1 00:00:16,079 --> 00:00:20,560 Speaker 1: Have you decided on this year's Halloween costume? 2 00:00:21,000 --> 00:00:23,160 Speaker 2: I have. We are doing Little Mermaid. 3 00:00:23,680 --> 00:00:27,920 Speaker 3: Okay, I've really talked tried to talk Jordan into doing 4 00:00:27,960 --> 00:00:29,960 Speaker 3: King Triton and getting one of those T shirts that 5 00:00:30,000 --> 00:00:34,199 Speaker 3: has the like painted on, like body wouldn't. 6 00:00:33,840 --> 00:00:36,240 Speaker 2: Go for it because it also has like a beard 7 00:00:36,360 --> 00:00:39,120 Speaker 2: and a wig and like that. I knew it was 8 00:00:39,159 --> 00:00:41,120 Speaker 2: a long shot. But he is going to be Prince 9 00:00:41,280 --> 00:00:47,640 Speaker 2: Eric and that's super cute. Ledger is gonna be Flounder. 10 00:00:48,680 --> 00:00:50,320 Speaker 2: He's got like a puffy. 11 00:00:51,720 --> 00:00:54,600 Speaker 3: With like blue things, and then I'm gonna be Sebastian. 12 00:00:55,400 --> 00:00:57,800 Speaker 3: So I got my claws and like my whole outfit, 13 00:00:57,920 --> 00:00:59,880 Speaker 3: and I've got like a hood with big eyes that 14 00:00:59,880 --> 00:01:01,440 Speaker 3: I I've made and all this stuff. 15 00:01:01,520 --> 00:01:05,160 Speaker 2: So yeah, I love I love Halloween. 16 00:01:05,200 --> 00:01:08,080 Speaker 3: I love that's I had to ask getting outfits, but 17 00:01:08,160 --> 00:01:10,840 Speaker 3: I never get something just like well, Ledger's outfit is 18 00:01:10,880 --> 00:01:13,800 Speaker 3: store bought, but I don't. I always put stuff together 19 00:01:14,040 --> 00:01:17,600 Speaker 3: or get like three out like Monroe's Mermaid costume is 20 00:01:17,880 --> 00:01:21,480 Speaker 3: composed of three different Mermaid costumes that I piece together 21 00:01:21,680 --> 00:01:24,040 Speaker 3: and make the right one because it never can buy 22 00:01:24,080 --> 00:01:25,080 Speaker 3: the right one obviously. 23 00:01:26,760 --> 00:01:28,839 Speaker 1: Yeah, that movie gets a lot creepier when you realize 24 00:01:28,880 --> 00:01:29,880 Speaker 1: she's sixteen. 25 00:01:30,880 --> 00:01:32,800 Speaker 2: Yeah, I know, I know. 26 00:01:33,240 --> 00:01:36,600 Speaker 3: I've thought about it, especially because there's more. 27 00:01:36,760 --> 00:01:39,080 Speaker 2: There's there's like a there's. 28 00:01:39,000 --> 00:01:42,600 Speaker 3: Other Little Mermaids that come after. They're all on Disney Plus. 29 00:01:42,920 --> 00:01:45,319 Speaker 3: So it is like that's when you kind of go, 30 00:01:45,360 --> 00:01:47,200 Speaker 3: oh god, because then she has like kids and it's 31 00:01:47,240 --> 00:01:48,160 Speaker 3: just it's kind of weird. 32 00:01:48,360 --> 00:01:51,480 Speaker 1: Oh so there's other there's sequels to the original Little Mermaids. 33 00:01:51,560 --> 00:01:53,440 Speaker 2: Yeah, they even make shorts on them now. 34 00:01:53,400 --> 00:01:56,000 Speaker 1: Like Little Mermaid too. This time it's pretty yeah. 35 00:01:56,120 --> 00:01:59,080 Speaker 3: Yeah, and like like Cinderella has three of them and 36 00:01:59,120 --> 00:02:02,040 Speaker 3: then they and then they have like little shorts that 37 00:02:02,040 --> 00:02:03,760 Speaker 3: they do, like little tiny. 38 00:02:03,480 --> 00:02:06,400 Speaker 1: Shorts, little long long pants would make more sense. 39 00:02:06,400 --> 00:02:08,320 Speaker 2: Right, of course, obviously. 40 00:02:09,639 --> 00:02:11,800 Speaker 1: I had exactly that's right. 41 00:02:12,440 --> 00:02:16,079 Speaker 2: You don't do You don't even put candy out. 42 00:02:16,960 --> 00:02:18,880 Speaker 1: For little brats to come to my house to beg 43 00:02:18,919 --> 00:02:20,760 Speaker 1: me while just in weird costumes. 44 00:02:20,760 --> 00:02:22,840 Speaker 3: I think, not home, or do you guys try to 45 00:02:22,880 --> 00:02:24,480 Speaker 3: go out away from home so that. 46 00:02:24,680 --> 00:02:26,959 Speaker 1: We stay at home and we're we're on the roof 47 00:02:27,000 --> 00:02:30,519 Speaker 1: with hoses and water balloons. I'm kidding, No, we're we're 48 00:02:30,600 --> 00:02:32,760 Speaker 1: of course no, to be honest with you, we would 49 00:02:32,840 --> 00:02:35,400 Speaker 1: we would hand out candy. No one trick or treats 50 00:02:35,400 --> 00:02:36,640 Speaker 1: in our neighborhood. 51 00:02:36,080 --> 00:02:39,960 Speaker 3: Like, yeah, just I know, I live in an older neighborhood, 52 00:02:40,000 --> 00:02:41,520 Speaker 3: so there's not a lot of trick or treaters here. 53 00:02:41,600 --> 00:02:43,400 Speaker 1: Yeah, no, we would, definitely, we would. We would put 54 00:02:43,400 --> 00:02:44,800 Speaker 1: out candy for the kids and stuff like that, but 55 00:02:44,880 --> 00:02:46,840 Speaker 1: no one comes. I've I've been at my house twenty 56 00:02:46,880 --> 00:02:48,720 Speaker 1: five years and I literally have not had a trick 57 00:02:48,760 --> 00:02:50,960 Speaker 1: or treater. And for the first couple of years, we 58 00:02:51,280 --> 00:02:53,200 Speaker 1: you know, like when I first moved into my house, 59 00:02:53,240 --> 00:02:55,520 Speaker 1: my brother moved in with me, and so we were like, hey, 60 00:02:55,560 --> 00:02:57,760 Speaker 1: Halloween's gonna be fun. There's gonna be kids, and it's 61 00:02:57,800 --> 00:03:00,120 Speaker 1: like it's my place, and but nope, nobody should know. 62 00:03:01,200 --> 00:03:02,799 Speaker 1: And then about five years after that, it was like, 63 00:03:02,800 --> 00:03:04,799 Speaker 1: all I'm just gonna lock the gate, like I don't 64 00:03:04,800 --> 00:03:05,800 Speaker 1: I don't want I don't want anybody. 65 00:03:05,960 --> 00:03:08,239 Speaker 3: Yeah, just peace of mind, because there's all there could 66 00:03:08,280 --> 00:03:10,880 Speaker 3: be like somewhat random straggler and all of a sudden 67 00:03:10,880 --> 00:03:13,120 Speaker 3: you're like, yeah, who's there, and they're like trick or tree. 68 00:03:13,440 --> 00:03:17,079 Speaker 1: Yeah no, I don't think so kids are cross, they're 69 00:03:17,160 --> 00:03:19,440 Speaker 1: usually full of germs and stuff. 70 00:03:19,480 --> 00:03:21,120 Speaker 2: Oh wait, big update. 71 00:03:21,160 --> 00:03:23,359 Speaker 3: I'm sure everyone's been working because I actually got some 72 00:03:23,560 --> 00:03:28,160 Speaker 3: tech some uh messaging back on Instagram. We did watch 73 00:03:28,160 --> 00:03:31,639 Speaker 3: hocus Pocus this weekend with oh Monroe rest telling you 74 00:03:31,720 --> 00:03:34,920 Speaker 3: as a little worried, we actually got in our jacuzzi 75 00:03:35,080 --> 00:03:36,480 Speaker 3: and put it on the outside. 76 00:03:36,680 --> 00:03:37,920 Speaker 2: Both kids. 77 00:03:39,040 --> 00:03:41,160 Speaker 3: Just couldn't get their eyes off of the TV. We 78 00:03:41,160 --> 00:03:43,240 Speaker 3: were just hanging out in the jacuzzi watching it. They 79 00:03:43,320 --> 00:03:44,640 Speaker 3: both loved it. 80 00:03:44,840 --> 00:03:46,960 Speaker 1: I'm sorry, I'm sorry, Wait, we need to go back. 81 00:03:47,120 --> 00:03:51,680 Speaker 1: You were, Yeah, you were as a family sitting in 82 00:03:51,720 --> 00:03:55,360 Speaker 1: the jacuzzi. Yeah, two hours to watch hocus Pocus. 83 00:03:55,400 --> 00:03:57,280 Speaker 3: Well they were going in and out of the pool, 84 00:03:57,320 --> 00:03:59,000 Speaker 3: and well you go in and out of the pool 85 00:03:59,040 --> 00:04:02,440 Speaker 3: and stuff. But yeah, we have a TV because obviously 86 00:04:02,480 --> 00:04:05,120 Speaker 3: what else do you do on game days? 87 00:04:05,200 --> 00:04:06,720 Speaker 2: Like that's all we do. 88 00:04:10,640 --> 00:04:12,080 Speaker 1: Sitting in watching her. 89 00:04:12,440 --> 00:04:14,760 Speaker 3: I know. You know what's funny is I wish our 90 00:04:14,800 --> 00:04:17,039 Speaker 3: jacuzzi was big enough to actually create one. When I 91 00:04:17,279 --> 00:04:20,640 Speaker 3: growing up, my mom and dad's jacuzzie had. It was 92 00:04:21,040 --> 00:04:22,919 Speaker 3: a large one and we had a we had a 93 00:04:22,960 --> 00:04:24,920 Speaker 3: table in it. It was like a cement table. We 94 00:04:24,960 --> 00:04:29,120 Speaker 3: would eat like, you know, barbecue during the weekends or 95 00:04:29,200 --> 00:04:33,479 Speaker 3: have dinner out there. Yeah, like in the jacuzzi. Is 96 00:04:33,520 --> 00:04:36,440 Speaker 3: that weird now that I've had it out loud. 97 00:04:39,800 --> 00:04:42,279 Speaker 2: My parents didn't make it. That's how they bought the house. 98 00:04:42,320 --> 00:04:43,320 Speaker 2: That that was literally a. 99 00:04:43,279 --> 00:04:45,760 Speaker 3: Thing, And I've always wanted to have that because there's 100 00:04:45,800 --> 00:04:48,520 Speaker 3: some of my favorite memories just. 101 00:04:47,920 --> 00:04:50,960 Speaker 1: Just like normal every day sitting in the jacuzzi with 102 00:04:51,000 --> 00:04:52,880 Speaker 1: your family, having a meal like you do. 103 00:04:53,320 --> 00:04:57,240 Speaker 2: Yeah, barbecue some some steaks go out there. 104 00:04:57,720 --> 00:05:01,360 Speaker 1: Wait to see the comments it's gonna be. Please make 105 00:05:01,400 --> 00:05:02,159 Speaker 1: this a social place. 106 00:05:02,279 --> 00:05:05,520 Speaker 2: That sounds so weird now, of course it does. 107 00:05:05,839 --> 00:05:07,480 Speaker 1: I love how you're also like the jacuzzi in the 108 00:05:07,520 --> 00:05:10,000 Speaker 1: house that I grew up in. I didn't think I 109 00:05:10,040 --> 00:05:12,200 Speaker 1: heard the word jacuzi until I was in my twenties. 110 00:05:12,920 --> 00:05:15,640 Speaker 2: Well yeah, I mean I guess that I grew up 111 00:05:15,680 --> 00:05:17,720 Speaker 2: in southern California, so it's different. 112 00:05:17,839 --> 00:05:19,719 Speaker 1: There is different. There's a lot of pools and stuff 113 00:05:19,720 --> 00:05:22,279 Speaker 1: like that. Yeah. Here, you know, like sitting around the 114 00:05:22,320 --> 00:05:24,960 Speaker 1: table like that's your dinner table in the jacuzzi. 115 00:05:25,400 --> 00:05:29,080 Speaker 3: Wasn't like weird every Wednesday. It's only like on the weekends. 116 00:05:29,600 --> 00:05:31,560 Speaker 2: Every Sunday. 117 00:05:34,480 --> 00:05:38,440 Speaker 1: All right, Okay, Well, welcome back to Magical Rewind, the 118 00:05:38,480 --> 00:05:40,520 Speaker 1: show that makes you want to grab your friends, your pjs, 119 00:05:40,520 --> 00:05:42,160 Speaker 1: and your popcorn to go back to a time when 120 00:05:42,160 --> 00:05:44,440 Speaker 1: all the houses were smart. The wave tsunamis, and the 121 00:05:44,480 --> 00:05:48,640 Speaker 1: family gathered around the jacuzzi table to have dinner. 122 00:05:48,760 --> 00:05:51,600 Speaker 2: I'm Will Fredell and I'm Sabrina Brian. 123 00:05:52,960 --> 00:05:55,919 Speaker 1: So October continues, as does our mission to see every 124 00:05:56,040 --> 00:05:59,400 Speaker 1: Disney Channel original movie that includes even just one scary 125 00:05:59,440 --> 00:06:02,159 Speaker 1: scene in it. And this week we're revamping that first 126 00:06:02,200 --> 00:06:05,560 Speaker 1: ever DCOM. Take a look at twenty twenty one's update 127 00:06:05,640 --> 00:06:08,520 Speaker 1: to under wraps. Remember that we just saw this one. 128 00:06:08,960 --> 00:06:11,440 Speaker 1: Now we're watching the new version. This one was originally 129 00:06:11,480 --> 00:06:15,240 Speaker 1: released on October first, twenty twenty one, a kickoff for 130 00:06:15,279 --> 00:06:17,839 Speaker 1: the scariest time of the year. And yes, this is 131 00:06:17,839 --> 00:06:19,880 Speaker 1: a modern day remake of nineteen ninety seven film of 132 00:06:19,920 --> 00:06:22,200 Speaker 1: the same name, which was the first time the studio 133 00:06:22,320 --> 00:06:25,240 Speaker 1: used the marketing strategy of the name Disney Channel Original 134 00:06:25,240 --> 00:06:27,640 Speaker 1: Movie or DCOM. We just saw that one, this small 135 00:06:27,680 --> 00:06:29,720 Speaker 1: decision would forever change the way we look at the 136 00:06:29,760 --> 00:06:32,200 Speaker 1: family movies, at least here on this podcast. And it 137 00:06:32,200 --> 00:06:36,000 Speaker 1: was also the first ever DCM remake of a DCOM. 138 00:06:36,600 --> 00:06:38,880 Speaker 1: So the first one was the first ever d COM. 139 00:06:39,120 --> 00:06:41,560 Speaker 1: Second one was the first ever remake of a dcom 140 00:06:41,640 --> 00:06:44,720 Speaker 1: hope everyone's keeping score. Are you a remake fan, by 141 00:06:44,720 --> 00:06:46,000 Speaker 1: the way, if you like, because we're getting a lot 142 00:06:46,000 --> 00:06:48,120 Speaker 1: of them through Disney nowadays, But are you a fan 143 00:06:48,160 --> 00:06:48,440 Speaker 1: of it? 144 00:06:48,720 --> 00:06:56,360 Speaker 3: I not typically In this case, absolutely I agree. 145 00:06:56,480 --> 00:06:58,599 Speaker 1: I agree that I did not like. I do not 146 00:06:58,720 --> 00:07:01,360 Speaker 1: like remakes. I think they're lazy. I think they're they're 147 00:07:01,560 --> 00:07:03,560 Speaker 1: they're just it's boring. Most of them don't have to 148 00:07:03,560 --> 00:07:06,480 Speaker 1: be touched, especially when you were making stuff that was great. 149 00:07:06,880 --> 00:07:11,200 Speaker 2: This worked for me, Yes, in all aspects. 150 00:07:11,400 --> 00:07:15,360 Speaker 3: And you know, of course, the first one was made 151 00:07:15,760 --> 00:07:18,440 Speaker 3: so long ago, so I mean, you know we're talking 152 00:07:18,640 --> 00:07:22,480 Speaker 3: it was ninety seven, and so of course what the 153 00:07:22,520 --> 00:07:25,040 Speaker 3: abilities and everything that we saw on that first one 154 00:07:25,240 --> 00:07:26,560 Speaker 3: compared to this one. 155 00:07:26,600 --> 00:07:27,080 Speaker 2: I mean, the. 156 00:07:27,160 --> 00:07:31,600 Speaker 3: Sets just there was it was such a huge upgrade. 157 00:07:32,360 --> 00:07:35,240 Speaker 2: It was I agree, it really was. So I'm not 158 00:07:35,400 --> 00:07:38,480 Speaker 2: normally a huge fan, but this time it worked for me. 159 00:07:38,640 --> 00:07:40,880 Speaker 1: I agree one hundred percent. This was filmed in our 160 00:07:40,920 --> 00:07:45,160 Speaker 1: creative capital of Canada, specifically Vancouver and British Columbia. This 161 00:07:45,240 --> 00:07:48,320 Speaker 1: underwraps filmed over one month at the end of twenty twenty, 162 00:07:48,520 --> 00:07:50,320 Speaker 1: so you got to figure this movie was not easy 163 00:07:50,320 --> 00:07:53,160 Speaker 1: to make thanks to COVID, and because it aired when 164 00:07:53,160 --> 00:07:54,920 Speaker 1: it did. You're also going to see a very big 165 00:07:54,920 --> 00:07:57,800 Speaker 1: difference between TV now and TV in the nineties because 166 00:07:57,840 --> 00:08:02,520 Speaker 1: this was viewed by four hundred and one thousand people. Wow, 167 00:08:02,600 --> 00:08:04,480 Speaker 1: you know we're always in the millions. This is a 168 00:08:04,520 --> 00:08:06,520 Speaker 1: far cry from the multimillions were used to hearing about 169 00:08:06,560 --> 00:08:08,760 Speaker 1: for most of our popular d cooms. But with the 170 00:08:08,800 --> 00:08:11,040 Speaker 1: metrics of TV in twenty twenty one, this was actually 171 00:08:11,080 --> 00:08:13,800 Speaker 1: a modest success. That just shows you how different it is. 172 00:08:14,120 --> 00:08:16,239 Speaker 1: It first showed on the Disney Channel, then became available 173 00:08:16,280 --> 00:08:18,960 Speaker 1: for streaming on Disney Plus one week later, and now 174 00:08:19,000 --> 00:08:21,000 Speaker 1: is a good time to let you know this movie 175 00:08:21,040 --> 00:08:23,360 Speaker 1: is currently available to watch on Disney Plus. You can 176 00:08:23,400 --> 00:08:25,840 Speaker 1: watch it right now, then critique right alongside of us, 177 00:08:25,960 --> 00:08:27,880 Speaker 1: or you can watch it after you hear our opinion. 178 00:08:28,200 --> 00:08:30,000 Speaker 1: You can also put your right foot in, then your 179 00:08:30,040 --> 00:08:32,080 Speaker 1: right foot out, and you can shake it all about. 180 00:08:32,360 --> 00:08:35,760 Speaker 1: But either way, the hokey pokey is what it's all about. 181 00:08:35,800 --> 00:08:36,079 Speaker 3: Now. 182 00:08:36,160 --> 00:08:40,000 Speaker 1: On the music front, Disney actress China Ann McLain from 183 00:08:40,080 --> 00:08:43,160 Speaker 1: Ant Farm and The Descendants movies collaborated with her sisters 184 00:08:43,200 --> 00:08:46,679 Speaker 1: and brother who go by the stage name Messenger Okay 185 00:08:46,920 --> 00:08:49,920 Speaker 1: to record a new version of her song Calling All Monsters, 186 00:08:50,120 --> 00:08:52,920 Speaker 1: originally from the Show and Farm. This song is not 187 00:08:52,960 --> 00:08:54,760 Speaker 1: only in the movie for the Big Mummy dance scene, 188 00:08:54,760 --> 00:08:56,720 Speaker 1: but they also shot a music video that was shown 189 00:08:56,800 --> 00:09:00,200 Speaker 1: on the channel leading up to the premiere. Synergy as 190 00:09:00,240 --> 00:09:02,080 Speaker 1: twenty one was That's what I'm gonna be calling ex 191 00:09:02,160 --> 00:09:03,599 Speaker 1: is so cool instead of twenty twenty one. I'm just 192 00:09:03,600 --> 00:09:05,880 Speaker 1: gonna call it. Under Wraps twenty one is also the 193 00:09:05,880 --> 00:09:09,000 Speaker 1: first de com to feature in LGBTQ plus representation, with 194 00:09:09,040 --> 00:09:11,400 Speaker 1: Amy being the child of a gay divorce with her dads. 195 00:09:11,679 --> 00:09:14,080 Speaker 1: We've seen it again, most notably in Zombie three, but 196 00:09:14,320 --> 00:09:18,080 Speaker 1: here was the first step towards inclusion. The movie received 197 00:09:18,120 --> 00:09:20,679 Speaker 1: well mixed reviews from critics and fans upon release, most 198 00:09:20,679 --> 00:09:23,120 Speaker 1: comparing it to the original and in turn being disappointed, 199 00:09:23,240 --> 00:09:25,880 Speaker 1: but it has become a staple for Disney when promoting 200 00:09:25,880 --> 00:09:29,400 Speaker 1: their Halloween movies ever since, and spoiler alert people, they 201 00:09:29,480 --> 00:09:31,760 Speaker 1: did make in under Wraps two under Wraps two. This 202 00:09:31,800 --> 00:09:34,840 Speaker 1: time it's personal part of the newer remake universe, and 203 00:09:34,880 --> 00:09:37,280 Speaker 1: it was released in twenty twenty two. I'm sure producer 204 00:09:37,360 --> 00:09:39,480 Speaker 1: Tara has it set for us at some point in 205 00:09:39,480 --> 00:09:43,080 Speaker 1: the future. So we covered the original under Wraps, a 206 00:09:43,120 --> 00:09:46,280 Speaker 1: historic moment for the Disney Channel's evolution. But Sabrina, did 207 00:09:46,280 --> 00:09:48,360 Speaker 1: you even know that they remade this a couple of 208 00:09:48,400 --> 00:09:48,800 Speaker 1: years ago? 209 00:09:49,559 --> 00:09:53,120 Speaker 3: Only from our interview that we got to do not 210 00:09:53,200 --> 00:09:56,680 Speaker 3: too long ago, which was amazing, And I will say, 211 00:09:57,000 --> 00:09:59,200 Speaker 3: knowing ahead of time that he wasn't going to be 212 00:09:59,280 --> 00:10:03,160 Speaker 3: in it was a little disappointing for me. I was 213 00:10:03,320 --> 00:10:05,679 Speaker 3: already kind of disappointed because I've now fallen in love 214 00:10:05,679 --> 00:10:06,880 Speaker 3: with him, and I'm like, I hope he does. 215 00:10:06,760 --> 00:10:10,199 Speaker 2: Magic in the second one. Like it was already kind 216 00:10:10,200 --> 00:10:10,760 Speaker 2: of like, oh. 217 00:10:10,800 --> 00:10:12,640 Speaker 3: Gosh, I guess we'll just get through this first one 218 00:10:12,679 --> 00:10:15,120 Speaker 3: and then I can go see the second one because. 219 00:10:14,840 --> 00:10:17,800 Speaker 1: Adam's a great guy. He really is anyway, Okay, So yeah, 220 00:10:17,800 --> 00:10:19,160 Speaker 1: I felt the same way. By the way, the only 221 00:10:19,440 --> 00:10:21,800 Speaker 1: reason that I knew this one existed is because when 222 00:10:21,840 --> 00:10:23,560 Speaker 1: we went to go watch the first one, I thought 223 00:10:23,559 --> 00:10:25,400 Speaker 1: it was on Disney Plus, and so you type in 224 00:10:25,480 --> 00:10:27,040 Speaker 1: under Wraps and it pops up and I'm like, oh, 225 00:10:27,040 --> 00:10:29,560 Speaker 1: they're oh wait, that's not it. Yeah, So that's how 226 00:10:29,600 --> 00:10:34,559 Speaker 1: I knew it existed because a misprint essentially, But Now, people, 227 00:10:34,600 --> 00:10:36,920 Speaker 1: it's time to down a bottle of hot sauce and 228 00:10:37,000 --> 00:10:40,400 Speaker 1: get into the synopsis. Three friends accidentally awaken a mummy 229 00:10:40,520 --> 00:10:43,920 Speaker 1: just days before Halloween and discover he's not as scary 230 00:10:43,960 --> 00:10:46,760 Speaker 1: as he looks. Together, they must help their new undead 231 00:10:46,800 --> 00:10:49,400 Speaker 1: friend reunite with his lost love before he's captured by 232 00:10:49,440 --> 00:10:53,400 Speaker 1: a greedy museum curator. So synopsis wise, were real close 233 00:10:53,440 --> 00:10:55,920 Speaker 1: to the original, Like it's basically the same, but with 234 00:10:55,960 --> 00:10:58,520 Speaker 1: a new fleshed out museum curator villain. It seems like 235 00:10:58,559 --> 00:11:01,920 Speaker 1: a bit right. Uh okay, early thoughts, we talked about this. 236 00:11:03,160 --> 00:11:05,760 Speaker 3: We both liked it, right, Yeah, I like this movie 237 00:11:06,160 --> 00:11:09,200 Speaker 3: and I'm just so stoked to watch the second one 238 00:11:09,200 --> 00:11:12,440 Speaker 3: to see where it goes, especially if MALACKI is in it, 239 00:11:12,480 --> 00:11:15,320 Speaker 3: because yeah, well I'm also a new fave of mine. 240 00:11:15,400 --> 00:11:17,320 Speaker 1: I didn't even put it together. Who that was. I 241 00:11:17,400 --> 00:11:20,240 Speaker 1: literally texted producer Jensen, I'm like, this kid's a star. 242 00:11:20,360 --> 00:11:22,200 Speaker 1: He goes, you mean Malachi the Kids, who is like 243 00:11:22,240 --> 00:11:24,640 Speaker 1: a star, And I was like, oh wait, yep, same guy. Yes, 244 00:11:24,760 --> 00:11:25,440 Speaker 1: Oh my gosh. 245 00:11:25,440 --> 00:11:27,560 Speaker 3: He basically just jumped out and gave me a great 246 00:11:27,559 --> 00:11:30,000 Speaker 3: big hug as soon as I saw him on camera. Yeah, 247 00:11:30,160 --> 00:11:33,560 Speaker 3: is like, Oh, you were so cute. Oh, he's just 248 00:11:33,760 --> 00:11:35,360 Speaker 3: such a cute, cute kiss. 249 00:11:35,360 --> 00:11:38,760 Speaker 1: He's also just a really good actor. I mean he's great. Yeah, 250 00:11:39,080 --> 00:11:40,439 Speaker 1: especially for this age, he was. 251 00:11:40,400 --> 00:11:41,800 Speaker 2: Really good, really good. 252 00:11:42,160 --> 00:11:45,520 Speaker 1: It was directed by Alex zam someone I know very 253 00:11:45,600 --> 00:11:48,240 Speaker 1: very well. He directed My Date with the President's Daughter. 254 00:11:48,559 --> 00:11:50,240 Speaker 1: He has a long list of credits, from the Carrot 255 00:11:50,240 --> 00:11:52,679 Speaker 1: Top Movie, Chairman of the Board, to Inspect Her Gadget Too, 256 00:11:52,760 --> 00:11:55,680 Speaker 1: to Woody Woodpecker to both New Underraps d com. He 257 00:11:55,720 --> 00:11:58,360 Speaker 1: has also worked on some TV including Dog with a 258 00:11:58,400 --> 00:12:00,599 Speaker 1: Blog and The Thundermans and I I was texting with 259 00:12:00,640 --> 00:12:02,320 Speaker 1: him last night as I was watching this movie, and 260 00:12:02,400 --> 00:12:05,120 Speaker 1: he will be coming on our show. Yeah, I gotta 261 00:12:05,120 --> 00:12:07,319 Speaker 1: talk to him about this and the movie stars. As 262 00:12:07,320 --> 00:12:10,840 Speaker 1: Sabrina was just talking about Malachi Barton, Disney's current Golden Boy. 263 00:12:10,880 --> 00:12:13,359 Speaker 1: We saw him take the reins of the Zombies franchise. 264 00:12:13,400 --> 00:12:16,480 Speaker 1: God them those movies are good in the newest installment 265 00:12:16,559 --> 00:12:18,360 Speaker 1: and is now set to start in the new Camp 266 00:12:18,440 --> 00:12:22,960 Speaker 1: Rock and the upcoming Disney sitcom Coven Academy. He's Disney 267 00:12:23,040 --> 00:12:25,440 Speaker 1: Channel through and through, a real homegrown talent. He was 268 00:12:25,440 --> 00:12:27,559 Speaker 1: the star of the Disney show Stuck in the Middle 269 00:12:27,559 --> 00:12:30,200 Speaker 1: back in twenty sixteen when he was super young, and 270 00:12:30,240 --> 00:12:32,600 Speaker 1: then starred in their show Villains of Valley View. It 271 00:12:32,640 --> 00:12:35,120 Speaker 1: goes without saying, get used to Malachi Barton because he's 272 00:12:35,360 --> 00:12:38,000 Speaker 1: right in the middle of the Disney system. In twenty 273 00:12:38,040 --> 00:12:41,680 Speaker 1: twenty five, we've got Christian J. Simon as Gilbert. Christian 274 00:12:41,679 --> 00:12:44,000 Speaker 1: has been on TV for basically his entire life, with 275 00:12:44,080 --> 00:12:47,680 Speaker 1: non Disney credits, including The Mick and Insecure, but eventually 276 00:12:47,720 --> 00:12:49,560 Speaker 1: he was thrown into the Disney roster on a show 277 00:12:49,600 --> 00:12:52,360 Speaker 1: called Sidney to the Max. He's also a busy voice actor, 278 00:12:52,400 --> 00:12:56,200 Speaker 1: working on shows like tots Kia and the Comoja Heroes. 279 00:12:56,559 --> 00:12:58,120 Speaker 1: I don't know what that is, but it sounds cool, 280 00:12:58,200 --> 00:13:00,960 Speaker 1: and the Amazing World of Gumball. Next up, we've got 281 00:13:01,000 --> 00:13:03,600 Speaker 1: Sophia Hammonds, who plays Amy. This was her first big 282 00:13:03,640 --> 00:13:06,240 Speaker 1: movie and was recently in Freaky Your Friday, the Lindsay 283 00:13:06,280 --> 00:13:09,480 Speaker 1: Lohan Jamie Lee Curtis sequel at Disney this very year. 284 00:13:10,240 --> 00:13:12,000 Speaker 1: So did my old friend Alexander do the right thing? 285 00:13:12,040 --> 00:13:14,320 Speaker 1: When it comes to the length of this movie, well 286 00:13:16,960 --> 00:13:21,600 Speaker 1: under wraps twenty one clocks in it oh ninety one minutes. Oh, 287 00:13:21,679 --> 00:13:25,679 Speaker 1: alex one minute off target, so close. Just remove one 288 00:13:25,840 --> 00:13:27,599 Speaker 1: simple shot of the Mummy and this movie would have 289 00:13:27,600 --> 00:13:29,640 Speaker 1: been a whole lot better. Well, I'm kidding, but it's 290 00:13:29,640 --> 00:13:32,360 Speaker 1: one minute too long, which I admit is as close 291 00:13:32,360 --> 00:13:33,839 Speaker 1: as you can get. So we'll give it a pass 292 00:13:34,320 --> 00:13:36,719 Speaker 1: for now. We'll have to see what happens with under 293 00:13:36,760 --> 00:13:38,959 Speaker 1: Wraps two. If he comes in at eighty nine minutes, 294 00:13:39,080 --> 00:13:43,320 Speaker 1: then will balance himuntain It'll be fine, perfect. And it's 295 00:13:43,360 --> 00:13:46,079 Speaker 1: written by William Robertson, who collaborated with Alex on a 296 00:13:46,120 --> 00:13:48,240 Speaker 1: few of his movies. Robertson is also known for being 297 00:13:48,240 --> 00:13:51,200 Speaker 1: a writer on movies like twenty fourteen's The Little Rascals 298 00:13:51,200 --> 00:13:56,199 Speaker 1: Save the Day and twenty seventeen's Woody Woodpecker. We will be. 299 00:13:56,200 --> 00:13:59,960 Speaker 3: Taping a live episode of Magical Rewind at Disney California, 300 00:14:00,000 --> 00:14:03,559 Speaker 3: The Adventure Park on December fourth, twenty twenty five. 301 00:14:03,880 --> 00:14:06,559 Speaker 1: If you live in the Southern California area or if 302 00:14:06,559 --> 00:14:09,520 Speaker 1: you can be in the Southern California area on December fourth, 303 00:14:09,720 --> 00:14:13,199 Speaker 1: we have an opportunity for you to join us. Between 304 00:14:13,200 --> 00:14:15,800 Speaker 1: now and November twenty fourth, twenty twenty five, you can 305 00:14:15,960 --> 00:14:17,960 Speaker 1: enter for your chance to win tickets to attend The 306 00:14:18,000 --> 00:14:20,760 Speaker 1: Coast one of three point five private holiday party at 307 00:14:20,800 --> 00:14:24,120 Speaker 1: Disney California Adventure Park on December fourth, twenty twenty five, 308 00:14:24,520 --> 00:14:27,680 Speaker 1: including an overnight stay at the Disneyland Resort Hotel for 309 00:14:27,680 --> 00:14:31,040 Speaker 1: a family of four and two day, one park per 310 00:14:31,120 --> 00:14:34,760 Speaker 1: day tickets to Disneyland Park or Disney California Adventure Park. 311 00:14:34,960 --> 00:14:37,360 Speaker 3: Plus you'll have the chance to meet us while we're 312 00:14:37,400 --> 00:14:42,840 Speaker 3: taping an episode of Magical Rewind inside Disneyland California Adventure Park. 313 00:14:43,080 --> 00:14:45,840 Speaker 1: Visit Coast one of three five dot com forward slash 314 00:14:45,920 --> 00:14:48,560 Speaker 1: Magic Rewind Now to enter for your chance to win. 315 00:14:57,200 --> 00:15:00,440 Speaker 1: And now, people put the ambulant in the moonlight, because 316 00:15:00,480 --> 00:15:04,000 Speaker 1: we're bringing twenty ones under wraps back to life. Let's 317 00:15:04,040 --> 00:15:06,600 Speaker 1: get into it. We love a spooky start here on 318 00:15:06,640 --> 00:15:08,880 Speaker 1: Magical Rewind, of course we do, and that's what we 319 00:15:08,920 --> 00:15:11,760 Speaker 1: get here, just like the first movie Scary Music, and 320 00:15:11,840 --> 00:15:15,040 Speaker 1: we're in the pov of someone or something creeping through 321 00:15:15,080 --> 00:15:18,160 Speaker 1: shrubbery outside of a house. They eventually hit some clearing 322 00:15:18,200 --> 00:15:21,040 Speaker 1: and we're looking inside the suburban dwelling. Then we get 323 00:15:21,080 --> 00:15:24,520 Speaker 1: our under Wraps title treatment. Inside the house, a young 324 00:15:24,520 --> 00:15:27,080 Speaker 1: boy Ben is playing video games with his babysitter his 325 00:15:27,120 --> 00:15:29,240 Speaker 1: parents wanted him in bed by ten pm, but he's 326 00:15:29,360 --> 00:15:32,280 Speaker 1: terrified of the idea. He saw a monster outside his 327 00:15:32,320 --> 00:15:34,320 Speaker 1: window the other night. It was big and ugly and 328 00:15:34,360 --> 00:15:36,440 Speaker 1: had warts all over its face. And just like that, 329 00:15:36,720 --> 00:15:39,480 Speaker 1: we're back in the creepy POV now peeking through the window. 330 00:15:40,120 --> 00:15:42,680 Speaker 1: You think kids would be scared at this point. 331 00:15:43,240 --> 00:15:44,840 Speaker 2: Little bit, I can see that. 332 00:15:45,160 --> 00:15:47,680 Speaker 3: Not like the first one though, No, the first tie 333 00:15:47,840 --> 00:15:50,760 Speaker 3: was that first scene was way. 334 00:15:50,640 --> 00:15:52,360 Speaker 1: Scarier, super creepy. 335 00:15:52,640 --> 00:15:55,680 Speaker 2: Yeah, way scarier, y scarier. Yeah. 336 00:15:55,760 --> 00:15:57,920 Speaker 1: The babysitter says she'll prove there are no monsters in 337 00:15:57,960 --> 00:16:00,640 Speaker 1: his room. She explores everywhere, even as the scary music 338 00:16:00,640 --> 00:16:03,360 Speaker 1: gets louder. She announces, see nothing is in here, but 339 00:16:03,440 --> 00:16:05,880 Speaker 1: the windows open, so we know something's up. And then, 340 00:16:06,160 --> 00:16:08,120 Speaker 1: just as the coast is clear, the door slams shut 341 00:16:08,160 --> 00:16:10,800 Speaker 1: on Ben, who's watching from the hall. We hear varied 342 00:16:10,920 --> 00:16:15,680 Speaker 1: ruckuses rockeye sounds whatever coming from the room. I think 343 00:16:15,720 --> 00:16:20,920 Speaker 1: it's rockeye and Ben and Ben slowly steps away in 344 00:16:20,960 --> 00:16:25,119 Speaker 1: fear and eventually crash A massive, green, bumpy monster warthead 345 00:16:25,400 --> 00:16:27,840 Speaker 1: slams through the door. The monster chases after Ben right 346 00:16:27,840 --> 00:16:30,000 Speaker 1: to the front door, but it won't open, and wartthead 347 00:16:30,080 --> 00:16:33,080 Speaker 1: is gaining ground, and we reveal it's a movie being 348 00:16:33,120 --> 00:16:34,920 Speaker 1: shown in a pack theater, just like the first movie. 349 00:16:34,960 --> 00:16:36,360 Speaker 1: What's the first one? Also Warhead? 350 00:16:37,080 --> 00:16:37,320 Speaker 2: Yes? 351 00:16:37,600 --> 00:16:39,280 Speaker 1: Yeah, I thought so they kept the same movie. I 352 00:16:39,280 --> 00:16:43,000 Speaker 1: thought that was cool, very nice. We see two teens, 353 00:16:43,040 --> 00:16:45,320 Speaker 1: Marshall and Gilbert in their seats. Marshall is having the 354 00:16:45,320 --> 00:16:47,920 Speaker 1: time of his life, Gilbert is frightened and eventually just 355 00:16:48,000 --> 00:16:49,680 Speaker 1: runs out of the theater, and I was like, oh, 356 00:16:50,000 --> 00:16:55,320 Speaker 1: they're staying totally yeah, totally totally honoring the first film. 357 00:16:55,360 --> 00:16:57,280 Speaker 1: I was like, even, I wonder how close is gonna be? 358 00:16:57,560 --> 00:17:00,320 Speaker 3: Yes, And even still remember in the first movie, we 359 00:17:00,520 --> 00:17:04,680 Speaker 3: thought Gilbert was gonna be like the lead, yes, and 360 00:17:04,720 --> 00:17:06,919 Speaker 3: then it was like, oh no, this is not the 361 00:17:07,520 --> 00:17:09,960 Speaker 3: it's the other kid. So even that, because the way 362 00:17:10,000 --> 00:17:12,760 Speaker 3: it is like Gilbert's like he's got his anailer. He's 363 00:17:12,760 --> 00:17:14,880 Speaker 3: the one that's just like a hot mess. And then 364 00:17:14,920 --> 00:17:17,200 Speaker 3: you realize, of course, Malachi. 365 00:17:17,480 --> 00:17:21,560 Speaker 1: It's of course Malachi. I like the way you're saying 366 00:17:21,560 --> 00:17:26,320 Speaker 1: his name now with reverence. Gilbert finds refuge outside and 367 00:17:26,400 --> 00:17:29,400 Speaker 1: quickly uses his inhailer. Marshall joins him, bummed he missed 368 00:17:29,440 --> 00:17:31,680 Speaker 1: the ending, but scary movies and Halloween, which is coming 369 00:17:31,760 --> 00:17:34,880 Speaker 1: up on Sunday, just aren't Gilbert's things. Last year, all 370 00:17:34,880 --> 00:17:36,919 Speaker 1: he did was play ring toss at the Halloween Carnival 371 00:17:36,960 --> 00:17:39,680 Speaker 1: to win a purple eyed panda stuffy bear that he's 372 00:17:39,680 --> 00:17:41,560 Speaker 1: wanted since he was a little kid. But this year 373 00:17:41,600 --> 00:17:44,240 Speaker 1: he's finally gonna win that panda, which is a kind 374 00:17:44,280 --> 00:17:46,919 Speaker 1: of a weird storyline but okay. He fantasizes about the 375 00:17:46,920 --> 00:17:49,200 Speaker 1: eventual win, but it's brought back to earth because Marshall 376 00:17:49,240 --> 00:17:52,040 Speaker 1: needs to go pick stuff up for his Warthhead costume. 377 00:17:52,800 --> 00:17:56,679 Speaker 1: They enter Ernie's Eerie Emporium, a musty shop filled with 378 00:17:56,760 --> 00:18:00,280 Speaker 1: vintage costumes and various scary things. They're looking for Buzzy owner, 379 00:18:00,480 --> 00:18:02,720 Speaker 1: but she's nowhere to be found, and just as Gilbert 380 00:18:02,760 --> 00:18:05,400 Speaker 1: gets confident with the surroundings, one of the werewolf costumes 381 00:18:05,400 --> 00:18:08,320 Speaker 1: comes to life and scares him. It is Buzzy. She's 382 00:18:08,400 --> 00:18:11,400 Speaker 1: running the Halloween Carnival and testing out the costume's ability 383 00:18:11,400 --> 00:18:14,280 Speaker 1: to scare and is very happy with the results. Anyway, 384 00:18:14,400 --> 00:18:17,879 Speaker 1: Marshall buys tons of green slime for his costume, and 385 00:18:17,920 --> 00:18:19,639 Speaker 1: now they're on the walk home. Marshall says he just 386 00:18:19,680 --> 00:18:21,760 Speaker 1: wants to help Gilbert with his fears, and just as 387 00:18:21,800 --> 00:18:24,879 Speaker 1: Gilbert denies the claim, an owl makes him jump. It's like, dude, 388 00:18:24,920 --> 00:18:29,159 Speaker 1: it's bird Relax. Marshall wants his pal to experience the 389 00:18:29,160 --> 00:18:31,760 Speaker 1: world without fear, and he sees an easy way to start. 390 00:18:31,800 --> 00:18:34,840 Speaker 1: He wants Gilbert to ding Dong ditch the neighbor, a 391 00:18:34,920 --> 00:18:37,159 Speaker 1: game that has become a lot less fun now that 392 00:18:37,200 --> 00:18:41,720 Speaker 1: everybody has ring cameras. Yes, mister Coubot's house. Gilbert is 393 00:18:41,800 --> 00:18:44,600 Speaker 1: terrified of the thought people call him mister Kilbot because 394 00:18:44,600 --> 00:18:46,879 Speaker 1: they think he's a serial killer, which is honestly not 395 00:18:46,920 --> 00:18:48,320 Speaker 1: a great nickname. He could have done a lot of 396 00:18:48,359 --> 00:18:50,879 Speaker 1: other things with it, but anyway, But now standing in 397 00:18:50,880 --> 00:18:53,399 Speaker 1: front of Coubot's house, Marshall says Gilbert needs this and 398 00:18:53,480 --> 00:18:56,359 Speaker 1: sends him on his way. Gilbert slowly approaches the darkened 399 00:18:56,359 --> 00:18:58,880 Speaker 1: doorway and contemplates his next move. And that's when we hear, 400 00:18:59,000 --> 00:19:02,120 Speaker 1: what do you want? Mister Kubot is right behind him, 401 00:19:02,200 --> 00:19:03,960 Speaker 1: and acter wise, I was expecting him to be a 402 00:19:04,000 --> 00:19:06,040 Speaker 1: little bit older. He's just kind of a middle aged, 403 00:19:06,400 --> 00:19:07,280 Speaker 1: good looking guy. 404 00:19:07,600 --> 00:19:07,719 Speaker 4: Kin. 405 00:19:08,040 --> 00:19:10,960 Speaker 3: Yeah, but I think it's probably only because of the 406 00:19:11,000 --> 00:19:11,600 Speaker 3: first movie. 407 00:19:11,640 --> 00:19:13,040 Speaker 2: He was so much older. 408 00:19:13,040 --> 00:19:16,480 Speaker 1: In the first movie, Right Now, a very scared Gilbert 409 00:19:16,480 --> 00:19:18,919 Speaker 1: pretends he's selling tickets to the carnival, but Coubot screams, 410 00:19:18,960 --> 00:19:21,080 Speaker 1: get off my porch, and the boy runs away with Marshall. 411 00:19:21,240 --> 00:19:23,399 Speaker 1: This all feels a little bit like the original Under Wraps, 412 00:19:23,400 --> 00:19:26,399 Speaker 1: but with a little modernized updates like making Kilbot sexy. 413 00:19:27,480 --> 00:19:30,640 Speaker 3: I think sex might be a little pushing the envelope. 414 00:19:30,800 --> 00:19:33,920 Speaker 1: All right, I'm mister Kilbot. Here's what I'm looking for 415 00:19:33,960 --> 00:19:38,280 Speaker 1: on Tinder. Swipe right on me? Is it right or left? 416 00:19:38,280 --> 00:19:39,119 Speaker 1: Which way do you swipe? 417 00:19:39,240 --> 00:19:40,080 Speaker 2: I have no idea. 418 00:19:40,160 --> 00:19:41,919 Speaker 1: I don't know either. I don't know what it is. 419 00:19:42,000 --> 00:19:44,159 Speaker 1: But swipe the way that you want to see me. 420 00:19:46,280 --> 00:19:49,560 Speaker 1: Right is yes, Left is no, Thank you, Lisa, So 421 00:19:50,080 --> 00:19:54,120 Speaker 1: swipe left on me. I'm mister Kilbot. Yeah that's what anyway. 422 00:19:55,720 --> 00:19:57,639 Speaker 1: The neighbor growls and retreats into this house as the 423 00:19:57,640 --> 00:19:59,760 Speaker 1: boys hide across the street. Gilbert says he'll be having 424 00:19:59,840 --> 00:20:02,399 Speaker 1: n Mars for the rest of his life. Marshall is 425 00:20:02,400 --> 00:20:04,600 Speaker 1: now eating dinner with his mom and Ted, who he 426 00:20:04,640 --> 00:20:07,679 Speaker 1: calls her annoying boyfriend. But Ted doesn't seem annoying at all. 427 00:20:07,720 --> 00:20:09,919 Speaker 1: He actually seems really nice and wants to know more 428 00:20:09,920 --> 00:20:13,840 Speaker 1: about Marshall's passion for scary movies. Ted even suggests pumpkin carving, 429 00:20:13,920 --> 00:20:16,760 Speaker 1: but Marshall calls it kids stuff and is just being 430 00:20:16,840 --> 00:20:20,880 Speaker 1: well in it. He excuses himself and goes upstairs. Ted 431 00:20:20,960 --> 00:20:23,560 Speaker 1: understands kids need time, but his mom still follows him 432 00:20:23,600 --> 00:20:26,199 Speaker 1: to his room. Marshall throws himself on the bed and 433 00:20:26,280 --> 00:20:29,080 Speaker 1: is soon joined by his mom, who defends Ted. He's 434 00:20:29,119 --> 00:20:33,720 Speaker 1: making her happy. She divorced his dad five years ago 435 00:20:33,840 --> 00:20:36,480 Speaker 1: and needs to move on. Which that's a change. They 436 00:20:36,560 --> 00:20:38,520 Speaker 1: really alluded in the last one to the fact that 437 00:20:38,560 --> 00:20:42,720 Speaker 1: his dad is dead. Yep, so that's another big Disney change. 438 00:20:42,720 --> 00:20:45,560 Speaker 1: It's like, yeah, let's make it divorce. We've said before, 439 00:20:45,760 --> 00:20:48,360 Speaker 1: especially in the modern ones. People the d you can 440 00:20:48,440 --> 00:20:50,879 Speaker 1: use is divorce, not dead, and this is a perfect 441 00:20:50,880 --> 00:20:53,000 Speaker 1: example of it. There's no reason to change that other 442 00:20:53,040 --> 00:20:54,919 Speaker 1: than let's just keep his dad alive, which to me 443 00:20:55,920 --> 00:21:01,200 Speaker 1: doesn't work as well. It works better when the dad's gone, Like, yes, yeah, 444 00:21:01,240 --> 00:21:02,080 Speaker 1: it makes morecise. 445 00:21:02,240 --> 00:21:04,960 Speaker 2: He doesn't want his dad to be replaced, Yes. 446 00:21:05,040 --> 00:21:07,640 Speaker 1: Exactly where if they're divorced, it makes sense that it'd 447 00:21:07,680 --> 00:21:08,760 Speaker 1: be okay to his. 448 00:21:08,760 --> 00:21:12,600 Speaker 3: Dad's probably dating other people too, like, yes, it's it's 449 00:21:12,640 --> 00:21:14,880 Speaker 3: not as extreme or you. 450 00:21:14,800 --> 00:21:18,119 Speaker 1: Know, one hundred percent agree with you. He's making her happy. 451 00:21:18,160 --> 00:21:20,320 Speaker 1: She divorces dad years ago and she needs to move on. 452 00:21:20,560 --> 00:21:22,359 Speaker 1: He thinks they've been doing fine in their own but 453 00:21:22,400 --> 00:21:25,600 Speaker 1: she promises Ted won't change their relationship. She asks him 454 00:21:25,640 --> 00:21:27,680 Speaker 1: to trust her, and then she leaves. And then there's 455 00:21:27,680 --> 00:21:30,440 Speaker 1: a voice for Marsha's walkie talkie. It's Gilbert. He's yelling 456 00:21:30,440 --> 00:21:33,040 Speaker 1: about mister Coubot's house. The boys pick up binoculars and 457 00:21:33,080 --> 00:21:35,399 Speaker 1: see him with two other men moving what looks like 458 00:21:35,480 --> 00:21:39,280 Speaker 1: a dead body into his house. Sure he's an antique dealer, 459 00:21:39,280 --> 00:21:42,639 Speaker 1: but this looks very suspicious. Marshall thinks it's nothing, but 460 00:21:42,720 --> 00:21:45,359 Speaker 1: Gilbert isn't so sure. It's now the next day and 461 00:21:45,359 --> 00:21:46,800 Speaker 1: the boys are on a school field trip to the 462 00:21:46,960 --> 00:21:50,240 Speaker 1: history museum, good timing and focusing on Egyptian history. Double 463 00:21:50,280 --> 00:21:53,440 Speaker 1: good timing. Marshall and Gilbert are paired with a new girl, Amy. 464 00:21:53,520 --> 00:21:56,119 Speaker 1: She moved into her town with her dad and step 465 00:21:56,200 --> 00:21:58,480 Speaker 1: Dave over the summer, which is a great way to 466 00:21:58,480 --> 00:22:01,560 Speaker 1: say it. She explained she had two dads. They're divorced, 467 00:22:01,560 --> 00:22:03,760 Speaker 1: and the dad who lives Here married a dude named Dave, 468 00:22:03,880 --> 00:22:06,640 Speaker 1: so now he's step Dave, and she thinks this town 469 00:22:06,680 --> 00:22:08,720 Speaker 1: is very boring. In fact, she hates it. She wants 470 00:22:08,760 --> 00:22:11,439 Speaker 1: to become an investigative reporter and needs a more active 471 00:22:11,480 --> 00:22:13,960 Speaker 1: city to make her dreams come true. Her dad said 472 00:22:14,000 --> 00:22:16,120 Speaker 1: if she doesn't like it here after giving it a chance, 473 00:22:16,119 --> 00:22:18,520 Speaker 1: she can live with her other dad in Rockport, so 474 00:22:18,680 --> 00:22:21,200 Speaker 1: she expects to be gone next summer. She also proves 475 00:22:21,200 --> 00:22:24,760 Speaker 1: to be quite a Halloween fan and a total horror 476 00:22:24,800 --> 00:22:28,120 Speaker 1: movie expert herself. This obviously impresses Marshall and annoys Gilbert. 477 00:22:28,280 --> 00:22:32,320 Speaker 1: When Marshall offers her some skdoodle snacks, which I think 478 00:22:32,400 --> 00:22:34,760 Speaker 1: is a totally made up thing, but I want some skadoodles, 479 00:22:35,480 --> 00:22:39,080 Speaker 1: a bully named Todd snatches them out of nowhere Ah Todd, 480 00:22:39,720 --> 00:22:41,720 Speaker 1: and though the boys are too scared to fight back, 481 00:22:41,760 --> 00:22:43,960 Speaker 1: Amy decides to do something about it. She tells Todd 482 00:22:44,000 --> 00:22:48,679 Speaker 1: that skadoodles have mulletoll, which is a sugar substitute that 483 00:22:48,760 --> 00:22:51,920 Speaker 1: makes you have diarrhea, and then, almost like a magic spell, 484 00:22:51,960 --> 00:22:54,480 Speaker 1: he rushes off to the bathroom, leaving the candy behind 485 00:22:54,480 --> 00:22:56,640 Speaker 1: for the boys and ready to get his brains out 486 00:22:58,080 --> 00:23:00,840 Speaker 1: it happens, and it's like you're there until your legs 487 00:23:00,880 --> 00:23:03,679 Speaker 1: are numb. And now the class is checking out the 488 00:23:03,840 --> 00:23:07,480 Speaker 1: secrets of the Egyptian Tomb exhibit, again perfect timing. The 489 00:23:07,520 --> 00:23:10,240 Speaker 1: tour guide introduces the students to a sarcophagus, which is 490 00:23:10,280 --> 00:23:13,000 Speaker 1: a long word for mummies coffin. She then points to 491 00:23:13,040 --> 00:23:15,879 Speaker 1: an actual mummy wearing a pretty necklace laying nearby. She 492 00:23:15,920 --> 00:23:18,639 Speaker 1: says it is assumed to have been a queen, and 493 00:23:18,720 --> 00:23:21,000 Speaker 1: when asked if they come to life at night, she 494 00:23:21,080 --> 00:23:23,320 Speaker 1: clarifies that's only in horror movies, and they're not in 495 00:23:23,320 --> 00:23:26,080 Speaker 1: a horror movie. Wink wink. Also as somebody who loves 496 00:23:26,119 --> 00:23:29,600 Speaker 1: ancient Egypt all type of antiquities and museums, They're not 497 00:23:29,640 --> 00:23:32,800 Speaker 1: just gonna have a mummy exposed to the elements. There's 498 00:23:32,840 --> 00:23:35,440 Speaker 1: no glass, there's no anything. It's like, hey, kids, poke 499 00:23:35,480 --> 00:23:38,600 Speaker 1: the mummy's eye, right, that's not gonna ever ever happen. 500 00:23:38,600 --> 00:23:42,720 Speaker 3: Actually, what I was thinking, however, I did love this 501 00:23:43,760 --> 00:23:44,800 Speaker 3: tour guide that they had. 502 00:23:45,080 --> 00:23:46,440 Speaker 2: I thought she was so good. 503 00:23:47,000 --> 00:23:49,400 Speaker 1: Yeah she's great. The teacher, yeah, oh no, the tour 504 00:23:49,440 --> 00:23:50,639 Speaker 1: guide you mean, yeah, yeah. 505 00:23:50,760 --> 00:23:53,320 Speaker 2: Yeah, whatever she was. I thought she was so good. 506 00:23:53,320 --> 00:23:53,560 Speaker 2: I don't. 507 00:23:53,600 --> 00:23:56,240 Speaker 3: For some reason, I kept going, God, she's just really good, 508 00:23:56,280 --> 00:23:59,240 Speaker 3: like her her playfulness with the kids. Like I'm like, 509 00:23:59,320 --> 00:24:00,240 Speaker 3: I'd love to be on. 510 00:24:00,160 --> 00:24:01,080 Speaker 2: A tour with this lady. 511 00:24:01,080 --> 00:24:04,840 Speaker 1: She's amazing. But I also like, so, well, well, we'll 512 00:24:04,840 --> 00:24:07,320 Speaker 1: get into it here, because this was why I thought 513 00:24:07,320 --> 00:24:09,919 Speaker 1: this remake worked very well. But anyway, Amy notices there 514 00:24:09,920 --> 00:24:12,640 Speaker 1: are two sarcopha guy, but only one mummy, and that's 515 00:24:12,640 --> 00:24:14,560 Speaker 1: because there was a second mummy, believed to be the 516 00:24:14,640 --> 00:24:17,240 Speaker 1: High Priest, and they were in love, but their families 517 00:24:17,240 --> 00:24:20,560 Speaker 1: were bitter rivals, so they conspired to rest together in death, 518 00:24:20,880 --> 00:24:23,520 Speaker 1: but the tomb was raided and whisked away to separate exhibits, 519 00:24:23,560 --> 00:24:25,560 Speaker 1: so they went a little more Romeo and Juliet with 520 00:24:25,560 --> 00:24:28,399 Speaker 1: this one. And though this exhibit was supposed to reunite them, 521 00:24:28,440 --> 00:24:30,840 Speaker 1: the High Priest was stolen on his way here. Now 522 00:24:30,920 --> 00:24:34,720 Speaker 1: this plot point is very similar to the original. I 523 00:24:35,680 --> 00:24:39,400 Speaker 1: liked how they strayed a bit, though it was rival families. 524 00:24:39,440 --> 00:24:42,000 Speaker 1: I think last time it was more class. They weren't 525 00:24:42,040 --> 00:24:44,640 Speaker 1: in the same class. But I liked that it's rival families. 526 00:24:46,680 --> 00:24:48,520 Speaker 1: I guess I could see how people would think this 527 00:24:48,640 --> 00:24:51,920 Speaker 1: was boring compared to the last one, but I liked 528 00:24:51,920 --> 00:24:53,760 Speaker 1: how they went kind of Romeo and Juliet with it. 529 00:24:54,400 --> 00:24:56,840 Speaker 3: Yeah, I didn't think it was born at all. Honestly, 530 00:24:56,960 --> 00:24:59,280 Speaker 3: I feel like the way it was explained to us 531 00:24:59,359 --> 00:25:04,320 Speaker 3: this time stuck with me more in knowing where we 532 00:25:04,320 --> 00:25:06,960 Speaker 3: were going with this Mummy, Like what the point of 533 00:25:07,000 --> 00:25:07,879 Speaker 3: this Mummy was? 534 00:25:08,080 --> 00:25:11,000 Speaker 1: It was explained first were this was the last movie. 535 00:25:11,080 --> 00:25:12,480 Speaker 1: Was like in the middle it was yeah. 536 00:25:12,359 --> 00:25:13,240 Speaker 2: It was yeah. 537 00:25:13,440 --> 00:25:15,760 Speaker 3: Almost towards the end it felt like, so we didn't 538 00:25:15,800 --> 00:25:18,760 Speaker 3: like this one. I actually understood, even though the kids 539 00:25:18,800 --> 00:25:21,239 Speaker 3: didn't really know what they were looking to do. As 540 00:25:21,320 --> 00:25:23,240 Speaker 3: a viewer, I felt like I knew where we were 541 00:25:23,240 --> 00:25:26,320 Speaker 3: going with it versus I agree. I mean wild in 542 00:25:26,359 --> 00:25:29,560 Speaker 3: a town with the Mummy that no one really smells, 543 00:25:29,640 --> 00:25:30,680 Speaker 3: and yeah, yes. 544 00:25:30,680 --> 00:25:32,920 Speaker 1: Set up set up the story, which is what they 545 00:25:32,920 --> 00:25:34,880 Speaker 1: did here, which was done better here than I thought 546 00:25:34,880 --> 00:25:38,080 Speaker 1: in the original one, where it's like they're talking, you 547 00:25:38,160 --> 00:25:40,200 Speaker 1: know the love story, you know they're supposed to be together. 548 00:25:40,280 --> 00:25:42,399 Speaker 1: Then by the time you meet the Mummy for the 549 00:25:42,400 --> 00:25:44,359 Speaker 1: first time, you're like, oh, he's in love, Like I 550 00:25:44,359 --> 00:25:45,760 Speaker 1: want to get him back to his love. It's that's 551 00:25:45,800 --> 00:25:50,080 Speaker 1: already there. So it like it humanizes the mummies a 552 00:25:50,080 --> 00:25:52,159 Speaker 1: little more, and I liked how it laid out the story, 553 00:25:52,160 --> 00:25:53,800 Speaker 1: so I was I agree with you on hundred percent. 554 00:25:54,280 --> 00:25:56,280 Speaker 1: The next day at school, Marshall and Gilbert talk about 555 00:25:56,280 --> 00:25:58,359 Speaker 1: how cool Amy is but don't get why she hates 556 00:25:58,400 --> 00:26:00,919 Speaker 1: their town. Gilbert blames it all and the friend she misses, 557 00:26:00,960 --> 00:26:02,960 Speaker 1: so Marshall wonders they should ask her to hang out, 558 00:26:02,960 --> 00:26:05,240 Speaker 1: which was a very funny beat because she's overhearing the 559 00:26:05,359 --> 00:26:07,520 Speaker 1: entire conversation. Says, you guys have to learn how to whisper, 560 00:26:07,840 --> 00:26:10,119 Speaker 1: and she says yes, since she wants to be an 561 00:26:10,160 --> 00:26:13,439 Speaker 1: investigative reporter. The boy suggests they investigate mister Kubat and 562 00:26:13,480 --> 00:26:16,400 Speaker 1: that weird burlap sack he was moving. Amy quickly puts 563 00:26:16,400 --> 00:26:18,320 Speaker 1: two and two together, not something we're very used to 564 00:26:18,359 --> 00:26:20,760 Speaker 1: in d COM's, and realizes this could be the stolen 565 00:26:20,800 --> 00:26:23,840 Speaker 1: mummy they just learned about. She's found her story again, 566 00:26:24,119 --> 00:26:24,800 Speaker 1: moving us along. 567 00:26:24,840 --> 00:26:28,040 Speaker 3: I like that very much, but like kind of like, oh, well, duck, 568 00:26:28,080 --> 00:26:30,480 Speaker 3: he's obviously it was a. 569 00:26:30,359 --> 00:26:32,360 Speaker 2: Little fast for me. I was kind of like, he's. 570 00:26:33,640 --> 00:26:36,520 Speaker 1: He's a smart one, all right, Amy? 571 00:26:36,880 --> 00:26:38,040 Speaker 2: Where are you? 572 00:26:38,600 --> 00:26:38,639 Speaker 4: Is? 573 00:26:39,040 --> 00:26:42,240 Speaker 2: Is Daddy Dave? Actually mister Kubot, like, what's happening? 574 00:26:42,280 --> 00:26:45,080 Speaker 1: How do you know? Telling you she knew what was up? 575 00:26:45,280 --> 00:26:49,080 Speaker 1: Amy's got it going on, so Amy, of course wants 576 00:26:49,119 --> 00:26:51,280 Speaker 1: to see this big burlap sack with her own eyes. 577 00:26:51,680 --> 00:26:53,679 Speaker 1: Hope I never have to say that sentence again. So 578 00:26:53,680 --> 00:26:57,000 Speaker 1: they decide to meet back at Cubat's at eight to 579 00:26:57,119 --> 00:27:00,239 Speaker 1: make their move, and when the time arrives, they up 580 00:27:00,240 --> 00:27:02,200 Speaker 1: to the dark house and realize that nobody's home. Amy 581 00:27:02,200 --> 00:27:04,719 Speaker 1: breaks into the basement and Gilbert again like the last movie, 582 00:27:04,760 --> 00:27:07,159 Speaker 1: and Gilbert wants to turn back immediately, so Marshall and 583 00:27:07,160 --> 00:27:09,439 Speaker 1: Amy decide to search the area, but now alone at 584 00:27:09,480 --> 00:27:12,280 Speaker 1: the entrances lookout scaredy, Gilbert is the one to bump 585 00:27:12,320 --> 00:27:15,479 Speaker 1: into the burlap back bump into the burlap bag, and 586 00:27:15,600 --> 00:27:19,240 Speaker 1: upon further inspection, it is an Egyptian tomb, and when 587 00:27:19,240 --> 00:27:21,160 Speaker 1: he tries to pick it up, the coffin opens, revealing 588 00:27:21,160 --> 00:27:23,800 Speaker 1: the mummy and terrifying the boy. The mummy is hideous 589 00:27:23,800 --> 00:27:26,919 Speaker 1: and also wearing a shiny necklace, and then smash falls 590 00:27:27,000 --> 00:27:29,399 Speaker 1: right out and on top of him, smothering him on 591 00:27:29,520 --> 00:27:32,320 Speaker 1: the ground. He screams and struggles, eventually freeing himself and 592 00:27:32,400 --> 00:27:35,199 Speaker 1: running out yelling Mummy the whole time, and now just 593 00:27:35,280 --> 00:27:37,520 Speaker 1: laying on the ground alone. The moonlight shines on the mummy, 594 00:27:37,560 --> 00:27:41,680 Speaker 1: forcing the necklace to sparkle, and then slowly he starts 595 00:27:41,840 --> 00:27:46,879 Speaker 1: to move. Gilbert catches up to Amy and Marshall to 596 00:27:46,920 --> 00:27:49,479 Speaker 1: show them the mummy, but it's gone, and just when 597 00:27:49,520 --> 00:27:51,440 Speaker 1: they start to doubt him, they hear a low rumbling 598 00:27:51,480 --> 00:27:54,480 Speaker 1: and then the Mummy reappears, screaming at them. The three 599 00:27:54,560 --> 00:27:57,320 Speaker 1: kids scurry off and the mummy shuffles close behind. They 600 00:27:57,359 --> 00:27:59,439 Speaker 1: try to hide in an office but can't open the 601 00:27:59,440 --> 00:28:02,080 Speaker 1: door because it's the Mummy's getting closer and now they're trapped. 602 00:28:02,320 --> 00:28:05,240 Speaker 1: But then the sounds stop. Everything calms down, and just 603 00:28:05,280 --> 00:28:07,240 Speaker 1: as the kids feel safe, the Mummy breaks through the 604 00:28:07,240 --> 00:28:09,360 Speaker 1: wall and rushes at them. They scream at the top 605 00:28:09,359 --> 00:28:11,800 Speaker 1: of their lugs and beg for mercy, but instead of attacking, 606 00:28:11,920 --> 00:28:15,280 Speaker 1: he just hands them back their flashlight. He seems harmless 607 00:28:15,400 --> 00:28:18,880 Speaker 1: and well confused. Amy kindly approaches the mummy and they 608 00:28:18,920 --> 00:28:21,080 Speaker 1: touch hands, and just as they're getting to know each other, 609 00:28:21,160 --> 00:28:24,439 Speaker 1: a car pulls into the driveway. Ow it looks like 610 00:28:25,480 --> 00:28:28,360 Speaker 1: they're about to be caught. Coubot's coming back. The kids 611 00:28:28,440 --> 00:28:30,880 Speaker 1: rush out of the house to avoid Kubot. Amy apologizes 612 00:28:30,920 --> 00:28:33,760 Speaker 1: to the Mummy and they leave just in time. Kubot 613 00:28:33,800 --> 00:28:35,960 Speaker 1: and his two thugs walk in and instantly notice the 614 00:28:36,000 --> 00:28:39,360 Speaker 1: damage and then realize the Mummy is gone. He proclaims, 615 00:28:39,400 --> 00:28:42,400 Speaker 1: whoever did this is gonna pay now. Outside the house, 616 00:28:42,400 --> 00:28:44,000 Speaker 1: Amy wants to write all about it, but the boys 617 00:28:44,040 --> 00:28:45,840 Speaker 1: just want to pretend it never happened. And next thing 618 00:28:45,840 --> 00:28:47,680 Speaker 1: you know, the Mummy is now running at them in 619 00:28:47,680 --> 00:28:50,000 Speaker 1: the street but just wants some help. The kids fight 620 00:28:50,040 --> 00:28:52,320 Speaker 1: over who can take him home, and Marshall is forced 621 00:28:52,320 --> 00:28:55,560 Speaker 1: to volunteer. So once at home, he sneaks the Mummy 622 00:28:55,560 --> 00:28:58,400 Speaker 1: in through the laundry room, tiptoeing behind his mom and 623 00:28:58,480 --> 00:29:01,080 Speaker 1: Ted on the couch, who are watching a black and 624 00:29:01,120 --> 00:29:04,040 Speaker 1: white Mummy movie. You know that hot Nate movie from 625 00:29:04,120 --> 00:29:06,920 Speaker 1: the thirties star in Boris Karlov. Let's put on that 626 00:29:06,960 --> 00:29:11,280 Speaker 1: original Mummy movie and then get busy. Yeah, to get 627 00:29:11,280 --> 00:29:12,840 Speaker 1: them in the mood. I guess that's what they're watching. 628 00:29:13,040 --> 00:29:15,320 Speaker 1: And on his way to the stairs, our Mummy sees 629 00:29:15,360 --> 00:29:17,840 Speaker 1: the Mummy on TV and makes a b line for it. 630 00:29:18,240 --> 00:29:20,640 Speaker 1: Marshall pulls him back into the laundry room just in time, 631 00:29:20,680 --> 00:29:23,360 Speaker 1: missing a glance from his mom and of course Ted, 632 00:29:23,680 --> 00:29:26,880 Speaker 1: who offer him pizza, but he just wants to get 633 00:29:26,920 --> 00:29:30,080 Speaker 1: upstairs with his new mummy as fast as possible, leaving 634 00:29:30,080 --> 00:29:32,520 Speaker 1: his mommy to go upstairs with his mummy. Thank you 635 00:29:32,560 --> 00:29:35,280 Speaker 1: very much. I've always wanted to say that. And so 636 00:29:35,520 --> 00:29:37,720 Speaker 1: once upstairs, the mummy starts to make himself at home. 637 00:29:37,760 --> 00:29:40,440 Speaker 1: He eventually spots the warthead mask and jumps in fear, 638 00:29:40,560 --> 00:29:42,960 Speaker 1: then starts eating a sock and on cue, his mom 639 00:29:43,000 --> 00:29:45,400 Speaker 1: knocks and enters with pizza. The mummy hides behind the door, 640 00:29:45,400 --> 00:29:48,719 Speaker 1: and though she smells something putrid, he gets away with it. 641 00:29:48,720 --> 00:29:51,000 Speaker 1: It was a close call. So he showers the mummy 642 00:29:51,000 --> 00:29:53,320 Speaker 1: with ocean breeze and shares the pizza with him, adding 643 00:29:53,360 --> 00:29:55,720 Speaker 1: some hot sauce for taste, and when and when the 644 00:29:55,760 --> 00:29:58,080 Speaker 1: mummy takes a bite, he erupts like a tea kettle, 645 00:29:58,240 --> 00:30:00,600 Speaker 1: grabbing the hot sauce bottle and downing what's left. He 646 00:30:00,760 --> 00:30:04,200 Speaker 1: absolutely loves it. Once finished, he lets out a massive burp. 647 00:30:04,280 --> 00:30:06,680 Speaker 1: Marshall is shocked and kind of impressed, and since the 648 00:30:06,720 --> 00:30:08,920 Speaker 1: only other person he knows who loves hot sauce that 649 00:30:09,040 --> 00:30:12,040 Speaker 1: much was his grandpa, Harold. He decides the name the 650 00:30:12,120 --> 00:30:15,719 Speaker 1: mummy Harold, which is weird because the Mummy probably has 651 00:30:15,720 --> 00:30:16,040 Speaker 1: a name. 652 00:30:16,040 --> 00:30:19,600 Speaker 3: But anyway, yeah, that made me kind of go, wait, 653 00:30:19,680 --> 00:30:21,040 Speaker 3: what why is he Harold? 654 00:30:21,200 --> 00:30:22,040 Speaker 2: Why is he Harold? 655 00:30:22,080 --> 00:30:24,680 Speaker 3: And then I couldn't remember if I remember what they 656 00:30:24,720 --> 00:30:26,240 Speaker 3: called him in the last movie. 657 00:30:26,400 --> 00:30:28,800 Speaker 1: Later, Marshall sleeps in bed while Harold sleeps on the 658 00:30:28,800 --> 00:30:30,760 Speaker 1: floor right next to him and snores loudly. It keeps 659 00:30:30,760 --> 00:30:33,080 Speaker 1: Marshall up most of the night because Mummy snore and 660 00:30:33,080 --> 00:30:35,360 Speaker 1: there were no seapat machines in ancient Egypt. They didn't 661 00:30:35,360 --> 00:30:38,280 Speaker 1: have them. The next morning, Marshall is running late for 662 00:30:38,320 --> 00:30:40,240 Speaker 1: school and leaves Harold at home, begging him not to 663 00:30:40,240 --> 00:30:42,960 Speaker 1: break anything while he's gone, which seems like that's gonna 664 00:30:42,960 --> 00:30:45,040 Speaker 1: be rough. Amy and Gilbert meet him at the door 665 00:30:45,120 --> 00:30:46,840 Speaker 1: to walk to school and they talk about the Mummy, 666 00:30:46,840 --> 00:30:49,640 Speaker 1: who's already getting busy in Marshall's room. He ventures into 667 00:30:49,640 --> 00:30:51,640 Speaker 1: the rest of the house and gets instantly scared at 668 00:30:51,640 --> 00:30:54,480 Speaker 1: his own reflection, which makes sense because he hasn't seen 669 00:30:54,560 --> 00:30:57,640 Speaker 1: himself mummified. At school, Marshall and Gilbert are finishing their 670 00:30:57,680 --> 00:31:00,720 Speaker 1: Ancient Egyptian class, which again is some great timing with 671 00:31:00,760 --> 00:31:02,800 Speaker 1: everything going on in their life right now, and it's 672 00:31:02,800 --> 00:31:04,440 Speaker 1: like it's like they find a werewolf and they're in 673 00:31:04,520 --> 00:31:07,160 Speaker 1: werewolf school, and now they can team up for a 674 00:31:07,200 --> 00:31:10,920 Speaker 1: creative project. They can basically do anything creative. So Marshall 675 00:31:10,960 --> 00:31:13,880 Speaker 1: volunteers him Amy and Gilbert to make a movie. But 676 00:31:13,960 --> 00:31:15,680 Speaker 1: little does the teacher know, he wants to make a 677 00:31:15,720 --> 00:31:18,040 Speaker 1: real Mummy movie. And this is when I started going, Oh, 678 00:31:18,080 --> 00:31:20,200 Speaker 1: I really like this version of the movie, Like, what 679 00:31:20,280 --> 00:31:23,080 Speaker 1: a great idea. You know they're gonna use the Mummy 680 00:31:23,120 --> 00:31:25,040 Speaker 1: to do something for a school project. He gets to 681 00:31:25,080 --> 00:31:26,920 Speaker 1: actually make a Mummy movie with a Mummy. I was like, 682 00:31:27,040 --> 00:31:30,040 Speaker 1: what a great little twist and side quest. And I 683 00:31:30,160 --> 00:31:32,120 Speaker 1: just thought that this is one of the reasons where 684 00:31:32,120 --> 00:31:35,640 Speaker 1: I was like, I'm kind of digging this remake same. 685 00:31:35,880 --> 00:31:38,280 Speaker 2: I loved it. I loved the idea of it me too. 686 00:31:38,760 --> 00:31:40,600 Speaker 1: Back at the house, Harold is knocking stuff over in 687 00:31:40,600 --> 00:31:43,120 Speaker 1: the kitchen and becoming very interested in the TV remote, 688 00:31:43,280 --> 00:31:45,520 Speaker 1: which he accidentally covers in honey and gets stuck to 689 00:31:45,560 --> 00:31:48,520 Speaker 1: his hand. He eventually shakes it free, basically gluing it 690 00:31:48,560 --> 00:31:51,360 Speaker 1: to the ceiling, then starting a fight with the family's 691 00:31:51,440 --> 00:31:54,320 Speaker 1: rumba to escape, Harold walks out the front door and 692 00:31:54,440 --> 00:31:58,080 Speaker 1: right into the unsuspecting neighborhood. Now at school, Marshall is 693 00:31:58,080 --> 00:32:00,280 Speaker 1: about to be dismissed and focused on getting hold to 694 00:32:00,280 --> 00:32:03,320 Speaker 1: Harold as soon as possible, and when he does, him 695 00:32:03,440 --> 00:32:05,520 Speaker 1: and Gilbert are shocked to see the door wide open. 696 00:32:05,840 --> 00:32:09,240 Speaker 1: The mummy once again is missing. Harold is now aimlessly 697 00:32:09,240 --> 00:32:11,320 Speaker 1: walking down the street and passerbys assume it's just a 698 00:32:11,320 --> 00:32:13,320 Speaker 1: Halloween costume and want nothing to do with him, And 699 00:32:13,360 --> 00:32:15,720 Speaker 1: then he spots it a bus add for the Secrets 700 00:32:15,720 --> 00:32:17,840 Speaker 1: of Egypt exhibit, and he sees a picture of the 701 00:32:17,880 --> 00:32:21,120 Speaker 1: princess and immediately knows what he's looking for, and now 702 00:32:21,200 --> 00:32:23,800 Speaker 1: on their hunt. The kids run into mister Kilbot, who 703 00:32:24,080 --> 00:32:27,360 Speaker 1: very aggressively questions them about the robbery. The group assures 704 00:32:27,400 --> 00:32:28,920 Speaker 1: him they had nothing to do with it and leave. 705 00:32:29,200 --> 00:32:31,200 Speaker 1: We cut to Harold now hanging on to a speeding 706 00:32:31,240 --> 00:32:33,080 Speaker 1: bus by some of the mummy wrap that's stuck to 707 00:32:33,120 --> 00:32:36,800 Speaker 1: the bumper. He's basically water skiing a bus. It eventually 708 00:32:36,840 --> 00:32:39,080 Speaker 1: snaps and he's laid out on the street, but luckily 709 00:32:39,160 --> 00:32:43,640 Speaker 1: lands right in front of the History Museum. Bingo Marshall, 710 00:32:43,680 --> 00:32:45,560 Speaker 1: Amy and Harold are still walking the streets trying to 711 00:32:45,560 --> 00:32:49,320 Speaker 1: find Harold, trying to put themselves into his bandages. Get it, 712 00:32:50,120 --> 00:32:53,600 Speaker 1: get it, come on, get it, And that's when they 713 00:32:53,640 --> 00:32:56,680 Speaker 1: stumble onto the History Museum. The luck of these characters 714 00:32:56,720 --> 00:32:58,640 Speaker 1: constantly stumbling on the places they got in. 715 00:33:00,360 --> 00:33:06,200 Speaker 3: It's just all small town with a giant museum, Yes. 716 00:33:05,880 --> 00:33:10,040 Speaker 1: Exactly, it's the tiny town with the Guggenheim. It's like, wow, 717 00:33:10,080 --> 00:33:12,520 Speaker 1: we've only got nine thousand people in this town, but 718 00:33:12,640 --> 00:33:15,880 Speaker 1: some great museums, Like, what are the chances? They agree 719 00:33:15,920 --> 00:33:17,920 Speaker 1: that the museum is worth a try, and it doesn't 720 00:33:17,920 --> 00:33:20,000 Speaker 1: take long to find him. He's hunched over the princess, 721 00:33:20,080 --> 00:33:23,760 Speaker 1: visibly distraught because again there's no glass separating anything, so weird. 722 00:33:24,720 --> 00:33:27,480 Speaker 1: Harold quickly points out the matching necklaces, which the kids 723 00:33:27,480 --> 00:33:30,920 Speaker 1: deduce with some sort of like ancient engagement ring. He 724 00:33:30,960 --> 00:33:33,320 Speaker 1: wants to be back together with her, Obviously. They encourage 725 00:33:33,320 --> 00:33:35,120 Speaker 1: Harold to leave or they're gonna get in a big trouble, 726 00:33:35,120 --> 00:33:37,640 Speaker 1: and right then a security guard enters, warning them not 727 00:33:37,720 --> 00:33:40,880 Speaker 1: to touch the exhibits, which that guy was working at 728 00:33:40,920 --> 00:33:44,880 Speaker 1: the louver. They apologize and leave, pretending that Harold is 729 00:33:45,000 --> 00:33:47,160 Speaker 1: just a Halloween costume, which you know I can buy 730 00:33:47,160 --> 00:33:50,320 Speaker 1: that perfect time to do this kind of thing in 731 00:33:50,320 --> 00:33:52,280 Speaker 1: a Halloween movie. It's like you can actually have a 732 00:33:52,360 --> 00:33:54,360 Speaker 1: mummy walking the streets and people are gonna be like, hey, 733 00:33:54,440 --> 00:33:56,920 Speaker 1: great costume. They know Harold will try to return to 734 00:33:56,960 --> 00:33:58,960 Speaker 1: his girlfriend first chance he gets, so they rush to 735 00:33:59,000 --> 00:34:01,440 Speaker 1: Buzzy to get her monster her expert advice. She can't 736 00:34:01,440 --> 00:34:04,120 Speaker 1: believe she's seeing a real life mummy. She's also read 737 00:34:04,120 --> 00:34:06,360 Speaker 1: the story about the stolen Mummy in the newspaper. While 738 00:34:06,400 --> 00:34:08,160 Speaker 1: the group works it all out, Harold has found a 739 00:34:08,200 --> 00:34:11,000 Speaker 1: TV and is emulating a dance he sees to a 740 00:34:11,040 --> 00:34:14,359 Speaker 1: song called Bop Damn Bones. Let's just say he would 741 00:34:14,360 --> 00:34:17,200 Speaker 1: not get good scores from Bruno carry in maybe, but 742 00:34:17,320 --> 00:34:21,239 Speaker 1: definitely not Bruno. Buzzy takes a closer look at the 743 00:34:21,239 --> 00:34:25,080 Speaker 1: amulet necklace and finds a hieroglyphic inscription on the back. 744 00:34:25,600 --> 00:34:27,520 Speaker 1: She can translate it, but it's gonna take some time. 745 00:34:27,800 --> 00:34:30,560 Speaker 1: We cut to a mysterious mansion. Wow, this is where 746 00:34:30,600 --> 00:34:32,640 Speaker 1: it got super weird. Inside, an older woman in a 747 00:34:32,680 --> 00:34:37,680 Speaker 1: red dress, Missus Ravensworth, is served a whole baby octopus 748 00:34:37,960 --> 00:34:40,520 Speaker 1: as a meal. Just as she's about to dig in. 749 00:34:40,600 --> 00:34:42,240 Speaker 1: It's like it might as well have been a puppy 750 00:34:42,280 --> 00:34:45,560 Speaker 1: with what they're trying to do. Like it was so weird, 751 00:34:45,719 --> 00:34:48,520 Speaker 1: but it was also just like, come on, she write justice, 752 00:34:48,520 --> 00:34:51,520 Speaker 1: she's about to dig in. Kubat enters. Ravensworth immediately can't 753 00:34:51,600 --> 00:34:54,520 Speaker 1: understand how someone can be so careless. Kubat has given 754 00:34:54,560 --> 00:34:57,120 Speaker 1: forty eight hours to recover the mummy with Coffin or 755 00:34:57,160 --> 00:35:00,120 Speaker 1: she gets her money back with a hefty and painful penalty. 756 00:35:00,360 --> 00:35:03,840 Speaker 1: He leaves and she eats her baby octopus like a psychopath. 757 00:35:04,320 --> 00:35:07,480 Speaker 1: It is the creepiest scene where she like cuts off 758 00:35:07,520 --> 00:35:09,919 Speaker 1: the tentacle and then she's like sucking the tentacle into 759 00:35:09,960 --> 00:35:13,239 Speaker 1: her mouth and while moaning. It was so it was like, ah, 760 00:35:13,760 --> 00:35:16,680 Speaker 1: there's the minute you gotta cut Alex, there's the minute 761 00:35:17,160 --> 00:35:17,400 Speaker 1: you know. 762 00:35:17,520 --> 00:35:22,880 Speaker 3: I'm cracking up though, because so Monroe loves sushi and 763 00:35:22,960 --> 00:35:27,279 Speaker 3: her first favorite thing is octopus, like favorite, she's the 764 00:35:27,320 --> 00:35:31,480 Speaker 3: biggest little weirdo Jordan's loves loves october. 765 00:35:33,719 --> 00:35:35,680 Speaker 2: H No, she hasn't not not there. 766 00:35:36,719 --> 00:35:40,160 Speaker 3: But no when she eats like a big thing, because 767 00:35:40,160 --> 00:35:43,239 Speaker 3: she'll get like a whole piece like sashimi and just 768 00:35:43,239 --> 00:35:45,960 Speaker 3: sits there and just not like just gnaws on it 769 00:35:46,080 --> 00:35:48,680 Speaker 3: every single time. I'm like, you are such a weird kid. 770 00:35:48,760 --> 00:35:51,560 Speaker 3: I never say it to her, but it's so funny 771 00:35:51,560 --> 00:35:54,160 Speaker 3: to me. Out of all the things of sushi, octopus 772 00:35:54,239 --> 00:35:57,160 Speaker 3: is her absolute favorite. She will go, she will go 773 00:35:57,239 --> 00:35:58,960 Speaker 3: through two orders of sashimi. 774 00:36:00,400 --> 00:36:02,320 Speaker 2: She's five. Yes, it's the. 775 00:36:02,160 --> 00:36:05,279 Speaker 3: Weirdest thing, but I couldn't stop thinking of it during 776 00:36:05,320 --> 00:36:08,440 Speaker 3: this scene, like, ew, Monroe, that's what you're gonna look like. 777 00:36:09,120 --> 00:36:13,280 Speaker 1: It's yeah, it was older, super creepy. What was happening? 778 00:36:13,440 --> 00:36:17,879 Speaker 1: So anyway, the next morning, I'm learning so much about 779 00:36:17,880 --> 00:36:20,960 Speaker 1: your family. The next morning, the kids are prepping their 780 00:36:20,960 --> 00:36:24,439 Speaker 1: big Mummy movie, The Mummy's Awesome Revenge. When Marshall's mom 781 00:36:24,480 --> 00:36:26,799 Speaker 1: and Ted pop in, there's no way to hide Harold now, 782 00:36:26,800 --> 00:36:28,840 Speaker 1: so they introduce him as a kid from school who's 783 00:36:28,840 --> 00:36:31,880 Speaker 1: been held back several years and it's now playing their Mummy. 784 00:36:32,280 --> 00:36:34,480 Speaker 1: They buy the story, and Ted actually brought over some 785 00:36:34,520 --> 00:36:36,399 Speaker 1: spare costumes to help. Good old Ted. 786 00:36:36,719 --> 00:36:39,520 Speaker 2: Ted's great, amazing dude, so sweet and adorable. 787 00:36:39,800 --> 00:36:42,600 Speaker 1: Yeah, but Marshall still isn't supporting this new relationship. Once 788 00:36:42,640 --> 00:36:45,720 Speaker 1: Ted's gone, Amy explains how hard it was at first 789 00:36:45,760 --> 00:36:48,759 Speaker 1: when her dad remarried, but now she's very close with 790 00:36:48,800 --> 00:36:50,839 Speaker 1: the new husband. It was a nice kind of moment. 791 00:36:51,840 --> 00:36:53,360 Speaker 1: They get back to work on the movie, which I 792 00:36:53,480 --> 00:36:56,120 Speaker 1: deduce they were shooting in some CPA color thirty five 793 00:36:56,160 --> 00:37:00,160 Speaker 1: millimeter and involves stunts, props and a DIY claymation. And 794 00:37:00,200 --> 00:37:02,600 Speaker 1: this movie they're making in the movie might be better 795 00:37:02,640 --> 00:37:08,040 Speaker 1: than Fuzzbucket. It's possibly, it's certainly possible. It's not better 796 00:37:08,080 --> 00:37:15,560 Speaker 1: than that Zendaya movie. Thanks. Amy and Gilbert play explorers 797 00:37:15,600 --> 00:37:18,040 Speaker 1: who find the coffin and reveal Harold, who's supposed to 798 00:37:18,040 --> 00:37:20,279 Speaker 1: act fierce but is having trouble. We also see one 799 00:37:20,280 --> 00:37:22,640 Speaker 1: of my favorite things in the world, kid actors pretending 800 00:37:22,640 --> 00:37:26,600 Speaker 1: to be bad actors, which god, I just love they 801 00:37:26,640 --> 00:37:28,879 Speaker 1: I do anytime a kid actor has to play bad, 802 00:37:29,120 --> 00:37:32,480 Speaker 1: it has to do bad acting. There's almost no one 803 00:37:32,480 --> 00:37:34,680 Speaker 1: better at it in the world than Ben Savage. It 804 00:37:34,800 --> 00:37:38,760 Speaker 1: was just oh, Chef's kiss. It was really It's pretty awesome. 805 00:37:39,120 --> 00:37:41,360 Speaker 1: They eventually nail the scene and then Buzzy calls in 806 00:37:41,400 --> 00:37:43,879 Speaker 1: with an emergency. They run to her store and she's 807 00:37:43,960 --> 00:37:47,000 Speaker 1: finally translated the symbols. She's learned. The amulet is basically 808 00:37:47,040 --> 00:37:50,320 Speaker 1: a three day pass back to the living, activated by moonlight. 809 00:37:50,680 --> 00:37:53,520 Speaker 1: It reads this amulet will raise the dead for three days, 810 00:37:53,800 --> 00:37:56,920 Speaker 1: and they will live instead, but in their coffin they 811 00:37:57,000 --> 00:37:59,759 Speaker 1: must be by midnight on day three, or doom for 812 00:37:59,840 --> 00:38:05,040 Speaker 1: ever they will be throughout all of eternity. Thank you. 813 00:38:05,440 --> 00:38:09,200 Speaker 1: I feel like I need a cigarette job. They all acknowledge. 814 00:38:09,280 --> 00:38:12,000 Speaker 1: This sounds heavy, because if he doesn't follow the instructions 815 00:38:12,080 --> 00:38:14,000 Speaker 1: ending up back of the coffin by midnight tomorrow, he 816 00:38:14,080 --> 00:38:16,160 Speaker 1: can just turn into dust, which I. 817 00:38:16,120 --> 00:38:17,440 Speaker 2: Didn't understand how they did. 818 00:38:17,680 --> 00:38:22,560 Speaker 3: They decided it was dust. 819 00:38:22,040 --> 00:38:24,319 Speaker 1: Either, There's no where did it say dust because dust 820 00:38:24,320 --> 00:38:26,240 Speaker 1: doesn't rhyme with the movie? 821 00:38:26,239 --> 00:38:27,120 Speaker 2: So I'm gonna go just. 822 00:38:28,000 --> 00:38:30,759 Speaker 1: Was okay, me too, And now they have to say 823 00:38:30,760 --> 00:38:33,640 Speaker 1: goodbye to their new friend, which is visibly rough on Marshall. 824 00:38:33,960 --> 00:38:36,360 Speaker 1: They quickly get to coubots and plan on breaking back in, 825 00:38:36,520 --> 00:38:39,000 Speaker 1: returning Harold to the coffin, then calling the museum with 826 00:38:39,040 --> 00:38:41,680 Speaker 1: an anonymous tip to save the day, all without the 827 00:38:41,680 --> 00:38:45,160 Speaker 1: scary neighbor ever finding out. But he's home and his 828 00:38:45,239 --> 00:38:47,359 Speaker 1: goons are moving the coffin into a truck to take 829 00:38:47,400 --> 00:38:51,160 Speaker 1: it to the plant quote unquote. Finally, some bad movie 830 00:38:51,200 --> 00:38:53,839 Speaker 1: timing because that hasn't happened so far. There's been great 831 00:38:53,840 --> 00:38:56,839 Speaker 1: timing in this movie. Now finally some bad timing. And 832 00:38:56,840 --> 00:38:59,000 Speaker 1: to make matters worse, we see that Gilbert dropped his 833 00:38:59,040 --> 00:39:02,280 Speaker 1: inhaler in the house, and so when Kubat accidentally steps 834 00:39:02,360 --> 00:39:05,600 Speaker 1: on it, he figures out who's responsible for these shenanigans. 835 00:39:05,840 --> 00:39:12,880 Speaker 1: Monkey Shines, goings On and Tufer all for the record. 836 00:39:12,239 --> 00:39:15,360 Speaker 2: Goings On is my favorite, I know. 837 00:39:24,280 --> 00:39:27,000 Speaker 1: And now the next morning we've got Marshall, Amy, Harold, 838 00:39:27,080 --> 00:39:30,040 Speaker 1: and Gilbert all hanging in Gilbert's clubhouse, and the Mummy 839 00:39:30,080 --> 00:39:32,720 Speaker 1: is still loving his hot sauce. The kids are researching 840 00:39:32,760 --> 00:39:35,640 Speaker 1: Cubot and coming up with well, nothing, so they shift 841 00:39:35,640 --> 00:39:37,480 Speaker 1: their focus to the moving truck they saw take the 842 00:39:37,480 --> 00:39:39,680 Speaker 1: coffin away, and that's when there's a knock on the door. 843 00:39:39,920 --> 00:39:42,759 Speaker 1: It's Cubat with one of his thugs. He's looking for 844 00:39:42,800 --> 00:39:45,600 Speaker 1: Gilbert Anderson, the name on the inhaler and the only 845 00:39:45,680 --> 00:39:48,279 Speaker 1: time we hear or care about the character's last name. 846 00:39:49,239 --> 00:39:51,239 Speaker 1: So he demands they open the door, but Gilbert has 847 00:39:51,280 --> 00:39:54,160 Speaker 1: an idea they'll escape through the secret escape patch, which 848 00:39:54,200 --> 00:39:58,200 Speaker 1: is clearly marked secret escape patch. Coubot's thugs knocked the 849 00:39:58,200 --> 00:40:00,239 Speaker 1: door down, but the kids run out the back, but 850 00:40:00,280 --> 00:40:02,160 Speaker 1: they don't get very far. They're caught by the bad 851 00:40:02,200 --> 00:40:04,440 Speaker 1: guys and they deny that they have any connection to 852 00:40:04,480 --> 00:40:07,000 Speaker 1: a mummy, but they make a deal with Kubot. If 853 00:40:07,000 --> 00:40:09,480 Speaker 1: they tell him where the mummy is, he promises to 854 00:40:09,560 --> 00:40:12,480 Speaker 1: leave them alone. He agrees, and Marshall says he's right 855 00:40:12,520 --> 00:40:15,400 Speaker 1: behind you, and he is. He's coming right for Kubot. 856 00:40:15,440 --> 00:40:17,400 Speaker 1: When the henchmen try to stop him, he quickly knocks 857 00:40:17,440 --> 00:40:20,640 Speaker 1: them out with choking slams with the small window for 858 00:40:20,680 --> 00:40:23,200 Speaker 1: the kids to escape. Along with Harold. They take off, 859 00:40:23,320 --> 00:40:26,560 Speaker 1: leaving Cubat and his men even angrier. We cut to 860 00:40:26,600 --> 00:40:29,280 Speaker 1: the kids and the Mummy running full speed through early 861 00:40:29,360 --> 00:40:32,000 Speaker 1: Halloween festivities, trying to come up with a plan, and 862 00:40:32,040 --> 00:40:36,000 Speaker 1: that's when they run into Ted Marshall's mom's boyfriend, who 863 00:40:36,120 --> 00:40:42,240 Speaker 1: is trick or treating and dressed like a hollow easter bunny. Okay, now, reminder, 864 00:40:42,400 --> 00:40:45,000 Speaker 1: now this is a full grown man. Did I get 865 00:40:45,000 --> 00:40:49,480 Speaker 1: this wrong? Well, he's trick or treating by himself as 866 00:40:49,600 --> 00:40:52,120 Speaker 1: like a forty five year old dude, right in a. 867 00:40:52,160 --> 00:40:53,680 Speaker 2: Full head to toe costume. 868 00:40:53,760 --> 00:40:58,200 Speaker 3: He's not wearing like a king's crown type thing, like 869 00:40:58,239 --> 00:41:04,920 Speaker 3: he's got a whole costume on. And it's also daytime. Yeah, 870 00:41:05,000 --> 00:41:08,759 Speaker 3: it's not during the night, which you know, when you 871 00:41:08,760 --> 00:41:10,839 Speaker 3: have younger kids, you do trick or treat a little 872 00:41:10,840 --> 00:41:15,680 Speaker 3: bit earlier. Sure, but it was so strange. But then 873 00:41:15,760 --> 00:41:18,440 Speaker 3: as they start talking, you obviously know where this is 874 00:41:18,560 --> 00:41:21,000 Speaker 3: going and why he is the one that's doing. 875 00:41:20,760 --> 00:41:21,560 Speaker 2: This, I guess, But. 876 00:41:23,000 --> 00:41:25,520 Speaker 3: I feel like he could have just been getting stuff 877 00:41:25,560 --> 00:41:27,640 Speaker 3: out of his car about to go into their house. 878 00:41:27,719 --> 00:41:30,040 Speaker 2: He didn't need to like actually be trick or treating, 879 00:41:30,040 --> 00:41:30,359 Speaker 2: And I wasn't. 880 00:41:30,400 --> 00:41:32,920 Speaker 1: Really you're big in Halloween. What's the cutoff age? When 881 00:41:33,000 --> 00:41:36,160 Speaker 1: is it just creepy that you're dressed up by yourself? 882 00:41:36,239 --> 00:41:38,640 Speaker 1: Mind you? So I'm not talking about when you're going 883 00:41:38,640 --> 00:41:41,040 Speaker 1: with kids. What's the cutoff age to be actually knocking 884 00:41:41,080 --> 00:41:43,040 Speaker 1: on somebody's door and asking for candy dressed up? 885 00:41:43,239 --> 00:41:45,840 Speaker 3: I feel like junior high is kind of a little 886 00:41:45,920 --> 00:41:48,280 Speaker 3: older for kids to be trick or treating. 887 00:41:48,520 --> 00:41:50,200 Speaker 1: So let's say eleven you. 888 00:41:50,120 --> 00:41:52,799 Speaker 3: Get into yeah, like, well, no, junior high, it's like 889 00:41:52,880 --> 00:41:56,600 Speaker 3: until like twelve or thirteen, So by the. 890 00:41:56,560 --> 00:41:59,719 Speaker 1: Time you're a teenager, she were doing it, right. 891 00:41:59,520 --> 00:42:02,799 Speaker 3: It was some one even that age by themselves. You're 892 00:42:02,880 --> 00:42:04,759 Speaker 3: kind of like in that you open the door for 893 00:42:04,760 --> 00:42:06,520 Speaker 3: them to trick or treat, you're kind of rolling your eyes, 894 00:42:06,600 --> 00:42:09,080 Speaker 3: like right, kid, like save a little bit, save ten 895 00:42:09,160 --> 00:42:10,359 Speaker 3: dollars and just go get a. 896 00:42:10,239 --> 00:42:11,560 Speaker 2: Bag of Halloween candy. 897 00:42:11,800 --> 00:42:12,719 Speaker 1: Yeah, it was. 898 00:42:12,800 --> 00:42:13,360 Speaker 2: It's weird. 899 00:42:13,800 --> 00:42:16,600 Speaker 1: It was. This was weird. Anyway. Before they leave, Amy 900 00:42:16,640 --> 00:42:19,120 Speaker 1: asked Ted, a local to the area for his entire life, 901 00:42:19,160 --> 00:42:21,440 Speaker 1: about the moving truck with the penguin logo on the side. 902 00:42:21,560 --> 00:42:24,279 Speaker 1: He reveals it's from Aaron's Ice Cream, a shop that 903 00:42:24,320 --> 00:42:26,480 Speaker 1: went out of business years ago and has an abandoned 904 00:42:26,520 --> 00:42:29,960 Speaker 1: warehouse nearby. We are now back at Marshall's. His mom 905 00:42:30,000 --> 00:42:32,160 Speaker 1: is alone because her boyfriend apparently is a trigger treating 906 00:42:32,160 --> 00:42:35,080 Speaker 1: like a twelve year old by himself. Again, so weird. 907 00:42:35,280 --> 00:42:37,520 Speaker 1: Imagine it's Halloween and you open your door and it's 908 00:42:37,520 --> 00:42:40,480 Speaker 1: a grown man by himself, dressed up, wanting candy. 909 00:42:40,239 --> 00:42:44,920 Speaker 3: Also dressed his costume was so weird. I'm a hollow 910 00:42:45,680 --> 00:42:46,800 Speaker 3: Easter bunny. 911 00:42:46,960 --> 00:42:53,720 Speaker 1: It was, yes, yes, okay, yeah, it's so weird. Anyway, 912 00:42:53,760 --> 00:42:57,680 Speaker 1: we like this movie, we do. There's yeah. So anyway, anyway, 913 00:42:57,760 --> 00:42:59,880 Speaker 1: moving on, there's someone at Marshall's door. And when it 914 00:42:59,920 --> 00:43:02,720 Speaker 1: is mom opens it. It's Coubot. He's looking for Marshall, 915 00:43:02,760 --> 00:43:05,239 Speaker 1: but is interrupted when Big Baby Ted returns with all 916 00:43:05,280 --> 00:43:08,120 Speaker 1: his adult trick or treat candy, now claiming he wants 917 00:43:08,160 --> 00:43:10,000 Speaker 1: to donate it to local kids. But we see through 918 00:43:10,040 --> 00:43:15,759 Speaker 1: your facade, weirdo, good excuse Unknowingly, Ted just babbles out 919 00:43:15,760 --> 00:43:17,840 Speaker 1: to evil Coubat that the kids and their friend dressed 920 00:43:17,840 --> 00:43:20,040 Speaker 1: like a bummy are on their way to the Halloween carnival. 921 00:43:20,080 --> 00:43:21,560 Speaker 1: Way to go, Ted, and. 922 00:43:21,480 --> 00:43:24,680 Speaker 2: They are just hit down like seven notches on them. 923 00:43:24,760 --> 00:43:27,840 Speaker 1: Yeah, way to go. You were super high up. Now 924 00:43:27,880 --> 00:43:29,800 Speaker 1: you're an adult that goes trick or treating by yourself. 925 00:43:29,840 --> 00:43:31,400 Speaker 1: Now you're giving away your kids location. 926 00:43:31,560 --> 00:43:32,960 Speaker 2: You away your kid's location. 927 00:43:33,200 --> 00:43:37,560 Speaker 1: You don't know this guy, dude, Yeah, seriously, and well 928 00:43:37,640 --> 00:43:39,840 Speaker 1: they are. They're on their way to the Halloween carnival. 929 00:43:40,160 --> 00:43:42,760 Speaker 1: On the way, they're chatting about this ice cream factory. 930 00:43:42,760 --> 00:43:44,200 Speaker 1: How are they going to get there? It's ten miles 931 00:43:44,200 --> 00:43:46,759 Speaker 1: out of town. Marshall says Buzzy can drive them, but 932 00:43:46,840 --> 00:43:49,279 Speaker 1: to go talk to her at the carnival, they need costumes, 933 00:43:49,520 --> 00:43:51,640 Speaker 1: so they swing by a vintage shop to improvise with 934 00:43:51,719 --> 00:43:54,960 Speaker 1: some very half outfits. Now, they told Ted they were 935 00:43:55,000 --> 00:43:58,480 Speaker 1: going to the carnival, but they're just deciding to go 936 00:43:58,520 --> 00:44:02,520 Speaker 1: and see Buzzy first. So yeah, it's seemed like a 937 00:44:02,520 --> 00:44:08,000 Speaker 1: bit of a script error because they they would have 938 00:44:08,080 --> 00:44:10,800 Speaker 1: known they needed costumes to go see Buzzy. 939 00:44:11,080 --> 00:44:13,720 Speaker 3: I almost wonder if in the script, for some reason, 940 00:44:13,840 --> 00:44:16,560 Speaker 3: this scene was actually before they. 941 00:44:16,600 --> 00:44:18,160 Speaker 1: Ran into That's what I mean. 942 00:44:18,280 --> 00:44:22,479 Speaker 3: Yeah, during for whatever reason, during because it was still 943 00:44:22,560 --> 00:44:25,560 Speaker 3: daytime when they were at the costumes shop, but for 944 00:44:25,600 --> 00:44:27,279 Speaker 3: whatever reason they ended up flipping it. 945 00:44:27,360 --> 00:44:29,640 Speaker 2: But yeah, yeah it made sense to me either. 946 00:44:29,880 --> 00:44:31,879 Speaker 1: Yeah, it was. It's some kind of an error. Well 947 00:44:32,200 --> 00:44:35,680 Speaker 1: maybe when else comes on, we'll ask him. Walking out 948 00:44:35,680 --> 00:44:38,480 Speaker 1: of the vintage store, Amy is basically Amelia Earhart, Marshall 949 00:44:38,520 --> 00:44:40,720 Speaker 1: is a cheap version of the Lion King, and Gilbert 950 00:44:40,800 --> 00:44:43,600 Speaker 1: is a gnome sort of and Harold is dressed like 951 00:44:43,640 --> 00:44:45,520 Speaker 1: the Invisible Man, which is a fun nod to another 952 00:44:45,600 --> 00:44:49,240 Speaker 1: universal monster, one that Marshall's mom and Ted probably watched 953 00:44:49,239 --> 00:44:54,000 Speaker 1: to get all horned up exactly. But time is running out, 954 00:44:54,000 --> 00:44:55,920 Speaker 1: so they must get him back to the coffin. They 955 00:44:56,000 --> 00:44:58,160 Speaker 1: arrive at the carnival and we get some good decom 956 00:44:58,239 --> 00:45:02,000 Speaker 1: set design here, very Halloween and some cool skeletons that 957 00:45:02,080 --> 00:45:05,560 Speaker 1: are on stilts. Harold is obviously scared of that bully. 958 00:45:05,640 --> 00:45:08,440 Speaker 1: Todd is dressed as a serial killer. I love. 959 00:45:11,280 --> 00:45:12,360 Speaker 2: Was so funny. 960 00:45:12,880 --> 00:45:16,400 Speaker 1: Yeah, it's not a great costume, but a pretty great costume. 961 00:45:17,040 --> 00:45:19,279 Speaker 1: But that doesn't stop them at all from trying to 962 00:45:19,280 --> 00:45:22,480 Speaker 1: insult the kids and pushing Marshall. And this doesn't make 963 00:45:22,520 --> 00:45:25,520 Speaker 1: Harold happy. He loudly growls, shocking the entire event and 964 00:45:25,560 --> 00:45:28,520 Speaker 1: sending Todd face first into a cake on the nearby table, 965 00:45:28,560 --> 00:45:33,360 Speaker 1: which is a callback to the first time that Marshall 966 00:45:33,480 --> 00:45:35,200 Speaker 1: I guess did that to him. They they mentioned he 967 00:45:35,239 --> 00:45:38,080 Speaker 1: pushed him into his cake by accident in a birthday party, 968 00:45:38,080 --> 00:45:40,720 Speaker 1: so he did the same thing back. And now Marshall 969 00:45:40,719 --> 00:45:43,239 Speaker 1: and Amy are off to find Buzzy while Gilbert is 970 00:45:43,280 --> 00:45:44,200 Speaker 1: on mummy duty. 971 00:45:44,880 --> 00:45:48,440 Speaker 3: Next the next movie is gonna be like it's personal 972 00:45:48,760 --> 00:45:49,240 Speaker 3: to Todd. 973 00:45:50,080 --> 00:45:52,320 Speaker 1: It's a home moving about Todd just trying to kill everybody. 974 00:45:52,840 --> 00:45:56,319 Speaker 1: It's just going crazy that I'll watch Once Amy and 975 00:45:56,320 --> 00:45:58,959 Speaker 1: Marshall get to Buzzy's pig Mouth haunted house. The line 976 00:45:59,000 --> 00:46:00,960 Speaker 1: is very long and on the other side of the carnival, 977 00:46:01,320 --> 00:46:03,600 Speaker 1: Gilbert gets distracted by a ring toss. That is a 978 00:46:03,680 --> 00:46:07,239 Speaker 1: very important prize, that purple eyed panda. He must win it, 979 00:46:07,280 --> 00:46:09,279 Speaker 1: but he keeps coming up short, and so Harold wants 980 00:46:09,280 --> 00:46:12,000 Speaker 1: to try it too, and with one throw he shatters 981 00:46:12,000 --> 00:46:14,319 Speaker 1: two full rolls of bottles, just breaks every single one 982 00:46:14,360 --> 00:46:16,800 Speaker 1: of them. And then he notices a nearby teacher dressed 983 00:46:16,840 --> 00:46:20,000 Speaker 1: up as Cleopatra and thinks it's a real Egyptian princess. 984 00:46:20,040 --> 00:46:21,960 Speaker 1: So this is callbacks to when that was supposed to 985 00:46:21,960 --> 00:46:23,440 Speaker 1: be a key party in the last one where there 986 00:46:23,640 --> 00:46:25,719 Speaker 1: is she's basically like, hey, you're a mummy, go back 987 00:46:25,760 --> 00:46:28,439 Speaker 1: and do me at my house. Yeah, and we were like. 988 00:46:28,520 --> 00:46:31,080 Speaker 2: This is so weird, it strange. 989 00:46:31,320 --> 00:46:33,279 Speaker 1: So they get a nod to it here, but in 990 00:46:33,320 --> 00:46:34,680 Speaker 1: a much better way. 991 00:46:34,880 --> 00:46:40,759 Speaker 3: He wasn't doing He wasn't like super suggestively dancing, but 992 00:46:40,880 --> 00:46:43,360 Speaker 3: like at the same time, it's like worth Our whole 993 00:46:43,440 --> 00:46:46,560 Speaker 3: mission is to get you back to your other chick, 994 00:46:46,640 --> 00:46:47,879 Speaker 3: and now you're doing. 995 00:46:47,680 --> 00:46:48,960 Speaker 2: This, Harold. 996 00:46:49,400 --> 00:46:52,640 Speaker 1: Harold, Harold, I understand. 997 00:46:52,120 --> 00:46:55,080 Speaker 2: Things were done differently in your day, but we. 998 00:46:54,960 --> 00:46:58,759 Speaker 3: Are now in twenty twenty getting some Egyptian strange man. 999 00:46:58,880 --> 00:47:05,640 Speaker 1: What's going on, you may not, sir. Yeah. He races 1000 00:47:05,719 --> 00:47:08,080 Speaker 1: up to her, trying to identify himself as her long 1001 00:47:08,120 --> 00:47:10,120 Speaker 1: lost love, but the woman thinks he just wants to dance, 1002 00:47:10,160 --> 00:47:12,480 Speaker 1: and we get some real awkward moves, but the teacher 1003 00:47:12,520 --> 00:47:14,319 Speaker 1: seems to like it, and now a lot of people 1004 00:47:14,360 --> 00:47:17,360 Speaker 1: are watching along. Meanwhile, Amy and Marshall finally make it 1005 00:47:17,360 --> 00:47:20,320 Speaker 1: to the haunted House, which to his credit, it's pretty creepy, 1006 00:47:20,800 --> 00:47:22,920 Speaker 1: but still they're having trouble finding Buzzy, and at the 1007 00:47:22,920 --> 00:47:26,440 Speaker 1: same time Coubot and his two wise guys arrive. Harold 1008 00:47:26,480 --> 00:47:28,279 Speaker 1: is still busting a move and honestly, it's kind of 1009 00:47:28,320 --> 00:47:30,360 Speaker 1: killing it on the dance floor, mimicking the dances he 1010 00:47:30,360 --> 00:47:33,080 Speaker 1: saw on the TV earlier, which to me was absolutely 1011 00:47:33,080 --> 00:47:34,480 Speaker 1: a nod to camp by Me Love, but that's a 1012 00:47:34,480 --> 00:47:37,040 Speaker 1: whole different thing. And an even bigger crowd has formed 1013 00:47:37,080 --> 00:47:39,319 Speaker 1: around him, but it's not enough to block Kubot, who 1014 00:47:39,320 --> 00:47:41,640 Speaker 1: has spotted the Mummy. But they realize all of a 1015 00:47:41,680 --> 00:47:43,840 Speaker 1: sudden there's a lot of mummies at this party, so 1016 00:47:43,840 --> 00:47:46,160 Speaker 1: they're going to have to pay attention, and they do 1017 00:47:46,239 --> 00:47:49,720 Speaker 1: because Team Coubot spots the dancing mummy. Gilbert grabs Harold 1018 00:47:49,760 --> 00:47:52,080 Speaker 1: and runs off, but the bad guys aren't far behind. 1019 00:47:52,280 --> 00:47:54,520 Speaker 1: The kids run through the haunted house and are all 1020 00:47:54,520 --> 00:47:57,120 Speaker 1: reunited with Buzzy. They sprint to her car, but Coubot's 1021 00:47:57,120 --> 00:48:00,359 Speaker 1: men cut them off. They've been officially caughcked. Just as 1022 00:48:00,360 --> 00:48:02,799 Speaker 1: Harold squares up to fight, Kubat himself sneaks up from 1023 00:48:02,840 --> 00:48:05,920 Speaker 1: behind and steals the sacred necklace. Now naked of his jewelry, 1024 00:48:05,920 --> 00:48:08,480 Speaker 1: Harold freezes then falls to the ground. He has once 1025 00:48:08,520 --> 00:48:11,640 Speaker 1: again become a lifeless mummy. The evil Kubat knew that 1026 00:48:11,760 --> 00:48:13,920 Speaker 1: was the source of his powers. And then the thugs, 1027 00:48:13,920 --> 00:48:17,280 Speaker 1: who because of subtitles we learned are named Gordo and Hirsh, 1028 00:48:17,920 --> 00:48:20,520 Speaker 1: which didn't matter at all, take the monster away to 1029 00:48:20,560 --> 00:48:23,400 Speaker 1: deliver to the buyer, and Kubat menacingly tells the kids 1030 00:48:23,440 --> 00:48:26,279 Speaker 1: to forget everything they saw. So, hey, at least they 1031 00:48:26,280 --> 00:48:27,399 Speaker 1: weren't he wasn't gonna kill him. 1032 00:48:27,960 --> 00:48:32,480 Speaker 3: Yeah, but also, why would you ever ever think that 1033 00:48:32,640 --> 00:48:34,959 Speaker 3: kids are not going to turn around and go tell 1034 00:48:35,080 --> 00:48:36,400 Speaker 3: the pers adult they see. 1035 00:48:36,800 --> 00:48:38,960 Speaker 1: But what are they gonna tell? I mean, hey, the 1036 00:48:39,040 --> 00:48:41,640 Speaker 1: mummy that came to life that guy stole well. 1037 00:48:41,560 --> 00:48:44,319 Speaker 3: Yeah, it was like in the paper, it was like, 1038 00:48:44,760 --> 00:48:48,439 Speaker 3: but he's going to deliver the mysterious situation. 1039 00:48:48,040 --> 00:48:50,000 Speaker 1: And what he is going to deliver it so it'll 1040 00:48:50,040 --> 00:48:53,879 Speaker 1: be gone, he won't have it anymore. Well, I gotta 1041 00:48:53,920 --> 00:48:55,719 Speaker 1: think like a criminal, bro, you gotta think more like 1042 00:48:55,760 --> 00:48:56,240 Speaker 1: a criminal. 1043 00:48:56,480 --> 00:48:57,120 Speaker 2: Okay. 1044 00:48:58,120 --> 00:49:00,799 Speaker 1: Marshall is obviously devastated. He's not willing to give up. 1045 00:49:00,960 --> 00:49:04,200 Speaker 1: With a couple hours left before midnight, friends don't abandon friends, 1046 00:49:04,400 --> 00:49:06,239 Speaker 1: so they decide to do whatever they can to keep 1047 00:49:06,239 --> 00:49:08,840 Speaker 1: the Mummy from turning to dust. They hop into Buzzies 1048 00:49:08,920 --> 00:49:11,960 Speaker 1: Hurst Weird and speed off for the ice cream factory, 1049 00:49:12,000 --> 00:49:15,560 Speaker 1: where they know Coubat brought the precious cargo for Ravensworth. 1050 00:49:15,800 --> 00:49:17,200 Speaker 1: That was a tough sentence to say. 1051 00:49:17,000 --> 00:49:21,960 Speaker 3: People, But I do remember their magic friend or their 1052 00:49:22,040 --> 00:49:25,520 Speaker 3: friend that was in like the magic had the Magic store. Yeah, 1053 00:49:25,560 --> 00:49:30,160 Speaker 3: basically Buzzy's other care. It was a man last one. 1054 00:49:30,200 --> 00:49:32,319 Speaker 3: He had a funky car too. I remember when they 1055 00:49:32,400 --> 00:49:34,160 Speaker 3: jumped in. I'm like he had some kind of. 1056 00:49:34,120 --> 00:49:35,719 Speaker 1: Weird It was probably like a hearse as well in 1057 00:49:35,760 --> 00:49:38,840 Speaker 1: the field with all the stuff in the back. Yep. Yes, yeah, 1058 00:49:38,880 --> 00:49:42,120 Speaker 1: they definitely kept to the They did the spirit of 1059 00:49:42,160 --> 00:49:44,200 Speaker 1: the original one and sometimes right to the story of 1060 00:49:44,200 --> 00:49:46,319 Speaker 1: the original one. I just thought they cleaned it up 1061 00:49:46,400 --> 00:49:49,040 Speaker 1: enough to make it flow a little better. Yes, yeah, 1062 00:49:49,160 --> 00:49:51,840 Speaker 1: because we liked the original one. If memory serves, we did. 1063 00:49:51,920 --> 00:49:52,680 Speaker 2: We did a lot. 1064 00:49:53,120 --> 00:49:54,799 Speaker 3: There was there was a couple of things that were 1065 00:49:54,880 --> 00:49:58,920 Speaker 3: kind of like weirkers, but it was still it was 1066 00:49:59,000 --> 00:49:59,439 Speaker 3: it was good. 1067 00:49:59,480 --> 00:50:01,839 Speaker 1: We did like I think so too. On the way, 1068 00:50:01,920 --> 00:50:04,799 Speaker 1: Marshall pitches breaking into the factory, creating a distraction and 1069 00:50:04,840 --> 00:50:06,799 Speaker 1: putting Harold back in the coffin for a return to 1070 00:50:06,840 --> 00:50:09,560 Speaker 1: the museum. Gilbert isn't sold. They need an idea of 1071 00:50:09,560 --> 00:50:12,160 Speaker 1: how to distract the thugs, and Buzzy has an idea. 1072 00:50:12,360 --> 00:50:15,319 Speaker 1: She has strobe lights, web guns, sound effects machines, and 1073 00:50:15,400 --> 00:50:17,600 Speaker 1: fake spiders from a haunted house, all in the back 1074 00:50:17,640 --> 00:50:20,759 Speaker 1: of her car, perfect just like the last movie. Now 1075 00:50:20,800 --> 00:50:24,080 Speaker 1: inside the factory, Kubat is presenting Harold to the Ravensworth lady. 1076 00:50:24,200 --> 00:50:27,279 Speaker 1: He unveils the coffin, but nothing inside of it. Ravensworth 1077 00:50:27,360 --> 00:50:29,160 Speaker 1: is not interested in the coffin without the Mummy, so 1078 00:50:29,200 --> 00:50:31,239 Speaker 1: Kubat plays it cool and leads her to Harold, who 1079 00:50:31,280 --> 00:50:34,120 Speaker 1: is now chained up to a pole. Ravensworth is concerned 1080 00:50:34,120 --> 00:50:35,759 Speaker 1: why is the Mummy not in his coffin and being 1081 00:50:35,840 --> 00:50:38,839 Speaker 1: held captive. Kubat now knows how valuable the mummy is 1082 00:50:39,000 --> 00:50:41,640 Speaker 1: and wants more money. He says his deal was for 1083 00:50:41,680 --> 00:50:44,080 Speaker 1: the dead mummy, not a living one. He places a 1084 00:50:44,120 --> 00:50:47,240 Speaker 1: necklace back on Harold and reveals the magic Ravensworth is shocked. 1085 00:50:47,239 --> 00:50:49,879 Speaker 1: She had no idea. Harold roars in anger. Kubat once 1086 00:50:49,880 --> 00:50:54,120 Speaker 1: again removes the necklace, setting it down nearby, and renegotiation begins. 1087 00:50:54,320 --> 00:50:56,040 Speaker 1: Buzzy and the kids finally get to the factory, but 1088 00:50:56,080 --> 00:50:58,360 Speaker 1: Gilbert chickens out he just can't do it, so he 1089 00:50:58,400 --> 00:51:00,759 Speaker 1: leaves for home. Now down a man, the gang enters 1090 00:51:00,760 --> 00:51:03,040 Speaker 1: and will distract the guards, then put the ambulant back 1091 00:51:03,040 --> 00:51:05,680 Speaker 1: on Harold, and when he wakes up, he'll attack the 1092 00:51:05,719 --> 00:51:08,120 Speaker 1: bad guys. At the same time, Gilbert is on his 1093 00:51:08,160 --> 00:51:10,560 Speaker 1: way home and frustrated with himself, especially after he gets 1094 00:51:10,560 --> 00:51:13,400 Speaker 1: spooked by an owl again. Dude, it's a bird. But 1095 00:51:13,400 --> 00:51:15,400 Speaker 1: it turns into a very cute scene of him arguing 1096 00:51:15,400 --> 00:51:17,920 Speaker 1: with the owl in a very self reflective way because 1097 00:51:17,960 --> 00:51:21,879 Speaker 1: the camp animal keeps asking who, and he keeps answering him, 1098 00:51:22,320 --> 00:51:24,479 Speaker 1: and in the end it's a successful pep talk because 1099 00:51:24,520 --> 00:51:27,160 Speaker 1: he stops his way towards the factory to face his fears. 1100 00:51:27,160 --> 00:51:28,640 Speaker 1: It was a very cute scene. 1101 00:51:28,920 --> 00:51:32,680 Speaker 2: I love this scene. I thought it was so funny. 1102 00:51:33,080 --> 00:51:37,600 Speaker 3: He's like literally having like an actual conversation and the owls, 1103 00:51:37,600 --> 00:51:39,520 Speaker 3: who's make total sense. 1104 00:51:40,000 --> 00:51:42,440 Speaker 1: It's great. He had some very funny scene. The other 1105 00:51:42,440 --> 00:51:43,600 Speaker 1: one I loved is when he's. 1106 00:51:43,440 --> 00:51:47,160 Speaker 4: Like, of course we can't do it. We're twelve one 1107 00:51:47,239 --> 00:51:53,600 Speaker 4: two twelve two one two twelve. 1108 00:51:54,080 --> 00:51:58,640 Speaker 3: They gave him some funny, good comic, like some comedy options. 1109 00:51:59,520 --> 00:52:02,400 Speaker 1: Liked it this movie a lot. And inside, the other 1110 00:52:02,480 --> 00:52:04,680 Speaker 1: kids have successfully distracted the guards with some of the 1111 00:52:04,680 --> 00:52:07,200 Speaker 1: Buzzy's Halloween stuff. The henchmen split up to see where 1112 00:52:07,239 --> 00:52:09,880 Speaker 1: the noise came from, and it's Buzzy, frozen again in 1113 00:52:09,920 --> 00:52:12,840 Speaker 1: the werewolf costume. She scares the thugs then runs away. 1114 00:52:13,080 --> 00:52:15,799 Speaker 1: At the same time, Ravensworth's personal guards find one of 1115 00:52:15,800 --> 00:52:19,080 Speaker 1: Buzzy's remote control spiders, followed by Ann with a silly 1116 00:52:19,080 --> 00:52:21,600 Speaker 1: string gun. But the plan backfires and we have another 1117 00:52:21,680 --> 00:52:24,279 Speaker 1: chase in our hands. And now Marshall is approaching the 1118 00:52:24,320 --> 00:52:26,200 Speaker 1: un man Harold, and just as he gets close to 1119 00:52:26,239 --> 00:52:28,520 Speaker 1: the Amulet, the guards barge in with their new prisoners, 1120 00:52:28,560 --> 00:52:32,040 Speaker 1: Buzzy and Amy Kubot and Ravens were stop their negotiations 1121 00:52:32,040 --> 00:52:35,120 Speaker 1: to address the unwanted visitors. Kubot promises he'll take care 1122 00:52:35,160 --> 00:52:36,920 Speaker 1: of them, but wants to wrap up the deal first. 1123 00:52:37,239 --> 00:52:39,520 Speaker 1: Marshall goes into full sabotage mode, telling them to get 1124 00:52:39,520 --> 00:52:41,520 Speaker 1: the mummy back in the coffin or he'll turn to dust. 1125 00:52:41,800 --> 00:52:44,400 Speaker 1: This interests the buyer. She wants to know more. Coubot's 1126 00:52:44,440 --> 00:52:47,520 Speaker 1: hurt enough, though, these kids need to be maybe killed now. 1127 00:52:47,680 --> 00:52:50,880 Speaker 1: Now he's thinking maybe killed possibly, and we think he 1128 00:52:50,920 --> 00:52:54,680 Speaker 1: could do it. And then we hear Gilbert's voice. He's returned, 1129 00:52:54,680 --> 00:52:56,520 Speaker 1: and he's in the rafters. He finds a rope and 1130 00:52:56,560 --> 00:52:59,600 Speaker 1: swings down, grabbing the amulet in the process, then crashing 1131 00:52:59,600 --> 00:53:02,320 Speaker 1: into a pla boxes. After a few seconds of thinking 1132 00:53:02,360 --> 00:53:05,640 Speaker 1: he was dead, he emerges with the necklace. The guards 1133 00:53:05,680 --> 00:53:07,600 Speaker 1: around him, but he won't give it up. Marshall yells 1134 00:53:07,640 --> 00:53:10,080 Speaker 1: to think of his beloved purple panda, Stuffy, and so 1135 00:53:10,200 --> 00:53:14,439 Speaker 1: Gilbert fantasizes about his carnival ring tossing skills. Gilbert takes 1136 00:53:14,480 --> 00:53:16,640 Speaker 1: a deep breath and throws the necklace at Harold. It 1137 00:53:16,840 --> 00:53:20,160 Speaker 1: flies in the air, traveling in slow motion, eventually landing 1138 00:53:20,239 --> 00:53:22,200 Speaker 1: right around the Mummy's neck, waking him up and once 1139 00:53:22,200 --> 00:53:24,839 Speaker 1: again he is mad. He breaks out of the chains 1140 00:53:24,840 --> 00:53:29,440 Speaker 1: and attacks the bodyguards, even Ravenworth's security, who was very 1141 00:53:29,480 --> 00:53:33,080 Speaker 1: good with a bow. Apparently his power is unfathomable. Coubot 1142 00:53:33,080 --> 00:53:36,040 Speaker 1: and Ravensworth Becky try to run, but Marshall brags that 1143 00:53:36,080 --> 00:53:38,319 Speaker 1: they're running towards their trap. He presses a button and 1144 00:53:38,440 --> 00:53:42,520 Speaker 1: a huge swinging skull knocks them out. Everyone congratulates Harold. 1145 00:53:42,560 --> 00:53:44,720 Speaker 1: Then they tie up the bad guys and call the cops. 1146 00:53:45,120 --> 00:53:47,080 Speaker 1: Gilbert says the thing that he's most afraid of is 1147 00:53:47,120 --> 00:53:49,640 Speaker 1: losing his friends, and with just thirty minutes left, they 1148 00:53:49,640 --> 00:53:52,560 Speaker 1: need to get Harold back into coffin, but it got 1149 00:53:52,600 --> 00:53:55,640 Speaker 1: destroyed in the melee. Uh oh. Then they remember there's 1150 00:53:55,640 --> 00:53:58,279 Speaker 1: an empty coffin from the museum that everyone took photos in, 1151 00:53:58,640 --> 00:54:00,959 Speaker 1: and it's the only option they have, so they're hoping 1152 00:54:01,000 --> 00:54:02,560 Speaker 1: this is going to be a loophole and it'll work. 1153 00:54:02,960 --> 00:54:05,440 Speaker 1: They speed there and Harold breaks in through the locked doors. 1154 00:54:05,560 --> 00:54:07,279 Speaker 1: They set up the coffin and Harold quickly moves his 1155 00:54:07,320 --> 00:54:10,040 Speaker 1: girlfriend into the moonlight, and with that, her ambulet gloves 1156 00:54:10,080 --> 00:54:13,720 Speaker 1: and she awakens. They embrace, finally back together after four 1157 00:54:13,840 --> 00:54:16,840 Speaker 1: thousand years. They look so happy together which makes Marshall 1158 00:54:16,880 --> 00:54:19,319 Speaker 1: think about his mom and Ted. Maybe he's been a 1159 00:54:19,360 --> 00:54:22,759 Speaker 1: little hard headed after all, we set the hole. But 1160 00:54:22,800 --> 00:54:25,680 Speaker 1: that's fine. But time is running out, so the kid's 1161 00:54:25,680 --> 00:54:31,560 Speaker 1: given a motion he's not his character was for a 1162 00:54:31,600 --> 00:54:35,560 Speaker 1: little while there. I'm kiddy, I know. But time is 1163 00:54:35,640 --> 00:54:37,799 Speaker 1: running out. So the kids give an emotional goodbye to 1164 00:54:37,840 --> 00:54:40,800 Speaker 1: their new bestiat with a hug from Marshall's very sweet 1165 00:54:41,000 --> 00:54:43,319 Speaker 1: Harold shuffles his way into his new coffin just in time. 1166 00:54:43,400 --> 00:54:46,080 Speaker 1: With one last bottle of hot sauce for the road. 1167 00:54:46,440 --> 00:54:48,920 Speaker 1: He touches his princess's hand and they recline in peace. 1168 00:54:49,120 --> 00:54:52,000 Speaker 1: The coffin covers magically fly back into place, and that 1169 00:54:52,200 --> 00:54:54,719 Speaker 1: is it buzzying. The kids drive off in the hearse 1170 00:54:54,920 --> 00:54:57,520 Speaker 1: just as the cops arrive. The next day, Marshall's eating 1171 00:54:57,520 --> 00:55:00,200 Speaker 1: breakfast while watching news coverage of the mummy robbery and 1172 00:55:00,200 --> 00:55:03,720 Speaker 1: then the return and arrest of Coubot and his friends. Also, 1173 00:55:03,880 --> 00:55:07,240 Speaker 1: video from Harold dancing at the carnival has gone viral. 1174 00:55:07,719 --> 00:55:10,879 Speaker 1: Then the doorbell rings. It's Ted with pastries. Come on, 1175 00:55:11,160 --> 00:55:13,160 Speaker 1: and now Marshall is very nice to him, and Ted 1176 00:55:13,239 --> 00:55:15,480 Speaker 1: can't believe it. Also, he announces that there are boxes 1177 00:55:15,520 --> 00:55:18,200 Speaker 1: of bird seed at their front door. Why why don't 1178 00:55:18,280 --> 00:55:20,120 Speaker 1: Why don't I get this? I get this. 1179 00:55:20,400 --> 00:55:24,520 Speaker 2: I had no idea. I even rewatched like a. 1180 00:55:24,400 --> 00:55:28,080 Speaker 3: Good fifteen minutes back when they were last, like whenever 1181 00:55:28,120 --> 00:55:31,680 Speaker 3: we were last at the parents' house or around it 1182 00:55:31,760 --> 00:55:36,520 Speaker 3: to understand about the bird seeds. They had to think 1183 00:55:36,520 --> 00:55:38,800 Speaker 3: they could think of it was that, Yeah, was that something? 1184 00:55:38,800 --> 00:55:39,759 Speaker 2: What do you think though? 1185 00:55:39,920 --> 00:55:43,200 Speaker 3: That what was had something to do with it would 1186 00:55:43,239 --> 00:55:47,120 Speaker 3: have had to do with Gilbert's character, right like the birds? 1187 00:55:48,000 --> 00:55:50,600 Speaker 1: Yes, I mean I honestly, I truthfully don't know. 1188 00:55:51,440 --> 00:55:52,120 Speaker 2: I don't either. 1189 00:55:52,440 --> 00:55:52,839 Speaker 1: I did. 1190 00:55:54,600 --> 00:55:56,400 Speaker 3: You wound it and was like, I don't know. I 1191 00:55:56,440 --> 00:55:57,959 Speaker 3: have no idea what that was about. 1192 00:55:58,120 --> 00:55:59,759 Speaker 1: Yeah, I didn't. I didn't understand it either. I was like, 1193 00:55:59,800 --> 00:56:00,319 Speaker 1: what what? 1194 00:56:00,320 --> 00:56:00,600 Speaker 2: What is? 1195 00:56:00,680 --> 00:56:05,520 Speaker 1: What's going on? Who? Because I wasn't. 1196 00:56:03,880 --> 00:56:06,680 Speaker 2: Anything with Cobo that had anything to do with that. Yeah, 1197 00:56:06,840 --> 00:56:07,319 Speaker 2: I don't know. 1198 00:56:07,480 --> 00:56:10,440 Speaker 1: There wasn't something like they saved somebody to help somebody 1199 00:56:10,600 --> 00:56:12,839 Speaker 1: who then rewarded them with bird seed. There was nothing. 1200 00:56:12,880 --> 00:56:15,680 Speaker 1: There was nothing. It was like, which, hey, but at 1201 00:56:15,760 --> 00:56:19,400 Speaker 1: least it would make some sort of sense. Yeah, this 1202 00:56:19,440 --> 00:56:20,960 Speaker 1: guy might as well have just come in and be like, hey, 1203 00:56:20,960 --> 00:56:21,920 Speaker 1: by the way, there's a dead. 1204 00:56:21,760 --> 00:56:22,359 Speaker 2: Horse in the car. 1205 00:56:22,560 --> 00:56:23,200 Speaker 1: Like the other thing. 1206 00:56:23,280 --> 00:56:25,240 Speaker 2: We're going to have to ask Galxy. 1207 00:56:25,440 --> 00:56:28,919 Speaker 1: It made no sense. Ted kisses Marshall's mom and he 1208 00:56:29,120 --> 00:56:31,680 Speaker 1: Marshall isn't affected at all. He even smiles about it. 1209 00:56:31,920 --> 00:56:33,920 Speaker 1: Marshall proceeds to ask Ted to be in his next 1210 00:56:33,960 --> 00:56:37,240 Speaker 1: movie as a victim in a vampire story. He's realized 1211 00:56:37,280 --> 00:56:39,320 Speaker 1: if Ted makes his mom happy, then they should be 1212 00:56:39,360 --> 00:56:41,560 Speaker 1: happy together, and then he snorts a whole bunch of 1213 00:56:41,600 --> 00:56:45,520 Speaker 1: bird seed. That didn't happen. Now, back at school, our 1214 00:56:45,560 --> 00:56:47,960 Speaker 1: three favorite students meet up and celebrate Amy's new gig 1215 00:56:48,000 --> 00:56:51,000 Speaker 1: as a newspaper's investigative reporter. She now loves her new 1216 00:56:51,000 --> 00:56:53,640 Speaker 1: hometown and promised the inside scoop about the Mummy to 1217 00:56:53,680 --> 00:56:56,960 Speaker 1: the paper, which is I think a very bad idea. 1218 00:56:57,120 --> 00:56:59,359 Speaker 1: Even the boy seemed weirded out by her blabbering mouth. 1219 00:57:00,120 --> 00:57:02,520 Speaker 1: What are you thinking? That's not the right way to go. 1220 00:57:02,600 --> 00:57:07,000 Speaker 1: But anyway, they decide to go see Warthead later, and 1221 00:57:07,040 --> 00:57:09,239 Speaker 1: now even Gilbert is looking forward to it. Fun little 1222 00:57:09,280 --> 00:57:11,640 Speaker 1: easter egg here there are kids in the background shooting 1223 00:57:11,680 --> 00:57:15,920 Speaker 1: TikTok's doing Harold's big viral dance. Did you see that? Yes, yep, 1224 00:57:16,440 --> 00:57:18,320 Speaker 1: And though we may feel like it's the end of 1225 00:57:18,360 --> 00:57:21,240 Speaker 1: the movie, it's not. We find ourselves back at the museum. 1226 00:57:21,240 --> 00:57:23,400 Speaker 1: A security guard is patrolling the Egyptian room at night, 1227 00:57:23,480 --> 00:57:25,720 Speaker 1: and that's when we see Harold's hand open the coffin 1228 00:57:25,960 --> 00:57:28,800 Speaker 1: that hangs a sign that reads the end. And now 1229 00:57:28,880 --> 00:57:40,960 Speaker 1: it is the official end of our movie. Soa brinick, 1230 00:57:40,960 --> 00:57:42,680 Speaker 1: can we do some real reviews? Yes? 1231 00:57:42,800 --> 00:57:45,200 Speaker 3: Wait, but do you think they were tiktoks or more like? 1232 00:57:45,440 --> 00:57:50,440 Speaker 3: Because TikTok in twenty twenty is twenty twenty one, twenty 1233 00:57:50,440 --> 00:57:52,680 Speaker 3: twenty one? Was that a round enough? 1234 00:57:52,800 --> 00:57:54,600 Speaker 1: Maybe they were doing a vine? 1235 00:57:54,800 --> 00:57:56,160 Speaker 2: Do it on the channel? 1236 00:57:56,640 --> 00:57:57,000 Speaker 1: I don't know. 1237 00:57:57,080 --> 00:57:59,800 Speaker 2: It wasn't vines? Was it vine? 1238 00:58:00,040 --> 00:58:02,480 Speaker 1: Could have could have just been Instagram at the time. 1239 00:58:02,880 --> 00:58:06,560 Speaker 2: Lisa saying yes yes to big ding dong. 1240 00:58:07,080 --> 00:58:12,480 Speaker 1: She did not call you a ding dong. By the way, 1241 00:58:12,520 --> 00:58:14,400 Speaker 1: For fun this year, for Christmas, I'm just gonna have 1242 00:58:14,440 --> 00:58:16,400 Speaker 1: a whole load of bird seed deliver to your house 1243 00:58:16,400 --> 00:58:20,320 Speaker 1: for no reading. Can you take our five star review 1244 00:58:20,360 --> 00:58:20,800 Speaker 1: this time? 1245 00:58:21,240 --> 00:58:24,960 Speaker 3: Yes, it's from our good friend ooh named coming back 1246 00:58:25,000 --> 00:58:28,800 Speaker 3: again with another five star. Our family sat down together 1247 00:58:28,920 --> 00:58:31,960 Speaker 3: to watch this and we all enjoyed it. It's perfect 1248 00:58:32,000 --> 00:58:35,160 Speaker 3: for school age kids who like Goofy Fair but aren't 1249 00:58:35,280 --> 00:58:40,640 Speaker 3: quite ready for more traditionally scary movies. The child cast 1250 00:58:40,800 --> 00:58:43,160 Speaker 3: was great too, and I can see it becoming a 1251 00:58:43,240 --> 00:58:48,720 Speaker 3: standard Halloween film for Disney and they should consider a sequel. Well, 1252 00:58:48,840 --> 00:58:50,600 Speaker 3: we have good news for you. 1253 00:58:50,600 --> 00:58:56,880 Speaker 1: Oh yeah, uh okay, I have the one star and 1254 00:58:56,920 --> 00:59:01,960 Speaker 1: this is from Matthew silver Hammer. Okay, I'm guessing he's 1255 00:59:01,960 --> 00:59:05,760 Speaker 1: a Viking. I wish I could give it zero stars. 1256 00:59:06,200 --> 00:59:09,040 Speaker 1: Et beats the Burbs meets Para, Norman meets some hot garbage. 1257 00:59:09,080 --> 00:59:11,600 Speaker 1: The only thing worth noting here is there's a fairly 1258 00:59:11,680 --> 00:59:17,080 Speaker 1: subtle Easter Egg reference in this derivatively boring Disney Channel 1259 00:59:17,080 --> 00:59:21,320 Speaker 1: original movie to Zombies, another Disney Channel original movie. I 1260 00:59:21,360 --> 00:59:24,120 Speaker 1: caught this both immediately and proudly, so that's where my 1261 00:59:24,160 --> 00:59:25,800 Speaker 1: life is right now. One star. 1262 00:59:26,720 --> 00:59:28,720 Speaker 2: What was the Easter egg reference? 1263 00:59:28,760 --> 00:59:30,840 Speaker 1: Well, it's the guy that the person who was dressed 1264 00:59:30,920 --> 00:59:33,040 Speaker 1: like in the in you know you saw he was 1265 00:59:33,520 --> 00:59:35,560 Speaker 1: He was dressed like z in one of the one 1266 00:59:35,560 --> 00:59:41,400 Speaker 1: of the Halloween costumes was clearly z oh No. I 1267 00:59:41,400 --> 00:59:42,960 Speaker 1: think that was supposed to be sad and Addison. I 1268 00:59:42,960 --> 00:59:45,800 Speaker 1: think that's what Okay, that was my guest. 1269 00:59:45,960 --> 00:59:48,640 Speaker 3: I didn't see the girl, okay, I just saw him 1270 00:59:48,640 --> 00:59:50,120 Speaker 3: and was like, huh. 1271 00:59:50,480 --> 00:59:52,120 Speaker 1: She might not Addison might not have been there. It 1272 00:59:52,200 --> 00:59:54,480 Speaker 1: might just have been zed, but it was clearly supposed 1273 00:59:54,480 --> 00:59:54,600 Speaker 1: to be. 1274 00:59:54,960 --> 00:59:58,600 Speaker 2: Okay, I took the green hair as the joker. 1275 00:59:59,320 --> 01:00:02,720 Speaker 1: All right, well, we are now coming to Sabrina's favorite 1276 01:00:02,760 --> 01:00:06,120 Speaker 1: portion of the podcast. I also think a producer Jensen 1277 01:00:06,120 --> 01:00:07,600 Speaker 1: hasn't been on with us a lot, so we've been 1278 01:00:07,640 --> 01:00:13,200 Speaker 1: winning because the big evil man hasn't been here. R 1279 01:00:13,280 --> 01:00:17,480 Speaker 1: One this week is called Freaky Facts. With our Halloween 1280 01:00:17,520 --> 01:00:19,800 Speaker 1: celebration in full swing, it's time to learn a little 1281 01:00:19,840 --> 01:00:22,360 Speaker 1: bit more about the holiday. We will be told a 1282 01:00:22,400 --> 01:00:25,479 Speaker 1: fact about October thirty first, and we must pick one 1283 01:00:25,560 --> 01:00:28,640 Speaker 1: answer from the options. Three out of five wins. Who's 1284 01:00:28,680 --> 01:00:29,760 Speaker 1: going to be playing with us today? 1285 01:00:30,360 --> 01:00:34,080 Speaker 5: You got producer Mikaela Yay. 1286 01:00:34,120 --> 01:00:38,080 Speaker 1: All right, here we go. Number one. Halloween comes from 1287 01:00:38,120 --> 01:00:41,240 Speaker 1: an ancient Celtic festival marking the end of the harvest 1288 01:00:41,280 --> 01:00:43,160 Speaker 1: and the start of winter, a time where the line 1289 01:00:43,200 --> 01:00:45,320 Speaker 1: between the living and the dead was blurred. Was that 1290 01:00:45,400 --> 01:00:53,880 Speaker 1: festival a Lockshide, b Bansheen, see Barlaine or d Shawin 1291 01:00:56,600 --> 01:00:57,760 Speaker 1: What do you think it is Sabrina. 1292 01:00:58,800 --> 01:01:02,640 Speaker 2: I guess I'm gonna go with with that weird word. 1293 01:01:03,680 --> 01:01:07,560 Speaker 1: Well, that's Celtic. I'm gonna go with a lockshide it 1294 01:01:07,640 --> 01:01:09,120 Speaker 1: is d Oh. 1295 01:01:09,160 --> 01:01:09,480 Speaker 5: There you go. 1296 01:01:09,600 --> 01:01:12,080 Speaker 1: She actually gave us the answer, because why else would 1297 01:01:12,080 --> 01:01:16,280 Speaker 1: she look it up? That's what I was thinking. Number two, 1298 01:01:16,680 --> 01:01:20,640 Speaker 1: Halloween is the second biggest holiday for candy. The number 1299 01:01:20,680 --> 01:01:24,280 Speaker 1: one holiday is a Christmas, B Easter, CEE, New Year's Eve, 1300 01:01:24,360 --> 01:01:27,560 Speaker 1: or d Thanksgiving. It's gotta be Easter, right, Yeah, the 1301 01:01:27,600 --> 01:01:29,880 Speaker 1: Easter baskets and the chocolate and everything. I'm gonna say. 1302 01:01:29,880 --> 01:01:31,000 Speaker 1: I'm gonna say b Easter. 1303 01:01:31,680 --> 01:01:34,600 Speaker 3: You guys are correct, Yes, Okay, I would have thought, 1304 01:01:35,360 --> 01:01:37,000 Speaker 3: I mean, he didn't give it to us, but Valentine's 1305 01:01:37,040 --> 01:01:37,920 Speaker 3: Day would have been up there too. 1306 01:01:38,040 --> 01:01:42,080 Speaker 1: Oh I could see that. Which mysteriously spooky icon died 1307 01:01:42,120 --> 01:01:46,120 Speaker 1: on Halloween? Was it a Vincent Price, b Alfred Hitchcock, C. 1308 01:01:46,360 --> 01:01:48,600 Speaker 1: Clive Barker or D Harry Houdini. 1309 01:01:49,120 --> 01:01:53,160 Speaker 2: Oh, I'm gonna go a see. 1310 01:01:53,520 --> 01:01:56,120 Speaker 1: I'm gonna think it's Houdini. I'm gonna say, D Harry Houdini. 1311 01:01:57,160 --> 01:01:57,920 Speaker 5: You're correct? 1312 01:01:57,920 --> 01:02:01,200 Speaker 1: Well, D whoa, because I figured he died he was 1313 01:02:01,280 --> 01:02:03,200 Speaker 1: he was doing a trick I figured on Halloween. I 1314 01:02:03,200 --> 01:02:05,120 Speaker 1: think he died because he was punched in the stomach. 1315 01:02:05,640 --> 01:02:06,320 Speaker 2: Oh my god. 1316 01:02:06,400 --> 01:02:08,080 Speaker 1: He said I could take any shot, and some guy 1317 01:02:08,080 --> 01:02:09,560 Speaker 1: came in punching in the stomach and like ruptured a 1318 01:02:09,600 --> 01:02:11,880 Speaker 1: spleen or something like that. I might be getting some 1319 01:02:11,920 --> 01:02:13,400 Speaker 1: of that story wrong, but I think it's something like that. 1320 01:02:13,520 --> 01:02:17,760 Speaker 1: Number four, candy corn wasn't the Halloween staples first name 1321 01:02:18,160 --> 01:02:24,640 Speaker 1: that was weird. That was a chicken feed, B harvest sweets, 1322 01:02:24,880 --> 01:02:30,960 Speaker 1: C cobbers or D plastic. Wait, what do you think 1323 01:02:31,000 --> 01:02:32,280 Speaker 1: candy corn used to be called? 1324 01:02:36,400 --> 01:02:37,479 Speaker 2: He looks so good? 1325 01:02:37,920 --> 01:02:45,920 Speaker 1: Chicken feed exactly? Random random door bird feed, a chickened. 1326 01:02:46,480 --> 01:02:48,480 Speaker 1: Oh my god, that can't be right. I'm gonna go 1327 01:02:48,520 --> 01:02:51,000 Speaker 1: with B harvest sweets. 1328 01:02:51,440 --> 01:02:59,040 Speaker 5: It's a there was chicken feed, of course they didn't, 1329 01:02:59,320 --> 01:03:03,080 Speaker 5: so yeah, why would you call it chicken feel my god? 1330 01:03:03,480 --> 01:03:06,480 Speaker 1: All right? Number five, bobbing for apples was invented with 1331 01:03:06,520 --> 01:03:09,240 Speaker 1: a different goal in mind. Was it originally thought to 1332 01:03:09,560 --> 01:03:12,200 Speaker 1: a it would be a successful attempt to ward away 1333 01:03:12,280 --> 01:03:15,400 Speaker 1: evil for two years. Be the first retrieve an apple 1334 01:03:15,440 --> 01:03:18,200 Speaker 1: is the next to Mary see last to get an 1335 01:03:18,240 --> 01:03:20,640 Speaker 1: apple must sleep outside for the night or d if 1336 01:03:20,640 --> 01:03:23,560 Speaker 1: you lose a tooth while playing, you're unable to bear children. 1337 01:03:23,760 --> 01:03:26,800 Speaker 1: Jesus got dark real quick. 1338 01:03:27,840 --> 01:03:31,040 Speaker 2: I think it's the beat. The first to retrieve an 1339 01:03:31,040 --> 01:03:32,600 Speaker 2: apple is the next to get married. 1340 01:03:34,520 --> 01:03:37,080 Speaker 1: I'm gonna say a successful attempt would ward away evil 1341 01:03:37,080 --> 01:03:39,280 Speaker 1: for two years. I'm gonna say a. 1342 01:03:39,000 --> 01:03:40,040 Speaker 2: Brina is killing it. 1343 01:03:41,600 --> 01:03:45,000 Speaker 1: She won, you won, You kill that you won? It 1344 01:03:45,120 --> 01:03:48,120 Speaker 1: is a which is the Halloween queen. I'm telling you 1345 01:03:48,240 --> 01:03:53,040 Speaker 1: right there, unbelievable. I heard one yesterday that was very interesting, 1346 01:03:53,240 --> 01:03:57,520 Speaker 1: which is that in medieval times, when you sneezed, they 1347 01:03:57,560 --> 01:03:59,960 Speaker 1: believe that that was your soul trying to escape your body. 1348 01:04:00,600 --> 01:04:03,360 Speaker 1: So to protect you from that, they would have God 1349 01:04:03,600 --> 01:04:07,360 Speaker 1: bless you when you sneezed. So that's where God bless 1350 01:04:07,360 --> 01:04:07,880 Speaker 1: you comes from. 1351 01:04:07,920 --> 01:04:09,360 Speaker 2: Oh there you go. 1352 01:04:10,520 --> 01:04:13,080 Speaker 1: Something else. So now I won too. I didn't. Actually 1353 01:04:13,080 --> 01:04:18,680 Speaker 1: I lost badly. Sure I can't. Am I a awesome, 1354 01:04:18,920 --> 01:04:22,040 Speaker 1: be amazing, see incredible or d all of the above. 1355 01:04:22,400 --> 01:04:27,000 Speaker 1: D I want yay? Can we do a Sabrina ces please? 1356 01:04:31,640 --> 01:04:33,360 Speaker 2: Oh? Man? Okay. 1357 01:04:34,080 --> 01:04:38,360 Speaker 3: One thing is that because I just seem to keep 1358 01:04:38,760 --> 01:04:42,560 Speaker 3: running into her so often, I do have to notice. 1359 01:04:42,600 --> 01:04:46,240 Speaker 3: Because now dancing with the Stars is obviously a big 1360 01:04:46,280 --> 01:04:50,320 Speaker 3: thing on our podcast. You're an expert. Now you've got 1361 01:04:50,360 --> 01:04:55,280 Speaker 3: your own podcast. Danielle's podcast is thriving. Malachi's mom is 1362 01:04:55,320 --> 01:04:57,680 Speaker 3: one of the singers on Dancing with the Stars. 1363 01:04:57,720 --> 01:04:58,440 Speaker 1: Isn't that amazing? 1364 01:04:58,600 --> 01:04:59,520 Speaker 2: It's so cool. 1365 01:04:59,600 --> 01:05:01,320 Speaker 3: So I ran into her when I went to see 1366 01:05:01,520 --> 01:05:04,360 Speaker 3: to watch the show again and it was like, that's 1367 01:05:04,400 --> 01:05:06,120 Speaker 3: one of the things she told me when we first 1368 01:05:06,160 --> 01:05:08,680 Speaker 3: met at the premiere. But I've just ran into her 1369 01:05:08,800 --> 01:05:11,560 Speaker 3: so often and I'm like, she would be a great 1370 01:05:11,600 --> 01:05:16,120 Speaker 3: person to have come on the pot as having your child, 1371 01:05:16,200 --> 01:05:18,520 Speaker 3: like and you know, go from he's been on a 1372 01:05:18,520 --> 01:05:21,080 Speaker 3: star for so long, but now he's like like, yeah, 1373 01:05:22,720 --> 01:05:26,880 Speaker 3: get the mind as well as she's his manager as 1374 01:05:26,920 --> 01:05:29,000 Speaker 3: well as working in the industry herself. 1375 01:05:29,120 --> 01:05:29,320 Speaker 2: Right. 1376 01:05:29,600 --> 01:05:30,360 Speaker 1: Definitely interesting. 1377 01:05:30,840 --> 01:05:38,200 Speaker 3: Yes, uh so Gilbert's voice, do we my question with you, 1378 01:05:38,280 --> 01:05:43,400 Speaker 3: because obviously you are the master of all voices. 1379 01:05:43,160 --> 01:05:46,480 Speaker 1: Until my sin is probably always sound like I'm sick. Yes? 1380 01:05:46,880 --> 01:05:50,479 Speaker 3: Do we think that's his voice voice? Do you think 1381 01:05:50,520 --> 01:05:53,240 Speaker 3: this was a voice that he chose for his character? Now, 1382 01:05:53,320 --> 01:05:57,080 Speaker 3: also knowing that he is into voice acting himself. 1383 01:05:56,960 --> 01:05:58,800 Speaker 1: No, I think that's probably pretty close to his real 1384 01:05:58,880 --> 01:06:01,200 Speaker 1: voice at the time, you think so, I do I do. 1385 01:06:01,520 --> 01:06:02,880 Speaker 1: I can see why you wouldn't think. 1386 01:06:03,080 --> 01:06:05,640 Speaker 2: So extreme that. I was like, oh my gosh. 1387 01:06:05,520 --> 01:06:07,320 Speaker 1: I've never seen any of his other stuff, but I'll 1388 01:06:07,320 --> 01:06:08,680 Speaker 1: bet you I don't know why. I bet you that 1389 01:06:08,760 --> 01:06:09,240 Speaker 1: was his voice. 1390 01:06:09,360 --> 01:06:11,160 Speaker 2: I need to I need to go into that a 1391 01:06:11,240 --> 01:06:13,280 Speaker 2: little bit more. Did it. 1392 01:06:14,320 --> 01:06:16,600 Speaker 3: Did it jump out to you how many leaf transitions 1393 01:06:16,600 --> 01:06:19,760 Speaker 3: we had? 1394 01:06:22,760 --> 01:06:23,000 Speaker 4: Oh? 1395 01:06:23,080 --> 01:06:24,400 Speaker 1: My god, there was actually. 1396 01:06:25,880 --> 01:06:28,600 Speaker 2: So many leaf transitions. It was just insane. 1397 01:06:31,000 --> 01:06:33,040 Speaker 3: Now, I don't know, maybe you know a little bit 1398 01:06:33,040 --> 01:06:36,720 Speaker 3: more about mummies, but what was the point of him 1399 01:06:36,800 --> 01:06:40,640 Speaker 3: having like pretty much the jawline and tooth placement of 1400 01:06:40,680 --> 01:06:41,600 Speaker 3: like a pug dog. 1401 01:06:43,120 --> 01:06:46,320 Speaker 2: I don't know why were they on his lip? 1402 01:06:46,760 --> 01:06:49,800 Speaker 1: But yeah, I mean yeah, I don't know. I think 1403 01:06:49,800 --> 01:06:51,360 Speaker 1: it was probably just the make up, a makeup choice 1404 01:06:51,360 --> 01:06:52,880 Speaker 1: because the mouth was kind of really cool. 1405 01:06:53,160 --> 01:06:55,520 Speaker 3: It did, but it was it was so funny because 1406 01:06:55,520 --> 01:07:00,160 Speaker 3: I actually my sister in law's little she's got a 1407 01:07:00,280 --> 01:07:03,320 Speaker 3: pug beagle mix, and that's how his teeth are. I'm like, 1408 01:07:03,440 --> 01:07:06,160 Speaker 3: it's so funny, and it was moving around. It was 1409 01:07:06,200 --> 01:07:07,840 Speaker 3: like it was the makeup for him. 1410 01:07:07,800 --> 01:07:08,760 Speaker 2: Was really really good. 1411 01:07:08,800 --> 01:07:13,560 Speaker 1: Yeah, I did need the. 1412 01:07:14,160 --> 01:07:16,520 Speaker 2: Woman, So the what do we call her? What would 1413 01:07:16,520 --> 01:07:17,160 Speaker 2: we nickname her? 1414 01:07:17,200 --> 01:07:24,160 Speaker 3: Becky her bodyguard. I'm cool with a women woman bodyguard, 1415 01:07:24,240 --> 01:07:26,000 Speaker 3: but she's gonna need to be a little bit more 1416 01:07:26,080 --> 01:07:31,120 Speaker 3: Ronda Rousey for me to be like the very end. 1417 01:07:31,200 --> 01:07:33,280 Speaker 3: So I put this in as I first saw her 1418 01:07:33,720 --> 01:07:35,680 Speaker 3: just in that dining room scene, and then all of 1419 01:07:35,720 --> 01:07:37,320 Speaker 3: a sudden, I'm like, oh, well, I guess she has 1420 01:07:37,440 --> 01:07:38,000 Speaker 3: numb chucks. 1421 01:07:38,040 --> 01:07:41,520 Speaker 1: But I'm like, yeah, no. When she pulled out the 1422 01:07:41,880 --> 01:07:44,960 Speaker 1: big the like the staff, I was like, oh, she's 1423 01:07:45,000 --> 01:07:46,280 Speaker 1: a badass. 1424 01:07:48,040 --> 01:07:50,400 Speaker 3: But like, she didn't look intimidating at all up to 1425 01:07:50,480 --> 01:07:53,720 Speaker 3: that point, so she kind of was a little bit. 1426 01:07:53,800 --> 01:07:57,520 Speaker 3: And then there were wooding wooden planks outside of the 1427 01:07:57,520 --> 01:07:59,680 Speaker 3: window that they broke in and out of. Then they 1428 01:07:59,720 --> 01:08:02,160 Speaker 3: put wooden planks but outside if you were trying to 1429 01:08:02,200 --> 01:08:06,080 Speaker 3: keep people outside of your house. The one, Yeah, that 1430 01:08:06,080 --> 01:08:09,720 Speaker 3: was weird, and then we kind of went over everything else. 1431 01:08:09,800 --> 01:08:14,840 Speaker 3: But the last thing, there's two more things. I kind 1432 01:08:14,840 --> 01:08:17,719 Speaker 3: of felt like we broke a rule, an unsaid rule. 1433 01:08:18,439 --> 01:08:20,800 Speaker 3: All of a sudden, Now when they get placed in 1434 01:08:20,880 --> 01:08:23,600 Speaker 3: the moonlight is on them in the tomb. All of 1435 01:08:23,640 --> 01:08:26,960 Speaker 3: a sudden, we have magic that has the tombs come 1436 01:08:27,000 --> 01:08:28,280 Speaker 3: and get closed on their. 1437 01:08:28,680 --> 01:08:33,360 Speaker 1: The Sarcophicus lids just slamming shot. I didn't understand. 1438 01:08:33,680 --> 01:08:39,040 Speaker 2: Well, they like, I didn't get that down. That was like, yeah, 1439 01:08:39,160 --> 01:08:41,519 Speaker 2: that you can't just have magic come out of nowhere. 1440 01:08:41,640 --> 01:08:42,519 Speaker 1: No, I agree. 1441 01:08:43,040 --> 01:08:46,720 Speaker 3: And then the last thing was the alarm that the 1442 01:08:47,080 --> 01:08:51,680 Speaker 3: was happening in the museum. You couldn't hear upstairs. I 1443 01:08:51,680 --> 01:08:55,360 Speaker 3: guess only the alarm work turned. I didn't realize there 1444 01:08:55,400 --> 01:08:57,880 Speaker 3: was an alarm on at all. And then after I 1445 01:08:57,920 --> 01:08:59,920 Speaker 3: forgot that, the alarm went off at the very big 1446 01:09:00,040 --> 01:09:02,000 Speaker 3: aning of them breaking into the museum to get him 1447 01:09:02,040 --> 01:09:05,799 Speaker 3: back up to his sarcophagus, and then all of a sudden, 1448 01:09:05,840 --> 01:09:06,759 Speaker 3: it's they're normal. 1449 01:09:06,800 --> 01:09:10,040 Speaker 2: Everything is normal. Then as they're running down the stairs, 1450 01:09:10,040 --> 01:09:10,479 Speaker 2: it's like. 1451 01:09:11,320 --> 01:09:14,800 Speaker 1: It's so loud. I'm like, this is the only time 1452 01:09:14,840 --> 01:09:16,200 Speaker 1: nobody's heard this before. 1453 01:09:15,920 --> 01:09:20,240 Speaker 3: You Other than that, we covered everything, and I can't 1454 01:09:20,280 --> 01:09:21,479 Speaker 3: wait to rate this movie. 1455 01:09:21,560 --> 01:09:23,600 Speaker 1: Well, here we go, yeah, here we go. Let's do 1456 01:09:23,760 --> 01:09:29,599 Speaker 1: let's let's do uh, let's do one out of ten. Okay, 1457 01:09:29,760 --> 01:09:32,519 Speaker 1: we'll do one out of ten, but one's gonna be 1458 01:09:32,560 --> 01:09:36,120 Speaker 1: the last, like the lowest one, and ten's gonna be highest. 1459 01:09:36,120 --> 01:09:39,439 Speaker 1: We'll do that. Here are options this week. One out 1460 01:09:39,439 --> 01:09:44,040 Speaker 1: of ten Purple Eyed pandas, sexy killbots one out of ten, 1461 01:09:44,160 --> 01:09:49,679 Speaker 1: Step Days, Scodoodle snack diarrheas one out of ten, Mummy 1462 01:09:49,680 --> 01:09:54,120 Speaker 1: movie dates, lucky characters one out of ten, bopdem bones, 1463 01:09:54,880 --> 01:09:59,240 Speaker 1: baby octopus plates, grown men, trigger treating by themselves, or 1464 01:09:59,320 --> 01:10:02,439 Speaker 1: one of ten boxes of bird feed Sabrina, whyn't you 1465 01:10:02,439 --> 01:10:03,479 Speaker 1: pick this week? What would you like? 1466 01:10:04,160 --> 01:10:05,160 Speaker 2: Oh? 1467 01:10:06,360 --> 01:10:09,880 Speaker 3: I actually would like to, especially since you didn't see Well, no, 1468 01:10:09,960 --> 01:10:11,519 Speaker 3: I guess since you didn't see it, I was gonna 1469 01:10:11,520 --> 01:10:13,920 Speaker 3: say one out of ten leaf transitions because there. 1470 01:10:13,840 --> 01:10:16,880 Speaker 1: Were some let's do it, that's your pick, you got 1471 01:10:16,880 --> 01:10:20,600 Speaker 1: it were and I think I start this week. I 1472 01:10:20,640 --> 01:10:23,639 Speaker 1: think he went first last week. So I liked this movie. 1473 01:10:23,800 --> 01:10:27,200 Speaker 1: I really did. I liked the cast I thought was great. 1474 01:10:27,200 --> 01:10:30,280 Speaker 1: They're very personable. That Malachi Kid is obviously going to 1475 01:10:30,320 --> 01:10:33,200 Speaker 1: be a star. He is a star. He steals the 1476 01:10:33,240 --> 01:10:36,120 Speaker 1: whole thing. The Mummy grit was great, The story made 1477 01:10:36,160 --> 01:10:37,439 Speaker 1: more sense than the last one, and we liked the 1478 01:10:37,520 --> 01:10:40,040 Speaker 1: last one. I'm giving this one a very solid eight 1479 01:10:40,120 --> 01:10:44,840 Speaker 1: point five leaf Transitions. I think it very much rates 1480 01:10:44,920 --> 01:10:49,800 Speaker 1: that it was a fun, enjoyable watch. Yeah, I thought 1481 01:10:49,800 --> 01:10:51,879 Speaker 1: it just rode the line of spooky and not spooky, 1482 01:10:51,880 --> 01:10:54,559 Speaker 1: and I could see how kids would love it. So yep, 1483 01:10:54,720 --> 01:10:59,400 Speaker 1: eight point five skedoodle snack diarrheas. Oh wait, no, that's right, 1484 01:10:59,479 --> 01:11:03,160 Speaker 1: you picked leaf transitions. I'm glad I wasn't taking this week. 1485 01:11:05,439 --> 01:11:07,960 Speaker 2: Yes, I am right there with you. This to me, 1486 01:11:08,680 --> 01:11:10,680 Speaker 2: like we said with the first. 1487 01:11:10,280 --> 01:11:15,040 Speaker 3: One, they were coming out of the park unknowing where 1488 01:11:15,160 --> 01:11:18,400 Speaker 3: they were sitting and what things were happening. So we 1489 01:11:18,520 --> 01:11:21,080 Speaker 3: really put off al lot of the issues we had 1490 01:11:21,080 --> 01:11:24,080 Speaker 3: with the original to that effect because it was the 1491 01:11:24,120 --> 01:11:28,479 Speaker 3: first d com. This one, to me shows Disney knowing 1492 01:11:28,720 --> 01:11:32,720 Speaker 3: exactly where they're where their ballpark hit is, how to 1493 01:11:32,800 --> 01:11:35,960 Speaker 3: hit it the correct way, and the sense of to me, 1494 01:11:36,200 --> 01:11:41,080 Speaker 3: this is up there, this is up This is our favorite. 1495 01:11:41,080 --> 01:11:43,839 Speaker 3: That my favorite that we've watched in the Halloween genre 1496 01:11:44,080 --> 01:11:44,519 Speaker 3: for sure. 1497 01:11:44,720 --> 01:11:49,240 Speaker 1: I really like this better than Halloween Town and the Yeah. 1498 01:11:49,040 --> 01:11:50,160 Speaker 2: It had a lot more. 1499 01:11:51,000 --> 01:11:53,960 Speaker 3: It had a lot more mystery, like mysterious, you know, 1500 01:11:54,280 --> 01:11:56,120 Speaker 3: felt like a little bit more was on the line, 1501 01:11:58,160 --> 01:11:59,680 Speaker 3: you know. And I mean, to me it was up 1502 01:11:59,680 --> 01:12:02,479 Speaker 3: there with like hocus Pocus, like it was a little 1503 01:12:02,479 --> 01:12:05,240 Speaker 3: bit scary at times, you know, but like, I just 1504 01:12:05,400 --> 01:12:06,519 Speaker 3: really love this movie. 1505 01:12:06,560 --> 01:12:09,040 Speaker 2: The cast, like you said, was so good. 1506 01:12:09,120 --> 01:12:12,520 Speaker 3: These kids were great, the adults were awesome in it. 1507 01:12:13,280 --> 01:12:16,120 Speaker 3: You know, like you said, too Malachi stole the show. 1508 01:12:16,280 --> 01:12:20,320 Speaker 3: But I felt like everything in this movie, the small 1509 01:12:20,400 --> 01:12:22,200 Speaker 3: little picking apart. 1510 01:12:22,120 --> 01:12:24,559 Speaker 2: Is just that it's just picking it apart. 1511 01:12:24,640 --> 01:12:25,880 Speaker 1: Yeah, too fun. 1512 01:12:26,760 --> 01:12:29,479 Speaker 3: You had nitpicking when you have to heart find or 1513 01:12:29,560 --> 01:12:31,920 Speaker 3: try super hard, and that was the movie for me. 1514 01:12:32,080 --> 01:12:36,200 Speaker 2: I'm giving this nine transition. 1515 01:12:36,760 --> 01:12:38,599 Speaker 1: That's good. That's a great one. 1516 01:12:39,160 --> 01:12:42,479 Speaker 3: I didn't have Monroe watching this one, and this is 1517 01:12:42,520 --> 01:12:46,080 Speaker 3: one that we will probably be also viewing leading up 1518 01:12:46,080 --> 01:12:46,720 Speaker 3: to Halloween. 1519 01:12:46,880 --> 01:12:50,400 Speaker 1: Okay, well, I love that. That's incredible, and I love 1520 01:12:50,439 --> 01:12:53,400 Speaker 1: all of you, so thank you so much for joining us. 1521 01:12:53,439 --> 01:12:56,320 Speaker 1: Our next movie brings us back to the rink with 1522 01:12:56,400 --> 01:12:58,679 Speaker 1: another hockey movie. I think we can now officially deem 1523 01:12:58,680 --> 01:13:01,960 Speaker 1: it the official sport of the dcom. It's the Two. Okay, 1524 01:13:02,000 --> 01:13:03,680 Speaker 1: So I love reading these things because I don't know 1525 01:13:03,720 --> 01:13:06,599 Speaker 1: anything about this movie, but it's a hockey movie and 1526 01:13:06,640 --> 01:13:12,639 Speaker 1: it's twenty ten's Girl Scouts inspired movie. Den Brother, oh 1527 01:13:12,920 --> 01:13:17,120 Speaker 1: key Doki. All right, it's Hailble the stream right now 1528 01:13:17,160 --> 01:13:19,040 Speaker 1: at Disney Plus, so do your homework and meet us 1529 01:13:19,080 --> 01:13:21,599 Speaker 1: her next week. And also for our Park Copper episode, 1530 01:13:21,640 --> 01:13:23,599 Speaker 1: this week, We've got a very big guest. We were 1531 01:13:23,640 --> 01:13:27,200 Speaker 1: so excited joining us is Maggie Lawson. You might know 1532 01:13:27,280 --> 01:13:29,680 Speaker 1: her from Psych or episodes of Boy Meets World or 1533 01:13:29,680 --> 01:13:32,559 Speaker 1: the movie Pleasantville. But we're talking to about one thing, 1534 01:13:32,760 --> 01:13:35,759 Speaker 1: and one thing only we are not drifting off the topic, 1535 01:13:36,200 --> 01:13:38,640 Speaker 1: and that thing is the two thousand d Coom alongside 1536 01:13:38,720 --> 01:13:42,720 Speaker 1: Justin Timberlake and Kathley Gifford model behavior. She had so 1537 01:13:42,880 --> 01:13:45,800 Speaker 1: many good stories exactly what we're hoping for. Here is 1538 01:13:45,800 --> 01:13:49,519 Speaker 1: a little sneak peek. Did you have a stand in 1539 01:13:49,560 --> 01:13:52,000 Speaker 1: that was reading lines with you? That was like, how 1540 01:13:52,000 --> 01:13:52,559 Speaker 1: did this work? 1541 01:13:52,880 --> 01:13:55,240 Speaker 6: Yeah, there was a stand in. It's like for the 1542 01:13:55,280 --> 01:13:58,200 Speaker 6: mirror scene. A lot of dinner scenes or at least 1543 01:13:58,240 --> 01:14:03,240 Speaker 6: restaurant scenes. I fe yes lot in this movie, and 1544 01:14:03,640 --> 01:14:06,679 Speaker 6: I remember they were Yeah, they were all done about 1545 01:14:06,720 --> 01:14:09,280 Speaker 6: the same time. And I remember running around like a 1546 01:14:09,320 --> 01:14:13,360 Speaker 6: crazy person that day, just you know, one to the other, 1547 01:14:13,439 --> 01:14:15,559 Speaker 6: to the to the other to the other. And yes, 1548 01:14:15,600 --> 01:14:17,439 Speaker 6: I would just read with a I don't even know 1549 01:14:17,479 --> 01:14:20,800 Speaker 6: if to stand in read the lines, but I was 1550 01:14:20,840 --> 01:14:23,520 Speaker 6: reading with somebody on the other side. 1551 01:14:24,640 --> 01:14:26,559 Speaker 1: We were just so happy to have Maggie in the show. 1552 01:14:26,640 --> 01:14:30,040 Speaker 1: What a great conversation that was it was, it was 1553 01:14:30,320 --> 01:14:32,320 Speaker 1: I don't want to give anything away, but talk about 1554 01:14:32,360 --> 01:14:34,040 Speaker 1: warm and cuddly. It was really really. 1555 01:14:33,880 --> 01:14:38,960 Speaker 3: Impating her love, all of the all of her just 1556 01:14:39,080 --> 01:14:42,240 Speaker 3: kept rushing over her and it was just so awesome 1557 01:14:42,280 --> 01:14:44,560 Speaker 3: to see her go to such a happy place and 1558 01:14:44,960 --> 01:14:46,759 Speaker 3: thinking about the filming of this movie. 1559 01:14:46,800 --> 01:14:49,360 Speaker 1: It was really really great. So don't miss that one. 1560 01:14:49,640 --> 01:14:52,400 Speaker 1: Just subscribe to the dedicated Magical rewind feed today and 1561 01:14:52,439 --> 01:14:55,519 Speaker 1: listen to everything we've done exclusively over there with popular 1562 01:14:55,560 --> 01:14:57,840 Speaker 1: cast and crew from your favorite d coms. And for 1563 01:14:57,920 --> 01:15:00,320 Speaker 1: more info, you can follow us at Magical re wine 1564 01:15:00,360 --> 01:15:03,640 Speaker 1: pot on the Instagram Machine. Thanks everybody, we'll see you 1565 01:15:03,640 --> 01:15:04,479 Speaker 1: next time. Bye.