WEBVTT - How's Everyone Else's Eggs, HUH! (S5 E16 "So... Good Talk”)

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<v Speaker 1>I am all in. Oh, let's you.

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<v Speaker 2>I am all in with Scott Patterson and iHeartRadio podcast.

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<v Speaker 1>Everybody, Scott Patterson, I am all in podcast. I heard

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<v Speaker 1>radio one to eleven productions of season five, episode sixteen.

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<v Speaker 1>So good talk.

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<v Speaker 3>Oh, I would say it a little different. Let me

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<v Speaker 3>give you a mind.

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<v Speaker 1>What would you say?

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<v Speaker 3>So good talk?

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<v Speaker 4>It was worthy, so good talk for me.

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<v Speaker 3>Yeah, that's good. That's good. Queen Danielle, Queen Danielle.

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<v Speaker 1>Tara, Tara, let's hear your version.

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<v Speaker 5>I think it's close to Danielle's so good talk.

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<v Speaker 3>That was not as good, Tara.

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<v Speaker 1>I don't know. Queen Rains, have you taken over this podcast?

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<v Speaker 3>I love the interview, will not? I love on Instagram

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<v Speaker 3>they always are like Queen Danielle once again with the

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<v Speaker 3>best line, Queen Danielle.

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<v Speaker 5>Danielle's done no wrong on this podcast.

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<v Speaker 1>Your husband, your husband's working overtime.

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<v Speaker 3>Lies man John John. Her husband John has like fifty

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<v Speaker 3>five Instagram handles so he can do all the He's

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<v Speaker 3>listening to every.

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<v Speaker 1>Episode so ef and boring, and he's so stupid. I

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<v Speaker 1>can't believe I actually have a question. His opinions are

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<v Speaker 1>so out of the norm.

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<v Speaker 3>Has John, your husband ever listened to this podcast?

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<v Speaker 4>No, he didn't even know. I'd talk on one's guy.

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<v Speaker 1>He's busy creating new handles and saying queenness and do

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<v Speaker 1>that and get rid of Scott. You know, can't it

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<v Speaker 1>just be Daniel? Wait?

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<v Speaker 5>Does he watch Gilmore Girls with you?

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<v Speaker 1>Though?

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<v Speaker 5>No, of course not.

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<v Speaker 3>Oh god, it's good.

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<v Speaker 1>So I got set up on the back end. I

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<v Speaker 1>know what's going on here, so good talk.

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<v Speaker 3>Actually, I do know a guy that went to college

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<v Speaker 3>with me who's obsessed with Gilmore Girls, and I want

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<v Speaker 3>to bring him on for we have a new thing coming.

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<v Speaker 3>Everybody be ready. I don't want to announce it yet,

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<v Speaker 3>but we have a new thing coming, and wouldn't he

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<v Speaker 3>be good for that? You We have a new thing

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<v Speaker 3>coming called You've been Gilmourd and you'll learn about it soon.

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<v Speaker 1>Sounds thrilling?

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<v Speaker 3>Would you know about it? You came up with.

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<v Speaker 1>That's why I'm a bit reluctant to implement it. You know,

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<v Speaker 1>it's like my idea. Really, we had a.

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<v Speaker 3>Text trail that was going so it was so long,

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<v Speaker 3>and we were trying to brainstorm a title for this thing,

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<v Speaker 3>and just one hundred ideas and then all of a sudden,

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<v Speaker 3>Scott's just like you've been Gilmourd and we're like, oh, okay, did.

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<v Speaker 1>I that I don't recall that I had another I remember,

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<v Speaker 1>didn't I have another idea that was.

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<v Speaker 3>Like twenty terrible ones and then you change.

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<v Speaker 1>It's a bad idea. We got to get that through the.

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<v Speaker 4>One good one.

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<v Speaker 3>Matters twenty horrendous ones and then one home run and

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<v Speaker 3>we're like, I.

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<v Speaker 1>Know what you guys, I'm gonna find that thread.

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<v Speaker 2>Amy.

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<v Speaker 1>Yeah, Danielle, you do your synopsisizations. That's only you can

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<v Speaker 1>do them, because you are the queen.

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<v Speaker 4>All right, I give you a queen synopsis.

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<v Speaker 1>This is season better now now, and now the pressure's on.

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<v Speaker 5>Okay.

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<v Speaker 4>This is season five, episode sixteen, So good Talk Air

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<v Speaker 4>date March third, two thousand and five. When Richard and

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<v Speaker 4>Emily returned from their Europe trip, Rory attends Friday night

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<v Speaker 4>dinner without Lorlai, who refuses to speak to her mother

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<v Speaker 4>and plans a girl's night out with Suki instead. Meanwhile,

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<v Speaker 4>Luke takes his anger out on his customers and Lane

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<v Speaker 4>it's confused about Zach's intentions.

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<v Speaker 3>Oh so good, I know what you don't like about it? Scott,

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<v Speaker 3>which I won't say. I know you don't like.

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<v Speaker 1>Tell me what I don't like.

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<v Speaker 3>You don't like how angry and rude you were to

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<v Speaker 3>your customers because you would never have actually done that.

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<v Speaker 3>You maybe would have been rousing. You never would have

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<v Speaker 3>cooked terrible food. You never would have cooked terrible thing. Wrong.

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<v Speaker 1>Loved it? You know why?

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<v Speaker 3>Oh, I have a guess.

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<v Speaker 5>The way that Rory treated Emily.

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<v Speaker 1>Emily, Okay, wrong, Sorry, that's going to get annoying.

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<v Speaker 3>No, it's good.

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<v Speaker 4>At the end.

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<v Speaker 3>That was a thousand out of ten. I loved it

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<v Speaker 3>so much.

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<v Speaker 1>That's loved it.

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<v Speaker 3>I'm not telling it wasn't it wasn't the bad food.

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<v Speaker 1>No, okay, well that was genius. That was genius because

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<v Speaker 1>Seawan Gun's there loving the steak when it.

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<v Speaker 5>Was like hash.

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<v Speaker 1>That was some of the funniest Seawan Gun stuff I

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<v Speaker 1>have ever seen, especially when he's pressed pressed up against

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<v Speaker 1>the glass outside watching them.

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<v Speaker 3>So what did you not like? This episode is a

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<v Speaker 3>ten out of ten?

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<v Speaker 1>We're not rating it yet. What are you talking about?

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<v Speaker 3>What What did you not like?

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<v Speaker 1>I'm not saying. I'm not saying until in the middle

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<v Speaker 1>of this podcast. I am going to hold it.

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<v Speaker 3>In do you like the mailman in shorts?

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<v Speaker 1>I don't remember a mailman.

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<v Speaker 3>Oh my gosh.

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<v Speaker 1>Of course, mailmen in shorts in the hot weather. Of

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<v Speaker 1>course you've got to have mailmen in shorts.

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<v Speaker 3>Yeah, it was skip and right now I fully relate

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<v Speaker 3>because I'm wearing nothing but shorts.

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<v Speaker 1>Yeah. No, no, I mean it's ninety six degrees here

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<v Speaker 1>every day, every single day.

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<v Speaker 3>I was in Auburn, California yesterday, shout out to Auburn

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<v Speaker 3>one oh five. Anybody going to Arizona soon eighteen?

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<v Speaker 1>Yeah, I'm going to Texas. I'm going. I'm going to

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<v Speaker 1>Texas American Bank Center.

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<v Speaker 3>You're gonna Wapus.

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<v Speaker 1>Christy Comic Con July twenty eight through thirtieth. It's going

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<v Speaker 1>to be a hot one, So come into the best

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<v Speaker 1>air conditioning system in the entire Southwest.

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<v Speaker 3>Just be careful when you touch like a gate, because

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<v Speaker 3>one time I was in one eighteen weather and I

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<v Speaker 3>touched like a fence and you can get like a burn.

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<v Speaker 1>Well, you're not going to touch a fence outside.

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<v Speaker 3>Well, how do you get into your pool? I had

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<v Speaker 3>to get into a pool gate.

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<v Speaker 1>You got to wear the sun gloves. You need sun gloves.

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<v Speaker 5>Sun gloves let me just whip out my sun gloves.

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<v Speaker 1>Do you any sun gloves?

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<v Speaker 3>Su gloves?

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<v Speaker 2>Oh?

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<v Speaker 1>You never saw the infomercial? Oh we bought a whole

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<v Speaker 1>cred of them.

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<v Speaker 6>Oh my god?

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<v Speaker 5>What is sun glove?

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<v Speaker 1>The guy that sells the gorilla glow or the glow

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<v Speaker 1>the glue pill fill something with the glow and he's like,

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<v Speaker 1>he'll do a boat and it won't sink because of

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<v Speaker 1>the glow. Oh my god, sun gloves. Yeah. Anyway, where

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<v Speaker 1>did Daniel goo? I don't know.

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<v Speaker 3>She must maybe she know she is pregnant. She might

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<v Speaker 3>be going potty, but we can start without her. We

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<v Speaker 3>can still, good to know.

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<v Speaker 1>I like the detail of that answer, anyway. So let's

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<v Speaker 1>get into this. It was in a very, very very

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<v Speaker 1>good episode. But I do have some bones to pick

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<v Speaker 1>with it, all right.

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<v Speaker 3>Well we'll get to those, all right. So we start

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<v Speaker 3>with the We start with the open with the mailman

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<v Speaker 3>in shorts, and then Lorlai calls Rory, and I immediately

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<v Speaker 3>noticed Rory's hair was sort of hipper. She looked a

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<v Speaker 3>little older but a little bit more hip. I don't

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<v Speaker 3>know how to explain it. Did anyone notice that?

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<v Speaker 5>I feel like it was just this episode too, me too.

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<v Speaker 3>It just came out of nowhere. I don't see if

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<v Speaker 3>it's continues. Yeah, I noticed that she had a very

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<v Speaker 3>cute boat sweater.

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<v Speaker 1>Well her hair was longer, right, well it was like.

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<v Speaker 3>A little longer. It just was a little bit more adult.

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<v Speaker 3>I don't know. And we sort of learned right out

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<v Speaker 3>the gate that she doesn't have any money because she

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<v Speaker 3>doesn't want her calling her cell phone. And we also

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<v Speaker 3>learned that Grandma Emily, her grandmother, has been sending postcards

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<v Speaker 3>from their trip.

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<v Speaker 1>M wow, yeah Emily, Yeah, it's a doozy Emily getting

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<v Speaker 1>a face full of rory tell you that much.

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<v Speaker 3>Yeah, we're gonna get to that. So first we go

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<v Speaker 3>to the diner and we realized that Luke is mad.

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<v Speaker 3>I actually called him a bit crazy. So will you

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<v Speaker 3>analyze that you loved it.

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<v Speaker 1>That's not crazy that she just you just miss your girl,

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<v Speaker 1>You need your girl. You've got some plumbing issues, things

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<v Speaker 1>are a little backed up, and you're real ornery.

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<v Speaker 3>Let's take a moment to also acknowledge last week's line

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<v Speaker 3>that we did talk about that everyone was commenting on

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<v Speaker 3>with Logan when he climbed in the window. So sometimes

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<v Speaker 3>Gilmore Girls does it gives a nod to that. So Scott, continue,

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<v Speaker 3>what am I continuing on your performance in the Diner?

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<v Speaker 1>I just spelled it out. I mean, you know he

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<v Speaker 1>misses this woman. Man, he's not in a great mood.

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<v Speaker 3>No, he's physically throwing people out. And then he like

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<v Speaker 3>the guy's like, I ordered my omelet soft, We're gonna

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<v Speaker 3>have to redo it. And then you just say.

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<v Speaker 4>The black ocasion brand is the.

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<v Speaker 3>Whole thing, and that the bacon was.

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<v Speaker 5>Gross.

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<v Speaker 3>He's a lot of sorts and Kirk loves it. I

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<v Speaker 3>do agree with you that Kirk was Seawan Gun was amazing,

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<v Speaker 3>really really good.

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<v Speaker 1>Okay, so he was the he was the comic relief.

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<v Speaker 3>Yeah, he actually sort of balances out those scenes because

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<v Speaker 3>you're so mad, really mad. Suddenly you've gotten really mad,

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<v Speaker 3>and he's sort of like, oh, I love everything.

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<v Speaker 1>The funniest stuff that Sean has ever been given to do,

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<v Speaker 1>other than the those black and white movies. The film

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<v Speaker 1>by Kirk, Film by Kirk's a classic top of the

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<v Speaker 1>food Kirk, this stuff was right up there. This was

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<v Speaker 1>right up there. He was set up beautifully for all

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<v Speaker 1>this stuff.

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<v Speaker 3>How's everyone else's eggs?

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<v Speaker 1>Huh? Okay, So to do because you can just let

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<v Speaker 1>it fly and you know, no matter how big it gets,

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<v Speaker 1>you're protected. But it's not going to be you know

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<v Speaker 1>that everybody's going to understand. And then you got Kirk there,

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<v Speaker 1>you know, catching your while you're falling and lightening everything up.

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<v Speaker 1>So it's it's really fun to do that stuff because

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<v Speaker 1>you get the actual laugh in real time because when

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<v Speaker 1>you're filming it, it's funny and a lot of that

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<v Speaker 1>and a lot I remember doing a lot of those

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<v Speaker 1>lines and then blowing the lines because Kirk would say

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<v Speaker 1>one of his lines and everybody would crack up, and

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<v Speaker 1>then it would be like, cud gotta do it again,

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<v Speaker 1>Scott trying not to laugh, and I'm like, yeah, but

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<v Speaker 1>Kirk's really She's really funny, you know.

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<v Speaker 3>It wasn't it like hash browns, but it was just

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<v Speaker 3>it looked like a pile of worms or brains or something.

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<v Speaker 1>It was.

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<v Speaker 3>All right. So then we switch over to Lorli at

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<v Speaker 3>the end and Suki and Lorelei are talking and Suki

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<v Speaker 3>wants to start planning the menu for like months when

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<v Speaker 3>she has the baby. The fires going. It was a nice,

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<v Speaker 3>nice scene and I think we get sort of a

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<v Speaker 3>little glimpse that Blaine. She's on the phone with Blaine,

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<v Speaker 3>the insurance guy, and so she keeps getting disconnected. So

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<v Speaker 3>we learn there's some sort of an insurance issue, which

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<v Speaker 3>is important sprinkling because of later with Richard.

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<v Speaker 1>It was a good scene. It felt good to see

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<v Speaker 1>father and daughter smiling at each other, being happy in

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<v Speaker 1>each other's presence. They're making plans to move on. He's

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<v Speaker 1>going to make her life better. She's happy about it.

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<v Speaker 1>You know he's doing he's being a dad.

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<v Speaker 3>Yeah.

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<v Speaker 1>I get to see him being a real dad with

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<v Speaker 1>her a lot. I mean he did it when when

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<v Speaker 1>he tried to help her and she was the secretary

0:12:52.120 --> 0:12:53.719
<v Speaker 1>for a couple of days. Yeah, this kind of thing.

0:12:54.080 --> 0:12:56.120
<v Speaker 1>But it's nice seeing that, you know.

0:12:56.320 --> 0:12:59.120
<v Speaker 4>I get to see that they work well together. Yes,

0:12:59.200 --> 0:13:04.560
<v Speaker 4>you know, we're removing Emily like like she is very

0:13:05.160 --> 0:13:09.839
<v Speaker 4>connected to Richard, like Rory is too in a way. Yeah.

0:13:09.920 --> 0:13:12.960
<v Speaker 5>Yeah, but I feel like for him, he's he's more

0:13:13.000 --> 0:13:16.080
<v Speaker 5>connected to her when it's something he knows about, like insurance,

0:13:16.160 --> 0:13:18.000
<v Speaker 5>Like he's like, oh, I can help you, like be

0:13:18.200 --> 0:13:21.240
<v Speaker 5>like the dad that because Laurla doesn't asked for help ever.

0:13:21.760 --> 0:13:24.920
<v Speaker 5>So it's finally something that he can like do with

0:13:24.960 --> 0:13:26.960
<v Speaker 5>her and be a part of her life and help

0:13:27.000 --> 0:13:29.199
<v Speaker 5>with the insurance of and and all that.

0:13:29.800 --> 0:13:31.600
<v Speaker 3>Yeah, and we'll get we'll get to the scene too

0:13:31.600 --> 0:13:35.079
<v Speaker 3>when he comes to the inn. But all the relationship

0:13:35.120 --> 0:13:38.680
<v Speaker 3>between Richard and and lour Lai is so perfect and amazing,

0:13:38.720 --> 0:13:41.640
<v Speaker 3>and I love it in this episode because you really

0:13:41.640 --> 0:13:44.040
<v Speaker 3>feel their connection and their bond and it's it's healthier.

0:13:45.720 --> 0:13:47.840
<v Speaker 3>So this is where I did laugh out loud every

0:13:47.840 --> 0:13:51.559
<v Speaker 3>time she hangs up on Emily up. And then Richard

0:13:51.640 --> 0:13:52.480
<v Speaker 3>called and she's.

0:13:52.320 --> 0:13:56.880
<v Speaker 5>Like, hey, hey, how's the vacation chatting?

0:13:56.920 --> 0:13:58.600
<v Speaker 3>And then oh, your mother wants to talk to you.

0:14:01.160 --> 0:14:08.920
<v Speaker 7>Yeah, no good, And then she talks about how oh

0:14:09.320 --> 0:14:11.600
<v Speaker 7>she talks about how she's gonna watch a star is

0:14:11.640 --> 0:14:14.960
<v Speaker 7>born and that she likes to be a couch potato,

0:14:15.120 --> 0:14:18.800
<v Speaker 7>and then sort of we hear Suki's like, Suki is like,

0:14:19.440 --> 0:14:22.640
<v Speaker 7>no way, I gotta go out for a girl's night.

0:14:22.680 --> 0:14:27.520
<v Speaker 3>We're gonna look hot and blah blah blah. So you're

0:14:27.560 --> 0:14:30.760
<v Speaker 3>getting set up for like the episode. So then we

0:14:30.800 --> 0:14:34.120
<v Speaker 3>go get into the coffee cart and Rory wants her

0:14:34.600 --> 0:14:37.800
<v Speaker 3>you know, carmel machiato, and we learned she has no money.

0:14:37.960 --> 0:14:39.200
<v Speaker 5>She goes taking things off.

0:14:40.920 --> 0:14:41.520
<v Speaker 2>Can I have a.

0:14:41.520 --> 0:14:47.920
<v Speaker 3>Cup once again? Haters come on out. I adore Logan.

0:14:48.200 --> 0:14:51.680
<v Speaker 3>I think he is amazing in every scene he's in.

0:14:52.360 --> 0:14:55.400
<v Speaker 3>I love them together. I love that she sort of

0:14:55.520 --> 0:14:59.120
<v Speaker 3>has this for once, she sort of has the boyfriend

0:14:59.120 --> 0:15:02.040
<v Speaker 3>that rescues her. And maybe people can like hate me

0:15:02.160 --> 0:15:04.560
<v Speaker 3>for that, but he's there, he is, and he's like

0:15:04.760 --> 0:15:08.200
<v Speaker 3>gonna pay for her coffee, and they're so cute, and

0:15:08.240 --> 0:15:10.080
<v Speaker 3>he says, Ace, I can't take a chance to be

0:15:10.080 --> 0:15:12.360
<v Speaker 3>pulling out that purse again and someone getting hurt. Like,

0:15:12.800 --> 0:15:14.280
<v Speaker 3>it's just I love it.

0:15:14.600 --> 0:15:17.160
<v Speaker 1>He's a He's a young Robert Redford. He's a young

0:15:17.240 --> 0:15:21.520
<v Speaker 1>Robert Redford in the way we were confident, cocky, yeah,

0:15:21.680 --> 0:15:26.600
<v Speaker 1>ruth smart ahead of the game, got it all under control.

0:15:27.400 --> 0:15:31.080
<v Speaker 1>It's really appealing. You don't see characters that like that anymore.

0:15:31.400 --> 0:15:33.440
<v Speaker 1>You know, hates unique in that sense.

0:15:34.000 --> 0:15:36.800
<v Speaker 3>I agree, Like, I don't know, Taro Daniel, do either

0:15:36.840 --> 0:15:38.840
<v Speaker 3>of you hate him because there's so many people that

0:15:39.000 --> 0:15:42.040
<v Speaker 3>hate him and find him so repelling when I'm like,

0:15:42.360 --> 0:15:43.400
<v Speaker 3>I love this guy.

0:15:44.720 --> 0:15:47.600
<v Speaker 5>I think there are moments that I don't like, but

0:15:47.800 --> 0:15:50.720
<v Speaker 5>for the most part, I do see the charm in

0:15:50.800 --> 0:15:52.880
<v Speaker 5>him and what Rory sees in him, and like, yeah,

0:15:52.920 --> 0:15:55.080
<v Speaker 5>it's it's nice that like he comes and pays for

0:15:55.080 --> 0:15:57.840
<v Speaker 5>her coffee or something like that. Like you're right, like

0:15:57.880 --> 0:16:01.120
<v Speaker 5>someone's taking care of her in a sense. But I

0:16:01.280 --> 0:16:04.560
<v Speaker 5>do see where people don't like him from certain scenes

0:16:04.640 --> 0:16:08.200
<v Speaker 5>the way he acts. But I go back and forth.

0:16:08.240 --> 0:16:10.360
<v Speaker 3>And it's so cute. He pulls her over the corner

0:16:10.400 --> 0:16:12.520
<v Speaker 3>and they kiss and she's like, no people will see,

0:16:12.520 --> 0:16:16.760
<v Speaker 3>and he's like, I don't care, Like he's so happy

0:16:16.840 --> 0:16:19.160
<v Speaker 3>with her. And I love their sort of like banter

0:16:19.360 --> 0:16:21.760
<v Speaker 3>about the paper and I think they're having that little

0:16:22.440 --> 0:16:25.640
<v Speaker 3>argument about Hemingway and it's so cute and she's so

0:16:25.880 --> 0:16:28.760
<v Speaker 3>comfortable and she's like, hey, thanks for the coffee, Like

0:16:28.800 --> 0:16:30.200
<v Speaker 3>it's just so cute.

0:16:32.000 --> 0:16:34.840
<v Speaker 4>They definitely have really good chemistry, Like you have to

0:16:34.840 --> 0:16:37.800
<v Speaker 4>give him that, Like, they definitely have that. The thing

0:16:37.840 --> 0:16:41.040
<v Speaker 4>that I'm just like, as a first time watcher that

0:16:41.080 --> 0:16:44.360
<v Speaker 4>I'm confused about is and maybe it's just the progression

0:16:44.400 --> 0:16:46.680
<v Speaker 4>of the relationship and everyone says this in the beginning,

0:16:46.720 --> 0:16:49.560
<v Speaker 4>but he does not want anything, but he also doesn't

0:16:49.600 --> 0:16:53.080
<v Speaker 4>care that people see. So I'm kind of like, what

0:16:53.120 --> 0:16:53.880
<v Speaker 4>does that mean?

0:16:54.640 --> 0:16:57.200
<v Speaker 1>It means I think he looks like he's in love.

0:16:57.720 --> 0:16:59.040
<v Speaker 3>Mm hmm, I agree with you.

0:16:59.120 --> 0:17:01.200
<v Speaker 1>I think he's fall he's definitely.

0:17:03.400 --> 0:17:05.600
<v Speaker 3>I think his whole like I can't be serious, is

0:17:05.640 --> 0:17:08.000
<v Speaker 3>just a way to protect himself at this point, like

0:17:08.040 --> 0:17:08.840
<v Speaker 3>we'll see how.

0:17:10.280 --> 0:17:10.760
<v Speaker 1>Determined.

0:17:10.840 --> 0:17:17.359
<v Speaker 3>Yes, yeah, he's just protecting himself and trying to protect

0:17:17.440 --> 0:17:20.840
<v Speaker 3>her from him and the way he can be. So

0:17:20.920 --> 0:17:22.840
<v Speaker 3>he likes her and he cares about her. So he's

0:17:22.840 --> 0:17:24.760
<v Speaker 3>saying he basically is saying like, I can be a

0:17:24.840 --> 0:17:27.119
<v Speaker 3>jerk and I don't want to hurt you, and she's saying,

0:17:27.960 --> 0:17:31.080
<v Speaker 3>you're not gonna hurt me. I'm cool with it, even

0:17:31.119 --> 0:17:33.240
<v Speaker 3>though both of them are full of doodoo.

0:17:34.080 --> 0:17:39.400
<v Speaker 1>Has fallen. Yeah, yeah, he's he knows that she might

0:17:39.480 --> 0:17:41.480
<v Speaker 1>have the ability to bring him down and make him

0:17:41.480 --> 0:17:42.280
<v Speaker 1>an honest man.

0:17:42.800 --> 0:17:43.240
<v Speaker 4>Yep.

0:17:43.920 --> 0:17:46.639
<v Speaker 3>Yes, So the only flag I had on the place?

0:17:46.720 --> 0:17:49.000
<v Speaker 3>Did he call it a cute meat? When isn't it

0:17:49.040 --> 0:17:50.280
<v Speaker 3>called a meat cute?

0:17:50.840 --> 0:17:52.040
<v Speaker 5>I think it's a meat cute.

0:17:52.119 --> 0:17:56.520
<v Speaker 3>Yeah, but I think he said cute meat. Somebody needs

0:17:56.560 --> 0:17:56.960
<v Speaker 3>to go back.

0:17:57.040 --> 0:17:57.640
<v Speaker 4>Let me find out.

0:17:57.640 --> 0:18:00.440
<v Speaker 3>I have the script up actually, thank you, and see if.

0:18:00.320 --> 0:18:04.600
<v Speaker 4>He said that said cute meat, this would definitely qualify

0:18:04.640 --> 0:18:07.200
<v Speaker 4>as a cute meat if we hadn't already met right,

0:18:07.280 --> 0:18:07.840
<v Speaker 4>and isn't it.

0:18:07.800 --> 0:18:09.600
<v Speaker 5>A meat cute Yeah?

0:18:11.040 --> 0:18:14.160
<v Speaker 3>So anyway, that's why Scott didn't like.

0:18:16.040 --> 0:18:18.399
<v Speaker 5>It was a mess up of Scott meet cues.

0:18:19.040 --> 0:18:26.480
<v Speaker 3>Okay, so it okay. So then we go over to

0:18:27.400 --> 0:18:30.679
<v Speaker 3>Laura lies and Rory's bringing like four hundred bags of laundry.

0:18:30.720 --> 0:18:33.840
<v Speaker 3>And we also thought that it's spring break, which was

0:18:33.840 --> 0:18:38.520
<v Speaker 3>anybody else shocked by that? I'm like, how was it?

0:18:39.240 --> 0:18:41.679
<v Speaker 4>Because we were just we just had like it was

0:18:41.760 --> 0:18:42.359
<v Speaker 4>just cold.

0:18:42.880 --> 0:18:44.280
<v Speaker 3>What kind of Christmas?

0:18:45.560 --> 0:18:47.280
<v Speaker 5>Oh do we not do Christmas? Episode?

0:18:47.440 --> 0:18:48.840
<v Speaker 3>Sudden it's spring break?

0:18:49.560 --> 0:18:51.200
<v Speaker 1>M hm? Interesting?

0:18:51.720 --> 0:18:53.920
<v Speaker 3>When did this air again? Danielle, Sorry, should have paid

0:18:53.920 --> 0:18:55.600
<v Speaker 3>more attention to your mark in March.

0:18:56.240 --> 0:19:00.600
<v Speaker 5>Yeah, you're right because last week they were wearing scarves.

0:19:01.040 --> 0:19:04.960
<v Speaker 3>Yeah, and he is going skiing, which is fine, people

0:19:05.000 --> 0:19:06.960
<v Speaker 3>go skiing for spring break. But anyway, yeah, some.

0:19:06.960 --> 0:19:09.560
<v Speaker 4>People have spring break in like late February early March.

0:19:09.640 --> 0:19:12.199
<v Speaker 1>They just they're just blowing through the winter. Maybe it's

0:19:12.240 --> 0:19:16.840
<v Speaker 1>a budget thing because winter winter outdoor dressing is expensive.

0:19:17.480 --> 0:19:20.520
<v Speaker 3>It's in all the that snow or those bubbles or

0:19:20.520 --> 0:19:22.280
<v Speaker 3>paper that all those little papers.

0:19:22.560 --> 0:19:23.720
<v Speaker 1>Yeah, it's expensive.

0:19:24.200 --> 0:19:27.720
<v Speaker 3>So we're in the kitchen and laurel Lize's outfit was phenomenal.

0:19:27.760 --> 0:19:30.520
<v Speaker 3>She's wearing that turquoise blazer with the brooch, and then

0:19:30.600 --> 0:19:34.919
<v Speaker 3>she's she knows that now that Rory needs money, so

0:19:34.920 --> 0:19:37.240
<v Speaker 3>she's helping her get a job, which I thought was

0:19:37.240 --> 0:19:40.000
<v Speaker 3>super cute. There's a twenty on the fridge, so Rory's

0:19:40.040 --> 0:19:43.480
<v Speaker 3>sort of home for spring break and she's gonna gonna sorry,

0:19:43.520 --> 0:19:49.880
<v Speaker 3>that's terrible, going to work. So she gets a job

0:19:49.920 --> 0:19:53.960
<v Speaker 3>at the bookstore, so that that was cute, and she's

0:19:53.960 --> 0:20:00.000
<v Speaker 3>off to Friday night dinner, which oh boy.

0:19:58.119 --> 0:19:59.240
<v Speaker 4>In laural Lize clothes.

0:20:00.000 --> 0:20:04.879
<v Speaker 3>Oh right, because yeah, so I mean right from the

0:20:04.880 --> 0:20:09.000
<v Speaker 3>minute the doorbell rings, it was rough.

0:20:11.119 --> 0:20:15.600
<v Speaker 4>Yeah, I'm happy though, because, like I think, I think

0:20:15.720 --> 0:20:19.040
<v Speaker 4>we wouldn't have gotten the end of this episode, which

0:20:19.040 --> 0:20:22.240
<v Speaker 4>we'll talk about later. We wouldn't have gotten it if

0:20:22.320 --> 0:20:26.840
<v Speaker 4>Rory was didn't stand up to em great point.

0:20:27.600 --> 0:20:30.640
<v Speaker 5>I think Lorlai hanging up meant nothing to Emily. It's

0:20:30.760 --> 0:20:32.040
<v Speaker 5>coming from Rory.

0:20:32.119 --> 0:20:34.840
<v Speaker 4>Real, she's dealt with that first since Laura I was

0:20:34.840 --> 0:20:36.360
<v Speaker 4>a teenager, you know.

0:20:36.960 --> 0:20:40.720
<v Speaker 5>Really coming from coming from Rory means it's a completely

0:20:40.760 --> 0:20:43.000
<v Speaker 5>different meaning behind what she did.

0:20:43.680 --> 0:20:47.280
<v Speaker 4>Yeah, it is a little the threat like of her

0:20:47.440 --> 0:20:50.160
<v Speaker 4>not having a relationship with Rory because.

0:20:50.080 --> 0:20:53.479
<v Speaker 3>She's so awful to Laura, which has always been her

0:20:53.520 --> 0:20:58.600
<v Speaker 3>biggest fear, losing them both, but losing Rory. I just

0:20:58.600 --> 0:21:02.199
<v Speaker 3>don't know how she didn't no, Like, what would it

0:21:02.200 --> 0:21:04.439
<v Speaker 3>go through Emily's mind? Like does she have amnesia that

0:21:04.480 --> 0:21:07.760
<v Speaker 3>she doesn't realize what she did was so bad? Lorla

0:21:07.920 --> 0:21:11.359
<v Speaker 3>obviously knows what she did. Why would she not be like,

0:21:11.520 --> 0:21:12.560
<v Speaker 3>let's talk about this.

0:21:14.640 --> 0:21:17.800
<v Speaker 4>Yeah, well, only it's in Emily's nature to talk about it.

0:21:17.920 --> 0:21:21.159
<v Speaker 4>Like she made her stance known, and she's kind of

0:21:21.160 --> 0:21:22.720
<v Speaker 4>that person that's like, I'm going to get what I

0:21:22.760 --> 0:21:24.000
<v Speaker 4>want to get and.

0:21:24.880 --> 0:21:29.040
<v Speaker 1>Sorry, Well maybe she just yeah, but maybe she just

0:21:29.320 --> 0:21:33.720
<v Speaker 1>thinks that they're still that Christopher and Laurla. I haven't

0:21:33.840 --> 0:21:38.600
<v Speaker 1>really had a chance to, you know, be together as

0:21:38.600 --> 0:21:41.280
<v Speaker 1>a family, and she wants that more than anything, and

0:21:41.359 --> 0:21:45.720
<v Speaker 1>she'll do anything to get it because she sees the

0:21:45.800 --> 0:21:49.640
<v Speaker 1>chemistry between them, she sees the caring between them, and

0:21:50.480 --> 0:21:53.919
<v Speaker 1>maybe she just thought, you know, this guy obviously doesn't

0:21:53.920 --> 0:21:58.159
<v Speaker 1>have the backbone required, so he's going to need a push.

0:21:58.640 --> 0:22:00.639
<v Speaker 1>So I'll give him a push and see if I

0:22:00.680 --> 0:22:03.480
<v Speaker 1>can make something happen because I think it's going to

0:22:03.600 --> 0:22:06.359
<v Speaker 1>end up being much better for laurele I and Rory

0:22:06.440 --> 0:22:07.440
<v Speaker 1>because that's.

0:22:08.400 --> 0:22:11.880
<v Speaker 3>Her dad, right, right, that's.

0:22:11.680 --> 0:22:13.359
<v Speaker 1>A heavy responsibility, you know.

0:22:13.480 --> 0:22:16.000
<v Speaker 4>It's like, let's say, with somebody that was in that

0:22:16.080 --> 0:22:19.159
<v Speaker 4>affluent community though and not right, like, would she still

0:22:19.200 --> 0:22:24.359
<v Speaker 4>push Christopher on Lorelai if it's like the logan of

0:22:24.440 --> 0:22:25.320
<v Speaker 4>Lareal's age.

0:22:25.480 --> 0:22:32.240
<v Speaker 1>I'll admit it's probably. Uh, you know, Luke to her

0:22:32.400 --> 0:22:37.800
<v Speaker 1>is radioactive because of his social class. There's no question

0:22:37.840 --> 0:22:42.160
<v Speaker 1>about it. So, and that's why it's such a stark choice.

0:22:42.160 --> 0:22:45.040
<v Speaker 1>And that's why Emily doesn't really understand it. She can't

0:22:45.160 --> 0:22:49.480
<v Speaker 1>understand it. She can't fathom why somebody with her DNA

0:22:50.280 --> 0:22:54.280
<v Speaker 1>and Richard's DNA is in love with Luke and thinks

0:22:54.280 --> 0:22:57.280
<v Speaker 1>that that is a good idea. She just can't accept

0:22:57.280 --> 0:23:01.800
<v Speaker 1>the fact that Lorelei has left the nest and isn't

0:23:01.880 --> 0:23:04.520
<v Speaker 1>like them and doesn't want to be like them. She

0:23:04.560 --> 0:23:09.960
<v Speaker 1>doesn't understand who Laurla is, what she has become, maybe

0:23:09.960 --> 0:23:12.600
<v Speaker 1>what she never was, right, you know.

0:23:13.480 --> 0:23:15.439
<v Speaker 3>So my question for you, I would love to hear

0:23:15.480 --> 0:23:19.119
<v Speaker 3>your perspective. Do you think that Emily wants it to

0:23:19.200 --> 0:23:23.080
<v Speaker 3>be Christopher one, because he's fancy and he comes from

0:23:23.119 --> 0:23:28.600
<v Speaker 3>the right, you know family, and she is Rory's father.

0:23:29.440 --> 0:23:31.879
<v Speaker 3>Or do you think Emily just wants it to be

0:23:32.160 --> 0:23:37.080
<v Speaker 3>somebody of the right caliber and if that was Digger,

0:23:37.200 --> 0:23:40.040
<v Speaker 3>she would have gone to Digger and go get your girl,

0:23:40.240 --> 0:23:41.800
<v Speaker 3>or if it was you.

0:23:41.760 --> 0:23:43.840
<v Speaker 1>Know, I think that has I think that has a

0:23:43.920 --> 0:23:46.800
<v Speaker 1>lot a large percentage of it is that.

0:23:47.760 --> 0:23:50.760
<v Speaker 3>And she's just able to go manipulate Christopher because she

0:23:50.880 --> 0:23:56.440
<v Speaker 3>has that relationship with him, unlike Digger or somebody else.

0:23:56.560 --> 0:23:58.680
<v Speaker 1>She wants to go to the country club with all

0:23:58.720 --> 0:24:01.600
<v Speaker 1>of them, and the parents sit around and act superior,

0:24:01.760 --> 0:24:04.920
<v Speaker 1>and you know, everybody's fine, and you know, Christopher's a

0:24:04.960 --> 0:24:08.080
<v Speaker 1>mess again and he's drinking again, and he's got a mistress,

0:24:08.080 --> 0:24:11.200
<v Speaker 1>but who cares. They're all still together and nobody knows yet,

0:24:11.320 --> 0:24:14.080
<v Speaker 1>and you know, they just want to keep their mess on,

0:24:15.000 --> 0:24:18.000
<v Speaker 1>you know, in the upper classes and deal with them

0:24:18.000 --> 0:24:20.920
<v Speaker 1>as they come. They don't want anybody defecting.

0:24:22.080 --> 0:24:23.399
<v Speaker 3>So here's my other question for all that.

0:24:23.880 --> 0:24:25.880
<v Speaker 1>But I think I think Richard and Emily are really

0:24:25.920 --> 0:24:29.560
<v Speaker 1>embarrassed by this, you know, socially speaking, like your daughter

0:24:29.720 --> 0:24:32.720
<v Speaker 1>is like, oh, well, that's Richard and Emily Laurel I

0:24:32.880 --> 0:24:35.879
<v Speaker 1>she's dating a guy who owns a owns a diner

0:24:36.000 --> 0:24:38.760
<v Speaker 1>or something and Stars it's laughable.

0:24:39.119 --> 0:24:42.040
<v Speaker 3>I don't know if it's only that. I think they're

0:24:42.160 --> 0:24:46.119
<v Speaker 3>sort of like horrified that their fancy daughter has moved

0:24:46.119 --> 0:24:48.720
<v Speaker 3>to stars Hollow and you know, doesn't live in a

0:24:48.760 --> 0:24:52.560
<v Speaker 3>fancy house and drives her ten year old jeep, and

0:24:53.119 --> 0:24:55.880
<v Speaker 3>that she isn't fancy and doesn't want to be fancy.

0:24:56.320 --> 0:25:02.520
<v Speaker 3>I think that kind of really is troubling to them.

0:25:02.560 --> 0:25:06.040
<v Speaker 1>Maybe we have hit upon one of the main tensions

0:25:06.040 --> 0:25:09.720
<v Speaker 1>of the show. Maybe.

0:25:09.840 --> 0:25:12.639
<v Speaker 5>Also, do you think it's both Emily. Do you think

0:25:12.680 --> 0:25:15.359
<v Speaker 5>it's Emily and Richard or do you think it's mainly Emily,

0:25:15.440 --> 0:25:16.800
<v Speaker 5>because I think it's mainly Emily.

0:25:17.520 --> 0:25:20.919
<v Speaker 3>Yeah, d Richard goes along with it, but I'm not

0:25:20.960 --> 0:25:25.160
<v Speaker 3>sure if Emily. If Emily was all in with Luke,

0:25:25.480 --> 0:25:27.960
<v Speaker 3>so would Richard be. Yeah, he kind of goes along.

0:25:28.119 --> 0:25:29.800
<v Speaker 3>That's why I was going to ask you guys this too.

0:25:30.440 --> 0:25:34.359
<v Speaker 3>There's something I love about Rory and Richard getting along

0:25:34.600 --> 0:25:38.280
<v Speaker 3>so well. But I do feel a little bit bad

0:25:38.320 --> 0:25:41.480
<v Speaker 3>for Emily. I can't help it. Like in this scene,

0:25:41.520 --> 0:25:44.399
<v Speaker 3>I'm sort of like poor thing she's trying so hard

0:25:44.480 --> 0:25:46.199
<v Speaker 3>and this is just oh pa.

0:25:46.560 --> 0:25:48.440
<v Speaker 5>I kind of liked that. I kind of like that.

0:25:48.880 --> 0:25:52.440
<v Speaker 5>Richard just didn't like acknowledge that, like he was getting

0:25:52.480 --> 0:25:54.560
<v Speaker 5>the attention and not Emily, like he loved it and

0:25:54.600 --> 0:25:59.159
<v Speaker 5>he was. He didn't say anything about the way Rory

0:25:59.240 --> 0:26:03.879
<v Speaker 5>treated Emily at all. So that's why I think he does.

0:26:04.000 --> 0:26:06.879
<v Speaker 3>He calls lore light and calls it out, but then

0:26:07.160 --> 0:26:08.320
<v Speaker 3>it switches.

0:26:08.920 --> 0:26:11.040
<v Speaker 5>But even at I mean, I don't want to jump

0:26:11.080 --> 0:26:13.600
<v Speaker 5>too far ahead, but even at the dinner, like he

0:26:13.600 --> 0:26:16.080
<v Speaker 5>he was kind of defending Rory in a sense.

0:26:16.480 --> 0:26:20.000
<v Speaker 3>Yeah, he wanted Emily to like pipe down kind of yeah, yeah,

0:26:20.040 --> 0:26:21.760
<v Speaker 3>all right, we'll get to that. So then it and

0:26:21.840 --> 0:26:28.159
<v Speaker 3>it switches then to uh, Suki picks up Lorelei and

0:26:28.200 --> 0:26:30.880
<v Speaker 3>they're talking about where they should go. Let's go dancing.

0:26:31.000 --> 0:26:33.360
<v Speaker 3>Oh I can't really dance. Let's go to a bar.

0:26:33.560 --> 0:26:35.480
<v Speaker 3>I can't really drink, And so they just end up

0:26:35.520 --> 0:26:39.040
<v Speaker 3>watching movies at home, which actually sounded better to me

0:26:39.119 --> 0:26:40.560
<v Speaker 3>than any of those other options.

0:26:42.400 --> 0:26:43.840
<v Speaker 1>Danielle, would you want to go dancing?

0:26:45.720 --> 0:26:46.960
<v Speaker 4>Absolutely not.

0:26:49.520 --> 0:26:51.560
<v Speaker 3>It was like kind of the same as Suki. I

0:26:51.560 --> 0:26:53.040
<v Speaker 3>think you guys are equally.

0:26:53.520 --> 0:26:56.720
<v Speaker 1>Along, kind of a bizarre suggestion on the moralized bart.

0:26:57.720 --> 0:27:02.639
<v Speaker 1>Given her best friend is pregnant dancing, Let's go to

0:27:02.680 --> 0:27:04.280
<v Speaker 1>a bar and go dancing.

0:27:03.800 --> 0:27:08.200
<v Speaker 3>Okay, So then we go back to the Friday night

0:27:08.280 --> 0:27:12.040
<v Speaker 3>dinner and this is where it really it got ugly.

0:27:12.520 --> 0:27:14.360
<v Speaker 3>It's like she won't even look at her grandmother when

0:27:14.400 --> 0:27:17.800
<v Speaker 3>she hands or the strawberries and then it explodes. So

0:27:18.840 --> 0:27:22.600
<v Speaker 3>Emily is sort of mouthing to Richard do something, like

0:27:22.720 --> 0:27:25.720
<v Speaker 3>do something. So then Richard sort of says, like, what

0:27:25.840 --> 0:27:27.960
<v Speaker 3>do you want to tell us? Like you got you

0:27:28.119 --> 0:27:30.400
<v Speaker 3>need if there's something on your mind, and then it's

0:27:30.520 --> 0:27:35.760
<v Speaker 3>just explosion and you're right, Tara, Richard said, Emily, please, Like.

0:27:37.240 --> 0:27:42.120
<v Speaker 1>It's just the difference between Lorale and Rory are very

0:27:42.200 --> 0:27:46.639
<v Speaker 1>good at chaos and they're very good at a mess

0:27:47.000 --> 0:27:52.560
<v Speaker 1>and they don't panic. They figure it out. Their whole

0:27:53.160 --> 0:27:56.360
<v Speaker 1>DNA is we're gonna get through this, We're gonna work

0:27:56.359 --> 0:28:00.080
<v Speaker 1>it out. We're gonna figure it out, and it's gonna work.

0:28:00.359 --> 0:28:05.399
<v Speaker 1>And Laura I has done that h Rory's whole life.

0:28:06.880 --> 0:28:10.040
<v Speaker 1>And we're gonna get you to the private school and

0:28:10.080 --> 0:28:13.040
<v Speaker 1>we're gonna get you to Harvard or Yale, and you're

0:28:13.119 --> 0:28:17.840
<v Speaker 1>gonna you're gonna in a way, you know, Laura, I

0:28:18.000 --> 0:28:24.159
<v Speaker 1>truly is in a sense a surrogate. Emily's surrogate, like

0:28:24.680 --> 0:28:29.119
<v Speaker 1>lifting up Rory to the point where you get on

0:28:29.680 --> 0:28:32.280
<v Speaker 1>the path that I was on and don't screw it

0:28:32.359 --> 0:28:35.200
<v Speaker 1>up the way I screwed it up. But the problem

0:28:35.200 --> 0:28:37.879
<v Speaker 1>with Emily and Richard is they don't do chaos and

0:28:37.920 --> 0:28:40.760
<v Speaker 1>they don't do mess. They don't know how to handle.

0:28:40.440 --> 0:28:42.440
<v Speaker 3>It right, whereas Laura.

0:28:42.560 --> 0:28:45.840
<v Speaker 1>So there's so much more resilient than than than those

0:28:46.000 --> 0:28:47.240
<v Speaker 1>than Emily and Richard.

0:28:47.720 --> 0:28:50.080
<v Speaker 3>That's right. They'll they'll they'll figure it out, the two

0:28:50.160 --> 0:28:52.280
<v Speaker 3>of them, Rory and Laurai will figure it out. And

0:28:52.280 --> 0:28:54.280
<v Speaker 3>they don't mind chaos, they don't mind a mess. They

0:28:54.280 --> 0:28:56.240
<v Speaker 3>don't mind kind of like being scrappy.

0:28:56.320 --> 0:28:57.320
<v Speaker 1>They kind of prefer it.

0:28:57.800 --> 0:29:04.000
<v Speaker 3>Yeah, And that's why I think Emily expected Rory to

0:29:04.400 --> 0:29:08.320
<v Speaker 3>behave because that's what one does kind of. And so

0:29:08.520 --> 0:29:12.960
<v Speaker 3>even though she Emily did the thing wrong, she really

0:29:12.960 --> 0:29:15.040
<v Speaker 3>thought that Rory would just come over with a smile

0:29:15.080 --> 0:29:17.520
<v Speaker 3>on her face because they have a contract, which that

0:29:17.640 --> 0:29:18.280
<v Speaker 3>was kind of right.

0:29:18.360 --> 0:29:22.400
<v Speaker 5>Oh, that's what bugged me. The contract that really bugged

0:29:22.400 --> 0:29:25.000
<v Speaker 5>me because it's like, no, it wasn't you even said

0:29:25.040 --> 0:29:28.080
<v Speaker 5>before that, like Emily said, we want to help you

0:29:28.120 --> 0:29:30.280
<v Speaker 5>go through school, there was back then. There was never

0:29:30.320 --> 0:29:35.160
<v Speaker 5>an agreement a contract. I did like Rory's response, she said,

0:29:35.280 --> 0:29:37.320
<v Speaker 5>there was no agreement on how I act. The agreement

0:29:37.320 --> 0:29:39.560
<v Speaker 5>wasn't I show up here every Friday night.

0:29:40.760 --> 0:29:40.960
<v Speaker 1>Yeah.

0:29:41.000 --> 0:29:43.960
<v Speaker 3>I was surprised by how much Rory stood up to Emily.

0:29:44.320 --> 0:29:47.360
<v Speaker 1>You know, she like really like contract law. She was like,

0:29:47.720 --> 0:29:52.200
<v Speaker 1>go through the contract that. It doesn't matter what your

0:29:52.200 --> 0:29:55.280
<v Speaker 1>social mores are, it doesn't matter what the expectations are

0:29:55.280 --> 0:29:57.680
<v Speaker 1>in the upper classes. It's not in the contract, so

0:29:57.720 --> 0:29:59.640
<v Speaker 1>I'm not bound by it. It's hysterically.

0:30:00.240 --> 0:30:00.840
<v Speaker 3>I just know.

0:30:00.960 --> 0:30:04.840
<v Speaker 4>Also how much Richard is thriving in this episode, Like

0:30:05.000 --> 0:30:08.440
<v Speaker 4>he is like milking it, not milking it, but he

0:30:08.560 --> 0:30:09.680
<v Speaker 4>kind of is milking it.

0:30:09.760 --> 0:30:15.480
<v Speaker 3>He's so thrilled they just love yeah, and he's sort

0:30:15.520 --> 0:30:20.600
<v Speaker 3>of the peacemaker and yeah, but I think you're right

0:30:20.640 --> 0:30:23.400
<v Speaker 3>deep down, he's just thrilled that they both are. They

0:30:23.440 --> 0:30:27.000
<v Speaker 3>both like are getting along with him, love him, and

0:30:27.120 --> 0:30:29.960
<v Speaker 3>like why would too if I was Richard? He's like,

0:30:30.520 --> 0:30:32.520
<v Speaker 3>why would I complain about this? And I thought we'll

0:30:32.520 --> 0:30:35.560
<v Speaker 3>get to it. But I thought his sort of argument

0:30:35.640 --> 0:30:39.680
<v Speaker 3>to Emily about it was a pretty good argument, Like

0:30:39.720 --> 0:30:43.880
<v Speaker 3>he kind of sort of tricked her by saying, I

0:30:43.880 --> 0:30:45.680
<v Speaker 3>won't go as far as saying he gas litter, but

0:30:45.760 --> 0:30:49.360
<v Speaker 3>he tricked her a little bit by saying, I can't

0:30:49.360 --> 0:30:52.560
<v Speaker 3>be on your side because athletes, if I'm on their

0:30:52.760 --> 0:30:56.560
<v Speaker 3>side and having a relationship with them, one of us

0:30:56.600 --> 0:30:58.600
<v Speaker 3>does and we have a much better chance of working

0:30:58.640 --> 0:30:59.080
<v Speaker 3>this out.

0:30:59.280 --> 0:31:05.200
<v Speaker 1>So like the Plumbacay one on one, Yeah, that was

0:31:05.200 --> 0:31:07.880
<v Speaker 1>a great line in the kitchen, you're the because you're

0:31:07.920 --> 0:31:15.520
<v Speaker 1>the favorite, and she hit that line so great. I mean,

0:31:15.600 --> 0:31:18.760
<v Speaker 1>she just nailed that line.

0:31:22.600 --> 0:31:25.400
<v Speaker 3>So then we go to Weston's and we realized that

0:31:25.480 --> 0:31:29.000
<v Speaker 3>Laura Lia's at Weston's all the time, and Rory sort

0:31:29.000 --> 0:31:31.440
<v Speaker 3>of reveals that there was yelling at the dinner and

0:31:31.480 --> 0:31:34.760
<v Speaker 3>blah blah blah. But then we have the big talk

0:31:35.440 --> 0:31:39.479
<v Speaker 3>where Sukie falls asleep and Rory pulls Lorli aside to

0:31:39.560 --> 0:31:45.600
<v Speaker 3>tell her that she's started something with Logan and she

0:31:45.800 --> 0:31:49.120
<v Speaker 3>talks about she loves him. She's like, he's beautiful, he's smart,

0:31:49.480 --> 0:31:52.760
<v Speaker 3>he's great, And Laurlai does say she doesn't care that

0:31:52.800 --> 0:31:53.240
<v Speaker 3>he's rich.

0:31:54.400 --> 0:31:58.200
<v Speaker 1>So that wasn't it funny? So make believe world where

0:31:58.240 --> 0:32:01.160
<v Speaker 1>they just leave their pregnant friend who's exhausted. He falls

0:32:01.200 --> 0:32:04.000
<v Speaker 1>asleep in her own hands, just leaves the table, so

0:32:04.080 --> 0:32:10.920
<v Speaker 1>her head conks on the still sleep. Let's go, let's

0:32:10.920 --> 0:32:11.680
<v Speaker 1>get away from her.

0:32:11.760 --> 0:32:15.280
<v Speaker 3>So why wouldn't they just have the chat in front

0:32:15.280 --> 0:32:15.520
<v Speaker 3>of her?

0:32:15.560 --> 0:32:18.600
<v Speaker 1>She's asleep, but like, get her home. You know, she's pregnant.

0:32:18.640 --> 0:32:22.880
<v Speaker 1>For God's sake, we're going to take you home. Just

0:32:22.960 --> 0:32:23.360
<v Speaker 1>leave her.

0:32:26.120 --> 0:32:30.440
<v Speaker 3>So I love it also that I thought the most

0:32:30.480 --> 0:32:33.160
<v Speaker 3>important thing of that whole conversation is it Rory says,

0:32:33.240 --> 0:32:36.320
<v Speaker 3>I'm having fun, And I thought, you know what, that's

0:32:36.320 --> 0:32:38.800
<v Speaker 3>really important. Like she hasn't ever really had a relationship

0:32:38.840 --> 0:32:44.080
<v Speaker 3>that's just fun. Their relationships and they're deep and they're important,

0:32:44.200 --> 0:32:46.760
<v Speaker 3>but they this one is fun. She's having a full

0:32:47.280 --> 0:32:49.320
<v Speaker 3>college experience.

0:32:49.720 --> 0:32:53.080
<v Speaker 1>She never Jess was always it was always intense, yeah

0:32:53.400 --> 0:32:57.160
<v Speaker 1>and deep, yeah, troubling, and Dean was always kind of

0:32:57.240 --> 0:33:05.800
<v Speaker 1>like super sweet. Ah, here's another kitten, thank you.

0:33:05.800 --> 0:33:07.440
<v Speaker 5>But I mean, here's a car.

0:33:07.720 --> 0:33:12.640
<v Speaker 1>And right, here's a car. You built me a car.

0:33:12.680 --> 0:33:17.000
<v Speaker 1>I mean it's so overwhelming, you know, but is that fun?

0:33:16.200 --> 0:33:20.400
<v Speaker 3>But it was, it was sweet and it was cute

0:33:20.480 --> 0:33:23.120
<v Speaker 3>and it was like, but it wasn't that was it fun?

0:33:23.440 --> 0:33:26.800
<v Speaker 4>She's never had adrenaline in any of her relationships before.

0:33:26.960 --> 0:33:29.920
<v Speaker 4>This has adrenaline, This has spark, it has chemistry, it

0:33:29.960 --> 0:33:30.920
<v Speaker 4>has this like.

0:33:30.920 --> 0:33:34.320
<v Speaker 1>But it's got banter, it's got you got a guy

0:33:34.400 --> 0:33:38.320
<v Speaker 1>who canter can keep up with her, and then sort

0:33:38.360 --> 0:33:41.920
<v Speaker 1>of remain mysterious and aloof.

0:33:41.840 --> 0:33:44.959
<v Speaker 3>Yeah, she said he's smart. He's as smart as she is.

0:33:45.040 --> 0:33:48.000
<v Speaker 3>She says, like he's as smart as she is, if

0:33:48.040 --> 0:33:52.880
<v Speaker 3>not smarter, and then we get the line so good

0:33:55.120 --> 0:34:01.719
<v Speaker 3>and then rumble first of all, as I ever had

0:34:01.760 --> 0:34:04.000
<v Speaker 3>a rumball? That seems kind of is it? What is it?

0:34:04.000 --> 0:34:04.760
<v Speaker 5>Like a doughnut hole?

0:34:04.840 --> 0:34:05.680
<v Speaker 3>What is a rumball?

0:34:05.920 --> 0:34:12.440
<v Speaker 1>No idea, no one they put anything.

0:34:12.600 --> 0:34:14.719
<v Speaker 5>Yeah, I do have a question though. Do you think

0:34:14.760 --> 0:34:19.120
<v Speaker 5>Lorelai was uncomfortable with Rory telling her about Logan?

0:34:19.719 --> 0:34:22.600
<v Speaker 1>Probably? I mean that's how she played it, right, I

0:34:22.640 --> 0:34:23.600
<v Speaker 1>mean she seemed to.

0:34:24.960 --> 0:34:26.319
<v Speaker 5>That's how I took it. I just don't know if

0:34:26.320 --> 0:34:26.920
<v Speaker 5>anyone took it.

0:34:27.120 --> 0:34:27.200
<v Speaker 7>Now.

0:34:27.280 --> 0:34:31.600
<v Speaker 1>I kind of think you're right. I think you're right because.

0:34:31.320 --> 0:34:34.040
<v Speaker 5>The way she prefaced it, like I didn't tell you

0:34:34.080 --> 0:34:37.880
<v Speaker 5>what was happening with Dean before it happened, but now

0:34:37.920 --> 0:34:38.840
<v Speaker 5>I'm telling you.

0:34:39.239 --> 0:34:46.040
<v Speaker 1>And so good talk means like you know this because yeah, comfortable, and.

0:34:46.040 --> 0:34:51.360
<v Speaker 3>She changed the subject, right, that's the thank you for sharing.

0:34:52.960 --> 0:34:55.040
<v Speaker 3>So then we do get the scene I love so

0:34:55.160 --> 0:34:59.600
<v Speaker 3>laurlies walking and Richard calls and at first he sort

0:34:59.600 --> 0:35:02.799
<v Speaker 3>of upse set you know, like you should set an example,

0:35:03.440 --> 0:35:07.719
<v Speaker 3>and you know you need to tell Rory you know what,

0:35:08.120 --> 0:35:10.920
<v Speaker 3>that she shouldn't do this, and blah blah blah, and

0:35:10.960 --> 0:35:14.960
<v Speaker 3>Laura I really kind of tells Richard what's really going on,

0:35:15.719 --> 0:35:17.880
<v Speaker 3>and then all of a sudden we just pivot to

0:35:18.719 --> 0:35:22.600
<v Speaker 3>the insurance issue and he's just so pleased. Wait, you're

0:35:22.640 --> 0:35:25.680
<v Speaker 3>asking me for my help and she's like yeah, and

0:35:25.719 --> 0:35:28.759
<v Speaker 3>he's so happy. H I loved it.

0:35:29.520 --> 0:35:32.239
<v Speaker 4>I did too. I just love them too together, Like

0:35:32.280 --> 0:35:35.319
<v Speaker 4>I like Richard and Rory. You know, it's it's just

0:35:35.400 --> 0:35:38.720
<v Speaker 4>always a good scene when they're on when they're together.

0:35:39.840 --> 0:35:42.600
<v Speaker 1>Yeah they were, Yeah, they were both lighting it up,

0:35:42.640 --> 0:35:45.520
<v Speaker 1>both smiling. Yeah, going great.

0:35:46.360 --> 0:35:49.399
<v Speaker 3>She stumbles upon the boat and I loved her monologue

0:35:49.440 --> 0:35:59.440
<v Speaker 3>to the like the ticket person, like the She's like good.

0:36:03.080 --> 0:36:05.120
<v Speaker 3>And then we go back and Kirk is still just

0:36:05.400 --> 0:36:10.560
<v Speaker 3>enjoying the gross food and Lane has no glasses on.

0:36:10.840 --> 0:36:13.400
<v Speaker 3>She's sort of now going back and forth with the

0:36:13.440 --> 0:36:16.480
<v Speaker 3>no glasses and the glasses. She wears the glasses on

0:36:16.520 --> 0:36:20.719
<v Speaker 3>her date with Zach, but no glasses, And.

0:36:20.960 --> 0:36:22.640
<v Speaker 4>Do you think that's like a purposeful thing?

0:36:22.760 --> 0:36:22.960
<v Speaker 3>Right?

0:36:23.080 --> 0:36:25.680
<v Speaker 4>Like Lane is still a kid, but she's also an adult,

0:36:25.719 --> 0:36:28.440
<v Speaker 4>and you know, like that kind of plays out a

0:36:28.480 --> 0:36:29.640
<v Speaker 4>little bit in this episode.

0:36:30.680 --> 0:36:34.040
<v Speaker 3>Yeah, I love when you huck the wet towel at

0:36:34.120 --> 0:36:37.319
<v Speaker 3>him and her goes, oh, a cloth napkin and the

0:36:37.400 --> 0:36:42.800
<v Speaker 3>moist toot so good. Oh. And then Lane brings Rory

0:36:42.840 --> 0:36:45.120
<v Speaker 3>the burger at the bookstore and it's like disgusting.

0:36:46.400 --> 0:36:49.319
<v Speaker 5>Also Lane warning the customer and she turns around like

0:36:49.440 --> 0:36:51.960
<v Speaker 5>told you hurled out.

0:36:52.320 --> 0:36:59.440
<v Speaker 3>It's all. It's actually very amusing. So then we get through.

0:36:59.360 --> 0:37:02.520
<v Speaker 1>That guy out. Good man, he's strong.

0:37:02.920 --> 0:37:05.080
<v Speaker 4>I was gonna say, did you have to actually pick

0:37:05.160 --> 0:37:06.600
<v Speaker 4>up that guy or like how does that?

0:37:07.960 --> 0:37:11.600
<v Speaker 3>Like geez stumbled up. I'm a little hard.

0:37:12.360 --> 0:37:15.520
<v Speaker 1>He took his own cue. He's pro priably a professional

0:37:15.520 --> 0:37:16.320
<v Speaker 1>stunt guy.

0:37:16.600 --> 0:37:19.759
<v Speaker 3>Yeah, I would think both those guys that you threw out.

0:37:19.880 --> 0:37:21.960
<v Speaker 1>Just to do that because he had on.

0:37:22.160 --> 0:37:22.520
<v Speaker 4>Yeah.

0:37:23.080 --> 0:37:25.880
<v Speaker 3>Rory says poor sad Luke and Lane says, poor sad

0:37:25.920 --> 0:37:30.400
<v Speaker 3>tips like yeah. So then uh, we find out that

0:37:30.480 --> 0:37:34.080
<v Speaker 3>Zach's going to cook dinner. So that's cute because I

0:37:34.080 --> 0:37:36.520
<v Speaker 3>think Rory wanted plans. And then we learned that she's

0:37:36.520 --> 0:37:38.719
<v Speaker 3>got a date with Zach, and then we go to

0:37:38.760 --> 0:37:40.640
<v Speaker 3>the inn and we have sort of a brief exchange

0:37:40.680 --> 0:37:43.840
<v Speaker 3>between Suki and Lorely, and then Richard comes in with Philip,

0:37:44.480 --> 0:37:46.960
<v Speaker 3>and that was so cute. He's going to help her

0:37:47.000 --> 0:37:51.520
<v Speaker 3>with her policy and he's so happy about how well

0:37:51.560 --> 0:37:54.040
<v Speaker 3>she's doing at the inn, and she says he's a

0:37:54.120 --> 0:37:57.840
<v Speaker 3>lifesaver and the scones smell heavenly and it was just

0:37:57.880 --> 0:38:00.000
<v Speaker 3>like a hole. He just said, you've done a wonderful

0:38:00.320 --> 0:38:02.920
<v Speaker 3>job here, and it's just so great.

0:38:03.200 --> 0:38:05.840
<v Speaker 4>It's like all the things Lorla wants, you know, validation

0:38:05.960 --> 0:38:08.719
<v Speaker 4>from her parents, and he's giving it to her here.

0:38:08.840 --> 0:38:11.680
<v Speaker 4>And you can just tell how happy it makes her.

0:38:12.920 --> 0:38:17.760
<v Speaker 1>Make anybody happy, you know, yeah, your parents being proud

0:38:17.840 --> 0:38:18.000
<v Speaker 1>of you.

0:38:18.960 --> 0:38:21.200
<v Speaker 5>It's not about her making money, because she doesn't want

0:38:21.239 --> 0:38:24.359
<v Speaker 5>to sell the end like it's about her. She loves

0:38:24.400 --> 0:38:25.560
<v Speaker 5>that in so I think that.

0:38:26.719 --> 0:38:30.319
<v Speaker 3>She received that so well where she she was appreciative

0:38:30.360 --> 0:38:33.640
<v Speaker 3>of him saying that without being offended by it. Where

0:38:33.640 --> 0:38:36.160
<v Speaker 3>I think had Emily said the exact same thing, it

0:38:36.160 --> 0:38:39.200
<v Speaker 3>would have erupted into some big brawl. Instead, she was

0:38:39.239 --> 0:38:43.040
<v Speaker 3>so grateful for that and kind of and he was,

0:38:43.120 --> 0:38:45.360
<v Speaker 3>and then he was so receptive to her, saying I

0:38:45.400 --> 0:38:46.400
<v Speaker 3>don't want to sell.

0:38:47.560 --> 0:38:53.720
<v Speaker 1>Mm hmm hmm. Yeah, it's interesting. I was reading something

0:38:53.760 --> 0:39:00.279
<v Speaker 1>about you know how you raise your children and for

0:39:00.480 --> 0:39:07.720
<v Speaker 1>every reprimand you know, you should give them five compliments. Interesting,

0:39:07.920 --> 0:39:09.800
<v Speaker 1>or if you make a mistake and get angry and

0:39:09.880 --> 0:39:14.080
<v Speaker 1>appropriate whatever, it takes five compliments to erase that. You know.

0:39:14.200 --> 0:39:16.320
<v Speaker 1>They did some studies over a thirty.

0:39:16.400 --> 0:39:17.040
<v Speaker 3>That's interesting.

0:39:17.120 --> 0:39:19.520
<v Speaker 1>Yeah, it is interesting, and I just it's just I

0:39:19.680 --> 0:39:23.719
<v Speaker 1>just thought of how many compliments Emily would have to

0:39:23.719 --> 0:39:28.759
<v Speaker 1>give Laurel rehabilitate that relationship. It would take seven seasons

0:39:28.840 --> 0:39:35.279
<v Speaker 1>just of Emily complimenting, and.

0:39:35.200 --> 0:39:38.319
<v Speaker 3>Like any daughter does, Laura is always going back and

0:39:38.320 --> 0:39:41.040
<v Speaker 3>giving her another shot, and then Emily blows it again.

0:39:41.480 --> 0:39:44.320
<v Speaker 3>So it's just like I think the problem for Emily

0:39:44.360 --> 0:39:47.280
<v Speaker 3>is she can't take the path that Laurel I wants.

0:39:47.480 --> 0:39:53.960
<v Speaker 3>She's always trying to control, control, control, it's rough, whereas

0:39:54.080 --> 0:39:56.600
<v Speaker 3>Richard I just think is less.

0:39:56.360 --> 0:39:59.480
<v Speaker 1>Control and it's and it's ineffective and it produces the

0:39:59.480 --> 0:40:03.000
<v Speaker 1>opposite result. That's right, She's getting the opposite of what

0:40:03.040 --> 0:40:03.520
<v Speaker 1>she wants.

0:40:04.080 --> 0:40:07.320
<v Speaker 4>He's giving insight. Like even with Luke, Like what Richard

0:40:07.360 --> 0:40:10.000
<v Speaker 4>did with Luke was so different than what Emily did

0:40:10.000 --> 0:40:12.120
<v Speaker 4>with That's right, you know, with like, hey, let me

0:40:12.120 --> 0:40:14.000
<v Speaker 4>help you franchise. Are you interested in that? You know,

0:40:14.120 --> 0:40:19.200
<v Speaker 4>like trying to like yeah, versus Emily is like, I'm

0:40:19.200 --> 0:40:21.799
<v Speaker 4>gonna bring Christopher back in the picture because she's.

0:40:21.480 --> 0:40:25.200
<v Speaker 3>Mean, she can be mean, and Richard's rarely mean.

0:40:25.760 --> 0:40:26.120
<v Speaker 1>M m.

0:40:26.960 --> 0:40:30.520
<v Speaker 4>It's also a delivery thing. Like I think with Richard,

0:40:30.719 --> 0:40:35.000
<v Speaker 4>he is understanding and hears and listens, Versus Emily's like,

0:40:35.160 --> 0:40:39.839
<v Speaker 4>you need to do this and this only otherwise you're wrong.

0:40:41.320 --> 0:40:41.719
<v Speaker 1>Mm hmm.

0:40:42.360 --> 0:40:43.879
<v Speaker 3>My way or the highway kind of thing.

0:40:44.680 --> 0:40:49.480
<v Speaker 1>It is interesting, right, Richard's really never been, as we

0:40:49.600 --> 0:40:52.319
<v Speaker 1>have seen, and correct me if I'm wrong, proactive in

0:40:53.719 --> 0:40:56.960
<v Speaker 1>luring Laurel I back into the family fold. It's always

0:40:57.000 --> 0:40:59.919
<v Speaker 1>he's taken second fiddle to Emily, right m hm. Because

0:41:00.080 --> 0:41:03.719
<v Speaker 1>he's busy, he's traveling, he's working. It's it's something he's

0:41:03.760 --> 0:41:06.600
<v Speaker 1>given up on. He's he's heartbroken about it, but he's

0:41:06.640 --> 0:41:09.280
<v Speaker 1>got over it and now he's just living his life

0:41:09.520 --> 0:41:10.840
<v Speaker 1>with his wife. Right.

0:41:11.480 --> 0:41:13.799
<v Speaker 4>The only thing I will say that like from my

0:41:14.239 --> 0:41:19.440
<v Speaker 4>recent recollection is the whole Digger situation was a a

0:41:19.600 --> 0:41:22.880
<v Speaker 4>thing that Richard did that was kind of rough, but

0:41:22.960 --> 0:41:23.759
<v Speaker 4>he sort.

0:41:23.480 --> 0:41:26.000
<v Speaker 3>Of did it for the quote right reasons and that

0:41:26.480 --> 0:41:29.799
<v Speaker 3>he was going to be screwed. His his nest egg

0:41:29.880 --> 0:41:31.880
<v Speaker 3>was going to be screwed. So he just did what

0:41:31.960 --> 0:41:35.080
<v Speaker 3>he needed to do. And if if Digger was shrapnel

0:41:35.239 --> 0:41:39.040
<v Speaker 3>in that, he was like, I'm sorry.

0:41:38.840 --> 0:41:41.560
<v Speaker 1>You know what, Digger set himself up for that to

0:41:41.640 --> 0:41:44.120
<v Speaker 1>come to a guy with the level of experience that

0:41:44.239 --> 0:41:47.320
<v Speaker 1>Richard has, you know you you had if you don't

0:41:47.400 --> 0:41:51.880
<v Speaker 1>know that you're the one getting played, hmmm, because Tigger

0:41:52.000 --> 0:41:53.960
<v Speaker 1>just set himself up. I mean it was it was

0:41:54.040 --> 0:41:56.719
<v Speaker 1>kind of obvious. That's very true that he was just

0:41:56.760 --> 0:42:00.200
<v Speaker 1>going to get used. You know, he entered a very

0:42:00.360 --> 0:42:03.440
<v Speaker 1>very precarious position when he leaves his father and he

0:42:03.760 --> 0:42:06.279
<v Speaker 1>betrays his own father and he comes to Richard with

0:42:06.320 --> 0:42:09.040
<v Speaker 1>all that information. It's like Richard was just like licking

0:42:09.080 --> 0:42:13.160
<v Speaker 1>his chops, right, you are giving me a pathway back.

0:42:13.239 --> 0:42:15.640
<v Speaker 3>Yeah, that was a messy, messy, but.

0:42:15.640 --> 0:42:16.640
<v Speaker 1>It was kind of brilliant.

0:42:17.000 --> 0:42:22.040
<v Speaker 3>Yeah. Oh, Richard was very he handled it very very sharp.

0:42:22.040 --> 0:42:25.720
<v Speaker 1>Cookie. He's a strategic guy, you know, wow.

0:42:25.640 --> 0:42:27.840
<v Speaker 3>And business is business. He needed to do what was

0:42:27.920 --> 0:42:29.000
<v Speaker 3>right for his business.

0:42:29.080 --> 0:42:32.319
<v Speaker 1>He didn't get mad, he got even Yeah, and he won.

0:42:33.680 --> 0:42:37.480
<v Speaker 3>So and Digger came back anyway, and Lauralai kind of

0:42:37.480 --> 0:42:42.680
<v Speaker 3>didn't want him.

0:42:40.640 --> 0:42:43.040
<v Speaker 1>So well, you know, who wants some schmuck that goes

0:42:43.040 --> 0:42:45.640
<v Speaker 1>against their family and.

0:42:44.840 --> 0:42:46.279
<v Speaker 3>At that point she wanted you.

0:42:46.640 --> 0:42:49.200
<v Speaker 1>That was how much respect can you have for somebody?

0:42:52.040 --> 0:42:52.840
<v Speaker 1>And give me a break.

0:42:56.160 --> 0:42:57.880
<v Speaker 6>Hey, guys, it's Joe Answering.

0:42:57.920 --> 0:42:59.319
<v Speaker 8>I hear from Bachelor Happy Hour.

0:42:59.520 --> 0:43:02.560
<v Speaker 6>We have a really exciting episode dropping on Wednesday. We

0:43:02.640 --> 0:43:05.600
<v Speaker 6>will be the one and only podcast talking to the

0:43:05.680 --> 0:43:07.600
<v Speaker 6>new Golden Bachelor, Gary.

0:43:08.160 --> 0:43:10.040
<v Speaker 8>I know you've seen the teasers for it, and you've

0:43:10.040 --> 0:43:12.919
<v Speaker 8>probably heard about the show for ages, But now it's

0:43:12.960 --> 0:43:15.600
<v Speaker 8>happening and the Golden Bachelor has been revealed.

0:43:15.840 --> 0:43:18.280
<v Speaker 6>We are talking to Gary about how he's getting ready

0:43:18.320 --> 0:43:20.640
<v Speaker 6>for his journey, what his friends and family think about

0:43:20.640 --> 0:43:23.560
<v Speaker 6>all this, and what he is most excited and nervous

0:43:23.600 --> 0:43:27.160
<v Speaker 6>about in taking on the role of the first Golden Bachelor.

0:43:27.600 --> 0:43:31.319
<v Speaker 8>Plus he is revealing exactly what kind of woman he's

0:43:31.320 --> 0:43:34.840
<v Speaker 8>hoping to meet, only to us in an exclusive interview

0:43:34.880 --> 0:43:36.080
<v Speaker 8>with Bachelor Happy Hours.

0:43:36.360 --> 0:43:38.920
<v Speaker 6>I mean, after talking to him, I personally I think

0:43:38.920 --> 0:43:40.480
<v Speaker 6>he's gonna fall in love with multiple women.

0:43:40.719 --> 0:43:43.240
<v Speaker 8>You think so, oh, yeah, for sure. I think Gary

0:43:43.360 --> 0:43:45.440
<v Speaker 8>is such a star. I feel like the women are

0:43:45.440 --> 0:43:47.120
<v Speaker 8>going to be head over heels for him, and the

0:43:47.160 --> 0:43:48.520
<v Speaker 8>audience is going to love him as well.

0:43:48.640 --> 0:43:50.719
<v Speaker 6>I think it's a star. I think he's a confident man,

0:43:51.120 --> 0:43:53.319
<v Speaker 6>but I just don't think he knows what he's getting into.

0:43:53.360 --> 0:43:56.520
<v Speaker 6>He's about to date a multitude of women.

0:43:56.680 --> 0:43:58.719
<v Speaker 8>I mean, I think the experience will be amazing for

0:43:58.840 --> 0:44:01.880
<v Speaker 8>him and Jeff as amazing for us follow along.

0:44:02.000 --> 0:44:05.200
<v Speaker 6>Oh, I agree, So Bachelor Nation, make sure to tune

0:44:05.200 --> 0:44:08.520
<v Speaker 6>into Bachelor Happy Hour on Wednesday, just like Gary. We

0:44:08.680 --> 0:44:09.920
<v Speaker 6>promise it will be.

0:44:09.880 --> 0:44:13.520
<v Speaker 8>Worth the way, and don't forget to subscribe.

0:44:13.920 --> 0:44:16.120
<v Speaker 3>Okay, So then we get this scene with Lane and Zach,

0:44:16.200 --> 0:44:19.160
<v Speaker 3>which was quite adorable. They're eating sort of like weird

0:44:19.200 --> 0:44:23.080
<v Speaker 3>spaghetti with candle light and they kiss and then she

0:44:23.280 --> 0:44:27.239
<v Speaker 3>has this oh my god moment where she realizes he

0:44:27.400 --> 0:44:31.279
<v Speaker 3>thinks he's gonna get it, and she's like, oh, I

0:44:31.320 --> 0:44:35.279
<v Speaker 3>need to wait till marriage. What She's like, what did

0:44:35.320 --> 0:44:36.080
<v Speaker 3>I just say.

0:44:36.200 --> 0:44:39.319
<v Speaker 4>It's like all the things that she was taught as

0:44:39.360 --> 0:44:42.359
<v Speaker 4>it growing up that she needed to do wait till

0:44:42.400 --> 0:44:45.160
<v Speaker 4>you're married, to have sex or you know whatever, and

0:44:45.160 --> 0:44:48.080
<v Speaker 4>it's like all that stuff is so deeply ingrained into

0:44:48.120 --> 0:44:51.680
<v Speaker 4>her brain. But as we know, like she has been

0:44:51.760 --> 0:44:55.640
<v Speaker 4>rebelling against that you know, upbringing.

0:44:55.120 --> 0:44:56.279
<v Speaker 3>That she was raised with.

0:44:56.760 --> 0:45:00.399
<v Speaker 4>And so it's like, wait, do I actually believe that

0:45:00.400 --> 0:45:02.960
<v Speaker 4>that's what I want to do? Or do I actually

0:45:02.960 --> 0:45:04.040
<v Speaker 4>do want to have sex with him?

0:45:04.080 --> 0:45:06.880
<v Speaker 3>I don't know, right, And I think she doesn't know.

0:45:07.040 --> 0:45:10.040
<v Speaker 3>She's like birds do it, Bees do it? And then

0:45:10.280 --> 0:45:12.880
<v Speaker 3>he was so sweet, him saying, I pushed you. I

0:45:12.920 --> 0:45:13.920
<v Speaker 3>should be arrested.

0:45:15.600 --> 0:45:19.600
<v Speaker 1>You know, I realize this was the scene that I'm

0:45:19.680 --> 0:45:24.680
<v Speaker 1>so disappointed in. No, really, yeah, this is the one.

0:45:24.800 --> 0:45:27.759
<v Speaker 1>This is when we played our round robin in the beginning. Yeah,

0:45:27.920 --> 0:45:29.920
<v Speaker 1>tell us and you all got the buzzer. This is

0:45:30.000 --> 0:45:32.840
<v Speaker 1>this is the one. This is the one. I just listen.

0:45:32.960 --> 0:45:40.839
<v Speaker 1>I just wanted to see Lane. I wanted to see

0:45:40.880 --> 0:45:44.520
<v Speaker 1>her have an experience. I wanted to see her not

0:45:44.880 --> 0:45:49.799
<v Speaker 1>so much rebel but allow herself to live and be

0:45:50.239 --> 0:45:52.560
<v Speaker 1>away from her mother's voice, so she wouldn't have to

0:45:52.600 --> 0:45:54.520
<v Speaker 1>walk up to her mother on the street that she

0:45:54.600 --> 0:45:59.480
<v Speaker 1>saw randomly handing out pamphlets for whatever reason. Oh gosh,

0:45:59.520 --> 0:46:01.560
<v Speaker 1>and say you're in my head. You know, I'm just

0:46:01.680 --> 0:46:06.040
<v Speaker 1>I'm tired of the shrill lane. It's like, can you

0:46:06.120 --> 0:46:09.879
<v Speaker 1>just give her a different experience as opposed to like

0:46:10.120 --> 0:46:12.520
<v Speaker 1>popping all the time at the end of scenes and

0:46:13.160 --> 0:46:17.040
<v Speaker 1>getting hysterical. It's like, I get it. I all the

0:46:17.120 --> 0:46:21.360
<v Speaker 1>build up has happened. Let her have a different experience.

0:46:21.400 --> 0:46:24.799
<v Speaker 1>I was so wanting to for her to have a

0:46:24.920 --> 0:46:28.319
<v Speaker 1>better journey than this in this episode because she's been

0:46:28.360 --> 0:46:31.840
<v Speaker 1>waiting for so long with different guys and it didn't

0:46:31.880 --> 0:46:33.080
<v Speaker 1>work out for whatever reason.

0:46:33.200 --> 0:46:36.640
<v Speaker 3>Let her have a beautiful guy with the hair when

0:46:36.640 --> 0:46:37.799
<v Speaker 3>she touched the hair right.

0:46:37.920 --> 0:46:40.759
<v Speaker 1>It doesn't have to be she doesn't have to have

0:46:40.840 --> 0:46:44.440
<v Speaker 1>sex with Zach. Just have a beautiful experience. Let these

0:46:44.480 --> 0:46:47.080
<v Speaker 1>two people have a beautiful experience. It could be just

0:46:47.120 --> 0:46:51.879
<v Speaker 1>sort of making out on the couch and Zach saying, gosh,

0:46:52.120 --> 0:46:54.680
<v Speaker 1>this is like for me right now, this is enough

0:46:54.719 --> 0:46:58.440
<v Speaker 1>for me, you know, you know, like make it really lovely.

0:46:58.520 --> 0:47:01.040
<v Speaker 3>So there's like allow her to be authentic to her

0:47:01.280 --> 0:47:05.640
<v Speaker 3>rather than yes, selling too wild because she's rebelling or

0:47:06.400 --> 0:47:09.760
<v Speaker 3>going the way of her mom, like what does she want?

0:47:09.960 --> 0:47:14.560
<v Speaker 1>It just felt like forced conflict, conflict, and I just

0:47:16.800 --> 0:47:18.920
<v Speaker 1>it surprised me that it went there.

0:47:19.160 --> 0:47:22.040
<v Speaker 3>Forced conflict within herself, because that's no, no, no no.

0:47:22.120 --> 0:47:24.640
<v Speaker 1>Within the writing. I thought, I thought this was a

0:47:24.680 --> 0:47:26.839
<v Speaker 1>weak link here in the episode, and I just thought,

0:47:26.880 --> 0:47:31.120
<v Speaker 1>there's better. There's a better outcome than this for Lane.

0:47:31.200 --> 0:47:35.080
<v Speaker 1>There has to be, because she's this is it's it's

0:47:35.160 --> 0:47:38.560
<v Speaker 1>becoming like a cliche and it's like enough already of

0:47:38.640 --> 0:47:42.439
<v Speaker 1>Lane flipping out and being sabotaged by the mother's voice

0:47:42.440 --> 0:47:42.799
<v Speaker 1>in her head.

0:47:42.840 --> 0:47:45.040
<v Speaker 3>It didn't, You're right, it didn't. It didn't grow the

0:47:45.160 --> 0:47:49.000
<v Speaker 3>character because she behaved just like how she always has.

0:47:49.040 --> 0:47:52.040
<v Speaker 3>So whether whatever her decision was, I wanted to be

0:47:52.239 --> 0:47:54.839
<v Speaker 3>hers rather than the voice of her mom in her hand.

0:47:55.280 --> 0:47:58.040
<v Speaker 1>But I do write, but I do see strength in

0:47:58.120 --> 0:48:00.720
<v Speaker 1>what she did because it kind of was her decision

0:48:01.520 --> 0:48:03.600
<v Speaker 1>and maybe this wasn't the right guy in the right

0:48:03.680 --> 0:48:08.120
<v Speaker 1>moment and all that, But then she admitted that you're

0:48:08.600 --> 0:48:14.040
<v Speaker 1>you know, mom, you're in my head. You know. It's like,

0:48:16.120 --> 0:48:18.880
<v Speaker 1>I'm sorry. I just wanted to see a better experience

0:48:18.920 --> 0:48:23.480
<v Speaker 1>for her. I wanted I want to see the beginning

0:48:23.520 --> 0:48:27.480
<v Speaker 1>of her liberation, the beginning of her real liberation, her

0:48:27.520 --> 0:48:30.400
<v Speaker 1>real growth. Yeah, I just thought it was a missed opportunity.

0:48:30.480 --> 0:48:31.319
<v Speaker 1>I was disappointed.

0:48:31.520 --> 0:48:34.279
<v Speaker 3>I think that's a I did not even think of that.

0:48:34.360 --> 0:48:36.359
<v Speaker 3>And I think it's a really interesting take in that

0:48:37.320 --> 0:48:40.520
<v Speaker 3>it is a bit redundant to the Lane we've seen

0:48:40.560 --> 0:48:41.880
<v Speaker 3>over and over and over again.

0:48:42.200 --> 0:48:44.279
<v Speaker 1>Because it's a big episode for Lane. We saw a

0:48:44.280 --> 0:48:46.080
<v Speaker 1>lot of Lane. There was a lot of Lane and

0:48:46.160 --> 0:48:48.440
<v Speaker 1>Zach and a lot of Lane and Rory and all

0:48:48.520 --> 0:48:50.560
<v Speaker 1>of this set up, and it's like, oh, yeah, now

0:48:50.600 --> 0:48:52.680
<v Speaker 1>they're going to give her something real nice.

0:48:52.960 --> 0:48:58.440
<v Speaker 3>The only like contrarian sort of explanation I can come

0:48:58.520 --> 0:49:06.000
<v Speaker 3>up with is that Lane, who's always rebelled against her heritage,

0:49:06.200 --> 0:49:12.000
<v Speaker 3>or her upbringing or her you know, life, She's always

0:49:12.040 --> 0:49:15.080
<v Speaker 3>rebelled against it, but at the moment when she could,

0:49:15.920 --> 0:49:21.640
<v Speaker 3>she actually sort of maybe agrees with that. Maybe she

0:49:21.719 --> 0:49:25.240
<v Speaker 3>does want to wait till marriage, and maybe the lessons

0:49:25.239 --> 0:49:27.839
<v Speaker 3>her mom taught her, some of them she didn't need

0:49:27.880 --> 0:49:33.319
<v Speaker 3>to rebel against, because maybe there is worthiness in those

0:49:33.400 --> 0:49:34.520
<v Speaker 3>lessons she was taught.

0:49:35.680 --> 0:49:38.239
<v Speaker 1>Well, I mean, yeah, I mean, let's uh, I mean

0:49:38.320 --> 0:49:45.280
<v Speaker 1>talk about I hate to say this. It's gonna sound

0:49:45.520 --> 0:49:49.560
<v Speaker 1>Gilmore esque, but I mean talk about lowering your standards.

0:49:49.760 --> 0:49:54.000
<v Speaker 1>I mean, you're with some monosyllabic guitar player who is

0:49:54.120 --> 0:49:55.800
<v Speaker 1>like serving coke flat coke.

0:49:57.920 --> 0:50:03.920
<v Speaker 3>See I actually, wow, right, there is that. But then

0:50:03.920 --> 0:50:06.319
<v Speaker 3>at the same time, it's like, I think she genuinely

0:50:08.280 --> 0:50:10.759
<v Speaker 3>really digs him, do you know what I mean? And

0:50:10.800 --> 0:50:14.360
<v Speaker 3>I think he really cares about her, and they're completely

0:50:14.760 --> 0:50:19.759
<v Speaker 3>like connected, and they have the music. Yes, I think

0:50:19.800 --> 0:50:22.560
<v Speaker 3>they have the music, and they're sort of what.

0:50:22.800 --> 0:50:24.800
<v Speaker 1>Do you what do you do you think? Lane? Lane

0:50:24.840 --> 0:50:26.120
<v Speaker 1>is a brainy.

0:50:25.840 --> 0:50:28.680
<v Speaker 3>Kid, but she loves him.

0:50:28.880 --> 0:50:32.040
<v Speaker 1>She's just really smart. She's a smart kid. She's a

0:50:32.120 --> 0:50:33.400
<v Speaker 1>high IQ kid.

0:50:33.880 --> 0:50:34.200
<v Speaker 5>Correct.

0:50:34.239 --> 0:50:37.200
<v Speaker 3>But he's the he's her dream boat. He's the punk.

0:50:37.480 --> 0:50:40.440
<v Speaker 3>He has all the girls throwing themselves at him, and

0:50:40.480 --> 0:50:43.319
<v Speaker 3>he picks her. And she loves the music and they

0:50:43.320 --> 0:50:47.680
<v Speaker 3>have wonderful conversations and like you're saying, she gets to

0:50:47.880 --> 0:50:54.759
<v Speaker 3>have fun, she gets to enjoy It's it's different for her.

0:50:54.920 --> 0:50:59.120
<v Speaker 3>It's not. Look, it's impossible to replace Adam Brody, so

0:50:59.280 --> 0:51:01.480
<v Speaker 3>we're never gonna that was the guy for her, And

0:51:01.520 --> 0:51:04.120
<v Speaker 3>I think the intention probably was for that to be

0:51:04.200 --> 0:51:07.200
<v Speaker 3>the guy. The whole series, but off he went to

0:51:07.239 --> 0:51:09.839
<v Speaker 3>the O C and then here here we are.

0:51:10.520 --> 0:51:14.320
<v Speaker 4>For me, it's kind of like, Okay, using Dave Rigowski

0:51:14.680 --> 0:51:19.279
<v Speaker 4>and Laane as an example, those two, like if they

0:51:19.640 --> 0:51:21.840
<v Speaker 4>if they had sex back then, I would have been like,

0:51:22.040 --> 0:51:26.040
<v Speaker 4>that makes sense, Like it just does. Logan and Rory

0:51:26.120 --> 0:51:31.120
<v Speaker 4>having sex makes sense. But like Lane and Zach do

0:51:31.280 --> 0:51:31.959
<v Speaker 4>not make sense.

0:51:32.120 --> 0:51:35.200
<v Speaker 1>I agree they do not. It does not make sense.

0:51:35.280 --> 0:51:41.719
<v Speaker 1>It does make sense in a world where Lane is

0:51:41.920 --> 0:51:46.560
<v Speaker 1>so desperate and so out of touch with her upbringing,

0:51:47.880 --> 0:51:51.360
<v Speaker 1>and that the correction, the danger of raising a child

0:51:51.520 --> 0:51:54.080
<v Speaker 1>in such a strict atmosphere is that they're going to

0:51:54.520 --> 0:51:57.959
<v Speaker 1>correct that in a really negative way. And I think

0:51:58.080 --> 0:52:02.520
<v Speaker 1>that's rebel right and rebel in a bad way. And

0:52:02.560 --> 0:52:05.440
<v Speaker 1>that's what I think she prevented herself from doing. So

0:52:05.480 --> 0:52:07.960
<v Speaker 1>maybe kind of was a blessing.

0:52:08.800 --> 0:52:12.040
<v Speaker 3>Yeah, yeah, it's sort of like she's doing the right

0:52:12.080 --> 0:52:14.759
<v Speaker 3>thing because she's not ready. Obviously she was ready, she

0:52:14.760 --> 0:52:17.360
<v Speaker 3>would do it. She's not ready yet. My hope for

0:52:17.480 --> 0:52:22.680
<v Speaker 3>Lane is that she's able to marry essentially her upbringing,

0:52:23.360 --> 0:52:27.480
<v Speaker 3>the wishes her mom has for her, and the wishes

0:52:27.560 --> 0:52:30.160
<v Speaker 3>and dreams she has for herself that she's able to

0:52:30.239 --> 0:52:34.520
<v Speaker 3>find a place where those come together and she's truly

0:52:34.560 --> 0:52:37.400
<v Speaker 3>authentically making the decisions she wants to do.

0:52:37.560 --> 0:52:40.839
<v Speaker 1>So was this relationship with Zach supposed to show us

0:52:40.880 --> 0:52:43.560
<v Speaker 1>that how far off the mark she is? Like, it's

0:52:43.560 --> 0:52:45.439
<v Speaker 1>one thing to rebel against your mother and get away

0:52:45.440 --> 0:52:48.520
<v Speaker 1>and that's that's a positive, but to end up there.

0:52:48.480 --> 0:52:50.239
<v Speaker 3>I don't know. Talk to Danielle because Tara and I

0:52:50.280 --> 0:52:53.400
<v Speaker 3>cannot answer this because I was going to say completely

0:52:53.480 --> 0:52:56.359
<v Speaker 3>just way knowing where we're going with it.

0:52:56.719 --> 0:52:57.680
<v Speaker 5>Yeah, I'm not going to bring it.

0:52:58.000 --> 0:53:01.080
<v Speaker 1>Does not make sense. And I think that's what about

0:53:01.120 --> 0:53:04.120
<v Speaker 1>every single scene of theirs. This makes no sense. What

0:53:04.200 --> 0:53:04.719
<v Speaker 1>is she doing?

0:53:04.880 --> 0:53:07.000
<v Speaker 4>Okay, so this is my question. Is it a like

0:53:07.239 --> 0:53:10.840
<v Speaker 4>chemistry thing between the two actors or is it like

0:53:11.120 --> 0:53:14.239
<v Speaker 4>between or is it how it's written? Because for me,

0:53:14.360 --> 0:53:18.680
<v Speaker 4>it's like I don't even see Lane and Zach flirting

0:53:19.120 --> 0:53:22.839
<v Speaker 4>at all, Like I just don't see the spark or

0:53:22.920 --> 0:53:26.280
<v Speaker 4>the connection like I do Logan and Rory, or even

0:53:26.360 --> 0:53:28.719
<v Speaker 4>I agree with Bayne and David Galci. You're just kind

0:53:28.719 --> 0:53:31.480
<v Speaker 4>of like this is her buddy from her band that

0:53:31.800 --> 0:53:34.959
<v Speaker 4>she moved in with. She's kind of like, well, you're there,

0:53:35.280 --> 0:53:35.960
<v Speaker 4>let's make out.

0:53:36.920 --> 0:53:38.840
<v Speaker 3>So do you feel and this is a dig and

0:53:38.960 --> 0:53:42.200
<v Speaker 3>apologize to every all the Lane and Zach fans, do

0:53:42.280 --> 0:53:45.480
<v Speaker 3>you feel that like they wanted to have Lane have

0:53:45.840 --> 0:53:49.200
<v Speaker 3>a big storyline and this was the guy that was there.

0:53:50.200 --> 0:53:51.960
<v Speaker 3>Is that what you're sort of feeling, Like it's it's

0:53:52.040 --> 0:53:54.879
<v Speaker 3>round peg square hole, Like they just needed to give

0:53:54.920 --> 0:53:57.919
<v Speaker 3>her more because she's so amazing and talented and great

0:53:57.960 --> 0:54:00.279
<v Speaker 3>on the show, and she's such an important character her

0:54:00.840 --> 0:54:02.759
<v Speaker 3>and it can't just only be Rory and Lane. Roryan

0:54:02.840 --> 0:54:05.960
<v Speaker 3>Lane and Zach is the guy that was left behind

0:54:06.000 --> 0:54:07.600
<v Speaker 3>when when Adam Brody left.

0:54:07.960 --> 0:54:12.160
<v Speaker 4>Yeah, definitely for me, yes, because it's kind of like, okay,

0:54:12.239 --> 0:54:13.960
<v Speaker 4>find you find another guy in the band that was

0:54:13.960 --> 0:54:16.480
<v Speaker 4>in the band when the guy that you really should

0:54:16.480 --> 0:54:18.960
<v Speaker 4>be with was in the band too, you know, like

0:54:19.520 --> 0:54:23.400
<v Speaker 4>I would have rather Lane had I don't know, like

0:54:23.480 --> 0:54:28.040
<v Speaker 4>if Luke had another server at the diner or something

0:54:28.120 --> 0:54:31.680
<v Speaker 4>and they had this cute like relationship there. It was

0:54:31.760 --> 0:54:35.080
<v Speaker 4>just the fact that he's in the band and while

0:54:35.280 --> 0:54:39.359
<v Speaker 4>David Galski was in the picture, she had absolutely no

0:54:39.400 --> 0:54:40.520
<v Speaker 4>connection to this guy.

0:54:40.960 --> 0:54:43.120
<v Speaker 3>She sort of had more chemistry with that guy she

0:54:43.239 --> 0:54:47.400
<v Speaker 3>dated from Chilton. Yeah, it was so cute.

0:54:48.239 --> 0:54:52.320
<v Speaker 1>It makes more sense with the other skinny kid in

0:54:52.360 --> 0:54:52.920
<v Speaker 1>the band.

0:54:53.600 --> 0:54:54.880
<v Speaker 3>I know, I was gonna say, he wish she was

0:54:54.880 --> 0:54:56.040
<v Speaker 3>with Brian Bryan.

0:54:56.280 --> 0:54:59.319
<v Speaker 1>It makes more sense with Brian, and it almost makes

0:54:59.360 --> 0:55:04.000
<v Speaker 1>more sense with Sebastian Bach and a weird would.

0:55:03.840 --> 0:55:06.799
<v Speaker 4>Be entertaining, super entertaining.

0:55:08.480 --> 0:55:10.040
<v Speaker 5>I was going to say, do you think it's also

0:55:10.080 --> 0:55:13.440
<v Speaker 5>because like sometimes people just like guys because they're in

0:55:13.520 --> 0:55:15.680
<v Speaker 5>a band, and they can say, and I.

0:55:15.600 --> 0:55:20.000
<v Speaker 3>Think she likes because all the girls like him. You guys, remember.

0:55:19.800 --> 0:55:21.399
<v Speaker 5>When all the girls were on him in the.

0:55:21.400 --> 0:55:26.040
<v Speaker 3>Diners at him, They throw themselves at him, but at

0:55:26.040 --> 0:55:28.080
<v Speaker 3>the diner second choice.

0:55:28.239 --> 0:55:30.960
<v Speaker 1>But he was right, but he was Hugh hefnering it

0:55:31.120 --> 0:55:34.000
<v Speaker 1>all the time, like there's two ladies and we're gonna

0:55:34.040 --> 0:55:37.960
<v Speaker 1>go over here now and there atlea and the kind

0:55:38.000 --> 0:55:38.319
<v Speaker 1>of like.

0:55:40.000 --> 0:55:42.040
<v Speaker 3>He's like the lead singer. She likes bon.

0:55:42.000 --> 0:55:45.600
<v Speaker 5>Jovi and they're always together. She's she knows that like

0:55:45.719 --> 0:55:48.440
<v Speaker 5>those girls will go away, but she's in the band.

0:55:49.840 --> 0:55:52.040
<v Speaker 1>I don't her mother did a real job on her.

0:55:52.200 --> 0:55:55.399
<v Speaker 4>I'll tell you, I don't see it, guys, I don't.

0:55:55.560 --> 0:55:55.919
<v Speaker 1>I don't.

0:55:56.400 --> 0:55:59.040
<v Speaker 5>I don't see the chemistry. I'm just trying to I

0:55:59.040 --> 0:55:59.640
<v Speaker 5>don't see.

0:55:59.440 --> 0:56:02.439
<v Speaker 3>The chemistry, but I don't dislike them together.

0:56:03.000 --> 0:56:06.399
<v Speaker 1>Are they They're selling us that they have this great chemistry, right,

0:56:06.440 --> 0:56:08.360
<v Speaker 1>and we're supposed to be in these scenes and like,

0:56:08.400 --> 0:56:12.480
<v Speaker 1>oh yeah, you know, they're selling it, but we're not buying.

0:56:14.960 --> 0:56:19.360
<v Speaker 1>So anyway, that's this is the issue. Yeah, that's the issue.

0:56:20.040 --> 0:56:24.080
<v Speaker 3>Well, we go from that scene to another scene with

0:56:24.120 --> 0:56:28.520
<v Speaker 3>two people who have amazing chemistry and banter together to

0:56:28.640 --> 0:56:30.400
<v Speaker 3>the So we go to the Emily in the kitchen

0:56:30.400 --> 0:56:32.560
<v Speaker 3>with all the flowers, and she's clearly upset and here

0:56:32.560 --> 0:56:36.000
<v Speaker 3>comes Richard and even though they're fighting, Mandy, those two

0:56:36.040 --> 0:56:39.279
<v Speaker 3>are perfect together. And you really that this is the

0:56:39.400 --> 0:56:41.920
<v Speaker 3>scene we talked about and you're the favorite, and like

0:56:42.000 --> 0:56:45.160
<v Speaker 3>Richard does sort of give the argument like she will

0:56:45.200 --> 0:56:49.520
<v Speaker 3>deal with me, so I should continue that because I'll

0:56:49.520 --> 0:56:51.520
<v Speaker 3>be the one to convince her to come back. I'm like,

0:56:51.560 --> 0:56:54.160
<v Speaker 3>his theory is smart, although he's sort of like going

0:56:54.239 --> 0:56:57.640
<v Speaker 3>up against Emily, But you're the favorite, so.

0:56:59.040 --> 0:57:07.239
<v Speaker 1>You know, Yeah, he's a guy who feels comfortable not

0:57:08.920 --> 0:57:18.200
<v Speaker 1>he exercises patriarchal power in a very admirable way. Yeah,

0:57:18.800 --> 0:57:21.600
<v Speaker 1>he really does. I mean, it's it's a real example

0:57:21.640 --> 0:57:26.240
<v Speaker 1>of a you know, you've You've got a strong woman here,

0:57:26.680 --> 0:57:33.080
<v Speaker 1>an intelligent, strong, determined woman, and he loves her and

0:57:33.880 --> 0:57:37.680
<v Speaker 1>it's fun to watch him love her. M h there.

0:57:38.120 --> 0:57:39.920
<v Speaker 3>And I do think he is trying to work it

0:57:39.960 --> 0:57:42.880
<v Speaker 3>out with Emily. Not not with Emily, He's trying to

0:57:42.920 --> 0:57:45.080
<v Speaker 3>work it out with Rory and Laura. Like for Emily.

0:57:45.160 --> 0:57:47.480
<v Speaker 3>I do think his intentions are good in that he

0:57:47.600 --> 0:57:49.520
<v Speaker 3>is thinking he's going to be able to bring the

0:57:49.520 --> 0:57:53.000
<v Speaker 3>family back together because they are so happy with him.

0:57:53.320 --> 0:57:54.720
<v Speaker 1>Right right.

0:57:55.440 --> 0:57:57.120
<v Speaker 3>So we go from that to then this is where

0:57:57.200 --> 0:57:59.919
<v Speaker 3>Lane does her monologue with her mom, which I did laugh.

0:58:00.200 --> 0:58:02.800
<v Speaker 3>First of all, she's wearing a bunny skateboarding on her

0:58:02.800 --> 0:58:04.960
<v Speaker 3>sweater and then she brings up Donna from nine to

0:58:05.080 --> 0:58:06.480
<v Speaker 3>two one Oho, which I thought was.

0:58:06.560 --> 0:58:07.880
<v Speaker 5>Yeah, amazing.

0:58:08.560 --> 0:58:11.040
<v Speaker 1>What when she shrieked at her mom, you're in.

0:58:11.000 --> 0:58:14.080
<v Speaker 3>My hand, Yeah exactly, she's That's.

0:58:13.880 --> 0:58:16.840
<v Speaker 1>The scene I wish they never shot see.

0:58:16.880 --> 0:58:18.080
<v Speaker 3>I sort of found it amusing.

0:58:18.320 --> 0:58:20.360
<v Speaker 1>I know it was amusing, but it's like, oh god,

0:58:20.720 --> 0:58:22.240
<v Speaker 1>you know, here's another Lane.

0:58:22.000 --> 0:58:23.760
<v Speaker 3>Here's another same thing we've seen a.

0:58:23.680 --> 0:58:24.920
<v Speaker 1>Lot, like, can we just.

0:58:28.760 --> 0:58:32.240
<v Speaker 3>And then she goes tell me if I'm saying this right?

0:58:32.320 --> 0:58:35.080
<v Speaker 3>But I think she goes to Rory, and Rory says

0:58:35.080 --> 0:58:40.880
<v Speaker 3>not in front of the books lane. So yeah, so

0:58:40.920 --> 0:58:43.000
<v Speaker 3>she goes to Rory first and then she tells her

0:58:43.000 --> 0:58:45.280
<v Speaker 3>what happened, and then she sees her mom in the street. Yeah,

0:58:45.320 --> 0:58:49.240
<v Speaker 3>so all right. So then we get the phone call

0:58:49.400 --> 0:58:55.080
<v Speaker 3>between Logan and Rory. She calls Logan from the bookstore

0:58:55.120 --> 0:58:57.600
<v Speaker 3>because she realizes they were both wrong about Hemingway, which

0:58:57.600 --> 0:59:00.919
<v Speaker 3>I thought was so cute and it was Hemingway right.

0:59:01.360 --> 0:59:03.560
<v Speaker 3>And then he came back from his ski trip and

0:59:03.600 --> 0:59:07.800
<v Speaker 3>sort of encourages her, Hey, you know, come back, and

0:59:07.840 --> 0:59:10.160
<v Speaker 3>she wants to do it, and I thought I want

0:59:10.200 --> 0:59:12.520
<v Speaker 3>her to do it, to see him and be with him.

0:59:12.520 --> 0:59:16.000
<v Speaker 3>I thought it was so cute. I'm sorry. I'm sorry.

0:59:16.040 --> 0:59:22.440
<v Speaker 3>I'm not sorry. I love them together. Sorry, not sorry.

0:59:22.760 --> 0:59:25.240
<v Speaker 1>I'm with your soul, sister, man, I'm telling you.

0:59:25.680 --> 0:59:26.280
<v Speaker 5>I love it.

0:59:26.360 --> 0:59:28.600
<v Speaker 3>I wanted her to get in that car and get

0:59:28.600 --> 0:59:29.080
<v Speaker 3>back there.

0:59:29.160 --> 0:59:30.000
<v Speaker 5>They're so cute.

0:59:30.320 --> 0:59:33.640
<v Speaker 1>I like that. She said, you know, I'll think about it,

0:59:34.000 --> 0:59:34.800
<v Speaker 1>right her.

0:59:34.680 --> 0:59:38.760
<v Speaker 3>Mom right, But she packed up immediately, and yeah, right away.

0:59:38.680 --> 0:59:41.360
<v Speaker 1>She got the heck out of Dodge.

0:59:41.880 --> 0:59:45.200
<v Speaker 2>So then we get the singing and the diner. So

0:59:47.600 --> 0:59:50.680
<v Speaker 2>Kirk's in the diner. First of all, Emily sits next,

0:59:50.840 --> 0:59:55.240
<v Speaker 2>and Luke is just ignoring her, and she says to Kirk,

0:59:56.160 --> 0:59:58.000
<v Speaker 2>you know, like can I can I have a word

0:59:58.040 --> 0:59:58.840
<v Speaker 2>with him?

0:59:59.240 --> 1:00:04.440
<v Speaker 3>Excuse a? And then she says like she says to

1:00:04.520 --> 1:00:07.480
<v Speaker 3>Luke like she doesn't really say I messed up, but

1:00:07.560 --> 1:00:11.000
<v Speaker 3>she's saying she wants you so go guess it.

1:00:11.160 --> 1:00:11.480
<v Speaker 4>You won?

1:00:12.240 --> 1:00:13.280
<v Speaker 3>You won? Yeah.

1:00:13.520 --> 1:00:14.640
<v Speaker 5>Yeah, this is.

1:00:14.600 --> 1:00:17.680
<v Speaker 4>One of my favorite scenes I think I've I have

1:00:17.960 --> 1:00:20.400
<v Speaker 4>seen in this entire series.

1:00:20.680 --> 1:00:24.320
<v Speaker 1>It's theater. It's great theater. You put that on a

1:00:24.400 --> 1:00:27.760
<v Speaker 1>stage on Broadway and Kelly Bishop walks on and delivers

1:00:27.800 --> 1:00:34.120
<v Speaker 1>that scene. That's wow. That was. She's brilliant, she's powerful,

1:00:34.200 --> 1:00:37.360
<v Speaker 1>she's brilliant. She can take command of a scene and

1:00:37.680 --> 1:00:38.560
<v Speaker 1>just mm.

1:00:39.120 --> 1:00:41.880
<v Speaker 3>And you did great in the scene too, because you

1:00:41.880 --> 1:00:45.120
<v Speaker 3>you went toe to toe with her. You're not like,

1:00:45.320 --> 1:00:48.080
<v Speaker 3>oh missus Gilmore are freaking out. You're just like, I'm

1:00:48.080 --> 1:00:50.360
<v Speaker 3>gonna ignore her. I'm gonna film my coffee pot, I'm

1:00:50.360 --> 1:00:52.880
<v Speaker 3>gonna clean my thing.

1:00:53.160 --> 1:00:56.920
<v Speaker 4>Her stuff wouldn't have been as powerful without Luke's stuff.

1:00:57.560 --> 1:00:59.240
<v Speaker 3>You know, you'd always say nothing.

1:00:59.000 --> 1:00:59.920
<v Speaker 4>To me and all that.

1:01:00.880 --> 1:01:02.960
<v Speaker 1>You got to know your job, she says it you

1:01:03.080 --> 1:01:05.280
<v Speaker 1>gotta know what to do in a scene.

1:01:06.840 --> 1:01:09.360
<v Speaker 3>Yeah, the scene was great, and then we do get

1:01:09.400 --> 1:01:12.680
<v Speaker 3>the moment that we that we have that we love.

1:01:13.200 --> 1:01:16.120
<v Speaker 3>I mean, it was so amazing. You know, Laura's sitting

1:01:16.160 --> 1:01:20.080
<v Speaker 3>there watching her movie and knock at the door, and it.

1:01:20.040 --> 1:01:23.000
<v Speaker 1>Was I'm gonna I'm going to say something or I'll

1:01:23.000 --> 1:01:25.640
<v Speaker 1>ask a question. Is it tad controversial? Is it better

1:01:25.640 --> 1:01:26.560
<v Speaker 1>than the first kiss?

1:01:26.960 --> 1:01:30.800
<v Speaker 4>Yes, you said, I like the first one better.

1:01:31.040 --> 1:01:35.000
<v Speaker 5>Yeah, first one, the first one's they're both pretty pretty good.

1:01:35.080 --> 1:01:38.320
<v Speaker 3>They're both I mean, we're talking nine point nine five

1:01:38.400 --> 1:01:38.800
<v Speaker 3>in a ten.

1:01:38.920 --> 1:01:41.200
<v Speaker 1>We'd like to hear your thoughts out there.

1:01:42.320 --> 1:01:44.200
<v Speaker 4>The first one was more of like a dip, like

1:01:44.800 --> 1:01:46.640
<v Speaker 4>I love you or kissing for the first time.

1:01:46.800 --> 1:01:54.440
<v Speaker 3>The first bards, right, poor Hug. Finally, the first one

1:01:54.720 --> 1:01:57.360
<v Speaker 3>funny when Kirk went running through the first one.

1:01:57.640 --> 1:02:00.840
<v Speaker 1>The first one was tender romance and law and es

1:02:01.240 --> 1:02:04.120
<v Speaker 1>fear and nervousness. In the second one was like, you know,

1:02:04.280 --> 1:02:05.720
<v Speaker 1>let's get the heck upstairs.

1:02:06.040 --> 1:02:14.000
<v Speaker 3>Yeah, they're both great. I couldn't I couldn't have been happier.

1:02:14.040 --> 1:02:15.560
<v Speaker 3>I'm not gonna lie, I couldn't have been happier with

1:02:15.600 --> 1:02:19.760
<v Speaker 3>the whole episode. Yeah, I understand your flag on it

1:02:19.840 --> 1:02:22.120
<v Speaker 3>and respect it. But to me, ten out of ten,

1:02:22.960 --> 1:02:23.760
<v Speaker 3>ten out of.

1:02:23.760 --> 1:02:29.880
<v Speaker 1>Ten, I will deduct something. But you know, the Russian

1:02:29.960 --> 1:02:31.320
<v Speaker 1>judge is getting a little testy.

1:02:33.400 --> 1:02:37.000
<v Speaker 3>Do you have a favorite line before we uh give?

1:02:37.160 --> 1:02:43.200
<v Speaker 1>Oh? Yeah, mine's uh Laurela. She says, what, uh what?

1:02:43.320 --> 1:02:45.440
<v Speaker 1>I don't exist unless I can pop out of an

1:02:45.480 --> 1:02:47.880
<v Speaker 1>envelope or something like that, because they were doing the

1:02:47.920 --> 1:02:51.160
<v Speaker 1>mail routine. I don't exist unless I can you open

1:02:51.280 --> 1:02:52.919
<v Speaker 1>up and I pop out of an oblo. I thought

1:02:52.920 --> 1:02:53.480
<v Speaker 1>it was really.

1:02:53.360 --> 1:02:57.680
<v Speaker 3>Funny, I said mine because I just love when Logan

1:02:57.720 --> 1:02:59.439
<v Speaker 3>says Ace, I can't take a chance to be pulling

1:02:59.440 --> 1:03:01.600
<v Speaker 3>out that person and someone might get hurt. Like I

1:03:01.600 --> 1:03:04.720
<v Speaker 3>don't know. I just think his little zingers are always

1:03:04.760 --> 1:03:07.720
<v Speaker 3>giving me as on it.

1:03:09.840 --> 1:03:12.400
<v Speaker 4>Mine was from Emily. Were in that scene when she

1:03:12.440 --> 1:03:14.680
<v Speaker 4>says I can't fight it, You've won. Go back to

1:03:14.720 --> 1:03:15.160
<v Speaker 4>her m.

1:03:17.080 --> 1:03:20.680
<v Speaker 5>I liked uh Kirk when Luke threw the towel that line.

1:03:20.720 --> 1:03:22.320
<v Speaker 5>I can't remember word for word what it said.

1:03:22.360 --> 1:03:23.200
<v Speaker 1>I have to pull it up.

1:03:23.240 --> 1:03:26.840
<v Speaker 3>But oh the napkin, it's a cloth napkin and a moist.

1:03:26.920 --> 1:03:30.840
<v Speaker 3>Tell there we go? Yeah, Oh my god, So I'll

1:03:30.840 --> 1:03:33.200
<v Speaker 3>go first. Just because everybody knows. I will give it

1:03:33.360 --> 1:03:40.920
<v Speaker 3>ten out of ten plates of hash that looked like vomit.

1:03:44.760 --> 1:03:49.240
<v Speaker 4>Mine is nine point five laundry bags.

1:03:52.280 --> 1:03:53.680
<v Speaker 3>She pretty much had nine point five.

1:03:53.960 --> 1:03:59.720
<v Speaker 5>Yeah, I'll give it nine point two rum.

1:03:59.560 --> 1:04:04.600
<v Speaker 1>Balls, oh good, nine point two. Yeah.

1:04:04.600 --> 1:04:07.640
<v Speaker 5>It wasn't my favorite episode, but I enjoyed it interesting.

1:04:09.640 --> 1:04:15.280
<v Speaker 1>I'm gonna give it nine point five lawsuits coming back

1:04:15.320 --> 1:04:18.320
<v Speaker 1>at the diner and Lukes for like throwing physically throwing

1:04:18.320 --> 1:04:19.480
<v Speaker 1>people out of his dinner.

1:04:19.320 --> 1:04:23.600
<v Speaker 4>Injury poisoning, that's so true.

1:04:24.280 --> 1:04:28.520
<v Speaker 1>But nine point five. Yeah, I'll deduct five tenths for

1:04:28.760 --> 1:04:33.680
<v Speaker 1>the well what we've already discussed, but a slight deduction.

1:04:35.960 --> 1:04:39.520
<v Speaker 1>There you go. All right, that's gonna wrap it up. Well.

1:04:39.600 --> 1:04:49.040
<v Speaker 1>The next week we've got Pulp Friction season five, episode seventeen.

1:04:49.240 --> 1:04:54.400
<v Speaker 1>We are getting very pregnant in season five, really really

1:04:54.440 --> 1:05:03.240
<v Speaker 1>getting along here anyway, Thank you, Thank you ladies.

1:05:04.480 --> 1:05:14.640
<v Speaker 7>Good good talk, good talk, Yes, so.

1:05:14.480 --> 1:05:15.959
<v Speaker 1>Good good pod.

1:05:16.520 --> 1:05:18.760
<v Speaker 3>I still like so good talk better.

1:05:20.040 --> 1:05:26.520
<v Speaker 1>And the venerable Amy Sugarman. Anyway, thanks for downloading. Everybody,

1:05:26.560 --> 1:05:29.280
<v Speaker 1>best fans on the planet. Always remember wherever we are

1:05:30.920 --> 1:06:03.800
<v Speaker 1>and wherever I am, I am all in. Stay safe everyone, Hey, everybody,

1:06:03.840 --> 1:06:07.240
<v Speaker 1>and to forget. Follow us on Instagram at i Am

1:06:07.280 --> 1:06:12.200
<v Speaker 1>all In Podcast, and email us at Gilmore at iHeartRadio

1:06:12.520 --> 1:06:22.880
<v Speaker 1>dot com