1 00:00:05,200 --> 00:00:07,480 Speaker 1: Hey, this is Annie and Samantha and welcome to Steffan 2 00:00:07,560 --> 00:00:19,360 Speaker 1: Never told you a production of iHeartRadio. And welcome to 3 00:00:19,400 --> 00:00:23,079 Speaker 1: another sub sub sub sub segment, fictional women around the World. 4 00:00:23,079 --> 00:00:28,160 Speaker 1: How do ween? In addition O, yes, today we are 5 00:00:28,240 --> 00:00:31,639 Speaker 1: talking about Sally the ragdoll from the nineteen ninety three 6 00:00:31,760 --> 00:00:37,839 Speaker 1: film Another anniversary which we keep running into. Hey, which 7 00:00:37,920 --> 00:00:40,400 Speaker 1: is the stop motion animated film The Nightmare Before Christmas 8 00:00:40,880 --> 00:00:44,800 Speaker 1: First voice by Catherine O'Hara. I just watched this movie 9 00:00:45,560 --> 00:00:48,519 Speaker 1: the other day when I was a kid. It scared 10 00:00:48,600 --> 00:00:50,680 Speaker 1: me so bad. I don't think I watched it again 11 00:00:50,760 --> 00:00:53,279 Speaker 1: until after calling. 12 00:00:55,520 --> 00:00:56,840 Speaker 2: The first one I ever watched that I think was 13 00:00:56,920 --> 00:01:00,760 Speaker 2: last year. Oh really, because I don't care for animations. 14 00:01:00,920 --> 00:01:03,880 Speaker 2: I don't care for Tim what's his face? 15 00:01:04,440 --> 00:01:07,720 Speaker 1: Tim Burton? I said it. 16 00:01:08,680 --> 00:01:11,440 Speaker 2: So I've never watched any of his outside of like 17 00:01:11,480 --> 00:01:15,840 Speaker 2: the old school old school. So definitely watched Beetlejuice, and 18 00:01:15,959 --> 00:01:23,720 Speaker 2: definitely watched Uh Edward Scissors Hands. I think that's it though. Yeah, Oh, 19 00:01:23,920 --> 00:01:25,880 Speaker 2: he does have some surprising movies that I didn't realize 20 00:01:25,959 --> 00:01:26,200 Speaker 2: was his. 21 00:01:26,760 --> 00:01:27,160 Speaker 1: Yeah. 22 00:01:27,520 --> 00:01:30,880 Speaker 2: Yeah, so maybe I have and I didn't realize it. 23 00:01:31,240 --> 00:01:34,640 Speaker 2: So like I'm not a big Johnny Depth fan, So hmm, 24 00:01:34,880 --> 00:01:37,880 Speaker 2: definitely not gonna watch that. Uh, but I finally watched 25 00:01:37,920 --> 00:01:39,600 Speaker 2: this last year, which, by the way, I just saw 26 00:01:39,640 --> 00:01:42,760 Speaker 2: recent TikTok saying that the children are named after their deaths. 27 00:01:43,760 --> 00:01:48,840 Speaker 1: Yeah, that made me really sad. It's a dark film 28 00:01:50,080 --> 00:01:52,280 Speaker 1: in a lot of ways. I mean when I was 29 00:01:52,280 --> 00:01:54,240 Speaker 1: a kid, I was like, oh my god. 30 00:01:54,440 --> 00:01:56,080 Speaker 2: Yeah, I was like, oh, well, okay. 31 00:01:56,120 --> 00:02:02,240 Speaker 1: Okay, uh huh. Well, I watched it the other day 32 00:02:02,360 --> 00:02:04,720 Speaker 1: and I was just thinking about this because I was like, 33 00:02:05,280 --> 00:02:08,639 Speaker 1: I see this character come up so many times, definitely 34 00:02:08,680 --> 00:02:11,359 Speaker 1: in my goth spaces when I was going to Hot 35 00:02:11,360 --> 00:02:17,440 Speaker 1: topic in high school. Sally, I have some pajamas actually 36 00:02:17,480 --> 00:02:21,280 Speaker 1: that I got from Hot Topic. Yes, and this film 37 00:02:21,280 --> 00:02:23,560 Speaker 1: and this character did really resonate with a lot of people. 38 00:02:23,840 --> 00:02:25,880 Speaker 1: There has been a lot of debate and disagreement about 39 00:02:25,880 --> 00:02:27,760 Speaker 1: whether her character is a good or bad role model. 40 00:02:27,760 --> 00:02:30,120 Speaker 1: We'll talk about that at the end. Outside of the film, 41 00:02:30,160 --> 00:02:32,840 Speaker 1: she has been featured in comics, books, and video games, 42 00:02:33,200 --> 00:02:37,480 Speaker 1: including the Kingdom Heart series, which I loved. Sally's song, 43 00:02:37,639 --> 00:02:39,519 Speaker 1: the song she sings in it that it is called 44 00:02:39,600 --> 00:02:42,440 Speaker 1: Sally's Song has been covered at numerous times, including by 45 00:02:42,520 --> 00:02:45,639 Speaker 1: Evanescence frontwoman Amy Lee, which I forgot until I was 46 00:02:45,680 --> 00:02:49,680 Speaker 1: researching this. There's also a line about it in the 47 00:02:49,720 --> 00:02:51,920 Speaker 1: Blink twenty eighty two song I Miss You, which I 48 00:02:52,000 --> 00:02:53,920 Speaker 1: was very good at on my karaoke game that I 49 00:02:53,919 --> 00:03:01,160 Speaker 1: had on PlayStation. Halsey will alternate with Catherine O'Hara as 50 00:03:01,240 --> 00:03:03,720 Speaker 1: Sally in an upcoming live production of The Nightmare for 51 00:03:03,840 --> 00:03:05,800 Speaker 1: Christmas at the Hollywood Bowl. Apparently they've been doing this 52 00:03:05,840 --> 00:03:08,480 Speaker 1: for many years. Any listeners have been let us know 53 00:03:09,120 --> 00:03:12,480 Speaker 1: Billie Eilish saying the role a couple of years ago. 54 00:03:12,800 --> 00:03:15,919 Speaker 1: The costume was allegedly inspired by Selena Kyle Catwoman from 55 00:03:16,000 --> 00:03:19,560 Speaker 1: Batman Returns, which is another holiday movie that we did. 56 00:03:19,800 --> 00:03:23,000 Speaker 1: You can see our episode on it. But yeah, let's 57 00:03:23,000 --> 00:03:26,080 Speaker 1: talk about this character. When we first meet Sally, who 58 00:03:26,160 --> 00:03:30,120 Speaker 1: is a patchwork rag doll made of found fabrics, Her 59 00:03:30,200 --> 00:03:32,640 Speaker 1: dress is made of found fabrics, and she is stuffed 60 00:03:32,639 --> 00:03:37,640 Speaker 1: with dead leaves living in Halloween Town in the film, 61 00:03:37,800 --> 00:03:43,520 Speaker 1: she longs for independence. Her creator, controlling mad scientist Doctor Finkelstein, 62 00:03:43,880 --> 00:03:47,240 Speaker 1: definitely a reference to Doctor Frankenstein, keeps her locked up 63 00:03:47,240 --> 00:03:49,520 Speaker 1: in his tower, though she has tried to escape several 64 00:03:49,520 --> 00:03:52,800 Speaker 1: times after the Halloween party. She manages to get away 65 00:03:52,800 --> 00:03:54,760 Speaker 1: from him by undoing the threat on her arm, and 66 00:03:54,800 --> 00:03:57,840 Speaker 1: she dismembers her arm. She does this a lot, but 67 00:03:57,960 --> 00:03:59,760 Speaker 1: due to her nature, she is able to put herself 68 00:03:59,800 --> 00:04:03,920 Speaker 1: back together. She secretly follows pumpkin king Jack skelling Ten 69 00:04:04,520 --> 00:04:08,360 Speaker 1: and her crush up to the moonlit Spiral Hill and 70 00:04:08,440 --> 00:04:11,720 Speaker 1: hears him sing about how he isn't happy with Halloween anymore. 71 00:04:11,760 --> 00:04:15,520 Speaker 1: He's bored, basically. Sally returns to the doctor for her 72 00:04:15,680 --> 00:04:18,800 Speaker 1: arm and wants it's reattached. She tricks and poisons the 73 00:04:18,839 --> 00:04:20,960 Speaker 1: doctors so she can go to the town meeting that 74 00:04:21,040 --> 00:04:23,960 Speaker 1: Jack is called, where he gushes about his experiences in 75 00:04:24,120 --> 00:04:27,560 Speaker 1: Christmas Town. A little unsettled, Sally heads back to the 76 00:04:27,600 --> 00:04:30,479 Speaker 1: tower where the scientist locks her up, but Sally escapes 77 00:04:30,520 --> 00:04:32,400 Speaker 1: by jumping out a window with a basket of food 78 00:04:32,400 --> 00:04:35,720 Speaker 1: and drink, and in doing so scatters her body parts 79 00:04:36,000 --> 00:04:39,799 Speaker 1: in the fall, but she easily reattaches them. She gives 80 00:04:39,800 --> 00:04:43,719 Speaker 1: the basket to Jack, but flees out of shyness. While 81 00:04:43,800 --> 00:04:47,120 Speaker 1: plucking the pedals of Forget Me nots, she sees a 82 00:04:47,200 --> 00:04:50,279 Speaker 1: vision of a Christmas tree bursting into flames. She goes 83 00:04:50,320 --> 00:04:53,800 Speaker 1: to warn Jack, but he dismisses her concerns. Desperate to 84 00:04:53,800 --> 00:04:55,880 Speaker 1: put an end to Jack's plan to take over Christmas 85 00:04:55,920 --> 00:04:58,480 Speaker 1: on Christmas Eve, Sally whips up a batch of fog 86 00:04:58,760 --> 00:05:01,960 Speaker 1: making potion so that she will be unable to take 87 00:05:02,040 --> 00:05:06,200 Speaker 1: off in his sleigh. However, Jack's dog Zero foils her 88 00:05:06,240 --> 00:05:10,320 Speaker 1: plan when he illuminates his nose red Nose and lights 89 00:05:10,360 --> 00:05:14,880 Speaker 1: the way. Once Jack is gone, Sally overhears how terrible 90 00:05:14,960 --> 00:05:18,080 Speaker 1: his Christmas is being received, like the military is talking 91 00:05:18,080 --> 00:05:20,720 Speaker 1: about shooting him out of the sky, and decides to 92 00:05:20,760 --> 00:05:23,600 Speaker 1: rescue Santa Claus, who's being held prisoner by town villain 93 00:05:23,680 --> 00:05:27,000 Speaker 1: Oogie Boogie. Sally formulates a plan which involves distracting a 94 00:05:27,080 --> 00:05:30,560 Speaker 1: gee with a flash of her unbeknownst to him, dismembered 95 00:05:30,920 --> 00:05:36,160 Speaker 1: sexy leg As. She almost succeeds in fringing Santa, but 96 00:05:36,240 --> 00:05:41,240 Speaker 1: has captured herself. Jack, realizing what he's done, returns to 97 00:05:41,240 --> 00:05:45,240 Speaker 1: Hallween Town and fights Ugie Freese, Sally, and Santa Claus, 98 00:05:45,320 --> 00:05:48,560 Speaker 1: just in time for him Santa Claus to save Christmas, 99 00:05:49,560 --> 00:05:51,840 Speaker 1: but not before Santa issues a stern warning that she 100 00:05:51,920 --> 00:05:53,680 Speaker 1: had listen to Sally because she's the only one with 101 00:05:53,760 --> 00:05:56,400 Speaker 1: any sense around here. Jack is on the verge of 102 00:05:56,440 --> 00:05:58,840 Speaker 1: revealing his feelings for Sally, but they are interrupted because 103 00:05:58,880 --> 00:06:00,919 Speaker 1: they have to have that scene in their removie. But 104 00:06:01,040 --> 00:06:04,400 Speaker 1: eventually they both make their way to the Spiral Hill 105 00:06:04,440 --> 00:06:07,359 Speaker 1: and reveal their feelings for each other, hugging and kissing. 106 00:06:08,240 --> 00:06:12,919 Speaker 1: They or is it because We're not going to go 107 00:06:13,080 --> 00:06:16,440 Speaker 1: in depth on this because I haven't read these things. 108 00:06:16,800 --> 00:06:20,280 Speaker 1: But in the comics and books, they get married and 109 00:06:20,320 --> 00:06:22,480 Speaker 1: maybe have kids, like four kids. 110 00:06:22,600 --> 00:06:23,760 Speaker 2: I know this is a comic. 111 00:06:24,680 --> 00:06:27,240 Speaker 1: Yeah, comics and book. I think it's after the fact, 112 00:06:27,240 --> 00:06:32,600 Speaker 1: but yeah, she becomes the Pumpkin Queen and she was 113 00:06:32,680 --> 00:06:35,880 Speaker 1: the one, the only one who never gets fooled by Oki, 114 00:06:36,000 --> 00:06:39,279 Speaker 1: but gets kidnapped a lot. She rescues Zero. I'm not sure, 115 00:06:39,839 --> 00:06:42,240 Speaker 1: un listeners, let us know it came out. The book 116 00:06:42,680 --> 00:06:46,400 Speaker 1: The Pumpkin Queen came out I think last year, so 117 00:06:46,440 --> 00:06:49,280 Speaker 1: it's pretty recent. But there is some stuff I wanted 118 00:06:49,320 --> 00:06:52,320 Speaker 1: to talk about with this character because I have been watching. 119 00:06:52,640 --> 00:06:57,000 Speaker 1: I'm behind on my Halloween movies because I've been so busy, 120 00:06:58,560 --> 00:07:00,919 Speaker 1: but that means I've been like watching when I have 121 00:07:01,000 --> 00:07:04,320 Speaker 1: the chance, a ton of them at once, and I 122 00:07:04,360 --> 00:07:08,640 Speaker 1: think that overload of Halloween slash Horror movies brought me 123 00:07:08,720 --> 00:07:10,880 Speaker 1: back to that point. Lauren and I did a whole 124 00:07:10,880 --> 00:07:13,560 Speaker 1: episode on it before you came on as host, Samantha, 125 00:07:14,280 --> 00:07:16,680 Speaker 1: Why didn't you believe her? It shows up in like 126 00:07:16,760 --> 00:07:19,680 Speaker 1: every horror movie, I swear to God, there is a 127 00:07:19,720 --> 00:07:23,360 Speaker 1: woman who is like, this is bad, we shouldn't do this, 128 00:07:24,080 --> 00:07:26,960 Speaker 1: and they're all like, ah, it's under control. I know 129 00:07:27,040 --> 00:07:30,120 Speaker 1: what I'm doing. And it was very present in this movie. 130 00:07:30,560 --> 00:07:35,720 Speaker 1: And it's interesting because this is her like crush her love, 131 00:07:37,000 --> 00:07:40,800 Speaker 1: but she's also not really chill with going on with 132 00:07:40,840 --> 00:07:43,240 Speaker 1: this plan. She just she tries to foil it a lot. 133 00:07:43,240 --> 00:07:55,120 Speaker 1: We're gonna talk about that more in a second. Another 134 00:07:55,120 --> 00:07:58,600 Speaker 1: thing I found with the whole article about recognizing abuse, 135 00:07:58,880 --> 00:08:02,000 Speaker 1: and it was using this movie as an example, and 136 00:08:02,080 --> 00:08:04,520 Speaker 1: it was saying, like, you know, the doctor's controlling behavior 137 00:08:05,120 --> 00:08:11,240 Speaker 1: is verbal abuse. Oh yeah, it's very disturbing, like ownership 138 00:08:11,280 --> 00:08:16,120 Speaker 1: and entitlement. So here are some quotes from him. You 139 00:08:16,160 --> 00:08:18,400 Speaker 1: want me to starve an old man like me who 140 00:08:18,480 --> 00:08:21,320 Speaker 1: hardly has strength as it is me to whom you 141 00:08:21,400 --> 00:08:24,480 Speaker 1: own your very life, like very much manipulative, like say 142 00:08:24,560 --> 00:08:27,640 Speaker 1: I will die that you you have to stay here's 143 00:08:27,640 --> 00:08:30,120 Speaker 1: another one. You're mine, you know, I made you with 144 00:08:30,160 --> 00:08:34,880 Speaker 1: my own hands. And later when he's like dissatisfied with Sally, 145 00:08:35,000 --> 00:08:39,040 Speaker 1: he makes a new version of Sally that he says 146 00:08:39,080 --> 00:08:40,960 Speaker 1: will be an improvement. He puts the calf his brain 147 00:08:41,040 --> 00:08:44,520 Speaker 1: in her, I think, And then there's like examples of 148 00:08:44,520 --> 00:08:47,560 Speaker 1: physical abuse like locking her up, strabbing her down, and 149 00:08:47,600 --> 00:08:49,480 Speaker 1: holding things important to her so she has to come 150 00:08:49,520 --> 00:08:52,080 Speaker 1: back like her arm. There's no support in the town. 151 00:08:53,360 --> 00:08:56,960 Speaker 1: Like he's definitely not meant to be seen in a 152 00:08:56,960 --> 00:09:00,520 Speaker 1: good light. But it's very disturbing for sure. And that 153 00:09:00,520 --> 00:09:03,920 Speaker 1: brings us to the next point that she is defined 154 00:09:03,920 --> 00:09:06,480 Speaker 1: a lot through her relationships to men in her life. 155 00:09:07,400 --> 00:09:11,160 Speaker 1: She is like a damsel in distress. I guess because 156 00:09:11,200 --> 00:09:12,720 Speaker 1: she was the smart one. She was the one that 157 00:09:12,840 --> 00:09:15,000 Speaker 1: was like, this is bad, this is wrong. I've got 158 00:09:15,040 --> 00:09:17,200 Speaker 1: a need to fix it. I'll do it myself, but 159 00:09:17,240 --> 00:09:21,240 Speaker 1: still ultimately did need Jack to rescue her. That whole 160 00:09:21,320 --> 00:09:24,120 Speaker 1: idea of meant to be, which I believe is what 161 00:09:24,120 --> 00:09:26,760 Speaker 1: my pajamas say. They became like a really romantic couple, 162 00:09:26,840 --> 00:09:29,560 Speaker 1: like especially for goth emo kids, like it was like, oh, 163 00:09:29,679 --> 00:09:36,480 Speaker 1: Jack and Sally, which is why said that, and I 164 00:09:36,480 --> 00:09:39,920 Speaker 1: have actually some different points about that, some different quotes 165 00:09:39,920 --> 00:09:43,920 Speaker 1: of people who disagree. So here's one from Romper. The 166 00:09:43,960 --> 00:09:46,680 Speaker 1: whole thing plays out like a narcissist wet dream, the 167 00:09:46,679 --> 00:09:49,080 Speaker 1: story of a man who, in spite of a great folly, 168 00:09:49,400 --> 00:09:52,400 Speaker 1: gets to retain his status as compelling and beloved genius, 169 00:09:52,679 --> 00:09:55,439 Speaker 1: winding up with the quiet, mousey girl who underplays her 170 00:09:55,440 --> 00:09:58,320 Speaker 1: own ingenuity to worship him. Looking at it from Sally's 171 00:09:58,320 --> 00:10:01,480 Speaker 1: point of view, it's basically vicarious wish fulfillment for every 172 00:10:01,520 --> 00:10:04,440 Speaker 1: quiet girl who ever loved the lead singer in a band. 173 00:10:05,480 --> 00:10:08,240 Speaker 1: I will say I found this article had like a 174 00:10:08,240 --> 00:10:11,320 Speaker 1: lot of interesting points, but a lot of them. Sometimes 175 00:10:11,320 --> 00:10:13,960 Speaker 1: you read an article that's like, let's talk about sexism 176 00:10:14,000 --> 00:10:16,160 Speaker 1: and a thing, and it feels like the articles kind 177 00:10:16,160 --> 00:10:20,960 Speaker 1: of being sexist, and this had a few examples of that. 178 00:10:21,640 --> 00:10:23,120 Speaker 1: I'm not saying that was the case. There were just 179 00:10:23,120 --> 00:10:25,880 Speaker 1: a few where I was like, wait a minute. 180 00:10:25,920 --> 00:10:26,160 Speaker 2: Wait. 181 00:10:28,600 --> 00:10:31,280 Speaker 1: They also tried to make the point that Sally's a stalker, 182 00:10:31,320 --> 00:10:34,040 Speaker 1: which I think is a fair point, but also I 183 00:10:34,040 --> 00:10:36,680 Speaker 1: don't know, she's just kind of like wandering around. 184 00:10:37,440 --> 00:10:39,120 Speaker 2: Yeah, she discovered that he's doing something bad. 185 00:10:39,160 --> 00:10:40,520 Speaker 1: It's like oh, maybe I need to keep an eye 186 00:10:40,559 --> 00:10:45,480 Speaker 1: on this. Yeah. Yeah, And she was very shy and like, 187 00:10:46,080 --> 00:10:48,800 Speaker 1: don't get me wrong, if I don't know if the 188 00:10:48,840 --> 00:10:50,960 Speaker 1: genders had been reversed, but to me it felt less stockream, 189 00:10:51,000 --> 00:10:52,800 Speaker 1: more like she's trying to build up the courage. And 190 00:10:52,840 --> 00:10:55,199 Speaker 1: then Jack is singing this song and she's like, oh no, 191 00:10:55,280 --> 00:10:58,400 Speaker 1: that's a bad idea. Wait a minute, maybe I need 192 00:10:58,440 --> 00:11:02,080 Speaker 1: to stop this. Yes, And here's a quote from Marvelous 193 00:11:02,080 --> 00:11:06,480 Speaker 1: Geeks Media. Unlike everyone else, she refrains from showering Jack 194 00:11:06,520 --> 00:11:09,839 Speaker 1: with constant praise and adulation. Being in love doesn't meet 195 00:11:09,840 --> 00:11:12,280 Speaker 1: ignoring the object of your affections. Faults are staying quiet 196 00:11:12,320 --> 00:11:14,880 Speaker 1: when they're about to make a huge mistake. Sally is 197 00:11:14,880 --> 00:11:17,120 Speaker 1: the only one who tries to dissuade Jack from taking 198 00:11:17,120 --> 00:11:19,720 Speaker 1: over Christmas, imploring that he give up on his plan 199 00:11:19,800 --> 00:11:22,760 Speaker 1: to no avail. And in this they point out some 200 00:11:23,000 --> 00:11:24,920 Speaker 1: quotes from Sally's song A Lot of People did that, 201 00:11:24,960 --> 00:11:26,800 Speaker 1: where she's kind of like, I wish I could just 202 00:11:26,840 --> 00:11:29,679 Speaker 1: go along with him, but I can't. It's wrong, doesn't 203 00:11:29,720 --> 00:11:33,000 Speaker 1: work for me. Jack Skellington is that guy who did 204 00:11:33,000 --> 00:11:35,640 Speaker 1: a single study abroad semester in Christmas down and thinks 205 00:11:35,679 --> 00:11:38,320 Speaker 1: he knows everything, the one who assumes that because he's 206 00:11:38,400 --> 00:11:40,680 Speaker 1: really really good at one thing, he must be equally 207 00:11:40,720 --> 00:11:44,120 Speaker 1: good at anything else he wants to do. Everyone else 208 00:11:44,200 --> 00:11:46,320 Speaker 1: is so for up Jack's bony ass that they're either 209 00:11:46,440 --> 00:11:49,840 Speaker 1: enamored with everything he says and does or too intimidated 210 00:11:49,880 --> 00:11:53,400 Speaker 1: to say otherwise. Still, it's Sally, the person who actually 211 00:11:53,400 --> 00:11:55,800 Speaker 1: loves him the most, who has enough respect for him 212 00:11:55,840 --> 00:11:59,200 Speaker 1: and her own intelligence to tell him the truth. That 213 00:11:59,320 --> 00:12:01,360 Speaker 1: was a very funny with a lot of funny quotes 214 00:12:01,400 --> 00:12:03,720 Speaker 1: from that article, which is the Marvelous Geeks one. Here's 215 00:12:03,760 --> 00:12:06,920 Speaker 1: a quote from Bussel. Sally even gets her own song, 216 00:12:07,000 --> 00:12:09,520 Speaker 1: but the subtext that said song is I don't see 217 00:12:09,520 --> 00:12:11,520 Speaker 1: any of this working out, including my feelings for that 218 00:12:11,600 --> 00:12:14,880 Speaker 1: ridiculous man over there. That very much goes against the 219 00:12:14,880 --> 00:12:17,280 Speaker 1: classic dough White hope of snow White or Cindrella. They 220 00:12:17,280 --> 00:12:19,200 Speaker 1: were making the point that she's technically a Disney princess 221 00:12:19,200 --> 00:12:21,439 Speaker 1: because Disney helps the nightmare before Christmas. 222 00:12:21,800 --> 00:12:23,800 Speaker 2: Is she is she considered. 223 00:12:23,400 --> 00:12:26,839 Speaker 1: That well, I mean just technically a lot of people 224 00:12:26,880 --> 00:12:28,800 Speaker 1: like to fight about it, but she's in the Disney 225 00:12:28,840 --> 00:12:33,400 Speaker 1: realm of what would be leading ladies. Mm hmm, okay, 226 00:12:33,720 --> 00:12:37,280 Speaker 1: often princess. Not that Sally is void of positivity or 227 00:12:37,320 --> 00:12:40,240 Speaker 1: do eyes, but she's very heavily married to realism and 228 00:12:40,280 --> 00:12:42,600 Speaker 1: not waiting for her prince or king to save the day. 229 00:12:42,720 --> 00:12:46,680 Speaker 1: I mean that guy is actually causing all this trouble place. So, yeah, 230 00:12:46,840 --> 00:12:49,360 Speaker 1: she has a crush, but she doesn't passively stand by 231 00:12:49,400 --> 00:12:52,040 Speaker 1: and dwell on it. Instead, she poses herself to act 232 00:12:52,080 --> 00:12:54,720 Speaker 1: for a better cause, making a valiant effort to rescue 233 00:12:54,880 --> 00:12:59,559 Speaker 1: Santa cause. And then I thought this was really interesting. 234 00:12:59,720 --> 00:13:02,600 Speaker 1: This is a quote I got from screenwriter of the 235 00:13:02,640 --> 00:13:05,280 Speaker 1: movie Caroline Thompson, but I got it via Din of Geek. 236 00:13:06,679 --> 00:13:08,960 Speaker 1: If she were writing the character now, Thompson said to 237 00:13:09,000 --> 00:13:11,280 Speaker 1: Al Horner, she would give Sally even more of her 238 00:13:11,280 --> 00:13:13,960 Speaker 1: own self. Was it ending? In particular, she feels she 239 00:13:14,040 --> 00:13:16,720 Speaker 1: let the character down somewhat. I felt like, that's where 240 00:13:16,720 --> 00:13:18,480 Speaker 1: I kind of threw her under the bus. That's a 241 00:13:18,520 --> 00:13:21,120 Speaker 1: less than character, where she was sort of a meshed 242 00:13:21,120 --> 00:13:23,800 Speaker 1: and enslaved in her adoration of Jack. I wouldn't have 243 00:13:23,840 --> 00:13:25,840 Speaker 1: used those words at the time, but in retrospect, I 244 00:13:25,880 --> 00:13:27,120 Speaker 1: think that's what I was feeling. 245 00:13:28,120 --> 00:13:28,360 Speaker 2: Huh. 246 00:13:29,040 --> 00:13:32,880 Speaker 1: Yeah, So I thought that was interesting from the screenwriter. Yeah, 247 00:13:32,880 --> 00:13:34,920 Speaker 1: I would say it's definitely that the end always kind 248 00:13:34,920 --> 00:13:36,640 Speaker 1: of feels like, oh, they're kissing now. 249 00:13:36,720 --> 00:13:39,720 Speaker 2: To me, I mean, it's kind of the whole level 250 00:13:39,720 --> 00:13:42,280 Speaker 2: of like you can't just leave it be. They have 251 00:13:42,360 --> 00:13:47,440 Speaker 2: to be like the man has to somehow trump can. 252 00:13:47,520 --> 00:13:50,080 Speaker 2: I kind of felt that the same way about completely 253 00:13:50,080 --> 00:13:54,160 Speaker 2: different genre, but the newer version of Mad Max, Like 254 00:13:54,240 --> 00:13:56,319 Speaker 2: it could have just been left alone, but you still 255 00:13:56,320 --> 00:13:58,520 Speaker 2: needed that dude to be the one that rescues and 256 00:13:58,559 --> 00:14:01,439 Speaker 2: sacrifice himself right right. 257 00:14:01,480 --> 00:14:06,760 Speaker 1: And it's still like, as most people rightfully pointed out, 258 00:14:07,040 --> 00:14:11,000 Speaker 1: it's still Jack's story. She's not the center of this story. 259 00:14:11,080 --> 00:14:14,720 Speaker 1: And while she does have plenty of moments, we're like okay, cool, Yeah, 260 00:14:14,720 --> 00:14:18,320 Speaker 1: I like that. I like that she's still ultimately kind 261 00:14:18,320 --> 00:14:21,280 Speaker 1: of there to prop him up right and play a 262 00:14:21,360 --> 00:14:24,760 Speaker 1: role in his story. So a lot of people have 263 00:14:24,800 --> 00:14:26,680 Speaker 1: written a lot about this character, as you want to 264 00:14:26,680 --> 00:14:29,400 Speaker 1: be able to tell. Yeah, And I didn't know it 265 00:14:29,440 --> 00:14:30,600 Speaker 1: was the thirtieth anniversary. 266 00:14:31,320 --> 00:14:32,120 Speaker 2: We always do this. 267 00:14:32,560 --> 00:14:34,760 Speaker 1: I know a lot of movie My friend and I 268 00:14:35,600 --> 00:14:37,280 Speaker 1: we were watching Hokus Focus and I was like a 269 00:14:37,360 --> 00:14:39,440 Speaker 1: lot of movies came out in nineteen ninety three, and 270 00:14:39,440 --> 00:14:41,400 Speaker 1: we went on this whole rabbit hole of like, oh, 271 00:14:41,480 --> 00:14:43,800 Speaker 1: this one too and this one too. So a lot 272 00:14:43,800 --> 00:14:49,200 Speaker 1: of anniversaries this year, but yeah, yeah, I would love 273 00:14:49,200 --> 00:14:51,360 Speaker 1: to hear from listeners. If you have any thoughts about this, 274 00:14:51,800 --> 00:14:54,080 Speaker 1: I had to go find my pajamas see what they 275 00:14:54,160 --> 00:14:57,480 Speaker 1: say on that. You can email us with thoughts our 276 00:14:57,520 --> 00:15:01,920 Speaker 1: suggestions for this segment. Stephania mom Stuff at iHeartMedia dot com. 277 00:15:02,000 --> 00:15:03,640 Speaker 1: You can find us on Twitter at mom Stuff Podcasts, 278 00:15:03,720 --> 00:15:06,400 Speaker 1: or on Instagram and TikTok at Stuff We Never told you. 279 00:15:06,400 --> 00:15:08,480 Speaker 1: You can find us on Tea Public where we have merchandise, 280 00:15:08,560 --> 00:15:10,400 Speaker 1: and we have a book you can find at stuff 281 00:15:10,400 --> 00:15:12,840 Speaker 1: you should read books dot com. Thanks It's always to 282 00:15:12,840 --> 00:15:16,200 Speaker 1: our super producer Christina, executive producer Maya, and your contributor Joey. 283 00:15:16,320 --> 00:15:19,120 Speaker 1: Thank you and thanks to you for listening Stuff I 284 00:15:19,160 --> 00:15:21,200 Speaker 1: Never told you to protection of iHeartRadio. For more podcasts 285 00:15:21,200 --> 00:15:22,600 Speaker 1: on my heart Radio, you can check out the iHeart 286 00:15:22,640 --> 00:15:24,880 Speaker 1: Radio app Apple Podcasts wherever you listen to your favorite 287 00:15:24,880 --> 00:15:25,440 Speaker 1: shows