760 --> 0:31:44.280
<v Speaker 1>pleasure and fun that he brought to so many people

0:31:44.280 --> 0:31:46.040
<v Speaker 1>around the world. He's like for me, he's like the

0:31:46.080 --> 0:31:51.120
<v Speaker 1>gift that keeps on giving. Fortunate for me, in two thousand,

0:31:51.640 --> 0:31:54.959
<v Speaker 1>I got to live my own life. Then, you know,

0:31:55.040 --> 0:31:59.840
<v Speaker 1>Steve and I stopped sharing in existence his life, though

0:32:00.080 --> 0:32:04.280
<v Speaker 1>stunted Will go on a lot longer than mine. But

0:32:05.440 --> 0:32:08.520
<v Speaker 1>I did like Steve's he was a jungle gym to play,

0:32:08.760 --> 0:32:11.080
<v Speaker 1>you know, he was an opportunity for me. I never

0:32:11.120 --> 0:32:13.680
<v Speaker 1>missed a day of work in ten years. I was

0:32:13.720 --> 0:32:15.880
<v Speaker 1>never too sick that I didn't go in. It was

0:32:16.440 --> 0:32:19.560
<v Speaker 1>uh for loss. I lost a grandma, my mom passed

0:32:19.560 --> 0:32:22.080
<v Speaker 1>away during that Those the only days that I missed work.

0:32:22.440 --> 0:32:24.840
<v Speaker 1>And you are never late. I don't remember a time

0:32:24.840 --> 0:32:28.720
<v Speaker 1>where you're ever late. I you know what I would?

0:32:29.040 --> 0:32:31.000
<v Speaker 1>I still do. I jump out of bed every morning

0:32:31.040 --> 0:32:36.560
<v Speaker 1>and like make my movesyched myself up, change my physiology

0:32:36.600 --> 0:32:40.240
<v Speaker 1>to get myself the passion to to get after it.

0:32:40.320 --> 0:32:42.440
<v Speaker 1>And wait, wait, wait, let me talk to you about

0:32:42.480 --> 0:32:44.720
<v Speaker 1>that for a second. You do you you every morning

0:32:44.720 --> 0:32:46.560
<v Speaker 1>you have to like psych yourself up like we all do,

0:32:46.600 --> 0:32:49.440
<v Speaker 1>but like you really do it. It's not really psyching

0:32:49.480 --> 0:32:52.680
<v Speaker 1>myself up. It's more of like seas in the Carpe

0:32:52.800 --> 0:32:56.280
<v Speaker 1>d m incantations. Every day and every way, I'm getting

0:32:56.280 --> 0:32:58.320
<v Speaker 1>stronger and stronger every day, and every way I getting

0:32:59.000 --> 0:33:03.720
<v Speaker 1>in the shower, like every day and every day you

0:33:03.800 --> 0:33:08.960
<v Speaker 1>believe in positive affirmations. That's what you're saying. I like that, right,

0:33:09.000 --> 0:33:12.080
<v Speaker 1>now you have more energy than any person I've ever known.

0:33:12.240 --> 0:33:16.880
<v Speaker 1>You've always had more energy, more positivity. Why why you

0:33:16.960 --> 0:33:19.440
<v Speaker 1>making fun of my hairy arms? No? No, my my

0:33:20.800 --> 0:33:23.000
<v Speaker 1>arm hair is standing up. I've just got myself in

0:33:23.080 --> 0:33:25.720
<v Speaker 1>such a state that it's like, it's because you're talking

0:33:25.760 --> 0:33:28.760
<v Speaker 1>to me. What are you talking about. I'm very excited

0:33:28.800 --> 0:33:31.400
<v Speaker 1>to be on this podcast with you guys to begin with.

0:33:31.480 --> 0:33:34.520
<v Speaker 1>But you know when you talk about coming to work,

0:33:34.560 --> 0:33:38.520
<v Speaker 1>I love what I do. I absolutely love, love love

0:33:38.600 --> 0:33:42.360
<v Speaker 1>what I do. Every listening realizes, like you are genuinely

0:33:42.400 --> 0:33:48.120
<v Speaker 1>the nicest person, Like you get dogs, you are children.

0:33:48.360 --> 0:33:52.440
<v Speaker 1>I'm got edged because I when I texted, I am

0:33:52.440 --> 0:33:54.240
<v Speaker 1>because I texted last minute, like, can you fill in

0:33:54.360 --> 0:33:58.560
<v Speaker 1>for Tory? Like you are the nicest person. I gotta

0:33:58.640 --> 0:34:01.600
<v Speaker 1>change that attitude. It's not working for you. I have

0:34:01.720 --> 0:34:03.840
<v Speaker 1>to ask you, guys. So, Hollywood four or five, six,

0:34:03.960 --> 0:34:08.720
<v Speaker 1>nine wants to know where do you see Steve Sanders? Oh?

0:34:08.880 --> 0:34:13.240
<v Speaker 1>Clearly I see him in the cloud forest of Costa Rica,

0:34:13.520 --> 0:34:16.680
<v Speaker 1>where he is the personal life coach to the world's

0:34:16.719 --> 0:34:21.040
<v Speaker 1>most interesting man. I mean, really, where else is he?

0:34:22.040 --> 0:34:24.760
<v Speaker 1>He just pulls this right up like that that fast

0:34:24.880 --> 0:34:31.560
<v Speaker 1>always yeah, and he is he married, Did he is

0:34:31.560 --> 0:34:40.200
<v Speaker 1>he married? No? No? Yeah? Was he ever married? Yeah?

0:34:40.239 --> 0:34:43.360
<v Speaker 1>He was married to Janet. He has baby? Oh? Hello,

0:34:44.640 --> 0:34:47.799
<v Speaker 1>have you seen that episode yet? This is a hologram.

0:34:47.960 --> 0:34:54.520
<v Speaker 1>You're not really, Jenny, No, I really am. It's barely

0:34:54.600 --> 0:34:59.120
<v Speaker 1>see the puppet springs. Think he has more kids? Um,

0:34:59.200 --> 0:35:02.120
<v Speaker 1>I think he has more than one child. Yes, I'm

0:35:02.160 --> 0:35:05.880
<v Speaker 1>not sure if he has more. He got divorced from Janet.

0:35:08.160 --> 0:35:13.880
<v Speaker 1>You know. I think Janet probably divorced him. And I

0:35:13.920 --> 0:35:18.400
<v Speaker 1>think it's because it's sad, you know. And I think

0:35:18.440 --> 0:35:21.759
<v Speaker 1>it's because I don't know that Steve really has the

0:35:21.800 --> 0:35:29.879
<v Speaker 1>skill set two have long, deep, meaningful relationships. I don't

0:35:29.880 --> 0:35:33.040
<v Speaker 1>know that he's never really displayed believe that. I don't

0:35:33.040 --> 0:35:37.000
<v Speaker 1>believe that at all. I see you Steve having those

0:35:37.520 --> 0:35:40.759
<v Speaker 1>developing those and that's what you do at that age. Well,

0:35:40.760 --> 0:35:44.320
<v Speaker 1>I don't sell him short. I'm not. There's nothing short.

0:35:44.480 --> 0:35:47.640
<v Speaker 1>I'm trying to. I'm trying to. I'm trying to push

0:35:47.800 --> 0:35:51.880
<v Speaker 1>the narrative where it would have been more interesting to see,

0:35:52.000 --> 0:35:55.000
<v Speaker 1>to see Steve have more ups and downs. Right, you know,

0:35:55.120 --> 0:36:01.000
<v Speaker 1>married as an art but like married, divorced, new love, um,

0:36:01.040 --> 0:36:07.640
<v Speaker 1>being torn between you know, you know, I just think

0:36:07.920 --> 0:36:12.040
<v Speaker 1>being torn is so much more dramatic than playing the

0:36:12.080 --> 0:36:20.319
<v Speaker 1>marriage note on TV. It doesn't. I'm name three successful

0:36:20.360 --> 0:36:27.000
<v Speaker 1>marriages that you've seen on TV Monica Monica and Chandler

0:36:27.760 --> 0:36:32.799
<v Speaker 1>Monican Ship. Well, oh the guys from This is It? Yeah,

0:36:32.840 --> 0:36:38.360
<v Speaker 1>that one and you know what's his doozy on Modern Family?

0:36:38.600 --> 0:36:42.680
<v Speaker 1>We can do it. Yeah, there there are certainly several,

0:36:42.719 --> 0:36:47.839
<v Speaker 1>but uh, I just my point is, I think it's

0:36:47.840 --> 0:36:53.000
<v Speaker 1>more more interesting. There's more drama opportunity, uh, you know,

0:36:53.000 --> 0:36:55.239
<v Speaker 1>otherwise then you have to bring you more characters to

0:36:55.239 --> 0:37:10.680
<v Speaker 1>to add color. T J twelve ten wants to know

0:37:10.719 --> 0:37:14.920
<v Speaker 1>who is Steve's true love? Who is Steve's true love?

0:37:15.600 --> 0:37:19.879
<v Speaker 1>Do I have to like Kelly Kelly Teller? Of course,

0:37:21.080 --> 0:37:23.319
<v Speaker 1>thanks for reminding me, like thinking, do we have to

0:37:23.320 --> 0:37:26.960
<v Speaker 1>stay within the combines of those ten years? But yeah,

0:37:27.000 --> 0:37:30.920
<v Speaker 1>I think yeah, I would actually say that without you

0:37:30.960 --> 0:37:34.919
<v Speaker 1>even uh nudging me. Jin. You know, first true love

0:37:35.160 --> 0:37:40.680
<v Speaker 1>was was Kelly Taylor, and I think that though there

0:37:41.560 --> 0:37:43.919
<v Speaker 1>they didn't go on to be a couple. I think

0:37:43.920 --> 0:37:46.960
<v Speaker 1>that Steve will always love Kelly. I think he will

0:37:47.000 --> 0:37:50.520
<v Speaker 1>always look out for her and realize that, you know,

0:37:50.640 --> 0:37:53.560
<v Speaker 1>through his own screw ups, or for whatever it was

0:37:53.600 --> 0:37:56.080
<v Speaker 1>that they broke up, was that she was the one

0:37:56.239 --> 0:37:59.719
<v Speaker 1>that he let getaway. I find that like watching back

0:38:00.600 --> 0:38:05.160
<v Speaker 1>this early seasons and seeing their relationship develop the way

0:38:05.200 --> 0:38:07.839
<v Speaker 1>that it has so far, it gives me such an

0:38:07.880 --> 0:38:12.920
<v Speaker 1>appreciation for you and for my relationship with you, because

0:38:13.560 --> 0:38:18.200
<v Speaker 1>not unlike Kelly and Steve, you and I have a

0:38:18.320 --> 0:38:23.640
<v Speaker 1>very beautiful, you know, long standing relationship and you're always

0:38:23.680 --> 0:38:25.960
<v Speaker 1>you will always be one of my very favorite people

0:38:26.120 --> 0:38:29.839
<v Speaker 1>in the world. And I feel like our characters sort

0:38:29.880 --> 0:38:33.160
<v Speaker 1>of felt that way about each other too. Yeah, yeah,

0:38:33.239 --> 0:38:35.080
<v Speaker 1>well that's what we do. We bring our life to

0:38:35.160 --> 0:38:40.399
<v Speaker 1>those imaginary circumstances, and that's how those characters bloom by

0:38:40.480 --> 0:38:43.000
<v Speaker 1>what we bring to the plate, what we bring to

0:38:43.080 --> 0:38:46.359
<v Speaker 1>the table from our own personal relationship, it's just going

0:38:46.400 --> 0:38:51.040
<v Speaker 1>to transfer, especially since the writing facilitated that. I mean,

0:38:51.040 --> 0:38:56.279
<v Speaker 1>if they created bump or bumps or or any kind

0:38:56.280 --> 0:39:01.319
<v Speaker 1>of uh dressed between us, any kind of conflict, you know,

0:39:01.400 --> 0:39:04.600
<v Speaker 1>we would have played that. You know, I think probably

0:39:04.600 --> 0:39:07.920
<v Speaker 1>would have had an underlying tone as like I love you,

0:39:08.000 --> 0:39:10.319
<v Speaker 1>but I don't like you kind of stuff. Yeah, we

0:39:10.360 --> 0:39:13.719
<v Speaker 1>saw that so much. When Grant Show Guests starred with

0:39:13.800 --> 0:39:17.800
<v Speaker 1>Jenny because Steve comes to the door and I remember

0:39:17.840 --> 0:39:22.400
<v Speaker 1>being like heartbroken, yeah in that, and it was some

0:39:22.480 --> 0:39:25.239
<v Speaker 1>of Jenny's like amazing work, Like I really saw like

0:39:25.280 --> 0:39:28.279
<v Speaker 1>a Kelly change then, and it was like you were

0:39:28.320 --> 0:39:30.160
<v Speaker 1>at the door and there's Grant show and you're kind

0:39:30.160 --> 0:39:33.799
<v Speaker 1>of like what's that, Like Steve, so what's happening? And

0:39:33.840 --> 0:39:39.000
<v Speaker 1>it was so devastating punch stuff. Yes, the show would

0:39:39.040 --> 0:39:41.440
<v Speaker 1>do that every once in a while. It was great

0:39:41.520 --> 0:39:45.399
<v Speaker 1>moments like that, and they, of course they would fill

0:39:45.400 --> 0:39:47.960
<v Speaker 1>it with such wonderful music that would just increase the

0:39:48.040 --> 0:39:51.680
<v Speaker 1>sorrow or heartbreak. Sound design was so great. Whoever did

0:39:51.719 --> 0:39:54.120
<v Speaker 1>sound on our show was so good in making it

0:39:54.960 --> 0:39:59.200
<v Speaker 1>play up or emphasized. There's a theme song on some

0:39:59.280 --> 0:40:03.440
<v Speaker 1>commercial that us constantly right now on Channel four about

0:40:03.719 --> 0:40:06.960
<v Speaker 1>it's like some insurance car commercial and it's like that

0:40:07.080 --> 0:40:11.000
<v Speaker 1>this like or like this guitar riff. And every single

0:40:11.040 --> 0:40:12.840
<v Speaker 1>time I hear that commercial, I turned around and I

0:40:12.840 --> 0:40:15.080
<v Speaker 1>think that our shows on because it's like the same

0:40:15.160 --> 0:40:18.640
<v Speaker 1>sound as the theme song from our show. Now I've

0:40:18.640 --> 0:40:21.360
<v Speaker 1>got that stuck in my head. I know I'm going

0:40:21.440 --> 0:40:23.680
<v Speaker 1>to hear that today at some point, Like that's what

0:40:23.719 --> 0:40:25.880
<v Speaker 1>you're talking about? I'm not pulling it right now. You'll know,

0:40:26.080 --> 0:40:29.640
<v Speaker 1>You'll know Simon wants to know. There's an emotional scene

0:40:29.640 --> 0:40:31.960
<v Speaker 1>that both of you remember, not necessarily with each other,

0:40:32.280 --> 0:40:36.799
<v Speaker 1>but it just really stands out like the most emotional

0:40:36.840 --> 0:40:42.000
<v Speaker 1>scene you had to shoot for Jimmy. Uh, you know,

0:40:42.280 --> 0:40:49.160
<v Speaker 1>there was one There was one episode that I think

0:40:49.200 --> 0:40:51.960
<v Speaker 1>it was the same episode that Steve Zvett got stolen,

0:40:52.040 --> 0:40:58.359
<v Speaker 1>the slumber Party episode where I really, uh just got

0:40:58.360 --> 0:41:01.719
<v Speaker 1>a huge dose of respect for what Jenny brings to

0:41:01.800 --> 0:41:04.919
<v Speaker 1>the to the table and also an appreciation for how

0:41:04.920 --> 0:41:09.319
<v Speaker 1>amazing our show is. When Kelly Taylor had to talk

0:41:09.400 --> 0:41:15.560
<v Speaker 1>about a date that went wrong, and it was like

0:41:15.640 --> 0:41:21.000
<v Speaker 1>the first time that it was an emotional spin on

0:41:21.080 --> 0:41:24.200
<v Speaker 1>what up until that point had been glitz and glamour

0:41:25.120 --> 0:41:31.759
<v Speaker 1>and the slumber party. Where Kelly is talking about how

0:41:32.560 --> 0:41:35.319
<v Speaker 1>um was it great? He pushed himself on your right

0:41:35.440 --> 0:41:40.319
<v Speaker 1>something like that, Jenny, And I'm watching this and I

0:41:40.360 --> 0:41:45.080
<v Speaker 1>was riveted because as Kelly's talking, all of all of

0:41:45.120 --> 0:41:48.680
<v Speaker 1>a sudden, tears start to drop and the camera's doing

0:41:48.719 --> 0:41:53.720
<v Speaker 1>a slow push in and it just it gave me chills.

0:41:54.040 --> 0:41:58.920
<v Speaker 1>And it was at that moment, like everyone uh on

0:41:59.080 --> 0:42:04.120
<v Speaker 1>the cast at some point, UM gained a tremendous amount

0:42:04.160 --> 0:42:08.040
<v Speaker 1>of respect when I saw something displayed or that they

0:42:08.080 --> 0:42:12.439
<v Speaker 1>brought to the table that was beyond and very early on,

0:42:12.600 --> 0:42:16.640
<v Speaker 1>Jen you did that in that episodes like Holy, that

0:42:16.760 --> 0:42:22.080
<v Speaker 1>was awesome. Yeah, yeah, we all had to bring that though. That.

0:42:22.520 --> 0:42:24.759
<v Speaker 1>I think that that's why people got so connected to

0:42:24.800 --> 0:42:30.040
<v Speaker 1>these characters is because they really could feel their feelings. Yeah,

0:42:30.520 --> 0:42:34.160
<v Speaker 1>that was That was such great work that I didn't

0:42:34.160 --> 0:42:39.480
<v Speaker 1>see coming. Um. I remember another episode later when I

0:42:39.520 --> 0:42:45.560
<v Speaker 1>was working with Lindsey Price Um where I would I

0:42:45.560 --> 0:42:47.799
<v Speaker 1>don't remember the exact situation. I came to the door

0:42:47.840 --> 0:42:49.359
<v Speaker 1>and it was either to break up or for her

0:42:49.400 --> 0:42:52.120
<v Speaker 1>to tell me her parents didn't like me. And you know,

0:42:52.160 --> 0:42:55.560
<v Speaker 1>we had to do it six times for some reason,

0:42:56.040 --> 0:42:58.040
<v Speaker 1>director wanted to move the camera or one of the

0:42:58.320 --> 0:43:01.600
<v Speaker 1>tap at it. But you know, Lindsey would start out

0:43:01.680 --> 0:43:04.760
<v Speaker 1>with a like a dry palette and she'd be talking

0:43:05.360 --> 0:43:07.239
<v Speaker 1>and it was such an emotional scene that all of

0:43:07.320 --> 0:43:10.880
<v Speaker 1>a sudden the water would stop and it would start,

0:43:10.960 --> 0:43:14.600
<v Speaker 1>and you know, for an actor to have that kind

0:43:14.640 --> 0:43:21.759
<v Speaker 1>of skill is it's really amazing, you know, to be

0:43:21.840 --> 0:43:24.600
<v Speaker 1>able to be brought internally to a level that You're

0:43:24.640 --> 0:43:32.120
<v Speaker 1>able to convey that sense of sorrow for an imaginary circumstance. Uh, repeatedly.

0:43:33.040 --> 0:43:38.800
<v Speaker 1>Uh was was amazing. She crushed it. You know, Uh,

0:43:38.920 --> 0:43:41.400
<v Speaker 1>everyone everyone at some point, and it didn't have to

0:43:41.400 --> 0:43:44.040
<v Speaker 1>be through tears. It could be just through a particular

0:43:44.120 --> 0:43:47.960
<v Speaker 1>line read or a particular situation where you know it

0:43:48.000 --> 0:43:50.600
<v Speaker 1>wasn't expected. I mean, if I was, that character would

0:43:50.600 --> 0:43:52.399
<v Speaker 1>have come out a different way. But I was so

0:43:52.600 --> 0:43:56.759
<v Speaker 1>enamored and um enthralled by the performance of each and

0:43:56.960 --> 0:44:00.239
<v Speaker 1>every one of my cast mates at one point or

0:44:00.239 --> 0:44:02.839
<v Speaker 1>another when they were given the tools, when they were

0:44:02.880 --> 0:44:06.400
<v Speaker 1>given the words to say that enabled them to really shine.

0:44:06.440 --> 0:44:10.160
<v Speaker 1>That one particular episode, Jenny for You was like the

0:44:10.200 --> 0:44:12.760
<v Speaker 1>beginning of me being in the awe of what you're capable.

0:44:14.200 --> 0:44:18.399
<v Speaker 1>So sweet, I have a question, uh for you? Can

0:44:18.440 --> 0:44:21.000
<v Speaker 1>I be the next question on the line? Okay, good,

0:44:23.800 --> 0:44:27.000
<v Speaker 1>thank you, thank you? Pick me. Uh. You have so

0:44:27.040 --> 0:44:30.799
<v Speaker 1>many of the best ad libbing moments all the time.

0:44:30.840 --> 0:44:33.160
<v Speaker 1>Every time it's always you ad lipping, and I know

0:44:33.320 --> 0:44:36.240
<v Speaker 1>you brought so much, like in particular in this episode alone,

0:44:36.840 --> 0:44:39.520
<v Speaker 1>when you walk up to Mrs Teasley in the hallway

0:44:39.600 --> 0:44:44.480
<v Speaker 1>and you go you say, Mrs t how you be

0:44:44.520 --> 0:44:46.920
<v Speaker 1>this is a favorite thing, like, and I'm like, only

0:44:47.000 --> 0:44:49.439
<v Speaker 1>you could pull that off. And I know that wasn't

0:44:49.480 --> 0:44:52.960
<v Speaker 1>in the script. You just brought so much, so much

0:44:53.000 --> 0:44:56.400
<v Speaker 1>flavor to your character and with all your ad libs.

0:44:57.000 --> 0:44:59.920
<v Speaker 1>I like to laugh a lot. I'm always looking for

0:45:00.160 --> 0:45:03.600
<v Speaker 1>humor in everything. Do you just like an icebreaker? You

0:45:03.640 --> 0:45:06.759
<v Speaker 1>were the guy that made everybody happy to be there? Oh?

0:45:06.880 --> 0:45:09.319
<v Speaker 1>I love you, I love you, I love you. Thank

0:45:09.360 --> 0:45:14.799
<v Speaker 1>you sweet. It's like you guys really are. It's like

0:45:15.160 --> 0:45:17.839
<v Speaker 1>I want everyone listening to know like they are. This

0:45:17.920 --> 0:45:22.879
<v Speaker 1>is real. It's just so you guys will be bonded forever. Yeah,

0:45:22.920 --> 0:45:29.520
<v Speaker 1>he cannot get rid of me or any of us. Nope,

0:45:29.880 --> 0:45:35.040
<v Speaker 1>till the end of time. This episode also um we

0:45:35.160 --> 0:45:40.959
<v Speaker 1>see Dylan visit his dad and jail briefly. Very briefly though,

0:45:41.480 --> 0:45:45.879
<v Speaker 1>but his dad commences some good parenting advice to him

0:45:45.960 --> 0:45:50.120
<v Speaker 1>from jail and convinced him to make something of himself.

0:45:50.160 --> 0:45:55.040
<v Speaker 1>Go take his You know s A T S will

0:45:55.120 --> 0:46:00.920
<v Speaker 1>you will? You want your girls to go to college? Yeah,

0:46:00.960 --> 0:46:03.120
<v Speaker 1>schools over when college is thrown. If they want to

0:46:03.160 --> 0:46:07.040
<v Speaker 1>go on to UH master's program or something more than that,

0:46:07.040 --> 0:46:09.840
<v Speaker 1>that's an option. But I grew up in a family

0:46:09.840 --> 0:46:13.040
<v Speaker 1>of educators. My father, all my aunts and uncles, there

0:46:13.040 --> 0:46:15.960
<v Speaker 1>were five siblings altogether. They were all in education. My

0:46:16.000 --> 0:46:19.640
<v Speaker 1>uncle was a principal. My father was a music teacher,

0:46:19.640 --> 0:46:22.520
<v Speaker 1>and then he was a guidance counsel first his career. Yeah,

0:46:22.840 --> 0:46:27.080
<v Speaker 1>education is very important, Uh for me, I'm gonna pass

0:46:27.120 --> 0:46:29.239
<v Speaker 1>that down to my kids. And if they want to

0:46:29.239 --> 0:46:33.719
<v Speaker 1>stop school, it's after college. Good for you. My parents

0:46:33.760 --> 0:46:36.800
<v Speaker 1>were educators too, and I didn't even graduate high school.

0:46:37.200 --> 0:46:42.640
<v Speaker 1>I don't growing up. Growing up, I didn't know. I'm

0:46:42.640 --> 0:46:46.000
<v Speaker 1>telling you. I was in twelfth grade, graduating, heading to college,

0:46:46.360 --> 0:46:48.000
<v Speaker 1>and I spoke to a buddy, I'm like, what college

0:46:48.000 --> 0:46:51.400
<v Speaker 1>youre going to? I'm not going to college, Mike. What

0:46:52.440 --> 0:47:00.440
<v Speaker 1>because like for me, tenth grade, eleventh grade, twelfth grade, college, freshman, senior, junior, whatever.

0:47:01.400 --> 0:47:04.720
<v Speaker 1>I didn't know it was an option. There was an option.

0:47:04.800 --> 0:47:07.239
<v Speaker 1>It was never made like, no school, You'll be done

0:47:07.239 --> 0:47:09.280
<v Speaker 1>with school when you're throw with college. So I didn't

0:47:09.320 --> 0:47:14.319
<v Speaker 1>know that college was an option. It was weird. My

0:47:14.360 --> 0:47:17.160
<v Speaker 1>father just yeah, I had. My brothers were ten years

0:47:17.200 --> 0:47:20.359
<v Speaker 1>older than me, still our tenures on me, and they went,

0:47:20.640 --> 0:47:23.879
<v Speaker 1>you know, one got an NBA, another got a master's one.

0:47:24.040 --> 0:47:27.080
<v Speaker 1>One of my brothers went on got his PhD. But

0:47:27.640 --> 0:47:30.719
<v Speaker 1>those were I knew those were options. But do you

0:47:30.760 --> 0:47:34.799
<v Speaker 1>still think that in today, in the same age, college

0:47:34.840 --> 0:47:39.759
<v Speaker 1>is vital to success. I think it's vital for a

0:47:39.840 --> 0:47:42.920
<v Speaker 1>few reasons, not just for the course of study that

0:47:43.000 --> 0:47:50.040
<v Speaker 1>you choose, but also for the socialization. Um it's uh.

0:47:50.200 --> 0:47:53.239
<v Speaker 1>You know, I've got a nephew that I graduated with

0:47:53.280 --> 0:47:56.920
<v Speaker 1>a poetry poetry degree. I'm not sure that was money

0:47:56.960 --> 0:48:00.560
<v Speaker 1>well spent. This particular kid happens to be a Virginius,

0:48:00.560 --> 0:48:05.200
<v Speaker 1>started a business and sold it to Boeing. That's some

0:48:05.360 --> 0:48:10.800
<v Speaker 1>that's some poetry dedviers right there, right right. Um. I

0:48:10.800 --> 0:48:13.520
<v Speaker 1>I feel college is important. You know, it's very difficult

0:48:13.560 --> 0:48:16.600
<v Speaker 1>now that we live in a gig economy where people

0:48:17.320 --> 0:48:19.360
<v Speaker 1>look to start their own business. I think the best

0:48:19.560 --> 0:48:25.000
<v Speaker 1>course of study, if you're looking focusing on the lifestyle

0:48:25.120 --> 0:48:29.399
<v Speaker 1>you want, would probably be business because everything else, you're

0:48:29.400 --> 0:48:33.239
<v Speaker 1>going to be an employee, and employees are working a

0:48:33.320 --> 0:48:35.800
<v Speaker 1>job and a job you know what job stands for

0:48:36.719 --> 0:48:42.880
<v Speaker 1>journey of the broke. It's true. People that are working

0:48:42.920 --> 0:48:45.799
<v Speaker 1>as an employee are not going to create the kind

0:48:45.800 --> 0:48:49.160
<v Speaker 1>of wealth that's going to give them the life that

0:48:49.320 --> 0:48:51.160
<v Speaker 1>they may long for. You got to own a business,

0:48:51.160 --> 0:48:55.200
<v Speaker 1>so I think a business degree, uh is H is

0:48:56.120 --> 0:49:00.040
<v Speaker 1>probably the best degree too to go forward. Otherwise you

0:49:00.080 --> 0:49:02.760
<v Speaker 1>work hard for a living rather than smart for a lifestyle.

0:49:02.920 --> 0:49:05.440
<v Speaker 1>Or even if you're studying something else, to minor in

0:49:05.560 --> 0:49:07.640
<v Speaker 1>business would be a good choice. I mean, I'm always

0:49:07.760 --> 0:49:11.640
<v Speaker 1>telling my girls that to just learn how to do

0:49:11.760 --> 0:49:14.160
<v Speaker 1>business because it's going to be an integral part of

0:49:14.160 --> 0:49:17.080
<v Speaker 1>whatever it is that you do moving forward. Because even

0:49:17.120 --> 0:49:20.160
<v Speaker 1>if it's just your life, you're the CEO of your life,

0:49:20.200 --> 0:49:21.960
<v Speaker 1>like you know how to run it, know how to

0:49:22.000 --> 0:49:25.399
<v Speaker 1>take care of yourself. Absolutely. I had a I got

0:49:25.400 --> 0:49:29.640
<v Speaker 1>a degree in in drama from my college. But my

0:49:29.680 --> 0:49:31.719
<v Speaker 1>father said to me, look, you better have a plan B.

0:49:32.640 --> 0:49:35.319
<v Speaker 1>You need to figure it out because not very many

0:49:35.320 --> 0:49:37.440
<v Speaker 1>people make it as well. Was your plan B? What

0:49:37.480 --> 0:49:40.880
<v Speaker 1>was your What was it? Um? Well? I wanted to

0:49:40.920 --> 0:49:43.759
<v Speaker 1>do something that I could be passionate about. My dad said,

0:49:43.800 --> 0:49:45.600
<v Speaker 1>you know, find something you love. You'll never work a

0:49:45.680 --> 0:49:48.080
<v Speaker 1>day in your life. And you know, when I was

0:49:48.160 --> 0:49:51.680
<v Speaker 1>in junior high school and high school, I loved saltwater fish.

0:49:51.719 --> 0:49:53.920
<v Speaker 1>I had fish tanks at my house and I thought

0:49:54.000 --> 0:50:00.200
<v Speaker 1>it would be interesting two maybe one day have I

0:50:00.280 --> 0:50:04.920
<v Speaker 1>at that time called catcheries around the world where I

0:50:04.960 --> 0:50:11.280
<v Speaker 1>could capture saltwater fish in their environment and then import

0:50:11.320 --> 0:50:18.000
<v Speaker 1>them to the United States for the fish tank industry.

0:50:18.360 --> 0:50:20.560
<v Speaker 1>And in college, my first two years of college, I

0:50:20.640 --> 0:50:23.680
<v Speaker 1>worked in a fish store to learn the business while

0:50:23.719 --> 0:50:26.080
<v Speaker 1>I was going to school, just because first of all,

0:50:26.120 --> 0:50:29.239
<v Speaker 1>I got wholesale prices on all my fish, but then

0:50:29.280 --> 0:50:33.520
<v Speaker 1>I also learned the business. I never knew this about you.

0:50:33.640 --> 0:50:36.160
<v Speaker 1>I always wonder what that smell was, but I never

0:50:36.480 --> 0:50:42.400
<v Speaker 1>knew that was the fish tank stank, you know, I

0:50:42.840 --> 0:50:45.640
<v Speaker 1>swear I never knew you were a big fish guy. Yeah,

0:50:45.680 --> 0:50:47.680
<v Speaker 1>I mean I haven't had a fish tank in thirty years.

0:50:47.719 --> 0:50:51.920
<v Speaker 1>But in my early years. Somebody's birthday is coming, like

0:50:52.080 --> 0:50:57.600
<v Speaker 1>maybe yours. How many days today is your birth birthday?

0:50:58.040 --> 0:51:01.120
<v Speaker 1>Believe you're for you for days after mind, Jenny, So

0:51:01.920 --> 0:51:05.120
<v Speaker 1>don't even Okay, nobody's getting any younger, nobody gets out

0:51:05.120 --> 0:51:07.640
<v Speaker 1>of Okay, that's cute, you guys. You guys have your

0:51:07.640 --> 0:51:10.640
<v Speaker 1>birthdays right near each other. We're both aries. Did you

0:51:10.640 --> 0:51:13.960
<v Speaker 1>ever joint like a joint party? Back in the day,

0:51:14.560 --> 0:51:18.400
<v Speaker 1>we partied a lot, But I don't know that. I

0:51:18.400 --> 0:51:22.000
<v Speaker 1>don't know. At birthday parties together, yeah maybe, I don't know.

0:51:23.600 --> 0:51:26.520
<v Speaker 1>They would always get a birthday cake for everybody on

0:51:26.560 --> 0:51:28.920
<v Speaker 1>the set or on the crew that was in that month,

0:51:29.120 --> 0:51:31.359
<v Speaker 1>and then they would write everybody's name on the birthday cake.

0:51:31.400 --> 0:51:34.120
<v Speaker 1>You remember that, So there was one cake for every month.

0:51:34.239 --> 0:51:40.359
<v Speaker 1>I love cake day, Jenny. I just saw your eyes

0:51:40.400 --> 0:51:42.520
<v Speaker 1>looked to the side. That was such a delicious reverie

0:51:42.880 --> 0:51:45.600
<v Speaker 1>lived in that moment. Just you know, I'm hungry right

0:51:45.640 --> 0:51:48.480
<v Speaker 1>how let me tell you something off topic right now?

0:51:48.480 --> 0:51:52.120
<v Speaker 1>But I'm doing that fasting thing where you eat, you

0:51:52.200 --> 0:51:54.120
<v Speaker 1>only eat for a certain amount of time and then

0:51:56.960 --> 0:52:00.600
<v Speaker 1>I'm really hungry right now. Oh you, Jennet, to see

0:52:00.760 --> 0:52:03.920
<v Speaker 1>my generation, we just call it missing breakfast. I guess

0:52:03.960 --> 0:52:06.640
<v Speaker 1>so I'm used to my I like my berries in

0:52:06.640 --> 0:52:09.360
<v Speaker 1>the morning. Anyway, how do we get to the places

0:52:09.360 --> 0:52:11.880
<v Speaker 1>we get? I don't know. Well, let's get back to

0:52:11.960 --> 0:52:15.279
<v Speaker 1>the episode. Let's let's let's any of you. Did you

0:52:15.320 --> 0:52:18.280
<v Speaker 1>think of this episode in general? I kind of loved

0:52:18.320 --> 0:52:21.200
<v Speaker 1>it and sort of laughed at it a little bit

0:52:21.239 --> 0:52:25.080
<v Speaker 1>because it was I really liked it. It was like

0:52:25.360 --> 0:52:29.120
<v Speaker 1>what it was so different. It was so centered around

0:52:29.200 --> 0:52:33.360
<v Speaker 1>this like news story in this selation an inside edition,

0:52:33.680 --> 0:52:38.000
<v Speaker 1>yeah story. I felt like it was a very special

0:52:38.040 --> 0:52:46.600
<v Speaker 1>episode of you knows something super weird. So when you

0:52:46.600 --> 0:52:48.640
<v Speaker 1>guys are taking the s a t S. So there's

0:52:48.680 --> 0:52:52.520
<v Speaker 1>like all this stuff's happening, and then we go towards

0:52:52.520 --> 0:52:53.799
<v Speaker 1>the end of the s A T S And I

0:52:53.880 --> 0:52:57.880
<v Speaker 1>was like, is this camera being hand held? Like you

0:52:57.880 --> 0:53:00.600
<v Speaker 1>guys have to rewatch the scene because it was shot

0:53:00.760 --> 0:53:03.840
<v Speaker 1>so messy, Like I was like, what did they forget

0:53:04.120 --> 0:53:06.640
<v Speaker 1>all the crew that day? And somebody showed up with

0:53:06.719 --> 0:53:10.799
<v Speaker 1>like their camcorder. Maybe that's when the whole like handheld

0:53:10.880 --> 0:53:13.920
<v Speaker 1>camera man it was saying. It was so jarring. I

0:53:14.000 --> 0:53:19.800
<v Speaker 1>was like, wait, what just happened? He directed this right? Yeah?

0:53:19.920 --> 0:53:22.719
<v Speaker 1>He was At first, ad wasn't he? And then he becnted.

0:53:23.360 --> 0:53:25.840
<v Speaker 1>I think he was one of the He used handheld

0:53:25.920 --> 0:53:30.920
<v Speaker 1>quite a bit. Back then, handheld was much different than

0:53:30.960 --> 0:53:33.319
<v Speaker 1>it is now because they don't nowadays. They have this

0:53:33.400 --> 0:53:36.640
<v Speaker 1>contraption that the cameraman will wear which stabilizes the camera

0:53:36.719 --> 0:53:40.719
<v Speaker 1>so there's no shake whatsoever. Bluid it's beautiful and that's

0:53:40.719 --> 0:53:43.000
<v Speaker 1>what they use now. But back then it was literally

0:53:43.320 --> 0:53:46.160
<v Speaker 1>a guy with a camera on his shoulder trying not

0:53:46.200 --> 0:53:49.160
<v Speaker 1>to jiggle or sneeze or fart or anything, you know,

0:53:49.239 --> 0:53:53.120
<v Speaker 1>like it was. There was a scene like everybody needs

0:53:53.120 --> 0:53:54.600
<v Speaker 1>to rewatch it and tell me if I'm crazy or not.

0:53:54.640 --> 0:53:56.600
<v Speaker 1>But I was like, what just happened? Like, am I

0:53:56.640 --> 0:54:01.000
<v Speaker 1>watching like a weird I don't know. It felt the

0:54:01.160 --> 0:54:03.520
<v Speaker 1>episode felt disjoined. It to me. I did like when

0:54:04.000 --> 0:54:06.480
<v Speaker 1>seeing the twins together. I always love a good twin

0:54:06.880 --> 0:54:11.640
<v Speaker 1>scene with Brandon and Brenda, so I enjoyed that. I

0:54:11.719 --> 0:54:15.279
<v Speaker 1>thought Brandon was particularly I mean, I am You're still

0:54:15.320 --> 0:54:18.920
<v Speaker 1>my favorite. You're my favorite. I'm just gonna but Brandon

0:54:18.960 --> 0:54:23.880
<v Speaker 1>looked hot, like he looks so good, and I do

0:54:24.080 --> 0:54:26.640
<v Speaker 1>saying that a lot lately. I know he looks real good.

0:54:26.760 --> 0:54:31.239
<v Speaker 1>OPT text Jason and say you look good. Let's don't

0:54:31.280 --> 0:54:33.399
<v Speaker 1>don't say it like that. That's crazy, and you get

0:54:33.440 --> 0:54:39.080
<v Speaker 1>to say it looks good, don't spell it. G e

0:54:39.360 --> 0:54:43.520
<v Speaker 1>W D gets weird. And I like Nikki. I think

0:54:43.600 --> 0:54:47.719
<v Speaker 1>Nikki is cool. I think she gave Brandon a real

0:54:47.960 --> 0:54:51.560
<v Speaker 1>SmackDown in that one scene where he was like just

0:54:51.640 --> 0:54:53.960
<v Speaker 1>when he kind of went nuts and I was like,

0:54:54.080 --> 0:54:58.279
<v Speaker 1>it's never gonna work and she's like sorry, yeahs is

0:54:58.520 --> 0:55:04.239
<v Speaker 1>awesome those who love it. Well I did. I did

0:55:04.440 --> 0:55:08.759
<v Speaker 1>have several uh takeaway quotes from this episode. But let's

0:55:08.760 --> 0:55:11.279
<v Speaker 1>take a break and when we come back we'll get

0:55:11.280 --> 0:55:26.160
<v Speaker 1>into that. Okay. So yeah, this episode I don't usually

0:55:26.239 --> 0:55:29.400
<v Speaker 1>cling onto like the lines of the dialogue or anything.

0:55:29.719 --> 0:55:32.240
<v Speaker 1>Usually tend to focus on the boom and the shot

0:55:32.440 --> 0:55:34.520
<v Speaker 1>or like the camera seeing the camera shadow and stuff

0:55:34.560 --> 0:55:38.879
<v Speaker 1>like that. But there was so many lines in this episode. Um,

0:55:38.920 --> 0:55:41.640
<v Speaker 1>I'm just gonna go Okay. The first one that stood

0:55:41.680 --> 0:55:44.160
<v Speaker 1>out to me was a bunch of ordinary kids living

0:55:44.239 --> 0:55:47.600
<v Speaker 1>a world in a world that is extraordinary. I remember

0:55:47.600 --> 0:55:49.160
<v Speaker 1>who said it, but it was in the beginning, and

0:55:49.200 --> 0:55:52.759
<v Speaker 1>I was like, well, that's basically the you know, the

0:55:52.760 --> 0:55:57.560
<v Speaker 1>the one pair one sentence of our show was the show. Yeah, basically,

0:55:57.800 --> 0:55:59.239
<v Speaker 1>So they just decided to write that in there. I

0:55:59.239 --> 0:56:06.080
<v Speaker 1>guess you know. That was easy. Yes, it had backstory

0:56:06.080 --> 0:56:09.799
<v Speaker 1>show like fake inside edition. They took it right off

0:56:09.800 --> 0:56:15.080
<v Speaker 1>the i MD page there dB. I don't think they

0:56:15.080 --> 0:56:19.120
<v Speaker 1>had that then. Okay, Now the way was from the internet,

0:56:19.320 --> 0:56:24.120
<v Speaker 1>all right, right, forgot The other one was from Brenda Dad.

0:56:24.160 --> 0:56:28.760
<v Speaker 1>If I can survive the smog in the air, pesticides

0:56:28.800 --> 0:56:32.040
<v Speaker 1>in my food, and the crime on the streets, then

0:56:32.080 --> 0:56:37.360
<v Speaker 1>I can surely manage a couple of lousy cigarettes. Okay,

0:56:37.400 --> 0:56:40.080
<v Speaker 1>you're right, Brenda, go ahead. What is he supposed to

0:56:40.080 --> 0:56:43.240
<v Speaker 1>say to that? The cigarette thing was so like really

0:56:43.280 --> 0:56:45.600
<v Speaker 1>really annoying. Okay, wait, one more, one more, one more

0:56:45.760 --> 0:56:50.720
<v Speaker 1>on the Mrs T how you be? That's what everyone? Uh?

0:56:50.760 --> 0:56:54.600
<v Speaker 1>And then um Brandon says to you when he's giving

0:56:54.680 --> 0:56:58.799
<v Speaker 1>him you his pearls of wisdom, he says, anything you

0:56:58.840 --> 0:57:02.200
<v Speaker 1>can't do out in the open, isn't it worth doing? Random?

0:57:02.280 --> 0:57:05.360
<v Speaker 1>Is such a goody two shoes. And so I'm like, dude,

0:57:06.040 --> 0:57:09.120
<v Speaker 1>I love you can't do out in the open. You

0:57:09.160 --> 0:57:10.920
<v Speaker 1>can do a lot out in the open, now, I

0:57:10.960 --> 0:57:15.080
<v Speaker 1>just want to point out that's true. But still there's

0:57:15.120 --> 0:57:17.240
<v Speaker 1>a lot you can do behind closed doors that are

0:57:17.480 --> 0:57:21.520
<v Speaker 1>equally maybe more so fun. And my final one is

0:57:21.840 --> 0:57:26.520
<v Speaker 1>from you as Steve Sanders, get out of my space,

0:57:26.560 --> 0:57:30.640
<v Speaker 1>butt head, get out of my space. But head, you

0:57:30.680 --> 0:57:35.240
<v Speaker 1>know that's uh, that was definitely scripted because butt head,

0:57:37.480 --> 0:57:41.080
<v Speaker 1>butt head Beavis and butt head. I don't know, maybe

0:57:41.120 --> 0:57:44.560
<v Speaker 1>that's what it was. Is there a Steve Sanders line that,

0:57:44.600 --> 0:57:46.400
<v Speaker 1>like people say to you in the airport all the time,

0:57:46.480 --> 0:57:49.600
<v Speaker 1>is there like a line that stuck, you know, like

0:57:49.680 --> 0:57:53.680
<v Speaker 1>I choose me for Jenny, I think she'll Yeah, no,

0:57:53.880 --> 0:57:59.400
<v Speaker 1>there there's not one thing. There's so many. You know.

0:57:59.600 --> 0:58:04.120
<v Speaker 1>It's I don't know, learned from the master get the

0:58:04.160 --> 0:58:07.080
<v Speaker 1>first base faster? Remember that from when Steve started is

0:58:07.080 --> 0:58:10.440
<v Speaker 1>how to meet women. Course, I'm Steve Sanders, I have

0:58:10.480 --> 0:58:15.600
<v Speaker 1>a PhD. And women just so many like, yeah, it

0:58:15.680 --> 0:58:17.920
<v Speaker 1>has have been so much fun to write for your character.

0:58:19.040 --> 0:58:20.960
<v Speaker 1>But you would think so, I didn't see many words

0:58:21.440 --> 0:58:28.000
<v Speaker 1>on but uh but whatever, I don't know. I think

0:58:28.040 --> 0:58:31.000
<v Speaker 1>I I'm just reading my notes and I hate b J. Harrison.

0:58:31.600 --> 0:58:35.520
<v Speaker 1>I there's something I love about how I sort. I

0:58:35.560 --> 0:58:37.160
<v Speaker 1>was like, this is what I wrote because he says

0:58:37.240 --> 0:58:40.040
<v Speaker 1>to Steve turned up to be jerk to Steve, and

0:58:40.080 --> 0:58:42.400
<v Speaker 1>I literally wrote my notes, why is this tool giving

0:58:42.440 --> 0:58:49.440
<v Speaker 1>the key if he hates Steve, w T really get involved?

0:58:50.400 --> 0:58:53.600
<v Speaker 1>Mean to Steve? I was like, get lost. B J. Harrison,

0:58:54.160 --> 0:58:58.680
<v Speaker 1>who wrote this episode, I uh, let me go back.

0:58:59.120 --> 0:59:02.960
<v Speaker 1>Written by Karen Rosen and Darren Starr, So this was

0:59:04.560 --> 0:59:09.280
<v Speaker 1>our creator. It was a part of writing this one.

0:59:09.160 --> 0:59:13.280
<v Speaker 1>Yea good episode with with weird after school special moment.

0:59:13.360 --> 0:59:15.280
<v Speaker 1>It was it was written it was There was a

0:59:15.280 --> 0:59:17.200
<v Speaker 1>lot of writing in this episode, like I felt like

0:59:17.240 --> 0:59:21.640
<v Speaker 1>it was overwritten. I'm thinking that Darren probably did the

0:59:21.680 --> 0:59:27.120
<v Speaker 1>smoking stuff, or Darren did that legacy stuff and Karen

0:59:27.120 --> 0:59:31.200
<v Speaker 1>did the smoking stuff because she seems like much more

0:59:31.320 --> 0:59:34.640
<v Speaker 1>motherly and yeah, like oh no, no, shame on you

0:59:34.760 --> 0:59:36.680
<v Speaker 1>kind of. Yeah. I think she also, Oh my god,

0:59:36.680 --> 0:59:43.520
<v Speaker 1>I think Karen Rosen also wrote the episode where cancer. Yeah,

0:59:43.560 --> 0:59:45.840
<v Speaker 1>well it makes sense. I wonder if she wrote when

0:59:45.880 --> 0:59:48.960
<v Speaker 1>you had when Brenda had the lump. Maybe she really

0:59:49.000 --> 0:59:55.120
<v Speaker 1>likes a teaching moment, a teachable moment people. That'd be

0:59:55.200 --> 0:59:59.680
<v Speaker 1>interesting to see what particular writers that we had on

1:00:00.080 --> 1:00:03.959
<v Speaker 1>f put together all the episodes of what they wrote

1:00:03.960 --> 1:00:08.200
<v Speaker 1>to see if there's any common theme. And I would

1:00:08.200 --> 1:00:13.000
<v Speaker 1>say that there is a common thread in Karen Rosen's

1:00:13.040 --> 1:00:16.720
<v Speaker 1>work about that that that's it, that there's a lesson

1:00:16.760 --> 1:00:20.320
<v Speaker 1>to be learned. Yeah. She was always a very maternal presence,

1:00:20.360 --> 1:00:23.919
<v Speaker 1>like very motherly and kind of wanted to help and

1:00:24.520 --> 1:00:28.800
<v Speaker 1>very empathetic to everybody, So that would make sense. Yeah,

1:00:29.120 --> 1:00:31.520
<v Speaker 1>poor Andrea. They really make her look like a teacher.

1:00:31.560 --> 1:00:34.960
<v Speaker 1>It's like it was she in this episode. She had

1:00:34.080 --> 1:00:39.880
<v Speaker 1>two scenes. One she really looked teachery. She was like

1:00:39.880 --> 1:00:42.000
<v Speaker 1>in a blazer and talking to Brandon, and then there

1:00:42.080 --> 1:00:44.400
<v Speaker 1>was the Nikki scene where she's sort of like be

1:00:44.560 --> 1:00:47.200
<v Speaker 1>nice to Nikki, like what's your problem to Brandon, And

1:00:47.240 --> 1:00:51.160
<v Speaker 1>then there's that moment where um, Mrs Teasley or no,

1:00:51.960 --> 1:00:57.760
<v Speaker 1>somebody's like Mrs TEUs like yeah, and then tell nobody

1:00:58.080 --> 1:01:01.000
<v Speaker 1>running around like a crazy person to find Brenda to

1:01:01.080 --> 1:01:05.520
<v Speaker 1>be like I told you so. I don't know he

1:01:05.640 --> 1:01:08.720
<v Speaker 1>was real. He had a blue shirt in this one

1:01:08.800 --> 1:01:11.400
<v Speaker 1>button down that I was just like, you look great,

1:01:14.160 --> 1:01:17.640
<v Speaker 1>really great. You know, people watch the show for different reasons.

1:01:17.760 --> 1:01:21.720
<v Speaker 1>Clearly I could see what yours is doing. I just

1:01:21.840 --> 1:01:24.840
<v Speaker 1>got her takes me back every time. It's like, so

1:01:25.080 --> 1:01:27.440
<v Speaker 1>it's like a it's like a time travel. When I

1:01:27.480 --> 1:01:30.840
<v Speaker 1>watch it, I'm just back in college in the TV room,

1:01:30.920 --> 1:01:34.240
<v Speaker 1>all huddled up with my friends, Like it's it's really weird.

1:01:34.240 --> 1:01:36.000
<v Speaker 1>Like last night when I watched it, I'm like, I'm

1:01:36.000 --> 1:01:37.600
<v Speaker 1>just gonna watch ten minutes and then I'll do something

1:01:37.600 --> 1:01:39.280
<v Speaker 1>else and then I'm just completely like I watched the

1:01:39.320 --> 1:01:43.520
<v Speaker 1>whole thing. Wow, It's yeah, it's like a time travel.

1:01:43.800 --> 1:01:47.200
<v Speaker 1>I've seen people comment on our pages and things that

1:01:47.240 --> 1:01:50.720
<v Speaker 1>they don't think we really watched show. We do. We

1:01:50.960 --> 1:01:53.160
<v Speaker 1>watched when it first aired. I didn't watch the show.

1:01:53.320 --> 1:01:55.360
<v Speaker 1>I would see it once in a while, but we

1:01:55.360 --> 1:02:00.080
<v Speaker 1>were usually busy working, you know we, I said, I

1:02:00.080 --> 1:02:04.439
<v Speaker 1>mean like, I don't remember anything. But now watching it back,

1:02:04.520 --> 1:02:06.920
<v Speaker 1>it's like the first time I've seen it because we

1:02:07.240 --> 1:02:09.160
<v Speaker 1>didn't get the opportunity to sit down and watch it.

1:02:09.240 --> 1:02:13.439
<v Speaker 1>We're always working. I have the entire series in its

1:02:13.600 --> 1:02:19.000
<v Speaker 1>original presentation with original music on a hard drive. WHOA,

1:02:19.720 --> 1:02:23.640
<v Speaker 1>how did you get that? When did you get the

1:02:23.680 --> 1:02:28.320
<v Speaker 1>legacy key to the to the producer's office? Right? I

1:02:28.960 --> 1:02:32.760
<v Speaker 1>when we started going, when we went into syndication, I

1:02:32.800 --> 1:02:35.320
<v Speaker 1>started to go to the nappy conventions where they would

1:02:35.800 --> 1:02:40.320
<v Speaker 1>I wanted to learn the business of television syndication and

1:02:40.440 --> 1:02:42.440
<v Speaker 1>I got to know all the guys that were selling

1:02:42.440 --> 1:02:45.840
<v Speaker 1>our show. And as a thank you for me going

1:02:45.880 --> 1:02:49.360
<v Speaker 1>down there, when the show ended, they gave me the

1:02:49.560 --> 1:02:56.600
<v Speaker 1>entire Showy did they hand you a floppy disk? They were?

1:02:57.320 --> 1:03:02.280
<v Speaker 1>They were VHS tapes that I had for it. So

1:03:02.360 --> 1:03:05.360
<v Speaker 1>I'm gonna watch those with my kids one day. I

1:03:05.400 --> 1:03:09.240
<v Speaker 1>was gonna your kids have ever seen it? No, it's not.

1:03:09.520 --> 1:03:12.720
<v Speaker 1>I think it's on what's it on now? Hulu? Where

1:03:12.720 --> 1:03:16.320
<v Speaker 1>do you? Yeah? Amazon Prime? Is it on Amazon Prime?

1:03:16.360 --> 1:03:20.160
<v Speaker 1>Every I guess maybe you could buy. There's weird missing episodes,

1:03:20.600 --> 1:03:24.320
<v Speaker 1>totally weird, and I think it's music. There's probably right.

1:03:24.520 --> 1:03:27.840
<v Speaker 1>You know you're not gonna see watch it like there's

1:03:27.880 --> 1:03:30.240
<v Speaker 1>a great there's a great box set out there. I

1:03:30.240 --> 1:03:36.040
<v Speaker 1>don't know where. A friend fan friend of ours sent it, Crystal,

1:03:36.200 --> 1:03:39.960
<v Speaker 1>and it is all the episodes of the original show

1:03:40.240 --> 1:03:43.200
<v Speaker 1>and the episodes of pH nine two and oh all

1:03:43.240 --> 1:03:48.360
<v Speaker 1>on DVD. Oh that's great. Yeah, it's really cool. Yeah,

1:03:48.800 --> 1:03:51.240
<v Speaker 1>So it's out there, just hard to find. I think

1:03:51.320 --> 1:03:53.000
<v Speaker 1>I think you might know some people you could pike

1:03:53.120 --> 1:03:55.560
<v Speaker 1>your hands on it. You got a feeling I know

1:03:55.640 --> 1:04:11.000
<v Speaker 1>a few you specifically, Steve looked good in that gray

1:04:11.040 --> 1:04:14.280
<v Speaker 1>shirt in this episode, just saying what about my fashion?

1:04:15.840 --> 1:04:20.400
<v Speaker 1>Your jeans were actually really good the whole episode. Um,

1:04:20.400 --> 1:04:22.920
<v Speaker 1>and you the shirts are fine. It is the way

1:04:22.920 --> 1:04:25.440
<v Speaker 1>too buttoned up high. It's not the shirt, it's just

1:04:25.520 --> 1:04:31.280
<v Speaker 1>the button. And it's sometimes it's the shirt because this

1:04:31.360 --> 1:04:35.080
<v Speaker 1>checkered like a picnic blanket on your pot and they

1:04:35.120 --> 1:04:37.600
<v Speaker 1>switched you to like a or you did apparently I

1:04:37.640 --> 1:04:39.439
<v Speaker 1>thought you had a wardrobe person. But now I'm learning

1:04:39.560 --> 1:04:42.880
<v Speaker 1>you liked shorty short shorts, but you have like just

1:04:42.920 --> 1:04:45.480
<v Speaker 1>like a gray long sleeved t shirt. It might have

1:04:45.480 --> 1:04:47.560
<v Speaker 1>had a bit of a mock turtleneck, which I wasn't

1:04:47.600 --> 1:04:50.680
<v Speaker 1>as into. But you looked good, looked good. If you

1:04:50.840 --> 1:04:54.240
<v Speaker 1>have legs like iron searings, legs, you show them off.

1:04:54.560 --> 1:04:58.600
<v Speaker 1>Let me tell you you got some damns. Look at

1:04:58.640 --> 1:05:04.320
<v Speaker 1>him who you can still stretch and bend even that

1:05:04.680 --> 1:05:10.480
<v Speaker 1>you're doing good? What's happening? I can't, no, no, no, no,

1:05:11.600 --> 1:05:18.200
<v Speaker 1>oh my god, take it off? What's happening? Look at

1:05:18.240 --> 1:05:20.920
<v Speaker 1>your physique, my friend? No, you look better. I don't

1:05:20.960 --> 1:05:23.800
<v Speaker 1>want to be a weirdo, but you look better now

1:05:24.000 --> 1:05:27.280
<v Speaker 1>to an indocioing like a fine one. This is this

1:05:27.400 --> 1:05:37.160
<v Speaker 1>is this is on radio. Right, we have Instagram. You

1:05:37.240 --> 1:05:41.040
<v Speaker 1>are shameless. He knows he looks sex. I know you

1:05:41.080 --> 1:05:44.200
<v Speaker 1>look good. You look good. I can't. I gotta go.

1:05:44.360 --> 1:05:46.040
<v Speaker 1>You guys, how do you do that? Do you go

1:05:46.120 --> 1:05:48.000
<v Speaker 1>to the gym? How do you do do you work

1:05:48.000 --> 1:05:53.480
<v Speaker 1>out five days a week? Seventy? How? What's your regime? Yes?

1:05:53.600 --> 1:05:59.919
<v Speaker 1>What is your regime? I intermittent fast, just like I'm

1:06:00.040 --> 1:06:05.080
<v Speaker 1>shirt on backwards I'm so sorry. You can look Amy,

1:06:05.080 --> 1:06:09.160
<v Speaker 1>he's putting his clothes back on. It's fine. You're a

1:06:09.160 --> 1:06:11.480
<v Speaker 1>total babe. I'm just gonna say, you're complete babe. I

1:06:11.480 --> 1:06:16.440
<v Speaker 1>gotta go. What happened to you chips? Yep? He I

1:06:16.480 --> 1:06:18.720
<v Speaker 1>don't think Amy got to see that. Oh yes, Oh

1:06:18.760 --> 1:06:20.480
<v Speaker 1>my god, I wish I went to that one. I'm

1:06:20.480 --> 1:06:25.840
<v Speaker 1>sure we interviewed you for that. But yeah, yeah, you're

1:06:26.000 --> 1:06:30.160
<v Speaker 1>very handsome. I'm gonna act normal now, normal normal. You're

1:06:30.200 --> 1:06:35.200
<v Speaker 1>beautiful to Amy. Is there anything else to talk about

1:06:35.240 --> 1:06:38.360
<v Speaker 1>for this episode? Amy got the best day in my life.

1:06:38.720 --> 1:06:42.280
<v Speaker 1>Just the fashion and we talked about it. Well, Nikki

1:06:42.400 --> 1:06:45.840
<v Speaker 1>and vests, vests on women. I mean there was four

1:06:45.880 --> 1:06:49.200
<v Speaker 1>different vests on. Oh. I liked when Kelly had that

1:06:49.240 --> 1:06:51.960
<v Speaker 1>one dress on with like the t back yep. And

1:06:52.040 --> 1:06:55.720
<v Speaker 1>Tori had some great looks in this episode, two of

1:06:56.280 --> 1:06:58.640
<v Speaker 1>which I loved. And then is just funky and it's

1:06:58.640 --> 1:07:02.920
<v Speaker 1>super cool. Yeah, she's so different than anybody else on

1:07:02.960 --> 1:07:05.840
<v Speaker 1>the show. Yeah. We had several wardrobe designers over the

1:07:05.840 --> 1:07:09.040
<v Speaker 1>course of the show, and I think I think the focus,

1:07:10.160 --> 1:07:12.919
<v Speaker 1>you know, really, they put a lot more effort into

1:07:13.160 --> 1:07:17.000
<v Speaker 1>the women's clothes. Definitely, they did you know, because guys

1:07:17.000 --> 1:07:20.400
<v Speaker 1>were wearing jeans and shirts and it was like an

1:07:20.440 --> 1:07:23.640
<v Speaker 1>also Ran kind of situation where the focus was on

1:07:23.800 --> 1:07:27.600
<v Speaker 1>the women's clothes and they were beautiful, uh you know,

1:07:27.720 --> 1:07:33.400
<v Speaker 1>from Sundress and Doc Martin's to you know, whenever they

1:07:33.400 --> 1:07:37.000
<v Speaker 1>got dressed up, the women always looked gorgeous. And the guys,

1:07:37.240 --> 1:07:41.240
<v Speaker 1>you know, Brandon, never wore anything that was special. They

1:07:41.280 --> 1:07:45.880
<v Speaker 1>just sim in blue with those eyes. Yeah, and then

1:07:45.920 --> 1:07:49.160
<v Speaker 1>they like those muscles. They like, all y'alls are muscles

1:07:49.160 --> 1:07:54.160
<v Speaker 1>for sure. You know David Silver, he his clothing was

1:07:54.280 --> 1:07:58.240
<v Speaker 1>out there kind of as well. You know, Steve's a

1:07:58.280 --> 1:07:59.960
<v Speaker 1>lot of Steve stuff. What they would give me the

1:08:00.000 --> 1:08:07.120
<v Speaker 1>shoes from was a bit outlandish, um and yeah, but

1:08:07.200 --> 1:08:12.240
<v Speaker 1>the women always like had beautiful shoes, beautiful clothes. You know,

1:08:12.280 --> 1:08:15.160
<v Speaker 1>they give us sneakers to wear or whatever, and it

1:08:15.360 --> 1:08:20.160
<v Speaker 1>really you know, it's come back to buy me. But

1:08:20.320 --> 1:08:22.240
<v Speaker 1>it's such an important part of the show, like I like,

1:08:22.320 --> 1:08:25.519
<v Speaker 1>it really is. The fashion is a character of itself.

1:08:25.760 --> 1:08:29.640
<v Speaker 1>And they would give me silk shirts to wear, and

1:08:29.680 --> 1:08:32.160
<v Speaker 1>I'm like, can we cut the sleeves off? This is ridiculous.

1:08:32.640 --> 1:08:36.200
<v Speaker 1>They were like puffy balloon sleeves. I have a lot

1:08:36.240 --> 1:08:39.599
<v Speaker 1>of this clothes at the end of the year. The um,

1:08:39.840 --> 1:08:43.840
<v Speaker 1>you have clothes, see Sanders clothes. I do. Yeah, Where

1:08:43.960 --> 1:08:47.719
<v Speaker 1>where are they right now? Are they closet in my closet?

1:08:47.840 --> 1:08:51.719
<v Speaker 1>Right now? I've got I've got a green silk shirt,

1:08:51.880 --> 1:08:57.600
<v Speaker 1>sleeveless show shirt that they that they tailored for me,

1:08:58.040 --> 1:09:00.920
<v Speaker 1>a purple shirt that I've worn. I gave Darren Martin

1:09:01.080 --> 1:09:05.840
<v Speaker 1>one of my shirts. You know, several ties. Oh my god,

1:09:07.120 --> 1:09:09.960
<v Speaker 1>you are so You're always so smart to take stuff.

1:09:09.960 --> 1:09:12.280
<v Speaker 1>You always are, like, I'll be putting this in my

1:09:12.320 --> 1:09:16.679
<v Speaker 1>car and take it. You know. I've got several shoes

1:09:16.720 --> 1:09:19.120
<v Speaker 1>and I still wear I mean, they bought me product

1:09:19.200 --> 1:09:23.720
<v Speaker 1>shoes that like, are so well made, beautiful black. You

1:09:23.760 --> 1:09:28.200
<v Speaker 1>know those shoes are thirty five years old. Now, yeah,

1:09:28.200 --> 1:09:31.160
<v Speaker 1>but like a man's dress, shoe hasn't really changed in

1:09:31.240 --> 1:09:38.759
<v Speaker 1>thirty five years. It's not too gorgeous. Vintage now, great,

1:09:39.080 --> 1:09:41.800
<v Speaker 1>I wore vintage shoes the other day. But that's cool.

1:09:42.040 --> 1:09:45.320
<v Speaker 1>That's what you want, that's leg I want to see

1:09:45.400 --> 1:09:47.479
<v Speaker 1>those shoes next time I see you. You best be

1:09:47.560 --> 1:09:54.880
<v Speaker 1>wearing those shoes. Vintage O G Yes, good, so good.

1:09:55.840 --> 1:09:57.920
<v Speaker 1>I love you both so much. It's weird. It's just

1:09:58.000 --> 1:10:00.800
<v Speaker 1>we love having you on the show meantime, but today

1:10:00.840 --> 1:10:04.120
<v Speaker 1>in particular. Thank you for stepping in and filling in

1:10:04.400 --> 1:10:08.719
<v Speaker 1>for pleasure Tour and just so nice to Every time

1:10:08.760 --> 1:10:10.920
<v Speaker 1>I see you makes me happy. It makes my day better.

1:10:11.360 --> 1:10:13.760
<v Speaker 1>Same here for you both. Actually it's nice. Yeah, you

1:10:13.800 --> 1:10:16.599
<v Speaker 1>are the sweetest person on the planet. Like you are

1:10:16.640 --> 1:10:19.400
<v Speaker 1>the best. I am. Thanks. It's nice to you to say,

1:10:19.840 --> 1:10:24.080
<v Speaker 1>regardless of how true it is. It's all true. It's

1:10:24.120 --> 1:10:28.559
<v Speaker 1>all true. Okay, everybody. Next week's episode is episode nine,

1:10:28.800 --> 1:10:32.439
<v Speaker 1>season three, high Wire, So let's all watch it so

1:10:32.479 --> 1:10:35.960
<v Speaker 1>we can talk about it. All right, everybody, have a

1:10:35.960 --> 1:10:43.800
<v Speaker 1>great week. By everybody. Bye, So good I thank you

1:10:44.160 --> 1:10:46.280
<v Speaker 1>are the best. Thank you for letting indulge me in

1:10:46.320 --> 1:10:53.280
<v Speaker 1>my my flirting. It's so funny. She does love you, Okay,

1:10:53.960 --> 1:10:59.639
<v Speaker 1>for reals, it's guys are so nice. Ouch, you don't

1:10:59.640 --> 1:11:01.599
<v Speaker 1>want to be the nice guy first, we don't think

1:11:01.600 --> 1:11:03.559
<v Speaker 1>I can go back and watch the Zoom again where

1:11:03.560 --> 1:11:05.920
<v Speaker 1>the shirt came off. I'm gonna watch that. Oh my god.

1:11:08.040 --> 1:11:15.800
<v Speaker 1>This week we're gonna get a lot of downloads. Hey, Randy,

1:11:16.920 --> 1:11:34.120
<v Speaker 1>I'm good height at the end of this month, dude, Randy.

1:11:34.160 --> 1:11:36.920
<v Speaker 1>We know we tried to not act crazy. We know

1:11:37.400 --> 1:11:44.719
<v Speaker 1>it's insane. I'm trying so hard to be professional. Just really,

1:11:44.760 --> 1:11:48.880
<v Speaker 1>it's like, it's great to hear your voice, Randy. Thanks

1:11:51.360 --> 1:11:57.120
<v Speaker 1>my pleasure anytime. Great, thanks for including me. I appreciate it.

1:11:57.160 --> 1:12:05.240
<v Speaker 1>I'll talk to you guys soon. Everybody, did you like that?

1:12:06.479 --> 1:12:08.479
<v Speaker 1>Like I did, I seem I tried so hard to

1:12:08.479 --> 1:12:12.000
<v Speaker 1>seem normal. You're still a little flushed. I gotta be honest.

1:12:12.000 --> 1:12:16.120
<v Speaker 1>First of all, I tried to seem normal. He's so sweet.

1:12:16.360 --> 1:12:21.400
<v Speaker 1>He's so so so sweet, he's so charismatic. But you

1:12:21.520 --> 1:12:24.920
<v Speaker 1>guys like he took his shirt off and I literally

1:12:24.920 --> 1:12:28.519
<v Speaker 1>could not act normal. I had to because I was like,

1:12:28.680 --> 1:12:31.320
<v Speaker 1>I can't I can't function, I can't do I can't

1:12:31.360 --> 1:12:33.320
<v Speaker 1>do this at me, I was like, let me see

1:12:34.280 --> 1:12:39.480
<v Speaker 1>show show me. I covered my face with my notepad.

1:12:39.720 --> 1:12:42.040
<v Speaker 1>I was like, I can't look. I'm gonna act so weird.

1:12:42.840 --> 1:12:45.880
<v Speaker 1>I literally just was, and that wasn't weird. Norm He's

1:12:45.960 --> 1:12:49.120
<v Speaker 1>so funny and cool. That's why I's so Oh my god,

1:12:49.880 --> 1:12:53.880
<v Speaker 1>that was so Somebody so sweet sent a message that

1:12:54.040 --> 1:12:56.519
<v Speaker 1>was like, I don't have any questions. I'm just so

1:12:56.600 --> 1:13:03.120
<v Speaker 1>happy for Amy. I love that person, and so I

1:13:03.160 --> 1:13:05.160
<v Speaker 1>hope everyone loved it as much as we did. Pitching

1:13:05.240 --> 1:13:07.599
<v Speaker 1>up with him have to like fan myself. I don't

1:13:07.600 --> 1:13:11.960
<v Speaker 1>know what to do. He's adorable, good guy,