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Speaker 1: I like your new sneakers.

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Speaker 2: Thanks.

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Speaker 3: Here we go again, right, everybody around and round we go.

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Speaker 2: So you like them, but you're that's not what you're wearing.

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Speaker 1: I'm wearing the same brand.

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Speaker 2: Yeah, but which model is this?

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Speaker 1: I think these are the Uh oh, I have to

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Speaker 1: look it up.

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Speaker 2: Well, let's find out that, he says, right on the top,

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Speaker 2: Jesus Christ, I can read it.

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Speaker 1: It's Clifton nine.

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Speaker 3: You got the Clifton Nines. That is that was their

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Speaker 3: best seller.

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Speaker 2: That is Actually did you know this? That's the prequel

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Speaker 2: to Mickey seventeen?

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Speaker 1: Really?

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Speaker 2: Yes? Wow, the upcoming movie.

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Speaker 1: Upcoming Bong June home movie.

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Speaker 2: That's right, the prequel to Mickey.

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Speaker 1: Seven, starring Batman himself.

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Speaker 2: That's right, Yes, Bob, And we know him as Bob.

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Speaker 2: Oh really uncle Bob. My kids is called him Uncle Bob.

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Speaker 1: Because he's always around. What I mean, he's just like, that's.

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Speaker 3: Funny because some of these guys, you think, Wow, some

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Speaker 3: people really think of these guys this big movie star

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Speaker 3: and it's like important to them. And then I go,

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Speaker 3: what a crazy life I lived?

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Speaker 2: Because to me he's just uncle Bob.

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Speaker 1: He is my uncle.

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Speaker 2: Hayes is feeding me.

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Speaker 1: Yeah, you.

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Speaker 2: Remember and and he would say for a while, like

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Speaker 2: where's aunt f k A Twigs? Right, that's what you remember, Like, yeah, Auntie,

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Speaker 2: I would.

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Speaker 3: Call, Yeah, I would call her. I just grew up

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Speaker 3: and call her t T for a while. And then

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Speaker 3: and then I started calling her Auntie f k A Twigs.

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Speaker 3: But never no, no, I no, I didn't say that.

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Speaker 1: Uh no, no, do you want me to have I

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Speaker 1: don't know. But you grew up with these people that

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Speaker 1: are just like members of the household.

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Speaker 2: Yeah, it was just so normal to me.

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Speaker 3: And Hayes would be, you know, giving me a bath,

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Speaker 3: carrying me around the.

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Speaker 1: House, and you hated bath time.

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Speaker 3: Well, come on, I get so witickets in my eye.

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Speaker 1: Oh right, Yeah, you should use the baby shampoo like

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Speaker 1: I have. I have infantile hair, just baby shampoo.

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Speaker 2: But and you get that from using the baby shampoo.

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Speaker 1: I take it from take it from baby's hairs. Oh

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Speaker 1: the shampoo.

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Speaker 2: You take the shampoo out of their hair, Take.

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Speaker 1: It out of their hair because they're crying. Put it

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Speaker 1: in mine.

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Speaker 2: Well, you obviously don't appreciate this. I'll be using that

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Speaker 2: with your crying ass.

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Speaker 1: Yeah, exactly, I need to get my very thin hair.

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Speaker 1: Is my hair it's very flat, it's very you know,

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Speaker 1: it's you know, it's basically a baby's hair.

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Speaker 2: It goes kind of left or right, not up and down.

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Speaker 1: Yeah, it's not a two pay though. This is my

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Speaker 1: real hair. Didn't I'm putting my head did not say

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Speaker 1: it was no, But you know, I'm at that stage

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Speaker 1: of life where my it's more like a three P.

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Speaker 1: My facial hair is very gray, and this is my

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Speaker 1: head hair still looks mouse ship brown.

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Speaker 2: It's not right too.

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Speaker 3: Broke whoa okay, two broke girls up with this piece?

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Speaker 1: Okay, wow, okay.

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Speaker 2: This weather I got you brought it with you, didn't you.

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Speaker 1: Ah, this guy I said just to just the satellite

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Speaker 1: a little bit.

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Speaker 2: Bring a little new with you from New York.

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Speaker 3: If you don't like the weather, wait five minutes. John

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Speaker 3: Hodgmens on his way.

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Speaker 1: Exactly, And he's always five minutes away. People anywhere radius

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Speaker 1: wherever I go, there I am. You're kind of like Batman,

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Speaker 1: that's exactly. The stars are just like us.

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Speaker 2: It's true.

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Speaker 1: Patson puts on his batsuit the same way I do.

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Speaker 2: Owl. First, these these people don't know how to drive

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Speaker 2: in this weather. You notice that, Oh my gosh, these

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Speaker 2: people I was on the way here.

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Speaker 1: These people Los Angelinas and Galino's baby. Yes, they don't

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Speaker 1: know how to drive in the weather. They get freaked out, like.

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Speaker 2: I've never seen rain before.

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Speaker 1: Yeah, tell me about it.

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Speaker 2: Go on. I was on the way here. This guy

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Speaker 2: floors it right in front of me.

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Speaker 1: What the what?

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Speaker 2: I honk my horn? But you know, you know how

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Speaker 2: tesla's make like different sound effects sometimes if you have

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Speaker 2: like different.

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Speaker 3: Different settings you can set like I will go.

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Speaker 2: I don't. I don't know how you change it, but

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Speaker 2: like something like I must have hit a button on

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Speaker 2: the steering wheel and so I honked the horn and goes, Yeah,

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Speaker 2: I didn't get that exactly right. Let me get a

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Speaker 2: hold of words. It was a little honk at the end.

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Speaker 2: I kind of had it.

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Speaker 1: Yeah, right, you're still not quite there, not quite there.

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Speaker 3: Do it one more time, one more time, and then

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Speaker 3: we'll all try it.

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Speaker 1: Three times a charm.

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Speaker 2: M hm.

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Speaker 1: So you want to you're in traffic and you want

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Speaker 1: to indicate get higher, you're you're you're too close to me.

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Speaker 1: I need to let you know that I'm here.

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Speaker 2: I go and I do that twice. That was it.

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Speaker 2: That was it perfectly, and that I harked twice and

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Speaker 2: it shovels through sounds and the guy gets out in

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Speaker 2: front of me. It's a motorcycle guy driving a car.

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Speaker 2: He stands out of the car, but he's in full

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Speaker 2: motorcycle helmet, helmet goggle right.

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Speaker 3: Yes, Jack, motorcycle paths.

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Speaker 1: Yeah, like Batman, now motorcycle exactly. Okay, I got you.

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Speaker 2: Remember when Batman would like have a lying down motorcycle.

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Speaker 2: He would really like lie down on that thing, imply

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Speaker 2: lie down.

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Speaker 1: Yeah, he should have had like a recumbent bike lay

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Speaker 1: back instead of if you're gonna lie down, it's terrible

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Speaker 1: for your neck.

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Speaker 3: Well, it's just so like I hate to say it,

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Speaker 3: it's it's Superman mby. He wants to look like he's he.

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Speaker 2: Loves the polls, you know what I mean. And it's

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Speaker 2: like you can't fly, and you know, it's so sad.

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Speaker 2: Superman at the same time was getting else of him

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Speaker 2: and he was starting to fly around sitting up mm hmmm, right,

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Speaker 2: flying and like.

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Speaker 3: Flying in like batmobile driving position, yeah, with his hands

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Speaker 3: out a little invisible wheel.

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Speaker 1: Yeah.

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Speaker 2: And it's just like you guys, you're so alike.

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Speaker 1: I mean what I mean, you kind of compliment each other. Yeah,

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Speaker 1: it's true, man, Batman.

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Speaker 3: Why are we verses in each other all the time?

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Speaker 1: Come on, well, for money, I guess want to see

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Speaker 1: And by the way, they made a good chunk of you.

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Speaker 2: Show up to the theater and they're like, twenty thousand

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Speaker 2: dollars or whatever it costs, Now give me you know

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Speaker 2: you like, I knew that's what I just came to

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Speaker 2: make sure. Yeah, I knew that's what this was all about.

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Speaker 2: You Why they were versusing surprise surprise not to me? Yeah.

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Speaker 3: No, it's so jealous.

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Speaker 1: And Superman's mad because Batman's rich. Let's face it.

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Speaker 3: Let's face it, Batman Man, I say, green is not

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Speaker 3: your color.

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Speaker 2: It's a green lantern color and point and and Superman's

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Speaker 2: excuses like, oh I thought it was from kryptonite. That's

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Speaker 2: why I didn't make this money because it's green.

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Speaker 1: I mean, look, he's he's a he's from a rural community,

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Speaker 1: and he has a journalist.

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Speaker 3: Satur He's a broke bitch, supermanically broke bitch.

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Speaker 1: I'm just well, I mean it's just classic, you know,

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Speaker 1: Heartland versus the coastal elite.

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Speaker 3: Fucking print journalism, fucking my dying industry.

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Speaker 1: He's a he's an inkstained wretch. He used to say,

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Speaker 1: ink stained wretch, Superman.

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Speaker 2: Same thing. This is this wonder woman thing. I'm beginning

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Speaker 2: to think she's broke as well. I don't really think

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Speaker 2: that's an invisible plane.

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Speaker 1: You don't think it's a plane. I don't. I'm just

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Speaker 1: saying it's getting the PJ.

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Speaker 2: There's only one seat.

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Speaker 3: It's like, that's not any PJ I've ever done.

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Speaker 2: I don't mean, I'm sorry.

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Speaker 1: PJ stand for the private jet. Private jet. I don't

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Speaker 1: come on, I don't speak your batman talk. I'm postal

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Speaker 1: batman talk. I'm a assault of the Earth type from Brookline, Massachusetts.

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Speaker 3: J Hodge, come on, I say the two from there.

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Speaker 1: From Conan is from there. Conan is from there.

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Speaker 2: So it is.

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Speaker 1: Mike Wallace, let's go through it all. Leonard Dee Moys

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Speaker 1: from Newton.

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Speaker 2: Rattle them off. John Hodgin, Jack and BJ.

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Speaker 1: Yep, that's right.

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Speaker 3: Wait, the fourth one you got to was John Hodgmins

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Speaker 3: from Brookline also was the first one on the list.

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Speaker 2: The ones.

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Speaker 1: I remember John F. Kennedy's birthplace right around the corner

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Speaker 1: from Coolidge Corner. It's one big corner. You know what

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Speaker 1: I mean, I grew up on these corners Coolidge JFK's

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Speaker 1: birthplace corner.

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Speaker 3: Crazy to think about for me, What do you mean

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Speaker 3: just thinking about you growing up on those corners.

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Speaker 1: Yeah, right outside of your experience.

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Speaker 2: I need am minute.

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Speaker 3: Yeah, you guys do the show and I'm gonna kind

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Speaker 3: of soak this up.

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Speaker 2: It was about the image out there.

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Speaker 1: It was rough out there.

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Speaker 2: Yeah, this weather that you brought.

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Speaker 1: Yeah, look often it was drizzly.

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Speaker 2: Yeah.

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Speaker 1: Uh, you know we only had one good independent bookstore

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Speaker 1: in the whole neighborhood. How do you grow up like that?

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Speaker 2: Like the Einstein Brothers bagels.

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Speaker 1: We had, we didn't even have that. We had a Brugers,

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Speaker 1: And when I was growing up, there was just coople.

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Speaker 2: That's what I would make fun of. The Bruger brothers,

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Speaker 2: call him the Einstein brothers.

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Speaker 1: They hated that Boystein. Yeah, you know, how to get

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Speaker 1: their goat.

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Speaker 2: Yeah.

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Speaker 1: You know, if I if I.

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Speaker 2: Wanted, I actually don't eat my broogers.

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Speaker 1: Right right when I was growing up in Brookline, you know,

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Speaker 1: if I wanted to see an independent film or a

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Speaker 1: foreign film, I only had like four choices, you know,

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Speaker 1: the Coolidge Nickelodeon hole, in the wall cinema, Orson Wells

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Speaker 1: and then Orson well westw.

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Speaker 2: Wasn't that far away.

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Speaker 1: I wasn't going, come on, come on, who do I

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Speaker 1: look like? John Krasinski.

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Speaker 2: I'm not going, Jack, that's what That's what I was

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Speaker 2: talking about.

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Speaker 1: I said, Jack, Yeah, I got you, Jack, Jack and Vack.

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Speaker 1: That's John Ba right Jack, Jack and back.

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Speaker 3: The office boys, the office brother right.

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Speaker 1: Jack and back. Yeah. They held their territory over there.

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Speaker 1: And now I'm not saying that I wouldn't go over

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Speaker 1: there with my mom when I was seven years old

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Speaker 1: to go to the medi mart to pick up my

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Speaker 1: asthma medication. But I mean that was a fight. That

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Speaker 1: was a fight. You know, we would get looks. People

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Speaker 1: would know that's brookline people.

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Speaker 2: I don't know why I play up the asthma, so

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Speaker 2: they'd know why you were there, you know, you know,

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Speaker 2: I didn't have to better.

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Speaker 1: I'm a natural I'm a natural born asthmatic and b A.

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Speaker 1: So that stands up.

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Speaker 2: That's what NBA stands for. Where you go from Yeah.

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Speaker 1: That's for real right now. That's just how I'm breathing,

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Speaker 1: you know how I breathe badly. I don't know why

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Speaker 1: we couldn't go to a pharmacy in Brookline. But I

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Speaker 1: think you know, my mom liked to walk the wild side,

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Speaker 1: go over to.

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Speaker 2: She saidn't want she didn't want her friends to see

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Speaker 2: you sorry like that. Actually, yeah, she did not want

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Speaker 2: her friends to see you breathing like that.

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Speaker 1: Yeah.

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Speaker 3: Well yeah, well, my kid, if he was on asthma,

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Speaker 3: we'd be at the pharmacy all the time getting medication.

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Speaker 3: If he was having this sort of he was on

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Speaker 3: as well, that's what it seems like you are on.

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Speaker 1: I'm not high on life. I'm low on asthma, that's right.

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Speaker 2: Yeah.

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Speaker 3: If he was on asthma, like some of these other

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Speaker 3: freakis you got over here, I'd probably be in the pharmacy.

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Speaker 1: But you've seen us.

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Speaker 3: We've never gone to the local medi mark.

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Speaker 2: But you know what what I'm hearing here, John, another

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Speaker 2: booking you trying to come out?

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Speaker 1: Wow, I did write some books.

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Speaker 2: Trying so hard to come out in a couple of years.

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Speaker 3: Having contractions okay, yea labor pains.

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Speaker 2: You kind of had set up a cadence.

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Speaker 1: I gotta gon't you. You got to get back in

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Speaker 1: that book birthing Pool.

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Speaker 2: We had a little bit of a rhythm going, you.

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Speaker 1: Know exactly the rhythm method. It's been working too well,

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Speaker 1: pregnant for too long. Well, that's how the rhythm method works.

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Speaker 2: Right, it extends.

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Speaker 1: I'm just waiting for the Pope to tell me when

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Speaker 1: I'm allowed to have a book again.

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Speaker 3: And and and and my son. Uh news still.

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Speaker 1: Yeah, I think this guy's seen the Conclave a few

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Speaker 1: too many times. You can't see it too many times.

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Speaker 3: No, because I find something new every time.

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Speaker 2: Full of Easter eggs. I've watched it, watch.

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Speaker 3: The different part every time, boy, a different part of

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Speaker 3: the screen.

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Speaker 1: I look at they keep all those bedrooms for those

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Speaker 1: cardinals just to come around every time a pope dies.

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Speaker 1: And otherwise what are they using them for? Airbnb places

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Speaker 1: like a double tree suites in there?

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Speaker 2: The bedrooms?

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Speaker 3: Yeah, I wanted to talk about this, did you? So

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Speaker 3: they have all these bedrooms, you know what I mean?

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Speaker 3: The cardinals are crashing during the during the conclave.

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Speaker 1: Itself, that's what it's for.

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Speaker 2: But that's only happening how often.

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Speaker 1: I mean once every twenty five years to five years.

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Speaker 1: Want to get a Benedict to quits, you know what

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Speaker 1: I mean? Benedict Arnold more likely.

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Speaker 2: And meanwhile, there must be twenty five Italian people who

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Speaker 2: are sleepy and have nowhere to snooze.

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Speaker 1: Well, yeah, I mean, they'll snooze anywhere. The Italians. Well,

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Speaker 1: and I can say that because my grandmother is from

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Speaker 1: northern Italy.

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Speaker 2: But they But how did they have to develop this,

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Speaker 2: this tendency that I agree they do have. They will

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Speaker 2: as those.

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Speaker 1: They can take, and I admire him for it. They

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Speaker 1: can take a nap anywhere on the back of a vespa,

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Speaker 1: you know what I mean. And in front of the

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Speaker 1: gondola in Venice, they.

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Speaker 3: Look, they understand it, just outside of it.

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Speaker 1: You know, Italy invented self care. That's a fact in

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Speaker 1: a sense, they did. That's a fact. Yeah, take care

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Speaker 1: of myself first, and yeah, you know what I mean.

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Speaker 1: Then I can help others or notsitosito. What are the

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Speaker 1: best pastas? Shapes?

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Speaker 2: Shapes orzo or no?

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Speaker 3: Yeah, I liked it better the first time when it

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Speaker 3: was called race.

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Speaker 1: Oh wow, Yeah, it's copying.

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Speaker 2: It's copying, right, it's copy right.

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Speaker 3: Well, I just like be yourself pasta. I don't know

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Speaker 3: that we need so many tubes. I'm not against tubes,

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Speaker 3: but we could probably pick like two. We could have

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Speaker 3: like a tube with ridges. You know what we could

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Speaker 3: do three I'll do, I'll do three, I'll do like

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Speaker 3: a book of Tini. Right, it's like a hollow piece

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Speaker 3: of spaghetti.

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Speaker 2: That's interesting.

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Speaker 1: And boy did it have a moment a few years ago.

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Speaker 1: I remember that Katini. I want that. I want that

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Speaker 1: Pasta's agent. You know what I mean?

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Speaker 3: Well, you know what I want, that Pasta's agent. Then

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Speaker 3: I don't know that I want them now because the

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Speaker 3: moment they didn't. They didn't translate that moment into longevity.

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Speaker 3: Bucatini still works.

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Speaker 1: Oh, I think Bukatini has a podcast now. Well, but I.

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Speaker 2: Mean that's not impressive to me.

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Speaker 1: Have you you haven't heard the Bucatini boys.

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Speaker 2: Well I have. Now I'm showing my age Bucatini boys.

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Speaker 1: This two Bucatini boys talking about Bucatini.

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Speaker 3: Well, that that's it. I guess that is impressive to me.

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Speaker 2: Then I didn't realize that.

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Speaker 1: But I mean they were every large, I mean they

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Speaker 1: were everywhere.

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Speaker 2: Oh it exploded.

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Speaker 3: I mean it was like I had never it became

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Speaker 3: Buca large, Buka huge, you know, from being very Bucatini.

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Speaker 2: The songs on the radio. Yeah, Jesus christy. Yeah, busy teeny.

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Speaker 1: Now you know. Now it's more like buka overexposy, you

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Speaker 1: know what I mean.

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Speaker 2: I'll take take you to my I have like a

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Speaker 2: pasta guy, a little pasta shop, a little pasta if

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Speaker 2: you're in town for a little while, it'll take you

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Speaker 2: all go together. Yeah. It's called spend chairs, Oh, spend

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Speaker 2: Schaars gifts, Spend chairs gifts. Yes, and they have this

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Speaker 2: pastama Oh my goodness.

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Speaker 3: The flavor yes, and just not Jonathan, just Jonathan.

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Speaker 2: And the away, the way that it tastes to eat,

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Speaker 2: and the shapes will stimulate more than your palette.

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Speaker 3: You'll actually have a feast for multiple senses and something

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Speaker 3: we don't always talk about.

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Speaker 2: And if you create and if you have to cook

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Speaker 2: multiple boxes, you have to.

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Speaker 1: It's going to make going to make my two pass

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Speaker 1: to al Dente.

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Speaker 3: Your your your bukaty. He subbed out for a busting wienie.

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Speaker 4: Okay, okay, yes, no, you can create these creatures kind

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00:17:14,840 --> 00:17:19,240
Speaker 4: of with different you put different ones together, a full

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Speaker 4: functional sex partner Spence.

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Speaker 3: Chares Cherry Spence chairs, gift gifts.

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Speaker 2: So what so what like what what what like? How like?

360
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Speaker 2: What are we going to put out there John, like

361
00:17:39,119 --> 00:17:41,639
Speaker 2: we're gonna need to. I'm in the ages.

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Speaker 1: I need I need a new need. Like you talk

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Speaker 1: about books, John Jay Chen, not Jonathan John k Hodgeman.

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Speaker 2: That's me.

365
00:17:55,000 --> 00:18:01,280
Speaker 1: America's favorite store, long winded storyteller and occasionally rye humorist.

366
00:18:01,600 --> 00:18:03,720
Speaker 1: I need a new chapter. I'm at a turning, do

367
00:18:05,480 --> 00:18:06,840
Speaker 1: you know what I mean? I get right, I get

368
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Speaker 1: a little rye, a little right. But the point is

369
00:18:08,840 --> 00:18:12,320
Speaker 1: like I'll raise an eyebrow. But I'm I'm kind of

370
00:18:12,440 --> 00:18:14,199
Speaker 1: I'm kind of where Bucatini is. Do you know what

371
00:18:14,200 --> 00:18:17,639
Speaker 1: I mean? I went from omnipresent.

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Speaker 3: It's true to a podcast podcast without even bro.

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Speaker 1: I haven't written do it with you? He's my bro.

374
00:18:29,520 --> 00:18:31,720
Speaker 1: We brow out, but it's not like the we brow

375
00:18:31,760 --> 00:18:35,199
Speaker 1: out over like Edward Gory and uh you know, uh,

376
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Speaker 1: well he likes sports, but we don't talk about that.

377
00:18:38,760 --> 00:18:40,560
Speaker 1: Uh but yeah, No, I haven't written a book for

378
00:18:40,600 --> 00:18:43,960
Speaker 1: a while. I haven't created anything for a while. It's

379
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Speaker 1: just like, now you know my children have left the house.

380
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Speaker 2: Okay, they could be interesting, yeah, okay.

381
00:18:53,040 --> 00:18:54,280
Speaker 1: But I mean it's just like, you know, it's a

382
00:18:54,400 --> 00:19:00,280
Speaker 1: change they're missing. Yeah, that's right. They're missing by I

383
00:19:00,440 --> 00:19:01,959
Speaker 1: left the house, I mean I woke up one day

384
00:19:01,960 --> 00:19:04,800
Speaker 1: and they were they were gone. Kind of searching for them.

385
00:19:04,760 --> 00:19:10,640
Speaker 3: Yeah, junk exactly the kind of podcast that could really capture.

386
00:19:11,359 --> 00:19:16,800
Speaker 1: John Codman, John K exactly right, Yes, yeah, I mean

387
00:19:16,880 --> 00:19:26,840
Speaker 1: I I went through Europe searching for them style, Yeah, exactly.

388
00:19:27,840 --> 00:19:29,360
Speaker 1: A certain set of skills.

389
00:19:28,960 --> 00:19:33,880
Speaker 2: Is yeah, yeah, exactly. Vacation land too, they taken land.

390
00:19:35,800 --> 00:19:39,000
Speaker 1: Go, but I'm not even sure they were taken.

391
00:19:38,520 --> 00:19:41,879
Speaker 2: They asked the question mark question.

392
00:19:42,080 --> 00:19:44,920
Speaker 3: Yeah, we can have so many directions.

393
00:19:45,000 --> 00:19:49,560
Speaker 1: Yeah, yeah, maybe, so it's funny, how you know, they say, right,

394
00:19:49,880 --> 00:19:52,520
Speaker 1: what you know? Right, but no one ever thinks about

395
00:19:52,560 --> 00:19:56,880
Speaker 1: like do you know anything interesting? Or yeah, yeah, maybe

396
00:19:56,880 --> 00:20:01,560
Speaker 1: you just no boring? Yeah, so you have to interesting things. Yeah,

397
00:20:01,760 --> 00:20:04,720
Speaker 1: but even then knowing to eat them. The hard part

398
00:20:04,800 --> 00:20:08,000
Speaker 1: is knowing what you know. Because here I am just

399
00:20:08,040 --> 00:20:10,280
Speaker 1: talking with two of my favorite friends.

400
00:20:11,000 --> 00:20:16,480
Speaker 2: And how I ate my way through seven continents searching

401
00:20:16,520 --> 00:20:18,399
Speaker 2: for my searching.

402
00:20:17,960 --> 00:20:22,080
Speaker 1: For my abducted children. How I learned to take my time,

403
00:20:22,119 --> 00:20:25,600
Speaker 1: How I went searching for my abducted children but learned

404
00:20:25,600 --> 00:20:26,600
Speaker 1: to enjoy my life.

405
00:20:26,920 --> 00:20:30,440
Speaker 2: Yeah, but I ended up finding myself and that's it.

406
00:20:30,560 --> 00:20:33,760
Speaker 1: And yeah, I mean, it's like that has been my life,

407
00:20:34,200 --> 00:20:37,200
Speaker 1: but it didn't occur to me now to even think

408
00:20:37,240 --> 00:20:39,280
Speaker 1: about writing it down. This might be a story that

409
00:20:39,320 --> 00:20:42,520
Speaker 1: people enjoy. That's the thing. They say, write what you know.

410
00:20:43,000 --> 00:20:44,359
Speaker 1: The hard part is to know what you know?

411
00:20:44,640 --> 00:20:45,600
Speaker 2: Well, yeah, you know.

412
00:20:45,760 --> 00:20:49,720
Speaker 3: You would get along with is Donald Rumsfeld?

413
00:20:50,440 --> 00:20:50,880
Speaker 2: Wow?

414
00:20:51,240 --> 00:20:52,000
Speaker 1: Say more on that.

415
00:20:54,000 --> 00:20:54,480
Speaker 2: I just think.

416
00:20:54,680 --> 00:20:57,119
Speaker 3: I mean, I'm not saying I'm.

417
00:20:55,800 --> 00:20:57,439
Speaker 2: In area, you know.

418
00:20:57,720 --> 00:20:59,879
Speaker 3: I feel like you talk about some of the same stuff.

419
00:21:01,280 --> 00:21:04,840
Speaker 1: Knowing what you know, the unknowns.

420
00:21:04,280 --> 00:21:08,960
Speaker 3: Yes, knowing what you know, not knowing what you don't know,

421
00:21:08,960 --> 00:21:13,280
Speaker 3: knowing what you don't know if you know, and ultimately

422
00:21:15,240 --> 00:21:17,399
Speaker 3: knowing how to sell a couple of copies of a

423
00:21:17,520 --> 00:21:21,959
Speaker 3: goddamn piece of fucking binding and a couple of papers

424
00:21:22,160 --> 00:21:26,359
Speaker 3: between right and and and a cover like I'm picturing

425
00:21:27,200 --> 00:21:29,960
Speaker 3: where it's it's the Junkyard Dog.

426
00:21:30,760 --> 00:21:38,000
Speaker 1: That's my nickname, well known k Hodgeman, the original ride

427
00:21:38,040 --> 00:21:42,280
Speaker 1: and dirty, Meaner than a junkyard, Right.

428
00:21:42,680 --> 00:21:48,480
Speaker 3: That just you looking mean, but with a very delicate

429
00:21:50,240 --> 00:21:52,879
Speaker 3: French pastry of some sort. I guess we were staying

430
00:21:52,880 --> 00:21:55,480
Speaker 3: on all the continents. We're talking about all these continents,

431
00:21:55,480 --> 00:21:59,000
Speaker 3: but we've been on y We've been on Europe.

432
00:21:58,720 --> 00:22:02,280
Speaker 1: The whole time, very eurocentric. We gotta, we gotta, we

433
00:22:02,359 --> 00:22:03,879
Speaker 1: gotta broaden our horizons.

434
00:22:04,160 --> 00:22:07,760
Speaker 2: But maybe we're being like also good by being like that,

435
00:22:07,960 --> 00:22:09,760
Speaker 2: that's where the kidnappers we don't want to.

436
00:22:09,760 --> 00:22:15,960
Speaker 1: Well, it's true from our son and daughter, Please help us, Daddy,

437
00:22:16,040 --> 00:22:18,560
Speaker 1: we're being We're in a we're in a prison in

438
00:22:18,600 --> 00:22:22,199
Speaker 1: an island in Greece, Okay, And I'm like, well, hang on,

439
00:22:22,720 --> 00:22:28,080
Speaker 1: I'm I'm I'm in Milan right now. I'll get there,

440
00:22:28,480 --> 00:22:30,360
Speaker 1: you know what I mean. But I'm eating my way

441
00:22:30,359 --> 00:22:34,440
Speaker 1: through Milan because there are a number of great people.

442
00:22:34,480 --> 00:22:37,440
Speaker 1: Don't like Northern Italian people think Southern Italian cuisines.

443
00:22:37,480 --> 00:22:40,200
Speaker 2: They they are Italian, Northern.

444
00:22:39,920 --> 00:22:43,480
Speaker 1: Italian, Northern Italian. Northern Italy is a whole different country.

445
00:22:43,480 --> 00:22:45,440
Speaker 1: And it's like I want to get up to the

446
00:22:45,480 --> 00:22:48,240
Speaker 1: Italian Alps, the Dalmatians, you know what I mean. That's

447
00:22:48,359 --> 00:22:48,880
Speaker 1: huge if.

448
00:22:48,920 --> 00:22:50,800
Speaker 3: That's true, that it's another country and.

449
00:22:50,800 --> 00:22:52,800
Speaker 2: You can Milanese anything.

450
00:22:53,080 --> 00:22:55,760
Speaker 1: That's true, Chickenese.

451
00:22:56,640 --> 00:23:00,119
Speaker 2: Chick and I had not actually heard of, but yeah, every.

452
00:23:01,640 --> 00:23:04,520
Speaker 1: So you know, I'm still looking for clues right now.

453
00:23:04,720 --> 00:23:09,239
Speaker 2: Money Milanise, Donald Rumsfield, you say soda, I don't know,

454
00:23:09,400 --> 00:23:09,920
Speaker 2: just one of the.

455
00:23:09,880 --> 00:23:12,800
Speaker 1: Things I'm waiting in my career is making trying to

456
00:23:12,840 --> 00:23:16,840
Speaker 1: make more timely cultural references. You know, that's hard. That's

457
00:23:16,840 --> 00:23:21,000
Speaker 1: why Milanisee Pepsi won, Pepsi clear, Milaniese.

458
00:23:22,200 --> 00:23:25,840
Speaker 2: Right ten, milanise doctor pepper ten. Yeah.

459
00:23:33,320 --> 00:23:35,760
Speaker 1: So yeah, maybe I'll write about my quest to find

460
00:23:35,760 --> 00:23:39,879
Speaker 1: my children. I hadn't thought about that, honestly, I'm running

461
00:23:39,880 --> 00:23:42,600
Speaker 1: out of ideas. That's why. That's why we have the

462
00:23:42,800 --> 00:23:44,560
Speaker 1: US to come on. I used to come so.

463
00:23:44,840 --> 00:23:46,120
Speaker 2: These sessions frequently.

464
00:23:46,160 --> 00:23:48,919
Speaker 1: They were you know what I mean, like snaps. I

465
00:23:49,000 --> 00:23:50,240
Speaker 1: mean the show.

466
00:23:50,080 --> 00:23:52,280
Speaker 3: Before and I feel like even just seeing the difference

467
00:23:52,320 --> 00:23:54,600
Speaker 3: between then, when was the last time John was on

468
00:23:54,600 --> 00:23:56,200
Speaker 3: the show.

469
00:23:56,880 --> 00:23:58,680
Speaker 2: So we're talking, I was four years ago.

470
00:23:58,760 --> 00:23:59,880
Speaker 1: I was quicker, damn.

471
00:23:59,760 --> 00:24:02,320
Speaker 2: Dude, I couldn't get a damn word in.

472
00:24:02,600 --> 00:24:04,360
Speaker 1: But now, well, part of it is that I've learned

473
00:24:04,400 --> 00:24:06,800
Speaker 1: to listen that and the other part of it is

474
00:24:06,840 --> 00:24:09,720
Speaker 1: I learned when to lay back and not talk. And

475
00:24:09,760 --> 00:24:12,080
Speaker 1: the third part of it is I just you know,

476
00:24:12,160 --> 00:24:14,280
Speaker 1: you have to respect that as an artist, your brain

477
00:24:14,359 --> 00:24:17,159
Speaker 1: is a muscle and it changes your body changes, do

478
00:24:17,200 --> 00:24:19,440
Speaker 1: you know what I mean? Metabolizes things differently?

479
00:24:19,720 --> 00:24:23,000
Speaker 2: You can say respect, it's time for me to sit

480
00:24:23,080 --> 00:24:27,040
Speaker 2: back and listen without having done anything wrong. You know,

481
00:24:27,680 --> 00:24:31,480
Speaker 2: the guys that did bad stuff kind of took sitting back.

482
00:24:31,320 --> 00:24:34,520
Speaker 3: And they really stigmatize sitting back and listening as only

483
00:24:35,480 --> 00:24:38,080
Speaker 3: force correction from having committed across.

484
00:24:37,760 --> 00:24:41,680
Speaker 1: Horrible, horrible offense. Yes, someone else's dignity and humanity.

485
00:24:41,800 --> 00:24:45,639
Speaker 2: Yeah, but it can be just because your body is

486
00:24:45,840 --> 00:24:47,800
Speaker 2: made just be sort of tired with it.

487
00:24:47,840 --> 00:24:50,840
Speaker 3: Sounds like you are, and which case, like that's time

488
00:24:50,880 --> 00:24:53,359
Speaker 3: to sit back and listen. Yeah, certainly, not time to

489
00:24:53,480 --> 00:24:55,960
Speaker 3: like try also taking big swings.

490
00:24:56,440 --> 00:24:58,879
Speaker 1: Maybe some music is on, that's a great time to

491
00:24:58,920 --> 00:25:02,000
Speaker 1: sit back and listen. Maybe some music was Maybe it's

492
00:25:02,000 --> 00:25:03,440
Speaker 1: time for me to be quiet.

493
00:25:03,119 --> 00:25:05,800
Speaker 2: And reading something to you and.

494
00:25:05,600 --> 00:25:08,919
Speaker 1: In retrospecting, maybe maybe some sucking me in. Maybe some

495
00:25:09,000 --> 00:25:13,720
Speaker 1: of these old Uncle Batman is there making some bucatini. Oh,

496
00:25:13,960 --> 00:25:17,320
Speaker 1: and the smell of the bukatini that Rob had.

497
00:25:17,040 --> 00:25:19,400
Speaker 3: Uncle Bob when Uncle Bob would come.

498
00:25:19,600 --> 00:25:28,520
Speaker 1: You know, Christ said nothing captures the imagination like Madeline cookies,

499
00:25:29,119 --> 00:25:30,879
Speaker 1: And what I think he meant by that is we

500
00:25:30,920 --> 00:25:34,960
Speaker 1: associate memories with smells and sense sense memories and food.

501
00:25:35,200 --> 00:25:37,600
Speaker 1: A lot of the time. I'm not sure if he

502
00:25:37,680 --> 00:25:39,520
Speaker 1: knew that when he wrote it, but that's my takeaway

503
00:25:39,520 --> 00:25:39,840
Speaker 1: from it.

504
00:25:40,280 --> 00:25:42,879
Speaker 3: So, I mean, I'm trying to connect that to what

505
00:25:42,960 --> 00:25:44,679
Speaker 3: I thought he meant.

506
00:25:45,119 --> 00:25:49,439
Speaker 2: And the translation I read it was Madeleine's Cookies and

507
00:25:49,520 --> 00:25:50,160
Speaker 2: I didn't know.

508
00:25:50,080 --> 00:25:50,880
Speaker 1: What I didn't.

509
00:25:53,240 --> 00:25:56,359
Speaker 2: Rude drung of Madeline Khan and they sell those at

510
00:25:56,400 --> 00:25:57,440
Speaker 2: s been chairs as well.

511
00:25:57,600 --> 00:26:03,120
Speaker 1: Yeah, yeah, but Madeline's Cookies is really in airports in France.

512
00:26:03,200 --> 00:26:05,040
Speaker 3: That's where you The trail vision that I read said

513
00:26:05,080 --> 00:26:08,280
Speaker 3: Madeline's kouchi and I'll just say interesting, you know, and

514
00:26:08,320 --> 00:26:13,960
Speaker 3: that was it was sort of scratched in there, but

515
00:26:14,119 --> 00:26:17,879
Speaker 3: it seemed pretty official. Proust put his initials next to

516
00:26:17,920 --> 00:26:19,960
Speaker 3: it to be like, this is this is the.

517
00:26:20,040 --> 00:26:20,800
Speaker 2: Version I want?

518
00:26:21,000 --> 00:26:21,160
Speaker 1: Right?

519
00:26:21,560 --> 00:26:24,240
Speaker 2: So yeah, this switch time again.

520
00:26:24,920 --> 00:26:29,720
Speaker 1: Marcel MP, the Big MP. They called him.

521
00:26:29,000 --> 00:26:34,560
Speaker 3: Marcel Marcle, Marcel Megan Markle, Marcel Markle.

522
00:26:34,440 --> 00:26:36,080
Speaker 2: The roots with boots on.

523
00:26:38,600 --> 00:26:40,159
Speaker 1: You know a long time ago. This is true. You

524
00:26:40,160 --> 00:26:42,320
Speaker 1: want a true story? Remember how IT stars are just

525
00:26:42,359 --> 00:26:42,760
Speaker 1: like us.

526
00:26:42,880 --> 00:26:43,880
Speaker 2: I want to hear one?

527
00:26:43,960 --> 00:26:47,280
Speaker 1: Yeah, okay, did you want to hear a true story?

528
00:26:48,440 --> 00:26:51,280
Speaker 2: Yeah? I mean i'd sort of like to go to

529
00:26:51,320 --> 00:26:53,080
Speaker 2: the store and buy one from you.

530
00:26:54,520 --> 00:26:59,600
Speaker 3: An incredible nemesis for marcelfes On is Marcel the brute

531
00:26:59,600 --> 00:27:05,880
Speaker 3: with boots said, Oh, I thought it was Boots.

532
00:27:05,960 --> 00:27:07,480
Speaker 2: No, because he writes books.

533
00:27:07,520 --> 00:27:11,960
Speaker 3: I just thought like, yeah, Boots, if he had.

534
00:27:13,400 --> 00:27:20,720
Speaker 2: Shoes kicks the ever living Jesus.

535
00:27:25,080 --> 00:27:28,280
Speaker 3: Just I think you've got some stops him unconscious.

536
00:27:28,760 --> 00:27:29,879
Speaker 1: I think you've got something.

537
00:27:29,960 --> 00:27:33,080
Speaker 3: Well, it just certainly would be a good insight aincident

538
00:27:33,119 --> 00:27:34,359
Speaker 3: for the next film.

539
00:27:34,640 --> 00:27:35,800
Speaker 2: You ever write a kid's book?

540
00:27:36,680 --> 00:27:37,160
Speaker 1: Uh?

541
00:27:37,960 --> 00:27:42,080
Speaker 2: No, not intentionally. Well, I got a hold of that.

542
00:27:42,160 --> 00:27:46,560
Speaker 1: I wouldn't write a kid's book until I found my

543
00:27:46,600 --> 00:27:47,280
Speaker 1: own children.

544
00:27:47,520 --> 00:27:49,639
Speaker 2: Could be a good way to find them, because often

545
00:27:49,760 --> 00:27:52,359
Speaker 2: these captors are like, I gotta find a way to

546
00:27:52,359 --> 00:27:56,000
Speaker 2: get these kids to shut up. Yeah, I got when.

547
00:27:55,800 --> 00:27:58,000
Speaker 1: They like when you're probably saying it in Greek.

548
00:27:57,960 --> 00:28:01,920
Speaker 2: When a big, hulking Greek I goes into the bookstore, is.

549
00:28:01,840 --> 00:28:03,920
Speaker 1: Like, you got something to get a kid to shut up?

550
00:28:04,960 --> 00:28:08,439
Speaker 2: Like that, you can often follow them back to that

551
00:28:08,480 --> 00:28:09,920
Speaker 2: triggered their silent alarm.

552
00:28:10,240 --> 00:28:14,960
Speaker 1: Yeah, one day I could write a kid's book and

553
00:28:16,240 --> 00:28:18,080
Speaker 1: and it's and and I'll put it like an air

554
00:28:18,160 --> 00:28:21,120
Speaker 1: tag in everyone. And then I just have to go

555
00:28:21,160 --> 00:28:23,400
Speaker 1: from place to place in Greece, wherever the books are.

556
00:28:23,520 --> 00:28:26,000
Speaker 2: If you if you wrote a book called this book

557
00:28:26,040 --> 00:28:29,200
Speaker 2: will get your kid to shut up it, I think

558
00:28:29,240 --> 00:28:31,720
Speaker 2: it would sell as a novelty book.

559
00:28:31,720 --> 00:28:32,600
Speaker 1: It's already happened.

560
00:28:33,240 --> 00:28:35,560
Speaker 2: Well, there's the go to Fuck to Sleep one, But

561
00:28:35,680 --> 00:28:38,320
Speaker 2: like that was a really long time ago. You think

562
00:28:38,800 --> 00:28:40,080
Speaker 2: you honestly think you would.

563
00:28:40,240 --> 00:28:46,400
Speaker 3: Move It's but I'm afraid that we've given our audience

564
00:28:46,720 --> 00:28:50,520
Speaker 3: a form of intellectual blue balls. Because my friend over here,

565
00:28:51,040 --> 00:28:55,880
Speaker 3: I'm a true storage, a true story true and and

566
00:28:55,920 --> 00:28:58,000
Speaker 3: I just don't want to get too far away from

567
00:28:58,040 --> 00:29:01,760
Speaker 3: it because I know if I was listen, look, all

568
00:29:01,800 --> 00:29:04,719
Speaker 3: this stuff is great. Yeah, but I still have a

569
00:29:04,760 --> 00:29:06,920
Speaker 3: piece of me that couldn't fully lock in until I

570
00:29:06,960 --> 00:29:07,880
Speaker 3: heard the truth.

571
00:29:07,760 --> 00:29:10,640
Speaker 1: A long time ago. We'll come made the story obviously

572
00:29:10,680 --> 00:29:12,680
Speaker 1: when we Yeah, no, you won't include it, right, this

573
00:29:12,800 --> 00:29:16,600
Speaker 1: is just for us. Yeah, okay, long time ago, I

574
00:29:16,680 --> 00:29:18,720
Speaker 1: made a series of I was part of a series

575
00:29:18,760 --> 00:29:22,520
Speaker 1: of ads for Apple computer A. Right, that was really

576
00:29:22,880 --> 00:29:24,080
Speaker 1: that was my Bucatini era.

577
00:29:24,160 --> 00:29:30,280
Speaker 2: That was just Rumsfeld days. Right, you were both on

578
00:29:30,760 --> 00:29:31,440
Speaker 2: t B.

579
00:29:31,720 --> 00:29:34,360
Speaker 1: Well you know what this is something people don't know.

580
00:29:34,400 --> 00:29:37,280
Speaker 1: We shot a lot more commercials than aired, often with

581
00:29:37,360 --> 00:29:42,080
Speaker 1: a lot of guests, so all everyone was coming through.

582
00:29:42,280 --> 00:29:44,720
Speaker 1: All these famous people wanted to be in the mac.

583
00:29:44,800 --> 00:29:46,920
Speaker 3: I'm a PC and I'm Donald Rum's face.

584
00:29:46,920 --> 00:29:48,240
Speaker 1: It happened, did happen?

585
00:29:48,400 --> 00:29:48,760
Speaker 2: Didn't this?

586
00:29:48,880 --> 00:29:52,480
Speaker 1: That's what I'm saying. And wait on, John, what I'm saying.

587
00:29:53,640 --> 00:29:54,840
Speaker 1: I remember both of.

588
00:29:54,720 --> 00:29:59,600
Speaker 2: Your name, John? Didn't the same guy direct both of you?

589
00:29:59,720 --> 00:30:02,200
Speaker 1: Yeah? Yeah, every one of those was directed by the

590
00:30:02,240 --> 00:30:02,760
Speaker 1: same guy.

591
00:30:03,160 --> 00:30:06,280
Speaker 2: But didn't he direct a movie about Donald Rumsfeld as well?

592
00:30:07,040 --> 00:30:11,360
Speaker 1: Maybe I don't know. I only focused on the ads, Okay, Yeah,

593
00:30:12,040 --> 00:30:16,880
Speaker 1: So Donald Rumsfeld came through, Tony Robbins came through, James

594
00:30:16,880 --> 00:30:21,040
Speaker 1: Carville came through. This is all true, most of it. Wow.

595
00:30:21,440 --> 00:30:25,800
Speaker 1: And then but I those are the famous people right then, Right.

596
00:30:25,720 --> 00:30:28,240
Speaker 3: At the time, those were the most famous people we had.

597
00:30:28,280 --> 00:30:31,640
Speaker 3: Carville robbed. That was before we had like Batman stuff

598
00:30:31,680 --> 00:30:33,920
Speaker 3: like that. They were touring to that used to be

599
00:30:34,000 --> 00:30:39,360
Speaker 3: our superheroes. Were these political leaders and thought leaders.

600
00:30:39,480 --> 00:30:41,760
Speaker 1: Yes, yes, they were on the Kings of Thought Leader

601
00:30:41,800 --> 00:30:46,160
Speaker 1: tour and they would film Stadia and then they came through.

602
00:30:46,880 --> 00:30:49,160
Speaker 1: And then but there were people who were not yet

603
00:30:49,240 --> 00:30:55,000
Speaker 1: stars before. They were Buccatini and and you know, the

604
00:30:55,040 --> 00:30:59,360
Speaker 1: director of those Ads. Phil Morrison sent me sent me

605
00:30:59,400 --> 00:31:01,760
Speaker 1: a shot he had kept. I mean, I think it

606
00:31:01,800 --> 00:31:03,720
Speaker 1: was before the iPhone. I don't know why he had

607
00:31:03,720 --> 00:31:04,200
Speaker 1: this picture.

608
00:31:04,280 --> 00:31:11,840
Speaker 3: Did you think Donald Wemfield was in Adventureland? I thought

609
00:31:11,520 --> 00:31:14,200
Speaker 3: I thought it was what did Phil Morrison do?

610
00:31:14,680 --> 00:31:19,600
Speaker 2: Uh bug, that's what you're I thought it was Morris,

611
00:31:19,840 --> 00:31:21,760
Speaker 2: but it was his son did.

612
00:31:21,640 --> 00:31:27,200
Speaker 1: The Apple Ads before? That was right before? Yeah, yes, exactly.

613
00:31:27,440 --> 00:31:27,840
Speaker 2: I think.

614
00:31:28,400 --> 00:31:30,920
Speaker 1: Anyway, here's good.

615
00:31:31,160 --> 00:31:33,600
Speaker 3: Glad I did adventure Land because now we're on equal footing.

616
00:31:33,640 --> 00:31:35,640
Speaker 2: We both really fucking god.

617
00:31:36,320 --> 00:31:38,560
Speaker 3: If I had pulled June Bug in the moment.

618
00:31:39,040 --> 00:31:41,960
Speaker 2: You were wow, oh God, I stand up.

619
00:31:42,000 --> 00:31:46,320
Speaker 1: I watch. But time moves in one direction and moves fast,

620
00:31:46,600 --> 00:31:48,360
Speaker 1: you know what I mean? And here we are on

621
00:31:48,400 --> 00:31:50,760
Speaker 1: the other side of it. My kids are imprisoned in Greece.

622
00:31:51,040 --> 00:31:53,480
Speaker 1: I'm talking to you, guys. I'm just looking for some clues.

623
00:31:54,400 --> 00:31:57,440
Speaker 1: It's just fast. Everything's happening fast. It's what I was

624
00:31:57,440 --> 00:31:59,240
Speaker 1: going to tell you is Phil sends me this picture

625
00:31:59,400 --> 00:32:02,080
Speaker 1: from the set of The Apple We had a whole bunch.

626
00:32:02,200 --> 00:32:04,080
Speaker 1: Is one one of these things where it was like

627
00:32:04,120 --> 00:32:07,320
Speaker 1: me and Justin Long and they're like fifteen people. I

628
00:32:07,360 --> 00:32:10,239
Speaker 1: think they were. I don't know who they represented, some

629
00:32:10,360 --> 00:32:12,400
Speaker 1: kind of Apple products air tags. Maybe it was too

630
00:32:12,400 --> 00:32:15,040
Speaker 1: early for that, but he probably was. Yeah, maybe there

631
00:32:15,080 --> 00:32:15,400
Speaker 1: was just.

632
00:32:15,720 --> 00:32:20,960
Speaker 3: Anyway, you're joking, what's that when you say air tags?

633
00:32:21,000 --> 00:32:24,920
Speaker 3: I hope that's for cometic effect because it was long

634
00:32:25,080 --> 00:32:27,840
Speaker 3: before air tag and Sean Sean.

635
00:32:27,640 --> 00:32:31,320
Speaker 2: Knows exactly when air tags were invented. Do you know

636
00:32:31,320 --> 00:32:33,600
Speaker 2: how people wait in line for the iPhone? The first

637
00:32:33,600 --> 00:32:36,400
Speaker 2: iPhone that was sean AirTag? Yes?

638
00:32:36,800 --> 00:32:45,000
Speaker 1: Right, yeah you yeah, you were soused tracks right, yeah,

639
00:32:45,240 --> 00:32:46,160
Speaker 1: ka comes out of the story.

640
00:32:46,200 --> 00:32:47,280
Speaker 2: Didn't only let me buy one?

641
00:32:48,160 --> 00:32:50,080
Speaker 1: No, that was very strict at the time, only one

642
00:32:50,120 --> 00:32:51,440
Speaker 1: air tag at the time for Sean.

643
00:32:52,240 --> 00:32:55,120
Speaker 3: It was a real just for Sean people if you

644
00:32:55,240 --> 00:32:58,360
Speaker 3: look particularly excited, because they were selling them in like

645
00:32:58,480 --> 00:32:59,120
Speaker 3: three packs.

646
00:32:59,200 --> 00:33:02,040
Speaker 2: But for some and something about the way I was

647
00:33:02,120 --> 00:33:04,720
Speaker 2: buying it, right, they just slipped me one.

648
00:33:05,320 --> 00:33:08,000
Speaker 1: Right, We've created this new technology that can be used

649
00:33:08,040 --> 00:33:11,240
Speaker 1: to track your keys or the person you're stalking. Yeah,

650
00:33:12,000 --> 00:33:15,560
Speaker 1: why not? Hey, hey Apple, I'm just having some fun here.

651
00:33:16,280 --> 00:33:19,520
Speaker 1: I want to come back immediately, please, just joking.

652
00:33:19,280 --> 00:33:24,880
Speaker 3: Around fifteen bucks and you can stock basically anyone with

653
00:33:25,080 --> 00:33:30,280
Speaker 3: great effectiveness. Also if they want to know they're being stalked.

654
00:33:30,280 --> 00:33:32,920
Speaker 3: All they gotta do is buy all Apple products.

655
00:33:34,080 --> 00:33:37,720
Speaker 1: If only I had sown air tags into my children's

656
00:33:37,760 --> 00:33:43,200
Speaker 1: clothes right instead of quarters, the cheaked out, Yeah, I

657
00:33:43,240 --> 00:33:45,240
Speaker 1: should have used the air. They're like, Daddy, can we

658
00:33:45,280 --> 00:33:46,760
Speaker 1: have air tags sown in our clothes so you can

659
00:33:46,840 --> 00:33:50,200
Speaker 1: drank us all the time. I said, sure, son and daughter,

660
00:33:50,880 --> 00:33:53,080
Speaker 1: I sown it. I sewed quarters. First of all, I'm

661
00:33:53,080 --> 00:33:55,960
Speaker 1: a very good sewer, but I sewed quarters in because

662
00:33:55,960 --> 00:33:57,480
Speaker 1: I was just like, this is never going to be

663
00:33:57,520 --> 00:34:00,320
Speaker 1: the case that they're kidnapped in Europe. I'm never gonna

664
00:34:00,400 --> 00:34:02,200
Speaker 1: I'm never gonna lose. You know, this is the thing

665
00:34:02,600 --> 00:34:03,680
Speaker 1: you're both are you both.

666
00:34:03,600 --> 00:34:06,720
Speaker 2: Parents, and now you're reaping what you've sown. Oh wow,

667
00:34:07,280 --> 00:34:12,120
Speaker 2: it's because wow, you know what, put it in the book.

668
00:34:12,520 --> 00:34:16,919
Speaker 3: I don't mind put it in the I'll quote you thought.

669
00:34:16,120 --> 00:34:18,960
Speaker 2: I'll give you special maybe to get the book to me.

670
00:34:19,239 --> 00:34:22,800
Speaker 2: But this is the thing, like in these times, like

671
00:34:22,960 --> 00:34:25,920
Speaker 2: this time, they look at you. We're like they say,

672
00:34:25,960 --> 00:34:29,520
Speaker 2: you're like profiling or something if you're sewing air tags

673
00:34:29,560 --> 00:34:31,480
Speaker 2: into just like Greek guys clothes.

674
00:34:31,880 --> 00:34:34,960
Speaker 1: You know, like like you can't get away, want to.

675
00:34:35,640 --> 00:34:39,359
Speaker 2: Kidnap your kids or something, right, Yeah, yeah, yeah, yeah,

676
00:34:40,320 --> 00:34:44,759
Speaker 2: we could do that has been so weaponized, right, and

677
00:34:44,920 --> 00:34:45,319
Speaker 2: it's like.

678
00:34:45,760 --> 00:34:50,719
Speaker 3: Wells, whose kidnapping the kids? Touchually good when you do

679
00:34:50,800 --> 00:34:54,200
Speaker 3: it right and you catch somebody, yes, who's doing something wrong?

680
00:34:54,320 --> 00:34:56,400
Speaker 1: Yeah if you're not, if you if you haven't kidnapped

681
00:34:56,400 --> 00:34:58,960
Speaker 1: my kids, you have nothing to worry about that, you

682
00:34:59,040 --> 00:34:59,480
Speaker 1: know what I mean.

683
00:34:59,800 --> 00:35:02,920
Speaker 3: The Profiler was catching people fucking left and right, you

684
00:35:03,040 --> 00:35:03,680
Speaker 3: know what I mean.

685
00:35:03,760 --> 00:35:04,440
Speaker 2: The Profiler.

686
00:35:04,880 --> 00:35:06,920
Speaker 3: That was good when they did that. Now it's like

687
00:35:06,960 --> 00:35:09,200
Speaker 3: your profiling. It's like, well, thank you very much. What

688
00:35:09,320 --> 00:35:12,200
Speaker 3: a compliment that means. I'm as heroic as the Profiler,

689
00:35:12,520 --> 00:35:15,080
Speaker 3: one of the most beloved TV characters of all time.

690
00:35:15,239 --> 00:35:16,879
Speaker 2: Yeah, what are you gonna say? I'm doing next?

691
00:35:17,000 --> 00:35:24,000
Speaker 1: Mentalizing seriously, And by the way, profile it's one of

692
00:35:24,120 --> 00:35:25,320
Speaker 1: the great angles.

693
00:35:24,960 --> 00:35:28,439
Speaker 2: Of the head. Oh god, maybe in your case.

694
00:35:29,080 --> 00:35:31,480
Speaker 3: Well, I'm just saying no, I'm self conscious.

695
00:35:31,800 --> 00:35:33,000
Speaker 1: No, you have a great profile.

696
00:35:33,040 --> 00:35:35,080
Speaker 2: Do you have some cartoons? If you like that? Right,

697
00:35:35,239 --> 00:35:37,000
Speaker 2: you're like obsessed with looking.

698
00:35:36,880 --> 00:35:38,200
Speaker 3: Like that doing the cartoons?

699
00:35:38,239 --> 00:35:43,439
Speaker 1: Your profile cartoon profile view three quarter view full on view. Yeah,

700
00:35:43,480 --> 00:35:46,239
Speaker 1: I g all the caricatures. I have a caricature of

701
00:35:46,320 --> 00:35:50,000
Speaker 1: myself made once a week. Wow, So I can see

702
00:35:50,040 --> 00:35:51,880
Speaker 1: how I age cartoon style.

703
00:35:52,000 --> 00:35:52,319
Speaker 2: M hm.

704
00:35:52,760 --> 00:35:55,440
Speaker 3: You know, trust mirrors because the lighting changes and all

705
00:35:55,480 --> 00:35:55,600
Speaker 3: of that.

706
00:35:55,800 --> 00:35:57,720
Speaker 2: But a nice a nice care.

707
00:35:58,560 --> 00:36:02,080
Speaker 1: Is possibly a portal to a an evil dimension, you

708
00:36:02,160 --> 00:36:02,279
Speaker 1: know what.

709
00:36:02,400 --> 00:36:03,719
Speaker 2: I think about that more.

710
00:36:03,760 --> 00:36:05,960
Speaker 1: You have to Yeah, you have to think about it.

711
00:36:06,040 --> 00:36:08,520
Speaker 1: Maybe nowadays you have to wonder which side of the

712
00:36:08,520 --> 00:36:09,440
Speaker 1: mirror am I even on.

713
00:36:10,400 --> 00:36:13,239
Speaker 2: Right, because what's going on in the world today it

714
00:36:13,520 --> 00:36:15,720
Speaker 2: is if we're on the other side of the mirror,

715
00:36:15,800 --> 00:36:17,680
Speaker 2: this is what it would be like over there. We

716
00:36:17,840 --> 00:36:20,719
Speaker 2: are through a glass darkly in the mirror. Used to

717
00:36:20,760 --> 00:36:25,319
Speaker 2: say the tariffs were other mirror guys problem, but right

718
00:36:25,440 --> 00:36:27,319
Speaker 2: now it's like we're well.

719
00:36:27,280 --> 00:36:30,960
Speaker 3: I'm on the RAFFI so like, you know, cheers other

720
00:36:31,040 --> 00:36:33,399
Speaker 3: side of the mirror eye, because I guess you must

721
00:36:33,480 --> 00:36:34,600
Speaker 3: be living it up over there.

722
00:36:34,840 --> 00:36:37,240
Speaker 1: They're having they're having a good time in the mirror

723
00:36:37,360 --> 00:36:37,799
Speaker 1: universe there.

724
00:36:38,560 --> 00:36:41,200
Speaker 2: Yeah, they're having a blast. That they must be, because

725
00:36:41,239 --> 00:36:43,640
Speaker 2: what I got going on over here is no blain O.

726
00:36:44,200 --> 00:36:44,399
Speaker 3: Yeah.

727
00:36:44,440 --> 00:36:45,640
Speaker 1: But you've got a nice profile.

728
00:36:47,160 --> 00:36:49,400
Speaker 3: That's really that's actually really means a lot that.

729
00:36:50,120 --> 00:36:51,080
Speaker 1: You have a nice profile.

730
00:36:52,280 --> 00:36:54,239
Speaker 2: Parts of it are okay, that's actually.

731
00:36:54,000 --> 00:36:56,120
Speaker 1: Making me feel really good right now? Yeah you should well,

732
00:36:56,160 --> 00:37:00,359
Speaker 1: I mean, look, you've got you've got a wonderful ski

733
00:37:00,480 --> 00:37:01,120
Speaker 1: slope nose.

734
00:37:02,040 --> 00:37:04,960
Speaker 2: Thank you. I don't want to any more specifics. Thank you.

735
00:37:05,200 --> 00:37:07,320
Speaker 2: So you want me to go further, I would like

736
00:37:07,400 --> 00:37:08,880
Speaker 2: to stop at the specific.

737
00:37:10,800 --> 00:37:14,040
Speaker 1: Anyway, We're doing this ad and they have a bunch

738
00:37:14,080 --> 00:37:17,200
Speaker 1: of young people come in to play something else in

739
00:37:17,280 --> 00:37:19,879
Speaker 1: the end. I don't remember. This is a thousand years ago.

740
00:37:19,920 --> 00:37:22,279
Speaker 1: No one even knows what I'm talking about anymore. You

741
00:37:22,360 --> 00:37:25,839
Speaker 1: don't even have anymore what you and Jay Long ever

742
00:37:25,920 --> 00:37:27,800
Speaker 1: talked now yeah on his podcast.

743
00:37:28,120 --> 00:37:30,000
Speaker 2: Oh sure, money.

744
00:37:31,360 --> 00:37:33,520
Speaker 3: I don't get paid, no, I know, but he's like,

745
00:37:33,640 --> 00:37:34,479
Speaker 3: oh yeah, i'll talk.

746
00:37:36,480 --> 00:37:40,400
Speaker 2: Podcast with it. They say, give me freaking fifty million

747
00:37:40,520 --> 00:37:41,680
Speaker 2: dollars whatever it costs.

748
00:37:41,719 --> 00:37:45,000
Speaker 1: Now. I auditioned, well, I would love to. I was,

749
00:37:45,560 --> 00:37:48,800
Speaker 1: I was, I was. I was offered the role of

750
00:37:48,960 --> 00:37:52,320
Speaker 1: the monster and Barbarian. Okay.

751
00:37:53,280 --> 00:37:55,480
Speaker 3: When I watched it, it felt like it was written

752
00:37:56,120 --> 00:38:01,840
Speaker 3: for a different type. Yeah, and I and I was saying,

753
00:38:02,280 --> 00:38:04,680
Speaker 3: something feels missing, something's off.

754
00:38:06,000 --> 00:38:07,719
Speaker 2: The big T suit.

755
00:38:07,960 --> 00:38:11,480
Speaker 1: Yeah yeah, blat, I guess yeah, yeah, yeah. It was

756
00:38:11,560 --> 00:38:13,960
Speaker 1: like the Tin Man and Wizard of Oz. They had

757
00:38:14,000 --> 00:38:18,880
Speaker 1: to recast intolerant, was not not a terrific actor as

758
00:38:18,920 --> 00:38:20,080
Speaker 1: a monster or as a human.

759
00:38:20,160 --> 00:38:21,280
Speaker 2: So you weren't.

760
00:38:22,640 --> 00:38:24,799
Speaker 3: Come on, I seen you, see you and some stuff.

761
00:38:24,840 --> 00:38:26,600
Speaker 1: I'll tell you what. I'm good. I'm good when I'm

762
00:38:26,640 --> 00:38:27,400
Speaker 1: straight to camera.

763
00:38:28,600 --> 00:38:31,000
Speaker 5: But put me take it down the barrel, get it,

764
00:38:31,920 --> 00:38:37,680
Speaker 5: forget it, forget it. They should put he wasn't unmarried. Wow,

765
00:38:37,920 --> 00:38:40,279
Speaker 5: this fucker acts like he wasn't unmarried. I got a

766
00:38:40,440 --> 00:38:44,120
Speaker 5: long memory, bro Come on, boy, they have a technology.

767
00:38:44,880 --> 00:38:48,120
Speaker 2: What if they brought married back and they rigged a

768
00:38:48,239 --> 00:38:50,879
Speaker 2: camera to like your belt and it's coming straight out

769
00:38:50,920 --> 00:38:51,759
Speaker 2: and it's pointing.

770
00:38:51,560 --> 00:38:55,080
Speaker 3: The whole thing like like like a steady camp selfie.

771
00:38:55,000 --> 00:38:57,040
Speaker 1: Or the or those shows on MTV where they're exploring

772
00:38:57,040 --> 00:38:58,160
Speaker 1: the haunted house and they're afraid.

773
00:38:58,320 --> 00:39:01,560
Speaker 2: Oh yeah, I was just talking about those to the

774
00:39:01,760 --> 00:39:05,160
Speaker 2: other for it was called like freaked or something, and

775
00:39:05,239 --> 00:39:12,400
Speaker 2: maybe yeah, I remember, Oh man, I could do that,

776
00:39:12,520 --> 00:39:14,000
Speaker 2: I could that could be what is that?

777
00:39:14,600 --> 00:39:15,520
Speaker 3: What is that?

778
00:39:16,400 --> 00:39:16,600
Speaker 1: Yeah?

779
00:39:16,920 --> 00:39:19,279
Speaker 2: Very very And and then at the same time they're

780
00:39:19,320 --> 00:39:24,239
Speaker 2: premiering Michael Jackson's Ghosts on MTV, like this ship is

781
00:39:24,520 --> 00:39:25,759
Speaker 2: for the scary on here.

782
00:39:25,920 --> 00:39:27,560
Speaker 1: Now time is in one direction.

783
00:39:28,000 --> 00:39:31,440
Speaker 3: The M and M t V stood for murder because

784
00:39:31,480 --> 00:39:33,200
Speaker 3: it was really scary stuff.

785
00:39:34,360 --> 00:39:38,680
Speaker 1: Uh yeah, on the TV. What did TV stand for TV? Terror?

786
00:39:40,440 --> 00:39:43,000
Speaker 2: Terror, terrorism, rorism?

787
00:39:43,239 --> 00:39:47,800
Speaker 1: Violence? Yeah? Yeah, I want my murder terrorism violence.

788
00:39:48,000 --> 00:39:49,680
Speaker 2: But then comes and you can't.

789
00:39:49,760 --> 00:39:52,520
Speaker 1: You can't do that anymore. You can't profile terrorism, you

790
00:39:52,600 --> 00:39:55,640
Speaker 1: can't profile crefiling.

791
00:39:54,760 --> 00:40:01,560
Speaker 2: Bad No, no, and uh sick to my stomach. Kids books,

792
00:40:02,160 --> 00:40:07,560
Speaker 2: kids books? Did you ever read Madeline from the Cookies?

793
00:40:07,880 --> 00:40:12,320
Speaker 1: Miss Clavel said, something is not right. That's all I

794
00:40:12,400 --> 00:40:15,520
Speaker 1: remember from that particular book. It's about the orphaned French children.

795
00:40:15,600 --> 00:40:20,160
Speaker 2: The first book is about Madeline. What happens in that book?

796
00:40:20,160 --> 00:40:22,520
Speaker 2: I was just reading this and my daughter, really famous

797
00:40:22,560 --> 00:40:26,360
Speaker 2: book gets lost. Her appendix bursts. Yep, that's right, that

798
00:40:26,520 --> 00:40:29,479
Speaker 2: smallest one, right right, that's what happens in the book.

799
00:40:29,719 --> 00:40:32,480
Speaker 2: Her appendix bursts, and she goes off to the hospital.

800
00:40:32,600 --> 00:40:37,800
Speaker 2: She's no room for it. It's just kind of squosing.

801
00:40:37,239 --> 00:40:39,960
Speaker 1: Up in her appendix was the biggest part of her

802
00:40:40,000 --> 00:40:42,280
Speaker 1: at that point. Then appendix, Yeah.

803
00:40:42,400 --> 00:40:45,400
Speaker 2: To make what about this? So you do one? So

804
00:40:45,600 --> 00:40:46,239
Speaker 2: what she goes?

805
00:40:46,600 --> 00:40:49,359
Speaker 1: She goes to My memory of Madeline is she's living

806
00:40:49,360 --> 00:40:52,040
Speaker 1: in the orphanage. Miss Clavell is the none that takes

807
00:40:52,080 --> 00:40:55,239
Speaker 1: care of her. They walk into straight lines through Paris. Yes,

808
00:40:55,400 --> 00:40:59,719
Speaker 1: and all of a sudden, Eh, my appendix hurts. I

809
00:40:59,760 --> 00:41:03,759
Speaker 1: don't know what's what's uh, what's appendix in French? Kevin,

810
00:41:03,800 --> 00:41:09,200
Speaker 1: look it up? Thank you? Anyway, she said, man, mom hurts.

811
00:41:10,040 --> 00:41:14,400
Speaker 1: She goes into the hospital and she she gets all

812
00:41:14,440 --> 00:41:17,600
Speaker 1: these presents and all this attention, and the other girls

813
00:41:17,680 --> 00:41:20,000
Speaker 1: in the orphanage a they're a little annoyed by it.

814
00:41:20,960 --> 00:41:23,520
Speaker 1: And so in the middle of the night they each

815
00:41:23,600 --> 00:41:25,600
Speaker 1: come in. They have soap in a bag and they

816
00:41:25,680 --> 00:41:26,120
Speaker 1: just hit her.

817
00:41:26,920 --> 00:41:27,120
Speaker 2: Yeah.

818
00:41:27,280 --> 00:41:29,960
Speaker 1: Right, they each take a turn pounding her with soaps

819
00:41:29,960 --> 00:41:31,880
Speaker 1: in the bed because it doesn't leave bruises. That's my

820
00:41:32,000 --> 00:41:32,719
Speaker 1: memory of that book.

821
00:41:32,760 --> 00:41:35,799
Speaker 2: And the truth is it does. Yes, No, she wakes

822
00:41:35,920 --> 00:41:40,160
Speaker 2: up with masks. That's what they Yeah, they find out

823
00:41:40,160 --> 00:41:41,439
Speaker 2: that translation coming.

824
00:41:41,560 --> 00:41:46,920
Speaker 1: Kevin say it again. That can't be it up.

825
00:41:50,040 --> 00:41:52,479
Speaker 2: Anything sounds gets.

826
00:41:53,400 --> 00:41:55,759
Speaker 1: But the joke was on those ventful orphans because she

827
00:41:55,960 --> 00:41:57,720
Speaker 1: just had to stay more, spend more time.

828
00:41:57,600 --> 00:42:01,320
Speaker 2: In the hospital, the hospital, and they made it seem

829
00:42:01,440 --> 00:42:03,919
Speaker 2: so great. That book blows up. All these little girls

830
00:42:03,960 --> 00:42:08,800
Speaker 2: are getting elective appendectomies. That was in in France.

831
00:42:09,200 --> 00:42:11,200
Speaker 1: Well, that's a real thing that happened because of the

832
00:42:11,280 --> 00:42:12,040
Speaker 1: Madeline book.

833
00:42:12,120 --> 00:42:15,360
Speaker 2: Yes, oh yes, well that's what Hayes just said. That's

834
00:42:15,600 --> 00:42:18,000
Speaker 2: literally what I thought he was. I thought he was

835
00:42:18,280 --> 00:42:25,280
Speaker 2: being me like the rice, right, and but I offer

836
00:42:25,440 --> 00:42:27,879
Speaker 2: this to you, okay, I'll take it, which is hang

837
00:42:28,760 --> 00:42:32,200
Speaker 2: you do a book. It's a book four kids, but

838
00:42:32,320 --> 00:42:37,480
Speaker 2: it's about adult man who is also at a school

839
00:42:37,719 --> 00:42:39,600
Speaker 2: with other men where they have to walk on a

840
00:42:39,600 --> 00:42:40,200
Speaker 2: straight line.

841
00:42:41,280 --> 00:42:41,640
Speaker 1: Mm hmm.

842
00:42:41,760 --> 00:42:42,960
Speaker 2: And he gets a kiddy steed.

843
00:42:45,160 --> 00:42:47,280
Speaker 1: So it's an adult and it takes place in Paris.

844
00:42:49,080 --> 00:42:49,680
Speaker 2: Yeah, sure.

845
00:42:49,840 --> 00:42:55,920
Speaker 1: And is the book junk junk j M E A

846
00:42:56,160 --> 00:43:04,040
Speaker 1: n C junk junk lum jun junk behind jun keep

847
00:43:04,120 --> 00:43:06,279
Speaker 1: up with the line. I'm enjoying this very much. I

848
00:43:06,280 --> 00:43:07,400
Speaker 1: think it's an incredible idea.

849
00:43:08,200 --> 00:43:10,520
Speaker 2: Will you will you look up Kidney Stone.

850
00:43:12,680 --> 00:43:26,759
Speaker 1: Qua the Fox? This is pebble, this pebble? Yeah, hang on,

851
00:43:26,840 --> 00:43:29,319
Speaker 1: I just got a text, all right?

852
00:43:30,320 --> 00:43:31,840
Speaker 3: Would you care to share it with the rest of

853
00:43:31,880 --> 00:43:34,919
Speaker 3: the class. When you get a text, you should bring.

854
00:43:34,920 --> 00:43:36,040
Speaker 1: Enough what about it?

855
00:43:36,120 --> 00:43:36,440
Speaker 2: Children?

856
00:43:36,480 --> 00:43:37,000
Speaker 1: Even freed?

857
00:43:37,800 --> 00:43:38,880
Speaker 2: That's really great.

858
00:43:39,480 --> 00:43:43,239
Speaker 1: Great, Yes, that's what they call a happy ending. You

859
00:43:43,280 --> 00:43:44,800
Speaker 1: don't get many of those these days.

860
00:43:45,400 --> 00:43:49,480
Speaker 2: There's another book, John Lately areas of my text pertise,

861
00:43:50,560 --> 00:43:51,800
Speaker 2: Oh my god.

862
00:43:52,320 --> 00:43:59,880
Speaker 3: And it's all formats all read these days, and honestly conversations.

863
00:44:00,239 --> 00:44:03,160
Speaker 1: Yes, I have some text threads that are more engrossing

864
00:44:03,239 --> 00:44:04,000
Speaker 1: than Moby Dick.

865
00:44:04,200 --> 00:44:06,759
Speaker 3: Oh. I believe in some of the people that you know,

866
00:44:07,440 --> 00:44:10,040
Speaker 3: this guy's roll a deck that he downplays it a

867
00:44:10,120 --> 00:44:13,799
Speaker 3: little bit, but he's got some heavy hitters in there.

868
00:44:14,120 --> 00:44:16,279
Speaker 1: Let me tell let me tell you some of the

869
00:44:16,560 --> 00:44:19,160
Speaker 1: texts that I've gotten from here. Just not to brag,

870
00:44:19,680 --> 00:44:28,719
Speaker 1: all right, Martin dan Oh, No, Nicholas Kay, okay short

871
00:44:28,760 --> 00:44:29,840
Speaker 1: for Catherine. That's my wife.

872
00:44:29,960 --> 00:44:32,920
Speaker 2: We know, Okay, we know Kat's nice.

873
00:44:33,280 --> 00:44:35,799
Speaker 1: Paul F. Tompkins, Wow? And then.

874
00:44:37,440 --> 00:44:39,680
Speaker 2: Seven three oh six, what's that one?

875
00:44:40,160 --> 00:44:45,160
Speaker 1: John? When criminals fire bombed my FBI car outside my home,

876
00:44:47,600 --> 00:44:50,880
Speaker 1: I was offered a transfer to protect my safety. I

877
00:44:51,080 --> 00:44:54,160
Speaker 1: turned it down. I'm former FBI special agent Dennis Baker.

878
00:44:54,200 --> 00:44:56,120
Speaker 1: I remember back down from a fight. Wow. Now I'm

879
00:44:56,200 --> 00:44:59,719
Speaker 1: running to protect Oklahoma House District seventy one from embolden

880
00:45:00,080 --> 00:45:04,319
Speaker 1: Oddah extremists in the June tenth special election. And then

881
00:45:04,360 --> 00:45:05,120
Speaker 1: it goes on from there.

882
00:45:06,040 --> 00:45:06,799
Speaker 2: That's really good.

883
00:45:06,960 --> 00:45:08,480
Speaker 1: I just got the same I just got a text

884
00:45:08,520 --> 00:45:11,000
Speaker 1: from this guy. I mean, this is an a former

885
00:45:11,160 --> 00:45:15,160
Speaker 1: FBI criminals just texting you direct just texting me directly.

886
00:45:15,320 --> 00:45:19,160
Speaker 2: What did criminals firebomb my car?

887
00:45:19,400 --> 00:45:20,759
Speaker 1: This guy pi car?

888
00:45:21,000 --> 00:45:22,440
Speaker 2: This guy may have been a profiler.

889
00:45:23,080 --> 00:45:26,160
Speaker 3: This guy may have been a pro The FBI uses

890
00:45:26,280 --> 00:45:29,240
Speaker 3: those and they have to drive to and from work

891
00:45:30,360 --> 00:45:32,040
Speaker 3: or to the site of the profiling.

892
00:45:32,280 --> 00:45:37,200
Speaker 1: Uh uh uh zoning staging era zone.

893
00:45:37,320 --> 00:45:39,880
Speaker 3: Yes, profile Zone, the profile Zone.

894
00:45:40,360 --> 00:45:44,799
Speaker 1: That was my favorite FBI themed theme restaurant, The Profile Zone.

895
00:45:44,840 --> 00:45:49,359
Speaker 1: Profiles remember where you would go right yeah and uh yeah,

896
00:45:49,560 --> 00:45:51,920
Speaker 1: and they wouldn't serve you until you had given a

897
00:45:51,920 --> 00:45:53,319
Speaker 1: full profile of a serial killer.

898
00:45:53,520 --> 00:45:56,040
Speaker 2: M yeah, and it had to be believable.

899
00:45:56,280 --> 00:46:04,279
Speaker 1: And by the way, the serial was killer, so it

900
00:46:04,600 --> 00:46:05,640
Speaker 1: surely was.

901
00:46:06,160 --> 00:46:06,799
Speaker 2: What's his name?

902
00:46:07,760 --> 00:46:12,000
Speaker 1: Oh h, Former FBI special agent Dennis Baker. Dennis Baker

903
00:46:12,160 --> 00:46:12,560
Speaker 1: is his name?

904
00:46:12,800 --> 00:46:16,440
Speaker 3: Gotta vote for Dennis Baker. Okay, Oklahoma, Dennis Baker.

905
00:46:16,719 --> 00:46:21,360
Speaker 1: Okay, Wake up and show up for former FBI special

906
00:46:21,440 --> 00:46:22,520
Speaker 1: agent Dennis Baker.

907
00:46:22,640 --> 00:46:25,600
Speaker 3: Dennis Baker may have been a profiler. The mentalist played

908
00:46:25,640 --> 00:46:27,360
Speaker 3: by Simon Baker Samon Baker.

909
00:46:28,280 --> 00:46:31,080
Speaker 2: That's right, I'm on the other side of the mirror.

910
00:46:32,000 --> 00:46:33,520
Speaker 2: I'm on the other side of the mirror.

911
00:46:33,880 --> 00:46:38,960
Speaker 1: Yeah, fucking free, here we go, give.

912
00:46:38,840 --> 00:46:40,880
Speaker 2: Me the m TV camera pointing at me.

913
00:46:41,160 --> 00:46:44,480
Speaker 1: Exactly. You do feel like you're living in a simulation

914
00:46:44,800 --> 00:46:48,280
Speaker 1: sometimes just because everything kind of fits together.

915
00:46:50,000 --> 00:46:50,200
Speaker 3: Big.

916
00:46:50,480 --> 00:46:53,120
Speaker 1: I mean, it's just a camp. There's a narrative. There's

917
00:46:53,120 --> 00:46:54,319
Speaker 1: a narrative at work.

918
00:46:54,640 --> 00:46:58,640
Speaker 2: Yeah, it's it's funking me up. And hang on.

919
00:46:58,760 --> 00:47:00,600
Speaker 1: Let me just VENDMO my children and some money so

920
00:47:00,680 --> 00:47:01,600
Speaker 1: they can buy a ticket home.

921
00:47:01,719 --> 00:47:02,400
Speaker 2: Yeah, go ahead.

922
00:47:03,040 --> 00:47:04,239
Speaker 1: How much do you think I should bend?

923
00:47:04,320 --> 00:47:06,720
Speaker 2: Nice dad, it's grease.

924
00:47:07,520 --> 00:47:08,520
Speaker 1: Should I get a PJ?

925
00:47:09,239 --> 00:47:11,120
Speaker 2: Inflation and stuff over there?

926
00:47:11,320 --> 00:47:11,480
Speaker 5: Right?

927
00:47:11,719 --> 00:47:14,040
Speaker 3: Don't they have Don't they need like a whole wheelbarrow

928
00:47:14,120 --> 00:47:15,359
Speaker 3: of money just to buy an egg?

929
00:47:15,680 --> 00:47:21,080
Speaker 1: Yeah? Yeah, they just have wheelbarrows of eggs. Unfortunately, I'll

930
00:47:21,120 --> 00:47:23,520
Speaker 1: get a PJ. Hang on, let me go to Blade

931
00:47:23,560 --> 00:47:24,000
Speaker 1: dot com.

932
00:47:24,080 --> 00:47:26,719
Speaker 2: The fuck you a helicopter.

933
00:47:28,040 --> 00:47:30,959
Speaker 3: Helicopter that's the Greek helicopter app.

934
00:47:34,040 --> 00:47:36,400
Speaker 1: Oh, this is what I wanted to tell you, true story. Okay,

935
00:47:39,800 --> 00:47:40,960
Speaker 1: it's at the end of the podcast.