WEBVTT - Episode 98: Dwayne McDuffie

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<v Speaker 1>Oh all right, after BONTI, welcome to Nerdificent. How you doing,

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<v Speaker 1>I'm your host if you wadway, And sitting across from

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<v Speaker 1>me in the place of miss Danny fer Nandez, who

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<v Speaker 1>has important things to handle, is Joel Monique, producer at

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<v Speaker 1>I Heart and writer whose work has been featured in

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<v Speaker 1>The Hollywood Reporter, The A V Club, and Vulture. Yes,

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<v Speaker 1>Dan on the booth, appreciate you. Uh yeah, nobody can

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<v Speaker 1>replace Danny, but I'm here to fill the space that

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<v Speaker 1>she sometimes occupies. And uh yeah, I'm excited because it's

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<v Speaker 1>a really good topic. I might cry today. Warnings Okay.

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<v Speaker 1>I also like that you gave us the step mom speech, like,

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<v Speaker 1>I'm not here to replace your mom. Just you know,

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<v Speaker 1>think of me as an extra mom, you know when

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<v Speaker 1>you get two moms. No, I'm not good, but you

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<v Speaker 1>know I'll tell you what. But like, like, no actual guy,

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<v Speaker 1>just breaking, I'll pick you up in your drunk I'll

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<v Speaker 1>tell your father. It'll be okay. I'm I'm the cool one.

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<v Speaker 1>I'm only five years anyway. Oh, that other voice you

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<v Speaker 1>here is Johnny Parker, writer of The black Man's Guy

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<v Speaker 1>to get him pulled over, die cute and e Walks

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<v Speaker 1>are better than Hobbits. How you doing? I am good?

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<v Speaker 1>I would get at what up to everybody? Good to

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<v Speaker 1>be here, Thanks for having me on. Yeah, I know

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<v Speaker 1>that it almost took a dark turn, but I pulled

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<v Speaker 1>this back. Yeah, you know, it's just we're gathered here

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<v Speaker 1>today to talk about I would argue one of the

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<v Speaker 1>most influential, UH black creators in the comic industry. You know,

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<v Speaker 1>he's definitely I think it's like one of those things

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<v Speaker 1>that where I think if he was alive today, he'd

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<v Speaker 1>be like getting them McFarlane maybe even those Jeff John

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<v Speaker 1>checks right now. If he were alive today, I would

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<v Speaker 1>bet money that despite many of the issues he had

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<v Speaker 1>with DC, given his track record of improving elevating a

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<v Speaker 1>lot of their work, DC would have called him in

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<v Speaker 1>like around Justice League to be like, yo, bro, bro, bro,

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<v Speaker 1>We're sorry about the past, but like he would have

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<v Speaker 1>passed on this script because even if they didn't call

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<v Speaker 1>him then, they definitely would have called him. After the

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<v Speaker 1>Black Panther weekend, They're like, we need you, it's time

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<v Speaker 1>come out. We could be ready for you know, they

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<v Speaker 1>like that moles Morale's kid. Maybe it's time for Static

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<v Speaker 1>to get his shot. I don't know, we just need

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<v Speaker 1>you here in an alternate university somewhere, still kicking at

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<v Speaker 1>Oh yeah, Well before we jump into it, the way

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<v Speaker 1>we like to start our episodes here, uh, is by

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<v Speaker 1>talking about what we're geeking out about this week. So

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<v Speaker 1>I'll let you start off, Johnny, what are you geeking

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<v Speaker 1>out about? Okay, first time here? Yeah, of course there's

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<v Speaker 1>no limit out alright, Michelle, So our first thing is

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<v Speaker 1>the world my my Heroes Academia Heroes Rising premiere, like

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<v Speaker 1>so yeah, planning, so I got to go check that out.

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<v Speaker 1>That was like really doping everything like that. And honestly

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<v Speaker 1>the party when I was just geeking out about us

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<v Speaker 1>because we like talk abou Daye McDuffie talk about like

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<v Speaker 1>representation with the culture, it was just so proud to

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<v Speaker 1>see like so many people of color there who are

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<v Speaker 1>into like anime and what not, who have like push

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<v Speaker 1>the grown on Ford and whatnot. Like it was dope

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<v Speaker 1>by like I was like standing in line. It's to

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<v Speaker 1>King Vader, so I'm marking the whole crew from RDC

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<v Speaker 1>one World and everything like that. Hosted the event, well yeah,

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<v Speaker 1>there you go, and then also saw your co host

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<v Speaker 1>there as well. Yeah, so it was just really dope

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<v Speaker 1>to see, like, you know, like this little genre that

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<v Speaker 1>was like we trade VHS tapes back in the day,

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<v Speaker 1>and the night is everything to catch up. Now I's

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<v Speaker 1>blew up to this level and like all these people

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<v Speaker 1>of color that are pushing the genre four too. It's

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<v Speaker 1>so dope to see. And then, um, second thing I'm

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<v Speaker 1>getting out about hard right now is I'm not sure

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<v Speaker 1>wrestling fans here. Oh yeah, yeah, yeah, yeah, I'm going

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<v Speaker 1>crazy for Bianca Bella right now. Oh my god, yesterday,

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<v Speaker 1>I don't know jack about wrestling, but she comes up

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<v Speaker 1>in my timeline enough that I'm like, look at this

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<v Speaker 1>bitch work. Oh no, she's so hot right out. She's

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<v Speaker 1>given the business to like all the level of female

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<v Speaker 1>wrestle right now, go up to Charlotte, like you don't

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<v Speaker 1>even go here. And then the last paper of view,

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<v Speaker 1>she literally came out a robe. They said, I'm Black

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<v Speaker 1>history in the making. Yeah, and she's just amazing somebody level.

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<v Speaker 1>So I just want to say, like props to her.

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<v Speaker 1>She's giving me like more about female wrestling and what

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<v Speaker 1>they're doing it just herself. So I'm excited where she's

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<v Speaker 1>going yeah, yeah, Now that's that's the one thing I

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<v Speaker 1>was talking about where it's like she is killing in

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<v Speaker 1>then next T she's holding it down. And the biggest

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<v Speaker 1>problem is that all the women wrestlers that get bumped

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<v Speaker 1>up to w w uh E the main roster, it

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<v Speaker 1>just they it always fizzles out because they only play.

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<v Speaker 1>They only get one match of night, so you have

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<v Speaker 1>one match of night and and so there's only so

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<v Speaker 1>many stories you can tell someone. Just let her thrive

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<v Speaker 1>in then x T, because y'all did Oscar dirty Oscar?

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<v Speaker 1>She she was so great and y'all just let that

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<v Speaker 1>heat fizzle. So I don't want to see any more

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<v Speaker 1>of my faiths have their heat fizzle. So let I'll

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<v Speaker 1>let her thrive. I'm only with you because like with

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<v Speaker 1>cars ain't one up. I was like, cars ain't she's

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<v Speaker 1>a party, She's gonna find one piece, let's go. And

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<v Speaker 1>then all of a a sudden was like, y'all are you

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<v Speaker 1>doing nothing with her? It's kind of like you say,

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<v Speaker 1>because like sadly enoughhen they go to me Rosh, they

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<v Speaker 1>get one match and every single match is about Becky

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<v Speaker 1>or Charlotte and Sasha or Bailey. So I give a

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<v Speaker 1>lot of the other women get plushed back, which is

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<v Speaker 1>disappointed to see. So I agree with you, Like n

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<v Speaker 1>XT is definitely like place where to thrive right now. Yeah,

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<v Speaker 1>I'm living it. Uh what about you, Joe? What are

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<v Speaker 1>you geeking out about this week? Um? Every year that

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<v Speaker 1>HBO releases West World, I'm like, I'm not gonna watch

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<v Speaker 1>because it's not gonna hold it to the original, or

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<v Speaker 1>it's not gonna be that's good, or or the ending

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<v Speaker 1>was kind of dumb and I hated it, but the

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<v Speaker 1>new trailers look so good. It's just can't get over it.

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<v Speaker 1>I am a sucker and I'm gonna watch this season. Uh.

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<v Speaker 1>Also getting out over the Batman, which is threatening to

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<v Speaker 1>tell the Batman story I've always wanted to watch in theaters,

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<v Speaker 1>which is an actual detective story, and the costume is

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<v Speaker 1>so awesome and he uses parts of the gun that

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<v Speaker 1>killed his parents as a bad symbol. Listen, it's gonna

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<v Speaker 1>be so dark and metal, but in a way that

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<v Speaker 1>isn't um purposely dark And wait, how do you so?

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<v Speaker 1>Sometimes I think try hard? Yeah, sometimes dark is like

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<v Speaker 1>it's murder and we're just sad and angry. Uh, this

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<v Speaker 1>is darker than like there's some dark things happening in

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<v Speaker 1>the world. We're gonna dress it starting with gun violence,

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<v Speaker 1>which is exactly where you should start with Batman. Oh god,

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<v Speaker 1>I'm so excited. It looks really good. I hope it's

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<v Speaker 1>as good as it looks. Oh man, that's dis ope.

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<v Speaker 1>What I'm seeking out about this week is, you know,

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<v Speaker 1>it's it's hard to pinpoint one. I will, but I

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<v Speaker 1>will say before I pinpoint one, i'd say anime in general.

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<v Speaker 1>My friend Lisa just got me real deep back into

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<v Speaker 1>anime because it was that thing where I think I

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<v Speaker 1>talked about it on the pod where I just felt

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<v Speaker 1>like I was so behind, and she posted, uh, just

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<v Speaker 1>like one of the like scene screens where you show

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<v Speaker 1>like multiple pictures of a scene um in Banana Fish,

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<v Speaker 1>and it was so interesting. I was like, what is

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<v Speaker 1>this anime I need to see? When I like just

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<v Speaker 1>binge through And then next thing, you know, I was like, Okay,

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<v Speaker 1>what's the new hotness boom? And then I caught up

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<v Speaker 1>on my hero I'm still like, I'm still on the

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<v Speaker 1>season four. I'm not full all the way caught up,

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<v Speaker 1>but I'm in the current season with the with the

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<v Speaker 1>girls as they say, um but uh, also like I

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<v Speaker 1>finished Mob Psycho and then I went back. Yeah, I

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<v Speaker 1>went back and rewatch Android Kei Kaier the animation, which

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<v Speaker 1>is just a depressing slow anime, but it's done in

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<v Speaker 1>that like Astro Boy Cyborgs zero zero nine style, which

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<v Speaker 1>is very interesting to look the transformation scenes hold up.

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<v Speaker 1>So anyway, uh, I definitely wanna shout out her for

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<v Speaker 1>getting me back into darkness, like I welcome back. Yeah,

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<v Speaker 1>I went, I went back. I went to lunch all

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<v Speaker 1>my last job and on launch, I picked up a

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<v Speaker 1>Gundam and like cow pico and Japanese snacks, and I

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<v Speaker 1>was like, oh here we oh so we're back to

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<v Speaker 1>dirty wee biffy. This is fully back in my roots.

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<v Speaker 1>But yeah, she has a podcast It's called Kawaii five.

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<v Speaker 1>Oh if you don't hear her talk, but yeah, the

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<v Speaker 1>current one I'm watching and the one geeking out about

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<v Speaker 1>his Black Lagoon, which going back and watching it, it's

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<v Speaker 1>been fun to see like good representation of black people

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<v Speaker 1>and like, like I pointed, I'd said it on Twitter,

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<v Speaker 1>Cyborg zero O nine the like newer run looks good,

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<v Speaker 1>the older run is tragic, is very tragic. I'd say

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<v Speaker 1>I was like if I didn't, if I saw that,

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<v Speaker 1>I probably would have skipped the whole joint. But the

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<v Speaker 1>new one that got this brother. Because I was I

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<v Speaker 1>was already like, oh, they over here breaking stereotypes. This

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<v Speaker 1>is the brother that his power is swimming. And then

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<v Speaker 1>and then I went back and saw the old joint,

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<v Speaker 1>I was like, oh, no, why do that, So just

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<v Speaker 1>stick to the newer animated Loki. When I saw you

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<v Speaker 1>both that picture, I was like, Oh they had Drew Hill.

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<v Speaker 1>Good job. It was like, oh, my gosh, all right,

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<v Speaker 1>that Cisco seems like the perfect segue to talk about

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<v Speaker 1>Dwayne to leaders in our community down uh. Dwayne McDuffie

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<v Speaker 1>was born in nineteen sixty two and who we unfortunately

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<v Speaker 1>lost in two thousand eleven, was keenly aware at a

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<v Speaker 1>very young age that heroic protagonist who looked even remotely

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<v Speaker 1>like him were nowhere to be found in comic books

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<v Speaker 1>that he loved to read. Ethnically diverse characters were not

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<v Speaker 1>only woefully underrepresented, but grossly inauthentic uh And profoundly inspired

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<v Speaker 1>by seeing himself reflected in media as a hero for

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<v Speaker 1>the first time via the Black Panther, young Dwayne grew

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<v Speaker 1>up to become the pioneer of diversity in both mainstream

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<v Speaker 1>comic book and animation industries UH and animation industries encouraging

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<v Speaker 1>UH and creating widely inclusive cultural variety with contemporary, non

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<v Speaker 1>stereotypical care to represent the hero and all of us,

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<v Speaker 1>which is that I wanted to read that verbatim because

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<v Speaker 1>I think that's gonna be like the theme of the

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<v Speaker 1>whole episode. But before we even jump into it, I'm

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<v Speaker 1>curious about what everyone's first experience with Duffy was did do?

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<v Speaker 1>It was Static Shock, which was the first animated cartoon

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<v Speaker 1>he did. UH. And of course, as a young kid

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<v Speaker 1>who was like really into Batman, the animated series, I

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<v Speaker 1>was like, Oh, they're making a black one, Like, let's

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<v Speaker 1>check it out. UH. If you follow me on anything,

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<v Speaker 1>you know that. I didn't discover comic books were still

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<v Speaker 1>a real thing until I got to college, because the

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<v Speaker 1>lesbians of the bookstore where I shopped as a kid

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<v Speaker 1>were like, come read the classics, don't bother with any

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<v Speaker 1>of those old comic book things. So my comic book

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<v Speaker 1>experience was very strictly limited to television animated series specifically UM,

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<v Speaker 1>and I was just bowled over by the fact that

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<v Speaker 1>they're here. Was like a kid who kind of looked

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<v Speaker 1>like me, who had superpowers, who got to like fight

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<v Speaker 1>alongside Batman like whoa, and but also like avoided almost

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<v Speaker 1>any story type, like he skateboarded, which people were like,

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<v Speaker 1>that's not a black thing. It's totally a black thing.

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<v Speaker 1>Green Campbell put some respect on his name. Uh like

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<v Speaker 1>the fact that he you know, had parents that were

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<v Speaker 1>both there and both loved him, and he didn't have

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<v Speaker 1>like a lot of tragedy going around. Uh, there's everything

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<v Speaker 1>to love about Static, but most specifically the hair. Oh yeah,

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<v Speaker 1>I do I want to rewind and do a quick

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<v Speaker 1>Black History Month moment about Kareem Campbell because I think,

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<v Speaker 1>uh yeah, I can't just mention his name for those

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<v Speaker 1>Green Campbell was one of the first black skaters I saw,

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<v Speaker 1>and he was kind of generally one of the first

0:11:35.000 --> 0:11:38.880
<v Speaker 1>black mainstream skaters. And the story behind him, uh that

0:11:38.960 --> 0:11:41.680
<v Speaker 1>you know, I was I heard and I was like, oh,

0:11:41.720 --> 0:11:45.120
<v Speaker 1>this is an interesting and important story and it actually

0:11:45.240 --> 0:11:48.320
<v Speaker 1>we'ves right in to what we're going to talk about today.

0:11:48.520 --> 0:11:50.520
<v Speaker 1>Is the fact that like when he was first making

0:11:50.559 --> 0:11:53.560
<v Speaker 1>skate videos and all that he was doing this, you know,

0:11:53.840 --> 0:11:56.480
<v Speaker 1>using the same rock songs that everyone was using, using

0:11:56.480 --> 0:11:58.720
<v Speaker 1>the same you know this and what he was just

0:11:58.800 --> 0:12:00.680
<v Speaker 1>kind of like trying to a similar late and get

0:12:00.679 --> 0:12:02.600
<v Speaker 1>in that way. And then it wasn' until one day

0:12:02.679 --> 0:12:05.319
<v Speaker 1>his own was like that's not you though, like you

0:12:05.320 --> 0:12:07.840
<v Speaker 1>you know you you you like hip hop, you like this,

0:12:08.040 --> 0:12:11.600
<v Speaker 1>you know. And then the moment he just started dressing

0:12:11.640 --> 0:12:14.920
<v Speaker 1>like he dressed big baggy clothes using hip hop in

0:12:14.960 --> 0:12:17.680
<v Speaker 1>his videos, that's when he stood out. And that's when

0:12:18.000 --> 0:12:20.200
<v Speaker 1>like he just kind of blew up from there because

0:12:20.200 --> 0:12:22.360
<v Speaker 1>no one was doing that, you know. Skateboard was still

0:12:22.400 --> 0:12:26.200
<v Speaker 1>kind of on that punk rock, surf rock kind of wave.

0:12:26.600 --> 0:12:28.600
<v Speaker 1>So now when you add this like hip hop, which

0:12:28.920 --> 0:12:31.040
<v Speaker 1>you know, I'm gonna it's Black History Month, so I'll

0:12:31.080 --> 0:12:35.079
<v Speaker 1>say this and not care. Much cooler than those of

0:12:35.240 --> 0:12:39.679
<v Speaker 1>those music genres, the much cool the style, the subculture,

0:12:39.760 --> 0:12:43.000
<v Speaker 1>everything about it. It's much cooler. So it was It's

0:12:43.000 --> 0:12:45.280
<v Speaker 1>so funny because we're so afraid to just be ourselves

0:12:45.400 --> 0:12:48.600
<v Speaker 1>because when you're in like white dominated spaces, you're like, well,

0:12:48.640 --> 0:12:50.240
<v Speaker 1>I just got to do the thing, y'all do it,

0:12:50.440 --> 0:12:52.439
<v Speaker 1>and then you bring like your flavor to and they're like, no,

0:12:52.600 --> 0:12:55.760
<v Speaker 1>that I like the season and that you put on this.

0:12:55.760 --> 0:12:58.520
<v Speaker 1>This is nice said that, because it also kind of

0:12:58.520 --> 0:13:00.280
<v Speaker 1>shows like how like because we're both in the kers

0:13:00.280 --> 0:13:02.600
<v Speaker 1>off the street culture go because he really gets sneakers

0:13:02.640 --> 0:13:04.839
<v Speaker 1>and skate instrey. Now like Supreme and all these things,

0:13:05.080 --> 0:13:07.400
<v Speaker 1>it's totally still that hip hop influence. Like all that

0:13:07.400 --> 0:13:10.200
<v Speaker 1>stuff that he probably brought into it, he's still existing today.

0:13:10.520 --> 0:13:12.200
<v Speaker 1>So in a way, by him being himself, he helped

0:13:12.240 --> 0:13:14.280
<v Speaker 1>change the general change of culture, which is a lot

0:13:14.280 --> 0:13:16.560
<v Speaker 1>of time what like African Americans do. It's that when

0:13:16.559 --> 0:13:18.040
<v Speaker 1>we put our stamp on it, we put our stamp

0:13:18.040 --> 0:13:19.760
<v Speaker 1>on it, and it usually stays yeah, well that And

0:13:19.800 --> 0:13:22.360
<v Speaker 1>that's what's so interesting because being of that skate culture

0:13:22.360 --> 0:13:24.320
<v Speaker 1>and coming in with Kareem, you know you have like

0:13:24.440 --> 0:13:27.240
<v Speaker 1>Chocolate Girl, but then you had d g K dirty

0:13:27.240 --> 0:13:30.000
<v Speaker 1>ghetto kids coming in and like all those like brands

0:13:30.000 --> 0:13:33.000
<v Speaker 1>that are truly like nah, we were gonna be the

0:13:33.040 --> 0:13:35.920
<v Speaker 1>black band. You had Zoo York, you know like that,

0:13:36.280 --> 0:13:39.319
<v Speaker 1>and it just really like it really is h It

0:13:39.480 --> 0:13:41.840
<v Speaker 1>made it better because like you still have like those

0:13:41.880 --> 0:13:44.400
<v Speaker 1>brands that still do the punk rock type stuff, but

0:13:44.440 --> 0:13:47.480
<v Speaker 1>it's just there's more diversity within it. For just the

0:13:47.559 --> 0:13:51.280
<v Speaker 1>average consumer. Yeah, so it just helps to put your

0:13:51.320 --> 0:13:53.200
<v Speaker 1>voice that's dope and thinking about it, like if he

0:13:53.240 --> 0:13:56.000
<v Speaker 1>doesn't do that, do we get tired of the creator? Yeah,

0:13:56.000 --> 0:13:57.960
<v Speaker 1>because if he by him seeing like the hip hop

0:13:57.960 --> 0:14:00.280
<v Speaker 1>and his own president there him reflected in that, he's like, oh,

0:14:00.320 --> 0:14:01.840
<v Speaker 1>I want to skate. I want to do these things too,

0:14:02.000 --> 0:14:04.040
<v Speaker 1>which least again the whole crew and odd future and

0:14:04.080 --> 0:14:05.960
<v Speaker 1>everything like that. So it's like if that doesn't happen,

0:14:05.960 --> 0:14:07.280
<v Speaker 1>then maybe we don't get these things later wrong. So

0:14:07.400 --> 0:14:09.880
<v Speaker 1>that's super dough. Yeah, there's there's a whole lot of

0:14:10.240 --> 0:14:12.480
<v Speaker 1>what ifs I have with Tyler, Like what if Tyler's

0:14:12.520 --> 0:14:14.680
<v Speaker 1>Nigerian dad was around, maybe he would have gone to

0:14:14.720 --> 0:14:16.960
<v Speaker 1>the meetings that my dad is not. Me and Tyler

0:14:17.200 --> 0:14:20.240
<v Speaker 1>would become homies and I would have been in our future.

0:14:20.320 --> 0:14:22.800
<v Speaker 1>Like that's what I think about. I think about that

0:14:24.960 --> 0:14:26.960
<v Speaker 1>right now. Yeah, I would have been the Frank Ocean

0:14:27.000 --> 0:14:31.000
<v Speaker 1>and then the old dude just like yeah, yeah, Nigerian brother,

0:14:31.160 --> 0:14:37.360
<v Speaker 1>let's go. Oh, So I guess for me, Um, how

0:14:37.400 --> 0:14:39.600
<v Speaker 1>are you guys supposed to? Dayne was very so much

0:14:39.600 --> 0:14:41.840
<v Speaker 1>of yours, but it's actually the comics. So I remember

0:14:41.880 --> 0:14:43.720
<v Speaker 1>my best friend back when I was like high school whatever.

0:14:43.760 --> 0:14:45.720
<v Speaker 1>He was in Falster care and sadly enough he had

0:14:45.760 --> 0:14:47.640
<v Speaker 1>to it. It's like Falster parents whatever. And they were like,

0:14:47.640 --> 0:14:49.240
<v Speaker 1>we're gonna throw out our comic books and he's like,

0:14:49.400 --> 0:14:51.960
<v Speaker 1>the damn you will. He called me really quickly. It

0:14:52.080 --> 0:14:53.320
<v Speaker 1>was like the trying to throw in my comics. I

0:14:53.320 --> 0:14:54.680
<v Speaker 1>was like, got you dad, to try to do those

0:14:54.720 --> 0:14:57.360
<v Speaker 1>comics we wanted. We like drove to us house picked

0:14:57.400 --> 0:15:00.560
<v Speaker 1>up his comics like when everything cool, come to your books.

0:15:00.800 --> 0:15:02.280
<v Speaker 1>So we drive out to my crib. He's like, yo,

0:15:02.320 --> 0:15:04.360
<v Speaker 1>read them, exploring whatever. And he had been in the

0:15:04.400 --> 0:15:06.000
<v Speaker 1>comics like way longer than me. So when I get

0:15:06.040 --> 0:15:07.920
<v Speaker 1>back whatever and flipped, it was like, oh you got this,

0:15:07.960 --> 0:15:11.720
<v Speaker 1>you got this, got static, he guess this. And I

0:15:11.760 --> 0:15:14.200
<v Speaker 1>just started reading and I'm like, oh snap. They starts

0:15:14.200 --> 0:15:15.640
<v Speaker 1>blowing me away and I read like through the whole

0:15:15.720 --> 0:15:18.000
<v Speaker 1>run and then I'm reading Bloods and Naked and Hardware

0:15:18.040 --> 0:15:20.440
<v Speaker 1>an Icon. It's like all blows me away, and it

0:15:20.520 --> 0:15:22.560
<v Speaker 1>was crazy. It's like I've always been a fan of comics,

0:15:22.600 --> 0:15:24.840
<v Speaker 1>like I've always levet comics and animation or whatnot. But

0:15:24.880 --> 0:15:26.440
<v Speaker 1>when I used to create, like you know, my own characters.

0:15:26.440 --> 0:15:28.960
<v Speaker 1>As a kid growing up, it was also always so

0:15:29.000 --> 0:15:30.960
<v Speaker 1>hard to create cares of color. Everybody can I'm out white.

0:15:31.240 --> 0:15:33.200
<v Speaker 1>But the moment I read Static, I was like, oh snap,

0:15:33.240 --> 0:15:35.360
<v Speaker 1>I see myself. I can do this. And that's when

0:15:35.360 --> 0:15:38.000
<v Speaker 1>I start coming my boom, my black characters, my Latino characters,

0:15:38.120 --> 0:15:40.160
<v Speaker 1>and started like creating this like diverse array things. So

0:15:40.800 --> 0:15:42.840
<v Speaker 1>thank you Dwayne because he inspired that in me, because

0:15:42.840 --> 0:15:44.120
<v Speaker 1>if they didn't do that, then I would have the

0:15:44.120 --> 0:15:47.200
<v Speaker 1>books i'm making now. Yes, of all, you're an amazing friend.

0:15:47.480 --> 0:15:50.120
<v Speaker 1>So that is amazing that your dad was like, yes,

0:15:50.600 --> 0:15:55.080
<v Speaker 1>and go right now, preserve these comic books. Stunning. Yeah,

0:15:55.160 --> 0:15:57.720
<v Speaker 1>I mean that. That's kind of like it's funny that

0:15:57.800 --> 0:16:00.400
<v Speaker 1>you said, like seeing that change how you view it,

0:16:00.640 --> 0:16:03.600
<v Speaker 1>because it is funny how your art starts with what

0:16:03.720 --> 0:16:06.200
<v Speaker 1>you liked. When I was really in a drawing, all

0:16:06.240 --> 0:16:10.840
<v Speaker 1>my guys had spiky hair, buff body, spiky hair, buff bodies,

0:16:10.920 --> 0:16:13.440
<v Speaker 1>and then Static came around and then they had the

0:16:13.480 --> 0:16:17.640
<v Speaker 1>trunk style hair but with dreads, and I was like,

0:16:17.760 --> 0:16:20.280
<v Speaker 1>that was the shift when I was like, oh, yeah, no,

0:16:20.280 --> 0:16:23.200
<v Speaker 1>now I'm still gonna do the DVZ thing, but they're

0:16:23.240 --> 0:16:26.400
<v Speaker 1>gonna have dreads now I remember I was watching teenage

0:16:26.480 --> 0:16:28.520
<v Speaker 1>music Turtles of course, and then I was also watching

0:16:28.560 --> 0:16:30.880
<v Speaker 1>Bionic six. So who was my first year character, the

0:16:30.920 --> 0:16:35.280
<v Speaker 1>Bionic Ninja. I'm so original. Everyone's gonna want to buy this.

0:16:36.200 --> 0:16:37.600
<v Speaker 1>And it's like, but yeah, that's what happens. Though. You

0:16:37.600 --> 0:16:39.560
<v Speaker 1>get influenced by what you see and like kind of say,

0:16:39.560 --> 0:16:41.720
<v Speaker 1>that's why representation is so important, because when you see

0:16:41.720 --> 0:16:43.520
<v Speaker 1>it in front of you, that's what allows you to

0:16:43.560 --> 0:16:45.680
<v Speaker 1>see yourself in it and take it to the next level. Yeah,

0:16:45.840 --> 0:16:47.840
<v Speaker 1>And it's so funny because like you do get the

0:16:47.840 --> 0:16:49.920
<v Speaker 1>pushback on like it should matter and this that and whatever.

0:16:50.040 --> 0:16:51.640
<v Speaker 1>It was like, yeah, yeah, you say that, But I

0:16:51.680 --> 0:16:55.520
<v Speaker 1>just can't wait for years down when diversity is normalized

0:16:55.520 --> 0:16:58.160
<v Speaker 1>in the heads of everyone because they see it like

0:16:58.240 --> 0:17:01.280
<v Speaker 1>you're bucking against it because you're so used to these

0:17:01.360 --> 0:17:03.680
<v Speaker 1>like all white things and you've never had a problem

0:17:03.720 --> 0:17:05.879
<v Speaker 1>with it because you've seen yourself within it, you know,

0:17:06.359 --> 0:17:10.640
<v Speaker 1>versus like and and that's the thing is like, honestly, like,

0:17:11.480 --> 0:17:16.919
<v Speaker 1>no one will have a problem with an all white cast.

0:17:17.240 --> 0:17:20.000
<v Speaker 1>It's just let's mix it up. If if you had,

0:17:20.080 --> 0:17:23.440
<v Speaker 1>if you had, like if we if we went through

0:17:23.440 --> 0:17:26.399
<v Speaker 1>the year and all and every month you had a

0:17:26.480 --> 0:17:32.199
<v Speaker 1>black panther you had, Uh what was that? Like, I'm

0:17:32.240 --> 0:17:34.680
<v Speaker 1>trying to think of like a good like Latin X

0:17:34.800 --> 0:17:41.360
<v Speaker 1>representation of crazy rich Asians, um spider Man, Miles Morales,

0:17:41.359 --> 0:17:44.440
<v Speaker 1>Spider Man, just like representation across the board and your

0:17:44.480 --> 0:17:48.320
<v Speaker 1>little women's and you're whatever. I love them, They're my

0:17:48.359 --> 0:17:50.520
<v Speaker 1>favorite directors, but I'm definitely going to say they've been

0:17:50.520 --> 0:17:53.160
<v Speaker 1>scared of black people since Lady Killers, the Coen Brothers,

0:17:53.920 --> 0:17:57.840
<v Speaker 1>you know, like like like we we love those directors.

0:17:57.920 --> 0:18:01.200
<v Speaker 1>It's just like we just want something different every now

0:18:01.200 --> 0:18:03.119
<v Speaker 1>and then. Just give us alue Wing every once in a

0:18:03.080 --> 0:18:06.479
<v Speaker 1>a home exactly make my movies. Give her some cash.

0:18:07.000 --> 0:18:08.439
<v Speaker 1>Like I always kind of thought about that because like, well,

0:18:08.440 --> 0:18:10.320
<v Speaker 1>Scorsesey got nobody for The Irishman, and I was like,

0:18:10.320 --> 0:18:12.800
<v Speaker 1>oh that's cool. I was like, bro, you always making

0:18:12.800 --> 0:18:15.240
<v Speaker 1>these gangster films, but like would it, why don't you

0:18:15.280 --> 0:18:17.400
<v Speaker 1>just do like Scorsesey, I'm gonna a remakeup New Jack

0:18:17.440 --> 0:18:19.680
<v Speaker 1>City and it is like just kind of run with however,

0:18:19.840 --> 0:18:21.080
<v Speaker 1>like I want to tell the story of like Frank

0:18:21.119 --> 0:18:23.120
<v Speaker 1>White in My Way and everything like that. Such mixed

0:18:23.119 --> 0:18:27.160
<v Speaker 1>feelings about that because scorsese is an old white man,

0:18:28.040 --> 0:18:31.119
<v Speaker 1>like he real old, and I just worry if you

0:18:31.119 --> 0:18:32.960
<v Speaker 1>can handle the material. And so my my thing is

0:18:33.000 --> 0:18:34.240
<v Speaker 1>if you want to stay in your lane and you

0:18:34.280 --> 0:18:36.040
<v Speaker 1>don't want to venture out, I'm totally fine with that.

0:18:36.080 --> 0:18:39.680
<v Speaker 1>To me. It's not the attacking the individual creator isn't

0:18:39.680 --> 0:18:42.119
<v Speaker 1>necessarily going to bring about good representations. I want to

0:18:42.160 --> 0:18:43.240
<v Speaker 1>hit up the studio and be like, so, I know

0:18:43.320 --> 0:18:46.000
<v Speaker 1>y'all are getting pitches from a lot of people who

0:18:46.119 --> 0:18:48.199
<v Speaker 1>are quality and who could make good stuff that make

0:18:48.280 --> 0:18:50.000
<v Speaker 1>you money, and the fact that you guys just keep

0:18:50.000 --> 0:18:53.280
<v Speaker 1>turning them down so fresh or ruining their picking them

0:18:53.320 --> 0:18:55.639
<v Speaker 1>up and then subsequently ruining the project with your like

0:18:55.960 --> 0:18:58.280
<v Speaker 1>incredibly white notes. But I don't understand this. We have

0:18:58.320 --> 0:19:01.920
<v Speaker 1>to explain it to you. Our audience will get Jesus. So, yeah,

0:19:01.960 --> 0:19:04.040
<v Speaker 1>I feel like there's there's a lot of space for

0:19:04.240 --> 0:19:07.479
<v Speaker 1>you know, major corporations to maybe do their Yeah, And

0:19:07.520 --> 0:19:09.680
<v Speaker 1>I think that's what it is. And I think that's

0:19:09.760 --> 0:19:12.160
<v Speaker 1>that's what it really is, is that no one's trying

0:19:12.200 --> 0:19:15.080
<v Speaker 1>to take your thing away to make room. Like there's

0:19:15.119 --> 0:19:18.360
<v Speaker 1>this idea, this weird idea that in order to diversify

0:19:18.440 --> 0:19:23.680
<v Speaker 1>things will be taking money like I think normal consumers

0:19:23.720 --> 0:19:27.040
<v Speaker 1>don't realize how much money just like I I don't

0:19:27.080 --> 0:19:29.879
<v Speaker 1>think consumers realize how many movies are just made that

0:19:29.960 --> 0:19:32.840
<v Speaker 1>you never see, Like like there are movies that are made,

0:19:33.000 --> 0:19:36.359
<v Speaker 1>they're in festivals, millions of dollars went into it, and

0:19:36.400 --> 0:19:38.880
<v Speaker 1>you just never see it because it just didn't pop

0:19:38.880 --> 0:19:41.879
<v Speaker 1>the way they liked. Shout out for creating array and

0:19:41.920 --> 0:19:44.879
<v Speaker 1>being like I'll just release them myself exactly because like it,

0:19:45.200 --> 0:19:48.359
<v Speaker 1>that's just how stuff. So it's in like every year

0:19:48.760 --> 0:19:52.600
<v Speaker 1>we add thousands more things to see, so there's not

0:19:52.760 --> 0:19:56.760
<v Speaker 1>a there isn't this struggle for space in the medium

0:19:56.840 --> 0:19:59.840
<v Speaker 1>for people to see things. So I think there's no

0:20:00.000 --> 0:20:04.720
<v Speaker 1>one should genuinely have a problem with diversity because it

0:20:04.760 --> 0:20:08.280
<v Speaker 1>doesn't affect your thing if you choose not to watch it.

0:20:08.480 --> 0:20:10.720
<v Speaker 1>Not only but not only that though, but it's like people,

0:20:10.800 --> 0:20:13.480
<v Speaker 1>it's weird. Just in today's world, diversity is like so

0:20:13.560 --> 0:20:15.800
<v Speaker 1>profitable as well. You think about like the number one

0:20:15.800 --> 0:20:18.040
<v Speaker 1>franchise right now, that's damn they're on nine movies. Is

0:20:18.040 --> 0:20:21.600
<v Speaker 1>fast and furious and it has an amazing diverse cast.

0:20:21.880 --> 0:20:24.760
<v Speaker 1>Will play in every single country exactly. Everybody will go

0:20:24.800 --> 0:20:27.000
<v Speaker 1>and see it, and like it was crazy as he

0:20:27.040 --> 0:20:29.000
<v Speaker 1>will kind of realized that because when he did um

0:20:29.160 --> 0:20:32.119
<v Speaker 1>Beven Diesel Triple X, Return of Xandraw Cage, which is like,

0:20:32.440 --> 0:20:34.440
<v Speaker 1>that's a movie. The other thing about this though, that

0:20:34.520 --> 0:20:36.040
<v Speaker 1>he would he do. He did the exact same for me.

0:20:36.119 --> 0:20:38.160
<v Speaker 1>He doing Fast Furious. He brought in all these international

0:20:38.200 --> 0:20:40.200
<v Speaker 1>stars and so here in America, I think it made

0:20:40.200 --> 0:20:42.639
<v Speaker 1>like a hundred and fifty million whatever, but worldwide like

0:20:42.680 --> 0:20:44.919
<v Speaker 1>over three or something million, So he made his budget

0:20:44.960 --> 0:20:46.640
<v Speaker 1>back and then something. And so it just shows that

0:20:46.760 --> 0:20:48.760
<v Speaker 1>the power of diversity, because like when people see themselves,

0:20:48.880 --> 0:20:51.800
<v Speaker 1>they will go spend those dollars on that people. People

0:20:51.920 --> 0:20:54.440
<v Speaker 1>sleep on my man Ven, but then be making moves.

0:20:55.200 --> 0:20:58.560
<v Speaker 1>My man, Mr Diesel, watch out for him. He's such

0:20:59.040 --> 0:21:01.320
<v Speaker 1>in real life. I know. That's why I loved everything

0:21:01.359 --> 0:21:06.920
<v Speaker 1>about so. Uh, you know, we're gonna take a quick

0:21:07.000 --> 0:21:10.040
<v Speaker 1>break while y'all still on that info we just dropped

0:21:10.080 --> 0:21:12.440
<v Speaker 1>for y'all, But when we get back, we'll be talking

0:21:12.440 --> 0:21:16.200
<v Speaker 1>about Dwayne's younger years, the Marvel years, all the way

0:21:16.240 --> 0:21:20.680
<v Speaker 1>to d C and Milestone and all that good stuff.

0:21:21.240 --> 0:21:34.159
<v Speaker 1>After these messages and we're back here, yeah, yeah, so

0:21:34.520 --> 0:21:37.920
<v Speaker 1>you know, I'm I'm here with Johnny Parker, Joel Monique

0:21:38.119 --> 0:21:42.399
<v Speaker 1>and where she talking about Dwayne McDuffie, his legacy and

0:21:42.480 --> 0:21:44.800
<v Speaker 1>just everything around it. I think that's one thing just

0:21:44.840 --> 0:21:46.800
<v Speaker 1>in case, because I noticed we did that with the

0:21:46.840 --> 0:21:49.400
<v Speaker 1>static thing, and that's something I didn't like. I saw

0:21:49.400 --> 0:21:51.639
<v Speaker 1>it happening, and I didn't want to stop because I

0:21:51.640 --> 0:21:54.520
<v Speaker 1>think that was the spirit of these episodes, is, uh,

0:21:54.600 --> 0:21:57.719
<v Speaker 1>you know, these episodes are you know, about black history

0:21:57.720 --> 0:22:00.679
<v Speaker 1>Black History Month? So I'm not you know, if we

0:22:00.760 --> 0:22:05.280
<v Speaker 1>bounce off of the subject and start talking about black history,

0:22:05.280 --> 0:22:07.639
<v Speaker 1>black culture in general, that's kind of the spirit of

0:22:07.680 --> 0:22:10.840
<v Speaker 1>the episode. So and if you're if you're paying attention,

0:22:10.840 --> 0:22:13.760
<v Speaker 1>we're still dropping some some knowledge. And I mean, I

0:22:13.760 --> 0:22:16.280
<v Speaker 1>think if you think about doing McDuffie specifically, in his

0:22:16.480 --> 0:22:18.920
<v Speaker 1>entire goal in comics was for us to be able

0:22:18.960 --> 0:22:22.679
<v Speaker 1>to have these conversations, but even further than that, Like gosh,

0:22:22.960 --> 0:22:25.120
<v Speaker 1>there's so many times I wish like McDuffie were here

0:22:25.160 --> 0:22:27.600
<v Speaker 1>because the circles that we run in, we would have

0:22:27.640 --> 0:22:30.159
<v Speaker 1>met him so many times over already, Like I'm for

0:22:30.280 --> 0:22:33.639
<v Speaker 1>sure positive I would have some kind of connected relationship

0:22:33.640 --> 0:22:36.560
<v Speaker 1>with McDuffie, and like we didn't get a chance to

0:22:36.600 --> 0:22:39.160
<v Speaker 1>tell to you, like, yo, you put me onto comics

0:22:39.160 --> 0:22:42.919
<v Speaker 1>in a way that was like it wasn't available to me.

0:22:42.960 --> 0:22:45.640
<v Speaker 1>And then here's like him tell stories of his childhood

0:22:45.640 --> 0:22:48.159
<v Speaker 1>and things that really drove him to like, you know,

0:22:48.160 --> 0:22:50.399
<v Speaker 1>you guys are anime fans. We've seen some very racist

0:22:50.440 --> 0:22:56.760
<v Speaker 1>representations of black people. Oh gosh, we name dropping. Uh,

0:22:58.040 --> 0:23:00.639
<v Speaker 1>it's it was. It was a challenge previous lead to

0:23:00.640 --> 0:23:05.560
<v Speaker 1>to see representations of yourself that weren't gangsters and comics

0:23:05.600 --> 0:23:08.920
<v Speaker 1>that weren't um dumb and uneducated, but they were beefy

0:23:09.000 --> 0:23:11.600
<v Speaker 1>so they could fight, so totally worth it that weren't

0:23:11.800 --> 0:23:15.720
<v Speaker 1>strictly just sex objects. A lot of time for women. Um,

0:23:15.840 --> 0:23:17.880
<v Speaker 1>and we definitely really changed the game. And he did

0:23:17.920 --> 0:23:21.000
<v Speaker 1>it like from the inside, which I think is like

0:23:21.119 --> 0:23:23.679
<v Speaker 1>crazy impressive, Like the guy had no fear of just

0:23:23.760 --> 0:23:25.680
<v Speaker 1>being like laying it all out there and being like, no,

0:23:25.800 --> 0:23:27.680
<v Speaker 1>y'all are part of the problem, and I'm not gonna

0:23:27.680 --> 0:23:32.480
<v Speaker 1>stand here and just let that continue. Yellow to see

0:23:32.520 --> 0:23:38.560
<v Speaker 1>it right up. Actually they get the meat. Oh my god, Okay,

0:23:38.760 --> 0:23:42.600
<v Speaker 1>please tell us all about it. So I moved out

0:23:42.640 --> 0:23:44.159
<v Speaker 1>to l A back in two thousand and six to

0:23:44.560 --> 0:23:46.920
<v Speaker 1>teach and write comics and everything like that. And so

0:23:47.160 --> 0:23:49.520
<v Speaker 1>back when you was the world l a um, they

0:23:49.600 --> 0:23:51.080
<v Speaker 1>still had a round. I remember looking at the guesses,

0:23:51.080 --> 0:23:53.920
<v Speaker 1>Who's going there that year? I was like anyway, wait

0:23:54.520 --> 0:23:55.840
<v Speaker 1>and I was like, Okay, I gotta go. I gotta

0:23:55.880 --> 0:23:57.480
<v Speaker 1>go meet this man or whatever. So it was so dope,

0:23:57.520 --> 0:23:59.320
<v Speaker 1>I gotta go here, umuce, we get a panels, we

0:23:59.359 --> 0:24:00.480
<v Speaker 1>got some of the things he was doing. I think

0:24:00.480 --> 0:24:02.879
<v Speaker 1>at that time he was just finishing a firestorm in tradition,

0:24:03.160 --> 0:24:05.120
<v Speaker 1>going to his next project. And then he goes after

0:24:05.160 --> 0:24:06.359
<v Speaker 1>the panel and I get a chance to go up

0:24:06.400 --> 0:24:07.520
<v Speaker 1>to him. I was like, yeah, I just wanna say

0:24:07.560 --> 0:24:09.600
<v Speaker 1>thank you for all you've done, Like I'm from Detroit,

0:24:09.640 --> 0:24:11.760
<v Speaker 1>You're from Detroit, You with you mind, with you of him,

0:24:11.760 --> 0:24:13.200
<v Speaker 1>and like I didn't know I was follow your foots

0:24:13.200 --> 0:24:14.480
<v Speaker 1>sets for so long. Thank you first pad to make

0:24:14.560 --> 0:24:17.520
<v Speaker 1>my comics everything I do. He's like, thank you, appreciate it, um,

0:24:17.680 --> 0:24:19.280
<v Speaker 1>and he gave me like a cut, precise copy like

0:24:19.280 --> 0:24:22.840
<v Speaker 1>static shock, and he just always carries this back. Are

0:24:22.840 --> 0:24:28.360
<v Speaker 1>you seriously? Boom boom cool? Thank you Dwayne. And then

0:24:28.440 --> 0:24:29.960
<v Speaker 1>it was just so dumb because after that we gotta

0:24:30.000 --> 0:24:31.119
<v Speaker 1>chop it up a little bit like that. Like what

0:24:31.240 --> 0:24:33.320
<v Speaker 1>was really dope is, um, if anybody's just proves from Detroit,

0:24:33.640 --> 0:24:35.359
<v Speaker 1>you know, and um, the center of the city, we

0:24:35.400 --> 0:24:37.520
<v Speaker 1>have a Joe Louis fist. It's like this like giant

0:24:37.520 --> 0:24:39.760
<v Speaker 1>thing or whatever. Right, So the current Firestorm was based

0:24:39.760 --> 0:24:41.760
<v Speaker 1>in Detroit, so he wanted to do this like final

0:24:41.800 --> 0:24:43.960
<v Speaker 1>storyline where it's like fire Storms gonna face up against

0:24:44.040 --> 0:24:45.760
<v Speaker 1>dark Side. He was gonna charge up the fist and

0:24:45.800 --> 0:24:47.840
<v Speaker 1>they hit dark Side with it, and he was like

0:24:47.840 --> 0:24:49.600
<v Speaker 1>it was gonna be dope. But he was like the

0:24:49.680 --> 0:24:52.960
<v Speaker 1>anturtles told me no, and we don't do those things.

0:24:53.040 --> 0:24:55.520
<v Speaker 1>I was like, okay, fine, but um but no. He

0:24:55.600 --> 0:24:57.880
<v Speaker 1>was super cool, super personal, like one of the nicest people.

0:24:58.280 --> 0:25:00.440
<v Speaker 1>Conversated with me for like almost like twenty thirty minutes,

0:25:00.480 --> 0:25:01.560
<v Speaker 1>and I was like it was awesome. It was cool.

0:25:01.560 --> 0:25:05.480
<v Speaker 1>Then oh my god, he loved her hero was actually

0:25:05.520 --> 0:25:08.639
<v Speaker 1>like good, yeah in real life, you know that that

0:25:08.720 --> 0:25:14.640
<v Speaker 1>warms my heart. Thank you so much. Oh man. Oh well,

0:25:15.040 --> 0:25:18.000
<v Speaker 1>So for his younger years, he said that he read

0:25:18.000 --> 0:25:20.680
<v Speaker 1>comic books casually like most kids did in the seventies,

0:25:20.720 --> 0:25:23.800
<v Speaker 1>was a big fan of Spider Man, Fantastic four. Uh,

0:25:23.960 --> 0:25:26.520
<v Speaker 1>he just never met anyone who was anything like like

0:25:26.600 --> 0:25:30.160
<v Speaker 1>the black characters that existed in comics. Blacks and comics

0:25:30.240 --> 0:25:33.159
<v Speaker 1>and many, many years were drawn as subhuman. The Spirit,

0:25:33.480 --> 0:25:37.440
<v Speaker 1>which is a relatively realistically drawn comic Ebony White, could

0:25:37.440 --> 0:25:40.159
<v Speaker 1>have been a Grimlin. I'm not sure amount of reader

0:25:40.160 --> 0:25:43.679
<v Speaker 1>would understand that he was human. Uh, if you've ever

0:25:43.680 --> 0:25:46.680
<v Speaker 1>seen the Spirit, he's like a great kind of like

0:25:46.960 --> 0:25:50.119
<v Speaker 1>Goblin esque sidekick. He's just meant to be like a

0:25:50.160 --> 0:25:53.239
<v Speaker 1>black man. Yeah. And it's you're looking at you're like,

0:25:53.280 --> 0:25:56.879
<v Speaker 1>what the hell? Yeah, I'm gonna take it a second.

0:25:56.880 --> 0:26:02.480
<v Speaker 1>I gotta look at this. Oh yeah, oh no, oh no,

0:26:03.040 --> 0:26:07.920
<v Speaker 1>it's very any style with the pink like overly round lips. Yeah.

0:26:07.960 --> 0:26:10.520
<v Speaker 1>And this cover that we're looking at, he has uh

0:26:10.520 --> 0:26:14.959
<v Speaker 1>two fives and he's licking his lips. He got some

0:26:15.040 --> 0:26:18.560
<v Speaker 1>cash now watch out. Oh my gosh. Yeah this is yeah,

0:26:18.840 --> 0:26:20.520
<v Speaker 1>this is that was what you had. That was what

0:26:20.600 --> 0:26:24.040
<v Speaker 1>you could look forward to if you were reading comics. Yeah,

0:26:24.119 --> 0:26:26.600
<v Speaker 1>this was yeah. Yeah. If you look side by side,

0:26:26.640 --> 0:26:30.760
<v Speaker 1>it looks like two different art styles. Yeah. That's and

0:26:30.800 --> 0:26:35.000
<v Speaker 1>it's funny because like that they the energy of that, uh,

0:26:35.200 --> 0:26:38.760
<v Speaker 1>the energy of of that just shows how kind of

0:26:38.800 --> 0:26:41.879
<v Speaker 1>flippant racism was at the time where it's like like

0:26:41.960 --> 0:26:45.840
<v Speaker 1>because too. To them, it was like, oh, this is funny,

0:26:45.920 --> 0:26:48.879
<v Speaker 1>this is funny heat to have this character and and

0:26:48.920 --> 0:26:52.520
<v Speaker 1>to put you know, this person in here and have

0:26:52.640 --> 0:26:58.000
<v Speaker 1>him next to this like attractive tall white man's you know,

0:26:58.160 --> 0:27:01.800
<v Speaker 1>you got your white voice if he so that's so

0:27:01.880 --> 0:27:08.399
<v Speaker 1>it's very um, it's very like it is like if

0:27:08.400 --> 0:27:11.840
<v Speaker 1>you're growing up with that, you definitely want to fight that. Yeah. Well,

0:27:11.880 --> 0:27:15.440
<v Speaker 1>and I think it's disheartening to constantly be seeing yourself

0:27:15.480 --> 0:27:19.000
<v Speaker 1>as that. Like I mean, listen on the playground when

0:27:19.000 --> 0:27:20.520
<v Speaker 1>you were trying to figure out like who you were

0:27:20.520 --> 0:27:22.480
<v Speaker 1>going to be in a group, Like listen, the girls

0:27:22.520 --> 0:27:24.879
<v Speaker 1>were doing Spice Girls and they're like, you are scary

0:27:24.880 --> 0:27:27.840
<v Speaker 1>Spice And I was like, I'm not participating now because

0:27:27.840 --> 0:27:30.200
<v Speaker 1>I don't look scary spicies a national treasure, but because

0:27:30.200 --> 0:27:32.040
<v Speaker 1>I understood what was happening at that moment, which is

0:27:32.119 --> 0:27:34.040
<v Speaker 1>you're black and we don't really care about your personality

0:27:34.040 --> 0:27:35.840
<v Speaker 1>outside of that, and we're going to show you in

0:27:35.920 --> 0:27:37.960
<v Speaker 1>this character. And so if you're a comic book fan

0:27:38.400 --> 0:27:40.800
<v Speaker 1>and you're gonna be the black character, like if you're

0:27:40.840 --> 0:27:42.520
<v Speaker 1>gonna be whitey, like in the hell out of here.

0:27:42.520 --> 0:27:46.240
<v Speaker 1>I don't understand. Uh, I don't understand how it happened.

0:27:46.240 --> 0:27:49.120
<v Speaker 1>There was nobody there to check them on it. Uh,

0:27:49.200 --> 0:27:52.640
<v Speaker 1>this is what constituted is humor and is uh they

0:27:52.640 --> 0:27:55.320
<v Speaker 1>were like, no, it's inclusive. There's a black person in there. Look.

0:27:55.359 --> 0:28:00.760
<v Speaker 1>And it's funny because it's like it really is like vy.

0:28:02.320 --> 0:28:04.920
<v Speaker 1>It's just how it kind of carries over is like

0:28:05.240 --> 0:28:08.080
<v Speaker 1>that that is the same design that we got of

0:28:08.200 --> 0:28:11.840
<v Speaker 1>the sixties version of uh cyborgs zeros or eight, which

0:28:11.880 --> 0:28:14.440
<v Speaker 1>was the black Cyborg. And it really is crazy how

0:28:14.560 --> 0:28:18.560
<v Speaker 1>like the power of like just this racist connotation being

0:28:18.600 --> 0:28:22.920
<v Speaker 1>carried over and uh and and used. And it's interesting

0:28:22.960 --> 0:28:27.280
<v Speaker 1>because you know, it's often often tried to uh used

0:28:27.320 --> 0:28:29.200
<v Speaker 1>to defend it where it's like, oh, they didn't know

0:28:29.280 --> 0:28:33.880
<v Speaker 1>in all this, but it's like you knew. And the

0:28:33.920 --> 0:28:35.800
<v Speaker 1>main problem too, is that like it goes back to

0:28:35.800 --> 0:28:37.520
<v Speaker 1>like who were in those offices there, because again that's

0:28:37.520 --> 0:28:39.720
<v Speaker 1>where like the racism not employing people of coloring those

0:28:39.760 --> 0:28:42.320
<v Speaker 1>offices really comes to the play. Because even the nineties,

0:28:42.320 --> 0:28:44.680
<v Speaker 1>when you look at Marvel, every black man that they

0:28:44.720 --> 0:28:46.560
<v Speaker 1>drew had exact same look. It was like a brother

0:28:46.800 --> 0:28:49.280
<v Speaker 1>like Brave with the high top every single time, like

0:28:49.280 --> 0:28:51.600
<v Speaker 1>if Luke Cage and Blaze stood side by side black

0:28:51.600 --> 0:28:53.400
<v Speaker 1>wait which is which? And so the thing about it

0:28:53.400 --> 0:28:55.080
<v Speaker 1>is those that like But when you start hiding people

0:28:55.080 --> 0:28:56.880
<v Speaker 1>of color the work in these officers, that's when you

0:28:56.880 --> 0:28:59.000
<v Speaker 1>start getting interesting character designs. You start seeing like different

0:28:59.000 --> 0:29:03.440
<v Speaker 1>hairstyles and those lives actually representing those books. Now seventies

0:29:03.560 --> 0:29:06.320
<v Speaker 1>get up to like the early to mid nineties, he

0:29:06.440 --> 0:29:09.080
<v Speaker 1>was still rock and disco like way past when it

0:29:09.120 --> 0:29:13.520
<v Speaker 1>was popular or like stylish. It makes no sense, Well

0:29:13.560 --> 0:29:16.600
<v Speaker 1>you only have one black acquaintance, what other what other

0:29:16.960 --> 0:29:19.240
<v Speaker 1>you know samples because they ain't they ain't going down

0:29:19.280 --> 0:29:21.760
<v Speaker 1>to the hood. They ain't going down to black neighborhood.

0:29:21.840 --> 0:29:24.160
<v Speaker 1>So you have to think about It's funny because, like

0:29:24.640 --> 0:29:28.760
<v Speaker 1>I think, the wildest thing about racism and why, like

0:29:29.120 --> 0:29:33.280
<v Speaker 1>you know, the word systematic gets thrown around, is there's

0:29:33.320 --> 0:29:38.200
<v Speaker 1>so many little things that can happen that makes it

0:29:38.400 --> 0:29:43.520
<v Speaker 1>happened that you unintentionally, like I could like we like

0:29:43.840 --> 0:29:46.680
<v Speaker 1>if someone came and was like if he I worked

0:29:46.680 --> 0:29:50.360
<v Speaker 1>in Marvel and nineties and no one there, I promise

0:29:50.440 --> 0:29:52.480
<v Speaker 1>you I spoke to him on no one there was racist.

0:29:53.000 --> 0:29:55.600
<v Speaker 1>I could I'd still like I could believe that and

0:29:55.640 --> 0:30:00.960
<v Speaker 1>still believe that this this happened. Why Because simply just

0:30:01.160 --> 0:30:06.000
<v Speaker 1>not being racist doesn't like protect you from not being racist.

0:30:06.080 --> 0:30:08.120
<v Speaker 1>Like you could go your whole life being like I

0:30:08.120 --> 0:30:10.760
<v Speaker 1>I respect black people. I will never say the in word.

0:30:10.960 --> 0:30:14.920
<v Speaker 1>But if you're not aware of the microaggressions and things

0:30:14.920 --> 0:30:19.520
<v Speaker 1>that affect them, then you are walking through life with

0:30:19.560 --> 0:30:21.760
<v Speaker 1>a blind side. You don't you don't know things you

0:30:21.800 --> 0:30:25.600
<v Speaker 1>can accidentally do. I mean, it's the same thing of like,

0:30:25.920 --> 0:30:28.000
<v Speaker 1>because people always try and like make it seem like

0:30:28.160 --> 0:30:30.520
<v Speaker 1>such a complex race thing, where I was like, why

0:30:30.560 --> 0:30:32.120
<v Speaker 1>does it matter if you touch your head or why

0:30:32.160 --> 0:30:34.400
<v Speaker 1>does like micro aggressions don't matter. But it's the same

0:30:34.400 --> 0:30:37.520
<v Speaker 1>thing of if your mom has died, If your mom

0:30:37.520 --> 0:30:39.840
<v Speaker 1>has died, I don't know your mom died. We out

0:30:39.920 --> 0:30:42.240
<v Speaker 1>joking and I say your mama. That's gonna hit you

0:30:42.520 --> 0:30:45.640
<v Speaker 1>way differently than if I say someone that started so

0:30:45.680 --> 0:30:48.560
<v Speaker 1>many fights back when I was growing up, all because

0:30:48.560 --> 0:30:52.440
<v Speaker 1>it's like an unseen fact about this person that they've

0:30:52.480 --> 0:30:56.320
<v Speaker 1>lost their parents, so anything said about said parents hurts more.

0:30:56.720 --> 0:30:59.640
<v Speaker 1>That's the exact same thing when it comes to race

0:30:59.840 --> 0:31:02.360
<v Speaker 1>is there. There are things that have affected people of

0:31:02.360 --> 0:31:05.440
<v Speaker 1>color in different ways. That's the you know, that's why

0:31:05.520 --> 0:31:09.760
<v Speaker 1>you can't have a black person with monkey on the

0:31:09.840 --> 0:31:12.520
<v Speaker 1>t for your h and image. Like we get, we

0:31:12.600 --> 0:31:15.080
<v Speaker 1>know that that's not what you mean. But if you

0:31:15.160 --> 0:31:19.080
<v Speaker 1>are refusing to look at the history, the widely sold

0:31:19.120 --> 0:31:21.760
<v Speaker 1>comic book that were that, where you can google and

0:31:21.840 --> 0:31:25.160
<v Speaker 1>see the animals that too, that portray us, the look

0:31:25.240 --> 0:31:27.680
<v Speaker 1>that they're going for is a monkey like like it

0:31:27.720 --> 0:31:30.040
<v Speaker 1>looks weird. We're saying gremlin, we're saying pick in any

0:31:30.200 --> 0:31:33.840
<v Speaker 1>but they're making they they try because it's historically a

0:31:33.960 --> 0:31:38.480
<v Speaker 1>thing that has happened. So you're not you're not a racist.

0:31:38.800 --> 0:31:43.360
<v Speaker 1>But if you accidentally label someone you did a racist thing,

0:31:43.400 --> 0:31:46.720
<v Speaker 1>and that's fine. Everyone will make mistakes. Instead of trying

0:31:46.720 --> 0:31:50.000
<v Speaker 1>to fight for over a label that isn't being labeled

0:31:50.000 --> 0:31:53.400
<v Speaker 1>on you, we're labeling the action. Fix the action. Stop

0:31:53.480 --> 0:31:56.960
<v Speaker 1>defending yourself, because we never defense is what starts making

0:31:57.000 --> 0:32:00.840
<v Speaker 1>you a racist. Just I mean, no, it's fine, Well

0:32:00.880 --> 0:32:05.600
<v Speaker 1>it's not fine. It's it's the simple thing of like

0:32:05.680 --> 0:32:08.800
<v Speaker 1>I think, I think, if we're being honest, we've all

0:32:08.840 --> 0:32:17.480
<v Speaker 1>been black a while, we've all been to my life. Well,

0:32:17.520 --> 0:32:21.280
<v Speaker 1>and we've all been online a while and now, you know,

0:32:21.880 --> 0:32:26.120
<v Speaker 1>conversations online are getting more progressive, like are like, it's funny,

0:32:26.160 --> 0:32:29.600
<v Speaker 1>you know, we got lines of people wearing their woecats.

0:32:29.640 --> 0:32:32.000
<v Speaker 1>But I remember when tray Von happened and I had

0:32:32.040 --> 0:32:36.120
<v Speaker 1>to convince people that it wasn't an isolated incident. You know, yeah,

0:32:36.280 --> 0:32:38.480
<v Speaker 1>like we so so we've come a long way in

0:32:38.560 --> 0:32:43.120
<v Speaker 1>conversations about race, but there is this genuine fear everyone.

0:32:43.640 --> 0:32:46.240
<v Speaker 1>It's so funny because like there I think we're at

0:32:46.240 --> 0:32:48.800
<v Speaker 1>a point where people are more afraid of being called

0:32:48.880 --> 0:32:53.440
<v Speaker 1>racist than being racist, because you're afraid of like your

0:32:53.520 --> 0:32:56.400
<v Speaker 1>image and it's like, it's not about that. But then

0:32:56.640 --> 0:32:59.560
<v Speaker 1>you know, this would be a longer conversation because we

0:32:59.640 --> 0:33:02.240
<v Speaker 1>do there are we you have technology the other side

0:33:02.280 --> 0:33:04.880
<v Speaker 1>that is for some reason about that where they want

0:33:04.920 --> 0:33:08.840
<v Speaker 1>to take a small piece of information run with it,

0:33:08.960 --> 0:33:11.479
<v Speaker 1>and you know, there's all different But I think at

0:33:11.520 --> 0:33:15.440
<v Speaker 1>the end of the day, everyone should just listen more.

0:33:17.360 --> 0:33:21.320
<v Speaker 1>It absolutely be more helpful. I think I feel like

0:33:21.360 --> 0:33:24.480
<v Speaker 1>that's McDuffie tried to do that a lot throughout his career.

0:33:25.400 --> 0:33:29.960
<v Speaker 1>A skip forward to the teenage Negro Ninja thrashers. Uh.

0:33:30.360 --> 0:33:32.680
<v Speaker 1>Portion of our segment today, which is sort of one

0:33:32.680 --> 0:33:35.120
<v Speaker 1>of the most iconic things that McDuffie has done in

0:33:35.200 --> 0:33:37.600
<v Speaker 1>his career, which is he's worked at both of the

0:33:37.640 --> 0:33:40.680
<v Speaker 1>Big two. He started off at Marvel. He was an

0:33:40.720 --> 0:33:46.080
<v Speaker 1>assistant to the editor Bob who dance key but Dansky. Um.

0:33:46.400 --> 0:33:48.760
<v Speaker 1>They like worked on these super epic cards as real

0:33:48.800 --> 0:33:50.880
<v Speaker 1>circle back to in a minute. Um, that sort of

0:33:50.880 --> 0:33:54.160
<v Speaker 1>started the Marvel card catalog. Um. He worked on a

0:33:54.200 --> 0:33:57.160
<v Speaker 1>lot of things like the Damage Control comic books, which

0:33:57.160 --> 0:34:00.640
<v Speaker 1>again we'll circle back to because they're incredible. But he

0:34:00.680 --> 0:34:04.280
<v Speaker 1>was also not a silent black man. He wasn't there

0:34:04.320 --> 0:34:05.760
<v Speaker 1>to get along. He was there to make the kind

0:34:05.800 --> 0:34:07.960
<v Speaker 1>of comics he wanted to see as a kid. So

0:34:08.239 --> 0:34:12.000
<v Speaker 1>on December thirteenth, nineteen eighty nine, when Joel was two

0:34:12.000 --> 0:34:16.799
<v Speaker 1>months old, Uh, crazy, guys, time is weird. Um, he

0:34:16.840 --> 0:34:19.440
<v Speaker 1>wrote this letter. I'm gonna do a dramatic interpretation of it.

0:34:19.960 --> 0:34:24.520
<v Speaker 1>In the past year of all African American superheroes appearing

0:34:24.520 --> 0:34:29.960
<v Speaker 1>in the Marvel universe possessed skateboard based superpowers and attempt

0:34:30.080 --> 0:34:32.400
<v Speaker 1>to remain on the cutting edge of comics, I hereby

0:34:32.480 --> 0:34:35.680
<v Speaker 1>propose a new series that will fully exploit this existing

0:34:35.760 --> 0:34:40.120
<v Speaker 1>new trend. Teenage Negro Ninja Thrashers. When a group of

0:34:40.160 --> 0:34:45.800
<v Speaker 1>teenage negroes fine comic powers skateboards, their lives are forever changed.

0:34:46.200 --> 0:34:50.279
<v Speaker 1>A team of distinct characters joined together, swerving, swearing an

0:34:50.280 --> 0:34:54.239
<v Speaker 1>oath to use their powers for good. The characters are

0:34:54.480 --> 0:34:58.560
<v Speaker 1>Rocket Racer, a black guy on a skateboard, Nightmare Thrasher,

0:34:58.719 --> 0:35:03.760
<v Speaker 1>a black guy on a skateboard, and dark really black

0:35:03.800 --> 0:35:07.919
<v Speaker 1>guy on a skateboard, and their leader, the mysterious black

0:35:07.920 --> 0:35:11.120
<v Speaker 1>guy on a skateboard. Not only as that mysterious black

0:35:11.120 --> 0:35:14.120
<v Speaker 1>guy on a skateboard, this is a surefire hit as

0:35:14.160 --> 0:35:18.560
<v Speaker 1>it contains all of these popular elements CIRCA nine clothing

0:35:18.560 --> 0:35:22.960
<v Speaker 1>and hairstyle, bizarre speech patterns unrecognizable by any member of

0:35:23.040 --> 0:35:26.160
<v Speaker 1>any culture on this planet. A smart white friend to

0:35:26.200 --> 0:35:29.839
<v Speaker 1>help them out of trouble. Their heroes, their heroes who

0:35:29.880 --> 0:35:31.799
<v Speaker 1>could be you if you were a black I mean,

0:35:32.120 --> 0:35:35.839
<v Speaker 1>they're on skateboards. They have an attractive white female friend

0:35:35.840 --> 0:35:39.279
<v Speaker 1>to calm them down when they get too excited. Face it, Pilgrim,

0:35:39.320 --> 0:35:41.880
<v Speaker 1>that one's got it all? Have I made my point?

0:35:44.520 --> 0:35:48.399
<v Speaker 1>Can you imagine sending this to your boss? I mean

0:35:49.040 --> 0:35:51.600
<v Speaker 1>We were talking about this a bit with the Milestone

0:35:51.640 --> 0:35:55.800
<v Speaker 1>eraw and it's the one of that the beautiful comfortable

0:35:55.800 --> 0:35:58.719
<v Speaker 1>place that you could be in as a black creative

0:35:58.800 --> 0:36:03.520
<v Speaker 1>when you realize you have marked your place in your

0:36:04.200 --> 0:36:09.600
<v Speaker 1>in your like undeniability and you know, like like these

0:36:09.600 --> 0:36:11.719
<v Speaker 1>are all power moves. Like he knows he's at the

0:36:11.760 --> 0:36:15.400
<v Speaker 1>top of his game at the time. He he like

0:36:16.000 --> 0:36:19.799
<v Speaker 1>he probably still was like I'm I'm walking the line here,

0:36:19.960 --> 0:36:24.400
<v Speaker 1>but he also knew they have a big, gigantic, uh

0:36:24.600 --> 0:36:27.000
<v Speaker 1>you know, competition that he can just go over that

0:36:27.000 --> 0:36:28.960
<v Speaker 1>will scoop him up for a second because you know,

0:36:29.400 --> 0:36:32.319
<v Speaker 1>so like it is interesting because they're the power of

0:36:32.920 --> 0:36:37.080
<v Speaker 1>a person of color. With power, U allows you to

0:36:37.120 --> 0:36:39.279
<v Speaker 1>make change and it's and it's and he gets to

0:36:39.920 --> 0:36:44.960
<v Speaker 1>it's funny because in a way this is the nicer

0:36:45.080 --> 0:36:47.440
<v Speaker 1>version because he could have just straight and be like, look,

0:36:47.480 --> 0:36:49.560
<v Speaker 1>this is a problem. This is why it's a problem.

0:36:50.239 --> 0:36:52.200
<v Speaker 1>But he was like, oh, I will make them laugh

0:36:52.719 --> 0:36:55.880
<v Speaker 1>with this, like funny you know, pitch but kind of

0:36:55.960 --> 0:36:59.239
<v Speaker 1>like make a point about it. It was interating as

0:36:59.280 --> 0:37:01.360
<v Speaker 1>well as you say that about how he's like standing

0:37:01.400 --> 0:37:02.880
<v Speaker 1>up and everything and like he has an opportunity to

0:37:02.960 --> 0:37:05.719
<v Speaker 1>other swater. So he's like confident himself. But it's also

0:37:05.760 --> 0:37:07.560
<v Speaker 1>crazy because he has this like as he does this,

0:37:08.000 --> 0:37:09.480
<v Speaker 1>he's doing it because it's the right thing to do.

0:37:09.960 --> 0:37:12.000
<v Speaker 1>Like he's taking a stand because sometimes you have to

0:37:12.000 --> 0:37:13.880
<v Speaker 1>take a stand. You have to take risks because if

0:37:13.920 --> 0:37:16.320
<v Speaker 1>you don't do it, we don't get changed, and it

0:37:16.440 --> 0:37:18.080
<v Speaker 1>might become because I'm not sure you guys know this,

0:37:18.120 --> 0:37:20.640
<v Speaker 1>but like after he finished as an English major, he

0:37:20.680 --> 0:37:22.640
<v Speaker 1>actually became a physicist and went there for grad school.

0:37:22.880 --> 0:37:24.040
<v Speaker 1>But one of the things that happened when he was

0:37:24.040 --> 0:37:26.000
<v Speaker 1>in grad school he discovered that some of the technology

0:37:26.040 --> 0:37:28.080
<v Speaker 1>had to research and developed was being used in patriot

0:37:28.120 --> 0:37:31.280
<v Speaker 1>messals against without his permission, and so he had no idea.

0:37:31.320 --> 0:37:33.200
<v Speaker 1>But when he found this out, he became dishired, and

0:37:33.239 --> 0:37:34.640
<v Speaker 1>that's what made him go to New York and start

0:37:34.640 --> 0:37:36.480
<v Speaker 1>studying film and everything like that. But it just kind

0:37:36.480 --> 0:37:37.840
<v Speaker 1>of goes to that point he's just like like no,

0:37:37.960 --> 0:37:40.080
<v Speaker 1>like we can't just allow ourselves to be by standards

0:37:40.400 --> 0:37:42.320
<v Speaker 1>in this process. Is we have to take a stand.

0:37:42.640 --> 0:37:44.239
<v Speaker 1>And that's something he's always like stood behind, which just

0:37:44.280 --> 0:37:46.279
<v Speaker 1>makes him so admirable. I mean, this also sounds like

0:37:46.600 --> 0:37:48.520
<v Speaker 1>a black person who's been were here around white people

0:37:48.520 --> 0:37:52.480
<v Speaker 1>for a long time and it's tired, um, because it's

0:37:52.600 --> 0:37:56.560
<v Speaker 1>as gentle as it is. Imagine you've been writing one

0:37:56.600 --> 0:38:01.160
<v Speaker 1>of the black superheroes on skateboard comic books. Like that

0:38:01.600 --> 0:38:04.640
<v Speaker 1>is a slap in the face. Like it's very like

0:38:04.920 --> 0:38:08.239
<v Speaker 1>up front and also sort of almost reads like like

0:38:08.320 --> 0:38:11.400
<v Speaker 1>either change it or I'm leaving sort of vibe to

0:38:11.560 --> 0:38:14.520
<v Speaker 1>it because like and also the vibe of like, I've

0:38:14.520 --> 0:38:17.520
<v Speaker 1>said this before many times in many separate ways, and

0:38:17.560 --> 0:38:20.000
<v Speaker 1>I cannot make it any more clear than the statement

0:38:20.080 --> 0:38:22.200
<v Speaker 1>right here. It's such a ballsy move. And I wish

0:38:22.239 --> 0:38:25.279
<v Speaker 1>we had more of his own direct quote on like

0:38:25.320 --> 0:38:28.840
<v Speaker 1>that experience and what it was like, um, because I

0:38:28.880 --> 0:38:31.120
<v Speaker 1>think it must have been. I imagine it to be

0:38:31.200 --> 0:38:34.040
<v Speaker 1>somewhat frightening and also liberating at the same time. Definitely

0:38:34.080 --> 0:38:36.560
<v Speaker 1>just do it and doing it. And it's it's interesting

0:38:36.600 --> 0:38:40.799
<v Speaker 1>too because I do wonder about like the culture at

0:38:40.840 --> 0:38:44.120
<v Speaker 1>Marvel around this time, because after a video that I

0:38:44.160 --> 0:38:49.280
<v Speaker 1>think you shared of Stanley with Todd McFarlane and Rob

0:38:49.320 --> 0:38:54.480
<v Speaker 1>Life felt drawing and Stanley hated guys. It's the most

0:38:54.560 --> 0:38:56.759
<v Speaker 1>epic video, Like if you ever see an old person

0:38:56.840 --> 0:38:59.520
<v Speaker 1>take down a young person, just verbally, and it's it's

0:38:59.560 --> 0:39:01.640
<v Speaker 1>so eat in the Stanley way. I've been meaning to

0:39:01.680 --> 0:39:04.760
<v Speaker 1>talk to you guys about these feet. What are you drawing?

0:39:04.840 --> 0:39:07.640
<v Speaker 1>These weird little feet on these giant bodies. I think

0:39:07.640 --> 0:39:09.360
<v Speaker 1>it takes you longer to write your signature than it

0:39:09.400 --> 0:39:13.800
<v Speaker 1>takes you to draw this comic book page. Stanley is vicious,

0:39:13.840 --> 0:39:16.400
<v Speaker 1>so good, But yeah, it was. It does not seem

0:39:16.440 --> 0:39:22.319
<v Speaker 1>like a great uh cozy comforting like they were. They

0:39:22.360 --> 0:39:25.520
<v Speaker 1>were they were their box and every every day. Stanley

0:39:25.560 --> 0:39:29.120
<v Speaker 1>had left in the seventies to start the Hollywood portion

0:39:29.200 --> 0:39:32.279
<v Speaker 1>of Marvel out of New York. And then if we

0:39:32.480 --> 0:39:36.960
<v Speaker 1>consider the comic Boom fail in the nineties, man, yeah,

0:39:37.280 --> 0:39:38.840
<v Speaker 1>it's it's got to be a lot because it's a

0:39:38.880 --> 0:39:42.200
<v Speaker 1>lot of changeover in who's running the company, in the

0:39:42.200 --> 0:39:44.040
<v Speaker 1>direction of the company, and the fact that okay, so

0:39:44.080 --> 0:39:47.640
<v Speaker 1>now we're allocating resources to TV. Comics have always had

0:39:47.680 --> 0:39:52.839
<v Speaker 1>sort of a competitive nature with moving pictures, as it were.

0:39:53.680 --> 0:39:55.759
<v Speaker 1>It's an art formals and we gotta respect just the

0:39:55.800 --> 0:39:59.839
<v Speaker 1>comic book aspect of it. Yeah, yeah, this is right

0:40:00.120 --> 0:40:03.680
<v Speaker 1>for that said boom. But yeah, before we go forward,

0:40:04.000 --> 0:40:07.960
<v Speaker 1>I think, yeah, we should um talk about damage control

0:40:08.080 --> 0:40:12.239
<v Speaker 1>and the cards that he was working on. Yes, I

0:40:12.320 --> 0:40:15.160
<v Speaker 1>really liked the cards. I pulled a couple of samples

0:40:15.200 --> 0:40:17.520
<v Speaker 1>to look at. They have this one where it's a

0:40:17.600 --> 0:40:20.200
<v Speaker 1>nine card, Like if you collect these nine cards, they

0:40:20.239 --> 0:40:25.560
<v Speaker 1>form a bunch of different villains surrounding Galactus. And it

0:40:25.640 --> 0:40:29.240
<v Speaker 1>is so they're like very nineties and like the black

0:40:29.840 --> 0:40:32.360
<v Speaker 1>Star kind of background within like a ton of like

0:40:32.480 --> 0:40:36.160
<v Speaker 1>Neon colors up front, all the muscles on all of

0:40:36.160 --> 0:40:39.080
<v Speaker 1>the Euros, even the ladies are kind of bulked up

0:40:39.080 --> 0:40:43.080
<v Speaker 1>a little bit. Uh. It is like they're really beautiful cards.

0:40:43.080 --> 0:40:45.640
<v Speaker 1>And at this point McDuffie started this project, I want

0:40:45.640 --> 0:40:48.920
<v Speaker 1>to say, in eighty nine, he's working as an assistant. Um,

0:40:49.000 --> 0:40:52.719
<v Speaker 1>so they're not his designs, but he's helping curate, coordinate.

0:40:52.800 --> 0:40:55.200
<v Speaker 1>And it's these sort of put a huge landmark out

0:40:55.239 --> 0:40:58.239
<v Speaker 1>there for kids who maybe hadn't gotten into comics or

0:40:58.239 --> 0:40:59.919
<v Speaker 1>didn't know all the characters yet. It was a great

0:41:00.040 --> 0:41:02.800
<v Speaker 1>sort of launch platform for people to get into comics.

0:41:02.800 --> 0:41:04.719
<v Speaker 1>And I think that sort of speaks to McDuffie's entire

0:41:04.760 --> 0:41:07.880
<v Speaker 1>career has been sort of like opening a gate to

0:41:07.880 --> 0:41:12.359
<v Speaker 1>allow new people into comic books. Yeah, um yeah. And

0:41:12.400 --> 0:41:15.560
<v Speaker 1>then uh. Then after his kind of first major work

0:41:15.719 --> 0:41:18.120
<v Speaker 1>was the Damage Control comic you were talking about. What

0:41:18.400 --> 0:41:21.120
<v Speaker 1>was that about? Okay, So Damage Control is maybe one

0:41:21.120 --> 0:41:23.319
<v Speaker 1>of the most unique cool ideas to come out of

0:41:23.320 --> 0:41:25.840
<v Speaker 1>Marvel in this era, and it's the idea like, what

0:41:26.000 --> 0:41:29.960
<v Speaker 1>happens after a giant superhero battle. There's this huge mess

0:41:30.000 --> 0:41:32.399
<v Speaker 1>some it's gonna be someone's job to come and clean

0:41:32.440 --> 0:41:35.880
<v Speaker 1>this up. So Tony Stark and Wilson Fisk become partners

0:41:36.400 --> 0:41:40.279
<v Speaker 1>to create a new thing called Damage Control um the

0:41:40.360 --> 0:41:43.000
<v Speaker 1>US Department of Damage called the d d c UH.

0:41:43.040 --> 0:41:45.560
<v Speaker 1>And by partnering, if it's the villain's fault, were the

0:41:45.560 --> 0:41:47.920
<v Speaker 1>hero's fault, we can kind of bowl clean it up together,

0:41:48.280 --> 0:41:51.440
<v Speaker 1>which sort of makes a statement about comics, which is

0:41:51.480 --> 0:41:53.880
<v Speaker 1>this idea of like, oh, we don't need try to

0:41:53.920 --> 0:41:56.799
<v Speaker 1>stop fighting or it's gonna be forever, so we need

0:41:56.840 --> 0:41:58.640
<v Speaker 1>to figure out a way to work together to make

0:41:58.640 --> 0:42:00.680
<v Speaker 1>sure we don't have people to man at us about

0:42:00.680 --> 0:42:02.880
<v Speaker 1>the fact that we're fighting and destroying half of this intera.

0:42:03.200 --> 0:42:05.319
<v Speaker 1>So you get a ton of like man on the

0:42:05.320 --> 0:42:08.680
<v Speaker 1>ground quips, and it's I think this very much highlights

0:42:08.719 --> 0:42:11.040
<v Speaker 1>what McDuffie's gonna do later when he goes to d C.

0:42:11.600 --> 0:42:14.960
<v Speaker 1>And it's the idea of like not just superheroes, but

0:42:15.360 --> 0:42:17.960
<v Speaker 1>how are people impacted by superheroes and how does that

0:42:18.040 --> 0:42:20.160
<v Speaker 1>make this world different from the world we live in.

0:42:20.840 --> 0:42:23.440
<v Speaker 1>And it's so much more interesting, I think than just

0:42:23.560 --> 0:42:26.960
<v Speaker 1>like end of the World stuff. I've read maybe like

0:42:27.080 --> 0:42:30.040
<v Speaker 1>several hundred End of the World comic books. Almost every

0:42:30.080 --> 0:42:32.239
<v Speaker 1>movie is about like the heroes, don't do this, it's

0:42:32.280 --> 0:42:35.120
<v Speaker 1>the end of the world. It's too much, it's too dramatic.

0:42:35.200 --> 0:42:36.719
<v Speaker 1>We can't always be like that's life and death, and

0:42:36.760 --> 0:42:38.680
<v Speaker 1>that's a whole lot. And in between there there's a

0:42:38.680 --> 0:42:41.640
<v Speaker 1>ton of emotional beats that we're missing that are intriguing,

0:42:42.160 --> 0:42:45.600
<v Speaker 1>um that talk about like the real life things that

0:42:45.680 --> 0:42:48.000
<v Speaker 1>we as the reader the viewer are going through. And

0:42:48.080 --> 0:42:49.640
<v Speaker 1>you get all of that in Damage Control. And on

0:42:49.680 --> 0:42:54.439
<v Speaker 1>top of that, it's hilarious. It's amazing, Like the first

0:42:54.600 --> 0:42:57.040
<v Speaker 1>pay the first five issues when I firstart getting collecting comics,

0:42:57.040 --> 0:42:59.080
<v Speaker 1>and it's so good. Like one of the beats in it,

0:42:59.080 --> 0:43:01.560
<v Speaker 1>it's like the like you know, they're cleanup of supervillain

0:43:01.560 --> 0:43:04.160
<v Speaker 1>accent or whatever. It's a constructure on site. One of

0:43:04.160 --> 0:43:06.520
<v Speaker 1>the construction guys like finding a purple or but whatever

0:43:06.760 --> 0:43:09.080
<v Speaker 1>it picks up, he changes it like huge galactic being

0:43:09.160 --> 0:43:11.880
<v Speaker 1>or whatever. He's like, I must need leave now I

0:43:11.920 --> 0:43:14.399
<v Speaker 1>have a higher purpose. And the crew form is like, man,

0:43:14.440 --> 0:43:18.320
<v Speaker 1>that's the third guy this week. It's just what, Yeah,

0:43:18.400 --> 0:43:19.880
<v Speaker 1>that's just the beast of they all go through, and

0:43:19.880 --> 0:43:21.960
<v Speaker 1>like the second issue is like so dope because it's

0:43:22.000 --> 0:43:23.640
<v Speaker 1>either second or third or four this issue where it's

0:43:23.680 --> 0:43:25.840
<v Speaker 1>like the covers like Dr Doom and they counter it,

0:43:25.840 --> 0:43:27.560
<v Speaker 1>which is a black guy for him because includes a

0:43:27.560 --> 0:43:30.160
<v Speaker 1>diversity there. It's like, you're gonna pay off Doom. And

0:43:30.200 --> 0:43:31.960
<v Speaker 1>the whole thing is like the whole issues about him

0:43:31.960 --> 0:43:34.040
<v Speaker 1>going trying to get doomed to pay on a check

0:43:34.080 --> 0:43:37.560
<v Speaker 1>the heels damage control and it's just hilarious. It's like seriously,

0:43:37.760 --> 0:43:39.160
<v Speaker 1>but he don't care. He's like, doesn't care, he's a

0:43:39.160 --> 0:43:40.920
<v Speaker 1>digcare the case from like very he's like that man

0:43:41.040 --> 0:43:45.239
<v Speaker 1>gonna pay what he out. He goes out and you

0:43:45.280 --> 0:43:48.840
<v Speaker 1>know I'm gonna jump. So he does walle at d C.

0:43:49.080 --> 0:43:52.719
<v Speaker 1>But I think the biggest point of d C is Milestone.

0:43:53.239 --> 0:43:55.040
<v Speaker 1>And the reason I want to jump in Milestone is

0:43:55.280 --> 0:43:58.240
<v Speaker 1>I didn't know that bit about McDuffie and the Patriot

0:43:58.280 --> 0:44:02.440
<v Speaker 1>missile because that is so similar to the story of hardware.

0:44:03.000 --> 0:44:05.879
<v Speaker 1>So it's so it's so cool to know that that

0:44:06.000 --> 0:44:09.560
<v Speaker 1>was actually inspired by you know, because you know, it's

0:44:09.680 --> 0:44:11.480
<v Speaker 1>it's always don't win. Like you hear a track and

0:44:11.520 --> 0:44:13.719
<v Speaker 1>they're like, well, this is the events that inspired He's like,

0:44:13.760 --> 0:44:16.680
<v Speaker 1>I hear that. I hear that now, So can you

0:44:16.680 --> 0:44:20.279
<v Speaker 1>guys break down Hardware for fans that don't haven't read him. Yeah,

0:44:20.360 --> 0:44:22.240
<v Speaker 1>if you haven't read him, first, go to the Milestone

0:44:22.239 --> 0:44:25.399
<v Speaker 1>media episode. We break him down. But to say it again, uh,

0:44:25.440 --> 0:44:30.200
<v Speaker 1>so Hardware is essentially Milestone's Iron Man. He was he was,

0:44:30.320 --> 0:44:32.799
<v Speaker 1>you know, taken in by this white man who like

0:44:32.920 --> 0:44:37.160
<v Speaker 1>funded his schooling. Uh and and and he funded his schooling.

0:44:37.280 --> 0:44:39.840
<v Speaker 1>He was like this top engineer and now he's working

0:44:39.840 --> 0:44:43.399
<v Speaker 1>for this like huge like um tech company. But he

0:44:43.440 --> 0:44:47.080
<v Speaker 1>finds out that they're like making black market weapons. And

0:44:47.560 --> 0:44:49.719
<v Speaker 1>actually before he finds out out, he asked for a

0:44:49.719 --> 0:44:51.399
<v Speaker 1>piece of steak in the company. He's like, hey, I've

0:44:51.400 --> 0:44:54.600
<v Speaker 1>been working, I've been inventing all these things for you. Yeah,

0:44:54.760 --> 0:44:56.239
<v Speaker 1>maybe I get a piece of the pie. And he

0:44:56.320 --> 0:44:58.560
<v Speaker 1>was like, you were just a tool. I took you.

0:44:58.640 --> 0:45:00.520
<v Speaker 1>I I built you a sharp you. You You were just

0:45:00.560 --> 0:45:03.720
<v Speaker 1>a tool for me. You get nothing. You should be happy,

0:45:03.760 --> 0:45:07.440
<v Speaker 1>you should be thanking me. So then he angry, you know,

0:45:07.480 --> 0:45:10.200
<v Speaker 1>he starts getting resentful. He does them digging, finds out

0:45:10.239 --> 0:45:12.880
<v Speaker 1>they're making black market weapons, tries to go through the

0:45:12.880 --> 0:45:15.320
<v Speaker 1>proper means FBI and all this. They do nothing because

0:45:15.360 --> 0:45:18.200
<v Speaker 1>their hands are and everything. Then he becomes Hardware to

0:45:18.280 --> 0:45:22.000
<v Speaker 1>come stop them from using those uh inventions that he

0:45:22.080 --> 0:45:26.160
<v Speaker 1>made for weapons. That is incredible and I like the

0:45:26.200 --> 0:45:29.239
<v Speaker 1>idea that likely couldn't possibly have gone up against the

0:45:29.320 --> 0:45:31.400
<v Speaker 1>United States government to be like, take my technology at

0:45:31.440 --> 0:45:33.360
<v Speaker 1>your missiles. And so for him to be able to

0:45:33.360 --> 0:45:34.719
<v Speaker 1>put it in a comic book and share it with

0:45:34.760 --> 0:45:39.320
<v Speaker 1>the world and be like, the power of art is

0:45:39.360 --> 0:45:42.600
<v Speaker 1>like when you feel like weak and helpless, you create

0:45:42.640 --> 0:45:45.400
<v Speaker 1>this world in which you can handle that problem. You

0:45:45.440 --> 0:45:48.000
<v Speaker 1>know for sure it's crazy too those because well they

0:45:48.120 --> 0:45:50.080
<v Speaker 1>groups of the filers talk about it, but when Big

0:45:50.120 --> 0:45:53.160
<v Speaker 1>Deffite doeskin. They mentioned that Hardware also represents their struggle

0:45:53.200 --> 0:45:55.319
<v Speaker 1>with in the comedy Stree itself because its creators they

0:45:55.320 --> 0:45:57.799
<v Speaker 1>are creating these awesome like heroes or whatnot, but they

0:45:57.840 --> 0:45:59.719
<v Speaker 1>don't actually own a stake within the company, and so

0:45:59.800 --> 0:46:01.919
<v Speaker 1>when asked for it, they're told, no, you're getting paid

0:46:01.920 --> 0:46:04.200
<v Speaker 1>a salary, you getting paid a wage. This is UM.

0:46:04.640 --> 0:46:06.239
<v Speaker 1>You can't own any of this. So that kind of

0:46:06.239 --> 0:46:08.680
<v Speaker 1>sparks most people do Milestone Comics itself. So it's so

0:46:08.800 --> 0:46:11.200
<v Speaker 1>dope because within like hardware, there's this duality of like

0:46:11.280 --> 0:46:14.560
<v Speaker 1>both those allegories going on. Yeah, to do a multiple

0:46:14.960 --> 0:46:18.080
<v Speaker 1>episode pool for you, uh, if you're just tuning into

0:46:18.160 --> 0:46:20.440
<v Speaker 1>this for the first time. Yeah, we talked about that

0:46:20.560 --> 0:46:23.320
<v Speaker 1>in UM in the Milestone episodes. But also what we

0:46:23.400 --> 0:46:25.719
<v Speaker 1>talked about in the Milestone episodes is something we talked

0:46:25.719 --> 0:46:29.439
<v Speaker 1>about in our Image episode is Milestone was created after

0:46:29.640 --> 0:46:32.200
<v Speaker 1>Image Comics left, and if you don't know what happened,

0:46:32.239 --> 0:46:34.680
<v Speaker 1>Image Comics basically wanted that. They're like, Yo, we're making

0:46:34.719 --> 0:46:37.400
<v Speaker 1>these characters, y'all starting to do movies. We need a

0:46:37.440 --> 0:46:39.800
<v Speaker 1>piece of this company. They said no, They're like I

0:46:40.640 --> 0:46:44.520
<v Speaker 1>and yeah, this is what was. It was like Todd McFarlane, Uh,

0:46:45.760 --> 0:46:50.719
<v Speaker 1>Jim Um and one more who I always forget who

0:46:50.760 --> 0:46:54.680
<v Speaker 1>created savastrat Night. Yeah, and he that was like the

0:46:54.840 --> 0:46:57.520
<v Speaker 1>mount Rushmore of comics at the time. So that was

0:46:57.600 --> 0:47:00.160
<v Speaker 1>a huge hit. So then to have their other are

0:47:00.239 --> 0:47:03.080
<v Speaker 1>like stars come up and like, look, we're about to

0:47:03.120 --> 0:47:05.880
<v Speaker 1>do what they did because when they pitched, they brought

0:47:06.040 --> 0:47:08.640
<v Speaker 1>like all these stories they had, Like they didn't just

0:47:08.800 --> 0:47:11.880
<v Speaker 1>pitch like with thoughts and ideas, they had bibles. So

0:47:12.560 --> 0:47:15.840
<v Speaker 1>DC was like, well, we don't want another Image comics

0:47:15.920 --> 0:47:18.640
<v Speaker 1>because Image at this point probably was tearing them up

0:47:19.040 --> 0:47:24.600
<v Speaker 1>because Image was spot alone. Was Yeah, it was interesting.

0:47:24.680 --> 0:47:27.200
<v Speaker 1>DC made the right move. Because Greg Pulo talks about this.

0:47:27.440 --> 0:47:29.200
<v Speaker 1>He's artists on Court of Owls. He also do small

0:47:29.200 --> 0:47:31.239
<v Speaker 1>for a long time. Greg says he started at Marvel

0:47:31.280 --> 0:47:33.600
<v Speaker 1>during that time period, but Marvel wasn't happened none of that.

0:47:33.760 --> 0:47:36.000
<v Speaker 1>So they didn't want another situation where like all star

0:47:36.080 --> 0:47:37.920
<v Speaker 1>artists relieved whatever, So they did the opposite of DC.

0:47:38.280 --> 0:47:40.680
<v Speaker 1>They put people down, so they were promoting you. They

0:47:40.760 --> 0:47:42.719
<v Speaker 1>were putting you out there as much or whatever. So Greg,

0:47:42.760 --> 0:47:45.520
<v Speaker 1>you just just killed the artists as the hero or

0:47:45.560 --> 0:47:48.360
<v Speaker 1>the inspired exact nuts. So he felt that tension the air,

0:47:48.440 --> 0:47:50.239
<v Speaker 1>which he called shimile later on or whatever. Yeah, it

0:47:50.320 --> 0:47:52.000
<v Speaker 1>was like during that time period after that left, it

0:47:52.120 --> 0:47:53.680
<v Speaker 1>was like DC made the right play instead of was

0:47:53.680 --> 0:47:57.000
<v Speaker 1>trying to fight against it. Let's promoted from with them. Yeah, man,

0:47:57.360 --> 0:48:01.279
<v Speaker 1>that's that's it's so wild to just the politics that

0:48:01.400 --> 0:48:03.160
<v Speaker 1>go in because you know, when you think about it,

0:48:03.200 --> 0:48:05.239
<v Speaker 1>we just go in and buy the comics that are available.

0:48:05.320 --> 0:48:07.759
<v Speaker 1>We often forget that, like, you know, these are people

0:48:07.800 --> 0:48:09.640
<v Speaker 1>trying to make a living and all this, and it's

0:48:09.680 --> 0:48:13.960
<v Speaker 1>even harder now because buying as much comics. I think

0:48:14.000 --> 0:48:15.680
<v Speaker 1>it's also a great What worked out of the deal

0:48:15.760 --> 0:48:18.360
<v Speaker 1>is the fact that Like Milestone was then able to

0:48:18.440 --> 0:48:21.240
<v Speaker 1>integrate a lot of their characters into the d C. Cannon,

0:48:21.719 --> 0:48:23.920
<v Speaker 1>which for me as a kid was vital because I

0:48:24.160 --> 0:48:27.560
<v Speaker 1>definitely wouldn't have found Milestone on my own, and without that,

0:48:27.680 --> 0:48:30.200
<v Speaker 1>then I don't have Rocket, Who's instantly became a favorite

0:48:30.200 --> 0:48:32.160
<v Speaker 1>of the second I saw her, like oh is this love?

0:48:32.320 --> 0:48:36.160
<v Speaker 1>Like she got the shortcut, like wow, and it jumpsuit

0:48:36.239 --> 0:48:40.080
<v Speaker 1>ready to go, like Icon is amazing, like the Alien

0:48:40.120 --> 0:48:43.479
<v Speaker 1>who've been here forever and chooses to be presented as black,

0:48:43.600 --> 0:48:45.719
<v Speaker 1>like that will always be a writer tie for me.

0:48:46.280 --> 0:48:48.080
<v Speaker 1>Um And now when you know, of course the Wich

0:48:48.080 --> 0:48:50.120
<v Speaker 1>shows like Young Justice and Justice League and all of that,

0:48:50.200 --> 0:48:52.640
<v Speaker 1>we've been able to see some of our favorite characters

0:48:52.760 --> 0:48:56.120
<v Speaker 1>like Satic appear alongside like our favorite team heroes and

0:48:56.160 --> 0:48:59.239
<v Speaker 1>now they're just a part of that universe. Yeah, and

0:48:59.320 --> 0:49:02.640
<v Speaker 1>then really I'm excited to jump into DC animation, but

0:49:02.719 --> 0:49:13.680
<v Speaker 1>we're gonna do that right after these messages and we're back.

0:49:14.239 --> 0:49:17.480
<v Speaker 1>Are you're doing. We're talking Dwayne McDuffie, I have Johnny

0:49:17.560 --> 0:49:22.560
<v Speaker 1>Parker and Joel Monique. So before we get into DC animation, Uh,

0:49:22.760 --> 0:49:25.360
<v Speaker 1>you know, let's let's talk about some DC drama. You

0:49:25.480 --> 0:49:27.520
<v Speaker 1>had some DC drama. You you had the tea, You

0:49:27.600 --> 0:49:31.000
<v Speaker 1>had the tea, Let me pull out the cups. It

0:49:31.080 --> 0:49:33.680
<v Speaker 1>got so juicy, got so juicy. So pretty much as

0:49:33.719 --> 0:49:36.080
<v Speaker 1>Milestone is going along whatever, they making progress, having these

0:49:36.080 --> 0:49:38.000
<v Speaker 1>great sales, static Shock is embraced when he go awards

0:49:38.040 --> 0:49:40.000
<v Speaker 1>or whatever. So Dwayne and company are trying to like

0:49:40.040 --> 0:49:42.600
<v Speaker 1>push the envelope as far as doing authentic storytelling. So

0:49:42.680 --> 0:49:45.120
<v Speaker 1>for one issue, a static Shock is around the teams

0:49:45.160 --> 0:49:47.719
<v Speaker 1>like sixteen or somewhere around there. There's a cover which

0:49:47.760 --> 0:49:50.160
<v Speaker 1>has Static on the couch making out with his girlfriend.

0:49:50.239 --> 0:49:52.960
<v Speaker 1>Oh yeah, so pretty much it's like it's like it's

0:49:53.000 --> 0:49:54.520
<v Speaker 1>nothing like to or scared whatever. They both have their

0:49:54.520 --> 0:49:56.719
<v Speaker 1>clothes on, but they're like making out. And then there's

0:49:56.719 --> 0:50:00.080
<v Speaker 1>also some condoms nearby whatever, because they're gonna be intimate whatever. Oh.

0:50:00.239 --> 0:50:02.759
<v Speaker 1>The head of DC at this time shuts it down.

0:50:02.840 --> 0:50:04.440
<v Speaker 1>He's like, look, no, you can't do this. And then

0:50:04.560 --> 0:50:06.600
<v Speaker 1>Dwayne is like, no, we can't do this. We're our

0:50:06.640 --> 0:50:08.759
<v Speaker 1>own company. I'm that or in chieved. We need to

0:50:08.800 --> 0:50:10.520
<v Speaker 1>go and do this. He's like, not only that, yo,

0:50:10.600 --> 0:50:12.480
<v Speaker 1>but if we look in the history of comics, you've

0:50:12.520 --> 0:50:15.120
<v Speaker 1>had way more risque covers. Like there's a cover She's like,

0:50:15.239 --> 0:50:16.960
<v Speaker 1>I got all that stuff trolled off or whatever. It's

0:50:16.960 --> 0:50:19.160
<v Speaker 1>like it looks almost like a Playboy cover. So Dwayne's like,

0:50:19.360 --> 0:50:22.440
<v Speaker 1>we're doing something lay more tamed. That you're intimidated by this,

0:50:22.520 --> 0:50:23.920
<v Speaker 1>and he writes a letter to him is pretty much

0:50:23.960 --> 0:50:27.120
<v Speaker 1>saying like, um, because it's African American characters or whatnot,

0:50:27.160 --> 0:50:29.800
<v Speaker 1>and there's some racist behind this choice and whatnot. So

0:50:30.160 --> 0:50:33.080
<v Speaker 1>DC says, no, you're not doing it, um and give

0:50:33.080 --> 0:50:35.880
<v Speaker 1>the whole reason because news stands have quotes of Etiqueta

0:50:35.880 --> 0:50:37.759
<v Speaker 1>blah blah blah. So instead they do a close up

0:50:37.800 --> 0:50:39.239
<v Speaker 1>with them just kissing and put like a little heart

0:50:39.280 --> 0:50:42.320
<v Speaker 1>around it. But in the back Dwayne puts that editorial

0:50:42.560 --> 0:50:44.000
<v Speaker 1>where he could cause it all the reason why we

0:50:44.040 --> 0:50:47.000
<v Speaker 1>couldn't do this, And he doesn't quote for radim call

0:50:47.120 --> 0:50:49.279
<v Speaker 1>the head of DC at that time racist. He says

0:50:49.400 --> 0:50:51.560
<v Speaker 1>this was a racist act. And after that the head

0:50:51.600 --> 0:50:53.640
<v Speaker 1>of d C is like, oh no no. And then

0:50:53.719 --> 0:50:55.880
<v Speaker 1>ever since then they just had the solid relationship. So

0:50:56.000 --> 0:50:58.200
<v Speaker 1>they ended up having against Duyne steps down as editor

0:50:58.239 --> 0:51:00.560
<v Speaker 1>in chief. Then it's Talent takes over editor in chief.

0:51:00.760 --> 0:51:02.600
<v Speaker 1>But then then his coln's like, look, I'm done with this.

0:51:03.000 --> 0:51:05.279
<v Speaker 1>He leaves, go start like Bowtown comments or something like

0:51:05.280 --> 0:51:07.840
<v Speaker 1>that the other creator, and then Dwayne comes back in.

0:51:08.080 --> 0:51:10.279
<v Speaker 1>But at that point Dennis has left and it's never

0:51:10.320 --> 0:51:12.680
<v Speaker 1>been the same. Oh so that kind of was the

0:51:12.800 --> 0:51:17.560
<v Speaker 1>main kind of shaking things up in a possible do

0:51:17.600 --> 0:51:19.640
<v Speaker 1>you think about the times like this is what nine

0:51:19.800 --> 0:51:24.239
<v Speaker 1>four ninety five? Uh, the idea that like safe sex

0:51:24.400 --> 0:51:30.839
<v Speaker 1>was pretty aid society at this PLC because they had

0:51:30.880 --> 0:51:37.520
<v Speaker 1>the big condom Yeah when that album came out. Um,

0:51:38.480 --> 0:51:41.359
<v Speaker 1>so yeah, it's just over a box of condoms, bro.

0:51:44.000 --> 0:51:46.000
<v Speaker 1>Especially like you mentioned at the time, like people learning

0:51:46.000 --> 0:51:48.520
<v Speaker 1>about AIDS is actually practicing stef sex. Like if anything,

0:51:48.640 --> 0:51:50.560
<v Speaker 1>that's a really dope ad right there. Yeah, it's just

0:51:50.600 --> 0:51:52.480
<v Speaker 1>saying like okay, be intimate because you're going to do it,

0:51:52.520 --> 0:51:54.360
<v Speaker 1>but it's like be safe as you do it, and

0:51:54.440 --> 0:51:56.400
<v Speaker 1>it's like really smart, being authentic and again like the

0:51:56.440 --> 0:51:58.200
<v Speaker 1>only point out back. Then you compare it to like

0:51:58.239 --> 0:51:59.919
<v Speaker 1>any of those other characters they were putting on covers,

0:51:59.960 --> 0:52:03.120
<v Speaker 1>like half naked are usually caucages, which blade there you go,

0:52:03.320 --> 0:52:04.959
<v Speaker 1>like no one had a problem with. But like, because

0:52:05.000 --> 0:52:07.200
<v Speaker 1>we do with a couple of characters of color, everyone

0:52:07.239 --> 0:52:08.960
<v Speaker 1>gets up on arms. I mean you can. I mean

0:52:09.040 --> 0:52:12.279
<v Speaker 1>that's kind of been a weird uh thing that's even

0:52:12.360 --> 0:52:15.719
<v Speaker 1>been in media is how you know black love is

0:52:15.840 --> 0:52:19.839
<v Speaker 1>displayed like you never get to see it really kind

0:52:19.880 --> 0:52:23.120
<v Speaker 1>of shown, you know, until like shows like Insecure, show

0:52:23.239 --> 0:52:31.480
<v Speaker 1>My Man Lawrence getting in that day. We were a

0:52:32.080 --> 0:52:36.440
<v Speaker 1>mess after that, like what the hell? But I think

0:52:36.520 --> 0:52:38.520
<v Speaker 1>about that too, because I just finished season two of

0:52:38.560 --> 0:52:42.759
<v Speaker 1>Altered Carbon, which I hardly recommend um. But I don't

0:52:42.880 --> 0:52:45.320
<v Speaker 1>think I had ever seen Anthony Mackie as love interest

0:52:45.920 --> 0:52:48.919
<v Speaker 1>is always a very kind of de sexualized military hero,

0:52:49.680 --> 0:52:52.480
<v Speaker 1>specifically in his larger preexterus, specifically stuff he's done with Marvel,

0:52:52.520 --> 0:52:54.480
<v Speaker 1>which you know, maybe we'll see a change on Disney Plus,

0:52:54.560 --> 0:52:59.440
<v Speaker 1>but maybe not. He is great rings all the chemistry, um,

0:52:59.760 --> 0:53:01.400
<v Speaker 1>and the thing we see with a lot of characters

0:53:01.440 --> 0:53:03.600
<v Speaker 1>like if you're not like a Michael B. Jordan type

0:53:03.600 --> 0:53:06.280
<v Speaker 1>where you're pretty much specifically sold on your sex appeal.

0:53:06.800 --> 0:53:08.440
<v Speaker 1>Until he started producing his own work and out he's

0:53:08.480 --> 0:53:10.719
<v Speaker 1>kind of getting into these more serious projects a lot

0:53:10.760 --> 0:53:14.640
<v Speaker 1>of times. Yeah, we're not allowed to be uh sexual

0:53:14.840 --> 0:53:17.480
<v Speaker 1>or even I would say like romantic, and it's again

0:53:17.520 --> 0:53:19.800
<v Speaker 1>a little bit frustrating, and why I always encourage you

0:53:19.840 --> 0:53:22.759
<v Speaker 1>to just find more color creators of color so we

0:53:22.800 --> 0:53:25.200
<v Speaker 1>can avoid these kind of traps. It also speaks to

0:53:25.280 --> 0:53:27.200
<v Speaker 1>like watch some of the properties that come on the past,

0:53:27.280 --> 0:53:29.480
<v Speaker 1>like Last for so Long, like Living Single at Martin,

0:53:29.520 --> 0:53:32.120
<v Speaker 1>which represent positive like ways of like black love. And

0:53:32.200 --> 0:53:34.239
<v Speaker 1>the reason why like even today, like I teach high

0:53:34.280 --> 0:53:36.440
<v Speaker 1>school English and my kids still talk about Martin to

0:53:36.480 --> 0:53:39.160
<v Speaker 1>Living Singles, like why are you watching this? That's the

0:53:39.160 --> 0:53:41.160
<v Speaker 1>reason why is because this is their representation happening on

0:53:41.200 --> 0:53:43.799
<v Speaker 1>screen for them, and it's not being done in enough places. Yeah,

0:53:43.960 --> 0:53:48.320
<v Speaker 1>absolutely definitely. Um, but yeah, well, well we'll start. So

0:53:48.520 --> 0:53:51.360
<v Speaker 1>he does kind of get good with DC because he

0:53:51.440 --> 0:53:55.239
<v Speaker 1>starts doing their animation, right. Yeah, this is early two thousands,

0:53:55.360 --> 0:53:59.000
<v Speaker 1>so it's been about four or five years post the

0:53:59.080 --> 0:54:01.880
<v Speaker 1>comic breakup to you, when he starts entering DC Animation

0:54:01.920 --> 0:54:04.600
<v Speaker 1>to work on first Static Shock, then Justice League and

0:54:04.640 --> 0:54:08.040
<v Speaker 1>then Justice League Unlimited. What what was interesting is like

0:54:08.080 --> 0:54:11.160
<v Speaker 1>I always felt his you know, Static was definitely the

0:54:11.239 --> 0:54:15.320
<v Speaker 1>first for me of that duffy energy. But like, I

0:54:15.440 --> 0:54:18.240
<v Speaker 1>have one thing I didn't really notice that that definitely

0:54:18.360 --> 0:54:21.680
<v Speaker 1>is his probably huge handprint was the fact that with

0:54:21.920 --> 0:54:27.320
<v Speaker 1>Justice League, we got um, John Um Stewart, John Stewart

0:54:27.480 --> 0:54:32.000
<v Speaker 1>instead of Hal Jordan's. How Jordan's is DC can't get

0:54:32.160 --> 0:54:34.680
<v Speaker 1>enough of Hal Jordan's And he was like, no, We're

0:54:34.680 --> 0:54:38.480
<v Speaker 1>doing Jon Stewart. What a choice? Like, what a decision

0:54:38.560 --> 0:54:40.560
<v Speaker 1>to give us John Stewart, Because John Stewart had a

0:54:40.800 --> 0:54:44.040
<v Speaker 1>very fundamental impact on me as a child, Like this

0:54:44.200 --> 0:54:46.759
<v Speaker 1>idea of getting to see how do you how do

0:54:46.800 --> 0:54:49.080
<v Speaker 1>you even like describe like John Stewarts a soldier who

0:54:49.239 --> 0:54:51.840
<v Speaker 1>isn't necessarily interested in following orders, like he's he's a

0:54:51.960 --> 0:54:55.160
<v Speaker 1>thinking soldier, which I think is again often rare for

0:54:55.280 --> 0:54:58.279
<v Speaker 1>black characters, specifically if we're looking in that time period. Um.

0:54:58.480 --> 0:55:00.359
<v Speaker 1>But then also on top of that, like he has

0:55:00.600 --> 0:55:05.000
<v Speaker 1>one of the great romances I stay like, oh my gosh,

0:55:05.400 --> 0:55:08.439
<v Speaker 1>Green Lantern and Hawk Girl are like my favorite DC

0:55:08.600 --> 0:55:12.400
<v Speaker 1>couple period, hands down, Like I stand them so hard

0:55:12.840 --> 0:55:15.320
<v Speaker 1>even though, And what's really crazy is we may definitely

0:55:15.320 --> 0:55:18.440
<v Speaker 1>made me be like I know that your cheated girlfriend

0:55:18.520 --> 0:55:21.880
<v Speaker 1>is right there and she looks amazing, but can you

0:55:21.920 --> 0:55:24.600
<v Speaker 1>please go back with Hawk Girl? Like that is nuts.

0:55:24.640 --> 0:55:26.319
<v Speaker 1>Who would ever thought like a white lady over black?

0:55:26.400 --> 0:55:29.759
<v Speaker 1>Not me? But really, I said that relationship so hard

0:55:29.800 --> 0:55:32.759
<v Speaker 1>because because we may definitely wrote it real well, um,

0:55:33.080 --> 0:55:35.440
<v Speaker 1>because all of these characters got to be fully fleshed

0:55:35.440 --> 0:55:37.640
<v Speaker 1>out human beings because despite the fact that they were

0:55:37.719 --> 0:55:40.160
<v Speaker 1>writing a children's show, they wanted to make a show

0:55:40.239 --> 0:55:42.759
<v Speaker 1>that spoke to legitimately all ages. And I think it's

0:55:42.760 --> 0:55:45.840
<v Speaker 1>something that comic books does better than probably any other medium,

0:55:46.360 --> 0:55:49.600
<v Speaker 1>is the examine, like we don't need to dissect our

0:55:49.840 --> 0:55:52.880
<v Speaker 1>material for different age groups, like this is literally for

0:55:53.120 --> 0:55:55.279
<v Speaker 1>all ages can come and enjoy something in this story.

0:55:55.600 --> 0:55:57.480
<v Speaker 1>You cannot be left out. It's not too mature and

0:55:57.560 --> 0:56:00.160
<v Speaker 1>beyond your years. And they do it beautifully and and

0:56:00.480 --> 0:56:02.920
<v Speaker 1>support it really well. And John Stewart is a huge part.

0:56:03.000 --> 0:56:05.359
<v Speaker 1>On top of that, he gives the Martian man Hunter,

0:56:05.719 --> 0:56:09.400
<v Speaker 1>who also like Icon is an alien came to planet

0:56:09.440 --> 0:56:11.839
<v Speaker 1>Earth and chose to live his life as a black man.

0:56:12.239 --> 0:56:14.880
<v Speaker 1>Shoot his day floor is me because he was doing it,

0:56:15.040 --> 0:56:18.399
<v Speaker 1>like you know, pre two thousand's choosing to live walk

0:56:18.480 --> 0:56:21.560
<v Speaker 1>down the street as a black Eye felt uncomfortable. A

0:56:21.640 --> 0:56:26.919
<v Speaker 1>nice little icon nod that's really like Icon and Rocket

0:56:27.000 --> 0:56:29.800
<v Speaker 1>come in Justice League Unlimited. That's where I first see Rocket,

0:56:29.880 --> 0:56:32.760
<v Speaker 1>and I just there's he's able to imbue these characters

0:56:33.239 --> 0:56:36.640
<v Speaker 1>so well and make they felt like DC originals, you

0:56:36.719 --> 0:56:38.399
<v Speaker 1>know what I mean. And I think that's also again

0:56:38.440 --> 0:56:41.160
<v Speaker 1>speaks to his knowledge of just comic book and comic

0:56:41.239 --> 0:56:44.000
<v Speaker 1>book characters that it doesn't feel like a lot of

0:56:44.040 --> 0:56:46.680
<v Speaker 1>times I think when people create characters, you're like, I

0:56:46.800 --> 0:56:49.239
<v Speaker 1>see a lot of you in this, and there's not

0:56:49.640 --> 0:56:51.840
<v Speaker 1>necessarily something wrong with that, but it does take away

0:56:51.920 --> 0:56:54.800
<v Speaker 1>from your suspension of disbelief. So for these characters to

0:56:54.880 --> 0:56:58.000
<v Speaker 1>come into the DC world and outside of the dakodea

0:56:58.120 --> 0:57:02.360
<v Speaker 1>Verse and male Old and become fully functioning members of

0:57:02.480 --> 0:57:06.160
<v Speaker 1>Team Justice League, like, I needed it, and I couldn't

0:57:06.200 --> 0:57:07.839
<v Speaker 1>have been aware that I needed it at the time,

0:57:07.920 --> 0:57:10.440
<v Speaker 1>but I'm so glad that I had it. Yeah, you know,

0:57:10.520 --> 0:57:12.120
<v Speaker 1>he's so smart with doing it and it was cool.

0:57:12.160 --> 0:57:14.400
<v Speaker 1>Is he always does like undercover, like you said, been

0:57:14.440 --> 0:57:17.080
<v Speaker 1>that bit of icon and everything. Um, but I'm sorry,

0:57:17.080 --> 0:57:19.440
<v Speaker 1>go ahead, no, no, no, I'm listening. I was gonna say,

0:57:19.440 --> 0:57:20.720
<v Speaker 1>because like one of the cool things that he did

0:57:20.880 --> 0:57:23.320
<v Speaker 1>was on because the icon the book. People don't know

0:57:23.360 --> 0:57:25.320
<v Speaker 1>this all the time, but like, like so he's doing

0:57:25.360 --> 0:57:27.040
<v Speaker 1>that first like twelve is you run right and you

0:57:27.160 --> 0:57:29.120
<v Speaker 1>meet Rocket. It was like Rockets like break into his house.

0:57:29.160 --> 0:57:30.640
<v Speaker 1>She does all the stuff. She's like, you need to

0:57:30.640 --> 0:57:32.000
<v Speaker 1>be a hero, you need to do this, this and this,

0:57:32.240 --> 0:57:34.040
<v Speaker 1>and that's when you actually get some starts getting involved

0:57:34.120 --> 0:57:35.560
<v Speaker 1>or not. And then he gives her the bell. She

0:57:35.600 --> 0:57:36.880
<v Speaker 1>becomes a hero or not. But then she gets the

0:57:36.920 --> 0:57:38.720
<v Speaker 1>whole story and she gets pregnant and like does all

0:57:38.760 --> 0:57:41.000
<v Speaker 1>these things. But what people don't realize is that Loki,

0:57:41.080 --> 0:57:42.960
<v Speaker 1>if you look back at that book, Rocket is the

0:57:43.080 --> 0:57:45.960
<v Speaker 1>actual progressive force of that book. And so Dennis Colwin

0:57:46.000 --> 0:57:47.440
<v Speaker 1>gave it um this like talk one time in my

0:57:47.440 --> 0:57:49.280
<v Speaker 1>comic shop. He explained to was like, like, no, the

0:57:49.320 --> 0:57:51.919
<v Speaker 1>main character icon was Rocket because like people just didn't

0:57:51.920 --> 0:57:54.240
<v Speaker 1>realize it. But we couldn't put Rocket on the cover

0:57:54.360 --> 0:57:56.200
<v Speaker 1>and to sell this black woman lead book. So we

0:57:56.280 --> 0:57:59.000
<v Speaker 1>tricked everybody and by having to be Icon, everyone's reading

0:57:59.040 --> 0:58:01.120
<v Speaker 1>this Superman as book, but actually make characters Rocket this

0:58:01.160 --> 0:58:04.120
<v Speaker 1>all time the covers of that comic book, it's very

0:58:04.160 --> 0:58:10.360
<v Speaker 1>frequently Icon standing behind Rocket. Oh my god, don't think

0:58:10.360 --> 0:58:11.920
<v Speaker 1>about Dyne and all those guys. When they were doing this,

0:58:11.960 --> 0:58:14.000
<v Speaker 1>they just realized that, like, if you put diversity in

0:58:14.000 --> 0:58:16.160
<v Speaker 1>people's faces, they'll go against it, but if you do

0:58:16.240 --> 0:58:18.520
<v Speaker 1>a subvertly, people go along with it. Because the way

0:58:18.560 --> 0:58:19.840
<v Speaker 1>you talk about that later on when he wrote on

0:58:19.960 --> 0:58:23.240
<v Speaker 1>Justice League, um bocking around with two thousand nine ten

0:58:23.600 --> 0:58:25.640
<v Speaker 1>and so he so pretty much when he got on

0:58:25.680 --> 0:58:27.200
<v Speaker 1>the book, he doesn't get choice of choose was on

0:58:27.240 --> 0:58:29.440
<v Speaker 1>the team. They give him the established team, and so

0:58:29.560 --> 0:58:31.160
<v Speaker 1>one of the three characters they end up giving him

0:58:31.160 --> 0:58:36.360
<v Speaker 1>more Vixing Firestorm and it's a third black hairt I

0:58:36.400 --> 0:58:38.200
<v Speaker 1>can't think I think he did this. John Stewart, who's

0:58:38.240 --> 0:58:39.680
<v Speaker 1>on that team. He doesn't get a choice in this.

0:58:40.040 --> 0:58:41.640
<v Speaker 1>But when they do it, though, all of a sudden,

0:58:41.840 --> 0:58:44.480
<v Speaker 1>the fan base ghost nuts. They're like mcdufy's making the

0:58:44.560 --> 0:58:47.520
<v Speaker 1>Justice League and all this kind of stuff. And he

0:58:47.600 --> 0:58:52.280
<v Speaker 1>was like, I didn't even choose the Dame and it's

0:58:52.320 --> 0:58:54.920
<v Speaker 1>like and even talks about it, and like he even explains,

0:58:54.960 --> 0:58:56.320
<v Speaker 1>like I had my choice, like I would have put

0:58:56.360 --> 0:58:58.080
<v Speaker 1>other people on the team. It's like, I'm right, listen,

0:58:58.080 --> 0:59:00.400
<v Speaker 1>they won't even let me write Superman, Batman, One Woman.

0:59:00.520 --> 0:59:01.960
<v Speaker 1>They're not even the team that they're giving me, so

0:59:02.080 --> 0:59:04.480
<v Speaker 1>like come on, and so yeah, it's kind of shows

0:59:04.480 --> 0:59:06.400
<v Speaker 1>that again, like we subvert with it. You can actually

0:59:06.440 --> 0:59:07.960
<v Speaker 1>tell a lot of great storylines, but if you travel

0:59:07.960 --> 0:59:10.320
<v Speaker 1>with things and people's faces, they'll be very resistant. Lot,

0:59:10.880 --> 0:59:12.960
<v Speaker 1>it's a wild We pulled a couple of clips to

0:59:13.120 --> 0:59:16.640
<v Speaker 1>kind of showcase the writing style of Dwayne McDuffie. The

0:59:16.720 --> 0:59:21.600
<v Speaker 1>first one is from Justice League Flashpoint. It's from season one.

0:59:21.640 --> 0:59:24.400
<v Speaker 1>If you guys haven't checked out, uh Justice League, or

0:59:24.400 --> 0:59:26.200
<v Speaker 1>if that's new to you or it's been a minute,

0:59:26.480 --> 0:59:29.520
<v Speaker 1>I cannot like encourage you enough to go back and look,

0:59:29.640 --> 0:59:32.640
<v Speaker 1>he did the Brave of the Bold episode Star Crossed

0:59:33.080 --> 0:59:35.520
<v Speaker 1>and Destroyer, And I think what Dwayne does better than

0:59:35.560 --> 0:59:37.760
<v Speaker 1>most is he found a way to invigorate a lot

0:59:37.840 --> 0:59:41.760
<v Speaker 1>of the old popular storylines and make them fresh and news.

0:59:41.800 --> 0:59:44.560
<v Speaker 1>So let's here. This is a political debate that the

0:59:44.640 --> 0:59:46.800
<v Speaker 1>team is having deciding on how they're going to stop

0:59:46.880 --> 0:59:49.960
<v Speaker 1>lex Luther from flash point. I don't remember asking you

0:59:50.080 --> 0:59:53.320
<v Speaker 1>for your opinion. No, how about when you guys hijacked

0:59:53.360 --> 0:59:55.600
<v Speaker 1>me up here against my will and maybe join this team?

0:59:56.200 --> 0:59:58.640
<v Speaker 1>Batman said, I was supposed to keep you guys honest.

0:59:59.040 --> 1:00:01.800
<v Speaker 1>Do I look like a man to you? Actually a

1:00:01.960 --> 1:00:04.560
<v Speaker 1>kind of do, especially when you're all scaly like that.

1:00:06.600 --> 1:00:09.000
<v Speaker 1>We can't let Cadmus get away with it. No one's

1:00:09.040 --> 1:00:11.800
<v Speaker 1>saying we should, but we have to keep a cool head.

1:00:12.360 --> 1:00:16.200
<v Speaker 1>Do you know what they did to me? Kid Hambleton's

1:00:16.200 --> 1:00:19.400
<v Speaker 1>a piece of garbage and Luthor's worse. But this isn't

1:00:19.440 --> 1:00:21.960
<v Speaker 1>the way to stop them. We must also consider the

1:00:22.000 --> 1:00:24.360
<v Speaker 1>possibility that Cadmus is right to be afraid of us,

1:00:25.480 --> 1:00:28.920
<v Speaker 1>and there is strong evidence of Cadmus having legitimate connections

1:00:29.000 --> 1:00:31.959
<v Speaker 1>to the government, maybe to some rogue black ops group.

1:00:32.080 --> 1:00:35.120
<v Speaker 1>The real government wouldn't get involved in anything like this. Hey,

1:00:35.600 --> 1:00:37.840
<v Speaker 1>I'm the only guy in the room who doesn't have superpowers.

1:00:38.040 --> 1:00:40.640
<v Speaker 1>And let me tell you, you guys scare me. What

1:00:40.760 --> 1:00:42.960
<v Speaker 1>if you do decide to go marching down there taking

1:00:43.000 --> 1:00:45.280
<v Speaker 1>care of whoever you think is guilty, who could stop

1:00:45.360 --> 1:00:48.040
<v Speaker 1>you me? So you want the government to have a

1:00:48.120 --> 1:00:51.280
<v Speaker 1>bunch of superhuman weapons just to keep us in check. No,

1:00:52.440 --> 1:00:55.800
<v Speaker 1>I don't know. Yeah, the guys are hearing in that

1:00:55.880 --> 1:01:00.560
<v Speaker 1>cliff that's Green Lantern, Superman, Martian, Man, Hunters, Supergirl, and

1:01:00.640 --> 1:01:03.480
<v Speaker 1>the Flash, thank you. Uh, And they're basically trying to decide, like,

1:01:03.680 --> 1:01:06.360
<v Speaker 1>are we going to just go down to Earth and

1:01:06.440 --> 1:01:08.280
<v Speaker 1>take care of business as we do with superheroes. They

1:01:08.280 --> 1:01:10.920
<v Speaker 1>don't have a directive, there's nobody deciding who can and

1:01:11.000 --> 1:01:13.840
<v Speaker 1>cannot go on certain missions. They just sort of decide

1:01:13.880 --> 1:01:15.640
<v Speaker 1>in the moment, and they're like, listen, we know Lex

1:01:15.720 --> 1:01:18.080
<v Speaker 1>Luther's doing some shadow stuff. We know Cadmus is out

1:01:18.120 --> 1:01:22.320
<v Speaker 1>here testing Superman's DNA, creating people that can go out

1:01:22.360 --> 1:01:25.160
<v Speaker 1>there and cause additional harm with our faces. With our DNA,

1:01:25.800 --> 1:01:28.440
<v Speaker 1>we can go down and stop them. And basically the

1:01:28.560 --> 1:01:32.240
<v Speaker 1>Flash and Green Arrow are basically like, yo, y'all got

1:01:32.360 --> 1:01:35.760
<v Speaker 1>a chill. We can't just be out here causing a

1:01:35.880 --> 1:01:37.720
<v Speaker 1>fight or we could be seen as the bad guys.

1:01:37.760 --> 1:01:40.200
<v Speaker 1>People have a right to be terrified of you guys. Specifically,

1:01:40.480 --> 1:01:44.040
<v Speaker 1>you have superhuman powers. A missile could maybe stop you,

1:01:44.200 --> 1:01:46.000
<v Speaker 1>not Superman. There's nothing we can do to stop you.

1:01:46.080 --> 1:01:48.720
<v Speaker 1>If you decided to go rogue. And it's those kinds

1:01:48.720 --> 1:01:52.080
<v Speaker 1>of conversations which will occasionally happen in comic books here there,

1:01:52.160 --> 1:01:55.400
<v Speaker 1>that are the fundamental forefront of how Dwayne McDuffie approached

1:01:55.520 --> 1:01:58.800
<v Speaker 1>comic book storytelling, because he really took the idea of

1:01:58.880 --> 1:02:01.080
<v Speaker 1>like with great power, where it comes great responsibility to

1:02:01.240 --> 1:02:04.200
<v Speaker 1>its degree, and applied it very frequently to all of

1:02:04.320 --> 1:02:06.760
<v Speaker 1>his characters and made him ask what are you doing

1:02:06.840 --> 1:02:09.120
<v Speaker 1>with your time, with your life here? How are you

1:02:09.200 --> 1:02:12.840
<v Speaker 1>impacting others? That was at the forefront of his writing style,

1:02:12.880 --> 1:02:15.439
<v Speaker 1>and I really appreciate the way that he often gave

1:02:15.520 --> 1:02:18.640
<v Speaker 1>that to black folks. There's a um if we had

1:02:18.680 --> 1:02:21.040
<v Speaker 1>time to pull infinite clips, I would have. There's an

1:02:21.080 --> 1:02:26.920
<v Speaker 1>episode of um uh Justice League where John Stewart is

1:02:27.000 --> 1:02:30.600
<v Speaker 1>on Earth walking around in like his old neighborhood, and

1:02:30.640 --> 1:02:33.840
<v Speaker 1>this old black guy basically calls him out and he's like, listen,

1:02:33.880 --> 1:02:35.520
<v Speaker 1>I know you out there with all the little superheroes

1:02:35.760 --> 1:02:37.320
<v Speaker 1>find off aliens and stuff. He's like, but you ain't

1:02:37.400 --> 1:02:39.200
<v Speaker 1>been around this block in a long time, and you

1:02:39.280 --> 1:02:41.600
<v Speaker 1>ain't been helping your people in this space in a

1:02:41.680 --> 1:02:44.120
<v Speaker 1>long time. So you go out and go, you know,

1:02:44.240 --> 1:02:46.520
<v Speaker 1>save the whole world or whatever. But we're still here,

1:02:46.560 --> 1:02:49.120
<v Speaker 1>we're still hurting, we're still suffering, and you've forgotten about us.

1:02:49.160 --> 1:02:52.080
<v Speaker 1>And to do a check on a black guy like

1:02:52.320 --> 1:02:56.240
<v Speaker 1>that again in a children's cartoon impacted me. It's like

1:02:56.360 --> 1:02:58.480
<v Speaker 1>I was like ten or eleven watching this and being

1:02:58.560 --> 1:03:00.880
<v Speaker 1>like man growing up it a very like an all

1:03:00.960 --> 1:03:04.040
<v Speaker 1>white school district essentially, you know, wonder thing like how

1:03:04.120 --> 1:03:07.440
<v Speaker 1>am I not connecting to my community at this time?

1:03:07.480 --> 1:03:08.640
<v Speaker 1>And how do I get back? And how do I

1:03:08.720 --> 1:03:11.200
<v Speaker 1>do that in a way that is you know, impactful,

1:03:11.240 --> 1:03:13.560
<v Speaker 1>and it is important. And I think by posing those

1:03:13.640 --> 1:03:16.800
<v Speaker 1>questions to children that oftentimes as we grow up, those

1:03:16.840 --> 1:03:18.720
<v Speaker 1>are the things that we reflect back on and then

1:03:18.800 --> 1:03:20.720
<v Speaker 1>and and and carry us and may help us make

1:03:20.760 --> 1:03:23.360
<v Speaker 1>our decisions and how we want to react in the world. Gosh,

1:03:23.480 --> 1:03:27.160
<v Speaker 1>Doamy Duffie seriously, he's just is that just a shame

1:03:27.200 --> 1:03:28.480
<v Speaker 1>that we lost him. It's a shame we don't have

1:03:28.560 --> 1:03:31.040
<v Speaker 1>more of him, versions of him out there making comic

1:03:31.040 --> 1:03:34.280
<v Speaker 1>books right now. I'm trying. I'm trying. We are all

1:03:34.320 --> 1:03:37.520
<v Speaker 1>out here. It's not for a lack of black creators.

1:03:37.640 --> 1:03:41.120
<v Speaker 1>It's not a lack of black creators. It's financially, So

1:03:41.320 --> 1:03:43.840
<v Speaker 1>it's a it's a huge struggle to make good art

1:03:44.560 --> 1:03:47.439
<v Speaker 1>when you don't have the cash flow and when people

1:03:47.480 --> 1:03:49.680
<v Speaker 1>want to constantly question and second guess what it is

1:03:49.800 --> 1:03:52.080
<v Speaker 1>you're creating in the first place. Yeah, and like you said,

1:03:52.080 --> 1:03:54.160
<v Speaker 1>it's like this opportunity because there's a lot of like

1:03:54.320 --> 1:03:56.280
<v Speaker 1>dope creators out there who are creating these books. And

1:03:56.280 --> 1:03:57.840
<v Speaker 1>when I were telling you this a mazing stories. You

1:03:57.880 --> 1:03:59.720
<v Speaker 1>can go to any artist Sally at comic con and

1:03:59.760 --> 1:04:02.120
<v Speaker 1>real like wherever you're gonna see our faces. But the problem,

1:04:02.160 --> 1:04:04.720
<v Speaker 1>lizzos that we're publishers backing us, so we don't get

1:04:04.760 --> 1:04:07.400
<v Speaker 1>that natural distribution or whatnot. Like without a publisher, I'm

1:04:07.400 --> 1:04:08.760
<v Speaker 1>not sure how far can get The black Man's got

1:04:08.840 --> 1:04:10.520
<v Speaker 1>to getting pulled over. But if I had that with me,

1:04:10.600 --> 1:04:12.360
<v Speaker 1>then I can put that in every comic shop across

1:04:12.360 --> 1:04:14.480
<v Speaker 1>the country. So you're exactly right, we have that funding,

1:04:14.520 --> 1:04:16.960
<v Speaker 1>we have the opportunity at least like these amazing things

1:04:17.280 --> 1:04:19.120
<v Speaker 1>and was dope. It is like that storyline low key

1:04:19.200 --> 1:04:20.800
<v Speaker 1>influence comics. I want to say what fro almost like

1:04:20.800 --> 1:04:23.000
<v Speaker 1>the next ten years because in that like one clip

1:04:23.120 --> 1:04:24.800
<v Speaker 1>right there is a kid I remember watching They're like

1:04:25.120 --> 1:04:27.080
<v Speaker 1>what no, the hero should do with the heroes want

1:04:27.120 --> 1:04:28.800
<v Speaker 1>to do? And then I saw a man of steel.

1:04:28.800 --> 1:04:32.040
<v Speaker 1>I was like, no, they need accountability, they need accountability. No, no,

1:04:32.200 --> 1:04:36.200
<v Speaker 1>no no. But what's crazy is that drops around like

1:04:36.200 --> 1:04:38.040
<v Speaker 1>two thousands. But then what happens around two thousand five

1:04:38.320 --> 1:04:40.400
<v Speaker 1>six step seven? We get the Civil War star line

1:04:40.400 --> 1:04:43.200
<v Speaker 1>and Marvel Comics, which is just emulating that, and it's

1:04:43.240 --> 1:04:45.560
<v Speaker 1>that whole thing about like super responsibility. And then we

1:04:45.600 --> 1:04:47.120
<v Speaker 1>see that in other like books of what was going

1:04:47.160 --> 1:04:49.040
<v Speaker 1>for like next in the year. So like, you're exactly

1:04:49.120 --> 1:04:50.640
<v Speaker 1>right that one little bit of writing he did on

1:04:50.680 --> 1:04:53.000
<v Speaker 1>this animation that's so a dope, that's so conting said

1:04:53.040 --> 1:04:54.360
<v Speaker 1>of like the Patriot Act and all the things that

1:04:54.360 --> 1:04:56.200
<v Speaker 1>are actually happening in the government. He was able to

1:04:56.240 --> 1:04:58.040
<v Speaker 1>stretch that and people were in the room with that

1:04:58.080 --> 1:05:00.360
<v Speaker 1>and like helping influence comics for the next decade. Yeah,

1:05:01.400 --> 1:05:05.280
<v Speaker 1>do you want to play this last clip? Ye? John

1:05:05.360 --> 1:05:09.000
<v Speaker 1>picked this? What you want to cue it up? Okay?

1:05:09.040 --> 1:05:12.040
<v Speaker 1>So um, going back Batman Beyond Batman be honest an

1:05:12.040 --> 1:05:13.920
<v Speaker 1>amazing series. But the problem it is so sadly enough,

1:05:14.080 --> 1:05:16.280
<v Speaker 1>it never got a season finale, never got that sind off,

1:05:16.480 --> 1:05:18.720
<v Speaker 1>so Dwayne's like, oh no, I got this because I

1:05:18.760 --> 1:05:20.840
<v Speaker 1>think when he worked on Just League, he did sixty

1:05:20.920 --> 1:05:22.560
<v Speaker 1>of the ninety episodes, he's one every single one of

1:05:22.560 --> 1:05:24.600
<v Speaker 1>the most. So he's like, we're gonna do for Batman.

1:05:24.720 --> 1:05:27.760
<v Speaker 1>In this epilogue, here Amanda waller um is explained how

1:05:27.800 --> 1:05:31.200
<v Speaker 1>she's actually created Terry McGinnis the Batman, beyond about how

1:05:31.320 --> 1:05:33.640
<v Speaker 1>he's actually like a clone of Batman, and she begins

1:05:33.680 --> 1:05:36.280
<v Speaker 1>explaining why we need a Batman in today's world. Stop

1:05:36.400 --> 1:05:39.160
<v Speaker 1>me if you've heard it before. You're eight years old.

1:05:39.600 --> 1:05:42.959
<v Speaker 1>Your parents have just taken you to a rousing adventure film.

1:05:44.560 --> 1:05:49.560
<v Speaker 1>A grand time is had by all, but unknown to you,

1:05:51.040 --> 1:05:55.520
<v Speaker 1>a mysterious figure heights in the shadows. My plan was simple.

1:05:56.160 --> 1:05:58.640
<v Speaker 1>The killer would leap out at you, would kill your family.

1:06:00.240 --> 1:06:03.040
<v Speaker 1>The trauma would put you on the path to becoming Batman.

1:06:05.400 --> 1:06:11.320
<v Speaker 1>One problem, my assassin wouldn't pull the trigger. I argued

1:06:11.360 --> 1:06:14.120
<v Speaker 1>with her, but deep down I knew she was right.

1:06:14.760 --> 1:06:18.440
<v Speaker 1>People say Batman is obsessive, that he'd do anything to

1:06:18.520 --> 1:06:25.040
<v Speaker 1>achieve his goals, but he'd never resort to murder. So

1:06:25.240 --> 1:06:29.880
<v Speaker 1>if I was to honor all he stood for, neither

1:06:30.000 --> 1:06:34.560
<v Speaker 1>could I. And yet my dad wound up murdered anyway.

1:06:35.200 --> 1:06:37.760
<v Speaker 1>Don't you get it? No matter what you did or

1:06:37.840 --> 1:06:39.600
<v Speaker 1>didn't do, I was going to end up being Bruce's

1:06:39.680 --> 1:06:43.920
<v Speaker 1>carbon copy. Was fate. You know. The Lord has been

1:06:43.960 --> 1:06:46.960
<v Speaker 1>a great comfort to me all these years. Try not

1:06:47.080 --> 1:06:50.560
<v Speaker 1>to look so surprised. Yeah, I've got a lot to

1:06:50.600 --> 1:06:52.920
<v Speaker 1>answer for when I meet him, But I'd like to

1:06:53.000 --> 1:06:56.200
<v Speaker 1>believe that for all the harm I've caused, I've also

1:06:56.320 --> 1:06:59.760
<v Speaker 1>done some good. Maybe the angels need a sharp sword

1:06:59.800 --> 1:07:03.480
<v Speaker 1>to like A good book says, He moves in mysterious ways.

1:07:04.160 --> 1:07:08.400
<v Speaker 1>His plan is a mystery. But here's what Isn't he

1:07:08.600 --> 1:07:13.800
<v Speaker 1>gave us free Will we choose our own fate for

1:07:14.080 --> 1:07:19.320
<v Speaker 1>good or ill. I've known Bruce Wayne for over fifty years,

1:07:19.600 --> 1:07:22.320
<v Speaker 1>and I've been keeping an eye on you your whole life.

1:07:23.040 --> 1:07:28.120
<v Speaker 1>You're not Bruce's clone, you're his son. There are similarities,

1:07:28.200 --> 1:07:32.200
<v Speaker 1>mind you, but more than a few differences too. You

1:07:32.320 --> 1:07:36.360
<v Speaker 1>don't quite have his magnificent brain, for instance. You do

1:07:36.520 --> 1:07:40.040
<v Speaker 1>have his heart, though, and for all that fierce exterior,

1:07:40.120 --> 1:07:42.560
<v Speaker 1>I've never met anyone who cared as deeply about his

1:07:42.680 --> 1:07:49.439
<v Speaker 1>fellow man as Bruce Wayne, except maybe you. You want

1:07:49.480 --> 1:07:51.840
<v Speaker 1>to have a little better life than the old man's.

1:07:53.000 --> 1:07:56.760
<v Speaker 1>Take care of the people who love you or don't,

1:07:57.880 --> 1:08:02.720
<v Speaker 1>it's your choice. I've had my whole life, and having

1:08:02.760 --> 1:08:05.480
<v Speaker 1>a fat Amanda Waller walking around putting fingers in Batman's

1:08:05.480 --> 1:08:07.080
<v Speaker 1>face telling him this is how the game plan is

1:08:07.080 --> 1:08:10.280
<v Speaker 1>gonna work was inspirational. And I think a huge part

1:08:10.520 --> 1:08:12.560
<v Speaker 1>of what made her awesome was that that Dwayne mcduvie,

1:08:12.720 --> 1:08:14.680
<v Speaker 1>and I'll give props the Gail Simone too, we're back

1:08:14.720 --> 1:08:17.240
<v Speaker 1>there writing her, structuring her in such a way that

1:08:17.360 --> 1:08:19.840
<v Speaker 1>made her uh an epic forced to be reckoned with.

1:08:20.000 --> 1:08:22.920
<v Speaker 1>She knew Bruce Wayne's identity and she was not afraid

1:08:22.960 --> 1:08:25.200
<v Speaker 1>to use it against him. But I think what we

1:08:25.320 --> 1:08:29.240
<v Speaker 1>just heard, like this whole breakdown first of psychological analysis

1:08:29.280 --> 1:08:31.879
<v Speaker 1>of Batman, which is maybe one of the most fascinating

1:08:31.960 --> 1:08:37.040
<v Speaker 1>characters in the American canon, to um pivoting to how

1:08:37.120 --> 1:08:41.800
<v Speaker 1>that's going to continue beyond him, and viewing morality uh

1:08:41.960 --> 1:08:47.400
<v Speaker 1>and uh mortality smoothly in a way again accessible to

1:08:47.520 --> 1:08:51.719
<v Speaker 1>all ages, to all people across demographics, like the power

1:08:51.800 --> 1:08:55.080
<v Speaker 1>of McDuffie. It's just and if you watch that episode.

1:08:55.240 --> 1:08:58.599
<v Speaker 1>In the end, uh, Terry goes back to Bruce's mansion

1:08:59.120 --> 1:09:01.599
<v Speaker 1>and Bruce is struggling to open a bottle of pills

1:09:01.680 --> 1:09:03.400
<v Speaker 1>as he's like lecturing him about like can you tell

1:09:03.439 --> 1:09:05.559
<v Speaker 1>me where you go? And like I'm worried about Gotham.

1:09:05.600 --> 1:09:07.519
<v Speaker 1>I'm trying to coordinate. He's like, listen, old man, I'm

1:09:07.520 --> 1:09:09.200
<v Speaker 1>gonna open your pills and let me go see Superman

1:09:09.200 --> 1:09:12.200
<v Speaker 1>about whatever this business is. I got you, like take

1:09:12.240 --> 1:09:15.160
<v Speaker 1>a nap. You're my dad. And it's just, oh my gosh,

1:09:15.560 --> 1:09:18.720
<v Speaker 1>it's so beautiful. I really I'm glad you picked this

1:09:18.800 --> 1:09:21.679
<v Speaker 1>one job. No problem because like no problem that you're playing,

1:09:21.680 --> 1:09:24.120
<v Speaker 1>because honestly, for me, it's like it kind of shows

1:09:24.160 --> 1:09:26.200
<v Speaker 1>how dope Batman is, and it shows how well do

1:09:26.280 --> 1:09:29.320
<v Speaker 1>I understood the characters, because for Batman, it's not the money,

1:09:29.400 --> 1:09:31.479
<v Speaker 1>it's not the guy. That's not the ninja training that

1:09:31.560 --> 1:09:34.599
<v Speaker 1>does help, But it's just empathy his Emyothy, the way

1:09:34.640 --> 1:09:36.519
<v Speaker 1>he cares about his fellow man. That says some power

1:09:36.520 --> 1:09:38.920
<v Speaker 1>from like from everyone and um. And again it shows

1:09:38.960 --> 1:09:41.040
<v Speaker 1>what Terry is Terris everything is so strong, dislike him.

1:09:41.240 --> 1:09:42.320
<v Speaker 1>And what I like it as well is that it

1:09:42.360 --> 1:09:44.120
<v Speaker 1>shows that Terry goes on a different path because it

1:09:44.200 --> 1:09:45.880
<v Speaker 1>writes that he goes and he's trying to go meet

1:09:45.880 --> 1:09:48.559
<v Speaker 1>with a superman and everything. He's also got a wedding ring.

1:09:49.040 --> 1:09:50.680
<v Speaker 1>He's like, I want to do what Bruce didn't do.

1:09:50.840 --> 1:09:52.840
<v Speaker 1>I'm gonna value my family, want to keep his acutally going.

1:09:52.880 --> 1:09:54.519
<v Speaker 1>I'm gonna like value the people that I have, and

1:09:54.560 --> 1:09:56.559
<v Speaker 1>I push everyone away. And it just kind of shows

1:09:56.640 --> 1:10:02.000
<v Speaker 1>how like McDuffie understood character growth and how characters need evolved. Yeah,

1:10:02.400 --> 1:10:04.840
<v Speaker 1>McDuffie said the part of his goal was to make

1:10:05.320 --> 1:10:09.679
<v Speaker 1>black characters applicable to young white kids, not the idea

1:10:09.800 --> 1:10:12.360
<v Speaker 1>that like you necessarily connect with him, but just that

1:10:12.680 --> 1:10:15.960
<v Speaker 1>that a black man could be your superman as well. Um.

1:10:16.400 --> 1:10:18.479
<v Speaker 1>And so while scrolling through Twitter after I had doing

1:10:18.479 --> 1:10:21.320
<v Speaker 1>a lot of research on this, I found this adorable tweet. Um,

1:10:21.520 --> 1:10:24.599
<v Speaker 1>I'm gonna give proper credit. It's from rand bat at

1:10:24.760 --> 1:10:27.880
<v Speaker 1>rand bot Um and the tweet says, fourth grade at

1:10:27.960 --> 1:10:31.559
<v Speaker 1>Dexter's School does a living wax museum for Black History Month.

1:10:31.920 --> 1:10:34.600
<v Speaker 1>This guy was between McDuffie. It's a white kid with

1:10:34.760 --> 1:10:37.920
<v Speaker 1>Dwayne's um, what you call us a goatee like drawn

1:10:38.000 --> 1:10:40.880
<v Speaker 1>on and the thick glasses and like a static shock

1:10:41.000 --> 1:10:44.080
<v Speaker 1>t shirt on. There's no black face here. This is

1:10:44.120 --> 1:10:47.200
<v Speaker 1>just a kid who wants to like give props to

1:10:47.240 --> 1:10:50.840
<v Speaker 1>Dweyne McDuffie, whose favorite superhero is Static Shock. And I

1:10:50.920 --> 1:10:53.360
<v Speaker 1>think if you go to Hans and Things, you constantly

1:10:53.400 --> 1:10:56.880
<v Speaker 1>see the static jacket because it's sick um and I

1:10:57.200 --> 1:10:59.840
<v Speaker 1>it's if we had to lose him, if he's not

1:11:00.040 --> 1:11:04.240
<v Speaker 1>here anymore, it's awesome that his legacy endures to this

1:11:04.439 --> 1:11:08.960
<v Speaker 1>next generation and beyond um perhaps to McDuffie for giving

1:11:09.040 --> 1:11:12.040
<v Speaker 1>us so much. Well, yeah, that that's kind of what

1:11:12.120 --> 1:11:16.240
<v Speaker 1>I wanted to use, uh for you know, there for

1:11:16.520 --> 1:11:18.720
<v Speaker 1>the you know, usually at this point we're discussed like

1:11:18.760 --> 1:11:20.720
<v Speaker 1>the future and the future and all this, but I

1:11:20.800 --> 1:11:22.920
<v Speaker 1>think the future is and something we're going to talk about.

1:11:23.280 --> 1:11:25.960
<v Speaker 1>It's a future that you, the listener, are going to

1:11:26.040 --> 1:11:28.640
<v Speaker 1>show us to all the people of color, to all

1:11:28.760 --> 1:11:31.519
<v Speaker 1>even white people. I don't not even exclude y'all, but

1:11:31.600 --> 1:11:34.560
<v Speaker 1>to all the writers and creators who are listening to

1:11:34.720 --> 1:11:37.920
<v Speaker 1>this episode right now. The future of Dwayne McDuffie lives

1:11:37.960 --> 1:11:40.280
<v Speaker 1>inside you. Or what are you doing to push the

1:11:40.400 --> 1:11:45.040
<v Speaker 1>envelope to be more accessible, to shine light on people

1:11:45.080 --> 1:11:47.400
<v Speaker 1>who might be sitting in the shade. What are you

1:11:47.560 --> 1:11:51.840
<v Speaker 1>creating to uh introduce to the world people who might

1:11:51.920 --> 1:11:53.920
<v Speaker 1>not be seen as much. And I do think that

1:11:54.160 --> 1:11:57.320
<v Speaker 1>can live within anyone listening, no matter the color of

1:11:57.400 --> 1:12:00.960
<v Speaker 1>your skin, whether it be through LGBT you a plus,

1:12:01.800 --> 1:12:05.160
<v Speaker 1>whether it be through disabled, whether it be through any

1:12:05.400 --> 1:12:09.559
<v Speaker 1>type of afflictions that might uh you know be around

1:12:09.640 --> 1:12:13.080
<v Speaker 1>you or you know you yourself might be dealing with.

1:12:13.600 --> 1:12:17.479
<v Speaker 1>You have the power to shine light and to raise

1:12:17.479 --> 1:12:20.439
<v Speaker 1>awareness of it. Uh. It's just at the end of

1:12:20.600 --> 1:12:24.559
<v Speaker 1>your pen. And with that, you know, uh, where can

1:12:24.600 --> 1:12:27.679
<v Speaker 1>people find you? Johnny? What what? What is there you'd

1:12:27.720 --> 1:12:29.920
<v Speaker 1>like to plug? You can find me at Johnny P

1:12:30.080 --> 1:12:32.840
<v Speaker 1>three on three on my Patreon and Instagram and Twitter. Um,

1:12:33.040 --> 1:12:34.799
<v Speaker 1>I'll be doing a kickstarter for one of my series

1:12:34.920 --> 1:12:37.320
<v Speaker 1>and may called Broken. It's a video game animey adventure.

1:12:37.720 --> 1:12:40.800
<v Speaker 1>It's like Smash Brothers Melee meets Pokemon. It's super double

1:12:40.880 --> 1:12:44.519
<v Speaker 1>super Thank you um and then you can form a Patreon.

1:12:44.560 --> 1:12:45.760
<v Speaker 1>You can find me a Johny p thro one through

1:12:45.760 --> 1:12:48.400
<v Speaker 1>Instagram and Twitter. And I also on a wrestling podcast

1:12:48.720 --> 1:12:51.760
<v Speaker 1>for that that hashtag show called t HS Wrestling. We

1:12:51.880 --> 1:12:53.960
<v Speaker 1>do a show every Sunday night, so come watch me.

1:12:54.360 --> 1:12:56.920
<v Speaker 1>My co host Nisa and John Um and we gotta

1:12:57.000 --> 1:13:01.439
<v Speaker 1>go through and talk about all good things wrestling every week. Yeah,

1:13:01.600 --> 1:13:05.360
<v Speaker 1>I'm all over the internet at Joel Monique and for

1:13:05.479 --> 1:13:07.960
<v Speaker 1>the next three four weeks over at who shot you

1:13:08.120 --> 1:13:10.800
<v Speaker 1>taking over? If he's positioned there filming for everybody. It's

1:13:10.800 --> 1:13:17.360
<v Speaker 1>a good time, appreciated, a lot of knowledge. Yeah, and

1:13:17.479 --> 1:13:19.679
<v Speaker 1>you know me. If you wide away on Twitter and Instagram.

1:13:19.800 --> 1:13:22.679
<v Speaker 1>If d's on Twitch, watch super Punch every night Monday

1:13:22.720 --> 1:13:26.080
<v Speaker 1>through third Monday through Thursday, where I host at eleven

1:13:26.120 --> 1:13:31.880
<v Speaker 1>pm Eastern eight pm Pacific time. The discord is Discord

1:13:32.200 --> 1:13:36.519
<v Speaker 1>dot che Che Forward slash, uh Salt Squad. We have

1:13:36.560 --> 1:13:39.800
<v Speaker 1>an anime club. Now we're watching Black Lagoon, uh so

1:13:40.240 --> 1:13:43.720
<v Speaker 1>tune in for that and uh last but certainly not

1:13:44.000 --> 1:13:47.040
<v Speaker 1>leaks t public dot com, Forward slash and are difficent

1:13:47.120 --> 1:13:50.400
<v Speaker 1>for all your mercy goodness, pull up and let us

1:13:50.920 --> 1:13:54.040
<v Speaker 1>make you look good and like we always end every episode,

1:13:54.640 --> 1:13:55.160
<v Speaker 1>Stay Nerd,