WEBVTT - All Aboard the Hot Mess Express!

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<v Speaker 1>It's nine Ogen one.

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<v Speaker 2>With Jenny Garth and Tory spelling.

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<v Speaker 3>Welcome one, Welcome all. It's another episode of Nina two,

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<v Speaker 3>and OMG, do you like that opening any better?

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<v Speaker 1>That was a whole new way.

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<v Speaker 3>Dory's not here to criticize my opening, so I tried

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<v Speaker 3>something new and Naws she'll never even know.

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<v Speaker 1>I auinely liked it.

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<v Speaker 3>Welcome one, Welcome? Was it welcome one? Welcome all? Yeah,

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<v Speaker 3>we're just having some technical issues. Her internet is out,

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<v Speaker 3>her phone is dead, so she's going to find internet

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<v Speaker 3>down the street. Apparently she's running around the neighborhood with

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<v Speaker 3>her laptop.

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<v Speaker 1>She's like running the starbus is hilarious. So it's sort

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<v Speaker 1>of like, hey, stay tuned, see when she gets the Starbucks.

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<v Speaker 3>We'll be here exactly, you guys, don't you'll know when

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<v Speaker 3>we know.

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<v Speaker 1>I'm still fighting off this cold, so I sound disgusting,

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<v Speaker 1>but I'm here.

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<v Speaker 3>It's okay. I think we're both like not on our

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<v Speaker 3>top game today, I will say.

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<v Speaker 1>Which could make for the best podcast ever. Maybe you

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<v Speaker 1>just don't know.

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<v Speaker 3>Maybe maybe I should take muscle relaxers every night.

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<v Speaker 1>You poor thing? What happened? Did you have a like

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<v Speaker 1>a back spasm.

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<v Speaker 3>No, I have a issue. I don't even want to

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<v Speaker 3>get into it right now, but get fixed soon. I'll

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<v Speaker 3>tell you. I'll tell you, guys, I'll tell everybody.

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<v Speaker 1>But now your hip? Is it your hip? Grandma?

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<v Speaker 3>Quite possibly? Oh no, I'm not ready to talk about

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<v Speaker 3>it yet. I'm in denial.

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<v Speaker 1>Keep me. Oh no, is it with the arthritis? Okay,

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<v Speaker 1>we won't talk about it now, we won't talk.

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<v Speaker 3>About Let's talk about Alone at the Top.

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<v Speaker 1>Oh my gosh, I love this episode.

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<v Speaker 3>I watched it, you guys. I swear to god, I

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<v Speaker 3>watched it, but I woke up with my notepad next

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<v Speaker 3>to me and it had three things written on it.

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<v Speaker 3>And I don't know what happened. So we are it's

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<v Speaker 3>gonna come to me. Mm hmm. This is episode five,

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<v Speaker 3>no Season five. It's already off to a great start.

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<v Speaker 3>Episode twenty two Alone at the Top aired February twenty second,

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<v Speaker 3>nineteen ninety five.

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<v Speaker 1>And it came right back to me, like as soon

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<v Speaker 1>as there was sort of the lurker in the bushes,

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<v Speaker 1>I was like, oh my god, that guy's a rapist

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<v Speaker 1>like me.

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<v Speaker 3>To give me a synopsis, give me a synopsus. Sky,

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<v Speaker 3>I don't even know what you're talking about.

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<v Speaker 1>A crime wave hits the campus of California University and

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<v Speaker 1>David's buddy is the prime suspect. Meanwhile, Valerie buys her

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<v Speaker 1>way into the peach bit after dark and tells Ray

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<v Speaker 1>to hit the bed or hit the road. Dylan is

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<v Speaker 1>dangerously close to using because he can't get over Kelly

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<v Speaker 1>and because Valerie sucks uh, and Donna is still in

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<v Speaker 1>the dark about Rayan Valerie. The director of this episode

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<v Speaker 1>was directed yes Victor LaBelle lobl Loeblobal.

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<v Speaker 3>Written by Steve Westerman and Jessica Klein.

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<v Speaker 1>Oh's what it's so good because immediately I was back

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<v Speaker 1>when I saw the time, remembering like that's a there's a.

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<v Speaker 3>Bad guy's bad guy in the bushes, bad guy in

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<v Speaker 3>the bushes, and you're here.

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<v Speaker 1>I just was like when they remember what At first

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<v Speaker 1>he's stealing bikes and I was like, that's not what happens.

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<v Speaker 1>This guy's a rapist. Like I was like, this is

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<v Speaker 1>really bad, and then I was right, what, yeahhes at

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<v Speaker 1>the end he okay, So you might have not remembered this,

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<v Speaker 1>but at the end of the episode, which we'll go

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<v Speaker 1>through a scene by scene, don't worry he has attacked

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<v Speaker 1>a girl because one of the girls in the dorm

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<v Speaker 1>is like leaving school. She's like, I'm out.

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<v Speaker 3>I don't like this episode already because me, you feeling.

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<v Speaker 1>Good and your intuition was so strong, because there's the

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<v Speaker 1>scene where you and Brandon are walking and you're like,

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<v Speaker 1>did you hear that? Did you hear that? And that's

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<v Speaker 1>where the bad guy was there.

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<v Speaker 3>Oh my gosh, gosh, I have goosebumps everywhere, and I

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<v Speaker 3>have no idea why you.

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<v Speaker 1>Want to go through it scene by scene?

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<v Speaker 3>Sure, but first you want to note trivia. Oh yeah,

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<v Speaker 3>we talk about Jamie Walters and his songs that we

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<v Speaker 3>never get to hear ever. But Jamie Walters had fourteen No,

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<v Speaker 3>he has fourteen million downloads on Spotify for his song

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<v Speaker 3>hold On.

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<v Speaker 1>Oh, which is hold On. I remember that one, but

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<v Speaker 1>that's how do you.

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<v Speaker 3>Talk to an angel?

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<v Speaker 1>Wow, that was even a bigger one, I think, so

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<v Speaker 1>hold on fourteen million?

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<v Speaker 3>How'd that one go?

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<v Speaker 1>Hold On? I think I heard it the other day. Oh,

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<v Speaker 1>I have to sing it later?

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<v Speaker 3>And did you know this Ray was supposed to the

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<v Speaker 3>character of Ray was supposed meaning Jamie was supposed to

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<v Speaker 3>return for season six under a signed one million dollar contract,

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<v Speaker 3>which I am struggling to agree with. But fans were

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<v Speaker 3>so upset about Donna going back to him that Aaron

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<v Speaker 3>Spelling fired him. And we will talk about that once

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<v Speaker 3>Tory finds her internet, because I really need to get in.

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<v Speaker 1>And once we get to those scenes. But a million dollars?

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<v Speaker 1>Were you making a million dollars? Uh?

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<v Speaker 3>No?

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<v Speaker 1>So yeah, zero chance?

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<v Speaker 2>Then I don't.

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<v Speaker 3>Honestly, I would have to refer to Randy. I have

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<v Speaker 3>absolutely no idea how much I ever made on that

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<v Speaker 3>show because I don't do math.

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<v Speaker 1>A million dollars sounds like a lot back then for

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<v Speaker 1>a guy who wasn't the main cast.

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<v Speaker 3>It can't be true. I'm sorry, I'm gonna just.

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<v Speaker 1>They should have made him likable and given him a

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<v Speaker 1>million dollars, right like, they should have made him not

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<v Speaker 1>a cheater, cheater pumpkin eater, and not an abuser.

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<v Speaker 3>But what is a million when you have a million

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<v Speaker 3>dollar contract? What is that in your in your bank account?

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<v Speaker 4>Though?

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<v Speaker 3>What do you get after taxes, after agents, after lawyers?

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<v Speaker 1>Oh? Less? Okay? So you get one four hundred maybe

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<v Speaker 1>three right under?

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<v Speaker 3>It's under a half.

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<v Speaker 1>And also, a million dollar contract could be over multiple years,

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<v Speaker 1>because you could get a million dollar contract that's three

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<v Speaker 1>years long.

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<v Speaker 3>Yeah, we don't know, we don't. We didn't read the contract.

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<v Speaker 3>Don't know, but we're gonna find ounds empty. But let's

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<v Speaker 3>start in Valerie's hotel room. You wanna you wanna?

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<v Speaker 1>Yeah, I I am. I like her.

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<v Speaker 3>I stop lying you. You said I already said you

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<v Speaker 3>don't like her. Yes, I love to hate her, but

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<v Speaker 3>I like the character because you like to hate it, Okay.

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<v Speaker 1>Because I really cannot stand it. She's so creepy, crazy.

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<v Speaker 1>And then when Rush walked in, I about gagged because

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<v Speaker 1>I was like.

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<v Speaker 3>Is this what is this? Is what I think is

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<v Speaker 3>about to happen? Gonna happen? Is that what I was thinking?

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<v Speaker 1>Oh? God no.

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<v Speaker 3>But first she calls Ray's mom, and of course, you

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<v Speaker 3>know what's her name, lu Anne is sitting there clipping

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<v Speaker 3>her coupons. That's a good pastime on a Sunday morning, totally,

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<v Speaker 3>and she lies. She says it Ray's not home, but

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<v Speaker 3>he's right there.

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<v Speaker 1>And can reget a cell phone so we don't have

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<v Speaker 1>to keep calling the mom.

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<v Speaker 3>No, he doesn't want to be reachable. He's too aloof

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<v Speaker 3>and mysterious, like.

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<v Speaker 1>It's just so come on, Okay.

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<v Speaker 3>So then Rush Sanders, Steve's dad knocks on the door

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<v Speaker 3>and a sort of.

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<v Speaker 1>Sexy and cute. So I get it why he's got.

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<v Speaker 3>That something, He's got that same my little sneaky twinkie

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<v Speaker 3>in his eye that Steve has, you know.

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<v Speaker 1>Good casting of a father and son right, very much.

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<v Speaker 3>So they are so great together and apart they still

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<v Speaker 3>remind you of each other, which I love.

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<v Speaker 1>The steak dining scene was cute. We'll get to but.

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<v Speaker 3>Uh so he he knocks on VAL's door, we all

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<v Speaker 3>think something really bad, it's about to go down even yeah,

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<v Speaker 3>but really she wants to buy his share of.

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<v Speaker 1>The Ppa d the peach pit or where where is

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<v Speaker 1>this money coming from? She does not have heat. First

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<v Speaker 1>of all, Dylan gave her ten thousand dollars. Pretend Jonesy

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<v Speaker 1>gave her fifty thousand dollars like Jonesy didn't give her

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<v Speaker 1>one hundred thousand dollars, did he?

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<v Speaker 3>Maybe because maybe she's just making three million or something, right,

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<v Speaker 3>maybe he did.

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<v Speaker 1>Maybe he gave her a quarter of a million dollars.

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<v Speaker 1>I don't know, it's just a crazy down.

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<v Speaker 3>Well, you never know what kind of deal she worked

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<v Speaker 3>out with him. Wink wink.

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<v Speaker 1>What do we think the peach pit cost one hundred

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<v Speaker 1>grand back then?

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<v Speaker 3>A business? But it wasn't five hossiful business. I don't know,

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<v Speaker 3>but it does seem crazy. It seems totally unrealistic that

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<v Speaker 3>she could just have enough money to buy everything she.

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<v Speaker 1>Yeah, my calculator is like, does not.

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<v Speaker 3>Calculators rolling its eyes.

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<v Speaker 1>Yeah, it's like this is his mom makes sense.

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<v Speaker 3>But he agrees to negotiate with her, So this is

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<v Speaker 3>where we're going. We go to the California University and

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<v Speaker 3>Brandon has surprised Kelly with a sweet little picnic her

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<v Speaker 3>friend group, concluding Dylan, who is finally back at school.

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<v Speaker 1>Never has there been a picnic where everyone left thirty

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<v Speaker 1>seconds after the guest, right?

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<v Speaker 3>I know, geeze I got to go. I was like,

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<v Speaker 3>really nice, cute, Yeah, Donna. She runs off for Rayne

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<v Speaker 3>sound check before Kelly even sits down. I mean, that's

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<v Speaker 3>her best friend.

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<v Speaker 1>I thinks seemed peachy with Brandon and Kelly right now,

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<v Speaker 1>which is kind of like a bit jarring to me, Like, okay,

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<v Speaker 1>like all of a sudden, just everything's hunky dory. But

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<v Speaker 1>I'm not mad about it.

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<v Speaker 3>It does feel like they just swept it under the

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<v Speaker 3>rug and didn't really address it or deal with it,

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<v Speaker 3>because there's got to be some residual stuff, you know.

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<v Speaker 3>And is she ever going to find out about Brandon's

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<v Speaker 3>Emily situation?

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<v Speaker 1>I don't think so.

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<v Speaker 3>No, Oh my god. I want her to find out.

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<v Speaker 3>I want her to know the truth about where her

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<v Speaker 3>boyfriend is Dylan, and she knows about it.

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<v Speaker 1>Hell yeah, true, true. And I guess you were quote

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<v Speaker 1>broken up at the time.

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<v Speaker 3>Uh huh. And I was brainwashed in a cult, so

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<v Speaker 3>I haven't us what's.

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<v Speaker 1>You've recovered from the cult?

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<v Speaker 3>So quickly too, I too, just by snap back, I'm

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<v Speaker 3>a snapperbacker.

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<v Speaker 1>You really are. And then out of nowhere, which I did.

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<v Speaker 1>I understand why we had to, but like, out of nowhere, David,

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<v Speaker 1>did they steal your bike? Like it was just like wait,

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<v Speaker 1>what was that? I know, all of a sudden, it

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<v Speaker 1>was just like what And then you learn, oh, there's

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<v Speaker 1>sort of a crime wave happening.

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<v Speaker 3>And you see that the bushes are jiggling.

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<v Speaker 1>But it was like kind of rando at first.

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<v Speaker 3>I think there was like either a really hungry squirrel

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<v Speaker 3>in the bushes or that's what we're dealing with Pete.

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<v Speaker 1>It was very horror movie that was very like Freddy Krueger.

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<v Speaker 1>Jason is in the bushes kind of a thing, like

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<v Speaker 1>you're like, oh, you sort of see the boots maybe

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<v Speaker 1>at one point.

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<v Speaker 3>Yeah, something's a bruin.

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<v Speaker 1>Is it your inclination that it's the guy from the dorm?

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<v Speaker 1>I'm just curious what you're where your head's at.

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<v Speaker 3>On it the guy from the dorm? What do you mean?

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<v Speaker 1>So you know David's friend? Can you remember he says

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<v Speaker 1>that David's got that weird friend at the dorm.

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<v Speaker 3>Oh, I missed that completely. I just thought it was

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<v Speaker 3>a big sport.

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<v Speaker 1>Jenny, this is gonna be a lot to save your

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<v Speaker 1>comments for Amy talks too much this episode, because look,

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<v Speaker 1>Tory's got a Wi Fi issue, and Jenny has fully forgotten.

0:11:46.080 --> 0:11:49.920
<v Speaker 3>The whole I didn't catch that one part about someone

0:11:50.000 --> 0:11:52.360
<v Speaker 3>being in the dorm, okay. I heard the part about

0:11:52.360 --> 0:11:53.160
<v Speaker 3>the bikes.

0:11:52.840 --> 0:11:56.640
<v Speaker 1>Okay, So I'll explain it. So basically, there's this creepy

0:11:56.720 --> 0:12:00.280
<v Speaker 1>guy that Claire doesn't like that David's become friends with.

0:12:00.440 --> 0:12:02.440
<v Speaker 1>He's sort of a former I think he was in

0:12:02.480 --> 0:12:05.920
<v Speaker 1>the army, so he's a bit older, right, and we

0:12:05.960 --> 0:12:08.800
<v Speaker 1>see music Taste, so David hangs out with him. Yeah,

0:12:09.040 --> 0:12:11.840
<v Speaker 1>we see him a bunch. We're sort of led to

0:12:12.040 --> 0:12:15.680
<v Speaker 1>believe he is the bad guy, right, that he is

0:12:15.760 --> 0:12:18.040
<v Speaker 1>the guy. He's short on money, so we're sort of

0:12:19.360 --> 0:12:22.880
<v Speaker 1>led to believe that he's the one stealing, and he

0:12:22.960 --> 0:12:26.840
<v Speaker 1>actually the FEDS or the cops, I don't know who

0:12:26.920 --> 0:12:29.600
<v Speaker 1>they are. The FBI comes up, and I don't know

0:12:29.640 --> 0:12:32.360
<v Speaker 1>what the FEDS are. I don't know what it's FBI

0:12:32.440 --> 0:12:33.479
<v Speaker 1>and the FEDS.

0:12:33.160 --> 0:12:35.559
<v Speaker 3>The same, that's different letters.

0:12:35.600 --> 0:12:42.840
<v Speaker 1>So no, they come and interrogate him. If I was

0:12:42.920 --> 0:12:44.960
<v Speaker 1>only knowing this episode, it's sort of like a bait

0:12:44.960 --> 0:12:47.680
<v Speaker 1>and switch, Like I don't actually think he's the guy

0:12:47.840 --> 0:12:50.880
<v Speaker 1>because they've made it too obvious he's the guy. So

0:12:50.960 --> 0:12:53.120
<v Speaker 1>I don't think he's the guy, But I wanted to

0:12:53.120 --> 0:12:53.959
<v Speaker 1>see what you thought.

0:12:54.080 --> 0:12:57.760
<v Speaker 3>You're what we call smart, audience. They're gonna have to

0:12:57.800 --> 0:13:00.000
<v Speaker 3>do something really twisted to get you.

0:13:00.800 --> 0:13:01.200
<v Speaker 1>Thank you.

0:13:01.280 --> 0:13:03.840
<v Speaker 3>Yeah, you have to be real tricky catch me all right?

0:13:03.840 --> 0:13:05.720
<v Speaker 3>All right, enough about that, We're at the peach Bit

0:13:05.760 --> 0:13:07.760
<v Speaker 3>after dark. Now. Ray is of course taking a nap

0:13:07.800 --> 0:13:12.080
<v Speaker 3>backstage because that's what musicians do. Uh, and Valerie walks

0:13:12.080 --> 0:13:14.960
<v Speaker 3>in on him conveniently and asks, why haven't you returned

0:13:15.000 --> 0:13:18.839
<v Speaker 3>my calls? Oh, and then she says, it would be

0:13:18.920 --> 0:13:22.720
<v Speaker 3>in your best interest to treat me with respect.

0:13:23.600 --> 0:13:24.600
<v Speaker 4>Just so.

0:13:26.559 --> 0:13:29.439
<v Speaker 3>I love it. I love it. And guess what Donna

0:13:29.440 --> 0:13:29.840
<v Speaker 3>walks in.

0:13:30.679 --> 0:13:34.280
<v Speaker 1>I mean, bump, bump bum. It's like before she walked in,

0:13:34.640 --> 0:13:36.679
<v Speaker 1>I was just like, this is a nightmare.

0:13:37.400 --> 0:13:42.439
<v Speaker 3>And my girl does not seem concerned whatsoever. She's just she's.

0:13:42.280 --> 0:13:45.640
<v Speaker 1>All hay valerie, like she's being too doe wide about it,

0:13:45.679 --> 0:13:49.480
<v Speaker 1>but also like she sees the good and everybody.

0:13:50.600 --> 0:13:52.680
<v Speaker 3>Maybe she's ahead of it. I don't know. I'm not

0:13:52.720 --> 0:13:54.760
<v Speaker 3>sure what was going through her mind, but she wasn't

0:13:55.160 --> 0:13:57.680
<v Speaker 3>a little irked that they were hanging out back there together.

0:13:57.760 --> 0:14:00.240
<v Speaker 1>And it's sort of like a weird ending, which will

0:14:00.280 --> 0:14:02.400
<v Speaker 1>get to I don't mean to jump ahead, but like

0:14:03.480 --> 0:14:06.480
<v Speaker 1>at the end of the episode, she almost to me says,

0:14:06.600 --> 0:14:10.600
<v Speaker 1>it's okay, whatever you've done. I don't know, we'll get

0:14:10.640 --> 0:14:16.959
<v Speaker 1>to that. Very Yeah, it's a juicy episode, very juicy.

0:14:17.200 --> 0:14:21.400
<v Speaker 3>Back to see You where stolen BikeE Girl aka Amy

0:14:22.320 --> 0:14:28.560
<v Speaker 3>sort of complaints, Yeah, complaints insurance but refuse to buy

0:14:28.560 --> 0:14:33.160
<v Speaker 3>her another bike, and another student, Lenny, makes fun of her.

0:14:34.400 --> 0:14:36.960
<v Speaker 1>That's the guy that's the friend of David's. That's sort

0:14:37.000 --> 0:14:39.000
<v Speaker 1>of the he's got going to use a collection, and

0:14:39.280 --> 0:14:41.760
<v Speaker 1>Claire is not sold on him.

0:14:42.080 --> 0:14:44.400
<v Speaker 3>You know, Claire always had that. She always has that,

0:14:44.560 --> 0:14:48.680
<v Speaker 3>like you gotta win Claire over before you can get

0:14:48.680 --> 0:14:52.240
<v Speaker 3>in with her. She's little skeptical for some people, which.

0:14:52.080 --> 0:14:55.440
<v Speaker 1>I like hooky. Yeah, skeptical, good word, good word.

0:14:55.520 --> 0:15:08.120
<v Speaker 4>Yeah.

0:15:08.360 --> 0:15:14.720
<v Speaker 1>Then we get to Peter and Peter. I mean they

0:15:14.760 --> 0:15:18.680
<v Speaker 1>are really hot and they are yeah, and they are

0:15:18.760 --> 0:15:21.760
<v Speaker 1>really not being careful about their chushion at last.

0:15:21.840 --> 0:15:23.720
<v Speaker 3>Is not safe at all what's happening.

0:15:23.840 --> 0:15:27.320
<v Speaker 1>It's also very inappropriate at the workplace, Like that's what's

0:15:27.400 --> 0:15:29.120
<v Speaker 1>kind of It's almost like they're doing it right out

0:15:29.120 --> 0:15:30.520
<v Speaker 1>in the open in front of that nurse. And I'm like,

0:15:31.080 --> 0:15:33.360
<v Speaker 1>doesn't don't the other doctors and the people at the

0:15:33.400 --> 0:15:35.000
<v Speaker 1>hospital know he's married.

0:15:35.040 --> 0:15:37.240
<v Speaker 3>And she's married. And yeah, even.

0:15:37.040 --> 0:15:38.800
<v Speaker 1>If they don't know she's married, because she's sort of

0:15:38.840 --> 0:15:41.120
<v Speaker 1>the new I don't even know what her job is there.

0:15:41.680 --> 0:15:44.720
<v Speaker 1>But he's been a strip. Yeah, she's sort of like

0:15:44.720 --> 0:15:51.160
<v Speaker 1>an elevated something almost weird. So I don't know, I

0:15:51.160 --> 0:15:55.720
<v Speaker 1>think he's being way too flagrant about it. Is that

0:15:55.720 --> 0:15:56.040
<v Speaker 1>the word?

0:15:56.080 --> 0:15:59.920
<v Speaker 3>Yeah, yeah he is, but but it's still fun to.

0:16:00.960 --> 0:16:05.560
<v Speaker 1>And we're to assume they're doing it regularly, right, like, yes,

0:16:05.680 --> 0:16:08.720
<v Speaker 1>only at work, like in the closet or something, I guess.

0:16:08.760 --> 0:16:10.880
<v Speaker 1>And then there's that moment where the nurse almost goes

0:16:10.920 --> 0:16:13.560
<v Speaker 1>in the closet and then she does open the door

0:16:13.560 --> 0:16:15.320
<v Speaker 1>and he's like, oh my only want in here, I

0:16:15.320 --> 0:16:17.040
<v Speaker 1>mean the whole thing. I was just like, oh my god.

0:16:17.520 --> 0:16:17.920
<v Speaker 3>Oh yeah.

0:16:18.000 --> 0:16:19.320
<v Speaker 1>Yeah.

0:16:19.360 --> 0:16:22.800
<v Speaker 3>Anyway, back to the peach Bit. After dark, Rush announces

0:16:22.840 --> 0:16:24.920
<v Speaker 3>to the crowd that the peach Bit is in a

0:16:24.960 --> 0:16:27.800
<v Speaker 3>new ownership, and everyone is shocked to learn it's Valerie.

0:16:28.160 --> 0:16:31.000
<v Speaker 1>First of all, at what club have you ever been

0:16:31.040 --> 0:16:34.640
<v Speaker 1>to where the owner announce comes out and makes any

0:16:34.720 --> 0:16:37.920
<v Speaker 1>kind of announcement, especially like that they've changed owners.

0:16:38.400 --> 0:16:41.760
<v Speaker 3>It's weird, but it had to happen. So everybody knew

0:16:41.800 --> 0:16:44.280
<v Speaker 3>that Valerie was the owner, and of course Donna is

0:16:44.320 --> 0:16:46.280
<v Speaker 3>happy for her and gives her a big fake hug.

0:16:48.880 --> 0:16:53.560
<v Speaker 3>Hot mess, just a hot mess. Meanwhile, Dylan's house, Valerie

0:16:53.600 --> 0:16:59.480
<v Speaker 3>shows up with a bag of weed. Yeah, what a

0:16:59.480 --> 0:17:00.000
<v Speaker 3>good friend?

0:17:00.120 --> 0:17:01.800
<v Speaker 1>Are you to say that word?

0:17:02.160 --> 0:17:02.800
<v Speaker 3>You can say?

0:17:02.800 --> 0:17:02.880
<v Speaker 4>What?

0:17:03.120 --> 0:17:05.120
<v Speaker 1>She's so awful?

0:17:05.960 --> 0:17:07.680
<v Speaker 3>She knows he just got out of rehab.

0:17:08.119 --> 0:17:12.480
<v Speaker 1>She is being so bad. I know she's coming over

0:17:12.520 --> 0:17:18.120
<v Speaker 1>with drugs. That is correct, like for all her antics,

0:17:18.680 --> 0:17:22.160
<v Speaker 1>if she wants, if she's cheating, she's cheating, if she's

0:17:22.760 --> 0:17:26.000
<v Speaker 1>whatever she's doing, But like to go over to your

0:17:26.119 --> 0:17:30.440
<v Speaker 1>quote supposed guy you like and give him drugs when

0:17:30.480 --> 0:17:32.840
<v Speaker 1>you know he's sober like that? To me, I was like,

0:17:32.920 --> 0:17:33.840
<v Speaker 1>that's the worst thing.

0:17:33.840 --> 0:17:38.680
<v Speaker 3>And didn't she just flush his drugs down the toilet recently?

0:17:38.760 --> 0:17:40.760
<v Speaker 3>She flushed his little stash down the toilet.

0:17:42.480 --> 0:17:44.840
<v Speaker 1>Yeah, try to clean him up.

0:17:44.920 --> 0:17:45.800
<v Speaker 3>Doesn't make any sense.

0:17:46.119 --> 0:17:51.840
<v Speaker 1>And it's like, Uh, that's where I just go. She's

0:17:51.880 --> 0:17:55.159
<v Speaker 1>just not redeem it. Why are you doing that? And

0:17:55.200 --> 0:17:57.800
<v Speaker 1>then fine, he doesn't want her drugs, So she takes

0:17:57.800 --> 0:18:01.840
<v Speaker 1>her drugs and leaves the one joint or.

0:18:01.800 --> 0:18:07.040
<v Speaker 3>Whatever on the table, one joint just in just in

0:18:07.119 --> 0:18:11.719
<v Speaker 3>case he changes his mind. That is really messed up.

0:18:11.760 --> 0:18:11.960
<v Speaker 2>Beal.

0:18:13.240 --> 0:18:14.399
<v Speaker 1>She's a bad gal.

0:18:14.880 --> 0:18:18.879
<v Speaker 3>She's not redeemable now at this point, this character is

0:18:18.920 --> 0:18:25.000
<v Speaker 3>not redeemable. I'm sorry. So we're at the wash house

0:18:25.000 --> 0:18:28.480
<v Speaker 3>now and Jim and Cindy can't believe that Valerie could

0:18:28.560 --> 0:18:33.160
<v Speaker 3>get after dark, and Cindy wants to know why why

0:18:33.200 --> 0:18:35.360
<v Speaker 3>isn't she sending money back home to her mom who

0:18:35.400 --> 0:18:40.760
<v Speaker 3>needs it. Steve calls and tells Brandon that three frat

0:18:40.760 --> 0:18:43.200
<v Speaker 3>houses got hit last night and he needs to do

0:18:43.280 --> 0:18:49.000
<v Speaker 3>something about it. I mean, okay, Brandon needs to Just

0:18:49.080 --> 0:18:52.000
<v Speaker 3>did he call? Is he calling the police? Also? Like,

0:18:52.280 --> 0:18:57.040
<v Speaker 3>how come it's Brandon's responsibility? And Brandon just because he's

0:18:57.040 --> 0:19:01.240
<v Speaker 3>the president? Okay, you're right here, right, it's because he's Brandon.

0:19:02.040 --> 0:19:05.600
<v Speaker 1>He is the president of the last school? Is he

0:19:05.640 --> 0:19:09.040
<v Speaker 1>the president of the school? I mean, I get he's

0:19:09.080 --> 0:19:11.119
<v Speaker 1>so but hurt, Like why is everybody calling me? And

0:19:11.160 --> 0:19:14.360
<v Speaker 1>it's like I think this is your one job, Like

0:19:14.720 --> 0:19:16.400
<v Speaker 1>you are the president of the school.

0:19:18.800 --> 0:19:21.280
<v Speaker 3>Yeah. Yeah, he's on dust fall on him.

0:19:21.240 --> 0:19:23.720
<v Speaker 1>And it's like he should be doing something though.

0:19:24.400 --> 0:19:28.000
<v Speaker 3>Yeah, he's only Brandon, you know, Walsh, we're trying to

0:19:28.080 --> 0:19:31.960
<v Speaker 3>like run for president. I would vote for him. I

0:19:31.960 --> 0:19:37.080
<v Speaker 3>would vote like president, but I would totally vote for him.

0:19:37.200 --> 0:19:39.359
<v Speaker 3>That's I mean need is a president that looks like

0:19:39.400 --> 0:19:41.639
<v Speaker 3>Brandon Walsh.

0:19:41.920 --> 0:19:44.080
<v Speaker 1>First of all, agree. Second of all, I had a

0:19:44.119 --> 0:19:47.520
<v Speaker 1>conversation the other day about where are the characters now?

0:19:47.960 --> 0:19:50.439
<v Speaker 1>And I actually said that I think Brandon might be

0:19:50.520 --> 0:19:53.080
<v Speaker 1>governor of California. He's very new to me.

0:19:54.080 --> 0:19:59.240
<v Speaker 3>Yes, oh California. Yes me too.

0:19:59.680 --> 0:20:02.199
<v Speaker 1>I think I think you need to write where they

0:20:02.240 --> 0:20:04.720
<v Speaker 1>all are now so we can turn it into something.

0:20:04.760 --> 0:20:06.200
<v Speaker 1>But anyway, I digress.

0:20:06.280 --> 0:20:10.240
<v Speaker 3>Oh my god, thank the Lord serious, you found your WiFi.

0:20:10.280 --> 0:20:12.120
<v Speaker 3>We have tory with us, everybody.

0:20:11.800 --> 0:20:12.880
<v Speaker 1>Thank the Lord is right.

0:20:13.040 --> 0:20:18.440
<v Speaker 2>I was wait wait wait found my WiFi? You lost? Yeah,

0:20:18.480 --> 0:20:22.600
<v Speaker 2>so Spectrum, sorry, I usually love you. Spectrum was out

0:20:22.640 --> 0:20:24.480
<v Speaker 2>since last night, which was a hard thing because you know,

0:20:24.520 --> 0:20:26.800
<v Speaker 2>I don't sleep without TV. So that that was the

0:20:26.840 --> 0:20:29.960
<v Speaker 2>first problem, no Spectrum, and then they said it would

0:20:29.960 --> 0:20:31.679
<v Speaker 2>be back up this morning because I said, we have

0:20:31.760 --> 0:20:35.840
<v Speaker 2>our podcast, but it wasn't, So, you guys, the best

0:20:36.200 --> 0:20:38.760
<v Speaker 2>problem solved and I got in the car and I

0:20:38.840 --> 0:20:41.600
<v Speaker 2>head to Starbucks. But then Starbucks, who always gives you

0:20:41.640 --> 0:20:44.400
<v Speaker 2>free Wi Fi, didn't want to give my computer Wi Fi,

0:20:45.520 --> 0:20:48.320
<v Speaker 2>so I tapped into CVS. Thank you CVS.

0:20:48.600 --> 0:20:51.920
<v Speaker 1>Wait the fact that Torri has a full microphone, you guys,

0:20:51.520 --> 0:20:56.520
<v Speaker 1>to full microphone with a micro flag in her car.

0:20:56.960 --> 0:20:58.960
<v Speaker 2>And you know what, and the only thing I'm like

0:20:59.040 --> 0:21:03.840
<v Speaker 2>mad about right now, you guys, is I'm cool.

0:21:03.920 --> 0:21:04.520
<v Speaker 3>I like it.

0:21:04.880 --> 0:21:07.280
<v Speaker 1>Oh my gosh, we have to post a photo of you, Tori.

0:21:07.440 --> 0:21:10.320
<v Speaker 1>It is so it's iconic. You're literally in your car

0:21:10.400 --> 0:21:13.600
<v Speaker 1>with just a full fledged microphone in.

0:21:13.760 --> 0:21:17.840
<v Speaker 2>La Okay, sorry you guys, so go on. So this

0:21:17.920 --> 0:21:20.520
<v Speaker 2>is one. This is one of my favorite episodes alone

0:21:20.520 --> 0:21:21.720
<v Speaker 2>at the top. So I'm just.

0:21:22.160 --> 0:21:24.800
<v Speaker 1>There's never a time I want the paparazzi to walk

0:21:24.800 --> 0:21:29.280
<v Speaker 1>by you more than right now. It would be.

0:21:29.480 --> 0:21:34.320
<v Speaker 3>Jen caption this, Oh caption this. I'm not going to

0:21:34.320 --> 0:21:35.679
<v Speaker 3>touch that with a ten foot.

0:21:35.400 --> 0:21:38.880
<v Speaker 2>Pole, because an eight foot pole maybe.

0:21:39.359 --> 0:21:44.000
<v Speaker 3>Noway from it topic. It's hilarious, though, I will really

0:21:44.080 --> 0:21:45.440
<v Speaker 3>want somebody to get a picture of.

0:21:45.359 --> 0:21:49.480
<v Speaker 2>You then is and only Jen would know this is

0:21:50.160 --> 0:21:53.080
<v Speaker 2>me hanging out with a microphone out of the car

0:21:53.359 --> 0:21:55.560
<v Speaker 2>would be the least my worries in my car.

0:21:57.040 --> 0:22:00.360
<v Speaker 3>That's true that that's so funny.

0:22:00.560 --> 0:22:02.560
<v Speaker 2>She loves my hot mess of a car. Any But

0:22:02.600 --> 0:22:04.479
<v Speaker 2>you know what the good news is, anything and everything

0:22:04.480 --> 0:22:08.359
<v Speaker 2>you could ever want it's in there. Like, hey, hey, fan, aids,

0:22:08.359 --> 0:22:10.560
<v Speaker 2>don't worry, I got them right here. Not as fall

0:22:10.720 --> 0:22:11.359
<v Speaker 2>for aids.

0:22:11.680 --> 0:22:15.120
<v Speaker 1>Very amazing. Okay, so where were we, Jenny? Where were we?

0:22:15.240 --> 0:22:17.400
<v Speaker 3>Oh well, let's go back to the peach bed after dark,

0:22:17.440 --> 0:22:20.639
<v Speaker 3>where Rush announces that Val is the new owner of

0:22:20.680 --> 0:22:23.080
<v Speaker 3>the peach pit after dark, and you seem happy for

0:22:23.119 --> 0:22:24.440
<v Speaker 3>her and give her a big fake hug.

0:22:25.040 --> 0:22:28.399
<v Speaker 2>Oh okay, so I'd like to I have a question.

0:22:28.760 --> 0:22:31.119
<v Speaker 2>I believe this is the first episode that my hair

0:22:31.359 --> 0:22:32.240
<v Speaker 2>is this length.

0:22:34.480 --> 0:22:37.159
<v Speaker 3>Sure it was last episode, wasn't not?

0:22:37.280 --> 0:22:39.399
<v Speaker 2>The well pieces are gone from the end. It's like

0:22:39.440 --> 0:22:40.520
<v Speaker 2>full on boy in the back.

0:22:41.960 --> 0:22:49.439
<v Speaker 3>Sure, and you hated my short haircut, correct, So, but

0:22:49.520 --> 0:22:49.879
<v Speaker 3>that's you.

0:22:50.000 --> 0:22:52.040
<v Speaker 2>I'm a giving friend. This is about me, and it

0:22:52.119 --> 0:22:55.479
<v Speaker 2>was terrible. And what happened was I went to just

0:22:55.560 --> 0:22:58.280
<v Speaker 2>get my bob whatever it was trimmed at the time,

0:22:58.600 --> 0:23:03.280
<v Speaker 2>and the hairstell is listening, and he took it all off.

0:23:03.640 --> 0:23:07.159
<v Speaker 2>And I sat there, not saying anything, just silently crying

0:23:07.800 --> 0:23:10.720
<v Speaker 2>because you know how I loathed not having any hair

0:23:10.840 --> 0:23:12.919
<v Speaker 2>to do anything with. It was already hard having it

0:23:13.000 --> 0:23:15.080
<v Speaker 2>semi short with a bo Anyway.

0:23:14.800 --> 0:23:17.320
<v Speaker 3>It's short. It's short this episode. Ye'll go it' choppy.

0:23:17.320 --> 0:23:18.920
<v Speaker 2>If you look in the back, it's a real hot

0:23:18.960 --> 0:23:20.360
<v Speaker 2>mesk because he screwed up real bad.

0:23:20.520 --> 0:23:22.679
<v Speaker 3>Let me ask you this. So you walk in on

0:23:23.000 --> 0:23:26.400
<v Speaker 3>Ray and Val they're together in the back room there backstage,

0:23:26.400 --> 0:23:29.399
<v Speaker 3>and you didn't you didn't you're fine that part of

0:23:29.720 --> 0:23:33.760
<v Speaker 3>go to the hug that happened first, you're just sort

0:23:33.800 --> 0:23:35.600
<v Speaker 3>of like, no, the oblivious too, Like.

0:23:35.680 --> 0:23:37.680
<v Speaker 2>Oh, when I came in and I was like dinner,

0:23:37.760 --> 0:23:41.239
<v Speaker 2>but I just left school campus, right, yeah, and I

0:23:41.320 --> 0:23:43.479
<v Speaker 2>really wanted to see Dylan and Donna but didn't get

0:23:43.520 --> 0:23:44.480
<v Speaker 2>to Okay, cool.

0:23:44.640 --> 0:23:46.800
<v Speaker 3>Yeah, okay, So you are okay with it.

0:23:47.359 --> 0:23:50.600
<v Speaker 2>So I was okay with it. So I don't want

0:23:50.640 --> 0:23:52.120
<v Speaker 2>to jump to the end because I know that there's

0:23:52.160 --> 0:23:53.199
<v Speaker 2>everyone over there too.

0:23:53.920 --> 0:23:54.480
<v Speaker 1>I wanted to do.

0:23:54.520 --> 0:23:55.399
<v Speaker 3>We're at the beach pit.

0:23:55.280 --> 0:23:57.320
<v Speaker 2>After I'm going to go out on a limb here

0:23:57.400 --> 0:23:59.560
<v Speaker 2>and I'm going to say, Donna, no.

0:23:59.680 --> 0:24:03.959
<v Speaker 1>I agree with you, Tori. I totally agree with you.

0:24:04.040 --> 0:24:06.920
<v Speaker 1>I briefly said this and we can talk about it more,

0:24:06.920 --> 0:24:10.720
<v Speaker 1>but I'm like, she basically says, it's okay what you did.

0:24:11.320 --> 0:24:14.040
<v Speaker 1>We love each other and we're gonna make it work now.

0:24:14.240 --> 0:24:19.000
<v Speaker 2>It was so like of all fifties housewife, like you know,

0:24:19.280 --> 0:24:21.160
<v Speaker 2>but you don't know, and you're just making a good

0:24:21.280 --> 0:24:22.080
<v Speaker 2>home home.

0:24:21.920 --> 0:24:23.800
<v Speaker 3>Life for your kind of like your haircut.

0:24:24.720 --> 0:24:27.080
<v Speaker 2>Yeah on point, I'm.

0:24:26.840 --> 0:24:28.720
<v Speaker 1>So glad we sort of see it the same.

0:24:28.800 --> 0:24:32.439
<v Speaker 2>It's a hug, she gives her. I didn't agree with

0:24:32.480 --> 0:24:34.760
<v Speaker 2>that hug. It was just I came an awkward in

0:24:34.760 --> 0:24:37.520
<v Speaker 2>that dress from the wrong step. I wish I had

0:24:37.520 --> 0:24:37.920
<v Speaker 2>gone in.

0:24:37.880 --> 0:24:41.159
<v Speaker 3>Deeper with that hug, just to like let her know.

0:24:42.400 --> 0:24:44.919
<v Speaker 2>Not it just would have been so Donna like. It

0:24:44.960 --> 0:24:46.840
<v Speaker 2>wasn't a Donna hug. It was like from far away,

0:24:46.920 --> 0:24:49.960
<v Speaker 2>like I'm a hugger. Donna and I were huggers. Oh.

0:24:50.040 --> 0:24:53.920
<v Speaker 1>I think Donna's more inclined to forgive Valerie or Ray.

0:24:56.280 --> 0:25:00.560
<v Speaker 3>Good question, Ray, Does she have to forgive either of them?

0:25:00.600 --> 0:25:01.119
<v Speaker 1>Oh?

0:25:01.480 --> 0:25:04.479
<v Speaker 2>Great question. I don't think it's about forgiveness to her.

0:25:04.520 --> 0:25:11.080
<v Speaker 2>I think she just is making a choice. Well, we'll

0:25:11.080 --> 0:25:13.520
<v Speaker 2>see in later episodes. I don't think she forgives Valerie,

0:25:13.520 --> 0:25:15.879
<v Speaker 2>but Ray, Yeah, she forgives him.

0:25:16.160 --> 0:25:19.480
<v Speaker 3>We'll go back. We're back at the cu is where

0:25:19.480 --> 0:25:24.359
<v Speaker 3>we are and there's some thievery going on, and Kelly's

0:25:24.359 --> 0:25:27.160
<v Speaker 3>walking with her new best friend Amy never seen her before,

0:25:27.359 --> 0:25:30.440
<v Speaker 3>and once again, someone is looking at them through the bushes.

0:25:30.480 --> 0:25:33.440
<v Speaker 3>Did you love the part where someone was in the bushes.

0:25:33.600 --> 0:25:35.080
<v Speaker 2>Of course, you know, I'll have a good peeper.

0:25:36.119 --> 0:25:37.119
<v Speaker 1>The bushes rustled.

0:25:37.160 --> 0:25:38.480
<v Speaker 2>Do you think he was wearing a coat?

0:25:39.440 --> 0:25:47.159
<v Speaker 3>Ha ha ha ha, No, who is it, I know.

0:25:45.920 --> 0:25:48.560
<v Speaker 1>And we're to believe it's Lenny, Poor.

0:25:48.400 --> 0:25:51.240
<v Speaker 3>Lenny, he's the Yeah, he's everybody's blaming Lenny at.

0:25:51.119 --> 0:25:53.240
<v Speaker 2>This point, stealing bikes and then we're.

0:25:53.400 --> 0:25:55.679
<v Speaker 3>Learning, yeah, we're learning about his problems.

0:25:56.240 --> 0:25:57.439
<v Speaker 1>But it's a bait and sweat.

0:25:57.440 --> 0:26:03.520
<v Speaker 2>He's just a red haring you guys, In case you

0:26:03.520 --> 0:26:06.199
<v Speaker 2>guys don't know what a red herring is, what's a

0:26:06.240 --> 0:26:06.720
<v Speaker 2>red herring?

0:26:07.080 --> 0:26:08.840
<v Speaker 3>You tell me? I was waiting to find out.

0:26:09.040 --> 0:26:11.680
<v Speaker 2>I don't know from way back why they called it red.

0:26:11.840 --> 0:26:15.359
<v Speaker 2>But it's like through a movie or a book when

0:26:15.680 --> 0:26:19.320
<v Speaker 2>they lead you to believe that the villain, let's say,

0:26:19.640 --> 0:26:23.080
<v Speaker 2>is someone and then it's like plot twist, it was

0:26:23.119 --> 0:26:25.480
<v Speaker 2>someone else, and then it's kind of the bait and switch.

0:26:25.520 --> 0:26:27.760
<v Speaker 2>Like Amy said, so we've read herrings, we have bait

0:26:27.800 --> 0:26:30.400
<v Speaker 2>and switch. It's all fishing terminology. We'll have to look

0:26:30.480 --> 0:26:30.800
<v Speaker 2>that up.

0:26:30.880 --> 0:26:31.679
<v Speaker 3>That's interesting.

0:26:33.680 --> 0:26:38.680
<v Speaker 1>It's juicy. The juicy move too would be the double double, right,

0:26:38.880 --> 0:26:42.639
<v Speaker 1>so they make you think it's Leney. Then you're like, no,

0:26:42.680 --> 0:26:45.040
<v Speaker 1>it's not Leney. Oh my god, it was Lenny. You know.

0:26:46.600 --> 0:26:48.600
<v Speaker 3>That's like reverse reverse psychology.

0:26:48.720 --> 0:26:53.000
<v Speaker 2>Yeah, whoa, it was a double double, but anyone else

0:26:53.240 --> 0:26:55.439
<v Speaker 2>get the double double. It really f's you up? Like

0:26:55.680 --> 0:26:58.400
<v Speaker 2>it's a double shot. There you go, singer.

0:27:10.520 --> 0:27:14.000
<v Speaker 3>Back to the peach bit. Ray comes looking for Valerie,

0:27:14.000 --> 0:27:18.760
<v Speaker 3>who is next door installing a dartboard. Wow, really bring

0:27:18.760 --> 0:27:19.360
<v Speaker 3>in business.

0:27:19.359 --> 0:27:26.440
<v Speaker 1>One flag we forgot Andrea that Jesse is on the phone,

0:27:27.200 --> 0:27:30.320
<v Speaker 1>like how much he misses her or whatever. Knock knock, knock,

0:27:30.440 --> 0:27:31.680
<v Speaker 1>and Peter's at the.

0:27:31.880 --> 0:27:37.160
<v Speaker 3>Door, and Jesse says, who's that? Who was my grandma?

0:27:37.400 --> 0:27:39.320
<v Speaker 1>Like, it's just like my grandma.

0:27:40.240 --> 0:27:43.400
<v Speaker 2>These two lie Grandma, I do Grandma.

0:27:43.520 --> 0:27:46.199
<v Speaker 3>I gotta say I like it, but I don't like

0:27:46.440 --> 0:27:47.359
<v Speaker 3>Andrea lying.

0:27:48.400 --> 0:27:50.280
<v Speaker 2>I'm just trying to get over it a little bit.

0:27:50.520 --> 0:27:53.120
<v Speaker 3>Is that fir I am?

0:27:53.880 --> 0:27:56.080
<v Speaker 1>Why do I feel you're still into it? I'm not

0:27:56.119 --> 0:27:59.119
<v Speaker 1>into it. I almost sort of just wish Peter was

0:27:59.119 --> 0:28:02.040
<v Speaker 1>her boyfriend. I'm into the whole like cheating part of it,

0:28:02.280 --> 0:28:06.040
<v Speaker 1>right right, it's gross and it's so not Andrea.

0:28:06.240 --> 0:28:08.439
<v Speaker 3>No, like, it's so not Andrea. Yeah.

0:28:08.560 --> 0:28:11.280
<v Speaker 2>But well, if we could go back in time and

0:28:11.359 --> 0:28:13.320
<v Speaker 2>she wasn't pregnant in real life and they need to

0:28:13.359 --> 0:28:16.240
<v Speaker 2>speed up the storyline, we probably could have had Peter

0:28:16.320 --> 0:28:17.080
<v Speaker 2>as her boyfriend.

0:28:17.119 --> 0:28:21.119
<v Speaker 1>Now I'm more amused by the storyline than like I

0:28:21.119 --> 0:28:24.120
<v Speaker 1>don't hate it, like I am just so disgusted by Valerie.

0:28:24.160 --> 0:28:28.560
<v Speaker 3>But anyway, okay, sorry, So back to the peach pit

0:28:28.600 --> 0:28:32.320
<v Speaker 3>where we're seeing Ray and val again, and Valerie gives

0:28:32.400 --> 0:28:35.679
<v Speaker 3>him an ultimatum either he sleeps with her or he

0:28:35.760 --> 0:28:39.560
<v Speaker 3>cannot perform there anymore. Huh.

0:28:39.600 --> 0:28:41.560
<v Speaker 2>I see that couldn't bet you guys, Like, what the

0:28:41.560 --> 0:28:42.840
<v Speaker 2>hell she's already had on you?

0:28:43.080 --> 0:28:44.680
<v Speaker 1>Can we get to her sight?

0:28:45.280 --> 0:28:48.080
<v Speaker 3>She want him so bad? Yes, I think she's like

0:28:48.120 --> 0:28:50.000
<v Speaker 3>the type of girl that wants what she can't have

0:28:50.160 --> 0:28:51.240
<v Speaker 3>or what she's not supposed to have.

0:28:53.000 --> 0:28:56.240
<v Speaker 2>Wants Dylan. She wants Dylan. She's not taking him down,

0:28:56.640 --> 0:28:58.400
<v Speaker 2>and he's like, oh, it's lonely at the top.

0:28:58.760 --> 0:29:00.480
<v Speaker 1>She is trying to take him down though she said

0:29:00.480 --> 0:29:01.400
<v Speaker 1>gave him drugs.

0:29:02.640 --> 0:29:04.280
<v Speaker 2>She is trying to take him down. You're right, You're right,

0:29:04.320 --> 0:29:08.440
<v Speaker 2>you're right. Just tossed it there, sleep well, okay, Yeah, And.

0:29:08.360 --> 0:29:10.800
<v Speaker 3>Then Valerie tells Claire and David that they need to

0:29:10.800 --> 0:29:13.080
<v Speaker 3>book other people than Ray to get in some new

0:29:13.160 --> 0:29:15.280
<v Speaker 3>blood because now she's a little pissy about it.

0:29:15.680 --> 0:29:17.120
<v Speaker 1>What is wrong with her?

0:29:17.840 --> 0:29:19.720
<v Speaker 3>Let's go to Bruno's restaurant, shall we?

0:29:20.040 --> 0:29:20.200
<v Speaker 4>Oh?

0:29:20.240 --> 0:29:21.080
<v Speaker 2>My God, let's do it.

0:29:21.320 --> 0:29:23.120
<v Speaker 1>I'm glad you're saying it's brunos, because to me it

0:29:23.200 --> 0:29:27.120
<v Speaker 1>was like the palm or like, wasn't it like one

0:29:27.120 --> 0:29:27.560
<v Speaker 1>of those just.

0:29:27.920 --> 0:29:33.320
<v Speaker 3>Little like steakhouse probably the poem Russian Steve meet there

0:29:33.360 --> 0:29:37.520
<v Speaker 3>for their you know, weekly father son dinner and Steve

0:29:37.880 --> 0:29:43.280
<v Speaker 3>actually asks his dad if he slept with Valerie. Fair question,

0:29:44.280 --> 0:29:46.959
<v Speaker 3>I mean, yeah, but should his son have to ask

0:29:47.080 --> 0:29:50.120
<v Speaker 3>his father? That so gross? So gross?

0:29:50.480 --> 0:29:52.280
<v Speaker 1>And I like how rash is just like shutting it

0:29:52.320 --> 0:29:56.480
<v Speaker 1>down and he's like, no, dude, no, And it's a

0:29:56.560 --> 0:29:59.640
<v Speaker 1>negotiation I have with her, and here's your cut, and

0:29:59.640 --> 0:30:01.920
<v Speaker 1>all was sudden. All is right in the world, bring

0:30:01.920 --> 0:30:02.800
<v Speaker 1>me the t bone.

0:30:03.160 --> 0:30:05.360
<v Speaker 3>Steve is like, I don't mind it all now.

0:30:05.880 --> 0:30:09.120
<v Speaker 2>I have a question if we go back, if Valerie

0:30:09.360 --> 0:30:10.960
<v Speaker 2>did want to sleep with them, do you think he

0:30:11.000 --> 0:30:12.160
<v Speaker 2>would have no?

0:30:12.400 --> 0:30:17.480
<v Speaker 1>I actually do not, because he basically says that when

0:30:18.040 --> 0:30:21.920
<v Speaker 1>she when he thinks it, he's like, I'm old.

0:30:21.800 --> 0:30:23.560
<v Speaker 2>Enough to be your father, right, But if you call

0:30:23.600 --> 0:30:25.640
<v Speaker 2>it out, then you can move on and do it.

0:30:27.040 --> 0:30:29.360
<v Speaker 1>Maybe. But I don't think he's that creepy.

0:30:31.120 --> 0:30:33.360
<v Speaker 3>He's got some sort of moral backbone.

0:30:33.480 --> 0:30:36.040
<v Speaker 2>Yeah, yeah, I think her outfit she could have gone

0:30:36.080 --> 0:30:37.040
<v Speaker 2>a little more revealing.

0:30:37.120 --> 0:30:39.680
<v Speaker 3>I think that her opening outfit.

0:30:40.560 --> 0:30:43.600
<v Speaker 2>He got the shoes, and the shoes and the tights

0:30:43.720 --> 0:30:48.240
<v Speaker 2>or nose rosary hosiery.

0:30:51.000 --> 0:30:55.000
<v Speaker 3>So that happened. And then you guys, we see Dylan

0:30:55.120 --> 0:30:58.640
<v Speaker 3>at the public park and he's walking a little nervous

0:30:59.400 --> 0:31:02.479
<v Speaker 3>and he tries to light a weed cigarette. Why am

0:31:02.480 --> 0:31:05.360
<v Speaker 3>I calling it a weed cigarette joint?

0:31:05.560 --> 0:31:06.240
<v Speaker 2>Till you did?

0:31:06.480 --> 0:31:09.840
<v Speaker 3>I know it's a joint, y'all. Dylan is trying to

0:31:10.080 --> 0:31:13.120
<v Speaker 3>light his joint. But what happens because wind, the wind

0:31:13.240 --> 0:31:16.040
<v Speaker 3>se tour the thing is, I am I didn't I

0:31:16.080 --> 0:31:17.800
<v Speaker 3>watched the whole episode, but I can't remember much of

0:31:17.800 --> 0:31:21.920
<v Speaker 3>it because how well medicine last night. So the wind

0:31:22.120 --> 0:31:23.960
<v Speaker 3>knocks out the joint.

0:31:25.320 --> 0:31:27.400
<v Speaker 2>I can't remember the episode because how little I was

0:31:27.400 --> 0:31:27.760
<v Speaker 2>in it.

0:31:29.120 --> 0:31:31.080
<v Speaker 3>Oh my god, do you think I was gonna say that?

0:31:32.320 --> 0:31:33.080
<v Speaker 1>Oh my god?

0:31:34.920 --> 0:31:36.240
<v Speaker 2>Okay, fair, fair, Okay.

0:31:36.960 --> 0:31:39.000
<v Speaker 1>So yeah, the wind is a twist of fate.

0:31:39.200 --> 0:31:40.760
<v Speaker 3>Okay, I love that.

0:31:41.240 --> 0:31:44.360
<v Speaker 2>And do you think that's another callback to alone at

0:31:44.400 --> 0:31:47.240
<v Speaker 2>the top, because when you're at the top of something,

0:31:47.360 --> 0:31:51.800
<v Speaker 2>it's windier than it is low. No, I don't know, No, over,

0:31:53.080 --> 0:31:55.480
<v Speaker 2>I think I don't know.

0:31:56.160 --> 0:31:59.880
<v Speaker 3>I think that, but there is a power, an unknown

0:32:00.480 --> 0:32:03.280
<v Speaker 3>an ah, there's a power in the wind and the

0:32:03.360 --> 0:32:04.720
<v Speaker 3>force and the energy.

0:32:04.560 --> 0:32:08.640
<v Speaker 2>That maybe Jack McKay just had a frame because he's

0:32:08.680 --> 0:32:11.000
<v Speaker 2>not really dead, just went and blew it out.

0:32:11.120 --> 0:32:13.120
<v Speaker 3>Yep, he's not dead.

0:32:13.200 --> 0:32:14.360
<v Speaker 1>What do you mean to.

0:32:14.520 --> 0:32:18.120
<v Speaker 2>I don't know. The whole thing is a red herring.

0:32:18.160 --> 0:32:20.320
<v Speaker 2>It's a double double, maybe a triple, and then we'll

0:32:20.320 --> 0:32:21.320
<v Speaker 2>get to the plot to us.

0:32:21.440 --> 0:32:23.000
<v Speaker 3>Oh god, it's too much for me.

0:32:23.080 --> 0:32:28.560
<v Speaker 1>That's a full acting head move. He really performed that,

0:32:30.920 --> 0:32:31.480
<v Speaker 1>really good.

0:32:32.120 --> 0:32:34.240
<v Speaker 3>So we go to the beach house. Donna is shocked

0:32:34.640 --> 0:32:37.400
<v Speaker 3>when Claire tells her that Valerie doesn't want Ray performing

0:32:37.440 --> 0:32:40.480
<v Speaker 3>at the peach bit, and Donna feels that David has

0:32:40.480 --> 0:32:41.880
<v Speaker 3>stabbed Ray in the back.

0:32:42.280 --> 0:32:45.160
<v Speaker 2>Ray, do you like see it's not valid at all.

0:32:45.240 --> 0:32:50.959
<v Speaker 2>It's David. No blame someone, Yeah, and who is than David.

0:32:51.400 --> 0:32:53.760
<v Speaker 2>I don't want to blame David. I don't want to

0:32:53.760 --> 0:32:57.480
<v Speaker 2>blame Claire for both of their haircuts right now for

0:32:57.600 --> 0:32:59.960
<v Speaker 2>me to look at them right now, But we're getting some.

0:33:01.680 --> 0:33:03.960
<v Speaker 1>I'm so just irritated by the whole thing.

0:33:05.360 --> 0:33:07.600
<v Speaker 3>Yeah. Then we go to Ray's house and we try to, like,

0:33:07.640 --> 0:33:09.320
<v Speaker 3>you know, find out a little bit more about Ray's

0:33:09.320 --> 0:33:12.080
<v Speaker 3>backstory and why he asks the way he does, and

0:33:12.120 --> 0:33:14.440
<v Speaker 3>his mom tells him that he is just like his dad.

0:33:14.520 --> 0:33:19.480
<v Speaker 3>Times get tough and he runs away, but Ray says

0:33:19.480 --> 0:33:21.600
<v Speaker 3>he doesn't want to hurt Donna and he has to

0:33:21.680 --> 0:33:26.880
<v Speaker 3>leave town. Lewan tells Ray to honor his commitment and

0:33:27.000 --> 0:33:30.040
<v Speaker 3>perform at the club for the last time and give

0:33:30.120 --> 0:33:32.800
<v Speaker 3>Donna kiss so she remembers you.

0:33:34.800 --> 0:33:35.480
<v Speaker 2>Kiss.

0:33:35.320 --> 0:33:37.600
<v Speaker 3>It better be a good kiss.

0:33:38.120 --> 0:33:39.000
<v Speaker 2>I tried to look back.

0:33:39.000 --> 0:33:40.920
<v Speaker 1>Okay, it was like a medium kiss. But it will

0:33:40.960 --> 0:33:41.440
<v Speaker 1>get to that.

0:33:41.720 --> 0:33:43.720
<v Speaker 2>It was cold out you guys, your.

0:33:43.640 --> 0:33:48.800
<v Speaker 1>Little dress was very little. We'll get to that. Is

0:33:48.840 --> 0:33:52.840
<v Speaker 1>this where we meet Charlie the like he seems like

0:33:52.880 --> 0:33:58.600
<v Speaker 1>he's the sponsor or, the sort of his AA sponsor.

0:33:58.920 --> 0:34:02.840
<v Speaker 3>Okay, that all right? They had a predetermined meat time

0:34:02.920 --> 0:34:04.800
<v Speaker 3>and then so they go to a diner and meat.

0:34:04.840 --> 0:34:05.640
<v Speaker 3>Is that what's happening?

0:34:05.680 --> 0:34:08.480
<v Speaker 1>Well, I think doesn't he go visit him at his motel?

0:34:08.960 --> 0:34:11.960
<v Speaker 1>I think Charlie works the front desk at the family's motel,

0:34:12.120 --> 0:34:14.799
<v Speaker 1>is how I interpreted it. Oh, and then Dylan goes

0:34:14.800 --> 0:34:16.759
<v Speaker 1>there to see him, and Charlie's kind of like, oh,

0:34:16.840 --> 0:34:18.880
<v Speaker 1>first time I've seen you, and they kind of have

0:34:19.000 --> 0:34:22.040
<v Speaker 1>the talk of I almost lit up the joint, but

0:34:22.160 --> 0:34:24.719
<v Speaker 1>the wind and it's kind of like you gotta get

0:34:24.719 --> 0:34:27.160
<v Speaker 1>over Kelly bro. That's kind of my reenact.

0:34:27.200 --> 0:34:29.960
<v Speaker 3>Wow, I feel like I've watched the whole show now.

0:34:29.960 --> 0:34:32.759
<v Speaker 2>Thank yeah, you're Wellow. I think thanks for performing that.

0:34:32.760 --> 0:34:33.279
<v Speaker 2>That was good.

0:34:33.560 --> 0:34:35.759
<v Speaker 1>Thank you so much. Yeah, and I thought I wasn't

0:34:35.760 --> 0:34:38.480
<v Speaker 1>mad about It's like, you know, we need to address

0:34:38.520 --> 0:34:41.279
<v Speaker 1>his sobriety and also this. You know, I don't need

0:34:41.360 --> 0:34:42.720
<v Speaker 1>him going falling off the wagon.

0:34:43.280 --> 0:34:44.880
<v Speaker 2>I don't need him falling off the wagon.

0:34:45.080 --> 0:34:46.200
<v Speaker 3>I do not need nobody.

0:34:46.360 --> 0:34:48.480
<v Speaker 2>I do need the clothes to get his wardrobe to

0:34:48.480 --> 0:34:51.040
<v Speaker 2>get better. And it seems like when he's sober, he's

0:34:51.080 --> 0:34:54.200
<v Speaker 2>wearing you guys, I'm so sorry. I cannot take the clothes.

0:34:55.000 --> 0:34:57.000
<v Speaker 3>What's he wearing? What's bothering you?

0:34:57.160 --> 0:34:59.319
<v Speaker 2>Well, it's just the jacket, but then there's like a

0:34:59.360 --> 0:35:02.440
<v Speaker 2>polo show at times, it's the button ups. It's just

0:35:02.520 --> 0:35:06.640
<v Speaker 2>like a whole different vibe. I just want the white

0:35:06.680 --> 0:35:07.120
<v Speaker 2>T shirt.

0:35:07.520 --> 0:35:09.960
<v Speaker 1>Yeah, it hasn't been bothering me, but it hasn't been

0:35:10.000 --> 0:35:10.920
<v Speaker 1>standing out to me.

0:35:11.280 --> 0:35:13.320
<v Speaker 3>You really need to let go of the old Dylan

0:35:13.360 --> 0:35:16.959
<v Speaker 3>and let the new Dylan shine through because he's trying

0:35:16.960 --> 0:35:18.440
<v Speaker 3>to reinvent himself.

0:35:20.160 --> 0:35:23.840
<v Speaker 2>I wonder if there was a compromise though, yeah maybe, yeah,

0:35:24.000 --> 0:35:24.600
<v Speaker 2>we'll see.

0:35:25.080 --> 0:35:27.479
<v Speaker 3>So yeah, Charlie tells him that he needs to let

0:35:27.560 --> 0:35:32.680
<v Speaker 3>Kelly go back at the old SEU.

0:35:33.600 --> 0:35:35.680
<v Speaker 2>Wait wait, wait, do you think he's gonna let her go?

0:35:36.040 --> 0:35:37.200
<v Speaker 3>Yeah, he's gonna let her go.

0:35:37.640 --> 0:35:41.480
<v Speaker 2>No wait what hold on? You're going to my numbers,

0:35:41.600 --> 0:35:43.640
<v Speaker 2>but my colors.

0:35:44.320 --> 0:35:48.879
<v Speaker 3>If it's driving him to want to use then he's

0:35:48.920 --> 0:35:52.280
<v Speaker 3>got to do the personal work that's the underlying issue,

0:35:52.640 --> 0:35:55.399
<v Speaker 3>and that means he needs to go without her.

0:35:56.040 --> 0:35:58.799
<v Speaker 2>No, so Bridey has to come first. I understand that.

0:35:59.440 --> 0:36:03.520
<v Speaker 2>I get that, okay, But in his heart, he's not

0:36:03.560 --> 0:36:04.200
<v Speaker 2>gonna let her go.

0:36:04.480 --> 0:36:07.160
<v Speaker 3>No. I don't think they'll ever let each other go,

0:36:07.280 --> 0:36:11.040
<v Speaker 3>But there you go. Brandon complains to Kelly that he's

0:36:11.080 --> 0:36:15.040
<v Speaker 3>tired of people coming to him over campus safety. Well,

0:36:15.320 --> 0:36:16.880
<v Speaker 3>why the heck are you the president?

0:36:17.080 --> 0:36:21.200
<v Speaker 1>Exactly? Bro, this is your one job basically, and also

0:36:21.400 --> 0:36:23.479
<v Speaker 1>you love it exactly, You've been.

0:36:24.239 --> 0:36:26.600
<v Speaker 2>Do it and gets off on itat.

0:36:26.280 --> 0:36:29.200
<v Speaker 1>And it's weird that he's suddenly all complaining about it.

0:36:29.400 --> 0:36:30.560
<v Speaker 1>Very strange.

0:36:30.680 --> 0:36:33.319
<v Speaker 3>Oh yeah, this is where you heard the rumbling right right, Kelly,

0:36:33.320 --> 0:36:36.080
<v Speaker 3>here's a rumble and the bushes. Yeah, and then there's

0:36:36.120 --> 0:36:37.280
<v Speaker 3>a man holding a knife.

0:36:37.320 --> 0:36:40.680
<v Speaker 2>What oh, we're getting so melrose Place. I love it.

0:36:40.760 --> 0:36:43.440
<v Speaker 1>Okay, I know I liked it too. Yeah, very Melrosie.

0:36:43.440 --> 0:36:44.000
<v Speaker 1>I agree.

0:36:44.360 --> 0:36:47.400
<v Speaker 3>Amy, not the Samy. The Amy in the show packs

0:36:47.480 --> 0:36:50.120
<v Speaker 3>up her stuff and tells Claire and David and Lenny

0:36:50.120 --> 0:36:52.640
<v Speaker 3>that she's leaving school because it isn't safe anymore. And

0:36:52.680 --> 0:36:55.080
<v Speaker 3>she says a student was raped in the bushes behind

0:36:55.080 --> 0:36:56.160
<v Speaker 3>the South Quad.

0:36:57.840 --> 0:37:00.839
<v Speaker 1>Who I know is terrifying dark turn.

0:37:01.840 --> 0:37:02.520
<v Speaker 3>Wait, I don't know.

0:37:02.560 --> 0:37:05.160
<v Speaker 2>Why is school still open the asht Town classes?

0:37:05.640 --> 0:37:07.640
<v Speaker 1>No, I don't think they do that. They definitely try

0:37:07.640 --> 0:37:08.719
<v Speaker 1>to get the police on it.

0:37:09.320 --> 0:37:11.200
<v Speaker 2>Okay, this is a real thing.

0:37:12.320 --> 0:37:15.880
<v Speaker 3>Then Lenny walks in, you guys, and the camera pans

0:37:15.960 --> 0:37:18.799
<v Speaker 3>down to his shoes, which look like the shoes that

0:37:18.920 --> 0:37:21.360
<v Speaker 3>belong to the man in the bushes with the knife.

0:37:21.840 --> 0:37:26.080
<v Speaker 3>Don't dum so good. I don't even have to watch

0:37:26.120 --> 0:37:28.640
<v Speaker 3>this show. Why I can read these breakdowns and see

0:37:28.680 --> 0:37:29.359
<v Speaker 3>it all in my head.

0:37:29.480 --> 0:37:31.200
<v Speaker 1>If you here's what I'll say, though, I did an

0:37:31.200 --> 0:37:34.200
<v Speaker 1>experiment last night. A couple nights ago, when I watched this,

0:37:35.040 --> 0:37:36.960
<v Speaker 1>I was like, you know, what. I'm just gonna watch it.

0:37:37.040 --> 0:37:38.560
<v Speaker 1>I'm not going to take any note now, I'm just

0:37:38.560 --> 0:37:39.279
<v Speaker 1>going to watch it.

0:37:40.000 --> 0:37:44.080
<v Speaker 2>Oh my god, me every time I was so missed in.

0:37:44.840 --> 0:37:48.160
<v Speaker 1>I literally after was just like, why is this not

0:37:48.239 --> 0:37:50.279
<v Speaker 1>on the air, Like this should.

0:37:50.040 --> 0:37:53.920
<v Speaker 2>Be a show like anymore? Yeah, like old, I.

0:37:53.920 --> 0:37:56.359
<v Speaker 1>Know, bring it back. I think, Tori, you missed where

0:37:56.400 --> 0:38:00.200
<v Speaker 1>I said Brandon would be governor of California. That's how

0:38:00.200 --> 0:38:04.520
<v Speaker 1>I'm writing characters. Yeah, but like this show is juicy.

0:38:05.040 --> 0:38:06.240
<v Speaker 1>I could watch this now.

0:38:06.520 --> 0:38:08.640
<v Speaker 3>I know it's hard. We watch it as fans, but

0:38:08.800 --> 0:38:11.120
<v Speaker 3>we also when we're working, I mean Amy and I

0:38:11.280 --> 0:38:13.719
<v Speaker 3>we watch it and we stop every few seconds to

0:38:13.719 --> 0:38:15.279
<v Speaker 3>write something down, and then you have to go back

0:38:15.320 --> 0:38:16.320
<v Speaker 3>and you ruins.

0:38:16.320 --> 0:38:18.880
<v Speaker 2>It's And I tried to fit in with them and

0:38:18.960 --> 0:38:21.080
<v Speaker 2>try to do that, and no, it was so hard

0:38:21.120 --> 0:38:22.520
<v Speaker 2>and I just it took me out of it.

0:38:22.800 --> 0:38:26.520
<v Speaker 1>Yeah, it's not as fun to watch it. I enjoyed

0:38:26.680 --> 0:38:29.440
<v Speaker 1>just doing it this other way, this one time, being

0:38:29.520 --> 0:38:31.879
<v Speaker 1>like you know what, I want to just enjoy this,

0:38:32.120 --> 0:38:33.000
<v Speaker 1>and boy did I.

0:38:33.239 --> 0:38:34.240
<v Speaker 3>It is a great episode.

0:38:34.239 --> 0:38:35.759
<v Speaker 2>So what you're saying, Yeah, it's not like nine O

0:38:35.840 --> 0:38:38.320
<v Speaker 2>two one oh Jumped the Shark. It did turn into

0:38:38.360 --> 0:38:41.160
<v Speaker 2>a different type of show. But that type of show

0:38:41.200 --> 0:38:43.839
<v Speaker 2>then could totally be on the air as a show

0:38:43.880 --> 0:38:46.319
<v Speaker 2>now so completely I'm smart ahead of our time.

0:38:46.400 --> 0:38:50.239
<v Speaker 3>Oh I need it back, bring it back, I will.

0:38:50.280 --> 0:38:51.800
<v Speaker 3>I'll take it back to the peach pit. Okay, it

0:38:51.840 --> 0:38:52.520
<v Speaker 3>doesn't need to know.

0:38:52.560 --> 0:38:54.959
<v Speaker 1>I'm saying, Also, rewrite the show and bring it back.

0:38:55.040 --> 0:38:59.640
<v Speaker 3>Now she heard you know what you're saying. I was

0:38:59.680 --> 0:39:04.520
<v Speaker 3>trying to change the subject. Ray WARN's Valerie to stay

0:39:04.520 --> 0:39:07.120
<v Speaker 3>away from Donna or he'll tell her the truth. That

0:39:07.200 --> 0:39:08.480
<v Speaker 3>doesn't seem like a smart plan.

0:39:08.960 --> 0:39:11.000
<v Speaker 1>I feel like he should tell her the truth. I'm

0:39:11.040 --> 0:39:11.920
<v Speaker 1>so sick of this.

0:39:12.000 --> 0:39:15.080
<v Speaker 2>He was going to you guys, he was stepping up.

0:39:15.120 --> 0:39:16.520
<v Speaker 2>He was gonna tell her the truth.

0:39:16.880 --> 0:39:19.920
<v Speaker 3>Dylan comes to give Valerie her weed back and says

0:39:20.000 --> 0:39:24.560
<v Speaker 3>his plans don't include her. Done finished period, love that.

0:39:26.560 --> 0:39:29.120
<v Speaker 3>Kelly sees David and tells him that she appreciates him

0:39:29.320 --> 0:39:31.960
<v Speaker 3>and makes him promise that he'll always be her friend.

0:39:33.280 --> 0:39:35.799
<v Speaker 3>Why why are they having this moment of.

0:39:37.400 --> 0:39:39.359
<v Speaker 2>Oh wait, there's gonna be a reason. Hold on, there's

0:39:39.360 --> 0:39:40.240
<v Speaker 2>a reason for everything.

0:39:40.400 --> 0:39:42.640
<v Speaker 3>What where is this coming from? Is this something like.

0:39:43.080 --> 0:39:44.719
<v Speaker 2>I don't know he was your brother now he's not

0:39:44.760 --> 0:39:46.600
<v Speaker 2>your brother just because they got.

0:39:46.920 --> 0:39:49.319
<v Speaker 3>Ill always be her brother. But like, why is she

0:39:49.520 --> 0:39:50.719
<v Speaker 3>taking this moment too?

0:39:51.600 --> 0:39:52.280
<v Speaker 2>There's a reason.

0:39:52.840 --> 0:39:56.799
<v Speaker 3>Okay. Back at the hospital, Peter tells Andrea that he

0:39:56.880 --> 0:39:58.720
<v Speaker 3>has keys to a hotel.

0:39:58.800 --> 0:39:59.720
<v Speaker 1>Creepy, creepy.

0:40:00.760 --> 0:40:04.640
<v Speaker 2>I know why Kelly appreciates him. It's foreshadowing next episode.

0:40:04.719 --> 0:40:07.480
<v Speaker 1>Keep going, oh, because oh you're right, because uh huh

0:40:07.880 --> 0:40:10.879
<v Speaker 1>yeah yeah, because he yep, I think, well this.

0:40:10.840 --> 0:40:14.240
<v Speaker 3>Is you know that because you've already watched the next episode,

0:40:14.320 --> 0:40:15.319
<v Speaker 3>or you remember she.

0:40:15.360 --> 0:40:17.960
<v Speaker 1>Remembers because it's a big Donna episode, right, Tori?

0:40:18.160 --> 0:40:21.439
<v Speaker 3>Yeah, sorry, okay, because it's all about you that makes

0:40:21.480 --> 0:40:22.360
<v Speaker 3>you remembered it.

0:40:22.400 --> 0:40:25.560
<v Speaker 2>Now, in my mind, I thought it feels good.

0:40:25.760 --> 0:40:27.400
<v Speaker 1>I had a moment where I thought it was Kelly,

0:40:27.440 --> 0:40:34.480
<v Speaker 1>but it's Donna. Yep. Okay, continue cute, Okay, even Andrea

0:40:34.560 --> 0:40:38.360
<v Speaker 1>knows the motel is a creepy little row and just

0:40:38.400 --> 0:40:39.080
<v Speaker 1>beneath her.

0:40:39.040 --> 0:40:41.640
<v Speaker 3>And Gross is it a hotel or a motel?

0:40:41.880 --> 0:40:44.160
<v Speaker 1>It's a no tell motel.

0:40:47.160 --> 0:40:50.239
<v Speaker 3>Gross, I would not as cute as he is.

0:40:51.000 --> 0:40:51.200
<v Speaker 4>No.

0:40:52.360 --> 0:40:55.719
<v Speaker 3>Back on campus, David and Claire invite Lenny to sit

0:40:55.800 --> 0:40:58.520
<v Speaker 3>down with them when the LAPD detective shows up and

0:40:58.560 --> 0:41:03.160
<v Speaker 3>tells him to come with m David and Clara left

0:41:03.200 --> 0:41:06.600
<v Speaker 3>wondering is he the rapist everyone has been looking for.

0:41:07.000 --> 0:41:07.880
<v Speaker 1>I don't think he is.

0:41:08.360 --> 0:41:11.200
<v Speaker 3>I don't know. Back at the peach Bit, Raytail's done,

0:41:11.280 --> 0:41:14.439
<v Speaker 3>he's leaving town because he's booked other gigs. WHOA, that's

0:41:15.600 --> 0:41:16.880
<v Speaker 3>kind of a shocker. I'm sure.

0:41:17.360 --> 0:41:20.160
<v Speaker 1>Yeah, it's kind of like a big deal back then

0:41:20.200 --> 0:41:22.680
<v Speaker 1>because think about like we didn't really have cell phones.

0:41:22.719 --> 0:41:24.760
<v Speaker 1>There's no email in texting.

0:41:24.400 --> 0:41:26.759
<v Speaker 2>Like, oh, you'd have to like literally write a letter.

0:41:26.960 --> 0:41:29.680
<v Speaker 1>Yeah, like you can't piece touch as well as we

0:41:29.719 --> 0:41:31.480
<v Speaker 1>can now now. It's like, look, I see you in

0:41:31.480 --> 0:41:32.800
<v Speaker 1>two weeks. Who cares.

0:41:33.280 --> 0:41:35.400
<v Speaker 3>I used to go on locations during this time and

0:41:36.320 --> 0:41:40.880
<v Speaker 3>I would fax my husband whatever, he was, my boyfriend,

0:41:41.160 --> 0:41:45.239
<v Speaker 3>baby daddy that I would fax Peter. We would fax Peter,

0:41:45.520 --> 0:41:47.120
<v Speaker 3>be each other, back and forth, and we had I

0:41:47.120 --> 0:41:49.239
<v Speaker 3>had have a fax machine in my trailer that was

0:41:49.280 --> 0:41:51.560
<v Speaker 3>like part of my thing, and he would fax me

0:41:51.680 --> 0:41:55.080
<v Speaker 3>like poems and pictures.

0:41:54.320 --> 0:41:55.680
<v Speaker 1>It was so cute.

0:41:56.800 --> 0:41:56.960
<v Speaker 4>Yeah.

0:41:56.960 --> 0:42:01.279
<v Speaker 2>Wait, so when you go out of town when you

0:42:01.320 --> 0:42:03.839
<v Speaker 2>were married to your first husband, what did you do?

0:42:06.640 --> 0:42:09.680
<v Speaker 2>You didn't fax them, which is why I enter Peter Fascinelli.

0:42:09.920 --> 0:42:12.680
<v Speaker 3>Yeah, I didn't my fax machine was broken on that.

0:42:12.719 --> 0:42:16.200
<v Speaker 2>It was fair, Thank god. We were all very happy

0:42:16.200 --> 0:42:18.759
<v Speaker 2>when a fax machine broke during that time, not with Peter.

0:42:19.239 --> 0:42:22.400
<v Speaker 1>Before you could drop pictures.

0:42:23.480 --> 0:42:26.280
<v Speaker 3>I think I still have them. I still have them somewhere.

0:42:26.320 --> 0:42:28.440
<v Speaker 3>But the thing is because I wanted to show the

0:42:28.480 --> 0:42:31.760
<v Speaker 3>girls you know that we did love each other. See.

0:42:32.440 --> 0:42:36.319
<v Speaker 3>But the ink on a fax machine isn't forever. I'm

0:42:36.360 --> 0:42:39.360
<v Speaker 3>just gonna tell you. It goes away like faith so

0:42:39.480 --> 0:42:40.840
<v Speaker 3>much you can't even see what it was.

0:42:42.120 --> 0:42:45.040
<v Speaker 2>You guys, remember when you would like like xerox your

0:42:45.040 --> 0:42:47.240
<v Speaker 2>butt and then sign and send someone.

0:42:47.600 --> 0:42:49.960
<v Speaker 3>I remember xeroxeeing my boobs.

0:42:51.520 --> 0:42:54.920
<v Speaker 2>Wait, wait, shut up, she's saying this and it's all

0:42:54.960 --> 0:42:57.359
<v Speaker 2>coming back to me, and I remember her xeroxying her

0:42:57.440 --> 0:43:01.040
<v Speaker 2>boobs and me xeroxing my butt and then really faxt know,

0:43:01.160 --> 0:43:03.560
<v Speaker 2>we're being like, you know, kind of like eh, and

0:43:03.600 --> 0:43:06.280
<v Speaker 2>like we signed it, and then no one else laughs

0:43:06.280 --> 0:43:07.279
<v Speaker 2>and we're like, cool.

0:43:07.880 --> 0:43:09.320
<v Speaker 3>Let's throw that away.

0:43:09.320 --> 0:43:12.080
<v Speaker 1>Wait, oh my god, I've never done anything like that

0:43:12.120 --> 0:43:13.280
<v Speaker 1>in my life.

0:43:13.760 --> 0:43:16.359
<v Speaker 3>Well, we can go to Kinko's right now.

0:43:16.400 --> 0:43:17.239
<v Speaker 2>I mean, oh my.

0:43:17.160 --> 0:43:19.440
<v Speaker 1>God, But I do remember when xeroxing was such a

0:43:19.440 --> 0:43:22.800
<v Speaker 1>big thing, the big Xerox machine at We're huge.

0:43:23.040 --> 0:43:26.120
<v Speaker 2>Yeah, maybe just do it in the front office just

0:43:26.320 --> 0:43:28.000
<v Speaker 2>to pass the time, and.

0:43:28.800 --> 0:43:30.000
<v Speaker 1>It's pretty hilarious.

0:43:30.160 --> 0:43:32.040
<v Speaker 3>We would do as much destruction in the front office

0:43:32.040 --> 0:43:36.000
<v Speaker 3>as we could, moving their papers around, Yeah, eating their food.

0:43:36.400 --> 0:43:36.640
<v Speaker 2>Yep.

0:43:49.360 --> 0:43:52.000
<v Speaker 3>Back to the peach bit, Ray tells Donna that he's

0:43:52.040 --> 0:43:54.560
<v Speaker 3>leaving town because he's booked other gigs. He tells her

0:43:54.600 --> 0:43:57.120
<v Speaker 3>that he loves her, but there's something else that he

0:43:57.160 --> 0:44:00.000
<v Speaker 3>needs to tell her, and Donna doesn't let him finish.

0:44:00.040 --> 0:44:01.839
<v Speaker 3>He says that's all she needs to know.

0:44:03.920 --> 0:44:07.960
<v Speaker 2>Hm. Now, I was wondering at the time because I'm

0:44:08.000 --> 0:44:09.520
<v Speaker 2>sorry who directed this episode?

0:44:10.400 --> 0:44:12.520
<v Speaker 1>Lobel Victor Lobel.

0:44:14.360 --> 0:44:16.360
<v Speaker 3>Okay ring a Bell.

0:44:18.040 --> 0:44:22.040
<v Speaker 2>Nope, So I don't know. I was just curious, like,

0:44:22.560 --> 0:44:25.759
<v Speaker 2>did someone say to me, like, hey, just know in

0:44:25.800 --> 0:44:28.080
<v Speaker 2>the back of your head, like when you're telling him,

0:44:28.120 --> 0:44:31.640
<v Speaker 2>you know, so say it with confidence and you're fine.

0:44:31.920 --> 0:44:33.600
<v Speaker 2>I feel like, nope, nope.

0:44:33.640 --> 0:44:35.600
<v Speaker 1>Were you made the decision?

0:44:36.000 --> 0:44:36.280
<v Speaker 4>Yeah?

0:44:36.360 --> 0:44:37.920
<v Speaker 2>Oh my god did for me?

0:44:39.600 --> 0:44:39.839
<v Speaker 4>Yeah?

0:44:39.920 --> 0:44:41.839
<v Speaker 2>I mean you could take it two different ways, but yeah,

0:44:41.920 --> 0:44:44.200
<v Speaker 2>I really took it as like she was, like.

0:44:45.239 --> 0:44:50.239
<v Speaker 3>I did too, I know, and that honestly reminds me

0:44:50.400 --> 0:44:55.480
<v Speaker 3>more of you than of Donna totally yeah, but you.

0:44:55.480 --> 0:44:58.360
<v Speaker 1>Were like yeah, I know basically or also that he

0:44:58.440 --> 0:44:59.600
<v Speaker 1>was going to go off and do what he was

0:44:59.640 --> 0:45:02.600
<v Speaker 1>going to do and you were going to stay with him.

0:45:02.680 --> 0:45:06.080
<v Speaker 2>And it was what Jen saying is it probably was

0:45:06.120 --> 0:45:09.759
<v Speaker 2>written as a Donna like it's okay, like I love you,

0:45:10.480 --> 0:45:13.080
<v Speaker 2>but like it was delivered as a toy, which I

0:45:13.160 --> 0:45:14.920
<v Speaker 2>know exactly what went on, but I love you.

0:45:15.920 --> 0:45:19.759
<v Speaker 3>Yeah, that toy that I loves to see come out.

0:45:20.440 --> 0:45:24.760
<v Speaker 2>She does mm hmmm, juicy, she encourages that strong woman.

0:45:24.960 --> 0:45:27.600
<v Speaker 3>Oh yes, oh yes, And that's the episode, you guys.

0:45:27.640 --> 0:45:29.160
<v Speaker 3>That's it. So now I don't know what happens. I

0:45:29.200 --> 0:45:32.880
<v Speaker 3>really apologize if I was a little blank in some spaces,

0:45:32.880 --> 0:45:35.239
<v Speaker 3>but I really feel like I watched it now that

0:45:35.239 --> 0:45:36.319
<v Speaker 3>that we've done this, thank you.

0:45:36.960 --> 0:45:43.040
<v Speaker 1>It's a very good episode. It really is really nice. Well,

0:45:43.080 --> 0:45:44.960
<v Speaker 1>now I'm starting to remember next week?

0:45:46.400 --> 0:45:47.480
<v Speaker 2>Does it go down next week?

0:45:47.560 --> 0:45:48.920
<v Speaker 3>Or I think oh I think.

0:45:48.760 --> 0:45:51.040
<v Speaker 1>It's next week. No, I think it's next week. Is

0:45:51.160 --> 0:45:53.960
<v Speaker 1>Love Hurts at the Apartment?

0:45:54.080 --> 0:45:54.440
<v Speaker 4>Right? Oh?

0:45:54.520 --> 0:46:02.359
<v Speaker 3>No, yeah, okay, our next episode is episode twenty three

0:46:02.480 --> 0:46:05.560
<v Speaker 3>Love Hurts You guys. I feel like this one might

0:46:05.920 --> 0:46:06.840
<v Speaker 3>be tough to watch.

0:46:08.080 --> 0:46:11.640
<v Speaker 2>Oh no, So it's happening for multiple people. Love hurts

0:46:11.800 --> 0:46:15.280
<v Speaker 2>I think, I say, is this it for Peter and Madris?

0:46:15.280 --> 0:46:18.759
<v Speaker 3>Oh, maybe Brandon and Kelly And I don't know.

0:46:19.520 --> 0:46:22.080
<v Speaker 1>I can't remember all the details, but I definitely love

0:46:22.120 --> 0:46:22.560
<v Speaker 1>it though.

0:46:22.760 --> 0:46:24.880
<v Speaker 3>I love it though when a show, like a title

0:46:24.960 --> 0:46:28.120
<v Speaker 3>or a theme for the specific show is in everybody's

0:46:28.120 --> 0:46:32.000
<v Speaker 3>storylines in some manifestation, I love that. So I'm hoping

0:46:32.000 --> 0:46:32.920
<v Speaker 3>this that's what it is?

0:46:33.719 --> 0:46:35.920
<v Speaker 2>Do you want? Can I just point something odd out

0:46:35.960 --> 0:46:38.319
<v Speaker 2>to you guys, And I know everyone won't visually see this,

0:46:38.360 --> 0:46:40.680
<v Speaker 2>what you guys will get it. So as you know,

0:46:40.800 --> 0:46:43.960
<v Speaker 2>my dad smoked a pipe for years. That was his thing,

0:46:44.560 --> 0:46:47.520
<v Speaker 2>and he quit eventually, but he always had his pipe

0:46:47.520 --> 0:46:49.360
<v Speaker 2>and he would talk to you and like hey, babe,

0:46:49.360 --> 0:46:52.400
<v Speaker 2>and like I haven't seen a real, like old fashioned

0:46:52.400 --> 0:46:56.000
<v Speaker 2>pipe in years. And I'm right next to Starbucks. I'm looking.

0:46:56.040 --> 0:46:58.840
<v Speaker 2>There's a man and he has like my dad's glasses

0:46:58.840 --> 0:47:01.360
<v Speaker 2>on a gray hair and needs looking his pipe.

0:47:01.680 --> 0:47:08.560
<v Speaker 3>It's so bizarre he's there. Hello. Those are the things

0:47:08.560 --> 0:47:12.719
<v Speaker 3>that you have to just stay open to and pick up. Yeah,

0:47:12.719 --> 0:47:14.759
<v Speaker 3>and they make you feel good. It happens all day

0:47:14.800 --> 0:47:18.000
<v Speaker 3>if you notice it. Ah, that's so cool. Mm hmm.

0:47:19.880 --> 0:47:23.360
<v Speaker 3>We were talking about that, like when you lose something

0:47:23.440 --> 0:47:25.719
<v Speaker 3>or someone. Sorry we're off on a tangent right now,

0:47:25.920 --> 0:47:29.040
<v Speaker 3>but like when you see signs that remind you of

0:47:29.080 --> 0:47:31.920
<v Speaker 3>someone or that you like. For the longest time, I

0:47:32.000 --> 0:47:34.960
<v Speaker 3>kept seeing Paul Wagner, our producer who we were very

0:47:34.960 --> 0:47:36.960
<v Speaker 3>close with. He died and I would see him all

0:47:37.000 --> 0:47:40.560
<v Speaker 3>the time and I'd be like, wait, that was Paul,

0:47:40.960 --> 0:47:43.080
<v Speaker 3>and I'd be like, wait, no, Paul's dead. It happens

0:47:43.120 --> 0:47:44.840
<v Speaker 3>a lot if you just if you're open to like

0:47:47.600 --> 0:47:50.200
<v Speaker 3>the what if you have those feelings, I just say

0:47:50.239 --> 0:47:53.480
<v Speaker 3>go with it and let it make you feel better

0:47:53.520 --> 0:47:55.520
<v Speaker 3>than bad, because I know when I lost my dad,

0:47:55.840 --> 0:47:59.600
<v Speaker 3>it took me a good three or four years to

0:47:59.640 --> 0:48:02.279
<v Speaker 3>even feel him or see him. And then now it's

0:48:02.320 --> 0:48:03.520
<v Speaker 3>like constantly.

0:48:05.320 --> 0:48:08.120
<v Speaker 2>When things are going really like a moment I need him,

0:48:08.280 --> 0:48:11.040
<v Speaker 2>I will. My dad's pipe smoke was a very distinct

0:48:11.120 --> 0:48:14.560
<v Speaker 2>one and I smell it and I thought I was

0:48:14.560 --> 0:48:16.880
<v Speaker 2>like crazy for and then one time my brother told me,

0:48:16.920 --> 0:48:20.760
<v Speaker 2>He's like, you're gonna think this is wild, but Dad's

0:48:20.800 --> 0:48:23.799
<v Speaker 2>pipe smoke, and I was like, wait, it's happened to me,

0:48:23.960 --> 0:48:25.239
<v Speaker 2>so yeah, I agree with you.

0:48:25.320 --> 0:48:25.480
<v Speaker 1>Jen.

0:48:25.880 --> 0:48:32.319
<v Speaker 3>I love that. And on that note, well, let's get wait,

0:48:32.360 --> 0:48:33.480
<v Speaker 3>what do you guys rate it?

0:48:34.000 --> 0:48:34.920
<v Speaker 2>Oh?

0:48:35.040 --> 0:48:36.720
<v Speaker 3>I don't know how to rate it if I didn't

0:48:36.760 --> 0:48:40.680
<v Speaker 3>see it with my eyeballs all the way through Tory.

0:48:40.400 --> 0:48:41.239
<v Speaker 1>What do you get it?

0:48:41.600 --> 0:48:43.880
<v Speaker 2>I want to give it a ten, but like, but

0:48:44.000 --> 0:48:44.680
<v Speaker 2>next week.

0:48:44.600 --> 0:48:48.440
<v Speaker 3>Is I'm going to give it a ten too, because

0:48:48.480 --> 0:48:50.440
<v Speaker 3>what I did watch I really liked the sneaky thing

0:48:50.480 --> 0:48:53.600
<v Speaker 3>in the bushes and.

0:48:52.480 --> 0:48:54.799
<v Speaker 2>It's just all going on, and the fact that the

0:48:54.840 --> 0:48:59.160
<v Speaker 2>two of you are taking a moment from Jen at

0:48:59.200 --> 0:49:01.440
<v Speaker 2>least Amy is for writing her notes and being in

0:49:01.480 --> 0:49:04.919
<v Speaker 2>the moment, like makes me really happy at this point

0:49:04.920 --> 0:49:06.680
<v Speaker 2>that you guys are into the show like this, Yeah,

0:49:07.600 --> 0:49:09.880
<v Speaker 2>you're feeling it.

0:49:09.880 --> 0:49:11.000
<v Speaker 1>It's real good.

0:49:11.560 --> 0:49:14.880
<v Speaker 3>Well we're gonna feel it next week. Love hurts everybody

0:49:15.000 --> 0:49:16.919
<v Speaker 3>watch it and we will see you there.