1 00:00:00,280 --> 00:00:02,840 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,160 --> 00:00:09,880 Speaker 1: It's ready. Are you welcome to stuff Mom Never told you? 3 00:00:10,080 --> 00:00:18,120 Speaker 1: From housetop Works dot Com. Hello, and welcome to the podcast. 4 00:00:18,200 --> 00:00:21,800 Speaker 1: I'm Caroline and I'm Kristen. Kristen, You and I talked 5 00:00:21,920 --> 00:00:25,919 Speaker 1: on our TV episode not too long ago about some 6 00:00:26,040 --> 00:00:29,360 Speaker 1: of the female characters, female writers, the fact that there 7 00:00:29,360 --> 00:00:31,720 Speaker 1: were more women on TV. Yes, and this is a 8 00:00:31,720 --> 00:00:35,640 Speaker 1: good thing. Yeah. And one name that came up that 9 00:00:35,720 --> 00:00:42,000 Speaker 1: it's still in the the media a lot is Zoe Decanal. Yes. 10 00:00:42,600 --> 00:00:45,280 Speaker 1: And one reason that she's still circulating in the media 11 00:00:45,320 --> 00:00:49,840 Speaker 1: a lot, Well, it's because the New Girl did great. Sure, Yes, 12 00:00:50,000 --> 00:00:53,240 Speaker 1: it's doing very well. It was renewed for a second season. 13 00:00:53,600 --> 00:00:59,160 Speaker 1: And also because it reignited this conversation that started in 14 00:00:59,240 --> 00:01:05,960 Speaker 1: two thousands seven about a film and TV trope referred 15 00:01:05,959 --> 00:01:09,800 Speaker 1: to as Manic Pixie dream Girls. Yeah. I bet a 16 00:01:09,800 --> 00:01:11,560 Speaker 1: lot of you are rolling your eyes right now. If 17 00:01:11,560 --> 00:01:13,600 Speaker 1: you know what it is. You know what it is 18 00:01:13,640 --> 00:01:15,920 Speaker 1: if you search. It's kind of funny to do a 19 00:01:15,959 --> 00:01:18,560 Speaker 1: search for Mani Pixie dream Girl because you can tell 20 00:01:19,080 --> 00:01:22,080 Speaker 1: there's a an internet debate going on. People are either 21 00:01:22,200 --> 00:01:25,480 Speaker 1: very angry or defensive or hateful or whatever. And so 22 00:01:25,600 --> 00:01:28,240 Speaker 1: some of those titles that pop up, Why are manic 23 00:01:28,240 --> 00:01:31,520 Speaker 1: Pixie dream girls getting dumber? I'm afraid I'm a manic 24 00:01:31,520 --> 00:01:34,679 Speaker 1: Pixie dream girl. Manic Pixie dreamgirls are the scourge of 25 00:01:34,720 --> 00:01:38,119 Speaker 1: modern cinema just as a as a few examples. Yeah, 26 00:01:38,160 --> 00:01:42,440 Speaker 1: that's coming from the Gloss Exo, Jane and Jezebel, respectively. 27 00:01:42,520 --> 00:01:46,280 Speaker 1: So from those three we I'm sensing a little negativity. 28 00:01:46,760 --> 00:01:49,480 Speaker 1: There's there is a little, but I mean, what's to 29 00:01:49,600 --> 00:01:52,880 Speaker 1: hate this is? This is a character to get into it, 30 00:01:52,920 --> 00:01:56,680 Speaker 1: who is Basically she's bubbling. She's happy, Yeah, what could 31 00:01:56,720 --> 00:02:00,240 Speaker 1: be wrong with She has diverse interests that tends or 32 00:02:00,480 --> 00:02:07,160 Speaker 1: the artsy. She tends to listen to vinyl records and 33 00:02:07,560 --> 00:02:11,920 Speaker 1: indie rock music. Now I sound like my mom the 34 00:02:12,040 --> 00:02:15,679 Speaker 1: kids in their wraps. Yeah, she probably has some nice 35 00:02:15,800 --> 00:02:21,320 Speaker 1: vintage threads. Yeah. Well. The term was actually coined by 36 00:02:21,360 --> 00:02:23,919 Speaker 1: a V Clubs Nathan Rabin in two thousand and seven 37 00:02:24,200 --> 00:02:29,200 Speaker 1: to describe Kirsten Dunce's quirky female love interest character in Elizabethtown, 38 00:02:29,680 --> 00:02:32,720 Speaker 1: which that movie itself has also garnered a lot of 39 00:02:33,280 --> 00:02:37,000 Speaker 1: um anti praise on the internet. It's terrible. If you 40 00:02:37,080 --> 00:02:39,480 Speaker 1: haven't seen it, I don't recommend that you see it, 41 00:02:39,680 --> 00:02:41,960 Speaker 1: because I don't I would not want to be responsible 42 00:02:42,040 --> 00:02:45,520 Speaker 1: for that hundred minutes of your life gone exactly. And 43 00:02:45,560 --> 00:02:47,520 Speaker 1: so the whole thing is, you know, Kirsten Dunst is 44 00:02:47,520 --> 00:02:52,079 Speaker 1: this bubbly little flight attendant and she takes uh Orlando Bloom, 45 00:02:52,160 --> 00:02:54,520 Speaker 1: That's who it is. That the guy who's depressed and 46 00:02:54,560 --> 00:02:57,120 Speaker 1: things are going terribly for him, and all this terrible 47 00:02:57,120 --> 00:03:00,120 Speaker 1: stuff keeps happening, and she comes along and brightens his 48 00:03:00,200 --> 00:03:03,480 Speaker 1: day and changes his whole life and sends him on 49 00:03:03,919 --> 00:03:07,040 Speaker 1: uh well spoiler alert sends him on this road trip 50 00:03:07,400 --> 00:03:11,240 Speaker 1: that is perfectly timed with a mixtape that she created, 51 00:03:11,320 --> 00:03:15,119 Speaker 1: which to me is just creepy because at that point 52 00:03:15,160 --> 00:03:17,400 Speaker 1: in the movie, she's known the guy for like a 53 00:03:17,440 --> 00:03:22,720 Speaker 1: week or something, and yet she is She's orchestrated this 54 00:03:22,760 --> 00:03:25,600 Speaker 1: whole thing. And I gotta say, I mean, like Kristen Dunce, 55 00:03:25,639 --> 00:03:29,040 Speaker 1: it's nothing against her her acting abilities, like I I 56 00:03:29,160 --> 00:03:33,800 Speaker 1: enjoy her generally on film, and Kirsten Dunce in Elizabethtown 57 00:03:34,440 --> 00:03:38,120 Speaker 1: is different, I would say, than this whole thing that 58 00:03:38,280 --> 00:03:42,000 Speaker 1: is morphed into the uh manic Pixie dream Girl that 59 00:03:42,040 --> 00:03:46,960 Speaker 1: we hear about a lot with Zoe and similar characters, 60 00:03:47,560 --> 00:03:53,640 Speaker 1: and alongside the manic Pixie dream Girl is is that 61 00:03:54,040 --> 00:03:57,520 Speaker 1: down and out guy? You know? The The arrival of 62 00:03:57,560 --> 00:04:00,440 Speaker 1: the manic Pixie dream Girl is usually precede it by 63 00:04:00,480 --> 00:04:03,720 Speaker 1: some kind of close up of him in bed but 64 00:04:03,800 --> 00:04:07,760 Speaker 1: yet with bags under his eyes indicating sleeplessness or substance abuse, 65 00:04:08,160 --> 00:04:12,240 Speaker 1: or a montage of his life slowly falling apart and 66 00:04:12,360 --> 00:04:18,080 Speaker 1: his his clothing becoming more and more disheveled. Yeah, exactly, 67 00:04:18,200 --> 00:04:21,320 Speaker 1: And then you know a little burst of pixie dust 68 00:04:21,680 --> 00:04:27,920 Speaker 1: arrives on the screen exactly, just like a muppet or something. Um. Yeah, Raven. 69 00:04:28,160 --> 00:04:31,360 Speaker 1: His definition for this character is basically that she exists 70 00:04:31,440 --> 00:04:35,240 Speaker 1: solely in the fevered imaginations of sensitive writer directors to 71 00:04:35,279 --> 00:04:38,960 Speaker 1: teach brooding, lee soulful young men to embrace life and 72 00:04:39,000 --> 00:04:44,080 Speaker 1: its infinite mysteries and adventures. Or, as Anita sarkasan at 73 00:04:44,120 --> 00:04:46,880 Speaker 1: feminist frequency puts it, she is a shining beacon of 74 00:04:47,000 --> 00:04:50,480 Speaker 1: childlike joy that will rejuvenate our fallen hero. And that 75 00:04:50,520 --> 00:04:54,599 Speaker 1: sounds great, Yeah, but what about her? Yeah, well, she'll 76 00:04:54,640 --> 00:04:57,479 Speaker 1: just she'll flit her away on some wings that she's 77 00:04:57,520 --> 00:05:01,960 Speaker 1: crafted out of tool and glitter. Nice. Yeah, that's the thing. 78 00:05:02,040 --> 00:05:06,200 Speaker 1: She she just falls by the wayside because she doesn't 79 00:05:06,200 --> 00:05:09,560 Speaker 1: really matter at the end. It's really the transformation of 80 00:05:09,920 --> 00:05:14,040 Speaker 1: the male hero who was almost always straight, almost always white. 81 00:05:14,160 --> 00:05:16,160 Speaker 1: Same thing. And we'll talk about race in a minute. 82 00:05:16,480 --> 00:05:19,520 Speaker 1: Uh man a pixie dream girl, a very cookie cutter 83 00:05:19,600 --> 00:05:23,880 Speaker 1: kind of white character too. Um. And in addition to 84 00:05:24,400 --> 00:05:29,880 Speaker 1: elizabethtown uh and Zey d in The New Girl, a 85 00:05:30,000 --> 00:05:32,679 Speaker 1: five days of something Yeah, really five hundred days of summer. 86 00:05:32,720 --> 00:05:35,440 Speaker 1: I don't I don't know, I've I gotta say I 87 00:05:35,520 --> 00:05:37,680 Speaker 1: have seen every episode of The New Girl. I am 88 00:05:37,720 --> 00:05:39,800 Speaker 1: a closet. Now out of the closet, I just came 89 00:05:39,839 --> 00:05:43,120 Speaker 1: out fan as a fan of this is quite that's 90 00:05:43,200 --> 00:05:44,880 Speaker 1: quite a change for me or attitude when we talked 91 00:05:44,880 --> 00:05:47,480 Speaker 1: about the TV show back on our TV episode. Yeah, 92 00:05:47,520 --> 00:05:51,680 Speaker 1: I mean partially it is my lust over her glasses, 93 00:05:52,040 --> 00:05:55,520 Speaker 1: which is great. Um, but no, I find it enjoyable. 94 00:05:55,560 --> 00:05:59,839 Speaker 1: And there's actually one episode where she's confronted by Lizzie Capelan, 95 00:05:59,839 --> 00:06:04,200 Speaker 1: who plays more serious female character, about being so girly 96 00:06:04,839 --> 00:06:07,120 Speaker 1: and She's just like, what this is who I am. 97 00:06:07,160 --> 00:06:10,080 Speaker 1: I've always liked being crafty and cute. See, and it 98 00:06:10,080 --> 00:06:12,320 Speaker 1: doesn't mean that I'm stupid. And that's part of the argument. 99 00:06:12,360 --> 00:06:14,640 Speaker 1: That's a lot of the debate going on online. I 100 00:06:14,680 --> 00:06:17,159 Speaker 1: feel like, is you have these people who are saying, 101 00:06:17,320 --> 00:06:20,520 Speaker 1: you're grown up woman, You're talking about kiddies and cupcakes. 102 00:06:20,560 --> 00:06:22,640 Speaker 1: I'm not going to listen to you. But then there's 103 00:06:22,640 --> 00:06:24,520 Speaker 1: this other group of women saying, like, so what if 104 00:06:24,560 --> 00:06:27,080 Speaker 1: I'm girly, that doesn't take away my power. But then 105 00:06:27,120 --> 00:06:30,839 Speaker 1: there's that third little middle argument that says, Okay, you 106 00:06:30,880 --> 00:06:33,680 Speaker 1: like cupcakes, but did you like cupcakes before this whole 107 00:06:33,680 --> 00:06:37,840 Speaker 1: trend came along in pop culture? So yeah? Um, and 108 00:06:38,279 --> 00:06:41,160 Speaker 1: just quickly to name, I guess a couple more movies 109 00:06:41,240 --> 00:06:47,080 Speaker 1: just pops up in Garden State Natalie Portman's character and that, uh, 110 00:06:47,160 --> 00:06:50,160 Speaker 1: you have going back. The A V Club also did 111 00:06:50,360 --> 00:06:53,000 Speaker 1: a post on I think it's fifteen or sixteen movies 112 00:06:53,040 --> 00:06:56,400 Speaker 1: featuring this trope, and they even cite Annie Hall as 113 00:06:56,400 --> 00:06:59,360 Speaker 1: a manic pixie dream girl bringing up baby with Katherine 114 00:06:59,360 --> 00:07:03,520 Speaker 1: hepper Up saying that it goes way way back. But um, 115 00:07:03,520 --> 00:07:06,800 Speaker 1: in that Gloss article that you mentioned, why are MP 116 00:07:07,040 --> 00:07:10,440 Speaker 1: d g s and getting dumber? Um? They say that 117 00:07:11,120 --> 00:07:15,200 Speaker 1: from Katherine Hepburn down to Zoe. She's become she's lost 118 00:07:15,200 --> 00:07:18,600 Speaker 1: her agency. Yeah, she's kind of become a caricature of 119 00:07:18,760 --> 00:07:24,080 Speaker 1: a of a carefree, fun loving, independent, strong female down 120 00:07:24,120 --> 00:07:28,360 Speaker 1: to somebody who stinks when she's nervous and bakes cupcakes, 121 00:07:28,400 --> 00:07:31,200 Speaker 1: which not that there's anything wrong with that. Yeah, I 122 00:07:31,280 --> 00:07:33,800 Speaker 1: like cupcakes. I do too, shoot man, just because I 123 00:07:33,800 --> 00:07:37,680 Speaker 1: don't bake them. But if I if I had more time. Yeah. 124 00:07:37,680 --> 00:07:42,280 Speaker 1: As New York Magazine pointed out in September, um there's 125 00:07:42,320 --> 00:07:46,520 Speaker 1: also grumbling about all here heroines of the past, people 126 00:07:46,600 --> 00:07:50,280 Speaker 1: like went On a writer and Parker Posey, who were 127 00:07:50,600 --> 00:07:54,080 Speaker 1: had the same quirk um, but they had more of 128 00:07:54,120 --> 00:07:57,520 Speaker 1: an edge to them. They might have left by the 129 00:07:57,600 --> 00:07:59,560 Speaker 1: end of the movie because they just wanted to, not 130 00:07:59,640 --> 00:08:05,960 Speaker 1: because they they poofed into a glitter bomb. Left that 131 00:08:06,080 --> 00:08:08,240 Speaker 1: sulfs like such a mess. Once you get glitter on, 132 00:08:08,280 --> 00:08:10,880 Speaker 1: you can never get it off everywhere. Yeah, I mean, 133 00:08:10,920 --> 00:08:14,880 Speaker 1: it's possible that, um, Zoe Additional's character and other Manic 134 00:08:14,880 --> 00:08:17,480 Speaker 1: Pixie dream girls could just irritate the heck out of 135 00:08:17,520 --> 00:08:21,400 Speaker 1: somebody with all their like sweetness and everything. But you know, 136 00:08:21,480 --> 00:08:24,600 Speaker 1: I think that maybe the argument that they're very flat, 137 00:08:24,640 --> 00:08:28,480 Speaker 1: two dimensional characters is not always warranted. Yeah, I mean, 138 00:08:28,800 --> 00:08:32,120 Speaker 1: and I think that Zoe de Chanelle herself would agree 139 00:08:32,160 --> 00:08:34,960 Speaker 1: with you Caroline on that point. She said at one 140 00:08:35,000 --> 00:08:38,960 Speaker 1: point quote that people equate being girly with being non threatening. 141 00:08:39,240 --> 00:08:41,880 Speaker 1: I mean, I can't think of a more blatant example 142 00:08:41,920 --> 00:08:43,960 Speaker 1: of playing into exactly the thing that we're trying to 143 00:08:43,960 --> 00:08:47,040 Speaker 1: fight against. I can't be girly. I think the fact 144 00:08:47,120 --> 00:08:50,760 Speaker 1: that people are associating being girly with weakness that needs 145 00:08:50,800 --> 00:08:53,280 Speaker 1: to be examined. I don't think that it undermines my 146 00:08:53,400 --> 00:08:57,600 Speaker 1: power at all. Right, But then part of the argument 147 00:08:57,960 --> 00:08:59,840 Speaker 1: goes back to, Okay, well what are we doing with 148 00:09:00,040 --> 00:09:02,080 Speaker 1: this power? And what are we doing with this girlishness 149 00:09:02,120 --> 00:09:05,199 Speaker 1: and cuteness? Um over at the gloss. Jamie Peck back 150 00:09:05,240 --> 00:09:08,480 Speaker 1: in January said that she she actually hates the manic 151 00:09:08,520 --> 00:09:12,400 Speaker 1: Pixie dream girl because while this character, this woman has 152 00:09:12,480 --> 00:09:16,840 Speaker 1: some pretty amazing intentions behind her, some pretty amazing characteristics. 153 00:09:17,720 --> 00:09:20,800 Speaker 1: She those characteristics, like living life to the fullest, are 154 00:09:20,880 --> 00:09:25,040 Speaker 1: often made to seem trite and easily mocked. So uh, 155 00:09:25,040 --> 00:09:27,360 Speaker 1: Peck was saying, basically like, I share some of the 156 00:09:27,440 --> 00:09:30,960 Speaker 1: characteristics of this stereotype this trope, Like I have some 157 00:09:31,040 --> 00:09:36,240 Speaker 1: of the same freewheeling, care free, independent attitudes, but characters 158 00:09:36,320 --> 00:09:38,800 Speaker 1: like this, the media portrayal of women like this is 159 00:09:38,800 --> 00:09:42,440 Speaker 1: sort of ruining it for some of us, basically. Yeah, 160 00:09:42,440 --> 00:09:44,920 Speaker 1: And there's the whole concern too of like, well, are 161 00:09:44,960 --> 00:09:48,040 Speaker 1: we creating this message that men what men need are 162 00:09:48,280 --> 00:09:53,280 Speaker 1: our girls really, rather than more level headed women who 163 00:09:53,400 --> 00:09:55,960 Speaker 1: might not have the time or the desire to frolic 164 00:09:55,960 --> 00:09:59,160 Speaker 1: in a meadow, you know, exactly who might enjoy their 165 00:09:59,360 --> 00:10:04,960 Speaker 1: BlackBerry and cubicles more. Right, And the women versus girls 166 00:10:05,000 --> 00:10:07,520 Speaker 1: debate and what men want was brought up by Willipashkin 167 00:10:07,640 --> 00:10:10,880 Speaker 1: and The Vulture back in February, and she she said 168 00:10:10,920 --> 00:10:13,280 Speaker 1: that this whole thing does kind of shed light on 169 00:10:14,080 --> 00:10:17,920 Speaker 1: how women are choosing to portray themselves to men and 170 00:10:17,960 --> 00:10:20,040 Speaker 1: what they think men want. And so if there's this 171 00:10:20,080 --> 00:10:23,800 Speaker 1: whole cutesie, like, ah manic pixie, yeah, let's run in 172 00:10:23,840 --> 00:10:26,760 Speaker 1: the rain kind of thing, and they go for it 173 00:10:26,800 --> 00:10:30,199 Speaker 1: and they end up just looking like little girls. Yeah, 174 00:10:30,240 --> 00:10:34,760 Speaker 1: And it's also a very heteronormative, a white heteronormative trope 175 00:10:34,800 --> 00:10:38,640 Speaker 1: that I think gets to a lot of these feminist bloggers. Um, 176 00:10:38,720 --> 00:10:41,440 Speaker 1: and especially when it comes to that issue of race. 177 00:10:41,520 --> 00:10:44,679 Speaker 1: It's something that the blog Racial Isious has talked about. 178 00:10:44,920 --> 00:10:48,760 Speaker 1: For instance, blogger Timmy Winfrey Harris uh rote a post 179 00:10:49,040 --> 00:10:53,200 Speaker 1: called who is the Black Zoe de Chanal and Um. 180 00:10:53,280 --> 00:10:57,120 Speaker 1: She says that the persona of manic Pixie dream girl 181 00:10:57,200 --> 00:11:00,120 Speaker 1: is bound by class and race, and that it's just 182 00:11:00,240 --> 00:11:05,520 Speaker 1: this perpetual childhood and whiteness. She says, whereas Black women 183 00:11:05,679 --> 00:11:10,760 Speaker 1: might be portrayed like a boho Lisa Bonet or more 184 00:11:10,760 --> 00:11:14,640 Speaker 1: of the earth mother Erica bad Do, they're never carefree 185 00:11:14,679 --> 00:11:19,080 Speaker 1: and childish. Yeah. Harris points out that often in the media, 186 00:11:19,640 --> 00:11:24,960 Speaker 1: African American women can be strong women, aggressive women, promiscuous women, um, 187 00:11:25,080 --> 00:11:28,120 Speaker 1: but they're never They're never that saying like ha kittens 188 00:11:28,760 --> 00:11:31,719 Speaker 1: kind of portrayal. And she says even black girls are 189 00:11:31,720 --> 00:11:34,880 Speaker 1: too often viewed as worldly women and not innocent. Well, 190 00:11:34,920 --> 00:11:38,400 Speaker 1: and that's because a lot of times, Uh, African American 191 00:11:38,480 --> 00:11:41,920 Speaker 1: characters have tropes of their own that you're they're they're 192 00:11:42,000 --> 00:11:45,880 Speaker 1: used within movies to teach other people a lesson, they're 193 00:11:45,920 --> 00:11:48,920 Speaker 1: their own, you know, manic Pixie dream girls in their 194 00:11:48,920 --> 00:11:51,720 Speaker 1: own ways where you know you'll have a magical Morgan 195 00:11:51,760 --> 00:11:54,560 Speaker 1: Freeman come in and teach the stuck up white lady 196 00:11:54,559 --> 00:11:56,360 Speaker 1: a lesson about how she needs to loosen up a 197 00:11:56,400 --> 00:11:58,520 Speaker 1: little bit, and then he'll go and you'll appreciate her 198 00:11:58,559 --> 00:12:04,840 Speaker 1: transformation in did so. Since we talked about race, um, 199 00:12:04,920 --> 00:12:08,200 Speaker 1: you know how we don't see this trope reflected in 200 00:12:08,240 --> 00:12:13,120 Speaker 1: the same way, um from people of different colors and ethnicities. 201 00:12:13,679 --> 00:12:20,720 Speaker 1: What about gender? Where is the manic pixie dream guy? 202 00:12:21,240 --> 00:12:23,880 Speaker 1: Would the manic pixie dream guy be the same? Would 203 00:12:23,920 --> 00:12:27,000 Speaker 1: he come flitting in with his own color of glitter 204 00:12:27,400 --> 00:12:29,240 Speaker 1: and throw it at you and then kind of flit 205 00:12:29,280 --> 00:12:32,920 Speaker 1: her off and disappear after your transformation? Does it work 206 00:12:33,000 --> 00:12:37,079 Speaker 1: the same? It will? It's funny that U s there's 207 00:12:37,120 --> 00:12:39,800 Speaker 1: a post on nerve about this. They argue that an 208 00:12:39,800 --> 00:12:43,040 Speaker 1: audience would not want to see a woman left on 209 00:12:43,040 --> 00:12:45,040 Speaker 1: her own, that that would be more of a tragedy. 210 00:12:45,080 --> 00:12:48,040 Speaker 1: That even if a manic pixie dream guy like the 211 00:12:48,240 --> 00:12:52,040 Speaker 1: character in Under the Tuscan Sun who comes and revives 212 00:12:52,200 --> 00:12:56,640 Speaker 1: Diane Lane from her from her woes and breathed life 213 00:12:56,640 --> 00:13:00,520 Speaker 1: back into her body and soul, even though her alert 214 00:13:00,760 --> 00:13:03,360 Speaker 1: ends up, you know, not being with her in the movie, 215 00:13:03,840 --> 00:13:07,280 Speaker 1: we are still less satisfied. Because someone else comes along 216 00:13:07,320 --> 00:13:10,320 Speaker 1: to take that place, right, just when you think, right, 217 00:13:10,600 --> 00:13:13,920 Speaker 1: beautiful Italian Lane and her Tuscan villa. What a shame. 218 00:13:14,080 --> 00:13:16,280 Speaker 1: She has the magic guy who comes in and you know, 219 00:13:16,360 --> 00:13:18,840 Speaker 1: and takes care of her and gets her on her 220 00:13:18,840 --> 00:13:21,720 Speaker 1: way to taking care of herself. And then once she is, 221 00:13:22,040 --> 00:13:24,240 Speaker 1: you know, her own person, and she has someone else 222 00:13:24,280 --> 00:13:28,920 Speaker 1: to to enjoy being with for the rest of her life, 223 00:13:29,080 --> 00:13:34,160 Speaker 1: exactly for the rest of her life. But yeah, they 224 00:13:34,160 --> 00:13:38,880 Speaker 1: a nerve. They say that male free spiritedness is often 225 00:13:38,920 --> 00:13:41,000 Speaker 1: portrayed in a negative light and they say, I'm looking 226 00:13:41,040 --> 00:13:44,640 Speaker 1: at you, Don Draper, Yeah, because it's just not the same. Well, 227 00:13:44,640 --> 00:13:48,160 Speaker 1: it's the whole It goes to the whole dating logic 228 00:13:48,320 --> 00:13:50,880 Speaker 1: of you know, women not wanting to come across as 229 00:13:50,880 --> 00:13:53,320 Speaker 1: too needy. You know, the fastest way I mean, and 230 00:13:53,320 --> 00:13:58,480 Speaker 1: I'm and I'm quoting uh stereotype now, the fastest way 231 00:13:58,520 --> 00:14:00,120 Speaker 1: to to get a man to be attracted to you 232 00:14:00,240 --> 00:14:04,520 Speaker 1: is to be unavailable, you know, whereas UH men who 233 00:14:04,520 --> 00:14:06,360 Speaker 1: are free spirited, they're just gonna be bad boys and 234 00:14:06,320 --> 00:14:09,720 Speaker 1: they're gonna leave you and they're just gonna probably collect 235 00:14:09,800 --> 00:14:11,920 Speaker 1: lots of STDs and hurting you at the end of 236 00:14:11,920 --> 00:14:15,080 Speaker 1: the day. So, yeah, MANI Pixie dream guy would be 237 00:14:15,280 --> 00:14:17,480 Speaker 1: someone that you know, all of your friends would tell 238 00:14:17,520 --> 00:14:20,200 Speaker 1: you to stay away from. Probably, Yeah, who are the 239 00:14:20,240 --> 00:14:24,440 Speaker 1: Mani Pixie dream guys out there? Did you? Yes? I did? 240 00:14:24,760 --> 00:14:28,800 Speaker 1: How did it? Did he have glitter? Uh? No? Um, 241 00:14:28,840 --> 00:14:31,120 Speaker 1: although I remember one night and he ran into him 242 00:14:31,160 --> 00:14:35,080 Speaker 1: and his nails were painted. Uh. He was whimsical, you know, 243 00:14:35,520 --> 00:14:39,200 Speaker 1: and he he left as quickly as he came. So, 244 00:14:39,640 --> 00:14:43,920 Speaker 1: but it was the thing, is it? A months down 245 00:14:43,960 --> 00:14:47,600 Speaker 1: the line after the relationship, I realized that it did 246 00:14:47,760 --> 00:14:51,280 Speaker 1: sort of forced me to a point to where, um, 247 00:14:51,320 --> 00:14:54,800 Speaker 1: it did kind of make me and do some positive 248 00:14:54,840 --> 00:14:58,400 Speaker 1: things with myself beyond my normal scope. I'm not saying 249 00:14:58,400 --> 00:15:01,200 Speaker 1: he's necessarily the reason why, but uh, it was a 250 00:15:01,240 --> 00:15:04,840 Speaker 1: step along the way. Yeah. So there's been so much 251 00:15:05,320 --> 00:15:09,720 Speaker 1: made of this manic Pixie dream girl trope. Uh, and 252 00:15:09,920 --> 00:15:12,040 Speaker 1: we want to talk about it because the listener had 253 00:15:12,080 --> 00:15:14,480 Speaker 1: written in about it. But it's also been something that 254 00:15:14,520 --> 00:15:16,880 Speaker 1: I had wanted to explore. And I didn't realize that 255 00:15:16,920 --> 00:15:21,440 Speaker 1: the term has only been around since two thousand seven. 256 00:15:21,480 --> 00:15:24,080 Speaker 1: But my goodness, how much attention she has gotten. And 257 00:15:24,120 --> 00:15:26,640 Speaker 1: I wonder why she's gotten so much attention, and so 258 00:15:26,800 --> 00:15:32,840 Speaker 1: it's a cluster of contemporary films. Um, and yet she 259 00:15:32,920 --> 00:15:36,120 Speaker 1: arouses so much debate she does well. I mean, yeah, 260 00:15:36,360 --> 00:15:38,360 Speaker 1: you have to wonder what's going on in the writer's 261 00:15:38,360 --> 00:15:40,360 Speaker 1: minds that this is happening so much all of a sudden. 262 00:15:40,400 --> 00:15:42,840 Speaker 1: But I like the distinction that a lot of these 263 00:15:42,840 --> 00:15:47,040 Speaker 1: writers have drawn between characters like Zoey Deschanel and Natalie 264 00:15:47,080 --> 00:15:53,160 Speaker 1: Portman and um, Kate Winslet's character in uh Eternal Sension 265 00:15:53,160 --> 00:15:56,520 Speaker 1: of Spotless Mine, Yes, ma'am, because she is that dream girl. 266 00:15:56,600 --> 00:16:00,640 Speaker 1: She's kind of cooky and crazy and fun, but she's 267 00:16:00,760 --> 00:16:04,320 Speaker 1: portrayed as having real, actual problems, and so that's what 268 00:16:04,600 --> 00:16:07,640 Speaker 1: At Slate they pointed out that the difference between a 269 00:16:07,680 --> 00:16:11,480 Speaker 1: manic pixie dream girl and a just you know, independent 270 00:16:11,600 --> 00:16:15,360 Speaker 1: cookie female characters or kind of like kristin Wigan Bridesmaids, Right, 271 00:16:15,880 --> 00:16:18,720 Speaker 1: it's the sense that something's actually wrong with the manic 272 00:16:18,720 --> 00:16:23,360 Speaker 1: pixie dream girl. Yeah. Uh, I'll be interested to hear 273 00:16:23,600 --> 00:16:27,800 Speaker 1: from our listeners what what everyone thinks about it, whether 274 00:16:27,840 --> 00:16:30,120 Speaker 1: it's being you know, is it too big of a deal. 275 00:16:30,520 --> 00:16:34,920 Speaker 1: I mean, uh, Anita Sarkisian over feminist frequency links all 276 00:16:34,960 --> 00:16:38,800 Speaker 1: of this to the problem of the female muse. You know, 277 00:16:38,880 --> 00:16:41,560 Speaker 1: you think of Warhol, Dylan, Picasso, what are you all 278 00:16:41,600 --> 00:16:44,680 Speaker 1: and all of them of cited. You know, these female 279 00:16:44,760 --> 00:16:47,680 Speaker 1: muses in their life who are the inspiration for their 280 00:16:47,720 --> 00:16:50,440 Speaker 1: great art. And she says, you know, a manic pixie 281 00:16:50,520 --> 00:16:53,120 Speaker 1: dream Girls serves a similar thing with fictional characters too. 282 00:16:53,400 --> 00:16:57,080 Speaker 1: You know, there are way too um they're a cipher 283 00:16:57,440 --> 00:16:59,640 Speaker 1: to allow them to do great things with their lives. 284 00:16:59,640 --> 00:17:01,920 Speaker 1: And she takes issue with that because she says, well, 285 00:17:02,000 --> 00:17:04,119 Speaker 1: these women should be standing on their own. But at 286 00:17:04,119 --> 00:17:05,960 Speaker 1: the same time, I don't know, I think sometimes we 287 00:17:06,040 --> 00:17:10,600 Speaker 1: might be making too much of the um high waisted 288 00:17:10,680 --> 00:17:14,000 Speaker 1: dresses and cupcakes. Yeah, and also I think people need 289 00:17:14,040 --> 00:17:17,439 Speaker 1: to need to tone it down as far as hating 290 00:17:17,440 --> 00:17:20,879 Speaker 1: on other women. I mean, yes, would I choose to 291 00:17:20,920 --> 00:17:23,960 Speaker 1: associate with some of these women in real life. Maybe not, 292 00:17:24,280 --> 00:17:28,240 Speaker 1: like seriously, take your kiddies and go elsewhere, lady. But 293 00:17:28,359 --> 00:17:30,200 Speaker 1: I mean that doesn't mean that I think they're less 294 00:17:30,240 --> 00:17:34,960 Speaker 1: of a valid persona or personality. No, I think that's 295 00:17:34,960 --> 00:17:37,040 Speaker 1: a good point. I think in the in the argument 296 00:17:37,200 --> 00:17:39,400 Speaker 1: it's a slippery slow because in a lot of these 297 00:17:39,520 --> 00:17:44,159 Speaker 1: arguments that are calling these tropes out for um, you know, 298 00:17:44,280 --> 00:17:47,480 Speaker 1: maybe not portraying women as well. It does quickly crumble 299 00:17:47,560 --> 00:17:52,600 Speaker 1: into women hating on women. So let's build each other up, 300 00:17:52,960 --> 00:17:57,119 Speaker 1: let's eat our cupcakes together. And you know, Manic Pixie 301 00:17:57,200 --> 00:18:00,040 Speaker 1: Dream guys you can you can come to craft it 302 00:18:00,200 --> 00:18:04,159 Speaker 1: as well. Well. With that, little to Boot said, I 303 00:18:04,200 --> 00:18:07,440 Speaker 1: want to hear your stories mom stuff at Discovery dot com. 304 00:18:07,720 --> 00:18:11,760 Speaker 1: Let us know what you think about the mpdgs too much, 305 00:18:11,920 --> 00:18:16,040 Speaker 1: too little? Uh? I don't know. And and guys too, 306 00:18:16,119 --> 00:18:19,120 Speaker 1: do you find these women appealing? Do Manic Pixie Dream 307 00:18:19,119 --> 00:18:23,880 Speaker 1: guys exist lots to discuss? Send us your letters. We've 308 00:18:23,880 --> 00:18:25,879 Speaker 1: got an email here from Martha and this is a 309 00:18:26,000 --> 00:18:29,320 Speaker 1: response to our episode on giving the Sex Talk, and 310 00:18:29,400 --> 00:18:31,760 Speaker 1: she writes the other evening, I was listening to the 311 00:18:31,800 --> 00:18:33,879 Speaker 1: podcast on giving the Talk to your children, and at 312 00:18:33,920 --> 00:18:35,840 Speaker 1: first I thought, well, that sounds really hard, but at 313 00:18:35,880 --> 00:18:38,440 Speaker 1: least I have a few years to prepare for it. 314 00:18:38,640 --> 00:18:41,280 Speaker 1: My daughter is fifteen months old, so it really is 315 00:18:41,320 --> 00:18:44,280 Speaker 1: a bit early. Then I thought again, my daughter has 316 00:18:44,359 --> 00:18:46,520 Speaker 1: two moms and we don't know who the father is. 317 00:18:47,240 --> 00:18:49,960 Speaker 1: We know other same sex couples with children. One of 318 00:18:50,000 --> 00:18:52,359 Speaker 1: these children started asking why he didn't have a dad 319 00:18:52,400 --> 00:18:54,679 Speaker 1: before he was two years old, so, in fact, we 320 00:18:54,680 --> 00:18:57,720 Speaker 1: are already working on our daughter's sex education now. We 321 00:18:57,760 --> 00:18:59,959 Speaker 1: have several books about families with two moms and are 322 00:19:00,080 --> 00:19:02,800 Speaker 1: just starting on families with two dads. We also have 323 00:19:02,880 --> 00:19:05,400 Speaker 1: a book on how children can be conceived by artificial 324 00:19:05,400 --> 00:19:08,479 Speaker 1: extermination that we haven't started reading about reading it at 325 00:19:08,520 --> 00:19:12,160 Speaker 1: bedtime yet. I think this is a conversation about sex choices, gender, 326 00:19:12,200 --> 00:19:15,320 Speaker 1: etcetera that will be an ongoing process. Could this be 327 00:19:15,359 --> 00:19:17,879 Speaker 1: an advantage of growing up in a non standard family? 328 00:19:18,480 --> 00:19:22,359 Speaker 1: Think it could be. So Thanks Martha for that insight, 329 00:19:22,440 --> 00:19:25,200 Speaker 1: and thanks to everybody who's written in. Mom Stuff at 330 00:19:25,240 --> 00:19:28,440 Speaker 1: Discovery dot com is where you can send your letters, 331 00:19:28,960 --> 00:19:32,119 Speaker 1: and you can also find us on Facebook and follow 332 00:19:32,160 --> 00:19:36,040 Speaker 1: us on Twitter at Mom's Stuff podcast, And if you 333 00:19:36,080 --> 00:19:38,159 Speaker 1: want to read what we're doing during the week, you 334 00:19:38,200 --> 00:19:40,879 Speaker 1: can head over to our website It's how Stuff works 335 00:19:41,240 --> 00:19:46,679 Speaker 1: dot com for more on this and thousands of other topics. 336 00:19:47,000 --> 00:19:53,760 Speaker 1: Is it how Stuff works dot com? 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