1 00:00:00,640 --> 00:00:05,960 Speaker 1: Well, listen to your shirt every single day. Breakfast damn 2 00:00:06,240 --> 00:00:06,960 Speaker 1: the breakfast club. 3 00:00:08,240 --> 00:00:12,600 Speaker 2: On a breakfast club. I can't say breakfast club without. 4 00:00:12,400 --> 00:00:13,400 Speaker 1: The workless club. 5 00:00:14,280 --> 00:00:15,960 Speaker 3: You're like this rare air. 6 00:00:17,200 --> 00:00:19,200 Speaker 2: She got platforms and partners all over the place. 7 00:00:19,239 --> 00:00:22,079 Speaker 4: Because your man is so high, people want to be 8 00:00:22,120 --> 00:00:23,319 Speaker 4: in business with the breakfast club. 9 00:00:23,480 --> 00:00:26,520 Speaker 2: I don't think white people know how popular you guys are. 10 00:00:28,680 --> 00:00:31,440 Speaker 2: DJ Infant just hilarious, Charlemagne the guy. 11 00:00:31,720 --> 00:00:33,560 Speaker 1: You guys really are like the hip hop early morning 12 00:00:33,640 --> 00:00:34,360 Speaker 1: late night talk. 13 00:00:34,560 --> 00:00:36,959 Speaker 3: Y'all know what you'all talking about. 14 00:00:40,000 --> 00:00:40,960 Speaker 2: It's a new day. 15 00:00:41,240 --> 00:00:42,279 Speaker 1: Is it your time to get it. 16 00:00:42,240 --> 00:00:45,839 Speaker 5: Off your chest, whether you're mad or blessed. 17 00:00:46,040 --> 00:00:47,800 Speaker 2: Time to get up and get something. 18 00:00:47,880 --> 00:00:50,080 Speaker 5: Call up now eight hundred five eighty five one O 19 00:00:50,200 --> 00:00:51,760 Speaker 5: five one. We want to hear from you on a 20 00:00:51,800 --> 00:00:52,480 Speaker 5: breakfast club. 21 00:00:53,159 --> 00:00:57,520 Speaker 6: Hello, this those were growing, man, TA can bless its man. 22 00:01:00,840 --> 00:01:03,640 Speaker 7: Man, Man, I was stuck in the elevator for a 23 00:01:03,640 --> 00:01:04,120 Speaker 7: whole hour. 24 00:01:04,240 --> 00:01:04,440 Speaker 8: Man. 25 00:01:04,800 --> 00:01:08,600 Speaker 7: The main done is really wake up earlier, man, because 26 00:01:09,120 --> 00:01:10,480 Speaker 7: I felt like my life was over. 27 00:01:10,600 --> 00:01:10,839 Speaker 9: Man. 28 00:01:10,880 --> 00:01:12,560 Speaker 7: I made so much promises for gard. 29 00:01:14,680 --> 00:01:15,080 Speaker 1: My mother. 30 00:01:15,200 --> 00:01:16,800 Speaker 6: Man Like, I don't want to wish it on my 31 00:01:16,880 --> 00:01:20,320 Speaker 6: worst enemy. Man, no windows, so escape I'm thinking about 32 00:01:20,319 --> 00:01:26,720 Speaker 6: Bruce Willis, and I'm thinking, I'm pressing the buttons, I'm kicking, 33 00:01:26,840 --> 00:01:29,440 Speaker 6: I'm trying to punch codes, I'm doing everything. I'm like, 34 00:01:29,440 --> 00:01:31,320 Speaker 6: you know what, let me pick you ain't gonna lie. 35 00:01:31,600 --> 00:01:33,759 Speaker 6: I had a little reception, but not too much. 36 00:01:34,040 --> 00:01:34,479 Speaker 7: I was playing. 37 00:01:34,520 --> 00:01:39,560 Speaker 9: I was playing Marvin Saddon never would have made it. 38 00:01:40,200 --> 00:01:42,080 Speaker 6: Were the only reason why I got out, The only 39 00:01:42,120 --> 00:01:44,440 Speaker 6: reason why I got out because the spam's dude. He 40 00:01:44,520 --> 00:01:47,119 Speaker 6: kept pressing the button downstairs, and he kept kicking the door, 41 00:01:47,120 --> 00:01:49,160 Speaker 6: and then all of a sudden opened but it was 42 00:01:49,160 --> 00:01:51,080 Speaker 6: a half of the floor. Then it opped up, and 43 00:01:51,120 --> 00:01:53,440 Speaker 6: then I got out. I don't just tell everybody right now. Man, 44 00:01:53,520 --> 00:01:54,960 Speaker 6: I don't know if I think'm gonna get elevated to 45 00:01:54,960 --> 00:01:56,240 Speaker 6: the game is a lawsuit. 46 00:01:56,520 --> 00:01:58,000 Speaker 9: I don't know if it's a lawsuit. But I wouldn't 47 00:01:58,000 --> 00:01:59,520 Speaker 9: wish that on my worst enemy, because I got a 48 00:01:59,600 --> 00:02:03,600 Speaker 9: daughter who has a very unhealthy fear of elevators. 49 00:02:03,080 --> 00:02:03,440 Speaker 1: And she. 50 00:02:07,000 --> 00:02:10,079 Speaker 6: Hopefully I wasn't one of the Tartans. But it's over 51 00:02:10,160 --> 00:02:10,480 Speaker 6: the story. 52 00:02:10,480 --> 00:02:11,399 Speaker 1: But anyway, book. 53 00:02:12,880 --> 00:02:19,240 Speaker 9: Bronx and Brooklyn, you know, you know everything broken in 54 00:02:19,240 --> 00:02:23,560 Speaker 9: the Bronx. Damn have a blesday. 55 00:02:23,560 --> 00:02:25,040 Speaker 1: I'm glad that you got out of that situation. 56 00:02:25,120 --> 00:02:25,560 Speaker 2: Absolute. 57 00:02:25,560 --> 00:02:27,880 Speaker 9: I'm telling you, my eight year old is definitely afraid 58 00:02:27,919 --> 00:02:29,880 Speaker 9: of elevator. I don't know what she watched that she 59 00:02:29,880 --> 00:02:32,440 Speaker 9: saw somebody get stuck on the elevator, but Lord have mercy, 60 00:02:33,880 --> 00:02:36,040 Speaker 9: she did not like elevators at all, in no way 61 00:02:36,080 --> 00:02:37,640 Speaker 9: shape before Hello. 62 00:02:37,720 --> 00:02:38,880 Speaker 8: Who's this Hi? 63 00:02:39,160 --> 00:02:40,920 Speaker 10: This is Christmas from South Florida. 64 00:02:41,120 --> 00:02:42,560 Speaker 2: Hey, chrystill get it off your chest. 65 00:02:43,280 --> 00:02:45,240 Speaker 10: Yes, I was up earl this morning. 66 00:02:45,480 --> 00:02:46,120 Speaker 8: Tell you guys this. 67 00:02:47,160 --> 00:02:50,960 Speaker 10: So my nephew attends for film cooking in college and 68 00:02:51,520 --> 00:02:54,919 Speaker 10: he's only taken African American studies and they have a 69 00:02:54,960 --> 00:02:58,160 Speaker 10: white professor. She just gave them a group projects to 70 00:02:58,240 --> 00:03:01,760 Speaker 10: do called escape from the Plantation, and and she wants 71 00:03:01,800 --> 00:03:05,639 Speaker 10: them to pretend to be a slave, and she wants 72 00:03:05,680 --> 00:03:08,920 Speaker 10: them to not know how to swim, not know how 73 00:03:09,040 --> 00:03:14,200 Speaker 10: to read and write, and how they were maneuvered trying 74 00:03:14,240 --> 00:03:17,640 Speaker 10: to escape like the underground railroad. She wants them to 75 00:03:17,680 --> 00:03:20,160 Speaker 10: be like, oh, if you try to be a slave 76 00:03:20,320 --> 00:03:22,480 Speaker 10: and try to escape and get your foot cut off, 77 00:03:22,600 --> 00:03:25,080 Speaker 10: and another one of you, I want you to be 78 00:03:25,120 --> 00:03:26,839 Speaker 10: like a mom with a whole bunch of kids that's 79 00:03:26,919 --> 00:03:29,600 Speaker 10: like a literate and I want one of you guys 80 00:03:29,600 --> 00:03:30,680 Speaker 10: to be a houseworker. 81 00:03:31,360 --> 00:03:33,880 Speaker 9: Tell us, you know, you tell your son, tell your 82 00:03:33,919 --> 00:03:35,360 Speaker 9: son to tell the teacher that he want to be 83 00:03:35,440 --> 00:03:39,080 Speaker 9: Nat Turner. Okay, and they want they want to do 84 00:03:39,120 --> 00:03:42,560 Speaker 9: a slave rebellion starting with her right then and there, Jesus, Okay. 85 00:03:44,160 --> 00:03:44,400 Speaker 1: That game. 86 00:03:44,480 --> 00:03:47,680 Speaker 10: They're like they some of the kids in his class, 87 00:03:47,760 --> 00:03:49,720 Speaker 10: like I guess they're green behind the ears. So they're like, 88 00:03:49,720 --> 00:03:52,280 Speaker 10: oh my god, this sounds so cool. So with him, 89 00:03:52,280 --> 00:03:54,360 Speaker 10: he's like, it doesn't sit right. And I'm like, what 90 00:03:54,400 --> 00:03:56,840 Speaker 10: do y'all want to do about it? Because personally me, 91 00:03:56,960 --> 00:03:59,080 Speaker 10: I'm born in the eighties. I'm mohere in the eighties. 92 00:03:59,120 --> 00:04:01,560 Speaker 10: I definitely would have went to the being about that. 93 00:04:01,840 --> 00:04:02,760 Speaker 2: How old is he? Yeah? 94 00:04:02,800 --> 00:04:03,840 Speaker 10: Old is he is? 95 00:04:04,080 --> 00:04:04,560 Speaker 3: Eighteen? 96 00:04:04,880 --> 00:04:05,600 Speaker 2: He's in college? 97 00:04:06,200 --> 00:04:08,280 Speaker 1: Yeah that she said school. 98 00:04:08,680 --> 00:04:12,360 Speaker 10: Yeah, he's in college. He's at Aune Cookman College in Florida. 99 00:04:12,800 --> 00:04:17,080 Speaker 9: Not turning slave rebellion, Okay, eighteen thirty one, that's what 100 00:04:17,160 --> 00:04:21,279 Speaker 9: we need to take it back to. Okay, Stone Over Rebellion, Charleston, 101 00:04:21,360 --> 00:04:24,039 Speaker 9: South Carolina, seventeen thirty nine, that's what we need to 102 00:04:24,040 --> 00:04:26,960 Speaker 9: take it back to. Okay, Hello, who's this yo? 103 00:04:27,080 --> 00:04:29,359 Speaker 11: This is Chris from Folk County, Florida. 104 00:04:29,680 --> 00:04:30,760 Speaker 9: Chris from Florida, what up? 105 00:04:30,760 --> 00:04:31,480 Speaker 2: Get it off your chest? 106 00:04:31,520 --> 00:04:31,640 Speaker 12: Bro? 107 00:04:31,960 --> 00:04:34,400 Speaker 11: Hey man, I want to say congratulations to just you 108 00:04:34,440 --> 00:04:39,320 Speaker 11: know what I'm saying. Welcome for the club, honey, Yeah, yeah, 109 00:04:39,760 --> 00:04:41,400 Speaker 11: I gotta keep it really now. I wasn't going for 110 00:04:41,480 --> 00:04:42,479 Speaker 11: you at first. 111 00:04:42,200 --> 00:04:44,080 Speaker 1: But we ain't as you are on me. 112 00:04:44,160 --> 00:04:45,640 Speaker 6: I like you now, I like you now. 113 00:04:45,720 --> 00:04:46,279 Speaker 1: You know what I'm saying. 114 00:04:46,320 --> 00:04:46,840 Speaker 8: Y'all good? 115 00:04:46,920 --> 00:04:50,000 Speaker 1: I like that. All go, Thank you? Chris. 116 00:04:50,320 --> 00:04:50,760 Speaker 8: Keep it real. 117 00:04:50,839 --> 00:04:51,640 Speaker 3: You gotta keep it real. 118 00:04:52,160 --> 00:04:53,599 Speaker 13: Yeah, sometimes you do. 119 00:04:53,680 --> 00:04:55,440 Speaker 14: But you know, I don't give a damn which you 120 00:04:55,480 --> 00:04:57,160 Speaker 14: didn't like before as long as you like me now. 121 00:04:57,360 --> 00:04:59,160 Speaker 14: Sometimes you just don't got to say how you felt 122 00:04:59,160 --> 00:05:00,400 Speaker 14: before if you feel a different way. 123 00:05:00,279 --> 00:05:05,880 Speaker 11: Now, okay, okay, I'm. 124 00:05:03,960 --> 00:05:07,880 Speaker 9: A good one, Christ but no, all right, that's crazy. 125 00:05:07,920 --> 00:05:09,000 Speaker 9: Chris is usually love you. 126 00:05:09,920 --> 00:05:14,839 Speaker 3: Bye, Hello, good morning, baths Club? 127 00:05:14,920 --> 00:05:15,279 Speaker 4: What's up? 128 00:05:15,360 --> 00:05:15,560 Speaker 1: DJ? 129 00:05:15,680 --> 00:05:17,760 Speaker 8: And be Charlotte Mane. What's going on? 130 00:05:18,080 --> 00:05:18,400 Speaker 1: Honey? 131 00:05:18,440 --> 00:05:18,800 Speaker 10: How are you? 132 00:05:18,880 --> 00:05:19,360 Speaker 13: Good morning? 133 00:05:19,800 --> 00:05:20,200 Speaker 8: I'm good? 134 00:05:20,279 --> 00:05:20,800 Speaker 4: Good morning? 135 00:05:20,839 --> 00:05:24,080 Speaker 8: This Cassan from Detroit, jes. I was just Paula. I 136 00:05:24,120 --> 00:05:26,040 Speaker 8: wanted to say to you. My great grandma used to 137 00:05:26,120 --> 00:05:29,080 Speaker 8: tell me you could be anything you want to be 138 00:05:29,240 --> 00:05:31,480 Speaker 8: in life, as long as you put your mind to it, 139 00:05:31,760 --> 00:05:33,400 Speaker 8: and I want you to know that I see so 140 00:05:33,560 --> 00:05:36,280 Speaker 8: much success to you. Just hilarious. I wish you the best. 141 00:05:36,320 --> 00:05:37,839 Speaker 8: I'm glad I was able to talk to you on 142 00:05:37,880 --> 00:05:40,599 Speaker 8: your first day that you're really making it. I see 143 00:05:40,680 --> 00:05:42,440 Speaker 8: so much more for you, and God bless you. 144 00:05:42,480 --> 00:05:45,080 Speaker 14: Okay, thank you so much, baby. I appreciate that you're 145 00:05:45,120 --> 00:05:47,920 Speaker 14: just getting started. I'm a good one, just hilarious, superstuff. 146 00:05:48,200 --> 00:05:50,560 Speaker 15: Get it off your chest eight hundred and five eighty 147 00:05:50,600 --> 00:05:51,480 Speaker 15: five one o five one. 148 00:05:51,520 --> 00:05:52,880 Speaker 2: If you need to be hit us up now, it's 149 00:05:52,880 --> 00:05:53,480 Speaker 2: the Breakfast Club. 150 00:05:53,520 --> 00:06:00,200 Speaker 5: Good morning, the Breakfast Club. This is your time to 151 00:06:00,200 --> 00:06:02,760 Speaker 5: get it off your chest. Eight hundred five eight five 152 00:06:02,800 --> 00:06:04,640 Speaker 5: one five one. We want to hear from you on 153 00:06:04,680 --> 00:06:05,400 Speaker 5: the Breakfast Club. 154 00:06:07,080 --> 00:06:08,920 Speaker 2: Hello, who is Vy? 155 00:06:09,279 --> 00:06:09,680 Speaker 1: What's up? 156 00:06:09,800 --> 00:06:10,080 Speaker 9: Envy? 157 00:06:10,200 --> 00:06:10,520 Speaker 1: What's up? 158 00:06:10,680 --> 00:06:12,000 Speaker 8: Trash shot a Maine? 159 00:06:12,040 --> 00:06:14,159 Speaker 1: So the main you. 160 00:06:14,480 --> 00:06:15,720 Speaker 8: I'm doing good, I'm doing good. 161 00:06:15,760 --> 00:06:16,120 Speaker 1: What's up? 162 00:06:16,200 --> 00:06:16,440 Speaker 8: Jeff? 163 00:06:17,560 --> 00:06:20,279 Speaker 3: Can I tell y'all how I've been giggling at empty 164 00:06:20,360 --> 00:06:22,680 Speaker 3: all weekend? Because envy is so crazy? 165 00:06:23,040 --> 00:06:23,640 Speaker 1: What happened? 166 00:06:23,920 --> 00:06:24,120 Speaker 14: So? 167 00:06:24,600 --> 00:06:26,240 Speaker 6: I don't know if y'all know Mvy's on. 168 00:06:26,279 --> 00:06:27,880 Speaker 4: This show with Tammy Roman. 169 00:06:28,640 --> 00:06:30,560 Speaker 8: I think is that what it's called envy. 170 00:06:30,480 --> 00:06:35,360 Speaker 2: It's called Faithful Paul. Chapter two is this episode that 171 00:06:35,480 --> 00:06:36,000 Speaker 2: is dropped. 172 00:06:36,520 --> 00:06:37,599 Speaker 3: Shout out the Big Sexty. 173 00:06:37,800 --> 00:06:39,000 Speaker 8: I'm actually Big Sexty. 174 00:06:38,800 --> 00:06:41,159 Speaker 3: Is actually on one of my songs. I'm about to drop. 175 00:06:41,279 --> 00:06:43,400 Speaker 8: I love episode. 176 00:06:43,760 --> 00:06:45,520 Speaker 4: Say again, baby, that's what I love Big sexting. 177 00:06:45,880 --> 00:06:48,480 Speaker 3: Oh, shout out the Big Sexty. For Envy has this 178 00:06:48,640 --> 00:06:51,640 Speaker 3: episode where Vy was following him around and he's like 179 00:06:52,000 --> 00:06:56,719 Speaker 3: bus to his boyfriend her Envy with somebody. Vy's talking 180 00:06:56,720 --> 00:06:58,920 Speaker 3: to the girl and she's telling him over. 181 00:06:58,760 --> 00:06:59,240 Speaker 4: And over again. 182 00:06:59,320 --> 00:07:02,560 Speaker 3: Yeah, he's by sexual. I didn't know he was bisexual. 183 00:07:02,920 --> 00:07:06,000 Speaker 3: I didn't never messed with a bisexual man before. The 184 00:07:06,000 --> 00:07:09,080 Speaker 3: first thing Envy saying is when he talk is, oh 185 00:07:09,520 --> 00:07:10,440 Speaker 3: see he was gay. 186 00:07:11,680 --> 00:07:12,280 Speaker 4: It's envy. 187 00:07:12,400 --> 00:07:15,960 Speaker 8: You cannot be gay like women. Okay, he's by sex. 188 00:07:16,920 --> 00:07:17,800 Speaker 1: Got so stupid. 189 00:07:17,960 --> 00:07:19,720 Speaker 8: Okay, you like women, you. 190 00:07:19,680 --> 00:07:23,040 Speaker 1: Can have to be gay, all right, fifty game, you're 191 00:07:23,040 --> 00:07:23,520 Speaker 1: still gay. 192 00:07:23,560 --> 00:07:25,040 Speaker 3: But no, you're not gay. 193 00:07:25,320 --> 00:07:27,760 Speaker 2: Okay, you you have a woman at all. 194 00:07:29,240 --> 00:07:32,520 Speaker 8: For Dyna, you are by sexual. 195 00:07:32,600 --> 00:07:34,200 Speaker 3: Gay men do not like Batigna. 196 00:07:34,320 --> 00:07:37,360 Speaker 1: Yeah that's true, but you still have a homosexual. 197 00:07:38,160 --> 00:07:42,560 Speaker 13: No, you're bisexual by departments. You're crossing department. 198 00:07:42,240 --> 00:07:47,720 Speaker 9: By Okay, bisexual means too, right. 199 00:07:48,440 --> 00:07:51,800 Speaker 2: I don't know the bisexual game both, but it's both. 200 00:07:52,080 --> 00:07:53,160 Speaker 1: So you fifty percent? 201 00:07:54,720 --> 00:07:57,520 Speaker 14: Would you say, like when you say you gay and straight? 202 00:07:58,600 --> 00:07:58,640 Speaker 1: No? 203 00:07:59,360 --> 00:07:59,600 Speaker 2: Yes? 204 00:08:00,160 --> 00:08:04,760 Speaker 1: Not yeah? 205 00:08:04,960 --> 00:08:10,400 Speaker 9: All right, track, but the definition of bisexual is sexually 206 00:08:10,400 --> 00:08:14,160 Speaker 9: a romantically attracted to both men and women, are to 207 00:08:14,320 --> 00:08:16,960 Speaker 9: more than one sex, are gentle, and. 208 00:08:16,920 --> 00:08:18,440 Speaker 13: That's why it's called bisexual. 209 00:08:18,520 --> 00:08:20,920 Speaker 9: Not yay, I get it, but you, I mean technically 210 00:08:21,280 --> 00:08:22,520 Speaker 9: you are gay and straight. 211 00:08:23,120 --> 00:08:26,000 Speaker 15: My gosh, technically I just asked the question. 212 00:08:27,440 --> 00:08:29,800 Speaker 2: Alright, Hello, who's this? 213 00:08:31,000 --> 00:08:33,079 Speaker 8: Hey, QC, what's going on? 214 00:08:33,160 --> 00:08:33,520 Speaker 2: What's up? 215 00:08:33,559 --> 00:08:33,760 Speaker 4: Brother? 216 00:08:33,760 --> 00:08:34,560 Speaker 2: Get it off your chest? 217 00:08:34,960 --> 00:08:35,240 Speaker 14: Man. 218 00:08:35,360 --> 00:08:38,120 Speaker 16: I just want to say, shout out all the truck 219 00:08:38,200 --> 00:08:41,120 Speaker 16: job is out there, man, everybody's that jobbing out on 220 00:08:41,160 --> 00:08:41,480 Speaker 16: the rood. 221 00:08:41,559 --> 00:08:43,920 Speaker 1: Be safe, man, Yeah, shout. 222 00:08:43,679 --> 00:08:45,360 Speaker 13: Out to y'all. I love y'all so very much. 223 00:08:45,480 --> 00:08:45,800 Speaker 9: Be safe. 224 00:08:45,840 --> 00:08:49,680 Speaker 2: You're in your truck, bro, Thank you? Yes, sir, there 225 00:08:49,679 --> 00:08:49,960 Speaker 2: you go. 226 00:08:51,080 --> 00:08:53,600 Speaker 1: Yes, that have a cool one. 227 00:08:53,920 --> 00:08:54,880 Speaker 2: Get it off your chest. 228 00:08:54,960 --> 00:08:57,200 Speaker 15: Eight hundred five eight five one oh five one. If 229 00:08:57,240 --> 00:08:58,640 Speaker 15: you need to vent hit us up now. It's the 230 00:08:58,640 --> 00:09:05,000 Speaker 15: Breakfast Club, the Morning, the Breakfast Club, Barning. Everybody's DJ 231 00:09:05,480 --> 00:09:07,880 Speaker 15: M V Jess Hilarious, Charlamagne, the gud We are the 232 00:09:07,920 --> 00:09:10,560 Speaker 15: Breakfast Club. We got a special guest in the building, indeed, 233 00:09:11,040 --> 00:09:14,640 Speaker 15: Grizzly doll Man. 234 00:09:14,760 --> 00:09:17,760 Speaker 1: How you feeling about feeling good? Feeling great man? All that. 235 00:09:18,760 --> 00:09:20,920 Speaker 15: I'm glad you put down the joysticks a little bit 236 00:09:20,960 --> 00:09:22,120 Speaker 15: to start up rapping again. 237 00:09:23,440 --> 00:09:26,480 Speaker 1: Making that much money on video games? Yeah, man, wasn't 238 00:09:26,480 --> 00:09:31,760 Speaker 1: it was about it? Damn? Okay, Yeah, it's crazy because 239 00:09:31,800 --> 00:09:33,720 Speaker 1: before I was a rapper, I was a gamer. I 240 00:09:33,720 --> 00:09:35,079 Speaker 1: feel like we all was, you know what I'm saying, 241 00:09:35,120 --> 00:09:37,080 Speaker 1: just growing up playing a game. So, just like music 242 00:09:37,120 --> 00:09:39,160 Speaker 1: and something, I put a lot of passion into how do. 243 00:09:39,080 --> 00:09:40,880 Speaker 9: You make a career that though? Like, that's what I 244 00:09:40,920 --> 00:09:41,600 Speaker 9: always be wanting. 245 00:09:41,960 --> 00:09:44,840 Speaker 1: Honestly, I had to be coach through it because when 246 00:09:44,840 --> 00:09:47,000 Speaker 1: I first started playing like online, I was just meeting 247 00:09:47,000 --> 00:09:48,719 Speaker 1: different people who was already doing and they kind of 248 00:09:48,760 --> 00:09:50,120 Speaker 1: taught me how to do it. 249 00:09:50,000 --> 00:09:52,080 Speaker 15: And it just too I'm surprised that the numbers that 250 00:09:52,160 --> 00:09:55,000 Speaker 15: game is makee So it's this is it gambling or 251 00:09:55,040 --> 00:09:57,000 Speaker 15: is it tournaments or how does it work? 252 00:09:57,320 --> 00:09:59,319 Speaker 1: No, it's just it's just you build a community in 253 00:09:59,360 --> 00:10:01,520 Speaker 1: the audience, you know what I'm saying, and they they 254 00:10:01,720 --> 00:10:04,160 Speaker 1: paying to subscribe to your content. Yeah. 255 00:10:04,280 --> 00:10:09,200 Speaker 9: Yeah, stream and that translate into record sales. I wonder, yeah, 256 00:10:09,440 --> 00:10:10,560 Speaker 9: if you do it right, for sure. 257 00:10:11,280 --> 00:10:13,320 Speaker 1: So if I if I drop an album and I'm 258 00:10:13,320 --> 00:10:15,640 Speaker 1: in GTA and I have a listening party, I'm like, 259 00:10:15,679 --> 00:10:17,079 Speaker 1: all of us got to listen play it at the 260 00:10:17,080 --> 00:10:18,679 Speaker 1: same time on our own and come back and give 261 00:10:18,720 --> 00:10:20,880 Speaker 1: our feedback on the songs and stuff like that. Then 262 00:10:20,960 --> 00:10:23,200 Speaker 1: you get everybody engaged and everybody streaming it. 263 00:10:23,640 --> 00:10:26,319 Speaker 15: What platform is that, because I mean, I'm sure messing 264 00:10:26,360 --> 00:10:28,400 Speaker 15: with the labels because once that's played in a twitch 265 00:10:28,440 --> 00:10:30,480 Speaker 15: or played in one of those streaming platforms, that gotta 266 00:10:30,520 --> 00:10:31,760 Speaker 15: be a spin, right because it's. 267 00:10:31,920 --> 00:10:34,880 Speaker 1: Yeah, yeah, yeah, for sure, Twitch YouTube is the year. 268 00:10:34,880 --> 00:10:37,280 Speaker 1: It's the spin for shure. I'm getting everybody to do 269 00:10:37,280 --> 00:10:39,600 Speaker 1: it on their own, you feel, instead of me just 270 00:10:39,600 --> 00:10:41,680 Speaker 1: listening to it for y'all, y'all hearing it with me. 271 00:10:41,720 --> 00:10:42,600 Speaker 1: That's only one stream. 272 00:10:43,200 --> 00:10:45,200 Speaker 9: What's the most If you don't mind us asking because 273 00:10:45,200 --> 00:10:46,359 Speaker 9: your diamonds all shining. 274 00:10:46,160 --> 00:10:48,200 Speaker 1: Brother, I appreciate it. It was a lot, I don't 275 00:10:48,240 --> 00:10:51,760 Speaker 1: I don't know, it was a lot. Yeah, it was 276 00:10:51,760 --> 00:10:52,040 Speaker 1: a lot. 277 00:10:52,360 --> 00:10:53,679 Speaker 9: How do regular kids get to do that? 278 00:10:54,320 --> 00:10:56,760 Speaker 1: Try to that now? Yeah? 279 00:10:56,920 --> 00:10:58,959 Speaker 2: And that's what what game? That's playing g T A 280 00:10:59,160 --> 00:10:59,520 Speaker 2: g T A. 281 00:10:59,640 --> 00:11:03,000 Speaker 1: Yeah, well so are you ready for GTA six? Then? Yeah? Yeah, yeah, yeah, 282 00:11:03,440 --> 00:11:05,439 Speaker 1: super ready for that for sure. It took him long enough, 283 00:11:05,480 --> 00:11:06,400 Speaker 1: but shout out the rocks started. 284 00:11:06,440 --> 00:11:10,440 Speaker 15: My people though, Now Tea's Coney Island. You're not from 285 00:11:10,600 --> 00:11:13,640 Speaker 15: from New York, so why is it called teas Corney Island? 286 00:11:13,640 --> 00:11:13,719 Speaker 8: You know? 287 00:11:13,800 --> 00:11:15,400 Speaker 1: It's scared I had this. I don't never have to 288 00:11:15,440 --> 00:11:17,240 Speaker 1: have this conversation in the Middle West. 289 00:11:17,480 --> 00:11:20,360 Speaker 2: You feel, because you don't know is that? 290 00:11:20,720 --> 00:11:20,800 Speaker 8: So? 291 00:11:20,880 --> 00:11:23,560 Speaker 1: Look, so Conney Island, now y'all got y'all Bodega's right, 292 00:11:23,800 --> 00:11:25,680 Speaker 1: We got them in Detroit too, But it's just called 293 00:11:25,679 --> 00:11:28,559 Speaker 1: Conney Island. So it's a bunch of different Corney Islands. 294 00:11:28,559 --> 00:11:30,000 Speaker 1: You know what I'm saying. If you're from them areas, 295 00:11:30,240 --> 00:11:31,160 Speaker 1: you got your own county. 296 00:11:31,320 --> 00:11:33,559 Speaker 9: So it's like a dog a little convenience stuf. 297 00:11:33,480 --> 00:11:35,199 Speaker 1: Like a diner. Okay, you know what I'm saying, where 298 00:11:35,200 --> 00:11:38,320 Speaker 1: you get food. What's the significance of that to you? 299 00:11:38,600 --> 00:11:41,000 Speaker 1: For me? Growing up? You feel me, I ain't always 300 00:11:41,040 --> 00:11:43,160 Speaker 1: like have a home cooking meal. I never ate out, 301 00:11:43,240 --> 00:11:45,200 Speaker 1: you know what I'm saying, stuff like that, So I 302 00:11:45,240 --> 00:11:46,680 Speaker 1: scrape up on a couple of dollars. I know, I 303 00:11:46,720 --> 00:11:48,839 Speaker 1: go to the coney and get some good food, you 304 00:11:48,880 --> 00:11:50,840 Speaker 1: know what I'm saying, a lot of it, but not 305 00:11:50,880 --> 00:11:53,040 Speaker 1: that much money. You know. Can you take a woman there? 306 00:11:53,040 --> 00:11:55,760 Speaker 1: Would she be fine going to Cornell? For sure? Okay? 307 00:11:55,760 --> 00:11:59,880 Speaker 9: Okay, definitely. You know they boogie nowadays. Coney ain't bad though. 308 00:11:59,920 --> 00:12:03,160 Speaker 9: I took my wife. Have you invested in one that's 309 00:12:03,160 --> 00:12:04,600 Speaker 9: why you call it tease cone? 310 00:12:06,280 --> 00:12:08,280 Speaker 1: Yeah? I invested. I invested in the one in my area. 311 00:12:08,360 --> 00:12:10,719 Speaker 1: Okay okay, yea smart s the one I the one 312 00:12:10,760 --> 00:12:14,480 Speaker 1: I grew up walking to, like before school type. You know, 313 00:12:14,640 --> 00:12:15,800 Speaker 1: how do you just approach him? 314 00:12:15,840 --> 00:12:15,880 Speaker 4: Like? 315 00:12:15,920 --> 00:12:17,280 Speaker 9: Yo, man, I want to want to buy a part 316 00:12:17,320 --> 00:12:17,840 Speaker 9: of the business. 317 00:12:18,160 --> 00:12:19,520 Speaker 1: No, like I want to be a part of this. 318 00:12:19,679 --> 00:12:22,920 Speaker 1: Like this, this Coney right here is significant. You know 319 00:12:22,960 --> 00:12:25,120 Speaker 1: what I'm saying to me and my upbringing, you know 320 00:12:25,120 --> 00:12:26,160 Speaker 1: what I'm saying. So I just want to be a 321 00:12:26,200 --> 00:12:28,440 Speaker 1: part of it. You feel me? They was rocking with me. 322 00:12:28,720 --> 00:12:32,240 Speaker 15: You know, the First Day Out was your biggest record, right, 323 00:12:32,720 --> 00:12:35,679 Speaker 15: did you ever think that you would beat the success 324 00:12:35,520 --> 00:12:38,160 Speaker 15: of First Day Out because it's it's a club staple 325 00:12:38,679 --> 00:12:41,959 Speaker 15: radio record, but you did it. So did you ever 326 00:12:42,000 --> 00:12:43,880 Speaker 15: think that you would be that man. 327 00:12:44,320 --> 00:12:46,200 Speaker 1: That's one song I can say, like I performed that 328 00:12:46,240 --> 00:12:49,000 Speaker 1: song that the reaction is like it came out yesterday. 329 00:12:49,600 --> 00:12:52,640 Speaker 1: You feel me. My goal in life, you know what 330 00:12:52,640 --> 00:12:55,360 Speaker 1: I'm saying when it comes like chasing my dreams with 331 00:12:55,400 --> 00:12:58,360 Speaker 1: this music, it was. It was never to outdo anything. 332 00:12:58,400 --> 00:13:00,600 Speaker 1: It was to get that in the first place, you 333 00:13:00,600 --> 00:13:03,040 Speaker 1: know what I'm saying. So I'm just happy to have that, 334 00:13:03,280 --> 00:13:05,760 Speaker 1: you know what I'm saying, and continue to let that 335 00:13:05,840 --> 00:13:08,600 Speaker 1: be the car that drive the other content that I 336 00:13:08,640 --> 00:13:08,959 Speaker 1: put out. 337 00:13:09,080 --> 00:13:11,120 Speaker 9: And did that song put pressure on you, like because 338 00:13:11,160 --> 00:13:13,079 Speaker 9: you know you came out to Gay jay Z tweeting 339 00:13:13,080 --> 00:13:15,079 Speaker 9: about it like they put pressure on you to keep 340 00:13:15,120 --> 00:13:16,679 Speaker 9: making that level of music. 341 00:13:17,000 --> 00:13:18,520 Speaker 1: No, because I don't see I don't look at it. 342 00:13:18,520 --> 00:13:19,960 Speaker 1: I don't look at it like that. I look at 343 00:13:20,000 --> 00:13:22,360 Speaker 1: it as the blessing that it is, and I'm just 344 00:13:22,400 --> 00:13:25,040 Speaker 1: grateful for it. If anything else come, then it come. 345 00:13:25,480 --> 00:13:27,439 Speaker 1: If not that, I'm grateful for it because it's saved 346 00:13:27,440 --> 00:13:29,040 Speaker 1: and changed my life to this day. 347 00:13:30,040 --> 00:13:31,800 Speaker 13: I got a big record move right now. 348 00:13:32,040 --> 00:13:35,080 Speaker 14: I don't give an f With Chris Brown and Mariota scientists, 349 00:13:35,160 --> 00:13:35,840 Speaker 14: how did it come about? 350 00:13:35,880 --> 00:13:37,840 Speaker 2: How y'all income number? One record by the way too, 351 00:13:37,920 --> 00:13:38,400 Speaker 2: number one. 352 00:13:38,480 --> 00:13:42,040 Speaker 1: Yeah, yeah, for sure, definitely definitely thank you. So I 353 00:13:42,200 --> 00:13:45,480 Speaker 1: rock with with Chris Brown and I had one to 354 00:13:45,559 --> 00:13:47,240 Speaker 1: his crib. We was in La chilling at his crib 355 00:13:47,240 --> 00:13:49,520 Speaker 1: when we was in the studio just cooking and throwing 356 00:13:49,559 --> 00:13:52,400 Speaker 1: around ideas, and we had came up with that one, 357 00:13:52,600 --> 00:13:54,760 Speaker 1: and we knew we needed a female on it, you 358 00:13:54,800 --> 00:13:56,959 Speaker 1: know what I'm saying. And my wife had put me 359 00:13:57,040 --> 00:13:59,400 Speaker 1: hip to Marita Scientists and I've been a fan every since. 360 00:13:59,440 --> 00:14:01,559 Speaker 1: So I had shot it to her and she loved it, 361 00:14:02,080 --> 00:14:04,400 Speaker 1: killed it, did her thing. After that we went number one. 362 00:14:04,559 --> 00:14:06,079 Speaker 9: You got a couple of records with Chris Brown on 363 00:14:06,600 --> 00:14:08,000 Speaker 9: the project What's your Energy? 364 00:14:08,080 --> 00:14:11,199 Speaker 1: Like, I mean, bro, just a genuine dude, you know 365 00:14:11,240 --> 00:14:13,200 Speaker 1: what I'm saying. Our energy a lot of times when 366 00:14:13,240 --> 00:14:15,160 Speaker 1: we kick it it don't even be about music, you 367 00:14:15,200 --> 00:14:16,800 Speaker 1: know what I'm saying. We just kick it. Like how 368 00:14:16,800 --> 00:14:18,800 Speaker 1: were talking right now? We just be chopping it up. Now. 369 00:14:18,800 --> 00:14:20,960 Speaker 15: You got married pretty young. Most people say that's pretty young, 370 00:14:21,040 --> 00:14:23,440 Speaker 15: especially in this industry, twenty eight years old. How did 371 00:14:23,440 --> 00:14:25,040 Speaker 15: you know she was the one? You mentioned her twice 372 00:14:25,040 --> 00:14:26,440 Speaker 15: because I know you, I know you love We seen 373 00:14:26,480 --> 00:14:28,200 Speaker 15: on the wedding photos. How did you know she was 374 00:14:28,240 --> 00:14:28,480 Speaker 15: the one? 375 00:14:29,400 --> 00:14:32,680 Speaker 1: It's no such thing as somebody being the one you 376 00:14:32,680 --> 00:14:36,440 Speaker 1: know about to start the social media with that one. Listen, 377 00:14:38,040 --> 00:14:40,080 Speaker 1: It's no such thing as somebody being the one. 378 00:14:40,080 --> 00:14:40,240 Speaker 4: Man. 379 00:14:40,320 --> 00:14:42,880 Speaker 1: This takes effort. There gotta be something you want to do. 380 00:14:42,960 --> 00:14:45,080 Speaker 1: You gotta be the one, you know what I'm saying. 381 00:14:45,360 --> 00:14:46,880 Speaker 1: You gotta be the one that want to do it, 382 00:14:47,000 --> 00:14:50,760 Speaker 1: because they don't propose you do? You feel me? This? 383 00:14:50,760 --> 00:14:52,640 Speaker 1: This's gotta be something you want. There's gotta be something 384 00:14:52,680 --> 00:14:54,280 Speaker 1: you want to do. There's gotta be something that you're 385 00:14:54,320 --> 00:14:56,320 Speaker 1: willing to stick with no matter what. And it's got 386 00:14:56,440 --> 00:14:59,120 Speaker 1: to be something you make a choice to put effort into. 387 00:14:59,480 --> 00:15:02,320 Speaker 1: You feel me. I agree with that. I agree with that. 388 00:15:02,360 --> 00:15:04,760 Speaker 9: But she still gotta be special enough for you to 389 00:15:04,760 --> 00:15:05,920 Speaker 9: say this is what I want to spend the rest 390 00:15:05,920 --> 00:15:06,600 Speaker 9: of my life with. 391 00:15:06,800 --> 00:15:10,640 Speaker 1: Yeah, for sure, for sure. I mean everybody special, you 392 00:15:10,680 --> 00:15:13,080 Speaker 1: feel me. It's nobody out here that's that's not special 393 00:15:13,080 --> 00:15:16,680 Speaker 1: in their own way, don't I don't know. 394 00:15:20,840 --> 00:15:22,640 Speaker 13: But I like your take on that though, Like you 395 00:15:22,720 --> 00:15:23,400 Speaker 13: gotta be the one. 396 00:15:23,440 --> 00:15:25,520 Speaker 14: You gotta you know, because a lot of men always 397 00:15:25,520 --> 00:15:28,080 Speaker 14: put it on a woman like you know, she she 398 00:15:28,080 --> 00:15:30,200 Speaker 14: she was the one and she wasn't it. But you're 399 00:15:30,240 --> 00:15:32,760 Speaker 14: talking about the other side of it, which I appreciate 400 00:15:32,800 --> 00:15:33,920 Speaker 14: that we don't. 401 00:15:33,920 --> 00:15:34,720 Speaker 13: We don't hear that. 402 00:15:36,360 --> 00:15:38,920 Speaker 1: For sure. For sure, you gotta you gotta want it, 403 00:15:39,000 --> 00:15:40,560 Speaker 1: You gotta want it, definitely. 404 00:15:40,200 --> 00:15:41,600 Speaker 15: When did you realize what made you want to do 405 00:15:41,680 --> 00:15:44,080 Speaker 15: it at that particular moment, in that particular time. 406 00:15:44,520 --> 00:15:46,920 Speaker 1: So this has always been a dream of mind. I 407 00:15:46,920 --> 00:15:48,560 Speaker 1: always knew I was gonna do this, you know what 408 00:15:48,560 --> 00:15:51,160 Speaker 1: I'm saying, because the household I grew up in was 409 00:15:51,280 --> 00:15:54,040 Speaker 1: it was a lot of dysfunction, you know, and I 410 00:15:54,120 --> 00:15:56,200 Speaker 1: knew that's not what I wanted. I know, I wanted 411 00:15:56,240 --> 00:15:59,440 Speaker 1: to have a two parent household because that's what I 412 00:15:59,480 --> 00:16:01,400 Speaker 1: wish I had, you know what I'm saying. I knew 413 00:16:01,400 --> 00:16:03,800 Speaker 1: I wanted to be married and carry myself a certain 414 00:16:03,800 --> 00:16:05,560 Speaker 1: way because that's what I wish I saw coming up. 415 00:16:06,000 --> 00:16:07,840 Speaker 1: So growing up for me was a kind of like 416 00:16:08,760 --> 00:16:11,000 Speaker 1: a lot of what not to do, and that made 417 00:16:11,000 --> 00:16:11,720 Speaker 1: me want to do this. 418 00:16:12,040 --> 00:16:13,360 Speaker 9: That's breaking generational curses. 419 00:16:13,400 --> 00:16:13,680 Speaker 1: My brother. 420 00:16:13,680 --> 00:16:15,400 Speaker 9: They said, if you come from a broken home, make 421 00:16:15,520 --> 00:16:17,640 Speaker 9: sure a broken home don't come from you. 422 00:16:17,720 --> 00:16:19,320 Speaker 1: Yeah, yeah, all. 423 00:16:19,280 --> 00:16:21,360 Speaker 15: Right, we got more with T. Grizzly when we come back, 424 00:16:21,360 --> 00:16:22,640 Speaker 15: don't move. It's the Breakfast Club. 425 00:16:22,680 --> 00:16:24,960 Speaker 2: Good morning, the Breakfast Club. 426 00:16:27,200 --> 00:16:30,960 Speaker 15: Think everybody is DJ N d jes hilarious, Charlottage the guy. 427 00:16:31,000 --> 00:16:32,960 Speaker 2: We are the Breakfast Club. We're still kicking it with T. 428 00:16:33,120 --> 00:16:35,600 Speaker 15: Grizzly And how you dealing with all your trauma with 429 00:16:36,080 --> 00:16:38,280 Speaker 15: all because with p and b Rock was a close 430 00:16:38,360 --> 00:16:40,600 Speaker 15: friend and your manager that passed, Like, how are you 431 00:16:40,680 --> 00:16:41,720 Speaker 15: dealing with that trauma? 432 00:16:42,360 --> 00:16:47,240 Speaker 1: Yeah? So I do a lot of healing things, you 433 00:16:47,280 --> 00:16:48,800 Speaker 1: know what I'm saying. I love to hear that. Yeah, 434 00:16:48,800 --> 00:16:51,440 Speaker 1: I do a lot of healing things for sure. A 435 00:16:51,520 --> 00:16:53,120 Speaker 1: couple of people I want to just shout out with that, 436 00:16:54,040 --> 00:16:59,000 Speaker 1: my sister to her, we do certain things that kind 437 00:16:59,040 --> 00:17:02,160 Speaker 1: of heal traumas, you know, like sit down with certain 438 00:17:02,200 --> 00:17:04,440 Speaker 1: medicines and just get that stuff, release all that stuff. 439 00:17:04,800 --> 00:17:07,119 Speaker 1: Would you do? DMT shrooms. 440 00:17:10,200 --> 00:17:11,360 Speaker 2: Tell us about that experience. 441 00:17:11,800 --> 00:17:14,680 Speaker 1: Man, it was powerful, Man, it was super powerful. 442 00:17:14,760 --> 00:17:14,960 Speaker 12: Yeah. 443 00:17:15,240 --> 00:17:19,840 Speaker 1: It's it's something in us right that already knows what 444 00:17:19,960 --> 00:17:22,119 Speaker 1: to do with the medicine once it's inside you, and 445 00:17:22,240 --> 00:17:24,800 Speaker 1: it does exactly what it's supposed to do, you know 446 00:17:24,840 --> 00:17:27,760 Speaker 1: what I'm saying. And it just works perfectly. You know 447 00:17:27,800 --> 00:17:31,040 Speaker 1: what I'm saying. The medicine is perfect for you. It's 448 00:17:31,119 --> 00:17:33,320 Speaker 1: kind of like a facial recognition on your phone. Once 449 00:17:33,359 --> 00:17:35,880 Speaker 1: you get inside your body and it just unlocked things. 450 00:17:36,560 --> 00:17:39,200 Speaker 1: You feel me. And the thing about it is once 451 00:17:39,240 --> 00:17:41,000 Speaker 1: it teach, once you learn what it teaches you, or 452 00:17:41,040 --> 00:17:43,159 Speaker 1: once it show you whatever you need to see. Because 453 00:17:43,760 --> 00:17:47,040 Speaker 1: it works for everybody individually different ways. It's on you 454 00:17:47,160 --> 00:17:48,040 Speaker 1: to remember this stuff. 455 00:17:48,520 --> 00:17:50,840 Speaker 9: You did you de talk beforehand and like, because you 456 00:17:51,119 --> 00:17:52,240 Speaker 9: set your intention and all of that. 457 00:17:52,400 --> 00:17:54,640 Speaker 1: Yeah, yeah, for sure we did it. It was very 458 00:17:54,720 --> 00:17:56,840 Speaker 1: ceremonial how we did it, you know what I'm saying. 459 00:17:57,320 --> 00:17:59,240 Speaker 1: Like it was a room that we was in. You 460 00:17:59,280 --> 00:18:04,359 Speaker 1: couldn't even bring certain technology devices in here. You couldn't 461 00:18:04,359 --> 00:18:05,800 Speaker 1: even step in here if you was in a certain 462 00:18:05,840 --> 00:18:08,800 Speaker 1: frequency light. Be super positive when you step in this room. 463 00:18:08,880 --> 00:18:10,320 Speaker 1: We want to keep this energy a certain way. 464 00:18:10,520 --> 00:18:12,280 Speaker 2: Did you poop envoment on yourself as well? 465 00:18:12,359 --> 00:18:14,320 Speaker 1: They said, that's that's no, that's that's that's what the 466 00:18:14,400 --> 00:18:15,680 Speaker 1: duck flower. I ain't did that one yet. 467 00:18:17,640 --> 00:18:19,320 Speaker 13: It's different kinds, different types to do. 468 00:18:19,560 --> 00:18:21,520 Speaker 2: Yeah, it turned you onto it? 469 00:18:22,119 --> 00:18:25,280 Speaker 1: Who turned me onto it? My wife turned me onto it? Really? Yeah, 470 00:18:25,560 --> 00:18:27,440 Speaker 1: you can't do it with you at you No, but 471 00:18:27,560 --> 00:18:29,480 Speaker 1: she knew about it and she was like, we should 472 00:18:29,480 --> 00:18:33,280 Speaker 1: do this together. Did it make you anxious? No, it 473 00:18:33,560 --> 00:18:35,320 Speaker 1: ain't made me anxious at all. It just it just 474 00:18:35,440 --> 00:18:37,560 Speaker 1: it just made me like it just woke me up 475 00:18:37,600 --> 00:18:39,440 Speaker 1: to a lot of stuff. It woke me up to 476 00:18:40,119 --> 00:18:44,200 Speaker 1: not only how powerful we are, but how certain things 477 00:18:44,200 --> 00:18:48,200 Speaker 1: shouldn't even bother us, and how great life can be 478 00:18:48,280 --> 00:18:50,840 Speaker 1: once you see it a certain way. Did you see God? Yeah? 479 00:18:51,520 --> 00:18:52,760 Speaker 9: Everybody doesn't tell. 480 00:18:52,600 --> 00:18:55,080 Speaker 1: Me the Yeah for sure, thousand what it looked like. 481 00:18:56,119 --> 00:18:58,880 Speaker 1: It was just light exact. 482 00:18:59,440 --> 00:19:01,040 Speaker 15: It was just like bro, Yeah, and you did it 483 00:19:01,080 --> 00:19:02,960 Speaker 15: where because a lot of people go overseas. You did 484 00:19:03,000 --> 00:19:04,960 Speaker 15: it in California. I didn't Dominican. 485 00:19:05,760 --> 00:19:09,760 Speaker 1: Oh wow, did the Gosho speak to you? Yeah? It's 486 00:19:09,840 --> 00:19:14,119 Speaker 1: crazy because when it's when when when he spoke, I didn't. 487 00:19:14,119 --> 00:19:15,720 Speaker 1: I couldn't hear it. And it was like it was 488 00:19:15,720 --> 00:19:17,159 Speaker 1: an angeler And I asked like, well I can't hear 489 00:19:17,200 --> 00:19:18,600 Speaker 1: what he's saying. It was like because his voice is 490 00:19:18,640 --> 00:19:21,399 Speaker 1: too powerful, Like you couldn't handle hearing that. Oh you 491 00:19:21,480 --> 00:19:23,880 Speaker 1: was talking to the Sean minis No, I was talking 492 00:19:23,960 --> 00:19:26,280 Speaker 1: to who the other figure and to see that. I 493 00:19:26,359 --> 00:19:29,000 Speaker 1: saw that was there with me, So it was another 494 00:19:29,040 --> 00:19:30,800 Speaker 1: figure with you while you were talking. Yeah, that took 495 00:19:30,840 --> 00:19:33,439 Speaker 1: me up to God like like let's go see him, 496 00:19:33,640 --> 00:19:34,240 Speaker 1: you know what I'm saying. 497 00:19:34,520 --> 00:19:36,480 Speaker 2: And you were having conversations like this while you were. 498 00:19:36,800 --> 00:19:38,920 Speaker 1: Yeah, because I'm asking. I'm a person who asked a 499 00:19:38,960 --> 00:19:41,119 Speaker 1: lot of questions, so I'm asking a lot of questions. 500 00:19:41,200 --> 00:19:41,720 Speaker 2: Where we're going. 501 00:19:43,200 --> 00:19:44,359 Speaker 1: What's that? You know what I'm saying. 502 00:19:44,720 --> 00:19:46,040 Speaker 9: People told me when you do it, it's not you 503 00:19:46,080 --> 00:19:48,760 Speaker 9: don't feel like high. It's like you're fully aware of 504 00:19:48,760 --> 00:19:50,720 Speaker 9: where you are, you someplace else. 505 00:19:50,600 --> 00:19:53,359 Speaker 1: Because it's it's not high. It's not high. It's like 506 00:19:53,800 --> 00:19:57,440 Speaker 1: imagine you going into like a body of water. You 507 00:19:57,480 --> 00:19:58,920 Speaker 1: know what I'm saying, And your purpose of going in 508 00:19:58,960 --> 00:20:00,719 Speaker 1: here is to come out with some u some knowledge, 509 00:20:01,040 --> 00:20:03,359 Speaker 1: you know what I'm saying. So you're not getting eye as. 510 00:20:03,280 --> 00:20:04,200 Speaker 13: Long as you can't wait. 511 00:20:06,080 --> 00:20:08,920 Speaker 1: For me like four. But for everybody it's different. Though. 512 00:20:08,960 --> 00:20:11,960 Speaker 1: One thing about Ayawaska, it's not gonna let you go 513 00:20:12,040 --> 00:20:14,040 Speaker 1: into it's ready to let you go like you're gonna 514 00:20:14,040 --> 00:20:16,399 Speaker 1: get everything you need to get. Damn, you're not in 515 00:20:16,480 --> 00:20:17,320 Speaker 1: no type of control. 516 00:20:17,520 --> 00:20:19,600 Speaker 9: You did it for multiple days and just that we 517 00:20:19,720 --> 00:20:23,800 Speaker 9: did two days when you come down and did like okay, 518 00:20:23,840 --> 00:20:25,000 Speaker 9: you know it's just like done. 519 00:20:24,920 --> 00:20:28,000 Speaker 1: Like yeah, you know you out of it, really, you 520 00:20:28,040 --> 00:20:28,560 Speaker 1: know you're out of it? 521 00:20:28,600 --> 00:20:29,240 Speaker 2: Could you do it again? 522 00:20:29,280 --> 00:20:29,359 Speaker 8: Oh? 523 00:20:29,400 --> 00:20:30,720 Speaker 2: This is a one time thing. This is something you 524 00:20:30,800 --> 00:20:31,320 Speaker 2: only do once. 525 00:20:31,640 --> 00:20:33,240 Speaker 1: No, you do it again, you do it again. 526 00:20:33,520 --> 00:20:35,280 Speaker 13: But this is nothing that you It is not something 527 00:20:35,320 --> 00:20:37,960 Speaker 13: that you do like like I do shrewms all the time. 528 00:20:38,160 --> 00:20:39,760 Speaker 13: This is not something that you just do like that. 529 00:20:40,000 --> 00:20:42,680 Speaker 1: No, no, no, yeah it ain't. It ain't nothing you 530 00:20:42,760 --> 00:20:45,600 Speaker 1: do recreational. You're not even gonna want to do it recreation, 531 00:20:45,760 --> 00:20:48,480 Speaker 1: right because it's like that was deep, you know what 532 00:20:48,520 --> 00:20:51,240 Speaker 1: I'm saying. You're gonna face some stuff like that was powerful, 533 00:20:51,280 --> 00:20:53,040 Speaker 1: you know what I'm saying. But see what with the 534 00:20:53,080 --> 00:20:54,800 Speaker 1: psilocide and like this s rooms and stuff like that. 535 00:20:55,400 --> 00:20:57,880 Speaker 1: With that, do I feel like that's like a heart medicine. 536 00:20:57,920 --> 00:21:00,320 Speaker 1: It just makes you like happy and make you you 537 00:21:00,440 --> 00:21:02,040 Speaker 1: able to smile at things stuff like that. 538 00:21:02,359 --> 00:21:05,399 Speaker 14: Yeah, But like even with my experience on you know, 539 00:21:05,440 --> 00:21:08,960 Speaker 14: the Silo simon, I've had like come to moments as 540 00:21:09,000 --> 00:21:10,800 Speaker 14: well even with that, So I would like to do 541 00:21:10,920 --> 00:21:12,520 Speaker 14: ioas I just don't feel like it's a time for 542 00:21:12,680 --> 00:21:15,680 Speaker 14: me yet because like to Charlomagne's point, you got you'll 543 00:21:15,800 --> 00:21:16,840 Speaker 14: know when you have to do it. 544 00:21:17,040 --> 00:21:18,280 Speaker 13: I'm excited to do it. 545 00:21:18,280 --> 00:21:18,920 Speaker 8: And I hear. 546 00:21:19,000 --> 00:21:22,600 Speaker 14: But I've had like some of the things that you're 547 00:21:22,640 --> 00:21:25,760 Speaker 14: talking about. I've had that with shrims, Like I've been 548 00:21:25,840 --> 00:21:29,200 Speaker 14: on shrooms and I've been my mother. I've been my 549 00:21:29,320 --> 00:21:32,160 Speaker 14: grandmother who's passed. I've been my little sister. I've been 550 00:21:32,640 --> 00:21:36,760 Speaker 14: my dad, and I could see generations and generations before me, 551 00:21:37,040 --> 00:21:37,920 Speaker 14: like stuff like that. 552 00:21:38,480 --> 00:21:40,920 Speaker 13: And that's only on shroms. So I can only imagine 553 00:21:41,040 --> 00:21:41,760 Speaker 13: how the I is. 554 00:21:42,119 --> 00:21:44,600 Speaker 1: Yeah, No, that's deep. That's deep. Even what they say. 555 00:21:44,600 --> 00:21:47,240 Speaker 1: You go through generations of people and you can heal 556 00:21:47,400 --> 00:21:50,640 Speaker 1: like generational traumas through the medicine. Yeah. 557 00:21:50,840 --> 00:21:52,879 Speaker 9: Yeah, you did a therapy too, like any just regular 558 00:21:52,920 --> 00:21:53,800 Speaker 9: therapy sitting down. 559 00:21:53,680 --> 00:21:57,639 Speaker 1: With a psychiatrist or no, I ain't did that. I 560 00:21:57,680 --> 00:22:00,680 Speaker 1: ain't did that. So everything has been plant based you. Yeah, 561 00:22:00,840 --> 00:22:04,640 Speaker 1: that's dope, man, that's dope. That was the last question. 562 00:22:04,960 --> 00:22:06,640 Speaker 15: So when you when you do go through the ceremony, 563 00:22:06,680 --> 00:22:08,440 Speaker 15: are you sitting down, are you laying down? Are you 564 00:22:08,560 --> 00:22:09,240 Speaker 15: sitting in you know? 565 00:22:09,880 --> 00:22:12,760 Speaker 1: So for me, they made me sit up, like sit down, 566 00:22:13,440 --> 00:22:16,000 Speaker 1: and for the women that was in the room, they 567 00:22:16,119 --> 00:22:18,280 Speaker 1: laid down. They gave me the option to lay down. 568 00:22:18,359 --> 00:22:20,520 Speaker 1: Though have you have you wanted that to reflect in 569 00:22:20,560 --> 00:22:23,040 Speaker 1: your music in any way yet It hasn't yet because 570 00:22:23,480 --> 00:22:26,399 Speaker 1: it ain't really the creat the creativity and music, and 571 00:22:26,520 --> 00:22:28,240 Speaker 1: that hasn't bridged it for me. 572 00:22:29,000 --> 00:22:30,399 Speaker 9: A lot of people tell me when they do it, 573 00:22:30,800 --> 00:22:33,920 Speaker 9: you know, the things that they experience, you may not 574 00:22:34,080 --> 00:22:36,800 Speaker 9: want to share. You know, they tell you to write 575 00:22:36,800 --> 00:22:38,600 Speaker 9: it down in a journal, but you probably wouldn't want 576 00:22:38,600 --> 00:22:39,920 Speaker 9: to share that with the world just yet. 577 00:22:40,000 --> 00:22:43,240 Speaker 1: Maybe yeah, yeah, I mean I ain't really It wasn't 578 00:22:43,240 --> 00:22:45,240 Speaker 1: really nothing that was worth sharing. And one thing I learned, 579 00:22:45,320 --> 00:22:47,119 Speaker 1: like like how you say like people wouldn't want to 580 00:22:47,160 --> 00:22:50,160 Speaker 1: share certain things because they are shamed of it. Shame 581 00:22:50,440 --> 00:22:52,720 Speaker 1: was a big lesson when I was under the medicine, 582 00:22:53,119 --> 00:22:54,760 Speaker 1: you know what I'm saying, because just growing up I 583 00:22:54,760 --> 00:22:56,560 Speaker 1: always cared about like what people think and all that. 584 00:22:56,880 --> 00:22:58,600 Speaker 1: One thing that the medicine talk is like, it is 585 00:22:58,760 --> 00:23:01,600 Speaker 1: nothing to ever be a shame though, because anything about you, 586 00:23:02,040 --> 00:23:04,200 Speaker 1: you didn't ask for it, but it's perfect for you, 587 00:23:04,600 --> 00:23:05,920 Speaker 1: so you should never feel shame. 588 00:23:06,040 --> 00:23:07,720 Speaker 15: Did you see anybody that that passed away. Did you 589 00:23:07,760 --> 00:23:10,000 Speaker 15: see your manager? Did you see pm B at the time. 590 00:23:11,400 --> 00:23:13,119 Speaker 1: I didn't see them too, but I did see some 591 00:23:13,200 --> 00:23:14,640 Speaker 1: other people who passed away though, for sure. 592 00:23:15,280 --> 00:23:18,200 Speaker 13: Damn wow from the album now you'reascar. 593 00:23:18,320 --> 00:23:21,120 Speaker 9: That was good though, because he gave some healing tips. 594 00:23:21,160 --> 00:23:21,639 Speaker 1: But you know what I mean. 595 00:23:21,680 --> 00:23:23,240 Speaker 9: But once again, you got to do it when it 596 00:23:23,359 --> 00:23:25,200 Speaker 9: calls you. That's not something you just say, Oh, I 597 00:23:25,280 --> 00:23:27,160 Speaker 9: need to go out there and heal. Like no, when 598 00:23:27,200 --> 00:23:29,119 Speaker 9: it calls you to it. And you got brought to 599 00:23:29,200 --> 00:23:31,440 Speaker 9: it by people that you trusted love, So that's a 600 00:23:31,480 --> 00:23:32,359 Speaker 9: whole different ball again. 601 00:23:32,440 --> 00:23:33,040 Speaker 1: Yeah, for sure. 602 00:23:33,359 --> 00:23:36,280 Speaker 2: Well the album Coney Island T's Coney Island is out 603 00:23:36,400 --> 00:23:37,439 Speaker 2: right now, and. 604 00:23:37,480 --> 00:23:39,600 Speaker 15: We appreciate you for joining us. It's been a long time, 605 00:23:39,880 --> 00:23:41,399 Speaker 15: supposed to be a couple of times, but thank you 606 00:23:41,440 --> 00:23:41,919 Speaker 15: for joining us. 607 00:23:41,920 --> 00:23:44,359 Speaker 1: Brother. Yeah, man, I appreciate you off for having me grabs. 608 00:23:44,080 --> 00:23:45,120 Speaker 2: On the number one record again. 609 00:23:45,280 --> 00:23:45,520 Speaker 1: Thank you. 610 00:23:45,880 --> 00:23:49,040 Speaker 2: Breakfast Club. Good morning, you're checking out the Breakfast Club. 611 00:23:52,080 --> 00:23:52,719 Speaker 3: We don't kill him. 612 00:23:55,800 --> 00:23:56,880 Speaker 13: I'm all up in your mass. 613 00:23:56,880 --> 00:24:00,880 Speaker 14: I'm gonna fixed it, txt it fixed it, Just gonna 614 00:24:00,920 --> 00:24:03,520 Speaker 14: fix your mess because my advice is real in the 615 00:24:03,600 --> 00:24:03,919 Speaker 14: middle of. 616 00:24:04,040 --> 00:24:06,439 Speaker 15: Just fix my mess, and we have Michelle on the line. Michelle, 617 00:24:06,480 --> 00:24:09,320 Speaker 15: good morning, Good morning. Hey, what's your question for? 618 00:24:09,520 --> 00:24:09,680 Speaker 17: Yes? 619 00:24:10,280 --> 00:24:12,879 Speaker 10: Okay, So I'm really trying to figure out what I do. 620 00:24:13,040 --> 00:24:17,320 Speaker 10: I was so confused. I'm married currently, but I've been 621 00:24:17,359 --> 00:24:21,600 Speaker 10: separated in February of this year, but I have been 622 00:24:22,080 --> 00:24:26,359 Speaker 10: seen this guy since December of last year. The person 623 00:24:26,440 --> 00:24:30,560 Speaker 10: that I've seen, he actually asked somebody, but I've met her. 624 00:24:31,440 --> 00:24:34,080 Speaker 10: So I'm kind of trying to decide what i should do. 625 00:24:34,240 --> 00:24:36,119 Speaker 10: It's like, now my husband's trying to come back, but 626 00:24:36,200 --> 00:24:37,320 Speaker 10: I'm trying to keep them away. 627 00:24:37,720 --> 00:24:41,159 Speaker 2: Wi Ja, God, damn, you sound like, will you shut up? 628 00:24:42,080 --> 00:24:43,520 Speaker 9: Okay, I know it's a lot. 629 00:24:44,160 --> 00:24:49,320 Speaker 14: It's okay, Okay, so you basically okay, oh wow, So damn. 630 00:24:49,720 --> 00:24:51,680 Speaker 14: So you you have a husband that you're trying to 631 00:24:51,720 --> 00:24:54,320 Speaker 14: keep away because you want to date your boyfriend who 632 00:24:54,520 --> 00:24:55,520 Speaker 14: has somebody else here. 633 00:24:55,640 --> 00:24:59,840 Speaker 13: But yeah, yeah, right, girl, write a book. 634 00:25:00,000 --> 00:25:00,440 Speaker 1: He at all. 635 00:25:03,600 --> 00:25:07,040 Speaker 10: I'm in college, so I'm going to school. I'm about 636 00:25:07,119 --> 00:25:07,800 Speaker 10: to graduate. 637 00:25:08,080 --> 00:25:10,280 Speaker 1: So congressating that I was in college. 638 00:25:10,359 --> 00:25:13,600 Speaker 10: I had to basically stop working because it was so demanding. 639 00:25:15,400 --> 00:25:18,160 Speaker 10: It's like my husband he kind of started entertaining other 640 00:25:18,280 --> 00:25:22,000 Speaker 10: people like Okay, then come home. He'll be spending like 641 00:25:22,520 --> 00:25:27,120 Speaker 10: nights out with other people. Now, my boyfriend, he's been there, 642 00:25:27,240 --> 00:25:32,400 Speaker 10: like to stay one financially, I mean mentally everything, he's 643 00:25:32,480 --> 00:25:32,880 Speaker 10: been there. 644 00:25:33,480 --> 00:25:38,680 Speaker 13: Okay. Is he younger than you? All right? Girlfriend? 645 00:25:38,800 --> 00:25:43,040 Speaker 14: I mean you have a husband and okay, so did 646 00:25:43,119 --> 00:25:44,639 Speaker 14: you did your husband ever tell you like, all right, 647 00:25:44,680 --> 00:25:46,040 Speaker 14: this is what I'm gonna do. Or did he just 648 00:25:46,119 --> 00:25:48,639 Speaker 14: start cheating and you found out about it and instead 649 00:25:48,640 --> 00:25:50,080 Speaker 14: of leaving, you just got a boyfriend? 650 00:25:50,640 --> 00:25:51,240 Speaker 13: How did that work? 651 00:25:51,760 --> 00:25:53,640 Speaker 14: Are you open with each other to tell each other? 652 00:25:53,760 --> 00:25:55,600 Speaker 14: Look like, is you and your husband? Is it an 653 00:25:55,640 --> 00:25:56,520 Speaker 14: open relationship? 654 00:25:57,000 --> 00:25:59,359 Speaker 10: I was feeling to be open, but he wasn't. 655 00:26:00,000 --> 00:26:01,520 Speaker 14: Okay, So he wanted to be able to do what 656 00:26:01,640 --> 00:26:03,840 Speaker 14: he wanted to do, and you still had to be 657 00:26:04,640 --> 00:26:07,119 Speaker 14: the devoted wife committed. 658 00:26:07,520 --> 00:26:09,680 Speaker 10: Pretty pretty much. But once I kind of think that 659 00:26:09,800 --> 00:26:11,320 Speaker 10: he was going when he was doing, I kind of 660 00:26:11,320 --> 00:26:12,560 Speaker 10: started doing what I wanted. 661 00:26:12,359 --> 00:26:12,800 Speaker 15: To do too. 662 00:26:13,400 --> 00:26:16,320 Speaker 10: And because of my cash out, Like he caught me 663 00:26:16,440 --> 00:26:17,320 Speaker 10: because of cash. 664 00:26:17,160 --> 00:26:20,640 Speaker 14: Out, he caught you because of cash app He went 665 00:26:20,720 --> 00:26:21,800 Speaker 14: through my cash out. 666 00:26:24,040 --> 00:26:26,920 Speaker 13: Okay, so why don't you just get a divorce? 667 00:26:27,560 --> 00:26:29,840 Speaker 10: I mean I'm working on that. I'm working on that 668 00:26:30,000 --> 00:26:30,600 Speaker 10: I'm fine with. 669 00:26:30,680 --> 00:26:32,560 Speaker 13: That, okay, and then you're quick. 670 00:26:32,440 --> 00:26:35,840 Speaker 10: Like my my graduation is coming up, and I want 671 00:26:35,960 --> 00:26:39,080 Speaker 10: my boyfriend to come because he's been there. But then 672 00:26:39,119 --> 00:26:40,440 Speaker 10: it's like my husband feels. 673 00:26:40,160 --> 00:26:40,679 Speaker 1: Like he should be. 674 00:26:42,400 --> 00:26:52,720 Speaker 13: Damn okay, So so I think I, look, invite them both. 675 00:26:53,000 --> 00:26:53,720 Speaker 13: That's what I think. 676 00:26:53,920 --> 00:26:54,240 Speaker 2: I think. 677 00:26:54,320 --> 00:26:57,600 Speaker 14: Look, you can't you got you can't tell the boyfriend 678 00:26:57,640 --> 00:26:59,720 Speaker 14: stay home. He been your boyfriend, eve been paying bills, 679 00:26:59,800 --> 00:27:00,119 Speaker 14: he and. 680 00:27:00,760 --> 00:27:03,800 Speaker 13: Feeding you financially. You know, its sexually and all of that. 681 00:27:04,160 --> 00:27:06,600 Speaker 14: And then here go your husband on the side, who 682 00:27:06,840 --> 00:27:10,760 Speaker 14: also got it, got his you know, his reservations, Like, look, 683 00:27:10,880 --> 00:27:12,800 Speaker 14: I need to be there because I'm I need to 684 00:27:13,280 --> 00:27:15,440 Speaker 14: see you graduate. I say, invite both of them and 685 00:27:15,520 --> 00:27:17,040 Speaker 14: tell both of them what they up against. 686 00:27:17,359 --> 00:27:17,719 Speaker 13: Period. 687 00:27:18,800 --> 00:27:22,680 Speaker 14: It's gonna be I can't, okay, So what you're gonna 688 00:27:22,680 --> 00:27:27,359 Speaker 14: do booth, I don't know, I don't know who No, 689 00:27:27,840 --> 00:27:30,440 Speaker 14: And I say both, you need to invite both. Talk 690 00:27:30,480 --> 00:27:32,359 Speaker 14: to your husband. Look, my boyfriend gonna be there, and 691 00:27:32,480 --> 00:27:34,800 Speaker 14: then talk to your boyfriend. Look, my husband's gonna be there. 692 00:27:34,840 --> 00:27:35,840 Speaker 14: He ain't gonna not show up. 693 00:27:35,920 --> 00:27:36,760 Speaker 3: So it is what it is. 694 00:27:36,840 --> 00:27:39,639 Speaker 14: Y'all gonna have to just sit come together. And support 695 00:27:39,680 --> 00:27:41,680 Speaker 14: me together and then y'all can fight it out after 696 00:27:41,720 --> 00:27:42,800 Speaker 14: I walk across that stage. 697 00:27:42,880 --> 00:27:46,520 Speaker 9: But that's it, balance all off. I know it is. 698 00:27:48,520 --> 00:27:51,320 Speaker 13: When's the last time you? When's the last time you? 699 00:27:51,600 --> 00:27:53,200 Speaker 13: When's the last time you had sex with your husband? 700 00:27:54,760 --> 00:27:57,720 Speaker 9: Actually like three weeks ago? 701 00:27:58,240 --> 00:27:59,920 Speaker 13: Okay, okay, your boyfriend. 702 00:28:00,119 --> 00:28:03,119 Speaker 10: But it's not, it's not. It's not like that, like 703 00:28:03,240 --> 00:28:05,520 Speaker 10: he's saying, a whole nother state. Now, he came down 704 00:28:05,600 --> 00:28:06,280 Speaker 10: to see the kids. 705 00:28:06,800 --> 00:28:08,560 Speaker 12: We did what we did. 706 00:28:09,520 --> 00:28:13,159 Speaker 13: Yeah, so see, but see, but you feel bad or 707 00:28:13,200 --> 00:28:13,600 Speaker 13: you don't. 708 00:28:14,000 --> 00:28:16,320 Speaker 10: I do feel bad about it, yeah, because like. 709 00:28:16,960 --> 00:28:18,720 Speaker 14: Yeah, because I know that's your husband, that's the father 710 00:28:18,840 --> 00:28:21,080 Speaker 14: get children. But he lived in a whole nother state. 711 00:28:21,160 --> 00:28:23,159 Speaker 14: He going back to doing what he doing, and you 712 00:28:23,320 --> 00:28:25,280 Speaker 14: just go back that. I feel bad for your boyfriend. 713 00:28:25,320 --> 00:28:26,600 Speaker 14: I don't feel bad for you. I feel bad for 714 00:28:26,680 --> 00:28:27,280 Speaker 14: your boyfriend. 715 00:28:31,880 --> 00:28:32,919 Speaker 2: Everybody got somebody. 716 00:28:32,960 --> 00:28:36,560 Speaker 1: Everybody, everybody got back to everybody. 717 00:28:37,200 --> 00:28:40,760 Speaker 2: You know, she said, the boyfriend had somebody. Everybody got somebody. 718 00:28:41,160 --> 00:28:44,239 Speaker 1: Why why can't polygamy just be a thing. 719 00:28:44,840 --> 00:28:46,880 Speaker 9: If everybody doing that and everybody know about it, why 720 00:28:46,920 --> 00:28:50,760 Speaker 9: can't everybody just you know why? Because it's not. 721 00:28:51,360 --> 00:28:55,160 Speaker 13: Polygamy is not the best way to do things. Polygamy 722 00:28:55,280 --> 00:28:56,960 Speaker 13: is just that, I don't care. 723 00:28:57,240 --> 00:29:01,080 Speaker 14: It's just damaged people from different relationships, people with baggage 724 00:29:01,080 --> 00:29:03,320 Speaker 14: from different relationships, who trying to make it work, who 725 00:29:03,400 --> 00:29:06,320 Speaker 14: can't stop cheating. That's what polygamy is from my opinion. 726 00:29:06,600 --> 00:29:10,120 Speaker 14: And sorry, but I know the polygamy community gonna be 727 00:29:10,120 --> 00:29:13,280 Speaker 14: Oh my gosh. She canceled because she coming at the 728 00:29:13,320 --> 00:29:14,160 Speaker 14: way we love. 729 00:29:17,880 --> 00:29:20,600 Speaker 9: Just fix my Mess when we come back, and make 730 00:29:20,680 --> 00:29:24,440 Speaker 9: sure you subscribe to just Hilarious podcast the Carefully Reckless 731 00:29:24,480 --> 00:29:27,320 Speaker 9: podcast on the Black Effect iHeart Radio podcast network. She 732 00:29:27,400 --> 00:29:31,240 Speaker 9: does just fix My Mess on all all her podcasts. Yeah, 733 00:29:31,360 --> 00:29:34,120 Speaker 9: so you can send them, send in your questions. 734 00:29:33,920 --> 00:29:38,200 Speaker 14: Yes, you can, your voice memos or your paragraphs, your 735 00:29:38,240 --> 00:29:41,200 Speaker 14: stories to the d M of Carefully Reckless not just 736 00:29:41,320 --> 00:29:45,280 Speaker 14: Hilarious official but Carefully Reckless podcast submission stories there. 737 00:29:46,080 --> 00:29:47,200 Speaker 2: The Breakfast Club. 738 00:29:49,400 --> 00:29:51,280 Speaker 9: Yes, one of the most dangerous morning short the Breakfast 739 00:29:51,280 --> 00:29:55,840 Speaker 9: Club Charge Hilarious. Yes, we're here and well we're really not. 740 00:29:56,240 --> 00:29:56,440 Speaker 1: Yeah. 741 00:29:56,480 --> 00:29:59,120 Speaker 9: Yeah, it's President's Day. But you know we have some 742 00:29:59,240 --> 00:30:01,800 Speaker 9: new content for you because Usher checked in with us 743 00:30:01,840 --> 00:30:04,560 Speaker 9: to talk about all things super Bowl and his marriage, 744 00:30:04,640 --> 00:30:07,000 Speaker 9: his new tour, and We're gonna get into that conversation 745 00:30:07,200 --> 00:30:08,960 Speaker 9: right now on the world's most dangerous morning. So the 746 00:30:09,000 --> 00:30:10,360 Speaker 9: Breakfast Club arsa. 747 00:30:10,560 --> 00:30:11,719 Speaker 4: That wild man over there? 748 00:30:11,760 --> 00:30:12,160 Speaker 8: What's going on? 749 00:30:12,640 --> 00:30:15,400 Speaker 9: I know that domestic terrorists ain't calling nobody a wild man. 750 00:30:17,640 --> 00:30:19,400 Speaker 9: Jessea Larious is here to usher. 751 00:30:19,440 --> 00:30:19,560 Speaker 1: You know. 752 00:30:19,680 --> 00:30:22,000 Speaker 9: She's the new official third co host of the Breakfast Club. 753 00:30:22,120 --> 00:30:24,400 Speaker 4: What's up? Just with all the mess? How you doing? 754 00:30:24,760 --> 00:30:27,040 Speaker 13: I just got this job and you ain't even come 755 00:30:27,160 --> 00:30:29,320 Speaker 13: in here. You ain't been here since twenty seventeen. 756 00:30:29,800 --> 00:30:31,600 Speaker 4: I know, man, I need to come up there to 757 00:30:31,680 --> 00:30:34,560 Speaker 4: here to be more and endures. 758 00:30:36,520 --> 00:30:37,880 Speaker 1: Congratulations on everything. 759 00:30:37,960 --> 00:30:41,040 Speaker 9: No, my brother, an amazing super Bowl performance, a new 760 00:30:41,160 --> 00:30:44,920 Speaker 9: album is out right now, and you are a domestic terrorist. 761 00:30:45,000 --> 00:30:47,640 Speaker 1: You did it again. You're a minister society. Why were 762 00:30:47,680 --> 00:30:48,560 Speaker 1: you so handsy? 763 00:30:48,920 --> 00:30:50,920 Speaker 9: Why are you so handy with miss Alicia Keys? 764 00:30:50,920 --> 00:30:51,120 Speaker 1: Sir? 765 00:30:52,840 --> 00:30:57,960 Speaker 12: No, listen, it's not anyway in any shape, form or 766 00:30:58,040 --> 00:31:00,640 Speaker 12: fashion that unfortunately you gave me to handle. 767 00:31:01,120 --> 00:31:04,280 Speaker 4: But nah, man, it's a celebration. Man. We had an 768 00:31:04,280 --> 00:31:05,520 Speaker 4: amazing time at the super Bowl. 769 00:31:05,880 --> 00:31:09,080 Speaker 12: Most watched super Bowl all time, all the time, Yeah, 770 00:31:09,200 --> 00:31:11,480 Speaker 12: of all time, with more people watch. 771 00:31:11,320 --> 00:31:14,880 Speaker 4: That than the Apollo eleven Landa man, I'm like blown away. 772 00:31:14,880 --> 00:31:19,040 Speaker 12: Since nineteen ninety, nineteen sixty nine, you know, there's not 773 00:31:19,160 --> 00:31:23,040 Speaker 12: been a greater viewing than what happened on Super Bowl Sunday. 774 00:31:23,080 --> 00:31:24,000 Speaker 4: So I'm really happy about that. 775 00:31:24,080 --> 00:31:26,960 Speaker 1: Man. And You've been a superstar for a long long time. 776 00:31:27,080 --> 00:31:29,160 Speaker 9: So what does something like the Super Bowl do for 777 00:31:29,240 --> 00:31:30,920 Speaker 9: you when you perform in front of that many people 778 00:31:31,280 --> 00:31:32,120 Speaker 9: on that stage? 779 00:31:32,520 --> 00:31:34,080 Speaker 1: Is there another level? I don't know. 780 00:31:34,840 --> 00:31:36,800 Speaker 12: It's pretty hard to beat that one, and it's going 781 00:31:36,880 --> 00:31:39,640 Speaker 12: to be pretty hard to beat that number. So man, 782 00:31:39,680 --> 00:31:42,680 Speaker 12: I'm just I'm just really happy, blessed. You know, I 783 00:31:42,760 --> 00:31:46,720 Speaker 12: worked really hard in Las Vegas to tell a story 784 00:31:46,800 --> 00:31:49,800 Speaker 12: about my culture where I come from, and being able 785 00:31:49,840 --> 00:31:51,920 Speaker 12: to share that with the rest of the world, you know, 786 00:31:52,120 --> 00:31:56,280 Speaker 12: was really a monumental moment in my career, in my life. 787 00:31:56,880 --> 00:31:59,200 Speaker 12: You know, I've said many times, you know, I turned 788 00:31:59,320 --> 00:32:01,920 Speaker 12: Vegas to atlant where I was able to introduce the 789 00:32:02,120 --> 00:32:04,280 Speaker 12: entire world to what Atlanta is, to turn the world 790 00:32:04,320 --> 00:32:06,880 Speaker 12: to Atlanta for that moment, for those fifteen minutes. So 791 00:32:07,120 --> 00:32:09,680 Speaker 12: I'm just really happy that everything happened the way that 792 00:32:09,760 --> 00:32:12,640 Speaker 12: it did. I'm happy that jay Z and Dez reached 793 00:32:12,640 --> 00:32:14,280 Speaker 12: out to me to do it. I'm happy that Hamis 794 00:32:14,320 --> 00:32:16,520 Speaker 12: shot it the way that he did, happy that Alkaman, 795 00:32:16,640 --> 00:32:20,040 Speaker 12: Jones and Hamish work together and pass people who put 796 00:32:20,400 --> 00:32:22,200 Speaker 12: all of it together to look like it was. I'm 797 00:32:22,200 --> 00:32:25,840 Speaker 12: happy to out my choreographers and dancers and you know, 798 00:32:25,960 --> 00:32:31,280 Speaker 12: contortionists and tumblers, little John Ludacris, Alicia. 799 00:32:31,000 --> 00:32:33,800 Speaker 4: Keys Her where I am. 800 00:32:34,080 --> 00:32:37,680 Speaker 12: Everybody came through and was able to be a part 801 00:32:37,720 --> 00:32:39,680 Speaker 12: of it, you know, because it's a thirty it's a 802 00:32:39,720 --> 00:32:43,120 Speaker 12: thirty year plus you know, celebration for me, absolutely, and 803 00:32:43,600 --> 00:32:45,960 Speaker 12: it was hard as hell to put all of those 804 00:32:46,080 --> 00:32:49,520 Speaker 12: thirty years into fifteen minutes, but I did it, and 805 00:32:49,640 --> 00:32:52,040 Speaker 12: I was able to introduce people to, you know, the 806 00:32:52,120 --> 00:32:54,600 Speaker 12: culture of the past. You think about everything that Vegas 807 00:32:54,640 --> 00:32:56,760 Speaker 12: has offered over the last two years to me, but 808 00:32:56,960 --> 00:32:59,920 Speaker 12: everything that it represented in the past. You noticed the wardrobe, 809 00:33:00,080 --> 00:33:02,320 Speaker 12: the fact that I kind of took people through what 810 00:33:02,480 --> 00:33:06,080 Speaker 12: I would consider a past, present and future experience just 811 00:33:06,200 --> 00:33:07,920 Speaker 12: in time for me to you know, launch my tour. 812 00:33:08,000 --> 00:33:11,040 Speaker 12: But it was real deliberate, like the wardrobe was selected 813 00:33:11,080 --> 00:33:13,920 Speaker 12: to make you remember our glamours we were in those 814 00:33:14,040 --> 00:33:18,080 Speaker 12: times and how you know, going into you know, segregated 815 00:33:18,280 --> 00:33:20,960 Speaker 12: casinos and being able to not you know, fright, no, 816 00:33:21,000 --> 00:33:23,040 Speaker 12: as with normal people in those times. It was like 817 00:33:23,120 --> 00:33:26,240 Speaker 12: a thing of our pride being taken in that time. 818 00:33:26,360 --> 00:33:29,520 Speaker 12: So that was part of my storytelling. Like yo, I 819 00:33:29,600 --> 00:33:32,280 Speaker 12: really wanted to honor all of the people who had 820 00:33:32,360 --> 00:33:34,400 Speaker 12: had anything to do with us being in Las Vegas 821 00:33:34,480 --> 00:33:37,600 Speaker 12: from the beginning of what Las Vegas experience was, for 822 00:33:37,720 --> 00:33:41,200 Speaker 12: our black experience, bringing eight Spiece of Us into the conversation. 823 00:33:41,360 --> 00:33:44,280 Speaker 12: Cappus came out step with me, skate culture, all of 824 00:33:44,320 --> 00:33:48,040 Speaker 12: those things. It was a past present, future conversation now. 825 00:33:48,360 --> 00:33:51,320 Speaker 13: And then you end your night getting married. 826 00:33:51,280 --> 00:33:55,320 Speaker 14: Yeah, congratulations, Oh my god, what made you do it 827 00:33:55,440 --> 00:33:55,800 Speaker 14: that night? 828 00:33:55,840 --> 00:33:57,080 Speaker 13: What made you get married that night? 829 00:33:57,960 --> 00:34:01,240 Speaker 12: You know, just to put you know, an incredible ending 830 00:34:01,800 --> 00:34:03,959 Speaker 12: on this chapter of Las Vegas. 831 00:34:04,320 --> 00:34:05,160 Speaker 4: We talked about it. 832 00:34:05,600 --> 00:34:09,759 Speaker 12: We am I proposed to her uh last year and 833 00:34:09,920 --> 00:34:11,560 Speaker 12: she been wearing that ring and I ain't want to 834 00:34:11,600 --> 00:34:13,960 Speaker 12: be that guy who just you know, just continue to 835 00:34:14,000 --> 00:34:17,320 Speaker 12: hold on forever to the ring. But you know, we 836 00:34:17,440 --> 00:34:20,200 Speaker 12: talked about the best time to do it. Obviously, around 837 00:34:20,239 --> 00:34:21,800 Speaker 12: the time we started getting ready for Super Bowl, I 838 00:34:21,960 --> 00:34:24,080 Speaker 12: was going back to Las Vegas. It was like, damn, 839 00:34:24,080 --> 00:34:26,719 Speaker 12: I got to play Las Vegas. Do these shows, then 840 00:34:26,880 --> 00:34:30,240 Speaker 12: go get ready for super Bowl and let's do a wedding. 841 00:34:30,320 --> 00:34:32,160 Speaker 12: I was like, that's just too much pressure. What did 842 00:34:32,200 --> 00:34:33,880 Speaker 12: we You know, we do a drive through just for 843 00:34:34,000 --> 00:34:37,439 Speaker 12: our kids and our immediate family. You know, oh Vegas style. 844 00:34:37,600 --> 00:34:40,920 Speaker 12: You know how Frank Sinatra and Elvis Presley did it. 845 00:34:41,000 --> 00:34:42,799 Speaker 12: You know what I'm saying. So it's like, yo, let's 846 00:34:42,840 --> 00:34:46,480 Speaker 12: go get officiated by an Elvis impersonator. 847 00:34:46,120 --> 00:34:47,440 Speaker 4: And make it fun. You know, you got all the 848 00:34:47,520 --> 00:34:48,920 Speaker 4: pressures that come with getting married. 849 00:34:49,280 --> 00:34:51,759 Speaker 12: You gotta, you know, get you down together and make 850 00:34:51,800 --> 00:34:54,680 Speaker 12: sure everybody's accommodated, to get the food, make sure you're 851 00:34:54,719 --> 00:34:58,200 Speaker 12: spending hundreds of thousands, millions of dollars on on this 852 00:34:58,480 --> 00:35:00,960 Speaker 12: this moment that really is about the union of two 853 00:35:01,000 --> 00:35:03,120 Speaker 12: people and the love of your family. 854 00:35:03,400 --> 00:35:05,480 Speaker 4: So I was happy to have her family there, my 855 00:35:05,640 --> 00:35:08,719 Speaker 4: family there, my kids there, and we did it. 856 00:35:08,840 --> 00:35:11,439 Speaker 12: We did it without any pressure. And finishing the Super 857 00:35:11,480 --> 00:35:13,320 Speaker 12: Bowl was the hardest part. And then getting dressed to 858 00:35:13,360 --> 00:35:16,239 Speaker 12: get there, but then in time to make it to 859 00:35:16,320 --> 00:35:18,680 Speaker 12: the after party and we went and you know, kicked 860 00:35:18,680 --> 00:35:21,759 Speaker 12: it with Snoop and uh and Doctor Dre and my 861 00:35:21,800 --> 00:35:22,560 Speaker 12: flippers party. 862 00:35:22,719 --> 00:35:23,560 Speaker 4: But it was it was cool. 863 00:35:23,600 --> 00:35:23,920 Speaker 1: Man, it was. 864 00:35:24,000 --> 00:35:24,640 Speaker 4: It was wonderful. 865 00:35:24,680 --> 00:35:27,279 Speaker 9: You know, us are regardless of your reputation. As you know, mister, 866 00:35:27,320 --> 00:35:29,640 Speaker 9: don't leave your girl around me. You you you're a 867 00:35:29,719 --> 00:35:31,720 Speaker 9: family man, like you like being married. 868 00:35:33,120 --> 00:35:34,120 Speaker 4: I'm plural. 869 00:35:35,760 --> 00:35:38,280 Speaker 1: Saying terrorists. You see what I'm saying? Minutes? 870 00:35:39,200 --> 00:35:41,480 Speaker 4: What was the important people think? I guess I'm just plural. 871 00:35:43,960 --> 00:35:46,360 Speaker 9: What was the importance of paying tribute to Michael Jackson 872 00:35:46,560 --> 00:35:47,240 Speaker 9: and your performance? 873 00:35:47,280 --> 00:35:49,160 Speaker 1: Because I don't know if people a lot of people see. 874 00:35:49,239 --> 00:35:51,600 Speaker 12: What you don't realize is that there's so many gyms 875 00:35:51,640 --> 00:35:52,800 Speaker 12: that you have yet to unlock. 876 00:35:53,000 --> 00:35:56,280 Speaker 4: You only call one you called Michael. Did you catch Marvin? 877 00:35:56,360 --> 00:35:59,439 Speaker 4: Did you catch the back leg pop for James Brown? 878 00:35:59,520 --> 00:36:00,239 Speaker 4: Did you catch that one? 879 00:36:00,560 --> 00:36:02,640 Speaker 1: I think I called Marvin when you were shirtless? 880 00:36:03,080 --> 00:36:05,040 Speaker 4: No, that that was Teddy P. See you got it? 881 00:36:05,600 --> 00:36:07,759 Speaker 1: Okay, Okay, that. 882 00:36:08,080 --> 00:36:10,799 Speaker 12: Was Bobby Brown and Teddy P. I gave a little 883 00:36:10,800 --> 00:36:13,160 Speaker 12: bit of Luther vand Dress in there. The piano moment 884 00:36:13,320 --> 00:36:15,880 Speaker 12: was a ROBERTA. Flack and uh Donny Hathaway. 885 00:36:16,120 --> 00:36:17,080 Speaker 4: You missing them? 886 00:36:17,520 --> 00:36:19,080 Speaker 1: You got to give up some of these easter eggs? 887 00:36:19,120 --> 00:36:19,239 Speaker 17: Now? 888 00:36:19,480 --> 00:36:23,360 Speaker 4: What was the delivererate in all things that I do? 889 00:36:23,440 --> 00:36:25,440 Speaker 12: When I bring the culture of what I am and 890 00:36:25,600 --> 00:36:28,080 Speaker 12: what has made me who I am everywhere I go, 891 00:36:28,200 --> 00:36:30,560 Speaker 12: even right now, you don't even realize it's happening right now. 892 00:36:30,920 --> 00:36:35,040 Speaker 9: Behind look behind them the picture. I see the picture. 893 00:36:35,280 --> 00:36:37,880 Speaker 9: So you saw the Michael What was the Teddy P 894 00:36:38,800 --> 00:36:40,120 Speaker 9: Bobby Brown tribute? 895 00:36:40,400 --> 00:36:43,080 Speaker 12: Well, I mean coming out of my shirt was obviously 896 00:36:43,600 --> 00:36:47,200 Speaker 12: Bobby Brown moment. Teddy P was the was the tank 897 00:36:47,320 --> 00:36:50,759 Speaker 12: top and just you know, just crooning and being able 898 00:36:50,840 --> 00:36:52,480 Speaker 12: to have that that moment. 899 00:36:52,880 --> 00:36:54,440 Speaker 4: All of it is who I am. 900 00:36:54,640 --> 00:36:57,759 Speaker 12: But in what I've done and who I am, I 901 00:36:57,880 --> 00:37:00,879 Speaker 12: recognize all of the people that really paved the way. 902 00:37:01,160 --> 00:37:03,360 Speaker 4: Far too often, man, do we just forget about the 903 00:37:03,440 --> 00:37:05,960 Speaker 4: people that really made it happen. That was a little bit. 904 00:37:06,280 --> 00:37:08,399 Speaker 4: It was it was it was some Ronley in there. 905 00:37:09,120 --> 00:37:10,640 Speaker 4: It was it was Gap band in there. 906 00:37:10,680 --> 00:37:12,440 Speaker 12: It was you didn't catch the gap band and and 907 00:37:13,520 --> 00:37:17,080 Speaker 12: you didn't get that part? No, man, Yeah, it's all 908 00:37:17,160 --> 00:37:17,879 Speaker 12: of them, was there? 909 00:37:17,960 --> 00:37:20,759 Speaker 4: Man? And then Jackson five was there? You heard that 910 00:37:20,840 --> 00:37:21,719 Speaker 4: one can see? 911 00:37:22,320 --> 00:37:25,520 Speaker 1: Yeah, yeah, yeah, I we would. 912 00:37:26,400 --> 00:37:27,480 Speaker 4: You didn't catch the zap one. 913 00:37:28,160 --> 00:37:31,160 Speaker 1: I gotta go back and watch you if you go back. 914 00:37:31,120 --> 00:37:35,040 Speaker 12: It's a it's an entire education that's happening right in 915 00:37:35,120 --> 00:37:35,799 Speaker 12: front of your eyes. 916 00:37:36,000 --> 00:37:37,040 Speaker 2: I just think it's all. 917 00:37:37,040 --> 00:37:39,640 Speaker 14: Blown away from everything. It was like a party, and 918 00:37:39,760 --> 00:37:42,160 Speaker 14: it was like it was it was amazing. 919 00:37:42,200 --> 00:37:42,799 Speaker 1: It was so much. 920 00:37:42,880 --> 00:37:45,480 Speaker 4: It was what we do, baby, Yeah, we get out 921 00:37:45,520 --> 00:37:46,239 Speaker 4: when we get out. 922 00:37:46,320 --> 00:37:47,440 Speaker 1: We debated about it. 923 00:37:47,719 --> 00:37:49,240 Speaker 9: A lot of people said I was being a prisoner 924 00:37:49,320 --> 00:37:51,800 Speaker 9: of the moment, but I'm just talking about our first watch. 925 00:37:52,160 --> 00:37:55,279 Speaker 9: My initial reaction was that's the best half super Bowl 926 00:37:55,320 --> 00:37:57,960 Speaker 9: halftime performance I've ever seen. And so then the next 927 00:37:58,080 --> 00:38:01,320 Speaker 9: day I went through them and even with it, I'm like, 928 00:38:01,520 --> 00:38:03,879 Speaker 9: I don't see how you you can't say this isn't 929 00:38:03,920 --> 00:38:07,040 Speaker 9: the best for me? The top five is you, Michael Jackson, 930 00:38:07,360 --> 00:38:09,120 Speaker 9: Beyonce the first, well, I think it was the first 931 00:38:09,160 --> 00:38:13,719 Speaker 9: Beyonce when she brought Deathtney's Child out. Yeah, Prince and doctor. 932 00:38:13,520 --> 00:38:15,279 Speaker 2: Dream Snow, I appreciate that game. 933 00:38:15,440 --> 00:38:17,040 Speaker 9: We got more with us. You're coming up, so don't 934 00:38:17,040 --> 00:38:18,719 Speaker 9: go anywhere. It was the most dangerous morning short of 935 00:38:18,719 --> 00:38:20,640 Speaker 9: Breakfast Club. Yes, he was more dangerous morning to short 936 00:38:20,640 --> 00:38:23,560 Speaker 9: to Breakfast Club. Charlamagne God here, Jessa Larrus is here, 937 00:38:23,840 --> 00:38:26,640 Speaker 9: and Usher checked in with us Man to talk all 938 00:38:26,760 --> 00:38:29,000 Speaker 9: things super Bowl and his marriage and all of that 939 00:38:29,120 --> 00:38:31,839 Speaker 9: Good Stuff is a new album that's right coming home. 940 00:38:32,120 --> 00:38:34,480 Speaker 9: So let's talk to Usher right now on the Breakfast Club. 941 00:38:35,160 --> 00:38:37,640 Speaker 1: Why didn't things work out with Justin Bible? 942 00:38:38,280 --> 00:38:40,359 Speaker 4: You know what they did work out with Justin? 943 00:38:41,160 --> 00:38:44,640 Speaker 12: You know, I honored and and and and recognized that 944 00:38:44,760 --> 00:38:48,239 Speaker 12: my brother. You know, I think that it might have 945 00:38:48,360 --> 00:38:51,480 Speaker 12: been the fact that he was just you know, wanting 946 00:38:51,600 --> 00:38:54,440 Speaker 12: to tell a different story right now, and I understand that. 947 00:38:55,440 --> 00:39:00,480 Speaker 12: But we did have a brief conversation, and you know, 948 00:39:00,880 --> 00:39:03,600 Speaker 12: we're gonna do something else in the future. But there's 949 00:39:03,640 --> 00:39:06,040 Speaker 12: no love lost or anything like that. I think that 950 00:39:06,480 --> 00:39:08,600 Speaker 12: it's a lot of pressure for the super Bowl, obviously 951 00:39:08,920 --> 00:39:10,600 Speaker 12: for me to put together the show, so I reached 952 00:39:10,600 --> 00:39:13,080 Speaker 12: out to everybody. Justin wasn't the only person that I 953 00:39:13,160 --> 00:39:17,360 Speaker 12: actually spoke to about doing the super Bowl, but the 954 00:39:17,480 --> 00:39:21,520 Speaker 12: moment was maybe for later, he's gonna play the super Bowl. 955 00:39:21,640 --> 00:39:24,040 Speaker 4: I'll go ahead and give you that in the future. 956 00:39:24,480 --> 00:39:27,200 Speaker 12: I profess that over his life and over his time, 957 00:39:27,280 --> 00:39:29,680 Speaker 12: because he has a career that deserves it. 958 00:39:31,360 --> 00:39:33,759 Speaker 4: But it just didn't happen. But that doesn't mean it's 959 00:39:33,760 --> 00:39:34,799 Speaker 4: not going to What. 960 00:39:35,120 --> 00:39:38,120 Speaker 1: Was Chris Brown ever, for consideration, that was another rumor 961 00:39:38,120 --> 00:39:38,440 Speaker 1: about that. 962 00:39:39,400 --> 00:39:42,799 Speaker 4: No, I didn't. I did not reach out to Chris Brown, Okay, okay. 963 00:39:43,080 --> 00:39:44,680 Speaker 9: Is there anybody else? Is anybody else? 964 00:39:44,680 --> 00:39:44,960 Speaker 8: You know? 965 00:39:45,000 --> 00:39:47,200 Speaker 9: I want that There was always there was a rumor 966 00:39:47,239 --> 00:39:48,800 Speaker 9: that you and Chris had a little kerfuffle. 967 00:39:50,960 --> 00:39:53,240 Speaker 12: It's all good, man, you know, it's it's it's actually, 968 00:39:54,320 --> 00:39:56,359 Speaker 12: you know, always going to be something that you're gonna hear, 969 00:39:57,120 --> 00:39:59,319 Speaker 12: you know, issues between me and that man. 970 00:39:59,360 --> 00:39:59,719 Speaker 4: We're good. 971 00:40:00,120 --> 00:40:00,400 Speaker 1: Okay. 972 00:40:00,840 --> 00:40:02,719 Speaker 9: If anyone else you wanted on stage with you but 973 00:40:02,800 --> 00:40:04,000 Speaker 9: things didn't work out. 974 00:40:04,520 --> 00:40:06,360 Speaker 4: I can't give you all of that. Tell me I 975 00:40:06,680 --> 00:40:09,400 Speaker 4: wish I could. I can't give you that exclusive. 976 00:40:10,520 --> 00:40:12,400 Speaker 12: If you hear it, by the way, I will confirm it, 977 00:40:12,520 --> 00:40:14,839 Speaker 12: but I will not. Okay, I'm not going to tell 978 00:40:14,840 --> 00:40:16,680 Speaker 12: you everybody I reached out to. I reached out to 979 00:40:16,800 --> 00:40:21,400 Speaker 12: some hitters. I was listening, I was curating. I was 980 00:40:21,520 --> 00:40:24,520 Speaker 12: curating what would be one of the greatest Super Bowls 981 00:40:24,560 --> 00:40:27,400 Speaker 12: of all time, and it actually turned into that because 982 00:40:27,440 --> 00:40:28,360 Speaker 12: of who I reached out to. 983 00:40:28,480 --> 00:40:29,160 Speaker 4: I felt like her. 984 00:40:29,680 --> 00:40:34,279 Speaker 12: She is an amazing artist, but even more amazing guitarist, 985 00:40:34,560 --> 00:40:36,719 Speaker 12: and I wanted the world to see her as the. 986 00:40:36,800 --> 00:40:39,680 Speaker 4: Rock star or rock and soul star she is. 987 00:40:40,560 --> 00:40:44,400 Speaker 12: And Alicia obviously reached out to because we had, you know, 988 00:40:44,880 --> 00:40:47,040 Speaker 12: my boot, and I wanted the world to see her 989 00:40:47,080 --> 00:40:48,800 Speaker 12: as a glamorous start that she was. 990 00:40:50,160 --> 00:40:54,600 Speaker 4: Dak. I dreamt her vision and I always started flowing 991 00:40:55,280 --> 00:40:57,600 Speaker 4: huge dress that would go over the entire stadium. 992 00:40:57,680 --> 00:41:00,239 Speaker 12: It's like I just got this this very I'm just 993 00:41:00,320 --> 00:41:04,080 Speaker 12: real specific about handling, handling our icons the way that 994 00:41:04,120 --> 00:41:06,120 Speaker 12: they need to be handled, and we need to do 995 00:41:06,280 --> 00:41:09,759 Speaker 12: that more often. We can get into the mess, yes, 996 00:41:10,200 --> 00:41:12,520 Speaker 12: and we can absolutely get into the mess to God, 997 00:41:12,880 --> 00:41:14,400 Speaker 12: you know what I'm saying, But Yo, we got to 998 00:41:14,480 --> 00:41:16,080 Speaker 12: handle our icons the right way. 999 00:41:16,520 --> 00:41:19,360 Speaker 4: We gotta make we lift them up on God. You 1000 00:41:19,480 --> 00:41:22,759 Speaker 4: understand what I'm saying. But the way that Jay reached out, 1001 00:41:22,760 --> 00:41:24,400 Speaker 4: hold on and say is the way that Jay reached 1002 00:41:24,400 --> 00:41:24,880 Speaker 4: out because he. 1003 00:41:25,000 --> 00:41:28,000 Speaker 12: Understood, Yo, this is a moment for the culture. We 1004 00:41:28,280 --> 00:41:31,240 Speaker 12: have to preserve our icons in the same way. Don't 1005 00:41:31,440 --> 00:41:34,759 Speaker 12: let the mess bring our icons down because we don't 1006 00:41:34,800 --> 00:41:37,040 Speaker 12: get them back and we don't get a chance. Like 1007 00:41:37,239 --> 00:41:39,360 Speaker 12: we all human and we all go through things and 1008 00:41:39,400 --> 00:41:41,640 Speaker 12: we all want to experience things. But we gotta handle 1009 00:41:42,000 --> 00:41:45,880 Speaker 12: high icons the right way. You know, the rock stars 1010 00:41:45,920 --> 00:41:49,760 Speaker 12: they handle each other the right way, you know, they don't. 1011 00:41:49,840 --> 00:41:52,080 Speaker 4: We don't get caught up in the boy and we shouldn't. 1012 00:41:52,200 --> 00:41:55,400 Speaker 12: Let's stop that. Let's let's let's lift our icons up. 1013 00:41:55,520 --> 00:41:58,839 Speaker 12: Let's make certain that we keep them preserved. HI at 1014 00:41:58,880 --> 00:42:03,000 Speaker 12: the highest place, in the best wardrobe, on the biggest stage, 1015 00:42:03,239 --> 00:42:06,920 Speaker 12: in the biggest moment being seen, because they'll surely. 1016 00:42:06,680 --> 00:42:09,960 Speaker 4: Forget about us. And if you helped him, and if 1017 00:42:10,000 --> 00:42:11,920 Speaker 4: you help them forget about us, they'll do it quicker, 1018 00:42:13,440 --> 00:42:13,640 Speaker 4: you know. 1019 00:42:13,880 --> 00:42:16,719 Speaker 13: You know, So I just wanted us say I apologize, 1020 00:42:17,040 --> 00:42:18,280 Speaker 13: but you said. 1021 00:42:19,960 --> 00:42:21,520 Speaker 1: What I said. 1022 00:42:21,560 --> 00:42:25,959 Speaker 14: I apologize for helping out the mess because he's talking 1023 00:42:26,000 --> 00:42:29,200 Speaker 14: to him. He's very intentional. He's very intentional about the 1024 00:42:29,239 --> 00:42:31,279 Speaker 14: stuff that he's saying, and he keeps saying mass and 1025 00:42:31,560 --> 00:42:36,040 Speaker 14: just and I understand. So I apologize, But did you 1026 00:42:36,200 --> 00:42:38,200 Speaker 14: know Jermaine Duprie was going well. 1027 00:42:38,080 --> 00:42:40,480 Speaker 1: At Yeah, y'all didn't keep Jamae Duprix in the highest. 1028 00:42:40,239 --> 00:42:42,040 Speaker 4: Of Absolutely, we did know. 1029 00:42:42,160 --> 00:42:45,480 Speaker 12: Jermain knew exactly what he was wearing it and you 1030 00:42:45,600 --> 00:42:48,680 Speaker 12: know what he should because that's that's his story and 1031 00:42:48,840 --> 00:42:51,799 Speaker 12: that's what's dope. Like the reality is the first time 1032 00:42:51,880 --> 00:42:54,560 Speaker 12: we saw Michael n glitterary socks, we laughed the first 1033 00:42:54,600 --> 00:42:56,440 Speaker 12: time we start Prince with his cheeks out, we all 1034 00:42:56,600 --> 00:42:58,960 Speaker 12: laughed and we thought that it was funny until it 1035 00:42:59,080 --> 00:43:01,839 Speaker 12: became his moment. It that's his moment we're just looking 1036 00:43:01,920 --> 00:43:04,680 Speaker 12: at That's true, but it's cool. Y'all look at it 1037 00:43:04,719 --> 00:43:07,120 Speaker 12: however you want. I see something that's going to continue 1038 00:43:07,160 --> 00:43:12,040 Speaker 12: to grow. It's all about how you look at life, man, It's. 1039 00:43:11,960 --> 00:43:12,680 Speaker 4: How you look at it. 1040 00:43:12,880 --> 00:43:15,560 Speaker 2: Yeah, I'll just know this. 1041 00:43:15,760 --> 00:43:19,680 Speaker 12: Just know that you definitely have the influence to determine 1042 00:43:19,719 --> 00:43:21,520 Speaker 12: how people choose to look at things. 1043 00:43:22,120 --> 00:43:26,719 Speaker 4: So frame in the right direction. Because our icons matter. 1044 00:43:27,200 --> 00:43:29,640 Speaker 9: And that's why I say, is an icon who should 1045 00:43:29,640 --> 00:43:31,279 Speaker 9: always be treated in touch. I'm telling me and the 1046 00:43:31,320 --> 00:43:33,560 Speaker 9: dream had this convo and I don't know why. It 1047 00:43:33,640 --> 00:43:35,040 Speaker 9: just stuck with me that night when the dream said, 1048 00:43:35,040 --> 00:43:36,600 Speaker 9: I'm like, yo, the dream is right. We have to 1049 00:43:36,680 --> 00:43:39,480 Speaker 9: celebrate the legends that we have now. I really think 1050 00:43:39,520 --> 00:43:40,879 Speaker 9: it's because y'all still here. 1051 00:43:41,440 --> 00:43:45,279 Speaker 12: It's not just that it sure as sure as technology 1052 00:43:45,400 --> 00:43:49,040 Speaker 12: becomes obsolete, you know, you could assume that music and 1053 00:43:49,120 --> 00:43:51,959 Speaker 12: the spirituality that's inside of it will too, but it won't. 1054 00:43:52,040 --> 00:43:55,160 Speaker 12: It'll always be there. But why not celebrate the people, 1055 00:43:55,320 --> 00:43:58,040 Speaker 12: not just what they made? Let's celebrate them and let's 1056 00:43:58,080 --> 00:44:01,520 Speaker 12: make them feel love because they gave something. They dedicated, 1057 00:44:01,560 --> 00:44:03,879 Speaker 12: they made you feel something. They made you fall in love, 1058 00:44:04,239 --> 00:44:06,480 Speaker 12: they made you happy, they made you smile, they gave 1059 00:44:06,520 --> 00:44:09,360 Speaker 12: you energy, they gave you something that you needed in 1060 00:44:09,520 --> 00:44:09,960 Speaker 12: that moment. 1061 00:44:10,239 --> 00:44:11,759 Speaker 4: So why not continue to lift them up. 1062 00:44:11,880 --> 00:44:14,360 Speaker 12: That's why at every show you see me bringing the 1063 00:44:14,520 --> 00:44:17,400 Speaker 12: artists that I know have been influential. 1064 00:44:16,960 --> 00:44:17,680 Speaker 8: To my stage. 1065 00:44:17,840 --> 00:44:19,879 Speaker 4: I ain't hiding them. I'm not trying to make them 1066 00:44:19,920 --> 00:44:20,359 Speaker 4: look bad. 1067 00:44:20,400 --> 00:44:22,720 Speaker 12: I'm like, no, let's make them look great. Let's continue 1068 00:44:22,760 --> 00:44:25,719 Speaker 12: to lift our own people up. Let's lift each other up. 1069 00:44:25,960 --> 00:44:28,680 Speaker 12: Let's continue to push each other up. Just you know, 1070 00:44:28,760 --> 00:44:31,920 Speaker 12: I stay on you, leyo, do it better? Come on, 1071 00:44:32,120 --> 00:44:32,520 Speaker 12: do it better? 1072 00:44:32,719 --> 00:44:35,520 Speaker 13: Yes, lift me up there, I got you. 1073 00:44:35,680 --> 00:44:38,040 Speaker 4: I'm gonna keep pushing you. I'm gonna make you great. 1074 00:44:38,920 --> 00:44:40,920 Speaker 4: I want you to be great. That's it. That's all 1075 00:44:40,960 --> 00:44:43,200 Speaker 4: I want. I want greatness for our people. I won't 1076 00:44:43,400 --> 00:44:46,160 Speaker 4: I won't. I want our people to make certain that 1077 00:44:46,280 --> 00:44:47,239 Speaker 4: we know we are great. 1078 00:44:47,640 --> 00:44:48,960 Speaker 1: Absolutely, you know what I'm saying. 1079 00:44:49,280 --> 00:44:52,160 Speaker 9: You know, have you seen some of your old moments, 1080 00:44:52,239 --> 00:44:53,880 Speaker 9: like when you was on stage with Nicki Minaj and 1081 00:44:53,880 --> 00:44:54,879 Speaker 9: you was head button or ass. 1082 00:44:55,239 --> 00:44:57,600 Speaker 1: Why would you saw Why would you sawing hinge? 1083 00:44:57,640 --> 00:44:59,839 Speaker 12: In that moment, By the way, it was just making 1084 00:45:00,160 --> 00:45:02,120 Speaker 12: you see, you gotta go to you gotta go to Jamaica. 1085 00:45:02,280 --> 00:45:02,879 Speaker 1: You know what I'm saying. 1086 00:45:03,080 --> 00:45:04,959 Speaker 4: That was just the moment that was that was fun. 1087 00:45:05,040 --> 00:45:06,919 Speaker 12: And by the way, it was me playing my bass, 1088 00:45:06,960 --> 00:45:09,600 Speaker 12: so I would have probably bumped my shoulder on my hand, 1089 00:45:09,640 --> 00:45:10,239 Speaker 12: you know what I'm saying. 1090 00:45:10,280 --> 00:45:12,160 Speaker 4: But I had my base in my hands I was playing, 1091 00:45:12,200 --> 00:45:14,040 Speaker 4: so I just kind of bopped off a body a 1092 00:45:14,080 --> 00:45:14,360 Speaker 4: little bit. 1093 00:45:14,400 --> 00:45:15,600 Speaker 12: And if you go back and look at the video 1094 00:45:15,880 --> 00:45:18,120 Speaker 12: you'll understand because I did it there the first time. 1095 00:45:18,200 --> 00:45:20,200 Speaker 4: That was a little bit of Jamaican coaching. 1096 00:45:21,560 --> 00:45:23,520 Speaker 1: It was all being out like I think. 1097 00:45:23,560 --> 00:45:25,280 Speaker 12: I think I was reaching a big when I spacked 1098 00:45:25,320 --> 00:45:27,160 Speaker 12: her though I shouldn't spect it, but I shouldn't did that. 1099 00:45:27,719 --> 00:45:31,120 Speaker 2: See you gotta lift up man, you know, I mean, 1100 00:45:31,160 --> 00:45:32,200 Speaker 2: I was lifting. 1101 00:45:34,520 --> 00:45:36,520 Speaker 9: And I always wondered to what was what was your 1102 00:45:36,560 --> 00:45:38,799 Speaker 9: reaction to the Boondocks episode about you man? 1103 00:45:39,640 --> 00:45:41,640 Speaker 1: That keeps coming up, That's been coming up all week too. 1104 00:45:42,280 --> 00:45:45,960 Speaker 4: Yeah, yeah, I hate Regina about that and they you know, 1105 00:45:46,040 --> 00:45:47,440 Speaker 4: they they crazy. 1106 00:45:48,120 --> 00:45:50,719 Speaker 12: It was It's funny, but I guess that's that's the 1107 00:45:50,800 --> 00:45:53,040 Speaker 12: truth of the other side of what happens. 1108 00:45:53,280 --> 00:45:55,160 Speaker 4: That's the Usher effect. I guess I don't know. 1109 00:45:57,200 --> 00:45:59,920 Speaker 13: Most talked man, that is who you are. 1110 00:46:00,320 --> 00:46:03,320 Speaker 4: But yeah, I appreciate that. 1111 00:46:03,640 --> 00:46:08,160 Speaker 12: But hey, in no way anything that was done there 1112 00:46:08,239 --> 00:46:13,239 Speaker 12: should have been viewed as bad or in any way 1113 00:46:14,000 --> 00:46:17,040 Speaker 12: perverted or anything like that. No, it was literally about, 1114 00:46:17,840 --> 00:46:20,880 Speaker 12: you know, having having fun because of a song that 1115 00:46:21,040 --> 00:46:24,840 Speaker 12: me and Alisha made many years ago, and we celebrated 1116 00:46:24,920 --> 00:46:28,040 Speaker 12: because of the legacy of it, and no disrespect to 1117 00:46:28,120 --> 00:46:29,600 Speaker 12: anybody or anything like that. 1118 00:46:29,840 --> 00:46:31,800 Speaker 1: Have you in Swiss and Alisha shared a laugh about it. 1119 00:46:32,080 --> 00:46:34,680 Speaker 12: All of me absolutely laughed about it. It's crazy how 1120 00:46:34,760 --> 00:46:38,680 Speaker 12: people pick they handle. It's all about how you present things, man, 1121 00:46:39,160 --> 00:46:42,319 Speaker 12: But it's all of One of my shout outs, shout 1122 00:46:42,360 --> 00:46:43,280 Speaker 12: out to the Dean Collection. 1123 00:46:43,400 --> 00:46:45,640 Speaker 4: Y'all get out to Brooklyn and check out the check 1124 00:46:45,680 --> 00:46:46,799 Speaker 4: out the Dean Collection. 1125 00:46:46,600 --> 00:46:48,360 Speaker 9: This year we got more with us are coming up, 1126 00:46:48,400 --> 00:46:50,200 Speaker 9: so don't go anywhere. The was the most Dangerous morning 1127 00:46:50,200 --> 00:46:52,640 Speaker 9: short of Breakfast Club. Yeah, the onl Mos dangerous morning 1128 00:46:52,680 --> 00:46:55,400 Speaker 9: short of Breakfast Club. Charlamagne to God Here, Jessa Larius 1129 00:46:55,520 --> 00:46:58,400 Speaker 9: is here and Usher checked in with us man to 1130 00:46:58,480 --> 00:47:01,040 Speaker 9: talk all things super Bowl and his marriage and all 1131 00:47:01,080 --> 00:47:03,440 Speaker 9: of that good stuff is a new album that's right 1132 00:47:03,520 --> 00:47:05,880 Speaker 9: coming home. So let's talk to us right now on 1133 00:47:06,000 --> 00:47:06,680 Speaker 9: the Breakfast Club. 1134 00:47:06,920 --> 00:47:09,479 Speaker 13: Tell us about your Black Love and Atlanta TV show. 1135 00:47:09,880 --> 00:47:11,240 Speaker 4: Oh It's coming. 1136 00:47:12,239 --> 00:47:14,480 Speaker 12: I think that we as artists, there's a price that 1137 00:47:14,560 --> 00:47:18,360 Speaker 12: we all have to pay in entering this industry. And 1138 00:47:18,480 --> 00:47:20,800 Speaker 12: most of the time we either sell off our publishing 1139 00:47:21,000 --> 00:47:23,719 Speaker 12: or either we don't we don't retain it because it's 1140 00:47:23,800 --> 00:47:25,960 Speaker 12: not an option too, or either we don't value it 1141 00:47:26,040 --> 00:47:27,640 Speaker 12: because it doesn't have value in theory. 1142 00:47:28,200 --> 00:47:30,680 Speaker 4: But what the value becomes is something that people have 1143 00:47:30,840 --> 00:47:32,839 Speaker 4: already recognized. A story, a song. 1144 00:47:33,320 --> 00:47:35,719 Speaker 12: Storytelling is something that I've always done. So what I 1145 00:47:35,840 --> 00:47:39,200 Speaker 12: did is I've taken the songs of the masters that 1146 00:47:39,280 --> 00:47:42,839 Speaker 12: I don't own, and I reframed them into now something 1147 00:47:42,880 --> 00:47:45,359 Speaker 12: that is a narrative piece that you'll be able to see. 1148 00:47:45,520 --> 00:47:47,600 Speaker 12: So you already know what the story is, and you 1149 00:47:47,760 --> 00:47:50,520 Speaker 12: know what the crescendo of the story is. But here's 1150 00:47:50,680 --> 00:47:54,680 Speaker 12: just another way of you flipping. You know, a hustler, 1151 00:47:54,719 --> 00:47:55,920 Speaker 12: you know what I'm saying, if you want to call 1152 00:47:56,000 --> 00:47:59,080 Speaker 12: it a hustle. But the reality is I own the idea, 1153 00:47:59,640 --> 00:48:01,880 Speaker 12: but I don't necessarily own the IP, so why not 1154 00:48:02,080 --> 00:48:04,480 Speaker 12: go after some other portion of it to use it 1155 00:48:04,600 --> 00:48:05,560 Speaker 12: to storytell? 1156 00:48:05,640 --> 00:48:06,359 Speaker 4: How does it make sense? 1157 00:48:06,600 --> 00:48:08,759 Speaker 9: It makes How does it feel to have coming home 1158 00:48:08,800 --> 00:48:10,640 Speaker 9: speaking and out of the field, have coming home on 1159 00:48:10,719 --> 00:48:11,360 Speaker 9: your own label? 1160 00:48:11,600 --> 00:48:12,240 Speaker 4: That's amazing? 1161 00:48:13,480 --> 00:48:13,640 Speaker 9: You know. 1162 00:48:14,000 --> 00:48:17,520 Speaker 12: I'm really hoping that it continues to pave the way 1163 00:48:18,280 --> 00:48:21,320 Speaker 12: and show, you know, artists who have been in this 1164 00:48:21,440 --> 00:48:25,000 Speaker 12: industry for you know, thirty plus years, that no matter 1165 00:48:25,520 --> 00:48:28,040 Speaker 12: you know, how long you may be in it, you know, 1166 00:48:28,160 --> 00:48:29,680 Speaker 12: keep going, keep going. 1167 00:48:29,560 --> 00:48:31,839 Speaker 4: Keep striving, find great partnerships. 1168 00:48:32,600 --> 00:48:35,320 Speaker 12: Because it's really a result of having an amazing partnership 1169 00:48:35,440 --> 00:48:38,800 Speaker 12: with La and also to Larry Jackson that makes it 1170 00:48:38,880 --> 00:48:44,360 Speaker 12: what it is. But you know, thirty years after signing 1171 00:48:44,440 --> 00:48:47,840 Speaker 12: my first deal and having now come back as an 1172 00:48:47,880 --> 00:48:50,960 Speaker 12: independent artist and having the type of reaction to my music, 1173 00:48:51,080 --> 00:48:52,080 Speaker 12: I don't take that lightly. 1174 00:48:52,480 --> 00:48:53,719 Speaker 4: I do appreciate the love. 1175 00:48:53,800 --> 00:48:56,520 Speaker 12: I do appreciate the fact that people you know, that 1176 00:48:56,680 --> 00:48:59,600 Speaker 12: gravitating towards the music, that they're interested in it, that 1177 00:48:59,680 --> 00:49:02,600 Speaker 12: they it connects with their lives as it has connected 1178 00:49:02,640 --> 00:49:03,080 Speaker 12: to mine. 1179 00:49:03,840 --> 00:49:06,799 Speaker 4: And this is just the next chapter installation of my life. 1180 00:49:08,080 --> 00:49:09,959 Speaker 9: Ruin is one of my favorite songs off the album. 1181 00:49:10,040 --> 00:49:11,719 Speaker 14: Oh my god, you knew I was going to say 1182 00:49:11,719 --> 00:49:13,000 Speaker 14: that because I'm the one to put you on with 1183 00:49:13,120 --> 00:49:14,320 Speaker 14: the song us should anyway? 1184 00:49:14,560 --> 00:49:17,400 Speaker 13: I love Ruined what Feels? And I was going to 1185 00:49:17,480 --> 00:49:17,799 Speaker 13: ask you. 1186 00:49:19,600 --> 00:49:21,320 Speaker 14: It is my favorite's one of my favorite songs, but 1187 00:49:21,400 --> 00:49:22,680 Speaker 14: it is the one that I do my makeup to 1188 00:49:22,840 --> 00:49:23,279 Speaker 14: every morning. 1189 00:49:23,680 --> 00:49:26,280 Speaker 4: What was that to give you a whole book of youse? 1190 00:49:27,440 --> 00:49:28,600 Speaker 4: I love that. I love your EU. 1191 00:49:30,360 --> 00:49:30,680 Speaker 1: Thank you? 1192 00:49:31,680 --> 00:49:32,160 Speaker 4: Who did you? 1193 00:49:32,320 --> 00:49:38,279 Speaker 13: Who inspired that song? No, he's not, He's just Usher. 1194 00:49:38,600 --> 00:49:42,920 Speaker 13: It's Usher that I want to know who inspired ruined? 1195 00:49:43,840 --> 00:49:44,960 Speaker 4: Life inspired ruined? 1196 00:49:45,280 --> 00:49:47,640 Speaker 12: You know the idea that you know we can be 1197 00:49:48,120 --> 00:49:52,560 Speaker 12: in relationships that you know can can change your perspective. 1198 00:49:52,640 --> 00:49:55,640 Speaker 4: You know, you can open yourself up, you know, especially 1199 00:49:55,719 --> 00:49:57,360 Speaker 4: for men. You know what I'm saying. It's like, you 1200 00:49:57,440 --> 00:49:59,319 Speaker 4: know how hard it is to get my heart to open. 1201 00:49:59,360 --> 00:50:02,200 Speaker 4: And then when it you know, this one, it killed me. 1202 00:50:02,440 --> 00:50:04,319 Speaker 4: It pushed me back. It made me look at every 1203 00:50:04,360 --> 00:50:08,520 Speaker 4: woman differently until I met my daughter. And then she 1204 00:50:09,280 --> 00:50:10,600 Speaker 4: ruined me in a different. 1205 00:50:10,320 --> 00:50:14,279 Speaker 12: Way because she's like spoiled and all the things that 1206 00:50:14,400 --> 00:50:16,560 Speaker 12: she should be at her three year old as a 1207 00:50:16,600 --> 00:50:17,120 Speaker 12: three major. 1208 00:50:18,800 --> 00:50:20,320 Speaker 4: She she ruined me. 1209 00:50:20,560 --> 00:50:24,560 Speaker 12: But you know, before that The song ideally is about 1210 00:50:24,920 --> 00:50:28,120 Speaker 12: when you're in a relationship with somebody who you know, 1211 00:50:28,239 --> 00:50:30,480 Speaker 12: you try to you try to get it right, and 1212 00:50:30,640 --> 00:50:32,880 Speaker 12: then you just can't. And it's like you just you 1213 00:50:32,960 --> 00:50:35,080 Speaker 12: don't look at it. You don't look at any relationship 1214 00:50:35,160 --> 00:50:39,080 Speaker 12: the same because of that one until you meet the 1215 00:50:39,160 --> 00:50:41,799 Speaker 12: one who replaces that love in your heart. 1216 00:50:42,560 --> 00:50:44,160 Speaker 4: That's why I shot the video the way that I did. 1217 00:50:44,320 --> 00:50:45,960 Speaker 13: Yes, and that is I bet you you can see 1218 00:50:45,960 --> 00:50:48,760 Speaker 13: the video. It's a really really nice visual. 1219 00:50:48,880 --> 00:50:49,520 Speaker 2: I really love it. 1220 00:50:50,960 --> 00:50:51,160 Speaker 4: Yeah. 1221 00:50:51,560 --> 00:50:54,359 Speaker 12: The completion of that is is the joy, the joy 1222 00:50:54,440 --> 00:50:57,200 Speaker 12: that my wife gave me and giving me my first daughter. 1223 00:50:57,560 --> 00:50:59,799 Speaker 12: You know, I love my boys, don't get me wrong, 1224 00:51:00,160 --> 00:51:02,960 Speaker 12: But every man who has a daughter, he understands what 1225 00:51:03,280 --> 00:51:06,400 Speaker 12: I'm saying when I say that daughters change you. 1226 00:51:07,160 --> 00:51:07,680 Speaker 2: I got full. 1227 00:51:07,760 --> 00:51:11,480 Speaker 4: They replace it, They replace a love that you can't explain. 1228 00:51:11,640 --> 00:51:12,040 Speaker 1: That's right. 1229 00:51:12,480 --> 00:51:14,800 Speaker 9: When you talk about relationships, Ussha and you talk I 1230 00:51:14,880 --> 00:51:18,080 Speaker 9: saw when you talk about being in toxic relationships throughout 1231 00:51:18,080 --> 00:51:19,920 Speaker 9: your life, can you admit to yourself that you might 1232 00:51:19,960 --> 00:51:21,799 Speaker 9: have been toxic once at some point? 1233 00:51:21,840 --> 00:51:22,320 Speaker 4: Absolutely? 1234 00:51:22,480 --> 00:51:26,400 Speaker 12: Okay, absolutely, you know uh and and it's obviously in 1235 00:51:26,480 --> 00:51:28,880 Speaker 12: the music to say so, But I think that We 1236 00:51:29,000 --> 00:51:32,040 Speaker 12: all are a product of what experiences we had as 1237 00:51:32,120 --> 00:51:35,320 Speaker 12: kids and what our idea of love is and what 1238 00:51:35,560 --> 00:51:38,520 Speaker 12: we you know, we perceive to actually be healthy love 1239 00:51:38,600 --> 00:51:42,799 Speaker 12: that might not necessarily be access is something that all 1240 00:51:43,480 --> 00:51:44,400 Speaker 12: you know people do have. 1241 00:51:44,760 --> 00:51:47,160 Speaker 4: But you know, is it better to have a. 1242 00:51:47,239 --> 00:51:50,359 Speaker 12: Ton when you really, you know, should really love yourself first? 1243 00:51:51,400 --> 00:51:53,320 Speaker 12: You know, all of those I mean, it's I was 1244 00:51:53,400 --> 00:51:54,839 Speaker 12: taught to be a player. You know what I'm saying, 1245 00:51:55,120 --> 00:51:56,759 Speaker 12: Hey player from the him Malayas. You know what I'm 1246 00:51:56,760 --> 00:51:59,600 Speaker 12: saying was I was killing them, you know what I'm saying. 1247 00:52:00,280 --> 00:52:01,840 Speaker 4: But you know. 1248 00:52:04,480 --> 00:52:05,600 Speaker 9: This man is a minute man. 1249 00:52:07,160 --> 00:52:09,960 Speaker 12: Yeah, you know what I'm saying and probably turned down 1250 00:52:10,040 --> 00:52:12,640 Speaker 12: more than I could ever choose to say. But I'm saying, 1251 00:52:13,160 --> 00:52:17,920 Speaker 12: like to be real toxic is something that I think 1252 00:52:17,960 --> 00:52:20,040 Speaker 12: we all got to individually work through. 1253 00:52:20,920 --> 00:52:21,480 Speaker 1: And I did. 1254 00:52:22,000 --> 00:52:24,520 Speaker 4: I did it. You know, in a matter of about 1255 00:52:24,920 --> 00:52:26,439 Speaker 4: five to six years of my life. 1256 00:52:26,600 --> 00:52:30,680 Speaker 12: Things changed because I changed because at my forty, my 1257 00:52:30,800 --> 00:52:33,200 Speaker 12: forty at the year changed my perspective and it made 1258 00:52:33,280 --> 00:52:34,560 Speaker 12: me want something more. 1259 00:52:34,600 --> 00:52:36,279 Speaker 4: It made me want to love myself more. 1260 00:52:36,680 --> 00:52:40,880 Speaker 12: It made me want to be a better person, hopefully 1261 00:52:40,960 --> 00:52:42,759 Speaker 12: for my children, so that they didn't have to be 1262 00:52:42,880 --> 00:52:44,239 Speaker 12: toxic in their lives. 1263 00:52:45,719 --> 00:52:47,800 Speaker 4: You know. But I think that all of it is, 1264 00:52:48,640 --> 00:52:51,640 Speaker 4: you know, kind of you know, living and learning. 1265 00:52:53,719 --> 00:52:55,440 Speaker 9: That's interesting you say that, because I feel like when 1266 00:52:55,480 --> 00:52:57,080 Speaker 9: you made that change, and we didn't even know you 1267 00:52:57,160 --> 00:52:59,560 Speaker 9: made that change, that's when it seemed like you started 1268 00:52:59,560 --> 00:53:01,359 Speaker 9: to get your flowers in a real way. That's when 1269 00:53:01,360 --> 00:53:04,799 Speaker 9: things started to shift, like the residency and everything started. 1270 00:53:04,520 --> 00:53:05,239 Speaker 1: Around that time. 1271 00:53:05,360 --> 00:53:07,320 Speaker 9: So that says a lot. You did the work on 1272 00:53:07,400 --> 00:53:10,160 Speaker 9: yourself and it came back to you in life. 1273 00:53:11,120 --> 00:53:12,680 Speaker 4: Yeah, we all can't. We all should. 1274 00:53:13,440 --> 00:53:17,120 Speaker 12: And part of it is is wanting to uh that 1275 00:53:17,320 --> 00:53:23,200 Speaker 12: belief and unwavering commitment to what you believe in your 1276 00:53:23,280 --> 00:53:25,440 Speaker 12: mind no matter what life is presenting you or what 1277 00:53:25,560 --> 00:53:29,400 Speaker 12: people may say about you. That doesn't matter what you 1278 00:53:29,560 --> 00:53:30,680 Speaker 12: feel about you matters. 1279 00:53:31,120 --> 00:53:33,960 Speaker 4: What I say I am is what matters. I'm a 1280 00:53:34,080 --> 00:53:35,279 Speaker 4: ruler in my own mind. 1281 00:53:35,719 --> 00:53:38,360 Speaker 12: I'm a king and I am building a kingdom in 1282 00:53:38,480 --> 00:53:41,360 Speaker 12: my own mind, and that is all that matters, no 1283 00:53:41,480 --> 00:53:44,839 Speaker 12: matter what may be said, no matter what anyone could 1284 00:53:44,920 --> 00:53:45,520 Speaker 12: choose to say. 1285 00:53:46,239 --> 00:53:47,360 Speaker 4: What I say matters. 1286 00:53:47,880 --> 00:53:50,279 Speaker 12: What I say goes in my life, and I am 1287 00:53:50,400 --> 00:53:53,759 Speaker 12: the architect of my own destiny. You know what I'm saying, 1288 00:53:53,800 --> 00:53:54,640 Speaker 12: and that's just something you. 1289 00:53:54,680 --> 00:53:57,080 Speaker 4: Got to you gotta remember, you gotta you gotta remind 1290 00:53:57,160 --> 00:53:58,799 Speaker 4: yourself of that every day, young man. 1291 00:53:59,200 --> 00:54:02,719 Speaker 12: Remind yourself that every day, young lady, that you are 1292 00:54:02,760 --> 00:54:04,840 Speaker 12: as great as you say you are, and if you 1293 00:54:04,920 --> 00:54:05,960 Speaker 12: believe it, it. 1294 00:54:06,000 --> 00:54:06,279 Speaker 4: Will be. 1295 00:54:07,840 --> 00:54:10,799 Speaker 9: Perfect. Way and man, Usher, make sure y'all go get 1296 00:54:10,840 --> 00:54:12,799 Speaker 9: the Coming Home album. Make sure you go check out 1297 00:54:12,840 --> 00:54:14,920 Speaker 9: Russia when he hits the roll this year. 1298 00:54:15,080 --> 00:54:16,200 Speaker 13: Yes, because I'm definitely going. 1299 00:54:16,400 --> 00:54:18,959 Speaker 12: Yeah, Yes, I'll see you out there cause you're coming 1300 00:54:19,000 --> 00:54:21,000 Speaker 12: to be more. You coming to Atlanta. We're playing for 1301 00:54:21,160 --> 00:54:23,239 Speaker 12: in Brooklyn, just so y'all know. So y'all get over there. 1302 00:54:23,320 --> 00:54:25,239 Speaker 14: Well, I gotta come to Baltimore, like I really gotta 1303 00:54:25,280 --> 00:54:26,680 Speaker 14: come in in. I gotta you're gonna bring. 1304 00:54:26,600 --> 00:54:31,400 Speaker 4: Me DC, Baltimore, Atlanta. I mean you Houston, but I 1305 00:54:31,560 --> 00:54:32,960 Speaker 4: got in Miami, but. 1306 00:54:33,040 --> 00:54:34,200 Speaker 9: I'm from Baltimore. 1307 00:54:34,520 --> 00:54:35,000 Speaker 2: I gotta go. 1308 00:54:35,120 --> 00:54:36,360 Speaker 13: I gotta go to the You're gonna bring me on 1309 00:54:36,400 --> 00:54:38,920 Speaker 13: stay so I can say I love you or do. 1310 00:54:41,280 --> 00:54:42,279 Speaker 4: I got you? All right? 1311 00:54:43,440 --> 00:54:45,759 Speaker 1: It's Usher Raymond. Y'all, thank you for checking in. My brother. 1312 00:54:46,520 --> 00:54:47,759 Speaker 4: You're bringing your husband with you. 1313 00:54:48,360 --> 00:54:49,560 Speaker 2: I should am, I am. 1314 00:54:49,640 --> 00:54:51,360 Speaker 13: I'll be married by then. Yes, I'm gonna bring it 1315 00:54:51,440 --> 00:54:51,600 Speaker 13: with me. 1316 00:54:53,280 --> 00:54:54,759 Speaker 9: He want to make sure you bring your husband so 1317 00:54:54,840 --> 00:54:58,560 Speaker 9: he can have something extra special, spicy done to you. 1318 00:54:59,040 --> 00:55:00,400 Speaker 2: That's what that's what you want. 1319 00:55:00,520 --> 00:55:02,439 Speaker 13: No, you're gonna lift me up, he said, He's gonna 1320 00:55:02,480 --> 00:55:02,960 Speaker 13: keep pushing me. 1321 00:55:05,200 --> 00:55:06,879 Speaker 9: It's Usher Raymond. It's the breakfast Club. 1322 00:55:08,640 --> 00:55:10,200 Speaker 2: If you're like into the breakfast club. 1323 00:55:13,640 --> 00:55:15,040 Speaker 1: This time for Donkey of the Day. 1324 00:55:15,320 --> 00:55:19,239 Speaker 14: Donkey, I'm a Democrat, so being Donky of the Day 1325 00:55:19,440 --> 00:55:21,360 Speaker 14: is a little bit of a mixed so like a 1326 00:55:21,440 --> 00:55:24,000 Speaker 14: donkey here today. 1327 00:55:26,640 --> 00:55:26,839 Speaker 1: Club. 1328 00:55:27,920 --> 00:55:29,759 Speaker 2: Now I've been called a lot of my twenty three 1329 00:55:29,800 --> 00:55:30,759 Speaker 2: years that Donkey of. 1330 00:55:30,800 --> 00:55:31,839 Speaker 13: The Bay is a new wife. 1331 00:55:32,360 --> 00:55:35,320 Speaker 9: Yes, Donkey to day goes to a former where the 1332 00:55:35,440 --> 00:55:38,560 Speaker 9: music at Eddie can't. Okay, now we're talking. Go to 1333 00:55:38,680 --> 00:55:42,799 Speaker 9: a former target worker from Virginia named by zen Bear 1334 00:55:43,000 --> 00:55:45,320 Speaker 9: I think that's his name, who has been sentenced to 1335 00:55:45,360 --> 00:55:47,759 Speaker 9: a whole century in prison, one hundred years. I have 1336 00:55:47,960 --> 00:55:50,480 Speaker 9: no idea why judges be playing with people like that, Like, 1337 00:55:50,520 --> 00:55:53,280 Speaker 9: what is the point? Just sentence me to favil Okay, 1338 00:55:53,920 --> 00:55:56,839 Speaker 9: just sentence me to for all of eternity. Matter of fact, 1339 00:55:57,000 --> 00:55:59,160 Speaker 9: just let me ask the judge a question. Judge, am 1340 00:55:59,160 --> 00:56:01,399 Speaker 9: I ever getting out and the judge can simply say 1341 00:56:01,600 --> 00:56:05,080 Speaker 9: no period. Okay, anything sounds better than one hundred years. 1342 00:56:05,400 --> 00:56:07,399 Speaker 9: My brain can't even process that. If it judge gives 1343 00:56:07,400 --> 00:56:10,160 Speaker 9: you one hundred years, you should automatically be granted permission 1344 00:56:10,320 --> 00:56:13,600 Speaker 9: to run and swan dive over the desk at that judge. Okay, 1345 00:56:13,680 --> 00:56:16,040 Speaker 9: that's when you're supposed to make those kinds of leaps. 1346 00:56:16,280 --> 00:56:18,680 Speaker 9: But once again, as I tell y'all every other day, 1347 00:56:18,960 --> 00:56:21,359 Speaker 9: life is about choices. Okay, Destiny is not a matter 1348 00:56:21,400 --> 00:56:23,680 Speaker 9: of chance. It's a matter of choice, and Bazin Barr 1349 00:56:23,920 --> 00:56:26,320 Speaker 9: made a very poor choice. Now, today's donkey of the 1350 00:56:26,400 --> 00:56:29,080 Speaker 9: Day is a teachable moment because so many people have 1351 00:56:29,160 --> 00:56:31,960 Speaker 9: been faced with the challenge that Bizin was faced with. 1352 00:56:32,120 --> 00:56:34,640 Speaker 9: So many people every day who listen to the Breakfast 1353 00:56:34,680 --> 00:56:37,000 Speaker 9: Club have had to deal with what Bizin has had 1354 00:56:37,040 --> 00:56:38,960 Speaker 9: to deal with. Okay, but I bet you handled it 1355 00:56:39,120 --> 00:56:41,920 Speaker 9: better than he did. What are you talking about, cause Challah? Well, 1356 00:56:42,000 --> 00:56:45,120 Speaker 9: let's go to A seven's ABC seven News. ABC seven 1357 00:56:45,200 --> 00:56:47,160 Speaker 9: dues on your side for the report polease knew it? 1358 00:56:47,280 --> 00:56:50,319 Speaker 16: For a judge's sentence see an Alexandria man to one 1359 00:56:50,520 --> 00:56:54,080 Speaker 16: hundred years in prison after he killed his coworker in 1360 00:56:54,160 --> 00:56:57,480 Speaker 16: a target parking lot in Bailey's Crossroads. Back in twenty 1361 00:56:57,520 --> 00:57:00,399 Speaker 16: twenty one, twenty five year old bos And Berry killed 1362 00:57:00,440 --> 00:57:04,960 Speaker 16: Hernan Levia. During the trial, prosecutors argue that Barry planned 1363 00:57:05,040 --> 00:57:08,320 Speaker 16: the murder after his coworker took his lunch from the 1364 00:57:08,400 --> 00:57:12,520 Speaker 16: office fridge. Days later, Barry attacked the victim and stabbed 1365 00:57:12,560 --> 00:57:16,480 Speaker 16: him several times after their work shift. Barry plead guilty 1366 00:57:16,760 --> 00:57:18,520 Speaker 16: to first degree murder in October. 1367 00:57:19,720 --> 00:57:24,520 Speaker 17: Lunch, bro, you killed someone because they stole your lunch 1368 00:57:24,920 --> 00:57:28,040 Speaker 17: out of the fridge at work, because they stole your 1369 00:57:28,240 --> 00:57:29,800 Speaker 17: food out of the refrigerator. 1370 00:57:30,040 --> 00:57:33,800 Speaker 9: I understand sometime life is about principle. Okay, I get it. 1371 00:57:33,920 --> 00:57:36,560 Speaker 9: He thought you was soft. You had to show him otherwise. 1372 00:57:36,640 --> 00:57:38,160 Speaker 1: But now what You. 1373 00:57:38,320 --> 00:57:41,160 Speaker 9: Killed someone over lunch only to go to prison and 1374 00:57:41,320 --> 00:57:44,080 Speaker 9: end up being someone snack And you gave it because 1375 00:57:44,120 --> 00:57:45,880 Speaker 9: what else do you have to do over the next 1376 00:57:45,920 --> 00:57:50,439 Speaker 9: one hundred years? And he's only twenty five, little young tender. Okay, 1377 00:57:50,480 --> 00:57:53,160 Speaker 9: I'm telling you. People are sick out here all right. 1378 00:57:53,240 --> 00:57:56,200 Speaker 9: Folks need psychiatric help. So many people that are walking 1379 00:57:56,240 --> 00:57:59,320 Speaker 9: amongst us need to be under somebody's care. They need 1380 00:57:59,400 --> 00:58:01,360 Speaker 9: to be medical. I don't know what this man was 1381 00:58:01,400 --> 00:58:03,320 Speaker 9: dealing with. I don't know what he was going through 1382 00:58:03,560 --> 00:58:06,560 Speaker 9: or whatever it was. This situation puts him over the edge. 1383 00:58:06,760 --> 00:58:07,000 Speaker 1: Okay. 1384 00:58:07,120 --> 00:58:10,520 Speaker 9: You don't just go zero to sixty over a sandwich, 1385 00:58:10,760 --> 00:58:12,880 Speaker 9: all right. This must have been a meal his grandmother 1386 00:58:13,040 --> 00:58:15,600 Speaker 9: or mother cook, and he bought the leftover with him 1387 00:58:15,640 --> 00:58:17,680 Speaker 9: to work. This had to be some sort of comfort 1388 00:58:17,760 --> 00:58:21,560 Speaker 9: food like this food had to have some sentimental value, okay. 1389 00:58:21,880 --> 00:58:23,600 Speaker 9: That he had to be something that this man was 1390 00:58:23,640 --> 00:58:27,120 Speaker 9: looking forward to. And you had the audacity to steal it, 1391 00:58:27,400 --> 00:58:30,000 Speaker 9: eat it, and then just come back to work like 1392 00:58:30,080 --> 00:58:32,760 Speaker 9: it's all good. Called the man to snap. 1393 00:58:33,280 --> 00:58:33,520 Speaker 1: Okay. 1394 00:58:33,600 --> 00:58:35,520 Speaker 9: I can't believe I have to say this, but I 1395 00:58:35,560 --> 00:58:38,000 Speaker 9: don't care how disgruntled you are. There is not a 1396 00:58:38,160 --> 00:58:41,200 Speaker 9: chicken salad anywhere on this planet that's good enough to 1397 00:58:41,280 --> 00:58:44,560 Speaker 9: take somebody's life and get a century in prison. I 1398 00:58:44,640 --> 00:58:46,480 Speaker 9: don't even know if he was eating chicken salad, But 1399 00:58:46,480 --> 00:58:48,640 Speaker 9: wouldn't it be ironic if he did all of this 1400 00:58:48,800 --> 00:58:51,200 Speaker 9: for a toss salad only to end up in prison 1401 00:58:51,480 --> 00:58:55,760 Speaker 9: tossing salads for the next one hundred Yes, listen to me, though, man, 1402 00:58:55,840 --> 00:58:57,840 Speaker 9: it's a lot of things that's interesting to me about 1403 00:58:57,920 --> 00:59:01,479 Speaker 9: this story. But one that stands out is he thought 1404 00:59:01,520 --> 00:59:04,160 Speaker 9: about this when you read the report, he thought about this. 1405 00:59:04,320 --> 00:59:07,000 Speaker 9: It's a premeditated murder. He didn't look in the fridge 1406 00:59:07,040 --> 00:59:10,160 Speaker 9: and see his lunch was stolen. He went home, okay 1407 00:59:10,520 --> 00:59:13,160 Speaker 9: and said, well, he didn't just look in the fridge 1408 00:59:13,320 --> 00:59:15,080 Speaker 9: and see his lunch was stolen, and then you know, 1409 00:59:16,120 --> 00:59:18,400 Speaker 9: confront the man right there. He went home and said 1410 00:59:18,440 --> 00:59:21,440 Speaker 9: he spent the next few days plotting his revenge. 1411 00:59:22,880 --> 00:59:25,600 Speaker 1: Think about that. He went home for three days. 1412 00:59:25,400 --> 00:59:27,640 Speaker 9: And plotted his revenge. And this is why I think 1413 00:59:27,760 --> 00:59:31,760 Speaker 9: like meditation is so important, breathing exercises, having someone to 1414 00:59:31,840 --> 00:59:32,520 Speaker 9: talk to you. 1415 00:59:32,560 --> 00:59:33,120 Speaker 1: Mean to tell me. 1416 00:59:33,240 --> 00:59:35,840 Speaker 9: Over the course of three days, he couldn't let go 1417 00:59:35,920 --> 00:59:38,760 Speaker 9: of the fact that his tuna sandwich got stolen, his 1418 00:59:38,920 --> 00:59:41,720 Speaker 9: homemade pizza peanut butter jelly sandwich got took and he 1419 00:59:41,760 --> 00:59:45,840 Speaker 9: couldn't shake that off. This man had severe anger issues 1420 00:59:45,880 --> 00:59:48,160 Speaker 9: that he never got the help for. And that is 1421 00:59:48,240 --> 00:59:51,800 Speaker 9: the moral of the story. Anger resembles fire, and like 1422 00:59:51,880 --> 00:59:54,080 Speaker 9: the fire, if you keep feeding it, it will get 1423 00:59:54,160 --> 00:59:57,520 Speaker 9: stronger and harm you. If you stop feeding anger with 1424 00:59:57,640 --> 01:00:02,160 Speaker 9: your attention, it will fade away. This man held this 1425 01:00:02,320 --> 01:00:04,800 Speaker 9: for three days. Not one of those days did he 1426 01:00:04,880 --> 01:00:09,640 Speaker 9: have lunch. One lunch after the lunch that God stolen 1427 01:00:09,800 --> 01:00:11,880 Speaker 9: will remind him that lunch goes on. 1428 01:00:12,440 --> 01:00:14,640 Speaker 1: He was moving like he only had one. 1429 01:00:14,640 --> 01:00:17,840 Speaker 9: Lunch to live, and that's not how lunch works. Listen, 1430 01:00:17,960 --> 01:00:20,560 Speaker 9: we must be willing to let go of the lunch 1431 01:00:20,640 --> 01:00:23,800 Speaker 9: we planned so as to have the lunch that is 1432 01:00:23,840 --> 01:00:27,200 Speaker 9: waiting for us, not you basing, no, no, no. The 1433 01:00:27,320 --> 01:00:29,400 Speaker 9: lunch that is waiting for you right now is two 1434 01:00:29,560 --> 01:00:33,440 Speaker 9: mixed grain sandwiches, one roast beef relish and salad, our 1435 01:00:33,560 --> 01:00:37,040 Speaker 9: tomato mayo and salad, one egg mayonnaise in salad, and 1436 01:00:37,160 --> 01:00:40,080 Speaker 9: one serving a fresh fruit. That's what's waiting for you 1437 01:00:40,240 --> 01:00:43,480 Speaker 9: for the next hundred years. Dinner gonna go crazy, though, 1438 01:00:44,320 --> 01:00:52,440 Speaker 9: one maybe two blue vein sausages. Okay, that beef whistle 1439 01:00:52,480 --> 01:00:55,480 Speaker 9: you gotta blow on because it may be too hot. Okay, 1440 01:00:56,600 --> 01:01:00,480 Speaker 9: you don't even want to see that custard luncher for dessert. Okay, 1441 01:01:01,080 --> 01:01:10,800 Speaker 9: please give bazen Bear the biggest he hull crazy world 1442 01:01:10,800 --> 01:01:13,320 Speaker 9: are we living in, y'all? Mister breakfast Club, Good morning. 1443 01:01:14,480 --> 01:01:20,600 Speaker 15: The Breakfast Club, owing everybody, It's the j Envy Jess 1444 01:01:20,680 --> 01:01:23,240 Speaker 15: Hilariy Isshalla mean the guy we are the Breakfast Club. 1445 01:01:23,520 --> 01:01:24,680 Speaker 15: We got a special guest in. 1446 01:01:24,720 --> 01:01:27,360 Speaker 1: The building, the legendary Jermaine dupri Yeah. 1447 01:01:27,400 --> 01:01:30,120 Speaker 2: Yeah, what's having up, Jenny going on? Now let's talk 1448 01:01:30,120 --> 01:01:31,960 Speaker 2: about Freakney, this Freaknick documentary. 1449 01:01:32,240 --> 01:01:32,439 Speaker 1: Yeah. 1450 01:01:32,640 --> 01:01:35,880 Speaker 15: Now, when making this documentary, you had tons of ladies 1451 01:01:35,920 --> 01:01:38,120 Speaker 15: and men scared that they were going to see their pictures, 1452 01:01:38,560 --> 01:01:40,760 Speaker 15: their asses on the screen. But it was it was 1453 01:01:40,840 --> 01:01:43,160 Speaker 15: well done. It wasn't done in a disrespectful way. It 1454 01:01:43,240 --> 01:01:45,360 Speaker 15: was it was so explain to it this documentary. 1455 01:01:45,400 --> 01:01:47,520 Speaker 18: How it came out, Yeah, I mean it came about 1456 01:01:47,520 --> 01:01:50,760 Speaker 18: I think Luke was trying to do this initially, and 1457 01:01:50,880 --> 01:01:53,160 Speaker 18: then they started having conversations about it, and Luke said, 1458 01:01:53,400 --> 01:01:55,800 Speaker 18: you know, he can't do it if I wasn't involved. 1459 01:01:55,840 --> 01:01:57,320 Speaker 2: And then when they came to talk to me about it, 1460 01:01:57,480 --> 01:01:58,520 Speaker 2: I said the same thing to them. 1461 01:01:58,600 --> 01:02:00,600 Speaker 18: I'm like, well, I wouldn't do this if wasn't involved, 1462 01:02:00,600 --> 01:02:02,480 Speaker 18: and they like, well we got Luke, so we got you, 1463 01:02:02,600 --> 01:02:04,520 Speaker 18: and I'm like yeah. So it went from there and 1464 01:02:04,560 --> 01:02:06,760 Speaker 18: then it just kind of just started moving pretty fast. 1465 01:02:06,800 --> 01:02:08,560 Speaker 18: And then I just wanted to make sure that the 1466 01:02:08,720 --> 01:02:12,560 Speaker 18: story was told from all perspectives because the people that 1467 01:02:12,720 --> 01:02:15,040 Speaker 18: was concerned about the ass is showing and all of that. 1468 01:02:15,280 --> 01:02:17,520 Speaker 18: They don't understand how young I was when Freak Nick 1469 01:02:17,760 --> 01:02:22,960 Speaker 18: was actually popping. So my perspective of Freaknick wasn't that perspective. 1470 01:02:23,040 --> 01:02:25,280 Speaker 18: I ain't see all that because I wasn't able to 1471 01:02:25,320 --> 01:02:27,160 Speaker 18: get into the clubs and all of this type of stuff. 1472 01:02:27,160 --> 01:02:30,160 Speaker 18: So my perspective was I was part of the street traffic. 1473 01:02:30,720 --> 01:02:33,320 Speaker 18: I was out in the streets, I was dancing outside 1474 01:02:33,360 --> 01:02:35,160 Speaker 18: the cars. I was on Pea Street. I was that 1475 01:02:35,320 --> 01:02:36,840 Speaker 18: was that was a part of freak Nick, and I 1476 01:02:36,880 --> 01:02:39,560 Speaker 18: saw other people saw Luke got a different story than 1477 01:02:39,600 --> 01:02:41,360 Speaker 18: other people. So it's just really important for me to 1478 01:02:41,440 --> 01:02:44,600 Speaker 18: see make sure that we made you see everybody's different perspective. 1479 01:02:44,640 --> 01:02:46,520 Speaker 18: How much did y'all have to water to duck down 1480 01:02:46,760 --> 01:02:48,840 Speaker 18: because of this laying mass cancel culture. 1481 01:02:48,600 --> 01:02:49,479 Speaker 2: Era that none? 1482 01:02:49,520 --> 01:02:51,919 Speaker 18: Because I mean you, I feel like, ultimately what people 1483 01:02:51,920 --> 01:02:53,880 Speaker 18: don't understand is this is black culture. 1484 01:02:54,040 --> 01:02:55,680 Speaker 2: Are you embarrassed by culching? 1485 01:02:55,960 --> 01:02:56,000 Speaker 4: Like? 1486 01:02:56,160 --> 01:02:58,240 Speaker 18: Are you embarrassed that you went to a HBCU and 1487 01:02:58,320 --> 01:03:00,600 Speaker 18: this is how y'all act? If that's how you feel, 1488 01:03:00,720 --> 01:03:03,240 Speaker 18: then you should just change your color of your skin, 1489 01:03:03,400 --> 01:03:05,880 Speaker 18: because this is that's life. In Atlanta, we got four, 1490 01:03:06,200 --> 01:03:07,960 Speaker 18: you know what I mean. Where everywhere else got one, 1491 01:03:08,480 --> 01:03:10,120 Speaker 18: y'all got Hampton and one. 1492 01:03:10,440 --> 01:03:11,360 Speaker 2: We have four of them. 1493 01:03:11,440 --> 01:03:13,400 Speaker 18: So if you put all of that energy in one place, 1494 01:03:14,040 --> 01:03:16,800 Speaker 18: it's just what black culture is. Absolutely How did twenty 1495 01:03:16,840 --> 01:03:18,320 Speaker 18: one Savage get to be a part of it? I 1496 01:03:18,880 --> 01:03:21,919 Speaker 18: know that this was youall, Era, you and Uncle Luke, 1497 01:03:21,960 --> 01:03:24,040 Speaker 18: but how did hook up it? Well, twenty one he 1498 01:03:24,200 --> 01:03:27,000 Speaker 18: been doing his birthday party and the theme with his 1499 01:03:27,080 --> 01:03:29,919 Speaker 18: birthday party is Freaknick, even for the past couple of years. 1500 01:03:30,040 --> 01:03:32,920 Speaker 18: So at first I was like no, but then you 1501 01:03:33,080 --> 01:03:35,080 Speaker 18: know he lived Atlanta, he from well, I mean, you know, 1502 01:03:35,360 --> 01:03:37,760 Speaker 18: he's not from Atlanta, but he's from Base basically from Atlanta. 1503 01:03:37,840 --> 01:03:40,880 Speaker 18: So if you're from Atlanta, you felt the repercussions of 1504 01:03:41,000 --> 01:03:43,160 Speaker 18: something from Freaknik at some point. 1505 01:03:43,440 --> 01:03:45,760 Speaker 15: It's crazy because you know, going to Hampton. Of course, 1506 01:03:45,960 --> 01:03:50,000 Speaker 15: Freaknik created so many different gatherings right Philly, Greek Fourth 1507 01:03:50,000 --> 01:03:53,000 Speaker 15: of July and Virginia Jones Beach, New York City. It 1508 01:03:53,080 --> 01:03:54,080 Speaker 15: all started from Freaknick. 1509 01:03:54,160 --> 01:03:56,000 Speaker 2: But I just thought it was a party that a 1510 01:03:56,080 --> 01:03:58,280 Speaker 2: party that was created just for people a while out. 1511 01:03:58,320 --> 01:03:59,560 Speaker 2: That's what I thought it was. When when you were 1512 01:03:59,600 --> 01:04:00,640 Speaker 2: in college what you think it was. 1513 01:04:00,960 --> 01:04:03,320 Speaker 15: But the fact that it was created for students that 1514 01:04:03,360 --> 01:04:05,439 Speaker 15: didn't have any money was something you want to break 1515 01:04:05,440 --> 01:04:06,920 Speaker 15: that down because I thought it was created for a 1516 01:04:06,960 --> 01:04:07,680 Speaker 15: whole different reason. 1517 01:04:07,760 --> 01:04:09,360 Speaker 18: Well, I mean, that's what I'm saying a lot of people. 1518 01:04:10,000 --> 01:04:11,520 Speaker 18: I didn't go to college, so I can't you know 1519 01:04:11,560 --> 01:04:13,120 Speaker 18: what I mean. I didn't know that either. So the 1520 01:04:13,320 --> 01:04:16,800 Speaker 18: the person that's watching this, that's probably me that didn't 1521 01:04:16,840 --> 01:04:20,640 Speaker 18: go to college, that don't know nothing about that lifestyle. 1522 01:04:21,000 --> 01:04:23,560 Speaker 18: You don't understand that these kids that come from DC 1523 01:04:23,800 --> 01:04:25,360 Speaker 18: or New York or wherever they come, they go all 1524 01:04:25,400 --> 01:04:28,000 Speaker 18: the way to Atlanta. You think that they got money 1525 01:04:28,080 --> 01:04:30,600 Speaker 18: to just fly back home on spring break and just 1526 01:04:30,880 --> 01:04:33,280 Speaker 18: well back then, we didn't fly back. We would drive exactly. 1527 01:04:33,320 --> 01:04:35,200 Speaker 18: We didn't know what I'm saying. So it's like that's 1528 01:04:35,240 --> 01:04:38,840 Speaker 18: another thing that that this documentary shows of how unmanual 1529 01:04:38,920 --> 01:04:42,680 Speaker 18: we are as people. Unmanual, Yeah, unmanual, because we are 1530 01:04:42,760 --> 01:04:47,040 Speaker 18: as people because you guys used to drive. Now, when 1531 01:04:47,120 --> 01:04:48,920 Speaker 18: you think you're gonna see four girls from New York 1532 01:04:49,000 --> 01:04:51,720 Speaker 18: getting a car and drive to Atlanta just to have fun, 1533 01:04:51,920 --> 01:04:54,680 Speaker 18: no way, it's never their lines ninety You know what 1534 01:04:54,720 --> 01:04:57,960 Speaker 18: I'm saying, so it just shows you that type of stuff. 1535 01:04:58,000 --> 01:05:00,680 Speaker 18: And then like you know, so you you should see 1536 01:05:00,760 --> 01:05:03,000 Speaker 18: that freak Nick is like, oh, these were some kids 1537 01:05:03,040 --> 01:05:06,560 Speaker 18: that couldn't go home. They didn't know what their spring 1538 01:05:06,640 --> 01:05:08,600 Speaker 18: break was gonna be. Like they watching all these white 1539 01:05:08,680 --> 01:05:11,720 Speaker 18: kids go to go to then the beach and all this, 1540 01:05:11,840 --> 01:05:13,880 Speaker 18: and they got money. But these kids are stuck in Lanta. 1541 01:05:13,920 --> 01:05:16,040 Speaker 18: It ain't got no money. So they threw a picnic 1542 01:05:16,480 --> 01:05:19,800 Speaker 18: that turned into freak Nick. That's a that's an American 1543 01:05:19,960 --> 01:05:21,080 Speaker 18: black history story. 1544 01:05:21,480 --> 01:05:23,280 Speaker 1: Oh, people weren't afraid to be broke back then. 1545 01:05:23,720 --> 01:05:27,720 Speaker 2: Yeah, well, I mean you have no trust trust to 1546 01:05:27,760 --> 01:05:28,280 Speaker 2: be afraid. 1547 01:05:28,440 --> 01:05:31,160 Speaker 9: But no, nowadays, people confront right, so everybody can pretend 1548 01:05:31,240 --> 01:05:33,760 Speaker 9: to something that you can pretend to have more than 1549 01:05:33,760 --> 01:05:34,080 Speaker 9: you got. 1550 01:05:34,360 --> 01:05:35,040 Speaker 1: Nobody wants to. 1551 01:05:35,560 --> 01:05:38,440 Speaker 18: I mean they still they, you know they they I mean, 1552 01:05:38,520 --> 01:05:40,360 Speaker 18: well you yeah, you know, I'll be saying, these girls 1553 01:05:40,440 --> 01:05:43,320 Speaker 18: go to Tuloom and I'm sure they sharing rooms. 1554 01:05:43,520 --> 01:05:49,400 Speaker 2: Yeah, didn't matter like that didn't you know what I'm saying. 1555 01:05:49,400 --> 01:05:51,520 Speaker 15: It didn't matter like you would go to you know, 1556 01:05:51,920 --> 01:05:54,560 Speaker 15: Philly Greek or Fourth of July and Virginia and it'd 1557 01:05:54,600 --> 01:05:56,520 Speaker 15: be seven of us in the room, and nobody thought 1558 01:05:56,520 --> 01:05:58,480 Speaker 15: about it saying it wasn't we broke and be like, 1559 01:05:58,520 --> 01:05:59,920 Speaker 15: oh you got the floor, you got the eye, you 1560 01:06:00,040 --> 01:06:00,720 Speaker 15: take your quick shout. 1561 01:06:00,800 --> 01:06:02,840 Speaker 2: But that's what it was. It was all hanging out 1562 01:06:02,840 --> 01:06:04,560 Speaker 2: as brothers. It didn't matter. That's why I thought it 1563 01:06:04,680 --> 01:06:05,200 Speaker 2: was for me. 1564 01:06:05,360 --> 01:06:07,280 Speaker 18: That's why as we got into it, that's why I 1565 01:06:07,320 --> 01:06:09,480 Speaker 18: was like, this has to come out because people we 1566 01:06:09,600 --> 01:06:11,640 Speaker 18: don't see this in black culture. We just keep trying 1567 01:06:11,640 --> 01:06:13,840 Speaker 18: to make it seem like everybody got money and everybody 1568 01:06:13,920 --> 01:06:16,040 Speaker 18: do this and nothing. No, it was a time when 1569 01:06:16,360 --> 01:06:18,760 Speaker 18: none of that mattered, right, And I I liked when 1570 01:06:18,840 --> 01:06:21,520 Speaker 18: Jalen Rose was somethingbout how he got to Freaknick. He 1571 01:06:21,680 --> 01:06:24,040 Speaker 18: took his cousin car something, and it was just like, 1572 01:06:24,480 --> 01:06:26,080 Speaker 18: as long as I get a car, I'm out, we 1573 01:06:26,160 --> 01:06:28,000 Speaker 18: get into Freaknick. And that was the same thing with me. 1574 01:06:28,080 --> 01:06:30,360 Speaker 18: When I was well six, Chambe, I had just got 1575 01:06:30,400 --> 01:06:32,680 Speaker 18: my first car. My first car was a Valari, a 1576 01:06:32,800 --> 01:06:35,560 Speaker 18: two door Valori. Probably listening don't even know what that is. 1577 01:06:35,960 --> 01:06:38,080 Speaker 18: But it was an ugly ass car that looked like 1578 01:06:38,160 --> 01:06:41,320 Speaker 18: a Pacer mixed with something else, right, And I ain't 1579 01:06:41,360 --> 01:06:43,840 Speaker 18: care what the car looked like. I just was able 1580 01:06:43,960 --> 01:06:47,200 Speaker 18: to drive around Atlanta while this was happening, and that's all. 1581 01:06:47,320 --> 01:06:50,400 Speaker 18: That's ultimately what your The goal was, can you get 1582 01:06:50,560 --> 01:06:54,000 Speaker 18: into the freaknick, Can you get into traffic? If you're 1583 01:06:54,000 --> 01:06:55,560 Speaker 18: sitting at home and you can't get it, that's when 1584 01:06:55,560 --> 01:06:57,680 Speaker 18: you're mad. But if you have a car, that's what all. 1585 01:06:57,760 --> 01:06:58,680 Speaker 18: That's all it was about. 1586 01:06:59,200 --> 01:07:02,640 Speaker 15: It's crazy how how how they easily canceled black events 1587 01:07:02,720 --> 01:07:05,080 Speaker 15: right while you look at Daytuna Beach, you look at 1588 01:07:05,400 --> 01:07:07,880 Speaker 15: Miami spring Break, you look at where the white kids 1589 01:07:07,960 --> 01:07:09,680 Speaker 15: go for their spring break, and they wild out, they 1590 01:07:09,720 --> 01:07:12,200 Speaker 15: get drunk, they fight, and all types of stuff. But 1591 01:07:12,320 --> 01:07:14,560 Speaker 15: those events never get canceled. It seemed like they tried 1592 01:07:14,560 --> 01:07:17,080 Speaker 15: to tame it, but they just totally canceled freaking it, 1593 01:07:17,720 --> 01:07:18,440 Speaker 15: which is crazy. 1594 01:07:18,600 --> 01:07:21,280 Speaker 2: I mean they had to because it was bad. 1595 01:07:21,440 --> 01:07:22,680 Speaker 18: I mean it got to a point now And I'm 1596 01:07:22,720 --> 01:07:25,400 Speaker 18: not talking about the misconduct with the guys and the girls. 1597 01:07:25,440 --> 01:07:28,560 Speaker 2: I'm talking about just the traffic and how the city 1598 01:07:28,680 --> 01:07:29,240 Speaker 2: was dealing with it. 1599 01:07:29,320 --> 01:07:32,240 Speaker 18: Because ultimately, these guys that was at they school, they 1600 01:07:32,280 --> 01:07:35,520 Speaker 18: started something. They never talked to the people in the city, 1601 01:07:35,800 --> 01:07:38,360 Speaker 18: so the city had no idea what was actually happening. 1602 01:07:38,600 --> 01:07:40,040 Speaker 2: When it got out of control. 1603 01:07:40,360 --> 01:07:43,040 Speaker 18: They just start trying to control it the best way 1604 01:07:43,040 --> 01:07:46,000 Speaker 18: they could, but they weren't even talking to the DC 1605 01:07:46,200 --> 01:07:48,680 Speaker 18: Metro Club, right, So it's like at that point, it's 1606 01:07:48,720 --> 01:07:52,560 Speaker 18: like Frankenstein. You're gonna created a monster and y'all can't 1607 01:07:52,600 --> 01:07:54,240 Speaker 18: control this. You got the only thing you can do 1608 01:07:54,360 --> 01:07:56,800 Speaker 18: is shut it down at least for a second and 1609 01:07:56,920 --> 01:07:58,520 Speaker 18: try to see if y'all can figure out how. 1610 01:07:58,440 --> 01:08:00,840 Speaker 2: To make it work. Did it ever come back? We 1611 01:08:01,040 --> 01:08:03,440 Speaker 2: tried a couple of years ago. Now I don't think. 1612 01:08:03,600 --> 01:08:05,400 Speaker 18: I mean, I think it could come back, you know, 1613 01:08:05,480 --> 01:08:08,440 Speaker 18: if people really really sit down and figure out how 1614 01:08:08,520 --> 01:08:11,840 Speaker 18: to make it into essence Fest, because that's basically what 1615 01:08:11,920 --> 01:08:14,120 Speaker 18: it should have become. It should have become the essence 1616 01:08:14,200 --> 01:08:17,120 Speaker 18: Fest of Atlanta, Right. But the traffic part of it 1617 01:08:17,760 --> 01:08:18,080 Speaker 18: that was. 1618 01:08:18,120 --> 01:08:20,240 Speaker 1: The most of the people who go to others now 1619 01:08:20,479 --> 01:08:21,599 Speaker 1: probably used to go to Freaking. 1620 01:08:23,640 --> 01:08:24,960 Speaker 2: All them black people was at Freaking. 1621 01:08:25,280 --> 01:08:27,080 Speaker 15: You just got to define the name because when people 1622 01:08:27,120 --> 01:08:30,320 Speaker 15: hear the name Freaknick, they think it's gonna be a yeah. 1623 01:08:30,360 --> 01:08:31,760 Speaker 2: But I'm saying we can get past that. We got 1624 01:08:31,800 --> 01:08:37,400 Speaker 2: Slutty Vegan now, I. 1625 01:08:37,400 --> 01:08:40,320 Speaker 9: Don't think it's too much cameras now, yeah, that's another thing. 1626 01:08:40,360 --> 01:08:42,160 Speaker 2: I think that that's that's the other thing. That's the 1627 01:08:42,160 --> 01:08:42,880 Speaker 2: only thing I would say. 1628 01:08:42,880 --> 01:08:45,160 Speaker 18: If you go to Freaknick, now, you gotta put your 1629 01:08:45,200 --> 01:08:46,880 Speaker 18: phone away because you have missed the girls dancing on 1630 01:08:46,960 --> 01:08:50,599 Speaker 18: the cars, like the fact that you was driving down 1631 01:08:50,680 --> 01:08:54,880 Speaker 18: the street and you were looking for everything. It's how 1632 01:08:55,000 --> 01:08:58,280 Speaker 18: you saw freaking it. If somebody down there doing this, 1633 01:08:58,960 --> 01:09:02,639 Speaker 18: you're gonna miss every So that's another thing you gotta 1634 01:09:02,920 --> 01:09:05,120 Speaker 18: you know. And maybe the hype of it and people 1635 01:09:05,240 --> 01:09:07,240 Speaker 18: saying it might make people want to see it. But 1636 01:09:07,800 --> 01:09:10,360 Speaker 18: I just think people are so like attached to their 1637 01:09:10,439 --> 01:09:13,639 Speaker 18: phones and they think everything is more important than their phone, 1638 01:09:13,680 --> 01:09:16,000 Speaker 18: as opposed and seeing what's happening outside. 1639 01:09:16,240 --> 01:09:18,439 Speaker 9: And how come nobody ever focuses on some of the 1640 01:09:18,520 --> 01:09:20,439 Speaker 9: women that went down there because they wanted to have 1641 01:09:20,520 --> 01:09:22,479 Speaker 9: a good time, Like they wanted to go out there 1642 01:09:23,040 --> 01:09:25,760 Speaker 9: and be loose and wild and liberated. 1643 01:09:25,400 --> 01:09:26,200 Speaker 2: Because you'reaking out. 1644 01:09:26,360 --> 01:09:28,000 Speaker 18: Oh yeah, we talked about that, Okay, we let the 1645 01:09:28,000 --> 01:09:30,439 Speaker 18: girls talk about that, the show that they was grabbing 1646 01:09:30,479 --> 01:09:30,880 Speaker 18: the dudes. 1647 01:09:31,200 --> 01:09:31,360 Speaker 19: You know. 1648 01:09:33,240 --> 01:09:35,920 Speaker 1: Ways both ways, we. 1649 01:09:35,960 --> 01:09:38,080 Speaker 2: Got more with Jamaine Dupre when we come back. It's 1650 01:09:38,120 --> 01:09:38,800 Speaker 2: the Breakfast Club. 1651 01:09:38,840 --> 01:09:42,839 Speaker 15: Good morning morning, everybody, it's DJ Envy, Jesse, Hilari Charlamage, 1652 01:09:42,840 --> 01:09:44,760 Speaker 15: the guy we are the Breakfast Club is still kicking 1653 01:09:44,760 --> 01:09:45,559 Speaker 15: it with Jamaine Dupre. 1654 01:09:46,439 --> 01:09:50,120 Speaker 9: You think Uncle Luke's music helped our hurt Freaknick. 1655 01:09:50,080 --> 01:09:55,000 Speaker 18: It helped between Uncle Luke and Social Based All Stars. 1656 01:09:55,080 --> 01:09:56,840 Speaker 18: That's the soundtrack of Freaknick, you know what I mean. 1657 01:09:56,880 --> 01:10:01,719 Speaker 18: And it was like I also think now with Miami 1658 01:10:02,120 --> 01:10:05,000 Speaker 18: shutting down spring Break and all that, it's the music. 1659 01:10:05,320 --> 01:10:09,080 Speaker 18: Nothing's making you dance, right, nothing making you jump on 1660 01:10:09,160 --> 01:10:12,040 Speaker 18: top of the cars. You see people doing it, but 1661 01:10:12,160 --> 01:10:14,919 Speaker 18: they doing it to music that don't really have that vibration. 1662 01:10:15,400 --> 01:10:18,360 Speaker 18: Right at Freaknick, the girls was dancing so hard and 1663 01:10:18,479 --> 01:10:20,840 Speaker 18: the guys was dancing so hard. You ain't had time 1664 01:10:20,880 --> 01:10:23,599 Speaker 18: to be worrying about nobody deside, Like the energy level 1665 01:10:23,720 --> 01:10:25,519 Speaker 18: was just too high, right, And I just think the 1666 01:10:25,680 --> 01:10:28,200 Speaker 18: Loop music, like I said, the social debase. Also, the 1667 01:10:28,320 --> 01:10:30,760 Speaker 18: music was making you dance in a different space and 1668 01:10:30,840 --> 01:10:33,000 Speaker 18: it made you think about you was like this and 1669 01:10:33,120 --> 01:10:36,400 Speaker 18: it wasn't You don't have time to be like hey, no, no, 1670 01:10:37,240 --> 01:10:38,640 Speaker 18: you know what I mean. We ain't come down here 1671 01:10:38,680 --> 01:10:40,760 Speaker 18: for that. We came down here to see these girls. 1672 01:10:40,840 --> 01:10:42,799 Speaker 18: Let's go see these girls. It's almost like the mentality 1673 01:10:42,880 --> 01:10:45,360 Speaker 18: of a man when you go to the strip club. Right, 1674 01:10:45,520 --> 01:10:47,000 Speaker 18: I go to strip club every week. You go to 1675 01:10:47,040 --> 01:10:49,519 Speaker 18: the strip club. Guys don't come in the strip club 1676 01:10:49,760 --> 01:10:52,800 Speaker 18: looking for me. They come in the strip club to 1677 01:10:53,000 --> 01:10:53,759 Speaker 18: see the girls. 1678 01:10:54,120 --> 01:10:54,280 Speaker 3: Right. 1679 01:10:54,479 --> 01:10:57,519 Speaker 18: That was the mentality of Freaknick, And for some reason 1680 01:10:57,640 --> 01:10:59,800 Speaker 18: that's that's kind of lost in the space that we 1681 01:11:00,040 --> 01:11:00,599 Speaker 18: live in now. 1682 01:11:00,760 --> 01:11:02,479 Speaker 2: I just want to go see what other is wearing. 1683 01:11:03,200 --> 01:11:03,880 Speaker 1: We'll speaking of that. 1684 01:11:07,280 --> 01:11:08,960 Speaker 9: Speaking of that, if Freak Nick didn't come back to day, 1685 01:11:08,960 --> 01:11:10,160 Speaker 9: would you wear the boss Baby outfit? 1686 01:11:10,240 --> 01:11:11,960 Speaker 2: You were the super Bowl boss Baby outfit? 1687 01:11:15,880 --> 01:11:16,240 Speaker 1: What was it? 1688 01:11:16,320 --> 01:11:18,280 Speaker 9: What was what was the what was the inspiration behind 1689 01:11:18,320 --> 01:11:18,679 Speaker 9: that outfit? 1690 01:11:18,800 --> 01:11:19,040 Speaker 1: Gey? 1691 01:11:20,000 --> 01:11:21,679 Speaker 2: First of all, I had on a tux seed though 1692 01:11:22,240 --> 01:11:24,519 Speaker 2: with shorts very similar to what I. 1693 01:11:24,560 --> 01:11:25,080 Speaker 1: Have on to day. 1694 01:11:25,400 --> 01:11:28,560 Speaker 2: I have on a tie, a regular suit shirt and 1695 01:11:28,680 --> 01:11:29,400 Speaker 2: I got on shorts. 1696 01:11:29,479 --> 01:11:30,519 Speaker 9: It's very boised men. 1697 01:11:30,840 --> 01:11:32,080 Speaker 13: Yeah, I mean everything. 1698 01:11:32,960 --> 01:11:35,160 Speaker 18: And it's Vegas, right, you know what I'm saying. It's 1699 01:11:35,240 --> 01:11:37,880 Speaker 18: it's a super Bowl. It's the biggest event in the world. 1700 01:11:38,040 --> 01:11:39,519 Speaker 2: I could have went up there with the start jacket 1701 01:11:39,560 --> 01:11:42,200 Speaker 2: and started hat How regularly is that? 1702 01:11:42,360 --> 01:11:42,519 Speaker 1: Though? 1703 01:11:42,640 --> 01:11:46,000 Speaker 18: Like I'm just saying, I think sometimes people don't realize, like, 1704 01:11:46,200 --> 01:11:49,400 Speaker 18: I'm in an entertainment business and I'm getting ready to 1705 01:11:49,400 --> 01:11:52,920 Speaker 18: do the biggest show of Usher's life, not in my life. 1706 01:11:52,920 --> 01:11:54,800 Speaker 18: I guess you want to say, We're going on the 1707 01:11:54,840 --> 01:11:57,719 Speaker 18: biggest stage in the world and I should be wearing 1708 01:11:58,400 --> 01:12:01,400 Speaker 18: a baseball cap and looking like a regular ass in 1709 01:12:01,479 --> 01:12:01,880 Speaker 18: the streets. 1710 01:12:02,200 --> 01:12:02,400 Speaker 1: Nah. 1711 01:12:02,920 --> 01:12:05,680 Speaker 18: Nah, I mean that's that was the thought behind it, right. 1712 01:12:05,800 --> 01:12:07,960 Speaker 18: So it was more or less like a while ago, 1713 01:12:08,160 --> 01:12:11,000 Speaker 18: like Enviewoman, we started this thing called the Ocean seven, right, 1714 01:12:11,040 --> 01:12:13,800 Speaker 18: and it was me Usher, John ta be Cox All. 1715 01:12:14,040 --> 01:12:15,960 Speaker 18: We used to go to Vegas and we got dressed 1716 01:12:16,280 --> 01:12:18,799 Speaker 18: and we'd be dressed up. So I wanted to actually 1717 01:12:18,920 --> 01:12:21,519 Speaker 18: have a piece of that in what we was doing 1718 01:12:21,600 --> 01:12:23,800 Speaker 18: that you know, we in Vegas. Like, you don't go 1719 01:12:23,960 --> 01:12:26,320 Speaker 18: to Usher show. I seen you at Usher show. You 1720 01:12:26,439 --> 01:12:28,200 Speaker 18: was dressed you and you know what I mean. You 1721 01:12:28,240 --> 01:12:32,720 Speaker 18: don't go to Vegas with your football on. You just 1722 01:12:32,880 --> 01:12:35,600 Speaker 18: don't do that like you did to get people talking. Basically, No, 1723 01:12:35,720 --> 01:12:37,160 Speaker 18: I didn't do it to get people talking. I didn't 1724 01:12:37,160 --> 01:12:38,760 Speaker 18: even think nobody was gonna pay no attention to it. 1725 01:12:38,800 --> 01:12:40,599 Speaker 18: I had on a tux seed though with a tie 1726 01:12:41,000 --> 01:12:43,479 Speaker 18: in a regular shirt. The socks threw people off. 1727 01:12:43,960 --> 01:12:45,479 Speaker 2: They were talking about. They't they didn't care about the 1728 01:12:45,479 --> 01:12:46,160 Speaker 2: tucks they were about. 1729 01:12:46,160 --> 01:12:48,439 Speaker 18: They were talking about the socks, right, and the socks 1730 01:12:48,640 --> 01:12:51,599 Speaker 18: once again, the socks. I understand why if I keep 1731 01:12:51,640 --> 01:12:54,320 Speaker 18: saying something about the socks because they do look like 1732 01:12:54,479 --> 01:12:56,599 Speaker 18: I guess what they say the Bobby socks. 1733 01:12:57,920 --> 01:13:00,600 Speaker 2: Yeah, but they not did. I don't have nothing to 1734 01:13:00,640 --> 01:13:02,439 Speaker 2: do with that. They don't look nothing like that once 1735 01:13:02,479 --> 01:13:03,439 Speaker 2: you get up on the socks. 1736 01:13:03,600 --> 01:13:06,120 Speaker 18: Like I said, it's just I don't know. It's my 1737 01:13:06,320 --> 01:13:10,559 Speaker 18: man's line, right. First of all, that's another thing for relse. 1738 01:13:10,640 --> 01:13:12,160 Speaker 2: My man ain't doubts man. 1739 01:13:12,080 --> 01:13:14,880 Speaker 18: Right, I don't notice it. So in support of my 1740 01:13:15,040 --> 01:13:18,560 Speaker 18: homeboy line. I mean, I wasn't even thinking about it. 1741 01:13:18,800 --> 01:13:20,720 Speaker 18: You know, it just happened. But I mean, listen, I 1742 01:13:20,800 --> 01:13:22,840 Speaker 18: put my first group out of nineteen ninety two. I 1743 01:13:23,000 --> 01:13:26,040 Speaker 18: was trending in twenty twenty four. Yeah, y'all can say 1744 01:13:26,080 --> 01:13:26,960 Speaker 18: what you want to say. 1745 01:13:27,000 --> 01:13:29,439 Speaker 9: Still got number one records. What did US's Super Bowl 1746 01:13:29,520 --> 01:13:31,160 Speaker 9: halftime performance mean to you? 1747 01:13:31,520 --> 01:13:31,880 Speaker 2: Everything? 1748 01:13:32,000 --> 01:13:34,400 Speaker 9: As the architect, really the architect of us yet we're 1749 01:13:34,400 --> 01:13:34,840 Speaker 9: being honest. 1750 01:13:35,160 --> 01:13:37,599 Speaker 2: Yeah, everything, It means everything because when we made my way. 1751 01:13:37,920 --> 01:13:40,679 Speaker 18: The discussion that he and I had making that record 1752 01:13:40,760 --> 01:13:43,600 Speaker 18: was that he wanted to get to that space, and 1753 01:13:44,160 --> 01:13:46,080 Speaker 18: once he got to that space, he wanted people to 1754 01:13:46,200 --> 01:13:48,760 Speaker 18: realize he did it his way. That's how that whole 1755 01:13:48,800 --> 01:13:51,320 Speaker 18: album came about. So for me to be in that 1756 01:13:51,479 --> 01:13:54,280 Speaker 18: seat and watch it go from my way to this, 1757 01:13:54,720 --> 01:13:56,800 Speaker 18: I probably was the most proud. And then at the 1758 01:13:56,840 --> 01:13:58,800 Speaker 18: same time, I mean, you know, he did six of 1759 01:13:58,880 --> 01:14:02,400 Speaker 18: my songs on It's you know, it's not a bunch 1760 01:14:02,439 --> 01:14:05,759 Speaker 18: of say crazy, They had six of these songs performed 1761 01:14:05,840 --> 01:14:07,880 Speaker 18: on Super Bowl. I argue with somebody up here the 1762 01:14:07,920 --> 01:14:10,639 Speaker 18: other day when when they heard Confessions, right, younger person 1763 01:14:11,000 --> 01:14:12,560 Speaker 18: and they were like, yeah, he wrote confession. I was like, 1764 01:14:12,720 --> 01:14:14,680 Speaker 18: you know, confessions about Jamine d that Jamaine the pre 1765 01:14:14,760 --> 01:14:15,839 Speaker 18: wrote that that's factual. 1766 01:14:16,080 --> 01:14:17,120 Speaker 2: Yeah, okay, so yeah. 1767 01:14:17,160 --> 01:14:18,800 Speaker 18: So I mean I wrote you Make Me Want to, 1768 01:14:18,880 --> 01:14:21,200 Speaker 18: I wrote My Way, I wrote nice and Slow. I 1769 01:14:21,280 --> 01:14:23,400 Speaker 18: wrote Confessions. I wrote you Got It Bad, I wrote 1770 01:14:23,439 --> 01:14:26,160 Speaker 18: my Boo. I wrote all these songs. I mean, you know, 1771 01:14:26,240 --> 01:14:28,400 Speaker 18: people be like breaking it down when they when they 1772 01:14:28,479 --> 01:14:31,679 Speaker 18: talk about it and they say confessions, but nice and slow, 1773 01:14:32,040 --> 01:14:33,960 Speaker 18: all these songs I wrote, you know what I mean, Like, 1774 01:14:34,080 --> 01:14:37,439 Speaker 18: so it's just the story of Confessions, I think took 1775 01:14:37,520 --> 01:14:39,639 Speaker 18: over and it was like I was that guy. 1776 01:14:39,720 --> 01:14:41,840 Speaker 2: I was the person that was in that position. But 1777 01:14:41,960 --> 01:14:43,720 Speaker 2: it happened right when he broke up with Chili, so 1778 01:14:43,760 --> 01:14:46,800 Speaker 2: people were just assumed that he was writing it about Chili. 1779 01:14:47,080 --> 01:14:50,040 Speaker 18: Yeah, but that was yeah for something. Yeah, And I 1780 01:14:50,120 --> 01:14:52,320 Speaker 18: mean even when writing it, I didn't think about I 1781 01:14:52,360 --> 01:14:54,160 Speaker 18: wouldn't even think about that. You know, you just go 1782 01:14:54,240 --> 01:14:56,240 Speaker 18: to the studio, you write songs. It's not even about 1783 01:14:56,400 --> 01:14:58,760 Speaker 18: I mean, sometimes you have a motive behind it. But 1784 01:14:59,160 --> 01:15:00,640 Speaker 18: we was trying to just follow up. 1785 01:15:00,960 --> 01:15:01,880 Speaker 12: I know I was. 1786 01:15:01,920 --> 01:15:03,400 Speaker 18: I was trying to follow up you got it back. 1787 01:15:03,560 --> 01:15:05,320 Speaker 18: It just came off eighty seven to one and it 1788 01:15:05,479 --> 01:15:07,360 Speaker 18: was a big album. So it was like, what y'all 1789 01:15:07,400 --> 01:15:08,080 Speaker 18: gonna do this time? 1790 01:15:08,640 --> 01:15:10,080 Speaker 1: Is us the biggest jewel in your crime? 1791 01:15:10,560 --> 01:15:12,120 Speaker 2: Mariah Carey Song of the decade? 1792 01:15:12,560 --> 01:15:14,559 Speaker 1: Yeah, that man Pasion was a monster. 1793 01:15:14,760 --> 01:15:17,800 Speaker 2: I don't know, I mean, he's definitely Well, let me 1794 01:15:17,880 --> 01:15:18,120 Speaker 2: say this. 1795 01:15:18,520 --> 01:15:21,080 Speaker 18: Rolling Stone said that Confessions is the R and B 1796 01:15:21,240 --> 01:15:23,679 Speaker 18: the number one R and B record of this twentyth 1797 01:15:23,720 --> 01:15:26,120 Speaker 18: first century, right or twentieth century or whatever it is, 1798 01:15:26,200 --> 01:15:28,760 Speaker 18: twenty first century. So I mean, if that's the if 1799 01:15:28,800 --> 01:15:30,720 Speaker 18: that's a true statement, then I guess so, I mean 1800 01:15:30,760 --> 01:15:32,679 Speaker 18: that's a big record, that's a big statement. 1801 01:15:32,960 --> 01:15:37,200 Speaker 9: Do you think Atlanta as a whole is getting documented properly? 1802 01:15:37,479 --> 01:15:37,519 Speaker 4: No? 1803 01:15:38,400 --> 01:15:40,360 Speaker 18: That's why another reason why I want to make sure 1804 01:15:40,360 --> 01:15:43,200 Speaker 18: that this documentary gets the stage that is on. Shout 1805 01:15:43,240 --> 01:15:47,040 Speaker 18: out to Hulu Disney mass Appeal for actually allowing us 1806 01:15:47,080 --> 01:15:50,680 Speaker 18: to finally tell our story on this stage. Because just 1807 01:15:50,800 --> 01:15:53,439 Speaker 18: the first story from the South that's ever been told. 1808 01:15:54,280 --> 01:15:55,840 Speaker 18: And when I say that, I said that at south 1809 01:15:55,880 --> 01:15:58,040 Speaker 18: By Southwest, and people was like what And I'm like, what, 1810 01:15:58,280 --> 01:16:01,559 Speaker 18: what's the what's the Atlanta story that you know? What's 1811 01:16:01,640 --> 01:16:03,920 Speaker 18: the Southern story that you know? You from the South? 1812 01:16:04,120 --> 01:16:06,760 Speaker 18: What stories do we have that people know about the South? 1813 01:16:06,800 --> 01:16:09,719 Speaker 18: Besides atl is not a story of the South rise 1814 01:16:09,800 --> 01:16:13,000 Speaker 18: and the culture hip hop. This is the first time 1815 01:16:13,160 --> 01:16:17,200 Speaker 18: that we get a story about our culture and how 1816 01:16:17,600 --> 01:16:18,679 Speaker 18: outcasts popped. 1817 01:16:18,720 --> 01:16:20,679 Speaker 2: How why you know, social death? 1818 01:16:20,840 --> 01:16:21,360 Speaker 1: Oh damn? 1819 01:16:21,439 --> 01:16:24,360 Speaker 2: Why Luke said bank head and scarred? What was the 1820 01:16:24,479 --> 01:16:24,960 Speaker 2: reason for that? 1821 01:16:25,120 --> 01:16:27,240 Speaker 18: Like you ain't never wondered? Like he from Miami, he 1822 01:16:27,280 --> 01:16:29,400 Speaker 18: talking about bank here it bounce like why he was 1823 01:16:29,439 --> 01:16:29,760 Speaker 18: saying that? 1824 01:16:30,240 --> 01:16:31,560 Speaker 2: Freaknick? You know what I'm saying that? 1825 01:16:31,680 --> 01:16:33,760 Speaker 18: And this the first time that, Like I said, the 1826 01:16:33,800 --> 01:16:36,599 Speaker 18: South gets set that look, Hollywood never felt like our 1827 01:16:36,640 --> 01:16:37,599 Speaker 18: stories was important. 1828 01:16:37,720 --> 01:16:40,760 Speaker 15: If Freaknick never happened, would Atlanta music blow up as 1829 01:16:40,800 --> 01:16:44,240 Speaker 15: fast as it did, No, Because what's that little thing 1830 01:16:44,479 --> 01:16:46,800 Speaker 15: with the you know when when when you put the 1831 01:16:46,840 --> 01:16:49,200 Speaker 15: little roach trap down and the roaches get in there 1832 01:16:49,200 --> 01:16:52,000 Speaker 15: and they go back to the They yeah, but I'm 1833 01:16:52,160 --> 01:16:52,720 Speaker 15: saying the raid. 1834 01:16:52,800 --> 01:16:54,840 Speaker 18: But it's a little trap that they show on TV 1835 01:16:55,960 --> 01:16:57,000 Speaker 18: and they take the food back to that. 1836 01:16:57,320 --> 01:16:59,160 Speaker 2: That's what Freaknick was for the South. 1837 01:16:59,439 --> 01:17:02,559 Speaker 18: People from Virginia, people from New York, people from Baltimore, 1838 01:17:02,600 --> 01:17:05,800 Speaker 18: people from DC, people from everywhere came to Atlanta. The 1839 01:17:05,920 --> 01:17:08,920 Speaker 18: DJs in Atlanta was playing bass music, so so that 1840 01:17:09,080 --> 01:17:12,200 Speaker 18: Base All Stars, Luke Skywalker, blah blah blah blah. Kids 1841 01:17:12,600 --> 01:17:15,679 Speaker 18: went back to their hoods saying, Yo, we was in Atlanta, 1842 01:17:15,760 --> 01:17:17,120 Speaker 18: just they playing Atlanta. 1843 01:17:18,120 --> 01:17:20,160 Speaker 2: We was doing in Freaknik or they somebody saw the video. 1844 01:17:20,360 --> 01:17:22,439 Speaker 18: That's why the music spread that way, right, That's why 1845 01:17:22,439 --> 01:17:25,040 Speaker 18: it spread it in so many places because these people 1846 01:17:25,120 --> 01:17:28,120 Speaker 18: took it back home as if they had discovered some 1847 01:17:28,360 --> 01:17:31,880 Speaker 18: new thing that wasn't happening in the house in the neighborhoods. 1848 01:17:32,160 --> 01:17:34,720 Speaker 18: And at that point, if five hundred people go back 1849 01:17:34,760 --> 01:17:38,120 Speaker 18: to Virginia with their same mentality and it spread, then 1850 01:17:38,320 --> 01:17:42,320 Speaker 18: Virginia starts sounding like Atlanta, right or whatever that's you know, 1851 01:17:42,560 --> 01:17:45,640 Speaker 18: So no, it wouldn't. I think Freaknick was definitely our mixtape, 1852 01:17:45,760 --> 01:17:47,640 Speaker 18: you know what I mean. Freaknick was our mixtape that 1853 01:17:48,040 --> 01:17:51,200 Speaker 18: made people say, oh, it's going on down there. It's something, 1854 01:17:51,280 --> 01:17:52,880 Speaker 18: you know what I mean. So that's definitely it. We 1855 01:17:53,040 --> 01:17:54,560 Speaker 18: we I don't know what would have happened if we 1856 01:17:55,120 --> 01:17:56,559 Speaker 18: you know, it would have been a slower pace. 1857 01:17:57,120 --> 01:17:58,200 Speaker 2: How we got more with JD. 1858 01:17:58,360 --> 01:18:04,400 Speaker 15: When we come back, it's the breakfast Club, The breakfast Club. Yeah, 1859 01:18:04,479 --> 01:18:07,640 Speaker 15: when back we are the Breakfast Club. NVJS, Hilarius and 1860 01:18:07,720 --> 01:18:10,280 Speaker 15: Charlamagne the guy, we're still kicking with Jamine Dupree, he's here. 1861 01:18:10,520 --> 01:18:12,320 Speaker 15: I got a question, how bad was it when the 1862 01:18:12,400 --> 01:18:14,280 Speaker 15: labels it seemed like, you know, watching the doc I've 1863 01:18:14,280 --> 01:18:17,639 Speaker 15: seen Craig mac performing, I've seen Biggie performing. How bad 1864 01:18:17,760 --> 01:18:19,800 Speaker 15: was it when the label started touching Freakni? Did it 1865 01:18:19,840 --> 01:18:21,240 Speaker 15: commercialize it to make it worse? 1866 01:18:21,400 --> 01:18:22,599 Speaker 2: Not at all. No, it was all good. 1867 01:18:22,880 --> 01:18:26,920 Speaker 18: The concerts actually was helping because all these black people 1868 01:18:27,000 --> 01:18:29,639 Speaker 18: in the park, smoking weed, drinking, doing whatever they want 1869 01:18:29,680 --> 01:18:32,320 Speaker 18: to do, because if nobody was governing this, right, it 1870 01:18:32,439 --> 01:18:34,040 Speaker 18: was just you know, y'all just want to go do, 1871 01:18:34,280 --> 01:18:34,639 Speaker 18: go ahead. 1872 01:18:35,080 --> 01:18:36,800 Speaker 2: That's just how the city was open to it. 1873 01:18:37,120 --> 01:18:38,640 Speaker 9: And now you're about to turn around and do the 1874 01:18:38,920 --> 01:18:42,240 Speaker 9: Magic City docu series, right, Yeah, Magic City in American Fantasy. 1875 01:18:42,400 --> 01:18:44,439 Speaker 2: Yeah, we know what it's. 1876 01:18:44,320 --> 01:18:46,880 Speaker 18: About, Yes, but it's also the same thing as a 1877 01:18:46,920 --> 01:18:49,519 Speaker 18: story about Magic City that I don't think people know. Like, 1878 01:18:49,960 --> 01:18:53,000 Speaker 18: the story of Magic City is so much more deeper 1879 01:18:53,120 --> 01:18:57,639 Speaker 18: than just a strip club, right, and how Magic figured 1880 01:18:57,640 --> 01:19:02,120 Speaker 18: out a way to make this one club a worldwide situation, 1881 01:19:02,240 --> 01:19:03,720 Speaker 18: you know what I mean. And then people always keep saying, 1882 01:19:03,720 --> 01:19:06,720 Speaker 18: they like, why is Drake involved? Because Drake is from 1883 01:19:06,760 --> 01:19:09,640 Speaker 18: a different country and he wants to come to a 1884 01:19:09,720 --> 01:19:13,639 Speaker 18: little bitty strip club in Atlanta. That's crazy. I don't 1885 01:19:13,640 --> 01:19:15,840 Speaker 18: even know how you supposed to think about that, because 1886 01:19:15,840 --> 01:19:17,600 Speaker 18: I'm not from a different country, but I'm saying to 1887 01:19:17,680 --> 01:19:20,760 Speaker 18: be in a different country, we in the United States, 1888 01:19:20,800 --> 01:19:22,439 Speaker 18: I don't want to go to I heard nothing about 1889 01:19:22,439 --> 01:19:24,599 Speaker 18: nothing in Canada that make me want to fly there 1890 01:19:25,000 --> 01:19:27,160 Speaker 18: on a Monday and be a part of it, right, 1891 01:19:27,560 --> 01:19:30,720 Speaker 18: this place. Is that crazy that it's made people in 1892 01:19:31,240 --> 01:19:33,360 Speaker 18: Toronto want to come to Atlanta on Monday. 1893 01:19:33,479 --> 01:19:34,800 Speaker 2: I think you have to hear about this. 1894 01:19:35,000 --> 01:19:38,479 Speaker 18: So it's just like I said, it's just highlighting things 1895 01:19:38,520 --> 01:19:40,639 Speaker 18: that happened in the South that we haven't we haven't 1896 01:19:40,680 --> 01:19:41,600 Speaker 18: had an opportunity. 1897 01:19:41,720 --> 01:19:44,799 Speaker 9: So what helped elevate the Atlanta music seemed more Freaknik 1898 01:19:44,920 --> 01:19:45,599 Speaker 9: in Magic City? 1899 01:19:45,840 --> 01:19:48,599 Speaker 2: Freaknik really yeah, okay, because. 1900 01:19:48,439 --> 01:19:50,320 Speaker 9: You always hear about records breaking in Magic City. 1901 01:19:50,560 --> 01:19:52,639 Speaker 2: And that was after the fact that by the way, 1902 01:19:52,680 --> 01:19:53,479 Speaker 2: that's me saying that. 1903 01:19:53,680 --> 01:19:56,240 Speaker 18: That was that was something that I talked about once again, 1904 01:19:56,320 --> 01:19:58,200 Speaker 18: Like I said, you got to remember, I wasn't in 1905 01:19:58,320 --> 01:20:01,960 Speaker 18: the clubs in a eighty two, eighty three, eighty four. 1906 01:20:01,960 --> 01:20:04,000 Speaker 18: I couldn't get in no club. So I wasn't even 1907 01:20:04,000 --> 01:20:07,559 Speaker 18: making music in eighty four. But so even at ninety 1908 01:20:07,560 --> 01:20:09,920 Speaker 18: two when Crisscross came out, I still I was only nineteen. 1909 01:20:10,000 --> 01:20:12,960 Speaker 18: I still couldn't even get into Magic City. So that 1910 01:20:13,320 --> 01:20:15,920 Speaker 18: period where I felt like the strip club became the 1911 01:20:16,000 --> 01:20:18,680 Speaker 18: mixtape was a later nineties activity. 1912 01:20:19,000 --> 01:20:22,080 Speaker 2: Before that, freak Nick was running the show I saw you. 1913 01:20:22,560 --> 01:20:24,559 Speaker 9: I think it was with Gail King and Carrie Champion 1914 01:20:24,640 --> 01:20:26,320 Speaker 9: and all them. You was talking about how if a 1915 01:20:26,360 --> 01:20:28,640 Speaker 9: woman couldn't understand you being in the script. 1916 01:20:28,360 --> 01:20:29,600 Speaker 1: Club, she wasn't the woman for you. 1917 01:20:29,880 --> 01:20:33,360 Speaker 2: Yeah, So if that was a deal breaker off the 1918 01:20:33,439 --> 01:20:34,720 Speaker 2: time of really. 1919 01:20:34,680 --> 01:20:36,960 Speaker 18: Yeah, because I'm saying like, I'm gonna use you just 1920 01:20:37,040 --> 01:20:40,080 Speaker 18: as an example, if me and Jess was talking and 1921 01:20:40,200 --> 01:20:42,640 Speaker 18: she came to Atlanta and I said, we're going to 1922 01:20:42,720 --> 01:20:44,720 Speaker 18: Magic City tonight and then she was like, well, you know, 1923 01:20:45,120 --> 01:20:49,080 Speaker 18: I don't really strip club. At that point, you you 1924 01:20:49,280 --> 01:20:52,080 Speaker 18: have broke our synergy. You flew to Atlanta to stay 1925 01:20:52,080 --> 01:20:54,639 Speaker 18: at my house while I go party with my homeboys. 1926 01:20:55,000 --> 01:20:58,280 Speaker 18: Now when you when I really nice house. But I'm saying, 1927 01:20:58,320 --> 01:21:01,080 Speaker 18: but when I go to the strip as a woman, 1928 01:21:01,200 --> 01:21:02,800 Speaker 18: her mind's gonna start doing this. 1929 01:21:03,360 --> 01:21:03,479 Speaker 1: Right. 1930 01:21:03,560 --> 01:21:05,519 Speaker 2: I asked you to come with me so that your 1931 01:21:05,640 --> 01:21:08,320 Speaker 2: mind wouldn't do that. But you want to stay at home. 1932 01:21:08,320 --> 01:21:11,000 Speaker 18: And wait till I get back, and then come back 1933 01:21:11,320 --> 01:21:15,200 Speaker 18: possibly smelling like a strip club these questions. 1934 01:21:15,000 --> 01:21:17,240 Speaker 2: And then we're gonna have a beef. 1935 01:21:18,120 --> 01:21:22,000 Speaker 18: You it up from the jump or by allowing you 1936 01:21:22,160 --> 01:21:23,800 Speaker 18: to just stay at home, I should have just made 1937 01:21:23,840 --> 01:21:26,720 Speaker 18: you come. So I'm just saying, ultimately, if this is 1938 01:21:26,800 --> 01:21:28,679 Speaker 18: part of your life, this is part of my life. 1939 01:21:28,920 --> 01:21:31,519 Speaker 18: So you got to know that that's happening, that's gonna happen. 1940 01:21:32,320 --> 01:21:34,880 Speaker 18: It's interesting because when I was dating Janet, I try 1941 01:21:34,920 --> 01:21:36,720 Speaker 18: to not take her. I was going to ask you, 1942 01:21:39,200 --> 01:21:42,040 Speaker 18: but I fought it for the longest. I wasn't in 1943 01:21:42,160 --> 01:21:44,840 Speaker 18: the space mindset that I'm in right now. Because I didn't. 1944 01:21:44,880 --> 01:21:47,280 Speaker 18: I wasn't paying attention to it. Like the way I'm 1945 01:21:47,320 --> 01:21:50,000 Speaker 18: telling you. I was thinking like, oh, if I take 1946 01:21:50,040 --> 01:21:51,439 Speaker 18: her in, and when of them girls gonna tap me 1947 01:21:51,479 --> 01:21:53,479 Speaker 18: on my shoulder that i'dn't been with and she gonna know. 1948 01:21:53,560 --> 01:21:56,680 Speaker 18: And then I was thinking about all the bullet Nah, 1949 01:21:57,080 --> 01:21:58,760 Speaker 18: if this is what you do, what you did in 1950 01:21:58,840 --> 01:21:59,880 Speaker 18: your past is your past. 1951 01:22:00,280 --> 01:22:00,720 Speaker 2: I'm with you. 1952 01:22:00,880 --> 01:22:01,000 Speaker 8: Now. 1953 01:22:01,320 --> 01:22:02,920 Speaker 18: Let me see what's happening. Why you want to go 1954 01:22:03,040 --> 01:22:04,920 Speaker 18: there every Monday? That's what her question was. 1955 01:22:05,520 --> 01:22:07,280 Speaker 1: Did she understand after she went why you wanted to 1956 01:22:07,280 --> 01:22:08,759 Speaker 1: be there every Monday? Yeah? Of course. 1957 01:22:09,640 --> 01:22:11,519 Speaker 15: Now what does JD get to tell his story and 1958 01:22:11,640 --> 01:22:14,280 Speaker 15: goes through it so people can understand what you've did, 1959 01:22:14,400 --> 01:22:16,960 Speaker 15: what you produced, the artists you've broken, and talent that 1960 01:22:17,040 --> 01:22:17,479 Speaker 15: you created. 1961 01:22:17,640 --> 01:22:20,360 Speaker 18: I mean, I think the freak nick Dot helps that 1962 01:22:20,960 --> 01:22:23,599 Speaker 18: helps me get into that space because for the longest 1963 01:22:23,680 --> 01:22:26,320 Speaker 18: the South has been ignored. It's just what it is, 1964 01:22:26,479 --> 01:22:29,840 Speaker 18: and I'm part of that cloth that's been ignored. You 1965 01:22:29,920 --> 01:22:33,000 Speaker 18: gotta think at nineteen, I put out my first group 1966 01:22:33,080 --> 01:22:36,360 Speaker 18: that everybody knows. I wrote and produced every line and 1967 01:22:36,479 --> 01:22:40,360 Speaker 18: every beat in the music, and they first single a 1968 01:22:40,479 --> 01:22:41,559 Speaker 18: top one hundred single. 1969 01:22:41,640 --> 01:22:43,679 Speaker 2: Right, how about Chris CRUs Kris Krust. 1970 01:22:44,360 --> 01:22:48,439 Speaker 18: If that was sports like football and basketball, they'd call 1971 01:22:48,560 --> 01:22:51,280 Speaker 18: me a freaking nature right. But the fact that it 1972 01:22:51,400 --> 01:22:53,800 Speaker 18: was the South, they treated us like we weren't even 1973 01:22:53,880 --> 01:22:58,000 Speaker 18: hip hop, like that's some gimmick. So then it made 1974 01:22:58,040 --> 01:23:01,080 Speaker 18: people ignore the fact that the person who ushered in 1975 01:23:01,600 --> 01:23:04,240 Speaker 18: young people rapping, if it wasn't for them as a 1976 01:23:04,320 --> 01:23:06,160 Speaker 18: young person, you wouldn't even know that it was possible 1977 01:23:06,200 --> 01:23:08,200 Speaker 18: that you could have a record deal. Who else has 1978 01:23:08,280 --> 01:23:10,840 Speaker 18: come out since bow Wow that you know? Bow Wow 1979 01:23:10,880 --> 01:23:12,920 Speaker 18: was the only other person that did it, and I 1980 01:23:13,439 --> 01:23:16,280 Speaker 18: put him out. So I'm just saying, it's the stories 1981 01:23:16,320 --> 01:23:18,560 Speaker 18: have been ignored, so somebody, you know, at least we 1982 01:23:18,680 --> 01:23:21,720 Speaker 18: get one story, and we got two stories hopefully that 1983 01:23:21,880 --> 01:23:24,479 Speaker 18: you know from that, it'll it'll get in test space 1984 01:23:24,520 --> 01:23:26,240 Speaker 18: so you can actually see it, and then people won't 1985 01:23:26,560 --> 01:23:29,080 Speaker 18: have this misconception about what they have about me. 1986 01:23:29,280 --> 01:23:30,880 Speaker 9: And you know, when people talk about you too, JD. 1987 01:23:31,000 --> 01:23:33,280 Speaker 9: They got to talk about the fact that Mace thanks 1988 01:23:33,280 --> 01:23:35,080 Speaker 9: you for being the first person to pay him is worth. 1989 01:23:35,520 --> 01:23:38,680 Speaker 9: You introduced Biggie, you know, to a land in a 1990 01:23:38,720 --> 01:23:40,840 Speaker 9: lot of ways, and then so who knows how that 1991 01:23:40,960 --> 01:23:44,400 Speaker 9: inspired him and JV with money anything. It was an 1992 01:23:44,439 --> 01:23:46,200 Speaker 9: introduction to the South in a lot of ways. So 1993 01:23:46,240 --> 01:23:47,320 Speaker 9: you got to get credit for that too. 1994 01:23:47,680 --> 01:23:49,320 Speaker 2: Yeah, I mean, but that's what I'm saying. It's like, 1995 01:23:49,600 --> 01:23:51,600 Speaker 2: like I said, it's been ignored. That's all you can do. 1996 01:23:51,720 --> 01:23:53,960 Speaker 18: Like I said, if I was in New York, I'd 1997 01:23:54,000 --> 01:23:57,960 Speaker 18: be the kid. I mean, even like today, you don't 1998 01:23:58,000 --> 01:24:00,320 Speaker 18: know a person. Y'all don't have a person. They can 1999 01:24:00,400 --> 01:24:03,000 Speaker 18: come up here this year that had its first number 2000 01:24:03,040 --> 01:24:05,000 Speaker 18: one record in nineteen ninety two and got a record 2001 01:24:05,040 --> 01:24:07,639 Speaker 18: that's number one today. You'll never you won't see nobody 2002 01:24:07,680 --> 01:24:09,599 Speaker 18: else come up here to this station this year. 2003 01:24:09,840 --> 01:24:12,160 Speaker 9: Damn, that's actually true. 2004 01:24:12,200 --> 01:24:13,960 Speaker 2: You won't know, not this year. 2005 01:24:14,080 --> 01:24:16,680 Speaker 18: I mean I don't probably won't have it next year either, 2006 01:24:16,920 --> 01:24:19,439 Speaker 18: But I'm saying no, my first number one record was 2007 01:24:19,479 --> 01:24:22,080 Speaker 18: in nineteen ninety two. I have the number one R 2008 01:24:22,080 --> 01:24:23,920 Speaker 18: and B record in the country today. 2009 01:24:23,880 --> 01:24:24,960 Speaker 2: You relaunch your social death. 2010 01:24:25,040 --> 01:24:26,760 Speaker 15: Yeah, as far as label what artists you have or 2011 01:24:26,800 --> 01:24:28,400 Speaker 15: you're looking for artists, I know you gotta go, but 2012 01:24:28,520 --> 01:24:29,400 Speaker 15: are you looking for artists? 2013 01:24:29,439 --> 01:24:31,000 Speaker 2: And are you putting the sign back up in Atlanta? 2014 01:24:31,000 --> 01:24:33,160 Speaker 18: And that says, oh yeah, I'm putting a sign back up. 2015 01:24:33,840 --> 01:24:35,599 Speaker 18: I'm not if I'm supposed to say this, but anyway 2016 01:24:35,960 --> 01:24:38,160 Speaker 18: I can say, I'm gonna say it anyway. You know, 2017 01:24:38,400 --> 01:24:41,400 Speaker 18: BMF comes to Atlanta or they're in Atlanta right now. 2018 01:24:42,080 --> 01:24:44,960 Speaker 18: You'll see in the BMF series that the sign codes 2019 01:24:45,040 --> 01:24:47,800 Speaker 18: back up. And at that point when that happened, I 2020 01:24:47,960 --> 01:24:50,360 Speaker 18: was like, okay, you know, as many as watch this, 2021 01:24:50,520 --> 01:24:52,320 Speaker 18: I'm I'm gonna have to put this sign back up 2022 01:24:52,320 --> 01:24:53,840 Speaker 18: because you know what I mean. So now we're gonna 2023 01:24:53,840 --> 01:24:57,040 Speaker 18: put it back up on an artist heep. I'm looking 2024 01:24:57,080 --> 01:24:59,360 Speaker 18: for new artists. It's just my you know, That's what 2025 01:24:59,479 --> 01:25:01,120 Speaker 18: I wanted. I one of the space for me to 2026 01:25:01,680 --> 01:25:04,240 Speaker 18: continue to keep putting out new artists. I love putting 2027 01:25:04,240 --> 01:25:06,799 Speaker 18: out new artists. I'm not scared to put out new artists, 2028 01:25:06,840 --> 01:25:09,080 Speaker 18: and I don't think nobody else could do it better 2029 01:25:09,120 --> 01:25:09,320 Speaker 18: than me. 2030 01:25:10,200 --> 01:25:11,640 Speaker 9: When you paid Mace what he was worth. 2031 01:25:11,720 --> 01:25:13,080 Speaker 1: Did you do that just the upstate? Did he? 2032 01:25:13,400 --> 01:25:13,439 Speaker 8: No? 2033 01:25:14,360 --> 01:25:15,960 Speaker 18: You know, when I pay people, I don't know. I 2034 01:25:16,000 --> 01:25:18,280 Speaker 18: don't know that I'm paying them more than you know. 2035 01:25:18,560 --> 01:25:21,200 Speaker 18: You know, I don't have that conversation. I just go 2036 01:25:21,400 --> 01:25:23,920 Speaker 18: after what I want, like if so, if I wanted 2037 01:25:24,240 --> 01:25:26,280 Speaker 18: you know, when I signed Harlem World, I wanted to 2038 01:25:26,360 --> 01:25:29,679 Speaker 18: make the deal because Mace kept telling everybody in every 2039 01:25:29,760 --> 01:25:32,280 Speaker 18: interview that he did that he came to Atlanta to 2040 01:25:32,360 --> 01:25:35,200 Speaker 18: meet with me, right, So I actually felt like I 2041 01:25:35,360 --> 01:25:37,880 Speaker 18: felt right. So I felt like when I missed Mason, 2042 01:25:37,920 --> 01:25:41,320 Speaker 18: he out here killing it. So I'm like, you know what, 2043 01:25:41,479 --> 01:25:43,360 Speaker 18: let's make this deal. And he told me what he 2044 01:25:43,400 --> 01:25:46,320 Speaker 18: wanted to do, and I didn't think about it twice. 2045 01:25:46,360 --> 01:25:48,679 Speaker 18: I just was like, let's do the deal. I ain't 2046 01:25:48,720 --> 01:25:50,840 Speaker 18: know I was giving him more money than he was. 2047 01:25:50,960 --> 01:25:52,000 Speaker 2: You know, I never knew that. 2048 01:25:53,280 --> 01:25:56,519 Speaker 15: The ladies and gentlemen, if you main't do freak Nick 2049 01:25:56,600 --> 01:25:58,240 Speaker 15: this Thursday and appreciate you brother. 2050 01:25:58,479 --> 01:26:01,040 Speaker 18: Congratulations money Long. Let me it is seems to be 2051 01:26:01,120 --> 01:26:05,120 Speaker 18: watching Congratulations Money Long. Number one record. It's an R 2052 01:26:05,160 --> 01:26:08,560 Speaker 18: and B song, no rap, number one urban record in 2053 01:26:08,640 --> 01:26:09,040 Speaker 18: the country. 2054 01:26:09,160 --> 01:26:09,519 Speaker 1: There you go. 2055 01:26:09,920 --> 01:26:12,120 Speaker 2: It's Jermaine dupri Yeah, it's the Breakfast Club. 2056 01:26:12,160 --> 01:26:15,799 Speaker 15: Good morning, you're checking out the Breakfast Club owning everybody. 2057 01:26:15,840 --> 01:26:17,120 Speaker 2: It's the j n V. 2058 01:26:17,400 --> 01:26:19,920 Speaker 15: Jess Hilarious, Charlamagne the guy. We are the Breakfast Club. 2059 01:26:19,960 --> 01:26:21,760 Speaker 15: We got a special guest in the building. We got 2060 01:26:21,800 --> 01:26:22,920 Speaker 15: the brother Russell Fletcher. 2061 01:26:23,000 --> 01:26:25,960 Speaker 2: Welcome brother. It's a pleasure that found here this morning. 2062 01:26:26,040 --> 01:26:27,840 Speaker 2: Founder of Michika Premium Vodka. 2063 01:26:28,120 --> 01:26:30,800 Speaker 1: Yes, and I just found a master still. 2064 01:26:31,040 --> 01:26:34,200 Speaker 19: Yeah, I am the masters Stiller, Master Stiller of Mishka 2065 01:26:34,280 --> 01:26:39,160 Speaker 19: Premium Vodka. The company's name is This Life Forever. Something 2066 01:26:39,160 --> 01:26:41,479 Speaker 19: that I've held on to for a very long time. 2067 01:26:42,160 --> 01:26:45,120 Speaker 19: It's been kind of kind of my thing as far 2068 01:26:45,160 --> 01:26:47,479 Speaker 19: as just the way of life and also just being 2069 01:26:47,520 --> 01:26:49,519 Speaker 19: able to make sure that I could just promote good values, 2070 01:26:50,160 --> 01:26:50,960 Speaker 19: community based. 2071 01:26:51,400 --> 01:26:54,559 Speaker 2: We are alcohol driven, but we make. 2072 01:26:54,479 --> 01:26:56,400 Speaker 19: Award winning spirits and we try to figure out the 2073 01:26:56,439 --> 01:26:57,680 Speaker 19: best ways to be able to give back to the 2074 01:26:57,760 --> 01:26:59,920 Speaker 19: community and work in the community. 2075 01:27:00,160 --> 01:27:03,000 Speaker 9: Well, congrats on they say you're the most awarded black 2076 01:27:03,120 --> 01:27:05,040 Speaker 9: owned spirits brand in the country. 2077 01:27:05,160 --> 01:27:05,800 Speaker 2: That is a fact. 2078 01:27:06,080 --> 01:27:06,680 Speaker 1: Break that down. 2079 01:27:06,720 --> 01:27:08,080 Speaker 9: What's those awards look like? 2080 01:27:08,360 --> 01:27:12,200 Speaker 19: So so, the oldest Wana spirits competition in the world 2081 01:27:12,360 --> 01:27:17,880 Speaker 19: is the San Francisco World Spirits Competition. We're the only 2082 01:27:17,960 --> 01:27:21,080 Speaker 19: black owned spirit with a double goal double gold, this 2083 01:27:21,280 --> 01:27:26,640 Speaker 19: one gold, this one, multiple silvers with these, so, you know, 2084 01:27:26,800 --> 01:27:28,400 Speaker 19: and we just continue to get better. 2085 01:27:29,240 --> 01:27:30,640 Speaker 2: So you know, you take a. 2086 01:27:30,680 --> 01:27:34,439 Speaker 19: Brand like something that's more famous, you know, like an 2087 01:27:34,520 --> 01:27:36,080 Speaker 19: Uncle Nearest, our Uncle Nearest. 2088 01:27:36,120 --> 01:27:39,160 Speaker 2: They've won multiple awards. They are one of the top, 2089 01:27:39,320 --> 01:27:40,439 Speaker 2: you know, awarded whiskeyes. 2090 01:27:41,280 --> 01:27:43,960 Speaker 19: But at the same time, we've been getting awards since 2091 01:27:44,000 --> 01:27:47,879 Speaker 19: twenty sixteen when I first actually dropped Michia honey. 2092 01:27:47,880 --> 01:27:49,439 Speaker 9: What is it about the honey flavor? I you've heard 2093 01:27:49,439 --> 01:27:51,160 Speaker 9: about the honey fleet? Was that one in the middle, Yes, 2094 01:27:51,439 --> 01:27:53,479 Speaker 9: let me the honey flavor? What about this one that 2095 01:27:53,560 --> 01:27:54,280 Speaker 9: makes it stand up? 2096 01:27:55,080 --> 01:28:01,960 Speaker 2: There's no honey flavored vodka on the market that has 2097 01:28:02,439 --> 01:28:04,960 Speaker 2: the test of time. But that right there is the 2098 01:28:05,000 --> 01:28:06,160 Speaker 2: product that I created. First. 2099 01:28:06,479 --> 01:28:08,400 Speaker 19: I didn't want to just go all the way on 2100 01:28:08,520 --> 01:28:11,240 Speaker 19: the Tito's model, so I went with something that was 2101 01:28:11,320 --> 01:28:14,840 Speaker 19: exclusive to me first, and and that's that's been the hit. 2102 01:28:14,920 --> 01:28:17,320 Speaker 2: That's our flagship, and then we bought out. 2103 01:28:17,880 --> 01:28:20,400 Speaker 19: Then then then I went to the to the unflavored, 2104 01:28:20,760 --> 01:28:23,439 Speaker 19: which is also gluten free and kosher, And then I 2105 01:28:23,520 --> 01:28:26,280 Speaker 19: went to to Cranberry and now in the spring of 2106 01:28:26,320 --> 01:28:29,080 Speaker 19: the summer, we'll be releasing Mango and Passion. 2107 01:28:29,240 --> 01:28:30,920 Speaker 1: And y'all you hooked up with the NBA too, right 2108 01:28:30,960 --> 01:28:31,679 Speaker 1: in the seventy. 2109 01:28:31,479 --> 01:28:34,840 Speaker 19: Six, Yes, seventy six, and I've done multiple spots with 2110 01:28:34,920 --> 01:28:37,800 Speaker 19: the seventy six. Is it looks like via Ara Mark 2111 01:28:37,880 --> 01:28:40,920 Speaker 19: will be programming in Wells Father Center coming for the 2112 01:28:40,960 --> 01:28:43,200 Speaker 19: next season. Out'll be coming, which would be pretty good 2113 01:28:44,439 --> 01:28:48,120 Speaker 19: again relationships, you know, doing good in the community. 2114 01:28:48,720 --> 01:28:51,000 Speaker 2: We do a bunch of just a bunch of stuff. 2115 01:28:51,280 --> 01:28:51,400 Speaker 4: You know. 2116 01:28:51,479 --> 01:28:55,680 Speaker 19: I sit on every single board, diversity board. I just 2117 01:28:55,760 --> 01:28:57,160 Speaker 19: try to just do the best thing that I could 2118 01:28:57,200 --> 01:28:59,120 Speaker 19: possibly do it from the community standpoint of it. 2119 01:28:59,400 --> 01:29:00,400 Speaker 2: Now, is it proble? 2120 01:29:00,920 --> 01:29:01,080 Speaker 4: Oh? 2121 01:29:01,280 --> 01:29:04,360 Speaker 19: Yeah, Like I said, you know, it's just like uh 2122 01:29:04,760 --> 01:29:09,160 Speaker 19: owning your masters and being an independent you know, so 2123 01:29:09,400 --> 01:29:12,480 Speaker 19: instead of my margins getting chopped out, our own distribution 2124 01:29:12,880 --> 01:29:16,280 Speaker 19: and as a company, we owned distribution not only in Pennsylvania, 2125 01:29:16,680 --> 01:29:20,280 Speaker 19: but we also owned distribution uh in New Jersey. 2126 01:29:20,520 --> 01:29:23,200 Speaker 15: Question, so why was it so difficult for Diddy? Didn't 2127 01:29:23,520 --> 01:29:25,519 Speaker 15: and he had his own tequil it and it seems 2128 01:29:25,600 --> 01:29:27,880 Speaker 15: like he couldn't get distribution. He couldn't do it himself. 2129 01:29:27,960 --> 01:29:29,960 Speaker 15: He was We've seen videos of him going liquor store 2130 01:29:30,000 --> 01:29:32,800 Speaker 15: to liquor store, and it seemed like stores really didn't 2131 01:29:32,840 --> 01:29:35,320 Speaker 15: want the product, right, because it was no distribution connected 2132 01:29:35,360 --> 01:29:37,240 Speaker 15: to it. Why is it so difficult for people to 2133 01:29:37,439 --> 01:29:39,160 Speaker 15: get their foot in the door, especially with him, because 2134 01:29:39,160 --> 01:29:40,719 Speaker 15: you figured, like with him, it wouldn't be a problem 2135 01:29:40,760 --> 01:29:43,679 Speaker 15: because he's Diddy And this was before the as you said, 2136 01:29:43,720 --> 01:29:44,200 Speaker 15: car crash. 2137 01:29:44,400 --> 01:29:50,160 Speaker 19: Right, So we're legitimately less than one percent of the market, right, 2138 01:29:50,479 --> 01:29:54,200 Speaker 19: just being minorities, right, We're legitimately less than one percent 2139 01:29:54,240 --> 01:29:59,080 Speaker 19: in the market. So again, it's the difference between what 2140 01:29:59,240 --> 01:30:04,800 Speaker 19: baggage your cat, right versus Okay, here's the story of quality, right, 2141 01:30:05,160 --> 01:30:10,000 Speaker 19: here's what our lineage is, Here's who our star face is, 2142 01:30:10,439 --> 01:30:12,439 Speaker 19: and that's got to be the way people get connected. 2143 01:30:13,720 --> 01:30:16,280 Speaker 19: I'm not saying you know, obviously you know that that 2144 01:30:16,360 --> 01:30:18,840 Speaker 19: people didn't want to be connected to Diddy, But there's 2145 01:30:18,920 --> 01:30:21,799 Speaker 19: the the Diddy angle and then there's the product angle. 2146 01:30:22,200 --> 01:30:23,600 Speaker 2: It's you and you got to be able to have 2147 01:30:23,720 --> 01:30:24,240 Speaker 2: that separate. 2148 01:30:25,400 --> 01:30:27,560 Speaker 19: I always believe that if you're going to take the 2149 01:30:27,600 --> 01:30:29,639 Speaker 19: product just because of the fact that I've got a celebrity, 2150 01:30:29,800 --> 01:30:31,400 Speaker 19: how many times are you going to buy that after 2151 01:30:31,479 --> 01:30:34,439 Speaker 19: the fact, you know, proposed quality. It's always about the 2152 01:30:34,600 --> 01:30:37,200 Speaker 19: the you know, the value proposition got you. 2153 01:30:37,439 --> 01:30:40,599 Speaker 9: And you're uh, you're you're connected with like music Fest. 2154 01:30:40,439 --> 01:30:44,360 Speaker 19: Two music Fest, so we are now so music Fest 2155 01:30:44,520 --> 01:30:46,600 Speaker 19: is uh, we need you to come out there and 2156 01:30:46,680 --> 01:30:49,920 Speaker 19: should come into Allantown. So we connected with music Fest 2157 01:30:50,000 --> 01:30:54,200 Speaker 19: roughly about about two three years ago. Became a small sponsor, 2158 01:30:54,600 --> 01:30:57,240 Speaker 19: blew it out of the water. The next year we 2159 01:30:57,400 --> 01:31:00,880 Speaker 19: removed another vodka sponsor that was there, got them out 2160 01:31:00,880 --> 01:31:02,519 Speaker 19: of there. Then it was us and Jack Dame's for 2161 01:31:02,560 --> 01:31:05,640 Speaker 19: the main stage, and then this year will we'll be 2162 01:31:05,920 --> 01:31:09,120 Speaker 19: with a partner the I don't think that we can 2163 01:31:09,160 --> 01:31:12,320 Speaker 19: say exclusive legally, but we are the partner that's programming 2164 01:31:12,400 --> 01:31:15,000 Speaker 19: all of the vodka for North and South Side. MusicFest 2165 01:31:15,040 --> 01:31:18,080 Speaker 19: does one point three million people a year, which is 2166 01:31:18,120 --> 01:31:19,360 Speaker 19: which is an excellent opportunity. 2167 01:31:19,400 --> 01:31:22,200 Speaker 2: Obviously to get liquid slips. That's been our model. 2168 01:31:22,400 --> 01:31:24,519 Speaker 19: We want to be able to get liquid slips in 2169 01:31:24,680 --> 01:31:26,160 Speaker 19: order to be able for people. 2170 01:31:26,200 --> 01:31:28,680 Speaker 2: We feel like we can win hands down all the 2171 01:31:28,680 --> 01:31:29,960 Speaker 2: way around by doing that. 2172 01:31:30,160 --> 01:31:32,360 Speaker 9: We appreciate and you got a partnership with Lehigh Valley 2173 01:31:32,439 --> 01:31:34,559 Speaker 9: Children's Hospital. Yes, how the hell did that work? 2174 01:31:34,960 --> 01:31:39,080 Speaker 19: So we're not giving okay, but what we are, but 2175 01:31:39,240 --> 01:31:44,120 Speaker 19: we are basically trading the sales for cocktails and it's 2176 01:31:44,160 --> 01:31:46,040 Speaker 19: going back into our local children's hospital. 2177 01:31:46,280 --> 01:31:47,040 Speaker 2: So that's a blessing. 2178 01:31:47,120 --> 01:31:49,439 Speaker 9: Well man, how do how do we support Michigan? 2179 01:31:49,720 --> 01:31:52,960 Speaker 19: I mean, look, we've got multiple ways. Our website is 2180 01:31:53,040 --> 01:31:58,120 Speaker 19: Musica Premium Vodka dot com. Where still again, like I said, 2181 01:31:58,200 --> 01:32:00,479 Speaker 19: we we kind of gave public goal friends just to 2182 01:32:00,520 --> 01:32:03,519 Speaker 19: be able to get folks like us involved. But also 2183 01:32:03,560 --> 01:32:07,880 Speaker 19: at the same time at drink Mishka is our handles 2184 01:32:07,920 --> 01:32:10,840 Speaker 19: across social media, so all those things are good ways 2185 01:32:10,880 --> 01:32:12,400 Speaker 19: to be able to kind of plug it and play 2186 01:32:12,479 --> 01:32:12,760 Speaker 19: for us. 2187 01:32:13,040 --> 01:32:16,080 Speaker 15: All right, well, we appreciate you for joining us. Russell Fletcher, Sir, 2188 01:32:16,280 --> 01:32:18,240 Speaker 15: Founder of Mishka Premium Vodka, Thank. 2189 01:32:18,080 --> 01:32:19,400 Speaker 2: You, brother, thank you. I appreciate you. 2190 01:32:19,439 --> 01:32:19,599 Speaker 1: Guys. 2191 01:32:19,640 --> 01:32:21,360 Speaker 2: It's the breakfast slogan morning everybody. 2192 01:32:21,360 --> 01:32:24,760 Speaker 15: It's dj NV just hilarious charlamage and the guy we 2193 01:32:24,920 --> 01:32:26,240 Speaker 15: are the breakfast Club. 2194 01:32:26,520 --> 01:32:28,080 Speaker 2: It's time for positive note what we got. 2195 01:32:28,200 --> 01:32:31,000 Speaker 9: But it's really simple, man, for everybody out there that's 2196 01:32:31,040 --> 01:32:33,760 Speaker 9: always on social media, you know, trying to curate the 2197 01:32:33,840 --> 01:32:36,639 Speaker 9: perfect image, putting a filter on everything. I just want 2198 01:32:36,640 --> 01:32:38,920 Speaker 9: to tell y'all, y'all be so worried about image. You 2199 01:32:39,040 --> 01:32:42,200 Speaker 9: need to clean up your spirit. Okay, some of y'all 2200 01:32:42,280 --> 01:32:44,040 Speaker 9: need to clean up your spirit. Go through some damn 2201 01:32:44,080 --> 01:32:46,519 Speaker 9: work on yourself. I'm not out here, you know, pushing 2202 01:32:46,720 --> 01:32:48,880 Speaker 9: for therapy just because y'all need to go out here 2203 01:32:48,920 --> 01:32:51,599 Speaker 9: and find a therapist. Y'all need to find a spiritual leader. 2204 01:32:51,880 --> 01:32:53,920 Speaker 9: Y'all need to just really clean up your spirit because 2205 01:32:53,920 --> 01:32:56,640 Speaker 9: your spirit is disgusting and nasty. Have a blessed day 2206 01:32:56,840 --> 01:32:57,559 Speaker 9: breakfast club. 2207 01:32:58,280 --> 01:32:59,439 Speaker 13: You don't finish what y'all done.