1 00:00:00,120 --> 00:00:04,600 Speaker 1: Mordeo is a production of I Heart Radio, Blumhouse Television 2 00:00:05,040 --> 00:00:09,000 Speaker 1: and Crypt TV in association with Wolf at the Door. 3 00:00:11,960 --> 00:00:16,000 Speaker 1: I'd move heaven and earth for you. I'd die for you. 4 00:00:17,200 --> 00:00:21,800 Speaker 1: I'd kill for you. I've said these things before, and 5 00:00:21,840 --> 00:00:25,159 Speaker 1: I meant them, but I didn't think i'd have to. 6 00:00:26,560 --> 00:00:28,800 Speaker 1: I came from a quiet laugh in a quiet town. 7 00:00:28,960 --> 00:00:32,440 Speaker 1: I thought the rest of my life would be quiet too. 8 00:00:33,920 --> 00:01:06,480 Speaker 1: Turns out I was wrong. This is damn. Where is he? 9 00:01:07,040 --> 00:01:12,080 Speaker 1: That's impossible. I locked it. He was in here. This 10 00:01:12,280 --> 00:01:16,959 Speaker 1: is disappointing, to say the least. Sister Morales, don't I'm 11 00:01:17,000 --> 00:01:18,840 Speaker 1: not a part of your fucking cult or whatever you are. 12 00:01:18,920 --> 00:01:24,080 Speaker 1: We clean, The bars are intact, so was the lock bar. 13 00:01:24,880 --> 00:01:29,840 Speaker 1: He didn't bust out. That means someone let him out. 14 00:01:30,240 --> 00:01:34,280 Speaker 1: I suggest you find out who did. Otherwise our agreement 15 00:01:34,319 --> 00:01:37,520 Speaker 1: to provide you protection will be in breach. I did 16 00:01:37,640 --> 00:01:41,040 Speaker 1: everything you asked. I followed through. This isn't on me. 17 00:01:41,440 --> 00:01:45,480 Speaker 1: We asked for Isaiah Williams, you delivered an empty cage. 18 00:01:46,319 --> 00:01:52,440 Speaker 1: Now without our protection, your oath to secrecy is suddenly deliveraged. 19 00:01:53,240 --> 00:01:57,360 Speaker 1: That puts me in a quandary cat We preserve our 20 00:01:57,520 --> 00:02:02,400 Speaker 1: secrecy at all costs that a threat one human life 21 00:02:02,440 --> 00:02:05,160 Speaker 1: means nothing when it comes to serving the greater good. 22 00:02:05,880 --> 00:02:10,560 Speaker 1: You're not above sacrifice, my dear. I've been forced to 23 00:02:11,160 --> 00:02:15,720 Speaker 1: assist many members of the ward into realizing the scene. 24 00:02:18,000 --> 00:02:21,480 Speaker 1: Then again, self sacrifice has never been a sentiment that's 25 00:02:21,520 --> 00:02:25,520 Speaker 1: come naturally to you. Tell me, how is it that 26 00:02:25,560 --> 00:02:28,880 Speaker 1: no other soldier saw the insurgent who shot you that 27 00:02:29,080 --> 00:02:34,000 Speaker 1: night at your post. The injury to your shoulder. It's 28 00:02:34,040 --> 00:02:37,200 Speaker 1: what sent you home from the war, was it not? 29 00:02:38,320 --> 00:02:41,840 Speaker 1: How do you know it? I know a whole lot more, 30 00:02:41,960 --> 00:02:48,800 Speaker 1: Miss Morales, find Isaiah or you will pay a heavy price. 31 00:02:57,560 --> 00:03:12,639 Speaker 1: Wake up, Issaiah, I know you're not dead. Welcome back. No, 32 00:03:13,040 --> 00:03:15,280 Speaker 1: why did you bring me in? The school was the 33 00:03:15,320 --> 00:03:18,120 Speaker 1: only place that they wouldn't find you right away? Figured 34 00:03:18,120 --> 00:03:24,120 Speaker 1: the gym would be easiest to you. Shouldn't have taken 35 00:03:24,160 --> 00:03:28,000 Speaker 1: me out. This was the only way I was gonna 36 00:03:28,000 --> 00:03:30,080 Speaker 1: get answers. I don't know what you think is going on, 37 00:03:30,200 --> 00:03:33,360 Speaker 1: but I promise you you don't understand. Listen to me. 38 00:03:34,000 --> 00:03:35,880 Speaker 1: These change won't do any good. You have to get 39 00:03:35,920 --> 00:03:38,840 Speaker 1: me back. It's not safe and why not? You just 40 00:03:38,880 --> 00:03:44,440 Speaker 1: have to trust me. Wow, even now, even when I've 41 00:03:44,440 --> 00:03:47,240 Speaker 1: got you cornered. Even when you think my life is 42 00:03:47,240 --> 00:03:49,680 Speaker 1: on the line, you still can't bring yourself to tell 43 00:03:49,680 --> 00:03:51,720 Speaker 1: me the truth. You wouldn't believe me if I did. 44 00:03:51,960 --> 00:03:54,800 Speaker 1: I didn't realize you had such little faith in me. Isaiah, 45 00:03:55,240 --> 00:03:59,560 Speaker 1: that's all right. I can't prepare Jesus. What are you 46 00:03:59,640 --> 00:04:03,080 Speaker 1: doing with that gun? Ashley? I know what you are, Isaiah. 47 00:04:03,400 --> 00:04:08,839 Speaker 1: I know the kind of monster you're becoming. Nah, I'm 48 00:04:08,840 --> 00:04:13,680 Speaker 1: the one getting answers this time. Listen to me. It 49 00:04:13,720 --> 00:04:15,440 Speaker 1: doesn't matter how big of a gun you have, it's 50 00:04:15,480 --> 00:04:19,040 Speaker 1: not going to protect you. Because you think you can't die, Ashley, 51 00:04:20,200 --> 00:04:24,440 Speaker 1: I can't. I tried well. Seems like I understand a 52 00:04:24,480 --> 00:04:28,600 Speaker 1: whole lot more about what you are than you do now. 53 00:04:29,040 --> 00:04:31,280 Speaker 1: I want to hear everything about what you did to Gabe, 54 00:04:32,320 --> 00:04:36,000 Speaker 1: all of it from the beginning, because if you don't, 55 00:04:36,440 --> 00:04:55,440 Speaker 1: I'm gonna make sure your last moment's heart like held. Jocelyn, Jocelyn, Hello, Ernesto, 56 00:04:55,800 --> 00:04:59,040 Speaker 1: who the hell are you? Once a stranger, now a friend? 57 00:04:59,279 --> 00:05:04,279 Speaker 1: Where's my and daughter? She's safe for now? What did 58 00:05:04,320 --> 00:05:07,400 Speaker 1: you do with her? There's that fire I've heard so 59 00:05:07,480 --> 00:05:12,200 Speaker 1: much about I see right, said, tell me where she 60 00:05:12,400 --> 00:05:17,920 Speaker 1: is now. Could you loosing your grip a bit? If 61 00:05:17,960 --> 00:05:31,200 Speaker 1: you kill me, then Joscelyn will die? Kidding? Your granddaughter 62 00:05:31,279 --> 00:05:34,440 Speaker 1: is five. You can call her when we get to 63 00:05:34,480 --> 00:05:37,400 Speaker 1: the car. I promise. I just needed to cut the 64 00:05:37,440 --> 00:05:39,960 Speaker 1: bullshit and get everyone on the same team real quick. 65 00:05:40,520 --> 00:05:42,680 Speaker 1: She was the only way to do that. I don't 66 00:05:42,680 --> 00:05:45,800 Speaker 1: know what game you're plan, but I want to see Jocelyn. 67 00:05:45,920 --> 00:05:49,440 Speaker 1: Isaiah's in danger and we need to find him. Who 68 00:05:49,480 --> 00:05:54,520 Speaker 1: are you someone who wants to save your son from what? Wow? 69 00:05:55,560 --> 00:05:57,680 Speaker 1: We've really got a lot to talk about. Don't we 70 00:06:11,040 --> 00:06:15,799 Speaker 1: tell me? Isaiah? What did you start with his arms, 71 00:06:16,400 --> 00:06:21,320 Speaker 1: his legs, head, stomach? Was his heart warm when your 72 00:06:21,360 --> 00:06:25,960 Speaker 1: teeth sunk into it? Because you feel it beating? To 73 00:06:26,120 --> 00:06:30,440 Speaker 1: let me go? Please tell me. I want to hear 74 00:06:30,520 --> 00:06:37,880 Speaker 1: you say it all right? Have it your Actually, don't 75 00:06:51,680 --> 00:06:54,520 Speaker 1: I have three more despair? Next time I'll aim for 76 00:06:54,680 --> 00:06:58,239 Speaker 1: something more than a lag you keep pushing, I won't 77 00:06:58,240 --> 00:07:00,839 Speaker 1: be able to stuff. I'm not afraid. Why do you 78 00:07:00,880 --> 00:07:03,880 Speaker 1: want to hear this? Because there is a reason why 79 00:07:03,960 --> 00:07:06,120 Speaker 1: you chose him, and I have to know why he 80 00:07:06,279 --> 00:07:12,239 Speaker 1: is my brother. I didn't choose him, I didn't be heven, 81 00:07:12,480 --> 00:07:17,400 Speaker 1: but it did. It's a pattern with you, I say it. Somehow, 82 00:07:17,520 --> 00:07:20,559 Speaker 1: some way, you find a way to hurt the people 83 00:07:20,600 --> 00:07:26,600 Speaker 1: that love you most. So you didn't murder, You didn't 84 00:07:26,680 --> 00:07:30,440 Speaker 1: rip him apart, you didn't tear into his body. You didn't. 85 00:07:33,160 --> 00:07:36,760 Speaker 1: You chose to do all of those things. That's why 86 00:07:36,800 --> 00:07:39,520 Speaker 1: you are what you are. That's why my husband is dead. 87 00:07:39,640 --> 00:07:47,360 Speaker 1: You want them, Damn you don't understand it. Most things 88 00:07:47,720 --> 00:07:51,080 Speaker 1: they took over I couldn't contruely Jesus, I'm saying, take 89 00:07:51,160 --> 00:07:54,680 Speaker 1: some responsibility for what's in your life. Just didn't bit 90 00:07:54,720 --> 00:07:59,320 Speaker 1: what you did. God, your coward. After all these years, 91 00:08:00,000 --> 00:08:03,240 Speaker 1: you're still running, turning your back on these things you 92 00:08:03,280 --> 00:08:05,880 Speaker 1: don't want to face, wondering where it all went wrong. 93 00:08:05,960 --> 00:08:10,640 Speaker 1: You never realized it. It's wrong, goddamn fault. Your mother 94 00:08:10,680 --> 00:08:13,080 Speaker 1: will be ashamed of you. You don't think I know that. 95 00:08:17,880 --> 00:08:21,200 Speaker 1: When we were growing up, I thought there was nothing 96 00:08:21,600 --> 00:08:26,440 Speaker 1: you couldn't do. You were as a Williams homecoming king, 97 00:08:27,440 --> 00:08:36,840 Speaker 1: baseball star, kind, charismatic, smart, funny, loyal, and you chose 98 00:08:36,880 --> 00:08:41,760 Speaker 1: me as your best friend. It made me feel special 99 00:08:43,280 --> 00:08:46,640 Speaker 1: and we talked about seeing the world. For me. It 100 00:08:46,880 --> 00:08:52,479 Speaker 1: was just a fantasy, could have been real with you. 101 00:08:52,480 --> 00:08:56,120 Speaker 1: You were the closest I ever came to something more. God, 102 00:08:57,040 --> 00:08:59,920 Speaker 1: I loved you. I don't think you ever knew that 103 00:09:00,000 --> 00:09:06,520 Speaker 1: what I did, I knew, Wow, just twisting the knife. 104 00:09:07,120 --> 00:09:09,760 Speaker 1: How couldn't be there like you wanted me to? I 105 00:09:09,880 --> 00:09:12,719 Speaker 1: tried to protect you, right because I was never good 106 00:09:12,760 --> 00:09:17,360 Speaker 1: at doing that myself. Truth is, I built you up 107 00:09:17,360 --> 00:09:20,840 Speaker 1: in my head and now I see you for who 108 00:09:20,880 --> 00:09:24,880 Speaker 1: you really are. Gave deserved the brother you could have been. 109 00:09:26,040 --> 00:09:30,280 Speaker 1: You sure as hell didn't deserve to die. Jocelyn, My 110 00:09:30,360 --> 00:09:35,840 Speaker 1: daughter deserved a family. You took that from her. I'm sorry. 111 00:09:36,080 --> 00:09:40,240 Speaker 1: It's too late for that. I said, way too fucking light. 112 00:09:41,600 --> 00:09:57,240 Speaker 1: Please no, I'll just make you worse. I'm all right, Poppy, 113 00:09:57,280 --> 00:10:01,319 Speaker 1: I'm safe. Where are you? I can't tell you, Jocelyn. 114 00:10:01,520 --> 00:10:03,960 Speaker 1: You will tell me this minute. I told her not 115 00:10:04,040 --> 00:10:12,880 Speaker 1: to say. Ah, what's wrong with you? My arm? Jesus 116 00:10:13,080 --> 00:10:19,240 Speaker 1: that fucking hurts. Give me that phone. Listen, jay Bird, 117 00:10:19,280 --> 00:10:21,360 Speaker 1: your grandpa's gotta go. Stay where you are, like we 118 00:10:21,440 --> 00:10:24,720 Speaker 1: talked about, We'll find them. I promise. Why did you 119 00:10:24,760 --> 00:10:27,440 Speaker 1: do that? We have to hurry. It's going south faster 120 00:10:27,520 --> 00:10:30,160 Speaker 1: than I anticipated get Jocelyn back on that phone right now. 121 00:10:30,240 --> 00:10:33,319 Speaker 1: I need to know where she might have taken Isaiah. Michelle, 122 00:10:33,760 --> 00:10:37,000 Speaker 1: what's she done? No, Ashley, where would she take your son? 123 00:10:37,400 --> 00:10:41,200 Speaker 1: Ashley wouldn't be anywhere near Isaiah. I can guarantee that 124 00:10:41,400 --> 00:10:47,400 Speaker 1: she knows Isaiah killed Gabe. What what did you say? 125 00:10:47,920 --> 00:10:51,120 Speaker 1: I'm sorry, I really am. This isn't the way anyone 126 00:10:51,160 --> 00:10:53,440 Speaker 1: should find out something like that. But Ashley knows, and 127 00:10:53,520 --> 00:10:56,640 Speaker 1: she's gone rogue. She's keeping him somewhere. I need to 128 00:10:56,679 --> 00:11:00,360 Speaker 1: know where you're lying. He wouldn't he could can was 129 00:11:00,440 --> 00:11:03,040 Speaker 1: pushed past the denial stage and get to anger. I 130 00:11:03,080 --> 00:11:06,400 Speaker 1: can use anger. Who are you and what makes you 131 00:11:06,440 --> 00:11:09,800 Speaker 1: think you know anything about my son? I just do 132 00:11:11,360 --> 00:11:13,679 Speaker 1: look her nest. So think about what Ashley's done the 133 00:11:13,720 --> 00:11:16,640 Speaker 1: past few days. She's displaced her child from their home, 134 00:11:16,920 --> 00:11:19,440 Speaker 1: left Joscelyn with her strange father in law for long 135 00:11:19,520 --> 00:11:22,000 Speaker 1: periods of time, all the while not telling you more 136 00:11:22,040 --> 00:11:25,400 Speaker 1: than you needed to hear. You're a cop. Let the 137 00:11:25,440 --> 00:11:31,199 Speaker 1: pattern speak for itself. She learned something, I saw something 138 00:11:31,840 --> 00:11:35,839 Speaker 1: the truth, and now she's out for blood. We need 139 00:11:35,920 --> 00:11:38,600 Speaker 1: to find them, or one of them will not be 140 00:11:38,720 --> 00:11:42,880 Speaker 1: alive come morning. I promised Joscelyn. I would bring them home. 141 00:11:43,760 --> 00:11:51,640 Speaker 1: I don't break promises. So think where would she take him? 142 00:11:51,640 --> 00:11:56,320 Speaker 1: Her nest where she wouldn't go home? The woods and 143 00:11:56,400 --> 00:12:00,840 Speaker 1: not after gave no, no, no? Think where was she? Bet? 144 00:12:00,960 --> 00:12:03,640 Speaker 1: I don't know, Like you said, it's clearly not something 145 00:12:03,720 --> 00:12:09,880 Speaker 1: she would have told me. God damn it. Vote right, Okay, okay? 146 00:12:09,920 --> 00:12:14,559 Speaker 1: I think what the school? I bet she's at the school. 147 00:12:22,600 --> 00:12:27,800 Speaker 1: And that's tough. And that's the Jocelyn It's cat opened 148 00:12:27,840 --> 00:12:34,640 Speaker 1: the door? Shit? Any luck? What are you doing here, 149 00:12:34,760 --> 00:12:39,439 Speaker 1: Deputy Douche? Do I know you know? But I know you. 150 00:12:39,440 --> 00:12:44,200 Speaker 1: You're the infamous Michelle Read and you are looking for 151 00:12:44,240 --> 00:12:48,080 Speaker 1: the Williams. It doesn't seem like they're here. And why 152 00:12:48,080 --> 00:12:51,600 Speaker 1: are you checking up on Ashley? I haven't heard from 153 00:12:51,600 --> 00:12:54,480 Speaker 1: her all day, but I'd make sure everything was all right. 154 00:12:55,120 --> 00:12:58,880 Speaker 1: It's what cops do, right, you're a real woman of 155 00:12:58,920 --> 00:13:03,800 Speaker 1: the law. I haven't checked the other house yet. You 156 00:13:03,800 --> 00:13:07,040 Speaker 1: want to ride rather take my own car? All right? 157 00:13:07,520 --> 00:13:10,920 Speaker 1: And escort? Then? Do I have a choice. We're going 158 00:13:11,000 --> 00:13:18,680 Speaker 1: to the same place, so I guess not, shall we perfect? 159 00:13:30,520 --> 00:13:34,480 Speaker 1: You look like you're in pain? Let me go ask me. No, 160 00:13:34,920 --> 00:13:38,480 Speaker 1: you need to take me back. No, I'm not gonna 161 00:13:38,520 --> 00:13:43,000 Speaker 1: get what you want either of us. Are you say 162 00:13:43,040 --> 00:13:45,360 Speaker 1: you want to die? Well, I don't believe it. It's 163 00:13:45,360 --> 00:13:47,600 Speaker 1: the only way to stop paying. So if I said 164 00:13:47,640 --> 00:13:51,600 Speaker 1: I can kill me, could you tell me what happened? God, 165 00:13:52,000 --> 00:13:56,559 Speaker 1: you can. When you transition, your body is in between 166 00:13:56,640 --> 00:14:00,760 Speaker 1: two states, a protected mortal shell and an mortal body. 167 00:14:01,400 --> 00:14:04,920 Speaker 1: It's weakened. It's then and only then that you become 168 00:14:05,000 --> 00:14:08,360 Speaker 1: vulnerable enough to die. How would you know something like that? 169 00:14:09,400 --> 00:14:12,640 Speaker 1: They told me all about what you are, how you 170 00:14:12,679 --> 00:14:15,520 Speaker 1: had to sacrifice Gabe to become one. What are you 171 00:14:15,520 --> 00:14:20,240 Speaker 1: talking about? You really don't know. Do you don't know? What? 172 00:14:20,960 --> 00:14:25,960 Speaker 1: They call you? The Moredo? The Moredo? We are right, 173 00:14:27,000 --> 00:14:35,440 Speaker 1: all right. It's a cursed from nature for crimes against 174 00:14:35,440 --> 00:14:38,320 Speaker 1: your fellow man. These things have been a part of 175 00:14:38,320 --> 00:14:42,920 Speaker 1: the mononga HeLa for years, living in secret. They said 176 00:14:42,960 --> 00:14:46,680 Speaker 1: you knew, They said you had to have known. That's 177 00:14:46,680 --> 00:14:50,800 Speaker 1: what was hunting us from the start. Us you Engabe. 178 00:14:52,200 --> 00:14:56,240 Speaker 1: First night we saw something in the woods that can 179 00:14:56,240 --> 00:15:00,080 Speaker 1: attacked us, taste us through the force. A trip on 180 00:15:00,160 --> 00:15:02,240 Speaker 1: my leg and I lost sight of game. And when 181 00:15:02,280 --> 00:15:06,600 Speaker 1: I found him Steford, he kept saying he could hear 182 00:15:06,640 --> 00:15:09,360 Speaker 1: them whispering to him, telling him he was going to die. 183 00:15:10,520 --> 00:15:13,160 Speaker 1: I tried to get him back. I told him you 184 00:15:13,200 --> 00:15:15,920 Speaker 1: were waiting for him, but we ran out of food 185 00:15:16,000 --> 00:15:22,000 Speaker 1: and water and gave He just kept slipping away. And then, uh, understand. 186 00:15:22,920 --> 00:15:29,360 Speaker 1: She can't understand. Don't understand. What tell me? One night 187 00:15:30,160 --> 00:15:33,280 Speaker 1: I can hear him talking to them. He said they 188 00:15:33,320 --> 00:15:36,520 Speaker 1: told him I was going to kill him, but I wasn't. 189 00:15:36,160 --> 00:15:41,320 Speaker 1: I I tried to tell him, I won't understand. She 190 00:15:41,360 --> 00:15:46,600 Speaker 1: can't tell understands. He took my knife. He attacked me. 191 00:15:46,640 --> 00:15:50,920 Speaker 1: He wanted to kill me, kill. It was weak, it 192 00:15:51,040 --> 00:15:55,800 Speaker 1: was it was heard. It was easy for me to 193 00:15:55,840 --> 00:16:00,880 Speaker 1: take the knife away from him, and the boys is 194 00:16:01,840 --> 00:16:05,920 Speaker 1: the same once. He'd been here all along, being killed, 195 00:16:07,840 --> 00:16:12,640 Speaker 1: gonna be to kill, will be killed, eat or be 196 00:16:12,760 --> 00:16:16,760 Speaker 1: eating killed killed. And next thing I knew, I was 197 00:16:16,800 --> 00:16:27,120 Speaker 1: covered in his blood. K was sticking into it's inside 198 00:16:27,200 --> 00:16:33,240 Speaker 1: with my bare handed out flash ball. I hate everything 199 00:16:33,400 --> 00:16:39,840 Speaker 1: down into his bones. There was nothing left running After that, 200 00:16:41,400 --> 00:16:45,200 Speaker 1: I ran, and I ran. Then not more than half 201 00:16:45,200 --> 00:16:48,160 Speaker 1: a mile, I found the road we had walked for days, 202 00:16:48,280 --> 00:16:51,600 Speaker 1: for weeks. I killed him less than a miles away 203 00:16:51,600 --> 00:16:56,320 Speaker 1: from leaving that for us. I'm supposed to believe you. 204 00:17:00,240 --> 00:17:05,760 Speaker 1: H that's it, that's what you want to do here, 205 00:17:05,880 --> 00:17:09,320 Speaker 1: that's the truth. I was weak and because of that, 206 00:17:09,440 --> 00:17:17,280 Speaker 1: my brother, your husband, it's going forever, and I deserved 207 00:17:17,320 --> 00:17:24,399 Speaker 1: to die. I'll say it. M H. Dor as the 208 00:17:24,560 --> 00:17:38,520 Speaker 1: door now, No, not take not right now? H h oh, 209 00:17:39,640 --> 00:18:37,080 Speaker 1: I can't. I know it. M M M. Houses dark 210 00:18:37,480 --> 00:18:40,800 Speaker 1: never bodes well. Try the door, so we illegal searching 211 00:18:40,840 --> 00:18:43,200 Speaker 1: seasons are in the DOO column. Just to be clear, 212 00:18:43,760 --> 00:18:49,439 Speaker 1: move mom, this is a terrible idea and you have 213 00:18:49,480 --> 00:18:52,160 Speaker 1: no clue what's in there? What exactly do you think 214 00:18:52,320 --> 00:18:57,600 Speaker 1: is in there? Listen, last door I found unlocked like this, 215 00:18:57,960 --> 00:19:00,200 Speaker 1: the guy ended up missing in his car at the 216 00:19:00,240 --> 00:19:02,760 Speaker 1: bottom of the lake and he happened to live right 217 00:19:02,800 --> 00:19:12,720 Speaker 1: across the street. That councilman, Paul Douglas. Yeah, fine, go ahead, detective. 218 00:19:13,160 --> 00:19:22,200 Speaker 1: I'll be right behind you after you. I'll check upstairs. 219 00:19:22,760 --> 00:19:25,440 Speaker 1: You take down here, or how about I'll wait for 220 00:19:25,560 --> 00:19:27,639 Speaker 1: you right here at the bottom of the steps and 221 00:19:27,720 --> 00:19:30,680 Speaker 1: you do your little com thing. Yeah about your away, 222 00:19:31,720 --> 00:19:47,960 Speaker 1: h Ashley Ashley, Jocelyn. No sign of anyone, know. There 223 00:19:47,840 --> 00:19:50,600 Speaker 1: are things seem to be in disarray, probably when they 224 00:19:50,600 --> 00:19:53,240 Speaker 1: packed to stay with her nest though, how did you 225 00:19:53,359 --> 00:19:56,240 Speaker 1: know they were staying over there? I spoke with her? 226 00:19:56,560 --> 00:19:59,600 Speaker 1: How much did she tell you? You're in over your 227 00:19:59,640 --> 00:20:02,919 Speaker 1: head your cats? Excuse me? If Ashley is missing and 228 00:20:02,960 --> 00:20:07,120 Speaker 1: Isaiah is gone, there's really only one answer. She's gonna 229 00:20:07,200 --> 00:20:10,560 Speaker 1: rogue on me. Well should be surprised. Really, Wait, what 230 00:20:10,600 --> 00:20:14,000 Speaker 1: are you talking about? I'm saying ash she's taken Isaiah 231 00:20:14,040 --> 00:20:17,520 Speaker 1: somewhere to save him or to kill him. I can't say, 232 00:20:17,560 --> 00:20:20,359 Speaker 1: but one thing's for sure. She's defected from the Ward's 233 00:20:20,520 --> 00:20:23,840 Speaker 1: orders and they won't take too kind of them. Shit, 234 00:20:24,600 --> 00:20:27,280 Speaker 1: you're one of them. Officially, I'm here to make sure 235 00:20:27,359 --> 00:20:31,640 Speaker 1: you deliver on what you promised. Unofficially, I could use 236 00:20:31,640 --> 00:20:35,199 Speaker 1: your help to track Ashley down. And why would I 237 00:20:35,200 --> 00:20:39,920 Speaker 1: help you do something like that? It's simple, Ashley has Isaiah, 238 00:20:39,960 --> 00:20:43,399 Speaker 1: we find Ashley, we find Isaiah, I get what I need, 239 00:20:43,520 --> 00:20:48,480 Speaker 1: and you get to live. Seems fairly straightforward. Really, why Ashley? 240 00:20:48,800 --> 00:20:50,800 Speaker 1: What happens to her when you find her? Don't get 241 00:20:50,840 --> 00:20:54,240 Speaker 1: all worked up. Let's just say I have plans for 242 00:20:54,280 --> 00:20:56,840 Speaker 1: Ashley Williams, and I can't afford to have them go 243 00:20:56,920 --> 00:21:23,119 Speaker 1: all right, and now neither you ha ha ha ha. 244 00:21:24,160 --> 00:21:47,320 Speaker 1: Oh almost out, You're almost out and should no, no, no, man, 245 00:21:47,520 --> 00:21:58,720 Speaker 1: you can make it. You can make it. Oh one break, 246 00:22:11,840 --> 00:22:26,440 Speaker 1: I'll say, Dolly, as he's been getting in her nest, 247 00:22:28,960 --> 00:22:32,280 Speaker 1: let's go. I can't hold him for the world. Get 248 00:22:32,440 --> 00:22:41,960 Speaker 1: in down, Welcome aboard. Yeah, yeah, I'll explain later, ready, 249 00:22:45,080 --> 00:22:57,920 Speaker 1: Jesus Christ, buckle up. I never thought I'd be here 250 00:22:59,480 --> 00:23:02,480 Speaker 1: wondering whether it's best I kill or I die for 251 00:23:02,600 --> 00:23:08,200 Speaker 1: the people I love. But now that I am, I 252 00:23:08,280 --> 00:23:14,520 Speaker 1: can say this for sure, I have no intention of 253 00:23:14,760 --> 00:23:35,000 Speaker 1: doing either. Next time on your day. War doesn't forget, 254 00:23:35,440 --> 00:23:43,680 Speaker 1: and they sure as hell don't forgive over. There's no 255 00:23:43,800 --> 00:23:53,359 Speaker 1: way I'll let you go out there alone. I'm sorry. 256 00:23:54,600 --> 00:24:08,280 Speaker 1: Oh sorry, Jocelyn, Jocelyn I Heart Radio. Blumhouse Television and 257 00:24:08,440 --> 00:24:13,159 Speaker 1: Crypt TV in association with Wolfe at the Door Present 258 00:24:13,960 --> 00:24:20,200 Speaker 1: Mordeo Executive produced by Jack Davis, Kate Krantz, Darren Brandel, 259 00:24:20,760 --> 00:24:27,000 Speaker 1: Jason Blum, Chris Dicky, Matt, Frederick and Alex Williams. Written 260 00:24:27,119 --> 00:24:34,400 Speaker 1: by Caitlin Crabb, directed by Alex Kemp. Produced by Toby Lawless, 261 00:24:34,800 --> 00:24:41,120 Speaker 1: Winnie Kemp, Daniel Parsons Co Producers ben So Tack Anthony 262 00:24:41,240 --> 00:24:49,240 Speaker 1: Magnolo associate producer Fererico Torrado. Starring j L. Fons, Nicholson 263 00:24:49,440 --> 00:24:56,320 Speaker 1: as Isaiah, Ashley Platts as Ashley, Olivia Lotte as Jocelyn, 264 00:24:57,280 --> 00:25:05,080 Speaker 1: Yvonne Angulo as Michelle, with performances by Tacy Adams, Ariella 265 00:25:05,119 --> 00:25:13,080 Speaker 1: Amar Jamie, Joseph kim Estes, Patty Wilkins. Sound designed by 266 00:25:13,160 --> 00:25:19,440 Speaker 1: Dean Hovey, Original score by Christopher Kemp, Mixing by Mark Scarce, 267 00:25:20,640 --> 00:25:27,399 Speaker 1: Edited by Fernando Diaz, Assistant engineer Noah Sour. Recorded at 268 00:25:27,440 --> 00:25:33,960 Speaker 1: Wolf at the Door Studios. Casting consultant Michelle LeWitt, Production 269 00:25:34,000 --> 00:25:40,479 Speaker 1: assistants Hailey mckeckney and Sophia gilbertele studio teacher Pearl Hika, 270 00:25:41,400 --> 00:25:47,359 Speaker 1: Writing assistant Bill Hanson. This podcast was recorded under a 271 00:25:47,480 --> 00:25:52,600 Speaker 1: SAG after collective bargaining agreement. Mordeo is a production of 272 00:25:52,720 --> 00:25:58,359 Speaker 1: I Heart Radio Blumhouse Television Crypt TV. For more podcasts 273 00:25:58,480 --> 00:26:01,720 Speaker 1: from I Heart Radio, visit the I Heart Radio app, 274 00:26:02,119 --> 00:26:06,560 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows. 275 00:26:18,080 --> 00:26:18,119 Speaker 1: H