1 00:00:00,720 --> 00:00:10,840 Speaker 1: Disgraceland as a production of Double Elvis. 2 00:00:15,040 --> 00:00:20,520 Speaker 2: The stories about soul singer James Brown are insane. Notorious 3 00:00:20,560 --> 00:00:23,919 Speaker 2: for finding his band members for dropping beats and for 4 00:00:24,040 --> 00:00:28,440 Speaker 2: firing them for dropping acid. He himself would later mix 5 00:00:28,480 --> 00:00:31,480 Speaker 2: his angel dust in with his cream corn for breakfast. 6 00:00:32,520 --> 00:00:35,240 Speaker 2: He once took his shotgun and blasted up a juke 7 00:00:35,360 --> 00:00:38,520 Speaker 2: joint in an attempt to murder fellow soul singer Joe 8 00:00:38,560 --> 00:00:44,440 Speaker 2: tex injuring seven people in the process. When Elvis Presley died, 9 00:00:44,720 --> 00:00:48,280 Speaker 2: James Brown requested and received a private viewing of the body, 10 00:00:48,720 --> 00:00:52,920 Speaker 2: where he kneeled over and whispered to the dearly departed King, Elvis, 11 00:00:53,120 --> 00:00:57,240 Speaker 2: you rat I ain't number two no more. The myth 12 00:00:57,320 --> 00:00:59,760 Speaker 2: surrounding the birth of James Brown is that he was 13 00:00:59,760 --> 00:01:03,160 Speaker 2: a stillborn baby but worked so hard that he overcame 14 00:01:03,240 --> 00:01:07,080 Speaker 2: the impossible, and then applied the same work ethic to 15 00:01:07,160 --> 00:01:10,080 Speaker 2: overcome the soul crushing poverty he grew up in to 16 00:01:10,080 --> 00:01:14,160 Speaker 2: become America's soul brother number one. Coming from nothing, he 17 00:01:14,240 --> 00:01:17,400 Speaker 2: worked his supernatural talent hard and took it as far 18 00:01:17,440 --> 00:01:20,759 Speaker 2: as he could take it to the top, becoming one, 19 00:01:20,959 --> 00:01:25,560 Speaker 2: if not the most successful musicians of all time. It 20 00:01:25,600 --> 00:01:29,440 Speaker 2: goes without saying that James Brown made great music, some 21 00:01:29,520 --> 00:01:32,400 Speaker 2: of the greatest music ever made. In fact, that music 22 00:01:32,440 --> 00:01:34,959 Speaker 2: at the top of the show that wasn't great music. 23 00:01:35,480 --> 00:01:38,800 Speaker 2: That was a preset loop from my melotron called Samba 24 00:01:38,920 --> 00:01:43,800 Speaker 2: Organ six' eight LOW mk. TWO i played you that 25 00:01:43,880 --> 00:01:46,920 Speaker 2: loop BECAUSE i can't afford the license For Don't Worry 26 00:01:47,160 --> 00:01:50,800 Speaker 2: Be happy By bobby. McFerrin and why WOULD i play 27 00:01:50,800 --> 00:01:54,680 Speaker 2: you that specific slice of inspirational a cappella? Cheese COULD 28 00:01:54,680 --> 00:01:58,080 Speaker 2: i afford? It because that was the number one song 29 00:01:58,120 --> 00:02:02,000 Speaker 2: In america On september twenty, four nineteen eighty. Eight and 30 00:02:02,120 --> 00:02:05,280 Speaker 2: that was the day That James, brown with his shotgun 31 00:02:05,320 --> 00:02:08,239 Speaker 2: at his side and high as A georgia, pine took 32 00:02:08,280 --> 00:02:13,440 Speaker 2: authorities on a WILD pcp induced high speed chase across interstate, 33 00:02:13,520 --> 00:02:17,320 Speaker 2: lines kicking off what would become the last chapter of 34 00:02:17,360 --> 00:02:22,320 Speaker 2: his wildly entertaining. Career on this the last episode Of 35 00:02:22,360 --> 00:02:28,640 Speaker 2: Disgraceland season, One angel dusted cream, Corn Samba, organs inspirational 36 00:02:28,720 --> 00:02:32,680 Speaker 2: a cappella, cheese a high speed, chase and the hardest 37 00:02:32,680 --> 00:02:37,200 Speaker 2: working man in show, Business James. Brown I'm Jake, brennan 38 00:02:37,639 --> 00:02:57,720 Speaker 2: and this Is disgraceland. Time. Off time off was hard 39 00:02:57,760 --> 00:03:01,080 Speaker 2: for the hardest working man in show. Business James brown 40 00:03:01,200 --> 00:03:06,160 Speaker 2: hated not. Working he hated time, off nothing to do 41 00:03:06,240 --> 00:03:10,200 Speaker 2: except get high and fight With. Adrian adrian wasn't around this, 42 00:03:10,280 --> 00:03:14,440 Speaker 2: morning thank, god so Mister brown sat in his truck, 43 00:03:14,800 --> 00:03:19,560 Speaker 2: alone sweating in a Black adidas. Tracksuit THE pcp he'd 44 00:03:19,600 --> 00:03:22,320 Speaker 2: smoked for breakfast had him on, edge so he was 45 00:03:22,440 --> 00:03:26,239 Speaker 2: rolling a joint to help level him. Out bobby McFerrin's 46 00:03:26,280 --> 00:03:28,679 Speaker 2: Don't Worry Be happy was threatening to make his way 47 00:03:28,720 --> 00:03:32,520 Speaker 2: through the static on the PICKUPS fm. Dial he hated the, 48 00:03:32,560 --> 00:03:35,680 Speaker 2: song but his hands were too preoccupied with the weed 49 00:03:35,760 --> 00:03:38,880 Speaker 2: to deal with the tuner at the. Moment Don't Worry Be? 50 00:03:39,040 --> 00:03:41,240 Speaker 2: Happy how are you going to write a song like 51 00:03:41,280 --> 00:03:43,320 Speaker 2: that and wake up every morning and look at yourself 52 00:03:43,360 --> 00:03:47,640 Speaker 2: in the? Mirror in nineteen eighty, eight For James, brown 53 00:03:47,920 --> 00:03:50,200 Speaker 2: there was a lot to worry about and little to 54 00:03:50,200 --> 00:03:54,440 Speaker 2: be happy. For as arguably the most successful black entertainer 55 00:03:54,480 --> 00:03:57,880 Speaker 2: of all, time one, of if not the most influential 56 00:03:57,960 --> 00:04:00,840 Speaker 2: musicians of all, time was fifty five five years, old, 57 00:04:01,200 --> 00:04:04,800 Speaker 2: broke strung, out losing his, teeth and having a hard 58 00:04:04,840 --> 00:04:06,800 Speaker 2: time doing what he was put on this earth to 59 00:04:06,880 --> 00:04:12,120 Speaker 2: do to. Work it Was saturday morning In, Augusta. Georgia 60 00:04:12,480 --> 00:04:15,320 Speaker 2: everyone was out running, errands which meant nobody was at 61 00:04:15,360 --> 00:04:18,839 Speaker 2: Mister brown's, office which meant it was a perfect time 62 00:04:19,120 --> 00:04:23,000 Speaker 2: and place for. Privacy but even the weekend had its. 63 00:04:23,040 --> 00:04:28,520 Speaker 2: Complications Mister brown kept a business office In, augusta a single, 64 00:04:28,600 --> 00:04:32,240 Speaker 2: level nondescript roadside strip mall space that he rented out 65 00:04:32,240 --> 00:04:35,960 Speaker 2: to local businesses and also used as an excuse to 66 00:04:35,960 --> 00:04:39,719 Speaker 2: get away from his. Wife for some reason beyond his, 67 00:04:39,839 --> 00:04:43,039 Speaker 2: comprehension his office had been overrun that morning by a 68 00:04:43,040 --> 00:04:46,159 Speaker 2: bunch of, herbs white dudes in khaki pants and running, 69 00:04:46,160 --> 00:04:50,280 Speaker 2: shoes bad, ties and cheap. Frames it was an insurance, 70 00:04:50,320 --> 00:04:54,240 Speaker 2: seminar some, nonsense a bunch of pencil, knicks no. Class 71 00:04:54,720 --> 00:04:58,120 Speaker 2: but Mister brown admired the. Hustle a seminar on A, 72 00:04:58,160 --> 00:05:03,039 Speaker 2: saturday hailed to the work. Man still they were messing 73 00:05:03,120 --> 00:05:07,120 Speaker 2: with his. Plans it used to be, that no matter 74 00:05:07,160 --> 00:05:11,040 Speaker 2: what the, complication If James brown wanted something, done there 75 00:05:11,080 --> 00:05:14,159 Speaker 2: was someone at arm's length on salary to take care of. 76 00:05:14,240 --> 00:05:18,240 Speaker 2: It but that wasn't the case these. Days by nineteen eighty, 77 00:05:18,279 --> 00:05:21,719 Speaker 2: eight tax issues and declining ticket sales forced Mister brown 78 00:05:21,760 --> 00:05:25,799 Speaker 2: to cut. Back no more private, jets no more personal, 79 00:05:25,839 --> 00:05:29,920 Speaker 2: hairdressers no more, bagmen and no more muscle to sort 80 00:05:29,960 --> 00:05:33,559 Speaker 2: out life's little. Annoyances for. Him it had been years 81 00:05:33,560 --> 00:05:36,760 Speaker 2: since Mister brown Cut Baby james And Henry stallings. Loose 82 00:05:37,360 --> 00:05:39,880 Speaker 2: both men were part of his security, team or what 83 00:05:39,960 --> 00:05:44,559 Speaker 2: he called his hit. Squad big, men capable, men able 84 00:05:44,600 --> 00:05:47,719 Speaker 2: to take on all. Comers he regretted cutting them, loose 85 00:05:48,120 --> 00:05:51,280 Speaker 2: especially this. Morning henry would have this mess in hand 86 00:05:51,320 --> 00:05:55,520 Speaker 2: in no, time And Baby, james, well he'd kill for. 87 00:05:55,640 --> 00:06:00,000 Speaker 2: Less Mister brown remembered them, fondly particularly a night Back 88 00:06:00,160 --> 00:06:03,160 Speaker 2: harlem not too long, ago when their unique skill sets 89 00:06:03,160 --> 00:06:05,520 Speaker 2: were put to use and allowed the hardest working man 90 00:06:05,600 --> 00:06:07,600 Speaker 2: in show business to do what he was put on 91 00:06:07,600 --> 00:06:28,159 Speaker 2: this earth to. Do to go to. Work, jimmy the 92 00:06:28,279 --> 00:06:31,560 Speaker 2: voice crackled over the backstage phone At Harlem's Apollo, theater 93 00:06:32,080 --> 00:06:36,000 Speaker 2: the accent a mix of old School italian in nineteen Seventies, Brooklyn, 94 00:06:36,760 --> 00:06:39,400 Speaker 2: jimmy we know you like your bags of. Money. Jimmy 95 00:06:39,640 --> 00:06:42,159 Speaker 2: we're gonna send a couple guys down with thirty large 96 00:06:42,240 --> 00:06:44,719 Speaker 2: buy some new suits for the. Band get a suite 97 00:06:44,720 --> 00:06:48,640 Speaker 2: at the plaza and stay. Awhile they called Him Jimmy. 98 00:06:49,400 --> 00:06:52,960 Speaker 2: Punks everyone, else even The president of The United states 99 00:06:52,960 --> 00:06:57,160 Speaker 2: Of america called him Mister. Brown quote Unquote jimmy hated 100 00:06:57,160 --> 00:07:00,520 Speaker 2: these guys they called or came around every time Mister 101 00:07:00,560 --> 00:07:04,280 Speaker 2: brown came Through New york always wanted to just give him, 102 00:07:04,320 --> 00:07:07,680 Speaker 2: money but he knew what that meant alone from the, 103 00:07:07,720 --> 00:07:10,640 Speaker 2: mob and then they owned you back in the, sixties 104 00:07:10,680 --> 00:07:14,200 Speaker 2: he had to humor them and politely. Refuse James brown 105 00:07:14,200 --> 00:07:17,680 Speaker 2: didn't need anyone's, money especially not a white. Man's he 106 00:07:17,760 --> 00:07:22,920 Speaker 2: was bank growing himself in debt to no. One but 107 00:07:23,000 --> 00:07:26,680 Speaker 2: in the late, seventies The italian mafia's grip On manhattan 108 00:07:26,800 --> 00:07:29,880 Speaker 2: was more powerful than, ever so Mister brown took the 109 00:07:29,920 --> 00:07:33,440 Speaker 2: telephone call out of obligation and also on the advice 110 00:07:33,480 --> 00:07:37,160 Speaker 2: of his quote unquote new, son the young man From, Brownsville, 111 00:07:37,240 --> 00:07:41,280 Speaker 2: brooklyn by way Of Queen's Reverend Al. Sharpton The rev 112 00:07:41,360 --> 00:07:43,320 Speaker 2: as he was, called told him he had to at 113 00:07:43,400 --> 00:07:47,160 Speaker 2: least hear the wise guys. Out Young Al sharpton knew 114 00:07:47,160 --> 00:07:49,960 Speaker 2: exactly what was up In New York, city which was 115 00:07:50,000 --> 00:07:53,000 Speaker 2: in part Why James brown kept him. Around he liked 116 00:07:53,080 --> 00:07:56,400 Speaker 2: young people who knew what he did. Not, plus the 117 00:07:56,480 --> 00:07:59,080 Speaker 2: rev would do anything for Mister. Brown he was the 118 00:07:59,200 --> 00:08:02,880 Speaker 2: dad he never had. It James brown sat on the 119 00:08:02,880 --> 00:08:07,040 Speaker 2: phone and stared at the walls. Backstage he loved this old, 120 00:08:07,080 --> 00:08:10,280 Speaker 2: theater the scene of one of his greatest. Triumphs his 121 00:08:10,440 --> 00:08:13,000 Speaker 2: nineteen sixty Three live at The apollo was one of 122 00:08:13,000 --> 00:08:16,200 Speaker 2: the greatest selling live albums of all. Time he'd be 123 00:08:16,240 --> 00:08:18,800 Speaker 2: hard pressed to find a black household In america that 124 00:08:18,840 --> 00:08:21,760 Speaker 2: didn't have a copy filed away next to the family record. 125 00:08:21,800 --> 00:08:26,360 Speaker 2: Player but, man these, days backstage at The apollo was 126 00:08:26,400 --> 00:08:31,400 Speaker 2: a rat. Hole, nonetheless Mister brown built this. Place he'd 127 00:08:31,400 --> 00:08:33,280 Speaker 2: be damned if he was going to be extorted by 128 00:08:33,320 --> 00:08:36,400 Speaker 2: some goon for the opportunity to work at The, apollo 129 00:08:36,480 --> 00:08:40,880 Speaker 2: of all. Places, insulted it was zero patience, left Mister 130 00:08:40,920 --> 00:08:44,360 Speaker 2: brown cut to the. Quick, LISTEN i don't need your. 131 00:08:44,360 --> 00:08:46,720 Speaker 2: MONEY i never needed your. Money NOW i gotta, GO 132 00:08:46,960 --> 00:08:49,680 Speaker 2: i gotta go do my. Thing the voice on the 133 00:08:49,679 --> 00:08:52,719 Speaker 2: other end of the line grew. Tense now you listen to, Me. 134 00:08:52,920 --> 00:08:55,240 Speaker 2: Jimmy we know you get the irs all over. You 135 00:08:55,480 --> 00:08:57,760 Speaker 2: we know you're burying cash in your backyard and the 136 00:08:57,800 --> 00:08:59,960 Speaker 2: squirrels are eating and faster than the little fatty Sh 137 00:09:00,040 --> 00:09:02,679 Speaker 2: sharpton works the buffet. Table we know you got x 138 00:09:02,840 --> 00:09:05,200 Speaker 2: ys coming out of your ass threatening to. Sue we 139 00:09:05,280 --> 00:09:07,600 Speaker 2: know you ain't selling tickets like you used. To now 140 00:09:07,679 --> 00:09:10,320 Speaker 2: take the goddamn, Money. Jimmy if you, don't our guys 141 00:09:10,360 --> 00:09:12,840 Speaker 2: ain't gonna bring. Cash they're gonna bring bags of rats 142 00:09:12,840 --> 00:09:15,120 Speaker 2: and let them loose throughout the apollo during a. Show 143 00:09:15,400 --> 00:09:18,520 Speaker 2: how do you like? That Mister brown just hung. Up 144 00:09:19,280 --> 00:09:21,960 Speaker 2: any other performer would have called THE fbi or, worse 145 00:09:22,280 --> 00:09:25,840 Speaker 2: taken the. Money but Mister brown wouldn't back. Down he 146 00:09:25,920 --> 00:09:29,559 Speaker 2: knew what to. Do how could he? Not years earlier 147 00:09:29,880 --> 00:09:33,480 Speaker 2: he got his start on The chipman, circuit a Post 148 00:09:33,480 --> 00:09:36,920 Speaker 2: World war two rhythm and blues concert circuit that existed 149 00:09:36,960 --> 00:09:40,920 Speaker 2: almost entirely outside of the. Law the practically invented vice 150 00:09:41,320 --> 00:09:43,720 Speaker 2: that was built on the back of the numbers, racket 151 00:09:44,080 --> 00:09:47,640 Speaker 2: a tight network of black owned nightclubs that existed only 152 00:09:47,760 --> 00:09:51,360 Speaker 2: but for the grace of bribed white, politicians where women 153 00:09:51,400 --> 00:09:55,360 Speaker 2: of ill repute with names Like, Caledonia Short Fat fanny 154 00:09:55,640 --> 00:09:59,760 Speaker 2: And Long tall sally inspired men Named Louis, Jordan Larry 155 00:09:59,760 --> 00:10:04,680 Speaker 2: williams and Little richard to immortalize them in. Song richard's 156 00:10:04,679 --> 00:10:09,880 Speaker 2: inspiration being second, hand of, course dice, parlors dance, halls, 157 00:10:10,040 --> 00:10:13,600 Speaker 2: bootleggers and great live music by some of the, greatest 158 00:10:13,640 --> 00:10:18,320 Speaker 2: most consequential musicians In american. HISTORY. B. B, King Ike, 159 00:10:18,400 --> 00:10:22,000 Speaker 2: Turner John Lee, hooker and countless other rock and roll 160 00:10:22,080 --> 00:10:26,120 Speaker 2: pioneers cut their teeth on The chitlin. Circuit this is 161 00:10:26,160 --> 00:10:31,240 Speaker 2: where bandleaders went to. College no textbooks, required just bagman and. 162 00:10:31,440 --> 00:10:36,080 Speaker 2: Muscle the circuit was so corrupt and violent the getting 163 00:10:36,080 --> 00:10:37,959 Speaker 2: paid at the end of the, night if you got 164 00:10:37,960 --> 00:10:40,560 Speaker 2: paid at, all was to take your life into your own. 165 00:10:40,640 --> 00:10:45,400 Speaker 2: Hands to get, paid you needed three. Things number, one 166 00:10:45,640 --> 00:10:48,280 Speaker 2: a thirty eight caliber pistol in the willingness to use 167 00:10:48,320 --> 00:10:52,680 Speaker 2: it and show the steal, subtly maybe shift it casually 168 00:10:52,679 --> 00:10:54,720 Speaker 2: from under one side of your belt strap to the 169 00:10:54,760 --> 00:10:58,440 Speaker 2: other one negotiating the terms of your. Payment number, two 170 00:10:59,080 --> 00:11:01,440 Speaker 2: a dude on your, pay big enough to demand half 171 00:11:01,480 --> 00:11:05,000 Speaker 2: your feet up front before the, show in a, bag 172 00:11:05,440 --> 00:11:08,720 Speaker 2: preferably a dirty one with grease, stains made to look 173 00:11:08,800 --> 00:11:12,120 Speaker 2: like nothing more than a greasy sack of fried. Food and, 174 00:11:12,240 --> 00:11:15,839 Speaker 2: finally the third thing you needed was to give off 175 00:11:15,880 --> 00:11:19,240 Speaker 2: the vibe that you just didn't, care didn't care if 176 00:11:19,280 --> 00:11:22,960 Speaker 2: you got, cut didn't care if you got, shot didn't 177 00:11:22,960 --> 00:11:25,440 Speaker 2: care if you, lived and didn't care if you. Died 178 00:11:26,480 --> 00:11:29,199 Speaker 2: it was the foundation that the rock and roll ethos 179 00:11:29,240 --> 00:11:35,480 Speaker 2: just built upon not giving a single. Fuck the only 180 00:11:35,520 --> 00:11:38,360 Speaker 2: way to stay alive was to, intimidate and to intimidate 181 00:11:38,400 --> 00:11:41,000 Speaker 2: you had to be nutty enough to not. Care all 182 00:11:41,040 --> 00:11:44,120 Speaker 2: you cared about was getting paid and going to. Work 183 00:11:45,840 --> 00:11:49,680 Speaker 2: despite his success after The Chitlin, Circuit James brown never 184 00:11:49,720 --> 00:11:53,880 Speaker 2: forgot this. Lesson so that night In, harlem with his 185 00:11:54,000 --> 00:11:57,040 Speaker 2: livelihood in The Apollo, theater under the threat with the 186 00:11:57,080 --> 00:12:01,439 Speaker 2: mafia with their bags of, rats mister dispatched his own 187 00:12:01,520 --> 00:12:03,600 Speaker 2: hit squad into the crowd to keep an eye out 188 00:12:03,880 --> 00:12:08,319 Speaker 2: and to discourage any wise guy. Hijinks Baby james spotted 189 00:12:08,360 --> 00:12:11,480 Speaker 2: Some shannana looking dude skulking along the back wall with 190 00:12:11,559 --> 00:12:14,960 Speaker 2: a big bulge under his, jacket out of, place it 191 00:12:15,000 --> 00:12:17,480 Speaker 2: with a style that was fifteen years out of, fashion 192 00:12:17,720 --> 00:12:20,000 Speaker 2: and not paying any attention to anyone else in the, 193 00:12:20,040 --> 00:12:24,920 Speaker 2: building just moving slowly like a creep along the back 194 00:12:24,960 --> 00:12:28,719 Speaker 2: wall of the. Theater before he knew, it he was 195 00:12:28,760 --> 00:12:30,840 Speaker 2: swept up under each arm by what had to be 196 00:12:30,920 --> 00:12:34,600 Speaker 2: mountains posing his. Men. Shannanana dude had no idea what was. 197 00:12:34,640 --> 00:12:37,360 Speaker 2: Happening he was being moved. FAST a hand on the 198 00:12:37,400 --> 00:12:40,240 Speaker 2: back of his greasy head pushed his face into two exit. 199 00:12:40,280 --> 00:12:43,400 Speaker 2: Doors the doors opened and he was, airborne thrown out 200 00:12:43,440 --> 00:12:45,880 Speaker 2: of the theater and into the. Alley he landed hard 201 00:12:46,400 --> 00:12:50,920 Speaker 2: face first stars under his, eyelids rats scurrying out from 202 00:12:50,960 --> 00:12:53,040 Speaker 2: the bag at his side and off through the. Alley 203 00:12:53,800 --> 00:12:56,079 Speaker 2: he heard a sudden roar from the crowd from inside 204 00:12:56,080 --> 00:12:59,120 Speaker 2: The apollo as the hardest working man in show, business 205 00:12:59,360 --> 00:13:02,080 Speaker 2: without any one getting in his, way started to do 206 00:13:02,160 --> 00:13:06,280 Speaker 2: what he was put on this earth to. Do. Work so, 207 00:13:06,400 --> 00:13:09,320 Speaker 2: now ladies and, gentlemen it is star. Time are you 208 00:13:09,400 --> 00:13:13,560 Speaker 2: ready for star? Time we'll be right back after this, 209 00:13:13,720 --> 00:13:19,199 Speaker 2: word word. Word James brown was the hardest working man 210 00:13:19,280 --> 00:13:22,520 Speaker 2: in show, business and that work was paying. Off he 211 00:13:22,600 --> 00:13:25,880 Speaker 2: was a, millionaire had his own jet fur, coat a 212 00:13:25,960 --> 00:13:28,640 Speaker 2: new stetson for every day of the. WEEK a traveling, 213 00:13:28,679 --> 00:13:32,280 Speaker 2: hairstylist his records flew off the shells and into black 214 00:13:32,360 --> 00:13:35,720 Speaker 2: and white homes. Alike he played upwards of three hundred 215 00:13:35,760 --> 00:13:38,600 Speaker 2: and sixty dates a year with multiple shows a, day 216 00:13:38,920 --> 00:13:42,000 Speaker 2: and his appearances demanded tens of thousands of dollars in. 217 00:13:42,040 --> 00:13:47,360 Speaker 2: Fees and beyond the, money he had influence To African 218 00:13:47,400 --> 00:13:50,560 Speaker 2: americans young and. Old he was an example of The american, 219 00:13:50,640 --> 00:13:54,840 Speaker 2: dream a real life rags to riches's story with supernatural, 220 00:13:54,880 --> 00:13:58,640 Speaker 2: talent and by the late, Sixties James brown had positioned 221 00:13:58,720 --> 00:14:01,880 Speaker 2: himself at great risk to his own personal wealth and 222 00:14:02,040 --> 00:14:05,600 Speaker 2: standing at the center of The black power. Movement James 223 00:14:05,640 --> 00:14:09,480 Speaker 2: brown invested his money in black, businesses black, neighborhoods and 224 00:14:09,600 --> 00:14:13,640 Speaker 2: invested his time into black. Causes his Hit Say It, 225 00:14:13,679 --> 00:14:16,719 Speaker 2: Loud I'm black And I'm proud in nineteen sixty Eight 226 00:14:16,760 --> 00:14:21,480 Speaker 2: america literally changed the country's social. Dynamic all of a, 227 00:14:21,560 --> 00:14:25,920 Speaker 2: sudden Young African americans were proudly embracing their heritage and 228 00:14:26,040 --> 00:14:29,000 Speaker 2: like Mister, brown growing their hair out for that natural 229 00:14:29,040 --> 00:14:32,080 Speaker 2: look and leaving behind the white influenced rebel without a, 230 00:14:32,120 --> 00:14:36,000 Speaker 2: cause processed. Pomp And he did all this while at 231 00:14:36,040 --> 00:14:38,680 Speaker 2: the height of his musical powers with his bands The 232 00:14:38,720 --> 00:14:42,440 Speaker 2: Famous flames and then THE. Jbs James brown wouldn't just 233 00:14:42,560 --> 00:14:46,640 Speaker 2: challenge musical, genres he would invent. Them soul out of 234 00:14:46,680 --> 00:14:50,800 Speaker 2: necessity funk on purpose and hip hop as a matter of. 235 00:14:50,840 --> 00:14:55,400 Speaker 2: Influence but by the seventies success was starting to. Slip 236 00:14:56,040 --> 00:14:59,520 Speaker 2: the irs was in relentless pursuit of his unreported. Millions 237 00:15:00,240 --> 00:15:03,440 Speaker 2: President Richard nixon had managed to get Mister brown's tax 238 00:15:03,560 --> 00:15:07,160 Speaker 2: charges bounced down from criminal to civil, court but it wasn't. 239 00:15:07,280 --> 00:15:11,480 Speaker 2: Enough the taxmen do take their, bite And nixon's affiliation 240 00:15:11,640 --> 00:15:14,760 Speaker 2: had the added disadvantage of alienating a large part Of 241 00:15:14,880 --> 00:15:18,760 Speaker 2: James brown's black. Audience James brown would never come to 242 00:15:18,840 --> 00:15:22,960 Speaker 2: understand why he Supported, nixon Because nixon believed in self, 243 00:15:23,000 --> 00:15:28,040 Speaker 2: reliance in socioeconomic, independence the very ideas That James brown 244 00:15:28,120 --> 00:15:31,240 Speaker 2: saw as keys to his own, success a sentiment that 245 00:15:31,280 --> 00:15:34,120 Speaker 2: in the late eighties suddenly had new meaning compared to 246 00:15:34,160 --> 00:15:38,400 Speaker 2: when it was written in nineteen. Seventy without salaried, muscle 247 00:15:39,000 --> 00:15:44,720 Speaker 2: getting it himself was the only. Option so on the 248 00:15:44,760 --> 00:15:48,600 Speaker 2: morning Of september twenty, fourth nineteen eighty, Eight James, brown 249 00:15:48,960 --> 00:15:52,160 Speaker 2: high ON pcp and, weed grabbed the shotgun out of 250 00:15:52,160 --> 00:15:54,680 Speaker 2: his pickup truck and opened the door of the office 251 00:15:54,720 --> 00:15:57,800 Speaker 2: adjacent to his an office full of white insurance men 252 00:15:57,840 --> 00:16:01,080 Speaker 2: and women who quickly grew terrified of this wild eyed 253 00:16:01,440 --> 00:16:05,480 Speaker 2: past his, prime high as holy. Hell shotgun Wielding black 254 00:16:05,560 --> 00:16:12,280 Speaker 2: power Superstar James, brown The godfather Of soul, himself stood before, them, pacing, 255 00:16:12,640 --> 00:16:16,640 Speaker 2: sweating taking turns between sternly lecturing them and laughing to 256 00:16:16,760 --> 00:16:19,320 Speaker 2: himself at some joke that apparently only he was in. 257 00:16:19,400 --> 00:16:22,440 Speaker 2: On he waved the shotgun around as he. Spoke the 258 00:16:22,520 --> 00:16:25,840 Speaker 2: herbs were. Terrified he was growing more and more, angry 259 00:16:26,040 --> 00:16:29,720 Speaker 2: but at What it wasn't entirely, Clear something about someone 260 00:16:29,800 --> 00:16:33,520 Speaker 2: using his bathroom or office without. Permission didn't they know 261 00:16:33,600 --> 00:16:36,200 Speaker 2: it was rude to use another man's. Commode why'd they 262 00:16:36,240 --> 00:16:39,520 Speaker 2: have to invade his? Privacy didn't their parents teach them any? 263 00:16:39,560 --> 00:16:43,200 Speaker 2: Manners James brown was practically raised by, wolves but he 264 00:16:43,240 --> 00:16:46,720 Speaker 2: knew better than to mess with another man's, privacy especially 265 00:16:46,760 --> 00:16:51,560 Speaker 2: on his day. Off then he heard the. Sirens somehow 266 00:16:51,760 --> 00:16:55,640 Speaker 2: someone managed to call the. Cops James brown knew instinctively 267 00:16:55,680 --> 00:16:59,160 Speaker 2: that despite whatever celebrity status he still, had he was 268 00:16:59,200 --> 00:17:01,440 Speaker 2: still a black man in The south who was waving 269 00:17:01,440 --> 00:17:05,200 Speaker 2: a shotgun around at a bunch of white. People time 270 00:17:05,240 --> 00:17:10,000 Speaker 2: to get on the good foot and. Bounce James brown 271 00:17:10,119 --> 00:17:12,600 Speaker 2: high tailed it out of the, office shotgun in, hand 272 00:17:12,680 --> 00:17:14,840 Speaker 2: jumped into his pickup and squealed out of the parking 273 00:17:14,840 --> 00:17:17,600 Speaker 2: lot and out onto the. Highway the sirens grew. Louder 274 00:17:17,720 --> 00:17:20,000 Speaker 2: he could see them in his rear. View hot. Damn 275 00:17:20,040 --> 00:17:22,280 Speaker 2: how many police cars did they have in this? County 276 00:17:22,680 --> 00:17:25,080 Speaker 2: whatever the, number they all seemed to be in pursuit 277 00:17:25,080 --> 00:17:28,680 Speaker 2: of him at this. Moment god damn. It bobby McFerrin 278 00:17:28,800 --> 00:17:31,280 Speaker 2: was back on the radio with that ridiculous. Song how 279 00:17:31,280 --> 00:17:34,399 Speaker 2: many times a day could they play this? Garbage in 280 00:17:34,440 --> 00:17:37,520 Speaker 2: every life we have some, trouble but when you, worry 281 00:17:37,720 --> 00:17:42,440 Speaker 2: we make it. Double Mister brown punched the, Tuner bye, Bye. 282 00:17:42,520 --> 00:17:46,560 Speaker 2: Bobby another peek in the rear. View more. Cruisers this was. 283 00:17:46,680 --> 00:17:49,720 Speaker 2: Bad where was he? Going he didn't know just the 284 00:17:49,800 --> 00:17:53,679 Speaker 2: way away from this? Madness what? Happened how would it 285 00:17:53,720 --> 00:17:58,160 Speaker 2: come to this constant, Drama the fighting With, adrian the flailing, 286 00:17:58,240 --> 00:18:01,800 Speaker 2: career the. DRUGS i, mean he was clean most of his. 287 00:18:01,880 --> 00:18:05,800 Speaker 2: Life he Fired Bootsy collins for TAKING. Lsd and now 288 00:18:06,000 --> 00:18:10,320 Speaker 2: here he was SWEATING pcp through His adidas, tracksuit teeth 289 00:18:10,440 --> 00:18:13,920 Speaker 2: rotting out of his, head arthritic, legs in bad need 290 00:18:13,960 --> 00:18:16,199 Speaker 2: of another joint to cool him, out and in a 291 00:18:16,280 --> 00:18:18,720 Speaker 2: high speed car chase with a bunch of good old 292 00:18:18,760 --> 00:18:22,320 Speaker 2: boys and a loaded shotgun at his. Side something had 293 00:18:22,320 --> 00:18:24,840 Speaker 2: to give and, quick or he was likely to be 294 00:18:24,920 --> 00:18:28,120 Speaker 2: ventilated by one of those new police issue clock. Nineteens 295 00:18:29,359 --> 00:18:33,280 Speaker 2: Mister brown gunned it and took. Off now more cops 296 00:18:33,320 --> 00:18:36,560 Speaker 2: on his, tail and up ahead a makeshift roadblock with 297 00:18:36,600 --> 00:18:39,600 Speaker 2: Two state troopers standing in the middle of the, road legs, 298 00:18:39,600 --> 00:18:43,439 Speaker 2: spread guns, drawn pointing straight at Mister brown in his 299 00:18:43,520 --> 00:18:46,680 Speaker 2: fast approaching. Pickup he pinned the gas pedal as hard 300 00:18:46,720 --> 00:18:49,640 Speaker 2: as he, could pain shooting straight up his arthritic leg 301 00:18:49,680 --> 00:18:52,320 Speaker 2: as he set off straight toward the two, troopers who quickly, 302 00:18:52,359 --> 00:18:54,880 Speaker 2: parted one to the left and one to the. Right 303 00:18:55,119 --> 00:18:58,080 Speaker 2: as Mister dynamite sped right through the middle of, them 304 00:18:58,400 --> 00:19:01,119 Speaker 2: they turned and took, aim the bullets now pierced the 305 00:19:01,119 --> 00:19:03,880 Speaker 2: body of the racing. Pickup more cops in the rear. 306 00:19:03,960 --> 00:19:07,080 Speaker 2: View it was like a Goddamn dixie police. Parade up, 307 00:19:07,119 --> 00:19:10,520 Speaker 2: ahead another rope, block this one with two cruisers in 308 00:19:10,560 --> 00:19:13,359 Speaker 2: the middle of the, road their grills kissing one. Another, 309 00:19:13,720 --> 00:19:16,280 Speaker 2: again troopers in the middle of the, street fixed in 310 00:19:16,280 --> 00:19:20,320 Speaker 2: a shooting, stance arms, outstretched glocks trained on the. Pickup 311 00:19:20,600 --> 00:19:23,719 Speaker 2: fear racing through their. Veins don't you fucking do? It 312 00:19:24,040 --> 00:19:27,680 Speaker 2: don't you speed? Up but that's exactly What James brown. 313 00:19:27,720 --> 00:19:31,560 Speaker 2: Did covered in, sweat with his angel dusted head hovering 314 00:19:31,640 --> 00:19:35,040 Speaker 2: high above the turpentine, trees Mister brown pinned the. Pedal 315 00:19:35,240 --> 00:19:38,359 Speaker 2: THE v eight wound itself into a. Row god damned 316 00:19:38,359 --> 00:19:41,080 Speaker 2: with one four on the floor and faster than The 317 00:19:41,119 --> 00:19:43,880 Speaker 2: Breakneck flames version Of think From live at The, Apollo 318 00:19:44,119 --> 00:19:47,560 Speaker 2: James brown rocketed through the rope, block parting the, cruisers 319 00:19:47,600 --> 00:19:50,840 Speaker 2: destroying the police barricade and sending the good old boys 320 00:19:50,920 --> 00:19:54,760 Speaker 2: diving to safety along the. Roadside James brown screamed as 321 00:19:54,760 --> 00:19:58,040 Speaker 2: he drove. Away for a, moment the adrenaline rivaled the 322 00:19:58,040 --> 00:20:01,399 Speaker 2: feeling he had on, stage ailing was quickly dashed by 323 00:20:01,440 --> 00:20:05,240 Speaker 2: the sound of bullets riddling his. Pickup Bomb rushing the 324 00:20:05,240 --> 00:20:08,640 Speaker 2: barricade meant all bets were. Off the troopers were pissed 325 00:20:08,640 --> 00:20:11,560 Speaker 2: and began firing off rounds hanging out of the windows 326 00:20:11,560 --> 00:20:15,040 Speaker 2: when they're pursuing cruisers and Mister brown was taking. Shots 327 00:20:15,320 --> 00:20:19,960 Speaker 2: his tires were, shot his truck slowed from breakneck famous 328 00:20:19,960 --> 00:20:24,000 Speaker 2: flame speed to. Broke Dick bobby mcfarren's feed and he was. 329 00:20:24,040 --> 00:20:27,160 Speaker 2: Scared now these white boys were gonna kill, him no 330 00:20:27,200 --> 00:20:30,720 Speaker 2: doubt about. It he kept the truck rolling slowly but, 331 00:20:30,920 --> 00:20:34,920 Speaker 2: surely and eventually over the state line Into South carolina 332 00:20:35,400 --> 00:20:37,879 Speaker 2: and then back over the line Into, georgia where he 333 00:20:37,880 --> 00:20:44,159 Speaker 2: eventually came to a, stop ending the. Pursuit damn it 334 00:20:44,800 --> 00:20:47,600 Speaker 2: now What James brown tried to do what he did 335 00:20:47,640 --> 00:20:51,879 Speaker 2: best Entertain he got out of the, truck slowly but, 336 00:20:52,040 --> 00:20:55,480 Speaker 2: loudly singing the words To Ray Charles, georgia and then 337 00:20:55,800 --> 00:20:59,479 Speaker 2: started in on his famous goodfoot. Dance the troopers were not. 338 00:20:59,520 --> 00:21:02,919 Speaker 2: IMPRESSED a plain closed cop came out of nowhere and 339 00:21:03,040 --> 00:21:05,800 Speaker 2: violently brought his fists crashing down into the side Of 340 00:21:05,880 --> 00:21:09,719 Speaker 2: James brown's. FACE a cheap shot and a painful, one 341 00:21:10,240 --> 00:21:15,159 Speaker 2: but it ended the. Incident Good. God Mister brown was 342 00:21:15,200 --> 00:21:19,000 Speaker 2: taken into custody and released almost immediately on, bill and 343 00:21:19,040 --> 00:21:22,280 Speaker 2: within twenty four hours he would be arrested again for 344 00:21:22,440 --> 00:21:41,960 Speaker 2: driving under the influence OF. Pcp think about the good 345 00:21:42,000 --> 00:21:46,160 Speaker 2: things and think about the wrong. Things prisoner number one 346 00:21:46,280 --> 00:21:49,280 Speaker 2: five five four one three had a lot of time 347 00:21:49,320 --> 00:21:52,199 Speaker 2: to think twelve and a half. Years as a matter of, 348 00:21:52,200 --> 00:21:55,480 Speaker 2: fact six In, georgia and then another six and a 349 00:21:55,520 --> 00:21:59,440 Speaker 2: half In South. Carolina he served half his time before being, 350 00:21:59,440 --> 00:22:02,840 Speaker 2: paroled but could have avoided prison altogether had he pleaded 351 00:22:02,840 --> 00:22:06,119 Speaker 2: guilty to the drug charges and gone to rehab, instead 352 00:22:06,640 --> 00:22:10,200 Speaker 2: but that was a non. Starter prison For James brown 353 00:22:10,640 --> 00:22:14,680 Speaker 2: was preferable to. Rehab rehab meant admitting that you had 354 00:22:14,720 --> 00:22:17,680 Speaker 2: a problem and that you were, weak and For James, 355 00:22:17,760 --> 00:22:22,560 Speaker 2: brown admitting weakness wasn't an. Option not when you're born 356 00:22:22,600 --> 00:22:25,679 Speaker 2: into crushing poverty in a dirt floor shack in The 357 00:22:25,800 --> 00:22:28,439 Speaker 2: Jim Crow, south to a mother who had abandon you 358 00:22:28,520 --> 00:22:31,359 Speaker 2: at four and a father who had split five years, 359 00:22:31,440 --> 00:22:34,439 Speaker 2: later leaving you at the age of nine to be 360 00:22:34,560 --> 00:22:38,960 Speaker 2: raised in a whorehouse by your prostitute. Aunt. Honey, Yeah 361 00:22:39,200 --> 00:22:43,400 Speaker 2: James brown knew how to. Survive given his, violent neglected. 362 00:22:43,480 --> 00:22:46,800 Speaker 2: Upbringing it's very difficult to reconcile the man with the 363 00:22:46,840 --> 00:22:50,000 Speaker 2: crimes he, committed and man that he'd do some bad, 364 00:22:50,080 --> 00:22:53,960 Speaker 2: shit super. Bad his transgressions were as offensive as his 365 00:22:54,040 --> 00:22:58,439 Speaker 2: talent was. Immense the book On James brown goes something like. 366 00:22:58,480 --> 00:23:03,879 Speaker 2: This in nineteen forty, nine at age, sixteen he was 367 00:23:03,880 --> 00:23:07,560 Speaker 2: convicted of grand theft and served three. Years during His 368 00:23:07,640 --> 00:23:10,760 Speaker 2: chitten circuit, days he tried murdering RIVAL r AND b 369 00:23:10,880 --> 00:23:14,920 Speaker 2: Singer Joe tex after stealing his, Wife James brown entered 370 00:23:14,920 --> 00:23:17,640 Speaker 2: a juke joint Where Otis redding and The Pine toppers 371 00:23:17,640 --> 00:23:20,840 Speaker 2: were on, stage and with a shotgun opened fire On, 372 00:23:21,000 --> 00:23:24,600 Speaker 2: texts who was seated at a. Table texts went, unharmed 373 00:23:24,600 --> 00:23:28,000 Speaker 2: but seven people were wounded in the crossfire and subsequently 374 00:23:28,000 --> 00:23:30,399 Speaker 2: paid off by Mister brown to keep their mouth. Shut 375 00:23:31,440 --> 00:23:36,240 Speaker 2: throughout his, life he openly abused girlfriends and, wives most 376 00:23:36,280 --> 00:23:41,000 Speaker 2: notably Singer Tammy, terrell who he beat. Savagely he allegedly 377 00:23:41,040 --> 00:23:43,320 Speaker 2: once repeatedly hit her in the head with a. Hammer 378 00:23:43,840 --> 00:23:47,720 Speaker 2: terrell eventually collapsed on stage while singing With marvin Gay. 379 00:23:48,320 --> 00:23:51,640 Speaker 2: As she was diagnosed with a brain tumor and died shortly. 380 00:23:51,680 --> 00:23:56,479 Speaker 2: After between nineteen eighty seven and nineteen ninety, five his 381 00:23:56,600 --> 00:24:00,440 Speaker 2: then Wife adrian had him arrested four times for domestic, 382 00:24:00,440 --> 00:24:04,080 Speaker 2: abuse and in the year two, thousand police showed up 383 00:24:04,080 --> 00:24:06,399 Speaker 2: at his door to investigate a charge by a local 384 00:24:06,440 --> 00:24:10,000 Speaker 2: electric company worker who claimed Mister brown had attacked him 385 00:24:10,000 --> 00:24:14,520 Speaker 2: with a stake. Knife domestic abuse charges would plague him 386 00:24:14,600 --> 00:24:16,840 Speaker 2: for the remainder of his. Life until his death On 387 00:24:16,960 --> 00:24:19,680 Speaker 2: Christmas day in two thousand and six of congestive heart. 388 00:24:19,720 --> 00:24:24,840 Speaker 2: Failure James brown saw abuse as something to be, endured 389 00:24:25,600 --> 00:24:28,080 Speaker 2: whether you were a man or a, woman and whether 390 00:24:28,119 --> 00:24:30,840 Speaker 2: you were on the giving or receiving, end because the 391 00:24:30,880 --> 00:24:33,680 Speaker 2: beatings he witnessed and received as a young boy left, 392 00:24:33,680 --> 00:24:38,880 Speaker 2: scars defining, scars and it was. Horrifying as a nine 393 00:24:38,960 --> 00:24:41,560 Speaker 2: year old, boy he was hung upside down in a 394 00:24:41,600 --> 00:24:45,119 Speaker 2: gunnysack and beat mercilessly with a belt by his Aunt. 395 00:24:45,200 --> 00:24:49,120 Speaker 2: Honey growing up in a, whorehouse he regularly took beatings 396 00:24:49,119 --> 00:24:52,160 Speaker 2: from Drunk john's and watched as they abused the prostitutes 397 00:24:52,200 --> 00:24:55,640 Speaker 2: who roomed with him a nine year. Old these were 398 00:24:55,680 --> 00:24:59,520 Speaker 2: his formative. Years it doesn't excuse, anything don't get me, 399 00:24:59,560 --> 00:25:03,360 Speaker 2: wrong but it does help Explain James brown's emotional. Wiring 400 00:25:04,359 --> 00:25:06,600 Speaker 2: when he bounced out of prison at age, nineteen he 401 00:25:06,680 --> 00:25:09,320 Speaker 2: instinctively knew that work was going to be the only 402 00:25:09,359 --> 00:25:12,520 Speaker 2: thing that would save, him and music was the only 403 00:25:12,600 --> 00:25:16,159 Speaker 2: semi respectable work he knew how to, do so he 404 00:25:16,320 --> 00:25:21,600 Speaker 2: made it happen with zero. Resources brown's first, band The Gospel, 405 00:25:21,640 --> 00:25:26,040 Speaker 2: starlighters With Bobby, byrd performed their first shows without, instruments, 406 00:25:26,640 --> 00:25:30,840 Speaker 2: literally no, instruments without. Drums they stomped the beat on 407 00:25:30,920 --> 00:25:36,560 Speaker 2: floorboards without. Guitars they whistled riffs all while they sang with, passion, 408 00:25:36,800 --> 00:25:41,840 Speaker 2: commitment and. Drive it was all they had at age, 409 00:25:41,920 --> 00:25:44,879 Speaker 2: Nineteen James brown was a five foot six, inch dark 410 00:25:44,920 --> 00:25:48,480 Speaker 2: Skinned African american ex con who broke into the music 411 00:25:48,520 --> 00:25:51,600 Speaker 2: business and bent it to his, will becoming the most 412 00:25:51,600 --> 00:25:54,840 Speaker 2: influential black musician of all. Time and he did it 413 00:25:54,840 --> 00:25:57,320 Speaker 2: on his own through the power of his work. Ethic 414 00:25:58,840 --> 00:26:02,359 Speaker 2: unlike subjects covered in past episodes of this, Show James 415 00:26:02,359 --> 00:26:05,439 Speaker 2: brown wasn't good looking Like Sam. Cook he wasn't white 416 00:26:05,520 --> 00:26:08,440 Speaker 2: Like Jerry Lee. Lewis he didn't have a powerful church 417 00:26:08,560 --> 00:26:12,000 Speaker 2: looking out for him Like. Beck he had zero, advantages. 418 00:26:12,440 --> 00:26:16,040 Speaker 2: Zero all he had was his, will his supernatural, talent 419 00:26:16,080 --> 00:26:19,280 Speaker 2: and his undeniable work, ethic which is why when the 420 00:26:19,359 --> 00:26:22,560 Speaker 2: work dried up in the, eighties his world came crumbling 421 00:26:22,600 --> 00:26:27,359 Speaker 2: down around. Him without, work there really was. Nothing the 422 00:26:27,400 --> 00:26:30,400 Speaker 2: work kept him, sane kept him on the run from. 423 00:26:30,480 --> 00:26:34,879 Speaker 2: Himself without, work without the daily opportunity to showcase his, 424 00:26:34,960 --> 00:26:37,359 Speaker 2: talent to show the world that he wasn't just another 425 00:26:37,480 --> 00:26:41,560 Speaker 2: ordinary dude from the backwoods Of. Georgia there was nothing but, DEMONS, 426 00:26:41,960 --> 00:26:47,719 Speaker 2: pcp beatings or. WORSE i started this. PODCAST i Started 427 00:26:47,720 --> 00:26:50,359 Speaker 2: disgraceland to try and figure out what it was that 428 00:26:50,480 --> 00:26:55,080 Speaker 2: makes rock stars so fucking crazy and so. Entertaining you 429 00:26:55,080 --> 00:26:57,160 Speaker 2: can draw a straight line from one to the, other 430 00:26:57,840 --> 00:27:03,119 Speaker 2: from crazy to. Entertaining Rock stars are wired. Differently they 431 00:27:03,160 --> 00:27:06,840 Speaker 2: aren't like, You. Ori Rock stars are more like, feral 432 00:27:06,960 --> 00:27:11,040 Speaker 2: narcissistic animals than functioning members of. Society and this is 433 00:27:11,080 --> 00:27:16,640 Speaker 2: precisely what makes them so damn. Entertaining that, wildness that 434 00:27:16,720 --> 00:27:20,080 Speaker 2: craziness almost always has something to do with their traumatic. 435 00:27:20,160 --> 00:27:23,199 Speaker 2: Upbringings and it's hard to find a better example of 436 00:27:23,240 --> 00:27:26,520 Speaker 2: this than the star who is nationally and internationally known 437 00:27:26,840 --> 00:27:30,480 Speaker 2: as the hardest working man in show. Business the man that's, 438 00:27:30,520 --> 00:27:35,240 Speaker 2: SAYING i go, crazy try, me you got the, power 439 00:27:35,920 --> 00:27:42,400 Speaker 2: think if you want, ME i don't. Mind bewildered million dollar, 440 00:27:42,560 --> 00:27:48,440 Speaker 2: sellar lost someone the very greatest Release. Nitrate it's everybody's 441 00:27:48,480 --> 00:27:53,119 Speaker 2: shout and, shimmy Mister, dynamite the amazing mister please please, 442 00:27:53,200 --> 00:27:57,560 Speaker 2: himself the star of the. Show James brown and The Famous. 443 00:27:57,560 --> 00:28:10,560 Speaker 2: Flames i'm J brennan and this Is. Disgraceland disgraceland was 444 00:28:10,560 --> 00:28:13,520 Speaker 2: created By Yours truly and is produced in partnership With Double. 445 00:28:13,600 --> 00:28:16,399 Speaker 2: Elvis credits for this episode can be found on the 446 00:28:16,400 --> 00:28:20,240 Speaker 2: show notes page at disgracelampod dot. Com if you're listening 447 00:28:20,320 --> 00:28:23,520 Speaker 2: as A Disgraceland All access, member thank you for supporting the. 448 00:28:23,560 --> 00:28:26,280 Speaker 2: Show we really appreciate, it and if, not you can 449 00:28:26,320 --> 00:28:29,560 Speaker 2: become a member right now by going to disgracelampod dot 450 00:28:29,600 --> 00:28:33,639 Speaker 2: Com Slash. Membership members can listen to every episode Of 451 00:28:33,680 --> 00:28:37,879 Speaker 2: disgraceland ad, Free plus you'll get one brand new exclusive 452 00:28:37,880 --> 00:28:42,600 Speaker 2: episode every, month weekly unscripted bonus, episodes special audio, collections 453 00:28:42,600 --> 00:28:47,240 Speaker 2: and early access to merchandise and. Events visit disgracelampod dot 454 00:28:47,280 --> 00:28:50,640 Speaker 2: Com Slash membership for, Details rate and review the, show 455 00:28:50,680 --> 00:28:53,680 Speaker 2: and follow us On, instagram, TikTok, twitter And facebook at 456 00:28:53,680 --> 00:28:57,720 Speaker 2: disgracelampod and on YouTube at YouTube dot com slash at. 457 00:28:57,720 --> 00:29:04,600 Speaker 2: Disgracelampod he's a, bad bad. Man