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Speaker 1: I am all in. Oh, let's you.

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Speaker 2: I am all in with Scott Patterson and iHeartRadio podcast.

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Speaker 1: Everybody, Scott Patterson, I am all in podcast. I heard

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Speaker 1: radio one to eleven productions of season five, episode sixteen.

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Speaker 1: So good talk.

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Speaker 3: Oh, I would say it a little different. Let me

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Speaker 3: give you a mind.

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Speaker 1: What would you say?

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Speaker 3: So good talk?

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Speaker 4: It was worthy, so good talk for me.

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Speaker 3: Yeah, that's good. That's good. Queen Danielle, Queen Danielle.

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Speaker 1: Tara, Tara, let's hear your version.

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Speaker 5: I think it's close to Danielle's so good talk.

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Speaker 3: That was not as good, Tara.

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Speaker 1: I don't know. Queen Rains, have you taken over this podcast?

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Speaker 3: I love the interview, will not? I love on Instagram

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Speaker 3: they always are like Queen Danielle once again with the

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Speaker 3: best line, Queen Danielle.

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Speaker 5: Danielle's done no wrong on this podcast.

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Speaker 1: Your husband, your husband's working overtime.

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Speaker 3: Lies man John John. Her husband John has like fifty

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Speaker 3: five Instagram handles so he can do all the He's

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Speaker 3: listening to every.

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Speaker 1: Episode so ef and boring, and he's so stupid. I

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Speaker 1: can't believe I actually have a question. His opinions are

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Speaker 1: so out of the norm.

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Speaker 3: Has John, your husband ever listened to this podcast?

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Speaker 4: No, he didn't even know. I'd talk on one's guy.

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Speaker 1: He's busy creating new handles and saying queenness and do

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Speaker 1: that and get rid of Scott. You know, can't it

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Speaker 1: just be Daniel? Wait?

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Speaker 5: Does he watch Gilmore Girls with you?

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Speaker 1: Though?

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Speaker 5: No, of course not.

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Speaker 3: Oh god, it's good.

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Speaker 1: So I got set up on the back end. I

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Speaker 1: know what's going on here, so good talk.

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Speaker 3: Actually, I do know a guy that went to college

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Speaker 3: with me who's obsessed with Gilmore Girls, and I want

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Speaker 3: to bring him on for we have a new thing coming.

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Speaker 3: Everybody be ready. I don't want to announce it yet,

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Speaker 3: but we have a new thing coming, and wouldn't he

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Speaker 3: be good for that? You We have a new thing

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Speaker 3: coming called You've been Gilmourd and you'll learn about it soon.

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Speaker 1: Sounds thrilling?

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Speaker 3: Would you know about it? You came up with.

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Speaker 1: That's why I'm a bit reluctant to implement it. You know,

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Speaker 1: it's like my idea. Really, we had a.

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Speaker 3: Text trail that was going so it was so long,

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Speaker 3: and we were trying to brainstorm a title for this thing,

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Speaker 3: and just one hundred ideas and then all of a sudden,

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Speaker 3: Scott's just like you've been Gilmourd and we're like, oh, okay, did.

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Speaker 1: I that I don't recall that I had another I remember,

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Speaker 1: didn't I have another idea that was.

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Speaker 3: Like twenty terrible ones and then you change.

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Speaker 1: It's a bad idea. We got to get that through the.

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Speaker 4: One good one.

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Speaker 3: Matters twenty horrendous ones and then one home run and

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Speaker 3: we're like, I.

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Speaker 1: Know what you guys, I'm gonna find that thread.

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Speaker 2: Amy.

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Speaker 1: Yeah, Danielle, you do your synopsisizations. That's only you can

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Speaker 1: do them, because you are the queen.

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Speaker 4: All right, I give you a queen synopsis.

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Speaker 1: This is season better now now, and now the pressure's on.

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Speaker 5: Okay.

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Speaker 4: This is season five, episode sixteen, So good Talk Air

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Speaker 4: date March third, two thousand and five. When Richard and

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Speaker 4: Emily returned from their Europe trip, Rory attends Friday night

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Speaker 4: dinner without Lorlai, who refuses to speak to her mother

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Speaker 4: and plans a girl's night out with Suki instead. Meanwhile,

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Speaker 4: Luke takes his anger out on his customers and Lane

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Speaker 4: it's confused about Zach's intentions.

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Speaker 3: Oh so good, I know what you don't like about it? Scott,

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Speaker 3: which I won't say. I know you don't like.

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Speaker 1: Tell me what I don't like.

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Speaker 3: You don't like how angry and rude you were to

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Speaker 3: your customers because you would never have actually done that.

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Speaker 3: You maybe would have been rousing. You never would have

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Speaker 3: cooked terrible food. You never would have cooked terrible thing. Wrong.

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Speaker 1: Loved it? You know why?

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Speaker 3: Oh, I have a guess.

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Speaker 5: The way that Rory treated Emily.

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Speaker 1: Emily, Okay, wrong, Sorry, that's going to get annoying.

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Speaker 3: No, it's good.

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Speaker 4: At the end.

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Speaker 3: That was a thousand out of ten. I loved it

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Speaker 3: so much.

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Speaker 1: That's loved it.

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Speaker 3: I'm not telling it wasn't it wasn't the bad food.

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Speaker 1: No, okay, well that was genius. That was genius because

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Speaker 1: Seawan Gun's there loving the steak when it.

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Speaker 5: Was like hash.

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Speaker 1: That was some of the funniest Seawan Gun stuff I

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Speaker 1: have ever seen, especially when he's pressed pressed up against

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Speaker 1: the glass outside watching them.

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Speaker 3: So what did you not like? This episode is a

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Speaker 3: ten out of ten?

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Speaker 1: We're not rating it yet. What are you talking about?

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Speaker 3: What What did you not like?

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Speaker 1: I'm not saying. I'm not saying until in the middle

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Speaker 1: of this podcast. I am going to hold it.

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Speaker 3: In do you like the mailman in shorts?

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Speaker 1: I don't remember a mailman.

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Speaker 3: Oh my gosh.

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Speaker 1: Of course, mailmen in shorts in the hot weather. Of

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Speaker 1: course you've got to have mailmen in shorts.

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Speaker 3: Yeah, it was skip and right now I fully relate

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Speaker 3: because I'm wearing nothing but shorts.

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Speaker 1: Yeah. No, no, I mean it's ninety six degrees here

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Speaker 1: every day, every single day.

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Speaker 3: I was in Auburn, California yesterday, shout out to Auburn

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Speaker 3: one oh five. Anybody going to Arizona soon eighteen?

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Speaker 1: Yeah, I'm going to Texas. I'm going. I'm going to

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Speaker 1: Texas American Bank Center.

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Speaker 3: You're gonna Wapus.

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Speaker 1: Christy Comic Con July twenty eight through thirtieth. It's going

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Speaker 1: to be a hot one, So come into the best

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Speaker 1: air conditioning system in the entire Southwest.

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Speaker 3: Just be careful when you touch like a gate, because

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Speaker 3: one time I was in one eighteen weather and I

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Speaker 3: touched like a fence and you can get like a burn.

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Speaker 1: Well, you're not going to touch a fence outside.

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Speaker 3: Well, how do you get into your pool? I had

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Speaker 3: to get into a pool gate.

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Speaker 1: You got to wear the sun gloves. You need sun gloves.

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Speaker 5: Sun gloves let me just whip out my sun gloves.

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Speaker 1: Do you any sun gloves?

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Speaker 3: Su gloves?

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Speaker 2: Oh?

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Speaker 1: You never saw the infomercial? Oh we bought a whole

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Speaker 1: cred of them.

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Speaker 6: Oh my god?

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Speaker 5: What is sun glove?

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Speaker 1: The guy that sells the gorilla glow or the glow

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Speaker 1: the glue pill fill something with the glow and he's like,

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Speaker 1: he'll do a boat and it won't sink because of

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Speaker 1: the glow. Oh my god, sun gloves. Yeah. Anyway, where

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Speaker 1: did Daniel goo? I don't know.

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Speaker 3: She must maybe she know she is pregnant. She might

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Speaker 3: be going potty, but we can start without her. We

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Speaker 3: can still, good to know.

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Speaker 1: I like the detail of that answer, anyway. So let's

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Speaker 1: get into this. It was in a very, very very

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Speaker 1: good episode. But I do have some bones to pick

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Speaker 1: with it, all right.

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Speaker 3: Well we'll get to those, all right. So we start

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Speaker 3: with the We start with the open with the mailman

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Speaker 3: in shorts, and then Lorlai calls Rory, and I immediately

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Speaker 3: noticed Rory's hair was sort of hipper. She looked a

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Speaker 3: little older but a little bit more hip. I don't

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Speaker 3: know how to explain it. Did anyone notice that?

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Speaker 5: I feel like it was just this episode too, me too.

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Speaker 3: It just came out of nowhere. I don't see if

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Speaker 3: it's continues. Yeah, I noticed that she had a very

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Speaker 3: cute boat sweater.

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Speaker 1: Well her hair was longer, right, well it was like.

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Speaker 3: A little longer. It just was a little bit more adult.

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Speaker 3: I don't know. And we sort of learned right out

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Speaker 3: the gate that she doesn't have any money because she

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Speaker 3: doesn't want her calling her cell phone. And we also

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Speaker 3: learned that Grandma Emily, her grandmother, has been sending postcards

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Speaker 3: from their trip.

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Speaker 1: M wow, yeah Emily, Yeah, it's a doozy Emily getting

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Speaker 1: a face full of rory tell you that much.

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Speaker 3: Yeah, we're gonna get to that. So first we go

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Speaker 3: to the diner and we realized that Luke is mad.

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Speaker 3: I actually called him a bit crazy. So will you

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Speaker 3: analyze that you loved it.

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Speaker 1: That's not crazy that she just you just miss your girl,

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Speaker 1: You need your girl. You've got some plumbing issues, things

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Speaker 1: are a little backed up, and you're real ornery.

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Speaker 3: Let's take a moment to also acknowledge last week's line

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Speaker 3: that we did talk about that everyone was commenting on

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Speaker 3: with Logan when he climbed in the window. So sometimes

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Speaker 3: Gilmore Girls does it gives a nod to that. So Scott, continue,

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Speaker 3: what am I continuing on your performance in the Diner?

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Speaker 1: I just spelled it out. I mean, you know he

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Speaker 1: misses this woman. Man, he's not in a great mood.

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Speaker 3: No, he's physically throwing people out. And then he like

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Speaker 3: the guy's like, I ordered my omelet soft, We're gonna

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Speaker 3: have to redo it. And then you just say.

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Speaker 4: The black ocasion brand is the.

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Speaker 3: Whole thing, and that the bacon was.

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Speaker 5: Gross.

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Speaker 3: He's a lot of sorts and Kirk loves it. I

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Speaker 3: do agree with you that Kirk was Seawan Gun was amazing,

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Speaker 3: really really good.

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Speaker 1: Okay, so he was the he was the comic relief.

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Speaker 3: Yeah, he actually sort of balances out those scenes because

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Speaker 3: you're so mad, really mad. Suddenly you've gotten really mad,

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Speaker 3: and he's sort of like, oh, I love everything.

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Speaker 1: The funniest stuff that Sean has ever been given to do,

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Speaker 1: other than the those black and white movies. The film

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Speaker 1: by Kirk, Film by Kirk's a classic top of the

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Speaker 1: food Kirk, this stuff was right up there. This was

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Speaker 1: right up there. He was set up beautifully for all

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Speaker 1: this stuff.

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Speaker 3: How's everyone else's eggs?

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Speaker 1: Huh? Okay, So to do because you can just let

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Speaker 1: it fly and you know, no matter how big it gets,

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Speaker 1: you're protected. But it's not going to be you know

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Speaker 1: that everybody's going to understand. And then you got Kirk there,

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Speaker 1: you know, catching your while you're falling and lightening everything up.

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Speaker 1: So it's it's really fun to do that stuff because

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Speaker 1: you get the actual laugh in real time because when

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Speaker 1: you're filming it, it's funny and a lot of that

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Speaker 1: and a lot I remember doing a lot of those

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Speaker 1: lines and then blowing the lines because Kirk would say

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Speaker 1: one of his lines and everybody would crack up, and

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Speaker 1: then it would be like, cud gotta do it again,

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Speaker 1: Scott trying not to laugh, and I'm like, yeah, but

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Speaker 1: Kirk's really She's really funny, you know.

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Speaker 3: It wasn't it like hash browns, but it was just

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Speaker 3: it looked like a pile of worms or brains or something.

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Speaker 1: It was.

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Speaker 3: All right. So then we switch over to Lorli at

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Speaker 3: the end and Suki and Lorelei are talking and Suki

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Speaker 3: wants to start planning the menu for like months when

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Speaker 3: she has the baby. The fires going. It was a nice,

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Speaker 3: nice scene and I think we get sort of a

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Speaker 3: little glimpse that Blaine. She's on the phone with Blaine,

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Speaker 3: the insurance guy, and so she keeps getting disconnected. So

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Speaker 3: we learn there's some sort of an insurance issue, which

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Speaker 3: is important sprinkling because of later with Richard.

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Speaker 1: It was a good scene. It felt good to see

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Speaker 1: father and daughter smiling at each other, being happy in

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Speaker 1: each other's presence. They're making plans to move on. He's

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Speaker 1: going to make her life better. She's happy about it.

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Speaker 1: You know he's doing he's being a dad.

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Speaker 3: Yeah.

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Speaker 1: I get to see him being a real dad with

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Speaker 1: her a lot. I mean he did it when when

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Speaker 1: he tried to help her and she was the secretary

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Speaker 1: for a couple of days. Yeah, this kind of thing.

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Speaker 1: But it's nice seeing that, you know.

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Speaker 4: I get to see that they work well together. Yes,

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Speaker 4: you know, we're removing Emily like like she is very

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Speaker 4: connected to Richard, like Rory is too in a way. Yeah.

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Speaker 5: Yeah, but I feel like for him, he's he's more

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Speaker 5: connected to her when it's something he knows about, like insurance,

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Speaker 5: Like he's like, oh, I can help you, like be

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Speaker 5: like the dad that because Laurla doesn't asked for help ever.

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Speaker 5: So it's finally something that he can like do with

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Speaker 5: her and be a part of her life and help

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Speaker 5: with the insurance of and and all that.

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Speaker 3: Yeah, and we'll get we'll get to the scene too

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Speaker 3: when he comes to the inn. But all the relationship

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Speaker 3: between Richard and and lour Lai is so perfect and amazing,

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Speaker 3: and I love it in this episode because you really

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Speaker 3: feel their connection and their bond and it's it's healthier.

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Speaker 3: So this is where I did laugh out loud every

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Speaker 3: time she hangs up on Emily up. And then Richard

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Speaker 3: called and she's.

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Speaker 5: Like, hey, hey, how's the vacation chatting?

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Speaker 3: And then oh, your mother wants to talk to you.

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Speaker 7: Yeah, no good, And then she talks about how oh

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Speaker 7: she talks about how she's gonna watch a star is

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Speaker 7: born and that she likes to be a couch potato,

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Speaker 7: and then sort of we hear Suki's like, Suki is like,

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Speaker 7: no way, I gotta go out for a girl's night.

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Speaker 3: We're gonna look hot and blah blah blah. So you're

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Speaker 3: getting set up for like the episode. So then we

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Speaker 3: go get into the coffee cart and Rory wants her

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Speaker 3: you know, carmel machiato, and we learned she has no money.

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Speaker 5: She goes taking things off.

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Speaker 2: Can I have a.

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Speaker 3: Cup once again? Haters come on out. I adore Logan.

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Speaker 3: I think he is amazing in every scene he's in.

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Speaker 3: I love them together. I love that she sort of

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Speaker 3: has this for once, she sort of has the boyfriend

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Speaker 3: that rescues her. And maybe people can like hate me

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Speaker 3: for that, but he's there, he is, and he's like

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Speaker 3: gonna pay for her coffee, and they're so cute, and

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Speaker 3: he says, Ace, I can't take a chance to be

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Speaker 3: pulling out that purse again and someone getting hurt. Like,

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Speaker 3: it's just I love it.

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Speaker 1: He's a He's a young Robert Redford. He's a young

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Speaker 1: Robert Redford in the way we were confident, cocky, yeah,

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Speaker 1: ruth smart ahead of the game, got it all under control.

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Speaker 1: It's really appealing. You don't see characters that like that anymore.

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Speaker 1: You know, hates unique in that sense.

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Speaker 3: I agree, Like, I don't know, Taro Daniel, do either

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Speaker 3: of you hate him because there's so many people that

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Speaker 3: hate him and find him so repelling when I'm like,

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Speaker 3: I love this guy.

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Speaker 5: I think there are moments that I don't like, but

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Speaker 5: for the most part, I do see the charm in

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Speaker 5: him and what Rory sees in him, and like, yeah,

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Speaker 5: it's it's nice that like he comes and pays for

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Speaker 5: her coffee or something like that. Like you're right, like

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Speaker 5: someone's taking care of her in a sense. But I

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Speaker 5: do see where people don't like him from certain scenes

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Speaker 5: the way he acts. But I go back and forth.

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Speaker 3: And it's so cute. He pulls her over the corner

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Speaker 3: and they kiss and she's like, no people will see,

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Speaker 3: and he's like, I don't care, Like he's so happy

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Speaker 3: with her. And I love their sort of like banter

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Speaker 3: about the paper and I think they're having that little

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Speaker 3: argument about Hemingway and it's so cute and she's so

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Speaker 3: comfortable and she's like, hey, thanks for the coffee, Like

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Speaker 3: it's just so cute.

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Speaker 4: They definitely have really good chemistry, Like you have to

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Speaker 4: give him that, Like, they definitely have that. The thing

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Speaker 4: that I'm just like, as a first time watcher that

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Speaker 4: I'm confused about is and maybe it's just the progression

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Speaker 4: of the relationship and everyone says this in the beginning,

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Speaker 4: but he does not want anything, but he also doesn't

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Speaker 4: care that people see. So I'm kind of like, what

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Speaker 4: does that mean?

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Speaker 1: It means I think he looks like he's in love.

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Speaker 3: Mm hmm, I agree with you.

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Speaker 1: I think he's fall he's definitely.

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Speaker 3: I think his whole like I can't be serious, is

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Speaker 3: just a way to protect himself at this point, like

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Speaker 3: we'll see how.

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Speaker 1: Determined.

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Speaker 3: Yes, yeah, he's just protecting himself and trying to protect

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Speaker 3: her from him and the way he can be. So

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Speaker 3: he likes her and he cares about her. So he's

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Speaker 3: saying he basically is saying like, I can be a

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Speaker 3: jerk and I don't want to hurt you, and she's saying,

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Speaker 3: you're not gonna hurt me. I'm cool with it, even

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Speaker 3: though both of them are full of doodoo.

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Speaker 1: Has fallen. Yeah, yeah, he's he knows that she might

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Speaker 1: have the ability to bring him down and make him

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Speaker 1: an honest man.

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Speaker 4: Yep.

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Speaker 3: Yes, So the only flag I had on the place?

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Speaker 3: Did he call it a cute meat? When isn't it

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Speaker 3: called a meat cute?

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Speaker 5: I think it's a meat cute.

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Speaker 3: Yeah, but I think he said cute meat. Somebody needs

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Speaker 3: to go back.

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Speaker 4: Let me find out.

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Speaker 3: I have the script up actually, thank you, and see if.

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Speaker 4: He said that said cute meat, this would definitely qualify

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Speaker 4: as a cute meat if we hadn't already met right,

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Speaker 4: and isn't it.

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Speaker 5: A meat cute Yeah?

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Speaker 3: So anyway, that's why Scott didn't like.

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Speaker 5: It was a mess up of Scott meet cues.

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Speaker 3: Okay, so it okay. So then we go over to

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Speaker 3: Laura lies and Rory's bringing like four hundred bags of laundry.

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Speaker 3: And we also thought that it's spring break, which was

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Speaker 3: anybody else shocked by that? I'm like, how was it?

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Speaker 4: Because we were just we just had like it was

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Speaker 4: just cold.

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Speaker 3: What kind of Christmas?

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Speaker 5: Oh do we not do Christmas? Episode?

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Speaker 3: Sudden it's spring break?

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Speaker 1: M hm? Interesting?

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Speaker 3: When did this air again? Danielle, Sorry, should have paid

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Speaker 3: more attention to your mark in March.

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Speaker 5: Yeah, you're right because last week they were wearing scarves.

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Speaker 3: Yeah, and he is going skiing, which is fine, people

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Speaker 3: go skiing for spring break. But anyway, yeah, some.

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Speaker 4: People have spring break in like late February early March.

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Speaker 1: They just they're just blowing through the winter. Maybe it's

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Speaker 1: a budget thing because winter winter outdoor dressing is expensive.

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Speaker 3: It's in all the that snow or those bubbles or

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Speaker 3: paper that all those little papers.

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Speaker 1: Yeah, it's expensive.

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Speaker 3: So we're in the kitchen and laurel Lize's outfit was phenomenal.

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Speaker 3: She's wearing that turquoise blazer with the brooch, and then

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Speaker 3: she's she knows that now that Rory needs money, so

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Speaker 3: she's helping her get a job, which I thought was

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Speaker 3: super cute. There's a twenty on the fridge, so Rory's

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Speaker 3: sort of home for spring break and she's gonna gonna sorry,

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Speaker 3: that's terrible, going to work. So she gets a job

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Speaker 3: at the bookstore, so that that was cute, and she's

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Speaker 3: off to Friday night dinner, which oh boy.

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Speaker 4: In laural Lize clothes.

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Speaker 3: Oh right, because yeah, so I mean right from the

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Speaker 3: minute the doorbell rings, it was rough.

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Speaker 4: Yeah, I'm happy though, because, like I think, I think

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Speaker 4: we wouldn't have gotten the end of this episode, which

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Speaker 4: we'll talk about later. We wouldn't have gotten it if

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Speaker 4: Rory was didn't stand up to em great point.

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Speaker 5: I think Lorlai hanging up meant nothing to Emily. It's

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Speaker 5: coming from Rory.

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Speaker 4: Real, she's dealt with that first since Laura I was

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Speaker 4: a teenager, you know.

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Speaker 5: Really coming from coming from Rory means it's a completely

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Speaker 5: different meaning behind what she did.

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Speaker 4: Yeah, it is a little the threat like of her

387
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Speaker 4: not having a relationship with Rory because.

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Speaker 3: She's so awful to Laura, which has always been her

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Speaker 3: biggest fear, losing them both, but losing Rory. I just

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Speaker 3: don't know how she didn't no, Like, what would it

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Speaker 3: go through Emily's mind? Like does she have amnesia that

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Speaker 3: she doesn't realize what she did was so bad? Lorla

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Speaker 3: obviously knows what she did. Why would she not be like,

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Speaker 3: let's talk about this.

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Speaker 4: Yeah, well, only it's in Emily's nature to talk about it.

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Speaker 4: Like she made her stance known, and she's kind of

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Speaker 4: that person that's like, I'm going to get what I

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Speaker 4: want to get and.

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Speaker 1: Sorry, Well maybe she just yeah, but maybe she just

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00:21:29,320 --> 00:21:33,720
Speaker 1: thinks that they're still that Christopher and Laurla. I haven't

401
00:21:33,840 --> 00:21:38,600
Speaker 1: really had a chance to, you know, be together as

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Speaker 1: a family, and she wants that more than anything, and

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Speaker 1: she'll do anything to get it because she sees the

404
00:21:45,800 --> 00:21:49,640
Speaker 1: chemistry between them, she sees the caring between them, and

405
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Speaker 1: maybe she just thought, you know, this guy obviously doesn't

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Speaker 1: have the backbone required, so he's going to need a push.

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00:21:58,640 --> 00:22:00,639
Speaker 1: So I'll give him a push and see if I

408
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Speaker 1: can make something happen because I think it's going to

409
00:22:03,600 --> 00:22:06,359
Speaker 1: end up being much better for laurele I and Rory

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Speaker 1: because that's.

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Speaker 3: Her dad, right, right, that's.

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Speaker 1: A heavy responsibility, you know.

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Speaker 4: It's like, let's say, with somebody that was in that

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00:22:16,080 --> 00:22:19,159
Speaker 4: affluent community though and not right, like, would she still

415
00:22:19,200 --> 00:22:24,359
Speaker 4: push Christopher on Lorelai if it's like the logan of

416
00:22:24,440 --> 00:22:25,320
Speaker 4: Lareal's age.

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Speaker 1: I'll admit it's probably. Uh, you know, Luke to her

418
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Speaker 1: is radioactive because of his social class. There's no question

419
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Speaker 1: about it. So, and that's why it's such a stark choice.

420
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Speaker 1: And that's why Emily doesn't really understand it. She can't

421
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Speaker 1: understand it. She can't fathom why somebody with her DNA

422
00:22:50,280 --> 00:22:54,280
Speaker 1: and Richard's DNA is in love with Luke and thinks

423
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Speaker 1: that that is a good idea. She just can't accept

424
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Speaker 1: the fact that Lorelei has left the nest and isn't

425
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Speaker 1: like them and doesn't want to be like them. She

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Speaker 1: doesn't understand who Laurla is, what she has become, maybe

427
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Speaker 1: what she never was, right, you know.

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Speaker 3: So my question for you, I would love to hear

429
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Speaker 3: your perspective. Do you think that Emily wants it to

430
00:23:19,200 --> 00:23:23,080
Speaker 3: be Christopher one, because he's fancy and he comes from

431
00:23:23,119 --> 00:23:28,600
Speaker 3: the right, you know family, and she is Rory's father.

432
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Speaker 3: Or do you think Emily just wants it to be

433
00:23:32,160 --> 00:23:37,080
Speaker 3: somebody of the right caliber and if that was Digger,

434
00:23:37,200 --> 00:23:40,040
Speaker 3: she would have gone to Digger and go get your girl,

435
00:23:40,240 --> 00:23:41,800
Speaker 3: or if it was you.

436
00:23:41,760 --> 00:23:43,840
Speaker 1: Know, I think that has I think that has a

437
00:23:43,920 --> 00:23:46,800
Speaker 1: lot a large percentage of it is that.

438
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Speaker 3: And she's just able to go manipulate Christopher because she

439
00:23:50,880 --> 00:23:56,440
Speaker 3: has that relationship with him, unlike Digger or somebody else.

440
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Speaker 1: She wants to go to the country club with all

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Speaker 1: of them, and the parents sit around and act superior,

442
00:24:01,760 --> 00:24:04,920
Speaker 1: and you know, everybody's fine, and you know, Christopher's a

443
00:24:04,960 --> 00:24:08,080
Speaker 1: mess again and he's drinking again, and he's got a mistress,

444
00:24:08,080 --> 00:24:11,200
Speaker 1: but who cares. They're all still together and nobody knows yet,

445
00:24:11,320 --> 00:24:14,080
Speaker 1: and you know, they just want to keep their mess on,

446
00:24:15,000 --> 00:24:18,000
Speaker 1: you know, in the upper classes and deal with them

447
00:24:18,000 --> 00:24:20,920
Speaker 1: as they come. They don't want anybody defecting.

448
00:24:22,080 --> 00:24:23,399
Speaker 3: So here's my other question for all that.

449
00:24:23,880 --> 00:24:25,880
Speaker 1: But I think I think Richard and Emily are really

450
00:24:25,920 --> 00:24:29,560
Speaker 1: embarrassed by this, you know, socially speaking, like your daughter

451
00:24:29,720 --> 00:24:32,720
Speaker 1: is like, oh, well, that's Richard and Emily Laurel I

452
00:24:32,880 --> 00:24:35,879
Speaker 1: she's dating a guy who owns a owns a diner

453
00:24:36,000 --> 00:24:38,760
Speaker 1: or something and Stars it's laughable.

454
00:24:39,119 --> 00:24:42,040
Speaker 3: I don't know if it's only that. I think they're

455
00:24:42,160 --> 00:24:46,119
Speaker 3: sort of like horrified that their fancy daughter has moved

456
00:24:46,119 --> 00:24:48,720
Speaker 3: to stars Hollow and you know, doesn't live in a

457
00:24:48,760 --> 00:24:52,560
Speaker 3: fancy house and drives her ten year old jeep, and

458
00:24:53,119 --> 00:24:55,880
Speaker 3: that she isn't fancy and doesn't want to be fancy.

459
00:24:56,320 --> 00:25:02,520
Speaker 3: I think that kind of really is troubling to them.

460
00:25:02,560 --> 00:25:06,040
Speaker 1: Maybe we have hit upon one of the main tensions

461
00:25:06,040 --> 00:25:09,720
Speaker 1: of the show. Maybe.

462
00:25:09,840 --> 00:25:12,639
Speaker 5: Also, do you think it's both Emily. Do you think

463
00:25:12,680 --> 00:25:15,359
Speaker 5: it's Emily and Richard or do you think it's mainly Emily,

464
00:25:15,440 --> 00:25:16,800
Speaker 5: because I think it's mainly Emily.

465
00:25:17,520 --> 00:25:20,919
Speaker 3: Yeah, d Richard goes along with it, but I'm not

466
00:25:20,960 --> 00:25:25,160
Speaker 3: sure if Emily. If Emily was all in with Luke,

467
00:25:25,480 --> 00:25:27,960
Speaker 3: so would Richard be. Yeah, he kind of goes along.

468
00:25:28,119 --> 00:25:29,800
Speaker 3: That's why I was going to ask you guys this too.

469
00:25:30,440 --> 00:25:34,359
Speaker 3: There's something I love about Rory and Richard getting along

470
00:25:34,600 --> 00:25:38,280
Speaker 3: so well. But I do feel a little bit bad

471
00:25:38,320 --> 00:25:41,480
Speaker 3: for Emily. I can't help it. Like in this scene,

472
00:25:41,520 --> 00:25:44,399
Speaker 3: I'm sort of like poor thing she's trying so hard

473
00:25:44,480 --> 00:25:46,199
Speaker 3: and this is just oh pa.

474
00:25:46,560 --> 00:25:48,440
Speaker 5: I kind of liked that. I kind of like that.

475
00:25:48,880 --> 00:25:52,440
Speaker 5: Richard just didn't like acknowledge that, like he was getting

476
00:25:52,480 --> 00:25:54,560
Speaker 5: the attention and not Emily, like he loved it and

477
00:25:54,600 --> 00:25:59,159
Speaker 5: he was. He didn't say anything about the way Rory

478
00:25:59,240 --> 00:26:03,879
Speaker 5: treated Emily at all. So that's why I think he does.

479
00:26:04,000 --> 00:26:06,879
Speaker 3: He calls lore light and calls it out, but then

480
00:26:07,160 --> 00:26:08,320
Speaker 3: it switches.

481
00:26:08,920 --> 00:26:11,040
Speaker 5: But even at I mean, I don't want to jump

482
00:26:11,080 --> 00:26:13,600
Speaker 5: too far ahead, but even at the dinner, like he

483
00:26:13,600 --> 00:26:16,080
Speaker 5: he was kind of defending Rory in a sense.

484
00:26:16,480 --> 00:26:20,000
Speaker 3: Yeah, he wanted Emily to like pipe down kind of yeah, yeah,

485
00:26:20,040 --> 00:26:21,760
Speaker 3: all right, we'll get to that. So then it and

486
00:26:21,840 --> 00:26:28,159
Speaker 3: it switches then to uh, Suki picks up Lorelei and

487
00:26:28,200 --> 00:26:30,880
Speaker 3: they're talking about where they should go. Let's go dancing.

488
00:26:31,000 --> 00:26:33,360
Speaker 3: Oh I can't really dance. Let's go to a bar.

489
00:26:33,560 --> 00:26:35,480
Speaker 3: I can't really drink, And so they just end up

490
00:26:35,520 --> 00:26:39,040
Speaker 3: watching movies at home, which actually sounded better to me

491
00:26:39,119 --> 00:26:40,560
Speaker 3: than any of those other options.

492
00:26:42,400 --> 00:26:43,840
Speaker 1: Danielle, would you want to go dancing?

493
00:26:45,720 --> 00:26:46,960
Speaker 4: Absolutely not.

494
00:26:49,520 --> 00:26:51,560
Speaker 3: It was like kind of the same as Suki. I

495
00:26:51,560 --> 00:26:53,040
Speaker 3: think you guys are equally.

496
00:26:53,520 --> 00:26:56,720
Speaker 1: Along, kind of a bizarre suggestion on the moralized bart.

497
00:26:57,720 --> 00:27:02,639
Speaker 1: Given her best friend is pregnant dancing, Let's go to

498
00:27:02,680 --> 00:27:04,280
Speaker 1: a bar and go dancing.

499
00:27:03,800 --> 00:27:08,200
Speaker 3: Okay, So then we go back to the Friday night

500
00:27:08,280 --> 00:27:12,040
Speaker 3: dinner and this is where it really it got ugly.

501
00:27:12,520 --> 00:27:14,360
Speaker 3: It's like she won't even look at her grandmother when

502
00:27:14,400 --> 00:27:17,800
Speaker 3: she hands or the strawberries and then it explodes. So

503
00:27:18,840 --> 00:27:22,600
Speaker 3: Emily is sort of mouthing to Richard do something, like

504
00:27:22,720 --> 00:27:25,720
Speaker 3: do something. So then Richard sort of says, like, what

505
00:27:25,840 --> 00:27:27,960
Speaker 3: do you want to tell us? Like you got you

506
00:27:28,119 --> 00:27:30,400
Speaker 3: need if there's something on your mind, and then it's

507
00:27:30,520 --> 00:27:35,760
Speaker 3: just explosion and you're right, Tara, Richard said, Emily, please, Like.

508
00:27:37,240 --> 00:27:42,120
Speaker 1: It's just the difference between Lorale and Rory are very

509
00:27:42,200 --> 00:27:46,639
Speaker 1: good at chaos and they're very good at a mess

510
00:27:47,000 --> 00:27:52,560
Speaker 1: and they don't panic. They figure it out. Their whole

511
00:27:53,160 --> 00:27:56,360
Speaker 1: DNA is we're gonna get through this, We're gonna work

512
00:27:56,359 --> 00:28:00,080
Speaker 1: it out. We're gonna figure it out, and it's gonna work.

513
00:28:00,359 --> 00:28:05,399
Speaker 1: And Laura I has done that h Rory's whole life.

514
00:28:06,880 --> 00:28:10,040
Speaker 1: And we're gonna get you to the private school and

515
00:28:10,080 --> 00:28:13,040
Speaker 1: we're gonna get you to Harvard or Yale, and you're

516
00:28:13,119 --> 00:28:17,840
Speaker 1: gonna you're gonna in a way, you know, Laura, I

517
00:28:18,000 --> 00:28:24,159
Speaker 1: truly is in a sense a surrogate. Emily's surrogate, like

518
00:28:24,680 --> 00:28:29,119
Speaker 1: lifting up Rory to the point where you get on

519
00:28:29,680 --> 00:28:32,280
Speaker 1: the path that I was on and don't screw it

520
00:28:32,359 --> 00:28:35,200
Speaker 1: up the way I screwed it up. But the problem

521
00:28:35,200 --> 00:28:37,879
Speaker 1: with Emily and Richard is they don't do chaos and

522
00:28:37,920 --> 00:28:40,760
Speaker 1: they don't do mess. They don't know how to handle.

523
00:28:40,440 --> 00:28:42,440
Speaker 3: It right, whereas Laura.

524
00:28:42,560 --> 00:28:45,840
Speaker 1: So there's so much more resilient than than than those

525
00:28:46,000 --> 00:28:47,240
Speaker 1: than Emily and Richard.

526
00:28:47,720 --> 00:28:50,080
Speaker 3: That's right. They'll they'll they'll figure it out, the two

527
00:28:50,160 --> 00:28:52,280
Speaker 3: of them, Rory and Laurai will figure it out. And

528
00:28:52,280 --> 00:28:54,280
Speaker 3: they don't mind chaos, they don't mind a mess. They

529
00:28:54,280 --> 00:28:56,240
Speaker 3: don't mind kind of like being scrappy.

530
00:28:56,320 --> 00:28:57,320
Speaker 1: They kind of prefer it.

531
00:28:57,800 --> 00:29:04,000
Speaker 3: Yeah, And that's why I think Emily expected Rory to

532
00:29:04,400 --> 00:29:08,320
Speaker 3: behave because that's what one does kind of. And so

533
00:29:08,520 --> 00:29:12,960
Speaker 3: even though she Emily did the thing wrong, she really

534
00:29:12,960 --> 00:29:15,040
Speaker 3: thought that Rory would just come over with a smile

535
00:29:15,080 --> 00:29:17,520
Speaker 3: on her face because they have a contract, which that

536
00:29:17,640 --> 00:29:18,280
Speaker 3: was kind of right.

537
00:29:18,360 --> 00:29:22,400
Speaker 5: Oh, that's what bugged me. The contract that really bugged

538
00:29:22,400 --> 00:29:25,000
Speaker 5: me because it's like, no, it wasn't you even said

539
00:29:25,040 --> 00:29:28,080
Speaker 5: before that, like Emily said, we want to help you

540
00:29:28,120 --> 00:29:30,280
Speaker 5: go through school, there was back then. There was never

541
00:29:30,320 --> 00:29:35,160
Speaker 5: an agreement a contract. I did like Rory's response, she said,

542
00:29:35,280 --> 00:29:37,320
Speaker 5: there was no agreement on how I act. The agreement

543
00:29:37,320 --> 00:29:39,560
Speaker 5: wasn't I show up here every Friday night.

544
00:29:40,760 --> 00:29:40,960
Speaker 1: Yeah.

545
00:29:41,000 --> 00:29:43,960
Speaker 3: I was surprised by how much Rory stood up to Emily.

546
00:29:44,320 --> 00:29:47,360
Speaker 1: You know, she like really like contract law. She was like,

547
00:29:47,720 --> 00:29:52,200
Speaker 1: go through the contract that. It doesn't matter what your

548
00:29:52,200 --> 00:29:55,280
Speaker 1: social mores are, it doesn't matter what the expectations are

549
00:29:55,280 --> 00:29:57,680
Speaker 1: in the upper classes. It's not in the contract, so

550
00:29:57,720 --> 00:29:59,640
Speaker 1: I'm not bound by it. It's hysterically.

551
00:30:00,240 --> 00:30:00,840
Speaker 3: I just know.

552
00:30:00,960 --> 00:30:04,840
Speaker 4: Also how much Richard is thriving in this episode, Like

553
00:30:05,000 --> 00:30:08,440
Speaker 4: he is like milking it, not milking it, but he

554
00:30:08,560 --> 00:30:09,680
Speaker 4: kind of is milking it.

555
00:30:09,760 --> 00:30:15,480
Speaker 3: He's so thrilled they just love yeah, and he's sort

556
00:30:15,520 --> 00:30:20,600
Speaker 3: of the peacemaker and yeah, but I think you're right

557
00:30:20,640 --> 00:30:23,400
Speaker 3: deep down, he's just thrilled that they both are. They

558
00:30:23,440 --> 00:30:27,000
Speaker 3: both like are getting along with him, love him, and

559
00:30:27,120 --> 00:30:29,960
Speaker 3: like why would too if I was Richard? He's like,

560
00:30:30,520 --> 00:30:32,520
Speaker 3: why would I complain about this? And I thought we'll

561
00:30:32,520 --> 00:30:35,560
Speaker 3: get to it. But I thought his sort of argument

562
00:30:35,640 --> 00:30:39,680
Speaker 3: to Emily about it was a pretty good argument, Like

563
00:30:39,720 --> 00:30:43,880
Speaker 3: he kind of sort of tricked her by saying, I

564
00:30:43,880 --> 00:30:45,680
Speaker 3: won't go as far as saying he gas litter, but

565
00:30:45,760 --> 00:30:49,360
Speaker 3: he tricked her a little bit by saying, I can't

566
00:30:49,360 --> 00:30:52,560
Speaker 3: be on your side because athletes, if I'm on their

567
00:30:52,760 --> 00:30:56,560
Speaker 3: side and having a relationship with them, one of us

568
00:30:56,600 --> 00:30:58,600
Speaker 3: does and we have a much better chance of working

569
00:30:58,640 --> 00:30:59,080
Speaker 3: this out.

570
00:30:59,280 --> 00:31:05,200
Speaker 1: So like the Plumbacay one on one, Yeah, that was

571
00:31:05,200 --> 00:31:07,880
Speaker 1: a great line in the kitchen, you're the because you're

572
00:31:07,920 --> 00:31:15,520
Speaker 1: the favorite, and she hit that line so great. I mean,

573
00:31:15,600 --> 00:31:18,760
Speaker 1: she just nailed that line.

574
00:31:22,600 --> 00:31:25,400
Speaker 3: So then we go to Weston's and we realized that

575
00:31:25,480 --> 00:31:29,000
Speaker 3: Laura Lia's at Weston's all the time, and Rory sort

576
00:31:29,000 --> 00:31:31,440
Speaker 3: of reveals that there was yelling at the dinner and

577
00:31:31,480 --> 00:31:34,760
Speaker 3: blah blah blah. But then we have the big talk

578
00:31:35,440 --> 00:31:39,479
Speaker 3: where Sukie falls asleep and Rory pulls Lorli aside to

579
00:31:39,560 --> 00:31:45,600
Speaker 3: tell her that she's started something with Logan and she

580
00:31:45,800 --> 00:31:49,120
Speaker 3: talks about she loves him. She's like, he's beautiful, he's smart,

581
00:31:49,480 --> 00:31:52,760
Speaker 3: he's great, And Laurlai does say she doesn't care that

582
00:31:52,800 --> 00:31:53,240
Speaker 3: he's rich.

583
00:31:54,400 --> 00:31:58,200
Speaker 1: So that wasn't it funny? So make believe world where

584
00:31:58,240 --> 00:32:01,160
Speaker 1: they just leave their pregnant friend who's exhausted. He falls

585
00:32:01,200 --> 00:32:04,000
Speaker 1: asleep in her own hands, just leaves the table, so

586
00:32:04,080 --> 00:32:10,920
Speaker 1: her head conks on the still sleep. Let's go, let's

587
00:32:10,920 --> 00:32:11,680
Speaker 1: get away from her.

588
00:32:11,760 --> 00:32:15,280
Speaker 3: So why wouldn't they just have the chat in front

589
00:32:15,280 --> 00:32:15,520
Speaker 3: of her?

590
00:32:15,560 --> 00:32:18,600
Speaker 1: She's asleep, but like, get her home. You know, she's pregnant.

591
00:32:18,640 --> 00:32:22,880
Speaker 1: For God's sake, we're going to take you home. Just

592
00:32:22,960 --> 00:32:23,360
Speaker 1: leave her.

593
00:32:26,120 --> 00:32:30,440
Speaker 3: So I love it also that I thought the most

594
00:32:30,480 --> 00:32:33,160
Speaker 3: important thing of that whole conversation is it Rory says,

595
00:32:33,240 --> 00:32:36,320
Speaker 3: I'm having fun, And I thought, you know what, that's

596
00:32:36,320 --> 00:32:38,800
Speaker 3: really important. Like she hasn't ever really had a relationship

597
00:32:38,840 --> 00:32:44,080
Speaker 3: that's just fun. Their relationships and they're deep and they're important,

598
00:32:44,200 --> 00:32:46,760
Speaker 3: but they this one is fun. She's having a full

599
00:32:47,280 --> 00:32:49,320
Speaker 3: college experience.

600
00:32:49,720 --> 00:32:53,080
Speaker 1: She never Jess was always it was always intense, yeah

601
00:32:53,400 --> 00:32:57,160
Speaker 1: and deep, yeah, troubling, and Dean was always kind of

602
00:32:57,240 --> 00:33:05,800
Speaker 1: like super sweet. Ah, here's another kitten, thank you.

603
00:33:05,800 --> 00:33:07,440
Speaker 5: But I mean, here's a car.

604
00:33:07,720 --> 00:33:12,640
Speaker 1: And right, here's a car. You built me a car.

605
00:33:12,680 --> 00:33:17,000
Speaker 1: I mean it's so overwhelming, you know, but is that fun?

606
00:33:16,200 --> 00:33:20,400
Speaker 3: But it was, it was sweet and it was cute

607
00:33:20,480 --> 00:33:23,120
Speaker 3: and it was like, but it wasn't that was it fun?

608
00:33:23,440 --> 00:33:26,800
Speaker 4: She's never had adrenaline in any of her relationships before.

609
00:33:26,960 --> 00:33:29,920
Speaker 4: This has adrenaline, This has spark, it has chemistry, it

610
00:33:29,960 --> 00:33:30,920
Speaker 4: has this like.

611
00:33:30,920 --> 00:33:34,320
Speaker 1: But it's got banter, it's got you got a guy

612
00:33:34,400 --> 00:33:38,320
Speaker 1: who canter can keep up with her, and then sort

613
00:33:38,360 --> 00:33:41,920
Speaker 1: of remain mysterious and aloof.

614
00:33:41,840 --> 00:33:44,959
Speaker 3: Yeah, she said he's smart. He's as smart as she is.

615
00:33:45,040 --> 00:33:48,000
Speaker 3: She says, like he's as smart as she is, if

616
00:33:48,040 --> 00:33:52,880
Speaker 3: not smarter, and then we get the line so good

617
00:33:55,120 --> 00:34:01,719
Speaker 3: and then rumble first of all, as I ever had

618
00:34:01,760 --> 00:34:04,000
Speaker 3: a rumball? That seems kind of is it? What is it?

619
00:34:04,000 --> 00:34:04,760
Speaker 5: Like a doughnut hole?

620
00:34:04,840 --> 00:34:05,680
Speaker 3: What is a rumball?

621
00:34:05,920 --> 00:34:12,440
Speaker 1: No idea, no one they put anything.

622
00:34:12,600 --> 00:34:14,719
Speaker 5: Yeah, I do have a question though. Do you think

623
00:34:14,760 --> 00:34:19,120
Speaker 5: Lorelai was uncomfortable with Rory telling her about Logan?

624
00:34:19,719 --> 00:34:22,600
Speaker 1: Probably? I mean that's how she played it, right, I

625
00:34:22,640 --> 00:34:23,600
Speaker 1: mean she seemed to.

626
00:34:24,960 --> 00:34:26,319
Speaker 5: That's how I took it. I just don't know if

627
00:34:26,320 --> 00:34:26,920
Speaker 5: anyone took it.

628
00:34:27,120 --> 00:34:27,200
Speaker 7: Now.

629
00:34:27,280 --> 00:34:31,600
Speaker 1: I kind of think you're right. I think you're right because.

630
00:34:31,320 --> 00:34:34,040
Speaker 5: The way she prefaced it, like I didn't tell you

631
00:34:34,080 --> 00:34:37,880
Speaker 5: what was happening with Dean before it happened, but now

632
00:34:37,920 --> 00:34:38,840
Speaker 5: I'm telling you.

633
00:34:39,239 --> 00:34:46,040
Speaker 1: And so good talk means like you know this because yeah, comfortable, and.

634
00:34:46,040 --> 00:34:51,360
Speaker 3: She changed the subject, right, that's the thank you for sharing.

635
00:34:52,960 --> 00:34:55,040
Speaker 3: So then we do get the scene I love so

636
00:34:55,160 --> 00:34:59,600
Speaker 3: laurlies walking and Richard calls and at first he sort

637
00:34:59,600 --> 00:35:02,799
Speaker 3: of upse set you know, like you should set an example,

638
00:35:03,440 --> 00:35:07,719
Speaker 3: and you know you need to tell Rory you know what,

639
00:35:08,120 --> 00:35:10,920
Speaker 3: that she shouldn't do this, and blah blah blah, and

640
00:35:10,960 --> 00:35:14,960
Speaker 3: Laura I really kind of tells Richard what's really going on,

641
00:35:15,719 --> 00:35:17,880
Speaker 3: and then all of a sudden we just pivot to

642
00:35:18,719 --> 00:35:22,600
Speaker 3: the insurance issue and he's just so pleased. Wait, you're

643
00:35:22,640 --> 00:35:25,680
Speaker 3: asking me for my help and she's like yeah, and

644
00:35:25,719 --> 00:35:28,759
Speaker 3: he's so happy. H I loved it.

645
00:35:29,520 --> 00:35:32,239
Speaker 4: I did too. I just love them too together, Like

646
00:35:32,280 --> 00:35:35,319
Speaker 4: I like Richard and Rory. You know, it's it's just

647
00:35:35,400 --> 00:35:38,720
Speaker 4: always a good scene when they're on when they're together.

648
00:35:39,840 --> 00:35:42,600
Speaker 1: Yeah they were, Yeah, they were both lighting it up,

649
00:35:42,640 --> 00:35:45,520
Speaker 1: both smiling. Yeah, going great.

650
00:35:46,360 --> 00:35:49,399
Speaker 3: She stumbles upon the boat and I loved her monologue

651
00:35:49,440 --> 00:35:59,440
Speaker 3: to the like the ticket person, like the She's like good.

652
00:36:03,080 --> 00:36:05,120
Speaker 3: And then we go back and Kirk is still just

653
00:36:05,400 --> 00:36:10,560
Speaker 3: enjoying the gross food and Lane has no glasses on.

654
00:36:10,840 --> 00:36:13,400
Speaker 3: She's sort of now going back and forth with the

655
00:36:13,440 --> 00:36:16,480
Speaker 3: no glasses and the glasses. She wears the glasses on

656
00:36:16,520 --> 00:36:20,719
Speaker 3: her date with Zach, but no glasses, And.

657
00:36:20,960 --> 00:36:22,640
Speaker 4: Do you think that's like a purposeful thing?

658
00:36:22,760 --> 00:36:22,960
Speaker 3: Right?

659
00:36:23,080 --> 00:36:25,680
Speaker 4: Like Lane is still a kid, but she's also an adult,

660
00:36:25,719 --> 00:36:28,440
Speaker 4: and you know, like that kind of plays out a

661
00:36:28,480 --> 00:36:29,640
Speaker 4: little bit in this episode.

662
00:36:30,680 --> 00:36:34,040
Speaker 3: Yeah, I love when you huck the wet towel at

663
00:36:34,120 --> 00:36:37,319
Speaker 3: him and her goes, oh, a cloth napkin and the

664
00:36:37,400 --> 00:36:42,800
Speaker 3: moist toot so good. Oh. And then Lane brings Rory

665
00:36:42,840 --> 00:36:45,120
Speaker 3: the burger at the bookstore and it's like disgusting.

666
00:36:46,400 --> 00:36:49,319
Speaker 5: Also Lane warning the customer and she turns around like

667
00:36:49,440 --> 00:36:51,960
Speaker 5: told you hurled out.

668
00:36:52,320 --> 00:36:59,440
Speaker 3: It's all. It's actually very amusing. So then we get through.

669
00:36:59,360 --> 00:37:02,520
Speaker 1: That guy out. Good man, he's strong.

670
00:37:02,920 --> 00:37:05,080
Speaker 4: I was gonna say, did you have to actually pick

671
00:37:05,160 --> 00:37:06,600
Speaker 4: up that guy or like how does that?

672
00:37:07,960 --> 00:37:11,600
Speaker 3: Like geez stumbled up. I'm a little hard.

673
00:37:12,360 --> 00:37:15,520
Speaker 1: He took his own cue. He's pro priably a professional

674
00:37:15,520 --> 00:37:16,320
Speaker 1: stunt guy.

675
00:37:16,600 --> 00:37:19,759
Speaker 3: Yeah, I would think both those guys that you threw out.

676
00:37:19,880 --> 00:37:21,960
Speaker 1: Just to do that because he had on.

677
00:37:22,160 --> 00:37:22,520
Speaker 4: Yeah.

678
00:37:23,080 --> 00:37:25,880
Speaker 3: Rory says poor sad Luke and Lane says, poor sad

679
00:37:25,920 --> 00:37:30,400
Speaker 3: tips like yeah. So then uh, we find out that

680
00:37:30,480 --> 00:37:34,080
Speaker 3: Zach's going to cook dinner. So that's cute because I

681
00:37:34,080 --> 00:37:36,520
Speaker 3: think Rory wanted plans. And then we learned that she's

682
00:37:36,520 --> 00:37:38,719
Speaker 3: got a date with Zach, and then we go to

683
00:37:38,760 --> 00:37:40,640
Speaker 3: the inn and we have sort of a brief exchange

684
00:37:40,680 --> 00:37:43,840
Speaker 3: between Suki and Lorely, and then Richard comes in with Philip,

685
00:37:44,480 --> 00:37:46,960
Speaker 3: and that was so cute. He's going to help her

686
00:37:47,000 --> 00:37:51,520
Speaker 3: with her policy and he's so happy about how well

687
00:37:51,560 --> 00:37:54,040
Speaker 3: she's doing at the inn, and she says he's a

688
00:37:54,120 --> 00:37:57,840
Speaker 3: lifesaver and the scones smell heavenly and it was just

689
00:37:57,880 --> 00:38:00,000
Speaker 3: like a hole. He just said, you've done a wonderful

690
00:38:00,320 --> 00:38:02,920
Speaker 3: job here, and it's just so great.

691
00:38:03,200 --> 00:38:05,840
Speaker 4: It's like all the things Lorla wants, you know, validation

692
00:38:05,960 --> 00:38:08,719
Speaker 4: from her parents, and he's giving it to her here.

693
00:38:08,840 --> 00:38:11,680
Speaker 4: And you can just tell how happy it makes her.

694
00:38:12,920 --> 00:38:17,760
Speaker 1: Make anybody happy, you know, yeah, your parents being proud

695
00:38:17,840 --> 00:38:18,000
Speaker 1: of you.

696
00:38:18,960 --> 00:38:21,200
Speaker 5: It's not about her making money, because she doesn't want

697
00:38:21,239 --> 00:38:24,359
Speaker 5: to sell the end like it's about her. She loves

698
00:38:24,400 --> 00:38:25,560
Speaker 5: that in so I think that.

699
00:38:26,719 --> 00:38:30,319
Speaker 3: She received that so well where she she was appreciative

700
00:38:30,360 --> 00:38:33,640
Speaker 3: of him saying that without being offended by it. Where

701
00:38:33,640 --> 00:38:36,160
Speaker 3: I think had Emily said the exact same thing, it

702
00:38:36,160 --> 00:38:39,200
Speaker 3: would have erupted into some big brawl. Instead, she was

703
00:38:39,239 --> 00:38:43,040
Speaker 3: so grateful for that and kind of and he was,

704
00:38:43,120 --> 00:38:45,360
Speaker 3: and then he was so receptive to her, saying I

705
00:38:45,400 --> 00:38:46,400
Speaker 3: don't want to sell.

706
00:38:47,560 --> 00:38:53,720
Speaker 1: Mm hmm hmm. Yeah, it's interesting. I was reading something

707
00:38:53,760 --> 00:39:00,279
Speaker 1: about you know how you raise your children and for

708
00:39:00,480 --> 00:39:07,720
Speaker 1: every reprimand you know, you should give them five compliments. Interesting,

709
00:39:07,920 --> 00:39:09,800
Speaker 1: or if you make a mistake and get angry and

710
00:39:09,880 --> 00:39:14,080
Speaker 1: appropriate whatever, it takes five compliments to erase that. You know.

711
00:39:14,200 --> 00:39:16,320
Speaker 1: They did some studies over a thirty.

712
00:39:16,400 --> 00:39:17,040
Speaker 3: That's interesting.

713
00:39:17,120 --> 00:39:19,520
Speaker 1: Yeah, it is interesting, and I just it's just I

714
00:39:19,680 --> 00:39:23,719
Speaker 1: just thought of how many compliments Emily would have to

715
00:39:23,719 --> 00:39:28,759
Speaker 1: give Laurel rehabilitate that relationship. It would take seven seasons

716
00:39:28,840 --> 00:39:35,279
Speaker 1: just of Emily complimenting, and.

717
00:39:35,200 --> 00:39:38,319
Speaker 3: Like any daughter does, Laura is always going back and

718
00:39:38,320 --> 00:39:41,040
Speaker 3: giving her another shot, and then Emily blows it again.

719
00:39:41,480 --> 00:39:44,320
Speaker 3: So it's just like I think the problem for Emily

720
00:39:44,360 --> 00:39:47,280
Speaker 3: is she can't take the path that Laurel I wants.

721
00:39:47,480 --> 00:39:53,960
Speaker 3: She's always trying to control, control, control, it's rough, whereas

722
00:39:54,080 --> 00:39:56,600
Speaker 3: Richard I just think is less.

723
00:39:56,360 --> 00:39:59,480
Speaker 1: Control and it's and it's ineffective and it produces the

724
00:39:59,480 --> 00:40:03,000
Speaker 1: opposite result. That's right, She's getting the opposite of what

725
00:40:03,040 --> 00:40:03,520
Speaker 1: she wants.

726
00:40:04,080 --> 00:40:07,320
Speaker 4: He's giving insight. Like even with Luke, Like what Richard

727
00:40:07,360 --> 00:40:10,000
Speaker 4: did with Luke was so different than what Emily did

728
00:40:10,000 --> 00:40:12,120
Speaker 4: with That's right, you know, with like, hey, let me

729
00:40:12,120 --> 00:40:14,000
Speaker 4: help you franchise. Are you interested in that? You know,

730
00:40:14,120 --> 00:40:19,200
Speaker 4: like trying to like yeah, versus Emily is like, I'm

731
00:40:19,200 --> 00:40:21,799
Speaker 4: gonna bring Christopher back in the picture because she's.

732
00:40:21,480 --> 00:40:25,200
Speaker 3: Mean, she can be mean, and Richard's rarely mean.

733
00:40:25,760 --> 00:40:26,120
Speaker 1: M m.

734
00:40:26,960 --> 00:40:30,520
Speaker 4: It's also a delivery thing. Like I think with Richard,

735
00:40:30,719 --> 00:40:35,000
Speaker 4: he is understanding and hears and listens, Versus Emily's like,

736
00:40:35,160 --> 00:40:39,839
Speaker 4: you need to do this and this only otherwise you're wrong.

737
00:40:41,320 --> 00:40:41,719
Speaker 1: Mm hmm.

738
00:40:42,360 --> 00:40:43,879
Speaker 3: My way or the highway kind of thing.

739
00:40:44,680 --> 00:40:49,480
Speaker 1: It is interesting, right, Richard's really never been, as we

740
00:40:49,600 --> 00:40:52,319
Speaker 1: have seen, and correct me if I'm wrong, proactive in

741
00:40:53,719 --> 00:40:56,960
Speaker 1: luring Laurel I back into the family fold. It's always

742
00:40:57,000 --> 00:40:59,919
Speaker 1: he's taken second fiddle to Emily, right m hm. Because

743
00:41:00,080 --> 00:41:03,719
Speaker 1: he's busy, he's traveling, he's working. It's it's something he's

744
00:41:03,760 --> 00:41:06,600
Speaker 1: given up on. He's he's heartbroken about it, but he's

745
00:41:06,640 --> 00:41:09,280
Speaker 1: got over it and now he's just living his life

746
00:41:09,520 --> 00:41:10,840
Speaker 1: with his wife. Right.

747
00:41:11,480 --> 00:41:13,799
Speaker 4: The only thing I will say that like from my

748
00:41:14,239 --> 00:41:19,440
Speaker 4: recent recollection is the whole Digger situation was a a

749
00:41:19,600 --> 00:41:22,880
Speaker 4: thing that Richard did that was kind of rough, but

750
00:41:22,960 --> 00:41:23,759
Speaker 4: he sort.

751
00:41:23,480 --> 00:41:26,000
Speaker 3: Of did it for the quote right reasons and that

752
00:41:26,480 --> 00:41:29,799
Speaker 3: he was going to be screwed. His his nest egg

753
00:41:29,880 --> 00:41:31,880
Speaker 3: was going to be screwed. So he just did what

754
00:41:31,960 --> 00:41:35,080
Speaker 3: he needed to do. And if if Digger was shrapnel

755
00:41:35,239 --> 00:41:39,040
Speaker 3: in that, he was like, I'm sorry.

756
00:41:38,840 --> 00:41:41,560
Speaker 1: You know what, Digger set himself up for that to

757
00:41:41,640 --> 00:41:44,120
Speaker 1: come to a guy with the level of experience that

758
00:41:44,239 --> 00:41:47,320
Speaker 1: Richard has, you know you you had if you don't

759
00:41:47,400 --> 00:41:51,880
Speaker 1: know that you're the one getting played, hmmm, because Tigger

760
00:41:52,000 --> 00:41:53,960
Speaker 1: just set himself up. I mean it was it was

761
00:41:54,040 --> 00:41:56,719
Speaker 1: kind of obvious. That's very true that he was just

762
00:41:56,760 --> 00:42:00,200
Speaker 1: going to get used. You know, he entered a very

763
00:42:00,360 --> 00:42:03,440
Speaker 1: very precarious position when he leaves his father and he

764
00:42:03,760 --> 00:42:06,279
Speaker 1: betrays his own father and he comes to Richard with

765
00:42:06,320 --> 00:42:09,040
Speaker 1: all that information. It's like Richard was just like licking

766
00:42:09,080 --> 00:42:13,160
Speaker 1: his chops, right, you are giving me a pathway back.

767
00:42:13,239 --> 00:42:15,640
Speaker 3: Yeah, that was a messy, messy, but.

768
00:42:15,640 --> 00:42:16,640
Speaker 1: It was kind of brilliant.

769
00:42:17,000 --> 00:42:22,040
Speaker 3: Yeah. Oh, Richard was very he handled it very very sharp.

770
00:42:22,040 --> 00:42:25,720
Speaker 1: Cookie. He's a strategic guy, you know, wow.

771
00:42:25,640 --> 00:42:27,840
Speaker 3: And business is business. He needed to do what was

772
00:42:27,920 --> 00:42:29,000
Speaker 3: right for his business.

773
00:42:29,080 --> 00:42:32,319
Speaker 1: He didn't get mad, he got even Yeah, and he won.

774
00:42:33,680 --> 00:42:37,480
Speaker 3: So and Digger came back anyway, and Lauralai kind of

775
00:42:37,480 --> 00:42:42,680
Speaker 3: didn't want him.

776
00:42:40,640 --> 00:42:43,040
Speaker 1: So well, you know, who wants some schmuck that goes

777
00:42:43,040 --> 00:42:45,640
Speaker 1: against their family and.

778
00:42:44,840 --> 00:42:46,279
Speaker 3: At that point she wanted you.

779
00:42:46,640 --> 00:42:49,200
Speaker 1: That was how much respect can you have for somebody?

780
00:42:52,040 --> 00:42:52,840
Speaker 1: And give me a break.

781
00:42:56,160 --> 00:42:57,880
Speaker 6: Hey, guys, it's Joe Answering.

782
00:42:57,920 --> 00:42:59,319
Speaker 8: I hear from Bachelor Happy Hour.

783
00:42:59,520 --> 00:43:02,560
Speaker 6: We have a really exciting episode dropping on Wednesday. We

784
00:43:02,640 --> 00:43:05,600
Speaker 6: will be the one and only podcast talking to the

785
00:43:05,680 --> 00:43:07,600
Speaker 6: new Golden Bachelor, Gary.

786
00:43:08,160 --> 00:43:10,040
Speaker 8: I know you've seen the teasers for it, and you've

787
00:43:10,040 --> 00:43:12,919
Speaker 8: probably heard about the show for ages, But now it's

788
00:43:12,960 --> 00:43:15,600
Speaker 8: happening and the Golden Bachelor has been revealed.

789
00:43:15,840 --> 00:43:18,280
Speaker 6: We are talking to Gary about how he's getting ready

790
00:43:18,320 --> 00:43:20,640
Speaker 6: for his journey, what his friends and family think about

791
00:43:20,640 --> 00:43:23,560
Speaker 6: all this, and what he is most excited and nervous

792
00:43:23,600 --> 00:43:27,160
Speaker 6: about in taking on the role of the first Golden Bachelor.

793
00:43:27,600 --> 00:43:31,319
Speaker 8: Plus he is revealing exactly what kind of woman he's

794
00:43:31,320 --> 00:43:34,840
Speaker 8: hoping to meet, only to us in an exclusive interview

795
00:43:34,880 --> 00:43:36,080
Speaker 8: with Bachelor Happy Hours.

796
00:43:36,360 --> 00:43:38,920
Speaker 6: I mean, after talking to him, I personally I think

797
00:43:38,920 --> 00:43:40,480
Speaker 6: he's gonna fall in love with multiple women.

798
00:43:40,719 --> 00:43:43,240
Speaker 8: You think so, oh, yeah, for sure. I think Gary

799
00:43:43,360 --> 00:43:45,440
Speaker 8: is such a star. I feel like the women are

800
00:43:45,440 --> 00:43:47,120
Speaker 8: going to be head over heels for him, and the

801
00:43:47,160 --> 00:43:48,520
Speaker 8: audience is going to love him as well.

802
00:43:48,640 --> 00:43:50,719
Speaker 6: I think it's a star. I think he's a confident man,

803
00:43:51,120 --> 00:43:53,319
Speaker 6: but I just don't think he knows what he's getting into.

804
00:43:53,360 --> 00:43:56,520
Speaker 6: He's about to date a multitude of women.

805
00:43:56,680 --> 00:43:58,719
Speaker 8: I mean, I think the experience will be amazing for

806
00:43:58,840 --> 00:44:01,880
Speaker 8: him and Jeff as amazing for us follow along.

807
00:44:02,000 --> 00:44:05,200
Speaker 6: Oh, I agree, So Bachelor Nation, make sure to tune

808
00:44:05,200 --> 00:44:08,520
Speaker 6: into Bachelor Happy Hour on Wednesday, just like Gary. We

809
00:44:08,680 --> 00:44:09,920
Speaker 6: promise it will be.

810
00:44:09,880 --> 00:44:13,520
Speaker 8: Worth the way, and don't forget to subscribe.

811
00:44:13,920 --> 00:44:16,120
Speaker 3: Okay, So then we get this scene with Lane and Zach,

812
00:44:16,200 --> 00:44:19,160
Speaker 3: which was quite adorable. They're eating sort of like weird

813
00:44:19,200 --> 00:44:23,080
Speaker 3: spaghetti with candle light and they kiss and then she

814
00:44:23,280 --> 00:44:27,239
Speaker 3: has this oh my god moment where she realizes he

815
00:44:27,400 --> 00:44:31,279
Speaker 3: thinks he's gonna get it, and she's like, oh, I

816
00:44:31,320 --> 00:44:35,279
Speaker 3: need to wait till marriage. What She's like, what did

817
00:44:35,320 --> 00:44:36,080
Speaker 3: I just say.

818
00:44:36,200 --> 00:44:39,319
Speaker 4: It's like all the things that she was taught as

819
00:44:39,360 --> 00:44:42,359
Speaker 4: it growing up that she needed to do wait till

820
00:44:42,400 --> 00:44:45,160
Speaker 4: you're married, to have sex or you know whatever, and

821
00:44:45,160 --> 00:44:48,080
Speaker 4: it's like all that stuff is so deeply ingrained into

822
00:44:48,120 --> 00:44:51,680
Speaker 4: her brain. But as we know, like she has been

823
00:44:51,760 --> 00:44:55,640
Speaker 4: rebelling against that you know, upbringing.

824
00:44:55,120 --> 00:44:56,279
Speaker 3: That she was raised with.

825
00:44:56,760 --> 00:45:00,399
Speaker 4: And so it's like, wait, do I actually believe that

826
00:45:00,400 --> 00:45:02,960
Speaker 4: that's what I want to do? Or do I actually

827
00:45:02,960 --> 00:45:04,040
Speaker 4: do want to have sex with him?

828
00:45:04,080 --> 00:45:06,880
Speaker 3: I don't know, right, And I think she doesn't know.

829
00:45:07,040 --> 00:45:10,040
Speaker 3: She's like birds do it, Bees do it? And then

830
00:45:10,280 --> 00:45:12,880
Speaker 3: he was so sweet, him saying, I pushed you. I

831
00:45:12,920 --> 00:45:13,920
Speaker 3: should be arrested.

832
00:45:15,600 --> 00:45:19,600
Speaker 1: You know, I realize this was the scene that I'm

833
00:45:19,680 --> 00:45:24,680
Speaker 1: so disappointed in. No, really, yeah, this is the one.

834
00:45:24,800 --> 00:45:27,759
Speaker 1: This is when we played our round robin in the beginning. Yeah,

835
00:45:27,920 --> 00:45:29,920
Speaker 1: tell us and you all got the buzzer. This is

836
00:45:30,000 --> 00:45:32,840
Speaker 1: this is the one. This is the one. I just listen.

837
00:45:32,960 --> 00:45:40,839
Speaker 1: I just wanted to see Lane. I wanted to see

838
00:45:40,880 --> 00:45:44,520
Speaker 1: her have an experience. I wanted to see her not

839
00:45:44,880 --> 00:45:49,799
Speaker 1: so much rebel but allow herself to live and be

840
00:45:50,239 --> 00:45:52,560
Speaker 1: away from her mother's voice, so she wouldn't have to

841
00:45:52,600 --> 00:45:54,520
Speaker 1: walk up to her mother on the street that she

842
00:45:54,600 --> 00:45:59,480
Speaker 1: saw randomly handing out pamphlets for whatever reason. Oh gosh,

843
00:45:59,520 --> 00:46:01,560
Speaker 1: and say you're in my head. You know, I'm just

844
00:46:01,680 --> 00:46:06,040
Speaker 1: I'm tired of the shrill lane. It's like, can you

845
00:46:06,120 --> 00:46:09,879
Speaker 1: just give her a different experience as opposed to like

846
00:46:10,120 --> 00:46:12,520
Speaker 1: popping all the time at the end of scenes and

847
00:46:13,160 --> 00:46:17,040
Speaker 1: getting hysterical. It's like, I get it. I all the

848
00:46:17,120 --> 00:46:21,360
Speaker 1: build up has happened. Let her have a different experience.

849
00:46:21,400 --> 00:46:24,799
Speaker 1: I was so wanting to for her to have a

850
00:46:24,920 --> 00:46:28,319
Speaker 1: better journey than this in this episode because she's been

851
00:46:28,360 --> 00:46:31,840
Speaker 1: waiting for so long with different guys and it didn't

852
00:46:31,880 --> 00:46:33,080
Speaker 1: work out for whatever reason.

853
00:46:33,200 --> 00:46:36,640
Speaker 3: Let her have a beautiful guy with the hair when

854
00:46:36,640 --> 00:46:37,799
Speaker 3: she touched the hair right.

855
00:46:37,920 --> 00:46:40,759
Speaker 1: It doesn't have to be she doesn't have to have

856
00:46:40,840 --> 00:46:44,440
Speaker 1: sex with Zach. Just have a beautiful experience. Let these

857
00:46:44,480 --> 00:46:47,080
Speaker 1: two people have a beautiful experience. It could be just

858
00:46:47,120 --> 00:46:51,879
Speaker 1: sort of making out on the couch and Zach saying, gosh,

859
00:46:52,120 --> 00:46:54,680
Speaker 1: this is like for me right now, this is enough

860
00:46:54,719 --> 00:46:58,440
Speaker 1: for me, you know, you know, like make it really lovely.

861
00:46:58,520 --> 00:47:01,040
Speaker 3: So there's like allow her to be authentic to her

862
00:47:01,280 --> 00:47:05,640
Speaker 3: rather than yes, selling too wild because she's rebelling or

863
00:47:06,400 --> 00:47:09,760
Speaker 3: going the way of her mom, like what does she want?

864
00:47:09,960 --> 00:47:14,560
Speaker 1: It just felt like forced conflict, conflict, and I just

865
00:47:16,800 --> 00:47:18,920
Speaker 1: it surprised me that it went there.

866
00:47:19,160 --> 00:47:22,040
Speaker 3: Forced conflict within herself, because that's no, no, no no.

867
00:47:22,120 --> 00:47:24,640
Speaker 1: Within the writing. I thought, I thought this was a

868
00:47:24,680 --> 00:47:26,839
Speaker 1: weak link here in the episode, and I just thought,

869
00:47:26,880 --> 00:47:31,120
Speaker 1: there's better. There's a better outcome than this for Lane.

870
00:47:31,200 --> 00:47:35,080
Speaker 1: There has to be, because she's this is it's it's

871
00:47:35,160 --> 00:47:38,560
Speaker 1: becoming like a cliche and it's like enough already of

872
00:47:38,640 --> 00:47:42,439
Speaker 1: Lane flipping out and being sabotaged by the mother's voice

873
00:47:42,440 --> 00:47:42,799
Speaker 1: in her head.

874
00:47:42,840 --> 00:47:45,040
Speaker 3: It didn't, You're right, it didn't. It didn't grow the

875
00:47:45,160 --> 00:47:49,000
Speaker 3: character because she behaved just like how she always has.

876
00:47:49,040 --> 00:47:52,040
Speaker 3: So whether whatever her decision was, I wanted to be

877
00:47:52,239 --> 00:47:54,839
Speaker 3: hers rather than the voice of her mom in her hand.

878
00:47:55,280 --> 00:47:58,040
Speaker 1: But I do write, but I do see strength in

879
00:47:58,120 --> 00:48:00,720
Speaker 1: what she did because it kind of was her decision

880
00:48:01,520 --> 00:48:03,600
Speaker 1: and maybe this wasn't the right guy in the right

881
00:48:03,680 --> 00:48:08,120
Speaker 1: moment and all that, But then she admitted that you're

882
00:48:08,600 --> 00:48:14,040
Speaker 1: you know, mom, you're in my head. You know. It's like,

883
00:48:16,120 --> 00:48:18,880
Speaker 1: I'm sorry. I just wanted to see a better experience

884
00:48:18,920 --> 00:48:23,480
Speaker 1: for her. I wanted I want to see the beginning

885
00:48:23,520 --> 00:48:27,480
Speaker 1: of her liberation, the beginning of her real liberation, her

886
00:48:27,520 --> 00:48:30,400
Speaker 1: real growth. Yeah, I just thought it was a missed opportunity.

887
00:48:30,480 --> 00:48:31,319
Speaker 1: I was disappointed.

888
00:48:31,520 --> 00:48:34,279
Speaker 3: I think that's a I did not even think of that.

889
00:48:34,360 --> 00:48:36,359
Speaker 3: And I think it's a really interesting take in that

890
00:48:37,320 --> 00:48:40,520
Speaker 3: it is a bit redundant to the Lane we've seen

891
00:48:40,560 --> 00:48:41,880
Speaker 3: over and over and over again.

892
00:48:42,200 --> 00:48:44,279
Speaker 1: Because it's a big episode for Lane. We saw a

893
00:48:44,280 --> 00:48:46,080
Speaker 1: lot of Lane. There was a lot of Lane and

894
00:48:46,160 --> 00:48:48,440
Speaker 1: Zach and a lot of Lane and Rory and all

895
00:48:48,520 --> 00:48:50,560
Speaker 1: of this set up, and it's like, oh, yeah, now

896
00:48:50,600 --> 00:48:52,680
Speaker 1: they're going to give her something real nice.

897
00:48:52,960 --> 00:48:58,440
Speaker 3: The only like contrarian sort of explanation I can come

898
00:48:58,520 --> 00:49:06,000
Speaker 3: up with is that Lane, who's always rebelled against her heritage,

899
00:49:06,200 --> 00:49:12,000
Speaker 3: or her upbringing or her you know, life, She's always

900
00:49:12,040 --> 00:49:15,080
Speaker 3: rebelled against it, but at the moment when she could,

901
00:49:15,920 --> 00:49:21,640
Speaker 3: she actually sort of maybe agrees with that. Maybe she

902
00:49:21,719 --> 00:49:25,240
Speaker 3: does want to wait till marriage, and maybe the lessons

903
00:49:25,239 --> 00:49:27,839
Speaker 3: her mom taught her, some of them she didn't need

904
00:49:27,880 --> 00:49:33,319
Speaker 3: to rebel against, because maybe there is worthiness in those

905
00:49:33,400 --> 00:49:34,520
Speaker 3: lessons she was taught.

906
00:49:35,680 --> 00:49:38,239
Speaker 1: Well, I mean, yeah, I mean, let's uh, I mean

907
00:49:38,320 --> 00:49:45,280
Speaker 1: talk about I hate to say this. It's gonna sound

908
00:49:45,520 --> 00:49:49,560
Speaker 1: Gilmore esque, but I mean talk about lowering your standards.

909
00:49:49,760 --> 00:49:54,000
Speaker 1: I mean, you're with some monosyllabic guitar player who is

910
00:49:54,120 --> 00:49:55,800
Speaker 1: like serving coke flat coke.

911
00:49:57,920 --> 00:50:03,920
Speaker 3: See I actually, wow, right, there is that. But then

912
00:50:03,920 --> 00:50:06,319
Speaker 3: at the same time, it's like, I think she genuinely

913
00:50:08,280 --> 00:50:10,759
Speaker 3: really digs him, do you know what I mean? And

914
00:50:10,800 --> 00:50:14,360
Speaker 3: I think he really cares about her, and they're completely

915
00:50:14,760 --> 00:50:19,759
Speaker 3: like connected, and they have the music. Yes, I think

916
00:50:19,800 --> 00:50:22,560
Speaker 3: they have the music, and they're sort of what.

917
00:50:22,800 --> 00:50:24,800
Speaker 1: Do you what do you do you think? Lane? Lane

918
00:50:24,840 --> 00:50:26,120
Speaker 1: is a brainy.

919
00:50:25,840 --> 00:50:28,680
Speaker 3: Kid, but she loves him.

920
00:50:28,880 --> 00:50:32,040
Speaker 1: She's just really smart. She's a smart kid. She's a

921
00:50:32,120 --> 00:50:33,400
Speaker 1: high IQ kid.

922
00:50:33,880 --> 00:50:34,200
Speaker 5: Correct.

923
00:50:34,239 --> 00:50:37,200
Speaker 3: But he's the he's her dream boat. He's the punk.

924
00:50:37,480 --> 00:50:40,440
Speaker 3: He has all the girls throwing themselves at him, and

925
00:50:40,480 --> 00:50:43,319
Speaker 3: he picks her. And she loves the music and they

926
00:50:43,320 --> 00:50:47,680
Speaker 3: have wonderful conversations and like you're saying, she gets to

927
00:50:47,880 --> 00:50:54,759
Speaker 3: have fun, she gets to enjoy It's it's different for her.

928
00:50:54,920 --> 00:50:59,120
Speaker 3: It's not. Look, it's impossible to replace Adam Brody, so

929
00:50:59,280 --> 00:51:01,480
Speaker 3: we're never gonna that was the guy for her, And

930
00:51:01,520 --> 00:51:04,120
Speaker 3: I think the intention probably was for that to be

931
00:51:04,200 --> 00:51:07,200
Speaker 3: the guy. The whole series, but off he went to

932
00:51:07,239 --> 00:51:09,839
Speaker 3: the O C and then here here we are.

933
00:51:10,520 --> 00:51:14,320
Speaker 4: For me, it's kind of like, Okay, using Dave Rigowski

934
00:51:14,680 --> 00:51:19,279
Speaker 4: and Laane as an example, those two, like if they

935
00:51:19,640 --> 00:51:21,840
Speaker 4: if they had sex back then, I would have been like,

936
00:51:22,040 --> 00:51:26,040
Speaker 4: that makes sense, Like it just does. Logan and Rory

937
00:51:26,120 --> 00:51:31,120
Speaker 4: having sex makes sense. But like Lane and Zach do

938
00:51:31,280 --> 00:51:31,959
Speaker 4: not make sense.

939
00:51:32,120 --> 00:51:35,200
Speaker 1: I agree they do not. It does not make sense.

940
00:51:35,280 --> 00:51:41,719
Speaker 1: It does make sense in a world where Lane is

941
00:51:41,920 --> 00:51:46,560
Speaker 1: so desperate and so out of touch with her upbringing,

942
00:51:47,880 --> 00:51:51,360
Speaker 1: and that the correction, the danger of raising a child

943
00:51:51,520 --> 00:51:54,080
Speaker 1: in such a strict atmosphere is that they're going to

944
00:51:54,520 --> 00:51:57,959
Speaker 1: correct that in a really negative way. And I think

945
00:51:58,080 --> 00:52:02,520
Speaker 1: that's rebel right and rebel in a bad way. And

946
00:52:02,560 --> 00:52:05,440
Speaker 1: that's what I think she prevented herself from doing. So

947
00:52:05,480 --> 00:52:07,960
Speaker 1: maybe kind of was a blessing.

948
00:52:08,800 --> 00:52:12,040
Speaker 3: Yeah, yeah, it's sort of like she's doing the right

949
00:52:12,080 --> 00:52:14,759
Speaker 3: thing because she's not ready. Obviously she was ready, she

950
00:52:14,760 --> 00:52:17,360
Speaker 3: would do it. She's not ready yet. My hope for

951
00:52:17,480 --> 00:52:22,680
Speaker 3: Lane is that she's able to marry essentially her upbringing,

952
00:52:23,360 --> 00:52:27,480
Speaker 3: the wishes her mom has for her, and the wishes

953
00:52:27,560 --> 00:52:30,160
Speaker 3: and dreams she has for herself that she's able to

954
00:52:30,239 --> 00:52:34,520
Speaker 3: find a place where those come together and she's truly

955
00:52:34,560 --> 00:52:37,400
Speaker 3: authentically making the decisions she wants to do.

956
00:52:37,560 --> 00:52:40,839
Speaker 1: So was this relationship with Zach supposed to show us

957
00:52:40,880 --> 00:52:43,560
Speaker 1: that how far off the mark she is? Like, it's

958
00:52:43,560 --> 00:52:45,439
Speaker 1: one thing to rebel against your mother and get away

959
00:52:45,440 --> 00:52:48,520
Speaker 1: and that's that's a positive, but to end up there.

960
00:52:48,480 --> 00:52:50,239
Speaker 3: I don't know. Talk to Danielle because Tara and I

961
00:52:50,280 --> 00:52:53,400
Speaker 3: cannot answer this because I was going to say completely

962
00:52:53,480 --> 00:52:56,359
Speaker 3: just way knowing where we're going with it.

963
00:52:56,719 --> 00:52:57,680
Speaker 5: Yeah, I'm not going to bring it.

964
00:52:58,000 --> 00:53:01,080
Speaker 1: Does not make sense. And I think that's what about

965
00:53:01,120 --> 00:53:04,120
Speaker 1: every single scene of theirs. This makes no sense. What

966
00:53:04,200 --> 00:53:04,719
Speaker 1: is she doing?

967
00:53:04,880 --> 00:53:07,000
Speaker 4: Okay, so this is my question. Is it a like

968
00:53:07,239 --> 00:53:10,840
Speaker 4: chemistry thing between the two actors or is it like

969
00:53:11,120 --> 00:53:14,239
Speaker 4: between or is it how it's written? Because for me,

970
00:53:14,360 --> 00:53:18,680
Speaker 4: it's like I don't even see Lane and Zach flirting

971
00:53:19,120 --> 00:53:22,839
Speaker 4: at all, Like I just don't see the spark or

972
00:53:22,920 --> 00:53:26,280
Speaker 4: the connection like I do Logan and Rory, or even

973
00:53:26,360 --> 00:53:28,719
Speaker 4: I agree with Bayne and David Galci. You're just kind

974
00:53:28,719 --> 00:53:31,480
Speaker 4: of like this is her buddy from her band that

975
00:53:31,800 --> 00:53:34,959
Speaker 4: she moved in with. She's kind of like, well, you're there,

976
00:53:35,280 --> 00:53:35,960
Speaker 4: let's make out.

977
00:53:36,920 --> 00:53:38,840
Speaker 3: So do you feel and this is a dig and

978
00:53:38,960 --> 00:53:42,200
Speaker 3: apologize to every all the Lane and Zach fans, do

979
00:53:42,280 --> 00:53:45,480
Speaker 3: you feel that like they wanted to have Lane have

980
00:53:45,840 --> 00:53:49,200
Speaker 3: a big storyline and this was the guy that was there.

981
00:53:50,200 --> 00:53:51,960
Speaker 3: Is that what you're sort of feeling, Like it's it's

982
00:53:52,040 --> 00:53:54,879
Speaker 3: round peg square hole, Like they just needed to give

983
00:53:54,920 --> 00:53:57,919
Speaker 3: her more because she's so amazing and talented and great

984
00:53:57,960 --> 00:54:00,279
Speaker 3: on the show, and she's such an important character her

985
00:54:00,840 --> 00:54:02,759
Speaker 3: and it can't just only be Rory and Lane. Roryan

986
00:54:02,840 --> 00:54:05,960
Speaker 3: Lane and Zach is the guy that was left behind

987
00:54:06,000 --> 00:54:07,600
Speaker 3: when when Adam Brody left.

988
00:54:07,960 --> 00:54:12,160
Speaker 4: Yeah, definitely for me, yes, because it's kind of like, okay,

989
00:54:12,239 --> 00:54:13,960
Speaker 4: find you find another guy in the band that was

990
00:54:13,960 --> 00:54:16,480
Speaker 4: in the band when the guy that you really should

991
00:54:16,480 --> 00:54:18,960
Speaker 4: be with was in the band too, you know, like

992
00:54:19,520 --> 00:54:23,400
Speaker 4: I would have rather Lane had I don't know, like

993
00:54:23,480 --> 00:54:28,040
Speaker 4: if Luke had another server at the diner or something

994
00:54:28,120 --> 00:54:31,680
Speaker 4: and they had this cute like relationship there. It was

995
00:54:31,760 --> 00:54:35,080
Speaker 4: just the fact that he's in the band and while

996
00:54:35,280 --> 00:54:39,359
Speaker 4: David Galski was in the picture, she had absolutely no

997
00:54:39,400 --> 00:54:40,520
Speaker 4: connection to this guy.

998
00:54:40,960 --> 00:54:43,120
Speaker 3: She sort of had more chemistry with that guy she

999
00:54:43,239 --> 00:54:47,400
Speaker 3: dated from Chilton. Yeah, it was so cute.

1000
00:54:48,239 --> 00:54:52,320
Speaker 1: It makes more sense with the other skinny kid in

1001
00:54:52,360 --> 00:54:52,920
Speaker 1: the band.

1002
00:54:53,600 --> 00:54:54,880
Speaker 3: I know, I was gonna say, he wish she was

1003
00:54:54,880 --> 00:54:56,040
Speaker 3: with Brian Bryan.

1004
00:54:56,280 --> 00:54:59,319
Speaker 1: It makes more sense with Brian, and it almost makes

1005
00:54:59,360 --> 00:55:04,000
Speaker 1: more sense with Sebastian Bach and a weird would.

1006
00:55:03,840 --> 00:55:06,799
Speaker 4: Be entertaining, super entertaining.

1007
00:55:08,480 --> 00:55:10,040
Speaker 5: I was going to say, do you think it's also

1008
00:55:10,080 --> 00:55:13,440
Speaker 5: because like sometimes people just like guys because they're in

1009
00:55:13,520 --> 00:55:15,680
Speaker 5: a band, and they can say, and I.

1010
00:55:15,600 --> 00:55:20,000
Speaker 3: Think she likes because all the girls like him. You guys, remember.

1011
00:55:19,800 --> 00:55:21,399
Speaker 5: When all the girls were on him in the.

1012
00:55:21,400 --> 00:55:26,040
Speaker 3: Diners at him, They throw themselves at him, but at

1013
00:55:26,040 --> 00:55:28,080
Speaker 3: the diner second choice.

1014
00:55:28,239 --> 00:55:30,960
Speaker 1: But he was right, but he was Hugh hefnering it

1015
00:55:31,120 --> 00:55:34,000
Speaker 1: all the time, like there's two ladies and we're gonna

1016
00:55:34,040 --> 00:55:37,960
Speaker 1: go over here now and there atlea and the kind

1017
00:55:38,000 --> 00:55:38,319
Speaker 1: of like.

1018
00:55:40,000 --> 00:55:42,040
Speaker 3: He's like the lead singer. She likes bon.

1019
00:55:42,000 --> 00:55:45,600
Speaker 5: Jovi and they're always together. She's she knows that like

1020
00:55:45,719 --> 00:55:48,440
Speaker 5: those girls will go away, but she's in the band.

1021
00:55:49,840 --> 00:55:52,040
Speaker 1: I don't her mother did a real job on her.

1022
00:55:52,200 --> 00:55:55,399
Speaker 4: I'll tell you, I don't see it, guys, I don't.

1023
00:55:55,560 --> 00:55:55,919
Speaker 1: I don't.

1024
00:55:56,400 --> 00:55:59,040
Speaker 5: I don't see the chemistry. I'm just trying to I

1025
00:55:59,040 --> 00:55:59,640
Speaker 5: don't see.

1026
00:55:59,440 --> 00:56:02,439
Speaker 3: The chemistry, but I don't dislike them together.

1027
00:56:03,000 --> 00:56:06,399
Speaker 1: Are they They're selling us that they have this great chemistry, right,

1028
00:56:06,440 --> 00:56:08,360
Speaker 1: and we're supposed to be in these scenes and like,

1029
00:56:08,400 --> 00:56:12,480
Speaker 1: oh yeah, you know, they're selling it, but we're not buying.

1030
00:56:14,960 --> 00:56:19,360
Speaker 1: So anyway, that's this is the issue. Yeah, that's the issue.

1031
00:56:20,040 --> 00:56:24,080
Speaker 3: Well, we go from that scene to another scene with

1032
00:56:24,120 --> 00:56:28,520
Speaker 3: two people who have amazing chemistry and banter together to

1033
00:56:28,640 --> 00:56:30,400
Speaker 3: the So we go to the Emily in the kitchen

1034
00:56:30,400 --> 00:56:32,560
Speaker 3: with all the flowers, and she's clearly upset and here

1035
00:56:32,560 --> 00:56:36,000
Speaker 3: comes Richard and even though they're fighting, Mandy, those two

1036
00:56:36,040 --> 00:56:39,279
Speaker 3: are perfect together. And you really that this is the

1037
00:56:39,400 --> 00:56:41,920
Speaker 3: scene we talked about and you're the favorite, and like

1038
00:56:42,000 --> 00:56:45,160
Speaker 3: Richard does sort of give the argument like she will

1039
00:56:45,200 --> 00:56:49,520
Speaker 3: deal with me, so I should continue that because I'll

1040
00:56:49,520 --> 00:56:51,520
Speaker 3: be the one to convince her to come back. I'm like,

1041
00:56:51,560 --> 00:56:54,160
Speaker 3: his theory is smart, although he's sort of like going

1042
00:56:54,239 --> 00:56:57,640
Speaker 3: up against Emily, But you're the favorite, so.

1043
00:56:59,040 --> 00:57:07,239
Speaker 1: You know, Yeah, he's a guy who feels comfortable not

1044
00:57:08,920 --> 00:57:18,200
Speaker 1: he exercises patriarchal power in a very admirable way. Yeah,

1045
00:57:18,800 --> 00:57:21,600
Speaker 1: he really does. I mean, it's it's a real example

1046
00:57:21,640 --> 00:57:26,240
Speaker 1: of a you know, you've You've got a strong woman here,

1047
00:57:26,680 --> 00:57:33,080
Speaker 1: an intelligent, strong, determined woman, and he loves her and

1048
00:57:33,880 --> 00:57:37,680
Speaker 1: it's fun to watch him love her. M h there.

1049
00:57:38,120 --> 00:57:39,920
Speaker 3: And I do think he is trying to work it

1050
00:57:39,960 --> 00:57:42,880
Speaker 3: out with Emily. Not not with Emily, He's trying to

1051
00:57:42,920 --> 00:57:45,080
Speaker 3: work it out with Rory and Laura. Like for Emily.

1052
00:57:45,160 --> 00:57:47,480
Speaker 3: I do think his intentions are good in that he

1053
00:57:47,600 --> 00:57:49,520
Speaker 3: is thinking he's going to be able to bring the

1054
00:57:49,520 --> 00:57:53,000
Speaker 3: family back together because they are so happy with him.

1055
00:57:53,320 --> 00:57:54,720
Speaker 1: Right right.

1056
00:57:55,440 --> 00:57:57,120
Speaker 3: So we go from that to then this is where

1057
00:57:57,200 --> 00:57:59,919
Speaker 3: Lane does her monologue with her mom, which I did laugh.

1058
00:58:00,200 --> 00:58:02,800
Speaker 3: First of all, she's wearing a bunny skateboarding on her

1059
00:58:02,800 --> 00:58:04,960
Speaker 3: sweater and then she brings up Donna from nine to

1060
00:58:05,080 --> 00:58:06,480
Speaker 3: two one Oho, which I thought was.

1061
00:58:06,560 --> 00:58:07,880
Speaker 5: Yeah, amazing.

1062
00:58:08,560 --> 00:58:11,040
Speaker 1: What when she shrieked at her mom, you're in.

1063
00:58:11,000 --> 00:58:14,080
Speaker 3: My hand, Yeah exactly, she's That's.

1064
00:58:13,880 --> 00:58:16,840
Speaker 1: The scene I wish they never shot see.

1065
00:58:16,880 --> 00:58:18,080
Speaker 3: I sort of found it amusing.

1066
00:58:18,320 --> 00:58:20,360
Speaker 1: I know it was amusing, but it's like, oh god,

1067
00:58:20,720 --> 00:58:22,240
Speaker 1: you know, here's another Lane.

1068
00:58:22,000 --> 00:58:23,760
Speaker 3: Here's another same thing we've seen a.

1069
00:58:23,680 --> 00:58:24,920
Speaker 1: Lot, like, can we just.

1070
00:58:28,760 --> 00:58:32,240
Speaker 3: And then she goes tell me if I'm saying this right?

1071
00:58:32,320 --> 00:58:35,080
Speaker 3: But I think she goes to Rory, and Rory says

1072
00:58:35,080 --> 00:58:40,880
Speaker 3: not in front of the books lane. So yeah, so

1073
00:58:40,920 --> 00:58:43,000
Speaker 3: she goes to Rory first and then she tells her

1074
00:58:43,000 --> 00:58:45,280
Speaker 3: what happened, and then she sees her mom in the street. Yeah,

1075
00:58:45,320 --> 00:58:49,240
Speaker 3: so all right. So then we get the phone call

1076
00:58:49,400 --> 00:58:55,080
Speaker 3: between Logan and Rory. She calls Logan from the bookstore

1077
00:58:55,120 --> 00:58:57,600
Speaker 3: because she realizes they were both wrong about Hemingway, which

1078
00:58:57,600 --> 00:59:00,919
Speaker 3: I thought was so cute and it was Hemingway right.

1079
00:59:01,360 --> 00:59:03,560
Speaker 3: And then he came back from his ski trip and

1080
00:59:03,600 --> 00:59:07,800
Speaker 3: sort of encourages her, Hey, you know, come back, and

1081
00:59:07,840 --> 00:59:10,160
Speaker 3: she wants to do it, and I thought I want

1082
00:59:10,200 --> 00:59:12,520
Speaker 3: her to do it, to see him and be with him.

1083
00:59:12,520 --> 00:59:16,000
Speaker 3: I thought it was so cute. I'm sorry. I'm sorry.

1084
00:59:16,040 --> 00:59:22,440
Speaker 3: I'm not sorry. I love them together. Sorry, not sorry.

1085
00:59:22,760 --> 00:59:25,240
Speaker 1: I'm with your soul, sister, man, I'm telling you.

1086
00:59:25,680 --> 00:59:26,280
Speaker 5: I love it.

1087
00:59:26,360 --> 00:59:28,600
Speaker 3: I wanted her to get in that car and get

1088
00:59:28,600 --> 00:59:29,080
Speaker 3: back there.

1089
00:59:29,160 --> 00:59:30,000
Speaker 5: They're so cute.

1090
00:59:30,320 --> 00:59:33,640
Speaker 1: I like that. She said, you know, I'll think about it,

1091
00:59:34,000 --> 00:59:34,800
Speaker 1: right her.

1092
00:59:34,680 --> 00:59:38,760
Speaker 3: Mom right, But she packed up immediately, and yeah, right away.

1093
00:59:38,680 --> 00:59:41,360
Speaker 1: She got the heck out of Dodge.

1094
00:59:41,880 --> 00:59:45,200
Speaker 2: So then we get the singing and the diner. So

1095
00:59:47,600 --> 00:59:50,680
Speaker 2: Kirk's in the diner. First of all, Emily sits next,

1096
00:59:50,840 --> 00:59:55,240
Speaker 2: and Luke is just ignoring her, and she says to Kirk,

1097
00:59:56,160 --> 00:59:58,000
Speaker 2: you know, like can I can I have a word

1098
00:59:58,040 --> 00:59:58,840
Speaker 2: with him?

1099
00:59:59,240 --> 01:00:04,440
Speaker 3: Excuse a? And then she says like she says to

1100
01:00:04,520 --> 01:00:07,480
Speaker 3: Luke like she doesn't really say I messed up, but

1101
01:00:07,560 --> 01:00:11,000
Speaker 3: she's saying she wants you so go guess it.

1102
01:00:11,160 --> 01:00:11,480
Speaker 4: You won?

1103
01:00:12,240 --> 01:00:13,280
Speaker 3: You won? Yeah.

1104
01:00:13,520 --> 01:00:14,640
Speaker 5: Yeah, this is.

1105
01:00:14,600 --> 01:00:17,680
Speaker 4: One of my favorite scenes I think I've I have

1106
01:00:17,960 --> 01:00:20,400
Speaker 4: seen in this entire series.

1107
01:00:20,680 --> 01:00:24,320
Speaker 1: It's theater. It's great theater. You put that on a

1108
01:00:24,400 --> 01:00:27,760
Speaker 1: stage on Broadway and Kelly Bishop walks on and delivers

1109
01:00:27,800 --> 01:00:34,120
Speaker 1: that scene. That's wow. That was. She's brilliant, she's powerful,

1110
01:00:34,200 --> 01:00:37,360
Speaker 1: she's brilliant. She can take command of a scene and

1111
01:00:37,680 --> 01:00:38,560
Speaker 1: just mm.

1112
01:00:39,120 --> 01:00:41,880
Speaker 3: And you did great in the scene too, because you

1113
01:00:41,880 --> 01:00:45,120
Speaker 3: you went toe to toe with her. You're not like,

1114
01:00:45,320 --> 01:00:48,080
Speaker 3: oh missus Gilmore are freaking out. You're just like, I'm

1115
01:00:48,080 --> 01:00:50,360
Speaker 3: gonna ignore her. I'm gonna film my coffee pot, I'm

1116
01:00:50,360 --> 01:00:52,880
Speaker 3: gonna clean my thing.

1117
01:00:53,160 --> 01:00:56,920
Speaker 4: Her stuff wouldn't have been as powerful without Luke's stuff.

1118
01:00:57,560 --> 01:00:59,240
Speaker 3: You know, you'd always say nothing.

1119
01:00:59,000 --> 01:00:59,920
Speaker 4: To me and all that.

1120
01:01:00,880 --> 01:01:02,960
Speaker 1: You got to know your job, she says it you

1121
01:01:03,080 --> 01:01:05,280
Speaker 1: gotta know what to do in a scene.

1122
01:01:06,840 --> 01:01:09,360
Speaker 3: Yeah, the scene was great, and then we do get

1123
01:01:09,400 --> 01:01:12,680
Speaker 3: the moment that we that we have that we love.

1124
01:01:13,200 --> 01:01:16,120
Speaker 3: I mean, it was so amazing. You know, Laura's sitting

1125
01:01:16,160 --> 01:01:20,080
Speaker 3: there watching her movie and knock at the door, and it.

1126
01:01:20,040 --> 01:01:23,000
Speaker 1: Was I'm gonna I'm going to say something or I'll

1127
01:01:23,000 --> 01:01:25,640
Speaker 1: ask a question. Is it tad controversial? Is it better

1128
01:01:25,640 --> 01:01:26,560
Speaker 1: than the first kiss?

1129
01:01:26,960 --> 01:01:30,800
Speaker 4: Yes, you said, I like the first one better.

1130
01:01:31,040 --> 01:01:35,000
Speaker 5: Yeah, first one, the first one's they're both pretty pretty good.

1131
01:01:35,080 --> 01:01:38,320
Speaker 3: They're both I mean, we're talking nine point nine five

1132
01:01:38,400 --> 01:01:38,800
Speaker 3: in a ten.

1133
01:01:38,920 --> 01:01:41,200
Speaker 1: We'd like to hear your thoughts out there.

1134
01:01:42,320 --> 01:01:44,200
Speaker 4: The first one was more of like a dip, like

1135
01:01:44,800 --> 01:01:46,640
Speaker 4: I love you or kissing for the first time.

1136
01:01:46,800 --> 01:01:54,440
Speaker 3: The first bards, right, poor Hug. Finally, the first one

1137
01:01:54,720 --> 01:01:57,360
Speaker 3: funny when Kirk went running through the first one.

1138
01:01:57,640 --> 01:02:00,840
Speaker 1: The first one was tender romance and law and es

1139
01:02:01,240 --> 01:02:04,120
Speaker 1: fear and nervousness. In the second one was like, you know,

1140
01:02:04,280 --> 01:02:05,720
Speaker 1: let's get the heck upstairs.

1141
01:02:06,040 --> 01:02:14,000
Speaker 3: Yeah, they're both great. I couldn't I couldn't have been happier.

1142
01:02:14,040 --> 01:02:15,560
Speaker 3: I'm not gonna lie, I couldn't have been happier with

1143
01:02:15,600 --> 01:02:19,760
Speaker 3: the whole episode. Yeah, I understand your flag on it

1144
01:02:19,840 --> 01:02:22,120
Speaker 3: and respect it. But to me, ten out of ten,

1145
01:02:22,960 --> 01:02:23,760
Speaker 3: ten out of.

1146
01:02:23,760 --> 01:02:29,880
Speaker 1: Ten, I will deduct something. But you know, the Russian

1147
01:02:29,960 --> 01:02:31,320
Speaker 1: judge is getting a little testy.

1148
01:02:33,400 --> 01:02:37,000
Speaker 3: Do you have a favorite line before we uh give?

1149
01:02:37,160 --> 01:02:43,200
Speaker 1: Oh? Yeah, mine's uh Laurela. She says, what, uh what?

1150
01:02:43,320 --> 01:02:45,440
Speaker 1: I don't exist unless I can pop out of an

1151
01:02:45,480 --> 01:02:47,880
Speaker 1: envelope or something like that, because they were doing the

1152
01:02:47,920 --> 01:02:51,160
Speaker 1: mail routine. I don't exist unless I can you open

1153
01:02:51,280 --> 01:02:52,919
Speaker 1: up and I pop out of an oblo. I thought

1154
01:02:52,920 --> 01:02:53,480
Speaker 1: it was really.

1155
01:02:53,360 --> 01:02:57,680
Speaker 3: Funny, I said mine because I just love when Logan

1156
01:02:57,720 --> 01:02:59,439
Speaker 3: says Ace, I can't take a chance to be pulling

1157
01:02:59,440 --> 01:03:01,600
Speaker 3: out that person and someone might get hurt. Like I

1158
01:03:01,600 --> 01:03:04,720
Speaker 3: don't know. I just think his little zingers are always

1159
01:03:04,760 --> 01:03:07,720
Speaker 3: giving me as on it.

1160
01:03:09,840 --> 01:03:12,400
Speaker 4: Mine was from Emily. Were in that scene when she

1161
01:03:12,440 --> 01:03:14,680
Speaker 4: says I can't fight it, You've won. Go back to

1162
01:03:14,720 --> 01:03:15,160
Speaker 4: her m.

1163
01:03:17,080 --> 01:03:20,680
Speaker 5: I liked uh Kirk when Luke threw the towel that line.

1164
01:03:20,720 --> 01:03:22,320
Speaker 5: I can't remember word for word what it said.

1165
01:03:22,360 --> 01:03:23,200
Speaker 1: I have to pull it up.

1166
01:03:23,240 --> 01:03:26,840
Speaker 3: But oh the napkin, it's a cloth napkin and a moist.

1167
01:03:26,920 --> 01:03:30,840
Speaker 3: Tell there we go? Yeah, Oh my god, So I'll

1168
01:03:30,840 --> 01:03:33,200
Speaker 3: go first. Just because everybody knows. I will give it

1169
01:03:33,360 --> 01:03:40,920
Speaker 3: ten out of ten plates of hash that looked like vomit.

1170
01:03:44,760 --> 01:03:49,240
Speaker 4: Mine is nine point five laundry bags.

1171
01:03:52,280 --> 01:03:53,680
Speaker 3: She pretty much had nine point five.

1172
01:03:53,960 --> 01:03:59,720
Speaker 5: Yeah, I'll give it nine point two rum.

1173
01:03:59,560 --> 01:04:04,600
Speaker 1: Balls, oh good, nine point two. Yeah.

1174
01:04:04,600 --> 01:04:07,640
Speaker 5: It wasn't my favorite episode, but I enjoyed it interesting.

1175
01:04:09,640 --> 01:04:15,280
Speaker 1: I'm gonna give it nine point five lawsuits coming back

1176
01:04:15,320 --> 01:04:18,320
Speaker 1: at the diner and Lukes for like throwing physically throwing

1177
01:04:18,320 --> 01:04:19,480
Speaker 1: people out of his dinner.

1178
01:04:19,320 --> 01:04:23,600
Speaker 4: Injury poisoning, that's so true.

1179
01:04:24,280 --> 01:04:28,520
Speaker 1: But nine point five. Yeah, I'll deduct five tenths for

1180
01:04:28,760 --> 01:04:33,680
Speaker 1: the well what we've already discussed, but a slight deduction.

1181
01:04:35,960 --> 01:04:39,520
Speaker 1: There you go. All right, that's gonna wrap it up. Well.

1182
01:04:39,600 --> 01:04:49,040
Speaker 1: The next week we've got Pulp Friction season five, episode seventeen.

1183
01:04:49,240 --> 01:04:54,400
Speaker 1: We are getting very pregnant in season five, really really

1184
01:04:54,440 --> 01:05:03,240
Speaker 1: getting along here anyway, Thank you, Thank you ladies.

1185
01:05:04,480 --> 01:05:14,640
Speaker 7: Good good talk, good talk, Yes, so.

1186
01:05:14,480 --> 01:05:15,959
Speaker 1: Good good pod.

1187
01:05:16,520 --> 01:05:18,760
Speaker 3: I still like so good talk better.

1188
01:05:20,040 --> 01:05:26,520
Speaker 1: And the venerable Amy Sugarman. Anyway, thanks for downloading. Everybody,

1189
01:05:26,560 --> 01:05:29,280
Speaker 1: best fans on the planet. Always remember wherever we are

1190
01:05:30,920 --> 01:06:03,800
Speaker 1: and wherever I am, I am all in. Stay safe everyone, Hey, everybody,

1191
01:06:03,840 --> 01:06:07,240
Speaker 1: and to forget. Follow us on Instagram at i Am

1192
01:06:07,280 --> 01:06:12,200
Speaker 1: all In Podcast, and email us at Gilmore at iHeartRadio

1193
01:06:12,520 --> 01:06:22,880
Speaker 1: dot com