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Speaker 1: It's nine Ogen one.

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Speaker 2: With Jenny Garth and Tory spelling.

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Speaker 3: Welcome one, Welcome all. It's another episode of Nina two,

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Speaker 3: and OMG, do you like that opening any better?

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Speaker 1: That was a whole new way.

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Speaker 3: Dory's not here to criticize my opening, so I tried

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Speaker 3: something new and Naws she'll never even know.

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Speaker 1: I auinely liked it.

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Speaker 3: Welcome one, Welcome? Was it welcome one? Welcome all? Yeah,

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Speaker 3: we're just having some technical issues. Her internet is out,

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Speaker 3: her phone is dead, so she's going to find internet

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Speaker 3: down the street. Apparently she's running around the neighborhood with

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Speaker 3: her laptop.

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Speaker 1: She's like running the starbus is hilarious. So it's sort

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Speaker 1: of like, hey, stay tuned, see when she gets the Starbucks.

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Speaker 3: We'll be here exactly, you guys, don't you'll know when

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Speaker 3: we know.

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Speaker 1: I'm still fighting off this cold, so I sound disgusting,

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Speaker 1: but I'm here.

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Speaker 3: It's okay. I think we're both like not on our

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Speaker 3: top game today, I will say.

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Speaker 1: Which could make for the best podcast ever. Maybe you

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Speaker 1: just don't know.

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Speaker 3: Maybe maybe I should take muscle relaxers every night.

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Speaker 1: You poor thing? What happened? Did you have a like

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Speaker 1: a back spasm.

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Speaker 3: No, I have a issue. I don't even want to

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Speaker 3: get into it right now, but get fixed soon. I'll

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Speaker 3: tell you. I'll tell you, guys, I'll tell everybody.

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Speaker 1: But now your hip? Is it your hip? Grandma?

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Speaker 3: Quite possibly? Oh no, I'm not ready to talk about

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Speaker 3: it yet. I'm in denial.

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Speaker 1: Keep me. Oh no, is it with the arthritis? Okay,

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Speaker 1: we won't talk about it now, we won't talk.

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Speaker 3: About Let's talk about Alone at the Top.

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Speaker 1: Oh my gosh, I love this episode.

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Speaker 3: I watched it, you guys. I swear to god, I

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Speaker 3: watched it, but I woke up with my notepad next

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Speaker 3: to me and it had three things written on it.

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Speaker 3: And I don't know what happened. So we are it's

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Speaker 3: gonna come to me. Mm hmm. This is episode five,

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Speaker 3: no Season five. It's already off to a great start.

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Speaker 3: Episode twenty two Alone at the Top aired February twenty second,

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Speaker 3: nineteen ninety five.

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Speaker 1: And it came right back to me, like as soon

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Speaker 1: as there was sort of the lurker in the bushes,

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Speaker 1: I was like, oh my god, that guy's a rapist

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Speaker 1: like me.

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Speaker 3: To give me a synopsis, give me a synopsus. Sky,

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Speaker 3: I don't even know what you're talking about.

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Speaker 1: A crime wave hits the campus of California University and

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Speaker 1: David's buddy is the prime suspect. Meanwhile, Valerie buys her

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Speaker 1: way into the peach bit after dark and tells Ray

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Speaker 1: to hit the bed or hit the road. Dylan is

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Speaker 1: dangerously close to using because he can't get over Kelly

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Speaker 1: and because Valerie sucks uh, and Donna is still in

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Speaker 1: the dark about Rayan Valerie. The director of this episode

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Speaker 1: was directed yes Victor LaBelle lobl Loeblobal.

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Speaker 3: Written by Steve Westerman and Jessica Klein.

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Speaker 1: Oh's what it's so good because immediately I was back

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Speaker 1: when I saw the time, remembering like that's a there's a.

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Speaker 3: Bad guy's bad guy in the bushes, bad guy in

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Speaker 3: the bushes, and you're here.

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Speaker 1: I just was like when they remember what At first

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Speaker 1: he's stealing bikes and I was like, that's not what happens.

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Speaker 1: This guy's a rapist. Like I was like, this is

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Speaker 1: really bad, and then I was right, what, yeahhes at

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Speaker 1: the end he okay, So you might have not remembered this,

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Speaker 1: but at the end of the episode, which we'll go

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Speaker 1: through a scene by scene, don't worry he has attacked

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Speaker 1: a girl because one of the girls in the dorm

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Speaker 1: is like leaving school. She's like, I'm out.

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Speaker 3: I don't like this episode already because me, you feeling.

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Speaker 1: Good and your intuition was so strong, because there's the

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Speaker 1: scene where you and Brandon are walking and you're like,

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Speaker 1: did you hear that? Did you hear that? And that's

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Speaker 1: where the bad guy was there.

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Speaker 3: Oh my gosh, gosh, I have goosebumps everywhere, and I

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Speaker 3: have no idea why you.

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Speaker 1: Want to go through it scene by scene?

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Speaker 3: Sure, but first you want to note trivia. Oh yeah,

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Speaker 3: we talk about Jamie Walters and his songs that we

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Speaker 3: never get to hear ever. But Jamie Walters had fourteen No,

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Speaker 3: he has fourteen million downloads on Spotify for his song

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Speaker 3: hold On.

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Speaker 1: Oh, which is hold On. I remember that one, but

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Speaker 1: that's how do you.

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Speaker 3: Talk to an angel?

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Speaker 1: Wow, that was even a bigger one, I think, so

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Speaker 1: hold on fourteen million?

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Speaker 3: How'd that one go?

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Speaker 1: Hold On? I think I heard it the other day. Oh,

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Speaker 1: I have to sing it later?

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Speaker 3: And did you know this Ray was supposed to the

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Speaker 3: character of Ray was supposed meaning Jamie was supposed to

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Speaker 3: return for season six under a signed one million dollar contract,

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Speaker 3: which I am struggling to agree with. But fans were

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Speaker 3: so upset about Donna going back to him that Aaron

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Speaker 3: Spelling fired him. And we will talk about that once

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Speaker 3: Tory finds her internet, because I really need to get in.

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Speaker 1: And once we get to those scenes. But a million dollars?

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Speaker 1: Were you making a million dollars? Uh?

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Speaker 3: No?

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Speaker 1: So yeah, zero chance?

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Speaker 2: Then I don't.

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Speaker 3: Honestly, I would have to refer to Randy. I have

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Speaker 3: absolutely no idea how much I ever made on that

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Speaker 3: show because I don't do math.

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Speaker 1: A million dollars sounds like a lot back then for

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Speaker 1: a guy who wasn't the main cast.

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Speaker 3: It can't be true. I'm sorry, I'm gonna just.

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Speaker 1: They should have made him likable and given him a

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Speaker 1: million dollars, right like, they should have made him not

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Speaker 1: a cheater, cheater pumpkin eater, and not an abuser.

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Speaker 3: But what is a million when you have a million

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Speaker 3: dollar contract? What is that in your in your bank account?

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Speaker 4: Though?

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Speaker 3: What do you get after taxes, after agents, after lawyers?

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Speaker 1: Oh? Less? Okay? So you get one four hundred maybe

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Speaker 1: three right under?

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Speaker 3: It's under a half.

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Speaker 1: And also, a million dollar contract could be over multiple years,

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Speaker 1: because you could get a million dollar contract that's three

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Speaker 1: years long.

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Speaker 3: Yeah, we don't know, we don't. We didn't read the contract.

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Speaker 3: Don't know, but we're gonna find ounds empty. But let's

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Speaker 3: start in Valerie's hotel room. You wanna you wanna?

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Speaker 1: Yeah, I I am. I like her.

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Speaker 3: I stop lying you. You said I already said you

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Speaker 3: don't like her. Yes, I love to hate her, but

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Speaker 3: I like the character because you like to hate it, Okay.

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Speaker 1: Because I really cannot stand it. She's so creepy, crazy.

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Speaker 1: And then when Rush walked in, I about gagged because

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Speaker 1: I was like.

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Speaker 3: Is this what is this? Is what I think is

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Speaker 3: about to happen? Gonna happen? Is that what I was thinking?

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Speaker 1: Oh? God no.

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Speaker 3: But first she calls Ray's mom, and of course, you

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Speaker 3: know what's her name, lu Anne is sitting there clipping

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Speaker 3: her coupons. That's a good pastime on a Sunday morning, totally,

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Speaker 3: and she lies. She says it Ray's not home, but

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Speaker 3: he's right there.

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Speaker 1: And can reget a cell phone so we don't have

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Speaker 1: to keep calling the mom.

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Speaker 3: No, he doesn't want to be reachable. He's too aloof

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Speaker 3: and mysterious, like.

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Speaker 1: It's just so come on, Okay.

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Speaker 3: So then Rush Sanders, Steve's dad knocks on the door

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Speaker 3: and a sort of.

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Speaker 1: Sexy and cute. So I get it why he's got.

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Speaker 3: That something, He's got that same my little sneaky twinkie

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Speaker 3: in his eye that Steve has, you know.

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Speaker 1: Good casting of a father and son right, very much.

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Speaker 3: So they are so great together and apart they still

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Speaker 3: remind you of each other, which I love.

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Speaker 1: The steak dining scene was cute. We'll get to but.

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Speaker 3: Uh so he he knocks on VAL's door, we all

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Speaker 3: think something really bad, it's about to go down even yeah,

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Speaker 3: but really she wants to buy his share of.

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Speaker 1: The Ppa d the peach pit or where where is

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Speaker 1: this money coming from? She does not have heat. First

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Speaker 1: of all, Dylan gave her ten thousand dollars. Pretend Jonesy

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Speaker 1: gave her fifty thousand dollars like Jonesy didn't give her

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Speaker 1: one hundred thousand dollars, did he?

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Speaker 3: Maybe because maybe she's just making three million or something, right,

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Speaker 3: maybe he did.

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Speaker 1: Maybe he gave her a quarter of a million dollars.

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Speaker 1: I don't know, it's just a crazy down.

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Speaker 3: Well, you never know what kind of deal she worked

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Speaker 3: out with him. Wink wink.

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Speaker 1: What do we think the peach pit cost one hundred

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Speaker 1: grand back then?

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Speaker 3: A business? But it wasn't five hossiful business. I don't know,

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Speaker 3: but it does seem crazy. It seems totally unrealistic that

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Speaker 3: she could just have enough money to buy everything she.

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Speaker 1: Yeah, my calculator is like, does not.

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Speaker 3: Calculators rolling its eyes.

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Speaker 1: Yeah, it's like this is his mom makes sense.

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Speaker 3: But he agrees to negotiate with her, So this is

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Speaker 3: where we're going. We go to the California University and

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Speaker 3: Brandon has surprised Kelly with a sweet little picnic her

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Speaker 3: friend group, concluding Dylan, who is finally back at school.

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Speaker 1: Never has there been a picnic where everyone left thirty

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Speaker 1: seconds after the guest, right?

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Speaker 3: I know, geeze I got to go. I was like,

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Speaker 3: really nice, cute, Yeah, Donna. She runs off for Rayne

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Speaker 3: sound check before Kelly even sits down. I mean, that's

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Speaker 3: her best friend.

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Speaker 1: I thinks seemed peachy with Brandon and Kelly right now,

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Speaker 1: which is kind of like a bit jarring to me, Like, okay,

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Speaker 1: like all of a sudden, just everything's hunky dory. But

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Speaker 1: I'm not mad about it.

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Speaker 3: It does feel like they just swept it under the

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Speaker 3: rug and didn't really address it or deal with it,

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Speaker 3: because there's got to be some residual stuff, you know.

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Speaker 3: And is she ever going to find out about Brandon's

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Speaker 3: Emily situation?

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Speaker 1: I don't think so.

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Speaker 3: No, Oh my god. I want her to find out.

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Speaker 3: I want her to know the truth about where her

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Speaker 3: boyfriend is Dylan, and she knows about it.

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Speaker 1: Hell yeah, true, true. And I guess you were quote

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Speaker 1: broken up at the time.

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Speaker 3: Uh huh. And I was brainwashed in a cult, so

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Speaker 3: I haven't us what's.

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Speaker 1: You've recovered from the cult?

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Speaker 3: So quickly too, I too, just by snap back, I'm

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Speaker 3: a snapperbacker.

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Speaker 1: You really are. And then out of nowhere, which I did.

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Speaker 1: I understand why we had to, but like, out of nowhere, David,

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Speaker 1: did they steal your bike? Like it was just like wait,

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Speaker 1: what was that? I know, all of a sudden, it

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Speaker 1: was just like what And then you learn, oh, there's

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Speaker 1: sort of a crime wave happening.

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Speaker 3: And you see that the bushes are jiggling.

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Speaker 1: But it was like kind of rando at first.

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Speaker 3: I think there was like either a really hungry squirrel

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Speaker 3: in the bushes or that's what we're dealing with Pete.

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Speaker 1: It was very horror movie that was very like Freddy Krueger.

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Speaker 1: Jason is in the bushes kind of a thing, like

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Speaker 1: you're like, oh, you sort of see the boots maybe

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Speaker 1: at one point.

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Speaker 3: Yeah, something's a bruin.

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Speaker 1: Is it your inclination that it's the guy from the dorm?

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Speaker 1: I'm just curious what you're where your head's at.

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Speaker 3: On it the guy from the dorm? What do you mean?

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Speaker 1: So you know David's friend? Can you remember he says

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Speaker 1: that David's got that weird friend at the dorm.

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Speaker 3: Oh, I missed that completely. I just thought it was

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Speaker 3: a big sport.

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Speaker 1: Jenny, this is gonna be a lot to save your

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Speaker 1: comments for Amy talks too much this episode, because look,

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Speaker 1: Tory's got a Wi Fi issue, and Jenny has fully forgotten.

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Speaker 3: The whole I didn't catch that one part about someone

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Speaker 3: being in the dorm, okay. I heard the part about

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Speaker 3: the bikes.

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Speaker 1: Okay, So I'll explain it. So basically, there's this creepy

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Speaker 1: guy that Claire doesn't like that David's become friends with.

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Speaker 1: He's sort of a former I think he was in

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Speaker 1: the army, so he's a bit older, right, and we

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Speaker 1: see music Taste, so David hangs out with him. Yeah,

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Speaker 1: we see him a bunch. We're sort of led to

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Speaker 1: believe he is the bad guy, right, that he is

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Speaker 1: the guy. He's short on money, so we're sort of

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Speaker 1: led to believe that he's the one stealing, and he

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Speaker 1: actually the FEDS or the cops, I don't know who

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Speaker 1: they are. The FBI comes up, and I don't know

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Speaker 1: what the FEDS are. I don't know what it's FBI

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Speaker 1: and the FEDS.

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Speaker 3: The same, that's different letters.

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Speaker 1: So no, they come and interrogate him. If I was

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Speaker 1: only knowing this episode, it's sort of like a bait

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Speaker 1: and switch, Like I don't actually think he's the guy

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Speaker 1: because they've made it too obvious he's the guy. So

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Speaker 1: I don't think he's the guy, But I wanted to

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Speaker 1: see what you thought.

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Speaker 3: You're what we call smart, audience. They're gonna have to

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Speaker 3: do something really twisted to get you.

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Speaker 1: Thank you.

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Speaker 3: Yeah, you have to be real tricky catch me all right?

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Speaker 3: All right, enough about that, We're at the peach Bit

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Speaker 3: after dark. Now. Ray is of course taking a nap

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Speaker 3: backstage because that's what musicians do. Uh, and Valerie walks

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Speaker 3: in on him conveniently and asks, why haven't you returned

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Speaker 3: my calls? Oh, and then she says, it would be

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Speaker 3: in your best interest to treat me with respect.

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Speaker 4: Just so.

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Speaker 3: I love it. I love it. And guess what Donna

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Speaker 3: walks in.

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Speaker 1: I mean, bump, bump bum. It's like before she walked in,

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Speaker 1: I was just like, this is a nightmare.

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Speaker 3: And my girl does not seem concerned whatsoever. She's just she's.

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Speaker 1: All hay valerie, like she's being too doe wide about it,

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Speaker 1: but also like she sees the good and everybody.

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Speaker 3: Maybe she's ahead of it. I don't know. I'm not

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Speaker 3: sure what was going through her mind, but she wasn't

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Speaker 3: a little irked that they were hanging out back there together.

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Speaker 1: And it's sort of like a weird ending, which will

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Speaker 1: get to I don't mean to jump ahead, but like

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Speaker 1: at the end of the episode, she almost to me says,

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Speaker 1: it's okay, whatever you've done. I don't know, we'll get

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Speaker 1: to that. Very Yeah, it's a juicy episode, very juicy.

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Speaker 3: Back to see You where stolen BikeE Girl aka Amy

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Speaker 3: sort of complaints, Yeah, complaints insurance but refuse to buy

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Speaker 3: her another bike, and another student, Lenny, makes fun of her.

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Speaker 1: That's the guy that's the friend of David's. That's sort

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00:14:37,000 --> 00:14:39,000
Speaker 1: of the he's got going to use a collection, and

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Speaker 1: Claire is not sold on him.

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Speaker 3: You know, Claire always had that. She always has that,

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Speaker 3: like you gotta win Claire over before you can get

291
00:14:48,680 --> 00:14:52,240
Speaker 3: in with her. She's little skeptical for some people, which.

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00:14:52,080 --> 00:14:55,440
Speaker 1: I like hooky. Yeah, skeptical, good word, good word.

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00:14:55,520 --> 00:15:08,120
Speaker 4: Yeah.

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Speaker 1: Then we get to Peter and Peter. I mean they

295
00:15:14,760 --> 00:15:18,680
Speaker 1: are really hot and they are yeah, and they are

296
00:15:18,760 --> 00:15:21,760
Speaker 1: really not being careful about their chushion at last.

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Speaker 3: Is not safe at all what's happening.

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Speaker 1: It's also very inappropriate at the workplace, Like that's what's

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00:15:27,400 --> 00:15:29,120
Speaker 1: kind of It's almost like they're doing it right out

300
00:15:29,120 --> 00:15:30,520
Speaker 1: in the open in front of that nurse. And I'm like,

301
00:15:31,080 --> 00:15:33,360
Speaker 1: doesn't don't the other doctors and the people at the

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00:15:33,400 --> 00:15:35,000
Speaker 1: hospital know he's married.

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00:15:35,040 --> 00:15:37,240
Speaker 3: And she's married. And yeah, even.

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Speaker 1: If they don't know she's married, because she's sort of

305
00:15:38,840 --> 00:15:41,120
Speaker 1: the new I don't even know what her job is there.

306
00:15:41,680 --> 00:15:44,720
Speaker 1: But he's been a strip. Yeah, she's sort of like

307
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Speaker 1: an elevated something almost weird. So I don't know, I

308
00:15:51,160 --> 00:15:55,720
Speaker 1: think he's being way too flagrant about it. Is that

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Speaker 1: the word?

310
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Speaker 3: Yeah, yeah he is, but but it's still fun to.

311
00:16:00,960 --> 00:16:05,560
Speaker 1: And we're to assume they're doing it regularly, right, like, yes,

312
00:16:05,680 --> 00:16:08,720
Speaker 1: only at work, like in the closet or something, I guess.

313
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Speaker 1: And then there's that moment where the nurse almost goes

314
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Speaker 1: in the closet and then she does open the door

315
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Speaker 1: and he's like, oh my only want in here, I

316
00:16:15,320 --> 00:16:17,040
Speaker 1: mean the whole thing. I was just like, oh my god.

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Speaker 3: Oh yeah.

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Speaker 1: Yeah.

319
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Speaker 3: Anyway, back to the peach Bit. After dark, Rush announces

320
00:16:22,840 --> 00:16:24,920
Speaker 3: to the crowd that the peach Bit is in a

321
00:16:24,960 --> 00:16:27,800
Speaker 3: new ownership, and everyone is shocked to learn it's Valerie.

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00:16:28,160 --> 00:16:31,000
Speaker 1: First of all, at what club have you ever been

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00:16:31,040 --> 00:16:34,640
Speaker 1: to where the owner announce comes out and makes any

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00:16:34,720 --> 00:16:37,920
Speaker 1: kind of announcement, especially like that they've changed owners.

325
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Speaker 3: It's weird, but it had to happen. So everybody knew

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00:16:41,800 --> 00:16:44,280
Speaker 3: that Valerie was the owner, and of course Donna is

327
00:16:44,320 --> 00:16:46,280
Speaker 3: happy for her and gives her a big fake hug.

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00:16:48,880 --> 00:16:53,560
Speaker 3: Hot mess, just a hot mess. Meanwhile, Dylan's house, Valerie

329
00:16:53,600 --> 00:16:59,480
Speaker 3: shows up with a bag of weed. Yeah, what a

330
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Speaker 3: good friend?

331
00:17:00,120 --> 00:17:01,800
Speaker 1: Are you to say that word?

332
00:17:02,160 --> 00:17:02,800
Speaker 3: You can say?

333
00:17:02,800 --> 00:17:02,880
Speaker 4: What?

334
00:17:03,120 --> 00:17:05,120
Speaker 1: She's so awful?

335
00:17:05,960 --> 00:17:07,680
Speaker 3: She knows he just got out of rehab.

336
00:17:08,119 --> 00:17:12,480
Speaker 1: She is being so bad. I know she's coming over

337
00:17:12,520 --> 00:17:18,120
Speaker 1: with drugs. That is correct, like for all her antics,

338
00:17:18,680 --> 00:17:22,160
Speaker 1: if she wants, if she's cheating, she's cheating, if she's

339
00:17:22,760 --> 00:17:26,000
Speaker 1: whatever she's doing, But like to go over to your

340
00:17:26,119 --> 00:17:30,440
Speaker 1: quote supposed guy you like and give him drugs when

341
00:17:30,480 --> 00:17:32,840
Speaker 1: you know he's sober like that? To me, I was like,

342
00:17:32,920 --> 00:17:33,840
Speaker 1: that's the worst thing.

343
00:17:33,840 --> 00:17:38,680
Speaker 3: And didn't she just flush his drugs down the toilet recently?

344
00:17:38,760 --> 00:17:40,760
Speaker 3: She flushed his little stash down the toilet.

345
00:17:42,480 --> 00:17:44,840
Speaker 1: Yeah, try to clean him up.

346
00:17:44,920 --> 00:17:45,800
Speaker 3: Doesn't make any sense.

347
00:17:46,119 --> 00:17:51,840
Speaker 1: And it's like, Uh, that's where I just go. She's

348
00:17:51,880 --> 00:17:55,159
Speaker 1: just not redeem it. Why are you doing that? And

349
00:17:55,200 --> 00:17:57,800
Speaker 1: then fine, he doesn't want her drugs, So she takes

350
00:17:57,800 --> 00:18:01,840
Speaker 1: her drugs and leaves the one joint or.

351
00:18:01,800 --> 00:18:07,040
Speaker 3: Whatever on the table, one joint just in just in

352
00:18:07,119 --> 00:18:11,719
Speaker 3: case he changes his mind. That is really messed up.

353
00:18:11,760 --> 00:18:11,960
Speaker 2: Beal.

354
00:18:13,240 --> 00:18:14,399
Speaker 1: She's a bad gal.

355
00:18:14,880 --> 00:18:18,879
Speaker 3: She's not redeemable now at this point, this character is

356
00:18:18,920 --> 00:18:25,000
Speaker 3: not redeemable. I'm sorry. So we're at the wash house

357
00:18:25,000 --> 00:18:28,480
Speaker 3: now and Jim and Cindy can't believe that Valerie could

358
00:18:28,560 --> 00:18:33,160
Speaker 3: get after dark, and Cindy wants to know why why

359
00:18:33,200 --> 00:18:35,360
Speaker 3: isn't she sending money back home to her mom who

360
00:18:35,400 --> 00:18:40,760
Speaker 3: needs it. Steve calls and tells Brandon that three frat

361
00:18:40,760 --> 00:18:43,200
Speaker 3: houses got hit last night and he needs to do

362
00:18:43,280 --> 00:18:49,000
Speaker 3: something about it. I mean, okay, Brandon needs to Just

363
00:18:49,080 --> 00:18:52,000
Speaker 3: did he call? Is he calling the police? Also? Like,

364
00:18:52,280 --> 00:18:57,040
Speaker 3: how come it's Brandon's responsibility? And Brandon just because he's

365
00:18:57,040 --> 00:19:01,240
Speaker 3: the president? Okay, you're right here, right, it's because he's Brandon.

366
00:19:02,040 --> 00:19:05,600
Speaker 1: He is the president of the last school? Is he

367
00:19:05,640 --> 00:19:09,040
Speaker 1: the president of the school? I mean, I get he's

368
00:19:09,080 --> 00:19:11,119
Speaker 1: so but hurt, Like why is everybody calling me? And

369
00:19:11,160 --> 00:19:14,360
Speaker 1: it's like I think this is your one job, Like

370
00:19:14,720 --> 00:19:16,400
Speaker 1: you are the president of the school.

371
00:19:18,800 --> 00:19:21,280
Speaker 3: Yeah. Yeah, he's on dust fall on him.

372
00:19:21,240 --> 00:19:23,720
Speaker 1: And it's like he should be doing something though.

373
00:19:24,400 --> 00:19:28,000
Speaker 3: Yeah, he's only Brandon, you know, Walsh, we're trying to

374
00:19:28,080 --> 00:19:31,960
Speaker 3: like run for president. I would vote for him. I

375
00:19:31,960 --> 00:19:37,080
Speaker 3: would vote like president, but I would totally vote for him.

376
00:19:37,200 --> 00:19:39,359
Speaker 3: That's I mean need is a president that looks like

377
00:19:39,400 --> 00:19:41,639
Speaker 3: Brandon Walsh.

378
00:19:41,920 --> 00:19:44,080
Speaker 1: First of all, agree. Second of all, I had a

379
00:19:44,119 --> 00:19:47,520
Speaker 1: conversation the other day about where are the characters now?

380
00:19:47,960 --> 00:19:50,439
Speaker 1: And I actually said that I think Brandon might be

381
00:19:50,520 --> 00:19:53,080
Speaker 1: governor of California. He's very new to me.

382
00:19:54,080 --> 00:19:59,240
Speaker 3: Yes, oh California. Yes me too.

383
00:19:59,680 --> 00:20:02,199
Speaker 1: I think I think you need to write where they

384
00:20:02,240 --> 00:20:04,720
Speaker 1: all are now so we can turn it into something.

385
00:20:04,760 --> 00:20:06,200
Speaker 1: But anyway, I digress.

386
00:20:06,280 --> 00:20:10,240
Speaker 3: Oh my god, thank the Lord serious, you found your WiFi.

387
00:20:10,280 --> 00:20:12,120
Speaker 3: We have tory with us, everybody.

388
00:20:11,800 --> 00:20:12,880
Speaker 1: Thank the Lord is right.

389
00:20:13,040 --> 00:20:18,440
Speaker 2: I was wait wait wait found my WiFi? You lost? Yeah,

390
00:20:18,480 --> 00:20:22,600
Speaker 2: so Spectrum, sorry, I usually love you. Spectrum was out

391
00:20:22,640 --> 00:20:24,480
Speaker 2: since last night, which was a hard thing because you know,

392
00:20:24,520 --> 00:20:26,800
Speaker 2: I don't sleep without TV. So that that was the

393
00:20:26,840 --> 00:20:29,960
Speaker 2: first problem, no Spectrum, and then they said it would

394
00:20:29,960 --> 00:20:31,679
Speaker 2: be back up this morning because I said, we have

395
00:20:31,760 --> 00:20:35,840
Speaker 2: our podcast, but it wasn't, So, you guys, the best

396
00:20:36,200 --> 00:20:38,760
Speaker 2: problem solved and I got in the car and I

397
00:20:38,840 --> 00:20:41,600
Speaker 2: head to Starbucks. But then Starbucks, who always gives you

398
00:20:41,640 --> 00:20:44,400
Speaker 2: free Wi Fi, didn't want to give my computer Wi Fi,

399
00:20:45,520 --> 00:20:48,320
Speaker 2: so I tapped into CVS. Thank you CVS.

400
00:20:48,600 --> 00:20:51,920
Speaker 1: Wait the fact that Torri has a full microphone, you guys,

401
00:20:51,520 --> 00:20:56,520
Speaker 1: to full microphone with a micro flag in her car.

402
00:20:56,960 --> 00:20:58,960
Speaker 2: And you know what, and the only thing I'm like

403
00:20:59,040 --> 00:21:03,840
Speaker 2: mad about right now, you guys, is I'm cool.

404
00:21:03,920 --> 00:21:04,520
Speaker 3: I like it.

405
00:21:04,880 --> 00:21:07,280
Speaker 1: Oh my gosh, we have to post a photo of you, Tori.

406
00:21:07,440 --> 00:21:10,320
Speaker 1: It is so it's iconic. You're literally in your car

407
00:21:10,400 --> 00:21:13,600
Speaker 1: with just a full fledged microphone in.

408
00:21:13,760 --> 00:21:17,840
Speaker 2: La Okay, sorry you guys, so go on. So this

409
00:21:17,920 --> 00:21:20,520
Speaker 2: is one. This is one of my favorite episodes alone

410
00:21:20,520 --> 00:21:21,720
Speaker 2: at the top. So I'm just.

411
00:21:22,160 --> 00:21:24,800
Speaker 1: There's never a time I want the paparazzi to walk

412
00:21:24,800 --> 00:21:29,280
Speaker 1: by you more than right now. It would be.

413
00:21:29,480 --> 00:21:34,320
Speaker 3: Jen caption this, Oh caption this. I'm not going to

414
00:21:34,320 --> 00:21:35,679
Speaker 3: touch that with a ten foot.

415
00:21:35,400 --> 00:21:38,880
Speaker 2: Pole, because an eight foot pole maybe.

416
00:21:39,359 --> 00:21:44,000
Speaker 3: Noway from it topic. It's hilarious, though, I will really

417
00:21:44,080 --> 00:21:45,440
Speaker 3: want somebody to get a picture of.

418
00:21:45,359 --> 00:21:49,480
Speaker 2: You then is and only Jen would know this is

419
00:21:50,160 --> 00:21:53,080
Speaker 2: me hanging out with a microphone out of the car

420
00:21:53,359 --> 00:21:55,560
Speaker 2: would be the least my worries in my car.

421
00:21:57,040 --> 00:22:00,360
Speaker 3: That's true that that's so funny.

422
00:22:00,560 --> 00:22:02,560
Speaker 2: She loves my hot mess of a car. Any But

423
00:22:02,600 --> 00:22:04,479
Speaker 2: you know what the good news is, anything and everything

424
00:22:04,480 --> 00:22:08,359
Speaker 2: you could ever want it's in there. Like, hey, hey, fan, aids,

425
00:22:08,359 --> 00:22:10,560
Speaker 2: don't worry, I got them right here. Not as fall

426
00:22:10,720 --> 00:22:11,359
Speaker 2: for aids.

427
00:22:11,680 --> 00:22:15,120
Speaker 1: Very amazing. Okay, so where were we, Jenny? Where were we?

428
00:22:15,240 --> 00:22:17,400
Speaker 3: Oh well, let's go back to the peach bed after dark,

429
00:22:17,440 --> 00:22:20,639
Speaker 3: where Rush announces that Val is the new owner of

430
00:22:20,680 --> 00:22:23,080
Speaker 3: the peach pit after dark, and you seem happy for

431
00:22:23,119 --> 00:22:24,440
Speaker 3: her and give her a big fake hug.

432
00:22:25,040 --> 00:22:28,399
Speaker 2: Oh okay, so I'd like to I have a question.

433
00:22:28,760 --> 00:22:31,119
Speaker 2: I believe this is the first episode that my hair

434
00:22:31,359 --> 00:22:32,240
Speaker 2: is this length.

435
00:22:34,480 --> 00:22:37,159
Speaker 3: Sure it was last episode, wasn't not?

436
00:22:37,280 --> 00:22:39,399
Speaker 2: The well pieces are gone from the end. It's like

437
00:22:39,440 --> 00:22:40,520
Speaker 2: full on boy in the back.

438
00:22:41,960 --> 00:22:49,439
Speaker 3: Sure, and you hated my short haircut, correct, So, but

439
00:22:49,520 --> 00:22:49,879
Speaker 3: that's you.

440
00:22:50,000 --> 00:22:52,040
Speaker 2: I'm a giving friend. This is about me, and it

441
00:22:52,119 --> 00:22:55,479
Speaker 2: was terrible. And what happened was I went to just

442
00:22:55,560 --> 00:22:58,280
Speaker 2: get my bob whatever it was trimmed at the time,

443
00:22:58,600 --> 00:23:03,280
Speaker 2: and the hairstell is listening, and he took it all off.

444
00:23:03,640 --> 00:23:07,159
Speaker 2: And I sat there, not saying anything, just silently crying

445
00:23:07,800 --> 00:23:10,720
Speaker 2: because you know how I loathed not having any hair

446
00:23:10,840 --> 00:23:12,919
Speaker 2: to do anything with. It was already hard having it

447
00:23:13,000 --> 00:23:15,080
Speaker 2: semi short with a bo Anyway.

448
00:23:14,800 --> 00:23:17,320
Speaker 3: It's short. It's short this episode. Ye'll go it' choppy.

449
00:23:17,320 --> 00:23:18,920
Speaker 2: If you look in the back, it's a real hot

450
00:23:18,960 --> 00:23:20,360
Speaker 2: mesk because he screwed up real bad.

451
00:23:20,520 --> 00:23:22,679
Speaker 3: Let me ask you this. So you walk in on

452
00:23:23,000 --> 00:23:26,400
Speaker 3: Ray and Val they're together in the back room there backstage,

453
00:23:26,400 --> 00:23:29,399
Speaker 3: and you didn't you didn't you're fine that part of

454
00:23:29,720 --> 00:23:33,760
Speaker 3: go to the hug that happened first, you're just sort

455
00:23:33,800 --> 00:23:35,600
Speaker 3: of like, no, the oblivious too, Like.

456
00:23:35,680 --> 00:23:37,680
Speaker 2: Oh, when I came in and I was like dinner,

457
00:23:37,760 --> 00:23:41,239
Speaker 2: but I just left school campus, right, yeah, and I

458
00:23:41,320 --> 00:23:43,479
Speaker 2: really wanted to see Dylan and Donna but didn't get

459
00:23:43,520 --> 00:23:44,480
Speaker 2: to Okay, cool.

460
00:23:44,640 --> 00:23:46,800
Speaker 3: Yeah, okay, So you are okay with it.

461
00:23:47,359 --> 00:23:50,600
Speaker 2: So I was okay with it. So I don't want

462
00:23:50,640 --> 00:23:52,120
Speaker 2: to jump to the end because I know that there's

463
00:23:52,160 --> 00:23:53,199
Speaker 2: everyone over there too.

464
00:23:53,920 --> 00:23:54,480
Speaker 1: I wanted to do.

465
00:23:54,520 --> 00:23:55,399
Speaker 3: We're at the beach pit.

466
00:23:55,280 --> 00:23:57,320
Speaker 2: After I'm going to go out on a limb here

467
00:23:57,400 --> 00:23:59,560
Speaker 2: and I'm going to say, Donna, no.

468
00:23:59,680 --> 00:24:03,959
Speaker 1: I agree with you, Tori. I totally agree with you.

469
00:24:04,040 --> 00:24:06,920
Speaker 1: I briefly said this and we can talk about it more,

470
00:24:06,920 --> 00:24:10,720
Speaker 1: but I'm like, she basically says, it's okay what you did.

471
00:24:11,320 --> 00:24:14,040
Speaker 1: We love each other and we're gonna make it work now.

472
00:24:14,240 --> 00:24:19,000
Speaker 2: It was so like of all fifties housewife, like you know,

473
00:24:19,280 --> 00:24:21,160
Speaker 2: but you don't know, and you're just making a good

474
00:24:21,280 --> 00:24:22,080
Speaker 2: home home.

475
00:24:21,920 --> 00:24:23,800
Speaker 3: Life for your kind of like your haircut.

476
00:24:24,720 --> 00:24:27,080
Speaker 2: Yeah on point, I'm.

477
00:24:26,840 --> 00:24:28,720
Speaker 1: So glad we sort of see it the same.

478
00:24:28,800 --> 00:24:32,439
Speaker 2: It's a hug, she gives her. I didn't agree with

479
00:24:32,480 --> 00:24:34,760
Speaker 2: that hug. It was just I came an awkward in

480
00:24:34,760 --> 00:24:37,520
Speaker 2: that dress from the wrong step. I wish I had

481
00:24:37,520 --> 00:24:37,920
Speaker 2: gone in.

482
00:24:37,880 --> 00:24:41,159
Speaker 3: Deeper with that hug, just to like let her know.

483
00:24:42,400 --> 00:24:44,919
Speaker 2: Not it just would have been so Donna like. It

484
00:24:44,960 --> 00:24:46,840
Speaker 2: wasn't a Donna hug. It was like from far away,

485
00:24:46,920 --> 00:24:49,960
Speaker 2: like I'm a hugger. Donna and I were huggers. Oh.

486
00:24:50,040 --> 00:24:53,920
Speaker 1: I think Donna's more inclined to forgive Valerie or Ray.

487
00:24:56,280 --> 00:25:00,560
Speaker 3: Good question, Ray, Does she have to forgive either of them?

488
00:25:00,600 --> 00:25:01,119
Speaker 1: Oh?

489
00:25:01,480 --> 00:25:04,479
Speaker 2: Great question. I don't think it's about forgiveness to her.

490
00:25:04,520 --> 00:25:11,080
Speaker 2: I think she just is making a choice. Well, we'll

491
00:25:11,080 --> 00:25:13,520
Speaker 2: see in later episodes. I don't think she forgives Valerie,

492
00:25:13,520 --> 00:25:15,879
Speaker 2: but Ray, Yeah, she forgives him.

493
00:25:16,160 --> 00:25:19,480
Speaker 3: We'll go back. We're back at the cu is where

494
00:25:19,480 --> 00:25:24,359
Speaker 3: we are and there's some thievery going on, and Kelly's

495
00:25:24,359 --> 00:25:27,160
Speaker 3: walking with her new best friend Amy never seen her before,

496
00:25:27,359 --> 00:25:30,440
Speaker 3: and once again, someone is looking at them through the bushes.

497
00:25:30,480 --> 00:25:33,440
Speaker 3: Did you love the part where someone was in the bushes.

498
00:25:33,600 --> 00:25:35,080
Speaker 2: Of course, you know, I'll have a good peeper.

499
00:25:36,119 --> 00:25:37,119
Speaker 1: The bushes rustled.

500
00:25:37,160 --> 00:25:38,480
Speaker 2: Do you think he was wearing a coat?

501
00:25:39,440 --> 00:25:47,159
Speaker 3: Ha ha ha ha, No, who is it, I know.

502
00:25:45,920 --> 00:25:48,560
Speaker 1: And we're to believe it's Lenny, Poor.

503
00:25:48,400 --> 00:25:51,240
Speaker 3: Lenny, he's the Yeah, he's everybody's blaming Lenny at.

504
00:25:51,119 --> 00:25:53,240
Speaker 2: This point, stealing bikes and then we're.

505
00:25:53,400 --> 00:25:55,679
Speaker 3: Learning, yeah, we're learning about his problems.

506
00:25:56,240 --> 00:25:57,439
Speaker 1: But it's a bait and sweat.

507
00:25:57,440 --> 00:26:03,520
Speaker 2: He's just a red haring you guys, In case you

508
00:26:03,520 --> 00:26:06,199
Speaker 2: guys don't know what a red herring is, what's a

509
00:26:06,240 --> 00:26:06,720
Speaker 2: red herring?

510
00:26:07,080 --> 00:26:08,840
Speaker 3: You tell me? I was waiting to find out.

511
00:26:09,040 --> 00:26:11,680
Speaker 2: I don't know from way back why they called it red.

512
00:26:11,840 --> 00:26:15,359
Speaker 2: But it's like through a movie or a book when

513
00:26:15,680 --> 00:26:19,320
Speaker 2: they lead you to believe that the villain, let's say,

514
00:26:19,640 --> 00:26:23,080
Speaker 2: is someone and then it's like plot twist, it was

515
00:26:23,119 --> 00:26:25,480
Speaker 2: someone else, and then it's kind of the bait and switch.

516
00:26:25,520 --> 00:26:27,760
Speaker 2: Like Amy said, so we've read herrings, we have bait

517
00:26:27,800 --> 00:26:30,400
Speaker 2: and switch. It's all fishing terminology. We'll have to look

518
00:26:30,480 --> 00:26:30,800
Speaker 2: that up.

519
00:26:30,880 --> 00:26:31,679
Speaker 3: That's interesting.

520
00:26:33,680 --> 00:26:38,680
Speaker 1: It's juicy. The juicy move too would be the double double, right,

521
00:26:38,880 --> 00:26:42,639
Speaker 1: so they make you think it's Leney. Then you're like, no,

522
00:26:42,680 --> 00:26:45,040
Speaker 1: it's not Leney. Oh my god, it was Lenny. You know.

523
00:26:46,600 --> 00:26:48,600
Speaker 3: That's like reverse reverse psychology.

524
00:26:48,720 --> 00:26:53,000
Speaker 2: Yeah, whoa, it was a double double, but anyone else

525
00:26:53,240 --> 00:26:55,439
Speaker 2: get the double double. It really f's you up? Like

526
00:26:55,680 --> 00:26:58,400
Speaker 2: it's a double shot. There you go, singer.

527
00:27:10,520 --> 00:27:14,000
Speaker 3: Back to the peach bit. Ray comes looking for Valerie,

528
00:27:14,000 --> 00:27:18,760
Speaker 3: who is next door installing a dartboard. Wow, really bring

529
00:27:18,760 --> 00:27:19,360
Speaker 3: in business.

530
00:27:19,359 --> 00:27:26,440
Speaker 1: One flag we forgot Andrea that Jesse is on the phone,

531
00:27:27,200 --> 00:27:30,320
Speaker 1: like how much he misses her or whatever. Knock knock, knock,

532
00:27:30,440 --> 00:27:31,680
Speaker 1: and Peter's at the.

533
00:27:31,880 --> 00:27:37,160
Speaker 3: Door, and Jesse says, who's that? Who was my grandma?

534
00:27:37,400 --> 00:27:39,320
Speaker 1: Like, it's just like my grandma.

535
00:27:40,240 --> 00:27:43,400
Speaker 2: These two lie Grandma, I do Grandma.

536
00:27:43,520 --> 00:27:46,199
Speaker 3: I gotta say I like it, but I don't like

537
00:27:46,440 --> 00:27:47,359
Speaker 3: Andrea lying.

538
00:27:48,400 --> 00:27:50,280
Speaker 2: I'm just trying to get over it a little bit.

539
00:27:50,520 --> 00:27:53,120
Speaker 3: Is that fir I am?

540
00:27:53,880 --> 00:27:56,080
Speaker 1: Why do I feel you're still into it? I'm not

541
00:27:56,119 --> 00:27:59,119
Speaker 1: into it. I almost sort of just wish Peter was

542
00:27:59,119 --> 00:28:02,040
Speaker 1: her boyfriend. I'm into the whole like cheating part of it,

543
00:28:02,280 --> 00:28:06,040
Speaker 1: right right, it's gross and it's so not Andrea.

544
00:28:06,240 --> 00:28:08,439
Speaker 3: No, like, it's so not Andrea. Yeah.

545
00:28:08,560 --> 00:28:11,280
Speaker 2: But well, if we could go back in time and

546
00:28:11,359 --> 00:28:13,320
Speaker 2: she wasn't pregnant in real life and they need to

547
00:28:13,359 --> 00:28:16,240
Speaker 2: speed up the storyline, we probably could have had Peter

548
00:28:16,320 --> 00:28:17,080
Speaker 2: as her boyfriend.

549
00:28:17,119 --> 00:28:21,119
Speaker 1: Now I'm more amused by the storyline than like I

550
00:28:21,119 --> 00:28:24,120
Speaker 1: don't hate it, like I am just so disgusted by Valerie.

551
00:28:24,160 --> 00:28:28,560
Speaker 3: But anyway, okay, sorry, So back to the peach pit

552
00:28:28,600 --> 00:28:32,320
Speaker 3: where we're seeing Ray and val again, and Valerie gives

553
00:28:32,400 --> 00:28:35,679
Speaker 3: him an ultimatum either he sleeps with her or he

554
00:28:35,760 --> 00:28:39,560
Speaker 3: cannot perform there anymore. Huh.

555
00:28:39,600 --> 00:28:41,560
Speaker 2: I see that couldn't bet you guys, Like, what the

556
00:28:41,560 --> 00:28:42,840
Speaker 2: hell she's already had on you?

557
00:28:43,080 --> 00:28:44,680
Speaker 1: Can we get to her sight?

558
00:28:45,280 --> 00:28:48,080
Speaker 3: She want him so bad? Yes, I think she's like

559
00:28:48,120 --> 00:28:50,000
Speaker 3: the type of girl that wants what she can't have

560
00:28:50,160 --> 00:28:51,240
Speaker 3: or what she's not supposed to have.

561
00:28:53,000 --> 00:28:56,240
Speaker 2: Wants Dylan. She wants Dylan. She's not taking him down,

562
00:28:56,640 --> 00:28:58,400
Speaker 2: and he's like, oh, it's lonely at the top.

563
00:28:58,760 --> 00:29:00,480
Speaker 1: She is trying to take him down though she said

564
00:29:00,480 --> 00:29:01,400
Speaker 1: gave him drugs.

565
00:29:02,640 --> 00:29:04,280
Speaker 2: She is trying to take him down. You're right, You're right,

566
00:29:04,320 --> 00:29:08,440
Speaker 2: you're right. Just tossed it there, sleep well, okay, Yeah, And.

567
00:29:08,360 --> 00:29:10,800
Speaker 3: Then Valerie tells Claire and David that they need to

568
00:29:10,800 --> 00:29:13,080
Speaker 3: book other people than Ray to get in some new

569
00:29:13,160 --> 00:29:15,280
Speaker 3: blood because now she's a little pissy about it.

570
00:29:15,680 --> 00:29:17,120
Speaker 1: What is wrong with her?

571
00:29:17,840 --> 00:29:19,720
Speaker 3: Let's go to Bruno's restaurant, shall we?

572
00:29:20,040 --> 00:29:20,200
Speaker 4: Oh?

573
00:29:20,240 --> 00:29:21,080
Speaker 2: My God, let's do it.

574
00:29:21,320 --> 00:29:23,120
Speaker 1: I'm glad you're saying it's brunos, because to me it

575
00:29:23,200 --> 00:29:27,120
Speaker 1: was like the palm or like, wasn't it like one

576
00:29:27,120 --> 00:29:27,560
Speaker 1: of those just.

577
00:29:27,920 --> 00:29:33,320
Speaker 3: Little like steakhouse probably the poem Russian Steve meet there

578
00:29:33,360 --> 00:29:37,520
Speaker 3: for their you know, weekly father son dinner and Steve

579
00:29:37,880 --> 00:29:43,280
Speaker 3: actually asks his dad if he slept with Valerie. Fair question,

580
00:29:44,280 --> 00:29:46,959
Speaker 3: I mean, yeah, but should his son have to ask

581
00:29:47,080 --> 00:29:50,120
Speaker 3: his father? That so gross? So gross?

582
00:29:50,480 --> 00:29:52,280
Speaker 1: And I like how rash is just like shutting it

583
00:29:52,320 --> 00:29:56,480
Speaker 1: down and he's like, no, dude, no, And it's a

584
00:29:56,560 --> 00:29:59,640
Speaker 1: negotiation I have with her, and here's your cut, and

585
00:29:59,640 --> 00:30:01,920
Speaker 1: all was sudden. All is right in the world, bring

586
00:30:01,920 --> 00:30:02,800
Speaker 1: me the t bone.

587
00:30:03,160 --> 00:30:05,360
Speaker 3: Steve is like, I don't mind it all now.

588
00:30:05,880 --> 00:30:09,120
Speaker 2: I have a question if we go back, if Valerie

589
00:30:09,360 --> 00:30:10,960
Speaker 2: did want to sleep with them, do you think he

590
00:30:11,000 --> 00:30:12,160
Speaker 2: would have no?

591
00:30:12,400 --> 00:30:17,480
Speaker 1: I actually do not, because he basically says that when

592
00:30:18,040 --> 00:30:21,920
Speaker 1: she when he thinks it, he's like, I'm old.

593
00:30:21,800 --> 00:30:23,560
Speaker 2: Enough to be your father, right, But if you call

594
00:30:23,600 --> 00:30:25,640
Speaker 2: it out, then you can move on and do it.

595
00:30:27,040 --> 00:30:29,360
Speaker 1: Maybe. But I don't think he's that creepy.

596
00:30:31,120 --> 00:30:33,360
Speaker 3: He's got some sort of moral backbone.

597
00:30:33,480 --> 00:30:36,040
Speaker 2: Yeah, yeah, I think her outfit she could have gone

598
00:30:36,080 --> 00:30:37,040
Speaker 2: a little more revealing.

599
00:30:37,120 --> 00:30:39,680
Speaker 3: I think that her opening outfit.

600
00:30:40,560 --> 00:30:43,600
Speaker 2: He got the shoes, and the shoes and the tights

601
00:30:43,720 --> 00:30:48,240
Speaker 2: or nose rosary hosiery.

602
00:30:51,000 --> 00:30:55,000
Speaker 3: So that happened. And then you guys, we see Dylan

603
00:30:55,120 --> 00:30:58,640
Speaker 3: at the public park and he's walking a little nervous

604
00:30:59,400 --> 00:31:02,479
Speaker 3: and he tries to light a weed cigarette. Why am

605
00:31:02,480 --> 00:31:05,360
Speaker 3: I calling it a weed cigarette joint?

606
00:31:05,560 --> 00:31:06,240
Speaker 2: Till you did?

607
00:31:06,480 --> 00:31:09,840
Speaker 3: I know it's a joint, y'all. Dylan is trying to

608
00:31:10,080 --> 00:31:13,120
Speaker 3: light his joint. But what happens because wind, the wind

609
00:31:13,240 --> 00:31:16,040
Speaker 3: se tour the thing is, I am I didn't I

610
00:31:16,080 --> 00:31:17,800
Speaker 3: watched the whole episode, but I can't remember much of

611
00:31:17,800 --> 00:31:21,920
Speaker 3: it because how well medicine last night. So the wind

612
00:31:22,120 --> 00:31:23,960
Speaker 3: knocks out the joint.

613
00:31:25,320 --> 00:31:27,400
Speaker 2: I can't remember the episode because how little I was

614
00:31:27,400 --> 00:31:27,760
Speaker 2: in it.

615
00:31:29,120 --> 00:31:31,080
Speaker 3: Oh my god, do you think I was gonna say that?

616
00:31:32,320 --> 00:31:33,080
Speaker 1: Oh my god?

617
00:31:34,920 --> 00:31:36,240
Speaker 2: Okay, fair, fair, Okay.

618
00:31:36,960 --> 00:31:39,000
Speaker 1: So yeah, the wind is a twist of fate.

619
00:31:39,200 --> 00:31:40,760
Speaker 3: Okay, I love that.

620
00:31:41,240 --> 00:31:44,360
Speaker 2: And do you think that's another callback to alone at

621
00:31:44,400 --> 00:31:47,240
Speaker 2: the top, because when you're at the top of something,

622
00:31:47,360 --> 00:31:51,800
Speaker 2: it's windier than it is low. No, I don't know, No, over,

623
00:31:53,080 --> 00:31:55,480
Speaker 2: I think I don't know.

624
00:31:56,160 --> 00:31:59,880
Speaker 3: I think that, but there is a power, an unknown

625
00:32:00,480 --> 00:32:03,280
Speaker 3: an ah, there's a power in the wind and the

626
00:32:03,360 --> 00:32:04,720
Speaker 3: force and the energy.

627
00:32:04,560 --> 00:32:08,640
Speaker 2: That maybe Jack McKay just had a frame because he's

628
00:32:08,680 --> 00:32:11,000
Speaker 2: not really dead, just went and blew it out.

629
00:32:11,120 --> 00:32:13,120
Speaker 3: Yep, he's not dead.

630
00:32:13,200 --> 00:32:14,360
Speaker 1: What do you mean to.

631
00:32:14,520 --> 00:32:18,120
Speaker 2: I don't know. The whole thing is a red herring.

632
00:32:18,160 --> 00:32:20,320
Speaker 2: It's a double double, maybe a triple, and then we'll

633
00:32:20,320 --> 00:32:21,320
Speaker 2: get to the plot to us.

634
00:32:21,440 --> 00:32:23,000
Speaker 3: Oh god, it's too much for me.

635
00:32:23,080 --> 00:32:28,560
Speaker 1: That's a full acting head move. He really performed that,

636
00:32:30,920 --> 00:32:31,480
Speaker 1: really good.

637
00:32:32,120 --> 00:32:34,240
Speaker 3: So we go to the beach house. Donna is shocked

638
00:32:34,640 --> 00:32:37,400
Speaker 3: when Claire tells her that Valerie doesn't want Ray performing

639
00:32:37,440 --> 00:32:40,480
Speaker 3: at the peach bit, and Donna feels that David has

640
00:32:40,480 --> 00:32:41,880
Speaker 3: stabbed Ray in the back.

641
00:32:42,280 --> 00:32:45,160
Speaker 2: Ray, do you like see it's not valid at all.

642
00:32:45,240 --> 00:32:50,959
Speaker 2: It's David. No blame someone, Yeah, and who is than David.

643
00:32:51,400 --> 00:32:53,760
Speaker 2: I don't want to blame David. I don't want to

644
00:32:53,760 --> 00:32:57,480
Speaker 2: blame Claire for both of their haircuts right now for

645
00:32:57,600 --> 00:32:59,960
Speaker 2: me to look at them right now, But we're getting some.

646
00:33:01,680 --> 00:33:03,960
Speaker 1: I'm so just irritated by the whole thing.

647
00:33:05,360 --> 00:33:07,600
Speaker 3: Yeah. Then we go to Ray's house and we try to, like,

648
00:33:07,640 --> 00:33:09,320
Speaker 3: you know, find out a little bit more about Ray's

649
00:33:09,320 --> 00:33:12,080
Speaker 3: backstory and why he asks the way he does, and

650
00:33:12,120 --> 00:33:14,440
Speaker 3: his mom tells him that he is just like his dad.

651
00:33:14,520 --> 00:33:19,480
Speaker 3: Times get tough and he runs away, but Ray says

652
00:33:19,480 --> 00:33:21,600
Speaker 3: he doesn't want to hurt Donna and he has to

653
00:33:21,680 --> 00:33:26,880
Speaker 3: leave town. Lewan tells Ray to honor his commitment and

654
00:33:27,000 --> 00:33:30,040
Speaker 3: perform at the club for the last time and give

655
00:33:30,120 --> 00:33:32,800
Speaker 3: Donna kiss so she remembers you.

656
00:33:34,800 --> 00:33:35,480
Speaker 2: Kiss.

657
00:33:35,320 --> 00:33:37,600
Speaker 3: It better be a good kiss.

658
00:33:38,120 --> 00:33:39,000
Speaker 2: I tried to look back.

659
00:33:39,000 --> 00:33:40,920
Speaker 1: Okay, it was like a medium kiss. But it will

660
00:33:40,960 --> 00:33:41,440
Speaker 1: get to that.

661
00:33:41,720 --> 00:33:43,720
Speaker 2: It was cold out you guys, your.

662
00:33:43,640 --> 00:33:48,800
Speaker 1: Little dress was very little. We'll get to that. Is

663
00:33:48,840 --> 00:33:52,840
Speaker 1: this where we meet Charlie the like he seems like

664
00:33:52,880 --> 00:33:58,600
Speaker 1: he's the sponsor or, the sort of his AA sponsor.

665
00:33:58,920 --> 00:34:02,840
Speaker 3: Okay, that all right? They had a predetermined meat time

666
00:34:02,920 --> 00:34:04,800
Speaker 3: and then so they go to a diner and meat.

667
00:34:04,840 --> 00:34:05,640
Speaker 3: Is that what's happening?

668
00:34:05,680 --> 00:34:08,480
Speaker 1: Well, I think doesn't he go visit him at his motel?

669
00:34:08,960 --> 00:34:11,960
Speaker 1: I think Charlie works the front desk at the family's motel,

670
00:34:12,120 --> 00:34:14,799
Speaker 1: is how I interpreted it. Oh, and then Dylan goes

671
00:34:14,800 --> 00:34:16,759
Speaker 1: there to see him, and Charlie's kind of like, oh,

672
00:34:16,840 --> 00:34:18,880
Speaker 1: first time I've seen you, and they kind of have

673
00:34:19,000 --> 00:34:22,040
Speaker 1: the talk of I almost lit up the joint, but

674
00:34:22,160 --> 00:34:24,719
Speaker 1: the wind and it's kind of like you gotta get

675
00:34:24,719 --> 00:34:27,160
Speaker 1: over Kelly bro. That's kind of my reenact.

676
00:34:27,200 --> 00:34:29,960
Speaker 3: Wow, I feel like I've watched the whole show now.

677
00:34:29,960 --> 00:34:32,759
Speaker 2: Thank yeah, you're Wellow. I think thanks for performing that.

678
00:34:32,760 --> 00:34:33,279
Speaker 2: That was good.

679
00:34:33,560 --> 00:34:35,759
Speaker 1: Thank you so much. Yeah, and I thought I wasn't

680
00:34:35,760 --> 00:34:38,480
Speaker 1: mad about It's like, you know, we need to address

681
00:34:38,520 --> 00:34:41,279
Speaker 1: his sobriety and also this. You know, I don't need

682
00:34:41,360 --> 00:34:42,720
Speaker 1: him going falling off the wagon.

683
00:34:43,280 --> 00:34:44,880
Speaker 2: I don't need him falling off the wagon.

684
00:34:45,080 --> 00:34:46,200
Speaker 3: I do not need nobody.

685
00:34:46,360 --> 00:34:48,480
Speaker 2: I do need the clothes to get his wardrobe to

686
00:34:48,480 --> 00:34:51,040
Speaker 2: get better. And it seems like when he's sober, he's

687
00:34:51,080 --> 00:34:54,200
Speaker 2: wearing you guys, I'm so sorry. I cannot take the clothes.

688
00:34:55,000 --> 00:34:57,000
Speaker 3: What's he wearing? What's bothering you?

689
00:34:57,160 --> 00:34:59,319
Speaker 2: Well, it's just the jacket, but then there's like a

690
00:34:59,360 --> 00:35:02,440
Speaker 2: polo show at times, it's the button ups. It's just

691
00:35:02,520 --> 00:35:06,640
Speaker 2: like a whole different vibe. I just want the white

692
00:35:06,680 --> 00:35:07,120
Speaker 2: T shirt.

693
00:35:07,520 --> 00:35:09,960
Speaker 1: Yeah, it hasn't been bothering me, but it hasn't been

694
00:35:10,000 --> 00:35:10,920
Speaker 1: standing out to me.

695
00:35:11,280 --> 00:35:13,320
Speaker 3: You really need to let go of the old Dylan

696
00:35:13,360 --> 00:35:16,959
Speaker 3: and let the new Dylan shine through because he's trying

697
00:35:16,960 --> 00:35:18,440
Speaker 3: to reinvent himself.

698
00:35:20,160 --> 00:35:23,840
Speaker 2: I wonder if there was a compromise though, yeah maybe, yeah,

699
00:35:24,000 --> 00:35:24,600
Speaker 2: we'll see.

700
00:35:25,080 --> 00:35:27,479
Speaker 3: So yeah, Charlie tells him that he needs to let

701
00:35:27,560 --> 00:35:32,680
Speaker 3: Kelly go back at the old SEU.

702
00:35:33,600 --> 00:35:35,680
Speaker 2: Wait wait, wait, do you think he's gonna let her go?

703
00:35:36,040 --> 00:35:37,200
Speaker 3: Yeah, he's gonna let her go.

704
00:35:37,640 --> 00:35:41,480
Speaker 2: No wait what hold on? You're going to my numbers,

705
00:35:41,600 --> 00:35:43,640
Speaker 2: but my colors.

706
00:35:44,320 --> 00:35:48,879
Speaker 3: If it's driving him to want to use then he's

707
00:35:48,920 --> 00:35:52,280
Speaker 3: got to do the personal work that's the underlying issue,

708
00:35:52,640 --> 00:35:55,399
Speaker 3: and that means he needs to go without her.

709
00:35:56,040 --> 00:35:58,799
Speaker 2: No, so Bridey has to come first. I understand that.

710
00:35:59,440 --> 00:36:03,520
Speaker 2: I get that, okay, But in his heart, he's not

711
00:36:03,560 --> 00:36:04,200
Speaker 2: gonna let her go.

712
00:36:04,480 --> 00:36:07,160
Speaker 3: No. I don't think they'll ever let each other go,

713
00:36:07,280 --> 00:36:11,040
Speaker 3: But there you go. Brandon complains to Kelly that he's

714
00:36:11,080 --> 00:36:15,040
Speaker 3: tired of people coming to him over campus safety. Well,

715
00:36:15,320 --> 00:36:16,880
Speaker 3: why the heck are you the president?

716
00:36:17,080 --> 00:36:21,200
Speaker 1: Exactly? Bro, this is your one job basically, and also

717
00:36:21,400 --> 00:36:23,479
Speaker 1: you love it exactly, You've been.

718
00:36:24,239 --> 00:36:26,600
Speaker 2: Do it and gets off on itat.

719
00:36:26,280 --> 00:36:29,200
Speaker 1: And it's weird that he's suddenly all complaining about it.

720
00:36:29,400 --> 00:36:30,560
Speaker 1: Very strange.

721
00:36:30,680 --> 00:36:33,319
Speaker 3: Oh yeah, this is where you heard the rumbling right right, Kelly,

722
00:36:33,320 --> 00:36:36,080
Speaker 3: here's a rumble and the bushes. Yeah, and then there's

723
00:36:36,120 --> 00:36:37,280
Speaker 3: a man holding a knife.

724
00:36:37,320 --> 00:36:40,680
Speaker 2: What oh, we're getting so melrose Place. I love it.

725
00:36:40,760 --> 00:36:43,440
Speaker 1: Okay, I know I liked it too. Yeah, very Melrosie.

726
00:36:43,440 --> 00:36:44,000
Speaker 1: I agree.

727
00:36:44,360 --> 00:36:47,400
Speaker 3: Amy, not the Samy. The Amy in the show packs

728
00:36:47,480 --> 00:36:50,120
Speaker 3: up her stuff and tells Claire and David and Lenny

729
00:36:50,120 --> 00:36:52,640
Speaker 3: that she's leaving school because it isn't safe anymore. And

730
00:36:52,680 --> 00:36:55,080
Speaker 3: she says a student was raped in the bushes behind

731
00:36:55,080 --> 00:36:56,160
Speaker 3: the South Quad.

732
00:36:57,840 --> 00:37:00,839
Speaker 1: Who I know is terrifying dark turn.

733
00:37:01,840 --> 00:37:02,520
Speaker 3: Wait, I don't know.

734
00:37:02,560 --> 00:37:05,160
Speaker 2: Why is school still open the asht Town classes?

735
00:37:05,640 --> 00:37:07,640
Speaker 1: No, I don't think they do that. They definitely try

736
00:37:07,640 --> 00:37:08,719
Speaker 1: to get the police on it.

737
00:37:09,320 --> 00:37:11,200
Speaker 2: Okay, this is a real thing.

738
00:37:12,320 --> 00:37:15,880
Speaker 3: Then Lenny walks in, you guys, and the camera pans

739
00:37:15,960 --> 00:37:18,799
Speaker 3: down to his shoes, which look like the shoes that

740
00:37:18,920 --> 00:37:21,360
Speaker 3: belong to the man in the bushes with the knife.

741
00:37:21,840 --> 00:37:26,080
Speaker 3: Don't dum so good. I don't even have to watch

742
00:37:26,120 --> 00:37:28,640
Speaker 3: this show. Why I can read these breakdowns and see

743
00:37:28,680 --> 00:37:29,359
Speaker 3: it all in my head.

744
00:37:29,480 --> 00:37:31,200
Speaker 1: If you here's what I'll say, though, I did an

745
00:37:31,200 --> 00:37:34,200
Speaker 1: experiment last night. A couple nights ago, when I watched this,

746
00:37:35,040 --> 00:37:36,960
Speaker 1: I was like, you know, what. I'm just gonna watch it.

747
00:37:37,040 --> 00:37:38,560
Speaker 1: I'm not going to take any note now, I'm just

748
00:37:38,560 --> 00:37:39,279
Speaker 1: going to watch it.

749
00:37:40,000 --> 00:37:44,080
Speaker 2: Oh my god, me every time I was so missed in.

750
00:37:44,840 --> 00:37:48,160
Speaker 1: I literally after was just like, why is this not

751
00:37:48,239 --> 00:37:50,279
Speaker 1: on the air, Like this should.

752
00:37:50,040 --> 00:37:53,920
Speaker 2: Be a show like anymore? Yeah, like old, I.

753
00:37:53,920 --> 00:37:56,359
Speaker 1: Know, bring it back. I think, Tori, you missed where

754
00:37:56,400 --> 00:38:00,200
Speaker 1: I said Brandon would be governor of California. That's how

755
00:38:00,200 --> 00:38:04,520
Speaker 1: I'm writing characters. Yeah, but like this show is juicy.

756
00:38:05,040 --> 00:38:06,240
Speaker 1: I could watch this now.

757
00:38:06,520 --> 00:38:08,640
Speaker 3: I know it's hard. We watch it as fans, but

758
00:38:08,800 --> 00:38:11,120
Speaker 3: we also when we're working, I mean Amy and I

759
00:38:11,280 --> 00:38:13,719
Speaker 3: we watch it and we stop every few seconds to

760
00:38:13,719 --> 00:38:15,279
Speaker 3: write something down, and then you have to go back

761
00:38:15,320 --> 00:38:16,320
Speaker 3: and you ruins.

762
00:38:16,320 --> 00:38:18,880
Speaker 2: It's And I tried to fit in with them and

763
00:38:18,960 --> 00:38:21,080
Speaker 2: try to do that, and no, it was so hard

764
00:38:21,120 --> 00:38:22,520
Speaker 2: and I just it took me out of it.

765
00:38:22,800 --> 00:38:26,520
Speaker 1: Yeah, it's not as fun to watch it. I enjoyed

766
00:38:26,680 --> 00:38:29,440
Speaker 1: just doing it this other way, this one time, being

767
00:38:29,520 --> 00:38:31,879
Speaker 1: like you know what, I want to just enjoy this,

768
00:38:32,120 --> 00:38:33,000
Speaker 1: and boy did I.

769
00:38:33,239 --> 00:38:34,240
Speaker 3: It is a great episode.

770
00:38:34,239 --> 00:38:35,759
Speaker 2: So what you're saying, Yeah, it's not like nine O

771
00:38:35,840 --> 00:38:38,320
Speaker 2: two one oh Jumped the Shark. It did turn into

772
00:38:38,360 --> 00:38:41,160
Speaker 2: a different type of show. But that type of show

773
00:38:41,200 --> 00:38:43,839
Speaker 2: then could totally be on the air as a show

774
00:38:43,880 --> 00:38:46,319
Speaker 2: now so completely I'm smart ahead of our time.

775
00:38:46,400 --> 00:38:50,239
Speaker 3: Oh I need it back, bring it back, I will.

776
00:38:50,280 --> 00:38:51,800
Speaker 3: I'll take it back to the peach pit. Okay, it

777
00:38:51,840 --> 00:38:52,520
Speaker 3: doesn't need to know.

778
00:38:52,560 --> 00:38:54,959
Speaker 1: I'm saying, Also, rewrite the show and bring it back.

779
00:38:55,040 --> 00:38:59,640
Speaker 3: Now she heard you know what you're saying. I was

780
00:38:59,680 --> 00:39:04,520
Speaker 3: trying to change the subject. Ray WARN's Valerie to stay

781
00:39:04,520 --> 00:39:07,120
Speaker 3: away from Donna or he'll tell her the truth. That

782
00:39:07,200 --> 00:39:08,480
Speaker 3: doesn't seem like a smart plan.

783
00:39:08,960 --> 00:39:11,000
Speaker 1: I feel like he should tell her the truth. I'm

784
00:39:11,040 --> 00:39:11,920
Speaker 1: so sick of this.

785
00:39:12,000 --> 00:39:15,080
Speaker 2: He was going to you guys, he was stepping up.

786
00:39:15,120 --> 00:39:16,520
Speaker 2: He was gonna tell her the truth.

787
00:39:16,880 --> 00:39:19,920
Speaker 3: Dylan comes to give Valerie her weed back and says

788
00:39:20,000 --> 00:39:24,560
Speaker 3: his plans don't include her. Done finished period, love that.

789
00:39:26,560 --> 00:39:29,120
Speaker 3: Kelly sees David and tells him that she appreciates him

790
00:39:29,320 --> 00:39:31,960
Speaker 3: and makes him promise that he'll always be her friend.

791
00:39:33,280 --> 00:39:35,799
Speaker 3: Why why are they having this moment of.

792
00:39:37,400 --> 00:39:39,359
Speaker 2: Oh wait, there's gonna be a reason. Hold on, there's

793
00:39:39,360 --> 00:39:40,240
Speaker 2: a reason for everything.

794
00:39:40,400 --> 00:39:42,640
Speaker 3: What where is this coming from? Is this something like.

795
00:39:43,080 --> 00:39:44,719
Speaker 2: I don't know he was your brother now he's not

796
00:39:44,760 --> 00:39:46,600
Speaker 2: your brother just because they got.

797
00:39:46,920 --> 00:39:49,319
Speaker 3: Ill always be her brother. But like, why is she

798
00:39:49,520 --> 00:39:50,719
Speaker 3: taking this moment too?

799
00:39:51,600 --> 00:39:52,280
Speaker 2: There's a reason.

800
00:39:52,840 --> 00:39:56,799
Speaker 3: Okay. Back at the hospital, Peter tells Andrea that he

801
00:39:56,880 --> 00:39:58,720
Speaker 3: has keys to a hotel.

802
00:39:58,800 --> 00:39:59,720
Speaker 1: Creepy, creepy.

803
00:40:00,760 --> 00:40:04,640
Speaker 2: I know why Kelly appreciates him. It's foreshadowing next episode.

804
00:40:04,719 --> 00:40:07,480
Speaker 1: Keep going, oh, because oh you're right, because uh huh

805
00:40:07,880 --> 00:40:10,879
Speaker 1: yeah yeah, because he yep, I think, well this.

806
00:40:10,840 --> 00:40:14,240
Speaker 3: Is you know that because you've already watched the next episode,

807
00:40:14,320 --> 00:40:15,319
Speaker 3: or you remember she.

808
00:40:15,360 --> 00:40:17,960
Speaker 1: Remembers because it's a big Donna episode, right, Tori?

809
00:40:18,160 --> 00:40:21,439
Speaker 3: Yeah, sorry, okay, because it's all about you that makes

810
00:40:21,480 --> 00:40:22,360
Speaker 3: you remembered it.

811
00:40:22,400 --> 00:40:25,560
Speaker 2: Now, in my mind, I thought it feels good.

812
00:40:25,760 --> 00:40:27,400
Speaker 1: I had a moment where I thought it was Kelly,

813
00:40:27,440 --> 00:40:34,480
Speaker 1: but it's Donna. Yep. Okay, continue cute, Okay, even Andrea

814
00:40:34,560 --> 00:40:38,360
Speaker 1: knows the motel is a creepy little row and just

815
00:40:38,400 --> 00:40:39,080
Speaker 1: beneath her.

816
00:40:39,040 --> 00:40:41,640
Speaker 3: And Gross is it a hotel or a motel?

817
00:40:41,880 --> 00:40:44,160
Speaker 1: It's a no tell motel.

818
00:40:47,160 --> 00:40:50,239
Speaker 3: Gross, I would not as cute as he is.

819
00:40:51,000 --> 00:40:51,200
Speaker 4: No.

820
00:40:52,360 --> 00:40:55,719
Speaker 3: Back on campus, David and Claire invite Lenny to sit

821
00:40:55,800 --> 00:40:58,520
Speaker 3: down with them when the LAPD detective shows up and

822
00:40:58,560 --> 00:41:03,160
Speaker 3: tells him to come with m David and Clara left

823
00:41:03,200 --> 00:41:06,600
Speaker 3: wondering is he the rapist everyone has been looking for.

824
00:41:07,000 --> 00:41:07,880
Speaker 1: I don't think he is.

825
00:41:08,360 --> 00:41:11,200
Speaker 3: I don't know. Back at the peach Bit, Raytail's done,

826
00:41:11,280 --> 00:41:14,439
Speaker 3: he's leaving town because he's booked other gigs. WHOA, that's

827
00:41:15,600 --> 00:41:16,880
Speaker 3: kind of a shocker. I'm sure.

828
00:41:17,360 --> 00:41:20,160
Speaker 1: Yeah, it's kind of like a big deal back then

829
00:41:20,200 --> 00:41:22,680
Speaker 1: because think about like we didn't really have cell phones.

830
00:41:22,719 --> 00:41:24,760
Speaker 1: There's no email in texting.

831
00:41:24,400 --> 00:41:26,759
Speaker 2: Like, oh, you'd have to like literally write a letter.

832
00:41:26,960 --> 00:41:29,680
Speaker 1: Yeah, like you can't piece touch as well as we

833
00:41:29,719 --> 00:41:31,480
Speaker 1: can now now. It's like, look, I see you in

834
00:41:31,480 --> 00:41:32,800
Speaker 1: two weeks. Who cares.

835
00:41:33,280 --> 00:41:35,400
Speaker 3: I used to go on locations during this time and

836
00:41:36,320 --> 00:41:40,880
Speaker 3: I would fax my husband whatever, he was, my boyfriend,

837
00:41:41,160 --> 00:41:45,239
Speaker 3: baby daddy that I would fax Peter. We would fax Peter,

838
00:41:45,520 --> 00:41:47,120
Speaker 3: be each other, back and forth, and we had I

839
00:41:47,120 --> 00:41:49,239
Speaker 3: had have a fax machine in my trailer that was

840
00:41:49,280 --> 00:41:51,560
Speaker 3: like part of my thing, and he would fax me

841
00:41:51,680 --> 00:41:55,080
Speaker 3: like poems and pictures.

842
00:41:54,320 --> 00:41:55,680
Speaker 1: It was so cute.

843
00:41:56,800 --> 00:41:56,960
Speaker 4: Yeah.

844
00:41:56,960 --> 00:42:01,279
Speaker 2: Wait, so when you go out of town when you

845
00:42:01,320 --> 00:42:03,839
Speaker 2: were married to your first husband, what did you do?

846
00:42:06,640 --> 00:42:09,680
Speaker 2: You didn't fax them, which is why I enter Peter Fascinelli.

847
00:42:09,920 --> 00:42:12,680
Speaker 3: Yeah, I didn't my fax machine was broken on that.

848
00:42:12,719 --> 00:42:16,200
Speaker 2: It was fair, Thank god. We were all very happy

849
00:42:16,200 --> 00:42:18,759
Speaker 2: when a fax machine broke during that time, not with Peter.

850
00:42:19,239 --> 00:42:22,400
Speaker 1: Before you could drop pictures.

851
00:42:23,480 --> 00:42:26,280
Speaker 3: I think I still have them. I still have them somewhere.

852
00:42:26,320 --> 00:42:28,440
Speaker 3: But the thing is because I wanted to show the

853
00:42:28,480 --> 00:42:31,760
Speaker 3: girls you know that we did love each other. See.

854
00:42:32,440 --> 00:42:36,319
Speaker 3: But the ink on a fax machine isn't forever. I'm

855
00:42:36,360 --> 00:42:39,360
Speaker 3: just gonna tell you. It goes away like faith so

856
00:42:39,480 --> 00:42:40,840
Speaker 3: much you can't even see what it was.

857
00:42:42,120 --> 00:42:45,040
Speaker 2: You guys, remember when you would like like xerox your

858
00:42:45,040 --> 00:42:47,240
Speaker 2: butt and then sign and send someone.

859
00:42:47,600 --> 00:42:49,960
Speaker 3: I remember xeroxeeing my boobs.

860
00:42:51,520 --> 00:42:54,920
Speaker 2: Wait, wait, shut up, she's saying this and it's all

861
00:42:54,960 --> 00:42:57,359
Speaker 2: coming back to me, and I remember her xeroxying her

862
00:42:57,440 --> 00:43:01,040
Speaker 2: boobs and me xeroxing my butt and then really faxt know,

863
00:43:01,160 --> 00:43:03,560
Speaker 2: we're being like, you know, kind of like eh, and

864
00:43:03,600 --> 00:43:06,280
Speaker 2: like we signed it, and then no one else laughs

865
00:43:06,280 --> 00:43:07,279
Speaker 2: and we're like, cool.

866
00:43:07,880 --> 00:43:09,320
Speaker 3: Let's throw that away.

867
00:43:09,320 --> 00:43:12,080
Speaker 1: Wait, oh my god, I've never done anything like that

868
00:43:12,120 --> 00:43:13,280
Speaker 1: in my life.

869
00:43:13,760 --> 00:43:16,359
Speaker 3: Well, we can go to Kinko's right now.

870
00:43:16,400 --> 00:43:17,239
Speaker 2: I mean, oh my.

871
00:43:17,160 --> 00:43:19,440
Speaker 1: God, But I do remember when xeroxing was such a

872
00:43:19,440 --> 00:43:22,800
Speaker 1: big thing, the big Xerox machine at We're huge.

873
00:43:23,040 --> 00:43:26,120
Speaker 2: Yeah, maybe just do it in the front office just

874
00:43:26,320 --> 00:43:28,000
Speaker 2: to pass the time, and.

875
00:43:28,800 --> 00:43:30,000
Speaker 1: It's pretty hilarious.

876
00:43:30,160 --> 00:43:32,040
Speaker 3: We would do as much destruction in the front office

877
00:43:32,040 --> 00:43:36,000
Speaker 3: as we could, moving their papers around, Yeah, eating their food.

878
00:43:36,400 --> 00:43:36,640
Speaker 2: Yep.

879
00:43:49,360 --> 00:43:52,000
Speaker 3: Back to the peach bit, Ray tells Donna that he's

880
00:43:52,040 --> 00:43:54,560
Speaker 3: leaving town because he's booked other gigs. He tells her

881
00:43:54,600 --> 00:43:57,120
Speaker 3: that he loves her, but there's something else that he

882
00:43:57,160 --> 00:44:00,000
Speaker 3: needs to tell her, and Donna doesn't let him finish.

883
00:44:00,040 --> 00:44:01,839
Speaker 3: He says that's all she needs to know.

884
00:44:03,920 --> 00:44:07,960
Speaker 2: Hm. Now, I was wondering at the time because I'm

885
00:44:08,000 --> 00:44:09,520
Speaker 2: sorry who directed this episode?

886
00:44:10,400 --> 00:44:12,520
Speaker 1: Lobel Victor Lobel.

887
00:44:14,360 --> 00:44:16,360
Speaker 3: Okay ring a Bell.

888
00:44:18,040 --> 00:44:22,040
Speaker 2: Nope, So I don't know. I was just curious, like,

889
00:44:22,560 --> 00:44:25,759
Speaker 2: did someone say to me, like, hey, just know in

890
00:44:25,800 --> 00:44:28,080
Speaker 2: the back of your head, like when you're telling him,

891
00:44:28,120 --> 00:44:31,640
Speaker 2: you know, so say it with confidence and you're fine.

892
00:44:31,920 --> 00:44:33,600
Speaker 2: I feel like, nope, nope.

893
00:44:33,640 --> 00:44:35,600
Speaker 1: Were you made the decision?

894
00:44:36,000 --> 00:44:36,280
Speaker 4: Yeah?

895
00:44:36,360 --> 00:44:37,920
Speaker 2: Oh my god did for me?

896
00:44:39,600 --> 00:44:39,839
Speaker 4: Yeah?

897
00:44:39,920 --> 00:44:41,839
Speaker 2: I mean you could take it two different ways, but yeah,

898
00:44:41,920 --> 00:44:44,200
Speaker 2: I really took it as like she was, like.

899
00:44:45,239 --> 00:44:50,239
Speaker 3: I did too, I know, and that honestly reminds me

900
00:44:50,400 --> 00:44:55,480
Speaker 3: more of you than of Donna totally yeah, but you.

901
00:44:55,480 --> 00:44:58,360
Speaker 1: Were like yeah, I know basically or also that he

902
00:44:58,440 --> 00:44:59,600
Speaker 1: was going to go off and do what he was

903
00:44:59,640 --> 00:45:02,600
Speaker 1: going to do and you were going to stay with him.

904
00:45:02,680 --> 00:45:06,080
Speaker 2: And it was what Jen saying is it probably was

905
00:45:06,120 --> 00:45:09,759
Speaker 2: written as a Donna like it's okay, like I love you,

906
00:45:10,480 --> 00:45:13,080
Speaker 2: but like it was delivered as a toy, which I

907
00:45:13,160 --> 00:45:14,920
Speaker 2: know exactly what went on, but I love you.

908
00:45:15,920 --> 00:45:19,759
Speaker 3: Yeah, that toy that I loves to see come out.

909
00:45:20,440 --> 00:45:24,760
Speaker 2: She does mm hmmm, juicy, she encourages that strong woman.

910
00:45:24,960 --> 00:45:27,600
Speaker 3: Oh yes, oh yes, And that's the episode, you guys.

911
00:45:27,640 --> 00:45:29,160
Speaker 3: That's it. So now I don't know what happens. I

912
00:45:29,200 --> 00:45:32,880
Speaker 3: really apologize if I was a little blank in some spaces,

913
00:45:32,880 --> 00:45:35,239
Speaker 3: but I really feel like I watched it now that

914
00:45:35,239 --> 00:45:36,319
Speaker 3: that we've done this, thank you.

915
00:45:36,960 --> 00:45:43,040
Speaker 1: It's a very good episode. It really is really nice. Well,

916
00:45:43,080 --> 00:45:44,960
Speaker 1: now I'm starting to remember next week?

917
00:45:46,400 --> 00:45:47,480
Speaker 2: Does it go down next week?

918
00:45:47,560 --> 00:45:48,920
Speaker 3: Or I think oh I think.

919
00:45:48,760 --> 00:45:51,040
Speaker 1: It's next week. No, I think it's next week. Is

920
00:45:51,160 --> 00:45:53,960
Speaker 1: Love Hurts at the Apartment?

921
00:45:54,080 --> 00:45:54,440
Speaker 4: Right? Oh?

922
00:45:54,520 --> 00:46:02,359
Speaker 3: No, yeah, okay, our next episode is episode twenty three

923
00:46:02,480 --> 00:46:05,560
Speaker 3: Love Hurts You guys. I feel like this one might

924
00:46:05,920 --> 00:46:06,840
Speaker 3: be tough to watch.

925
00:46:08,080 --> 00:46:11,640
Speaker 2: Oh no, So it's happening for multiple people. Love hurts

926
00:46:11,800 --> 00:46:15,280
Speaker 2: I think, I say, is this it for Peter and Madris?

927
00:46:15,280 --> 00:46:18,759
Speaker 3: Oh, maybe Brandon and Kelly And I don't know.

928
00:46:19,520 --> 00:46:22,080
Speaker 1: I can't remember all the details, but I definitely love

929
00:46:22,120 --> 00:46:22,560
Speaker 1: it though.

930
00:46:22,760 --> 00:46:24,880
Speaker 3: I love it though when a show, like a title

931
00:46:24,960 --> 00:46:28,120
Speaker 3: or a theme for the specific show is in everybody's

932
00:46:28,120 --> 00:46:32,000
Speaker 3: storylines in some manifestation, I love that. So I'm hoping

933
00:46:32,000 --> 00:46:32,920
Speaker 3: this that's what it is?

934
00:46:33,719 --> 00:46:35,920
Speaker 2: Do you want? Can I just point something odd out

935
00:46:35,960 --> 00:46:38,319
Speaker 2: to you guys, And I know everyone won't visually see this,

936
00:46:38,360 --> 00:46:40,680
Speaker 2: what you guys will get it. So as you know,

937
00:46:40,800 --> 00:46:43,960
Speaker 2: my dad smoked a pipe for years. That was his thing,

938
00:46:44,560 --> 00:46:47,520
Speaker 2: and he quit eventually, but he always had his pipe

939
00:46:47,520 --> 00:46:49,360
Speaker 2: and he would talk to you and like hey, babe,

940
00:46:49,360 --> 00:46:52,400
Speaker 2: and like I haven't seen a real, like old fashioned

941
00:46:52,400 --> 00:46:56,000
Speaker 2: pipe in years. And I'm right next to Starbucks. I'm looking.

942
00:46:56,040 --> 00:46:58,840
Speaker 2: There's a man and he has like my dad's glasses

943
00:46:58,840 --> 00:47:01,360
Speaker 2: on a gray hair and needs looking his pipe.

944
00:47:01,680 --> 00:47:08,560
Speaker 3: It's so bizarre he's there. Hello. Those are the things

945
00:47:08,560 --> 00:47:12,719
Speaker 3: that you have to just stay open to and pick up. Yeah,

946
00:47:12,719 --> 00:47:14,759
Speaker 3: and they make you feel good. It happens all day

947
00:47:14,800 --> 00:47:18,000
Speaker 3: if you notice it. Ah, that's so cool. Mm hmm.

948
00:47:19,880 --> 00:47:23,360
Speaker 3: We were talking about that, like when you lose something

949
00:47:23,440 --> 00:47:25,719
Speaker 3: or someone. Sorry we're off on a tangent right now,

950
00:47:25,920 --> 00:47:29,040
Speaker 3: but like when you see signs that remind you of

951
00:47:29,080 --> 00:47:31,920
Speaker 3: someone or that you like. For the longest time, I

952
00:47:32,000 --> 00:47:34,960
Speaker 3: kept seeing Paul Wagner, our producer who we were very

953
00:47:34,960 --> 00:47:36,960
Speaker 3: close with. He died and I would see him all

954
00:47:37,000 --> 00:47:40,560
Speaker 3: the time and I'd be like, wait, that was Paul,

955
00:47:40,960 --> 00:47:43,080
Speaker 3: and I'd be like, wait, no, Paul's dead. It happens

956
00:47:43,120 --> 00:47:44,840
Speaker 3: a lot if you just if you're open to like

957
00:47:47,600 --> 00:47:50,200
Speaker 3: the what if you have those feelings, I just say

958
00:47:50,239 --> 00:47:53,480
Speaker 3: go with it and let it make you feel better

959
00:47:53,520 --> 00:47:55,520
Speaker 3: than bad, because I know when I lost my dad,

960
00:47:55,840 --> 00:47:59,600
Speaker 3: it took me a good three or four years to

961
00:47:59,640 --> 00:48:02,279
Speaker 3: even feel him or see him. And then now it's

962
00:48:02,320 --> 00:48:03,520
Speaker 3: like constantly.

963
00:48:05,320 --> 00:48:08,120
Speaker 2: When things are going really like a moment I need him,

964
00:48:08,280 --> 00:48:11,040
Speaker 2: I will. My dad's pipe smoke was a very distinct

965
00:48:11,120 --> 00:48:14,560
Speaker 2: one and I smell it and I thought I was

966
00:48:14,560 --> 00:48:16,880
Speaker 2: like crazy for and then one time my brother told me,

967
00:48:16,920 --> 00:48:20,760
Speaker 2: He's like, you're gonna think this is wild, but Dad's

968
00:48:20,800 --> 00:48:23,799
Speaker 2: pipe smoke, and I was like, wait, it's happened to me,

969
00:48:23,960 --> 00:48:25,239
Speaker 2: so yeah, I agree with you.

970
00:48:25,320 --> 00:48:25,480
Speaker 1: Jen.

971
00:48:25,880 --> 00:48:32,319
Speaker 3: I love that. And on that note, well, let's get wait,

972
00:48:32,360 --> 00:48:33,480
Speaker 3: what do you guys rate it?

973
00:48:34,000 --> 00:48:34,920
Speaker 2: Oh?

974
00:48:35,040 --> 00:48:36,720
Speaker 3: I don't know how to rate it if I didn't

975
00:48:36,760 --> 00:48:40,680
Speaker 3: see it with my eyeballs all the way through Tory.

976
00:48:40,400 --> 00:48:41,239
Speaker 1: What do you get it?

977
00:48:41,600 --> 00:48:43,880
Speaker 2: I want to give it a ten, but like, but

978
00:48:44,000 --> 00:48:44,680
Speaker 2: next week.

979
00:48:44,600 --> 00:48:48,440
Speaker 3: Is I'm going to give it a ten too, because

980
00:48:48,480 --> 00:48:50,440
Speaker 3: what I did watch I really liked the sneaky thing

981
00:48:50,480 --> 00:48:53,600
Speaker 3: in the bushes and.

982
00:48:52,480 --> 00:48:54,799
Speaker 2: It's just all going on, and the fact that the

983
00:48:54,840 --> 00:48:59,160
Speaker 2: two of you are taking a moment from Jen at

984
00:48:59,200 --> 00:49:01,440
Speaker 2: least Amy is for writing her notes and being in

985
00:49:01,480 --> 00:49:04,919
Speaker 2: the moment, like makes me really happy at this point

986
00:49:04,920 --> 00:49:06,680
Speaker 2: that you guys are into the show like this, Yeah,

987
00:49:07,600 --> 00:49:09,880
Speaker 2: you're feeling it.

988
00:49:09,880 --> 00:49:11,000
Speaker 1: It's real good.

989
00:49:11,560 --> 00:49:14,880
Speaker 3: Well we're gonna feel it next week. Love hurts everybody

990
00:49:15,000 --> 00:49:16,919
Speaker 3: watch it and we will see you there.