1
00:00:00,120 --> 00:00:03,480
Speaker 1: I listen to The Black Guy Who Tips podcast because

2
00:00:03,600 --> 00:00:06,359
Speaker 1: Rod and Karen are off ben glorious.

3
00:00:06,440 --> 00:00:10,440
Speaker 2: What is going on out there in the podcast world.

4
00:00:10,680 --> 00:00:14,560
Speaker 2: I am your host, Rod and I'm joined as always

5
00:00:14,600 --> 00:00:19,160
Speaker 2: by my queen consort Karen, and we are live bringing

6
00:00:19,160 --> 00:00:21,320
Speaker 2: you some more podcasting on The Black Guy Who Tips.

7
00:00:21,320 --> 00:00:23,760
Speaker 2: Find us everywhere you get podcasts, search The Black Guy

8
00:00:23,800 --> 00:00:27,440
Speaker 2: Who Tips. Will come up, leave us five star reviews

9
00:00:27,480 --> 00:00:30,840
Speaker 2: on Apple Podcasts. Look into the show notes, all those

10
00:00:30,840 --> 00:00:32,720
Speaker 2: ways or ways to get in contact with the show

11
00:00:33,000 --> 00:00:34,839
Speaker 2: and to have your voice heard. Whenever we do our

12
00:00:34,880 --> 00:00:38,040
Speaker 2: feedback shows on Saturdays, that's when you can let us

13
00:00:38,080 --> 00:00:40,040
Speaker 2: know what you thought about the topics that we had,

14
00:00:40,159 --> 00:00:43,800
Speaker 2: the guests that came through, whatever you know we missed,

15
00:00:43,840 --> 00:00:47,159
Speaker 2: whatever you disagree with, whatever you loved, just let us know,

16
00:00:47,400 --> 00:00:48,320
Speaker 2: send it our way.

17
00:00:48,760 --> 00:00:51,479
Speaker 1: And speaking of guests, we have one today.

18
00:00:52,320 --> 00:00:54,760
Speaker 2: Today's guest is the host of Drunk Black History and

19
00:00:54,800 --> 00:01:00,640
Speaker 2: medium popcorn writer actor comedian friend bring In Collins.

20
00:01:00,680 --> 00:01:01,200
Speaker 1: What's up man?

21
00:01:01,880 --> 00:01:05,280
Speaker 3: Here you go? Hey? I mean, after is a stretch,

22
00:01:05,319 --> 00:01:08,640
Speaker 3: but I appreciate the intro we did. I'm just behind

23
00:01:08,720 --> 00:01:11,000
Speaker 3: in the background of law and Order as the episode.

24
00:01:11,080 --> 00:01:12,720
Speaker 3: You know what I mean, But I'm still out here

25
00:01:12,760 --> 00:01:13,400
Speaker 3: making some money.

26
00:01:13,440 --> 00:01:14,440
Speaker 1: You're still acting in me.

27
00:01:14,800 --> 00:01:17,280
Speaker 2: Listen, we did a table read of one of your

28
00:01:17,440 --> 00:01:20,040
Speaker 2: high school uh moves.

29
00:01:19,800 --> 00:01:22,640
Speaker 1: College Yeah, oh oh wow, that was college.

30
00:01:22,760 --> 00:01:24,600
Speaker 3: Oh wow, I was old enough to know better.

31
00:01:25,000 --> 00:01:27,760
Speaker 1: Oh damn, I was giving you extra credit in my head.

32
00:01:28,760 --> 00:01:30,920
Speaker 3: High school was the movie. Remember. I don't know if

33
00:01:30,920 --> 00:01:33,040
Speaker 3: you were part of that live stream, but like I

34
00:01:33,080 --> 00:01:35,200
Speaker 3: should have movie that I made a high school that

35
00:01:35,280 --> 00:01:38,199
Speaker 3: was like a forty five minute insane tribute to boondogs.

36
00:01:38,480 --> 00:01:40,800
Speaker 3: And the script you read is a script I wrote

37
00:01:40,880 --> 00:01:42,280
Speaker 3: the screenwriting class in college.

38
00:01:42,440 --> 00:01:45,080
Speaker 2: Oh oh okay, Well, you know I was trying to

39
00:01:45,080 --> 00:01:47,120
Speaker 2: give you a little extra credit on that.

40
00:01:47,280 --> 00:01:50,760
Speaker 1: But you know, it's all good. It's all good. You know,

41
00:01:51,240 --> 00:01:53,800
Speaker 1: we stay in the integrity king, Okay.

42
00:01:53,840 --> 00:01:57,600
Speaker 2: We love transparency and honesty, and you are nothing if

43
00:01:57,640 --> 00:01:58,000
Speaker 2: not that.

44
00:01:58,080 --> 00:01:59,320
Speaker 1: Man. What's been going on with you?

45
00:01:59,360 --> 00:02:02,600
Speaker 3: Bro on that? I just you know, prepare for these

46
00:02:02,680 --> 00:02:05,520
Speaker 3: drump By history shows coming up. I've been writing a lot.

47
00:02:06,040 --> 00:02:08,200
Speaker 3: I made an ambitious goal to write a feature script

48
00:02:08,480 --> 00:02:11,519
Speaker 3: every month. Low key, I'm losing my mind and I

49
00:02:11,560 --> 00:02:13,920
Speaker 3: actually have to change it now because everyone voted. I've

50
00:02:13,960 --> 00:02:15,640
Speaker 3: been doing like some polls for people to vote in

51
00:02:15,639 --> 00:02:18,240
Speaker 3: my next script, and everyone voted for the nineteen thirty

52
00:02:18,280 --> 00:02:20,240
Speaker 3: sports dramedy I've had in my head for a while.

53
00:02:20,520 --> 00:02:22,520
Speaker 3: But because it's about the Negro leagues and a very

54
00:02:22,520 --> 00:02:25,480
Speaker 3: specific time period, I have to do like a lot

55
00:02:25,520 --> 00:02:27,359
Speaker 3: more research and so I'm not gonna be able to

56
00:02:27,400 --> 00:02:29,480
Speaker 3: write this in a month. It's just no way. But

57
00:02:29,520 --> 00:02:32,919
Speaker 3: I'm incredibly excited about it. Yeah, and I've been covering

58
00:02:32,919 --> 00:02:35,359
Speaker 3: Tribeca Film Festival this week, so I'm doing a lot

59
00:02:35,440 --> 00:02:36,520
Speaker 3: man well.

60
00:02:36,639 --> 00:02:39,160
Speaker 2: And then if you do write that script, it'll probably

61
00:02:39,200 --> 00:02:42,200
Speaker 2: be a race from the annals of history because our

62
00:02:42,200 --> 00:02:45,520
Speaker 2: current administration is not allowing us to talk about it

63
00:02:45,600 --> 00:02:49,040
Speaker 2: was flagged before times. Okay, America was great, it is

64
00:02:49,120 --> 00:02:51,720
Speaker 2: always great. It's gonna be great again. It's never not

65
00:02:51,840 --> 00:02:55,080
Speaker 2: been great, but just to let people know it's gonna

66
00:02:55,080 --> 00:02:57,520
Speaker 2: be great when we don't talk about things like nineteen

67
00:02:57,560 --> 00:03:00,440
Speaker 2: thirties sports drama tis well.

68
00:03:00,480 --> 00:03:03,040
Speaker 3: It's also like you know, black centric stories, you know.

69
00:03:03,080 --> 00:03:05,959
Speaker 3: And I'm not trying to be pessimistic because it was

70
00:03:06,040 --> 00:03:08,040
Speaker 3: just one meeting. I've several I've had that were very

71
00:03:08,120 --> 00:03:10,080
Speaker 3: like positive and stuff. I did have one meeting a

72
00:03:10,120 --> 00:03:12,720
Speaker 3: general with a production company where they said they weren't

73
00:03:12,760 --> 00:03:17,080
Speaker 3: looking for black centric stories. They were looking for like

74
00:03:17,200 --> 00:03:20,799
Speaker 3: universal kind of like especially in the action genre, universal

75
00:03:21,360 --> 00:03:24,520
Speaker 3: fast and furious type stories where it's like it's organic,

76
00:03:24,720 --> 00:03:26,480
Speaker 3: you know, it's not in your face that these are

77
00:03:26,520 --> 00:03:30,160
Speaker 3: people of color. And it was like, but like people

78
00:03:30,160 --> 00:03:32,560
Speaker 3: of color address that stuff usually, especially if they're like

79
00:03:32,600 --> 00:03:35,120
Speaker 3: an hiden action situation, like there's not gonna be a

80
00:03:35,120 --> 00:03:37,000
Speaker 3: black person say yeah, we're going to space in this,

81
00:03:37,080 --> 00:03:39,000
Speaker 3: in this little rocket, you know, or in a car

82
00:03:39,200 --> 00:03:40,840
Speaker 3: like they got a they got comment on it. It's

83
00:03:40,840 --> 00:03:42,800
Speaker 3: gonna be insane. Well I like them.

84
00:03:42,960 --> 00:03:45,000
Speaker 2: I like that they gave you those notes because I

85
00:03:45,040 --> 00:03:48,200
Speaker 2: would just write the most sellout script and just return

86
00:03:48,320 --> 00:03:51,000
Speaker 2: back and with with no just someting pelet the taste,

87
00:03:51,480 --> 00:03:55,160
Speaker 2: nothing but kumbaya messaging and all that bullshit, just to

88
00:03:55,160 --> 00:03:58,400
Speaker 2: see what happens, you know, like if they go you

89
00:03:58,440 --> 00:04:00,920
Speaker 2: know what this, you know what like this. I like

90
00:04:00,960 --> 00:04:04,640
Speaker 2: how the main character says, we if we drive fast enough,

91
00:04:04,720 --> 00:04:06,840
Speaker 2: we can outrun the racism. And I think that's a

92
00:04:06,840 --> 00:04:10,480
Speaker 2: good message to give to all the kids because everyone's

93
00:04:10,560 --> 00:04:13,440
Speaker 2: car it finished this finish line at the same time,

94
00:04:13,480 --> 00:04:16,120
Speaker 2: because everyone is equal and it didn't matter what.

95
00:04:16,040 --> 00:04:19,320
Speaker 1: Color the cars were. They were all the same speeding.

96
00:04:19,400 --> 00:04:23,159
Speaker 3: Yeah, colors have been on the fucking car line and stuff.

97
00:04:23,279 --> 00:04:25,479
Speaker 3: You know if it's just like now I think about it,

98
00:04:25,520 --> 00:04:27,800
Speaker 3: that's such a crazy thing to say to me, because

99
00:04:28,000 --> 00:04:31,200
Speaker 3: especially crazy comp because fast and furious. These motherfuckers started

100
00:04:31,200 --> 00:04:33,960
Speaker 3: off like boosting cars and DVD players. Yeah, and they

101
00:04:33,960 --> 00:04:35,760
Speaker 3: weren't even like ethnic, you know what I mean the

102
00:04:35,839 --> 00:04:38,640
Speaker 3: worst movie, they're all like supposed to be white, I think, yeah,

103
00:04:38,800 --> 00:04:42,000
Speaker 3: And so for them to never become like Brazilian and

104
00:04:42,040 --> 00:04:44,680
Speaker 3: ship or like whatever that's supposed to be.

105
00:04:44,839 --> 00:04:47,479
Speaker 2: Vin Diesel got the same note that first script. It

106
00:04:47,520 --> 00:04:50,400
Speaker 2: was They were like, can you not be so black

107
00:04:50,400 --> 00:04:52,640
Speaker 2: and the black? And he was like, yeah, no problem.

108
00:04:52,640 --> 00:04:54,800
Speaker 2: I can play Italian, I can play Puerto Rican. WHI

109
00:04:54,839 --> 00:04:58,560
Speaker 2: y'all need, bro, I can do anything. I'm I'm Vin Diesel.

110
00:04:58,640 --> 00:05:01,919
Speaker 2: Nobody really knows what I except for Paris, they do not.

111
00:05:02,279 --> 00:05:04,440
Speaker 3: Yeah. It was a dark Yeah. I remember like in

112
00:05:04,440 --> 00:05:06,880
Speaker 3: the late nineties when he was blowing up and I

113
00:05:06,880 --> 00:05:09,000
Speaker 3: remember he was like in Saving Private Ryan boiler room.

114
00:05:09,040 --> 00:05:10,880
Speaker 3: We were all like what is he? Yes?

115
00:05:11,080 --> 00:05:12,360
Speaker 1: Who is this guy? I know?

116
00:05:12,560 --> 00:05:16,160
Speaker 2: I listened shake that tree. Okay, somebody gonna follow out

117
00:05:16,160 --> 00:05:16,920
Speaker 2: that family tree.

118
00:05:16,960 --> 00:05:20,200
Speaker 3: Brother, Have I ever shared the Vin Diesel story about Universal?

119
00:05:21,200 --> 00:05:23,080
Speaker 1: Share it? Brother? You a monk family?

120
00:05:23,160 --> 00:05:26,719
Speaker 3: I was. I was. I was leaving an exec meeting

121
00:05:26,960 --> 00:05:29,360
Speaker 3: at like the big building in the Universal Lot, and

122
00:05:29,600 --> 00:05:31,680
Speaker 3: me and another writer from the Universal program we were

123
00:05:31,680 --> 00:05:34,600
Speaker 3: walking towards the gate and I see this big suv

124
00:05:35,200 --> 00:05:37,680
Speaker 3: and like some you know, bodyguard looking dudes and this

125
00:05:37,720 --> 00:05:40,680
Speaker 3: little white woman talking to a dude who's ball from

126
00:05:40,680 --> 00:05:43,200
Speaker 3: the back and wearing a Fast nine jacket. Mind you,

127
00:05:43,400 --> 00:05:46,080
Speaker 3: this is the Universal Lot. I'm like, there's no way

128
00:05:46,080 --> 00:05:49,440
Speaker 3: that this has been Diesel wearing a jacket. First key

129
00:05:49,520 --> 00:05:52,359
Speaker 3: franchise at the like they know who you are. And

130
00:05:52,360 --> 00:05:54,760
Speaker 3: then of course we're walking closer and closer into me here. Yeah,

131
00:05:54,800 --> 00:05:58,240
Speaker 3: you know, I was talking to uh Georida Brewster and

132
00:05:58,279 --> 00:06:02,120
Speaker 3: I was like, why has been Diesel wearing period? That's

133
00:06:02,160 --> 00:06:04,800
Speaker 3: like insane. It's like when Neil was standing around a

134
00:06:04,839 --> 00:06:05,839
Speaker 3: country store.

135
00:06:05,640 --> 00:06:09,440
Speaker 1: And Fast nine like like that's not even like new money.

136
00:06:09,480 --> 00:06:12,159
Speaker 2: That's he's he's been around the block and he's still

137
00:06:12,240 --> 00:06:13,200
Speaker 2: rocking the fact his.

138
00:06:13,160 --> 00:06:17,120
Speaker 1: Own merch That's wow, it's crazy. Yeah, that's yourself.

139
00:06:17,480 --> 00:06:19,760
Speaker 2: It's like the time I went to South Park mall

140
00:06:19,880 --> 00:06:22,960
Speaker 2: and I saw a young wide receiver with his own

141
00:06:23,040 --> 00:06:24,839
Speaker 2: jersey walking around the mall with two women.

142
00:06:25,480 --> 00:06:27,800
Speaker 1: Uh, and it was Ray Caruth.

143
00:06:28,480 --> 00:06:30,800
Speaker 2: And I remember thinking to myself that man is gonna

144
00:06:30,880 --> 00:06:34,119
Speaker 2: kill somebody one day, and I was right, okay, because

145
00:06:34,200 --> 00:06:37,520
Speaker 2: only a serial killer would where their own fucking jersey

146
00:06:37,760 --> 00:06:39,880
Speaker 2: in the around the mall, like you want to be

147
00:06:39,920 --> 00:06:42,479
Speaker 2: seeing brother was of course you got found in the

148
00:06:42,520 --> 00:06:44,920
Speaker 2: back of that trunk, like you're not a smart man.

149
00:06:47,000 --> 00:06:49,000
Speaker 1: And then recently you did some.

150
00:06:49,040 --> 00:06:53,320
Speaker 2: Drunk black history like live shows and uh.

151
00:06:52,640 --> 00:06:55,080
Speaker 3: Shout out to the black fan man. They came out

152
00:06:55,120 --> 00:06:58,960
Speaker 3: in Boston. We took a few pictures. Yeah, it was.

153
00:06:59,000 --> 00:07:00,480
Speaker 3: It was great, like, you know, seeing a lot of

154
00:07:00,480 --> 00:07:02,839
Speaker 3: people that have been like, you know, dance my appearances

155
00:07:02,839 --> 00:07:06,120
Speaker 3: on this podcast and yeah, man, that Boston shit was incredible.

156
00:07:06,440 --> 00:07:08,880
Speaker 3: I'm so excited for the upcoming shows. Like, but that

157
00:07:09,080 --> 00:07:10,560
Speaker 3: was a real nice price because that was also one

158
00:07:10,600 --> 00:07:12,880
Speaker 3: of the first shows I hosted by myself, and like,

159
00:07:12,920 --> 00:07:15,720
Speaker 3: it's just a lot of audience and engagement and interaction

160
00:07:15,800 --> 00:07:18,960
Speaker 3: and the guests had books were fantastic. Yeah, that was

161
00:07:19,000 --> 00:07:21,120
Speaker 3: so much fun. So I can't wait for next week's No.

162
00:07:21,760 --> 00:07:25,440
Speaker 2: I love to hear that because to you know, obviously,

163
00:07:25,480 --> 00:07:27,120
Speaker 2: I love to hear any time my fans show up

164
00:07:27,120 --> 00:07:29,520
Speaker 2: for people, because you know, I love when people support

165
00:07:29,560 --> 00:07:30,080
Speaker 2: good people.

166
00:07:30,120 --> 00:07:31,680
Speaker 1: That's that's always dope. Agree.

167
00:07:31,760 --> 00:07:34,840
Speaker 2: But in addition to that, Boston's one of those cities

168
00:07:34,880 --> 00:07:38,600
Speaker 2: you wouldn't think of globally as like, yeah, you should

169
00:07:38,640 --> 00:07:41,680
Speaker 2: do a drunk Black History here because you know, racism

170
00:07:41,960 --> 00:07:46,600
Speaker 2: and so. But but like, I'm from the South, so

171
00:07:46,800 --> 00:07:50,160
Speaker 2: I get it, Like there's black communities everywhere and they

172
00:07:50,200 --> 00:07:52,040
Speaker 2: show up, and then of course there's white people that

173
00:07:52,080 --> 00:07:54,440
Speaker 2: want to hear this stuff too, so it's not like everywhere. Yeah,

174
00:07:54,440 --> 00:07:56,800
Speaker 2: it's not like the doors colors only or whatever, like

175
00:07:56,840 --> 00:07:59,400
Speaker 2: you can come in and hang out. But like it

176
00:07:59,440 --> 00:08:02,560
Speaker 2: makes it seem like because of the reputation, like oh,

177
00:08:02,680 --> 00:08:04,640
Speaker 2: this would not be the place for this, but it's like, no,

178
00:08:04,840 --> 00:08:07,240
Speaker 2: people are thirsty for this. People want to show up,

179
00:08:07,280 --> 00:08:11,280
Speaker 2: people want to celebrate, people want to learn, have fun support.

180
00:08:11,680 --> 00:08:13,680
Speaker 2: So like that was really dope. And when you put

181
00:08:13,680 --> 00:08:15,679
Speaker 2: those pictures up and I recognize some of the fans

182
00:08:15,720 --> 00:08:16,840
Speaker 2: and stuff, I was like, Yo.

183
00:08:16,760 --> 00:08:18,119
Speaker 1: This is this is fucking cool.

184
00:08:18,160 --> 00:08:18,400
Speaker 4: Man.

185
00:08:18,520 --> 00:08:21,880
Speaker 2: Like, even for me, it makes me think about like

186
00:08:22,080 --> 00:08:26,320
Speaker 2: whenever we decide to do like blackout tips towards something

187
00:08:26,720 --> 00:08:30,280
Speaker 2: like I'm not gonna mark cities off just off some like.

188
00:08:30,760 --> 00:08:32,679
Speaker 1: Well, nah, man, you know, ain't nobody there.

189
00:08:32,720 --> 00:08:35,440
Speaker 2: It's like, nah, black people will show up, or people

190
00:08:35,520 --> 00:08:38,800
Speaker 2: will show up, but black people specifically are the people

191
00:08:38,840 --> 00:08:41,000
Speaker 2: I'm thinking about. And I'm like, yeah, I'm not marking

192
00:08:41,040 --> 00:08:43,280
Speaker 2: off a big city that's where we live normally.

193
00:08:43,480 --> 00:08:43,680
Speaker 1: Yeah.

194
00:08:44,240 --> 00:08:46,320
Speaker 3: Yeah. And also like it's just like you know, finding

195
00:08:46,320 --> 00:08:48,560
Speaker 3: a central hub in the area like that, like you

196
00:08:48,600 --> 00:08:52,280
Speaker 3: know people can get to like on public transit or like,

197
00:08:52,360 --> 00:08:55,280
Speaker 3: you know, that's not gonna be too trying. I mean

198
00:08:55,800 --> 00:08:57,840
Speaker 3: there's some cities where like I've done shows from like

199
00:08:58,559 --> 00:09:00,000
Speaker 3: I love this city and I want to bring up

200
00:09:00,280 --> 00:09:03,160
Speaker 3: but I may choose a different venue that's closer to us. Yeah,

201
00:09:03,160 --> 00:09:04,600
Speaker 3: you know, I mean it's a little bit more convenient

202
00:09:04,600 --> 00:09:06,480
Speaker 3: for us. But it's also like, because the show is

203
00:09:06,520 --> 00:09:08,120
Speaker 3: getting so big now, it's to be mindful like the

204
00:09:08,160 --> 00:09:11,520
Speaker 3: tech requirements and like other other factors like making sure

205
00:09:11,600 --> 00:09:14,199
Speaker 3: talent can get there, you know, and things like that.

206
00:09:14,320 --> 00:09:17,080
Speaker 3: So but if you like, folks have ever you have

207
00:09:17,160 --> 00:09:18,599
Speaker 3: a city that you want me to come to, like

208
00:09:18,679 --> 00:09:21,120
Speaker 3: bring the Drump by Kissy to please please hit us

209
00:09:21,160 --> 00:09:23,319
Speaker 3: up an official drum Black history on Instagram. I'm open

210
00:09:23,360 --> 00:09:25,719
Speaker 3: to all places and we're looking to hit the row

211
00:09:25,720 --> 00:09:27,440
Speaker 3: in the fall. We have a few dates locked in

212
00:09:27,559 --> 00:09:30,760
Speaker 3: that I'll be announcing soon. And then also twenty twenty six,

213
00:09:30,800 --> 00:09:34,319
Speaker 3: we're already putting some things into calendar. So it's it's growing, man,

214
00:09:34,360 --> 00:09:35,360
Speaker 3: It's crazy.

215
00:09:35,520 --> 00:09:38,280
Speaker 1: Now where's the next show and when is it?

216
00:09:39,200 --> 00:09:39,280
Speaker 5: So?

217
00:09:39,320 --> 00:09:42,320
Speaker 3: But you have two shows celebrated June tenth versus Thursday,

218
00:09:42,400 --> 00:09:45,400
Speaker 3: June nineteenth at the Bellhouse in Brooklyn. Tickets are available

219
00:09:45,400 --> 00:09:47,160
Speaker 3: a drump Black issue dot com for that, and then

220
00:09:47,240 --> 00:09:49,520
Speaker 3: the following day, I'm back in my home state of

221
00:09:49,640 --> 00:09:53,120
Speaker 3: Michigan at the Detroit House of Comedy. That's gonna be Friday,

222
00:09:53,200 --> 00:09:57,079
Speaker 3: June twentieth, And I got homide Justin Williams from Newark

223
00:09:57,280 --> 00:09:59,400
Speaker 3: go be there. The homie Dylan Stevenson, who I used

224
00:09:59,400 --> 00:10:01,520
Speaker 3: to do sketch com and actually was in that screen

225
00:10:01,520 --> 00:10:04,800
Speaker 3: writing class you know, uh that you talked about Rod

226
00:10:05,200 --> 00:10:06,360
Speaker 3: He's gonna be on it. And then I have my

227
00:10:06,440 --> 00:10:09,640
Speaker 3: sister on the show. So that's gonna be a huge

228
00:10:09,679 --> 00:10:11,280
Speaker 3: moment for me because it's also the first time I'm

229
00:10:11,320 --> 00:10:14,400
Speaker 3: producing and hosting an event in Michigan since my first

230
00:10:14,440 --> 00:10:18,839
Speaker 3: ever production. Yeah, it's like a real from it.

231
00:10:19,240 --> 00:10:20,720
Speaker 1: You're like returning home.

232
00:10:21,720 --> 00:10:25,440
Speaker 3: Yeah, man, it's it's it's wild. It's yeah, it's like,

233
00:10:25,679 --> 00:10:27,160
Speaker 3: you know, it's a full circle moment for me. And

234
00:10:27,200 --> 00:10:28,880
Speaker 3: I'm really like, uh, you know, I have a few

235
00:10:28,920 --> 00:10:31,400
Speaker 3: other projects the rest of this month, like you know, uh,

236
00:10:31,640 --> 00:10:34,320
Speaker 3: producing the Homie Chris Lambert's Comedy Special and things like that.

237
00:10:34,400 --> 00:10:38,160
Speaker 3: But after June twenty seventh, my birthday, I'm taking a

238
00:10:38,200 --> 00:10:42,400
Speaker 3: little break. I'm gonna go a beach, take a chocolate mushroom,

239
00:10:43,120 --> 00:10:45,199
Speaker 3: just watch the water for a few hours, and then

240
00:10:45,280 --> 00:10:45,840
Speaker 3: just reset.

241
00:10:46,360 --> 00:10:50,360
Speaker 2: Now that's valid, please, Yeah, that's valid. You've been You've

242
00:10:50,400 --> 00:10:53,760
Speaker 2: been working hard for a minute. Bro, So I totally

243
00:10:53,800 --> 00:10:57,880
Speaker 2: get that, dude. Yeah, congratulations, and I know it's gonna go.

244
00:10:58,240 --> 00:11:00,360
Speaker 2: I know it's gonna go well, but yeah, get take it.

245
00:11:00,480 --> 00:11:02,719
Speaker 2: If y'all listening, where do they get tickets from.

246
00:11:03,200 --> 00:11:05,800
Speaker 3: Drump black history dot com? Come out. It's gonna be

247
00:11:05,800 --> 00:11:07,680
Speaker 3: a lot of fun. Both shows gonna be incredibly different.

248
00:11:07,679 --> 00:11:09,800
Speaker 3: So if you're like, I mean, it be insane if

249
00:11:09,840 --> 00:11:11,800
Speaker 3: you did both New York and Detroit. But like you know,

250
00:11:11,840 --> 00:11:14,320
Speaker 3: I love you if you do that. But yeah, every

251
00:11:14,320 --> 00:11:15,880
Speaker 3: show is different. Like a lot of people are like, oh,

252
00:11:15,920 --> 00:11:17,400
Speaker 3: if I go to an R show, it's gonna be

253
00:11:17,440 --> 00:11:20,560
Speaker 3: the same format. It's like, no, it's it's different every time.

254
00:11:20,600 --> 00:11:22,400
Speaker 3: I try to make sure it's a unique experience for

255
00:11:22,559 --> 00:11:25,000
Speaker 3: people every time they come a drunk Black history, which

256
00:11:25,040 --> 00:11:27,080
Speaker 3: is you know something I can't say for other people

257
00:11:27,160 --> 00:11:31,240
Speaker 3: that try to imitate the show, but it's yeah, it's

258
00:11:31,240 --> 00:11:34,760
Speaker 3: it's incredibly you know, hard work. It's a lot of

259
00:11:35,040 --> 00:11:38,839
Speaker 3: attention to detail, but it's really important. And again, I

260
00:11:38,920 --> 00:11:40,800
Speaker 3: want to make sure the audience has an incredible time

261
00:11:40,880 --> 00:11:43,160
Speaker 3: and you know that allows them to tell people about

262
00:11:43,160 --> 00:11:45,160
Speaker 3: the stories that they heard and you know, spread the

263
00:11:45,240 --> 00:11:47,240
Speaker 3: education because that's what's most important. It's not just about

264
00:11:47,240 --> 00:11:50,400
Speaker 3: the laughs and you know, people getting to see some

265
00:11:50,480 --> 00:11:53,400
Speaker 3: celebrities or awesome people on the lineup. It's also like

266
00:11:53,559 --> 00:11:55,000
Speaker 3: I want them to learn something. I want them to

267
00:11:55,040 --> 00:11:57,440
Speaker 3: share that knowledge and these stories with other people, because

268
00:11:57,440 --> 00:11:58,920
Speaker 3: that's the only way we can keep this stuff alive.

269
00:11:59,640 --> 00:12:02,319
Speaker 2: Not no, that's dope, bro, And I'm you know, we

270
00:12:02,440 --> 00:12:04,600
Speaker 2: always rooting for you, but we're also look forward to

271
00:12:04,640 --> 00:12:06,960
Speaker 2: it because I know it's gonna be help and I

272
00:12:07,000 --> 00:12:08,119
Speaker 2: know you do good stuff.

273
00:12:07,840 --> 00:12:08,520
Speaker 1: With good people.

274
00:12:09,600 --> 00:12:11,559
Speaker 2: And also like it's also interesting because I've been to

275
00:12:11,600 --> 00:12:15,480
Speaker 2: a couple of shows and it like it really is

276
00:12:15,520 --> 00:12:16,360
Speaker 2: different every time.

277
00:12:16,520 --> 00:12:19,720
Speaker 1: You really do not fucking know, And I mean.

278
00:12:19,840 --> 00:12:20,480
Speaker 3: I don't even know.

279
00:12:20,559 --> 00:12:24,640
Speaker 4: Yeah, I guess you don't know because that everybody covers

280
00:12:24,679 --> 00:12:27,480
Speaker 4: something different and not trying to be funny. You don't

281
00:12:27,480 --> 00:12:29,240
Speaker 4: know what level of drunk the gas is gonna be,

282
00:12:29,960 --> 00:12:32,120
Speaker 4: so I'm not trying to be funny, so that might

283
00:12:32,200 --> 00:12:34,160
Speaker 4: dictate how to show flows.

284
00:12:34,360 --> 00:12:37,880
Speaker 3: Yeah, yep, yeah, I've seen them. There's guests that get

285
00:12:37,960 --> 00:12:39,680
Speaker 3: drunk in the middle of their segment and I'm like,

286
00:12:39,800 --> 00:12:41,440
Speaker 3: I see something that happen in their eyes. I'm like,

287
00:12:41,480 --> 00:12:43,600
Speaker 3: oh ship, I gotta take the wheel. We know we

288
00:12:44,400 --> 00:12:46,160
Speaker 3: or you know, there's times when like the people don't

289
00:12:46,160 --> 00:12:48,480
Speaker 3: know what they're talking about, like they like maybe research

290
00:12:48,520 --> 00:12:51,520
Speaker 3: a different topic. Since we've rectified the process so that

291
00:12:51,800 --> 00:12:55,160
Speaker 3: happen anymore, but sometimes they're like they blink, you know

292
00:12:55,200 --> 00:12:56,840
Speaker 3: what I mean. That's when I got step in, Like

293
00:12:56,880 --> 00:12:58,760
Speaker 3: that's why I have to know as much as possible

294
00:12:58,760 --> 00:13:01,320
Speaker 3: about all these subjects. And you know, that's a lot.

295
00:13:02,679 --> 00:13:06,280
Speaker 2: But when I was when I was there, I knew

296
00:13:06,320 --> 00:13:08,479
Speaker 2: what I wanted to talk about, and I knew the facts.

297
00:13:08,840 --> 00:13:12,920
Speaker 2: But obviously you're drinking all that stuff as well. Uh,

298
00:13:12,960 --> 00:13:15,160
Speaker 2: you're nerves, you know, for me, nerves. You know there's

299
00:13:15,200 --> 00:13:17,960
Speaker 2: gonna be people there. People are drunk, and the crowd

300
00:13:18,120 --> 00:13:21,160
Speaker 2: is you know, depending like they're very vocal, so like

301
00:13:21,280 --> 00:13:23,520
Speaker 2: so and I don't mean like hostile vocal, but like

302
00:13:23,920 --> 00:13:28,560
Speaker 2: they're interactive, yes, so like they're they're like in the

303
00:13:28,559 --> 00:13:31,600
Speaker 2: best ways for me because I like a reactive crowd.

304
00:13:31,679 --> 00:13:35,840
Speaker 2: But uh, when Brandon gave me like the stuff like

305
00:13:36,080 --> 00:13:40,360
Speaker 2: other stuff like documents or just documentation I could use.

306
00:13:40,960 --> 00:13:41,720
Speaker 1: It's two three.

307
00:13:41,559 --> 00:13:44,880
Speaker 2: Pages just from mine, like like it's like you like

308
00:13:44,960 --> 00:13:48,560
Speaker 2: if you just really thought, like and he knows it.

309
00:13:48,800 --> 00:13:51,840
Speaker 2: So it's not like, uh, you're up there and you're

310
00:13:51,840 --> 00:13:54,720
Speaker 2: gonna fail, Like you're not. You're not gonna fail even

311
00:13:54,720 --> 00:13:56,679
Speaker 2: if you're nervous and you fuck up because your real

312
00:13:56,800 --> 00:14:00,640
Speaker 2: job is to be funny or entertaining while the informations

313
00:14:00,679 --> 00:14:01,280
Speaker 2: being relayed.

314
00:14:01,360 --> 00:14:05,120
Speaker 1: But like I knew my ship and I was still like, oh.

315
00:14:05,080 --> 00:14:08,840
Speaker 2: Damn, like like, oh he really did. Okay, damn, there's

316
00:14:09,080 --> 00:14:11,400
Speaker 2: another page on each city. Okay, I'll see what you're

317
00:14:11,440 --> 00:14:12,079
Speaker 2: doing right now.

318
00:14:12,600 --> 00:14:15,040
Speaker 3: And I tell like guests that are on the show too,

319
00:14:15,080 --> 00:14:16,719
Speaker 3: like you don't always have to know everything, and you

320
00:14:16,720 --> 00:14:18,240
Speaker 3: don't have to try to make it funny, you know

321
00:14:18,240 --> 00:14:20,160
Speaker 3: what I mean, Like I think about d Woods. She

322
00:14:20,160 --> 00:14:22,040
Speaker 3: actually came out with the print out of like all

323
00:14:22,080 --> 00:14:24,080
Speaker 3: the information I had for her because she was just

324
00:14:24,080 --> 00:14:25,960
Speaker 3: so nervous and she didn't want to miss anything. But

325
00:14:26,000 --> 00:14:28,160
Speaker 3: I was like, Okay, don't worry about making jokes or

326
00:14:28,160 --> 00:14:30,000
Speaker 3: anything like that. It will just come naturally or whatever,

327
00:14:30,480 --> 00:14:32,680
Speaker 3: because she was talking about Lake Lanier, and you know,

328
00:14:32,840 --> 00:14:35,600
Speaker 3: that just naturally led to a lot of engagement with

329
00:14:35,640 --> 00:14:38,080
Speaker 3: the audience her like talking about her personal connection with

330
00:14:38,200 --> 00:14:42,080
Speaker 3: and what interested her. And it was so good that

331
00:14:42,200 --> 00:14:44,720
Speaker 3: no one even echoed about Diddy or any weird shit

332
00:14:44,840 --> 00:14:46,600
Speaker 3: like that, you know what I mean, Like if it's

333
00:14:46,640 --> 00:14:47,920
Speaker 3: just dope, like you know what I mean. To be

334
00:14:47,960 --> 00:14:49,480
Speaker 3: able to talk to her about the subject that's not

335
00:14:49,600 --> 00:14:52,280
Speaker 3: related to her music career and stuff like that, and

336
00:14:52,320 --> 00:14:54,200
Speaker 3: that's the stuff that excites me as a producer and

337
00:14:54,200 --> 00:14:56,240
Speaker 3: booker of it. It's like I can through these people

338
00:14:56,280 --> 00:14:58,240
Speaker 3: to talk about something that they usually don't get to

339
00:14:58,280 --> 00:14:58,720
Speaker 3: talk about.

340
00:14:58,960 --> 00:15:02,400
Speaker 2: And we're also in the middle of you know the

341
00:15:02,640 --> 00:15:06,800
Speaker 2: cinematic uh peak of the year, like all the movies

342
00:15:06,840 --> 00:15:10,880
Speaker 2: are coming out of summertime is blockbuster time. I just

343
00:15:10,920 --> 00:15:15,080
Speaker 2: got my early tickets for Superman for the screaming screening.

344
00:15:15,080 --> 00:15:17,040
Speaker 2: If you have Amazon Prime, you can watch it on

345
00:15:17,120 --> 00:15:19,520
Speaker 2: like a Tuesday instead of a Thursday. Let's go, although

346
00:15:19,560 --> 00:15:22,880
Speaker 2: I'm not I'm not sure if I'm going because it's

347
00:15:22,920 --> 00:15:25,240
Speaker 2: the theater that got the seats you.

348
00:15:25,200 --> 00:15:28,360
Speaker 1: Hate care Oh the ones that don't move. Yeah, the

349
00:15:28,400 --> 00:15:33,320
Speaker 1: seats don't recline, they don't do yeah, and tough it out.

350
00:15:33,400 --> 00:15:35,880
Speaker 1: I don't know. I commission impossible because I can wait.

351
00:15:36,040 --> 00:15:38,640
Speaker 2: I can wait and do to two days later and

352
00:15:38,680 --> 00:15:41,400
Speaker 2: we can go see it at like you know, forty

353
00:15:41,600 --> 00:15:42,760
Speaker 2: X or some ship or whatever.

354
00:15:42,840 --> 00:15:44,920
Speaker 4: But but I'm really kind of this is when I'm

355
00:15:44,960 --> 00:15:47,120
Speaker 4: really kind of early.

356
00:15:47,200 --> 00:15:48,840
Speaker 1: Okay, all right, I keep the tickets.

357
00:15:49,120 --> 00:15:52,240
Speaker 2: I just I'd rather have them and get rid of

358
00:15:52,240 --> 00:15:54,280
Speaker 2: them than to not have them and be like, damn,

359
00:15:54,280 --> 00:15:55,360
Speaker 2: I should have got them tickets.

360
00:15:55,440 --> 00:15:58,160
Speaker 3: Right, Yeah, so says give yourself options.

361
00:15:58,320 --> 00:16:02,040
Speaker 2: Yeah, you know, but I'm looking forward to James guns Superman.

362
00:16:02,160 --> 00:16:03,280
Speaker 2: Are you looking forward to that?

363
00:16:03,440 --> 00:16:03,560
Speaker 1: Uh?

364
00:16:03,680 --> 00:16:07,520
Speaker 3: Brandon, I am? I am. I you know, like I'm

365
00:16:07,560 --> 00:16:09,280
Speaker 3: just curious how this is all going to work with

366
00:16:09,320 --> 00:16:11,320
Speaker 3: the DC reboot, because I was one of the people

367
00:16:11,320 --> 00:16:14,280
Speaker 3: that I was really surprised him pleasantly so by Peace Baker.

368
00:16:14,320 --> 00:16:16,440
Speaker 3: I thought that was actually really good show. Really, I

369
00:16:16,480 --> 00:16:18,120
Speaker 3: was like, oh, John seen it can act if he

370
00:16:18,200 --> 00:16:20,480
Speaker 3: has good material and a good like filmmaker behind him.

371
00:16:20,640 --> 00:16:22,680
Speaker 3: So I'm curious to see what James Gunn does. I

372
00:16:22,680 --> 00:16:24,560
Speaker 3: think it's the first time the trailers where I'm like,

373
00:16:25,080 --> 00:16:28,280
Speaker 3: I kind of get Superman. I know, some medium popcorn

374
00:16:28,320 --> 00:16:29,760
Speaker 3: fancer in the chat, and I know I've been like

375
00:16:30,000 --> 00:16:32,200
Speaker 3: skeptical a little bit because I never got into the

376
00:16:32,200 --> 00:16:35,240
Speaker 3: whole Superman Clark Kent thing and how people just didn't

377
00:16:35,240 --> 00:16:37,720
Speaker 3: see that. I think Mystery Men in nineteen ninety six

378
00:16:37,760 --> 00:16:39,720
Speaker 3: had a great like joke about it, like where they

379
00:16:39,760 --> 00:16:41,400
Speaker 3: were just like he just takes off glasses, Like how

380
00:16:41,440 --> 00:16:43,480
Speaker 3: do you not see that? That's the dude. Yeah, So

381
00:16:43,560 --> 00:16:46,360
Speaker 3: that's always bumped with me, Like I've always been frustrated

382
00:16:46,360 --> 00:16:50,240
Speaker 3: by that. But yeah, Rachel Brosnan as Lois Lane incredibly

383
00:16:50,280 --> 00:16:54,520
Speaker 3: inspired casting choice, Like I love that white Starlett. James Gunn.

384
00:16:54,520 --> 00:16:57,080
Speaker 3: I just love his dialogue. I liked the style of

385
00:16:57,080 --> 00:16:59,880
Speaker 3: it and whoever the actress I think she's Brazilian is

386
00:17:00,040 --> 00:17:04,159
Speaker 3: playing the what like she she's clearly from Krypton. I

387
00:17:04,160 --> 00:17:06,600
Speaker 3: think they're calling her like the engineer. I was like,

388
00:17:06,640 --> 00:17:08,760
Speaker 3: there's there's some scenes where they close up on her own,

389
00:17:09,240 --> 00:17:14,520
Speaker 3: you know, ups like yeah, I was like, okay.

390
00:17:14,680 --> 00:17:15,360
Speaker 1: The other thing.

391
00:17:15,680 --> 00:17:17,800
Speaker 2: The other thing I think it's so interested is that

392
00:17:17,840 --> 00:17:24,320
Speaker 2: trailer shows a lot of a lot of DC characters,

393
00:17:25,000 --> 00:17:27,720
Speaker 2: but there's like a lot like James Gun isn't going

394
00:17:27,760 --> 00:17:29,879
Speaker 2: for the like we need to make this super real,

395
00:17:30,600 --> 00:17:33,119
Speaker 2: we need to go steer away from these characters that

396
00:17:33,200 --> 00:17:35,680
Speaker 2: look kind of goofy and ship. He's like, no, give

397
00:17:35,760 --> 00:17:39,000
Speaker 2: him a fucking dog. Put that one motherfucker in there

398
00:17:39,000 --> 00:17:41,800
Speaker 2: that got like seven different colors on his outfit, Like

399
00:17:42,200 --> 00:17:42,800
Speaker 2: just do it.

400
00:17:42,840 --> 00:17:44,800
Speaker 1: Get hawkm in in there.

401
00:17:45,640 --> 00:17:49,040
Speaker 2: Yes, yeah, mister fantastic is a Marvel But yeah.

402
00:17:49,080 --> 00:17:49,600
Speaker 1: I'm sorry.

403
00:17:50,560 --> 00:17:56,919
Speaker 4: I think for me, Jane's Gun is somebody where I

404
00:17:57,119 --> 00:18:00,160
Speaker 4: trust his work for what he did from Marvel, and

405
00:18:00,200 --> 00:18:02,720
Speaker 4: he can make me cry about it. Not real raccoon

406
00:18:03,760 --> 00:18:05,840
Speaker 4: and a tree that just says I am grouped.

407
00:18:05,920 --> 00:18:09,000
Speaker 2: I am like for me, what's interesting is Karen hasn't

408
00:18:09,000 --> 00:18:12,080
Speaker 2: watched Peacemaker or but she did watch Creature Commando.

409
00:18:12,200 --> 00:18:14,720
Speaker 1: Pretty Commandos was good. Yeah, And I'm like, well, you

410
00:18:14,720 --> 00:18:16,439
Speaker 1: should watch Peacemaker. I don't know.

411
00:18:17,000 --> 00:18:19,480
Speaker 3: Peker, you like the Guards of the Galaxy stuff. Karen

412
00:18:19,520 --> 00:18:21,320
Speaker 3: like the Peacemaker had a lot of heart and that's

413
00:18:21,320 --> 00:18:23,119
Speaker 3: what he does really well. It's like he needs to

414
00:18:23,160 --> 00:18:26,480
Speaker 3: care about people that are pieces of ship. Yes, and

415
00:18:26,560 --> 00:18:28,800
Speaker 3: like you know, like it's it's kind of smarty and

416
00:18:28,840 --> 00:18:31,960
Speaker 3: sarcastic a lot, but there's always heart behind it. There's

417
00:18:31,960 --> 00:18:32,840
Speaker 3: always a lot of the.

418
00:18:32,840 --> 00:18:35,960
Speaker 2: Opening dance, it feels like something out of anime, like

419
00:18:36,000 --> 00:18:37,280
Speaker 2: the opening dance number.

420
00:18:37,440 --> 00:18:39,879
Speaker 1: I never skipped that ship. By the way, do you.

421
00:18:39,880 --> 00:18:42,919
Speaker 3: Think there's gonna ben opening dance number to Superman? Because

422
00:18:42,920 --> 00:18:45,040
Speaker 3: Guardians had one right when Chris Pratt like after like,

423
00:18:45,080 --> 00:18:46,560
Speaker 3: you know, we had to cold open with the abduction.

424
00:18:46,880 --> 00:18:50,160
Speaker 3: He's dancing listen to that, you know player and then

425
00:18:50,240 --> 00:18:52,639
Speaker 3: Peacemaker we have the great intro and stuff. So I'm like, oh,

426
00:18:52,680 --> 00:18:55,040
Speaker 3: I wonder he's just gonna do some Superman.

427
00:18:55,200 --> 00:18:57,600
Speaker 2: I do want a musical element, but I do wonder

428
00:18:57,920 --> 00:19:00,400
Speaker 2: if if if it'll feel forced if it's for Man.

429
00:19:01,040 --> 00:19:03,520
Speaker 3: Yeah, he's got great soundtracks, though I heard I've heard

430
00:19:03,640 --> 00:19:06,040
Speaker 3: about his process with putting music in this movie and stuff.

431
00:19:06,200 --> 00:19:07,080
Speaker 1: It might be something else.

432
00:19:07,080 --> 00:19:12,600
Speaker 4: And also when it comes to Superman, I personally didn't

433
00:19:12,640 --> 00:19:14,879
Speaker 4: have any issues when I when we seen the first

434
00:19:14,920 --> 00:19:19,080
Speaker 4: trailer and I seen the dog, because we have never

435
00:19:19,119 --> 00:19:20,320
Speaker 4: seen the dog live action.

436
00:19:20,400 --> 00:19:21,840
Speaker 1: Like I watch a lot of the.

437
00:19:21,640 --> 00:19:25,800
Speaker 4: Cartoons, and the dog is periodically in cartoons and sometimes

438
00:19:25,800 --> 00:19:26,560
Speaker 4: the dog is kind.

439
00:19:26,440 --> 00:19:27,520
Speaker 1: Of with his friends or whatever.

440
00:19:28,000 --> 00:19:31,119
Speaker 4: But that's what I was like, Oh you care. And

441
00:19:31,160 --> 00:19:33,040
Speaker 4: then like Roger said, it's mister terrific.

442
00:19:33,119 --> 00:19:36,760
Speaker 1: Thank you whoever said that. When you look at all.

443
00:19:36,680 --> 00:19:39,720
Speaker 4: The characters and that's somebody who kind of learned about

444
00:19:39,840 --> 00:19:42,960
Speaker 4: DC through the CW universe with like the Flash and

445
00:19:42,960 --> 00:19:45,440
Speaker 4: the Arrow and all that type of stuff, it kind

446
00:19:45,440 --> 00:19:48,920
Speaker 4: of makes me just excited as somebody who read the comics,

447
00:19:48,960 --> 00:19:50,520
Speaker 4: even though I didn't get the same information.

448
00:19:50,640 --> 00:19:53,280
Speaker 1: In the same way, I know who these characters are.

449
00:19:53,400 --> 00:19:56,760
Speaker 2: I also think if you do something fun and you

450
00:19:56,800 --> 00:20:00,760
Speaker 2: do it well, there's a time where people will start

451
00:20:00,840 --> 00:20:04,480
Speaker 2: letting go of some of the like uh, I can't

452
00:20:04,480 --> 00:20:08,240
Speaker 2: believe this, or what about how this didn't completely match

453
00:20:08,320 --> 00:20:11,200
Speaker 2: up with this thing. If it's done well, you'll forget

454
00:20:11,240 --> 00:20:13,399
Speaker 2: because MCU shit happened.

455
00:20:13,400 --> 00:20:15,119
Speaker 1: That happens all the time in MCU.

456
00:20:15,560 --> 00:20:17,600
Speaker 2: But when something is good in the MCU, we don't

457
00:20:17,600 --> 00:20:20,199
Speaker 2: spend a bunch of time being like, well, hold on

458
00:20:20,280 --> 00:20:23,439
Speaker 2: if Andrew Garfield is in it, and like we're like, no,

459
00:20:23,600 --> 00:20:25,919
Speaker 2: this shit is fun. Who gives a fuck about that

460
00:20:26,000 --> 00:20:30,400
Speaker 2: movie at this moment? And I think, uh DCU. Obviously,

461
00:20:30,680 --> 00:20:32,960
Speaker 2: you know, even with Jay's gunn carving out like this,

462
00:20:33,119 --> 00:20:35,760
Speaker 2: the new direction all that, it still has a lot

463
00:20:35,800 --> 00:20:38,000
Speaker 2: of different things it's gotta deal with.

464
00:20:38,440 --> 00:20:39,919
Speaker 1: And I think if you make.

465
00:20:39,840 --> 00:20:44,280
Speaker 2: It fun, no one will care if what's what's my

466
00:20:44,400 --> 00:20:48,960
Speaker 2: man that play Aquaman Jason Momoa? If Jason Momoa shows

467
00:20:49,040 --> 00:20:52,399
Speaker 2: up as Lobo, the audience won't give a fuck.

468
00:20:52,480 --> 00:20:54,240
Speaker 1: If he's killing it as Lobo, they will not.

469
00:20:54,359 --> 00:20:56,239
Speaker 2: It won't like you can make a joke about him

470
00:20:56,240 --> 00:20:57,359
Speaker 2: being akamand er you cannot.

471
00:20:57,560 --> 00:20:58,879
Speaker 1: You cannot even acknowledge it.

472
00:20:59,280 --> 00:21:02,480
Speaker 2: If he's kicking ass as that character on that screen

473
00:21:02,480 --> 00:21:05,119
Speaker 2: at that time, people will find a way to just

474
00:21:05,359 --> 00:21:07,879
Speaker 2: enjoy it. And I think that's what's missing from a

475
00:21:07,960 --> 00:21:10,520
Speaker 2: lot of our like movie discussions, a lot of our

476
00:21:11,440 --> 00:21:14,920
Speaker 2: fanness and all this shit is this idea of like, no,

477
00:21:15,000 --> 00:21:17,720
Speaker 2: I can't enjoy it until I pick it apart. It's like, no,

478
00:21:17,960 --> 00:21:20,360
Speaker 2: the shit is when shit is fun, your brain kind

479
00:21:20,359 --> 00:21:23,560
Speaker 2: of turns off the picking apart and and and it

480
00:21:23,680 --> 00:21:24,879
Speaker 2: enjoys it in the moment.

481
00:21:25,680 --> 00:21:28,240
Speaker 3: I will say, though, and folks have heard like us,

482
00:21:28,240 --> 00:21:31,000
Speaker 3: you know, Justin Brown my coast medium popcorn and I

483
00:21:31,040 --> 00:21:33,720
Speaker 3: talk about this a little bit. I do think there

484
00:21:33,760 --> 00:21:37,000
Speaker 3: are some things that are happening, like whether it's society

485
00:21:37,200 --> 00:21:40,720
Speaker 3: or like even in the movie theater itself, that sometimes

486
00:21:40,800 --> 00:21:44,240
Speaker 3: dilute your experience and your ability to have fun watching

487
00:21:44,400 --> 00:21:46,719
Speaker 3: the movie, you know, Like for instance, you know, I'm

488
00:21:46,720 --> 00:21:48,520
Speaker 3: not gonna speak for for what Justin is going through,

489
00:21:48,560 --> 00:21:50,760
Speaker 3: but that kind of stuff, like a lot of the

490
00:21:50,800 --> 00:21:53,920
Speaker 3: stress has been impacting his ability to have to feel

491
00:21:53,920 --> 00:21:56,040
Speaker 3: a joy when he's watching movies, you know what I mean.

492
00:21:56,080 --> 00:21:58,119
Speaker 3: Like we watched Panton three and he was like, I

493
00:21:58,200 --> 00:21:59,919
Speaker 3: just don't get it, man, I don't like this.

494
00:22:02,440 --> 00:22:06,159
Speaker 2: But as a as a creator, you can't think about that, like,

495
00:22:06,200 --> 00:22:09,600
Speaker 2: because each individual is bringing something to the theater, but

496
00:22:09,640 --> 00:22:11,720
Speaker 2: the one thing each individual is bringing to the theater

497
00:22:11,800 --> 00:22:14,119
Speaker 2: that they have in common is themselves, right, So like

498
00:22:14,240 --> 00:22:16,399
Speaker 2: the fact that you left your house, you want to

499
00:22:16,440 --> 00:22:17,280
Speaker 2: have an experience.

500
00:22:17,760 --> 00:22:18,840
Speaker 1: It may or may not reach you.

501
00:22:18,960 --> 00:22:22,679
Speaker 2: Obviously won't be for everybody, but like at some point

502
00:22:22,760 --> 00:22:24,879
Speaker 2: you just have to make it. I think if you

503
00:22:24,960 --> 00:22:27,439
Speaker 2: make it fun and make it good, especially these kind

504
00:22:27,480 --> 00:22:29,800
Speaker 2: of movies, like comic book movies are supposed to be

505
00:22:29,840 --> 00:22:33,719
Speaker 2: fun and good. So like there were people that were

506
00:22:33,800 --> 00:22:36,040
Speaker 2: kind of like shitting on the trailer and I was like, oh,

507
00:22:36,080 --> 00:22:39,600
Speaker 2: it's Superman, isn't And I was like, no, Superman is corny.

508
00:22:39,920 --> 00:22:42,320
Speaker 1: Yes, he's called that's thea.

509
00:22:43,440 --> 00:22:46,639
Speaker 2: Like it reminds me of when Chris Evans nailed Captain

510
00:22:46,680 --> 00:22:49,640
Speaker 2: America and it and like you under because I never

511
00:22:49,680 --> 00:22:52,119
Speaker 2: really was a fan of Captain America but when I

512
00:22:52,160 --> 00:22:56,040
Speaker 2: saw Chris Evans do it in that movie, I went, oh,

513
00:22:56,480 --> 00:22:59,080
Speaker 2: oh no, no, no, he's like the dude that is

514
00:22:59,840 --> 00:23:03,040
Speaker 2: like he believes all the ship that America says it

515
00:23:03,080 --> 00:23:05,720
Speaker 2: could be right, and he's low. He kind of mad

516
00:23:05,760 --> 00:23:08,720
Speaker 2: at America himself, like he's like he's like, but that's

517
00:23:08,760 --> 00:23:10,680
Speaker 2: not what the fuck we said? Why can't the black

518
00:23:10,720 --> 00:23:12,640
Speaker 2: soldiers fight with me? What's wrong with it?

519
00:23:12,680 --> 00:23:13,480
Speaker 1: Like he's that.

520
00:23:13,400 --> 00:23:16,639
Speaker 2: Guy and that makes sense in this in this and

521
00:23:16,680 --> 00:23:19,280
Speaker 2: I'm enjoying it, So I would like to see a

522
00:23:19,320 --> 00:23:21,560
Speaker 2: Superman be that guy. I don't want to see cynical

523
00:23:21,600 --> 00:23:24,880
Speaker 2: Superman who's like, oh god, I gotta say people again.

524
00:23:24,920 --> 00:23:26,800
Speaker 1: I want to see Superman who's like up for it.

525
00:23:27,720 --> 00:23:30,880
Speaker 3: Yeah, And that reminds me of the Harry cavill one

526
00:23:30,920 --> 00:23:34,080
Speaker 3: with the crazy Kevin Costaer as Papa Kenny's like, well,

527
00:23:34,119 --> 00:23:37,280
Speaker 3: maybe just let them die, right, like Jesus christ.

528
00:23:37,119 --> 00:23:40,000
Speaker 1: Man, how did you miss that? Oh my god.

529
00:23:41,200 --> 00:23:43,639
Speaker 3: But to your point though, Ryan about like you know,

530
00:23:43,720 --> 00:23:45,920
Speaker 3: like Chris Evans and like the way he was able

531
00:23:45,960 --> 00:23:48,399
Speaker 3: to play portray Captain America. That's the one thing that

532
00:23:48,480 --> 00:23:51,040
Speaker 3: was frustrated about Brave New World. I was like, the

533
00:23:51,119 --> 00:23:53,640
Speaker 3: creative team clearly want to do like some black ass

534
00:23:53,640 --> 00:23:56,200
Speaker 3: shit about this character and like his view in America,

535
00:23:56,280 --> 00:23:59,720
Speaker 3: and they were like no, like it just became such

536
00:23:59,720 --> 00:24:02,320
Speaker 3: a oh, such a different thing than what they probably intended,

537
00:24:02,600 --> 00:24:05,320
Speaker 3: like went out to do. Yeah, that was what was

538
00:24:05,359 --> 00:24:09,200
Speaker 3: frustrated about that, because the guy plays Isaiah phenomenal acts here,

539
00:24:09,320 --> 00:24:12,280
Speaker 3: phenomenal character, and the fact that he just is sidelined

540
00:24:12,280 --> 00:24:13,080
Speaker 3: after the first act.

541
00:24:13,160 --> 00:24:16,440
Speaker 2: It was like, honestly, that's what the writing is for, dude,

542
00:24:16,440 --> 00:24:18,120
Speaker 2: That's what they gave you the money to write the shit,

543
00:24:18,400 --> 00:24:20,840
Speaker 2: because like, I know what they wanted to write, and

544
00:24:20,960 --> 00:24:23,160
Speaker 2: I think every black person knows what they wanted to write.

545
00:24:23,400 --> 00:24:24,360
Speaker 1: But we also know.

546
00:24:24,400 --> 00:24:27,240
Speaker 2: That you're not getting a fucking Marvel check to write

547
00:24:27,240 --> 00:24:30,280
Speaker 2: that unless you're Ryan Coogler, So like you just gonna

548
00:24:30,280 --> 00:24:32,680
Speaker 2: have to make some sacrifices to get your vision out there.

549
00:24:33,480 --> 00:24:35,520
Speaker 2: And then like, this is what I've been saying about

550
00:24:35,520 --> 00:24:38,680
Speaker 2: the MCU that I feel like people aren't discussing enough.

551
00:24:39,480 --> 00:24:43,680
Speaker 2: They got hit with like three major fucking curve balls.

552
00:24:43,760 --> 00:24:46,320
Speaker 2: You got the pandemic, which everyone got hit with. But

553
00:24:46,359 --> 00:24:49,320
Speaker 2: still this is the studio that was like we're gonna

554
00:24:49,320 --> 00:24:52,200
Speaker 2: put out four movies a year. That fucked them completely up.

555
00:24:52,280 --> 00:24:57,000
Speaker 2: Writer Strike that fucked them up. Chadwick Boseman dies a

556
00:24:57,080 --> 00:24:59,560
Speaker 2: huge one, and I forgotten before yeah, and I forgot

557
00:24:59,720 --> 00:25:03,439
Speaker 2: number for Jonathan Majors, So Lathan Majors really derailed. Like

558
00:25:03,520 --> 00:25:05,720
Speaker 2: everyone's like, why aren't these movies as good as they were?

559
00:25:05,720 --> 00:25:08,520
Speaker 2: I'm like, bro, they're reshooting the shit out of movies now.

560
00:25:08,600 --> 00:25:12,080
Speaker 2: They're they're like moving movies off the slate, they're pushing

561
00:25:12,200 --> 00:25:15,320
Speaker 2: things up, they're dropping things on the TV shows like

562
00:25:15,400 --> 00:25:19,680
Speaker 2: all at once, like their plans are they're scrambling because

563
00:25:20,000 --> 00:25:22,159
Speaker 2: shit started happening that they couldn't control.

564
00:25:22,640 --> 00:25:24,480
Speaker 3: I remember Kevin Fire, he was forced to do the

565
00:25:24,480 --> 00:25:26,480
Speaker 3: TV shows. He was all like he was forced to

566
00:25:26,560 --> 00:25:29,800
Speaker 3: basically make like to ramp up the output of Marble

567
00:25:30,080 --> 00:25:32,800
Speaker 3: and it's more about quantity than quality because of the

568
00:25:32,840 --> 00:25:35,119
Speaker 3: previous dude before Bob Iger came back. But I'm so

569
00:25:35,160 --> 00:25:36,960
Speaker 3: glad you brought the Chadwick thing because a lot of

570
00:25:36,960 --> 00:25:39,280
Speaker 3: people don't know. I don't know if it's Tom Holland

571
00:25:39,359 --> 00:25:42,359
Speaker 3: or Brie Larson who said it, but they one of

572
00:25:42,400 --> 00:25:46,400
Speaker 3: them talked about how on the set of Endgame, basically Chadwick,

573
00:25:46,440 --> 00:25:48,560
Speaker 3: Tom Holland and Bree Larson had a moment together where

574
00:25:48,560 --> 00:25:51,160
Speaker 3: they were like they were basically told by Kevin Fiey

575
00:25:51,160 --> 00:25:53,200
Speaker 3: and scept you guys gonna be like the new faces

576
00:25:53,240 --> 00:25:56,120
Speaker 3: of the MCU going forward, right. And when Chadwick died,

577
00:25:56,119 --> 00:25:57,720
Speaker 3: I think it threw up a lot of shit because

578
00:25:57,720 --> 00:25:59,040
Speaker 3: I think he was gonna be looked at us like

579
00:25:59,200 --> 00:26:02,520
Speaker 3: the new Iron Like you know, Tony starts to beat everything,

580
00:26:03,520 --> 00:26:06,760
Speaker 3: you know, the Voice of Reason all that stuff, and yeah, man,

581
00:26:06,800 --> 00:26:09,480
Speaker 3: I mean it just but it's a big machine. It's

582
00:26:09,520 --> 00:26:10,159
Speaker 3: not a stop.

583
00:26:10,400 --> 00:26:12,800
Speaker 1: It's like a sport, but it's like a sports team.

584
00:26:12,840 --> 00:26:16,880
Speaker 2: If you root for like a sports franchise, their ship,

585
00:26:17,000 --> 00:26:19,520
Speaker 2: that you know, you can be winning championships, Like the

586
00:26:19,600 --> 00:26:22,800
Speaker 2: Lakers are winning championships. Everything seems cool, everything seems fine.

587
00:26:23,200 --> 00:26:26,320
Speaker 2: Next thing you know, Shack demands a trade, Kobe gets

588
00:26:26,320 --> 00:26:28,919
Speaker 2: a sexual assault trial. Uh, you get a trade for

589
00:26:29,000 --> 00:26:32,080
Speaker 2: Jason Kidd. The league rescinds it. Now you ain't want

590
00:26:32,080 --> 00:26:33,919
Speaker 2: to ring in ten years. And everybody's like, what the

591
00:26:33,920 --> 00:26:36,000
Speaker 2: fuck happen to Lakers? Like a bunch of shit that

592
00:26:36,200 --> 00:26:39,520
Speaker 2: was beyond the control of like you know, the coach,

593
00:26:39,760 --> 00:26:42,679
Speaker 2: the GM like the it's like, this is about life.

594
00:26:42,760 --> 00:26:47,320
Speaker 2: Life happens to everybody and everything, and it's to me,

595
00:26:47,520 --> 00:26:49,920
Speaker 2: it's still amazing they are ever managing out to put

596
00:26:49,920 --> 00:26:53,360
Speaker 2: out anything that is good, like right, like because it's

597
00:26:53,400 --> 00:26:55,960
Speaker 2: just been so long. This is unprecedented. Everything they do

598
00:26:56,080 --> 00:26:59,280
Speaker 2: from the last like five years is unprecedented. Right, So

599
00:26:59,400 --> 00:27:02,399
Speaker 2: like the fact that you can even have like Captain

600
00:27:02,440 --> 00:27:05,320
Speaker 2: America Braveney world, We're like, I don't know, man, and

601
00:27:05,359 --> 00:27:07,280
Speaker 2: then follow it up with thunderballs why I walked out

602
00:27:07,280 --> 00:27:09,640
Speaker 2: that they are like fuck man, that was good, but

603
00:27:09,960 --> 00:27:12,560
Speaker 2: people aren't gonna people are gonna see them in the

604
00:27:12,640 --> 00:27:15,600
Speaker 2: same amount that they see both fell like it won't

605
00:27:15,640 --> 00:27:17,959
Speaker 2: be like, well, Captain America wasn't good. It only made

606
00:27:17,960 --> 00:27:21,479
Speaker 2: two hundred million. Thunderbowls made a billion because it was.

607
00:27:21,640 --> 00:27:23,320
Speaker 2: It's not happening that way people are day.

608
00:27:24,000 --> 00:27:26,720
Speaker 1: People are just like not expecting this to be great

609
00:27:26,760 --> 00:27:27,359
Speaker 1: like they used to.

610
00:27:28,600 --> 00:27:31,760
Speaker 3: Yeah, the whole movie going industry is just in a

611
00:27:31,800 --> 00:27:34,080
Speaker 3: weird place. I mean things are picking up though, for

612
00:27:34,160 --> 00:27:36,879
Speaker 3: like movie stel tickets. I think how trade or Draggon

613
00:27:36,960 --> 00:27:38,440
Speaker 3: we just saw it last night. I think that that's

614
00:27:38,440 --> 00:27:40,760
Speaker 3: gonna do really well, you know, following Leland Stitch. I

615
00:27:40,800 --> 00:27:43,040
Speaker 3: think there's like a huge demand for like family entertainment

616
00:27:43,440 --> 00:27:46,320
Speaker 3: and stuff like that. And you know, Superman is solid.

617
00:27:47,400 --> 00:27:50,280
Speaker 3: I'm hoping Jurassic World is at least better than Dominion

618
00:27:50,320 --> 00:27:51,520
Speaker 3: because that was an abomination.

619
00:27:52,480 --> 00:27:52,800
Speaker 5: Is good.

620
00:27:52,840 --> 00:27:54,040
Speaker 1: But I'm gonna go see it. But I ain't no

621
00:27:54,119 --> 00:27:55,480
Speaker 1: fucking way.

622
00:27:55,560 --> 00:28:00,080
Speaker 3: I know. I know, but Mahearschlaw isn't it again? But

623
00:28:00,359 --> 00:28:02,840
Speaker 3: that's how they get us well, you know what's so

624
00:28:03,200 --> 00:28:05,520
Speaker 3: but frustrats me every time I see rehearsal in a

625
00:28:05,600 --> 00:28:08,080
Speaker 3: Jurassic World trailer I'm like, how the fuck did he

626
00:28:08,160 --> 00:28:10,960
Speaker 3: make this before? A blame Moviega, what are we doing?

627
00:28:11,440 --> 00:28:11,640
Speaker 6: Bro?

628
00:28:13,119 --> 00:28:15,359
Speaker 2: It's not just him, by the way, I'd be looking

629
00:28:15,359 --> 00:28:16,520
Speaker 2: at Scargo the same way.

630
00:28:16,720 --> 00:28:20,920
Speaker 1: Yes, I was like, you left Marvel for this bullshit.

631
00:28:20,720 --> 00:28:23,320
Speaker 2: Like I know she ain't like I know that she

632
00:28:23,359 --> 00:28:24,919
Speaker 2: didn't like that they didn't put her shit out in

633
00:28:24,920 --> 00:28:27,280
Speaker 2: the theaters or whatever, you know, Like I get that,

634
00:28:27,359 --> 00:28:28,480
Speaker 2: but she did get her money.

635
00:28:28,520 --> 00:28:31,080
Speaker 1: She was right, she was right. She was right for that.

636
00:28:31,160 --> 00:28:33,320
Speaker 2: But it's still funny because she was like shitting on

637
00:28:33,359 --> 00:28:35,119
Speaker 2: them out there on the way out the door, and

638
00:28:35,160 --> 00:28:37,520
Speaker 2: you're like, oh, I guess the next thing she's in,

639
00:28:37,720 --> 00:28:40,600
Speaker 2: She's gonna be in like some really like indie film

640
00:28:40,760 --> 00:28:43,360
Speaker 2: high dramas showing her chops. It's like, no, I'm gonna

641
00:28:43,400 --> 00:28:47,800
Speaker 2: be chasing cgi dinosaurs and like, huh.

642
00:28:46,760 --> 00:28:49,360
Speaker 3: I mean, to be fair, she did act in sort

643
00:28:49,400 --> 00:28:53,200
Speaker 3: of dance her ass off in Merriage Story, So yeah.

644
00:28:52,560 --> 00:28:55,240
Speaker 1: I saw that. Yeah, yeah, but it was jealous.

645
00:28:55,280 --> 00:28:56,920
Speaker 3: It's just a weird time in the industry, like it's

646
00:28:56,960 --> 00:28:59,960
Speaker 3: all about IP and like uh, but like you know,

647
00:29:00,080 --> 00:29:03,360
Speaker 3: there is there is a growing demand for like original features,

648
00:29:03,440 --> 00:29:06,400
Speaker 3: which is exciting, especially for someone like me. But the

649
00:29:06,440 --> 00:29:08,760
Speaker 3: only thing is, like I said, like there's like less

650
00:29:08,760 --> 00:29:12,520
Speaker 3: of a focus on it being overtly about like race

651
00:29:12,720 --> 00:29:15,360
Speaker 3: and culture and just more of a human story.

652
00:29:15,200 --> 00:29:19,120
Speaker 1: Because we definitely, we definitely don't want more centers, guys.

653
00:29:19,400 --> 00:29:22,800
Speaker 2: That's definitely not what Hollywood wants is a massive success

654
00:29:22,880 --> 00:29:23,960
Speaker 2: at the box office.

655
00:29:24,120 --> 00:29:28,040
Speaker 3: Like Sinners, ain't Center's gonna lose money. It's gonna have

656
00:29:28,040 --> 00:29:29,880
Speaker 3: to do all these things and make it to well.

657
00:29:29,920 --> 00:29:32,320
Speaker 3: Of course Ryan Coogler could do it, but only Ryan

658
00:29:32,360 --> 00:29:34,560
Speaker 3: Cooler could do it. We're back to the it could

659
00:29:34,560 --> 00:29:36,840
Speaker 3: only be one of us again, that's what we're at.

660
00:29:37,200 --> 00:29:37,959
Speaker 1: Yeah, it was.

661
00:29:38,040 --> 00:29:39,920
Speaker 2: It was so funny with Sinners because it was like

662
00:29:40,840 --> 00:29:43,040
Speaker 2: it was, first of all, it was not on white

663
00:29:43,040 --> 00:29:45,920
Speaker 2: people's radar, and you can tell, which was funny because

664
00:29:46,040 --> 00:29:48,600
Speaker 2: like I didn't know any black people that weren't gonna

665
00:29:48,600 --> 00:29:51,320
Speaker 2: see it. Yeah, Like that was like that from announcing

666
00:29:51,440 --> 00:29:54,520
Speaker 2: from the announcement, like not even from the like trailer.

667
00:29:54,560 --> 00:29:56,760
Speaker 1: It was just like, oh, Roan Cocu got come out. Yeah,

668
00:29:56,800 --> 00:29:58,520
Speaker 1: him might be Jodaning, Okay, let.

669
00:29:58,400 --> 00:30:00,400
Speaker 4: Me that's how you had I didn't at first. I

670
00:30:00,400 --> 00:30:02,440
Speaker 4: didn't even know what was about. Like I literally went

671
00:30:02,760 --> 00:30:04,280
Speaker 4: blind and then.

672
00:30:04,200 --> 00:30:06,680
Speaker 2: We saw the trailer and it was scary, and Karen

673
00:30:06,760 --> 00:30:08,720
Speaker 2: was like, I'm still going to see it. Yeah, that's

674
00:30:08,720 --> 00:30:11,800
Speaker 2: a big thing because Karen doesn't necessarily see scary movies.

675
00:30:12,960 --> 00:30:16,520
Speaker 2: And then of course the next thing was, hey, man,

676
00:30:16,560 --> 00:30:18,320
Speaker 2: if you're gonna see it, you need to see an imax.

677
00:30:19,040 --> 00:30:22,520
Speaker 1: Black people was paying them imax prices. Yeah, it's like

678
00:30:22,680 --> 00:30:23,640
Speaker 1: forty five dollars.

679
00:30:23,840 --> 00:30:27,120
Speaker 3: It's so it's.

680
00:30:27,000 --> 00:30:31,520
Speaker 2: So crazy to think about how many times we have

681
00:30:31,640 --> 00:30:35,760
Speaker 2: had this happen yep, in just the last probably decade

682
00:30:36,360 --> 00:30:40,360
Speaker 2: of just Hollywood doesn't see this black thing is being successful.

683
00:30:40,920 --> 00:30:43,520
Speaker 2: They they don't put invest in it, or they don't

684
00:30:43,760 --> 00:30:46,720
Speaker 2: you know whatever, they don't cover it. Then it's successful,

685
00:30:46,720 --> 00:30:49,760
Speaker 2: and it's like how did how was this successful?

686
00:30:50,040 --> 00:30:52,240
Speaker 1: And then it's what wasn't really successful?

687
00:30:52,600 --> 00:30:55,240
Speaker 2: I mean when you add up the catering budget and

688
00:30:55,280 --> 00:30:59,240
Speaker 2: when you're adding like the marketing, like they start moving

689
00:30:59,240 --> 00:31:00,720
Speaker 2: the goldpost like, well.

690
00:31:00,560 --> 00:31:01,000
Speaker 1: I guess it.

691
00:31:01,400 --> 00:31:03,360
Speaker 2: I guess it had to make a hundred you had

692
00:31:03,400 --> 00:31:05,479
Speaker 2: to make a billion dollars to make a private And

693
00:31:05,520 --> 00:31:08,120
Speaker 2: then when it eventually makes a private, like this is

694
00:31:08,160 --> 00:31:10,840
Speaker 2: the most successful independent movie in fifteen.

695
00:31:10,520 --> 00:31:12,000
Speaker 1: Years and no one saw it coming.

696
00:31:12,080 --> 00:31:15,520
Speaker 2: What a blockbuster breakaway hitting like, bro, we saw this,

697
00:31:15,680 --> 00:31:17,200
Speaker 2: we did we were anticipating this.

698
00:31:18,080 --> 00:31:20,200
Speaker 3: It's it's it's incredibly frustrating. I mean I did like

699
00:31:20,200 --> 00:31:22,560
Speaker 3: a lot of uh. I had some interviews and stuff about,

700
00:31:22,640 --> 00:31:25,720
Speaker 3: you know, my perspective on the way that the media

701
00:31:25,800 --> 00:31:29,200
Speaker 3: was portraying the successive centers and overlooking him, Like Ryan

702
00:31:29,280 --> 00:31:32,760
Speaker 3: Coogler is in the Goat Conversation of film directors. He's

703
00:31:32,800 --> 00:31:33,760
Speaker 3: in the top five.

704
00:31:35,040 --> 00:31:36,520
Speaker 1: And the rest of them, yes.

705
00:31:36,400 --> 00:31:38,560
Speaker 3: Yes, Like come on now, what Like the fact that

706
00:31:38,560 --> 00:31:40,800
Speaker 3: people were trying to deny that. I'm like, that's what.

707
00:31:41,320 --> 00:31:41,760
Speaker 1: Yeah.

708
00:31:41,880 --> 00:31:45,040
Speaker 3: It's stuff like that that makes me question, like whether

709
00:31:45,120 --> 00:31:46,440
Speaker 3: or not I want to be in this industry. But

710
00:31:46,480 --> 00:31:48,640
Speaker 3: of course I do. I love films, I love creating

711
00:31:48,680 --> 00:31:50,600
Speaker 3: and stuff like that. But you know, as a black

712
00:31:50,960 --> 00:31:55,160
Speaker 3: aspiring artist and director and writer producer, I'm like, he's like,

713
00:31:55,240 --> 00:31:57,280
Speaker 3: he legit is one of the best to ever do it.

714
00:31:57,320 --> 00:32:01,840
Speaker 3: And he's still young. He's only done six movies, right yeah,

715
00:32:01,920 --> 00:32:04,160
Speaker 3: And I'm like, and the people are just say, oh wow,

716
00:32:04,200 --> 00:32:06,160
Speaker 3: I mean, I guess Ryan cooor is pretty good. I'm

717
00:32:06,200 --> 00:32:09,600
Speaker 3: like his mentor is Christopher Nolan.

718
00:32:09,760 --> 00:32:10,720
Speaker 1: That's all I about to say.

719
00:32:10,800 --> 00:32:13,680
Speaker 2: And like mentor in the and I know JL Coved

720
00:32:13,720 --> 00:32:15,600
Speaker 2: is listening and he will probably write in about this,

721
00:32:16,040 --> 00:32:20,320
Speaker 2: but mentor in the way of like if Michael Jordan

722
00:32:20,440 --> 00:32:24,880
Speaker 2: mentored Lebron and you're just like, e Zach, wait a minute, no,

723
00:32:24,880 --> 00:32:26,960
Speaker 2: no offense to him, Jay, but this nigga might be.

724
00:32:26,840 --> 00:32:27,560
Speaker 1: Better than you.

725
00:32:27,640 --> 00:32:30,360
Speaker 2: Like that's how that's how like that early like when

726
00:32:30,400 --> 00:32:33,800
Speaker 2: when Lebron won like his the ring in Cleveland and

727
00:32:33,840 --> 00:32:36,360
Speaker 2: You're like, I don't think even mj could have did that.

728
00:32:36,400 --> 00:32:36,640
Speaker 3: Shit.

729
00:32:37,120 --> 00:32:39,640
Speaker 2: That That's how it feels watching Centers, So I'm like,

730
00:32:39,720 --> 00:32:41,560
Speaker 2: I don't know who else could have made this ship,

731
00:32:41,680 --> 00:32:44,600
Speaker 2: but that motherfucker did that exactly.

732
00:32:44,640 --> 00:32:47,600
Speaker 3: And like Ryan is such a he is such a

733
00:32:47,640 --> 00:32:49,520
Speaker 3: cheerleader for the people he works with, for the people

734
00:32:49,520 --> 00:32:52,840
Speaker 3: that he collaborates with. And that's something that I always

735
00:32:52,920 --> 00:32:55,920
Speaker 3: keep in mind when like I'm putting, you know, people together,

736
00:32:56,000 --> 00:32:57,840
Speaker 3: and I'm like thinking about who I want on projects

737
00:32:57,880 --> 00:33:00,360
Speaker 3: because that's important and I'll see what those people to shine.

738
00:33:00,400 --> 00:33:02,520
Speaker 3: Like the fact that he had his college roommate love

739
00:33:02,520 --> 00:33:04,960
Speaker 3: Wig like on all the stuff to the point where

740
00:33:05,000 --> 00:33:07,239
Speaker 3: I think it was black panther. Chris Nolan was like,

741
00:33:07,560 --> 00:33:10,680
Speaker 3: who did the score of this and then he's been

742
00:33:10,760 --> 00:33:13,400
Speaker 3: Chris Nolan's composer ever since then too, Like he's he's

743
00:33:13,440 --> 00:33:15,600
Speaker 3: hooking up, you know, and he's giving people opportunities to

744
00:33:15,600 --> 00:33:20,400
Speaker 3: get oscars, and he elevates women creatives and DPS, costant

745
00:33:20,480 --> 00:33:23,640
Speaker 3: design all these things, and it's just like that's just

746
00:33:23,680 --> 00:33:27,520
Speaker 3: so insane that like he just now recently was getting recognition.

747
00:33:27,160 --> 00:33:29,200
Speaker 1: And low key, oh go ahead here, I'm I say yeah.

748
00:33:29,200 --> 00:33:32,440
Speaker 4: And and the thing I love about Ryan Coogler is

749
00:33:32,720 --> 00:33:36,920
Speaker 4: the fact that he pays attention to details, because something

750
00:33:37,000 --> 00:33:39,400
Speaker 4: you can never say about his movie is that he

751
00:33:39,480 --> 00:33:42,520
Speaker 4: doesn't shade us right like like like and we could

752
00:33:42,560 --> 00:33:45,280
Speaker 4: be in the bright and we could be in the dark.

753
00:33:45,160 --> 00:33:47,640
Speaker 1: But you but but but but but you're.

754
00:33:47,480 --> 00:33:50,480
Speaker 4: Going to get us in our true tone and you

755
00:33:50,520 --> 00:33:53,160
Speaker 4: don't have like that casting and all that stuff, like

756
00:33:53,360 --> 00:33:54,560
Speaker 4: and I think it's a white lady.

757
00:33:54,600 --> 00:33:58,040
Speaker 1: This is his person that does that. Yeah, it was.

758
00:33:58,320 --> 00:34:00,400
Speaker 1: She does an outstanding jobs, is it too?

759
00:34:00,520 --> 00:34:02,960
Speaker 2: With the lighting and all that stuff? Because for years

760
00:34:02,960 --> 00:34:06,600
Speaker 2: they would say, like, you just can't do this like this,

761
00:34:07,200 --> 00:34:10,120
Speaker 2: goddamn it, there's a cat outside my window sill looking

762
00:34:10,160 --> 00:34:10,440
Speaker 2: in here.

763
00:34:10,520 --> 00:34:15,359
Speaker 1: What the fuck? Sorry, we had one to do that

764
00:34:15,600 --> 00:34:18,680
Speaker 1: years ago was the get.

765
00:34:18,520 --> 00:34:20,799
Speaker 3: Out, get cats all the time outside the house, says

766
00:34:20,840 --> 00:34:24,239
Speaker 3: is a bad omen It's not. It's yeah, I guess

767
00:34:24,280 --> 00:34:27,000
Speaker 3: if cats that gather outside your house, it's not the best.

768
00:34:27,080 --> 00:34:29,560
Speaker 2: It's one cat and he just keep coming back. I'm

769
00:34:29,600 --> 00:34:30,399
Speaker 2: not going to feed him.

770
00:34:30,520 --> 00:34:34,440
Speaker 3: It's definitely not going to feed its gray white.

771
00:34:34,560 --> 00:34:36,960
Speaker 1: Yeah, it's a white white with brown spots.

772
00:34:38,000 --> 00:34:41,160
Speaker 2: Going back to the owner anyway, what I was gonna

773
00:34:41,160 --> 00:34:42,120
Speaker 2: say is before that.

774
00:34:42,040 --> 00:34:43,839
Speaker 3: Cat is what the white double in your house run?

775
00:34:43,920 --> 00:34:47,839
Speaker 2: Right, So it's like the vampires and centers and ship

776
00:34:47,960 --> 00:34:48,799
Speaker 2: if you let it in and.

777
00:34:50,840 --> 00:34:54,120
Speaker 1: Now it now owns your house telling you what to do.

778
00:34:55,000 --> 00:35:00,439
Speaker 2: But yeah, the lighting thing is interesting because ever, even

779
00:35:00,480 --> 00:35:02,800
Speaker 2: the way he like hires people that work with him,

780
00:35:02,960 --> 00:35:06,080
Speaker 2: it reminds me of the NFL and Detroit.

781
00:35:06,920 --> 00:35:07,680
Speaker 1: There's his coach.

782
00:35:07,840 --> 00:35:10,000
Speaker 2: He's a white dude, daaning something, and he had his

783
00:35:10,080 --> 00:35:13,839
Speaker 2: staff is all black dudes, and and like not all

784
00:35:13,880 --> 00:35:16,080
Speaker 2: black dudes, but like young up and coming a lot

785
00:35:16,080 --> 00:35:18,920
Speaker 2: of black dudies, and people always like, yo, here a

786
00:35:18,960 --> 00:35:22,399
Speaker 2: real down dude for that, I'm like, yes, But also him,

787
00:35:22,520 --> 00:35:25,480
Speaker 2: Bruce arians did the same thing. Where else you're gonna

788
00:35:25,480 --> 00:35:28,200
Speaker 2: find the most talented people that keep getting passed over

789
00:35:28,320 --> 00:35:31,960
Speaker 2: despite being fucking talented that what they should be, Like,

790
00:35:32,719 --> 00:35:37,279
Speaker 2: they should be head coaches. Y'all's racism have them being

791
00:35:37,360 --> 00:35:40,840
Speaker 2: assistant coaches. Well, let me go get all the head

792
00:35:40,840 --> 00:35:44,080
Speaker 2: coach assistant coaches I can gather, and let's like be

793
00:35:44,200 --> 00:35:46,160
Speaker 2: the best team we can. And of course as they

794
00:35:46,160 --> 00:35:49,879
Speaker 2: show improved, they all of a sudden you start signing like, oh,

795
00:35:49,960 --> 00:35:52,719
Speaker 2: his offensive coordinator got hired to be the Bears coach

796
00:35:52,800 --> 00:35:55,279
Speaker 2: or whatever and like. But but the point being, like

797
00:35:55,360 --> 00:35:59,120
Speaker 2: there's a loophole that has been they they're making it exploited,

798
00:35:59,280 --> 00:36:01,759
Speaker 2: like and I think Ryan Cooler is very similar to

799
00:36:01,760 --> 00:36:03,920
Speaker 2: the same thing with women in the industry, where he's like,

800
00:36:04,320 --> 00:36:08,000
Speaker 2: y'all are the ones fucking up. These women should have

801
00:36:08,080 --> 00:36:10,440
Speaker 2: been in the prime time. So I'm gonna put them

802
00:36:10,440 --> 00:36:12,960
Speaker 2: there because they can handle it, not if anything, I

803
00:36:14,040 --> 00:36:15,840
Speaker 2: know I'm getting an advantage.

804
00:36:15,960 --> 00:36:16,280
Speaker 1: Yes.

805
00:36:16,640 --> 00:36:19,279
Speaker 3: Well, Also Ryan Cooler when he talks about collaborating with

806
00:36:19,360 --> 00:36:22,160
Speaker 3: his wife and like the women on set and his productions,

807
00:36:22,600 --> 00:36:25,280
Speaker 3: it's something that I actually take very like to heart

808
00:36:25,280 --> 00:36:27,200
Speaker 3: as well with my wife and like the advice that

809
00:36:27,239 --> 00:36:29,000
Speaker 3: she gives me because she's always looking out for me,

810
00:36:29,120 --> 00:36:31,920
Speaker 3: right and he's like, these women save me for myself

811
00:36:32,239 --> 00:36:34,359
Speaker 3: because you know, sometimes we get like you know, especially men,

812
00:36:34,400 --> 00:36:37,800
Speaker 3: we get crazy ass ideas or we're like short sighted,

813
00:36:37,880 --> 00:36:40,000
Speaker 3: or we're not seeing nuance, we're not seeing enough nuance

814
00:36:40,120 --> 00:36:43,719
Speaker 3: or making sure that we're being mindful of how things

815
00:36:43,719 --> 00:36:46,240
Speaker 3: can be interpreted, especially especially if we don't have any

816
00:36:46,480 --> 00:36:48,800
Speaker 3: ill intent or like you know, we don't want anyone

817
00:36:48,800 --> 00:36:51,879
Speaker 3: to be offended or anything like that. It's like it's

818
00:36:51,960 --> 00:36:55,600
Speaker 3: so important that women around you to kinda check you

819
00:36:55,600 --> 00:36:57,040
Speaker 3: a little bit, you know what I mean, And so

820
00:36:57,320 --> 00:36:59,800
Speaker 3: for sure, and also I love that vulnerability.

821
00:36:59,840 --> 00:37:02,520
Speaker 2: Yeah, and also like the same thing happened with Rick

822
00:37:02,560 --> 00:37:04,400
Speaker 2: and Morty's writer writer's room.

823
00:37:04,640 --> 00:37:05,799
Speaker 1: Dan Harmon talked about it.

824
00:37:05,800 --> 00:37:07,240
Speaker 2: They didn't have a lot of women in the writer's

825
00:37:07,320 --> 00:37:11,960
Speaker 2: room for the first few seasons, and uh, under like

826
00:37:12,200 --> 00:37:16,480
Speaker 2: pressure or just criticism or whatever. He was like, Okay,

827
00:37:16,719 --> 00:37:19,160
Speaker 2: we get some women writers, you know, everybody. We don't

828
00:37:19,160 --> 00:37:22,640
Speaker 2: want to like have any complaints and shit. And he's like,

829
00:37:23,040 --> 00:37:24,920
Speaker 2: I wish I would have done it from beginning.

830
00:37:24,600 --> 00:37:27,480
Speaker 4: Because because the seasons you could tell a difference in

831
00:37:27,480 --> 00:37:29,799
Speaker 4: this The jokes are funny. I all jokes aside, like

832
00:37:30,080 --> 00:37:33,799
Speaker 4: particularly with Beth in Summer like, and they talk about

833
00:37:33,880 --> 00:37:36,360
Speaker 4: more women, more women issue.

834
00:37:36,400 --> 00:37:39,560
Speaker 2: You know, I think the mistake that so many people

835
00:37:39,640 --> 00:37:43,799
Speaker 2: make is they think of diversity and as a thing

836
00:37:43,840 --> 00:37:46,600
Speaker 2: where you don't have the same goal, right, So like,

837
00:37:46,800 --> 00:37:49,120
Speaker 2: for example, if we're here to make a funny TV

838
00:37:49,239 --> 00:37:53,040
Speaker 2: show and I'm hiring you as a comedy writer and

839
00:37:53,080 --> 00:37:57,160
Speaker 2: you're a woman, I'm not, I don't your only job

840
00:37:57,239 --> 00:37:58,839
Speaker 2: is not to come in and be like, uh uh uh,

841
00:37:59,560 --> 00:38:00,520
Speaker 2: that's not funny.

842
00:38:00,680 --> 00:38:03,799
Speaker 1: You wanna be funny, Yes, you want to join in

843
00:38:03,880 --> 00:38:04,239
Speaker 1: on the.

844
00:38:04,160 --> 00:38:07,839
Speaker 2: Fun and you're gonna be You have experiences that will

845
00:38:07,880 --> 00:38:11,440
Speaker 2: make it smarter for our comedy, like you, especially with

846
00:38:11,520 --> 00:38:14,120
Speaker 2: something like Rick and Morty that's established so like you

847
00:38:14,280 --> 00:38:17,040
Speaker 2: know the kind of humor they're doing, even the stuff

848
00:38:17,040 --> 00:38:18,920
Speaker 2: you don't like your it's not like you go, I

849
00:38:18,920 --> 00:38:21,200
Speaker 2: don't like that, so we just will take those jokes out.

850
00:38:21,280 --> 00:38:23,480
Speaker 1: No, you're thinking, oh, no, it would be funnier.

851
00:38:23,200 --> 00:38:25,480
Speaker 2: If you did it this way, because that's that's the

852
00:38:25,520 --> 00:38:29,880
Speaker 2: next level of funny. Like there's a joke about the

853
00:38:30,080 --> 00:38:32,040
Speaker 2: h I think it's called the Bechdall test or whatever

854
00:38:32,120 --> 00:38:33,839
Speaker 2: that they have where it's like we need a scene

855
00:38:33,840 --> 00:38:37,040
Speaker 2: where two women are talking about something that's not like

856
00:38:37,120 --> 00:38:39,480
Speaker 2: about a man or whatever, and Morty has to like

857
00:38:39,520 --> 00:38:42,879
Speaker 2: imagine like Summer and Best talking about something and they

858
00:38:42,960 --> 00:38:44,799
Speaker 2: at first he fucks it up and it's like if

859
00:38:45,200 --> 00:38:47,680
Speaker 2: it like barely counts, and like stuff like that. Later

860
00:38:47,719 --> 00:38:51,359
Speaker 2: seasons you have like the episode with the like the

861
00:38:51,360 --> 00:38:55,720
Speaker 2: sperm thing and the egg and like bet, like Summer

862
00:38:55,800 --> 00:38:58,239
Speaker 2: has an idea that she gives the president at the

863
00:38:58,360 --> 00:39:02,240
Speaker 2: round table and he he's like, treata like she's crazy.

864
00:39:02,280 --> 00:39:05,080
Speaker 2: And then a man repeats the idea basically verbatim, and

865
00:39:05,080 --> 00:39:07,319
Speaker 2: it's like, yes, that's what we need to do. And

866
00:39:07,360 --> 00:39:11,000
Speaker 2: then Beth comes over and goes, welcome, you just became

867
00:39:11,000 --> 00:39:13,680
Speaker 2: a woman today, And I'm like yet, little stuff like that,

868
00:39:13,760 --> 00:39:14,720
Speaker 2: but it's still funny.

869
00:39:15,400 --> 00:39:17,840
Speaker 3: Some of my favorite episodes of television, especially comedy, have

870
00:39:17,960 --> 00:39:21,640
Speaker 3: been written by female writers. I mean Francesca Sloan, who

871
00:39:21,680 --> 00:39:24,520
Speaker 3: was a showrunner of Mister Mister Smith. She wrote the

872
00:39:24,600 --> 00:39:27,399
Speaker 3: Goo who Sat by the Door episode of Atlanta, which

873
00:39:27,440 --> 00:39:29,279
Speaker 3: I think is one of the best pieces of television.

874
00:39:29,400 --> 00:39:31,120
Speaker 1: Yeah, low key lo key.

875
00:39:31,320 --> 00:39:34,920
Speaker 2: That's another thing too, is like because of his reputation,

876
00:39:35,120 --> 00:39:38,000
Speaker 2: but Donald Glover does a lot of the same shit,

877
00:39:38,040 --> 00:39:41,320
Speaker 2: we're talking about putting women in positions of like control

878
00:39:41,480 --> 00:39:45,440
Speaker 2: and and empowering them, not just on Atlanta but swarm.

879
00:39:46,120 --> 00:39:49,279
Speaker 1: Same thing. Like, but he just got like, I.

880
00:39:49,280 --> 00:39:51,760
Speaker 2: Don't know, I feel like the rep has gotten worse

881
00:39:51,840 --> 00:39:54,120
Speaker 2: than the than the truth at this point.

882
00:39:54,800 --> 00:39:57,160
Speaker 3: Yeah, I like, you know what's funny is like Tati's

883
00:39:57,200 --> 00:39:59,359
Speaker 3: always like, do you worry about getting too famous where

884
00:39:59,400 --> 00:40:01,640
Speaker 3: you might like be like not like necessarily in a

885
00:40:01,680 --> 00:40:05,920
Speaker 3: Donald Glover situation where like you you know, you alienate

886
00:40:05,960 --> 00:40:08,000
Speaker 3: some people or something like that, or like you like

887
00:40:08,080 --> 00:40:10,080
Speaker 3: you might do something or say something that gets you

888
00:40:10,080 --> 00:40:12,920
Speaker 3: in trouble. It was like, I don't know, because I know,

889
00:40:13,000 --> 00:40:15,279
Speaker 3: like sometimes I like I, you know, I speak before

890
00:40:15,320 --> 00:40:17,400
Speaker 3: I think and some of that or sometimes my you know,

891
00:40:17,520 --> 00:40:19,759
Speaker 3: my writing could be kind of like crazy. But I

892
00:40:19,800 --> 00:40:23,120
Speaker 3: was like, I got you. You keep me in the man.

893
00:40:23,400 --> 00:40:26,400
Speaker 2: I think it's I think it's just it's a lot

894
00:40:26,480 --> 00:40:30,200
Speaker 2: of stuff. But like, especially in comedy, it's just, uh,

895
00:40:30,239 --> 00:40:33,400
Speaker 2: there was a there's a subjective that and there's a

896
00:40:33,400 --> 00:40:36,080
Speaker 2: period of time where I think people were making content

897
00:40:36,200 --> 00:40:40,920
Speaker 2: out of getting like hating on people, yes, and like

898
00:40:40,960 --> 00:40:43,360
Speaker 2: getting as many people as possible to hate them. And

899
00:40:43,400 --> 00:40:45,719
Speaker 2: I'm not saying like some of the stuff Donald Glover

900
00:40:45,760 --> 00:40:48,560
Speaker 2: didn't say it wasn't off, didn't say it wasn't a fence, right,

901
00:40:48,719 --> 00:40:51,799
Speaker 2: But like there's a level of like this person is

902
00:40:51,840 --> 00:40:53,440
Speaker 2: a piece of shit for the rest of their life.

903
00:40:53,480 --> 00:40:55,320
Speaker 2: There is where you're like, I don't think we agree

904
00:40:55,360 --> 00:40:59,600
Speaker 2: to that contract. Like and so anyway, I say all

905
00:40:59,600 --> 00:41:03,439
Speaker 2: at this, like I'm sure all of us we've done

906
00:41:03,520 --> 00:41:06,680
Speaker 2: so many hours of podcast. If someone wanted to just

907
00:41:06,719 --> 00:41:10,840
Speaker 2: be like, here's the five minutes of the worst possible

908
00:41:10,840 --> 00:41:14,120
Speaker 2: out of context things I could find, and this is

909
00:41:14,120 --> 00:41:16,840
Speaker 2: why this person is a terrible person. The rest of

910
00:41:16,880 --> 00:41:19,759
Speaker 2: the universe is not going to go seek the context.

911
00:41:20,520 --> 00:41:24,640
Speaker 2: They're just gonna go here's five minutes of offensive jokes

912
00:41:25,000 --> 00:41:28,520
Speaker 2: that they told and boom. There's a certain segment of

913
00:41:28,560 --> 00:41:31,400
Speaker 2: population that will hate you, even if the real reason

914
00:41:31,400 --> 00:41:32,120
Speaker 2: they hate you is.

915
00:41:32,080 --> 00:41:35,480
Speaker 1: Like you're big, You're making it. See you got you're

916
00:41:35,480 --> 00:41:36,120
Speaker 1: getting too much.

917
00:41:37,040 --> 00:41:39,319
Speaker 3: I mean, that's what in the New York comedy scene.

918
00:41:39,360 --> 00:41:41,360
Speaker 3: That's kind of what happened with Shane gillis. I mean, like,

919
00:41:41,400 --> 00:41:43,000
Speaker 3: you know, I can't speak for his role, like the

920
00:41:43,080 --> 00:41:45,320
Speaker 3: Joe Rogan Verst and all that stuff, but I remember

921
00:41:45,440 --> 00:41:47,360
Speaker 3: that s and no controversy came out. I remember like

922
00:41:47,400 --> 00:41:49,120
Speaker 3: reaching out to a bunch of my comedy ferences, like, hey,

923
00:41:49,120 --> 00:41:52,200
Speaker 3: I don't really know Shane, but like, yo, what's this about?

924
00:41:52,239 --> 00:41:55,040
Speaker 3: You're like, yo, Like Shane's mad, funny, Like I've never

925
00:41:55,040 --> 00:41:56,840
Speaker 3: been offended like in any conversations I've had with them.

926
00:41:56,840 --> 00:41:58,920
Speaker 3: Blah blah blah blah blah. And this is both men

927
00:41:59,040 --> 00:42:02,120
Speaker 3: and female women, because you know, there's sometimes when guys

928
00:42:02,120 --> 00:42:04,279
Speaker 3: get into their own bubble and it's like, oh, yeah,

929
00:42:04,320 --> 00:42:05,839
Speaker 3: this dude's cool, and then you talk the female comes

930
00:42:05,880 --> 00:42:07,439
Speaker 3: like that guy's a piece of shit. He's cry blah

931
00:42:07,440 --> 00:42:09,439
Speaker 3: blah blah. And so I like bet it, and people

932
00:42:09,440 --> 00:42:11,960
Speaker 3: are like, no, he's he's going to like because I've

933
00:42:11,960 --> 00:42:13,920
Speaker 3: seen some of this video stuff and it's pretty funny

934
00:42:14,080 --> 00:42:16,560
Speaker 3: it is. And so like you know, like with the comedy,

935
00:42:16,719 --> 00:42:18,960
Speaker 3: seem like you kind of like have to bet people

936
00:42:19,000 --> 00:42:21,719
Speaker 3: before you fully like not back them, but just like

937
00:42:21,760 --> 00:42:25,919
Speaker 3: you know, form your own opinion. We can be.

938
00:42:26,160 --> 00:42:28,120
Speaker 1: I saw a similar I'm sorry, care you go first,

939
00:42:28,560 --> 00:42:29,200
Speaker 1: I was gonna say.

940
00:42:29,200 --> 00:42:32,640
Speaker 4: And also Brandon is one of those things too, where

941
00:42:32,680 --> 00:42:34,680
Speaker 4: you were talking about the conversation she was having with tati.

942
00:42:35,280 --> 00:42:38,000
Speaker 4: I feel like as long as you are true to yourself,

943
00:42:38,080 --> 00:42:40,680
Speaker 4: all do like like like that's the fact. Regardless of

944
00:42:40,800 --> 00:42:43,920
Speaker 4: what else happens around you, you can control the can't control.

945
00:42:44,320 --> 00:42:46,719
Speaker 4: I think being trueful to yourself and your comedy and

946
00:42:46,760 --> 00:42:49,680
Speaker 4: who you are would keep you grounded because the thing is,

947
00:42:49,760 --> 00:42:52,400
Speaker 4: no matter what, people just ain't gonna like you, period,

948
00:42:52,719 --> 00:42:54,920
Speaker 4: and and and and and that's it. And the Internet

949
00:42:55,080 --> 00:42:57,640
Speaker 4: just kind of amplifies those voices. But these people don't

950
00:42:57,719 --> 00:42:58,040
Speaker 4: know you.

951
00:42:58,120 --> 00:42:58,799
Speaker 1: And that's the thing.

952
00:42:59,160 --> 00:43:01,560
Speaker 4: People are hating you that don't know you. So I'm

953
00:43:01,560 --> 00:43:03,759
Speaker 4: not gonna give them me personally. I don't you don't

954
00:43:03,800 --> 00:43:06,279
Speaker 4: know me. Why am I pouring my energy over here

955
00:43:06,320 --> 00:43:08,480
Speaker 4: to negativity? That really doesn't matter.

956
00:43:08,640 --> 00:43:10,839
Speaker 2: The other thing too, it is when things like that

957
00:43:10,920 --> 00:43:15,680
Speaker 2: blow up, even the love isn't real, like you gotta you.

958
00:43:15,680 --> 00:43:18,480
Speaker 2: You have to go into the fucking void, into the

959
00:43:18,560 --> 00:43:20,080
Speaker 2: drift with no attachments.

960
00:43:20,120 --> 00:43:21,440
Speaker 1: You cannot be out there like.

961
00:43:22,080 --> 00:43:24,719
Speaker 2: The people on the internet are my friends, and you

962
00:43:24,719 --> 00:43:26,440
Speaker 2: shouldn't be on there like they're my haters.

963
00:43:26,440 --> 00:43:28,680
Speaker 1: And I wake up every day to prove them wrong,

964
00:43:28,800 --> 00:43:29,759
Speaker 1: like you have to.

965
00:43:30,040 --> 00:43:33,400
Speaker 3: That's why go ahead. I've never want to influencer lifestyle

966
00:43:33,520 --> 00:43:36,160
Speaker 3: because that's your that's your whole life. Like yeah, like

967
00:43:36,239 --> 00:43:38,200
Speaker 3: I love I love the way that I create. I

968
00:43:38,280 --> 00:43:40,440
Speaker 3: love what I can create. And you know I got

969
00:43:40,480 --> 00:43:42,880
Speaker 3: shout you two like especially because you know there was

970
00:43:42,880 --> 00:43:45,040
Speaker 3: an episodes of media podcorn I'll say, damn, like I

971
00:43:45,040 --> 00:43:47,759
Speaker 3: feel like we should apologize and like trying to change things,

972
00:43:47,760 --> 00:43:50,200
Speaker 3: and you were like, yo, you're gonna have some bad episodes. Yeah,

973
00:43:50,320 --> 00:43:52,480
Speaker 3: seen some stuff that people don't agree with, Like, you're

974
00:43:52,520 --> 00:43:55,080
Speaker 3: not gonna please everybody. I mean, I spend one hundred

975
00:43:55,080 --> 00:43:56,920
Speaker 3: and fifty dollars a week with my therapist still, like

976
00:43:57,160 --> 00:43:59,680
Speaker 3: who reminds me this constantly? You're not going to like,

977
00:43:59,840 --> 00:44:02,480
Speaker 3: not everyone's gonna love you, Like, stop trying to be,

978
00:44:02,680 --> 00:44:08,279
Speaker 3: you know, the guy that everyone likes because you're at home.

979
00:44:08,480 --> 00:44:09,000
Speaker 1: That doesn't.

980
00:44:09,320 --> 00:44:11,440
Speaker 2: I don't think people make the best work when they

981
00:44:11,440 --> 00:44:14,760
Speaker 2: have when they're doing that, because you're not really being yourself.

982
00:44:14,400 --> 00:44:16,680
Speaker 1: Because you're just worried about and its creativity.

983
00:44:16,680 --> 00:44:18,840
Speaker 2: You're thinking about who's gonna be mad about every fucking

984
00:44:18,840 --> 00:44:19,640
Speaker 2: thing you do and say.

985
00:44:20,760 --> 00:44:22,399
Speaker 1: And then the other thing is like.

986
00:44:24,040 --> 00:44:28,319
Speaker 2: That getting attached to that feedback loop that like parasocial relationship,

987
00:44:29,000 --> 00:44:32,960
Speaker 2: it can be so destructive because when someone knows they

988
00:44:32,960 --> 00:44:35,560
Speaker 2: have a little bit of power, most people are cool,

989
00:44:35,840 --> 00:44:38,600
Speaker 2: but some people are going to manipulate it on purpose

990
00:44:38,640 --> 00:44:41,080
Speaker 2: to be like, oh you care what I think, Well,

991
00:44:41,120 --> 00:44:44,920
Speaker 2: you're a piece of shit, Like and that's gonna make

992
00:44:44,960 --> 00:44:46,719
Speaker 2: you talk to me more, and that's gonna make you

993
00:44:46,760 --> 00:44:48,839
Speaker 2: talk about me more. You're gonna go on your show

994
00:44:48,880 --> 00:44:51,760
Speaker 2: and you're gonna do this, and all that stuff does count,

995
00:44:51,800 --> 00:44:56,279
Speaker 2: meaning like even if you had a like, oh man,

996
00:44:56,320 --> 00:44:59,200
Speaker 2: this like I remember we had a show where this

997
00:44:59,520 --> 00:45:02,880
Speaker 2: I didn't even understand at the time the definition or

998
00:45:02,960 --> 00:45:07,480
Speaker 2: understand what like transgender meant, like the concept and it

999
00:45:07,520 --> 00:45:09,319
Speaker 2: was like a new concept of me I did. So

1000
00:45:09,440 --> 00:45:11,640
Speaker 2: it was not just that I didn't understand it, but

1001
00:45:11,680 --> 00:45:13,160
Speaker 2: I think they were talking about a person that was

1002
00:45:13,200 --> 00:45:16,480
Speaker 2: in prison and it might have been like I can't.

1003
00:45:16,280 --> 00:45:18,880
Speaker 1: Remember, it's like they were snowed in or Chelsea Manning

1004
00:45:18,960 --> 00:45:19,320
Speaker 1: or something.

1005
00:45:19,600 --> 00:45:22,759
Speaker 2: It was someone who was like trans and they were

1006
00:45:22,800 --> 00:45:25,440
Speaker 2: like they had done okay, Chelsea man and they were

1007
00:45:25,480 --> 00:45:28,440
Speaker 2: like going to jail, and it was like in jail

1008
00:45:28,560 --> 00:45:29,840
Speaker 2: they're not giving.

1009
00:45:29,480 --> 00:45:32,320
Speaker 1: Her her hormones and her treatment and all this stuff.

1010
00:45:32,840 --> 00:45:35,120
Speaker 1: And I was thinking, like, well, that's why you don't

1011
00:45:35,160 --> 00:45:36,240
Speaker 1: go to jail. What the fuck?

1012
00:45:36,360 --> 00:45:38,879
Speaker 2: Like da da da, And then like a very nice

1013
00:45:38,880 --> 00:45:42,000
Speaker 2: person to live your road in the next episode on

1014
00:45:42,040 --> 00:45:45,279
Speaker 2: our feedback show to be like, hey, so if we're

1015
00:45:45,320 --> 00:45:47,839
Speaker 2: saying it is a human right, blah blah blah, we're

1016
00:45:47,840 --> 00:45:51,279
Speaker 2: saying this is not like a privilege, it's just this

1017
00:45:51,360 --> 00:45:54,439
Speaker 2: is what, this is, how your body is. Like going

1018
00:45:54,480 --> 00:45:57,239
Speaker 2: to jail doesn't mean you don't. That's like saying you

1019
00:45:57,280 --> 00:45:58,640
Speaker 2: go to jail, you don't get insolent.

1020
00:45:58,960 --> 00:45:59,520
Speaker 1: You know what I mean?

1021
00:46:00,080 --> 00:46:02,720
Speaker 2: At some point you just if we've recognized this as

1022
00:46:03,440 --> 00:46:06,840
Speaker 2: this is a condition or a state of being as

1023
00:46:06,880 --> 00:46:09,560
Speaker 2: a person just is or is it sends the prison

1024
00:46:09,600 --> 00:46:12,680
Speaker 2: bars or on the outside inside. And I was like,

1025
00:46:13,680 --> 00:46:16,360
Speaker 2: thank you that you're right. I didn't but I didn't go,

1026
00:46:16,880 --> 00:46:19,560
Speaker 2: oh god, I'm going to delete Wednesday's episode because.

1027
00:46:19,320 --> 00:46:21,719
Speaker 1: I was like, people need to hear that too.

1028
00:46:21,840 --> 00:46:24,920
Speaker 2: I want them to hear because I want you to

1029
00:46:24,960 --> 00:46:27,360
Speaker 2: hear that I got corrected, and I want you to

1030
00:46:27,400 --> 00:46:29,279
Speaker 2: hear that. From that point on, I was like, nah,

1031
00:46:29,280 --> 00:46:31,480
Speaker 2: I remember that shit, and that's not how that works.

1032
00:46:31,520 --> 00:46:33,520
Speaker 1: So I think it does. You know, I think that

1033
00:46:33,600 --> 00:46:34,600
Speaker 1: all matters.

1034
00:46:34,400 --> 00:46:38,480
Speaker 4: Right, And also because you like us, Brandon, you have

1035
00:46:38,520 --> 00:46:40,799
Speaker 4: a long archive, Like people can go back and listen

1036
00:46:40,840 --> 00:46:43,759
Speaker 4: to hundreds of episodes and so guess what is the

1037
00:46:43,760 --> 00:46:44,480
Speaker 4: evolution of you?

1038
00:46:45,440 --> 00:46:47,719
Speaker 1: And nobody nobody stays the same.

1039
00:46:48,160 --> 00:46:50,600
Speaker 4: And I actually think that it shows you as a

1040
00:46:50,640 --> 00:46:54,359
Speaker 4: well rounded human being because actually, for most people, they

1041
00:46:54,400 --> 00:46:58,880
Speaker 4: don't have years and hours of them evolving recorded somewhere,

1042
00:46:59,280 --> 00:47:01,040
Speaker 4: not time fun So they either have to go about

1043
00:47:01,040 --> 00:47:03,719
Speaker 4: it or based on their own memory, based off of

1044
00:47:03,760 --> 00:47:07,200
Speaker 4: the stories that somebody else tells them versus with us,

1045
00:47:07,200 --> 00:47:09,560
Speaker 4: people can go back and they can see those moments.

1046
00:47:09,600 --> 00:47:13,600
Speaker 4: Regardless of how you personally feel about it, it's still

1047
00:47:13,640 --> 00:47:16,600
Speaker 4: a moment it happened. But it also challenges you to

1048
00:47:16,680 --> 00:47:18,400
Speaker 4: grow and be a better person all that stuff. And

1049
00:47:18,400 --> 00:47:20,919
Speaker 4: that's why I say the foundation of that is fine

1050
00:47:20,920 --> 00:47:22,640
Speaker 4: because like ro just say, if you go back and

1051
00:47:22,680 --> 00:47:25,520
Speaker 4: listen to an older episode, you can tell we have grown,

1052
00:47:25,600 --> 00:47:28,239
Speaker 4: evolved and changed and things like that, and.

1053
00:47:28,760 --> 00:47:30,440
Speaker 3: You should you know what I mean, Like, that's the

1054
00:47:30,440 --> 00:47:32,360
Speaker 3: thing is that you should embrace growth. I think a

1055
00:47:32,360 --> 00:47:35,879
Speaker 3: lot of people, for whatever reason nowadays, not a lot,

1056
00:47:35,960 --> 00:47:38,760
Speaker 3: but you know a decent amount of people like refuse

1057
00:47:38,840 --> 00:47:40,840
Speaker 3: to grow. They're like probably like I don't need to

1058
00:47:40,880 --> 00:47:42,320
Speaker 3: learn anything I need to know. I don't need to

1059
00:47:42,360 --> 00:47:44,400
Speaker 3: know a new skills set. I need to you know,

1060
00:47:45,160 --> 00:47:47,319
Speaker 3: make sure that I'm constantly pushing myself to be a

1061
00:47:47,320 --> 00:47:50,600
Speaker 3: better person and more well rounded person. That's it's a

1062
00:47:50,719 --> 00:47:53,440
Speaker 3: very disheartening, especially as someone that's like a student of history,

1063
00:47:53,920 --> 00:47:57,319
Speaker 3: that loves people, that loves community, that loves collaborating, you know,

1064
00:47:57,440 --> 00:48:01,120
Speaker 3: like I worry about that when we go to society

1065
00:48:01,239 --> 00:48:03,919
Speaker 3: that like you know, is dropping that, dropping the ball

1066
00:48:03,960 --> 00:48:06,000
Speaker 3: in that and refusing to embrace that.

1067
00:48:06,120 --> 00:48:09,600
Speaker 2: But yeah, a big part, I think a big part

1068
00:48:09,680 --> 00:48:13,720
Speaker 2: of this, like post election cycle has been watching people

1069
00:48:13,960 --> 00:48:17,920
Speaker 2: almost proud that they're not going, they're not growing. And

1070
00:48:19,600 --> 00:48:21,920
Speaker 2: it's been very interesting to listen to people talk about

1071
00:48:21,960 --> 00:48:25,160
Speaker 2: like what Democrats should do in this in climate because

1072
00:48:25,200 --> 00:48:26,120
Speaker 2: depending on who.

1073
00:48:26,000 --> 00:48:28,600
Speaker 1: You listen to, there are very different answers.

1074
00:48:28,280 --> 00:48:31,600
Speaker 2: Like like we're acting like there's this unifying message they

1075
00:48:31,600 --> 00:48:33,839
Speaker 2: can give where like sixty percent of the country comes

1076
00:48:33,880 --> 00:48:35,880
Speaker 2: together and votes for them. And I've been listening to

1077
00:48:35,920 --> 00:48:39,480
Speaker 2: people not even like interacting, just listening listen to podcasts,

1078
00:48:39,520 --> 00:48:41,759
Speaker 2: listen to you know, to day, I listen to a

1079
00:48:41,800 --> 00:48:46,040
Speaker 2: YouTube Michael Steel's YouTube show These Answers are all over

1080
00:48:46,080 --> 00:48:48,640
Speaker 2: the place, and and if I feel like no one's

1081
00:48:48,680 --> 00:48:51,319
Speaker 2: taking the time to recognize how different the answers are.

1082
00:48:51,360 --> 00:48:53,840
Speaker 2: Because some people are like, you know, we need to

1083
00:48:53,880 --> 00:48:56,880
Speaker 2: go as liberal as possible, progressive as possible, and that'll

1084
00:48:56,880 --> 00:48:59,920
Speaker 2: bring us all together. Other people are like, we need

1085
00:49:00,120 --> 00:49:04,480
Speaker 2: to like talk about football and Christianity and that'll bring

1086
00:49:04,560 --> 00:49:07,000
Speaker 2: us all together. Other people are like, we need to

1087
00:49:07,080 --> 00:49:09,480
Speaker 2: just be conservatives. We need to be we need to

1088
00:49:09,480 --> 00:49:11,480
Speaker 2: get rid of these trans people and all this black

1089
00:49:11,640 --> 00:49:15,400
Speaker 2: defund the police bullshit, and be as conservative as you can.

1090
00:49:15,719 --> 00:49:20,759
Speaker 2: And all three of those groups are not really recognizing

1091
00:49:20,800 --> 00:49:22,879
Speaker 2: their They have three different solutions.

1092
00:49:23,520 --> 00:49:25,520
Speaker 1: And it's very weird because.

1093
00:49:25,800 --> 00:49:28,560
Speaker 2: I was listening to a podcast and they had a

1094
00:49:28,600 --> 00:49:31,160
Speaker 2: person write in, and this guy writes in every week

1095
00:49:31,280 --> 00:49:35,720
Speaker 2: or whatever, and every week it's ay, the Democrats wouldn't

1096
00:49:35,800 --> 00:49:40,560
Speaker 2: let men basically be fucked up, and so therefore they

1097
00:49:40,560 --> 00:49:42,480
Speaker 2: deserve to lose. And that's why they keep losing it

1098
00:49:42,560 --> 00:49:47,520
Speaker 2: because men aren't getting to be like misogynistic and homophobic

1099
00:49:47,600 --> 00:49:50,279
Speaker 2: and all that, and they've decided that. First of all,

1100
00:49:50,320 --> 00:49:53,880
Speaker 2: I'm not even sure that that's what the Democrats did, right, Like, like,

1101
00:49:53,960 --> 00:49:56,080
Speaker 2: I don't think that's the message Kamla Harrison is doing.

1102
00:49:56,120 --> 00:49:59,600
Speaker 2: I'm not saying she's not inclusive. I just don't think

1103
00:49:59,600 --> 00:50:02,120
Speaker 2: her speed. Just were like and man, you've got to

1104
00:50:02,120 --> 00:50:03,200
Speaker 2: stop talking like that.

1105
00:50:03,280 --> 00:50:05,000
Speaker 1: Like that's like they heard right.

1106
00:50:05,040 --> 00:50:09,520
Speaker 2: But the point being in this post mortem, people's like, uh,

1107
00:50:10,040 --> 00:50:13,720
Speaker 2: prescription for like how to fix it are completely different.

1108
00:50:13,760 --> 00:50:16,160
Speaker 1: And there is that group that you're talking about, Brandon.

1109
00:50:16,160 --> 00:50:18,080
Speaker 2: I don't know how many people is, but that's this

1110
00:50:18,160 --> 00:50:21,000
Speaker 2: group that's like the reason they lost is because I

1111
00:50:21,080 --> 00:50:23,640
Speaker 2: refuse to grow and they need to stop trying to

1112
00:50:23,719 --> 00:50:26,920
Speaker 2: challenge me to grow or they're gonna keep losing exactly.

1113
00:50:26,920 --> 00:50:28,839
Speaker 3: That's why there's the pushback about the the me Too

1114
00:50:28,920 --> 00:50:32,360
Speaker 3: movement in or like a and you know, the DEI

1115
00:50:32,400 --> 00:50:35,560
Speaker 3: and all this stuff, because white men felt that they

1116
00:50:35,600 --> 00:50:39,000
Speaker 3: were being marginalized and felt like they were like tired

1117
00:50:39,000 --> 00:50:41,400
Speaker 3: of being held accountable because they are in positions of

1118
00:50:41,440 --> 00:50:44,040
Speaker 3: power and they were tired of people comp planning. And

1119
00:50:44,080 --> 00:50:46,239
Speaker 3: now that Trump's there, they're like, oh cool, yeah, shut

1120
00:50:46,239 --> 00:50:48,400
Speaker 3: the fuck up now, yeah, shut up, Like he's in

1121
00:50:48,480 --> 00:50:50,320
Speaker 3: there now, Like even if I don't fully agree with

1122
00:50:50,360 --> 00:50:52,160
Speaker 3: what he says, shut the fuck up. Yeah, Like that's

1123
00:50:52,160 --> 00:50:54,640
Speaker 3: how it feels whenever. That's why, like you know, people

1124
00:50:54,640 --> 00:50:56,440
Speaker 3: in Hollywood aren't saying anything about what's going on in

1125
00:50:56,560 --> 00:50:59,440
Speaker 3: la right now. That's why business CEOs aren't saying anthing.

1126
00:50:59,440 --> 00:51:01,640
Speaker 3: They're keeping them moum shut. That's why all these Hollywood

1127
00:51:01,680 --> 00:51:04,880
Speaker 3: studios are capitulating to Trump's demands. Like this is so

1128
00:51:05,200 --> 00:51:08,640
Speaker 3: out of pocket, just because white men were so aggrieved,

1129
00:51:09,040 --> 00:51:13,000
Speaker 3: because their mediocrity was foinally becoming like well known o

1130
00:51:13,160 --> 00:51:16,600
Speaker 3: sonxiety and like they were getting tired of brown people

1131
00:51:17,040 --> 00:51:20,280
Speaker 3: excelling and doing burtering. That's why, don't get a twisted folks.

1132
00:51:20,360 --> 00:51:23,640
Speaker 3: That's why these colleges are under fire. Yeah, anti simitism,

1133
00:51:23,800 --> 00:51:25,880
Speaker 3: it's because they want to cut off access.

1134
00:51:26,160 --> 00:51:26,399
Speaker 1: Yep.

1135
00:51:26,480 --> 00:51:28,520
Speaker 3: If they're not they do not want you to go

1136
00:51:28,640 --> 00:51:30,480
Speaker 3: to these schools. It's exactly what they were doing to

1137
00:51:30,520 --> 00:51:32,480
Speaker 3: us back in slavery. They don't want us to learn anything.

1138
00:51:32,480 --> 00:51:34,080
Speaker 3: They don't want us to know any better, so they

1139
00:51:34,120 --> 00:51:36,680
Speaker 3: can keep us docile and work in these factories that

1140
00:51:36,719 --> 00:51:39,319
Speaker 3: they're trying to open up in twenty fucking years right

1141
00:51:39,400 --> 00:51:42,400
Speaker 3: where there will be no materials to source. It's it's

1142
00:51:42,480 --> 00:51:45,320
Speaker 3: such a fucking their feelings so blatant.

1143
00:51:45,080 --> 00:51:47,960
Speaker 2: Their feelings had to become facts. You know, like the

1144
00:51:48,000 --> 00:51:49,640
Speaker 2: rest of us have to live in a world where

1145
00:51:49,640 --> 00:51:53,520
Speaker 2: their feelings are just like treated like the truth. And

1146
00:51:53,680 --> 00:51:56,480
Speaker 2: it's so obvious that it's about feelings, right, because why

1147
00:51:56,520 --> 00:51:59,960
Speaker 2: are you taking rows of Park's name off of a ship?

1148
00:52:00,000 --> 00:52:01,959
Speaker 1: But why are you taking Harriet Tubs name off the ship?

1149
00:52:02,040 --> 00:52:07,880
Speaker 2: Like these are not Yeah, this this doesn't make it right, Yeah,

1150
00:52:08,080 --> 00:52:10,080
Speaker 2: but this doesn't make us safer, you know.

1151
00:52:10,040 --> 00:52:10,520
Speaker 1: What I'm saying.

1152
00:52:10,640 --> 00:52:12,399
Speaker 2: It's not like it's not like we go to bomb

1153
00:52:12,440 --> 00:52:15,120
Speaker 2: in another country and they're like, don't worry, guys, it's

1154
00:52:15,160 --> 00:52:17,879
Speaker 2: the Harvey Milk. Were gonna be all right, like they're

1155
00:52:17,920 --> 00:52:20,400
Speaker 2: they're like they're like, oh, it's a bunch of bombs

1156
00:52:20,400 --> 00:52:22,919
Speaker 2: and planes like there. But the fact that you need

1157
00:52:22,960 --> 00:52:26,640
Speaker 2: that taken off says something about your feelings, like you

1158
00:52:26,960 --> 00:52:30,040
Speaker 2: felt it shouldn't be on there because it meant something

1159
00:52:30,040 --> 00:52:30,680
Speaker 2: about you.

1160
00:52:31,480 --> 00:52:34,279
Speaker 3: Well, that's what's so interesting about the Hollywood climbing right now. Right, Like,

1161
00:52:34,320 --> 00:52:37,040
Speaker 3: for instance, Tom Cruise and the Latest Mission Impossible. It's

1162
00:52:37,080 --> 00:52:39,319
Speaker 3: like save us White Man, right, and Tom Cruise can

1163
00:52:39,360 --> 00:52:41,560
Speaker 3: run the fuck out things, he can swim, So it's

1164
00:52:41,600 --> 00:52:43,759
Speaker 3: like that's par for the course with this franchise, right,

1165
00:52:44,040 --> 00:52:46,600
Speaker 3: but he's doing a movie with Eno Rito, who did

1166
00:52:46,920 --> 00:52:49,919
Speaker 3: the the movie with Leonardo DiCaprio and Burnman and things

1167
00:52:49,960 --> 00:52:54,440
Speaker 3: like that, where he's playing a billionaire who basically creates

1168
00:52:54,480 --> 00:52:59,000
Speaker 3: like a world collapse, right, economic collapse, and then he's

1169
00:52:59,000 --> 00:53:01,400
Speaker 3: the one that can save us, right, So it's like

1170
00:53:01,640 --> 00:53:03,400
Speaker 3: and then Mountainhead. I don't know if y'all saw that

1171
00:53:03,480 --> 00:53:05,839
Speaker 3: on HBO Max Whater, but it's about these rich white

1172
00:53:05,880 --> 00:53:09,280
Speaker 3: dudes who basically like like have a lot of power

1173
00:53:09,360 --> 00:53:11,040
Speaker 3: to control like the you know, the way that the

1174
00:53:11,080 --> 00:53:13,799
Speaker 3: world works, right and like go global economists or even

1175
00:53:13,840 --> 00:53:16,319
Speaker 3: talking about buying up small countries and shit. Like. It's

1176
00:53:16,400 --> 00:53:20,080
Speaker 3: just very interesting how Hollywood's also depicting this, and it's

1177
00:53:20,120 --> 00:53:21,799
Speaker 3: not quite clear what they're trying to say.

1178
00:53:23,520 --> 00:53:26,719
Speaker 2: Well, but Hollywood doesn't have one message anyway. There's so

1179
00:53:26,760 --> 00:53:29,919
Speaker 2: many people in Hollywood that have different things to say

1180
00:53:29,960 --> 00:53:32,040
Speaker 2: through their films like this. These are the same companies

1181
00:53:32,080 --> 00:53:35,120
Speaker 2: that will put out centers and shit, so like they're

1182
00:53:35,239 --> 00:53:39,439
Speaker 2: like so psyche Press, yeah exactly, and like low key,

1183
00:53:39,560 --> 00:53:42,120
Speaker 2: like I thought the last mission impossible. I thought the

1184
00:53:42,160 --> 00:53:44,560
Speaker 2: message was actually kind of fucking dope, which was like

1185
00:53:44,640 --> 00:53:49,000
Speaker 2: this AI bullshit wants humans to give in and betray

1186
00:53:49,080 --> 00:53:52,600
Speaker 2: each other. I'm given to our weakest impulses and and

1187
00:53:52,640 --> 00:53:55,040
Speaker 2: that's exactly what the fuck is like. And and yes,

1188
00:53:55,120 --> 00:53:58,040
Speaker 2: Tom Cruise was the white man who has saved us

1189
00:53:58,120 --> 00:54:00,560
Speaker 2: every time, but he's been the white man that saved

1190
00:54:00,600 --> 00:54:02,720
Speaker 2: us for nine times.

1191
00:54:03,080 --> 00:54:06,280
Speaker 3: It was just a hard cuts with Angela Bassavers, Madam President,

1192
00:54:06,400 --> 00:54:08,040
Speaker 3: we have to make a moving Her lips are quiver

1193
00:54:08,120 --> 00:54:09,919
Speaker 3: and shit, just give it a minute.

1194
00:54:09,920 --> 00:54:12,440
Speaker 1: I'm like, I'm glad you brought that up.

1195
00:54:12,480 --> 00:54:15,279
Speaker 2: I'm glad you brought that up, because that's the other

1196
00:54:15,320 --> 00:54:17,320
Speaker 2: thing I about about this movie that was so fucking

1197
00:54:17,760 --> 00:54:20,239
Speaker 2: I love the movie now, and the reason I love

1198
00:54:20,280 --> 00:54:23,080
Speaker 2: it is because it is all that d y'all shit.

1199
00:54:23,520 --> 00:54:27,120
Speaker 2: It's right there. Every fucking character is just like it's

1200
00:54:27,160 --> 00:54:29,840
Speaker 2: a woman or it's a minority of some type, and

1201
00:54:29,840 --> 00:54:33,400
Speaker 2: it's they're all coming together, trusting each other in this

1202
00:54:33,480 --> 00:54:37,360
Speaker 2: world that is divided, full of misinformation from an artificial

1203
00:54:37,400 --> 00:54:40,200
Speaker 2: intelligence that is trying to destroy us, and the only

1204
00:54:40,239 --> 00:54:41,960
Speaker 2: way we can come together is to be like, man,

1205
00:54:42,080 --> 00:54:45,840
Speaker 2: fuck that artificial intelligence. I'm a trust in you, you

1206
00:54:46,239 --> 00:54:49,480
Speaker 2: human being, don't let me down. And the entire crux

1207
00:54:49,520 --> 00:54:52,439
Speaker 2: of that mission comes down to every fucking person puts

1208
00:54:52,480 --> 00:54:56,360
Speaker 2: aside whatever grievance they have, which all of them have

1209
00:54:56,520 --> 00:55:00,919
Speaker 2: a legit grievance, to be like, nah man, American nukes

1210
00:55:01,000 --> 00:55:04,360
Speaker 2: work day, nukes, don't too bad, playboy, Hey man, you

1211
00:55:04,400 --> 00:55:07,840
Speaker 2: shot my partner, not hey buddy. My dad said you

1212
00:55:07,960 --> 00:55:10,960
Speaker 2: was a bad dude, and that's my daddy. So I

1213
00:55:11,000 --> 00:55:13,960
Speaker 2: got to fucking kill you. And every single person was like,

1214
00:55:14,239 --> 00:55:16,680
Speaker 2: except for of course the Gabriel the bag guy. Every

1215
00:55:16,680 --> 00:55:19,600
Speaker 2: single person was like, I'm gonna fuck with you one

1216
00:55:19,680 --> 00:55:22,440
Speaker 2: last time, Tom Cruise, Bro, don't fuck don't fuck.

1217
00:55:22,280 --> 00:55:25,239
Speaker 1: Me over, Bro me over. You got me fired from

1218
00:55:25,239 --> 00:55:26,879
Speaker 1: my job twenty years ago.

1219
00:55:27,080 --> 00:55:30,600
Speaker 2: I'm in fucking Alaska with a with a with a wife,

1220
00:55:30,680 --> 00:55:31,680
Speaker 2: Indigenous wife.

1221
00:55:31,840 --> 00:55:33,480
Speaker 1: Hey you know what, brother, I.

1222
00:55:33,400 --> 00:55:36,640
Speaker 2: Ain't even mad at you go save the fucking world.

1223
00:55:36,680 --> 00:55:39,000
Speaker 2: What do we need to do to make the world

1224
00:55:39,040 --> 00:55:41,759
Speaker 2: get safe? And the reason I think that's app is

1225
00:55:41,760 --> 00:55:44,560
Speaker 2: because we are fucking right there, right now, right people

1226
00:55:44,600 --> 00:55:48,280
Speaker 2: are fucking in la They are arresting people, and people

1227
00:55:48,280 --> 00:55:51,240
Speaker 2: aren't fucking on Twitter talking about hey man, it ain't

1228
00:55:51,239 --> 00:55:55,080
Speaker 2: happening to me. I'm gonna unbothered because if everybody's on

1229
00:55:55,160 --> 00:55:58,799
Speaker 2: this like, hey man, look, let somebody else handle it.

1230
00:55:58,840 --> 00:56:01,279
Speaker 2: And Tom cr we don't have a Tom Cruise in

1231
00:56:01,280 --> 00:56:02,960
Speaker 2: the world, for real, for real, I wish you did.

1232
00:56:03,200 --> 00:56:05,800
Speaker 2: Tom Cruise is like, I'll be the person to handle it.

1233
00:56:05,960 --> 00:56:07,919
Speaker 2: Just help me, just give me a little bit of help.

1234
00:56:07,920 --> 00:56:10,600
Speaker 2: And I wish we had that because we are missing

1235
00:56:10,640 --> 00:56:12,160
Speaker 2: that tremendously.

1236
00:56:13,080 --> 00:56:15,440
Speaker 3: I hear you Ride, and I absolutely understand why you

1237
00:56:15,520 --> 00:56:17,560
Speaker 3: like Mission Impossible Final Reckoning, But I think I speak

1238
00:56:17,560 --> 00:56:20,040
Speaker 3: for everyone who's listening for saying I think we would

1239
00:56:20,200 --> 00:56:22,920
Speaker 3: rather you break down the whole movie with that passion

1240
00:56:23,360 --> 00:56:27,080
Speaker 3: than see the three hours that we saw. I would

1241
00:56:27,120 --> 00:56:30,360
Speaker 3: love to hear Ride transcribe the mission a possible movie.

1242
00:56:30,920 --> 00:56:33,240
Speaker 3: I'm sorry if it's just so long. It was three hours,

1243
00:56:33,239 --> 00:56:34,000
Speaker 3: it's so long.

1244
00:56:34,719 --> 00:56:36,439
Speaker 1: Let me see. I'm about to look up the rating

1245
00:56:36,520 --> 00:56:38,359
Speaker 1: for this ship because it ain't no way. Everybody think

1246
00:56:38,400 --> 00:56:39,080
Speaker 1: it's bad.

1247
00:56:39,160 --> 00:56:42,479
Speaker 2: Eighty nine percent on fan Dango. Nah, nigga, you're wrong.

1248
00:56:44,760 --> 00:56:48,239
Speaker 3: Hey, now everybody gonna like to meet. We still get

1249
00:56:48,239 --> 00:56:49,680
Speaker 3: death threats over elvis and pattitation.

1250
00:56:50,320 --> 00:56:54,600
Speaker 7: Also, also, I believe that if you don't have an

1251
00:56:54,640 --> 00:56:57,879
Speaker 7: oxygen just suit and you four hundred meters below the water,

1252
00:56:57,960 --> 00:56:59,239
Speaker 7: you could do that.

1253
00:56:59,200 --> 00:57:00,920
Speaker 1: Shit you just believe in.

1254
00:57:03,760 --> 00:57:06,720
Speaker 3: Listen, listen, when.

1255
00:57:06,560 --> 00:57:09,000
Speaker 7: You get Peggy Carter to rub them tennis up on

1256
00:57:09,080 --> 00:57:14,200
Speaker 7: you for three hours, your damn's card look a defeat decompression. Okay,

1257
00:57:15,560 --> 00:57:18,360
Speaker 7: I believe how tennis can reoxygenize your blood.

1258
00:57:18,400 --> 00:57:20,120
Speaker 1: Brother, You need to wake up.

1259
00:57:25,000 --> 00:57:27,200
Speaker 3: It is wild that I was complaining about like everything

1260
00:57:27,240 --> 00:57:28,880
Speaker 3: that happened the eighth one when the second one he

1261
00:57:29,000 --> 00:57:32,880
Speaker 3: literally is flying off a motorcycle slamming into another person.

1262
00:57:33,400 --> 00:57:35,720
Speaker 1: By now, you you you either end or you're not.

1263
00:57:35,880 --> 00:57:37,720
Speaker 1: I didn't have hard to tell you because he saw

1264
00:57:37,760 --> 00:57:38,200
Speaker 1: it earlier.

1265
00:57:38,280 --> 00:57:40,200
Speaker 2: He dm me about like how he didn't like it

1266
00:57:40,240 --> 00:57:42,160
Speaker 2: and stuff, and it was like it's got some meg

1267
00:57:42,440 --> 00:57:44,360
Speaker 2: like level, like ridiculous ship in there.

1268
00:57:44,480 --> 00:57:45,560
Speaker 3: That was level.

1269
00:57:46,040 --> 00:57:47,640
Speaker 1: It's fine. I didn't have a hard to tell you

1270
00:57:47,680 --> 00:57:49,480
Speaker 1: at the time. I was like that's what I'm yeah,

1271
00:57:49,480 --> 00:57:53,080
Speaker 1: that's what I'm now. Yes, I can't get out of

1272
00:57:53,160 --> 00:57:55,400
Speaker 1: ridiculous ship. I'm not gonna like, I'm not gonna yum,

1273
00:57:55,440 --> 00:57:56,800
Speaker 1: you're yuck. You know what I'm saying.

1274
00:57:57,000 --> 00:57:59,080
Speaker 2: Like like you, I'm like, he didn't like it, I

1275
00:57:59,120 --> 00:58:01,360
Speaker 2: haven't seen it. I'm not gonna like be like I

1276
00:58:01,400 --> 00:58:04,240
Speaker 2: doubt it. But I was like so you're telling me

1277
00:58:04,240 --> 00:58:07,000
Speaker 2: he did some impossible shit in this mission.

1278
00:58:08,960 --> 00:58:11,520
Speaker 1: Is that what you're telling me? Because that's why I'm

1279
00:58:11,560 --> 00:58:13,920
Speaker 1: he running twice as long. Yeah, you know why I'm

1280
00:58:13,960 --> 00:58:18,200
Speaker 1: here anyway. I fucking love that movie.

1281
00:58:19,040 --> 00:58:22,680
Speaker 2: But yeah, so uh, speaking of movies, man, everybody's talking

1282
00:58:22,720 --> 00:58:26,120
Speaker 2: about the economy. We don't got no money. It's struggling

1283
00:58:26,120 --> 00:58:30,800
Speaker 2: out here. Okay, it's struggle city. But people do keep

1284
00:58:30,840 --> 00:58:31,600
Speaker 2: going to movies.

1285
00:58:32,320 --> 00:58:34,600
Speaker 1: And the thing that's making me wonder, like, are we

1286
00:58:34,680 --> 00:58:40,120
Speaker 1: really broke? Are we just playing? It's stuff like this.

1287
00:58:40,120 --> 00:58:45,479
Speaker 2: This is the new popcorn bucket collectible for the Fantastic Four.

1288
00:58:46,360 --> 00:58:49,240
Speaker 1: How much you think this costs? Care? Oh it's on

1289
00:58:49,280 --> 00:58:54,800
Speaker 1: the screen, never mind eighty dollars. That's more people gonna buy. People.

1290
00:58:54,840 --> 00:58:57,120
Speaker 4: That's more than a video game somebody gonna pay for

1291
00:58:57,200 --> 00:58:58,160
Speaker 4: because it's collectible.

1292
00:59:00,040 --> 00:59:01,560
Speaker 3: I'll get one of these. I'll let y'all know if

1293
00:59:01,560 --> 00:59:03,280
Speaker 3: I get one of these with the with the screen,

1294
00:59:03,280 --> 00:59:05,440
Speaker 3: because they gave me that that bone wolf ringing bucket,

1295
00:59:05,920 --> 00:59:09,080
Speaker 3: so I'll let y'all know. If not by maybe you know,

1296
00:59:09,120 --> 00:59:10,160
Speaker 3: I sell it to audience.

1297
00:59:10,640 --> 00:59:13,920
Speaker 4: We got some AMC bucks so that that might come off.

1298
00:59:13,960 --> 00:59:16,800
Speaker 1: I get it. I could get it on sale.

1299
00:59:16,880 --> 00:59:18,880
Speaker 2: Okay, Brandon might give it to you for a half

1300
00:59:18,960 --> 00:59:21,919
Speaker 2: all forty dollars, eighty dollars.

1301
00:59:21,600 --> 00:59:23,560
Speaker 1: On top of the movie tickets. Are we talking out?

1302
00:59:23,560 --> 00:59:26,560
Speaker 1: We just playing? I don't know. I know they do AMC.

1303
00:59:26,680 --> 00:59:28,480
Speaker 1: They do. They did Like and Stitch, but I think

1304
00:59:28,480 --> 00:59:31,120
Speaker 1: they were like twenty five dollars. Yeah. Nah.

1305
00:59:31,840 --> 00:59:34,360
Speaker 2: The collectible popcorn market is so weird to me because

1306
00:59:34,360 --> 00:59:36,920
Speaker 2: I'm like, when you're gonna use the game.

1307
00:59:37,960 --> 00:59:40,040
Speaker 3: Yeah, that's the We never use that bucket. It's just

1308
00:59:40,080 --> 00:59:41,000
Speaker 3: since on our shelf.

1309
00:59:42,400 --> 00:59:45,440
Speaker 1: It's the nerd thing. Yes, yeah, but like but how

1310
00:59:45,480 --> 00:59:47,560
Speaker 1: many Anyway, It's not for me.

1311
00:59:47,520 --> 00:59:49,200
Speaker 3: It's like you said, Rod, it's like you don't want

1312
00:59:49,200 --> 00:59:50,680
Speaker 3: to yuck. Anyone's young. But you know what I mean,

1313
00:59:50,760 --> 00:59:53,200
Speaker 3: if you have disposable income, like and it's not that

1314
00:59:53,360 --> 00:59:56,480
Speaker 3: much and that thing brings you joy, do it, man. Like,

1315
00:59:56,680 --> 00:59:59,000
Speaker 3: I feel like so many people are holding back that

1316
00:59:59,200 --> 01:00:02,720
Speaker 3: makes them happy because maybe they're like embarrassed or they're

1317
01:00:02,760 --> 01:00:04,960
Speaker 3: just like, you know, I don't want to do that

1318
01:00:05,000 --> 01:00:06,560
Speaker 3: because I don't know what's gonna happen in the future.

1319
01:00:07,080 --> 01:00:08,920
Speaker 3: Just live in the moment, because honestly, that's the way

1320
01:00:08,960 --> 01:00:10,960
Speaker 3: that the people running this country, are like, do what

1321
01:00:11,000 --> 01:00:12,760
Speaker 3: makes you happy, as long as it's not hurt other people.

1322
01:00:12,800 --> 01:00:16,560
Speaker 3: Because man, as a student of history, this stuff looks bleak.

1323
01:00:16,680 --> 01:00:18,280
Speaker 3: And so I'm just like, I'm gonna write what I

1324
01:00:18,280 --> 01:00:19,800
Speaker 3: want to write. I'm gonna do what I want to do.

1325
01:00:21,200 --> 01:00:23,760
Speaker 3: I can't keep holding myself back because no one else.

1326
01:00:23,880 --> 01:00:26,960
Speaker 1: But mean Bagan jokes about popcorn buckets makes me happy.

1327
01:00:27,040 --> 01:00:29,280
Speaker 1: So I have to do what I do. Well, I'm not.

1328
01:00:30,520 --> 01:00:32,120
Speaker 1: I just make sure you're cleaning to get the all

1329
01:00:32,160 --> 01:00:32,560
Speaker 1: off of it.

1330
01:00:32,920 --> 01:00:36,400
Speaker 2: Eighty dollars is wild though. I like that is wild business.

1331
01:00:36,720 --> 01:00:39,680
Speaker 2: That shit better be like bigger than like three popcorn bake.

1332
01:00:39,680 --> 01:00:41,160
Speaker 2: It's like you better not be able to see the

1333
01:00:41,200 --> 01:00:43,560
Speaker 2: movie you like you should have to hold the bucket

1334
01:00:43,600 --> 01:00:46,000
Speaker 2: and be like, well.

1335
01:00:45,960 --> 01:00:49,480
Speaker 3: Can you get it on a firm though or klarna,

1336
01:00:49,840 --> 01:00:51,120
Speaker 3: you know what I mean? If you can do that

1337
01:00:51,200 --> 01:00:51,720
Speaker 3: with groceries.

1338
01:00:51,800 --> 01:00:55,800
Speaker 2: Yeah, popcorn bucket lay you lay away, you keep walking.

1339
01:00:55,880 --> 01:00:58,000
Speaker 2: You keep going to other movies, walking by your bucket,

1340
01:00:58,080 --> 01:01:02,240
Speaker 2: like to more payments. Baby, you won My galactus is

1341
01:01:02,360 --> 01:01:03,120
Speaker 2: all mine.

1342
01:01:04,760 --> 01:01:05,600
Speaker 1: It's pumping the air.

1343
01:01:06,080 --> 01:01:09,320
Speaker 2: Yeah, it's such an interesting time. Man, this is a

1344
01:01:09,680 --> 01:01:12,760
Speaker 2: I was talking. Uh, well, I didn't even I wasn't

1345
01:01:12,800 --> 01:01:16,040
Speaker 2: even talking. I shared something on Facebook about how Thunderbolts

1346
01:01:16,360 --> 01:01:19,800
Speaker 2: lost money somehow, yeh, like it's one hundred something million

1347
01:01:19,800 --> 01:01:22,600
Speaker 2: dollar budget and then it made like three hundred and

1348
01:01:22,720 --> 01:01:25,520
Speaker 2: something million, but somehow that's still a loss because of

1349
01:01:25,800 --> 01:01:27,040
Speaker 2: some other costs that I.

1350
01:01:27,040 --> 01:01:30,320
Speaker 3: Don't marketing and stuff I missed when we.

1351
01:01:30,280 --> 01:01:32,400
Speaker 1: Didn't know that. By the way, no did we care,

1352
01:01:32,640 --> 01:01:33,760
Speaker 1: Like I just missed.

1353
01:01:33,520 --> 01:01:37,560
Speaker 2: When we weren't shareholders in the movies we saw and

1354
01:01:37,720 --> 01:01:40,960
Speaker 2: the discussions we had back because this is a fairly

1355
01:01:41,000 --> 01:01:44,520
Speaker 2: recent thing in my lifetime, probably like and then probably

1356
01:01:44,520 --> 01:01:47,000
Speaker 2: with the inception of it, not even the inception of MCU,

1357
01:01:47,000 --> 01:01:50,560
Speaker 2: but like maybe two years into the MCU, the way

1358
01:01:50,600 --> 01:01:53,920
Speaker 2: people talked about movies just turned into line almost what

1359
01:01:53,960 --> 01:01:56,720
Speaker 2: happened with sports, where like if you you can't just

1360
01:01:56,840 --> 01:01:59,120
Speaker 2: like your sports team, you got to know the contracts

1361
01:01:59,160 --> 01:02:01,880
Speaker 2: and the fucking like yeah, the GM and the salary

1362
01:02:01,920 --> 01:02:02,960
Speaker 2: cap and the second apron.

1363
01:02:03,160 --> 01:02:05,000
Speaker 1: I feel like that's what's happening with the movies.

1364
01:02:05,560 --> 01:02:08,160
Speaker 2: And the last thing we're really getting to discuss is

1365
01:02:08,640 --> 01:02:10,000
Speaker 2: was Thunderbolt's a good movie?

1366
01:02:10,160 --> 01:02:10,360
Speaker 1: Right?

1367
01:02:10,760 --> 01:02:13,320
Speaker 3: Yeah? Yeah, I think that started, like you know, I remember,

1368
01:02:13,360 --> 01:02:15,080
Speaker 3: like you know, in the nineties. That was a big

1369
01:02:15,080 --> 01:02:17,520
Speaker 3: thing with like James Cameron, like The Titanic. That's like

1370
01:02:17,560 --> 01:02:20,080
Speaker 3: the first time I remember hearing a lot about budgets

1371
01:02:20,080 --> 01:02:22,120
Speaker 3: and stuff. Well, no, the lies before that, it was

1372
01:02:22,200 --> 01:02:23,640
Speaker 3: water World with Kevin Coy.

1373
01:02:24,480 --> 01:02:25,160
Speaker 1: Because they lost.

1374
01:02:25,160 --> 01:02:28,320
Speaker 3: They're like, yo, this movie is crazy. It cost like

1375
01:02:28,360 --> 01:02:28,959
Speaker 3: so much money.

1376
01:02:28,960 --> 01:02:31,960
Speaker 2: But it was also like those are the outliers. Yes,

1377
01:02:32,360 --> 01:02:33,080
Speaker 2: you know what I'm saying.

1378
01:02:33,480 --> 01:02:35,080
Speaker 1: Now, Now it's every the movies.

1379
01:02:35,200 --> 01:02:37,880
Speaker 2: Yeah, like we used to like the outlier one way

1380
01:02:37,920 --> 01:02:40,960
Speaker 2: or the other, right, like Massive Bomb was an outlier.

1381
01:02:41,000 --> 01:02:43,320
Speaker 2: We would I'm not saying we never talked about budget.

1382
01:02:43,600 --> 01:02:48,760
Speaker 2: I still remember fun what was the John something? Uh

1383
01:02:49,280 --> 01:02:53,680
Speaker 2: the dude goddamn Taylor Kish something.

1384
01:02:53,360 --> 01:02:58,000
Speaker 3: On marsh oh John Mars, Yeah something Mars Carter, John.

1385
01:02:57,760 --> 01:02:59,000
Speaker 1: Carter, Yes, that movie was.

1386
01:02:59,640 --> 01:03:02,400
Speaker 2: But I also do I remember the budget discussion because

1387
01:03:02,400 --> 01:03:04,480
Speaker 2: it was like, yo, they spent a lot of money

1388
01:03:04,520 --> 01:03:06,880
Speaker 2: and this shit didn't make and like, but that was

1389
01:03:07,000 --> 01:03:08,400
Speaker 2: the one for the year, you know what.

1390
01:03:08,440 --> 01:03:09,840
Speaker 1: I'm like, it wasn't my year.

1391
01:03:10,120 --> 01:03:11,920
Speaker 2: The next week a movie came out, we was like,

1392
01:03:11,960 --> 01:03:14,040
Speaker 2: now let's talk this budget. Now, I feel like we're

1393
01:03:14,120 --> 01:03:18,240
Speaker 2: just talking budgets. That's like we're we're all fucking we've

1394
01:03:18,520 --> 01:03:22,520
Speaker 2: we've completely given into the movie exec shareholder algorithm, and

1395
01:03:22,560 --> 01:03:25,320
Speaker 2: now we're not fans anymore as much as we're like,

1396
01:03:26,080 --> 01:03:30,880
Speaker 2: uh fucking h fantasy owners or yeah, like we're managing

1397
01:03:30,920 --> 01:03:33,560
Speaker 2: our fantasy football team or something like, oh, guys, look

1398
01:03:33,600 --> 01:03:33,880
Speaker 2: at this.

1399
01:03:34,120 --> 01:03:36,840
Speaker 4: Yeah, And I'm the type of yes, And I'm the

1400
01:03:36,840 --> 01:03:38,560
Speaker 4: type person I'm gonna tell you right now. I love

1401
01:03:38,600 --> 01:03:40,200
Speaker 4: basketball and I love football, but I don't give a

1402
01:03:40,200 --> 01:03:41,400
Speaker 4: goddamn about none of them numbers.

1403
01:03:41,400 --> 01:03:44,000
Speaker 1: Half the time, my eyes glazed over. What is we talking?

1404
01:03:44,280 --> 01:03:46,360
Speaker 1: Can he play? Can he not? Do you like the movie?

1405
01:03:46,440 --> 01:03:47,400
Speaker 1: Or do you not like?

1406
01:03:47,520 --> 01:03:49,160
Speaker 4: For me, that has nothing to do with it. But

1407
01:03:49,280 --> 01:03:51,600
Speaker 4: I understand the budget makes money and all that type

1408
01:03:51,600 --> 01:03:54,040
Speaker 4: of stuff. I get that, but I think that shouldn't

1409
01:03:54,040 --> 01:03:55,840
Speaker 4: be the foundation of conversation about a movie.

1410
01:03:56,160 --> 01:03:56,720
Speaker 1: Yeah, and I.

1411
01:03:56,680 --> 01:04:00,920
Speaker 2: Think it's also a gent like it's also based on

1412
01:04:00,960 --> 01:04:03,880
Speaker 2: people's agendas, yes, one way or the other, Like you know,

1413
01:04:03,960 --> 01:04:06,360
Speaker 2: people pick up We all are in our own social

1414
01:04:06,440 --> 01:04:09,120
Speaker 2: media like silos and shit, like we all have different

1415
01:04:09,120 --> 01:04:11,120
Speaker 2: things walking into theater not walking in theater.

1416
01:04:11,920 --> 01:04:13,760
Speaker 1: And I find it interesting.

1417
01:04:13,440 --> 01:04:18,000
Speaker 2: Because, like I posted that thing about how the thunderbolts

1418
01:04:18,000 --> 01:04:21,000
Speaker 2: apparently did did not? It lost money. It was like

1419
01:04:21,040 --> 01:04:23,200
Speaker 2: and the title was like flop you know which is

1420
01:04:24,080 --> 01:04:26,960
Speaker 2: you know? But I'm like, damn, okay, it didn't make money,

1421
01:04:26,960 --> 01:04:29,800
Speaker 2: but good movie whatever. You know, It's not like it's Marveled.

1422
01:04:29,800 --> 01:04:31,439
Speaker 2: They'll be coming out with another one. I'll be fine.

1423
01:04:31,520 --> 01:04:33,440
Speaker 1: They have be Thunderbolts too somewhere. Yeah.

1424
01:04:33,480 --> 01:04:37,920
Speaker 2: So then a person in the comments was like, well,

1425
01:04:37,920 --> 01:04:41,040
Speaker 2: it's weird these articles never mentioned the boycotts. And I

1426
01:04:41,160 --> 01:04:45,280
Speaker 2: was like, boycotts, okay, what's going on with the boycotts?

1427
01:04:45,320 --> 01:04:47,720
Speaker 2: And it's like, well, you know there's people most there's

1428
01:04:47,760 --> 01:04:50,520
Speaker 2: boycotts going on for for Marvel movies or something.

1429
01:04:50,600 --> 01:04:52,680
Speaker 1: I was like, oh, or no Disney movies.

1430
01:04:53,120 --> 01:04:57,680
Speaker 2: And I'm like, okay, so this movie got I guess

1431
01:04:57,720 --> 01:05:01,120
Speaker 2: boycott it. Captain America got boycotted. I'm like, which side

1432
01:05:01,120 --> 01:05:01,800
Speaker 2: of the boycott?

1433
01:05:01,840 --> 01:05:02,120
Speaker 3: Because?

1434
01:05:02,720 --> 01:05:07,760
Speaker 1: Right, because one getting to my point, you getting to

1435
01:05:07,800 --> 01:05:09,560
Speaker 1: my point. So there's a couple of things, right.

1436
01:05:09,680 --> 01:05:13,400
Speaker 2: The first one is that if people are boycotting, which

1437
01:05:13,440 --> 01:05:16,640
Speaker 2: side is boycotting? Because there's also these people that are

1438
01:05:16,680 --> 01:05:21,640
Speaker 2: like I don't see woked, I black anything, and I

1439
01:05:21,640 --> 01:05:24,600
Speaker 2: don't want this. This ain't my Captain America. Are they

1440
01:05:24,680 --> 01:05:25,240
Speaker 2: counting us.

1441
01:05:25,160 --> 01:05:25,760
Speaker 1: As a win too.

1442
01:05:25,880 --> 01:05:28,960
Speaker 2: Are they somewhere being like, told you go walk, go broke,

1443
01:05:29,280 --> 01:05:32,960
Speaker 2: Get Anthony Mackie to fuck off my screen, get the

1444
01:05:33,160 --> 01:05:36,680
Speaker 2: the god. What is that actress's names, Florence pe Get

1445
01:05:36,680 --> 01:05:38,440
Speaker 2: Florence Peugh off of my screen.

1446
01:05:38,800 --> 01:05:39,800
Speaker 1: I don't want to see that.

1447
01:05:40,120 --> 01:05:42,360
Speaker 2: Get cat Bree Larsen off of my screen because that

1448
01:05:42,480 --> 01:05:44,880
Speaker 2: the YouTube guys are claiming wins too, when these movies

1449
01:05:45,880 --> 01:05:49,280
Speaker 2: they're not making that face and being like captain the Marvel.

1450
01:05:49,000 --> 01:05:51,080
Speaker 1: Piece of ship and they're not to catch them, like.

1451
01:05:51,440 --> 01:05:53,720
Speaker 2: Yeah, and so I'm like, I don't want to see

1452
01:05:53,840 --> 01:05:56,440
Speaker 2: ground to give them a win, but I have to

1453
01:05:56,480 --> 01:05:59,800
Speaker 2: be fair and honest. I don't think it's like even

1454
01:05:59,840 --> 01:06:03,560
Speaker 2: a divest movement thing because at the same time, Leland

1455
01:06:03,600 --> 01:06:06,880
Speaker 2: and Stitch is making money. And the person was like, well,

1456
01:06:06,920 --> 01:06:09,320
Speaker 2: those are family movies. I'm like, but how would that

1457
01:06:09,400 --> 01:06:10,360
Speaker 2: boycott make sense?

1458
01:06:10,520 --> 01:06:10,880
Speaker 1: Right?

1459
01:06:11,040 --> 01:06:13,240
Speaker 2: Like, let's talk about it and be honest with each other.

1460
01:06:13,880 --> 01:06:17,040
Speaker 2: If you were boycotting somebody because you think they're contributing

1461
01:06:17,080 --> 01:06:20,000
Speaker 2: to genocide, you gonna take a day off because it's

1462
01:06:20,040 --> 01:06:22,560
Speaker 2: a family movie. That don't even oh, you can have

1463
01:06:22,680 --> 01:06:25,440
Speaker 2: this twenty dollars, but not this twenty dollars, like they

1464
01:06:25,680 --> 01:06:28,720
Speaker 2: it won't matter if it's Marvel or Pixar. It should

1465
01:06:28,840 --> 01:06:31,760
Speaker 2: like it should be zero boycotts are zero. I don't

1466
01:06:31,760 --> 01:06:33,800
Speaker 2: buy anything from Target right now. I don't be like,

1467
01:06:34,160 --> 01:06:36,640
Speaker 2: well that Target got a Starbucks in it. That's different,

1468
01:06:36,720 --> 01:06:40,439
Speaker 2: Like no, it's nothing. So I'm like that doesn't make sense.

1469
01:06:40,520 --> 01:06:43,880
Speaker 2: The other thing is, wasn't that, like snow White movie

1470
01:06:44,680 --> 01:06:45,520
Speaker 2: a family movie?

1471
01:06:45,600 --> 01:06:47,200
Speaker 1: Yeah, that shit flop, That shit.

1472
01:06:47,080 --> 01:06:50,400
Speaker 2: Flop and the I hate woke d All people took

1473
01:06:50,440 --> 01:06:53,560
Speaker 2: credit for that, and I'm like, what just happened?

1474
01:06:53,760 --> 01:06:55,920
Speaker 1: Sometimes people don't want to see a fucking movie.

1475
01:06:55,840 --> 01:06:59,840
Speaker 2: Yeah, they're expensive, they're time concerns, and they're coming this

1476
01:07:01,240 --> 01:07:04,160
Speaker 2: right and they're coming to streaming in three in six weeks,

1477
01:07:04,320 --> 01:07:06,600
Speaker 2: you know what I mean. And even with snow White,

1478
01:07:06,640 --> 01:07:09,040
Speaker 2: like maybe they thought they had a spark when it started.

1479
01:07:08,760 --> 01:07:10,560
Speaker 1: Because you know, it take a long time make a movie.

1480
01:07:11,240 --> 01:07:13,400
Speaker 2: Maybe they thought they had something and I and I look,

1481
01:07:13,480 --> 01:07:15,920
Speaker 2: it's a crapshoot. Because if you would have told me

1482
01:07:15,960 --> 01:07:18,040
Speaker 2: snow White wouldn't have made no money, but Lelo and

1483
01:07:18,080 --> 01:07:20,479
Speaker 2: Stitch would have, I would have been like, why would

1484
01:07:20,520 --> 01:07:22,680
Speaker 2: one make money and not the other. But that is

1485
01:07:22,720 --> 01:07:25,720
Speaker 2: what happened, and I can only explain it in hindsight,

1486
01:07:25,800 --> 01:07:28,680
Speaker 2: but at the at the idea the conception, I'm like,

1487
01:07:28,760 --> 01:07:31,240
Speaker 2: y'all gotta animated Leland Stitch. What the fuck y'all doing?

1488
01:07:31,320 --> 01:07:34,680
Speaker 2: Just make some new original ship. Nah, it's gonna work.

1489
01:07:35,400 --> 01:07:37,600
Speaker 2: I'm like, oh, if y'all think so, And then bam,

1490
01:07:37,640 --> 01:07:39,840
Speaker 2: I'm looking now. I feel I went to see it myself,

1491
01:07:39,840 --> 01:07:41,880
Speaker 2: and I'm like, na, shit, did make that money?

1492
01:07:41,920 --> 01:07:42,440
Speaker 1: They did that?

1493
01:07:42,480 --> 01:07:46,400
Speaker 3: So it's injo at our press scrinting for Leland and Stitch.

1494
01:07:46,440 --> 01:07:49,720
Speaker 3: They had a little animatronic Lelo I mean Stitch driving

1495
01:07:49,720 --> 01:07:50,520
Speaker 3: around a little car.

1496
01:07:51,560 --> 01:07:57,280
Speaker 2: So cute, man, y'all, y'all, I have forgot how cute

1497
01:07:57,520 --> 01:07:58,560
Speaker 2: Lelo and Stitch work.

1498
01:07:59,560 --> 01:08:00,480
Speaker 3: They're so great.

1499
01:08:00,520 --> 01:08:01,280
Speaker 1: They're both.

1500
01:08:03,040 --> 01:08:04,080
Speaker 3: Play incredible.

1501
01:08:04,160 --> 01:08:07,560
Speaker 2: It was so good and like this, And so this

1502
01:08:07,600 --> 01:08:09,760
Speaker 2: is my bigger theory, right, even a little deeper than

1503
01:08:09,800 --> 01:08:13,920
Speaker 2: what I just was saying. I think we're so inundated

1504
01:08:13,920 --> 01:08:17,799
Speaker 2: with content and not enough time and obviously not enough money.

1505
01:08:18,800 --> 01:08:21,599
Speaker 1: I think a lot of the negativity is driven by fomo.

1506
01:08:22,439 --> 01:08:27,720
Speaker 2: Yes, because like the the thing about people hating on

1507
01:08:27,800 --> 01:08:31,439
Speaker 2: Lelo and Stitch. If you see the movie, I'm like,

1508
01:08:31,720 --> 01:08:34,400
Speaker 2: that's a good movie. That's a good message. Like it

1509
01:08:34,439 --> 01:08:37,519
Speaker 2: didn't violate or offend in any way in my opinion,

1510
01:08:37,560 --> 01:08:40,639
Speaker 2: like in the in the reality of the movie they

1511
01:08:40,720 --> 01:08:43,880
Speaker 2: made not forget the cartoon, don't bring that with you

1512
01:08:43,960 --> 01:08:45,960
Speaker 2: just I haven't seen that cartoon a long time, so

1513
01:08:46,000 --> 01:08:48,960
Speaker 2: maybe it's easy for me to say. But like, just

1514
01:08:49,040 --> 01:08:51,479
Speaker 2: as in the world they set up, I'm like, that's

1515
01:08:51,479 --> 01:08:55,160
Speaker 2: a beautiful movie that like it made me emotional, it

1516
01:08:55,200 --> 01:08:58,759
Speaker 2: made me feel all the things about family. I actually

1517
01:08:58,760 --> 01:09:00,840
Speaker 2: thought it was a really dope mess about the sister

1518
01:09:00,920 --> 01:09:03,200
Speaker 2: getting to like have a life and not be a

1519
01:09:03,280 --> 01:09:05,880
Speaker 2: mom like and have her life basically be.

1520
01:09:08,000 --> 01:09:10,160
Speaker 3: On the podcast, I talked about that.

1521
01:09:10,280 --> 01:09:11,759
Speaker 1: And I thought, but I thought it was unique.

1522
01:09:11,760 --> 01:09:14,679
Speaker 2: I thought they took a chance, which they normally don't

1523
01:09:14,720 --> 01:09:16,080
Speaker 2: do in these type of normally.

1524
01:09:15,920 --> 01:09:16,519
Speaker 1: Keep it safe.

1525
01:09:17,000 --> 01:09:18,960
Speaker 2: I thought they took a chance, and I said, fuck, man,

1526
01:09:19,080 --> 01:09:20,680
Speaker 2: you did it. You guys did a good job, and

1527
01:09:20,720 --> 01:09:23,360
Speaker 2: it still was very faithful to the culture. I see

1528
01:09:23,400 --> 01:09:24,840
Speaker 2: more people shitting on.

1529
01:09:24,840 --> 01:09:27,679
Speaker 1: It who just haven't seen it, and they're like.

1530
01:09:27,840 --> 01:09:29,280
Speaker 2: This is why you shouldn't see it, and I'm like,

1531
01:09:29,360 --> 01:09:31,120
Speaker 2: I did see it though, so I guess.

1532
01:09:31,680 --> 01:09:35,680
Speaker 3: Ghostbusters all over again. Yeah, just insane, But yeah, I

1533
01:09:35,680 --> 01:09:37,760
Speaker 3: mean the cultural aspect, Like, you know, I think a

1534
01:09:37,760 --> 01:09:40,679
Speaker 3: lot of people that were complaining about the Nanni character

1535
01:09:40,760 --> 01:09:43,400
Speaker 3: and like the way her story arc plays out, especially

1536
01:09:43,400 --> 01:09:45,639
Speaker 3: at the end. You know Tati and I talked about

1537
01:09:45,680 --> 01:09:48,320
Speaker 3: in our review, is that I think that one, it's

1538
01:09:48,320 --> 01:09:49,920
Speaker 3: a cultural thing. So if you're not part of a

1539
01:09:49,920 --> 01:09:52,040
Speaker 3: culture that's like about like, hey, it's a community, we're

1540
01:09:52,040 --> 01:09:54,120
Speaker 3: going to take care of the children and support so

1541
01:09:54,240 --> 01:09:56,760
Speaker 3: other kids, Like you know, the older sibling isn't sad

1542
01:09:56,800 --> 01:09:59,080
Speaker 3: old with having to like be the primary guardian for

1543
01:09:59,120 --> 01:10:01,320
Speaker 3: this child, blah blah blah. But also, like you know,

1544
01:10:01,400 --> 01:10:03,360
Speaker 3: Tati and I had taken her god kids, so we

1545
01:10:03,520 --> 01:10:06,559
Speaker 3: know what it's like to have temporary guardianship and work

1546
01:10:06,720 --> 01:10:08,599
Speaker 3: like through the system and all that stuff. So it's

1547
01:10:08,640 --> 01:10:10,680
Speaker 3: like we had a different connection to like what they

1548
01:10:10,720 --> 01:10:12,840
Speaker 3: were doing and how they were portraying the story. And

1549
01:10:12,920 --> 01:10:16,559
Speaker 3: I think, you know, again going back to going back

1550
01:10:16,560 --> 01:10:19,599
Speaker 3: to people being willfully ignorant and not being like like

1551
01:10:19,680 --> 01:10:21,679
Speaker 3: open to being like okay, like so there's a different

1552
01:10:21,720 --> 01:10:24,400
Speaker 3: experience than mine. So hey, maybe I don't know everything.

1553
01:10:24,640 --> 01:10:26,840
Speaker 3: It's just like, no, you're wrong. That's not my experience, And.

1554
01:10:28,360 --> 01:10:31,639
Speaker 2: Like another part of that is we're constantly going like,

1555
01:10:32,240 --> 01:10:34,240
Speaker 2: why are you remaking blank?

1556
01:10:34,320 --> 01:10:35,559
Speaker 1: Why just do something new?

1557
01:10:36,040 --> 01:10:38,320
Speaker 2: But part of the reason I don't mind people remaking

1558
01:10:38,360 --> 01:10:44,040
Speaker 2: and revisiting ideas is exactly this, Like I like Nerds

1559
01:10:44,040 --> 01:10:45,679
Speaker 2: calmed down, but I like a lot of the Star

1560
01:10:45,720 --> 01:10:48,479
Speaker 2: Wars shit after George Lucas got his hands off of it.

1561
01:10:48,320 --> 01:10:50,559
Speaker 2: Not that he's a bad director or anything, but just

1562
01:10:50,600 --> 01:10:53,200
Speaker 2: like some of the stuff was not gonna happen under him,

1563
01:10:53,560 --> 01:10:56,800
Speaker 2: Like we weren't gonna get black people doing the stuff

1564
01:10:56,840 --> 01:10:59,960
Speaker 2: they're doing now in that universe was not gonna happen,

1565
01:11:00,160 --> 01:11:02,559
Speaker 2: and or it does not happen if George Lucas is

1566
01:11:02,560 --> 01:11:05,679
Speaker 2: in charge. It's just all like kids toys and people

1567
01:11:05,720 --> 01:11:09,960
Speaker 2: talking like jorj ar Binks and shit. So I'm like,

1568
01:11:10,080 --> 01:11:12,360
Speaker 2: and I respect like the tiple that he made, but

1569
01:11:12,720 --> 01:11:14,840
Speaker 2: the beauty of that world is that everyone gets to

1570
01:11:14,920 --> 01:11:16,760
Speaker 2: visit and like influence it a little bit.

1571
01:11:17,200 --> 01:11:19,559
Speaker 1: And the same thing. That's what Lelon and Stitch made.

1572
01:11:19,439 --> 01:11:21,880
Speaker 2: Me feel was like, oh they changed it a little bit,

1573
01:11:21,920 --> 01:11:25,160
Speaker 2: but like in a new direction that still has the

1574
01:11:25,200 --> 01:11:28,479
Speaker 2: same like homage to the idea of family and all

1575
01:11:28,520 --> 01:11:30,439
Speaker 2: that stuff. It doesn't need to be beat for beat

1576
01:11:30,479 --> 01:11:34,200
Speaker 2: the same, but the hate campaign. That's why I'm like, wait,

1577
01:11:34,520 --> 01:11:36,880
Speaker 2: y'all just don't want to spend twenty dollars to go

1578
01:11:36,920 --> 01:11:38,400
Speaker 2: see a movie. You don't got to do all this,

1579
01:11:38,800 --> 01:11:40,400
Speaker 2: but like, you don't have to turning it because I

1580
01:11:40,400 --> 01:11:44,000
Speaker 2: saw the same thing happen with like Velma, and to

1581
01:11:44,080 --> 01:11:46,880
Speaker 2: this point, I'm honestly sick of watching shit and being

1582
01:11:46,960 --> 01:11:48,839
Speaker 2: like these motherfuckers was fine.

1583
01:11:48,600 --> 01:11:50,840
Speaker 1: This shit is fun. Yep. I'm sick of it at

1584
01:11:50,840 --> 01:11:51,280
Speaker 1: this point.

1585
01:11:51,360 --> 01:11:53,240
Speaker 2: And you know, because we do it for a living

1586
01:11:53,600 --> 01:11:56,080
Speaker 2: as being critics and shit, it happens to me a

1587
01:11:56,120 --> 01:11:58,920
Speaker 2: lot where I'm like, oh, man, they said this movie

1588
01:11:59,080 --> 01:12:01,960
Speaker 2: was fucked up, and then and then I'm like sometimes

1589
01:12:01,960 --> 01:12:03,840
Speaker 2: I'll even wait and be like I'll see it when

1590
01:12:03,840 --> 01:12:06,040
Speaker 2: I get a screener, I watch it, and I'm like,

1591
01:12:06,680 --> 01:12:06,880
Speaker 2: that was.

1592
01:12:06,880 --> 01:12:10,280
Speaker 1: A good movie. I hear what y'all saying, but damn yeah.

1593
01:12:10,280 --> 01:12:13,880
Speaker 3: I've actually been actively like avoiding just reading other people's thoughts,

1594
01:12:13,880 --> 01:12:17,519
Speaker 3: whether it's film Twitter, general audiences on social media about

1595
01:12:17,520 --> 01:12:19,960
Speaker 3: thoughts on movies, and I all see, I don't really

1596
01:12:20,000 --> 01:12:23,080
Speaker 3: even mess with other critics thoughts on this because folks,

1597
01:12:23,080 --> 01:12:25,800
Speaker 3: I'm gonna tell y'all something at press scrintings. Critics are

1598
01:12:25,840 --> 01:12:27,960
Speaker 3: worse than general audiences that take out their phone to

1599
01:12:28,000 --> 01:12:31,519
Speaker 3: be talking. Film critics, especially the white ones that see

1600
01:12:32,320 --> 01:12:36,599
Speaker 3: every diverse movies, they're not good audience members. They're talking.

1601
01:12:37,200 --> 01:12:39,920
Speaker 3: It's all about them. And if you hear film critics,

1602
01:12:40,000 --> 01:12:43,719
Speaker 3: especially like hoity toity ones, yeah, talk about actors, creatives

1603
01:12:43,760 --> 01:12:46,240
Speaker 3: and stuff. That's why those people hate them.

1604
01:12:46,320 --> 01:12:49,000
Speaker 1: Yeah, I used to listen it's so weird. Those are

1605
01:12:49,000 --> 01:12:50,439
Speaker 1: a podcast I won't name the name.

1606
01:12:50,479 --> 01:12:52,599
Speaker 2: It's been over a decade probably now, but I used

1607
01:12:52,600 --> 01:12:55,720
Speaker 2: to listen to my podcast about film religiously because they

1608
01:12:55,720 --> 01:12:57,880
Speaker 2: would review like the new movies every week, and I'd

1609
01:12:57,880 --> 01:13:00,160
Speaker 2: be like, oh, let me check this out. And then

1610
01:13:00,200 --> 01:13:03,120
Speaker 2: I realize over time of listening for a couple of years,

1611
01:13:03,320 --> 01:13:05,160
Speaker 2: and I was talking to I think maybe Chris Lamborth

1612
01:13:05,200 --> 01:13:08,200
Speaker 2: about it, and I was like, hey, you ever noticed

1613
01:13:08,320 --> 01:13:11,080
Speaker 2: that these guys don't seem to review a lot of

1614
01:13:11,080 --> 01:13:13,960
Speaker 2: black movies. And he's like, yeah, well, they're just trying

1615
01:13:14,000 --> 01:13:16,040
Speaker 2: to get like the more like our house, blah blah blah.

1616
01:13:16,040 --> 01:13:18,000
Speaker 1: I'm like, I hear you. But sometimes they'll watch like

1617
01:13:18,000 --> 01:13:20,360
Speaker 1: an Adam Sandler movie, but not a Tyler Perry.

1618
01:13:20,080 --> 01:13:22,680
Speaker 2: Movie, right, And I don't need them to like it.

1619
01:13:23,240 --> 01:13:25,160
Speaker 2: They could like shit on the Tyler Perry move if

1620
01:13:25,200 --> 01:13:26,800
Speaker 2: they want to. I'm not like that kind of black

1621
01:13:26,800 --> 01:13:28,760
Speaker 2: where I'm like, you better like it, white man, Like

1622
01:13:29,120 --> 01:13:31,040
Speaker 2: if it's a bad movie, it's a bad movie called

1623
01:13:31,200 --> 01:13:34,839
Speaker 2: just be honest. But not seeing it is a weirder

1624
01:13:34,920 --> 01:13:39,479
Speaker 2: choice than seeing it and not liking it. And I've

1625
01:13:39,560 --> 01:13:41,280
Speaker 2: noticed that, and I never went back and listened to

1626
01:13:41,320 --> 01:13:45,599
Speaker 2: that show again. But that is a there's that blind

1627
01:13:45,600 --> 01:13:48,400
Speaker 2: spot in the criticism, which is I think why black

1628
01:13:48,439 --> 01:13:51,280
Speaker 2: people do get the fensive of our art in those ways,

1629
01:13:51,360 --> 01:13:53,479
Speaker 2: and why us as critics sometimes feel like we have

1630
01:13:53,560 --> 01:13:56,040
Speaker 2: to carry a torch because we're like, oh this, we're

1631
01:13:56,080 --> 01:13:59,120
Speaker 2: not fighting a fair fight, right. You know when whenever

1632
01:13:59,240 --> 01:14:02,639
Speaker 2: someone mentions like a black movie, uh winning or being

1633
01:14:02,640 --> 01:14:04,240
Speaker 2: nominated for an Oscar, all of a sudden they're like,

1634
01:14:04,400 --> 01:14:06,120
Speaker 2: and I don't even know, I never even heard of this.

1635
01:14:06,160 --> 01:14:08,040
Speaker 2: One's like, you didn't hear of it because it's black,

1636
01:14:08,320 --> 01:14:10,000
Speaker 2: and you didn't go you didn't seek it out, and

1637
01:14:10,040 --> 01:14:10,800
Speaker 2: you didn't watch it.

1638
01:14:11,160 --> 01:14:12,840
Speaker 1: What the last thing you need to do is be

1639
01:14:12,880 --> 01:14:15,719
Speaker 1: dismissive of it. This is your fault. You didn't see

1640
01:14:15,720 --> 01:14:17,840
Speaker 1: it like, this is like, uh, don't blame us.

1641
01:14:17,920 --> 01:14:19,880
Speaker 2: It's like when I listen to sports people talk about

1642
01:14:20,560 --> 01:14:22,400
Speaker 2: a basketball team, they're like, I don't even.

1643
01:14:22,320 --> 01:14:24,960
Speaker 1: Know these guys, nigga, it's your job to know them.

1644
01:14:25,640 --> 01:14:27,680
Speaker 1: It's one tell me they sorry. It is one thing.

1645
01:14:27,760 --> 01:14:29,320
Speaker 1: Like if you want to be like, y'all, watch them

1646
01:14:29,320 --> 01:14:30,639
Speaker 1: and he's sorry. Cool.

1647
01:14:31,479 --> 01:14:34,040
Speaker 2: You telling me you didn't do the homework is not

1648
01:14:34,200 --> 01:14:36,639
Speaker 2: the flex you think it is. That's just you being lazy.

1649
01:14:36,920 --> 01:14:38,640
Speaker 1: And so anyway, I say all that to say like,

1650
01:14:38,720 --> 01:14:40,280
Speaker 1: criticism is very much the same.

1651
01:14:40,640 --> 01:14:43,080
Speaker 4: Yeah, And to go back to what you were talking

1652
01:14:43,080 --> 01:14:46,880
Speaker 4: about before about people in the remakes remake, I feel

1653
01:14:46,920 --> 01:14:49,200
Speaker 4: like this we make all this shit you want is

1654
01:14:49,280 --> 01:14:50,240
Speaker 4: gonna be good.

1655
01:14:50,240 --> 01:14:50,960
Speaker 1: Bad, Okay.

1656
01:14:52,600 --> 01:14:54,760
Speaker 4: I don't want to hear people talk about remakes when

1657
01:14:54,840 --> 01:14:58,880
Speaker 4: it's forty five hundred World War two movies, eighteen thousand

1658
01:14:58,880 --> 01:15:03,280
Speaker 4: Holocaust movies, somebody in the mother fucking playing somebody up

1659
01:15:03,280 --> 01:15:06,840
Speaker 4: in the goddamn air all the goddamn time, and you

1660
01:15:06,960 --> 01:15:09,240
Speaker 4: remake it and you twist it, and you sometimes you

1661
01:15:09,320 --> 01:15:12,439
Speaker 4: name the ship the exact same goddamn thing. So I

1662
01:15:12,439 --> 01:15:15,000
Speaker 4: don't want to hear people complain about fucking remakes.

1663
01:15:15,160 --> 01:15:16,639
Speaker 1: Stop making them goddamn ships.

1664
01:15:16,680 --> 01:15:21,880
Speaker 2: Then I think there's no there's people just focus on

1665
01:15:21,920 --> 01:15:24,840
Speaker 2: what they're not happy with. So like there's a new

1666
01:15:24,880 --> 01:15:27,800
Speaker 2: ip that comes out that sometimes flops, you know, it's not.

1667
01:15:27,720 --> 01:15:34,960
Speaker 1: All I think it was like, fuck, what is the Jonathan?

1668
01:15:35,320 --> 01:15:37,000
Speaker 1: What is din that Washington Sun name?

1669
01:15:38,080 --> 01:15:39,080
Speaker 3: Oh Jonathan H.

1670
01:15:39,560 --> 01:15:42,800
Speaker 1: John David Washington or something like that. Okay, that's it.

1671
01:15:43,160 --> 01:15:45,599
Speaker 2: John David Washington was in I think called the movie

1672
01:15:45,640 --> 01:15:46,920
Speaker 2: called The Creator or something.

1673
01:15:46,640 --> 01:15:48,360
Speaker 1: Like Creator Creation or something like that.

1674
01:15:48,439 --> 01:15:50,759
Speaker 3: Yeah, we went to go see that.

1675
01:15:50,840 --> 01:15:52,800
Speaker 2: Yeah yeah, now people are saying it might be a

1676
01:15:52,880 --> 01:15:55,920
Speaker 2: cold hit. Anyway, we went to go see it. I left.

1677
01:15:55,960 --> 01:15:57,680
Speaker 2: I thought it was all right. I did like, I

1678
01:15:57,720 --> 01:15:59,760
Speaker 2: didn't really like it, but I didn't hate it. I

1679
01:15:59,800 --> 01:16:02,000
Speaker 2: was just like, oh, they got a big budget and

1680
01:16:02,040 --> 01:16:03,799
Speaker 2: they made a movie that I think is okay.

1681
01:16:04,920 --> 01:16:06,519
Speaker 3: I actually your budget was even that big. That's what

1682
01:16:06,520 --> 01:16:08,960
Speaker 3: impressed me the most about it, Like you right, Like

1683
01:16:09,000 --> 01:16:10,920
Speaker 3: I wasn't the biggest fan of it, bum say, visually

1684
01:16:10,960 --> 01:16:12,400
Speaker 3: giving like their budget, I think it was like fifty

1685
01:16:12,479 --> 01:16:14,840
Speaker 3: or sixty mili okay, but that was pretty damn good.

1686
01:16:14,880 --> 01:16:16,719
Speaker 3: Like District nine kind of level exactly.

1687
01:16:16,760 --> 01:16:19,000
Speaker 2: And when and when I read the other day like oh,

1688
01:16:19,080 --> 01:16:22,519
Speaker 2: this movie was coming to co hit on streaming platforms,

1689
01:16:22,560 --> 01:16:25,000
Speaker 2: I was like, that makes sense because those are the

1690
01:16:25,120 --> 01:16:27,400
Speaker 2: kind of movies I when I was a kid, I

1691
01:16:27,439 --> 01:16:30,479
Speaker 2: used to love The Last Starfighter, you know what I mean?

1692
01:16:31,080 --> 01:16:33,400
Speaker 1: I like, I don't know nobody else that loves.

1693
01:16:33,160 --> 01:16:35,479
Speaker 2: That movie like I did, But I love that movie

1694
01:16:35,800 --> 01:16:37,599
Speaker 2: and that's what that movie was there for. And I

1695
01:16:37,600 --> 01:16:39,680
Speaker 2: never gave a fucking it made money in theater or not.

1696
01:16:39,920 --> 01:16:42,160
Speaker 2: I didn't know that shit. I just loved that movie.

1697
01:16:42,400 --> 01:16:46,320
Speaker 2: The creator could be like that. But the problem is

1698
01:16:46,360 --> 01:16:48,559
Speaker 2: like people will say, like, we don't do any new

1699
01:16:48,720 --> 01:16:51,840
Speaker 2: original IP and the You're like, but when the creator

1700
01:16:51,880 --> 01:16:53,280
Speaker 2: came out, where was everybody?

1701
01:16:53,760 --> 01:16:55,639
Speaker 1: You know what I mean? Time you ignore the shit

1702
01:16:55,680 --> 01:16:56,000
Speaker 1: out of it?

1703
01:16:56,080 --> 01:16:59,080
Speaker 2: Yeah, But if they would have said that shit was uh,

1704
01:16:59,280 --> 01:17:02,880
Speaker 2: I don't know, Total Recall seven or some ship like

1705
01:17:02,920 --> 01:17:05,400
Speaker 2: this or the remake of such and such, like people

1706
01:17:05,439 --> 01:17:07,400
Speaker 2: would have made there's some people who would have left

1707
01:17:07,400 --> 01:17:08,360
Speaker 2: the house that didn't you.

1708
01:17:08,320 --> 01:17:08,880
Speaker 1: Know what I'm saying.

1709
01:17:09,520 --> 01:17:12,679
Speaker 2: And this wasn't a shitty movie, meaning like the Total

1710
01:17:12,720 --> 01:17:13,840
Speaker 2: Recall remake.

1711
01:17:13,640 --> 01:17:15,760
Speaker 1: Was shitty, like it was.

1712
01:17:16,200 --> 01:17:18,120
Speaker 2: It was just like throw the name Total Recall on

1713
01:17:18,200 --> 01:17:19,680
Speaker 2: some ship and then get people to watch.

1714
01:17:19,760 --> 01:17:21,479
Speaker 1: Ain't that the movie lost it? They turned up the sound.

1715
01:17:21,520 --> 01:17:22,280
Speaker 1: It was ridiculous.

1716
01:17:22,360 --> 01:17:22,559
Speaker 3: Yeah.

1717
01:17:22,640 --> 01:17:25,840
Speaker 2: But my point being like, that's the that's the the

1718
01:17:25,880 --> 01:17:29,120
Speaker 2: bullshit that that's why people keep recycling I P. Is

1719
01:17:29,120 --> 01:17:33,920
Speaker 2: that yes, is that if people's true thirst for I

1720
01:17:34,000 --> 01:17:36,559
Speaker 2: just always want something new and original was strong like that,

1721
01:17:37,160 --> 01:17:39,479
Speaker 2: and it was stronger than the movie has to be great,

1722
01:17:40,080 --> 01:17:43,160
Speaker 2: because it's not fair to say I'll watch something new,

1723
01:17:43,240 --> 01:17:44,360
Speaker 2: but it gotta be great.

1724
01:17:44,479 --> 01:17:47,000
Speaker 1: That's not what we do with these shitty I P remakes.

1725
01:17:47,439 --> 01:17:50,320
Speaker 2: You're going to see these shitty movies because they got

1726
01:17:50,400 --> 01:17:54,960
Speaker 2: slap Transformers five on the ship. But if somebody says like, hey, uh,

1727
01:17:55,120 --> 01:17:58,680
Speaker 2: this is a new director with this, we're like, I

1728
01:17:58,680 --> 01:18:01,439
Speaker 2: gotta see some reviews like Sea and we won't go

1729
01:18:01,479 --> 01:18:02,000
Speaker 2: see this shit.

1730
01:18:02,120 --> 01:18:03,120
Speaker 1: So yeah, it's hard.

1731
01:18:03,200 --> 01:18:05,720
Speaker 2: We make it hard as an audience, and then we

1732
01:18:05,840 --> 01:18:09,879
Speaker 2: complain like it's the studios only, like only the studios

1733
01:18:10,040 --> 01:18:10,439
Speaker 2: doing it.

1734
01:18:11,080 --> 01:18:13,479
Speaker 3: I'm telling you, studio execs want to do original stuff.

1735
01:18:13,520 --> 01:18:16,040
Speaker 3: They don't want to like just recycle old ideas. It's

1736
01:18:16,040 --> 01:18:17,920
Speaker 3: just that they think that the audiences that's what they

1737
01:18:17,960 --> 01:18:20,240
Speaker 3: want because they're so complacent, right, and they don't like

1738
01:18:20,320 --> 01:18:23,880
Speaker 3: to have to stretch their thoughts too. Like for me,

1739
01:18:23,960 --> 01:18:25,559
Speaker 3: I think it's just a lack of creativity. And I

1740
01:18:25,560 --> 01:18:27,599
Speaker 3: think that like comes to what we were talking about earlier,

1741
01:18:27,600 --> 01:18:31,080
Speaker 3: which is like, you know, a drop in interest in

1742
01:18:31,280 --> 01:18:34,879
Speaker 3: education and focus on education and also learning other different worldviews.

1743
01:18:34,920 --> 01:18:37,439
Speaker 3: I think the more you diversify your thoughts and your

1744
01:18:37,479 --> 01:18:41,320
Speaker 3: experiences and like read and learn about and have like

1745
01:18:41,360 --> 01:18:43,680
Speaker 3: you know, build your imaginations and stuff, that's when the

1746
01:18:43,680 --> 01:18:47,240
Speaker 3: original stuff an ideas resonate, right, Like that's when like

1747
01:18:47,280 --> 01:18:50,680
Speaker 3: you can connect with stuff that's outside of your personal experience,

1748
01:18:50,680 --> 01:18:53,599
Speaker 3: outside your personal worldview. And I just think that we're

1749
01:18:53,600 --> 01:18:57,000
Speaker 3: becoming more and more siloed because of social media and technology, and.

1750
01:18:58,680 --> 01:19:01,360
Speaker 2: We're just inundated with content, yes we are, Like a

1751
01:19:01,360 --> 01:19:02,879
Speaker 2: lot of this stuff is us.

1752
01:19:02,680 --> 01:19:04,800
Speaker 1: Complaining because we got too much.

1753
01:19:04,920 --> 01:19:10,000
Speaker 2: Like it's like it was easier for people ironically before

1754
01:19:10,240 --> 01:19:14,439
Speaker 2: everybody was getting a green lit, like and now Hollywood

1755
01:19:14,479 --> 01:19:17,760
Speaker 2: scaled back obviously, like after the writer strike, especially, like

1756
01:19:17,800 --> 01:19:19,320
Speaker 2: it's almost impossible to get some.

1757
01:19:19,240 --> 01:19:19,880
Speaker 1: Shit green lit.

1758
01:19:20,120 --> 01:19:23,679
Speaker 2: But we had like a good seven eight years where

1759
01:19:23,720 --> 01:19:25,679
Speaker 2: you can walk in the studio and fart and people

1760
01:19:25,720 --> 01:19:28,920
Speaker 2: were like, hm, eight episodes, see what you can do.

1761
01:19:28,880 --> 01:19:31,760
Speaker 3: With that reminded me that my time was off again

1762
01:19:31,760 --> 01:19:32,320
Speaker 3: in the Hollywood.

1763
01:19:34,600 --> 01:19:39,080
Speaker 1: I was rooting for you. I was like weeks.

1764
01:19:40,880 --> 01:19:43,080
Speaker 3: They're like yeah, like we're like, you know, definitely pictures

1765
01:19:43,080 --> 01:19:45,240
Speaker 3: your ideas, but like, you know, have you ever thought

1766
01:19:45,240 --> 01:19:49,200
Speaker 3: about working on missus doubt fire? Like why listen?

1767
01:19:49,560 --> 01:19:53,439
Speaker 2: Brandon Collins was a fortnight away from startle Okay, not a.

1768
01:19:53,439 --> 01:19:55,400
Speaker 1: Fortnight like the writers strike happened.

1769
01:19:55,439 --> 01:19:58,120
Speaker 2: Like writers, they were like, they were like, you know what,

1770
01:19:58,280 --> 01:19:59,639
Speaker 2: let's give them a seven picture.

1771
01:20:00,280 --> 01:20:04,240
Speaker 3: Oh the strike songs? Oh say this I can said.

1772
01:20:04,240 --> 01:20:06,120
Speaker 3: I can't say the production company. But I did have

1773
01:20:06,160 --> 01:20:08,880
Speaker 3: a pitch meeting scheduled for the monday that the strike

1774
01:20:08,960 --> 01:20:11,640
Speaker 3: happened that was going to be a murder mystery that

1775
01:20:11,760 --> 01:20:15,240
Speaker 3: was focused on Lil Wayne and Diddy. Dang, So I

1776
01:20:15,280 --> 01:20:16,240
Speaker 3: definitely dodged the bull.

1777
01:20:16,560 --> 01:20:18,479
Speaker 1: Yeah, thank god, thank god.

1778
01:20:19,200 --> 01:20:21,120
Speaker 3: To be fair, it was gonna be about Diddy being

1779
01:20:21,200 --> 01:20:23,120
Speaker 3: killed by a bunch of like basically, he was having

1780
01:20:23,120 --> 01:20:26,719
Speaker 3: a dinner party with all the bad boy record artists

1781
01:20:26,760 --> 01:20:28,000
Speaker 3: and stuff like that because he was gonna give them

1782
01:20:28,040 --> 01:20:30,120
Speaker 3: back their masters, because he like, you know, was trying

1783
01:20:30,120 --> 01:20:32,439
Speaker 3: to make himself whole at the time. I didn't know

1784
01:20:32,479 --> 01:20:34,240
Speaker 3: why he was doing that kind of stuff, right, And

1785
01:20:34,280 --> 01:20:37,519
Speaker 3: Lil Wayne was invited as like a mediator or whatever.

1786
01:20:37,840 --> 01:20:41,519
Speaker 3: Lil Wayne is like a big Attica Christy fan. And

1787
01:20:41,560 --> 01:20:43,560
Speaker 3: so Diddy ends up dead at the dinner party and

1788
01:20:43,560 --> 01:20:45,240
Speaker 3: it's gonna be about him trying to figure out what's

1789
01:20:45,320 --> 01:20:48,240
Speaker 3: the locks was a Mary j like who killed Diddy?

1790
01:20:48,400 --> 01:20:49,680
Speaker 3: And so I was gonna do a whole pitch and

1791
01:20:49,720 --> 01:20:51,559
Speaker 3: everything like that there track.

1792
01:20:51,800 --> 01:20:54,000
Speaker 1: Honestly, man, God was looking out for you on that one.

1793
01:20:54,040 --> 01:20:55,200
Speaker 1: Good thing. You missed that one.

1794
01:20:55,280 --> 01:20:57,840
Speaker 2: Yeah, it would have been Imagine that shit would have

1795
01:20:57,880 --> 01:20:59,479
Speaker 2: just been coming out like this month.

1796
01:21:02,840 --> 01:21:04,680
Speaker 3: I'd be on this podcast for voting it. I'd be like,

1797
01:21:04,680 --> 01:21:07,960
Speaker 3: all right, listen, everybody, listen. I know I didn't know,

1798
01:21:08,120 --> 01:21:12,240
Speaker 3: and you know what happened to me too, Like all right,

1799
01:21:12,240 --> 01:21:16,120
Speaker 3: listen to everybody. I know it's weird. Go see this

1800
01:21:16,120 --> 01:21:16,760
Speaker 3: movie I needed.

1801
01:21:16,800 --> 01:21:19,360
Speaker 1: Please support me like here.

1802
01:21:21,800 --> 01:21:25,880
Speaker 3: For that and baby Oil please, the Baby Oils potform please.

1803
01:21:30,520 --> 01:21:33,639
Speaker 1: Everything we rolled in like here like here is home,

1804
01:21:33,720 --> 01:21:35,479
Speaker 1: so you wouldn't have no problem promoting it here.

1805
01:21:35,520 --> 01:21:38,479
Speaker 2: But I'm just picturing you on like fucking good morning

1806
01:21:38,479 --> 01:21:43,400
Speaker 2: a marriage trying to explain, like, can you explain what

1807
01:21:43,720 --> 01:21:44,920
Speaker 2: you were thinking.

1808
01:21:44,640 --> 01:21:47,240
Speaker 1: At the time, because this is this is insane.

1809
01:21:47,280 --> 01:21:49,320
Speaker 4: I'm not I don't see you going on. Joe Rogan,

1810
01:21:49,360 --> 01:21:51,160
Speaker 4: I said, you like on the big shows.

1811
01:21:51,880 --> 01:21:55,519
Speaker 3: Or a Van Lathan and his cowboy hats, like thinking, listen,

1812
01:21:57,200 --> 01:21:58,080
Speaker 3: let me right.

1813
01:21:58,000 --> 01:21:59,960
Speaker 1: So let me get this right. You think what happened

1814
01:22:00,160 --> 01:22:02,760
Speaker 1: Cassie is hilarious. No that I don't think that. I

1815
01:22:02,760 --> 01:22:04,880
Speaker 1: didn't know that happened. That's not just before that.

1816
01:22:05,000 --> 01:22:07,840
Speaker 2: Like it's gonna be worse than a lot explaining. Yeah,

1817
01:22:07,920 --> 01:22:10,479
Speaker 2: it's gonna be worse than oh god, I can't even

1818
01:22:10,479 --> 01:22:11,559
Speaker 2: remember his name is Benson.

1819
01:22:11,600 --> 01:22:13,479
Speaker 3: It would be an epic breakdowns. Y'all know what ye

1820
01:22:13,800 --> 01:22:17,000
Speaker 3: do well under extreme pressure, Like I can handle Blake,

1821
01:22:17,040 --> 01:22:19,160
Speaker 3: but Blake. If I'm going to the unknown and I'm

1822
01:22:19,200 --> 01:22:22,639
Speaker 3: getting like Pepper like with some crazy oh, Joe spasically said,

1823
01:22:22,720 --> 01:22:26,679
Speaker 3: this is straight breakfast club. Oh they would eat me up. Yeah, yeah,

1824
01:22:27,160 --> 01:22:28,040
Speaker 3: that would be a nightmare.

1825
01:22:28,320 --> 01:22:31,640
Speaker 2: Honestly, it would be worse than when Nate Parker was

1826
01:22:31,640 --> 01:22:36,759
Speaker 2: trying to promote that movie. Oh no because him, Yes,

1827
01:22:37,160 --> 01:22:39,639
Speaker 2: because with the trial going on right now, like dude,

1828
01:22:39,680 --> 01:22:42,280
Speaker 2: they're gonna be like, so Diddy, that's.

1829
01:22:42,120 --> 01:22:43,040
Speaker 1: What you thought.

1830
01:22:43,439 --> 01:22:47,479
Speaker 3: You thought normally that situation, right, you would put like

1831
01:22:47,520 --> 01:22:50,720
Speaker 3: the star right, maybe Wayne or the rector of that film. No,

1832
01:22:50,880 --> 01:22:52,840
Speaker 3: because they trying to DoD some bullets, they put the rider.

1833
01:22:52,920 --> 01:22:55,519
Speaker 1: Yeah, they're gonna have to put you out here. You're

1834
01:22:55,520 --> 01:22:57,120
Speaker 1: gonna do You're gonna be out there the press run

1835
01:22:57,320 --> 01:22:58,679
Speaker 1: whoever you got to play Diddy.

1836
01:22:59,120 --> 01:23:01,559
Speaker 2: It's gonna be like like Jamie Fox refuses to come

1837
01:23:01,600 --> 01:23:04,720
Speaker 2: out as he's not gonna do that, he said, he

1838
01:23:04,720 --> 01:23:05,960
Speaker 2: said he's doing no interviews.

1839
01:23:05,960 --> 01:23:08,400
Speaker 1: He actually his people are trying to shut the movie down.

1840
01:23:08,600 --> 01:23:09,320
Speaker 1: Brandon so.

1841
01:23:11,320 --> 01:23:13,559
Speaker 2: Needs you to go explain this to Michael straight hand.

1842
01:23:14,200 --> 01:23:17,120
Speaker 2: Uh today, Now.

1843
01:23:17,040 --> 01:23:19,040
Speaker 3: What do you want audiences to take away, given like

1844
01:23:19,080 --> 01:23:25,080
Speaker 3: you know, the current climate tribulations literal trial of Puff Daddy? Well,

1845
01:23:25,120 --> 01:23:27,760
Speaker 3: you know, I want people to laugh, ye, I want

1846
01:23:27,760 --> 01:23:28,679
Speaker 3: people to have a good time.

1847
01:23:28,800 --> 01:23:31,439
Speaker 2: I actually think nothing about this is funny, even though

1848
01:23:31,479 --> 01:23:32,639
Speaker 2: it is a comedy movie.

1849
01:23:33,240 --> 01:23:36,520
Speaker 3: I actually it was to me fair he does diet,

1850
01:23:36,680 --> 01:23:38,679
Speaker 3: yeah exactly, I killed him right away.

1851
01:23:38,760 --> 01:23:41,080
Speaker 1: I mean it's in the trailer, not even the whole

1852
01:23:41,120 --> 01:23:41,679
Speaker 1: ten minutes.

1853
01:23:42,400 --> 01:23:45,240
Speaker 3: Oh god, that would be such bad time for me.

1854
01:23:45,600 --> 01:23:49,479
Speaker 1: Yeah, man, that that's that's true. Uh true, Brandon Collins

1855
01:23:49,479 --> 01:23:50,320
Speaker 1: timing right there.

1856
01:23:50,880 --> 01:23:53,240
Speaker 3: Uh we'll jump like he She's doing well. So I

1857
01:23:53,320 --> 01:23:53,800
Speaker 3: got that too.

1858
01:23:53,920 --> 01:23:55,000
Speaker 1: That's what matters, guys.

1859
01:23:55,120 --> 01:23:58,320
Speaker 2: Okay, And we just gave you an hour and a

1860
01:23:58,360 --> 01:24:02,240
Speaker 2: half of not having to think about out you know everything.

1861
01:24:04,760 --> 01:24:07,639
Speaker 2: I looked at this, I looked at the news before

1862
01:24:07,680 --> 01:24:11,280
Speaker 2: we came on to day and yeah, let's let's get it.

1863
01:24:11,360 --> 01:24:15,000
Speaker 1: Let's get it at tomorrow. Let's it's gonna be there,

1864
01:24:15,240 --> 01:24:15,800
Speaker 1: you know what I mean.

1865
01:24:15,840 --> 01:24:20,040
Speaker 2: They firing journalists, They you know, motherfuckers is stealing people's

1866
01:24:20,040 --> 01:24:21,800
Speaker 2: wives in the White House.

1867
01:24:21,880 --> 01:24:22,160
Speaker 1: Damn it.

1868
01:24:22,200 --> 01:24:24,439
Speaker 4: They're trying to get people back. Today fied They was like,

1869
01:24:24,439 --> 01:24:25,160
Speaker 4: oh yeah, well.

1870
01:24:25,080 --> 01:24:28,759
Speaker 2: You like your old YD back, CDC getting rid of vaccine.

1871
01:24:28,760 --> 01:24:31,200
Speaker 1: That for experts. You know, we don't need to think

1872
01:24:31,200 --> 01:24:32,799
Speaker 1: about that. Guy, think about.

1873
01:24:35,000 --> 01:24:38,160
Speaker 3: Why do women not women?

1874
01:24:41,200 --> 01:24:46,960
Speaker 1: Females? Brother, why do these females? Go ahead and finish

1875
01:24:47,000 --> 01:24:47,439
Speaker 1: the sentence.

1876
01:24:48,400 --> 01:24:50,559
Speaker 3: He would like a villain from Invincible, Like why is

1877
01:24:50,800 --> 01:24:51,920
Speaker 3: what I don't get it.

1878
01:24:52,000 --> 01:24:56,479
Speaker 2: I like nobody took a worse than Cheryl for being

1879
01:24:56,520 --> 01:24:59,320
Speaker 2: married to him, because like I thought so much of

1880
01:24:59,320 --> 01:25:02,080
Speaker 2: that lady before for uh I found out she was

1881
01:25:02,080 --> 01:25:02,519
Speaker 2: married to R.

1882
01:25:02,640 --> 01:25:03,360
Speaker 1: K Jr.

1883
01:25:03,560 --> 01:25:05,840
Speaker 2: And then when he was cheating on her during the

1884
01:25:05,880 --> 01:25:09,680
Speaker 2: presidential campaign, I said, okay, so finally she got the

1885
01:25:09,720 --> 01:25:11,960
Speaker 2: reason to leave him, and then this will be her

1886
01:25:12,080 --> 01:25:14,360
Speaker 2: escape hatch where we can still consider her a good

1887
01:25:14,360 --> 01:25:14,960
Speaker 2: white lady.

1888
01:25:15,360 --> 01:25:17,880
Speaker 1: And she stayed. And I was like, she did my

1889
01:25:18,040 --> 01:25:19,720
Speaker 1: bad in for a penny, in for a pounds, You

1890
01:25:19,840 --> 01:25:20,519
Speaker 1: bad too.

1891
01:25:21,160 --> 01:25:23,240
Speaker 3: When I see stuff like that, John Everard should just

1892
01:25:23,240 --> 01:25:26,479
Speaker 3: stayed in the rates back in the day, right, you

1893
01:25:26,560 --> 01:25:28,880
Speaker 3: know what I mean? At this point, like if I'm

1894
01:25:28,880 --> 01:25:31,120
Speaker 3: sure he's like, what the fuck what he see things

1895
01:25:31,120 --> 01:25:31,320
Speaker 3: like that?

1896
01:25:31,640 --> 01:25:34,479
Speaker 1: He's still around, right, And you know, and I joke

1897
01:25:34,520 --> 01:25:36,000
Speaker 1: about this every time Roger bring that up.

1898
01:25:36,040 --> 01:25:38,599
Speaker 4: Man, if kurb was still on, the next season would

1899
01:25:38,640 --> 01:25:44,600
Speaker 4: be all jokes about her and the whole thing. Man,

1900
01:25:43,520 --> 01:25:46,240
Speaker 4: the next season would have been.

1901
01:25:46,160 --> 01:25:49,240
Speaker 1: Great, all this bullshit with Trump. He had a ball.

1902
01:25:49,439 --> 01:25:52,479
Speaker 1: RK Jr. Must be he really gotta be slinging some pipe.

1903
01:25:53,520 --> 01:25:55,920
Speaker 1: He giving her that dangling because nothing doesn't make sense.

1904
01:25:55,960 --> 01:25:58,679
Speaker 2: There's no way to make this make sense unless he's

1905
01:25:58,720 --> 01:26:01,760
Speaker 2: just dicking her down nightly, Because what the fuck are

1906
01:26:01,760 --> 01:26:02,439
Speaker 2: you doing, ma'am?

1907
01:26:02,479 --> 01:26:03,440
Speaker 1: This is embarrassing.

1908
01:26:05,200 --> 01:26:07,719
Speaker 3: If that's his voice as he speaks. I can't imagine

1909
01:26:07,760 --> 01:26:08,479
Speaker 3: what he's grunting.

1910
01:26:08,760 --> 01:26:08,960
Speaker 1: Right.

1911
01:26:09,160 --> 01:26:11,519
Speaker 2: You can't go to the to the Harrison line with

1912
01:26:11,600 --> 01:26:13,559
Speaker 2: them knowing that's what did he be talking to.

1913
01:26:13,600 --> 01:26:17,600
Speaker 1: You like that? Who make me?

1914
01:26:17,960 --> 01:26:25,280
Speaker 3: Apparently? Apparently there's some Republican based like you know, restaurants

1915
01:26:25,320 --> 01:26:28,080
Speaker 3: in DC, And I'm like, that makes sense because I

1916
01:26:28,080 --> 01:26:30,920
Speaker 3: imagine if you're a politician, especially Republican out there, there's

1917
01:26:31,479 --> 01:26:35,639
Speaker 3: all the people are spitting in your food. There's no way.

1918
01:26:35,800 --> 01:26:38,240
Speaker 1: Yeah, and can't you ordered door dashing your name?

1919
01:26:38,560 --> 01:26:40,960
Speaker 4: They probably be like or if they do, come in

1920
01:26:41,040 --> 01:26:43,599
Speaker 4: and sit down, and this isn't a pleasant experience.

1921
01:26:43,560 --> 01:26:47,800
Speaker 2: Joe said. She reaching for whatever power, brother is Dick power. Now, listen,

1922
01:26:47,960 --> 01:26:49,400
Speaker 2: I've seen you don't make no sense.

1923
01:26:49,439 --> 01:26:49,760
Speaker 1: She's not.

1924
01:26:50,640 --> 01:26:53,960
Speaker 2: I'm not I'm not an expert in everything, but we've

1925
01:26:54,000 --> 01:26:57,280
Speaker 2: all met somebody that's clearly just getting dicked down and

1926
01:26:57,320 --> 01:27:01,639
Speaker 2: have just decided that they are riding this out for life.

1927
01:27:01,920 --> 01:27:04,680
Speaker 1: And that's the only way this RK. Junior thing makes sense.

1928
01:27:05,040 --> 01:27:08,639
Speaker 2: It just because he ain't really got no real power.

1929
01:27:08,680 --> 01:27:09,879
Speaker 2: He ain't gonna be president.

1930
01:27:09,960 --> 01:27:12,880
Speaker 1: It was always a joke to the rest of us.

1931
01:27:13,000 --> 01:27:13,880
Speaker 1: He just got to.

1932
01:27:13,840 --> 01:27:16,280
Speaker 2: Be going home and just knocking it out the frame,

1933
01:27:16,360 --> 01:27:18,840
Speaker 2: and then she'd be like, I guess I'll give him

1934
01:27:18,840 --> 01:27:22,200
Speaker 2: twenty four more hours or some shit. Cause even all

1935
01:27:22,240 --> 01:27:24,040
Speaker 2: them other women that he was cheating with and shit,

1936
01:27:24,160 --> 01:27:26,120
Speaker 2: they was even on some like like none of them

1937
01:27:26,160 --> 01:27:29,240
Speaker 2: came out and was like RFK JR. How could he

1938
01:27:29,320 --> 01:27:31,519
Speaker 2: take advantage of me? They was all like, no, I'll

1939
01:27:31,600 --> 01:27:34,400
Speaker 2: let him dig me now. Yes, I left my husband

1940
01:27:34,600 --> 01:27:37,120
Speaker 2: and I told the world, Yes, that's what happened. I'm like,

1941
01:27:37,560 --> 01:27:40,040
Speaker 2: only good Dick could make you do that. Only good Dick.

1942
01:27:40,920 --> 01:27:44,160
Speaker 2: All right, let's do one game with Brandon before we

1943
01:27:44,200 --> 01:27:46,439
Speaker 2: wrap this up. Okay, let's play a little bit of

1944
01:27:46,479 --> 01:27:49,920
Speaker 2: guests to race. Okay, we've been very nice and anti racist,

1945
01:27:49,920 --> 01:27:52,040
Speaker 2: but people are gonna they need to have clips to

1946
01:27:52,080 --> 01:27:53,519
Speaker 2: cancel us over when we blow up.

1947
01:28:01,280 --> 01:28:05,639
Speaker 3: It's hard to catch the race. It's time to race.

1948
01:28:06,640 --> 01:28:10,519
Speaker 3: It's time to catch the race. It's time to catch

1949
01:28:10,560 --> 01:28:11,040
Speaker 3: the race.

1950
01:28:11,760 --> 01:28:12,360
Speaker 1: Guess the race.

1951
01:28:12,400 --> 01:28:14,320
Speaker 2: We go around the globe, find different articles, guess the

1952
01:28:14,360 --> 01:28:17,519
Speaker 2: race of the people evolved. Today's contestants care and of

1953
01:28:17,520 --> 01:28:23,960
Speaker 2: course Brandon Collins all right, armed door dash dope, busted

1954
01:28:23,960 --> 01:28:28,280
Speaker 2: over tip demand, angered that he had not received a

1955
01:28:28,360 --> 01:28:31,719
Speaker 2: cash tip the night before on one hundred dollars order.

1956
01:28:32,200 --> 01:28:35,080
Speaker 2: A door dash driver returned to a Washington home with

1957
01:28:35,120 --> 01:28:38,120
Speaker 2: a loaded gun on his hip to seek the gratuity.

1958
01:28:38,439 --> 01:28:42,559
Speaker 1: Oh no, and your contuit, it gonna be jail time.

1959
01:28:42,800 --> 01:28:46,360
Speaker 2: First of all, the fact this man waited a full

1960
01:28:46,479 --> 01:28:49,160
Speaker 2: twenty four hours to come. He was thinking about that

1961
01:28:49,240 --> 01:28:53,599
Speaker 2: thing that that was second clocked out. He's like, okay, okay,

1962
01:28:53,640 --> 01:28:55,200
Speaker 2: I'm gonna get my ten percent.

1963
01:28:55,760 --> 01:28:55,840
Speaker 6: Uh.

1964
01:28:55,960 --> 01:29:00,720
Speaker 2: The investigators alleged that Robert Delahunt fifty nine, showed up

1965
01:29:00,760 --> 01:29:05,400
Speaker 2: last Thursday morning at the Vancouver residence of Keana Corindakov.

1966
01:29:05,880 --> 01:29:09,280
Speaker 2: We're not guessing her race. She's nineteen, he's fifty nine.

1967
01:29:09,800 --> 01:29:13,200
Speaker 2: He showed up to demand the tip. Delaqant was loud

1968
01:29:13,360 --> 01:29:17,400
Speaker 2: and mouthie. After Corinakov's father told Delahant to leave the

1969
01:29:17,400 --> 01:29:20,000
Speaker 2: family's property, the men got into an altercation, during which

1970
01:29:20,160 --> 01:29:24,479
Speaker 2: delaha allegedly reached for a hosted Ruger firearm. Anthony Volino,

1971
01:29:24,560 --> 01:29:27,719
Speaker 2: fifty five told cops he grabbed the gun and pushed

1972
01:29:27,720 --> 01:29:31,559
Speaker 2: the drivers the driver down onto the driveway. Bolino stated

1973
01:29:31,600 --> 01:29:34,679
Speaker 2: that he smelled liquor on Robert's breath. He thought anything

1974
01:29:34,720 --> 01:29:40,519
Speaker 2: could have happened, cops reported. He said he feared for

1975
01:29:40,560 --> 01:29:43,360
Speaker 2: his safety when Delahunt reached for the gun. After driving

1976
01:29:43,400 --> 01:29:47,200
Speaker 2: away from the residents in his Kia Soul. Delahant called

1977
01:29:47,240 --> 01:29:50,800
Speaker 2: police dispatch and advised the house cheated him out of

1978
01:29:50,800 --> 01:29:54,040
Speaker 2: a tip, so he returned and was pushed, So he lied.

1979
01:29:54,400 --> 01:29:58,280
Speaker 1: I mean he was pushed, But you returned to my house.

1980
01:29:58,360 --> 01:29:59,439
Speaker 1: That's the motherfucking problem.

1981
01:29:59,479 --> 01:30:02,200
Speaker 2: You're not a yeah door dash is not gonna have

1982
01:30:02,280 --> 01:30:04,040
Speaker 2: your back. When you were like yeah, I came back

1983
01:30:04,080 --> 01:30:06,360
Speaker 2: to get my tip. A day later, they're like what

1984
01:30:08,160 --> 01:30:10,360
Speaker 2: so he smelled the booze. He admitted to drinking at

1985
01:30:10,360 --> 01:30:13,439
Speaker 2: home before returning to the house the client's residents. I

1986
01:30:13,439 --> 01:30:15,559
Speaker 2: shouldn't have come back, he told the police. He also

1987
01:30:15,640 --> 01:30:18,000
Speaker 2: claimed that he had only lifted his shirt to show

1988
01:30:18,040 --> 01:30:18,759
Speaker 2: he was armed.

1989
01:30:19,240 --> 01:30:20,320
Speaker 1: After being confronted.

1990
01:30:20,400 --> 01:30:23,440
Speaker 2: A home security camera recorded the men wrestling over the firearm.

1991
01:30:24,200 --> 01:30:26,960
Speaker 2: The footage also showed him holding the gun after he

1992
01:30:27,040 --> 01:30:29,720
Speaker 2: had been this Veolino, I'm sorry the father holding the

1993
01:30:29,760 --> 01:30:33,000
Speaker 2: gun after Delaha had been disarmed and shoved to the ground.

1994
01:30:33,320 --> 01:30:36,160
Speaker 2: Delaha was charged with the salt harassment, driving under influence.

1995
01:30:36,200 --> 01:30:39,240
Speaker 2: His blood alcohol level was measured at more than twice

1996
01:30:39,240 --> 01:30:40,000
Speaker 2: the legal limit.

1997
01:30:40,560 --> 01:30:43,439
Speaker 1: He was blitzed. So how did he drive there? That's

1998
01:30:43,479 --> 01:30:45,920
Speaker 1: what I want to know. How did he drive home?

1999
01:30:46,040 --> 01:30:48,599
Speaker 3: Well, when we talk about the race, we'll we'll find

2000
01:30:48,640 --> 01:30:53,040
Speaker 3: out because you know what I mean. Yeah, we're in

2001
01:30:53,080 --> 01:30:55,439
Speaker 3: a racist second handle drinking and driving.

2002
01:30:56,120 --> 01:30:58,640
Speaker 2: So they said they have now the company has let

2003
01:30:58,720 --> 01:31:01,439
Speaker 2: him go there him he's not allowed.

2004
01:31:01,560 --> 01:31:06,439
Speaker 1: Don't say yeah, you hate to see now he's driving. Yes,

2005
01:31:08,360 --> 01:31:11,120
Speaker 1: all right, Well guess the race of mister Della Hunt.

2006
01:31:11,320 --> 01:31:13,639
Speaker 1: I'm going white, cares going white?

2007
01:31:14,040 --> 01:31:16,880
Speaker 3: Brandon, yep, I can't take an old white.

2008
01:31:17,160 --> 01:31:19,439
Speaker 1: All right, Let's check the chat room. See what they believe.

2009
01:31:20,240 --> 01:31:23,519
Speaker 2: G t a style driving white, falling down the gig

2010
01:31:23,560 --> 01:31:27,200
Speaker 2: economy story white, the white guy who didn't tip the

2011
01:31:27,240 --> 01:31:31,920
Speaker 2: white the white guy who demands sorry that that sound

2012
01:31:31,920 --> 01:31:34,400
Speaker 2: was playing problem from an article, The white guy who

2013
01:31:34,479 --> 01:31:35,760
Speaker 2: demands tips.

2014
01:31:35,760 --> 01:31:36,800
Speaker 1: Someone said.

2015
01:31:39,320 --> 01:31:42,000
Speaker 2: White cousin niggas don't get up that early, and Della white,

2016
01:31:42,040 --> 01:31:50,480
Speaker 2: the correct answer is white.

2017
01:31:54,640 --> 01:31:59,040
Speaker 1: Nobody missed it. And then the pictures are Let.

2018
01:31:59,000 --> 01:32:01,599
Speaker 2: Me pull up the picture for him, because it's two

2019
01:32:01,680 --> 01:32:08,120
Speaker 2: different pictures. One is like the the dad holding the gun. Uh,

2020
01:32:08,720 --> 01:32:11,280
Speaker 2: that's when the dad pushed him down and grabbed the gun.

2021
01:32:11,920 --> 01:32:14,160
Speaker 2: But the guy who did it is in the black shirt.

2022
01:32:15,920 --> 01:32:16,120
Speaker 3: Yeah.

2023
01:32:16,560 --> 01:32:19,080
Speaker 1: Uh, he pushed a ship out of him too.

2024
01:32:19,360 --> 01:32:21,920
Speaker 2: First, first of all, your old ass showed up there

2025
01:32:22,640 --> 01:32:27,280
Speaker 2: with the gun, got disarmed and pushed down and told

2026
01:32:27,320 --> 01:32:30,120
Speaker 2: to get the fuck out like like every and you

2027
01:32:30,120 --> 01:32:31,000
Speaker 2: didn't get no tip.

2028
01:32:31,120 --> 01:32:33,679
Speaker 1: Everything didn't go right for that man that day.

2029
01:32:35,320 --> 01:32:39,360
Speaker 3: That's it has been going right for a while, Rod, there.

2030
01:32:39,280 --> 01:32:41,400
Speaker 1: Was some other things going wrong in your life.

2031
01:32:42,080 --> 01:32:44,840
Speaker 2: That's a good point. You guys are right, all right,

2032
01:32:44,880 --> 01:32:45,920
Speaker 2: Let's go to the next.

2033
01:32:45,960 --> 01:32:51,960
Speaker 1: One woman. All right, that was fucked up. They put

2034
01:32:51,960 --> 01:32:58,280
Speaker 1: that in the article too. Yeah, they didn't, you know, right,

2035
01:32:58,720 --> 01:32:59,840
Speaker 1: they did everything itself.

2036
01:33:00,200 --> 01:33:04,599
Speaker 2: That man, little bitch, he drove off in his Kia soul,

2037
01:33:04,680 --> 01:33:07,080
Speaker 2: little bitch, all right.

2038
01:33:07,200 --> 01:33:08,760
Speaker 1: Next one woman.

2039
01:33:08,640 --> 01:33:11,439
Speaker 2: Charged within bezzling more than five hundred k from church.

2040
01:33:13,520 --> 01:33:16,400
Speaker 2: A church's financial secretary has been charged with in bezzling

2041
01:33:16,439 --> 01:33:19,280
Speaker 2: over five hundred and seventy thousand dollars from the congregation.

2042
01:33:20,920 --> 01:33:24,479
Speaker 2: The now South County Sheriff's Office has arrested Melissa Gainey, English,

2043
01:33:24,520 --> 01:33:27,040
Speaker 2: forty four, on charges of in bezzling more than five

2044
01:33:27,120 --> 01:33:30,639
Speaker 2: hundred and seventy thousand dollars from Amelia Baptist Church, where

2045
01:33:30,680 --> 01:33:35,040
Speaker 2: she served as the financial secretary for approximately eleven years. English,

2046
01:33:35,080 --> 01:33:39,080
Speaker 2: formerly known as Melissa Gainey, Rodin, was accused of using

2047
01:33:39,080 --> 01:33:42,919
Speaker 2: the church's credit card for personal expenses from January nineteenth

2048
01:33:43,000 --> 01:33:46,800
Speaker 2: to October twenty twenty four. That's a lot of expenses, yes,

2049
01:33:46,840 --> 01:33:50,200
Speaker 2: that is. That's like one hundred thousand dollars a year.

2050
01:33:51,320 --> 01:33:54,240
Speaker 2: The investigation began when two new members of the church's

2051
01:33:54,280 --> 01:33:59,320
Speaker 2: financial committee noticed discrepancies and bank accounts at records that

2052
01:34:00,160 --> 01:34:00,400
Speaker 2: they have.

2053
01:34:00,640 --> 01:34:02,640
Speaker 4: Somebody was like, I do this for a living, and

2054
01:34:02,640 --> 01:34:04,120
Speaker 4: they was say, hey, this shit look o.

2055
01:34:04,360 --> 01:34:06,400
Speaker 1: I know. She was like, we don't really need to

2056
01:34:06,439 --> 01:34:08,320
Speaker 1: hire nobody. I got it, y'all. You know she fucked

2057
01:34:08,360 --> 01:34:10,479
Speaker 1: them too for nail, right. They was like, nah, we

2058
01:34:10,520 --> 01:34:11,559
Speaker 1: need to get a couple more people.

2059
01:34:11,600 --> 01:34:13,960
Speaker 2: You know, church is growing and honestly we having some

2060
01:34:13,960 --> 01:34:16,840
Speaker 2: money issues. It seemed like we're not making as much

2061
01:34:16,880 --> 01:34:18,360
Speaker 2: as we thought we would from the door.

2062
01:34:18,640 --> 01:34:20,360
Speaker 1: Now, I got it. I could like to look at

2063
01:34:20,400 --> 01:34:22,519
Speaker 1: I'll fix it. I'll fix it. Don't know how nobody

2064
01:34:22,600 --> 01:34:22,960
Speaker 1: you shore.

2065
01:34:23,040 --> 01:34:25,240
Speaker 4: I mean some of that musli umule is gonna cover

2066
01:34:25,760 --> 01:34:27,679
Speaker 4: a summer school about Bible study.

2067
01:34:27,720 --> 01:34:29,800
Speaker 1: Some of Bible study here and stuff like that.

2068
01:34:30,160 --> 01:34:33,320
Speaker 2: Upon reviewing credit card statements issued to English, they discovered

2069
01:34:33,439 --> 01:34:36,160
Speaker 2: hundreds of thousands of dollars have been used for personal expenses.

2070
01:34:36,880 --> 01:34:40,040
Speaker 2: She was terminated from a position following these discoveries. The

2071
01:34:40,120 --> 01:34:42,960
Speaker 2: Church higher contracted the review all financial transactions from twenty

2072
01:34:43,040 --> 01:34:48,759
Speaker 2: nineteen to twenty twenty four, uncovering numerous discrepancies and fraudulent charges. Man,

2073
01:34:49,000 --> 01:34:52,040
Speaker 2: that's sad too, because like she should just be like

2074
01:34:52,080 --> 01:34:53,439
Speaker 2: the Lord was providing for me.

2075
01:34:54,840 --> 01:35:00,000
Speaker 1: That works I needed more, right, Jesus works in mysterious ways.

2076
01:35:00,120 --> 01:35:01,200
Speaker 1: We say it all the time.

2077
01:35:01,920 --> 01:35:04,400
Speaker 3: Then Johnson opened up my wallet and my routing number

2078
01:35:04,439 --> 01:35:07,960
Speaker 3: doesn't mean that there's nefarious things, right, Come on the.

2079
01:35:08,040 --> 01:35:10,960
Speaker 2: Now South County Sheriff's Office investigative revealing that English and

2080
01:35:11,000 --> 01:35:14,800
Speaker 2: bazil Nelli forty twenty nineteen ninety and twenty twenty one,

2081
01:35:14,880 --> 01:35:18,360
Speaker 2: hundred thy twenty twenty one, one twenty five, twenty twenty two,

2082
01:35:18,760 --> 01:35:21,559
Speaker 2: one twenty three in twenty twenty three and more than

2083
01:35:21,640 --> 01:35:22,400
Speaker 2: ninety thousand and.

2084
01:35:22,400 --> 01:35:25,080
Speaker 1: Twenty twenty four. So she must have said that must

2085
01:35:25,080 --> 01:35:27,200
Speaker 1: have been when they hired them people. Yeah, she's like,

2086
01:35:27,240 --> 01:35:28,960
Speaker 1: I gotta drop a little bit about two thousand.

2087
01:35:29,200 --> 01:35:32,720
Speaker 2: Her personal expenditures include the Amazon purchases, travel.

2088
01:35:32,439 --> 01:35:33,960
Speaker 1: Expenses, and entertainment.

2089
01:35:34,880 --> 01:35:38,080
Speaker 2: Now look, ohas listen, that might be fine if you're

2090
01:35:38,080 --> 01:35:41,160
Speaker 2: the pastor, but that is wrong if you are just

2091
01:35:41,560 --> 01:35:43,040
Speaker 2: the secretary.

2092
01:35:43,120 --> 01:35:46,400
Speaker 3: Okay, shit, what kind of entertainment were talking to?

2093
01:35:46,760 --> 01:35:47,040
Speaker 1: Right?

2094
01:35:47,800 --> 01:35:49,040
Speaker 3: Was she going to the strip blood?

2095
01:35:49,280 --> 01:35:54,080
Speaker 2: Probably probably making it rain up in chipping Dale's. This

2096
01:35:54,200 --> 01:35:57,040
Speaker 2: is a significant breach of trust. Doablar blah, said the sheriff. Anyway,

2097
01:35:57,240 --> 01:35:58,360
Speaker 2: guess the race of.

2098
01:36:00,080 --> 01:36:00,960
Speaker 1: What was her name?

2099
01:36:01,760 --> 01:36:06,520
Speaker 2: Uh, Melissa Gainey English, Black, Karensys black.

2100
01:36:08,120 --> 01:36:08,439
Speaker 4: Gainey.

2101
01:36:09,080 --> 01:36:12,000
Speaker 3: Game, I'm going with the Lord is going to bless

2102
01:36:12,080 --> 01:36:13,160
Speaker 3: me with these funds.

2103
01:36:13,200 --> 01:36:15,600
Speaker 2: Black at the chat room. Let's see what they have

2104
01:36:15,680 --> 01:36:19,360
Speaker 2: to say about it. Where my church fan at hit

2105
01:36:19,400 --> 01:36:24,080
Speaker 2: me one time? Black cat audacity faith works without faithful

2106
01:36:24,120 --> 01:36:26,519
Speaker 2: not works is dead? White white because no black deacons

2107
01:36:26,520 --> 01:36:29,559
Speaker 2: would allowed est and Marvin SAP's voice never would have

2108
01:36:29,640 --> 01:36:33,200
Speaker 2: stole it without you white white. Thank you Jesus for

2109
01:36:33,200 --> 01:36:36,360
Speaker 2: helping me steal white and black. She outside the club

2110
01:36:36,439 --> 01:36:39,160
Speaker 2: a NITA invite picked poor Robin clean white.

2111
01:36:39,640 --> 01:36:41,400
Speaker 1: So this is the guesses are white and black, and

2112
01:36:41,400 --> 01:36:46,240
Speaker 1: they're all over the right. These are the people that

2113
01:36:46,280 --> 01:36:49,120
Speaker 1: be showing up the drunk black history. Don't be surprised.

2114
01:36:50,520 --> 01:36:52,280
Speaker 1: He's the same people anyway.

2115
01:36:52,360 --> 01:36:55,200
Speaker 3: I never would have crossed y'all. Jesus, I don't want

2116
01:36:55,200 --> 01:36:57,559
Speaker 3: to be against the race story, right, please, And you

2117
01:36:57,600 --> 01:37:00,200
Speaker 3: see my name on one of these articles, just call

2118
01:37:00,280 --> 01:37:00,920
Speaker 3: me something else.

2119
01:37:01,280 --> 01:37:07,240
Speaker 2: Uh, well, you guys both went white. Oh no, you guys,

2120
01:37:08,680 --> 01:37:12,599
Speaker 2: all right, the correct answer is white.

2121
01:37:18,760 --> 01:37:21,080
Speaker 4: So the name kind of sound black, and it sounds black.

2122
01:37:21,120 --> 01:37:23,080
Speaker 4: And when you gave like their original name, it was

2123
01:37:23,120 --> 01:37:24,040
Speaker 4: like rolling into something.

2124
01:37:24,080 --> 01:37:25,639
Speaker 1: I was like, oh, that's definitely black.

2125
01:37:25,800 --> 01:37:27,680
Speaker 2: And they was from the church and it was a

2126
01:37:27,720 --> 01:37:31,599
Speaker 2: Baptist church. God that that ping don't for me too.

2127
01:37:31,680 --> 01:37:34,920
Speaker 3: But this her, oh oh yeah, she got I'm surprised

2128
01:37:34,960 --> 01:37:35,559
Speaker 3: you didn't take more.

2129
01:37:36,200 --> 01:37:37,240
Speaker 1: Ain't that the truth?

2130
01:37:38,120 --> 01:37:40,559
Speaker 3: A blond white woman? Yeah, she probably would have been

2131
01:37:40,600 --> 01:37:42,400
Speaker 3: the millions if she played the cards right.

2132
01:37:42,680 --> 01:37:44,840
Speaker 2: Now, many of you did get it correct. So let

2133
01:37:44,840 --> 01:37:54,200
Speaker 2: me give you your applause real quick. And that's why

2134
01:37:54,680 --> 01:37:56,160
Speaker 2: I never cheat with the game.

2135
01:37:56,240 --> 01:37:56,599
Speaker 1: Guys.

2136
01:37:57,439 --> 01:38:01,120
Speaker 2: Everybody that be writing up here like ride they too easy, Rod,

2137
01:38:01,240 --> 01:38:03,600
Speaker 2: You should change some of the details. Don't go with

2138
01:38:03,640 --> 01:38:06,439
Speaker 2: two white people back to back ship like that. Y'all

2139
01:38:06,439 --> 01:38:09,040
Speaker 2: don't know what the fuck y'all talking about that was

2140
01:38:09,080 --> 01:38:11,759
Speaker 2: more fun because they were so sure.

2141
01:38:12,360 --> 01:38:14,840
Speaker 1: I was sure. Even the name of the church sounded black.

2142
01:38:16,760 --> 01:38:17,280
Speaker 1: I would listen.

2143
01:38:17,360 --> 01:38:20,200
Speaker 2: I I would have guessed black if I didn't know, right,

2144
01:38:20,400 --> 01:38:22,760
Speaker 2: it just be like that race is funny. All right,

2145
01:38:22,880 --> 01:38:25,880
Speaker 2: we're gonna go to the bonus finally, and uh then

2146
01:38:25,920 --> 01:38:26,599
Speaker 2: we'll wrap it up.

2147
01:38:26,640 --> 01:38:34,400
Speaker 1: So bonus round, it's.

2148
01:38:34,320 --> 01:38:37,240
Speaker 3: Time to guess the race. It's time.

2149
01:38:39,320 --> 01:38:41,040
Speaker 5: It's time to guess the race.

2150
01:38:41,960 --> 01:38:43,719
Speaker 3: It's time to catch the race.

2151
01:38:44,479 --> 01:38:46,320
Speaker 1: All right, bonus round.

2152
01:38:47,080 --> 01:38:50,639
Speaker 2: Everything's worth triple the points, triple to racism.

2153
01:38:51,000 --> 01:38:53,280
Speaker 1: Uh hmmm.

2154
01:38:53,880 --> 01:38:56,559
Speaker 2: Actually it says it's race in the fucking first sentence.

2155
01:38:56,720 --> 01:38:58,520
Speaker 2: What the fu or its nationality?

2156
01:38:59,120 --> 01:39:01,559
Speaker 1: Mm hmm. Know, all right, we'll go to the second one,

2157
01:39:02,479 --> 01:39:04,200
Speaker 1: different because I don't even know how that works in

2158
01:39:04,240 --> 01:39:11,120
Speaker 1: that type of race. H let's go with this one.

2159
01:39:11,400 --> 01:39:12,200
Speaker 1: How about.

2160
01:39:14,560 --> 01:39:19,080
Speaker 2: Incorrect fast food order, sparks, fight at local dairy queen.

2161
01:39:23,280 --> 01:39:25,000
Speaker 1: Oh wait, you know what we did this one? We

2162
01:39:25,040 --> 01:39:29,960
Speaker 1: did this, this, oh this, okay, so yeah it was white.

2163
01:39:29,960 --> 01:39:31,479
Speaker 1: It was white, dude, but oh.

2164
01:39:32,400 --> 01:39:34,320
Speaker 3: All right, just a wild stuff happened with black people

2165
01:39:34,320 --> 01:39:34,920
Speaker 3: with Derry Quinn.

2166
01:39:35,240 --> 01:39:38,519
Speaker 2: Listen, it do be crazy out here, Okay, let's keep it.

2167
01:39:38,600 --> 01:39:40,960
Speaker 2: Let's keep it fast food. Though this one's Orlando.

2168
01:39:42,439 --> 01:39:44,320
Speaker 1: Now it's a YouTube video.

2169
01:39:44,600 --> 01:39:46,360
Speaker 2: If I play this sound, I need to know if

2170
01:39:46,400 --> 01:39:48,800
Speaker 2: you guys can hear it in the chat. So I'm

2171
01:39:48,840 --> 01:39:50,920
Speaker 2: gonna play like ten seconds of stopping the check.

2172
01:39:51,000 --> 01:39:51,120
Speaker 8: Oh.

2173
01:39:51,160 --> 01:39:53,960
Speaker 9: He is accused of using a customer's credit card to

2174
01:39:54,160 --> 01:39:57,320
Speaker 9: add money to a prison inmates account.

2175
01:39:57,760 --> 01:40:01,719
Speaker 2: Okay, did y'all hear that? Because uh yeah, okay, okay,

2176
01:40:02,200 --> 01:40:04,519
Speaker 2: and chat room? What are they saying here here?

2177
01:40:04,960 --> 01:40:08,280
Speaker 1: Okay? I know sometimes? Yeah, take it here? All right,

2178
01:40:08,320 --> 01:40:10,320
Speaker 1: here we go, I start it over here we go.

2179
01:40:10,479 --> 01:40:14,000
Speaker 9: Pompey's employee is accused of using a customer's credit card

2180
01:40:14,040 --> 01:40:18,320
Speaker 9: to add money to a prison inmates account. And that

2181
01:40:18,479 --> 01:40:20,360
Speaker 9: is our big story tonight at five point thirty. This

2182
01:40:20,439 --> 01:40:22,200
Speaker 9: all happened in Flegler County.

2183
01:40:22,360 --> 01:40:25,160
Speaker 3: Yeah, this woman is accused of tapping the card to

2184
01:40:25,240 --> 01:40:28,240
Speaker 3: buy an order of chicken and then tapping another charge

2185
01:40:28,400 --> 01:40:31,040
Speaker 3: on a cell phone. Fox Rety five's Chris Lindsay is

2186
01:40:31,080 --> 01:40:31,679
Speaker 3: live for.

2187
01:40:31,640 --> 01:40:34,639
Speaker 9: US tonight at the Popeyes and Palm Coast, and Chris,

2188
01:40:34,800 --> 01:40:36,400
Speaker 9: she was arrested outside of her job.

2189
01:40:39,320 --> 01:40:41,720
Speaker 6: Yes, detectives showed up here to the scene of the

2190
01:40:41,760 --> 01:40:44,920
Speaker 6: alleged crime to hauler off in cuffs, and as you'll hear,

2191
01:40:45,160 --> 01:40:47,760
Speaker 6: when they read her her rights, she couldn't believe it.

2192
01:40:48,960 --> 01:40:52,280
Speaker 6: A Popeyes employee caught with some sticky fingers.

2193
01:40:52,520 --> 01:40:53,919
Speaker 1: Man, let me read your rights.

2194
01:40:54,240 --> 01:40:58,280
Speaker 8: You have the right to remain soign. Then we don't

2195
01:40:58,439 --> 01:41:01,400
Speaker 8: serve chicken in a jail. So she's not gonna be

2196
01:41:01,439 --> 01:41:02,639
Speaker 8: eating Popeye's chicken.

2197
01:41:02,880 --> 01:41:06,040
Speaker 5: A customer swiped her card for a meal, and when.

2198
01:41:05,960 --> 01:41:11,839
Speaker 1: The cops try to get one off, see, man.

2199
01:41:12,000 --> 01:41:14,880
Speaker 3: Was she black. That's gonna be real fucked up. That's

2200
01:41:14,880 --> 01:41:16,879
Speaker 3: gonna be a real fucked up common right.

2201
01:41:17,280 --> 01:41:20,000
Speaker 10: The drive through at the Popeyes on State Road one

2202
01:41:20,080 --> 01:41:23,559
Speaker 10: hundred in Palm Coast. Later on, she spotted a three

2203
01:41:23,640 --> 01:41:26,400
Speaker 10: hundred dollars charge posted to her account and.

2204
01:41:26,400 --> 01:41:28,519
Speaker 8: If you see some that doesn't look right.

2205
01:41:28,720 --> 01:41:32,519
Speaker 10: Investigating detectives traced it to the woman behind the counter,

2206
01:41:32,840 --> 01:41:36,800
Speaker 10: forty eight year old Sinikwo Ridgeburg. She allegedly charged the

2207
01:41:36,800 --> 01:41:40,280
Speaker 10: woman for the order before tapping the car to her phone.

2208
01:41:40,520 --> 01:41:42,360
Speaker 8: She thought she was being slick.

2209
01:41:42,280 --> 01:41:45,400
Speaker 5: And later sending the money to a friend who's behind

2210
01:41:45,560 --> 01:41:46,519
Speaker 5: bars for.

2211
01:41:46,560 --> 01:41:49,680
Speaker 8: Phone calls or cookies and crackers whatever they sell on

2212
01:41:49,720 --> 01:41:51,200
Speaker 8: the commissary.

2213
01:41:50,920 --> 01:41:52,519
Speaker 5: She was charged with fraud.

2214
01:41:52,680 --> 01:41:55,240
Speaker 8: Well, she found out she's not that slick, and she

2215
01:41:55,320 --> 01:41:59,559
Speaker 8: got to join him, not in the same jail, but.

2216
01:41:59,560 --> 01:42:03,120
Speaker 10: In a Staley says it's unlikely she was caught on

2217
01:42:03,160 --> 01:42:04,040
Speaker 10: her first try.

2218
01:42:04,280 --> 01:42:07,400
Speaker 8: If she was, then you know she should go play

2219
01:42:07,439 --> 01:42:09,160
Speaker 8: the lottery instead of committing crime.

2220
01:42:09,479 --> 01:42:12,040
Speaker 11: And he's asking people who went to that restaurant to

2221
01:42:12,160 --> 01:42:17,400
Speaker 11: check their bank account. Her rest was about a week

2222
01:42:17,439 --> 01:42:19,280
Speaker 11: and a half ago, so you should be looking out

2223
01:42:19,320 --> 01:42:23,240
Speaker 11: for any transactions here at this restaurant before then. She's

2224
01:42:23,280 --> 01:42:25,840
Speaker 11: since been released on a seventy five hundred dollars bond.

2225
01:42:26,080 --> 01:42:30,080
Speaker 11: Reporting Live in Palm Coast Chris Lindsay Fox thirty five.

2226
01:42:30,560 --> 01:42:32,680
Speaker 1: Hey man, let me tell you something that's not a

2227
01:42:32,680 --> 01:42:34,040
Speaker 1: smart crime. And here's why.

2228
01:42:34,640 --> 01:42:40,400
Speaker 2: Nobody eating Popeyes has three hundred extra dollars. Right, if

2229
01:42:40,400 --> 01:42:43,040
Speaker 2: you are in a Popeys, you are definitely gonna know

2230
01:42:43,479 --> 01:42:46,520
Speaker 2: three hundred dollars went missing from your account. It's impossible.

2231
01:42:47,160 --> 01:42:49,479
Speaker 2: If I had three hundred dollars, I'd be eating somewhere better.

2232
01:42:49,760 --> 01:42:50,679
Speaker 1: That's that's crazy.

2233
01:42:51,000 --> 01:42:54,360
Speaker 3: Yes, Yeah, like KFC, come on, come on now, I'm joking.

2234
01:42:55,000 --> 01:42:58,479
Speaker 2: Yeah, we all know you're a monk's family. We don't

2235
01:42:58,560 --> 01:43:01,679
Speaker 2: fuck with the KFC parent. Guess the rice.

2236
01:43:02,360 --> 01:43:07,880
Speaker 1: I'm going I'm going black, all right? Uh, Chika rich bird,

2237
01:43:07,920 --> 01:43:08,519
Speaker 1: guess the rice?

2238
01:43:09,800 --> 01:43:13,040
Speaker 3: Right? I mean black? But like, Yo, all the commentary

2239
01:43:13,040 --> 01:43:17,440
Speaker 3: from the police officers that is so out of pocket.

2240
01:43:17,840 --> 01:43:21,800
Speaker 3: But that too at the end, He's just like, and

2241
01:43:21,880 --> 01:43:23,120
Speaker 3: that's the story down here.

2242
01:43:23,920 --> 01:43:27,240
Speaker 1: Yo, what is that low key I kind of do with?

2243
01:43:27,880 --> 01:43:28,000
Speaker 8: Uh?

2244
01:43:28,280 --> 01:43:30,200
Speaker 2: The sheriff would have let me punch up the jokes.

2245
01:43:30,240 --> 01:43:32,599
Speaker 2: They weren't that funny. That's that was my main problem.

2246
01:43:33,080 --> 01:43:34,920
Speaker 2: I just needed him to be like, it's gonna be

2247
01:43:34,920 --> 01:43:36,479
Speaker 2: more than a fifteen minute white.

2248
01:43:36,880 --> 01:43:37,320
Speaker 1: Uh.

2249
01:43:37,840 --> 01:43:39,200
Speaker 3: Can we see what the sheriff looks like?

2250
01:43:39,560 --> 01:43:41,720
Speaker 1: Not yet, I'll show you at the end. I got

2251
01:43:41,720 --> 01:43:45,439
Speaker 1: the whole thing. You guys got some bots. Let's see.

2252
01:43:46,120 --> 01:43:50,519
Speaker 2: Uh popeyees just call him. Uh trying to get her

2253
01:43:50,520 --> 01:43:53,680
Speaker 2: baby daddy some extra rhymen. Negress trying to make a

2254
01:43:53,680 --> 01:43:56,519
Speaker 2: dollar out of fifteen cents. You missed, you missed black

2255
01:43:56,560 --> 01:44:00,280
Speaker 2: African Americans. Uh, this is some deep dark nin just

2256
01:44:01,160 --> 01:44:02,679
Speaker 2: getting ramen for the block.

2257
01:44:02,840 --> 01:44:08,960
Speaker 1: Black gold teeth, gold chain wearing fried chicken damn song.

2258
01:44:09,920 --> 01:44:12,360
Speaker 1: I ain't never used old grease black.

2259
01:44:12,520 --> 01:44:16,679
Speaker 2: They are black the correct everyone said the same thing,

2260
01:44:16,880 --> 01:44:23,080
Speaker 2: and you got it right. She's black, and I will

2261
01:44:23,120 --> 01:44:25,200
Speaker 2: show you her, and I will show you the sheriff.

2262
01:44:26,280 --> 01:44:29,679
Speaker 1: Uh so her is here.

2263
01:44:32,000 --> 01:44:35,599
Speaker 2: Yeah, And she looked like she knows she fucked up bad.

2264
01:44:36,640 --> 01:44:38,360
Speaker 2: That's not a smart crime.

2265
01:44:38,120 --> 01:44:41,040
Speaker 3: Man, Not three hundred.

2266
01:44:41,880 --> 01:44:44,360
Speaker 1: I wonder if that's what I wonder, if that's what's happened,

2267
01:44:44,400 --> 01:44:46,320
Speaker 1: Like it meant to be three dollars or some shit.

2268
01:44:46,360 --> 01:44:48,679
Speaker 1: And she just she's like, nobody's gonna be mad about

2269
01:44:48,680 --> 01:44:51,320
Speaker 1: three dollars, but three hundred, like I got you got

2270
01:44:51,360 --> 01:44:52,120
Speaker 1: to go to jail.

2271
01:44:52,479 --> 01:44:54,759
Speaker 3: Yeah, that's an OPRA draft feed for sure.

2272
01:44:55,040 --> 01:45:00,599
Speaker 1: Yeah. And on this up that's like, yeah, of course

2273
01:45:00,600 --> 01:45:00,840
Speaker 1: it is.

2274
01:45:01,240 --> 01:45:03,960
Speaker 4: Depends on a credit card company. They'll be like, did

2275
01:45:03,960 --> 01:45:04,960
Speaker 4: you make this purchase?

2276
01:45:05,280 --> 01:45:05,479
Speaker 2: Right?

2277
01:45:05,720 --> 01:45:06,840
Speaker 1: Yeah?

2278
01:45:07,120 --> 01:45:09,479
Speaker 3: You know that. When he got off that zoom, he

2279
01:45:09,560 --> 01:45:13,040
Speaker 3: said the most racist ship. He already was saying like,

2280
01:45:13,280 --> 01:45:15,759
Speaker 3: you know, aggressive stuff to the camera.

2281
01:45:16,520 --> 01:45:18,640
Speaker 2: And then this is when she found out she was

2282
01:45:18,680 --> 01:45:22,360
Speaker 2: going to jail with some sticky fingers.

2283
01:45:22,840 --> 01:45:27,320
Speaker 8: You have to write, we don't serve.

2284
01:45:28,120 --> 01:45:31,920
Speaker 2: She really tried to ask, surprise, man, come on.

2285
01:45:31,520 --> 01:45:32,880
Speaker 3: Up on her with cameras and stuff.

2286
01:45:33,000 --> 01:45:34,479
Speaker 1: It's not a it's not a good crime.

2287
01:45:35,600 --> 01:45:37,639
Speaker 3: Also, cookies and crackers, what kind of.

2288
01:45:37,600 --> 01:45:41,679
Speaker 1: Like oatmeal cream piles.

2289
01:45:41,720 --> 01:45:45,200
Speaker 2: Man. Okay, you got to do what you gotta do.

2290
01:45:45,600 --> 01:45:48,280
Speaker 2: Keep Diddy off of you in there. Let's get to

2291
01:45:48,360 --> 01:46:12,280
Speaker 2: the sword ratchetness. Uh And that's the last thing. So

2292
01:46:12,400 --> 01:46:15,679
Speaker 2: I think it was last year maybe where we talked

2293
01:46:15,680 --> 01:46:18,280
Speaker 2: about it. I think this happened overseas where a guy

2294
01:46:18,400 --> 01:46:24,400
Speaker 2: like killed a school boy in northeast London. He just

2295
01:46:24,479 --> 01:46:27,400
Speaker 2: like went on a rampage and he attempted to kill

2296
01:46:27,479 --> 01:46:30,080
Speaker 2: like four other people. It was a twenty minute rampage,

2297
01:46:30,360 --> 01:46:34,280
Speaker 2: but he did kill boy. And it was a little

2298
01:46:34,320 --> 01:46:38,320
Speaker 2: black boy too. They got killed by this. Uh, I

2299
01:46:38,320 --> 01:46:42,920
Speaker 2: guess white dude, it looks white anyway. So now they

2300
01:46:43,000 --> 01:46:45,040
Speaker 2: got more details coming out because he was on trial.

2301
01:46:45,080 --> 01:46:49,040
Speaker 2: He's on trial, and they said he smiled after slashing

2302
01:46:49,120 --> 01:46:51,920
Speaker 2: a man in the neck like so like he cut

2303
01:46:51,960 --> 01:46:54,200
Speaker 2: him and then did the anime smile ship.

2304
01:46:54,400 --> 01:46:57,360
Speaker 1: Oh no, right, there's some other things happening here.

2305
01:46:57,840 --> 01:47:02,519
Speaker 2: Yeah, exactly, Yeah, Jersey shown CCTV of the first alleged

2306
01:47:02,520 --> 01:47:07,080
Speaker 2: attack showed Monzall's great Ford transit mounting the pavement and

2307
01:47:07,160 --> 01:47:10,719
Speaker 2: hitting the not to E Woula, a co Op security

2308
01:47:10,720 --> 01:47:13,559
Speaker 2: guard on his way to work. Footage capture mister Woolay

2309
01:47:13,560 --> 01:47:15,439
Speaker 2: screaming in agonies he was struck by the van before

2310
01:47:15,439 --> 01:47:17,840
Speaker 2: it collided with a house. Manzaou was seen next to

2311
01:47:17,920 --> 01:47:20,400
Speaker 2: the vehicle, walking after him while brandishing the sword.

2312
01:47:20,920 --> 01:47:21,120
Speaker 1: Uh.

2313
01:47:21,240 --> 01:47:24,000
Speaker 2: Mister Woola said, I thought I was dying, he told

2314
01:47:24,040 --> 01:47:25,920
Speaker 2: the cord. He tried to escape it to a nearby garden,

2315
01:47:25,920 --> 01:47:27,960
Speaker 2: but was struck on his knee and face and shoulder

2316
01:47:28,000 --> 01:47:28,880
Speaker 2: and knocked to the ground.

2317
01:47:29,200 --> 01:47:29,559
Speaker 3: He said.

2318
01:47:29,600 --> 01:47:31,400
Speaker 2: Manzo got out of the van, pulled out the sword

2319
01:47:31,439 --> 01:47:33,960
Speaker 2: from a cover right in front of my face. I said,

2320
01:47:33,960 --> 01:47:36,080
Speaker 2: I don't know you. I said it multiple times. He said,

2321
01:47:36,080 --> 01:47:38,880
Speaker 2: I don't care. I'm going to kill you. Mister Woolay said.

2322
01:47:38,840 --> 01:47:41,160
Speaker 2: He tried to defend himself raise his arms, but Monzo

2323
01:47:41,280 --> 01:47:43,679
Speaker 2: swung the sword, catching him on the neck. I saw

2324
01:47:43,760 --> 01:47:45,760
Speaker 2: blood coming out of my neck. I pressed my thumb

2325
01:47:45,840 --> 01:47:48,120
Speaker 2: to not bleed out. I shot at God his Greatest

2326
01:47:48,160 --> 01:47:51,600
Speaker 2: in Arabic because I'm Muslim. When that happened, he was

2327
01:47:51,640 --> 01:47:54,920
Speaker 2: smiling like it was something he was happy about. Uh.

2328
01:47:55,120 --> 01:47:57,519
Speaker 1: They said, Mozoa became distracted.

2329
01:47:57,160 --> 01:48:01,360
Speaker 2: And that's when mister Woolay jumped over a fence escape. Later,

2330
01:48:01,760 --> 01:48:03,760
Speaker 2: the dude was shouting at the school boy believed to

2331
01:48:03,760 --> 01:48:06,760
Speaker 2: be Daniel, and he told him to go back inside.

2332
01:48:07,280 --> 01:48:08,920
Speaker 1: But I think that's the boy who got killed.

2333
01:48:10,280 --> 01:48:13,760
Speaker 2: And other information about the same guy, the same sword guy.

2334
01:48:14,320 --> 01:48:17,439
Speaker 2: He's a flat earth conspiracy theorist and a fan of

2335
01:48:17,479 --> 01:48:22,760
Speaker 2: Eli Musk. Oh no, and y'all wonder why we'll be

2336
01:48:22,840 --> 01:48:24,320
Speaker 2: trying to tell y'all about these people.

2337
01:48:24,400 --> 01:48:27,400
Speaker 1: Bro Listen, you get the swords out of your house. Okay.

2338
01:48:27,720 --> 01:48:30,479
Speaker 2: You don't know who walking around thinking the Earth is

2339
01:48:30,520 --> 01:48:35,280
Speaker 2: flat and thinking that Elon Musk makes making sense out here.

2340
01:48:36,120 --> 01:48:39,040
Speaker 2: The last thing you need is to have sharp instruments

2341
01:48:39,080 --> 01:48:41,840
Speaker 2: around these people. They should never have access to that ship.

2342
01:48:42,240 --> 01:48:47,360
Speaker 2: To cut him off as much as fast as you can, Okay, Brandon.

2343
01:48:47,640 --> 01:48:50,120
Speaker 3: I'm trying, man. I know Jessica his size. I try

2344
01:48:50,160 --> 01:48:51,880
Speaker 3: to get those of his house every every time.

2345
01:48:52,400 --> 01:48:54,800
Speaker 2: He's already starting with it. I can't enjoy movie shit.

2346
01:48:54,920 --> 01:48:59,880
Speaker 2: Next thing you know, he's flat Earth. Keep tell everybody

2347
01:49:00,560 --> 01:49:02,519
Speaker 2: where to come hang out with you and watch black

2348
01:49:02,600 --> 01:49:03,439
Speaker 2: Drunk Black History.

2349
01:49:04,200 --> 01:49:06,400
Speaker 3: Yes, folks, please come up to drunk Black History. I

2350
01:49:06,439 --> 01:49:08,879
Speaker 3: have a June team show at the Bellhouse in Brooklyn

2351
01:49:08,960 --> 01:49:11,720
Speaker 3: on Thursday, June nineteen. Tickets are available for that show

2352
01:49:11,760 --> 01:49:13,960
Speaker 3: at drum Black History dot com as well as if

2353
01:49:13,960 --> 01:49:16,599
Speaker 3: you're in the Detroit area on Friday, June twentieth, I'll

2354
01:49:16,640 --> 01:49:19,000
Speaker 3: be a the Detroit House of Comedy. Both shows have

2355
01:49:19,040 --> 01:49:20,880
Speaker 3: incredible lineups. You can get tickets for them at Drunk

2356
01:49:20,880 --> 01:49:23,519
Speaker 3: Black Hisstory dot com. Come out hang out with me.

2357
01:49:23,640 --> 01:49:26,200
Speaker 3: Toddo will be at the shows to say Hi. You're

2358
01:49:26,200 --> 01:49:30,040
Speaker 3: gonna learn a lot of incredible Black historical stories events.

2359
01:49:30,160 --> 01:49:33,160
Speaker 3: You're gonna learn about some incredible contributions that our people did.

2360
01:49:33,320 --> 01:49:35,320
Speaker 3: Every gonna have some jokes and some drinks while we

2361
01:49:35,360 --> 01:49:37,280
Speaker 3: talk about it, and as always, can follow me at

2362
01:49:37,280 --> 01:49:40,400
Speaker 3: proto Underscore Blackens on Instagram or official Drunk Black History

2363
01:49:40,479 --> 01:49:43,320
Speaker 3: on Instagram as well. Make y'all always.

2364
01:49:43,040 --> 01:49:45,880
Speaker 2: Man, always mass all love man and make y'all show

2365
01:49:46,080 --> 01:49:48,200
Speaker 2: and tell Tati we send our love to us hard

2366
01:49:48,240 --> 01:49:48,599
Speaker 2: out here.

2367
01:49:48,600 --> 01:49:48,800
Speaker 4: Man.

2368
01:49:48,880 --> 01:49:51,200
Speaker 2: I saw today, before we got on the show, I

2369
01:49:51,240 --> 01:49:55,560
Speaker 2: saw a Marie just file for divorce right right. I

2370
01:49:55,560 --> 01:49:58,200
Speaker 2: don't know if it was the Tiny Desk concert, it

2371
01:49:58,280 --> 01:49:58,840
Speaker 2: probably was.

2372
01:49:59,320 --> 01:50:02,599
Speaker 3: What it was just one thing and they've.

2373
01:50:02,400 --> 01:50:04,000
Speaker 1: Been together for twenty five years.

2374
01:50:04,439 --> 01:50:10,120
Speaker 2: Wow, It's probably just one thing that had her tripping, all.

2375
01:50:10,160 --> 01:50:12,439
Speaker 1: Right, y'all, we'll be back. What's wrong with y'all? Home

2376
01:50:13,439 --> 01:50:16,840
Speaker 1: throughout the week until next time. I love you, I

2377
01:50:16,880 --> 01:50:18,920
Speaker 1: love you too. Wow.