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Speaker 1: Hi, It's Matt Rogers, the co host of this very podcast,

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Speaker 1: Last Culturistas. And it may not be Christmas literally, it

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Speaker 1: may not even be close, but it is Christmas spiritually.

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Speaker 1: Because I'm happy, happy, happy to announce that the Prince

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Speaker 1: of Christmas, which is me, by the way, is back readers,

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Speaker 1: Katie's publicist and finalists, or should I say royal subjects.

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Speaker 1: It's the Prince of Christmas Tour twenty twenty four. I'm

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Speaker 1: back tour in my album Have You Heard of Christmas?

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Speaker 1: With Henry Koperski and the whole Band. And if you're

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Speaker 1: listening to this episode on Wednesday, September eighteenth, and it's

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Speaker 1: after ten am, you can get tickets right now during

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Speaker 1: artists pre sale using the code rum pump pump. That's

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Speaker 1: our um pum pum, pretty easy to spell. And if not,

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Speaker 1: tickets go generally on sale on Friday, September twentieth at

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Speaker 1: ten am local time.

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Speaker 2: Wherever you're seeing the show. So where am I going?

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Speaker 1: You ask, I'll tell you in order, Starting December fourth

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Speaker 1: in Los Angeles.

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Speaker 2: Then I'm going to DC, Atlanta.

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Speaker 1: Austin, Philadelphia, New York City, Boston, San Francisco, Portland, Seattle, Chicago,

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Speaker 1: and wrapping up in Toronto on December twenty second. Check

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Speaker 1: out my Instagram bio at Matt Rogers though for a

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Speaker 1: link to tickets, or go to Matt Rodgers official dot

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Speaker 1: com Again. Artists pre sale is happening probably right now

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Speaker 1: with code rum Pump Pump, and all tickets are on

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Speaker 1: sale Friday, September twentieth at ten am at your venue

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Speaker 1: of choice's local time.

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Speaker 2: Now, well, let's get to some last coach. Eh huh, huh,

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Speaker 2: let's do it.

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Speaker 3: Look Mare, oh, I see you, my ow Bowen.

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Speaker 2: Look over there is that culture. Yes, goodness lost cult.

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Speaker 1: Dang lost culture East calling Now Bowen already popped his

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Speaker 1: DC open, but I'm gonna do it.

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Speaker 2: Now. There we go, the sound of heaven. We can't

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Speaker 2: have too many intro thing intro thing. It gets too fussy.

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Speaker 2: It's too much, as we said a few seconds ago,

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Speaker 2: too much housekeeping. And you don't like fuss. I don't

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Speaker 2: like muss or fuss. Period.

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Speaker 1: That's actually a really culture number six Bowen Yang, he

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Speaker 1: don't like muss or fuss.

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Speaker 2: What number is that? I thought six six? It wasn't

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Speaker 2: at six, I think so great. I just want to say, girl,

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Speaker 2: put your purples on. Okay, bts. I called Bowen about

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Speaker 2: an hour ago and I'm in a panic, and I say,

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Speaker 2: I really would like to wear purple for the episode.

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Speaker 2: You'll find out what raises his shirt on FaceTime. It's

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Speaker 2: of Lisa Barlow. What is it? I's Lisa Barlow saying

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Speaker 2: what was Lisa Barla from Salt Lake City Housewife saying

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Speaker 2: I feel for me too. It is my favorite shirt

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Speaker 2: that I own. I really wanted to wear it today

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Speaker 2: if it had been purple, but it didn't go with

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Speaker 2: my rubric for today. In my mind, I thought a

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Speaker 2: great pop star had passed away or something. The look

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Speaker 2: on your face was telegraphing like memory. Yeah.

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Speaker 1: I just thought it would be a really good episode

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Speaker 1: to wear purple. And then I realized my color blindness.

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Speaker 1: My my handicap was so bad that I literally had

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Speaker 1: to turn the phone around and we had to go

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Speaker 1: through every shirt in my closet, and I said, is

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Speaker 1: this purple?

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Speaker 2: Is this purple?

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Speaker 1: Because I can't, for the life of me, tell what

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Speaker 1: is the difference between blue and purple.

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Speaker 2: We picked out a Lakers jersey as you can see,

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Speaker 2: and watching the video.

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Speaker 1: Did you know what's even better? And we didn't even

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Speaker 1: talk about this. Do you want to know why this

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Speaker 1: is extra iconic? Do you know whose jersey this is?

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Speaker 1: I don't magic. Oh my god, no kidding, number thirty two.

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Speaker 1: I should know that a female stylist that it was like, okay,

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Speaker 1: so shout out to Melissa Layman. We went thrift shopping

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Speaker 1: and I saw this jersey. And I've never really been

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Speaker 1: a jersey person, but you know, this is our big

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Speaker 1: We went to the US Open. I gave ciner iigh

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Speaker 1: five Onick Center High five. It was so like, the

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Speaker 1: cameras got it.

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Speaker 2: They got it. It was on broadcast.

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Speaker 1: So then I'm like, you know what, let's get the

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Speaker 1: jersey because A I liked the way it looked. These

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Speaker 1: actually are my high school called purple and gold. Shout

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Speaker 1: out to the buccaneers I of high school.

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Speaker 2: You know who you are. Buccaneers were purple and yellow.

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Speaker 2: They were purple and yellow. Okay, But I liked it

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Speaker 2: because it was sort of queer coded.

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Speaker 1: And I do believe that buccaneer is the gay word

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Speaker 1: for pirate or pirate, and I think that's a rule

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Speaker 1: of culture that we've said.

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Speaker 2: Twelve buccaneers the gay word for pirate. But now I'm

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Speaker 2: gonna ask a potentially ablest question. Well, as long as

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Speaker 2: you acknowledge that it's potentially able us up top. You know,

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Speaker 2: we're all learning here. Can you appreciate purple without knowing

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Speaker 2: what it is?

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Speaker 4: Yes?

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Speaker 2: Because can I tell you what my eye does see

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Speaker 2: is so happy? Oh yeah, what my eye does see

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Speaker 2: is so happy. That might not syntime. Now, our guest

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Speaker 2: in the first episode of Agatha All Along, which if

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Speaker 2: you're listening to this on the day of the drop

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Speaker 2: of this episode is now out September eighteenth on Disney Plus.

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Speaker 2: And it's so much good, that much fun. She says,

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Speaker 2: let me get my purples, and he went, oh yeah,

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Speaker 2: get my purple back, my purple back.

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Speaker 1: In a face off with Aubrey, who I texted you,

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Speaker 1: I was like a crushes.

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Speaker 2: But here's the thing. It's moneworthy. And by the way,

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Speaker 2: I cannot believe that she's here. We're getting to it.

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Speaker 2: The whole cast is amazing.

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Speaker 1: When Patty LuPone turns her ass around and looks at first,

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Speaker 1: well anyone or anything, You're like, dear.

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Speaker 2: God, dear God, dear God. You just love it. It

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Speaker 2: makes you think she has not done this. She needs

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Speaker 2: to do this more. Like her on camera is so

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Speaker 2: powerful in a way that like obviously on stage it's amazing,

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Speaker 2: but like you want to see her on screen more.

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Speaker 2: You just you just need it.

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Speaker 1: Well if you have that same feeling as Bowenna, and

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Speaker 1: you're so in luck because it's not just Patty, it's

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Speaker 1: our guest, it's Aubrey, it's to Sheer, our old friend lock.

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Speaker 2: Yeah.

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Speaker 1: Yeah, performance. We've seen the first two. It's so good.

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Speaker 2: You've seen the first two or three. I'm on three

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Speaker 2: and it's three is when it gets fun because they

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Speaker 2: gave us four.

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Speaker 1: Three is three. It's was generous, very generous, especially of

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Speaker 1: Marvel famously, the lips are tight. But yeah, we have

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Speaker 1: our purple on to honor Agatha.

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Speaker 2: By the way, we've played this game before. You can

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Speaker 2: play this game with your friends. It's the girl game

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Speaker 2: is someone just has to say girl and then another

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Speaker 2: person has to complete the song. It can be put

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Speaker 2: your records on. It can be so confusing. Sometimes it

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Speaker 2: can be I can tell you, but he needs somebody

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Speaker 2: to talk to. What are you get in now with

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Speaker 2: this one? I'm just thinking there's a new audition with

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Speaker 2: girls so confusing. Yes, that was a tangent. And then

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Speaker 2: it's Spooky season, which God great occasion for I get

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Speaker 2: all along for you to watch. It's also stooky season.

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Speaker 2: It's Stu season. I call it Stooky season, and and

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Speaker 2: we're in it. That's the binary. I'm soup your stew.

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Speaker 2: That's what makes the podcast great, and what makes the

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Speaker 2: podcast great today is our guest.

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Speaker 1: Oh, I mean the legend of all legends, truly one

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Speaker 1: of No, it's it's humiliating. So here's the deal. We

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Speaker 1: actually recently in Fire Island watched step Brothers. Where was

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Speaker 1: the Oscar for Catherine Hanmer. It's better than any performance.

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Speaker 1: That's one an oscar perd.

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Speaker 2: I remember being in the theater in school and I

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Speaker 2: bet you just screamed. I was like, who the fuck

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Speaker 2: is that? Well, let me tell you something. You actually

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Speaker 2: knew who it was because of because is crossing Georgia

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Speaker 2: because of this line? Eh, how to lose a guy?

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Speaker 2: Come on the iconography.

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Speaker 1: Since we have to bring her in, everyone like, come on,

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Speaker 1: please welcome into yours the limitless.

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Speaker 2: Hello, this is major laser for us.

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Speaker 3: This is my honor.

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Speaker 5: No listen, no fuss, no, no, we can tell you're

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Speaker 5: not fussy. Did you ever see the on zip the

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Speaker 5: I think it's the Mizrahi documentary where Polly Mellon goes

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Speaker 5: Fussy finished.

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Speaker 2: No, but that's Where's to Live.

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Speaker 3: By Fussy finished.

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Speaker 2: She finishes a front runner for title of this app So.

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Speaker 3: I think so Fussy finished finished.

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Speaker 2: Yeah, Mizrahi documentary highlight.

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Speaker 3: Oh have you never seen it?

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Speaker 2: I've never seen it. Oh it's worth it, Okay, he's.

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Speaker 5: Bernard said it like, oh this is yeah, this is

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Speaker 5: about fifteen years ago.

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Speaker 2: I feel some center Bernard and you.

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Speaker 3: Oh my spiritually, I would love it.

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Speaker 2: I'm telling you that's what her.

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Speaker 3: I just got King of Comedy and I was like,

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Speaker 3: whoa is that? How does she do it?

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Speaker 5: She's so beautiful in the strangest way.

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Speaker 3: Yeah, she's insane.

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Speaker 2: And she's the same edge that she has always like,

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Speaker 2: she doesn't get fuck. Fuss finished, Fussy finished.

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Speaker 3: Fussy finished.

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Speaker 5: No, No, it's fuss finished finished, Fuss finished, fust finished finished.

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Speaker 2: Finished, any and all, all and all, we we fucking

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Speaker 2: love the new shows.

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Speaker 3: Oh, I am so psyched that you've seen any of it.

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Speaker 2: Yeah, no, it's screaret.

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Speaker 3: I am so for you to see the rest.

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Speaker 2: Oh. Yeah, I'm manifesting it, building towards a little something something,

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Speaker 2: and if it doesn't happen, that's fine.

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Speaker 3: I wonder if that's something something in And I feel

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Speaker 3: like there's so much.

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Speaker 2: There's a Chekhov's gun here and I know it's with

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Speaker 2: Joe Locke. We don't know who he is, the name.

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Speaker 1: We have theories I believe, and I'm just gonna say

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Speaker 1: my theory. I believe that Joe Locke in the show

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Speaker 1: is the son of want the Maximov m.

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Speaker 2: She goes, you're you're really good at the okay.

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Speaker 5: Always theories, A lot of theories with Marvel Studts. The

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Speaker 5: fans are real.

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Speaker 2: Passion I love theory television me too. This is something

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Speaker 2: that I guess only a few actors and writers and

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Speaker 2: artists experience, where it's like you have to be on

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Speaker 2: the receiving end of all this shit and you have

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Speaker 2: to be like you have to keep a straight face,

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Speaker 2: and like that must be interesting.

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Speaker 5: Well, what's crazy about it is that like half of

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Speaker 5: the people that have strong opinions are right on and

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Speaker 5: the other half is so it's pretty amazing, Yeah, kind of,

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Speaker 5: it's either really one or the other.

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Speaker 3: Yeah, but real passionate.

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Speaker 2: You know.

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Speaker 1: It's like when I remember being like really young and

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Speaker 1: I would go on like the Lost message boards. I

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Speaker 1: was a big Lost fanatic, and it was that was

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Speaker 1: made of people that were like truly crazy.

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Speaker 2: The fan theories and everything.

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Speaker 3: I can't imagine.

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Speaker 1: And when I was younger, I was like, God, it

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Speaker 1: would be so amazing to be part of a show

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Speaker 1: where you had to keep secrets. And then you realize,

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Speaker 1: like how fucking hard that.

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Speaker 5: No, it's actually kind of makes it the whole thing

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Speaker 5: a little easier because there's nothing you can say.

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Speaker 3: Yeah right, I'm yeah, we get to talk about anything. Yeah, yeah,

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Speaker 3: well we have to watch Lost.

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Speaker 2: Oh you have to?

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Speaker 3: No, I know, I'm so behind.

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Speaker 2: Does she have to watch Lost? I mean you can

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Speaker 2: watch the The first season is excellent. Season unreal, okay,

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Speaker 2: second season good, third season unreal again. Oh, fourth season

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Speaker 2: getting weird. Fifth season, I don't know, sixth season all right,

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Speaker 2: tears an art.

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Speaker 3: Oh okay, Well they really take you on a ride.

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Speaker 5: I'm telling you that's an emotional investment over many years.

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Speaker 1: Yeah, okay, they got a little messed up because of

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Speaker 1: the strike in the middle, right like they were they

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Speaker 1: were hitting their stride and they were like, we're a

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Speaker 1: show that like you really have to watch episodes episode

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Speaker 1: like again that promotes those fan theories.

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Speaker 2: And then the strike happened. It was like, oh weird,

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Speaker 2: and then it got a little weird, and then it

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Speaker 2: got a little weird.

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Speaker 3: Yeah, yeah, I heard people were not satisfied.

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Speaker 2: I'm not satisfied.

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Speaker 5: Yeah.

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Speaker 3: It's hard to it's hard to land the plane.

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Speaker 2: I mean, were you in holding this secret? I feel

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Speaker 2: like for Wanda Vision as it was airing and as

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Speaker 2: it was coming and people were like wrapped watching because

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Speaker 2: it was still like we're coming out of the pandemic,

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Speaker 2: but it's like where we're in it. We're like we're

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Speaker 2: at home, we're watching it, pretty in it, We're pretty

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Speaker 2: in it.

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Speaker 3: We're so was it was?

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Speaker 2: It was it was life saving. Absolutely, it was like

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Speaker 2: it felt like monocultural. It was like we're all watching

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Speaker 2: the same thing for once, you know what I mean. Yes,

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Speaker 2: And it felt like were you holding onto something in

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Speaker 2: the airing of that show that you were like, I

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Speaker 2: can't like that that was a secret that you were

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Speaker 2: rolling on.

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Speaker 5: Oh yeah, I think yeah, one hundred percent. I was

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Speaker 5: holding on to her like big game and nobody knew

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Speaker 5: she was a witch and nobody knew she was ang

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Speaker 5: on that. But because it was a pandemic and because

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Speaker 5: I don't have social media.

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Speaker 3: I could really just live my life. Didn't tell my kids.

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Speaker 3: They kind of forgot about it.

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Speaker 5: So it was just like we were able to watch

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Speaker 5: it it live at home, and that was really really

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Speaker 5: satisfying because that big reveal is hilarious.

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Speaker 2: It's amazing. I mean it said iconic moment in television.

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Speaker 3: Pretty rad.

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Speaker 2: Isn't that crazy?

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Speaker 3: It's crazy?

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Speaker 2: Yeah? That song got it Emmy number one and Emmy

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Speaker 2: Oh yeah. It was like the top was he couldn't

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Speaker 2: stand a chance. No biber bottomed for you.

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Speaker 6: You know what.

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Speaker 5: I finally got Bieber to bottom bottom, exactly where he

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Speaker 5: should be.

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Speaker 2: All a top. Agatha is a tot.

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Speaker 5: Oh for sure, unless it's like one of those business

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Speaker 5: guys who's like, I need to put a diaper on.

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Speaker 3: I need you to diaper me.

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Speaker 5: Yeah, and give me a bottle, because I feel like

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Speaker 5: she's so powerful that sometimes maybe she wants to be

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Speaker 5: treated like a baby.

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Speaker 2: Yeah. What I love about the show is it's very sapphic. Yes,

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Speaker 2: it is a very queer show. I love it.

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Speaker 5: It is a queer show. Yeah, and there is a

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Speaker 5: lot of energy and tension.

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Speaker 2: Yes.

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Speaker 3: Yeah.

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Speaker 1: There's a scene in the first episode towards the end

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Speaker 1: of the first episode where I don't want to say

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Speaker 1: too much because the first episode is so much fun

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Speaker 1: because of the way it starts, and it sort of

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Speaker 1: calls back to the device used in Wanda Vision about

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Speaker 1: genre and.

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Speaker 2: Types of show.

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Speaker 1: So it's so smart what they did. But there's a

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Speaker 1: scene where someone's palm is licked by someone else.

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Speaker 2: Oh, it made me feel, It made me feel, It

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Speaker 2: made me feel.

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Speaker 5: Yeah, definitely made me feel that energy is really real. Well, Okay,

305
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Speaker 5: Plaza and I had never worked before together.

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Speaker 3: We were on Parks and Wreck. We were kind of

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Speaker 3: like at each other a hallway, not sharing scenes, not

308
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Speaker 3: sharing scenes. Yes, that's exactly what we do girl, And

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Speaker 3: then she so.

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Speaker 5: This was the we've always like, we've stayed really like

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Speaker 5: dear friends, and then this was the first thing that

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Speaker 5: we've gotten to work on together. And it was like what, Yeah,

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Speaker 5: I didn't ever see this for the first time, Like

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Speaker 5: I just always saw like a comedy or something, but

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Speaker 5: this was like.

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Speaker 3: Oh complicated, it had.

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Speaker 2: Some meat on the bones between you and Plaza and Patty,

318
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Speaker 2: I forget it, And I only used this word with reverence.

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Speaker 2: It's like, these are some broads.

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Speaker 3: Yeah, you know, I was just saying. I was like,

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Speaker 3: Patty's a broad.

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Speaker 2: She's a broad.

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Speaker 3: She like there is nobody.

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Speaker 5: I mean, the fact that I was singing next to

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Speaker 5: Patty Lapone in a chorus that she just blended.

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Speaker 2: Her amazing.

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Speaker 5: Is incredible and she's hilarious.

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Speaker 3: Yeah, and she was such a.

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Speaker 5: Mama hen like, she just took such good care of everybody,

330
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Speaker 5: you know, and we just basically sat around and just

331
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Speaker 5: siphoned info off of her.

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Speaker 3: Just we just leaped and we just.

333
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Speaker 2: Yeah, she was willing to give it out.

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Speaker 3: She was.

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Speaker 5: We didn't have to do that much. There were stories

336
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Speaker 5: pouring out. She don't get she doesn't give an s no,

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Speaker 5: she really does, Like did you see her.

338
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Speaker 2: Hot ones?

339
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Speaker 3: The whole thing? But I did about the Madonna Dona thing.

340
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Speaker 2: She just looks at the camera because the question is like,

341
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Speaker 2: do you want to apologize to Madonna or eat this

342
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Speaker 2: wing that will put you in discomfort for hours on end,

343
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Speaker 2: And she looks at the camera and sticks that thing

344
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Speaker 2: in her mind, throws the.

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Speaker 3: Bone she's thrown thrown and didn't she win?

346
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Speaker 2: I mean, there's no she didn't win. She won.

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Speaker 5: She won, she won a winner, she's a winner. No,

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Speaker 5: she's a goddess. I'm going to see her opening of

349
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Speaker 5: her play, very excited.

350
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Speaker 2: Yes, it's just the two of them on stage. Yeah,

351
00:16:06,600 --> 00:16:10,400
Speaker 2: I love that, conceit so much. I will see any

352
00:16:10,440 --> 00:16:12,280
Speaker 2: play where it's two people literally.

353
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Speaker 3: I know, I know, with no intermission.

354
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Speaker 5: Actually I'm saying that I'm not sure, but she's like

355
00:16:18,600 --> 00:16:22,520
Speaker 5: she Joe is going tonight too, the delicious Joe Locke.

356
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Speaker 5: And so she texted both of us being like, doll,

357
00:16:26,320 --> 00:16:29,200
Speaker 5: we're having a little thing. It's starties after whatever.

358
00:16:29,800 --> 00:16:32,120
Speaker 2: And we were like, they should draw you.

359
00:16:32,640 --> 00:16:37,400
Speaker 5: They maybe maybe there's what if there's just a portrait

360
00:16:37,520 --> 00:16:39,840
Speaker 5: or like an illustrator in the corner. It's like a

361
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Speaker 5: party thing, and then.

362
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Speaker 2: You can buy it from me. We're not putting it

363
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Speaker 2: out there.

364
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Speaker 3: The whole time.

365
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Speaker 5: You think it's coming out there, and then there's somebody

366
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Speaker 5: from a sticking it.

367
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Speaker 3: In a frame.

368
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Speaker 2: Yeah, exactly. So how long are you in New York?

369
00:16:54,480 --> 00:16:55,720
Speaker 3: Just until Saturday?

370
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Speaker 1: Okay, so if you have any time, literally, I just

371
00:16:58,520 --> 00:17:02,920
Speaker 1: remember I have this in my saying did you this

372
00:17:03,000 --> 00:17:05,360
Speaker 1: is so this is Stuffs. I'm holding the playbill for Stuffs,

373
00:17:05,440 --> 00:17:09,280
Speaker 1: and I'm so moved by it and like all the emotions,

374
00:17:09,320 --> 00:17:12,840
Speaker 1: like especially after the debate the other night, like just

375
00:17:12,920 --> 00:17:17,080
Speaker 1: to know how fucking hard to suffer just worked and

376
00:17:17,200 --> 00:17:19,160
Speaker 1: for years and years and years to get the right

377
00:17:19,200 --> 00:17:21,840
Speaker 1: to vote. Like it left me feeling a little angry

378
00:17:21,840 --> 00:17:23,760
Speaker 1: because there's still people out there being like I might

379
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Speaker 1: not vote.

380
00:17:24,280 --> 00:17:25,280
Speaker 2: I'm just like, holy.

381
00:17:25,160 --> 00:17:27,399
Speaker 3: Yeah, how can you be undecided? That's what we were

382
00:17:27,720 --> 00:17:30,960
Speaker 3: talking about, Like, oh are you I may be undecided?

383
00:17:31,119 --> 00:17:35,080
Speaker 2: Like what gosh? They did a thing that I always

384
00:17:35,520 --> 00:17:38,160
Speaker 2: win when they like cut to like this like focused

385
00:17:38,240 --> 00:17:43,479
Speaker 2: group after the debate because I can't it's clown parade,

386
00:17:43,480 --> 00:17:46,840
Speaker 2: clown brigade. I'm so sorry. It's like, these are silly people,

387
00:17:46,880 --> 00:17:48,960
Speaker 2: These are un serious people. That's all all said. This

388
00:17:48,960 --> 00:17:51,119
Speaker 2: wo woman was like, well, it's important to remember that

389
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Speaker 2: we're voting for the leader of our country, not the

390
00:17:53,160 --> 00:17:55,600
Speaker 2: person we want on our wedding party. And I'm like,

391
00:17:55,840 --> 00:17:58,480
Speaker 2: what can you explain that?

392
00:17:59,720 --> 00:18:02,679
Speaker 3: You mean by that? What do you mean by that?

393
00:18:02,760 --> 00:18:05,080
Speaker 1: So you think she's a fun person or seems like

394
00:18:05,119 --> 00:18:07,720
Speaker 1: maybe someone who might be reliable in terms of executing

395
00:18:07,840 --> 00:18:08,320
Speaker 1: the duties.

396
00:18:08,359 --> 00:18:11,640
Speaker 5: In the wedding, he talks about Hannibal Lecture as an actual,

397
00:18:11,680 --> 00:18:14,160
Speaker 5: real friend of his who's alive and not fictional. Ba's

398
00:18:14,200 --> 00:18:15,240
Speaker 5: what you want to run the carry?

399
00:18:17,920 --> 00:18:19,800
Speaker 1: Can you believe the eating of they're eating the pets,

400
00:18:19,800 --> 00:18:21,240
Speaker 1: they're eating the cast, they're in the door.

401
00:18:21,359 --> 00:18:23,120
Speaker 3: The whole thing really does feel.

402
00:18:23,320 --> 00:18:26,920
Speaker 5: It does like fuck with your Reality's surreal because you're like,

403
00:18:27,119 --> 00:18:29,320
Speaker 5: this is stuff that's coming out of people's mouths that

404
00:18:29,400 --> 00:18:32,639
Speaker 5: you're like, what, I don't understand.

405
00:18:32,800 --> 00:18:35,040
Speaker 2: The split screen of it is like, oh, like these

406
00:18:35,160 --> 00:18:37,320
Speaker 2: these are two people that are like next to each other,

407
00:18:37,359 --> 00:18:40,399
Speaker 2: they are like sharing. And what really got me the

408
00:18:40,400 --> 00:18:42,320
Speaker 2: way he wouldn't look at her, I know, the way

409
00:18:42,320 --> 00:18:44,320
Speaker 2: he wouldn't even look at her, and that she crossed.

410
00:18:44,600 --> 00:18:46,679
Speaker 2: I liked the power move in the very beginning. She

411
00:18:46,720 --> 00:18:48,520
Speaker 2: crossed right over and shook his hand, and she's like,

412
00:18:48,560 --> 00:18:50,800
Speaker 2: I'm not gonna let you pretend. No, I'm not gonna

413
00:18:50,880 --> 00:18:52,920
Speaker 2: let you disrespect me. Right off the top, I'm letting

414
00:18:52,960 --> 00:18:55,720
Speaker 2: you know. And also the vibe of you're not running

415
00:18:55,720 --> 00:18:58,920
Speaker 2: against him, you're running against me. He did say one

416
00:18:58,960 --> 00:19:01,240
Speaker 2: thing which I think unfortnately will stick, which is I

417
00:19:01,240 --> 00:19:04,000
Speaker 2: have concepts of a plan. Well, yeah, but when they

418
00:19:04,040 --> 00:19:07,080
Speaker 2: go think what I mean is I think that.

419
00:19:07,119 --> 00:19:11,359
Speaker 1: Phrasing is it's the lexico. It's going to be like,

420
00:19:11,200 --> 00:19:12,959
Speaker 1: I'm like, what's your plan for this this weekend?

421
00:19:13,000 --> 00:19:15,480
Speaker 2: I have concepts of the plan. We're gonna start.

422
00:19:15,280 --> 00:19:17,840
Speaker 3: Saying concept to start saying that.

423
00:19:17,920 --> 00:19:19,439
Speaker 2: Now it's the one thing I do.

424
00:19:19,600 --> 00:19:22,719
Speaker 5: Have concepts of a plan for the weekend, and then

425
00:19:22,800 --> 00:19:24,440
Speaker 5: eventually something happens.

426
00:19:25,240 --> 00:19:27,960
Speaker 2: Exactly what's your ideal concept of a of a weekend?

427
00:19:29,280 --> 00:19:32,119
Speaker 5: I would love to sleep in? Yeah, I want to dance.

428
00:19:32,440 --> 00:19:33,359
Speaker 5: I gotta dance.

429
00:19:33,440 --> 00:19:35,280
Speaker 3: Gotta dance. You gotta dance.

430
00:19:36,080 --> 00:19:39,720
Speaker 2: You do got thing on your on your college yearbook?

431
00:19:39,720 --> 00:19:41,840
Speaker 2: And that was really related it.

432
00:19:42,160 --> 00:19:44,600
Speaker 5: When I put in my freshman college yearbook, I was

433
00:19:44,640 --> 00:19:46,280
Speaker 5: like special, like what do you like to do?

434
00:19:46,359 --> 00:19:51,800
Speaker 3: And I put like poetry? Are acting? Club hopping? Club

435
00:19:52,680 --> 00:19:53,200
Speaker 3: out there?

436
00:19:54,000 --> 00:19:54,959
Speaker 2: This was Northwestern.

437
00:19:55,040 --> 00:19:57,120
Speaker 3: This is Northwestern, but I grew up in Cleveland.

438
00:19:57,160 --> 00:19:59,479
Speaker 2: Okay, great, so you just like Midwest club culture.

439
00:19:59,520 --> 00:20:01,679
Speaker 3: Oh my gosh, that was the best. Okay, so like

440
00:20:01,880 --> 00:20:03,719
Speaker 3: because it felt very underground.

441
00:20:04,040 --> 00:20:07,439
Speaker 5: Yeah, so it was like it was the best people.

442
00:20:07,640 --> 00:20:10,600
Speaker 3: My mind was like pooh, it just was the it

443
00:20:10,640 --> 00:20:11,199
Speaker 3: was the greatest.

444
00:20:11,200 --> 00:20:13,800
Speaker 2: Well literally like the birthplace, like Detroit birthplace of techno.

445
00:20:13,880 --> 00:20:15,800
Speaker 2: It's like you were you were there for it.

446
00:20:16,000 --> 00:20:19,320
Speaker 5: That's what I felt like that that is like exactly, yeah,

447
00:20:20,640 --> 00:20:22,840
Speaker 5: there the heart of rock and roll.

448
00:20:24,160 --> 00:20:26,440
Speaker 2: And we'll and we'll still say it today. My mom.

449
00:20:26,760 --> 00:20:29,480
Speaker 5: I remember finally I was like I don't need to

450
00:20:29,640 --> 00:20:31,400
Speaker 5: finally go into the rock and Roll Hall of Fame,

451
00:20:31,880 --> 00:20:34,480
Speaker 5: and my mom walking out of there, was like, who

452
00:20:34,520 --> 00:20:34,840
Speaker 5: needs to.

453
00:20:34,840 --> 00:20:37,760
Speaker 3: Pay twenty bucks? Ye, sweaty T shirt and plexiglass.

454
00:20:39,359 --> 00:20:41,159
Speaker 2: Come on, mom, I love the Rock and Roll Hall

455
00:20:41,200 --> 00:20:41,920
Speaker 2: of Fame. It's fun.

456
00:20:42,040 --> 00:20:42,600
Speaker 3: It's cute.

457
00:20:42,720 --> 00:20:44,760
Speaker 2: It's really cute to go.

458
00:20:45,119 --> 00:20:45,600
Speaker 3: It's fun.

459
00:20:45,680 --> 00:20:46,919
Speaker 2: I get what your mom saying. It is a lot

460
00:20:46,920 --> 00:20:49,920
Speaker 2: of just like glass cases, like you know, like the

461
00:20:50,080 --> 00:20:54,480
Speaker 2: sweaty Pit. It's Hollywood. It's like, oh, Hollywood and hard.

462
00:20:54,760 --> 00:20:57,080
Speaker 3: For that reason, I've been a planet high Wood so long.

463
00:20:57,160 --> 00:20:59,760
Speaker 2: I gotta go, Oh my god, You're sitting at a

464
00:20:59,760 --> 00:21:03,400
Speaker 2: table and above you could just be one of Madonna's bras.

465
00:21:04,000 --> 00:21:04,639
Speaker 2: That could happen.

466
00:21:04,920 --> 00:21:07,639
Speaker 5: You could be eating knowing that the bra is right

467
00:21:07,680 --> 00:21:08,760
Speaker 5: above him, right there.

468
00:21:08,960 --> 00:21:13,280
Speaker 3: Okay. I have to also, isn't it different at every location?

469
00:21:13,600 --> 00:21:16,239
Speaker 2: Yes, they have different artifacts. I got to like if

470
00:21:16,280 --> 00:21:18,040
Speaker 2: you go to the one and I don't know, let's

471
00:21:18,119 --> 00:21:22,720
Speaker 2: say like Universal Studios Orlando. They've got good stuff there

472
00:21:22,720 --> 00:21:25,639
Speaker 2: because that's a big hard rock that's a really important

473
00:21:25,640 --> 00:21:28,119
Speaker 2: cultural hard rock, the one in Orlando. Yes, do you

474
00:21:28,160 --> 00:21:31,840
Speaker 2: get a free past to Disney World? Now, No, that's ridiculous, But.

475
00:21:31,880 --> 00:21:35,199
Speaker 5: Sometimes like they've been really they've been very generous, Like

476
00:21:35,240 --> 00:21:38,399
Speaker 5: we went we I took my friend and I and

477
00:21:38,440 --> 00:21:41,879
Speaker 5: our daughters there like recently and that was totally on

478
00:21:42,000 --> 00:21:46,280
Speaker 5: the mouse. Yeah, which was really freaking sweet. I love Disney, we.

479
00:21:46,280 --> 00:21:48,040
Speaker 1: Love it, and you know there's someone walking around as

480
00:21:48,080 --> 00:21:49,960
Speaker 1: you know, which has to feel wild.

481
00:21:50,119 --> 00:21:53,080
Speaker 5: It is so trippy. They have ears, they have the

482
00:21:53,240 --> 00:21:54,400
Speaker 5: like mouse ears.

483
00:21:55,320 --> 00:21:59,080
Speaker 2: I'm the one is walking around to.

484
00:21:59,119 --> 00:22:01,560
Speaker 3: See other are people like you?

485
00:22:01,920 --> 00:22:02,200
Speaker 4: Be you?

486
00:22:02,480 --> 00:22:04,840
Speaker 3: We went to an event in London and it was.

487
00:22:04,760 --> 00:22:09,840
Speaker 5: Like cosplay, So there's already like cosplays for every character

488
00:22:09,920 --> 00:22:10,440
Speaker 5: in the show.

489
00:22:10,880 --> 00:22:16,120
Speaker 2: Wow, jos the teen has Yes, that's perfect.

490
00:22:16,240 --> 00:22:18,760
Speaker 3: Yes, he's so cute.

491
00:22:19,000 --> 00:22:19,840
Speaker 2: He's adorable.

492
00:22:20,560 --> 00:22:23,359
Speaker 1: And what's so great to immediately off the jump is

493
00:22:23,400 --> 00:22:25,280
Speaker 1: like you got to compliment the costume design of this

494
00:22:25,320 --> 00:22:31,120
Speaker 1: show because everyone immediately is so you know, like everyone's

495
00:22:31,119 --> 00:22:35,119
Speaker 1: got a thing like Patty's like hair like she's wearing

496
00:22:35,200 --> 00:22:38,600
Speaker 1: and just knows stunning, Like I mean, like there's so much.

497
00:22:39,040 --> 00:22:44,480
Speaker 5: Like everybody, so you can really, like even just in silhouette,

498
00:22:44,560 --> 00:22:49,639
Speaker 5: you know exactly who everybody is. Rio's like Aubrey's character,

499
00:22:49,720 --> 00:22:51,439
Speaker 5: like you know, you know who everyone is.

500
00:22:51,480 --> 00:22:52,600
Speaker 3: The amazing Deborah Joe.

501
00:22:55,040 --> 00:22:58,879
Speaker 5: She cannot open her mouth without everybody laughing.

502
00:22:58,960 --> 00:23:02,400
Speaker 1: Like that's a real legend, right, I mean that seventies show.

503
00:23:02,680 --> 00:23:04,640
Speaker 1: There was not a moment that she was.

504
00:23:05,240 --> 00:23:06,840
Speaker 3: It's like nothing I've ever seen.

505
00:23:07,080 --> 00:23:09,080
Speaker 1: Oh yeah, oh yeah, I heard deciding whether or not

506
00:23:09,119 --> 00:23:11,360
Speaker 1: she's going to go, and she's like like on the

507
00:23:11,520 --> 00:23:13,119
Speaker 1: we'll see, everyone's going to see.

508
00:23:13,160 --> 00:23:15,560
Speaker 3: Everyone will see. I hope everyone see.

509
00:23:15,720 --> 00:23:16,840
Speaker 2: They're gonna see.

510
00:23:16,880 --> 00:23:18,680
Speaker 3: It's really really juicy.

511
00:23:19,640 --> 00:23:20,200
Speaker 2: It's good.

512
00:23:20,760 --> 00:23:24,080
Speaker 3: It doesn't like who isn't a witch? Really, Julie, No.

513
00:23:24,119 --> 00:23:26,920
Speaker 1: I was going to ask you this before playing Agatha.

514
00:23:27,240 --> 00:23:29,600
Speaker 1: Do you feel witchy? Witchy person?

515
00:23:29,840 --> 00:23:34,320
Speaker 3: Yeah? I think I am. I think like I was definitely.

516
00:23:34,359 --> 00:23:37,080
Speaker 5: That was my Halloween coster, like most of my childhood

517
00:23:37,119 --> 00:23:39,760
Speaker 5: was that or the Tooth Fairy and the.

518
00:23:41,480 --> 00:23:41,680
Speaker 7: Witch.

519
00:23:42,280 --> 00:23:44,280
Speaker 5: It could have been like Phant of the Opera, like

520
00:23:44,440 --> 00:23:46,880
Speaker 5: have one side of face a witch and then gone.

521
00:23:46,720 --> 00:23:49,320
Speaker 3: Like this, yeah, fairy exactly.

522
00:23:50,880 --> 00:23:54,240
Speaker 5: Yes, But yeah, I always think I've you know, I

523
00:23:54,280 --> 00:23:58,600
Speaker 5: feel like anyone that feels kind of, you know, not normally,

524
00:23:58,920 --> 00:24:01,560
Speaker 5: like not in the no gotcha, or that feels a

525
00:24:01,560 --> 00:24:04,399
Speaker 5: little bit like doesn't really feel like they fit in,

526
00:24:04,600 --> 00:24:07,200
Speaker 5: or it doesn't feel like everybody else.

527
00:24:07,440 --> 00:24:07,919
Speaker 3: Is a witch.

528
00:24:08,359 --> 00:24:11,480
Speaker 5: Yeah, and so you're covens are the people that you

529
00:24:12,320 --> 00:24:15,080
Speaker 5: feel most connected to and make you feel the most

530
00:24:15,119 --> 00:24:16,400
Speaker 5: safe and the most scene.

531
00:24:17,000 --> 00:24:18,639
Speaker 2: There's a moment in the show and at the end

532
00:24:18,640 --> 00:24:20,600
Speaker 2: of episode two when you guys are all singing where

533
00:24:20,600 --> 00:24:22,920
Speaker 2: it like it's like the coven kind of like gathering

534
00:24:22,960 --> 00:24:25,000
Speaker 2: and assembling, where it like you just feel like like

535
00:24:25,040 --> 00:24:27,399
Speaker 2: it's the direction, it's the it's the performances. It's like

536
00:24:27,440 --> 00:24:29,680
Speaker 2: all of you are all really attuning to each other.

537
00:24:29,680 --> 00:24:32,720
Speaker 2: And yeah, it's so importantly I'm like, what's going on?

538
00:24:33,000 --> 00:24:35,280
Speaker 2: Is this? Like wow, whoa, this feels like a little indulgence,

539
00:24:35,280 --> 00:24:37,000
Speaker 2: But I don't mind it, Like it's yeah, but it's

540
00:24:37,040 --> 00:24:39,160
Speaker 2: a necessary thing where you guys have to like sing

541
00:24:39,200 --> 00:24:41,840
Speaker 2: at each other in order to like forge this bond.

542
00:24:42,200 --> 00:24:43,959
Speaker 2: This takes you into the rest of the season.

543
00:24:44,160 --> 00:24:48,119
Speaker 5: Must to Agatha's chagrin, she doesn't want to play with

544
00:24:48,200 --> 00:24:49,639
Speaker 5: other people because it's like, gag me.

545
00:24:50,520 --> 00:24:51,160
Speaker 3: I feel like.

546
00:24:51,359 --> 00:24:53,640
Speaker 2: Because I was thinking about your career and I'm like, oh,

547
00:24:53,720 --> 00:24:57,159
Speaker 2: like this is someone who went from like fucking revolutionary

548
00:24:57,320 --> 00:25:01,920
Speaker 2: road we got a step Brothers to fucking like transparent.

549
00:25:02,160 --> 00:25:05,840
Speaker 2: So then like I'm like this woman, like you've done

550
00:25:05,880 --> 00:25:08,640
Speaker 2: it all, like this, this is what she does it all.

551
00:25:08,800 --> 00:25:10,639
Speaker 2: But that's a witchy thing to like be able to

552
00:25:10,640 --> 00:25:15,120
Speaker 2: like glide so seamlessly your whole career. I'm like, it's.

553
00:25:14,960 --> 00:25:17,639
Speaker 5: Weird, it's weirdly witchy, and that I've been able to

554
00:25:17,680 --> 00:25:19,840
Speaker 5: get away with it, Like no one has been like, ah,

555
00:25:19,840 --> 00:25:24,800
Speaker 5: she's strictly comedy, or she's strictly drama, or or she's

556
00:25:24,840 --> 00:25:28,879
Speaker 5: strictly whatever. I've been able to kind of disappear or

557
00:25:28,880 --> 00:25:32,840
Speaker 5: I just haven't been well known enough that everyone.

558
00:25:32,560 --> 00:25:35,880
Speaker 3: Meets me anew like who's that? So I've just been

559
00:25:35,920 --> 00:25:37,120
Speaker 3: able to like kind of.

560
00:25:37,320 --> 00:25:41,080
Speaker 5: Squeeze myself into different projects. And that's been like That's

561
00:25:41,080 --> 00:25:42,240
Speaker 5: why I wanted to be an actor.

562
00:25:42,400 --> 00:25:43,280
Speaker 3: Yeah, you know.

563
00:25:43,600 --> 00:25:45,080
Speaker 2: Able to do that so much?

564
00:25:45,200 --> 00:25:47,280
Speaker 3: Yeah, I love a rep company.

565
00:25:47,280 --> 00:25:49,880
Speaker 5: I love like when someone like any group of actors,

566
00:25:49,880 --> 00:25:52,080
Speaker 5: it's like Richard the Third and one day and like

567
00:25:52,200 --> 00:25:55,159
Speaker 5: noises off, you know, like that kind of vibe is

568
00:25:55,359 --> 00:25:56,119
Speaker 5: like the best.

569
00:25:56,200 --> 00:25:58,800
Speaker 3: That's like why I wanted to get this mess. So yeah,

570
00:25:58,800 --> 00:25:59,760
Speaker 3: that's been fun.

571
00:25:59,800 --> 00:26:02,399
Speaker 5: But again, like this last chapter that I've been doing,

572
00:26:02,520 --> 00:26:04,040
Speaker 5: I think has really prepared me.

573
00:26:04,560 --> 00:26:07,400
Speaker 2: For the Witch. Yeah, totally for sure.

574
00:26:07,200 --> 00:26:10,000
Speaker 5: Just because like every woman that I've been playing has

575
00:26:10,000 --> 00:26:13,720
Speaker 5: been so ethically like morally like a little bit not

576
00:26:14,280 --> 00:26:17,120
Speaker 5: their insides are on their outsides a little bit, yeah,

577
00:26:17,160 --> 00:26:20,520
Speaker 5: and they make really questionable decisions, and I think that

578
00:26:20,520 --> 00:26:22,679
Speaker 5: that's suppressing the Witch.

579
00:26:23,000 --> 00:26:26,280
Speaker 2: Yeah. And also that versatility that you've shown directly speaks

580
00:26:26,320 --> 00:26:29,439
Speaker 2: to like what happens in WandaVision, where from episode to

581
00:26:29,480 --> 00:26:31,840
Speaker 2: episode you are playing a different genre. I just remember

582
00:26:32,119 --> 00:26:35,760
Speaker 2: watching the first episode or two where you were so

583
00:26:36,000 --> 00:26:39,520
Speaker 2: at home and that that sitcom that throwbacks, that comething

584
00:26:39,560 --> 00:26:41,600
Speaker 2: like everyone was crushing it, but I remember there was

585
00:26:41,640 --> 00:26:44,359
Speaker 2: just a moment where you like turned around, you're getting

586
00:26:44,440 --> 00:26:47,000
Speaker 2: you and her are doing like a walk about the kitchen. Yeah,

587
00:26:47,040 --> 00:26:50,080
Speaker 2: and I was just like, look at how oriented she is,

588
00:26:50,119 --> 00:26:52,800
Speaker 2: how comfortable you are, just like and it had to

589
00:26:52,840 --> 00:26:55,479
Speaker 2: be or you tell me, but like was that just

590
00:26:56,040 --> 00:26:58,679
Speaker 2: so fun? And that's where it comes that's where like

591
00:26:58,920 --> 00:27:01,919
Speaker 2: the accuracy comes from. How fun that opportunity is? Like,

592
00:27:01,920 --> 00:27:03,879
Speaker 2: what is that's.

593
00:27:03,200 --> 00:27:04,439
Speaker 3: My dream come true?

594
00:27:04,640 --> 00:27:04,840
Speaker 2: Right?

595
00:27:05,040 --> 00:27:07,960
Speaker 5: I mean Agatha first is a performer and she's a

596
00:27:08,080 --> 00:27:12,080
Speaker 5: ham but I mean she loves to work a cape.

597
00:27:12,960 --> 00:27:16,159
Speaker 5: But in those in that whole series leading up to

598
00:27:16,200 --> 00:27:20,640
Speaker 5: her like Reveal, every different genre was like you said,

599
00:27:20,680 --> 00:27:23,800
Speaker 5: it was just like a dream to study those sitcoms,

600
00:27:23,840 --> 00:27:25,320
Speaker 5: like figure out the movement.

601
00:27:25,040 --> 00:27:28,560
Speaker 3: For each decade to like, yeah, of course, the best,

602
00:27:28,640 --> 00:27:29,400
Speaker 3: the best.

603
00:27:29,359 --> 00:27:30,639
Speaker 2: Major, the best.

604
00:27:30,680 --> 00:27:33,080
Speaker 3: I couldn't believe it. Yes, it's so crazy.

605
00:27:33,080 --> 00:27:37,239
Speaker 2: It's a holistic project. Yeah, any actor for like all,

606
00:27:37,359 --> 00:27:40,120
Speaker 2: but like especially for you and Elizabeth. It's like, oh,

607
00:27:40,720 --> 00:27:43,119
Speaker 2: like what's the next? It feels like procedural almost, but

608
00:27:43,160 --> 00:27:45,440
Speaker 2: in terms of itself.

609
00:27:45,200 --> 00:27:48,000
Speaker 3: Yeah, crazy, No, it was crazy. It was so meta.

610
00:27:48,400 --> 00:27:50,800
Speaker 5: That's what this feels like the same way, but instead

611
00:27:50,800 --> 00:27:54,800
Speaker 5: of like the sitcoms as being like the backbone of

612
00:27:54,840 --> 00:27:58,600
Speaker 5: it and changing, it's kind of more like genre or

613
00:27:58,720 --> 00:28:01,800
Speaker 5: tone I guess. So it's like can't be it's like

614
00:28:02,040 --> 00:28:05,480
Speaker 5: very scary. It's like it's like all all of those

615
00:28:05,520 --> 00:28:09,160
Speaker 5: it gets very deep, you know, So it's all the things,

616
00:28:09,200 --> 00:28:12,879
Speaker 5: and it switches so fast, so fast, so there's definitely

617
00:28:12,920 --> 00:28:16,600
Speaker 5: like I would say the same structurally in terms.

618
00:28:16,320 --> 00:28:18,240
Speaker 3: Of in terms of the switches.

619
00:28:18,440 --> 00:28:21,320
Speaker 5: Yeah, but it's maybe from a different perspective.

620
00:28:21,480 --> 00:28:23,520
Speaker 2: Yeah, yeah, if it fills this rubric where it's like

621
00:28:23,640 --> 00:28:26,040
Speaker 2: any great performance, you go, could anyone else have done this?

622
00:28:26,119 --> 00:28:27,360
Speaker 2: Like Matt and I talk about this all the time.

623
00:28:27,359 --> 00:28:29,080
Speaker 2: It's like could anyone else have done this? And it's like,

624
00:28:29,359 --> 00:28:32,960
Speaker 2: because you have led up to this moment in terms

625
00:28:33,040 --> 00:28:35,520
Speaker 2: like with like seamlessly transitioning from one thing that.

626
00:28:35,720 --> 00:28:38,400
Speaker 8: Next, my gosh, you guys, it feels like the perfect

627
00:28:38,480 --> 00:28:41,000
Speaker 8: marriage of a performer and an amazing role where it's

628
00:28:41,040 --> 00:28:43,560
Speaker 8: just like, of course it's iconic because it is that

629
00:28:43,600 --> 00:28:46,080
Speaker 8: thing of like we've been waiting for this.

630
00:28:46,320 --> 00:28:48,600
Speaker 1: And I also will say, just to talk about revolutionary

631
00:28:48,600 --> 00:28:52,120
Speaker 1: wrote yeah please, I'll just never forget because what I

632
00:28:52,160 --> 00:28:54,080
Speaker 1: think that came out in two thousand and seven or eight,

633
00:28:54,440 --> 00:28:57,200
Speaker 1: and I I, yeah, and I think that before that.

634
00:28:57,600 --> 00:29:00,720
Speaker 1: So me being a fourteen year old in two thousand and.

635
00:29:00,720 --> 00:29:03,320
Speaker 2: Four on the Island, I at the times I was

636
00:29:03,360 --> 00:29:06,720
Speaker 2: trying really hard to like code switch in my own

637
00:29:06,760 --> 00:29:08,760
Speaker 2: way and fit in with like the boys, right, and

638
00:29:08,800 --> 00:29:11,400
Speaker 2: I just remember like a shared language that we all

639
00:29:11,480 --> 00:29:14,360
Speaker 2: had was anchorman and Will Ferrell is actually a producer

640
00:29:14,400 --> 00:29:17,920
Speaker 2: of this podcast. Yeah, and he's coming on.

641
00:29:21,760 --> 00:29:29,520
Speaker 6: Not funny, but but just that scene with you and

642
00:29:29,960 --> 00:29:33,840
Speaker 6: Christine Applegate where you tell him where you.

643
00:29:33,760 --> 00:29:37,239
Speaker 1: Tell her that he'll read anything off the prompter, just

644
00:29:37,320 --> 00:29:40,000
Speaker 1: like that was a moment where all my like male

645
00:29:40,080 --> 00:29:43,720
Speaker 1: friends were like quoting like what women were doing in

646
00:29:43,760 --> 00:29:44,200
Speaker 1: a movie.

647
00:29:44,360 --> 00:29:45,280
Speaker 2: I know this sounds no.

648
00:29:46,480 --> 00:29:48,880
Speaker 1: That moment I felt like, oh, this is like way

649
00:29:48,960 --> 00:29:50,520
Speaker 1: in I have, Like I was like the thing that

650
00:29:50,560 --> 00:29:52,320
Speaker 1: I loved the most about this movie, which was like

651
00:29:52,400 --> 00:29:57,160
Speaker 1: Christina and like like everyone like Veronica was like we

652
00:29:57,240 --> 00:30:02,000
Speaker 1: love But just like between that and also then a

653
00:30:02,040 --> 00:30:03,920
Speaker 1: few years later me knowing you from that and then

654
00:30:03,960 --> 00:30:07,480
Speaker 1: obviously Step Brothers, which is a whole other strategy.

655
00:30:07,040 --> 00:30:09,320
Speaker 2: Were crying on Fire Island. We were like the only

656
00:30:09,440 --> 00:30:12,400
Speaker 2: gay men on that island, wastching step Brothers like an

657
00:30:12,400 --> 00:30:16,000
Speaker 2: Adam Kay movie, but we were like just dying.

658
00:30:16,360 --> 00:30:17,600
Speaker 3: So stupid funny.

659
00:30:17,640 --> 00:30:20,520
Speaker 2: I mean I watched to see you breathing into his mouth.

660
00:30:20,600 --> 00:30:22,840
Speaker 2: It was just like it's insane. I was like, this

661
00:30:22,960 --> 00:30:25,160
Speaker 2: is can you talk about that scene?

662
00:30:25,320 --> 00:30:27,360
Speaker 5: I mean that was I think I know the scene

663
00:30:27,360 --> 00:30:31,040
Speaker 5: you're talking about the scene with John c Riley so much.

664
00:30:30,880 --> 00:30:34,760
Speaker 2: On the porch and then this is a bathroom one.

665
00:30:35,040 --> 00:30:37,160
Speaker 3: I'm gonna I want to roll you up a little ball.

666
00:30:37,520 --> 00:30:37,720
Speaker 9: Yeah.

667
00:30:38,720 --> 00:30:41,000
Speaker 5: Yeah, that was our ad who pitched it because everything

668
00:30:41,040 --> 00:30:42,360
Speaker 5: was ever and he was like, why don't you go

669
00:30:42,720 --> 00:30:44,760
Speaker 5: You should try going over and just peeing in the

670
00:30:45,080 --> 00:30:46,920
Speaker 5: ear and all, and I was like, oh yeah, yeah,

671
00:30:47,240 --> 00:30:51,760
Speaker 5: like perfect, completely all over you.

672
00:30:55,200 --> 00:31:01,600
Speaker 3: Parts with these parts it's not direct. You never know what.

673
00:31:02,680 --> 00:31:03,360
Speaker 2: She's a beast.

674
00:31:03,520 --> 00:31:05,960
Speaker 3: She's a beast, she's a beast. But yeah, we improvised

675
00:31:06,000 --> 00:31:06,360
Speaker 3: all that.

676
00:31:06,600 --> 00:31:09,080
Speaker 2: I was wondering, how epic is that? Was it the

677
00:31:09,120 --> 00:31:12,000
Speaker 2: McKay way of like, we'll shoot a scene as and

678
00:31:12,040 --> 00:31:14,960
Speaker 2: then you do it, don't even think about the scripts. Yes,

679
00:31:15,080 --> 00:31:16,360
Speaker 2: you just just do that.

680
00:31:16,440 --> 00:31:18,880
Speaker 5: Which is so genius because the script is somewhere in there,

681
00:31:18,920 --> 00:31:21,040
Speaker 5: because you know, you have to get somewhere. It can't

682
00:31:21,080 --> 00:31:25,080
Speaker 5: just be like But then sometimes it went places that I.

683
00:31:25,040 --> 00:31:28,080
Speaker 3: Don't even know, Like we had the state like we're

684
00:31:28,200 --> 00:31:28,640
Speaker 3: so dark.

685
00:31:28,680 --> 00:31:33,600
Speaker 5: We were planning Adam Scott's murder, like in detail why

686
00:31:33,760 --> 00:31:35,040
Speaker 5: we were having sex.

687
00:31:35,600 --> 00:31:39,520
Speaker 3: But like in really graphic like how.

688
00:31:39,360 --> 00:31:41,960
Speaker 5: We would get into the place, who would have a knife,

689
00:31:42,160 --> 00:31:43,080
Speaker 5: who would do the first.

690
00:31:43,280 --> 00:31:44,320
Speaker 3: I mean it was so.

691
00:31:48,280 --> 00:31:50,640
Speaker 2: Even at the end when like everyone, it's at the Catalina.

692
00:31:51,600 --> 00:31:55,360
Speaker 2: When when when willis singing and it's like everyone and

693
00:31:55,360 --> 00:31:59,400
Speaker 2: it cuts to people beautiful singing, gorgeous singing, gorgeous boy

694
00:31:59,560 --> 00:32:02,200
Speaker 2: and you and a gorgeous head voice singing see child

695
00:32:02,240 --> 00:32:05,160
Speaker 2: of Mind too, like you and Patty singing together. Makes

696
00:32:05,200 --> 00:32:11,440
Speaker 2: total sense because parents like Catherin Hank. Yeah right, but anyway.

697
00:32:11,760 --> 00:32:14,320
Speaker 3: Karaoke and what's your song?

698
00:32:14,600 --> 00:32:14,880
Speaker 9: Oh?

699
00:32:14,920 --> 00:32:17,760
Speaker 5: I love a ballad. I love a ballad. I love

700
00:32:17,800 --> 00:32:19,880
Speaker 5: any slow Rihanna song.

701
00:32:20,120 --> 00:32:24,080
Speaker 1: Stay stay Yes it was just a woman was just

702
00:32:24,240 --> 00:32:26,000
Speaker 1: crushing it in the subway last night.

703
00:32:26,080 --> 00:32:26,560
Speaker 3: Stop it.

704
00:32:26,560 --> 00:32:30,360
Speaker 1: I'm telling you, I can't miss the beautiful singing and suffs.

705
00:32:30,760 --> 00:32:32,480
Speaker 1: But then I got and tell them to the subway.

706
00:32:32,720 --> 00:32:37,160
Speaker 1: And the woman is a musical who is actually our

707
00:32:37,200 --> 00:32:39,360
Speaker 1: friend from years back. She just won to Tony. She's

708
00:32:39,400 --> 00:32:41,920
Speaker 1: the first person ever to win the Tony for reading

709
00:32:41,960 --> 00:32:43,719
Speaker 1: the book and score of a musical.

710
00:32:43,840 --> 00:32:44,760
Speaker 2: And she's the lead.

711
00:32:44,920 --> 00:32:48,520
Speaker 5: Okay, I'm so so you are going to love Yeah,

712
00:32:48,520 --> 00:32:49,040
Speaker 5: I can't wait.

713
00:32:49,440 --> 00:32:53,080
Speaker 2: Okay, But anyway, like just to talk about like all

714
00:32:53,280 --> 00:32:56,440
Speaker 2: these like ways that you were so iconic from a

715
00:32:56,480 --> 00:32:59,360
Speaker 2: comedic standpoint like to us. And then I remember I

716
00:32:59,360 --> 00:33:02,240
Speaker 2: watched Revolution and I wrote because there is there was

717
00:33:02,280 --> 00:33:04,120
Speaker 2: that real side of me that really just wants to

718
00:33:04,160 --> 00:33:07,680
Speaker 2: see Kate Winslet in a domestic drama and then to

719
00:33:07,760 --> 00:33:14,280
Speaker 2: see you and that insanely beautiful, so heartbreaking scene at

720
00:33:14,320 --> 00:33:17,440
Speaker 2: the end where you break and is it David Harbor.

721
00:33:17,600 --> 00:33:21,760
Speaker 10: It was so good, just so good, and the tragedy

722
00:33:22,000 --> 00:33:23,840
Speaker 10: and like the way and like I want you to know,

723
00:33:23,960 --> 00:33:26,480
Speaker 10: like having known you from the stuff that we knew

724
00:33:26,480 --> 00:33:30,080
Speaker 10: you from to that, I was like Catherine Hahn and

725
00:33:30,200 --> 00:33:31,880
Speaker 10: I like, that's why it's crazy that.

726
00:33:31,840 --> 00:33:33,600
Speaker 2: You're here, because you really are.

727
00:33:34,000 --> 00:33:38,720
Speaker 3: Oh fucking great, Oh god. I shot at the same

728
00:33:38,760 --> 00:33:40,040
Speaker 3: summer as Stepbrothers.

729
00:33:40,200 --> 00:33:48,320
Speaker 2: Really wow. Sam is like all right, one for fun.

730
00:33:48,560 --> 00:33:49,400
Speaker 3: One for you guys.

731
00:33:50,520 --> 00:33:53,840
Speaker 5: But I mean that's when things started to be like okay, okay, okay,

732
00:33:54,000 --> 00:33:57,120
Speaker 5: like I could actually do this, like I don't have

733
00:33:57,200 --> 00:34:00,440
Speaker 5: to be I didn't think I was comedy and all,

734
00:34:00,520 --> 00:34:01,840
Speaker 5: like I didn't think it was in my bones. I

735
00:34:01,880 --> 00:34:05,520
Speaker 5: was like a serious I studied like serious plays. But

736
00:34:05,560 --> 00:34:08,319
Speaker 5: then I was always the class clown, Like I was

737
00:34:08,360 --> 00:34:09,880
Speaker 5: always the one kind of fucking around.

738
00:34:09,920 --> 00:34:12,440
Speaker 3: So maybe you know that should have taught me something.

739
00:34:13,400 --> 00:34:16,319
Speaker 2: Well, maybe are telling you, but you've broken out of that.

740
00:34:16,440 --> 00:34:19,160
Speaker 5: But I really, yeah, I think it was like working

741
00:34:19,200 --> 00:34:23,120
Speaker 5: with Honestly, I started working with these incredible women writer

742
00:34:23,239 --> 00:34:28,640
Speaker 5: filmmakers that just were excited about you know, I always

743
00:34:28,640 --> 00:34:30,840
Speaker 5: try to fit in instead of being myself, Like I

744
00:34:30,840 --> 00:34:32,560
Speaker 5: always felt like I was trying to hit the mark

745
00:34:32,600 --> 00:34:36,320
Speaker 5: and be the best friend and the quirky best friend,

746
00:34:37,120 --> 00:34:38,800
Speaker 5: but then the pregnant best friend.

747
00:34:39,320 --> 00:34:40,400
Speaker 3: You know, I had like a chapter.

748
00:34:40,520 --> 00:34:45,239
Speaker 5: But then I through McKay actually the first one that

749
00:34:45,360 --> 00:34:48,600
Speaker 5: it was like finally felt anarchic in a way that

750
00:34:48,640 --> 00:34:52,120
Speaker 5: I really dug and I took that into any kind

751
00:34:52,120 --> 00:34:54,880
Speaker 5: of acting moving forward, like the ability to just be

752
00:34:55,080 --> 00:34:59,880
Speaker 5: trusted that whatever you bring is nothing's wrong.

753
00:35:00,400 --> 00:35:03,440
Speaker 2: I love a narcic yeacause like I feel like, Okay,

754
00:35:03,600 --> 00:35:05,279
Speaker 2: you picked this up from McKay and then I feel

755
00:35:05,280 --> 00:35:08,919
Speaker 2: like this relations collaboration you have with Joey Sollaway. Yeah,

756
00:35:08,960 --> 00:35:11,719
Speaker 2: it was kind of that same anarchy. It's like it

757
00:35:12,040 --> 00:35:13,360
Speaker 2: can be anything.

758
00:35:13,080 --> 00:35:15,080
Speaker 5: And I don't think that I would have had the

759
00:35:15,080 --> 00:35:18,240
Speaker 5: same of availability to that had I not done those movies.

760
00:35:18,400 --> 00:35:23,160
Speaker 5: Really yeah, which is so awesome and work with those

761
00:35:23,239 --> 00:35:28,080
Speaker 5: dudes like just to watch Will's his just deftness and

762
00:35:28,120 --> 00:35:31,040
Speaker 5: his like brain just being like I don't understand his brain.

763
00:35:31,080 --> 00:35:32,400
Speaker 3: He's like really.

764
00:35:32,520 --> 00:35:34,920
Speaker 2: Touched angel by an angel.

765
00:35:35,040 --> 00:35:36,080
Speaker 3: He's touched by an angel.

766
00:35:36,440 --> 00:35:39,080
Speaker 2: I think eighty was someone who Adie Brian would work

767
00:35:39,160 --> 00:35:40,360
Speaker 2: like when you became to my house and she was

768
00:35:40,440 --> 00:35:41,759
Speaker 2: just like, he's just someone you look at and you

769
00:35:41,880 --> 00:35:42,520
Speaker 2: like smile.

770
00:35:43,360 --> 00:35:45,440
Speaker 5: I know he's a magic person and he's also like

771
00:35:46,080 --> 00:35:49,600
Speaker 5: a dear, dear, dear person.

772
00:35:49,719 --> 00:35:51,720
Speaker 3: Yeah, yeah, gentle giant.

773
00:35:51,800 --> 00:35:54,920
Speaker 2: I mean this new documentary that's coming out Will and Harper.

774
00:35:54,560 --> 00:35:57,520
Speaker 3: I've seen it about about to See You are going

775
00:35:57,560 --> 00:35:58,880
Speaker 3: to cry.

776
00:35:59,520 --> 00:36:04,360
Speaker 5: It is so moving. It is so beautiful. Both of

777
00:36:04,400 --> 00:36:08,560
Speaker 5: them are just gorgeous. It's really beautiful, incredible.

778
00:36:08,680 --> 00:36:18,120
Speaker 3: Yeah.

779
00:36:18,160 --> 00:36:21,200
Speaker 2: I was just thinking like getting to work with Will,

780
00:36:21,239 --> 00:36:24,520
Speaker 2: and you're saying, like the value in learning like how

781
00:36:24,640 --> 00:36:27,879
Speaker 2: that style and that like ability to improvise like can

782
00:36:27,920 --> 00:36:30,839
Speaker 2: then like inform the scripted work or that stuff. That's

783
00:36:30,880 --> 00:36:33,720
Speaker 2: more you know on the years later. What I feel

784
00:36:33,960 --> 00:36:36,680
Speaker 2: like is that's why it's so important when you're working.

785
00:36:37,080 --> 00:36:40,279
Speaker 2: I love the directors and the showrunners that allow and

786
00:36:40,320 --> 00:36:42,799
Speaker 2: you don't you don't always get that time because it's hard.

787
00:36:42,840 --> 00:36:45,359
Speaker 2: Like something people might not know about production is it's

788
00:36:45,360 --> 00:36:47,279
Speaker 2: a jam, you know what I mean, Like it's like

789
00:36:47,400 --> 00:36:50,120
Speaker 2: a time crunch. But when you get that opportunity to

790
00:36:50,800 --> 00:36:53,399
Speaker 2: have that one take, Like I just worked with Liz

791
00:36:53,400 --> 00:36:56,239
Speaker 2: Feldman and like, actually Tiana Parris is in that show too,

792
00:36:56,320 --> 00:37:00,000
Speaker 2: is coming out later this year's Age and she can

793
00:37:00,080 --> 00:37:00,600
Speaker 2: do it all too.

794
00:37:00,719 --> 00:37:01,600
Speaker 3: She can do it all.

795
00:37:01,880 --> 00:37:04,200
Speaker 2: But she always was like, okay, and then we're going

796
00:37:04,280 --> 00:37:06,360
Speaker 2: to do the fun run. And those are my favorite

797
00:37:06,400 --> 00:37:09,320
Speaker 2: words because I know that that's a lot where a

798
00:37:09,360 --> 00:37:11,239
Speaker 2: lot of this stuff really comes from. And when you

799
00:37:11,320 --> 00:37:14,520
Speaker 2: feel like you're rushed out of something whatever you say,

800
00:37:14,600 --> 00:37:16,600
Speaker 2: they got it, they know what they're doing, but the

801
00:37:16,880 --> 00:37:20,440
Speaker 2: opportunity is something that's not always there and get.

802
00:37:20,320 --> 00:37:22,799
Speaker 3: It all out. I feel like there's no stone on

803
00:37:23,000 --> 00:37:24,960
Speaker 3: left unturned. Yeah, and you're right.

804
00:37:25,080 --> 00:37:30,160
Speaker 5: Joey Soloway like working with them was really did shift

805
00:37:30,400 --> 00:37:33,239
Speaker 5: that movie. Afternoon to Light kind of changed all of

806
00:37:33,280 --> 00:37:36,440
Speaker 5: our perspectives on what it is to make something because

807
00:37:36,719 --> 00:37:39,360
Speaker 5: you never knew where where the camera was.

808
00:37:39,520 --> 00:37:41,120
Speaker 2: Yeah, it kept liberating.

809
00:37:41,320 --> 00:37:44,640
Speaker 5: He was such an emotional camera operator that he would

810
00:37:44,680 --> 00:37:48,640
Speaker 5: just like follow where the scene was all the beats of.

811
00:37:49,000 --> 00:37:50,320
Speaker 3: It was that was amazing?

812
00:37:50,480 --> 00:37:53,520
Speaker 1: Yeah, yeah, yeah, just having that that like leader like

813
00:37:53,640 --> 00:37:56,799
Speaker 1: doing the project that's interested in that. Yes, And like

814
00:37:56,880 --> 00:37:59,200
Speaker 1: I would also say, like that's why it's great to like,

815
00:37:59,400 --> 00:38:03,160
Speaker 1: you know, not whenever anyone that's in obviously money, use

816
00:38:03,200 --> 00:38:05,799
Speaker 1: money or whatever, but like to not feel like every

817
00:38:05,840 --> 00:38:07,680
Speaker 1: single second of every single day you have to just

818
00:38:07,680 --> 00:38:10,040
Speaker 1: like get it, like it's such a gift like for

819
00:38:10,080 --> 00:38:12,200
Speaker 1: that to not be the situation I think nowadays.

820
00:38:12,440 --> 00:38:15,319
Speaker 5: Yes, although I would say too that sometimes when there's

821
00:38:15,360 --> 00:38:19,879
Speaker 5: like tight constraints, like if it's time or money, there

822
00:38:19,960 --> 00:38:23,160
Speaker 5: is like a real freedom and excitement to have to

823
00:38:23,239 --> 00:38:24,879
Speaker 5: do it, like you don't have a lot of time.

824
00:38:25,080 --> 00:38:27,640
Speaker 5: Like I kind of like that feeling too, being like okay,

825
00:38:27,719 --> 00:38:30,560
Speaker 5: gotta make a decision. Can't like waffle, like you know,

826
00:38:30,719 --> 00:38:32,879
Speaker 5: you can't like try everything, so like this is it.

827
00:38:32,960 --> 00:38:35,600
Speaker 3: I gotta like I gotta really play it. Yeah, you

828
00:38:35,640 --> 00:38:36,520
Speaker 3: know this has to be.

829
00:38:37,080 --> 00:38:41,239
Speaker 5: This has to matter because otherwise that's it and that's

830
00:38:41,280 --> 00:38:41,960
Speaker 5: what they'll use.

831
00:38:42,400 --> 00:38:43,840
Speaker 2: And you tend not to look back and be like

832
00:38:43,920 --> 00:38:46,800
Speaker 2: I should have done that always Okay.

833
00:38:46,680 --> 00:38:49,840
Speaker 5: I barely I hate watching myself, like I never like

834
00:38:49,920 --> 00:38:52,759
Speaker 5: the monitors. A lot of people will want to go

835
00:38:52,800 --> 00:38:55,319
Speaker 5: look at what they've done, and I'm like, if I

836
00:38:55,560 --> 00:38:58,120
Speaker 5: start looking at it, I'll be looking at the wrong stuff.

837
00:38:59,120 --> 00:39:02,279
Speaker 3: I would just like God and got those bags. Yeah yeah, yeah,

838
00:39:02,280 --> 00:39:03,000
Speaker 3: I just couldn't.

839
00:39:03,800 --> 00:39:06,320
Speaker 1: So I can't see yourself. And I mean what I

840
00:39:06,360 --> 00:39:08,600
Speaker 1: mean is that's not like being like you can't see yourself.

841
00:39:08,640 --> 00:39:11,120
Speaker 1: What I'm saying is like people, yes, and.

842
00:39:11,280 --> 00:39:16,319
Speaker 5: Not especially with like Zoom and Marco Polo. I think

843
00:39:16,360 --> 00:39:20,680
Speaker 5: people are getting crazy about their own appearance.

844
00:39:21,120 --> 00:39:22,440
Speaker 2: Yes, you're a Marco polar person.

845
00:39:22,920 --> 00:39:25,520
Speaker 3: I love I love I love it.

846
00:39:25,560 --> 00:39:28,120
Speaker 5: I love it, especially when traveling and then you still

847
00:39:28,239 --> 00:39:29,160
Speaker 5: stay connected.

848
00:39:29,840 --> 00:39:31,040
Speaker 3: I love.

849
00:39:32,520 --> 00:39:32,960
Speaker 2: You, love it.

850
00:39:33,000 --> 00:39:34,160
Speaker 3: I love it.

851
00:39:34,560 --> 00:39:38,720
Speaker 2: But the different voices, different different voices effects the people

852
00:39:38,719 --> 00:39:40,520
Speaker 2: that I was like in Marco Polo with like have

853
00:39:40,680 --> 00:39:42,440
Speaker 2: kind of fallen off and I kind of missed it.

854
00:39:42,560 --> 00:39:44,800
Speaker 2: So we had a Marco Polo called kor Talk. This

855
00:39:44,920 --> 00:39:50,160
Speaker 2: is early days of Quarantine Quarantine Core Talk. It was me,

856
00:39:50,480 --> 00:39:53,080
Speaker 2: Joe Firestone, Josh Sharp, Cola Scola and then the four

857
00:39:53,120 --> 00:39:55,000
Speaker 2: of us been checking every day and then we just

858
00:39:55,040 --> 00:39:57,319
Speaker 2: like sort of fell off, like we need to bring

859
00:39:57,360 --> 00:40:00,919
Speaker 2: back Marco Polio. It's visual voicemail. It's so easy. It's

860
00:40:00,920 --> 00:40:01,200
Speaker 2: like you.

861
00:40:01,200 --> 00:40:04,120
Speaker 5: Just have like four friends and we and my daughter

862
00:40:04,200 --> 00:40:07,319
Speaker 5: sometimes since she always does like she'll sometimes do like

863
00:40:07,560 --> 00:40:09,759
Speaker 5: a try on at a store, be like what about you?

864
00:40:09,840 --> 00:40:13,160
Speaker 5: That's so helpful and it's so freaking cute.

865
00:40:13,640 --> 00:40:15,440
Speaker 3: It's just I want to say, I mean, I want

866
00:40:15,440 --> 00:40:15,960
Speaker 3: to save them.

867
00:40:16,160 --> 00:40:17,920
Speaker 5: But that's kind of brilliant thing about it is that

868
00:40:18,239 --> 00:40:21,439
Speaker 5: they're always there, but just for you, us us, Yeah,

869
00:40:21,440 --> 00:40:25,760
Speaker 5: the owners of them are or whatever. Yeah, it's real private.

870
00:40:25,960 --> 00:40:28,000
Speaker 2: Which I like, Yeah, you keep it together.

871
00:40:28,080 --> 00:40:29,960
Speaker 3: I think we I just keep it in house.

872
00:40:30,280 --> 00:40:32,160
Speaker 2: In house. I mean, you could just go back. I

873
00:40:32,160 --> 00:40:33,719
Speaker 2: could just go back to March twenty twenty and like

874
00:40:34,400 --> 00:40:37,360
Speaker 2: get a visual diary of like, well, like this is

875
00:40:37,360 --> 00:40:39,400
Speaker 2: going to last. It's like crazy to think about it.

876
00:40:39,320 --> 00:40:42,080
Speaker 5: It is so crazy to think about It's like intimate

877
00:40:42,280 --> 00:40:42,920
Speaker 5: and all that stuff.

878
00:40:43,040 --> 00:40:45,600
Speaker 2: Yes, the next thing we'll think about is the central

879
00:40:45,640 --> 00:40:50,080
Speaker 2: question of this podcast. So this is the you know

880
00:40:50,160 --> 00:40:50,880
Speaker 2: my segues.

881
00:40:50,960 --> 00:40:52,759
Speaker 1: Over the years we've done this now for about eight

882
00:40:52,760 --> 00:40:54,280
Speaker 1: and a half years, they're getting worse.

883
00:40:54,560 --> 00:40:57,920
Speaker 2: No, that was amazing. You thought that was amazing. Amazing.

884
00:40:57,960 --> 00:40:58,360
Speaker 2: I thought so.

885
00:40:58,840 --> 00:41:01,279
Speaker 5: I mean, listen, I thought it was important to get

886
00:41:01,280 --> 00:41:02,319
Speaker 5: to the question.

887
00:41:03,280 --> 00:41:06,320
Speaker 2: And was amazing.

888
00:41:07,360 --> 00:41:10,680
Speaker 3: Money it's time. Will Ferrell's out there with a stopwatch.

889
00:41:13,719 --> 00:41:14,719
Speaker 3: Oh he really does.

890
00:41:16,040 --> 00:41:18,480
Speaker 5: Okay, I want to talk about how long that until

891
00:41:18,480 --> 00:41:19,920
Speaker 5: you got to the central question?

892
00:41:21,719 --> 00:41:23,080
Speaker 2: Here's my notes boys.

893
00:41:23,840 --> 00:41:27,360
Speaker 1: So we asked everybody that comes through here, what was

894
00:41:27,400 --> 00:41:30,120
Speaker 1: the culture that made you say culture was for you?

895
00:41:30,280 --> 00:41:33,880
Speaker 1: Meaning the pop culture that you can remember that you,

896
00:41:34,360 --> 00:41:37,480
Speaker 1: Catherine Han now are like little Catherine Han then may

897
00:41:37,480 --> 00:41:39,120
Speaker 1: have started becoming because of this.

898
00:41:39,400 --> 00:41:41,680
Speaker 5: Well, you know, when I first heard that this was

899
00:41:41,680 --> 00:41:43,360
Speaker 5: a question, I was going to say, Italy.

900
00:41:44,239 --> 00:41:44,640
Speaker 2: I love.

901
00:41:45,160 --> 00:41:48,160
Speaker 3: I love the food, I love the I love the last.

902
00:41:50,680 --> 00:41:54,280
Speaker 5: I love the air, the cheese, the bread, the disco,

903
00:41:55,800 --> 00:41:57,000
Speaker 5: I just love it.

904
00:41:57,280 --> 00:41:58,200
Speaker 3: I love the club.

905
00:41:59,400 --> 00:42:01,759
Speaker 2: That's very but those are all wonderful, sumptuous things that

906
00:42:01,880 --> 00:42:02,879
Speaker 2: I feel like you connect with.

907
00:42:03,000 --> 00:42:06,720
Speaker 5: Italian things like a little pool in the middle of nowhere.

908
00:42:06,800 --> 00:42:09,759
Speaker 2: That's an amazing answer. It want to change the end?

909
00:42:09,800 --> 00:42:12,160
Speaker 5: Well, then I thought, oh, if it was yes, no,

910
00:42:12,320 --> 00:42:14,239
Speaker 5: if I didn't, if I had to.

911
00:42:14,560 --> 00:42:16,600
Speaker 2: If Italy wasn't even on the map, if.

912
00:42:16,560 --> 00:42:23,880
Speaker 5: Italy didn't exist, perish the thought I would say.

913
00:42:24,080 --> 00:42:25,920
Speaker 3: Then it was techno music.

914
00:42:26,880 --> 00:42:29,759
Speaker 5: It was when I was introduced to be I don't

915
00:42:29,760 --> 00:42:31,960
Speaker 5: know if you'd call b York, but b York New

916
00:42:32,120 --> 00:42:35,359
Speaker 5: Order that all that kind of music was just like

917
00:42:35,680 --> 00:42:40,200
Speaker 5: that was my again, my club hopping days, it was earlier,

918
00:42:40,360 --> 00:42:42,960
Speaker 5: but that really moved me in ways that I did

919
00:42:43,000 --> 00:42:45,000
Speaker 5: not feel before I was in a family of like

920
00:42:45,040 --> 00:42:47,279
Speaker 5: there's a lot of classical music in Cleveland. There's a

921
00:42:47,360 --> 00:42:51,799
Speaker 5: lot of hard dumb rock, not even rock here, just

922
00:42:51,840 --> 00:42:56,000
Speaker 5: like it was just yeah, it's just shredding, just like

923
00:42:56,040 --> 00:42:58,280
Speaker 5: a lot of like pour some sugar on mean, no fence.

924
00:42:58,360 --> 00:43:00,440
Speaker 3: But you know it didn't really hit me.

925
00:43:00,640 --> 00:43:02,760
Speaker 2: Yeah, yeah, it wasn't for me totally.

926
00:43:02,880 --> 00:43:05,839
Speaker 5: But there was something about this that like we could

927
00:43:05,840 --> 00:43:09,440
Speaker 5: all like let our freak flags for like fly hit

928
00:43:09,480 --> 00:43:14,319
Speaker 5: you from y Yeah, I felt Bjork's music and I

929
00:43:14,480 --> 00:43:16,320
Speaker 5: just was like, who is this person?

930
00:43:17,080 --> 00:43:17,279
Speaker 2: Yeah?

931
00:43:17,320 --> 00:43:18,720
Speaker 3: I still that's that's.

932
00:43:18,800 --> 00:43:22,600
Speaker 2: That's a narcic it's like uncaptured. Yeah, it's like it's

933
00:43:22,680 --> 00:43:24,719
Speaker 2: just if you're talking about like general techno, it's just

934
00:43:24,760 --> 00:43:27,440
Speaker 2: like the loop of it, right, just get lost in

935
00:43:27,560 --> 00:43:29,160
Speaker 2: like the sound and.

936
00:43:29,120 --> 00:43:32,400
Speaker 5: Also that beat can be so solid. Yeah, and a

937
00:43:32,400 --> 00:43:36,560
Speaker 5: lot of techno but York. You know that she uses

938
00:43:36,680 --> 00:43:40,879
Speaker 5: real stuff to make those I mean or whatever, Yeah,

939
00:43:41,400 --> 00:43:43,040
Speaker 5: basketball bouncing around.

940
00:43:43,600 --> 00:43:47,040
Speaker 3: She just is one in a gazillion.

941
00:43:47,160 --> 00:43:49,600
Speaker 2: I love this and I don't think you've ever had

942
00:43:49,640 --> 00:43:50,680
Speaker 2: anyone say York.

943
00:43:51,080 --> 00:43:51,239
Speaker 4: You know.

944
00:43:52,200 --> 00:43:54,279
Speaker 1: A couple of years ago, I went to Coachella and

945
00:43:54,320 --> 00:43:57,000
Speaker 1: B York was on the Coachella stage and she did

946
00:43:57,120 --> 00:44:00,880
Speaker 1: an orchestral set and it was so funny because a

947
00:44:00,920 --> 00:44:02,799
Speaker 1: lot of people were there for Byork and they I

948
00:44:02,840 --> 00:44:04,799
Speaker 1: think they maybe thought they were getting like.

949
00:44:06,920 --> 00:44:10,319
Speaker 2: This is like, but the people those who knew what

950
00:44:10,400 --> 00:44:11,799
Speaker 2: she was going to be doing, Yeah, it.

951
00:44:11,760 --> 00:44:15,480
Speaker 1: Was fully just her in a full orchestra and it

952
00:44:15,600 --> 00:44:20,319
Speaker 1: was still as Byork as any other Byork, but just

953
00:44:20,320 --> 00:44:22,319
Speaker 1: that she's an artist that can go up there and

954
00:44:22,880 --> 00:44:24,640
Speaker 1: it's constantly surprised and.

955
00:44:25,440 --> 00:44:28,000
Speaker 5: In that way, yes, that is that is we were

956
00:44:28,040 --> 00:44:30,920
Speaker 5: having a debate, is like what pop star has been

957
00:44:30,960 --> 00:44:34,120
Speaker 5: able to evolve and not kind of feel like they

958
00:44:34,120 --> 00:44:39,280
Speaker 5: have to stay somewhere to get Cringey have the same wardrobe,

959
00:44:39,360 --> 00:44:42,920
Speaker 5: the same kind of sound. She's someone that I feel

960
00:44:42,920 --> 00:44:45,640
Speaker 5: like is constantly and I feel like Adele too, Like

961
00:44:45,719 --> 00:44:49,080
Speaker 5: that is person that is going to keep growing.

962
00:44:49,400 --> 00:44:51,400
Speaker 3: But yeah, I mean I saw this video of New

963
00:44:51,440 --> 00:44:51,960
Speaker 3: York recently.

964
00:44:51,960 --> 00:44:53,239
Speaker 5: I don't know if you've seen it, but it's just

965
00:44:53,320 --> 00:44:57,920
Speaker 5: her on lava Rocks in Iceland in this little hut

966
00:44:58,040 --> 00:45:02,160
Speaker 5: where she made that album life, what you.

967
00:45:02,120 --> 00:45:07,440
Speaker 2: Are talking about a witch? That is, she's.

968
00:45:06,600 --> 00:45:10,840
Speaker 3: Just conjuring brilliant shit. Yes, exactly.

969
00:45:11,040 --> 00:45:13,160
Speaker 2: Sound favorite back album.

970
00:45:13,960 --> 00:45:16,239
Speaker 5: Oh it's got to be the well I loved her

971
00:45:16,280 --> 00:45:21,560
Speaker 5: from Sugar Cubes, which before I would say, actually, what's

972
00:45:21,600 --> 00:45:23,560
Speaker 5: the one from the movie that she did?

973
00:45:23,880 --> 00:45:28,040
Speaker 1: Oh, Dancer in the Dark. Yes, Love, I've seen it

974
00:45:28,080 --> 00:45:30,280
Speaker 1: all is maybe one of the best of It.

975
00:45:30,120 --> 00:45:31,919
Speaker 3: Makes me want to cry thinking about it.

976
00:45:31,960 --> 00:45:34,160
Speaker 2: And that performance on the Oscars. I remember I was

977
00:45:34,200 --> 00:45:34,960
Speaker 2: like seven or eight.

978
00:45:35,040 --> 00:45:35,960
Speaker 3: I don't think I saw that.

979
00:45:36,360 --> 00:45:38,600
Speaker 2: Oh, this is where she famously wore the Swan dress.

980
00:45:38,640 --> 00:45:40,800
Speaker 1: Oh, yes, of course she was on all those I

981
00:45:40,840 --> 00:45:42,799
Speaker 1: remember she was on all the worst dress lists because

982
00:45:42,800 --> 00:45:45,000
Speaker 1: people just didn't understand it.

983
00:45:44,840 --> 00:45:46,759
Speaker 3: And then people mimicked it and it was like so dumb.

984
00:45:46,880 --> 00:45:47,040
Speaker 4: Yeah.

985
00:45:47,080 --> 00:45:49,160
Speaker 1: Yeah, it was like the easy comedy of the yes,

986
00:45:49,560 --> 00:45:52,719
Speaker 1: but obviously on face value, it's like very very American

987
00:45:52,760 --> 00:45:55,120
Speaker 1: thing to like make fun of her for doing that,

988
00:45:55,200 --> 00:45:57,360
Speaker 1: because again, like they wouldn't get it.

989
00:45:58,640 --> 00:46:00,640
Speaker 2: Comedy of that time, like look at the stupid woman

990
00:46:00,640 --> 00:46:01,680
Speaker 2: wearing a stupid thing.

991
00:46:02,080 --> 00:46:05,120
Speaker 1: Dumb rock, dumb ships, like hard dumb rock, it's like

992
00:46:05,160 --> 00:46:08,520
Speaker 1: hard dumb rock comedy like York Swan Dress.

993
00:46:08,520 --> 00:46:09,399
Speaker 2: It's like, okay, I think.

994
00:46:09,320 --> 00:46:12,359
Speaker 3: There's still poker stor like that, which is like you guys.

995
00:46:12,320 --> 00:46:15,040
Speaker 2: Yeah, well they exist. I mean yes, But that was

996
00:46:15,200 --> 00:46:19,080
Speaker 2: that that performance she was really acting on stage and

997
00:46:19,120 --> 00:46:21,600
Speaker 2: like it was just this insane, beautiful moment. And I

998
00:46:21,600 --> 00:46:24,080
Speaker 2: remember watching it at the time being like I don't

999
00:46:24,120 --> 00:46:26,120
Speaker 2: get this at all because I was seven and from

1000
00:46:26,160 --> 00:46:26,680
Speaker 2: Long Island.

1001
00:46:27,040 --> 00:46:29,719
Speaker 1: But then like years later I started again and I

1002
00:46:29,760 --> 00:46:34,359
Speaker 1: was like, wow, this is truly art, Like she's like

1003
00:46:34,520 --> 00:46:35,480
Speaker 1: really living that.

1004
00:46:35,880 --> 00:46:36,839
Speaker 3: She there's my thing.

1005
00:46:36,920 --> 00:46:39,479
Speaker 5: My other favorite song is stone Milker and I don't

1006
00:46:39,480 --> 00:46:41,279
Speaker 5: know what albums on, but I want you guys to listen.

1007
00:46:41,280 --> 00:46:44,440
Speaker 2: Stone Milker is the the yellow one. I just know

1008
00:46:44,480 --> 00:46:45,120
Speaker 2: the color.

1009
00:46:45,760 --> 00:46:47,760
Speaker 3: Oh that's kind of amazing.

1010
00:46:47,760 --> 00:46:48,040
Speaker 5: I don't know.

1011
00:46:48,520 --> 00:46:59,080
Speaker 2: We're we really were dealing with sensory.

1012
00:46:55,560 --> 00:46:57,680
Speaker 5: But like it was all that music that I was

1013
00:46:57,760 --> 00:47:00,000
Speaker 5: just like, I just think that all of that blue

1014
00:47:00,080 --> 00:47:03,160
Speaker 5: my mind and really made me like I feel like

1015
00:47:03,680 --> 00:47:04,520
Speaker 5: these are my people.

1016
00:47:05,080 --> 00:47:07,640
Speaker 3: I don't know, there's something in it that was like felt.

1017
00:47:07,640 --> 00:47:09,880
Speaker 5: So I'd say that kind of shifted something for me

1018
00:47:10,239 --> 00:47:13,960
Speaker 5: that I didn't have to just exist in this like male, big,

1019
00:47:14,800 --> 00:47:19,680
Speaker 5: big sounding guitar. You know, dudes with I was gonna

1020
00:47:19,680 --> 00:47:24,440
Speaker 5: say dudes with tang chops on. But well, so you

1021
00:47:24,480 --> 00:47:25,760
Speaker 5: said that those Magic Johnson.

1022
00:47:25,840 --> 00:47:28,560
Speaker 3: I'm very surprised how Slender was.

1023
00:47:28,800 --> 00:47:31,600
Speaker 1: So I can't say this was his real jersey, but

1024
00:47:31,800 --> 00:47:35,680
Speaker 1: if it was, you're real his real jersey.

1025
00:47:39,000 --> 00:47:40,520
Speaker 3: This should be in a hard rock That should be

1026
00:47:40,520 --> 00:47:41,440
Speaker 3: in a plexi glass.

1027
00:47:41,440 --> 00:47:45,080
Speaker 2: Hey, the table of someone eating likest exactly.

1028
00:47:45,120 --> 00:47:50,360
Speaker 9: That should be in a planet Hollywood, and it'll be

1029
00:47:50,520 --> 00:47:58,320
Speaker 9: Matt Rogers's j Magic Johnson jersey, Magic Johnson's Lighter Days exactly.

1030
00:47:59,080 --> 00:48:01,120
Speaker 1: Have you I was just to speak on the techno

1031
00:48:01,120 --> 00:48:02,520
Speaker 1: thing a little bit more. Have you been to Berlin?

1032
00:48:03,120 --> 00:48:05,520
Speaker 3: Yeah, we just came back from Berlin. Oh yeah, but

1033
00:48:05,640 --> 00:48:08,600
Speaker 3: we didn't get to do anything in that We were working.

1034
00:48:08,640 --> 00:48:09,280
Speaker 2: Are you busy?

1035
00:48:09,520 --> 00:48:12,800
Speaker 3: But I want to go do it? They're so bad.

1036
00:48:13,520 --> 00:48:16,560
Speaker 2: Yes, we're talking about Berghine. Well we're talking about the

1037
00:48:16,600 --> 00:48:18,680
Speaker 2: whole city. But I mean, are you trying to get

1038
00:48:18,680 --> 00:48:20,520
Speaker 2: into the burg hind But you're ahead, like you're a

1039
00:48:20,560 --> 00:48:22,560
Speaker 2: techno head like that, you get it? They would read

1040
00:48:22,600 --> 00:48:24,520
Speaker 2: you and they would sense it. They would sense it.

1041
00:48:24,960 --> 00:48:27,600
Speaker 5: I would want to Now I also heard stories of

1042
00:48:27,640 --> 00:48:31,279
Speaker 5: Berlin which are fascinating to me. They're like clubs with

1043
00:48:31,800 --> 00:48:34,319
Speaker 5: like grates that you can walk above it and just

1044
00:48:34,560 --> 00:48:36,080
Speaker 5: urated on the people bel Oh.

1045
00:48:36,000 --> 00:48:39,840
Speaker 2: Yeah, yeah, that sounds like we have not been to

1046
00:48:39,880 --> 00:48:40,640
Speaker 2: the clubs ourselves.

1047
00:48:40,680 --> 00:48:42,319
Speaker 3: I just said, it is amazing to me.

1048
00:48:42,760 --> 00:48:46,719
Speaker 2: We were there really briefly Glory Hole.

1049
00:48:46,600 --> 00:48:48,560
Speaker 5: But like there're so there. That's what I love about

1050
00:48:48,760 --> 00:48:49,960
Speaker 5: hearing about Berlin is.

1051
00:48:49,880 --> 00:48:51,480
Speaker 2: It's just like lawless.

1052
00:48:51,880 --> 00:48:55,960
Speaker 5: Lawless, huh, I mean not what we were No. No,

1053
00:48:56,560 --> 00:48:59,200
Speaker 5: you're on a dance floor and a song comes on

1054
00:48:59,320 --> 00:49:04,240
Speaker 5: from that time. It just it really you can feel

1055
00:49:04,239 --> 00:49:06,520
Speaker 5: the energy in the room like it's different.

1056
00:49:06,640 --> 00:49:09,400
Speaker 3: It's just like there's there's such a quality to it too,

1057
00:49:09,560 --> 00:49:10,239
Speaker 3: because it's new.

1058
00:49:10,320 --> 00:49:13,840
Speaker 5: It's like brand new. Yeah, so I just love that

1059
00:49:14,000 --> 00:49:16,040
Speaker 5: sound or it's just like it's brand new. And it's

1060
00:49:16,040 --> 00:49:17,680
Speaker 5: also like I don't know if you guys agree with this,

1061
00:49:17,760 --> 00:49:21,600
Speaker 5: but it's like perfectly ephemeral. It's like whoever you meet

1062
00:49:21,640 --> 00:49:24,080
Speaker 5: on the dance floor is someone that you are going

1063
00:49:24,160 --> 00:49:26,000
Speaker 5: to connect with meaningfully, but like you may not ever

1064
00:49:26,040 --> 00:49:28,120
Speaker 5: see again. Yes, and that's okay, but and not in

1065
00:49:28,160 --> 00:49:30,239
Speaker 5: like a sexual or like no, it's just just on

1066
00:49:30,280 --> 00:49:32,200
Speaker 5: a spiritual level, like yeah.

1067
00:49:32,040 --> 00:49:34,080
Speaker 2: Connecting with you and like look like and then we'll

1068
00:49:34,120 --> 00:49:35,160
Speaker 2: just like, yeah, you're in a.

1069
00:49:35,120 --> 00:49:37,360
Speaker 3: Trip with that person. You're on my good trip.

1070
00:49:37,520 --> 00:49:38,680
Speaker 2: Yeah, ah beautiful.

1071
00:49:38,760 --> 00:49:39,040
Speaker 5: I know.

1072
00:49:41,000 --> 00:49:44,160
Speaker 2: We gotta go again. We gotta go again, you gotta

1073
00:49:44,480 --> 00:49:45,279
Speaker 2: I gotta go again.

1074
00:49:45,320 --> 00:49:47,120
Speaker 3: But you know what I gotta do with a good

1075
00:49:47,239 --> 00:49:48,000
Speaker 3: couple of months.

1076
00:49:48,400 --> 00:49:52,280
Speaker 5: But on the other side, because huh mama, it takes

1077
00:49:52,360 --> 00:49:52,799
Speaker 5: longer for.

1078
00:49:52,880 --> 00:49:58,200
Speaker 3: Her to recover. I mean it, every single day gets harder.

1079
00:49:58,239 --> 00:50:00,440
Speaker 2: We're falling off a cliff personally.

1080
00:50:00,120 --> 00:50:04,960
Speaker 5: Like, yeah, no, every day it's difficult to look in

1081
00:50:05,000 --> 00:50:06,400
Speaker 5: the mirror right off the bat.

1082
00:50:06,640 --> 00:50:07,279
Speaker 2: Right off the bat.

1083
00:50:08,120 --> 00:50:11,239
Speaker 1: Wonder here is really tough, especially when you realize it's

1084
00:50:11,280 --> 00:50:12,879
Speaker 1: like it's not like I didn't get no, Like.

1085
00:50:12,840 --> 00:50:15,360
Speaker 3: God, you guys are gorgeous, well so are.

1086
00:50:15,239 --> 00:50:19,000
Speaker 1: You, but like you can't see yourself. You can't until

1087
00:50:19,040 --> 00:50:21,600
Speaker 1: you can the morning after you've partied and you realize

1088
00:50:21,680 --> 00:50:23,480
Speaker 1: it's not that I didn't get enough of sleep, it's

1089
00:50:23,520 --> 00:50:26,399
Speaker 1: that there's just less collagen there than there used to be.

1090
00:50:26,360 --> 00:50:31,840
Speaker 5: And it's filled with Rose's. Oh yeah, one day I

1091
00:50:31,880 --> 00:50:33,640
Speaker 5: woke up and I was like, oh my god, I.

1092
00:50:33,600 --> 00:50:34,000
Speaker 2: Have like that.

1093
00:50:34,480 --> 00:50:39,000
Speaker 5: It was wad balls because one I had drooped so low,

1094
00:50:39,120 --> 00:50:42,520
Speaker 5: like my eyebrows were so opposite.

1095
00:50:43,080 --> 00:50:44,960
Speaker 3: It was really noticeable.

1096
00:50:45,320 --> 00:50:46,120
Speaker 2: Just like you.

1097
00:50:47,120 --> 00:50:47,879
Speaker 3: It really was like.

1098
00:50:50,880 --> 00:50:52,719
Speaker 2: It was Harvey. It was it was tooth theory on

1099
00:50:52,719 --> 00:50:59,080
Speaker 2: one side and exactly yea is the title?

1100
00:51:00,800 --> 00:51:01,040
Speaker 5: Yeah?

1101
00:51:01,360 --> 00:51:04,120
Speaker 2: Oh yeah, wait, hold on, I'm now compelled. I don't

1102
00:51:04,120 --> 00:51:06,160
Speaker 2: know why to ask you. If you love Disney, what's

1103
00:51:06,160 --> 00:51:07,560
Speaker 2: your favorite ride or attraction?

1104
00:51:07,960 --> 00:51:10,239
Speaker 3: Okay, my favorite ride, and.

1105
00:51:10,160 --> 00:51:11,720
Speaker 2: You're now a spokesperson for the company.

1106
00:51:11,800 --> 00:51:15,360
Speaker 3: Remember my mouse ears disappear on my head.

1107
00:51:16,120 --> 00:51:21,600
Speaker 5: My favorite ride is space Okay, would say Space Mountain,

1108
00:51:21,719 --> 00:51:24,000
Speaker 5: Space Mountain, the inside one.

1109
00:51:23,880 --> 00:51:27,200
Speaker 3: That has the trippiest music and all the lights.

1110
00:51:27,440 --> 00:51:28,120
Speaker 2: Space Mountain.

1111
00:51:30,520 --> 00:51:32,640
Speaker 3: I love that, and I love also.

1112
00:51:34,040 --> 00:51:39,080
Speaker 2: The it's a memory play go yecast.

1113
00:51:39,200 --> 00:51:42,200
Speaker 5: What's the one that's like al It's like an Alpine

1114
00:51:42,280 --> 00:51:46,400
Speaker 5: one horn. Not great for the neck anymore, but I

1115
00:51:46,480 --> 00:51:47,160
Speaker 5: really love it.

1116
00:51:47,440 --> 00:51:51,600
Speaker 2: That's really bad for the neck, Darling.

1117
00:51:51,760 --> 00:51:53,719
Speaker 5: You have to like press yourself against the back of

1118
00:51:53,760 --> 00:51:55,640
Speaker 5: it because I can't handle anymore.

1119
00:51:56,040 --> 00:51:59,120
Speaker 2: Those are both like I would say, like single file,

1120
00:51:59,280 --> 00:52:01,799
Speaker 2: like flu ask not flumes. There's no water, but it's

1121
00:52:01,800 --> 00:52:03,520
Speaker 2: like you're on. It's just like you're on. It's a

1122
00:52:03,520 --> 00:52:08,160
Speaker 2: bob sled. It's a slow one of the great, A

1123
00:52:08,200 --> 00:52:14,760
Speaker 2: sip of water, right, swallow down. I gotta hawk this slalom,

1124
00:52:14,800 --> 00:52:16,080
Speaker 2: not hawk the slalom.

1125
00:52:16,120 --> 00:52:18,840
Speaker 1: I absolutely love it. It was somehow Shakespeare when you

1126
00:52:18,840 --> 00:52:21,319
Speaker 1: said it, it was somehow gorgeous. You know how you know

1127
00:52:21,360 --> 00:52:31,040
Speaker 1: your old must full? You know you're old when you

1128
00:52:31,120 --> 00:52:34,160
Speaker 1: go on one. I'm going to six Flags on Friday.

1129
00:52:34,280 --> 00:52:39,440
Speaker 2: Oh that on one and your you feel like your

1130
00:52:39,480 --> 00:52:42,279
Speaker 2: stomach is in your shoulder. It's like suddenly a g

1131
00:52:42,520 --> 00:52:44,920
Speaker 2: force like is like, yes.

1132
00:52:46,200 --> 00:52:49,560
Speaker 5: Your brain is still three feet above your head, and

1133
00:52:49,560 --> 00:52:50,759
Speaker 5: you're like, you know what I need right now?

1134
00:52:50,760 --> 00:52:51,359
Speaker 3: A corn dog?

1135
00:52:51,520 --> 00:52:56,040
Speaker 2: Yeah, make it better, I said. The next day, after

1136
00:52:56,040 --> 00:52:58,520
Speaker 2: you go to Disney or any theme park, your stomach

1137
00:52:58,600 --> 00:52:59,279
Speaker 2: is a rock.

1138
00:53:00,640 --> 00:53:03,719
Speaker 5: Nothing's happening for days, and you just think to yourself like, yeah,

1139
00:53:03,800 --> 00:53:05,120
Speaker 5: come on, we're here, let's do it.

1140
00:53:05,200 --> 00:53:06,439
Speaker 2: Let's consume it all.

1141
00:53:06,640 --> 00:53:10,239
Speaker 3: Yeah, we're here. We might as well. Hey, I'm gonna

1142
00:53:10,280 --> 00:53:18,759
Speaker 3: have a true knock auro. True is a cat true true.

1143
00:53:15,080 --> 00:53:18,719
Speaker 5: Ju It's like a thing you give to cats that

1144
00:53:18,800 --> 00:53:21,000
Speaker 5: they love, a treat to get them from hiding out

1145
00:53:21,000 --> 00:53:21,359
Speaker 5: of the bed.

1146
00:53:22,239 --> 00:53:23,759
Speaker 3: My daughter's always like it's true.

1147
00:53:26,800 --> 00:53:29,600
Speaker 2: Yeah it is, but listen, do we even like Charles

1148
00:53:29,680 --> 00:53:32,799
Speaker 2: Let's give it a we're not having this conversation. Of

1149
00:53:32,800 --> 00:53:33,319
Speaker 2: course we do.

1150
00:53:33,520 --> 00:53:36,280
Speaker 3: I think we do. Len Sometimes it can be ship city,

1151
00:53:36,320 --> 00:53:38,399
Speaker 3: but when they're good, when.

1152
00:53:38,320 --> 00:53:40,000
Speaker 2: They're absolutely dousk. You know what I did have it

1153
00:53:40,000 --> 00:53:43,880
Speaker 2: does any one time? It was Turo with what's the cereal?

1154
00:53:44,280 --> 00:53:47,799
Speaker 2: My girl? That's the one with the no no, the

1155
00:53:47,920 --> 00:53:48,960
Speaker 2: rainbow one.

1156
00:53:49,640 --> 00:53:56,120
Speaker 4: Arms covered in loops that you could only get in

1157
00:53:56,280 --> 00:54:00,439
Speaker 4: like the darkest corner of the count Fair.

1158
00:54:00,680 --> 00:54:02,640
Speaker 2: Yeah, I mean it was.

1159
00:54:02,960 --> 00:54:05,479
Speaker 5: That's a sugar lick Like that feels like my mouth

1160
00:54:05,520 --> 00:54:08,120
Speaker 5: would be furry sugar.

1161
00:54:08,400 --> 00:54:09,760
Speaker 3: You don't want to get something so sweet.

1162
00:54:09,800 --> 00:54:11,800
Speaker 2: You're like, ah, yeah, now I'm different.

1163
00:54:11,960 --> 00:54:14,920
Speaker 5: Now I'm different, like I've grown hair on the inside

1164
00:54:14,920 --> 00:54:15,399
Speaker 5: of my mouth.

1165
00:54:15,760 --> 00:54:18,480
Speaker 2: Well, speaking of sugar, you know what really hurt my

1166
00:54:18,520 --> 00:54:21,719
Speaker 2: feelings the other day I air it out finding out

1167
00:54:22,040 --> 00:54:24,520
Speaker 2: that a diet coke, which is now my new obsession

1168
00:54:24,520 --> 00:54:27,279
Speaker 2: on because we're trying to be drinking less because of

1169
00:54:27,320 --> 00:54:28,040
Speaker 2: the age of it all.

1170
00:54:28,200 --> 00:54:31,560
Speaker 3: Yes, I know me too. It's not as cute. It's hard,

1171
00:54:31,600 --> 00:54:33,800
Speaker 3: but it also feels so much better in your sleeps better.

1172
00:54:33,800 --> 00:54:36,239
Speaker 2: Yeah okay, but yes, that there's more caffeine than this

1173
00:54:36,320 --> 00:54:40,200
Speaker 2: than there is in cold brew? What really is what

1174
00:54:40,239 --> 00:54:43,480
Speaker 2: they said? Almost the person? We got people shaking their

1175
00:54:43,520 --> 00:54:51,400
Speaker 2: heads behind the camera. I think you're something.

1176
00:54:49,280 --> 00:54:59,319
Speaker 3: At this interview. Coke zero? What are you ibuis with

1177
00:54:59,600 --> 00:55:00,399
Speaker 3: regular a coke?

1178
00:55:02,320 --> 00:55:06,200
Speaker 2: Okay?

1179
00:55:07,400 --> 00:55:10,959
Speaker 3: I do love beor that makes me very happy.

1180
00:55:10,760 --> 00:55:14,040
Speaker 2: You You really did something there that was good. That

1181
00:55:13,760 --> 00:55:16,160
Speaker 2: was that was iconic comedy, that was really good.

1182
00:55:16,239 --> 00:55:16,680
Speaker 3: Respect.

1183
00:55:16,880 --> 00:55:23,759
Speaker 2: Respect. That's the yellow one. I got the color. Let

1184
00:55:23,840 --> 00:55:24,520
Speaker 2: me tell you something.

1185
00:55:24,520 --> 00:55:27,279
Speaker 1: From now on, if there's ever a moment where we

1186
00:55:27,320 --> 00:55:29,640
Speaker 1: are stumped, you have the permission as.

1187
00:55:29,480 --> 00:55:32,600
Speaker 2: A culture, everybody does. What do you think?

1188
00:55:34,520 --> 00:55:37,600
Speaker 1: So we have different subgroups of our of our fandom. Yes,

1189
00:55:37,840 --> 00:55:40,720
Speaker 1: you might be a finalist for that. That was finalist behavior.

1190
00:55:41,400 --> 00:55:44,360
Speaker 3: Any guess you have on is just not clicking.

1191
00:55:44,840 --> 00:55:49,160
Speaker 5: You could just say.

1192
00:55:47,760 --> 00:55:53,839
Speaker 2: So and then I will Yeah, this is bad. This

1193
00:55:53,920 --> 00:55:54,680
Speaker 2: isn't feeling good.

1194
00:55:55,000 --> 00:56:00,560
Speaker 3: You guys can have some secret hand gestures. Why not today?

1195
00:56:00,640 --> 00:56:12,719
Speaker 2: Why the helmet? Have we ever had a secret hand besties?

1196
00:56:13,280 --> 00:56:16,120
Speaker 5: I don't think we're do love it your besties four

1197
00:56:16,200 --> 00:56:16,960
Speaker 5: or fifteen years.

1198
00:56:17,000 --> 00:56:18,759
Speaker 3: You guys have fun that you get to do this

1199
00:56:18,840 --> 00:56:20,440
Speaker 3: together so fun.

1200
00:56:20,600 --> 00:56:24,800
Speaker 2: It doesn't deepend it or deepened oh, I did you know?

1201
00:56:24,840 --> 00:56:27,200
Speaker 2: I would say, like, because we've also spent a lot

1202
00:56:27,200 --> 00:56:29,239
Speaker 2: of time together this year, just even like outside of

1203
00:56:29,239 --> 00:56:31,600
Speaker 2: the it's like, you know, yeah, we're like you know,

1204
00:56:31,600 --> 00:56:33,200
Speaker 2: we're we're not just we get to.

1205
00:56:33,200 --> 00:56:35,520
Speaker 3: Go through this together, which is so exciting.

1206
00:56:35,640 --> 00:56:38,640
Speaker 2: Yeah. Yeah, Like last night we saw I saw Stuffs

1207
00:56:38,640 --> 00:56:41,520
Speaker 2: on Broadway and there's just so many people in the cast,

1208
00:56:41,520 --> 00:56:43,279
Speaker 2: and not just Shane who created the shows, but that

1209
00:56:43,320 --> 00:56:45,600
Speaker 2: we went to school with, like our friend Kim blank

1210
00:56:46,960 --> 00:56:50,000
Speaker 2: Ada west Fall just to shout out some people and

1211
00:56:50,400 --> 00:56:53,200
Speaker 2: I literally went backstage and I just I just started

1212
00:56:53,200 --> 00:56:55,759
Speaker 2: sobbing because I was like as moved by what I

1213
00:56:55,800 --> 00:56:58,080
Speaker 2: had seen, but also we all had the same mentor.

1214
00:56:58,120 --> 00:57:00,359
Speaker 2: Her name was Liz Suados. She was like of like

1215
00:57:01,440 --> 00:57:04,480
Speaker 2: and we went but this woman was like a giant

1216
00:57:04,520 --> 00:57:06,800
Speaker 2: in downtown theater and was like a mentor to several

1217
00:57:06,800 --> 00:57:09,480
Speaker 2: of us. I just like felt her spirit there and

1218
00:57:09,520 --> 00:57:10,319
Speaker 2: how proud she.

1219
00:57:10,360 --> 00:57:12,040
Speaker 1: Was, and like, it's the only time I really get

1220
00:57:12,800 --> 00:57:18,160
Speaker 1: is when I not the only time, yeah no, but

1221
00:57:18,240 --> 00:57:19,920
Speaker 1: like one of the times I get really woo woo

1222
00:57:19,920 --> 00:57:23,000
Speaker 1: was when I feel like that mentor that we had

1223
00:57:23,040 --> 00:57:25,200
Speaker 1: that her spirit is in the room was so in

1224
00:57:25,240 --> 00:57:28,480
Speaker 1: the room. Oh gosh, do you have like a mentor

1225
00:57:28,840 --> 00:57:30,600
Speaker 1: that you can look back on that you feel?

1226
00:57:30,640 --> 00:57:33,600
Speaker 3: Oh, yeah, for sure. A lot of amazing teachers.

1227
00:57:33,760 --> 00:57:38,200
Speaker 5: Yeah, that you're just like, wow, I've still used some

1228
00:57:38,240 --> 00:57:41,480
Speaker 5: of the stuff that I.

1229
00:57:40,320 --> 00:57:41,080
Speaker 3: Learned from them.

1230
00:57:41,280 --> 00:57:44,959
Speaker 5: Yeah, for sure. And then there's some teachers that you're like, wow,

1231
00:57:45,040 --> 00:57:48,840
Speaker 5: what what what happened there? Like what was that?

1232
00:57:49,280 --> 00:57:52,520
Speaker 2: Right? Like the problematic teachers, and you're like, what did

1233
00:57:52,520 --> 00:57:53,080
Speaker 2: you make me do?

1234
00:57:53,480 --> 00:57:56,160
Speaker 5: Yes, we had a teacher that was we would all

1235
00:57:56,240 --> 00:57:58,800
Speaker 5: have to find an animal and to kind of become

1236
00:57:58,840 --> 00:58:00,160
Speaker 5: that animal on stage.

1237
00:58:00,360 --> 00:58:03,360
Speaker 3: Yeah, I was a gibbon, of course. Yeah, I want

1238
00:58:03,360 --> 00:58:04,840
Speaker 3: to you with the long, long arms.

1239
00:58:05,200 --> 00:58:08,720
Speaker 5: And then a girl in my class, now a woman

1240
00:58:10,080 --> 00:58:14,240
Speaker 5: was a panther, and she wore a thong leotard over

1241
00:58:14,920 --> 00:58:19,080
Speaker 5: thong tights and which I guess.

1242
00:58:18,880 --> 00:58:20,360
Speaker 3: Panther like panther like.

1243
00:58:20,440 --> 00:58:23,520
Speaker 5: Certainly, this teacher used to keep being like, drop into

1244
00:58:23,520 --> 00:58:25,640
Speaker 5: your panther, Drop into your panther.

1245
00:58:26,120 --> 00:58:27,280
Speaker 3: And so then she would.

1246
00:58:27,120 --> 00:58:31,160
Speaker 5: Just be crawling around on the stage roaring, yeah, what's

1247
00:58:31,200 --> 00:58:31,920
Speaker 5: this song on?

1248
00:58:32,120 --> 00:58:33,360
Speaker 2: And you're like what was that about?

1249
00:58:33,600 --> 00:58:37,919
Speaker 3: I'm like, come on, none of us. You can't pull

1250
00:58:38,000 --> 00:58:39,040
Speaker 3: the wool over our eyes.

1251
00:58:39,120 --> 00:58:41,920
Speaker 2: No, no, you can't know. John Early is a story

1252
00:58:41,960 --> 00:58:46,240
Speaker 2: where he the first day of classics. There was one teacher,

1253
00:58:46,440 --> 00:58:53,360
Speaker 2: it doesn't matter who, but he goes. I think it

1254
00:58:53,800 --> 00:58:57,160
Speaker 2: teachers like an older man goes. I just want to say,

1255
00:58:57,160 --> 00:58:58,760
Speaker 2: if there are any journalists and if there's any press

1256
00:58:58,760 --> 00:59:01,920
Speaker 2: in the room, get out. Eighteen year old.

1257
00:59:02,120 --> 00:59:02,760
Speaker 3: Stop it.

1258
00:59:03,160 --> 00:59:06,640
Speaker 2: Oh wow, if there's any press in the room, please leave.

1259
00:59:06,800 --> 00:59:09,920
Speaker 1: And there's any press in the room, to get out

1260
00:59:09,600 --> 00:59:10,240
Speaker 1: the first day.

1261
00:59:11,080 --> 00:59:18,480
Speaker 2: Eighteen year old, It's insane, genius. There's also a couple

1262
00:59:18,480 --> 00:59:20,680
Speaker 2: of them from the Musical Theater Studio tell a story

1263
00:59:20,680 --> 00:59:22,760
Speaker 2: about like one day one of the dance teachers line

1264
00:59:22,800 --> 00:59:24,920
Speaker 2: them up and was like, several of you will get

1265
00:59:24,920 --> 00:59:30,200
Speaker 2: through on your looks. You you you kind of like

1266
00:59:30,400 --> 00:59:32,400
Speaker 2: just oh my god, brutal.

1267
00:59:32,560 --> 00:59:34,920
Speaker 5: When I went to four age camp, which was like

1268
00:59:35,000 --> 00:59:38,400
Speaker 5: this kind of farm camp in Ohio, my cousins lived,

1269
00:59:38,440 --> 00:59:40,720
Speaker 5: I was like the big city cousin up in Cleveland.

1270
00:59:41,080 --> 00:59:44,920
Speaker 5: They lived right on the border between Kentucky and Ohio

1271
00:59:45,080 --> 00:59:49,560
Speaker 5: and a small town called Waynesville, and I loved going there.

1272
00:59:49,720 --> 00:59:53,640
Speaker 5: It's like such a sweet, awesome haunted town. But it

1273
00:59:53,720 --> 00:59:56,320
Speaker 5: was called the second most haunted town in Ohio.

1274
00:59:58,680 --> 00:59:59,919
Speaker 3: I took that very to heart.

1275
01:00:00,560 --> 01:00:00,760
Speaker 8: You know.

1276
01:00:00,800 --> 01:00:02,880
Speaker 3: I'm like, there is a documentary.

1277
01:00:02,240 --> 01:00:04,720
Speaker 1: That's like dropped out of gorgeous. This is where the

1278
01:00:05,040 --> 01:00:06,720
Speaker 1: world's oldest living Lutheran.

1279
01:00:07,400 --> 01:00:09,520
Speaker 2: Like what towns are known for, like the riff on that,

1280
01:00:09,600 --> 01:00:11,560
Speaker 2: like what a small town is like Mark.

1281
01:00:11,440 --> 01:00:15,080
Speaker 3: For seconds, I was Haunted town in Ohio.

1282
01:00:16,000 --> 01:00:18,920
Speaker 5: But anyway, we went to a camp forage camp and

1283
01:00:18,960 --> 01:00:23,480
Speaker 5: they the counselors had all the girls line up, put

1284
01:00:23,520 --> 01:00:26,360
Speaker 5: a sheet over our face or like this.

1285
01:00:26,240 --> 01:00:30,120
Speaker 3: To this, and they had legs competition. I was twelve

1286
01:00:30,240 --> 01:00:35,000
Speaker 3: years and my cousin was one. There was two two

1287
01:00:35,680 --> 01:00:37,240
Speaker 3: horrible memories about it.

1288
01:00:37,360 --> 01:00:39,720
Speaker 2: Yeah, the competition itself.

1289
01:00:39,720 --> 01:00:42,400
Speaker 5: And then she was like it's nothing, it's nothing, and

1290
01:00:42,440 --> 01:00:43,920
Speaker 5: I was like, no, I'm so happy for you.

1291
01:00:46,360 --> 01:00:49,280
Speaker 2: It's like you lose. And also there's someone who's doing that.

1292
01:00:49,440 --> 01:00:51,960
Speaker 5: I know, Like I forgot about that until afterwards. We

1293
01:00:51,960 --> 01:00:53,200
Speaker 5: were like, fucked up?

1294
01:00:53,320 --> 01:00:53,600
Speaker 3: Was that?

1295
01:00:53,760 --> 01:00:54,920
Speaker 2: Have you watched chim Crazy?

1296
01:00:55,360 --> 01:00:57,840
Speaker 3: I'm obsessed with chimp Crazy?

1297
01:00:58,520 --> 01:00:59,440
Speaker 2: Are you done with it? No?

1298
01:00:59,800 --> 01:01:00,440
Speaker 3: I haven't seen that.

1299
01:01:00,440 --> 01:01:02,080
Speaker 5: The only way Yeah, that's the last one. I have

1300
01:01:02,160 --> 01:01:04,360
Speaker 5: to wait till you get home because my family.

1301
01:01:04,160 --> 01:01:07,880
Speaker 2: Would it would kill you. Oh you're watching it all together.

1302
01:01:08,200 --> 01:01:11,040
Speaker 2: So you you've gone to the third episode where you,

1303
01:01:11,280 --> 01:01:12,040
Speaker 2: I know, you.

1304
01:01:12,040 --> 01:01:14,280
Speaker 3: Know the truth the truth, and they know the truth,

1305
01:01:14,360 --> 01:01:16,800
Speaker 3: but they haven't. Oh they just told people.

1306
01:01:16,840 --> 01:01:19,560
Speaker 2: They just told people. Can I ask spoiler alert, what's

1307
01:01:19,600 --> 01:01:22,040
Speaker 2: the truth? We can't tell you what the truth is

1308
01:01:22,080 --> 01:01:25,440
Speaker 2: because you you I'm telling you.

1309
01:01:25,440 --> 01:01:26,240
Speaker 3: You just need to watch.

1310
01:01:27,240 --> 01:01:31,560
Speaker 5: It's really interesting because it's a lot of women.

1311
01:01:32,200 --> 01:01:35,040
Speaker 2: It's these women who have this obsession with these monkeys.

1312
01:01:35,360 --> 01:01:37,840
Speaker 2: And it's like the Peter Lady says, it's like it's

1313
01:01:37,880 --> 01:01:41,640
Speaker 2: this phenomenon where it's usually women, almost always women who

1314
01:01:41,680 --> 01:01:44,520
Speaker 2: like adopt these monkeys as if they were their own child.

1315
01:01:44,640 --> 01:01:47,479
Speaker 5: Yes, they want because they can keep them as these

1316
01:01:47,560 --> 01:01:54,240
Speaker 5: like it's such control issues, like talk about mommy dead

1317
01:01:53,360 --> 01:01:55,960
Speaker 5: and it's really.

1318
01:01:55,600 --> 01:02:03,880
Speaker 3: Like they just diaper them all, sleep with them, walk. Yes,

1319
01:02:04,320 --> 01:02:05,000
Speaker 3: I think it is.

1320
01:02:05,640 --> 01:02:08,280
Speaker 5: And but then they turned six and it's like a

1321
01:02:08,360 --> 01:02:10,040
Speaker 5: wild animal, right correct.

1322
01:02:10,160 --> 01:02:12,480
Speaker 3: They're like like it starts to get dangerous.

1323
01:02:12,520 --> 01:02:14,040
Speaker 2: Your baby is ripping your face off.

1324
01:02:14,280 --> 01:02:17,160
Speaker 5: Suddenly your baby rips someone's face off and they have

1325
01:02:17,240 --> 01:02:20,040
Speaker 5: the first full human face transplant.

1326
01:02:20,840 --> 01:02:22,960
Speaker 2: I couldn't believe that. Oh my god, I was watching

1327
01:02:22,960 --> 01:02:26,040
Speaker 2: it over shoulder. Where were we coming from? Toronto, Toronto.

1328
01:02:26,080 --> 01:02:27,680
Speaker 2: We were up in Toronto when we were coming back,

1329
01:02:28,000 --> 01:02:31,000
Speaker 2: and it was just so funny because you're watching him crazy,

1330
01:02:31,200 --> 01:02:33,360
Speaker 2: and I was reading this book called Status and Culture,

1331
01:02:33,840 --> 01:02:35,840
Speaker 2: and I was like, if this isn't roll reversal like

1332
01:02:36,000 --> 01:02:40,320
Speaker 2: itsal because usually I'm like watching like Housewives and I

1333
01:02:40,440 --> 01:02:43,080
Speaker 2: was reading a book. This was a It was. It

1334
01:02:43,080 --> 01:02:45,600
Speaker 2: was great from each other's amazing.

1335
01:02:45,600 --> 01:02:49,360
Speaker 5: There's amazing articles about Travis. Travis was the trimp, the

1336
01:02:49,440 --> 01:02:53,800
Speaker 5: chimps in Connecticut. And Travis apparently was even given a

1337
01:02:53,920 --> 01:02:56,480
Speaker 5: xanax and his orange juice that morning because Mom knew

1338
01:02:56,560 --> 01:02:57,479
Speaker 5: something could be off.

1339
01:02:57,760 --> 01:03:01,800
Speaker 2: What Yes, I know, he was jumping.

1340
01:03:01,440 --> 01:03:03,760
Speaker 5: Around the house. She couldn't get a handle on him.

1341
01:03:04,160 --> 01:03:06,080
Speaker 5: She gave him, she had to slip him a xanax.

1342
01:03:06,560 --> 01:03:09,160
Speaker 5: Do you on the regular basis, but that day she

1343
01:03:09,320 --> 01:03:11,640
Speaker 5: was like, this is a Zandy day was.

1344
01:03:11,640 --> 01:03:13,640
Speaker 2: Did do you think that Zanny had anything to do

1345
01:03:13,680 --> 01:03:15,080
Speaker 2: with him now ripping off?

1346
01:03:15,600 --> 01:03:18,680
Speaker 5: I think that he really saw that Elmo doll and

1347
01:03:18,920 --> 01:03:19,440
Speaker 5: lost it.

1348
01:03:19,560 --> 01:03:22,200
Speaker 2: Yeah, something about Almo. Yes, didn't start.

1349
01:03:22,000 --> 01:03:24,960
Speaker 3: Right, it did not sit right, and then he just.

1350
01:03:25,640 --> 01:03:27,880
Speaker 2: Yeah, that Almo makes people freak the fuck out.

1351
01:03:28,200 --> 01:03:31,680
Speaker 5: Makes it makes me freak out. Although some kids love it.

1352
01:03:31,760 --> 01:03:35,320
Speaker 2: Well, always like kid's crazy. It was giving kids seizures

1353
01:03:35,360 --> 01:03:38,760
Speaker 2: and ship remember that, Yes, tickle, the most popular toy

1354
01:03:38,960 --> 01:03:42,320
Speaker 2: I think of all time was lethal. It would just

1355
01:03:42,360 --> 01:03:44,760
Speaker 2: shake and of course kids were gonna freak the fun out.

1356
01:03:44,840 --> 01:03:46,360
Speaker 3: Yeah, yes, it's weird.

1357
01:03:46,480 --> 01:03:47,880
Speaker 2: You're a seizure doll.

1358
01:03:48,040 --> 01:03:50,480
Speaker 1: Yes, that you gave to your kids and said, yeah,

1359
01:03:50,480 --> 01:03:52,880
Speaker 1: everyone has this, and then they were like and like,

1360
01:03:52,880 --> 01:03:53,480
Speaker 1: what are you gonna do?

1361
01:03:53,480 --> 01:03:55,640
Speaker 2: You get overstimulated. It's like drinking ten of these.

1362
01:03:56,320 --> 01:03:57,280
Speaker 3: Do you remember that thing?

1363
01:03:57,320 --> 01:03:59,400
Speaker 5: I think it was in Japan, the Teletubbies where they

1364
01:03:59,400 --> 01:04:01,680
Speaker 5: had to pull it from the air because kids couldn't

1365
01:04:01,720 --> 01:04:08,480
Speaker 5: watch it with having like having another kids show. So

1366
01:04:08,680 --> 01:04:10,160
Speaker 5: something was going.

1367
01:04:11,280 --> 01:04:13,640
Speaker 2: There was something going on with kids programming and especially

1368
01:04:13,800 --> 01:04:16,720
Speaker 2: the culture across the board one hundred and three. Yeah,

1369
01:04:16,760 --> 01:04:19,919
Speaker 2: something going on with kids programming. As we're talking about theater,

1370
01:04:20,080 --> 01:04:21,520
Speaker 2: do you what was the last play you did or

1371
01:04:21,600 --> 01:04:22,680
Speaker 2: musical or something age?

1372
01:04:22,720 --> 01:04:24,920
Speaker 3: The last play I did was Boeing Boeing, which was.

1373
01:04:24,880 --> 01:04:28,439
Speaker 2: Here Wow on bad way, my God bowing bowing. Wait, Yeah,

1374
01:04:28,840 --> 01:04:29,919
Speaker 2: what are you going to do it again?

1375
01:04:30,400 --> 01:04:32,280
Speaker 5: You know, I gotta wait until my kids are out

1376
01:04:32,320 --> 01:04:34,880
Speaker 5: of the house, because it's not a mom job unless

1377
01:04:34,880 --> 01:04:37,560
Speaker 5: they're here, right, but I would never see them.

1378
01:04:37,800 --> 01:04:42,120
Speaker 1: So you are in La though, Yeah, yeah, okay.

1379
01:04:41,720 --> 01:04:46,560
Speaker 5: I love La. Now it's less kicking and screaming. I

1380
01:04:46,600 --> 01:04:50,160
Speaker 5: had a storage unit in Brooklyn for so long, like

1381
01:04:50,480 --> 01:04:53,000
Speaker 5: way too long, and we finally had everything you hauled

1382
01:04:53,040 --> 01:04:55,120
Speaker 5: out here. And the ship that I saved that I

1383
01:04:55,120 --> 01:04:58,640
Speaker 5: thought was store like storage worthy.

1384
01:04:58,640 --> 01:05:02,360
Speaker 3: I had like I had like bags of tights holes

1385
01:05:02,400 --> 01:05:05,080
Speaker 3: in them. I had tights, Yeah I need my tights.

1386
01:05:05,440 --> 01:05:10,120
Speaker 3: And I had tights, tights and hose and then I

1387
01:05:10,160 --> 01:05:11,720
Speaker 3: had like a salad spinner.

1388
01:05:12,480 --> 01:05:15,080
Speaker 5: A bank gave me for opening up a savings account,

1389
01:05:16,240 --> 01:05:17,600
Speaker 5: you know how they used to give.

1390
01:05:19,320 --> 01:05:21,080
Speaker 3: And I was like, I'm holding on to this forever.

1391
01:05:21,400 --> 01:05:23,640
Speaker 3: I mean, it was disgusting what we say.

1392
01:05:23,960 --> 01:05:26,320
Speaker 2: It's it's crazy when you realize, like there was a

1393
01:05:26,360 --> 01:05:29,080
Speaker 2: time when I thought this was indispensable, like some like

1394
01:05:29,520 --> 01:05:31,320
Speaker 2: I think you and I are like this. I don't know,

1395
01:05:31,960 --> 01:05:35,680
Speaker 2: did you ever have as like a person doing theater

1396
01:05:35,760 --> 01:05:39,120
Speaker 2: along time, like a back of props, like a bag

1397
01:05:38,400 --> 01:05:41,520
Speaker 2: of your own promps, like so we just get the

1398
01:05:41,520 --> 01:05:46,000
Speaker 2: comedy to famously, But like back in the day, like

1399
01:05:46,680 --> 01:05:48,680
Speaker 2: I would have I would be the keeper of the

1400
01:05:48,720 --> 01:05:51,600
Speaker 2: props for our sketch group, and so I had everything.

1401
01:05:51,640 --> 01:05:53,360
Speaker 2: You wanted to be a doctor, I got it. I

1402
01:05:53,360 --> 01:05:55,800
Speaker 2: got you. If you want to be a lawyer, if

1403
01:05:55,800 --> 01:05:58,720
Speaker 2: you want to be a redhead, what length, what style

1404
01:05:58,800 --> 01:05:59,920
Speaker 2: do you want? I followed it.

1405
01:06:01,120 --> 01:06:04,360
Speaker 1: And so now it's like I don't have anything anymore

1406
01:06:04,400 --> 01:06:06,200
Speaker 1: because I gave them. I think I gave them all up.

1407
01:06:06,560 --> 01:06:09,200
Speaker 1: And I do feel a little like, no, no, my

1408
01:06:10,040 --> 01:06:12,600
Speaker 1: bag of props, because one thing I had for years

1409
01:06:13,040 --> 01:06:14,920
Speaker 1: was my endless bag of props.

1410
01:06:15,680 --> 01:06:17,480
Speaker 2: But it would just be sitting there. It would be

1411
01:06:17,480 --> 01:06:18,320
Speaker 2: like the salad spinner.

1412
01:06:18,360 --> 01:06:20,320
Speaker 5: It's like, but did you have one of those noise

1413
01:06:20,360 --> 01:06:23,560
Speaker 5: things where it would be like people clapping carts NonStop?

1414
01:06:23,760 --> 01:06:25,160
Speaker 3: Oh, horns going off?

1415
01:06:25,480 --> 01:06:27,000
Speaker 2: Yeah, I mean all of it.

1416
01:06:27,200 --> 01:06:27,400
Speaker 3: Yeah.

1417
01:06:28,120 --> 01:06:30,280
Speaker 2: You know how many whistles I had from playing coaches?

1418
01:06:31,960 --> 01:06:36,560
Speaker 2: I'm made of whistles, babe, honey. It was almost like,

1419
01:06:36,600 --> 01:06:38,200
Speaker 2: I don't know why I had so many whistles. I

1420
01:06:38,200 --> 01:06:42,760
Speaker 2: had so many play you keep that ship because it's

1421
01:06:42,800 --> 01:06:44,400
Speaker 2: like and then oh, then I took the whistle and

1422
01:06:44,440 --> 01:06:46,400
Speaker 2: I put it on my keys. I was like, what if,

1423
01:06:46,840 --> 01:06:50,680
Speaker 2: what if, even if you're a man, even if anyone.

1424
01:06:50,680 --> 01:06:52,040
Speaker 3: Anybody have the whistle.

1425
01:06:52,560 --> 01:06:53,960
Speaker 2: But then like, but how do you feel about your

1426
01:06:54,040 --> 01:06:56,720
Speaker 2: kids stuff, like because because now you gotta like you're like,

1427
01:06:56,760 --> 01:06:59,520
Speaker 2: there's residue from like yes, the kids.

1428
01:06:59,680 --> 01:07:01,840
Speaker 5: Yes, well I know they used to think I was

1429
01:07:01,920 --> 01:07:05,960
Speaker 5: gaslight city because I would just throw shit away that

1430
01:07:06,320 --> 01:07:08,960
Speaker 5: to me was just a you know, a ball of

1431
01:07:09,760 --> 01:07:13,960
Speaker 5: tinfoil and they would be like where's it? Yes, And

1432
01:07:14,000 --> 01:07:15,840
Speaker 5: so I had to be like, Okay, they just need

1433
01:07:15,840 --> 01:07:18,520
Speaker 5: to It's hard for me though, because I like a

1434
01:07:18,520 --> 01:07:21,320
Speaker 5: clean space, but I just have to keep my space clean,

1435
01:07:21,680 --> 01:07:24,200
Speaker 5: just keep their doors closed.

1436
01:07:24,760 --> 01:07:28,080
Speaker 2: So did you have preteen children during the pandemic.

1437
01:07:28,960 --> 01:07:33,240
Speaker 5: Yeah, yeah, it was hard. It was hard to start,

1438
01:07:33,280 --> 01:07:36,040
Speaker 5: and they both were kind of starting. My daughter was

1439
01:07:36,080 --> 01:07:39,280
Speaker 5: graduating like her elementary school, which is so hard in

1440
01:07:39,280 --> 01:07:42,320
Speaker 5: my like they had to drive through graduation. My son

1441
01:07:42,520 --> 01:07:45,800
Speaker 5: was in he was in middle school, which was sucked.

1442
01:07:46,520 --> 01:07:48,120
Speaker 5: So it was like I would go in and check

1443
01:07:48,160 --> 01:07:52,920
Speaker 5: on him and the like school screen was all every

1444
01:07:53,040 --> 01:07:56,320
Speaker 5: kid was in the darkest, like you couldn't see their

1445
01:07:56,360 --> 01:07:59,280
Speaker 5: faces because who wants to be like seen at that

1446
01:07:59,360 --> 01:08:01,880
Speaker 5: age intensely by your classmates.

1447
01:08:02,520 --> 01:08:05,920
Speaker 3: Yeah. Wow, I know it's a very depressing time to

1448
01:08:06,000 --> 01:08:07,560
Speaker 3: be a kid.

1449
01:08:07,800 --> 01:08:10,960
Speaker 2: Yeah, especially it's kind of a depressing hard time anyway.

1450
01:08:11,000 --> 01:08:13,080
Speaker 3: Anyway, I know for anyone, I don't.

1451
01:08:12,880 --> 01:08:17,640
Speaker 2: Think anyone is the great version of themselves thirteen fourteen.

1452
01:08:17,360 --> 01:08:19,680
Speaker 5: Fifteen, No, but then to think that that's just in

1453
01:08:19,720 --> 01:08:21,559
Speaker 5: their bones like that that happened.

1454
01:08:21,960 --> 01:08:25,800
Speaker 3: Yeah, we were so paranoid and scared for so long.

1455
01:08:25,880 --> 01:08:28,200
Speaker 1: Of course, I think that's why I really I like,

1456
01:08:28,240 --> 01:08:31,360
Speaker 1: I remember when Billie Eilish like really popped off. I

1457
01:08:31,439 --> 01:08:33,439
Speaker 1: was like I was looking at it like a millennial

1458
01:08:33,479 --> 01:08:37,040
Speaker 1: and being like, on face value, like I don't necessarily understand,

1459
01:08:37,040 --> 01:08:38,640
Speaker 1: But then you really think about it and you're like,

1460
01:08:38,840 --> 01:08:41,559
Speaker 1: of course, like and she's a genius, which I think

1461
01:08:41,600 --> 01:08:43,559
Speaker 1: when you didn't get when you first saw when she

1462
01:08:43,600 --> 01:08:45,760
Speaker 1: came out, she is a genius, yes, but the way

1463
01:08:45,880 --> 01:08:49,280
Speaker 1: she was speaking to like the people of her generation,

1464
01:08:49,400 --> 01:08:52,120
Speaker 1: you're like, of course that's like the person that they're

1465
01:08:52,120 --> 01:08:52,720
Speaker 1: going to look up to.

1466
01:08:53,360 --> 01:08:54,080
Speaker 2: The Smiths.

1467
01:08:54,360 --> 01:08:57,920
Speaker 5: Yeah, for that reason, it was like, ah, I wear

1468
01:08:57,960 --> 01:09:00,599
Speaker 5: black on the outside because black is what I feel.

1469
01:09:00,400 --> 01:09:05,400
Speaker 2: Like, Yeah, that's you latch Mors.

1470
01:09:05,800 --> 01:09:09,360
Speaker 5: You were yeah, yeah, but that was like that music

1471
01:09:09,400 --> 01:09:13,559
Speaker 5: also was kind of that dark energy of like that

1472
01:09:13,600 --> 01:09:15,679
Speaker 5: you needed to tap into as a kid. Like that,

1473
01:09:15,760 --> 01:09:20,000
Speaker 5: there's something that was like mm hmm, yeah, but I'm

1474
01:09:20,040 --> 01:09:20,599
Speaker 5: not alone.

1475
01:09:20,720 --> 01:09:22,680
Speaker 2: Yeah, so you're saying Smith's came to you as like

1476
01:09:22,720 --> 01:09:23,439
Speaker 2: a kid and like.

1477
01:09:23,400 --> 01:09:25,640
Speaker 5: That was like I mean I think same age, Like

1478
01:09:26,160 --> 01:09:28,920
Speaker 5: it was like around that awesome era of music is

1479
01:09:28,960 --> 01:09:31,679
Speaker 5: like it was such a beautiful Yeah, so it must

1480
01:09:31,680 --> 01:09:32,879
Speaker 5: have been like fourteen fifteen.

1481
01:09:33,560 --> 01:09:35,439
Speaker 3: Yeah, Techno and Morrissey.

1482
01:09:35,560 --> 01:09:38,439
Speaker 1: Yeah, you know, it's really cool. Like the VMAs were

1483
01:09:38,520 --> 01:09:41,800
Speaker 1: last night. There'll be a week ago. Yeah, so they

1484
01:09:41,800 --> 01:09:42,320
Speaker 1: were last night.

1485
01:09:42,360 --> 01:09:44,400
Speaker 2: And what's cool about it is for the very first

1486
01:09:44,400 --> 01:09:46,280
Speaker 2: time in like a few years. I don't know if

1487
01:09:46,280 --> 01:09:48,280
Speaker 2: this speaks to whatever time we're in because it is

1488
01:09:48,320 --> 01:09:50,719
Speaker 2: obviously a very difficult political time, but there's a lot

1489
01:09:50,760 --> 01:09:53,560
Speaker 2: of really cool artists out right now. Again, I was

1490
01:09:53,600 --> 01:09:55,519
Speaker 2: at Coachella and I left that musical fessel being like

1491
01:09:55,600 --> 01:09:57,439
Speaker 2: music is in a really cool, good place. And then

1492
01:09:57,680 --> 01:10:00,320
Speaker 2: even watching that like very sort of like core Britain

1493
01:10:00,360 --> 01:10:03,920
Speaker 2: mainstream award show is like you watch it and you're like,

1494
01:10:04,280 --> 01:10:08,519
Speaker 2: there's like really cool artists across genre, yes, and it

1495
01:10:08,600 --> 01:10:11,920
Speaker 2: makes you feel like, you know, pop music is very

1496
01:10:11,960 --> 01:10:12,720
Speaker 2: queer right now.

1497
01:10:13,120 --> 01:10:14,280
Speaker 3: Yes, you know the way.

1498
01:10:14,120 --> 01:10:17,080
Speaker 1: That Chapel Roam like speaks to people is like incredible

1499
01:10:17,120 --> 01:10:19,800
Speaker 1: and music's amazing. Oh she's so great, but just like

1500
01:10:20,040 --> 01:10:22,720
Speaker 1: it makes you feel like kids are people that are

1501
01:10:22,760 --> 01:10:25,400
Speaker 1: forming now a musical identity are in good hands at

1502
01:10:25,479 --> 01:10:28,000
Speaker 1: least in that art form when it feels like film

1503
01:10:28,040 --> 01:10:31,920
Speaker 1: and TV is sometimes hard nowadays, Yes, music is feeling

1504
01:10:31,920 --> 01:10:33,000
Speaker 1: like it's in a good place.

1505
01:10:33,200 --> 01:10:36,760
Speaker 5: Pretty amazing though, Like my daughter who's fifteen, but like

1506
01:10:36,840 --> 01:10:42,120
Speaker 5: even starting at thirteen, like she would correct me like

1507
01:10:42,160 --> 01:10:45,280
Speaker 5: she she knows so much more than I did, or

1508
01:10:45,360 --> 01:10:48,880
Speaker 5: that I like she's in terms of like speaking gender

1509
01:10:48,960 --> 01:10:50,879
Speaker 5: speaking like she it's pretty amazing.

1510
01:10:50,920 --> 01:10:53,320
Speaker 2: It's not that you didn't have that background either, because

1511
01:10:53,680 --> 01:10:56,479
Speaker 2: just Catholic school. Well I'm saying like just in terms

1512
01:10:56,479 --> 01:10:58,439
Speaker 2: of like the projects you've been on where it's like, oh.

1513
01:10:58,360 --> 01:11:00,400
Speaker 3: Yeah, no, definitely, but like I didn't.

1514
01:11:00,400 --> 01:11:02,800
Speaker 5: I would always be like, hey, guys, hey guys, like

1515
01:11:02,840 --> 01:11:05,240
Speaker 5: that's what I had with you, guys, come on. And

1516
01:11:05,280 --> 01:11:07,559
Speaker 5: she was and she likes, I'm not as like strict

1517
01:11:07,560 --> 01:11:10,360
Speaker 5: as her in this department, but she's like, don't say guys.

1518
01:11:10,200 --> 01:11:14,759
Speaker 2: Yeah yeah, sure, y'all. Folks both feel like specifically regional

1519
01:11:14,800 --> 01:11:16,680
Speaker 2: in a way that I that I canot describe to

1520
01:11:16,720 --> 01:11:18,040
Speaker 2: you personally because I'm like, I'm not.

1521
01:11:18,160 --> 01:11:20,719
Speaker 1: Yeah, y'all kind of started flying out of my mouth

1522
01:11:20,760 --> 01:11:24,120
Speaker 1: because of my exposure to Kelly Clarkson on the television.

1523
01:11:24,800 --> 01:11:26,280
Speaker 2: So being twelve and thirteen years.

1524
01:11:26,120 --> 01:11:28,479
Speaker 1: Old and being like y'all, y'all, y'all. I was saying

1525
01:11:28,560 --> 01:11:30,120
Speaker 1: y'all at school and they were like, why are you

1526
01:11:30,240 --> 01:11:30,680
Speaker 1: doing that?

1527
01:11:31,400 --> 01:11:31,639
Speaker 5: Yeah?

1528
01:11:31,680 --> 01:11:32,880
Speaker 1: And I was like, oh, I don't know, and they

1529
01:11:32,920 --> 01:11:35,479
Speaker 1: were like, I bet it's because he likes Kelly Clarkson gay,

1530
01:11:35,680 --> 01:11:37,840
Speaker 1: and I was just like, ah, they connected the dots.

1531
01:11:37,920 --> 01:11:38,080
Speaker 5: Yeah.

1532
01:11:38,120 --> 01:11:41,800
Speaker 1: Oh, middle school bullies can find your weakness and and

1533
01:11:41,960 --> 01:11:43,280
Speaker 1: just easier than anyone else.

1534
01:11:43,640 --> 01:11:46,400
Speaker 2: Just have nothing on middle school kids tacking.

1535
01:11:47,160 --> 01:11:49,040
Speaker 3: Yeah, they're they're vicious.

1536
01:11:50,160 --> 01:11:50,519
Speaker 5: They are.

1537
01:11:50,760 --> 01:11:53,840
Speaker 3: It's not especially the girls, but oh the girls, I know,

1538
01:11:54,120 --> 01:11:56,160
Speaker 3: mean some of them. Some of them are sweethearts.

1539
01:11:56,479 --> 01:11:58,479
Speaker 1: We were saying the other day, like we were talking

1540
01:11:58,560 --> 01:12:03,000
Speaker 1: about Regina or like the character Regina Georgia and how

1541
01:12:03,240 --> 01:12:06,400
Speaker 1: iconic like Rachel McAdams is doing it. But unfortunately she

1542
01:12:06,479 --> 01:12:09,000
Speaker 1: did it so well that it did make gave a

1543
01:12:09,040 --> 01:12:12,160
Speaker 1: model for people. Yeah, you know what I mean, she

1544
01:12:12,800 --> 01:12:14,080
Speaker 1: picked up a lot from that.

1545
01:12:14,320 --> 01:12:16,760
Speaker 2: Ye, like the way she was mean and it was

1546
01:12:16,840 --> 01:12:19,920
Speaker 2: so cool and funny and influential, like, oh my god,

1547
01:12:19,920 --> 01:12:22,519
Speaker 2: I love that. It's like that, I love that. Yeah,

1548
01:12:22,560 --> 01:12:23,000
Speaker 2: I love that.

1549
01:12:23,320 --> 01:12:24,400
Speaker 3: I love that for you.

1550
01:12:24,479 --> 01:12:27,880
Speaker 2: Yeah, and it's like it's there's something so dark underneath that.

1551
01:12:28,240 --> 01:12:31,960
Speaker 5: Yes, yeah, and you would be like thanks, because cool,

1552
01:12:32,680 --> 01:12:35,040
Speaker 5: But then inside you're like, I why do I feel

1553
01:12:35,240 --> 01:12:36,920
Speaker 5: like ship violated? Yeah?

1554
01:12:37,120 --> 01:12:39,800
Speaker 2: I like it that bracelet? Where did you get it? Oh?

1555
01:12:40,080 --> 01:12:43,120
Speaker 3: Just you know Claire's that's really cool.

1556
01:12:43,479 --> 01:12:47,519
Speaker 2: Thanks, Like it's just kind of like that, You're like,

1557
01:12:47,680 --> 01:12:51,880
Speaker 2: let me think we feel like I was just like

1558
01:12:51,920 --> 01:12:53,040
Speaker 2: talk about spells.

1559
01:12:53,479 --> 01:12:55,479
Speaker 3: Now I won't stop thinking about it.

1560
01:12:55,600 --> 01:13:07,240
Speaker 2: The true witches, the true witch yol middle school. I

1561
01:13:07,240 --> 01:13:09,280
Speaker 2: think it's I don't think so.

1562
01:13:09,280 --> 01:13:11,559
Speaker 1: So we are going to do our segment here where

1563
01:13:11,560 --> 01:13:14,720
Speaker 1: we take sixty seconds to truly rail against something in

1564
01:13:14,800 --> 01:13:18,080
Speaker 1: culture that needs a railing. I have something, and I

1565
01:13:18,120 --> 01:13:20,160
Speaker 1: feel it's something in the culture we haven't yet spoken on.

1566
01:13:20,280 --> 01:13:24,240
Speaker 2: Really yeah, and I used to feel complicated about it,

1567
01:13:24,280 --> 01:13:27,559
Speaker 2: and now I feel definitive about it, really really important.

1568
01:13:27,600 --> 01:13:29,080
Speaker 2: This is not rounders. I don't think so many time

1569
01:13:29,080 --> 01:13:31,599
Speaker 2: starts now, I don't think so. Honey. The discourse around

1570
01:13:31,800 --> 01:13:35,400
Speaker 2: the screen after you buy something that says to tip Guys,

1571
01:13:35,560 --> 01:13:37,760
Speaker 2: if you don't want to tip because you bought a

1572
01:13:37,760 --> 01:13:40,920
Speaker 2: water bottle, just hit zero percent. I am not behind

1573
01:13:40,920 --> 01:13:44,439
Speaker 2: you in the line judging you for anything unless the

1574
01:13:44,479 --> 01:13:47,479
Speaker 2: person has done a service where they deserve to be tipped.

1575
01:13:47,840 --> 01:13:50,400
Speaker 2: I personally always hit tip because I was in the

1576
01:13:50,400 --> 01:13:53,160
Speaker 2: service industry for ten years. I think about the pandemic

1577
01:13:53,320 --> 01:13:56,000
Speaker 2: when people did not have those jobs for one and

1578
01:13:56,000 --> 01:13:59,200
Speaker 2: a half to three years. Depending I do that, I

1579
01:13:59,280 --> 01:14:01,519
Speaker 2: tip thirty. That doesn't mean I think I'm fucking better

1580
01:14:01,560 --> 01:14:05,360
Speaker 2: than you. And this discourse around well, they shouldn't have

1581
01:14:05,439 --> 01:14:07,400
Speaker 2: the screen that ask for tip because I feel bad.

1582
01:14:07,439 --> 01:14:08,920
Speaker 2: What if someone's looking over my shoulder.

1583
01:14:09,280 --> 01:14:13,240
Speaker 1: My god, that is so much more embarrassing talking about

1584
01:14:13,280 --> 01:14:15,519
Speaker 1: that and about how well I shouldn't have to tip. Second,

1585
01:14:15,600 --> 01:14:17,280
Speaker 1: then it would be for me to be behind you

1586
01:14:17,320 --> 01:14:19,559
Speaker 1: and see that you didn't tip. It is so much

1587
01:14:19,600 --> 01:14:22,479
Speaker 1: more humiliating to talk about how upset you are that

1588
01:14:22,479 --> 01:14:26,439
Speaker 1: you're being asked to tip someone. And they discussed this

1589
01:14:26,520 --> 01:14:30,479
Speaker 1: on the America's Biggest horror podcast, The Daily, and I

1590
01:14:30,520 --> 01:14:31,600
Speaker 1: hate it every second of it.

1591
01:14:33,560 --> 01:14:36,960
Speaker 2: About Sabrina. It's having easy. Don't tip if you don't want.

1592
01:14:36,840 --> 01:14:39,759
Speaker 5: To till now, why was that a big deal because

1593
01:14:39,840 --> 01:14:43,280
Speaker 5: people feel like they're being like manipululated.

1594
01:14:43,360 --> 01:14:45,400
Speaker 1: But I have to tell you, when you're being asked

1595
01:14:45,400 --> 01:14:47,880
Speaker 1: a question, would you like to tip or not, that's

1596
01:14:47,880 --> 01:14:51,760
Speaker 1: not manipulation. You have a question, and it's an opportunity

1597
01:14:51,800 --> 01:14:55,479
Speaker 1: for you to give gratuity to someone who probably is

1598
01:14:55,520 --> 01:14:56,759
Speaker 1: making a lot less than.

1599
01:14:56,600 --> 01:15:00,200
Speaker 5: You hate because didn't the pay go down, like they

1600
01:15:00,280 --> 01:15:04,560
Speaker 5: actually actually need tips to supplement their It's like gallery.

1601
01:15:04,560 --> 01:15:06,320
Speaker 1: Well, there was this whole episode of The Daily that

1602
01:15:06,360 --> 01:15:07,920
Speaker 1: I listened to and I was shaking my head the

1603
01:15:07,920 --> 01:15:10,840
Speaker 1: whole time because I realized that not everyone. If you

1604
01:15:10,920 --> 01:15:13,400
Speaker 1: really don't work in the service industry, you actually don't know.

1605
01:15:13,840 --> 01:15:16,720
Speaker 1: So let me just say if you're unsure of it,

1606
01:15:16,840 --> 01:15:20,680
Speaker 1: like service workers make their money on tips, like that

1607
01:15:20,840 --> 01:15:23,120
Speaker 1: is just period. So if you're going into a restaurant

1608
01:15:23,320 --> 01:15:26,040
Speaker 1: and you're thinking like, oh, well, my coke was late

1609
01:15:26,400 --> 01:15:29,080
Speaker 1: or my this was a little bit too cold or whatever,

1610
01:15:29,120 --> 01:15:32,160
Speaker 1: the fuck. If you're like I'm not gonna tip, you

1611
01:15:32,200 --> 01:15:35,160
Speaker 1: are contributing to that person just not making money. So

1612
01:15:35,400 --> 01:15:37,479
Speaker 1: if that's gonna sit well in your spirit, like I'm

1613
01:15:37,479 --> 01:15:40,240
Speaker 1: not tipping because of this, Like fine, whatever, whatever.

1614
01:15:40,280 --> 01:15:42,559
Speaker 2: What makes you sleep at night? But that's totally different

1615
01:15:42,600 --> 01:15:45,920
Speaker 2: than this thing with the screen. Yeah, because it's like.

1616
01:15:46,400 --> 01:15:49,040
Speaker 1: It's not I swear to god, I don't. I don't

1617
01:15:49,040 --> 01:15:51,320
Speaker 1: know how you guys feel, or anyone feels. I'm never

1618
01:15:51,400 --> 01:15:54,120
Speaker 1: behind someone when they buy a salad at Fresh and

1619
01:15:54,200 --> 01:15:56,800
Speaker 1: pot and looking and being like, well, are you gonna tip?

1620
01:15:57,200 --> 01:15:59,880
Speaker 1: That's not something like no, if you want to, great

1621
01:16:00,160 --> 01:16:02,080
Speaker 1: if you don't, I'm not upset with you. I'm not

1622
01:16:02,080 --> 01:16:03,479
Speaker 1: gonna tap you on the shoulder and be like, hey,

1623
01:16:03,520 --> 01:16:05,840
Speaker 1: I thought that was really lame. But it's in your

1624
01:16:05,840 --> 01:16:08,559
Speaker 1: own head. Talk to your therapist about it, don't talk to.

1625
01:16:08,520 --> 01:16:11,120
Speaker 2: Me about it. It's really simple, actually, because it's just

1626
01:16:12,000 --> 01:16:14,679
Speaker 2: the convergence of two things, which is one like tipping

1627
01:16:14,680 --> 01:16:18,599
Speaker 2: as part of transactional things in our society, and then

1628
01:16:18,640 --> 01:16:20,840
Speaker 2: the other thing is like now we have like we

1629
01:16:20,920 --> 01:16:23,080
Speaker 2: media everything through a screen and so like you're just

1630
01:16:23,120 --> 01:16:25,600
Speaker 2: gonna be asked do you want to tip? And that's okay. No,

1631
01:16:25,640 --> 01:16:28,920
Speaker 2: one's it's literally no gun to your head, right, and

1632
01:16:29,000 --> 01:16:31,240
Speaker 2: people act like there is and I think it's this.

1633
01:16:31,600 --> 01:16:34,920
Speaker 2: It's it just it's it speaks to something else, which

1634
01:16:34,960 --> 01:16:37,160
Speaker 2: is that that person on the other end. It's a

1635
01:16:37,200 --> 01:16:38,959
Speaker 2: little bit telling on yourself.

1636
01:16:39,040 --> 01:16:41,960
Speaker 1: It is because you're like, well, what, they didn't do

1637
01:16:42,040 --> 01:16:44,400
Speaker 1: anything to deserve that. It's like, first of all, who

1638
01:16:44,400 --> 01:16:46,040
Speaker 1: were you to decide what they do and do not

1639
01:16:46,080 --> 01:16:48,920
Speaker 1: deserve to begin with? And also it wasn't like the

1640
01:16:48,960 --> 01:16:51,160
Speaker 1: person asked you, like would you like to tip me?

1641
01:16:51,520 --> 01:16:52,599
Speaker 1: It's a thing on the screen.

1642
01:16:53,000 --> 01:16:53,720
Speaker 2: I just don't like it.

1643
01:16:53,840 --> 01:16:56,639
Speaker 1: It feels very elitist to me and superior and also

1644
01:16:56,800 --> 01:17:00,479
Speaker 1: primarily extremely uncool. Yes, to be like really in the

1645
01:17:00,479 --> 01:17:02,600
Speaker 1: weeds about like this thing on the screen, it's like

1646
01:17:02,680 --> 01:17:04,160
Speaker 1: just hit zero percent or hit no.

1647
01:17:04,479 --> 01:17:06,080
Speaker 3: Yes, just do that.

1648
01:17:06,600 --> 01:17:06,760
Speaker 2: Wow.

1649
01:17:06,880 --> 01:17:08,679
Speaker 3: Yeah that's a good that is a good one.

1650
01:17:08,960 --> 01:17:09,920
Speaker 2: We got to the bottom of it.

1651
01:17:10,080 --> 01:17:12,960
Speaker 3: Yeah we did. We decided, Okay, no, we decided.

1652
01:17:13,160 --> 01:17:16,280
Speaker 2: Yeah. So this is Bowen Yang's. I don't think so, honey.

1653
01:17:16,280 --> 01:17:19,679
Speaker 2: I have a weird one. I think it's important. Okay,

1654
01:17:19,720 --> 01:17:20,439
Speaker 2: it's important.

1655
01:17:20,600 --> 01:17:23,679
Speaker 1: Okay, this is Bowen Yang's weird but important. I don't

1656
01:17:23,680 --> 01:17:25,360
Speaker 1: think so, honey. As time starts now.

1657
01:17:25,400 --> 01:17:28,719
Speaker 2: I don't think so. Any glass like if it breaks,

1658
01:17:29,080 --> 01:17:33,840
Speaker 2: like that's bad, so bad, and like it is like

1659
01:17:33,840 --> 01:17:36,160
Speaker 2: like I'm looking at a window right now, like anyone

1660
01:17:36,160 --> 01:17:38,800
Speaker 2: could just break that open and like hurt someone or

1661
01:17:38,840 --> 01:17:42,920
Speaker 2: hurt themselves, Like should everything be looseight? Now I'm thinking

1662
01:17:43,040 --> 01:17:47,560
Speaker 2: like should we Surely there is something cost effective, environmentally

1663
01:17:48,360 --> 01:17:51,400
Speaker 2: not terrible that it can be glass that is not

1664
01:17:51,600 --> 01:17:56,760
Speaker 2: shatterable unless there is some emergency protocol thing. But do

1665
01:17:56,760 --> 01:17:59,240
Speaker 2: you agree with me? Right? Like, we don't have no

1666
01:17:59,320 --> 01:18:01,640
Speaker 2: need for glass in the way that we used to

1667
01:18:01,760 --> 01:18:04,040
Speaker 2: unless there's like an artful aspect to it, like there's

1668
01:18:04,040 --> 01:18:07,040
Speaker 2: a medium, like you're blowing it and you're making a

1669
01:18:07,040 --> 01:18:10,639
Speaker 2: beautiful vase, then it's excitable. That's acceptable. But if it's

1670
01:18:10,680 --> 01:18:13,200
Speaker 2: a window, or if it's like a drink, if it's drinkware,

1671
01:18:13,240 --> 01:18:16,599
Speaker 2: if it's stemware, I think that's scary. I think about

1672
01:18:16,640 --> 01:18:18,680
Speaker 2: Kill Bill volume one, when Vivia Fox is being her

1673
01:18:18,760 --> 01:18:20,479
Speaker 2: daughter to not walk in the living room because she

1674
01:18:20,560 --> 01:18:23,200
Speaker 2: might cut herself. I think about that all the time,

1675
01:18:23,320 --> 01:18:24,800
Speaker 2: Like you can cut yourself.

1676
01:18:24,479 --> 01:18:27,720
Speaker 1: And that's one minute, to say nothing of the insane,

1677
01:18:28,520 --> 01:18:30,639
Speaker 1: very jarring sound of glass breaking.

1678
01:18:30,960 --> 01:18:33,160
Speaker 3: Oh, really scary, scary.

1679
01:18:33,880 --> 01:18:35,920
Speaker 5: I know it was like if someone forgot they could

1680
01:18:35,920 --> 01:18:37,240
Speaker 5: just walk through this wall.

1681
01:18:38,200 --> 01:18:39,559
Speaker 2: It can be so painful.

1682
01:18:40,200 --> 01:18:41,320
Speaker 3: It is painful.

1683
01:18:41,960 --> 01:18:47,280
Speaker 5: I do at the store of the Row because it's

1684
01:18:47,560 --> 01:18:50,920
Speaker 5: that's fancy location in La and the glass is so clean,

1685
01:18:51,200 --> 01:18:53,600
Speaker 5: the glasses so clean, and it's so thick, and I

1686
01:18:54,800 --> 01:18:57,360
Speaker 5: couldn't buy any Everything was so fucking crazy expensive.

1687
01:18:57,880 --> 01:18:59,920
Speaker 3: I love their clothes, but it's so expensive. And as

1688
01:19:00,040 --> 01:19:02,120
Speaker 3: I was, I tried to leave it like a joke,

1689
01:19:02,240 --> 01:19:03,240
Speaker 3: like because I.

1690
01:19:03,240 --> 01:19:06,160
Speaker 5: Wasted everybody's time, Like I was like trying to get

1691
01:19:06,160 --> 01:19:07,920
Speaker 5: out there, like, well, I'm not buying anything.

1692
01:19:07,920 --> 01:19:09,880
Speaker 3: I tried on, but you know whatever.

1693
01:19:09,920 --> 01:19:14,120
Speaker 7: So I was like so, and then it was so

1694
01:19:14,960 --> 01:19:17,479
Speaker 7: hard that they had to take me, sit me down,

1695
01:19:18,080 --> 01:19:20,760
Speaker 7: offer me water in the glass.

1696
01:19:20,840 --> 01:19:23,920
Speaker 3: It was a tray, a glass tray it.

1697
01:19:23,800 --> 01:19:27,679
Speaker 7: Was, but it was a tray with a glass on it.

1698
01:19:28,080 --> 01:19:31,439
Speaker 3: Enemy And then I was like, no, I it down

1699
01:19:32,800 --> 01:19:34,040
Speaker 3: and I cut my finger.

1700
01:19:34,720 --> 01:19:36,960
Speaker 5: No it was and then it was a glass bottle

1701
01:19:36,960 --> 01:19:40,519
Speaker 5: of water, and I really enjoyed it while they were

1702
01:19:40,520 --> 01:19:42,320
Speaker 5: looking at my nose trying to make sure I didn't

1703
01:19:42,320 --> 01:19:44,920
Speaker 5: break it, and I was like, I don't know if

1704
01:19:44,920 --> 01:19:45,640
Speaker 5: I did or not.

1705
01:19:45,880 --> 01:19:46,840
Speaker 3: It's just what it is.

1706
01:19:46,880 --> 01:19:50,519
Speaker 2: Also, you are you superstitious? Yes? Why you know what

1707
01:19:50,560 --> 01:19:53,639
Speaker 2: happens if you break a mirror? Of course, what seven

1708
01:19:53,760 --> 01:19:56,400
Speaker 2: years of bad luck? I'm very superstious.

1709
01:19:56,439 --> 01:20:00,200
Speaker 3: That was about hats or shoes on the bed.

1710
01:20:00,320 --> 01:20:02,679
Speaker 2: That's also really bad. In fact, I.

1711
01:20:02,560 --> 01:20:03,880
Speaker 3: Feel I do it all the time. I'm like, I

1712
01:20:03,960 --> 01:20:04,720
Speaker 3: shouldn't have done that.

1713
01:20:04,960 --> 01:20:07,559
Speaker 1: God, No, you shoes have to be on the ground

1714
01:20:07,560 --> 01:20:09,400
Speaker 1: at all times. If shoes were ever put on a

1715
01:20:09,479 --> 01:20:12,880
Speaker 1: table or something higher off the ground, yes, that's really

1716
01:20:12,920 --> 01:20:15,240
Speaker 1: bad luck. My mother did this to me.

1717
01:20:15,840 --> 01:20:18,280
Speaker 3: I can't mind too. And hats on the bed.

1718
01:20:19,479 --> 01:20:20,679
Speaker 2: I never heard hats on the bed.

1719
01:20:21,360 --> 01:20:23,240
Speaker 1: I do you know what I can't do ever, if

1720
01:20:23,280 --> 01:20:25,400
Speaker 1: I sleep with socks on. When they were when I

1721
01:20:25,439 --> 01:20:27,639
Speaker 1: was a kid, they told me that if you sleep

1722
01:20:27,640 --> 01:20:31,120
Speaker 1: with socks on, the boogeyman will come out of the clossett.

1723
01:20:31,960 --> 01:20:33,519
Speaker 2: So now to this day, I don't do it.

1724
01:20:34,200 --> 01:20:37,840
Speaker 5: That feels like an agenda by your parents is very random, right,

1725
01:20:38,000 --> 01:20:38,800
Speaker 5: Why didn't.

1726
01:20:38,520 --> 01:20:39,599
Speaker 3: They want you wear socks?

1727
01:20:39,680 --> 01:20:43,679
Speaker 2: I think what it was was my mom's like demon brother.

1728
01:20:43,760 --> 01:20:47,080
Speaker 2: When she was younger, my uncle told her like, you

1729
01:20:47,160 --> 01:20:49,240
Speaker 2: wear your socks like the boman is gonna come out.

1730
01:20:50,240 --> 01:20:52,639
Speaker 2: I terrified her, And then she told me that when

1731
01:20:52,640 --> 01:20:55,760
Speaker 2: I was a kid, not prescriptively, just like this is

1732
01:20:55,760 --> 01:20:57,519
Speaker 2: what my uncle. Your uncle told me. And then I

1733
01:20:57,560 --> 01:21:00,320
Speaker 2: was like, well, now I can't do it.

1734
01:21:01,840 --> 01:21:05,240
Speaker 1: Walking under a ladder it's a huge no walking under

1735
01:21:05,280 --> 01:21:05,839
Speaker 1: a ladder.

1736
01:21:05,920 --> 01:21:10,240
Speaker 3: Yes, you're right. There's also well I wouldn't say black cat.

1737
01:21:10,320 --> 01:21:12,360
Speaker 2: Oh no, black cats. I go the other way. I

1738
01:21:12,360 --> 01:21:13,080
Speaker 2: don't that.

1739
01:21:13,000 --> 01:21:19,120
Speaker 5: Black least adopted animals in a shelter because everyone thinks

1740
01:21:19,120 --> 01:21:21,879
Speaker 5: the same, because they are which is familiar.

1741
01:21:22,479 --> 01:21:23,960
Speaker 3: But you know what, they are.

1742
01:21:23,840 --> 01:21:27,479
Speaker 1: Adorable, they're wonderful, They're just the same someone else.

1743
01:21:28,439 --> 01:21:28,600
Speaker 4: You know.

1744
01:21:28,760 --> 01:21:31,559
Speaker 3: It's too scared to even be like, I just I can't.

1745
01:21:31,640 --> 01:21:34,800
Speaker 2: It's at this point it's all believe path. It's a

1746
01:21:34,840 --> 01:21:35,439
Speaker 2: core belief.

1747
01:21:35,560 --> 01:21:36,799
Speaker 3: Then you're like, I'm done.

1748
01:21:36,960 --> 01:21:40,120
Speaker 2: No, I will go the other way. I will inconvenience myself.

1749
01:21:41,360 --> 01:21:44,439
Speaker 2: I'm not kidding. It's like it's it's a thing. Okay,

1750
01:21:44,520 --> 01:21:46,880
Speaker 2: you're not you're not. Well. My favorite line ever, I'm

1751
01:21:46,880 --> 01:21:50,120
Speaker 2: not superstitious, but I am a little stitious from the office.

1752
01:21:51,360 --> 01:21:53,559
Speaker 2: You're a little stish. I'm a little stitious, little.

1753
01:21:54,840 --> 01:21:57,640
Speaker 5: Nova scotious dishes.

1754
01:21:57,680 --> 01:21:59,200
Speaker 2: Did you say a nova scoti No?

1755
01:21:59,320 --> 01:22:01,080
Speaker 3: Oh, I always say that for like a little bit

1756
01:22:06,439 --> 01:22:07,360
Speaker 3: major laser.

1757
01:22:08,040 --> 01:22:10,320
Speaker 2: Major. We say that's major laser like the artists like.

1758
01:22:10,280 --> 01:22:13,320
Speaker 3: Diplow and yes, yes, fantastic, fantastic.

1759
01:22:13,400 --> 01:22:15,280
Speaker 2: Okay, so we're under the impression that you have, you

1760
01:22:15,320 --> 01:22:15,840
Speaker 2: have something.

1761
01:22:16,479 --> 01:22:19,040
Speaker 3: I don't know if it's been I feel like it's it's.

1762
01:22:18,920 --> 01:22:21,639
Speaker 1: Okay, this is Catherine Hans. I don't think so, honey. Okay,

1763
01:22:21,680 --> 01:22:23,719
Speaker 1: it starts now, honeys.

1764
01:22:23,880 --> 01:22:27,000
Speaker 5: I don't think that anyone under the age of twenty

1765
01:22:27,000 --> 01:22:29,360
Speaker 5: five needs to get a butt implant.

1766
01:22:29,560 --> 01:22:31,760
Speaker 3: Oh, I just don't think so.

1767
01:22:32,160 --> 01:22:34,679
Speaker 5: I think if you are blessed enough to have a long,

1768
01:22:34,880 --> 01:22:39,880
Speaker 5: long life, no one really knows where they're gonna fall. Yeah,

1769
01:22:40,000 --> 01:22:43,320
Speaker 5: the upkeep they're gonna need for that butt, yeah, they're

1770
01:22:43,360 --> 01:22:47,400
Speaker 5: also just who knows if that it is a fad.

1771
01:22:48,600 --> 01:22:51,960
Speaker 5: We don't know if everybody's gonna need an ass that

1772
01:22:52,200 --> 01:22:56,280
Speaker 5: big for. You know, things come and go, right, the

1773
01:22:56,479 --> 01:22:59,000
Speaker 5: images of what a person is supposed to look like

1774
01:22:59,280 --> 01:22:59,880
Speaker 5: come and go.

1775
01:23:00,920 --> 01:23:02,240
Speaker 3: We remember Kate Moss.

1776
01:23:02,280 --> 01:23:04,200
Speaker 5: That could be a thing again, and she did not

1777
01:23:04,400 --> 01:23:08,519
Speaker 5: have a bubble but beyond bubble butts. And also I

1778
01:23:08,560 --> 01:23:11,080
Speaker 5: feel like you can tell now, I mean you obviously

1779
01:23:11,120 --> 01:23:15,080
Speaker 5: can tell, but I think you can't. Okay, But I

1780
01:23:15,080 --> 01:23:18,280
Speaker 5: do feel like because that is also the anyway.

1781
01:23:17,920 --> 01:23:24,479
Speaker 2: That's all okay, honey, honey.

1782
01:23:24,640 --> 01:23:27,240
Speaker 5: I think also because that only leads that opens the

1783
01:23:27,280 --> 01:23:32,479
Speaker 5: door to more. And and you're so young, and and

1784
01:23:32,520 --> 01:23:36,320
Speaker 5: then the cheeks and everything like it just becomes a

1785
01:23:36,600 --> 01:23:43,560
Speaker 5: like money cipher. You save that money, honey, save it until.

1786
01:23:43,280 --> 01:23:45,400
Speaker 3: You feel like you really need it and you're.

1787
01:23:45,240 --> 01:23:49,360
Speaker 5: Like fully formed, Like there you're still a zygot. Oh

1788
01:23:49,439 --> 01:23:54,479
Speaker 5: my god, yes, every day I.

1789
01:23:54,360 --> 01:23:58,840
Speaker 3: Love that word. I don't I might have a.

1790
01:23:58,840 --> 01:24:02,639
Speaker 2: Blast when is Lastela is like the first of the first.

1791
01:24:03,120 --> 01:24:07,280
Speaker 2: When it starts to grow a bit, last La is

1792
01:24:07,280 --> 01:24:09,479
Speaker 2: like pree ze. I go out almost Oh god, I

1793
01:24:09,560 --> 01:24:13,280
Speaker 2: love it gets fertilized, and then Blastela. I think, oh.

1794
01:24:13,120 --> 01:24:14,720
Speaker 3: My god, we were all blastula.

1795
01:24:14,840 --> 01:24:18,960
Speaker 2: We were all blasterlas at one point.

1796
01:24:16,560 --> 01:24:20,320
Speaker 5: You know, Oh my god, I did not. I have

1797
01:24:20,439 --> 01:24:23,680
Speaker 5: some things I need you to diagnose. I thought I

1798
01:24:23,720 --> 01:24:26,080
Speaker 5: had a blast on my own. Maybe you're going to

1799
01:24:26,120 --> 01:24:26,680
Speaker 5: have to check it.

1800
01:24:27,160 --> 01:24:29,000
Speaker 2: I'll check for any blasterlas on so.

1801
01:24:29,120 --> 01:24:32,320
Speaker 3: Honey, I think, so are observing?

1802
01:24:32,640 --> 01:24:34,599
Speaker 2: I have some questions. Are you observing that people under

1803
01:24:34,600 --> 01:24:38,280
Speaker 2: twenty five are getting the surgery? Yes? Really? Okay, damn,

1804
01:24:38,320 --> 01:24:39,120
Speaker 2: I'm not paying attention.

1805
01:24:39,200 --> 01:24:41,960
Speaker 5: I second of maybe that's regional though, No, no, no,

1806
01:24:43,600 --> 01:24:47,120
Speaker 5: it definitely yeah, I think I mean, yeah, I haven't

1807
01:24:47,160 --> 01:24:47,880
Speaker 5: seen it here.

1808
01:24:48,040 --> 01:24:50,320
Speaker 2: It literally is upkeep because you got to keep it up.

1809
01:24:50,439 --> 01:24:51,519
Speaker 3: You have to keep it up.

1810
01:24:51,680 --> 01:24:54,920
Speaker 5: I'm like, do they have like a sling that they

1811
01:24:54,960 --> 01:24:56,240
Speaker 5: wear to keep it up at night?

1812
01:24:56,720 --> 01:24:58,520
Speaker 3: What's crazy is it's like a girdle.

1813
01:24:58,240 --> 01:25:01,000
Speaker 2: For your Now they can you and do the injections

1814
01:25:01,000 --> 01:25:04,080
Speaker 2: in it too. It's like it's the BB what's that?

1815
01:25:04,400 --> 01:25:07,240
Speaker 3: But oh right?

1816
01:25:07,800 --> 01:25:10,720
Speaker 2: And also it's it's like when you're that age, like

1817
01:25:10,840 --> 01:25:13,000
Speaker 2: you still have like a high and tight ass, like

1818
01:25:13,040 --> 01:25:15,720
Speaker 2: you don't need I know, you.

1819
01:25:15,720 --> 01:25:19,439
Speaker 5: Still have access to the class and staying healthy. I

1820
01:25:19,479 --> 01:25:21,720
Speaker 5: think there's like a there's like a weird like I

1821
01:25:21,720 --> 01:25:22,840
Speaker 5: don't have to do anything now.

1822
01:25:23,479 --> 01:25:24,280
Speaker 3: But then it's like.

1823
01:25:25,200 --> 01:25:27,160
Speaker 2: That's what what's that teaching you? What's like you know,

1824
01:25:27,200 --> 01:25:29,240
Speaker 2: you're just gonna find the shortcut to everything.

1825
01:25:29,360 --> 01:25:33,519
Speaker 5: Everything, and then you'll go on a zembic and then

1826
01:25:33,560 --> 01:25:41,080
Speaker 5: it'll just be an ass walking around. Yeah, ass and

1827
01:25:41,200 --> 01:25:44,800
Speaker 5: teeth and you can tell I can't because they are

1828
01:25:45,040 --> 01:25:48,280
Speaker 5: and so I mean I think if they're good, I

1829
01:25:48,320 --> 01:25:52,639
Speaker 5: would know, But if they're not, it's so absurd. It's

1830
01:25:52,680 --> 01:25:55,040
Speaker 5: like it's like Jessica Rabbit, you know what I mean,

1831
01:25:55,200 --> 01:25:59,200
Speaker 5: You're just like it's like intense.

1832
01:25:59,479 --> 01:26:01,960
Speaker 1: If you say anything has like collagen in it, it's

1833
01:26:01,960 --> 01:26:04,120
Speaker 1: like earlier when I said what it left here, I'm like, well,

1834
01:26:04,160 --> 01:26:04,920
Speaker 1: I have I need.

1835
01:26:06,640 --> 01:26:08,639
Speaker 3: But have you seen their like blood one?

1836
01:26:09,920 --> 01:26:13,960
Speaker 2: Wait? Wait, not one, because now Belahadid has one.

1837
01:26:14,080 --> 01:26:16,720
Speaker 5: No, this is a special doctor one who literally is

1838
01:26:16,760 --> 01:26:20,200
Speaker 5: like it's like a heart, you know, blood.

1839
01:26:19,840 --> 01:26:24,960
Speaker 3: Of a cow, you know, like bone marrow. You gotta

1840
01:26:25,000 --> 01:26:28,040
Speaker 3: look it up. And then they already they like make

1841
01:26:28,080 --> 01:26:28,960
Speaker 3: it into a smoothie.

1842
01:26:28,960 --> 01:26:33,840
Speaker 5: And you're like, oh yeah, blood, blood and organs.

1843
01:26:33,400 --> 01:26:35,080
Speaker 2: Blood and organs. This must be good.

1844
01:26:35,240 --> 01:26:37,440
Speaker 3: Nothing like blood and organs smooth.

1845
01:26:37,160 --> 01:26:41,520
Speaker 5: And a hot day just after a long uber drive.

1846
01:26:42,200 --> 01:26:45,160
Speaker 2: And you know, I have to say, speaking of today's

1847
01:26:45,160 --> 01:26:49,439
Speaker 2: a hot day. We need some relief. We all touched.

1848
01:26:50,200 --> 01:26:54,439
Speaker 2: We reached Nirana today. You feel like, I'm like coven

1849
01:26:54,680 --> 01:26:55,839
Speaker 2: was completed today.

1850
01:26:56,000 --> 01:26:58,160
Speaker 3: This is a coven right here that I felt like

1851
01:26:58,200 --> 01:27:00,280
Speaker 3: I got to one.

1852
01:27:00,360 --> 01:27:01,280
Speaker 2: Also, look what we're doing.

1853
01:27:01,520 --> 01:27:04,840
Speaker 5: Then we go there, Oh yeah, I'm sorry my my

1854
01:27:05,040 --> 01:27:06,679
Speaker 5: diamond ring that's not mine.

1855
01:27:07,600 --> 01:27:10,280
Speaker 3: No, it's got a couple of diamonds. Thanks.

1856
01:27:10,560 --> 01:27:11,800
Speaker 2: What are you doing the rest of the day? You

1857
01:27:11,800 --> 01:27:12,719
Speaker 2: going to this show later?

1858
01:27:12,880 --> 01:27:15,240
Speaker 3: I'm going to show later. And now I have a

1859
01:27:15,400 --> 01:27:20,120
Speaker 3: little then yeah, oh and I'm doing Seth Myers.

1860
01:27:22,439 --> 01:27:24,799
Speaker 2: I will yeah. Yeah, yeah, he's a peach.

1861
01:27:25,000 --> 01:27:27,160
Speaker 3: Okay, yeah, I totally.

1862
01:27:26,680 --> 01:27:29,639
Speaker 2: Will No, we love him. He's the best in the biz.

1863
01:27:30,000 --> 01:27:33,040
Speaker 3: He's so sweetie. Yeah yeah, yeah, you're going there.

1864
01:27:33,040 --> 01:27:37,120
Speaker 2: You're going there now. I'm gonna go there now. No no, no, no,

1865
01:27:37,000 --> 01:27:38,519
Speaker 2: no no, don't worry about me. I have to go

1866
01:27:38,560 --> 01:27:40,400
Speaker 2: and and just hold up in an office, just like

1867
01:27:40,439 --> 01:27:42,759
Speaker 2: get on a zoom. It's not that cheap stuff.

1868
01:27:42,960 --> 01:27:46,439
Speaker 3: Wait are we in thirty roue? No, I don't know

1869
01:27:46,520 --> 01:27:50,680
Speaker 3: what the fuck is happening? But who am I?

1870
01:27:50,840 --> 01:27:52,160
Speaker 2: Who are you?

1871
01:27:52,479 --> 01:27:52,759
Speaker 3: Okay?

1872
01:27:52,800 --> 01:27:56,479
Speaker 1: And here you are is the fucking best and the

1873
01:27:56,520 --> 01:28:00,439
Speaker 1: start of which, by the way, I'll say again, is

1874
01:28:01,000 --> 01:28:01,760
Speaker 1: so much fun.

1875
01:28:01,840 --> 01:28:03,479
Speaker 2: Congratulations on it, because.

1876
01:28:07,439 --> 01:28:10,200
Speaker 1: But the bar had to be high because everyone loved

1877
01:28:10,240 --> 01:28:12,960
Speaker 1: WandaVision so much and just know that like all the

1878
01:28:13,120 --> 01:28:14,320
Speaker 1: joy and all the like.

1879
01:28:14,680 --> 01:28:19,280
Speaker 2: Fun and intrigue and suspense. I can't wait. I'm gonna

1880
01:28:19,320 --> 01:28:21,360
Speaker 2: go back and watch it because we have four, so

1881
01:28:21,360 --> 01:28:23,559
Speaker 2: I'm gonna watch the next two and then be so

1882
01:28:23,600 --> 01:28:25,400
Speaker 2: annoyed when I ruined it for myself because then they

1883
01:28:25,400 --> 01:28:25,680
Speaker 2: don't the.

1884
01:28:26,240 --> 01:28:30,639
Speaker 3: Fifth weeks later. But it's worth it.

1885
01:28:30,520 --> 01:28:33,760
Speaker 1: Feels like an amazing sequel to WandaVision in a way,

1886
01:28:33,800 --> 01:28:34,360
Speaker 1: but yeah.

1887
01:28:34,640 --> 01:28:38,320
Speaker 5: It completely Yeah, but like as it's the same writer

1888
01:28:38,400 --> 01:28:39,720
Speaker 5: who's incredible.

1889
01:28:39,520 --> 01:28:43,880
Speaker 2: Jack Schaeffer. Yeah, amazing that brain. It's so clear your

1890
01:28:43,960 --> 01:28:45,600
Speaker 2: number one of the call sheet and that you've like

1891
01:28:45,760 --> 01:28:48,479
Speaker 2: made this such a special project for everybody. No, I'm

1892
01:28:48,479 --> 01:28:51,599
Speaker 2: just saying that is a huge important thing and thank

1893
01:28:51,640 --> 01:28:53,400
Speaker 2: you so much for being are you guys?

1894
01:28:53,439 --> 01:28:56,639
Speaker 3: I was so looking forward to this and it disappointed.

1895
01:28:58,760 --> 01:29:02,479
Speaker 2: We bring him we're gonna last one minute. Well that

1896
01:29:02,800 --> 01:29:09,599
Speaker 2: sucks anyway, Disney plus everybody, and we end every episode

1897
01:29:09,680 --> 01:29:14,520
Speaker 2: with a song. I guess it's been a long.

1898
01:29:16,880 --> 01:29:19,759
Speaker 3: You guys. Also, that was beautiful and your.

1899
01:29:19,680 --> 01:29:22,519
Speaker 2: Voice really cut the camera.

1900
01:29:24,840 --> 01:29:25,240
Speaker 4: Thank you.

1901
01:29:27,720 --> 01:29:29,840
Speaker 2: Last Culture Racis is the production by Will Ferrell's Big

1902
01:29:29,880 --> 01:29:31,640
Speaker 2: Money Players and My Heart Radio podcasts.

1903
01:29:31,640 --> 01:29:34,959
Speaker 1: Created and hosted by Matt Rogers and Bowen Yang. Executive

1904
01:29:35,000 --> 01:29:38,719
Speaker 1: produced by Ana Hasnier and Hans Sni, produced by Becker Ramos,

1905
01:29:38,840 --> 01:29:41,040
Speaker 1: edited mixed by Doug Baby beneath the board.

1906
01:29:41,000 --> 01:29:48,120
Speaker 2: And our music is by Henry Kburski. Hey it's Madigan.

1907
01:29:48,360 --> 01:29:50,280
Speaker 1: Just a reminder to get your tickets to the Prince

1908
01:29:50,360 --> 01:29:54,639
Speaker 1: of Christmas tour on sale Friday, September twentieth. Check out

1909
01:29:54,640 --> 01:29:57,880
Speaker 1: the link in my bio of my Instagram at Matt

1910
01:29:57,920 --> 01:30:01,000
Speaker 1: Rogers though, or head over to Matt rob official dot

1911
01:30:01,040 --> 01:30:05,559
Speaker 1: com for tickets. Also, if it's September eighteenth where you

1912
01:30:05,600 --> 01:30:08,920
Speaker 1: are Wednesday, September eighteenth, you can go right now to

1913
01:30:09,120 --> 01:30:12,960
Speaker 1: use the pre sale code rum pum pum ticket tickets

1914
01:30:12,960 --> 01:30:13,559
Speaker 1: for artists.

1915
01:30:13,680 --> 01:30:15,200
Speaker 2: Pre sale yay