WEBVTT - I'd Kill For You

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<v Speaker 1>Mordeo is a production of I Heart Radio, Blumhouse Television

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<v Speaker 1>and Crypt TV in association with Wolf at the Door.

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<v Speaker 1>I'd move heaven and earth for you. I'd die for you.

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<v Speaker 1>I'd kill for you. I've said these things before, and

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<v Speaker 1>I meant them, but I didn't think i'd have to.

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<v Speaker 1>I came from a quiet laugh in a quiet town.

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<v Speaker 1>I thought the rest of my life would be quiet too.

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<v Speaker 1>Turns out I was wrong. This is damn. Where is he?

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<v Speaker 1>That's impossible. I locked it. He was in here. This

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<v Speaker 1>is disappointing, to say the least. Sister Morales, don't I'm

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<v Speaker 1>not a part of your fucking cult or whatever you are.

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<v Speaker 1>We clean, The bars are intact, so was the lock bar.

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<v Speaker 1>He didn't bust out. That means someone let him out.

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<v Speaker 1>I suggest you find out who did. Otherwise our agreement

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<v Speaker 1>to provide you protection will be in breach. I did

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<v Speaker 1>everything you asked. I followed through. This isn't on me.

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<v Speaker 1>We asked for Isaiah Williams, you delivered an empty cage.

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<v Speaker 1>Now without our protection, your oath to secrecy is suddenly deliveraged.

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<v Speaker 1>That puts me in a quandary cat We preserve our

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<v Speaker 1>secrecy at all costs that a threat one human life

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<v Speaker 1>means nothing when it comes to serving the greater good.

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<v Speaker 1>You're not above sacrifice, my dear. I've been forced to

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<v Speaker 1>assist many members of the ward into realizing the scene.

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<v Speaker 1>Then again, self sacrifice has never been a sentiment that's

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<v Speaker 1>come naturally to you. Tell me, how is it that

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<v Speaker 1>no other soldier saw the insurgent who shot you that

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<v Speaker 1>night at your post. The injury to your shoulder. It's

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<v Speaker 1>what sent you home from the war, was it not?

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<v Speaker 1>How do you know it? I know a whole lot more,

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<v Speaker 1>Miss Morales, find Isaiah or you will pay a heavy price.

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<v Speaker 1>Wake up, Issaiah, I know you're not dead. Welcome back. No,

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<v Speaker 1>why did you bring me in? The school was the

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<v Speaker 1>only place that they wouldn't find you right away? Figured

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<v Speaker 1>the gym would be easiest to you. Shouldn't have taken

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<v Speaker 1>me out. This was the only way I was gonna

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<v Speaker 1>get answers. I don't know what you think is going on,

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<v Speaker 1>but I promise you you don't understand. Listen to me.

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<v Speaker 1>These change won't do any good. You have to get

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<v Speaker 1>me back. It's not safe and why not? You just

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<v Speaker 1>have to trust me. Wow, even now, even when I've

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<v Speaker 1>got you cornered. Even when you think my life is

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<v Speaker 1>on the line, you still can't bring yourself to tell

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<v Speaker 1>me the truth. You wouldn't believe me if I did.

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<v Speaker 1>I didn't realize you had such little faith in me. Isaiah,

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<v Speaker 1>that's all right. I can't prepare Jesus. What are you

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<v Speaker 1>doing with that gun? Ashley? I know what you are, Isaiah.

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<v Speaker 1>I know the kind of monster you're becoming. Nah, I'm

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<v Speaker 1>the one getting answers this time. Listen to me. It

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<v Speaker 1>doesn't matter how big of a gun you have, it's

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<v Speaker 1>not going to protect you. Because you think you can't die, Ashley,

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<v Speaker 1>I can't. I tried well. Seems like I understand a

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<v Speaker 1>whole lot more about what you are than you do now.

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<v Speaker 1>I want to hear everything about what you did to Gabe,

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<v Speaker 1>all of it from the beginning, because if you don't,

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<v Speaker 1>I'm gonna make sure your last moment's heart like held. Jocelyn, Jocelyn, Hello, Ernesto,

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<v Speaker 1>who the hell are you? Once a stranger, now a friend?

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<v Speaker 1>Where's my and daughter? She's safe for now? What did

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<v Speaker 1>you do with her? There's that fire I've heard so

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<v Speaker 1>much about I see right, said, tell me where she

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<v Speaker 1>is now. Could you loosing your grip a bit? If

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<v Speaker 1>you kill me, then Joscelyn will die? Kidding? Your granddaughter

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<v Speaker 1>is five. You can call her when we get to

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<v Speaker 1>the car. I promise. I just needed to cut the

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<v Speaker 1>bullshit and get everyone on the same team real quick.

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<v Speaker 1>She was the only way to do that. I don't

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<v Speaker 1>know what game you're plan, but I want to see Jocelyn.

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<v Speaker 1>Isaiah's in danger and we need to find him. Who

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<v Speaker 1>are you someone who wants to save your son from what? Wow?

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<v Speaker 1>We've really got a lot to talk about. Don't we

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<v Speaker 1>tell me? Isaiah? What did you start with his arms,

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<v Speaker 1>his legs, head, stomach? Was his heart warm when your

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<v Speaker 1>teeth sunk into it? Because you feel it beating? To

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<v Speaker 1>let me go? Please tell me. I want to hear

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<v Speaker 1>you say it all right? Have it your Actually, don't

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<v Speaker 1>I have three more despair? Next time I'll aim for

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<v Speaker 1>something more than a lag you keep pushing, I won't

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<v Speaker 1>be able to stuff. I'm not afraid. Why do you

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<v Speaker 1>want to hear this? Because there is a reason why

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<v Speaker 1>you chose him, and I have to know why he

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<v Speaker 1>is my brother. I didn't choose him, I didn't be heven,

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<v Speaker 1>but it did. It's a pattern with you, I say it. Somehow,

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<v Speaker 1>some way, you find a way to hurt the people

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<v Speaker 1>that love you most. So you didn't murder, You didn't

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<v Speaker 1>rip him apart, you didn't tear into his body. You didn't.

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<v Speaker 1>You chose to do all of those things. That's why

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<v Speaker 1>you are what you are. That's why my husband is dead.

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<v Speaker 1>You want them, Damn you don't understand it. Most things

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<v Speaker 1>they took over I couldn't contruely Jesus, I'm saying, take

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<v Speaker 1>some responsibility for what's in your life. Just didn't bit

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<v Speaker 1>what you did. God, your coward. After all these years,

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<v Speaker 1>you're still running, turning your back on these things you

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<v Speaker 1>don't want to face, wondering where it all went wrong.

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<v Speaker 1>You never realized it. It's wrong, goddamn fault. Your mother

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<v Speaker 1>will be ashamed of you. You don't think I know that.

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<v Speaker 1>When we were growing up, I thought there was nothing

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<v Speaker 1>you couldn't do. You were as a Williams homecoming king,

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<v Speaker 1>baseball star, kind, charismatic, smart, funny, loyal, and you chose

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<v Speaker 1>me as your best friend. It made me feel special

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<v Speaker 1>and we talked about seeing the world. For me. It

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<v Speaker 1>was just a fantasy, could have been real with you.

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<v Speaker 1>You were the closest I ever came to something more. God,

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<v Speaker 1>I loved you. I don't think you ever knew that

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<v Speaker 1>what I did, I knew, Wow, just twisting the knife.

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<v Speaker 1>How couldn't be there like you wanted me to? I

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<v Speaker 1>tried to protect you, right because I was never good

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<v Speaker 1>at doing that myself. Truth is, I built you up

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<v Speaker 1>in my head and now I see you for who

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<v Speaker 1>you really are. Gave deserved the brother you could have been.

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<v Speaker 1>You sure as hell didn't deserve to die. Jocelyn, My

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<v Speaker 1>daughter deserved a family. You took that from her. I'm sorry.

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<v Speaker 1>It's too late for that. I said, way too fucking light.

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<v Speaker 1>Please no, I'll just make you worse. I'm all right, Poppy,

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<v Speaker 1>I'm safe. Where are you? I can't tell you, Jocelyn.

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<v Speaker 1>You will tell me this minute. I told her not

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<v Speaker 1>to say. Ah, what's wrong with you? My arm? Jesus

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<v Speaker 1>that fucking hurts. Give me that phone. Listen, jay Bird,

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<v Speaker 1>your grandpa's gotta go. Stay where you are, like we

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<v Speaker 1>talked about, We'll find them. I promise. Why did you

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<v Speaker 1>do that? We have to hurry. It's going south faster

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<v Speaker 1>than I anticipated get Jocelyn back on that phone right now.

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<v Speaker 1>I need to know where she might have taken Isaiah. Michelle,

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<v Speaker 1>what's she done? No, Ashley, where would she take your son?

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<v Speaker 1>Ashley wouldn't be anywhere near Isaiah. I can guarantee that

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<v Speaker 1>she knows Isaiah killed Gabe. What what did you say?

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<v Speaker 1>I'm sorry, I really am. This isn't the way anyone

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<v Speaker 1>should find out something like that. But Ashley knows, and

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<v Speaker 1>she's gone rogue. She's keeping him somewhere. I need to

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<v Speaker 1>know where you're lying. He wouldn't he could can was

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<v Speaker 1>pushed past the denial stage and get to anger. I

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<v Speaker 1>can use anger. Who are you and what makes you

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<v Speaker 1>think you know anything about my son? I just do

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<v Speaker 1>look her nest. So think about what Ashley's done the

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<v Speaker 1>past few days. She's displaced her child from their home,

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<v Speaker 1>left Joscelyn with her strange father in law for long

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<v Speaker 1>periods of time, all the while not telling you more

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<v Speaker 1>than you needed to hear. You're a cop. Let the

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<v Speaker 1>pattern speak for itself. She learned something, I saw something

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<v Speaker 1>the truth, and now she's out for blood. We need

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<v Speaker 1>to find them, or one of them will not be

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<v Speaker 1>alive come morning. I promised Joscelyn. I would bring them home.

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<v Speaker 1>I don't break promises. So think where would she take him?

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<v Speaker 1>Her nest where she wouldn't go home? The woods and

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<v Speaker 1>not after gave no, no, no? Think where was she? Bet?

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<v Speaker 1>I don't know, Like you said, it's clearly not something

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<v Speaker 1>she would have told me. God damn it. Vote right, Okay, okay?

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<v Speaker 1>I think what the school? I bet she's at the school.

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<v Speaker 1>And that's tough. And that's the Jocelyn It's cat opened

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<v Speaker 1>the door? Shit? Any luck? What are you doing here,

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<v Speaker 1>Deputy Douche? Do I know you know? But I know you.

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<v Speaker 1>You're the infamous Michelle Read and you are looking for

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<v Speaker 1>the Williams. It doesn't seem like they're here. And why

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<v Speaker 1>are you checking up on Ashley? I haven't heard from

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<v Speaker 1>her all day, but I'd make sure everything was all right.

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<v Speaker 1>It's what cops do, right, you're a real woman of

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<v Speaker 1>the law. I haven't checked the other house yet. You

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<v Speaker 1>want to ride rather take my own car? All right?

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<v Speaker 1>And escort? Then? Do I have a choice. We're going

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<v Speaker 1>to the same place, so I guess not, shall we perfect?

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<v Speaker 1>You look like you're in pain? Let me go ask me. No,

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<v Speaker 1>you need to take me back. No, I'm not gonna

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<v Speaker 1>get what you want either of us. Are you say

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<v Speaker 1>you want to die? Well, I don't believe it. It's

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<v Speaker 1>the only way to stop paying. So if I said

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<v Speaker 1>I can kill me, could you tell me what happened? God,

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<v Speaker 1>you can. When you transition, your body is in between

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<v Speaker 1>two states, a protected mortal shell and an mortal body.

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<v Speaker 1>It's weakened. It's then and only then that you become

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<v Speaker 1>vulnerable enough to die. How would you know something like that?

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<v Speaker 1>They told me all about what you are, how you

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<v Speaker 1>had to sacrifice Gabe to become one. What are you

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<v Speaker 1>talking about? You really don't know. Do you don't know? What?

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<v Speaker 1>They call you? The Moredo? The Moredo? We are right,

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<v Speaker 1>all right. It's a cursed from nature for crimes against

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<v Speaker 1>your fellow man. These things have been a part of

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<v Speaker 1>the mononga HeLa for years, living in secret. They said

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<v Speaker 1>you knew, They said you had to have known. That's

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<v Speaker 1>what was hunting us from the start. Us you Engabe.

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<v Speaker 1>First night we saw something in the woods that can

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<v Speaker 1>attacked us, taste us through the force. A trip on

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<v Speaker 1>my leg and I lost sight of game. And when

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<v Speaker 1>I found him Steford, he kept saying he could hear

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<v Speaker 1>them whispering to him, telling him he was going to die.

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<v Speaker 1>I tried to get him back. I told him you

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<v Speaker 1>were waiting for him, but we ran out of food

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<v Speaker 1>and water and gave He just kept slipping away. And then, uh, understand.

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<v Speaker 1>She can't understand. Don't understand. What tell me? One night

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<v Speaker 1>I can hear him talking to them. He said they

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<v Speaker 1>told him I was going to kill him, but I wasn't.

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<v Speaker 1>I I tried to tell him, I won't understand. She

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<v Speaker 1>can't tell understands. He took my knife. He attacked me.

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<v Speaker 1>He wanted to kill me, kill. It was weak, it

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<v Speaker 1>was it was heard. It was easy for me to

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<v Speaker 1>take the knife away from him, and the boys is

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<v Speaker 1>the same once. He'd been here all along, being killed,

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<v Speaker 1>gonna be to kill, will be killed, eat or be

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<v Speaker 1>eating killed killed. And next thing I knew, I was

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<v Speaker 1>covered in his blood. K was sticking into it's inside

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<v Speaker 1>with my bare handed out flash ball. I hate everything

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<v Speaker 1>down into his bones. There was nothing left running After that,

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<v Speaker 1>I ran, and I ran. Then not more than half

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<v Speaker 1>a mile, I found the road we had walked for days,

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<v Speaker 1>for weeks. I killed him less than a miles away

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<v Speaker 1>from leaving that for us. I'm supposed to believe you.

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<v Speaker 1>H that's it, that's what you want to do here,

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<v Speaker 1>that's the truth. I was weak and because of that,

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<v Speaker 1>my brother, your husband, it's going forever, and I deserved

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<v Speaker 1>to die. I'll say it. M H. Dor as the

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<v Speaker 1>door now, No, not take not right now? H h oh,

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<v Speaker 1>I can't. I know it. M M M. Houses dark

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<v Speaker 1>never bodes well. Try the door, so we illegal searching

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<v Speaker 1>seasons are in the DOO column. Just to be clear,

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<v Speaker 1>move mom, this is a terrible idea and you have

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<v Speaker 1>no clue what's in there? What exactly do you think

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<v Speaker 1>is in there? Listen, last door I found unlocked like this,

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<v Speaker 1>the guy ended up missing in his car at the

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<v Speaker 1>bottom of the lake and he happened to live right

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<v Speaker 1>across the street. That councilman, Paul Douglas. Yeah, fine, go ahead, detective.

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<v Speaker 1>I'll be right behind you after you. I'll check upstairs.

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<v Speaker 1>You take down here, or how about I'll wait for

0:19:25.560 --> 0:19:27.639
<v Speaker 1>you right here at the bottom of the steps and

0:19:27.720 --> 0:19:30.680
<v Speaker 1>you do your little com thing. Yeah about your away,

0:19:31.720 --> 0:19:47.960
<v Speaker 1>h Ashley Ashley, Jocelyn. No sign of anyone, know. There

0:19:47.840 --> 0:19:50.600
<v Speaker 1>are things seem to be in disarray, probably when they

0:19:50.600 --> 0:19:53.240
<v Speaker 1>packed to stay with her nest though, how did you

0:19:53.359 --> 0:19:56.240
<v Speaker 1>know they were staying over there? I spoke with her?

0:19:56.560 --> 0:19:59.600
<v Speaker 1>How much did she tell you? You're in over your

0:19:59.640 --> 0:20:02.919
<v Speaker 1>head your cats? Excuse me? If Ashley is missing and

0:20:02.960 --> 0:20:07.120
<v Speaker 1>Isaiah is gone, there's really only one answer. She's gonna

0:20:07.200 --> 0:20:10.560
<v Speaker 1>rogue on me. Well should be surprised. Really, Wait, what

0:20:10.600 --> 0:20:14.000
<v Speaker 1>are you talking about? I'm saying ash she's taken Isaiah

0:20:14.040 --> 0:20:17.520
<v Speaker 1>somewhere to save him or to kill him. I can't say,

0:20:17.560 --> 0:20:20.359
<v Speaker 1>but one thing's for sure. She's defected from the Ward's

0:20:20.520 --> 0:20:23.840
<v Speaker 1>orders and they won't take too kind of them. Shit,

0:20:24.600 --> 0:20:27.280
<v Speaker 1>you're one of them. Officially, I'm here to make sure

0:20:27.359 --> 0:20:31.640
<v Speaker 1>you deliver on what you promised. Unofficially, I could use

0:20:31.640 --> 0:20:35.199
<v Speaker 1>your help to track Ashley down. And why would I

0:20:35.200 --> 0:20:39.920
<v Speaker 1>help you do something like that? It's simple, Ashley has Isaiah,

0:20:39.960 --> 0:20:43.399
<v Speaker 1>we find Ashley, we find Isaiah, I get what I need,

0:20:43.520 --> 0:20:48.480
<v Speaker 1>and you get to live. Seems fairly straightforward. Really, why Ashley?

0:20:48.800 --> 0:20:50.800
<v Speaker 1>What happens to her when you find her? Don't get

0:20:50.840 --> 0:20:54.240
<v Speaker 1>all worked up. Let's just say I have plans for

0:20:54.280 --> 0:20:56.840
<v Speaker 1>Ashley Williams, and I can't afford to have them go

0:20:56.920 --> 0:21:23.119
<v Speaker 1>all right, and now neither you ha ha ha ha.

0:21:24.160 --> 0:21:47.320
<v Speaker 1>Oh almost out, You're almost out and should no, no, no, man,

0:21:47.520 --> 0:21:58.720
<v Speaker 1>you can make it. You can make it. Oh one break,

0:22:11.840 --> 0:22:26.440
<v Speaker 1>I'll say, Dolly, as he's been getting in her nest,

0:22:28.960 --> 0:22:32.280
<v Speaker 1>let's go. I can't hold him for the world. Get

0:22:32.440 --> 0:22:41.960
<v Speaker 1>in down, Welcome aboard. Yeah, yeah, I'll explain later, ready,

0:22:45.080 --> 0:22:57.920
<v Speaker 1>Jesus Christ, buckle up. I never thought I'd be here

0:22:59.480 --> 0:23:02.480
<v Speaker 1>wondering whether it's best I kill or I die for

0:23:02.600 --> 0:23:08.200
<v Speaker 1>the people I love. But now that I am, I

0:23:08.280 --> 0:23:14.520
<v Speaker 1>can say this for sure, I have no intention of

0:23:14.760 --> 0:23:35.000
<v Speaker 1>doing either. Next time on your day. War doesn't forget,

0:23:35.440 --> 0:23:43.680
<v Speaker 1>and they sure as hell don't forgive over. There's no

0:23:43.800 --> 0:23:53.359
<v Speaker 1>way I'll let you go out there alone. I'm sorry.

0:23:54.600 --> 0:24:08.280
<v Speaker 1>Oh sorry, Jocelyn, Jocelyn I Heart Radio. Blumhouse Television and

0:24:08.440 --> 0:24:13.159
<v Speaker 1>Crypt TV in association with Wolfe at the Door Present

0:24:13.960 --> 0:24:20.200
<v Speaker 1>Mordeo Executive produced by Jack Davis, Kate Krantz, Darren Brandel,

0:24:20.760 --> 0:24:27.000
<v Speaker 1>Jason Blum, Chris Dicky, Matt, Frederick and Alex Williams. Written

0:24:27.119 --> 0:24:34.400
<v Speaker 1>by Caitlin Crabb, directed by Alex Kemp. Produced by Toby Lawless,

0:24:34.800 --> 0:24:41.120
<v Speaker 1>Winnie Kemp, Daniel Parsons Co Producers ben So Tack Anthony

0:24:41.240 --> 0:24:49.240
<v Speaker 1>Magnolo associate producer Fererico Torrado. Starring j L. Fons, Nicholson

0:24:49.440 --> 0:24:56.320
<v Speaker 1>as Isaiah, Ashley Platts as Ashley, Olivia Lotte as Jocelyn,

0:24:57.280 --> 0:25:05.080
<v Speaker 1>Yvonne Angulo as Michelle, with performances by Tacy Adams, Ariella

0:25:05.119 --> 0:25:13.080
<v Speaker 1>Amar Jamie, Joseph kim Estes, Patty Wilkins. Sound designed by

0:25:13.160 --> 0:25:19.440
<v Speaker 1>Dean Hovey, Original score by Christopher Kemp, Mixing by Mark Scarce,

0:25:20.640 --> 0:25:27.399
<v Speaker 1>Edited by Fernando Diaz, Assistant engineer Noah Sour. Recorded at

0:25:27.440 --> 0:25:33.960
<v Speaker 1>Wolf at the Door Studios. Casting consultant Michelle LeWitt, Production

0:25:34.000 --> 0:25:40.479
<v Speaker 1>assistants Hailey mckeckney and Sophia gilbertele studio teacher Pearl Hika,

0:25:41.400 --> 0:25:47.359
<v Speaker 1>Writing assistant Bill Hanson. This podcast was recorded under a

0:25:47.480 --> 0:25:52.600
<v Speaker 1>SAG after collective bargaining agreement. Mordeo is a production of

0:25:52.720 --> 0:25:58.359
<v Speaker 1>I Heart Radio Blumhouse Television Crypt TV. For more podcasts

0:25:58.480 --> 0:26:01.720
<v Speaker 1>from I Heart Radio, visit the I Heart Radio app,

0:26:02.119 --> 0:26:06.560
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:26:18.080 --> 0:26:18.119
<v Speaker 1>H